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1
00:01:00,560 --> 00:01:04,079
Humphrey, thank you so much
for doing this.
2
00:01:04,080 --> 00:01:06,679
Oh, nonsense. It's exactly
what we should be doing -
3
00:01:06,680 --> 00:01:08,559
serving the community.
4
00:01:08,560 --> 00:01:09,600
Besides...
5
00:01:10,680 --> 00:01:12,320
..Kelby volunteered.
6
00:01:16,520 --> 00:01:18,519
One of these?
What? No, no, no, no.
7
00:01:18,520 --> 00:01:20,479
There's too much glare.
Just change the filter,
8
00:01:20,480 --> 00:01:22,879
will you, please?
All right, Mr Witham.
9
00:01:22,880 --> 00:01:27,559
Mr Witham, may I introduce Detective
Inspector Humphrey Goodman,
10
00:01:27,560 --> 00:01:31,199
Detective Sergeant Williams,
and PC Hartford?
11
00:01:31,200 --> 00:01:34,959
This is Terence Witham, the
current owner of the Solo Mare.
12
00:01:34,960 --> 00:01:36,199
Very pleased to meet you.
13
00:01:36,200 --> 00:01:39,680
One of you will be in the room
with the painting, yes? Er, yes.
14
00:01:41,000 --> 00:01:42,160
I do hope it's you.
15
00:01:43,160 --> 00:01:44,560
Actually, no.
16
00:01:46,600 --> 00:01:47,839
All right?
17
00:01:47,840 --> 00:01:51,479
You're the finest Shipton Abbott
has to offer, are you?
18
00:01:51,480 --> 00:01:52,560
Yes.
19
00:01:55,560 --> 00:01:57,720
How very reassuring. Excuse me.
20
00:01:59,440 --> 00:02:02,599
Hmm. He's a bundle of fun.
21
00:02:02,600 --> 00:02:04,319
He's artistic.
He's very highly strung.
22
00:02:04,320 --> 00:02:05,999
Yeah, he should be.
23
00:02:06,000 --> 00:02:08,520
Right, get yourself set up.
24
00:02:11,560 --> 00:02:13,240
The Solo Mare!
25
00:02:17,840 --> 00:02:19,560
It's a horse's bottom.
26
00:02:20,760 --> 00:02:25,159
Yes...but the front end is looking
at Shipton Abbott in 1710.
27
00:02:25,160 --> 00:02:27,879
Maybe they should have
moved the horse out the way.
28
00:02:27,880 --> 00:02:30,559
Humphrey, let me introduce you
to our hostess.
29
00:02:30,560 --> 00:02:32,879
This is Lady Louise Fitzallan.
30
00:02:32,880 --> 00:02:35,839
Wonderful to meet you.
I've heard so much about you.
31
00:02:35,840 --> 00:02:36,879
Oh.
HE CHUCKLES
32
00:02:36,880 --> 00:02:39,159
Anne and I are on
the Arts Committee together.
33
00:02:39,160 --> 00:02:41,679
This is DS Williams.
You have a beautiful home.
34
00:02:41,680 --> 00:02:43,039
Thank you.
35
00:02:43,040 --> 00:02:47,079
Augustus Craig, the artist, was
my great-great-great-grandfather.
36
00:02:47,080 --> 00:02:49,359
So I understand, yes.
37
00:02:49,360 --> 00:02:51,559
I hear you're lending us
a constable for the evening.
38
00:02:51,560 --> 00:02:52,639
HUMPHREY CHUCKLES
39
00:02:52,640 --> 00:02:55,399
It seems it really does pay
to have friends -
40
00:02:55,400 --> 00:02:57,759
or rather, future son-in-laws -
in high places.
41
00:02:57,760 --> 00:03:01,040
Yes. It's been a pleasure
meeting you both. And you.
42
00:03:05,280 --> 00:03:06,959
Kelby...
43
00:03:06,960 --> 00:03:08,999
..we'll leave you to it, then.
Thanks.
44
00:03:09,000 --> 00:03:11,799
Um... Oh, and, sir,
45
00:03:11,800 --> 00:03:15,479
um...thank you
for trusting me with this.
46
00:03:15,480 --> 00:03:17,440
I can't think of a better man
for the job.
47
00:03:29,800 --> 00:03:32,320
INDISTINCT SHOUTING
48
00:03:34,800 --> 00:03:36,480
WOMAN: Justice for Edith!
49
00:03:37,880 --> 00:03:40,599
Um...who are they?
50
00:03:40,600 --> 00:03:43,759
Oh, they call themselves
Edith's Army.
51
00:03:43,760 --> 00:03:46,359
Who's Edith?
According to them,
52
00:03:46,360 --> 00:03:49,519
the person who really painted
the Solo Mare.
53
00:03:49,520 --> 00:03:50,840
Really?
54
00:03:53,880 --> 00:03:56,199
OK, so that's everyone.
55
00:03:56,200 --> 00:03:58,040
Mr Witham?
56
00:03:59,160 --> 00:04:01,199
You'll lock the door behind us, yes?
57
00:04:01,200 --> 00:04:02,920
Yes, sir.
Good.
58
00:04:07,760 --> 00:04:13,399
No-one is to go beyond those ropes
until I return in the morning, yes?
59
00:04:13,400 --> 00:04:14,720
Understood, sir.
60
00:04:45,440 --> 00:04:47,240
HE SNARLS
61
00:04:48,480 --> 00:04:50,920
HE MOANS
62
00:04:57,000 --> 00:04:58,759
Take that, Margo.
63
00:04:58,760 --> 00:05:00,080
Yeah!
64
00:05:03,160 --> 00:05:05,160
HE IMITATES LIGHTSABER NOISES
65
00:05:06,240 --> 00:05:08,240
Pow, pow, pow, pow, pwww!
66
00:05:27,160 --> 00:05:28,680
Thanks, Mum.
67
00:05:37,800 --> 00:05:39,799
WIND WHISTLES
68
00:05:39,800 --> 00:05:41,759
CLUNK
69
00:05:41,760 --> 00:05:43,080
Hello?
70
00:05:46,280 --> 00:05:48,239
Hello?
71
00:05:48,240 --> 00:05:50,080
DOOR UNLOCKS
Hello?
72
00:05:52,320 --> 00:05:53,520
Hello?
73
00:05:55,640 --> 00:05:57,440
FIZZING
74
00:06:00,160 --> 00:06:01,519
The power's gone out.
75
00:06:01,520 --> 00:06:03,720
CLOCK STRIKES MIDNIGHT
76
00:06:12,640 --> 00:06:13,920
Hello?
77
00:06:22,800 --> 00:06:24,600
Hello?
78
00:07:16,960 --> 00:07:18,959
CLUNK
79
00:07:18,960 --> 00:07:20,240
Huh!
80
00:07:41,040 --> 00:07:43,119
HE SNORES GENTLY
81
00:07:43,120 --> 00:07:45,319
KNOCK AT DOOR
82
00:07:45,320 --> 00:07:46,720
You know me...
83
00:07:48,280 --> 00:07:50,439
I'm here...
84
00:07:50,440 --> 00:07:52,719
INSISTENT KNOCKING
85
00:07:52,720 --> 00:07:54,200
ANNE: PC Hartford? Hello?
86
00:07:59,160 --> 00:08:00,839
Is everything OK?
87
00:08:00,840 --> 00:08:02,959
Er...yes, Mrs Lloyd.
88
00:08:02,960 --> 00:08:05,399
Excellent. I wonder,
would you stay around
89
00:08:05,400 --> 00:08:07,279
until Lady Louise and Mr Witham
come up?
90
00:08:07,280 --> 00:08:09,919
They're just having breakfast
downstairs. Of course.
91
00:08:09,920 --> 00:08:12,439
Shall I bring you up
a bacon sandwich?
92
00:08:12,440 --> 00:08:14,320
Oh, yes, please!
93
00:08:16,960 --> 00:08:18,679
SHOUTING
94
00:08:18,680 --> 00:08:20,080
HORN BEEPS
95
00:08:23,040 --> 00:08:26,360
SHOUTING AND HORN BEEPING CONTINUE
96
00:08:39,240 --> 00:08:41,240
Hello.
Hello.
97
00:08:42,480 --> 00:08:45,199
Need a hand?
No, it's the last one.
98
00:08:45,200 --> 00:08:48,479
Oh, mini Yorkshire puddings!
Excellent.
99
00:08:48,480 --> 00:08:50,000
I'll save you one.
100
00:08:51,200 --> 00:08:57,359
Thank you all very much for coming
to help us mark the historic return
101
00:08:57,360 --> 00:09:00,080
of Shipton Abbott's
very own Solo Mare.
102
00:09:01,280 --> 00:09:03,719
As acting chair
of the Arts Committee,
103
00:09:03,720 --> 00:09:06,399
I'd like to thank
Lady Louise Fitzallan
104
00:09:06,400 --> 00:09:08,239
for inviting us into her home,
105
00:09:08,240 --> 00:09:11,399
not to mention agreeing
to buy the painting
106
00:09:11,400 --> 00:09:12,760
on behalf of Shipton Abbott.
107
00:09:19,000 --> 00:09:21,159
I'd also like to thank
Mr Terence Witham,
108
00:09:21,160 --> 00:09:23,319
the current owner of Solo Mare,
109
00:09:23,320 --> 00:09:25,879
for agreeing to allow it
to return home,
110
00:09:25,880 --> 00:09:28,559
to come back, as it were,
to its rightful place,
111
00:09:28,560 --> 00:09:31,399
to the manor house
where it was conceived.
112
00:09:31,400 --> 00:09:33,639
After the unveiling,
we will all witness
113
00:09:33,640 --> 00:09:37,159
this historic moment live,
as it were,
114
00:09:37,160 --> 00:09:40,199
when the deeds of agreement
are signed
115
00:09:40,200 --> 00:09:42,079
and the transaction completed.
116
00:09:42,080 --> 00:09:46,039
So without further ado, I would like
to invite the Mayor and Mayoress
117
00:09:46,040 --> 00:09:48,439
to step forward
and reveal to us
118
00:09:48,440 --> 00:09:51,920
what we have all been waiting
a very long time to see.
119
00:09:57,400 --> 00:10:00,320
On behalf of everyone
in Shipton Abbott...
120
00:10:01,560 --> 00:10:03,200
..welcome home.
121
00:10:04,400 --> 00:10:06,240
ALL GASP
122
00:10:13,480 --> 00:10:14,759
I will sue.
123
00:10:14,760 --> 00:10:16,799
I will sue you.
I will sue the Arts Committee.
124
00:10:16,800 --> 00:10:18,799
I mean, there was a police officer
in the room,
125
00:10:18,800 --> 00:10:20,599
for goodness' sake,
in the room!
126
00:10:20,600 --> 00:10:22,440
There's nothing
we could have done! It's...
127
00:10:24,400 --> 00:10:27,079
ESTHER: I've checked with Mrs
Fitzallan in case anyone could have
128
00:10:27,080 --> 00:10:29,039
hidden in the room
before it was locked.
129
00:10:29,040 --> 00:10:30,519
There are
no secret compartments
130
00:10:30,520 --> 00:10:32,439
or false walls
anywhere in this room.
131
00:10:32,440 --> 00:10:34,399
This window latch
is broken,
132
00:10:34,400 --> 00:10:36,359
which means it could be opened
from the outside.
133
00:10:36,360 --> 00:10:38,799
I saw someone out of that
window running across the lawn
134
00:10:38,800 --> 00:10:40,920
with a...an orange cap on.
135
00:10:41,920 --> 00:10:44,239
What time?
Midnight.
136
00:10:44,240 --> 00:10:46,479
Would you know them
if you saw them again?
137
00:10:46,480 --> 00:10:50,079
I'm not sure, sir. It was dark
and it happened just after
138
00:10:50,080 --> 00:10:52,719
the electric went off.
There was a power cut?
139
00:10:52,720 --> 00:10:55,599
You didn't say anything.
Well, it came back on again.
140
00:10:55,600 --> 00:10:57,079
But you didn't leave the room?
141
00:10:57,080 --> 00:10:58,119
No.
142
00:10:58,120 --> 00:11:00,679
Well...not really. I...
143
00:11:00,680 --> 00:11:04,119
I... I opened the door
when the power went off.
144
00:11:04,120 --> 00:11:06,039
You opened the door?
145
00:11:06,040 --> 00:11:08,359
To see if anyone
was sorting out the electric.
146
00:11:08,360 --> 00:11:09,680
But you stayed in the room?
147
00:11:14,320 --> 00:11:17,680
I might have stepped out
for a minute.
148
00:11:23,160 --> 00:11:25,959
Gallery room needs to remain sealed
until Forensics get here.
149
00:11:25,960 --> 00:11:28,399
I want a list of everyone
who stayed at the house last night.
150
00:11:28,400 --> 00:11:30,119
Can someone tell me what's going on?
151
00:11:30,120 --> 00:11:32,879
We'll bring you up to speed
as soon as we know more, sir.
152
00:11:32,880 --> 00:11:35,239
I heard they came in
through the window,
153
00:11:35,240 --> 00:11:37,679
in which case, how the hell
did they get past him, hmm,
154
00:11:37,680 --> 00:11:38,920
unless he left the room?
155
00:11:42,160 --> 00:11:44,199
HUMPHREY CLEARS THROAT
You did, didn't you?
156
00:11:44,200 --> 00:11:45,999
Sir, that's enough.
157
00:11:46,000 --> 00:11:47,919
Please go back inside
and let us do our job.
158
00:11:47,920 --> 00:11:50,879
Ha! You haven't exactly covered
yourself in glory so far,
159
00:11:50,880 --> 00:11:53,159
have you? I want answers.
160
00:11:53,160 --> 00:11:55,400
Then I suggest you leave us alone
to find some.
161
00:11:56,880 --> 00:11:58,080
Bloody amateurs.
162
00:11:59,800 --> 00:12:02,359
This is all my fault.
163
00:12:02,360 --> 00:12:05,040
Hey, I think you'd better see this.
164
00:12:10,600 --> 00:12:12,279
Just under the gallery room.
165
00:12:12,280 --> 00:12:14,359
Must have been the guy
who Kelby saw running away.
166
00:12:14,360 --> 00:12:16,239
Yeah, but if he was here
to steal the painting,
167
00:12:16,240 --> 00:12:18,919
why risk getting caught
to stop and do graffiti?
168
00:12:18,920 --> 00:12:20,999
Let's get it all taped off
169
00:12:21,000 --> 00:12:23,839
and have Forensics check it
while they're here.
170
00:12:23,840 --> 00:12:26,279
We waited all this time,
and it was here one night!
171
00:12:26,280 --> 00:12:29,799
We'll get it back, Margo. You'd
better go and open the station.
172
00:12:29,800 --> 00:12:31,040
Yeah.
173
00:12:33,000 --> 00:12:34,240
What shall I do?
174
00:12:35,760 --> 00:12:37,280
Maybe you go too.
175
00:12:43,600 --> 00:12:46,039
If Kelby's right about
only being on the landing
176
00:12:46,040 --> 00:12:48,559
a couple of minutes,
that's not long enough to break in,
177
00:12:48,560 --> 00:12:50,919
get into the room,
take the painting from the frame,
178
00:12:50,920 --> 00:12:52,079
and get back out again.
179
00:12:52,080 --> 00:12:53,919
He must have been
out of the room longer.
180
00:12:53,920 --> 00:12:56,039
Yes, agreed.
How's it going?
181
00:12:56,040 --> 00:12:58,239
I'm a bit flummoxed, to be honest.
182
00:12:58,240 --> 00:13:00,679
Mum's distraught.
It's not her fault.
183
00:13:00,680 --> 00:13:03,400
That's not how she sees it.
She organised everything.
184
00:13:04,520 --> 00:13:06,919
You will get it back for her,
won't you?
185
00:13:06,920 --> 00:13:08,600
CAMERA SHUTTER CLICKS
186
00:13:17,000 --> 00:13:18,519
MARGO: It's going to be all right.
187
00:13:18,520 --> 00:13:19,880
OK. Bye.
188
00:13:21,760 --> 00:13:24,719
That was Dot Trowman.
Lost 25 sheep.
189
00:13:24,720 --> 00:13:26,399
Got out of her bottom field.
190
00:13:26,400 --> 00:13:28,239
I'll head down there.
191
00:13:28,240 --> 00:13:30,039
Margo, anything back
from the scene yet?
192
00:13:30,040 --> 00:13:32,199
Forensics have just arrived.
193
00:13:32,200 --> 00:13:35,079
Right. Um, OK,
while we're waiting for them,
194
00:13:35,080 --> 00:13:36,879
let's start building a picture.
195
00:13:36,880 --> 00:13:39,079
Background checks on these
to start with, please.
196
00:13:39,080 --> 00:13:40,240
Thank you.
197
00:13:41,680 --> 00:13:43,519
SHE SNORTS
Missing a few, aren't we?
198
00:13:43,520 --> 00:13:45,599
Er, who?
199
00:13:45,600 --> 00:13:48,839
Head of the Arts Committee,
who organised everything.
200
00:13:48,840 --> 00:13:50,159
Caterers...
201
00:13:50,160 --> 00:13:52,359
You want me to investigate
my future mother-in-law
202
00:13:52,360 --> 00:13:53,640
and my fiancee?
203
00:13:54,720 --> 00:13:56,759
Depends if you want to be thorough
or not.
204
00:13:56,760 --> 00:13:59,720
Just those people on the list.
Thank you, Margo.
205
00:14:07,200 --> 00:14:09,160
HE SIGHS
Kelby...
206
00:14:10,560 --> 00:14:12,760
..you mustn't blame yourself,
you know.
207
00:14:14,160 --> 00:14:15,640
I was the one guarding it.
208
00:14:17,120 --> 00:14:20,959
Um... Well, then...
we find out what happened,
209
00:14:20,960 --> 00:14:23,039
we arrest whoever's responsible,
210
00:14:23,040 --> 00:14:24,639
and we get the painting back.
211
00:14:24,640 --> 00:14:27,239
And we do that as a team,
we do it together. OK?
212
00:14:27,240 --> 00:14:28,439
Yes, sir.
213
00:14:28,440 --> 00:14:29,720
Good man.
214
00:14:32,520 --> 00:14:33,839
OK.
215
00:14:33,840 --> 00:14:37,839
So...let's assume that
whoever stole the Solo Mare
216
00:14:37,840 --> 00:14:39,279
now intends to sell it,
217
00:14:39,280 --> 00:14:42,239
so let's think about
how they would go about that.
218
00:14:42,240 --> 00:14:44,239
Well, they can't
just stick it on eBay.
219
00:14:44,240 --> 00:14:46,599
Exactly. So what does that tell us?
220
00:14:46,600 --> 00:14:48,319
Is this someone in the know?
221
00:14:48,320 --> 00:14:51,879
Head of the Arts Committee?
Thank you, Margot.
222
00:14:51,880 --> 00:14:53,999
And if the power being cut
was there as a diversion,
223
00:14:54,000 --> 00:14:55,839
then where is
the master fuse board,
224
00:14:55,840 --> 00:14:57,679
and who had access to that?
225
00:14:57,680 --> 00:14:59,599
And our protesters -
226
00:14:59,600 --> 00:15:02,559
surely they had the biggest
motive of all, did they not,
227
00:15:02,560 --> 00:15:03,999
if they believe
that the Solo Mare
228
00:15:04,000 --> 00:15:05,559
doesn't belong
to the current owner,
229
00:15:05,560 --> 00:15:07,919
or that it shouldn't be displayed
at Shipton Manor?
230
00:15:07,920 --> 00:15:10,279
So who are they? Can they
account for their whereabouts?
231
00:15:10,280 --> 00:15:15,320
And is Kelby's mystery man in the
orange baseball cap one of them?
232
00:15:24,120 --> 00:15:26,399
Did you know about this feud
over the painting?
233
00:15:26,400 --> 00:15:28,039
Most of Shipton does.
234
00:15:28,040 --> 00:15:31,559
Augustus Craig had a young
stable girl called Edith Jay
235
00:15:31,560 --> 00:15:33,159
who worked on the estate,
236
00:15:33,160 --> 00:15:35,919
but then went on to be an artist
in her own right.
237
00:15:35,920 --> 00:15:39,919
The claim is that
she was Craig's secret protegee.
238
00:15:39,920 --> 00:15:43,239
Not only that,
but because of the subject,
239
00:15:43,240 --> 00:15:46,279
some believe she's the one
that painted the Solo Mare.
240
00:15:46,280 --> 00:15:49,719
Yes, but wasn't it signed
by Augustus Craig?
241
00:15:49,720 --> 00:15:52,359
Yeah, but they still
believe she painted it.
242
00:15:52,360 --> 00:15:56,800
Both families have argued about
the provenance for generations.
243
00:15:57,920 --> 00:15:59,280
Right.
244
00:16:02,080 --> 00:16:03,480
Isla Jay?
245
00:16:04,520 --> 00:16:07,040
SHE SCOFFS
Surprise, surprise.
246
00:16:21,760 --> 00:16:24,799
Looks like you're expecting
another painting, Isla.
247
00:16:24,800 --> 00:16:26,559
Very funny.
248
00:16:26,560 --> 00:16:30,719
You do claim that the Solo Mare was
painted by one of your ancestors.
249
00:16:30,720 --> 00:16:32,160
I don't claim anything.
250
00:16:34,600 --> 00:16:37,639
I know it was.
By Edith Jay?
251
00:16:37,640 --> 00:16:39,199
Stable girl?
252
00:16:39,200 --> 00:16:43,639
My great-great-great-grandmother.
253
00:16:43,640 --> 00:16:46,879
Yes, but Mr Witham
is an expert. He...
254
00:16:46,880 --> 00:16:49,320
He seems clear that it was painted
by Augustus Craig.
255
00:16:50,520 --> 00:16:53,440
It's in his interest
for it to be painted by Craig.
256
00:16:54,440 --> 00:16:56,320
More money for him if it is.
257
00:16:59,640 --> 00:17:02,239
So? Are you going to ask me?
258
00:17:02,240 --> 00:17:04,199
Ask you what?
If I nicked it.
259
00:17:04,200 --> 00:17:06,440
Did you?
No.
260
00:17:09,040 --> 00:17:10,840
But I would have done if I could.
261
00:17:16,760 --> 00:17:21,639
There are others who feel as
passionately about Edith as you.
262
00:17:21,640 --> 00:17:24,759
Do you think any of them
could be responsible?
263
00:17:24,760 --> 00:17:26,759
How would I know? Better ask them.
264
00:17:26,760 --> 00:17:29,479
One of them wears an orange
baseball cap, I believe.
265
00:17:29,480 --> 00:17:31,840
Er, what was his name again?
266
00:17:33,040 --> 00:17:36,040
No idea who you're talking about.
267
00:17:38,080 --> 00:17:39,399
And blame who you like.
268
00:17:39,400 --> 00:17:43,480
All I know is, I can't steal
something that's already mine.
269
00:17:44,760 --> 00:17:46,280
And I can prove it.
270
00:17:58,680 --> 00:18:01,480
Found it in Gran's things
when she passed.
271
00:18:03,880 --> 00:18:05,640
It belonged to Edith Jay.
272
00:18:21,800 --> 00:18:24,199
A sketch of the Solo Mare!
273
00:18:24,200 --> 00:18:26,560
Or a plan of
how she wanted to paint it.
274
00:18:33,760 --> 00:18:35,759
ANNE: I'll never live it down.
275
00:18:35,760 --> 00:18:38,799
Stop worrying. If anyone
can figure out what's happened,
276
00:18:38,800 --> 00:18:40,159
it's Humphrey.
277
00:18:40,160 --> 00:18:44,599
Hmm. I can only imagine
what your dad would say.
278
00:18:44,600 --> 00:18:46,279
When he was chair,
279
00:18:46,280 --> 00:18:50,399
all he ever talked about
was bringing the Solo Mare home.
280
00:18:50,400 --> 00:18:51,600
Hello!
281
00:18:53,000 --> 00:18:55,119
ANNE: Humphrey, please tell me
you've found it.
282
00:18:55,120 --> 00:18:57,039
Oh, well, not quite,
283
00:18:57,040 --> 00:18:58,799
but we're making excellent progress.
284
00:18:58,800 --> 00:19:00,719
Really?
Yes.
285
00:19:00,720 --> 00:19:02,479
See, Mum? Told you.
286
00:19:02,480 --> 00:19:03,680
Anne...
287
00:19:05,080 --> 00:19:06,239
..so where do you stand
288
00:19:06,240 --> 00:19:08,479
on the whole Edith Jay,
Augustus Craig debate?
289
00:19:08,480 --> 00:19:11,439
Oh, the families have been
arguing about it for years.
290
00:19:11,440 --> 00:19:13,079
It was signed by Craig,
291
00:19:13,080 --> 00:19:18,039
but Martha's father had a great deal
of sympathy for the Jay family.
292
00:19:18,040 --> 00:19:22,239
He supported looking into it
if the Solo Mare was ever found.
293
00:19:22,240 --> 00:19:24,679
But we lost him
before that happened.
294
00:19:24,680 --> 00:19:27,640
Rose, as requested.
Oh, thank you.
295
00:19:30,080 --> 00:19:31,519
Humphrey.
Hi.
296
00:19:31,520 --> 00:19:33,239
Anne. Oh, I heard
about the painting.
297
00:19:33,240 --> 00:19:35,719
It must have been quite a blow,
I imagine.
298
00:19:35,720 --> 00:19:37,479
You've no idea.
299
00:19:37,480 --> 00:19:40,239
Is there anything I can do to help?
Not unless you know who stole it.
300
00:19:40,240 --> 00:19:41,479
Afraid not.
301
00:19:41,480 --> 00:19:42,999
Well, I'd better get back.
302
00:19:43,000 --> 00:19:45,599
Oh, Motty, did you mention
to Humph
303
00:19:45,600 --> 00:19:48,479
what we were talking about?
Oh, no. Sorry.
304
00:19:48,480 --> 00:19:51,279
Oh, don't worry.
Nothing too deep.
305
00:19:51,280 --> 00:19:53,319
I just thought it might be
nice for you and I
306
00:19:53,320 --> 00:19:55,679
to grab a beer sometime.
Beer?
307
00:19:55,680 --> 00:19:58,039
Get to know each other.
After all, I am in partnership
308
00:19:58,040 --> 00:19:59,639
with your fiancee.
309
00:19:59,640 --> 00:20:02,080
I'm sure Humphrey's very busy.
310
00:20:03,200 --> 00:20:05,599
Nonsense.
Great. What about later?
311
00:20:05,600 --> 00:20:07,079
After work? Kitty Jay's.
312
00:20:07,080 --> 00:20:08,959
Couple of pints, bag of crisps,
313
00:20:08,960 --> 00:20:11,679
and we can exchange
some war stories.
314
00:20:11,680 --> 00:20:13,959
Oh, why not?
Good man!
315
00:20:13,960 --> 00:20:16,600
6.30?
I'll look forward to it.
316
00:20:19,520 --> 00:20:21,320
Right.
317
00:20:23,280 --> 00:20:24,960
Back on the case!
318
00:20:32,280 --> 00:20:33,800
PHONE BUZZES
319
00:20:37,120 --> 00:20:38,439
Esther. Hello.
320
00:20:38,440 --> 00:20:40,719
There were nine protesters
outside the gates.
321
00:20:40,720 --> 00:20:42,399
I'm working my way through them.
322
00:20:42,400 --> 00:20:44,839
Oh, and it seems the only people
staying at the house
323
00:20:44,840 --> 00:20:47,479
last night were Louise Fitzallan
and Terrance Witham.
324
00:20:47,480 --> 00:20:51,079
Mr Fitzallan is away on business,
and there are no live-in staff.
325
00:20:51,080 --> 00:20:53,559
OK. Very good. Thank you.
See you back at the station.
326
00:20:53,560 --> 00:20:55,360
OK. See you soon.
327
00:21:00,360 --> 00:21:03,439
Well, of course I'm aware of
the controversy surrounding
328
00:21:03,440 --> 00:21:07,399
the painting. My father and Howard
Jay almost came to blows over it.
329
00:21:07,400 --> 00:21:08,839
Can you imagine?
330
00:21:08,840 --> 00:21:11,599
And Howard Jay is...?
Isla Jay's father.
331
00:21:11,600 --> 00:21:12,959
I see.
332
00:21:12,960 --> 00:21:15,959
She and I have had
the occasional interaction,
333
00:21:15,960 --> 00:21:17,959
but nothing quite so heated.
334
00:21:17,960 --> 00:21:19,399
What kind of interaction?
335
00:21:19,400 --> 00:21:22,439
Well, it usually consists
of her shouting at me in public
336
00:21:22,440 --> 00:21:25,439
and me smiling politely.
It's all rather vulgar.
337
00:21:25,440 --> 00:21:28,439
So when you went
to your room last night,
338
00:21:28,440 --> 00:21:30,759
you didn't see or hear anything
until this morning?
339
00:21:30,760 --> 00:21:31,799
Nothing.
340
00:21:31,800 --> 00:21:36,199
PC Hartford said he might have
seen someone in the grounds
341
00:21:36,200 --> 00:21:39,920
last night about midnight
wearing an orange baseball cap.
342
00:21:41,120 --> 00:21:43,479
Have you any idea
who that might have been?
343
00:21:43,480 --> 00:21:47,399
Um...no. Staff go home at 6.00,
so if there was anyone
344
00:21:47,400 --> 00:21:49,999
in the garden after that,
they were trespassing.
345
00:21:50,000 --> 00:21:51,080
Ah.
346
00:21:59,480 --> 00:22:03,759
Can I ask if you saw or heard
anything last night?
347
00:22:03,760 --> 00:22:05,119
Like what?
348
00:22:05,120 --> 00:22:07,959
Were you aware there was
a power cut, for example?
349
00:22:07,960 --> 00:22:09,959
Around midnight?
No.
350
00:22:09,960 --> 00:22:11,759
You were asleep?
Yes!
351
00:22:11,760 --> 00:22:14,199
Listen, since you're here,
maybe I could get back
352
00:22:14,200 --> 00:22:15,599
into the gallery room.
353
00:22:15,600 --> 00:22:17,559
I need to collect my things
before I go -
354
00:22:17,560 --> 00:22:20,959
the display stand... The frame
itself is actually quite valuable.
355
00:22:20,960 --> 00:22:23,279
You'll just need to bear with us
a while longer.
356
00:22:23,280 --> 00:22:25,039
We need to keep the room sealed.
357
00:22:25,040 --> 00:22:27,879
Perhaps if you came back
tomorrow.
358
00:22:27,880 --> 00:22:29,919
I don't suppose
I have a choice.
359
00:22:29,920 --> 00:22:32,520
We'll be as quick as we can.
360
00:22:34,040 --> 00:22:35,080
Can I ask?
361
00:22:36,440 --> 00:22:38,799
Were you aware
of the controversy
362
00:22:38,800 --> 00:22:40,279
surrounding the Solo Mare?
363
00:22:40,280 --> 00:22:42,119
HE CHUCKLES
Of course!
364
00:22:42,120 --> 00:22:45,479
The Jay family are talking
absolute nonsense.
365
00:22:45,480 --> 00:22:48,319
And you feel that the Solo Mare
is in keeping with other works
366
00:22:48,320 --> 00:22:49,559
produced by Augustus Craig?
367
00:22:49,560 --> 00:22:51,240
Without a shadow of a doubt.
368
00:22:52,560 --> 00:22:56,199
It has his signature on it.
369
00:22:56,200 --> 00:23:00,519
So if someone wanted to sell a
stolen painting of this quality,
370
00:23:00,520 --> 00:23:02,599
how would they go about it?
371
00:23:02,600 --> 00:23:03,640
WITHAM SIGHS
372
00:23:04,880 --> 00:23:08,119
A painting of this importance,
Inspector,
373
00:23:08,120 --> 00:23:10,919
is almost always stolen to order.
374
00:23:10,920 --> 00:23:13,599
So they would have a buyer
already in place?
375
00:23:13,600 --> 00:23:14,879
Oh, I can think of
376
00:23:14,880 --> 00:23:17,519
a dozen private collectors
who'd pay good money for it.
377
00:23:17,520 --> 00:23:21,960
What was the price agreed
between you and Mrs Fitzallan?
378
00:23:24,040 --> 00:23:25,480
500,000.
379
00:23:26,480 --> 00:23:27,720
Gosh.
380
00:23:29,120 --> 00:23:30,999
So a buyer would pay that?
381
00:23:31,000 --> 00:23:33,799
Even if they knew it was stolen?
382
00:23:33,800 --> 00:23:35,520
Oh, maybe more.
383
00:23:36,720 --> 00:23:42,399
Art, Inspector, is enhanced
by the tales that surround it.
384
00:23:42,400 --> 00:23:47,239
And a painting that was stolen from
under the nose of a police officer
385
00:23:47,240 --> 00:23:49,360
while he was in the room...
386
00:23:51,280 --> 00:23:55,199
..well, that is quite a story to
recount over dinner, isn't it, hmm?
387
00:23:55,200 --> 00:23:57,280
HE MOUTHS
388
00:24:11,200 --> 00:24:13,519
MARGO: You been to see
Dot Trowman yet?
389
00:24:13,520 --> 00:24:17,319
Look, I haven't got time to
go looking for missing sheep.
390
00:24:17,320 --> 00:24:20,839
I need to find this bloke
I saw last night.
391
00:24:20,840 --> 00:24:24,799
Do you know how many mug shots
are in the county database?
392
00:24:24,800 --> 00:24:26,200
MARGO: Surprise me.
393
00:24:27,800 --> 00:24:30,760
219,411.
394
00:24:31,960 --> 00:24:33,639
And how many have you looked at?
395
00:24:33,640 --> 00:24:35,039
209.
396
00:24:35,040 --> 00:24:38,520
And how many of 'em are wearing
an orange baseball cap?
397
00:24:39,560 --> 00:24:41,599
None.
398
00:24:41,600 --> 00:24:46,520
Chin up. Only another 219,202 to go.
399
00:24:48,880 --> 00:24:50,080
Thanks.
400
00:24:52,440 --> 00:24:54,719
Nothing on any of the protesters,
sir.
401
00:24:54,720 --> 00:24:58,119
All either in bed or can prove they
were nowhere near the manor.
402
00:24:58,120 --> 00:24:59,719
Yes, I suspected as much.
403
00:24:59,720 --> 00:25:02,119
Margo, Forensics at Shipton Manor?
404
00:25:02,120 --> 00:25:04,079
Good news or bad news?
405
00:25:04,080 --> 00:25:05,639
Good.
406
00:25:05,640 --> 00:25:07,880
They got prints from the window.
Great. And the bad?
407
00:25:09,000 --> 00:25:10,999
There were around 30 people
in the room,
408
00:25:11,000 --> 00:25:13,159
so they'll need to do
exclusion prints on all of them.
409
00:25:13,160 --> 00:25:15,519
I also checked
with the power company.
410
00:25:15,520 --> 00:25:18,439
There were no disruptions
in the power supply last night.
411
00:25:18,440 --> 00:25:20,280
Yes, all very unhelpful.
412
00:25:21,680 --> 00:25:23,640
You're welcome.
413
00:25:24,680 --> 00:25:26,519
MARGO GASPS
414
00:25:26,520 --> 00:25:28,640
Oh, wait.
415
00:25:29,800 --> 00:25:32,079
I HAVE got some good news.
Yes?
416
00:25:32,080 --> 00:25:34,559
The Chief Superintendent's been on.
417
00:25:34,560 --> 00:25:37,239
Wants you were at the hub,
9.00 tomorrow morning.
418
00:25:37,240 --> 00:25:40,199
How is that good news?
419
00:25:40,200 --> 00:25:42,960
You can get croissants and coffee
on your way back.
420
00:25:44,360 --> 00:25:46,039
Yes. Right...
421
00:25:46,040 --> 00:25:48,439
Come on. Come on, everyone.
What are we missing?
422
00:25:48,440 --> 00:25:51,039
Gate cameras?
Nothing.
423
00:25:51,040 --> 00:25:53,119
And the manor house
has a three-mile perimeter.
424
00:25:53,120 --> 00:25:55,039
There's lots of places
they could have got in.
425
00:25:55,040 --> 00:25:57,919
OK, what about this power cut?
If it wasn't the grid,
426
00:25:57,920 --> 00:25:59,960
then it must have been cut off
in the house.
427
00:26:01,000 --> 00:26:04,279
And only Terence Witham and Louise
Fitzallan were inside the house.
428
00:26:04,280 --> 00:26:06,879
Background checks?
Did Mrs Fitzallan first.
429
00:26:06,880 --> 00:26:08,999
Thought that'd be
the most interesting.
430
00:26:09,000 --> 00:26:12,959
Turns out the Fitzallans
aren't as loaded as I thought.
431
00:26:12,960 --> 00:26:15,319
The husband inherited the house,
432
00:26:15,320 --> 00:26:17,239
but they struggle
to afford the running costs.
433
00:26:17,240 --> 00:26:19,719
They can afford half a million
pounds for a painting, though.
434
00:26:19,720 --> 00:26:22,639
What about our art dealer,
Terence Witham?
435
00:26:22,640 --> 00:26:23,839
Known for his niche tastes,
436
00:26:23,840 --> 00:26:25,799
beginning his career
specialising in works
437
00:26:25,800 --> 00:26:28,519
depicting alternative lifestyles -
438
00:26:28,520 --> 00:26:31,999
escapologists, circus performers,
and the like.
439
00:26:32,000 --> 00:26:37,519
Er, discovered the Solo Mare in a
small town auction in January 2022.
440
00:26:37,520 --> 00:26:43,239
Lists his heroes as Banksy,
Mozart, and the Dalai Lama.
441
00:26:43,240 --> 00:26:46,679
An eclectic mix. But again,
as he already owned the painting,
442
00:26:46,680 --> 00:26:49,399
what possible motive
could he have to steal it?
443
00:26:49,400 --> 00:26:52,439
So we're back to our man
in the baseball cap. Yes.
444
00:26:52,440 --> 00:26:56,200
Yes, he definitely feels like
he is the key to unlock everything.
445
00:26:57,800 --> 00:26:59,160
We need to find him.
446
00:27:01,440 --> 00:27:03,080
LOUISE: You were seen.
447
00:27:04,160 --> 00:27:07,320
It doesn't matter by who.
Just don't do anything else.
448
00:27:08,400 --> 00:27:10,880
The police have been here
all afternoon. Just wait.
449
00:27:12,440 --> 00:27:14,440
No. We had an agreement.
450
00:27:23,240 --> 00:27:25,799
So, football. I'm a Chelsea man.
What about you?
451
00:27:25,800 --> 00:27:27,959
I don't really follow football.
Sorry.
452
00:27:27,960 --> 00:27:29,239
Rugby?
453
00:27:29,240 --> 00:27:31,600
Gosh, I'm not sure I know the rules,
to be honest.
454
00:27:37,600 --> 00:27:40,480
So, you and Martha...
The Caribbean, right?
455
00:27:42,440 --> 00:27:43,959
Er, yes.
456
00:27:43,960 --> 00:27:46,079
Well, I was stationed there.
She was travelling.
457
00:27:46,080 --> 00:27:50,239
We had met briefly a year or so
before in London.
458
00:27:50,240 --> 00:27:51,559
A happy coincidence.
459
00:27:51,560 --> 00:27:54,000
I still wake up every morning
and...
460
00:27:55,440 --> 00:27:57,560
..well, wonder what she sees in me,
really.
461
00:27:59,800 --> 00:28:01,279
OK.
462
00:28:01,280 --> 00:28:03,119
I guess it's just
one of life's mysteries.
463
00:28:03,120 --> 00:28:06,159
Best not to think about it too much.
464
00:28:06,160 --> 00:28:07,640
Guess I'd jinx it.
465
00:28:08,920 --> 00:28:10,799
We could always ask her.
466
00:28:10,800 --> 00:28:13,879
I do.
She says we're the perfect fit.
467
00:28:13,880 --> 00:28:15,920
Like yin and yang.
468
00:28:18,160 --> 00:28:20,040
I don't know which is which.
469
00:28:21,920 --> 00:28:23,160
I think I'm maybe yang.
470
00:28:28,120 --> 00:28:30,320
Perversely, I used to think
we were perfect together.
471
00:28:31,680 --> 00:28:34,199
Turns out she didn't feel
the same way.
472
00:28:34,200 --> 00:28:35,879
Lucky for me.
473
00:28:35,880 --> 00:28:36,999
Sorry.
474
00:28:37,000 --> 00:28:38,800
Don't be. It's true.
475
00:28:43,400 --> 00:28:46,559
So, I need to ask,
does it bother you,
476
00:28:46,560 --> 00:28:48,079
us working together?
477
00:28:48,080 --> 00:28:49,679
Should it?
478
00:28:49,680 --> 00:28:51,160
Of course not.
479
00:29:11,560 --> 00:29:12,880
FOOTSTEPS
480
00:29:15,360 --> 00:29:17,239
Ha!
Hi.
481
00:29:17,240 --> 00:29:18,879
How did it go?
482
00:29:18,880 --> 00:29:20,719
Oh, it was brilliant.
483
00:29:20,720 --> 00:29:23,239
It turns out we have
loads in common.
484
00:29:23,240 --> 00:29:24,679
You have nothing in common.
485
00:29:24,680 --> 00:29:26,439
That's not true, actually.
486
00:29:26,440 --> 00:29:30,039
We narrowed it down to...you...
487
00:29:30,040 --> 00:29:31,720
..and cheese and onion crisps.
488
00:29:32,960 --> 00:29:34,679
Was it a disaster?
489
00:29:34,680 --> 00:29:37,760
Oh, not a disaster, no, but...
490
00:29:41,040 --> 00:29:43,599
..I'm not sure what you saw
in either of us, to be honest.
491
00:29:43,600 --> 00:29:46,439
What shall we do for dinner?
492
00:29:46,440 --> 00:29:49,679
Oh, Mum's still upset
about the missing painting,
493
00:29:49,680 --> 00:29:51,679
so I said we'd eat with her,
if that's OK.
494
00:29:51,680 --> 00:29:53,400
Yeah, of course.
495
00:29:56,920 --> 00:29:58,680
HE SIGHS
496
00:29:59,840 --> 00:30:03,720
Archie asked me if we were planning
to start a family.
497
00:30:05,200 --> 00:30:06,560
I didn't know what to tell him.
498
00:30:07,960 --> 00:30:09,480
So what did you say?
499
00:30:10,600 --> 00:30:12,120
I told him we were
thinking about it.
500
00:30:13,600 --> 00:30:15,200
And we are.
501
00:30:16,520 --> 00:30:17,720
Are we?
502
00:30:20,320 --> 00:30:22,399
Come on. Mum's waiting.
503
00:30:22,400 --> 00:30:23,720
OK.
504
00:30:29,040 --> 00:30:30,719
MARGO: I knew you'd still
be in here.
505
00:30:30,720 --> 00:30:32,520
I need to find him.
506
00:30:35,520 --> 00:30:36,879
Home.
507
00:30:36,880 --> 00:30:38,480
Just give me ten more minutes.
508
00:30:39,800 --> 00:30:42,599
Now.
OK.
509
00:30:42,600 --> 00:30:44,799
I've got a fancy-dress party
at Jamie Elvin's,
510
00:30:44,800 --> 00:30:46,879
and I'm late as it is.
511
00:30:46,880 --> 00:30:48,520
Who are you going as?
512
00:30:50,240 --> 00:30:51,360
Kenny Everett.
513
00:30:52,400 --> 00:30:54,679
Who's that?
SHE SIGHS
514
00:30:54,680 --> 00:30:56,439
Before your time.
515
00:30:56,440 --> 00:31:01,159
Come on.
Find Mr Baseball Cap tomorrow.
516
00:31:01,160 --> 00:31:02,520
OK.
517
00:31:12,320 --> 00:31:15,319
Yeah, so he's a Caucasian male.
518
00:31:15,320 --> 00:31:17,679
Um...
519
00:31:17,680 --> 00:31:21,639
..height-wise, he's around here,
5'9".
520
00:31:21,640 --> 00:31:23,719
Er...and he was wearing
a baseball cap.
521
00:31:23,720 --> 00:31:25,440
Ring any bells?
522
00:31:27,200 --> 00:31:29,159
Hi there. Um...
523
00:31:29,160 --> 00:31:31,839
Had a baseball cap. Orange.
524
00:31:31,840 --> 00:31:33,879
Er, about this height.
525
00:31:33,880 --> 00:31:36,319
About this height.
He had an orange hat on.
526
00:31:36,320 --> 00:31:38,199
No?
527
00:31:38,200 --> 00:31:39,920
All right, thank you.
528
00:31:59,400 --> 00:32:00,800
Excuse me...
529
00:32:04,920 --> 00:32:06,079
Oh!
530
00:32:06,080 --> 00:32:07,520
So sorry.
531
00:32:08,560 --> 00:32:09,640
I'm sorry.
532
00:32:13,160 --> 00:32:14,479
Oh, gosh. Nearly did it again.
533
00:32:14,480 --> 00:32:17,039
OK.
Oh, sorry.
534
00:32:17,040 --> 00:32:18,959
I think I'm just a bit nervous.
535
00:32:18,960 --> 00:32:22,399
I'm in to meet my new
Chief Superintendent.
536
00:32:22,400 --> 00:32:24,439
Does nothing but moan
about how much money
537
00:32:24,440 --> 00:32:26,479
Shipton Abbott are spending.
538
00:32:26,480 --> 00:32:28,759
Oh, you're from one of
the old station houses.
539
00:32:28,760 --> 00:32:31,359
Yes. We're old,
but perfectly formed,
540
00:32:31,360 --> 00:32:33,639
Or pretty,
but not very efficient.
541
00:32:33,640 --> 00:32:35,319
I think we're efficient enough.
542
00:32:35,320 --> 00:32:38,679
Oh, I don't doubt it as people,
but we've moved on, haven't we?
543
00:32:38,680 --> 00:32:40,999
Away from a system
of individual outposts
544
00:32:41,000 --> 00:32:43,719
towards a more modern
and joined-up approach.
545
00:32:43,720 --> 00:32:45,999
Shared information and technology,
546
00:32:46,000 --> 00:32:48,279
facial recognition systems,
biometrics...
547
00:32:48,280 --> 00:32:50,879
I just prefer
good old-fashioned policing.
548
00:32:50,880 --> 00:32:52,439
Running around with whistles?
549
00:32:52,440 --> 00:32:54,039
HE CHUCKLES
550
00:32:54,040 --> 00:32:56,719
Well, with respect, um...
that's your interpretation.
551
00:32:56,720 --> 00:32:59,119
And as an inspector
sitting behind a desk...
552
00:32:59,120 --> 00:33:01,119
Except I'm not an inspector.
Yeah, two pips.
553
00:33:01,120 --> 00:33:03,719
Pip and a crown.
554
00:33:03,720 --> 00:33:06,600
Oh, gosh. Sorry.
That that makes you a...
555
00:33:08,280 --> 00:33:10,239
..Chief Superintendent.
556
00:33:10,240 --> 00:33:12,600
Shall we go to my office?
557
00:33:16,960 --> 00:33:18,840
HE SIGHS
558
00:33:47,440 --> 00:33:50,359
Well, I'm guessing you'd like
an update on the Solo Mare.
559
00:33:50,360 --> 00:33:51,640
Do you have one?
560
00:33:52,840 --> 00:33:54,599
We're still pursuing leads.
561
00:33:54,600 --> 00:33:55,919
So that's a no.
562
00:33:55,920 --> 00:33:58,839
Actually, that's not why I brought
you here, nor was it to listen
563
00:33:58,840 --> 00:34:01,799
to your views on 21st-century
policing, enlightening as that was,
564
00:34:01,800 --> 00:34:04,119
or even to tell you off
face-to-face
565
00:34:04,120 --> 00:34:06,240
for spending too much money.
566
00:34:07,600 --> 00:34:09,959
Did you look around earlier?
567
00:34:09,960 --> 00:34:12,240
You'll find every force
in the county with a base here.
568
00:34:13,360 --> 00:34:15,959
This place is the beating heart
of the South West Police.
569
00:34:15,960 --> 00:34:18,519
And what does that make us?
The kidney?
570
00:34:18,520 --> 00:34:20,119
More like a benign growth.
571
00:34:20,120 --> 00:34:22,240
Fine for now,
dangerous if left unchecked.
572
00:34:23,480 --> 00:34:26,759
Tactical Command are considering
bringing you and your team
573
00:34:26,760 --> 00:34:27,879
into this building,
574
00:34:27,880 --> 00:34:30,399
closing down
the old station house.
575
00:34:30,400 --> 00:34:33,119
But that's a shame.
For who?
576
00:34:33,120 --> 00:34:35,039
Us, but also the community,
577
00:34:35,040 --> 00:34:37,079
who've been using that building
for 100 years.
578
00:34:37,080 --> 00:34:39,479
You'll have more support here,
more resources,
579
00:34:39,480 --> 00:34:42,440
community liaison.
Be part of a bigger picture.
580
00:34:59,000 --> 00:35:00,160
HE KNOCKS ON WINDOW
581
00:35:02,520 --> 00:35:03,759
Oi!
582
00:35:03,760 --> 00:35:05,520
Here! You've not paid for that!
583
00:35:12,800 --> 00:35:14,200
Oi!
584
00:35:15,760 --> 00:35:18,240
Hey!
Sorry, lads, sorry!
585
00:35:34,600 --> 00:35:36,359
What are you doing here?
586
00:35:36,360 --> 00:35:37,759
Went out without my computer.
587
00:35:37,760 --> 00:35:40,599
It's got my wholesale order
on it.
588
00:35:40,600 --> 00:35:41,679
What are these?
589
00:35:41,680 --> 00:35:46,160
We had a Turner visit in 1987.
590
00:35:47,280 --> 00:35:49,920
Your father planned it all.
Went off beautifully.
591
00:35:51,400 --> 00:35:53,999
Oh, Mum, I told you.
592
00:35:54,000 --> 00:35:55,999
You can't keep blaming yourself.
593
00:35:56,000 --> 00:35:57,399
You weren't even there.
594
00:35:57,400 --> 00:36:01,679
I really just can't help thinking
that I let him down...
595
00:36:01,680 --> 00:36:03,040
..Motty.
596
00:36:08,480 --> 00:36:10,000
HE SIGHS
597
00:36:12,000 --> 00:36:14,639
So...how was the Chief Super?
598
00:36:14,640 --> 00:36:16,079
Oh, good. Spilled coffee on her,
599
00:36:16,080 --> 00:36:19,359
then got given a lecture
on modern policing methods.
600
00:36:19,360 --> 00:36:20,599
Oh, dear.
601
00:36:20,600 --> 00:36:21,959
But this will cheer you up.
602
00:36:21,960 --> 00:36:25,319
Kelby found our mystery
baseball cap man.
603
00:36:25,320 --> 00:36:27,439
Where?
At the fish market, apparently.
604
00:36:27,440 --> 00:36:30,359
Anyway, he's processing him now.
605
00:36:30,360 --> 00:36:31,559
Excellent.
606
00:36:31,560 --> 00:36:33,639
We have got other things
to be doing, you know.
607
00:36:33,640 --> 00:36:35,719
We're not all sitting here
twiddling our thumbs.
608
00:36:35,720 --> 00:36:40,279
Now, I said we'll get to it,
and we will.
609
00:36:40,280 --> 00:36:42,439
Right?
What was that?
610
00:36:42,440 --> 00:36:45,439
Seems everyone's moaning at me
today.
611
00:36:45,440 --> 00:36:48,759
That was Dot Trowman
moaning about her sheep.
612
00:36:48,760 --> 00:36:51,479
Then I had that Witham on earlier.
613
00:36:51,480 --> 00:36:53,559
Wanted to know if he can
get in the gallery yet
614
00:36:53,560 --> 00:36:54,919
to get his stuff out.
615
00:36:54,920 --> 00:36:56,720
I'd say yes.
I think we're done there.
616
00:36:58,040 --> 00:37:01,799
OK. He is in the interview room,
ready for you.
617
00:37:01,800 --> 00:37:04,639
Thanks, Kelby.
Yes. Great work, Kelby.
618
00:37:04,640 --> 00:37:06,519
Sir, um...
619
00:37:06,520 --> 00:37:08,319
..this might not be important,
620
00:37:08,320 --> 00:37:12,519
but when I saw him first,
and I'm not sure about this,
621
00:37:12,520 --> 00:37:14,759
but he was with a woman,
622
00:37:14,760 --> 00:37:17,919
and it looked like she was
passing something to him.
623
00:37:17,920 --> 00:37:19,759
She was a little older,
624
00:37:19,760 --> 00:37:23,200
and it looked like Mrs Fitzallan
from the manor.
625
00:37:32,200 --> 00:37:34,519
Aaron Cole.
626
00:37:34,520 --> 00:37:39,159
Previous for criminal damage,
theft, and common assault.
627
00:37:39,160 --> 00:37:43,559
OK. So...can you tell us what
you were doing in the grounds
628
00:37:43,560 --> 00:37:46,160
of Shipton Manor the night
before last around midnight?
629
00:37:48,000 --> 00:37:50,079
You were seen.
630
00:37:50,080 --> 00:37:52,559
On the night a painting
worth £500,000 was stolen.
631
00:37:52,560 --> 00:37:54,879
Whoa, whoa, whoa, whoa!
You ain't pinning that on me.
632
00:37:54,880 --> 00:37:57,479
Unless you've got a really good
explanation for being there,
633
00:37:57,480 --> 00:37:59,079
it doesn't look good, does it?
634
00:37:59,080 --> 00:38:02,359
Right now, you're our prime suspect.
635
00:38:02,360 --> 00:38:04,639
I didn't steal anything, I swear!
636
00:38:04,640 --> 00:38:05,799
Well, if you're innocent,
637
00:38:05,800 --> 00:38:07,760
you can be out of this room
in five minutes.
638
00:38:09,040 --> 00:38:10,839
I mean, you're no stranger
to this process,
639
00:38:10,840 --> 00:38:12,679
by the sound of things,
are you, Aaron?
640
00:38:12,680 --> 00:38:15,679
So...you know full well that the
only way that's going to happen
641
00:38:15,680 --> 00:38:16,999
is if you tell us the truth,
642
00:38:17,000 --> 00:38:21,680
and if you tell us exactly
why you were there.
643
00:38:24,360 --> 00:38:25,559
If it helps...
644
00:38:25,560 --> 00:38:28,200
..we already know
about Mrs Fitzallan.
645
00:38:29,920 --> 00:38:32,280
Do you really think
she's going to protect you?
646
00:38:35,080 --> 00:38:37,039
She wanted me to nick the painting.
647
00:38:37,040 --> 00:38:38,479
So you admit stealing it?
No.
648
00:38:38,480 --> 00:38:41,439
I was supposed to draw that stuff
on the back of the house
649
00:38:41,440 --> 00:38:44,119
the first night. Then the
second night, she was supposed
650
00:38:44,120 --> 00:38:45,999
to leave the window open
and the alarm off
651
00:38:46,000 --> 00:38:47,959
so I could get the painting.
652
00:38:47,960 --> 00:38:50,359
That way, people would blame
the protesters.
653
00:38:50,360 --> 00:38:53,200
But she phoned me yesterday
to call it all off.
654
00:38:54,600 --> 00:38:55,839
Arranged to meet her in town.
655
00:38:55,840 --> 00:38:57,479
Told her I wanted paying anyway.
656
00:38:57,480 --> 00:39:00,799
Wait. So the plan was for you to
steal the painting last night?
657
00:39:00,800 --> 00:39:02,040
Yeah.
658
00:39:03,080 --> 00:39:04,840
But it looks like
someone beat me to it.
659
00:39:09,320 --> 00:39:10,479
SHE SIGHS
660
00:39:10,480 --> 00:39:13,439
Aaron Cole was at school
with my son James.
661
00:39:13,440 --> 00:39:17,880
I spent most of their teenage years
telling James to stay away from him.
662
00:39:19,320 --> 00:39:21,880
All rather ironic.
So you contacted him?
663
00:39:23,920 --> 00:39:27,639
My circle of criminal acquaintances
is rather small.
664
00:39:27,640 --> 00:39:29,880
You admit you were paying him
to steal the painting?
665
00:39:31,280 --> 00:39:34,120
After what you've just said,
it would be rather churlish not to.
666
00:39:36,080 --> 00:39:39,960
You see, my husband
isn't away on business.
667
00:39:41,200 --> 00:39:43,400
Charles is actually in Antigua...
668
00:39:44,760 --> 00:39:46,120
..with his secretary...
669
00:39:47,760 --> 00:39:49,360
..and most of our money.
670
00:39:51,440 --> 00:39:52,559
I'm sorry.
671
00:39:52,560 --> 00:39:55,240
Then why go through
with buying the painting?
672
00:39:56,560 --> 00:39:58,279
Because I'm a Fitzallan,
673
00:39:58,280 --> 00:40:01,760
and the guardianship of this house
comes with responsibilities.
674
00:40:02,760 --> 00:40:05,479
The homecoming of the Solo Mare
brought the entire community
675
00:40:05,480 --> 00:40:07,439
back together.
How could I suddenly announce
676
00:40:07,440 --> 00:40:09,919
I wasn't going to go through
with it? It would have been...
677
00:40:09,920 --> 00:40:11,120
..excruciating.
678
00:40:14,400 --> 00:40:16,919
Charles had arranged
to borrow the money
679
00:40:16,920 --> 00:40:21,439
and convinced me to use the manor
as security against the loan.
680
00:40:21,440 --> 00:40:24,519
So you hoped to claim on the
insurance to help pay back the loan?
681
00:40:24,520 --> 00:40:27,319
And save face in the process.
682
00:40:27,320 --> 00:40:29,879
Rather tawdry solution,
don't you think?
683
00:40:29,880 --> 00:40:32,319
Which means that the painting
had to be stolen last night,
684
00:40:32,320 --> 00:40:36,479
because until then,
you didn't actually own it.
685
00:40:36,480 --> 00:40:38,000
Exactly.
686
00:40:39,200 --> 00:40:41,719
The only good thing to come out
of this conversation
687
00:40:41,720 --> 00:40:44,239
is that you will now see
that it wasn't in my interest
688
00:40:44,240 --> 00:40:46,280
to steal it any sooner.
689
00:40:53,960 --> 00:40:56,200
FAINT ELECTRICAL HUMMING
690
00:41:03,440 --> 00:41:06,040
Sir!
Yes. Coming.
691
00:41:14,680 --> 00:41:17,039
Mr Witham, please let me help.
692
00:41:17,040 --> 00:41:19,360
Yes, I'll take that, thank you.
693
00:41:21,280 --> 00:41:23,279
Sorry we couldn't let you go
any sooner.
694
00:41:23,280 --> 00:41:24,560
Yeah, whatever.
695
00:41:31,560 --> 00:41:33,039
Aaron Cole could be lying.
696
00:41:33,040 --> 00:41:35,079
He might have stolen
the painting anyway.
697
00:41:35,080 --> 00:41:36,959
Yes, very true.
698
00:41:36,960 --> 00:41:39,799
And nothing in this case
is quite what it seems.
699
00:41:39,800 --> 00:41:42,440
I'm starting to think
we may never find out what happened.
700
00:41:52,680 --> 00:41:55,679
ANNE: I suppose me taking over
his place on the Arts Committee
701
00:41:55,680 --> 00:41:59,240
was my way of holding on to him
a bit longer.
702
00:42:00,400 --> 00:42:01,760
I know.
703
00:42:04,760 --> 00:42:06,280
I still miss him.
704
00:42:07,680 --> 00:42:11,120
You see, but I know I shouldn't
after all this time.
705
00:42:12,680 --> 00:42:14,959
You stop mentioning it
to people.
706
00:42:14,960 --> 00:42:19,360
Well, because it starts to be
a bit awkward after a while.
707
00:42:20,840 --> 00:42:23,199
As if sympathy has a use-by date,
708
00:42:23,200 --> 00:42:24,919
and once you're past that date,
709
00:42:24,920 --> 00:42:27,239
you're supposed
to snap out of it,
710
00:42:27,240 --> 00:42:30,519
stop harking back to the past,
move on.
711
00:42:30,520 --> 00:42:32,440
But it's difficult
to move on...
712
00:42:33,600 --> 00:42:34,640
..on your own...
713
00:42:36,080 --> 00:42:39,399
..when you're so used
to doing everything together.
714
00:42:39,400 --> 00:42:41,239
I miss him too.
715
00:42:41,240 --> 00:42:42,600
Oh, I know you do.
716
00:42:44,920 --> 00:42:47,399
You don't get your own way
as much as you used to,
717
00:42:47,400 --> 00:42:48,879
when he was here.
718
00:42:48,880 --> 00:42:52,759
True. Just my luck to get left
with the strict parent!
719
00:42:52,760 --> 00:42:53,960
Mm.
720
00:42:55,640 --> 00:42:57,839
I know why you came back.
721
00:42:57,840 --> 00:42:59,119
Oh?
722
00:42:59,120 --> 00:43:01,640
You were worried about me
being on my own.
723
00:43:02,840 --> 00:43:05,159
Oh, I'm sure the dream
of opening your own cafe
724
00:43:05,160 --> 00:43:08,079
and being fed up with London
was all true too,
725
00:43:08,080 --> 00:43:10,000
but that's not why you came back.
726
00:43:11,200 --> 00:43:13,040
And you were right.
727
00:43:15,240 --> 00:43:17,720
I'm not sure
I could have coped on my own.
728
00:43:20,720 --> 00:43:25,319
But that's what you do,
isn't it, for people you love?
729
00:43:25,320 --> 00:43:27,919
Put your own wants and needs
to one side
730
00:43:27,920 --> 00:43:29,440
and give them what they need.
731
00:43:31,080 --> 00:43:33,879
I never thought about it like that.
732
00:43:33,880 --> 00:43:38,240
All I ever wanted was for your dad
to be content and happy.
733
00:43:41,160 --> 00:43:43,960
I suppose that's what Humphrey's
doing for you, isn't it?
734
00:43:45,360 --> 00:43:48,120
Giving up everything
to come down here with you?
735
00:43:49,240 --> 00:43:50,680
Yes, he is.
736
00:43:52,440 --> 00:43:55,320
And he's doing that
because he loves you.
737
00:43:57,560 --> 00:44:00,680
It's a very precious thing,
you know, Motty, love.
738
00:44:03,400 --> 00:44:07,560
You hold on to it...
as tightly as you can.
739
00:44:13,520 --> 00:44:14,799
Sir, I...
740
00:44:14,800 --> 00:44:17,079
If our intruder came in
through the gallery window,
741
00:44:17,080 --> 00:44:20,999
he's already inside the room
where the painting actually was.
742
00:44:21,000 --> 00:44:23,079
So why did the power
need to be switched off
743
00:44:23,080 --> 00:44:24,440
and why didn't Kelby see him?
744
00:44:25,720 --> 00:44:29,079
I don't know.
But I asked for the sale memo
745
00:44:29,080 --> 00:44:31,759
from when Witham originally
bought the painting -
746
00:44:31,760 --> 00:44:33,639
part of the auction house's
due diligence.
747
00:44:33,640 --> 00:44:36,959
Why? Well, I was hoping there might
be something in it that might
748
00:44:36,960 --> 00:44:39,439
solve the debate, give Isla Jay
some peace of mind.
749
00:44:39,440 --> 00:44:40,839
That was a nice thing to do.
750
00:44:40,840 --> 00:44:43,239
Mm. Not sure it helps, though.
751
00:44:43,240 --> 00:44:46,519
The only thing of note
is that the artist may have used
752
00:44:46,520 --> 00:44:50,439
the canvas before and overpainted,
but even that's quite common.
753
00:44:50,440 --> 00:44:53,319
Doesn't that help?
Might make it worse.
754
00:44:53,320 --> 00:44:56,359
If Craig painted over
Edith's painting,
755
00:44:56,360 --> 00:44:58,239
it's still an original Craig.
756
00:44:58,240 --> 00:45:03,719
Ha... I keep coming back
to the power being turned off.
757
00:45:03,720 --> 00:45:07,119
Common sense demands that
we look at the two people
758
00:45:07,120 --> 00:45:10,279
who were actually inside the house
when the painting was stolen.
759
00:45:10,280 --> 00:45:12,239
Hmm. Louise Fitzallan
and Terence Witham.
760
00:45:12,240 --> 00:45:14,280
But we've discounted them both.
761
00:45:15,800 --> 00:45:17,439
Sheep!
762
00:45:17,440 --> 00:45:18,600
What?
763
00:45:19,600 --> 00:45:23,560
She's been on the phone again.
Threatening to go to HQ.
764
00:45:24,880 --> 00:45:26,399
Fine. I'll go.
765
00:45:26,400 --> 00:45:29,759
But I can't see
how you can lose 25 sheep.
766
00:45:29,760 --> 00:45:31,919
It's not like
they can turn invisible, is it?
767
00:45:31,920 --> 00:45:34,919
Or maybe they're just
playing hide-and-seek.
768
00:45:34,920 --> 00:45:35,960
Hmm.
769
00:45:39,600 --> 00:45:41,319
SHE MUMBLES
770
00:45:41,320 --> 00:45:43,040
Thanks, Margo.
771
00:45:46,760 --> 00:45:47,879
DOOR OPENS
772
00:45:47,880 --> 00:45:49,279
SHREDDER WHIRS
773
00:45:49,280 --> 00:45:50,520
DOOR CLOSES
774
00:45:55,080 --> 00:45:56,959
Hiding!
What?
775
00:45:56,960 --> 00:46:01,159
Hiding! It's the only thing
we've never really considered.
776
00:46:01,160 --> 00:46:03,319
I'm not following.
777
00:46:03,320 --> 00:46:04,639
Sir?
778
00:46:04,640 --> 00:46:08,119
We've always known that it was
impossible to climb in through
779
00:46:08,120 --> 00:46:10,839
the window, steal the painting, and
get out again in the two minutes
780
00:46:10,840 --> 00:46:13,679
that Kelby said he was on the
landing. So what did we do?
781
00:46:13,680 --> 00:46:15,480
We chose not to believe him.
782
00:46:16,920 --> 00:46:18,799
But what if he was
telling the truth?
783
00:46:18,800 --> 00:46:21,519
What if it was two minutes or less?
784
00:46:21,520 --> 00:46:22,959
That's not possible.
785
00:46:22,960 --> 00:46:24,559
Exactly. And that's the point.
786
00:46:24,560 --> 00:46:26,919
That's why everything
is not quite what it seemed,
787
00:46:26,920 --> 00:46:28,159
because we were trying
788
00:46:28,160 --> 00:46:31,199
to prove something
that never actually happened.
789
00:46:31,200 --> 00:46:32,839
See, when Witham left art college,
790
00:46:32,840 --> 00:46:34,599
he worked with the art
of the macabre,
791
00:46:34,600 --> 00:46:35,999
with magicians and show people.
792
00:46:36,000 --> 00:46:37,799
And?
And on his website,
793
00:46:37,800 --> 00:46:42,159
he listed as one of his heroes
Banksy. Remember? Yeah.
794
00:46:42,160 --> 00:46:45,999
So, at the auction for Banksy's
famous Girl With Balloon picture,
795
00:46:46,000 --> 00:46:47,399
what did he do?
796
00:46:47,400 --> 00:46:49,239
He shredded it!
797
00:46:49,240 --> 00:46:50,439
I remember that!
798
00:46:50,440 --> 00:46:51,879
Yes!
799
00:46:51,880 --> 00:46:53,199
Not sure I understand.
800
00:46:53,200 --> 00:46:55,040
Where's that report
you had earlier? Here.
801
00:46:57,360 --> 00:46:58,960
Thank you.
802
00:47:06,440 --> 00:47:07,840
Oh, I think I've got it.
803
00:47:09,840 --> 00:47:13,160
OK...so who stole the Solo Mare?
804
00:47:14,560 --> 00:47:15,840
I did.
805
00:47:25,320 --> 00:47:27,119
I think when
Terence Witham first got
806
00:47:27,120 --> 00:47:30,639
the auction house report,
he saw it exactly as you did.
807
00:47:30,640 --> 00:47:32,719
It confirmed it was of the period,
808
00:47:32,720 --> 00:47:34,999
in keeping with the work
of Augustus Craig.
809
00:47:35,000 --> 00:47:38,039
And, yes, there was a mention
of a possible overpainting
810
00:47:38,040 --> 00:47:41,439
at the bottom of the canvas,
but that's not unusual.
811
00:47:41,440 --> 00:47:43,559
As far as he was concerned,
everything checked out.
812
00:47:43,560 --> 00:47:46,599
He'd bought a genuine
Augustus Craig
813
00:47:46,600 --> 00:47:48,960
for a fraction
of what it was really worth.
814
00:47:50,600 --> 00:47:51,839
HE LAUGHS
815
00:47:51,840 --> 00:47:56,280
But...at some point, he became
curious about what was underneath.
816
00:47:57,400 --> 00:47:59,919
The overpainting was
at the bottom of the canvas
817
00:47:59,920 --> 00:48:01,240
where the signature would be.
818
00:48:02,240 --> 00:48:04,039
So I think he found
Edith Jay's signature
819
00:48:04,040 --> 00:48:05,800
beneath that
of Augustus Craig...
820
00:48:09,160 --> 00:48:10,440
..thereby...
821
00:48:11,960 --> 00:48:15,639
..confirming the theory that Craig
had signed his protegee's painting.
822
00:48:15,640 --> 00:48:18,759
So Witham knew
it was Edith Jay's all along.
823
00:48:18,760 --> 00:48:22,759
And he also knew that,
unlike an Augustus Craig original,
824
00:48:22,760 --> 00:48:24,919
a painting of a horse's backside
by a stable girl
825
00:48:24,920 --> 00:48:26,359
would be worthless in comparison.
826
00:48:26,360 --> 00:48:28,759
And he'd already agreed the sale
with the Arts Committee.
827
00:48:28,760 --> 00:48:31,959
Yeah. But more importantly,
he knew that now the painting
828
00:48:31,960 --> 00:48:34,759
was home in Shipton Abbott,
the clamour to have it tested
829
00:48:34,760 --> 00:48:36,879
to finally prove
who the real artist was
830
00:48:36,880 --> 00:48:39,319
and end the controversy
would be irresistible.
831
00:48:39,320 --> 00:48:42,039
And if that happened,
it would ruin his reputation.
832
00:48:42,040 --> 00:48:46,359
And no doubt have Louise Fitzallan
demanding her money back. But...
833
00:48:46,360 --> 00:48:50,279
..the sale already being agreed
also gave him an opportunity.
834
00:48:50,280 --> 00:48:54,439
What better way to disguise
the theft of your own painting
835
00:48:54,440 --> 00:48:57,000
than doing it while
it's in someone else's care?
836
00:48:58,080 --> 00:48:59,200
Ours.
837
00:49:00,800 --> 00:49:05,039
So what if he was inspired
by a combination of
838
00:49:05,040 --> 00:49:08,080
Banksy's shredding frame
and his early work with magicians?
839
00:49:10,480 --> 00:49:12,200
And he constructed a frame...
840
00:49:13,240 --> 00:49:17,560
..designed to hide the painting...
within it.
841
00:49:18,760 --> 00:49:21,520
OK, so that's everyone. Mr Witham?
842
00:49:23,400 --> 00:49:25,679
So, on the night
of the supposed theft,
843
00:49:25,680 --> 00:49:28,559
it was simple enough for him
to make any last-minute adjustments
844
00:49:28,560 --> 00:49:30,239
to the painting before he left.
845
00:49:30,240 --> 00:49:31,719
You'll lock the door behind us, yes?
846
00:49:31,720 --> 00:49:32,760
KELBY: Yes, sir.
847
00:49:35,920 --> 00:49:39,919
No-one is to go beyond those ropes
until I return in the morning,
848
00:49:39,920 --> 00:49:42,120
yes?
Understood, sir.
849
00:49:48,720 --> 00:49:50,759
Like any magician
worth his salt,
850
00:49:50,760 --> 00:49:53,199
he knew about the importance
of misdirection
851
00:49:53,200 --> 00:49:55,239
and making the audience
look the other way
852
00:49:55,240 --> 00:49:57,040
to cover what they're really doing.
853
00:50:01,040 --> 00:50:02,119
Creating the illusion
854
00:50:02,120 --> 00:50:04,399
that the painting was stolen
when the lights went out.
855
00:50:04,400 --> 00:50:05,519
Exactly!
856
00:50:05,520 --> 00:50:06,560
KELBY: Hello?
857
00:50:09,360 --> 00:50:10,600
Hello?
858
00:50:13,040 --> 00:50:14,280
Hello?
859
00:50:15,280 --> 00:50:19,239
Witham waited a minute or two,
and turned the power back on.
860
00:50:19,240 --> 00:50:20,880
CLUNK
861
00:50:27,600 --> 00:50:30,599
Then, the next morning,
when the room opened up again,
862
00:50:30,600 --> 00:50:33,080
more misdirection,
as he broke the window latch.
863
00:50:37,720 --> 00:50:39,519
All that was left
was to be as surprised
864
00:50:39,520 --> 00:50:42,439
as everyone else on the morning
of the unveiling.
865
00:50:42,440 --> 00:50:45,359
On behalf of all of us
in Shipton Abbott,
866
00:50:45,360 --> 00:50:47,080
welcome home.
867
00:50:48,240 --> 00:50:50,079
ALL GASP
868
00:50:50,080 --> 00:50:52,719
And none more than Louise Fitzallan,
who had her own plan in place
869
00:50:52,720 --> 00:50:54,159
to steal the painting
for herself.
870
00:50:54,160 --> 00:50:56,359
And that's why Witham was
so keen to get back in the room
871
00:50:56,360 --> 00:50:57,439
and collect his frame.
872
00:50:57,440 --> 00:51:00,519
Yes, but the person I believe
who actually took the painting
873
00:51:00,520 --> 00:51:02,279
from this house...
874
00:51:02,280 --> 00:51:03,640
..was me.
875
00:51:07,080 --> 00:51:09,119
Mr Witham, please let me help.
876
00:51:09,120 --> 00:51:11,479
Yes, I'll take that, thank you.
877
00:51:11,480 --> 00:51:14,200
Sorry we couldn't let you go
any sooner. Yeah...
878
00:51:19,720 --> 00:51:21,559
OK, fine.
879
00:51:21,560 --> 00:51:24,199
He left the manor house
five minutes ago.
880
00:51:24,200 --> 00:51:27,079
Right. Get his vehicle details.
Put out an APB.
881
00:51:27,080 --> 00:51:28,120
Sure.
882
00:51:41,600 --> 00:51:43,079
SHEEP BLEAT
883
00:51:43,080 --> 00:51:44,359
KELBY: Step aside!
884
00:51:44,360 --> 00:51:45,919
HORN BEEPS
885
00:51:45,920 --> 00:51:47,399
Step aside, sir.
886
00:51:47,400 --> 00:51:49,199
HORN BEEPS
887
00:51:49,200 --> 00:51:53,159
All right, calm down.
Calm down. It's all right.
888
00:51:53,160 --> 00:51:54,319
HORN BEEPS
889
00:51:54,320 --> 00:51:57,520
All right, everyone! Phone...
890
00:51:59,720 --> 00:52:01,439
DRIVER: Well, come on, then.
891
00:52:01,440 --> 00:52:03,279
Calm down. Sh. It's all right.
892
00:52:03,280 --> 00:52:04,919
LINE RINGS
893
00:52:04,920 --> 00:52:07,839
Mrs Trowman, I've got your sheep.
894
00:52:07,840 --> 00:52:11,239
Um, you're going to need
to bring a truck, all right?
895
00:52:11,240 --> 00:52:12,439
And...
896
00:52:12,440 --> 00:52:13,720
Jeez.
897
00:52:15,440 --> 00:52:16,999
Who the hell's in charge here?
898
00:52:17,000 --> 00:52:19,000
I am.
899
00:52:21,160 --> 00:52:22,480
You!
900
00:52:24,360 --> 00:52:27,119
RADIO: APB on black
Ford Transit Courier -
901
00:52:27,120 --> 00:52:29,839
registration Echo November 1-5
902
00:52:29,840 --> 00:52:31,999
Yankee Sierra Bravo.
903
00:52:32,000 --> 00:52:34,599
Driven by a Terence Witham,
904
00:52:34,600 --> 00:52:38,599
dark hair, 5'11",
last seen leaving Shipton Abbott
905
00:52:38,600 --> 00:52:40,039
heading towards Exeter.
906
00:52:40,040 --> 00:52:43,280
Wanted on suspicion of fraud.
Please apprehend.
907
00:52:45,360 --> 00:52:48,560
HORNS BEEP
908
00:52:50,360 --> 00:52:51,559
Excuse me. Excuse me.
909
00:52:51,560 --> 00:52:53,040
Excuse me.
910
00:52:54,400 --> 00:52:55,520
No!
911
00:52:56,600 --> 00:52:57,840
Oi!
912
00:52:59,440 --> 00:53:01,400
Come back. Oi!
913
00:53:23,000 --> 00:53:24,560
Care to show us how this works?
914
00:53:26,440 --> 00:53:28,280
Very well.
915
00:53:29,280 --> 00:53:30,720
Let's see.
916
00:53:43,680 --> 00:53:45,119
CLICK
917
00:53:45,120 --> 00:53:46,480
CLUNK
918
00:53:50,400 --> 00:53:53,199
So it was in the room
the whole time?
919
00:53:53,200 --> 00:53:55,399
It wasn't stolen on my watch?
920
00:53:55,400 --> 00:53:57,040
No, it wasn't.
921
00:53:58,400 --> 00:54:02,319
So...my record on guarding
valuable paintings...
922
00:54:02,320 --> 00:54:03,800
..is still 100%.
923
00:54:04,920 --> 00:54:06,719
Yes, well done, Kelby.
924
00:54:06,720 --> 00:54:08,360
Take him away, will you?
925
00:54:09,360 --> 00:54:10,720
Yes, sir!
926
00:54:17,960 --> 00:54:19,400
Well done, Sergeant.
927
00:54:27,840 --> 00:54:29,719
PHONE BUZZES
Thank you.
928
00:54:29,720 --> 00:54:30,840
You're welcome.
929
00:54:32,000 --> 00:54:36,759
Hmm. Louise Fitzallan has offered
to buy the Solo Mare anyway.
930
00:54:36,760 --> 00:54:39,399
Really?
At a tenth of the price.
931
00:54:39,400 --> 00:54:41,559
Why? She knows it wasn't
painted by her ancestor.
932
00:54:41,560 --> 00:54:43,039
Who knows?
933
00:54:43,040 --> 00:54:46,199
But Edith Jay was still a local,
934
00:54:46,200 --> 00:54:49,759
so at this rate, Shipton Abbott
might just embrace YOU
935
00:54:49,760 --> 00:54:51,359
as one of our own.
936
00:54:51,360 --> 00:54:53,519
The man who saved
the Solo Mare.
937
00:54:53,520 --> 00:54:55,279
Yes, well, right now,
I'd happily settle
938
00:54:55,280 --> 00:54:58,160
for the gratitude of
my future mother-in-law.
939
00:54:59,560 --> 00:55:01,079
Goodnight, sir.
940
00:55:01,080 --> 00:55:02,440
Sergeant.
941
00:55:06,560 --> 00:55:08,440
ENGINE STARTS
942
00:55:18,360 --> 00:55:19,560
What do you want?
943
00:55:20,600 --> 00:55:22,480
We could start with a cup of tea.
944
00:55:47,360 --> 00:55:48,840
Perfect timing.
945
00:55:52,560 --> 00:55:55,279
I've just made your mother
a very happy woman.
946
00:55:55,280 --> 00:55:58,400
I'm not sure if I want you
to elaborate or not!
947
00:56:02,160 --> 00:56:03,840
Just found her painting.
948
00:56:06,040 --> 00:56:08,480
I knew you would!
Yes.
949
00:56:11,080 --> 00:56:13,239
DUCK QUACKS
Selwyn!
950
00:56:13,240 --> 00:56:14,919
Selwyn's back.
951
00:56:14,920 --> 00:56:17,919
Selwyn?
Yes. Well, he needed a name,
952
00:56:17,920 --> 00:56:21,199
and rather strangely, I found myself
missing the Commissioner.
953
00:56:21,200 --> 00:56:23,639
This will soften the blow
a little.
954
00:56:23,640 --> 00:56:25,599
Eat.
Yes.
955
00:56:25,600 --> 00:56:30,439
Pasta! Just what a hungry man needs
after catching an art fraudster.
956
00:56:30,440 --> 00:56:32,999
Just what a woman needs too,
957
00:56:33,000 --> 00:56:36,080
to build up her strength
before she starts IVF again.
958
00:56:37,960 --> 00:56:39,160
What?
959
00:56:41,880 --> 00:56:43,120
You mean...?
960
00:57:03,800 --> 00:57:06,199
So we have a man in the middle
of a newly-formed crop circle,
961
00:57:06,200 --> 00:57:09,039
with a page of a Charles Dickens
novel tucked into his sock.
962
00:57:09,040 --> 00:57:11,399
I think we have our work cut out
with this one, Sergeant.
963
00:57:11,400 --> 00:57:14,239
It's perfectly obvious
your feelings for Archie
964
00:57:14,240 --> 00:57:15,799
are starting to come back.
965
00:57:15,800 --> 00:57:18,479
There's always something unusual
going on round here.
966
00:57:18,480 --> 00:57:20,159
How are you?
Good. And you?
967
00:57:20,160 --> 00:57:21,680
Same.
Excellent.
968
00:57:23,640 --> 00:57:25,000
If it is our man, he wasn't alone.
969
00:57:27,120 --> 00:57:28,559
If you say the word "alien" again,
970
00:57:28,560 --> 00:57:30,279
I won't be responsible
for my actions.
971
00:57:30,280 --> 00:57:31,760
I need to tell you something.
71768
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