All language subtitles for The.Winchesters.S01E12.WEBRip.x264-ION10.en

[crickets chirping]

[metal squealing softly]

[wind howling quietly]

- You really think
we should be here?

What if we get caught?

- Look...when it's your
last night in town,

you can do whatever you want,
all right?

You can play tiddlywinks
for all I care.

But...me?

I want to have a night
I can remember.

- You really think Tacoma's
gonna be that bad?

- Look, I didn't
come here to talk!

OK?
I came here to have fun.

So can we have a good time?

[soft, ominous chords]

[carnival music]

[huffs]

[distant deep laugh]

♪ ♪

Hey, do you hear that?

[music stops]

- Hear what?

[carnival music]

♪ ♪

- [laughs softly]

Check out, Bozo.

- Who?

- That clown over there
in that tent.

- What tent?

[carnival music continues]

[soft giggling]

Hee hee.

- Who's there?

Carnival's closed!
- Security guard's coming.

Hide!
- Hey!

[carnival music continues]

♪ ♪

- Hey, kid, come back here!

♪ ♪

- [chuckling]

Hello?

♪ ♪

[horn squeaking]

♪ ♪

[music stops]

[chuckles]

[soft, uneasy music]

Hello?

[laughter echoes]

Hello?

[eerie music]

Who's there?

♪ ♪

[breathing heavily]

[eerie music intensifies]

♪ ♪

[carnival music resumes]

♪ ♪

[giggling manically]

♪ ♪

[shrill giggling]

[whispering voices]

[strange sounds]

- Hunting's
a dishonest business.

You gotta lie all the time

about who you are
and what you do.

But the hardest lies

aren't the ones
you tell other people.

They're the ones
you tell yourself.

- Another day looking for this
mystery man and still nothing.

It's like this guy's a ghost.

- At least we did find
some killer sandwiches.

- Well, if sandwiches
could kill the Akrida queen,

then we'd be all set.

- I'm just saying,
I don't think

Lata and Carlos
are eating like this.

Besides, we're gonna
find that guy--I know it.

[muffled] Oh, my God.

- I appreciate the positivity.

But are you sure
you're all right?

I mean, you were pretty
aggressive

with the bartender
back there.

- I just thought he was
holding out on us, that's all.

Seriously, though,
you gotta try this.

- No, and the gas station
attendant from before.

Are you sure you're all right

with everything that
happened in Lawrence?

- Yeah, I will be, OK?

All right?
Once my mom and Betty

find evidence
to clear my name, uh...

be able to put all
this in the rearview.

- Rearview?

It's like you're pretending
nothing ever happened.

- Hey, look, I am sorry

if you're upset that I don't
feel worse about this, OK?

Maybe it's the fact that
we left Lawrence or that--

I don't know--we get to
spend a moment alone together.

- Yeah, but John--
- Hey, Mary, can you please

just accept that I'm OK?
[door opens]

- Oh.

Did we...interrupt something?

- I'd like to say
the answer is yes, Lata,

but thank you for making
things more awkward.

- So what's up?

Did you guys find anything
on the mystery man?

- Nope.
But we did find a new mystery.

- Wally Gorman,
last seen two nights ago

at a traveling carnival
in town.

Apparently,
he was with a friend

trespassing after hours
when he vanished.

- People run away with
the carnival all the time.

I mean, what makes you
think this is a case?

- Two words--creepy clown.

And, according to
that news report,

Wally was the only one
to see it.

- I say we check it out.

At least we can do
some good before we go.

- So that's it?
You just...

you just wanna give up?
- No one's giving up.

My dad and Ada are still
looking for magic

to kill the Akrida queen.

And last we spoke,
they split up,

but Ada said she was close.

So I think in the meantime,
this kid could use our help.

- OK, well, then I guess
I'll just go easy

on the sword-swallower
and tattooed man.

[mellow chords]

♪ ♪

[uneasy music]

♪ ♪

[click]

[jazzy '20s music]

♪ ♪

[background chatter]

- [chuckles] Try not to cry
in your cauldrons, ladies.

Full house--
pentacles and swords.

Ha ha ha ha.
- Sorry,

but that's all the
adder's fork I can part with.

- Aw!
- This witch is out.

- Oh, sure, fly away
on your broomstick

just when it's getting
interesting.

[chuckling]

- If you need another
player, I'm happy to join.

- This game is for

professional purveyors
of magic only,

not amateurs who used to
moonlight as bookstore owners.

- You know who I am?

- Ada Monroe,

associate of Men of Letters

and witch with the green thumb

who prefers pruning her demons

instead of sending them
straight back to Hell

where they belong.

[women giggling]

- If you're saying
my magic is no good here,

then I can just go.
- I guess that depends

on what it is.

- Seed of Nightshade,

tended under the full moon.

- Hmm.

More...earth magic.
how quaint.

But I do like to keep
things interesting.

[Gary Lewis & the Playboys,
"Everybody Loves a Clown"]

♪ ♪

- ♪ Everybody
loves a clown ♪

♪ So why don't you? ♪

♪ Everybody laughs at the
things that I say and do ♪

- Don't you just
love carnivals?

- Which part?

Being surrounded
by screaming kids

or adults trying to fix
whatever problems

they have in their life
by winning a stuffed giraffe?

What about you two?

I mean, any thoughts
on all this fun?

- Look.

Wally saw a clown, right?

Could be a good place to start.

Hi, excuse me?

We're interns
at the "Fort Wayne Examiner"

and our boss told us to do
a follow-up story

on the kid who went missing
the other night.

- I already told the paper and
the cops everything I know.

Most importantly,
I was nowhere near that kid

when he went missing.

And I got a bar full of people

I was passed out
in front of to prove it.

- Well, there must be something
that you could tell us,

like if you or any
of your carny friends

have any theories.

- A couple a ride boys who run
the Tilt-a-Whirl have an idea.

But I have a feeling
your boss at the paper

wouldn't have the guts
to print it.

- Why?
What do they think happened?

- They say that kid's
the latest victim of Limbo.

Limbo the Clown.

- Um...I'll probably regret
asking this later,

but, uh, who's that?

- Limbo is a...

carnival urban legend.

No one knows if there's
a man or a monster

under that greasepaint.

He goes from carnival to
carnival pitching his tent--

Limbo's Hall of Happy--
and luring folks inside.

And once he does,
no one ever sees you again.

[horn squeaks]

Now...

Sorry to let things
get out of hand...

[horn squeaking]

[funny voice] But I've
gotta go make a living.

- OK. Granted, Limbo
the kidnapping clown--

terrifying.

But could any of you
take that guy seriously?

- At least it's a start.
- I'll head back to the motel

and see if I can
find anything in the lore.

- OK. 'Losi, why don't
you go with Lata--

- Actually,
I'm gonna go with Lata.

So why don't you
stay with Mary?

- I--

[ominous music]

♪ ♪

- I see your bones...

and I raise you.

All in.
- Ah.

- That's too rich for
this witch's blood.

- I fold too.

- [chuckles softly]
I'll bite.

Let's see what the
Fates have given you.

- Full house.

- Mmm.

Straight flush.

[women giggling]

I tried to warn you

that our game
was out of your league.

- I just--please,
just let me--

let me borrow some magic to
try to win some of it back.

I promise I'm good for it.

- Oh.

This isn't just about
some more

seeds and bones, now is it?

- I know this game attracts
powerful magic users.

And I need some of it.

I need it to stop
the Akrida queen,

to defeat their invasion.

- [scoffs] Ha.

- The Akrida?
- Yes.

- No one knows when that
invasion's gonna happen.

But when it does,
it can't be stopped.

They're too powerful.

- She's right.

Find a coven to join--not
that anyone here is offering.

Enough dark magic users

should be
able to protect each other

from the storm those bugs
are going to whip up.

- I can't do that.
I have friends, I have family

that I have to think about.
Please.

There has to be something
that can stop them.

Please.

- Prove

you are powerful enough
to wield that kind of magic,

and maybe, perhaps,
we'll let you stay.

- OK. How?

[ethereal chords]

- Make it grow.

No water, no dirt.

Just magic.

[lightly edgy music]

♪ ♪

- [exhales]

[soft, stirring music]

♪ ♪

[gasps]

- Ha ha ha ha ha ha!

Amateur hour is over.

Ha ha ha ha ha!

Don't let the warded door
hit you on the way out.

- Ada Monroe?

I heard about
what you're after,

and I can help
for the right price.

- Who are you?

- I'm your new best pal.

My name is Rowena.

[dramatic chords]

- [sighs]

- These are all
from the library?

- There aren't many holes
in my lore collection,

but I'm afraid carnival
lore is one of them.

- "Folklore
of the American Carnival."

"Clowning Around: A History
from Alfie to Zappo."

You really think
there's gonna be

stuff about Limbo in here?

- Before we see,

I wanted to check in

after everything
that's happened.

- Right.

Is this...you checking?

Or did Mary put you up to this?

- Whatever is going
on between the two of you

is none of my business.

I'm asking because
you're my friend.

[melancholy music]

- I'm good.

Yeah.

Thanks.

♪ ♪

[chatter, laughter]

- I see no sign of Limbo's
Hall of Happy anywhere.

So what now?

- We get to the
important stuff,

like you spilling on what
you and soldier boyfriend

were fighting about
back at the motel.

- Let's just say being
accused of murder

hasn't exactly helped John
with his anger issues.

He's in total denial.

- Everybody processes
trauma differently.

At least,
that's what Dr. Z says.

- I just wish I knew
how to help.

- Well, timing's
definitely not great.

If Ada finds that magic,

we'll definitely have an Akrida
fight on our hands soon.

- [crying] I'm just
so worried about him.

[sniffling]

[somber music]

- Everything's gonna be OK.
All right?

We're in this together.
- [normal voice] I know.

So just keep pretending like
you're comforting me anyways.

- Wait, what?
- Someone's following us.

Over my shoulder, 1:00.

- Oh, damn it.
He made me.

- Quick!

- Oh, I think
I found something.

Limbo's real name
was Jerome Haskins,

and he was a part of
a carnival that traveled

the Midwest in the 1920s.

- Says here he was one
of the main attractions.

- Until the one-two punch
of the Dust Bowl

and Depression hit, and the
entire carnival went under.

- Well, they say every
clown has a sad story.

Now, we know his.

- Except that wasn't
the end of it.

According to legend,

Haskins searched out
a powerful occultist

and asked to trade
his soul for dark magic.

- Let me guess.
He wasn't asking for

a shiny new nose
and clown shoes?

- No.

It was for a spell

to make him forget
all of his problems

and freeze him like that,
so he could stay happy forever.

- There.

[dramatic music]

- [groans]

♪ ♪

[man groans]

- Who are you,
and why are you following us?

- Because I wanted to know
what you found out about Limbo.

And I don't trust reporters.

- Reporters?

- From the "Fort Wayne
Examiner," remember?

- Oh! Ha...

Of course.
Never mind.

- So why do you care
so much about Limbo?

Is it about Wally,
the missing kid?

- No, somebody else--
my little brother Roger.

Limbo took him 30 years ago.

♪ ♪

- So you're not
really reporters.

You're Monster Hunters?

- It's something that we
don't like to advertise

for obvious reasons.
- Could you tell us more about

what happened to your
brother, Clarence?

- I was 18

and Roger was 10

when our parents
died in a car crash.

Growing up eight years apart,

we were never close,
so I didn't know what to do--

how to help him through
his grief, you know?

So instead,
a day after the funeral,

I took him to the carnival
to try and cheer him up.

It only made things worse.

And he ran off.

I looked everywhere.

But all I found
was this little girl.

She said
she'd seen Roger vanish,

like he just disappeared.

- Did you try
telling the police?

- They thought the little
girl was seeing things

and eventually stopped
searching for Roger

and gave up.
But I didn't.

That's when I heard of
the Legend of Limbo.

If only I'd helped him
through his grief

instead of taking him
to that damn carnival,

he'd be here right now.

[soft music]

- You were just a kid too.

I lost both of
my parents to monsters.

I know how hard it is.

- Maybe that's it.
According to the paper,

Wally was upset because his
parents were getting divorced

and forcing him to move.

And now we know that
Roger was upset too.

- So you think Limbo's
targeting his victims?

Searching for people who are
sad or dealing with grief

and luring them into his tent?

- I think
he's adding to his troupe.

- Well, we're gonna
find your brother.

- You don't have much time.
The carnival starts

pulling up stakes tonight,
and once it's gone,

there's
no telling where or when

Limbo will strike next.

- Then we need to figure
out what kind of magic

we're up against, stat.
- I'm on it.

I was able to
identify the occultist

Limbo made a deal with.

Hopefully,
digging into his lore

will lead to how to defeat
Limbo.

- I know I'm no Monster Hunter,

but have some research
on Limbo,

things I've gathered
searching for Roger.

- OK. Great.

So Carlos, you go with Clarence
and grab everything he's got,

and then meet Lata
back at the motel.

John and I are gonna
stay here and make sure

that Limbo doesn't snatch
anyone else up before he goes.

[somber music]

♪ ♪

- Here it is.

The grimoire you say the Men
of Letters stole from you.

- Ah, yes!

My old grimoire.

- Yes, which means
it's now your turn

to fulfill
your end of the bargain.

You promised me magic

powerful enough
to kill the Akrida queen.

- That I did.

But there's just one teeny,
weeny, wee little problem.

[inhales, exhales]

This was never my grimoire.

I lied.
Terrible of me, I know.

But I had to make sure

you let me through
that heavily warded door.

- Why?

What do the Men of Letters
have here that you want?

- Not the Men of Letters,
Ada Monroe.

[whispering] You.

Those hags may have dismissed
your green-thumbed magic,

but not me.

I'm here for the demon
you trapped in a plant.

- So now that you got me
alone, what's the plan?

Wanna grill me again?

Try to figure out
why I'm not as upset

as you think I should be?

- After investigating this
case, I think I know why.

- Really?
And why is that?

- What if it's us?

What if our relationship
is the problem?

- Wanna tell me how
Hunting an evil clown

suddenly makes you think
we have issues?

- Not hunting Limbo.

Talking to Clarence about
what happened to his brother.

- Mary, that doesn't make
any sense.

- Clarence used
the carnival as an escape

so his brother wouldn't
have to face his problems.

Don't you think it's possible

that you've
been using our relationship

in the same way?
- OK, so our relationship

is a circus carnival
in this metaphor.

- No.
It's something happy

to distract you
from your issues.

And it's been working, because
ever since we left Lawrence,

you've been pretending that
we've been on vacation together

instead of on the run
for Kyle's murder.

Either that,
or you're flying off the handle

because it's like you're
totally ignoring reality.

- I'm ignoring reality?

You're honestly gonna
stand here

and act like you're
not avoiding your issues, too?

OK, what about life
after Hunting or us?

- Well, I applied to college,
and I got in.

- Great. And then what
have you done since?

Have you accepted the offer?

Have you enrolled
for any classes?

Have you taken a second
to think about

how any of this works
if I'm still Hunting?

- Sorry I'm too busy
trying to save the world.

- There it is, Mary,
the eternal excuse.

I mean, admit it--the second
your future got real,

you did what you always do.

You buried your head
in the Hunting sand

so you wouldn't have
to think about college

or our relationship.
- You know what?

Think what you want.
I don't have time for this.

- And there you go,
proving my point.

- It's Limbo.

I think he's here.

OK.

Walkie if you see any
sign of him or the tent.

- Don't you think
we should stick together?

- Why bother?

I'm probably just
sticking my head

in that Hunting sand, right?

[carnival music]

♪ ♪

- John, I found Limbo's tent.

I'm going in.
- Mary, wait for me.

I'll be right there.

[cheerful carnival music]

♪ ♪

Mary!

[dark music]

Mary!

♪ ♪

Mary.

Mary.

♪ ♪

- At one moment,
she's radioing me.

The next, she's
vanishing into thin air.

There was no sign of Limbo
or his tent anywhere.

- Just like with
Wally and Roger.

Do you think Limbo
was targeting her

the way he was targeting them?

- Except for one detail
that doesn't make any sense.

I mean, Mary wasn't upset like
the others when it happened.

- Unless she was.

- OK, look,
we got into a fight.

But neither one of us realized
what it was going to lead to.

- All right,
we need to find her.

And we also need to
find a way to defeat Limbo

before the carnival goes
and he goes with it.

- OK. I think I might have
some ideas

based on the information
I found on the occultist

that Limbo made a deal with.

Limbo's happiness
is the result of a mirror

that was given to him
by the occultist

that's enchanted by dark magic.

And he can only
maintain that happiness

by spreading it to others.

- That must be why
Limbo kidnaps people.

- The good news is while
Limbo's happiness is absolute,

it's also very fragile because
if anyone from his troupe

were to be convinced to
embrace reality again,

then Limbo would be destroyed

and all of his victims
set free.

- Great. So we crash
Limbo's happy party,

avoid looking into his
mirror, and we talk

some sense into one of them.
- Yeah.

We just need to
figure out how to find

a tent that we can't see.

- Why don't we get Limbo
to target one of us?

I know I'm pretty
upset with Jonathan

now that Mary's missing.

- Playing into his hand
can't be a good idea.

There has to be another
way to gain admission.

- Admission.

When Mary went missing,
she found this ticket.

It's like it appeared
right after our fight.

- Perhaps it's only
offered once a person has

been primed for Limbo's spell.

- I think I may know
where to find one.

Clarence had a bunch of
old Limbo memorabilia

along with all of his research.

Here, an old ticket to
Limbo's Hall of Happy.

- You think it'll work?

- It better, because
we don't have much time

until the carnival is gone.

- So much evil
in such a small package.

It practically
radiates darkness.

Ohh...

I can feel it.

- The demon
wasn't part of our deal.

Why do you even want it?
Are you trying to play

both sides against the middle
here, like--

- Dinnae get your
knickers in a twist, hen.

This has nothing to do with
the Akrida, I can assure you.

You're potted little
hellraiser here

has information about my son.

[dramatic music]

- I have a son too.

But just give me the
magic you promised me,

and I will let you
take the plant and go.

- Or...
what're you gonna do?

Maybe those witches were right.

Maybe you're not powerful
enough to stop the Akrida.

Or me, for that matter.
- Don't.

- Toodles.

- I said, stop!

- Now look who's trying
to prove me wrong.

I hate being wrong.

Aaah!

- That's where
Mary disappeared.

- The carnival's literally
pulling up stakes.

- Then we all need to
grab Clarence's ticket

and see if it really works.

[distant carnival music]

♪ ♪

- Just when you thought things
couldn't get any creepier.

I don't see any sign of Mary.

- Or Limbo
and his clown troupe.

[thud]

John?

John?
- John?

John!
- John!

- Mary?

Are you in here?

Don't look into a mirror
in a maze filled with them.

Fantastic.
All right.

[horn toots]

- [giggles] Hello, John.

You ready for some fun?

- Where is she?
- [giggles]

Come on, John.
I can't tell you that.

That would spoil the show.

- I said tell me where she is!

- [laughing] Or what?

You gonna hurt me, John?

Because I abhor violence.

I just want people to be
happy, even people like you.

[giggling]

See, I know that you
cheated your way in here.

[clucks tongue]

[giggles] But don't worry.

I won't hold it against you.

After all, you need me
as much as anyone.

- Yeah, I don't need you.

And neither does Mary.

Mary?
Are you in here?

- Look at you.

What a smarty pants you are,
covering your eyes

so you don't look into
my special mirror.

But which one is it?

There's so many of them.
It's so hard to tell.

- Mary, can you hear me?

- [giggles]

Getting warmer, John.

Oh ho ho, warmer.

John, you're practically
on fire now.

- John.

- Mary.
- You came to find me.

- Of course. OK, look,
we have to get out of here.

- John, we can't.
- What are you talking about?

We'll break our way outta
this maze if we have to.

- No, you don't understand.
I wanna stay here.

And I want you to
stay with me too.

- What?
- We can be together

where there aren't
any problems.

And we never have
to fight again

about my future or your anger.

We can be happy in
Limbo's tent forever.

- But none of it would be real.

It would all be
a part of Limbo's spell.

Mary, there's a world out
there that we have to save.

- Not if we stay.

Limbo can protect us
from all of that here.

All you have to do is look
in the mirror behind me.

- No.

We're leaving.
Come on.

[unsettling music]

♪ ♪

- A bit of misdirection.

I'm sorry to have
to trick you, John.

But I guess the joke's on you.

Now, put a smile on that face.

[discordant music]

♪ ♪

[knocking]

- John!
- Come on!

[bike bell dings]

[horn honks]

[whistle tooting]

- Oh, gross. No.

[all giggling]

Still wanna stand by
your love of carnivals?

- If we survive this,
I promise I'm never going

to eat cotton candy again.

[bell dinging,
clowns giggling]

- What are we supposed to do?
- Run!

Wait.
The door.

- There's no way out.

[limbo laughs]

- John?
oh, no, no, no, no, no.

This is not happening.

- Looks like we have
more uninvited guests.

Let's give them a show anyway.

Make them die laughing.

[horn honks]
[clowns giggling]

- Mary, please, all right.

You just need to listen.

John?

John? All right.
[clapping]

Come back to reality.
Don't do this.

- Carlos,
they're not listening.

We need to find
someplace safe to hide.

They're going to rip us apart.

- Clown car.
- [shrieks]

[both shouting]

- Shut the door.
Shut the door!

- [screams]

- [giggling]

- Keys? Keys?

Where are the keys?
- I have no idea.

What do you mean?

Aah!

- Roger?

- Oh, my God, we're going to
die in here, in a clown car!

[all giggling]

- Roger, I know
you can hear me.

I know what it's like
to lose your parents--

how painful and how
chilling it all is

feeling like you're
all alone in the world.

And you just want that
feeling to go away.

But I promise you,
you are not alone.

You have a family,
just like I do,

that loves you
and that misses you.

And your brother Clarence?

He's been looking for you
this whole time.

And he never gave
up on you because--

because he loves you.

- No, no, no, no. Hey!

- And he wants to
be with you again.

You just have to
want that, too.

- Hey, cheer up in
there, kid, huh?

[horn squeaking]

I said, cheer up!
[squeaking]

- Roger, listen to me.

Do you want to see
your brother again?

[clowns laughing,
objects smashing]

- Yeah, I do.

- No, no, no, no.

No, no!

[echoing]
No!

[cracking sound]

[low murmuring]

[sentimental music]

♪ ♪

- Hey.

Are you two OK?

- Yeah.
Other than my face hurting

from smiling so hard,
I think so.

How about you two?

- Well, other than
our two best friends

almost ripping us apart,

yeah, pretty peachy keen.

♪ ♪

- Finally!

You're awake.

Here, drink this.

It's a nice wee cup
of my own special brew

to help restore you after
all the magic you expended.

- Thanks...

but I'll pass.

Why are you still here?

- This was never just
about that demon,

much as I'll enjoy
torturing him.

It was also a test,
one you just passed.

- A test?

- To see if you were powerful
enough to join my coven.

Those witches were
right about one thing.

The Akrida are so powerful,
even with the right magic,

stopping their invasion
may be impossible.

And it's coming soon.
- Wait.

You know when the queen
is opening her portal?

- Not exact details.

I mean,
I know she needs help--

something about an alignment
of five planets, or--

- I need the magic
you promised me.

Now.

- [groans] Heroes.

Here you are.

- That's it?

That's supposed
to kill the queen?

- There is one more ingredient
that needs to be added.

The good news is you don't
have to go too far to get it.

The bad news is
once you use it,

you'll never be quite the same.

- And why is that?

- Because the ingredient
is right here,

dearie.

It's a piece of your own soul.

[heavy music]

♪ ♪

If you survive this,
Ada Monroe,

look me up.

You're more powerful
than you know.

And I have so much
to teach you.

[whoosh]

- Must be kinda weird
for both of them, right?

I mean, before it was just
8 years, and now it's 38.

- I guess it's better than
never seeing him again.

Thank you for what you did--

Saving us.

- I kinda had no choice.

- I have to ask.

Do the two of you remember it,
when you were clowns?

- Yeah, all of it.

- How terrifying.

- Actually,
it was kind of nice.

- Uh, Lata, let's go check
on Roger and Clarence.

- So do you really mean that?

- Didn't it feel good to you,

not having to worry about
our problems for a second,

not to have to worry about us?

- Maybe.

But it also made me realize
that you were right.

I have been ignoring things

because it's easier
than facing the truth.

I'm sorry for that.

I am also sorry for being
so angry with you.

- I guess I got kind
of angry myself,

you calling me
a hypocrite and all.

But you were right too.

Thinking about
the future is scary.

- So are we good?

[vehicle approaching]

- Mom, what are you doing here?
- I thought you'd wanna

to hear the good news.
Betty and I found a witness

who can attest that Kyle
arrived at the garage

after he made the 911 call
saying he was already there.

I talked to a lawyer.

He said it's enough
to clear you.

- Thank you.

- It'll be good to have
you home

after we stop by the clubhouse.

Ada's back--said she's got
something on the Akrida.

So what is all this stuff?
- Star charts.

I traded magic with a witch
who told me that five planets

have to be in alignment
in order for the queen

to open her portal.

But I can't make
heads or tails of when

that's supposed to happen.

- Maybe I can.

- Well, there's still the
problem of how to stop her

and the entire Akrida army.

- That's where
the trade came in.

There's supposed to be
enough magic in this crystal

to kill the queen.

- Well, way to bury
the lede there, Ada.

That's incredible.

How do you know that little
crystal can do all that?

[uneasy music]

- I guess I'm just that good.

- And not a moment too soon.

- Why?

- According to this,
the planetary alignment

that the queen needs
has already begun.

[ominous music]

♪ ♪

- [whistling]