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[CRASHING]
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JUNIOR: Listen, I'll
bring home a little extra
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00:00:02,364 --> 00:00:03,464
for the roof.
4
00:00:03,566 --> 00:00:05,326
Let me use the trains
to run numbers for you.
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00:00:05,367 --> 00:00:07,290
I can bring 'em in by the thousands.
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00:00:07,315 --> 00:00:09,717
Any man working on my team
gets a piece of the action.
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00:00:09,742 --> 00:00:12,240
Hey Clarence, we too late for the draw?
Come on, man.
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I've got my numbers and everything.
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JUNIOR: Miss Queenie's
already beat your ass
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for going behind her
back and there you is.
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Look, I'm just trying
to be somebody, Junior.
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MARLENE: Why should our people
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walk miles to a city hospital
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that shuts the door in their face?
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- We need our own clinics.
- And my answer is no.
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POPSY: Corrine is gone
and the show must go on.
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LUCY: With me on the job,
you get the whole song and dance.
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♪ The song that I sing
is part of an echo ♪
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- Henry!
- [HENRY GRUNTS]
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ZEKE: Ah, Mr. Randolph, please.
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You've been fighting for
workers longer than anyone.
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I don't even know where to start.
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A token of support on behalf
of The Welfare Committee.
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You mean on behalf of the railroad?
25
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We have a rat reporting to Edwards.
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- Synced and corrected by synk -
- www.addic7ed.com -
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[RHYTHMIC BLUES MUSIC]
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♪ I've been low, I've been high ♪
29
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♪ I've been told all my lies ♪
30
00:01:09,829 --> 00:01:14,333
♪ I've got nothing left to pay ♪
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♪ I've got nothing left to say ♪
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♪ I'm a Black man in a white world ♪
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♪ I'm a Black man in a white world ♪
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♪ I'm a Black man in a white world ♪
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♪ I'm a Black man in a white ♪
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♪ I'm in love, but I'm still sad ♪
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00:01:32,719 --> 00:01:37,256
♪ I found peace, but I'm not glad ♪
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♪ All my nights and all my days ♪
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♪ I've been tryin' to run away ♪
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00:01:45,999 --> 00:01:47,900
♪ Oh, I'm a Black man in a white world ♪
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00:01:49,102 --> 00:01:50,662
♪ Oh, I'm a Black man in a white world ♪
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♪ Oh, I'm a Black man in a white world ♪
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♪ Oh, I'm a Black man in a white world ♪
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♪ Feel like I've been here before ♪
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I'm proud of you, old man.
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♪ I feel that knocking ♪
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♪ On my door ♪
48
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♪ I feel like I've been here before ♪
49
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♪ I feel that knocking on my door ♪
50
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♪ And I've lost everything I had ♪
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[TRAIN RUMBLING] [DOOR CREAKS OPEN]
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[MUFFLED WHISPERING]
53
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[SULTRY BLUES MUSIC]
54
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Your son try the piano yet?
55
00:02:54,921 --> 00:02:56,889
He's working up to it.
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Took me longer to choose
a piano than a husband.
57
00:03:00,006 --> 00:03:01,206
You married?
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00:03:02,357 --> 00:03:04,584
I'm a lot of things I'll never be again.
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00:03:06,191 --> 00:03:07,424
Here's your cut, Junior.
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00:03:11,646 --> 00:03:14,056
Ah, what you think?
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Shines so bright you
can see your reflection.
62
00:03:17,327 --> 00:03:19,628
Go on now, take a look.
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00:03:19,653 --> 00:03:21,921
We gon' fix that janky-ass
part in your hair.
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00:03:21,946 --> 00:03:23,094
[CHUCKLES] Ow.
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You should get a pair.
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00:03:24,854 --> 00:03:27,679
I can have a jeweller
here within the hour.
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00:03:27,929 --> 00:03:30,164
Money's made to be spent, Junior.
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00:03:30,469 --> 00:03:32,470
People start seeing what you have,
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00:03:32,571 --> 00:03:34,472
they start wonderin' where you got it.
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Very true.
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Well.
72
00:03:50,556 --> 00:03:52,056
Well...
73
00:03:52,825 --> 00:03:55,026
it's taken two weeks,
74
00:03:55,127 --> 00:03:56,661
but you now have the distinct honour
75
00:03:56,762 --> 00:03:58,663
of being the only man to beat me.
76
00:03:58,764 --> 00:04:00,665
Yeah, maybe you met your match.
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00:04:02,468 --> 00:04:04,068
Maybe.
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00:04:05,304 --> 00:04:06,671
Let's go again.
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[DOOR KNOCKING]
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00:04:14,287 --> 00:04:15,988
You're early.
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00:04:16,036 --> 00:04:17,537
ZEKE: Well, my watch said one thing,
82
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but my stomach was saying another.
83
00:04:21,239 --> 00:04:22,940
Smells like I made the right choice.
84
00:04:24,156 --> 00:04:25,256
Where Junior?
85
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I left him sleeping.
86
00:04:27,359 --> 00:04:29,627
He's been running himself
ragged these last few weeks.
87
00:04:29,652 --> 00:04:30,704
Hmm.
88
00:04:30,729 --> 00:04:32,630
Well, let me make myself useful then.
89
00:04:38,412 --> 00:04:39,737
[SOFT MUSIC]
90
00:04:39,838 --> 00:04:43,741
Hey Teddy, wanna come on
and give your Uncle Zeke a hand?
91
00:04:45,377 --> 00:04:47,278
You remember the order, right?
92
00:04:50,416 --> 00:04:51,516
Atta boy.
93
00:04:53,585 --> 00:04:55,186
Teddy always remember,
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00:04:55,211 --> 00:04:58,256
every task is a chance
to show your excellence.
95
00:05:01,360 --> 00:05:02,727
There you go.
96
00:05:03,362 --> 00:05:07,389
[SOFT MUSIC]
97
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♪
98
00:05:13,372 --> 00:05:14,739
ZEKE: Properties for rent?
99
00:05:19,378 --> 00:05:21,112
You moving out?
100
00:05:21,914 --> 00:05:23,314
It's for my clinic plan.
101
00:05:23,415 --> 00:05:24,582
Oh yeah.
102
00:05:25,451 --> 00:05:26,918
Okay, Miss Marlene.
103
00:05:27,076 --> 00:05:29,287
Finally gettin' it off the ground.
104
00:05:29,388 --> 00:05:32,957
I'm taking it to New York
to the U.N.I.A convention,
105
00:05:33,058 --> 00:05:34,525
gonna show it to the man himself.
106
00:05:34,626 --> 00:05:36,761
Maybe Garvey's got
gumption for an old idea.
107
00:05:36,862 --> 00:05:39,130
Well good ideas never go bad.
108
00:05:42,901 --> 00:05:44,012
JUNIOR [IN PATOIS]: The man come here
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00:05:44,036 --> 00:05:45,369
wid his two long hands, eh?
110
00:05:45,471 --> 00:05:46,771
- Yes sir!
- Mm.
111
00:05:46,872 --> 00:05:49,807
One to eat Marlene's famous fish soup
112
00:05:49,908 --> 00:05:50,990
and the other
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00:05:51,015 --> 00:05:52,420
well, the other to smack
you upside your head!
114
00:05:52,444 --> 00:05:53,450
[BOTH LAUGHING]
115
00:05:53,475 --> 00:05:54,590
- Think you're fast, huh?
- Come here, come here.
116
00:05:54,615 --> 00:05:55,857
You heathens.
117
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Come on, now.
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MARLENE: Have a seat.
119
00:05:58,494 --> 00:05:59,994
JUNIOR: Later, later, man, ready.
120
00:06:00,886 --> 00:06:02,320
Well ya better have your
121
00:06:02,421 --> 00:06:04,956
Granny's yams in there
or I'm goin' back to bed.
122
00:06:05,057 --> 00:06:07,185
Lucky for you I made extra.
123
00:06:07,210 --> 00:06:08,412
JUNIOR: Oh, you made me extra.
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00:06:08,437 --> 00:06:10,204
MARLENE: I set a little
food aside for Mrs. Watson
125
00:06:10,229 --> 00:06:12,296
to give Teddy while we're in New York.
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00:06:12,397 --> 00:06:13,498
Oh!
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00:06:13,599 --> 00:06:14,699
You are going to see
128
00:06:14,800 --> 00:06:17,502
the "Supreme Negro Jackass"?
129
00:06:17,603 --> 00:06:19,137
MARLENE: I believe the headline read
130
00:06:19,238 --> 00:06:21,506
"Supreme Negro Jamaican Jackass".
131
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[IN PATOIS] Nobody vex me now.
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00:06:23,108 --> 00:06:24,542
And I'll have you know,
133
00:06:24,643 --> 00:06:26,210
Glenford's covering for me,
134
00:06:26,311 --> 00:06:27,378
Popsy loaned me his car,
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00:06:27,479 --> 00:06:29,580
and I booked a hotel
exclusively for Negroes.
136
00:06:31,483 --> 00:06:32,984
We're gonna have a good time.
137
00:06:33,685 --> 00:06:34,685
Ready for that?
138
00:06:34,753 --> 00:06:36,154
- Mmmhmm.
- Mmm.
139
00:06:38,123 --> 00:06:41,559
All right, now let's bless
this food so we can eat.
140
00:06:42,928 --> 00:06:45,596
[UPBEAT MUSIC]
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MARLENE: Dear Heavenly Father,
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bless this food
143
00:06:49,301 --> 00:06:52,570
and bless these three
fine young gentlemen
144
00:06:52,671 --> 00:06:54,405
who are about to receive it.
145
00:06:54,506 --> 00:06:55,546
JUNIOR: Two fine gentlemen.
146
00:06:55,641 --> 00:06:57,208
Must be talking about me and my son.
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00:06:57,309 --> 00:06:58,543
[LAUGHING]
148
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♪ No need to worry ♪
149
00:07:02,428 --> 00:07:03,581
JUNIOR: Watch out.
150
00:07:03,606 --> 00:07:04,658
I got two for you.
151
00:07:04,683 --> 00:07:06,217
What's up?
152
00:07:06,318 --> 00:07:07,985
Number two become number one!
153
00:07:08,086 --> 00:07:09,187
[TABLE SMASHING]
154
00:07:09,288 --> 00:07:11,556
Ya bus' [CHUCKLING].
155
00:07:11,581 --> 00:07:14,001
ZEKE: You messed up the whole table,
I ain't even know what happened.
156
00:07:14,026 --> 00:07:15,670
What's the matter, you
still looking for the rat?
157
00:07:15,694 --> 00:07:17,361
You'd be smart to pay it some mind.
158
00:07:17,462 --> 00:07:20,865
Hey Junior, someone in
the community is talking,
159
00:07:20,966 --> 00:07:22,066
but I have a plan.
160
00:07:22,167 --> 00:07:24,368
I set up a meeting at
the Stardust tonight.
161
00:07:24,469 --> 00:07:27,004
Told all the porters when and where.
162
00:07:27,105 --> 00:07:28,650
Nobody's foolish enough
to walk through that door,
163
00:07:28,674 --> 00:07:30,668
knowing what'd happen to them
if the company found out.
164
00:07:30,693 --> 00:07:32,127
Mm-hmm.
165
00:07:32,544 --> 00:07:33,644
You're right.
166
00:07:33,745 --> 00:07:35,313
Unless they working for the company.
167
00:07:35,414 --> 00:07:37,114
♪ No need to hurry ♪
168
00:07:37,216 --> 00:07:38,416
Right.
169
00:07:40,152 --> 00:07:42,320
You got a devious mind, Zeke.
170
00:07:42,421 --> 00:07:43,888
♪ Take it easy, take it easy ♪
171
00:07:43,913 --> 00:07:45,469
You sure you don't wanna work with me?
172
00:07:45,494 --> 00:07:47,201
You sure you don't
wanna join the movement?
173
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I'm good.
174
00:07:48,427 --> 00:07:49,627
Me too.
175
00:07:50,529 --> 00:07:53,831
♪ For the road is rough ♪
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JUNIOR: Stubborn.
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[ALL LAUGHING]
178
00:07:56,893 --> 00:07:57,973
JUNIOR: Come on, man.
179
00:07:57,998 --> 00:07:59,209
[JUNIOR LAUGHS]
180
00:07:59,234 --> 00:08:00,731
ZEKE: You can't have a
good play right there?
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00:08:00,756 --> 00:08:02,573
♪ Take your time, take it easy ♪
182
00:08:02,674 --> 00:08:04,308
♪ Take your time ♪
183
00:08:04,409 --> 00:08:06,110
♪ No need to hurry ♪
184
00:08:19,524 --> 00:08:22,260
If you tell me it's your
birthday, I think I might cry.
185
00:08:22,361 --> 00:08:24,262
Hmm, no.
186
00:08:26,565 --> 00:08:28,232
I can't believe nobody showed up.
187
00:08:31,403 --> 00:08:34,305
But guess it's time to pack it in.
188
00:08:35,574 --> 00:08:37,241
To give Popsy back his room.
189
00:08:38,944 --> 00:08:41,078
You ever think maybe you
should pack it in for good?
190
00:08:42,581 --> 00:08:44,115
What you mean?
191
00:08:44,140 --> 00:08:45,549
LUCY: I mean, look at Lance.
192
00:08:46,006 --> 00:08:48,886
Railroad fired him for
no rhyme or reason.
193
00:08:48,987 --> 00:08:51,389
Look at what happened
to the church garden.
194
00:08:51,490 --> 00:08:53,944
And here you are, giving
'em a reason to punish you.
195
00:08:53,992 --> 00:08:56,627
Well, that's exactly why I'm doing this,
196
00:08:56,728 --> 00:08:59,430
to stop things like what
happened to Lance and to Henry.
197
00:09:01,533 --> 00:09:05,269
[SOLEMN PIANO MUSIC]
198
00:09:05,370 --> 00:09:07,838
I know what Henry meant to you,
199
00:09:07,940 --> 00:09:11,200
but risking everything you got
ain't gonna bring him back.
200
00:09:11,225 --> 00:09:12,926
Well I gotta try.
201
00:09:13,979 --> 00:09:16,514
LUCY: These people have the
kind of power you can't fight.
202
00:09:16,615 --> 00:09:18,482
I've seen it up close.
203
00:09:18,583 --> 00:09:21,385
William Edwards doesn't
care about his own son,
204
00:09:21,486 --> 00:09:24,188
you think you can make him
give a shit about the porters?
205
00:09:26,792 --> 00:09:28,693
You need to put this down, Zeke.
206
00:09:28,794 --> 00:09:33,731
Before someone gets hurt.
207
00:09:33,832 --> 00:09:37,639
[TENSE MUSIC]
208
00:09:40,806 --> 00:09:43,007
This strike is nothing but a plot
209
00:09:43,108 --> 00:09:45,309
led by a bunch of
foreigners and communists!
210
00:09:46,878 --> 00:09:48,412
[DOOR KNOCKING]
211
00:09:48,437 --> 00:09:50,258
Well, if you want to
give into their demands,
212
00:09:50,282 --> 00:09:51,326
that's your business.
213
00:09:51,351 --> 00:09:53,461
But I didn't make my money
suckin' on a silver spoon,
214
00:09:53,485 --> 00:09:56,420
and I'll be damned or dead
before I let anyone take it away!
215
00:09:59,858 --> 00:10:01,058
What?
216
00:10:01,159 --> 00:10:02,360
Mail delivery.
217
00:10:12,137 --> 00:10:13,371
Anything to send out?
218
00:10:15,507 --> 00:10:17,041
EDWARDS: I have an important shipment
219
00:10:17,066 --> 00:10:18,719
that needs to be escorted
over the border.
220
00:10:18,744 --> 00:10:20,721
- What is it?
- Well, that's none of your concern.
221
00:10:20,746 --> 00:10:21,746
I just need you to ensure
222
00:10:21,780 --> 00:10:23,614
that no one sees the
contents of this boxcar.
223
00:10:23,715 --> 00:10:24,815
Not the staff,
224
00:10:24,916 --> 00:10:26,617
nor the customs inspectors.
225
00:10:28,353 --> 00:10:30,021
How am I supposed to do that?
226
00:10:31,223 --> 00:10:33,457
This railroad was built on imagination,
227
00:10:33,558 --> 00:10:35,626
innovation, and audacity.
228
00:10:35,727 --> 00:10:36,861
Channel that.
229
00:10:36,962 --> 00:10:38,129
Be creative.
230
00:10:38,230 --> 00:10:39,830
Well I'm nothing if not creative.
231
00:10:39,931 --> 00:10:41,832
You're nothing if not an Edwards.
232
00:10:42,801 --> 00:10:44,502
Remember that.
233
00:10:45,421 --> 00:10:46,889
And act accordingly.
234
00:10:47,139 --> 00:10:49,106
[DRAMATIC MUSIC] [TRAIN CHUGGING]
235
00:10:49,207 --> 00:10:50,441
[HORN BLARING]
236
00:10:53,845 --> 00:10:57,014
[PEOPLE CHATTERING]
237
00:10:57,039 --> 00:10:58,426
TRAIN ANNOUNCER: Ladies and gentlemen,
238
00:10:58,451 --> 00:11:00,451
we are now boarding
at Belleville station.
239
00:11:00,552 --> 00:11:02,453
The last stop will be Montreal.
240
00:11:02,478 --> 00:11:03,697
You might want to head off.
241
00:11:03,722 --> 00:11:05,823
The train is about to leave.
Thank you very much.
242
00:11:15,767 --> 00:11:17,635
The train don't leave for
another ten minutes.
243
00:11:18,737 --> 00:11:20,137
He'll make it.
244
00:11:20,238 --> 00:11:22,473
JUNIOR: I meant what
I said the other day.
245
00:11:22,574 --> 00:11:24,708
There's always a spot for
you in the numbers game.
246
00:11:24,810 --> 00:11:27,745
[CHUCKLES] I already got
Edwards and his spies
247
00:11:27,846 --> 00:11:29,513
breathing down my neck,
248
00:11:29,614 --> 00:11:32,550
you think I want Miss Queenie
angling for what's left?
249
00:11:32,651 --> 00:11:34,085
Things are different now.
250
00:11:34,920 --> 00:11:36,520
Me and Queenie are partners.
251
00:11:37,022 --> 00:11:38,189
Partners?
252
00:11:38,290 --> 00:11:42,526
[TENSE MUSIC]
253
00:11:42,627 --> 00:11:43,727
GLENFORD: Zeke!
254
00:11:44,998 --> 00:11:46,530
What happened?
255
00:11:46,631 --> 00:11:49,700
Picked up the drop from Clarence,
some guy jumped me on the way back.
256
00:11:49,725 --> 00:11:50,777
Who?
257
00:11:50,802 --> 00:11:52,203
I never seen him before.
258
00:11:52,304 --> 00:11:53,504
He get my money?
259
00:11:54,269 --> 00:11:55,715
Did he get my money?
260
00:11:55,740 --> 00:11:56,762
Yeah man.
261
00:11:56,787 --> 00:11:59,076
Okay, get him on the train.
Get him on the train.
262
00:11:59,177 --> 00:12:03,380
[TENSE MUSIC]
263
00:12:03,482 --> 00:12:04,992
JUNIOR: I gotta head into
town to the pick-up spot.
264
00:12:05,016 --> 00:12:06,417
[OTIS GROANS]
265
00:12:06,518 --> 00:12:08,519
JUNIOR: I'll catch the next
train back to Montreal.
266
00:12:09,107 --> 00:12:11,632
I gotta find out what
happened before word gets out.
267
00:12:11,656 --> 00:12:13,090
Cover my car?
268
00:12:14,025 --> 00:12:16,193
Ain't you forgetting something?
269
00:12:16,294 --> 00:12:17,459
Shit. Marlene.
270
00:12:17,484 --> 00:12:18,806
I'll square things with Marlene later...
271
00:12:18,830 --> 00:12:20,064
Well wait. Hey, hey.
272
00:12:20,089 --> 00:12:21,342
You think you should be
heading down there alone?
273
00:12:21,366 --> 00:12:23,534
I mean, look at what the
hell they did to Otis's face.
274
00:12:23,559 --> 00:12:25,012
That is nothing compared
to what'll happen
275
00:12:25,037 --> 00:12:26,937
if I don't get Queenie her money.
276
00:12:27,038 --> 00:12:30,941
[TENSE DRAMATIC MUSIC]
277
00:12:34,837 --> 00:12:37,305
[DOOR CREAKING]
278
00:12:39,375 --> 00:12:43,278
[CLARENCE SOFTLY SINGS]
279
00:12:45,170 --> 00:12:48,248
Hey, what you doing around these parts?
280
00:12:48,473 --> 00:12:51,676
I thought the train left at eleven.
281
00:12:51,777 --> 00:12:53,678
I thought it was time to check in,
282
00:12:53,779 --> 00:12:55,680
see how business was doin'.
283
00:12:55,781 --> 00:12:57,215
CLARENCE: Hmm? Ah, pbshtt,
284
00:12:57,316 --> 00:13:00,463
well, numbers is bringing
in new customers,
285
00:13:00,488 --> 00:13:01,889
which is good for you, good for me.
286
00:13:01,990 --> 00:13:03,390
Right.
287
00:13:03,808 --> 00:13:05,392
Any problems?
288
00:13:05,417 --> 00:13:06,517
Nope.
289
00:13:06,542 --> 00:13:08,495
JUNIOR: [LAUGHS] That's funny,
290
00:13:08,520 --> 00:13:10,554
my runner says different.
291
00:13:10,579 --> 00:13:12,246
He got jumped after the pick-up.
292
00:13:13,613 --> 00:13:14,880
You seen anybody hanging around?
293
00:13:14,981 --> 00:13:16,315
Hmmm.
294
00:13:16,416 --> 00:13:18,317
Did the drop this week
same as I did last week,
295
00:13:18,418 --> 00:13:19,518
and the week before that.
296
00:13:19,619 --> 00:13:20,739
All right. [DOOR CREAKS OPEN]
297
00:13:21,821 --> 00:13:23,689
Everything all right here, pop?
298
00:13:23,790 --> 00:13:26,525
Yeah, yeah, son. Everything is fine.
299
00:13:26,626 --> 00:13:27,666
Ah, just finish loading up
300
00:13:27,727 --> 00:13:29,071
all that feed over there for me, okay?
301
00:13:29,095 --> 00:13:31,797
[SUSPENSEFUL MUSIC]
302
00:13:31,898 --> 00:13:33,532
Hold on.
303
00:13:33,633 --> 00:13:36,190
So I need your opinion
on something, I...
304
00:13:36,836 --> 00:13:39,037
It's my anniversary coming up and...
305
00:13:39,139 --> 00:13:40,306
I don't know too much about...
306
00:13:40,331 --> 00:13:42,040
- [SAMSON CRIES OUT]
- Leave!
307
00:13:42,149 --> 00:13:44,479
- SAMSON: What the hell?
- Please, please, please! Come on.
308
00:13:44,504 --> 00:13:45,853
JUNIOR: Which hand your boy
could do without, Clarence?
309
00:13:45,878 --> 00:13:46,892
No, no, no, no, no, no!
310
00:13:46,917 --> 00:13:48,180
You were-you were fine,
311
00:13:48,281 --> 00:13:50,792
you were fine taking from my boy
and now you're worried about yours?
312
00:13:50,817 --> 00:13:52,087
- It's all...
- Which fucking hand?!
313
00:13:52,112 --> 00:13:53,318
CLARENCE: It's all gone, man!
314
00:13:53,419 --> 00:13:54,553
Come on, Junior.
315
00:13:54,654 --> 00:13:57,322
Listen, I lost everything
to the Spanish Flu, man.
316
00:13:57,423 --> 00:13:59,491
I had to go see this loan
man by the name of Bolton.
317
00:13:59,592 --> 00:14:01,560
I ain't asking you for your sob stories!
318
00:14:01,661 --> 00:14:03,900
- I'm asking for my fucking money!
- It's gone!
319
00:14:03,925 --> 00:14:05,106
He took it all!
320
00:14:05,131 --> 00:14:06,642
He said-he said he's "changing
the terms of our agreement".
321
00:14:06,667 --> 00:14:07,954
- He said...
- You lying to me?
322
00:14:07,979 --> 00:14:09,165
- No!
- You fucking lying to me?
323
00:14:09,190 --> 00:14:10,446
You want me to break
your fucking boy's hand?
324
00:14:10,470 --> 00:14:11,837
Oh come on, Junior, man.
325
00:14:11,938 --> 00:14:13,739
Ain't a white man out
here that don't think
326
00:14:13,840 --> 00:14:16,175
that they got a right to
everything that we got.
327
00:14:16,276 --> 00:14:17,609
You-you know that, man.
328
00:14:17,710 --> 00:14:19,211
You know that!
329
00:14:19,312 --> 00:14:20,579
Come on now.
330
00:14:20,680 --> 00:14:22,624
- All right.
- Come on, man. That's my son.
331
00:14:22,649 --> 00:14:23,782
Okay. All right.
332
00:14:23,883 --> 00:14:25,584
Come on, get up. I'm sorry.
333
00:14:25,609 --> 00:14:26,661
I'm sorry.
334
00:14:26,686 --> 00:14:27,753
You're good, man.
335
00:14:27,854 --> 00:14:29,755
You all right? You good?
336
00:14:29,780 --> 00:14:30,832
[SMASHING] [CLARENCE GROANS]
337
00:14:30,857 --> 00:14:32,624
Pop! Pop!
338
00:14:32,725 --> 00:14:34,393
[CLARENCE GROANS] [TENSE DRAMATIC MUSIC]
339
00:14:34,494 --> 00:14:35,671
Put your hand in my pocket again
340
00:14:35,695 --> 00:14:37,396
you'll draw back a fucking nub!
341
00:14:37,421 --> 00:14:38,473
SAMSON: Pop!
342
00:14:38,498 --> 00:14:39,831
[TENSE DRAMATIC MUSIC]
343
00:14:39,933 --> 00:14:41,833
SAMSON: Pop, are you all right?
344
00:14:41,935 --> 00:14:44,803
[TENSE DRAMATIC MUSIC]
345
00:14:45,787 --> 00:14:50,624
♪ Despise me ♪
346
00:14:51,477 --> 00:14:55,747
♪ If I should take a notion ♪
347
00:14:55,848 --> 00:15:00,586
♪ To jump into the ocean ♪
348
00:15:00,611 --> 00:15:01,978
BERNICE: Where'd you get that?
349
00:15:03,523 --> 00:15:06,191
I-I got a big tip and treated myself.
350
00:15:06,292 --> 00:15:08,083
Don't you lie to me, Lucy-Mae.
351
00:15:08,108 --> 00:15:10,862
You think I don't see you sneaking
in and out all hours of the night?
352
00:15:10,964 --> 00:15:13,479
Whoring yourself off for what,
some fancy dress?
353
00:15:13,504 --> 00:15:14,837
It's not like that.
354
00:15:18,004 --> 00:15:19,692
BERNICE: Madame Nadeau's
dinner is tonight.
355
00:15:19,717 --> 00:15:21,607
She needs us to serve the guests.
356
00:15:21,784 --> 00:15:22,884
But I can't.
357
00:15:22,909 --> 00:15:24,643
You know I'm performing at Stardust.
358
00:15:24,744 --> 00:15:26,538
You need to stop
believing in some fantasy
359
00:15:26,563 --> 00:15:29,192
that you can be something you aren't
and accept what you are.
360
00:15:29,217 --> 00:15:31,817
What I am is a star.
361
00:15:31,918 --> 00:15:34,286
And after tonight,
everyone's gonna know it.
362
00:15:34,927 --> 00:15:35,927
[BERNICE SUCKS TEETH]
363
00:15:35,952 --> 00:15:37,532
BERNICE: I'm not playing
with you, Lucinda.
364
00:15:37,557 --> 00:15:40,217
Show up tonight or
don't come back at all.
365
00:15:44,030 --> 00:15:45,464
[BRIGHT PIANO MUSIC]
366
00:15:45,565 --> 00:15:46,565
♪ Hey ♪
367
00:15:46,633 --> 00:15:50,984
[BELL DINGING] [VOICES CLAMOURING]
368
00:15:51,738 --> 00:15:53,639
[STEAM WHOOSHING]
369
00:15:53,664 --> 00:15:54,716
[TRAIN WHISTLE BLOWS]
370
00:15:54,741 --> 00:15:56,241
[BRIGHT PIANO SWING MUSIC]
371
00:15:56,342 --> 00:15:58,644
♪ Patty cake, patty cake, baker man ♪
372
00:15:58,745 --> 00:16:01,446
♪ Mix your music in a rhythm pan ♪
373
00:16:01,547 --> 00:16:03,649
♪ Give it all the heat you can ♪
374
00:16:03,750 --> 00:16:05,851
♪ Serve it right away ♪
375
00:16:05,952 --> 00:16:08,453
♪ Patty cake, patty cake, baker man ♪
376
00:16:08,554 --> 00:16:10,922
♪ What you've got is really in demand ♪
377
00:16:11,024 --> 00:16:13,492
♪ Dish it all with the expert hands ♪
378
00:16:13,593 --> 00:16:15,661
♪ Start the band to play ♪
379
00:16:15,762 --> 00:16:17,629
♪ Get that oven pipin' hot ♪
380
00:16:17,730 --> 00:16:20,332
♪ Like you always do ♪
381
00:16:20,433 --> 00:16:22,701
♪ Stir up all the pep you've got ♪
382
00:16:22,802 --> 00:16:24,903
♪ Make some swingeroo, yes, yes, yes ♪
383
00:16:25,004 --> 00:16:27,539
♪ Patty cake, patty cake, baker man ♪
384
00:16:27,640 --> 00:16:29,675
♪ Mix your music with a rhythm pan ♪
385
00:16:29,776 --> 00:16:31,710
♪ Give it all the heat you can ♪
386
00:16:31,811 --> 00:16:34,713
♪ Serve it right away, yeah ♪
387
00:16:34,814 --> 00:16:36,548
♪ Give it, man Give it, man ♪
388
00:16:36,649 --> 00:16:38,517
♪ Give it, man Give it, man ♪
389
00:16:38,618 --> 00:16:39,628
♪ In the band, at your hand ♪
390
00:16:39,652 --> 00:16:41,086
[CAR HORN BEEPING]
391
00:16:47,794 --> 00:16:49,194
WOMAN: Hey Marlene.
392
00:17:00,606 --> 00:17:01,707
Where is he?
393
00:17:03,313 --> 00:17:05,698
You know he'd make it if he could.
394
00:17:06,279 --> 00:17:07,713
Is he in trouble?
395
00:17:10,850 --> 00:17:13,215
One thing I know about Junior Massey,
396
00:17:13,886 --> 00:17:16,488
he always finds a way out of
whatever he get himself into.
397
00:17:22,662 --> 00:17:23,929
[SOFT PIANO MUSIC]
398
00:17:24,030 --> 00:17:27,766
Two, three, four, five,
six, seven, eight.
399
00:17:27,791 --> 00:17:28,843
One.
400
00:17:28,868 --> 00:17:33,059
[FEET SOFTLY TAPPING] [SOFT PIANO MUSIC]
401
00:17:34,874 --> 00:17:38,090
♪
402
00:17:48,688 --> 00:17:49,821
LUCY: Stop!
403
00:17:53,826 --> 00:17:55,193
Sandra, switch with Monique.
404
00:17:55,294 --> 00:17:58,530
Um, I don't know who you think you are,
405
00:17:58,631 --> 00:18:00,766
but this isn't how things are done.
406
00:18:00,867 --> 00:18:02,734
It is when I'm headlining.
407
00:18:02,835 --> 00:18:04,936
So why don't you take your new place?
408
00:18:05,037 --> 00:18:06,538
In the back.
409
00:18:07,874 --> 00:18:10,609
Don't forget to tell Popsy
to turn up the stage lights,
410
00:18:10,710 --> 00:18:12,744
now that it's a little darker up front.
411
00:18:12,845 --> 00:18:14,246
[MONIQUE SNICKERS]
412
00:18:16,030 --> 00:18:18,731
Which one of you heifers
thinks you deserve my spot?
413
00:18:19,886 --> 00:18:20,986
You?
414
00:18:21,637 --> 00:18:24,956
Lucky to be five feet tall if
you take off those high heels.
415
00:18:25,057 --> 00:18:26,425
Or you?
416
00:18:26,526 --> 00:18:29,371
Pretending to be twenty when
you're damn near forty?
417
00:18:29,562 --> 00:18:30,762
Or you?
418
00:18:32,165 --> 00:18:35,634
Couldn't find the beat with
a light, a map, or a compass.
419
00:18:35,735 --> 00:18:37,202
I earned my spot.
420
00:18:37,937 --> 00:18:39,438
So step in line,
421
00:18:40,306 --> 00:18:41,673
or step aside.
422
00:18:42,942 --> 00:18:43,942
Come on, Sandra.
423
00:18:43,976 --> 00:18:48,046
[UPBEAT DRUM MUSIC]
424
00:18:48,147 --> 00:18:49,648
From the top!
425
00:18:50,817 --> 00:18:55,253
One, two, three, four,
five, six, seven, eight.
426
00:18:55,354 --> 00:18:59,285
[UPBEAT RHYTHMIC DRUMMING]
427
00:19:01,360 --> 00:19:02,794
[MARLENE LAUGHS]
428
00:19:02,895 --> 00:19:03,962
MARLENE: Please.
429
00:19:04,063 --> 00:19:05,797
How are you going to
talk about a black man
430
00:19:05,822 --> 00:19:07,174
who wants to do good for black people?
431
00:19:07,199 --> 00:19:08,229
Aw, come on.
432
00:19:08,254 --> 00:19:10,702
All I'm saying, is the ship sank.
433
00:19:10,803 --> 00:19:12,637
I mean, how many Negroes
ended up in the water
434
00:19:12,662 --> 00:19:14,282
because of that man? Come on.
435
00:19:14,307 --> 00:19:17,642
All anyone wants to talk about
are Garvey's ships to Africa.
436
00:19:17,667 --> 00:19:18,879
What about everything else?
437
00:19:18,904 --> 00:19:19,921
What about it?
438
00:19:19,946 --> 00:19:21,513
- Black enterprise.
- Ha!
439
00:19:21,614 --> 00:19:22,948
Black pride.
440
00:19:23,049 --> 00:19:26,218
Randolph says Garvey will
do anything for a dollar,
441
00:19:26,319 --> 00:19:28,854
and then that dollar ends
up in his pocket, Marlene.
442
00:19:28,879 --> 00:19:29,931
Come on!
443
00:19:29,956 --> 00:19:33,291
He is a black man who wants
to do right by his people,
444
00:19:33,392 --> 00:19:36,628
not just have them holding their
hands out to the white man.
445
00:19:41,000 --> 00:19:42,868
So that's what you think I'm doing?
446
00:19:47,840 --> 00:19:51,676
All I meant was that is why
I'm taking my clinic to him.
447
00:19:54,447 --> 00:19:56,581
We can barely go to the white hospitals.
448
00:19:57,817 --> 00:19:59,518
Certainly can't get a job at one.
449
00:20:02,262 --> 00:20:04,142
We have to take care of ourselves.
450
00:20:04,190 --> 00:20:06,791
That's all I'm tryin'
to do too, Marlene.
451
00:20:11,664 --> 00:20:14,299
[TRAIN CHUGGING]
452
00:20:16,068 --> 00:20:17,168
WOMAN: Take care!
453
00:20:17,870 --> 00:20:20,972
[BACKGROUND CHATTER]
454
00:20:21,073 --> 00:20:25,443
TRAIN ANNOUNCER: The train to Montreal
making all stops leaving in 15 minutes.
455
00:20:25,545 --> 00:20:26,978
Fifteen minutes.
456
00:20:32,084 --> 00:20:34,387
Hey, I thought you were
on the last run in?
457
00:20:34,887 --> 00:20:37,789
[SIGHS] I had some business.
458
00:20:37,890 --> 00:20:39,257
You jumpin' on?
459
00:20:42,094 --> 00:20:43,995
JUNIOR: Isn't that Edwards boy?
460
00:20:44,096 --> 00:20:46,798
Yeah, don't know what he's doin',
but he does it at every stop.
461
00:20:48,167 --> 00:20:50,402
Gets off, walks to
that car, stands there.
462
00:20:52,271 --> 00:20:53,972
What's inside?
463
00:20:54,073 --> 00:20:55,574
WINCHESTER: Who knows?
464
00:20:55,675 --> 00:20:57,943
Maybe he's working the
train for extra money.
465
00:20:58,044 --> 00:21:00,445
Had a run in with him at
Stardust a couple of weeks ago.
466
00:21:01,681 --> 00:21:04,738
That boy might be the
worst gambler I ever seen.
467
00:21:06,674 --> 00:21:08,062
[PLAYFUL MUSIC]
468
00:21:08,087 --> 00:21:09,988
Is that right?
469
00:21:10,089 --> 00:21:11,189
Hmm.
470
00:21:11,290 --> 00:21:15,860
[PLAYFUL MUSIC]
471
00:21:15,962 --> 00:21:18,163
JUNIOR: Ah, come on,
don't get sore, Winn.
472
00:21:18,264 --> 00:21:21,032
Sometimes the wrong card comes
up for the right man, huh?
473
00:21:21,133 --> 00:21:22,253
And I'm the right man always!
474
00:21:22,301 --> 00:21:23,668
Give me that.
475
00:21:25,137 --> 00:21:26,638
I'm sorry, sir.
476
00:21:26,739 --> 00:21:27,916
Sir, I'll get this
cleaned up straight away.
477
00:21:27,940 --> 00:21:29,307
Excuse me, sir.
478
00:21:29,408 --> 00:21:32,043
Didn't realize my father
allowed gambling on his trains.
479
00:21:32,144 --> 00:21:34,045
Ah, it's just a friendly game, sir.
480
00:21:34,146 --> 00:21:35,880
I'd appreciate if this goes no further.
481
00:21:37,149 --> 00:21:39,017
All right, I'll make you a...
482
00:21:39,118 --> 00:21:40,552
a deal then, huh?
483
00:21:40,653 --> 00:21:44,551
We're still about an hour and
a half outside of Montreal.
484
00:21:44,991 --> 00:21:48,259
Why don't we play a "friendly
little game", as you say.
485
00:21:48,361 --> 00:21:50,028
No sir, I have guests to tend to.
486
00:21:50,129 --> 00:21:52,040
It's a good thing my father
owns the trains then, huh?
487
00:21:52,064 --> 00:21:54,684
Be that as a may, if I apologize I...
488
00:21:54,800 --> 00:21:56,501
Take the deal, my friend.
489
00:21:56,602 --> 00:21:59,838
Trust me, you won't
like the alternative.
490
00:21:59,939 --> 00:22:01,172
Don't worry,
491
00:22:01,273 --> 00:22:03,193
I'll leave you with enough
money to go home with.
492
00:22:04,510 --> 00:22:06,411
That's mighty kind of you, sir.
493
00:22:07,313 --> 00:22:10,315
[TRAIN CHUGGING] [PLAYFUL MUSIC]
494
00:22:15,840 --> 00:22:17,173
Okay.
495
00:22:17,275 --> 00:22:21,079
[BACKGROUND CHATTER]
496
00:22:38,529 --> 00:22:42,912
[ENERGETIC MUSIC]
497
00:22:44,535 --> 00:22:46,703
♪
498
00:22:46,804 --> 00:22:51,694
♪ I dreamt I grew wings of velvet ♪
499
00:22:55,313 --> 00:23:00,110
♪ I took off flying,
like a bat out of hell ♪
500
00:23:03,721 --> 00:23:08,258
♪ But when I woke from this vision ♪
501
00:23:08,359 --> 00:23:13,359
♪ I was once more a woman jailed ♪
502
00:23:20,705 --> 00:23:25,595
♪ I bathe in the stormy weather ♪
503
00:23:29,347 --> 00:23:34,222
♪ To men's delight, I swoon and sin ♪
504
00:23:37,755 --> 00:23:42,661
♪ But the river is rising and
it's fixin' to pull me in ♪
505
00:23:48,132 --> 00:23:52,374
[SULTRY BLUES MUSIC]
506
00:23:54,872 --> 00:23:59,075
♪ If every note of the birdsong ♪
507
00:23:59,176 --> 00:24:03,480
♪ Broke every bar in the cage ♪
508
00:24:03,581 --> 00:24:07,617
♪ Flocks of my people would fly off ♪
509
00:24:07,718 --> 00:24:12,622
♪ Up and away ♪
510
00:24:13,791 --> 00:24:18,564
♪ When vipers coil around her throat ♪
511
00:24:22,433 --> 00:24:27,128
♪ The nightingale still
serenades the crowd ♪
512
00:24:30,808 --> 00:24:35,044
♪ Who am I but a songbird ♪
513
00:24:35,146 --> 00:24:40,099
♪ Who am I but a lost girl, found ♪
514
00:24:46,757 --> 00:24:51,661
♪ I wish I was a songbird ♪
515
00:24:55,566 --> 00:25:00,535
♪ Who am I but a lost girl, found ♪
516
00:25:11,782 --> 00:25:16,686
[AUDIENCE APPLAUDS]
517
00:25:22,626 --> 00:25:26,860
[EXUBERANT SWING MUSIC]
518
00:25:28,632 --> 00:25:33,077
♪
519
00:25:38,676 --> 00:25:42,996
♪
520
00:25:50,855 --> 00:25:53,089
PATRON: This back to
Africa stuff is different.
521
00:25:54,870 --> 00:25:57,057
Say, whatever happened to the other act?
522
00:25:57,082 --> 00:25:58,249
The one with the...
523
00:25:58,350 --> 00:25:59,817
the cream coloured girl?
524
00:26:01,353 --> 00:26:05,863
[EXUBERANT SWING MUSIC]
525
00:26:07,359 --> 00:26:11,503
♪
526
00:26:28,547 --> 00:26:29,647
Dammit!
527
00:26:30,097 --> 00:26:31,559
Thought I had you that time.
528
00:26:31,583 --> 00:26:32,816
[JUNIOR CHUCKLES]
529
00:26:33,685 --> 00:26:35,119
All right, let's play again.
530
00:26:36,154 --> 00:26:37,767
Not to pour salt in the wound, sir,
531
00:26:37,792 --> 00:26:40,658
but your money clip is
looking a little light.
532
00:26:43,595 --> 00:26:47,865
[SUSPENSEFUL MUSIC]
533
00:26:47,966 --> 00:26:49,400
Play for this.
534
00:26:50,535 --> 00:26:52,036
Winner takes all.
535
00:26:53,572 --> 00:26:55,072
That's...
536
00:26:55,173 --> 00:26:57,441
that's worth more than all I got.
537
00:26:57,542 --> 00:26:58,909
Four times as much, at least.
538
00:26:59,010 --> 00:27:00,444
I think the stakes are fair.
539
00:27:00,545 --> 00:27:03,614
[TRAIN CHUGS]
540
00:27:03,715 --> 00:27:05,449
Oh shit, I missed a stop.
541
00:27:05,550 --> 00:27:07,117
Sir, I gotta be getting back to work.
542
00:27:07,142 --> 00:27:08,167
Don't worry.
543
00:27:08,192 --> 00:27:10,947
It's in both of our best interests that
no one gets wind of this little game.
544
00:27:10,972 --> 00:27:14,316
Now, winner takes all, it's settled.
545
00:27:15,427 --> 00:27:16,627
Deal.
546
00:27:19,764 --> 00:27:21,265
Yes sir.
547
00:27:21,866 --> 00:27:23,701
[LIGHT MUSIC]
548
00:27:23,802 --> 00:27:25,302
JUNIOR: Hey.
549
00:27:27,038 --> 00:27:30,925
[LIGHT MUSIC]
550
00:27:32,410 --> 00:27:33,978
Eh eh.
551
00:27:34,079 --> 00:27:36,680
That must've cost ya a pretty penny.
552
00:27:36,781 --> 00:27:38,882
Not money buy this here.
553
00:27:38,984 --> 00:27:40,551
Yeah?
554
00:27:40,652 --> 00:27:43,687
Hey, if it taste it, me brotha.
555
00:27:43,788 --> 00:27:46,423
Well, pour me another one,
I maybe taste that one.
556
00:27:46,524 --> 00:27:48,459
[POPSY LAUGHS]
557
00:27:48,560 --> 00:27:51,262
They say a man who drinks like that
558
00:27:51,363 --> 00:27:52,930
is trying to forget.
559
00:27:53,031 --> 00:27:55,933
Marlene ain't gonna be best
pleased when I get home,
560
00:27:55,958 --> 00:27:58,220
seein' as I was supposed
to take her to New York.
561
00:27:58,245 --> 00:28:00,947
Yeah, well you know that wife of yours,
562
00:28:00,972 --> 00:28:02,706
her thunder is worse than her lighting.
563
00:28:02,807 --> 00:28:05,309
[BOTH LAUGH]
564
00:28:05,410 --> 00:28:06,644
Yeah and besides,
565
00:28:06,745 --> 00:28:09,313
it's not like she didn't
get a chance to go, right?
566
00:28:11,583 --> 00:28:12,983
What you mean?
567
00:28:16,421 --> 00:28:17,788
Talkin' about Zeke.
568
00:28:18,308 --> 00:28:21,925
Come by to get the car,
said you got tied up.
569
00:28:22,594 --> 00:28:24,328
Just figured you sent him.
570
00:28:28,633 --> 00:28:30,301
[JUNIOR CHUCKLES]
571
00:28:31,756 --> 00:28:33,390
Come on, pour me another drink, man.
572
00:28:33,415 --> 00:28:36,275
POPSY: Pour me another drink!
Pour me another drink he said.
573
00:28:36,300 --> 00:28:37,492
Pour me another drink, man.
574
00:28:37,517 --> 00:28:38,651
[BOTH LAUGH]
575
00:28:50,989 --> 00:28:53,691
[ENGINE RUMBLING]
576
00:29:20,552 --> 00:29:21,628
EDWARDS: Any problems?
577
00:29:21,653 --> 00:29:23,053
Not a one.
578
00:29:29,694 --> 00:29:32,396
You kept your eyes on it at every stop?
579
00:29:32,497 --> 00:29:33,864
As instructed.
580
00:29:40,939 --> 00:29:42,840
They'll take it from here.
581
00:29:42,941 --> 00:29:44,408
Good work, son.
582
00:29:51,116 --> 00:29:54,800
[SOFT PIANO MUSIC]
583
00:29:57,122 --> 00:30:01,745
♪
584
00:30:07,198 --> 00:30:11,933
♪
585
00:30:21,742 --> 00:30:26,679
♪ No one knows me like the piano ♪
586
00:30:26,851 --> 00:30:28,719
♪ In my mother's home ♪
587
00:30:28,820 --> 00:30:32,851
[LUCY SOFTLY SOBS]
588
00:30:37,095 --> 00:30:38,695
Hush now.
589
00:30:38,797 --> 00:30:41,598
♪ I have something ♪
590
00:30:41,699 --> 00:30:44,401
♪ Some people call it soul ♪
591
00:30:44,502 --> 00:30:48,872
[LUCY SOFTLY SOBS]
592
00:30:51,075 --> 00:30:55,707
♪ A new drive top the sky,
oh you'll arrive ♪
593
00:30:56,614 --> 00:30:58,982
♪ When I was three years old ♪
594
00:30:59,083 --> 00:31:02,653
[SOFT PIANO MUSIC] [LUCY SOFTLY SOBS]
595
00:31:27,338 --> 00:31:29,939
GARVEY: Fellow citizens of Africa,
596
00:31:30,040 --> 00:31:33,706
I greet you in the name of the
United Negro Improvement Association.
597
00:31:33,731 --> 00:31:38,635
[APPLAUSE AND CHEERS]
598
00:31:39,017 --> 00:31:41,884
GARVEY: We, of the United
Negro Improvement Association,
599
00:31:41,986 --> 00:31:45,355
are raising the cry for
Africa for the Africans,
600
00:31:45,456 --> 00:31:47,790
those at home and those abroad.
601
00:31:47,891 --> 00:31:48,925
[APPLAUSE AND CHEERS]
602
00:31:49,026 --> 00:31:51,628
We seek to emancipate
the Negro everywhere,
603
00:31:51,729 --> 00:31:52,795
industrially,
604
00:31:52,820 --> 00:31:53,839
educationally,
605
00:31:53,864 --> 00:31:54,975
politically
606
00:31:55,000 --> 00:31:56,000
and religiously.
607
00:31:56,025 --> 00:31:59,569
On going back to our respective homes
608
00:31:59,670 --> 00:32:03,139
we go with determination
to lay down, if needs be,
609
00:32:03,240 --> 00:32:06,809
the last drop of our blood
for the defence of Africa
610
00:32:06,910 --> 00:32:09,000
and the emancipation of our race.
611
00:32:09,025 --> 00:32:13,783
[CHEERS AND APPLAUSE]
612
00:32:13,884 --> 00:32:16,552
An insult was hurled at the
civilized Negroes of the world
613
00:32:18,055 --> 00:32:19,656
when they took upon themselves the right
614
00:32:19,757 --> 00:32:20,857
to parcel out a proportion
615
00:32:20,958 --> 00:32:25,033
of 608,000 square miles of our own land!
616
00:32:25,562 --> 00:32:27,630
For we have never gave it up.
617
00:32:27,731 --> 00:32:29,198
We have never sold it.
618
00:32:29,299 --> 00:32:30,433
It was still ours.
619
00:32:30,534 --> 00:32:31,834
[AUDIENCE CHEERING]
620
00:32:31,935 --> 00:32:34,437
GARVEY: And we are the more aggrieved
621
00:32:34,538 --> 00:32:35,838
because of the lynch rope,
622
00:32:35,939 --> 00:32:37,106
because of the segregation,
623
00:32:37,207 --> 00:32:39,709
because of the Jim Crowism that is used,
624
00:32:39,810 --> 00:32:41,778
practiced and exercised
here in this country
625
00:32:41,879 --> 00:32:43,379
and in other parts of the world
626
00:32:43,480 --> 00:32:45,381
by the white nations of the earth,
627
00:32:45,482 --> 00:32:47,984
wherever Negroes happen accidentally
628
00:32:48,085 --> 00:32:50,219
or otherwise to find themselves.
629
00:32:51,588 --> 00:32:54,490
If there's no safety for the
Negroes in this white world,
630
00:32:54,591 --> 00:32:57,627
I cannot see what right they
have to parcel out the homeland,
631
00:32:57,728 --> 00:32:59,195
the country of the Negroes.
632
00:32:59,296 --> 00:33:01,698
[APPLAUSE AND CHEERS]
633
00:33:01,799 --> 00:33:03,519
The world ought to
understand that the Negro
634
00:33:03,567 --> 00:33:04,834
has come to life,
635
00:33:04,935 --> 00:33:06,803
possessed with a new conscience,
636
00:33:06,904 --> 00:33:08,671
a new soul.
637
00:33:08,772 --> 00:33:10,873
I warn the world that the day will come
638
00:33:10,974 --> 00:33:13,309
when the races of the world
will marshal themselves
639
00:33:13,410 --> 00:33:16,279
in great conflict for the
survival of the fittest.
640
00:33:16,380 --> 00:33:21,284
[APPLAUSE AND CHEERS]
641
00:33:26,957 --> 00:33:28,357
MARLENE: Brother Garvey!
642
00:33:29,993 --> 00:33:31,060
Greetings, Sister?
643
00:33:31,161 --> 00:33:33,096
Massey. Marlene Massey.
644
00:33:33,197 --> 00:33:35,698
I am part of the U.N.I.A
chapter in Montreal.
645
00:33:35,799 --> 00:33:36,899
Ah.
646
00:33:37,000 --> 00:33:40,169
Had a chance to visit
Montreal about two years ago.
647
00:33:40,270 --> 00:33:41,704
Wonderful city.
648
00:33:42,639 --> 00:33:44,883
You're doing fine work
there. Keep it up.
649
00:33:44,908 --> 00:33:47,043
Actually, that's why I came.
650
00:33:47,144 --> 00:33:49,278
I believe that we could do more.
651
00:33:49,379 --> 00:33:51,647
I have a plan for a clinic.
652
00:33:51,749 --> 00:33:53,289
Black owned, Black run,
653
00:33:53,314 --> 00:33:55,885
serving the Black community in Montreal.
654
00:33:55,986 --> 00:33:57,854
I like the sound of it already.
655
00:33:57,879 --> 00:33:59,256
I found some properties for rent,
656
00:33:59,281 --> 00:34:01,816
and I believe in a few years
we could be profitable.
657
00:34:04,161 --> 00:34:07,530
[SOFT MUSIC]
658
00:34:07,631 --> 00:34:10,361
GARVEY: Those are highly
endorsed by Mr. Powell.
659
00:34:10,801 --> 00:34:13,669
He'll be speaking shortly, as one
of the leaders of the movement.
660
00:34:15,172 --> 00:34:16,873
You believe in eugenics?
661
00:34:17,887 --> 00:34:22,257
I endorse in the race purity
ideas Mr. Powell purports,
662
00:34:22,679 --> 00:34:23,880
the strength of one's bloodline
663
00:34:23,981 --> 00:34:25,915
is the strength of one's race.
664
00:34:26,016 --> 00:34:27,016
And we are,
665
00:34:27,050 --> 00:34:28,117
as you know,
666
00:34:28,218 --> 00:34:29,886
the original race.
667
00:34:29,987 --> 00:34:33,623
What about the part that sanctions
the sterilization of women
668
00:34:33,724 --> 00:34:36,325
or getting rid of
"feeble-minded" individuals?
669
00:34:36,426 --> 00:34:39,128
Sister, have you never pricked your soul
670
00:34:39,229 --> 00:34:41,130
on a thorn you found reading scripture?
671
00:34:42,432 --> 00:34:44,867
Love someone whose ways were unloving?
672
00:34:46,837 --> 00:34:49,872
You may not agree with
all he stands for sister,
673
00:34:49,973 --> 00:34:52,875
but one does not discard
the baby with the bathwater.
674
00:34:54,812 --> 00:34:56,712
I thank you for coming, Sister Massey.
675
00:34:56,814 --> 00:35:00,159
And I'll be sure to speak to your
chapter head about the clinic.
676
00:35:00,184 --> 00:35:01,784
Excuse me...
677
00:35:01,885 --> 00:35:03,953
GARVEY: Nice to see you
and thank you for coming.
678
00:35:04,054 --> 00:35:08,174
[SOFT DRAMATIC MUSIC]
679
00:35:10,093 --> 00:35:14,463
♪
680
00:35:19,536 --> 00:35:20,736
[DOOR KNOCKING]
681
00:35:22,873 --> 00:35:24,974
ZEKE: Mr. Randolph?
682
00:35:25,075 --> 00:35:27,343
I don't know if you remember me.
683
00:35:27,444 --> 00:35:28,811
The porter with a plan?
684
00:35:28,912 --> 00:35:30,012
ZEKE: Yes sir.
685
00:35:30,113 --> 00:35:31,581
Zeke Garrett.
686
00:35:31,933 --> 00:35:33,467
This isn't a great time.
687
00:35:33,951 --> 00:35:34,951
ZEKE: Oh, right.
688
00:35:35,052 --> 00:35:36,185
I understand.
689
00:35:36,286 --> 00:35:37,954
[TENSE MUSIC]
690
00:35:38,055 --> 00:35:39,388
I'll wait.
691
00:35:39,489 --> 00:35:43,150
[TENSE MUSIC]
692
00:35:45,429 --> 00:35:49,908
♪
693
00:35:52,069 --> 00:35:53,970
ZEKE: Mr. Randolph,
I-I've been followed,
694
00:35:54,071 --> 00:35:55,805
room broken into,
695
00:35:55,906 --> 00:35:57,840
community garden got destroyed,
696
00:35:57,941 --> 00:35:59,809
and someone is talkin' to the company,
697
00:35:59,910 --> 00:36:01,577
telling them my every move.
698
00:36:01,678 --> 00:36:03,346
RANDOLPH: Hmm.
699
00:36:03,847 --> 00:36:04,947
Please.
700
00:36:05,916 --> 00:36:07,350
You've got a snitch.
701
00:36:07,451 --> 00:36:09,619
And in my experience, snitches get paid.
702
00:36:10,921 --> 00:36:13,022
So you need to find out
who the company is paying.
703
00:36:13,123 --> 00:36:14,490
How do you suppose I do that?
704
00:36:14,591 --> 00:36:17,627
You know what they say about
house slaves and field slaves?
705
00:36:17,728 --> 00:36:20,029
Folks think the house
slave is the, uh, Uncle Tom
706
00:36:20,130 --> 00:36:21,649
and the field slave is the threat.
707
00:36:21,674 --> 00:36:23,308
But they have it all wrong.
708
00:36:23,333 --> 00:36:25,067
Well, how do you figure?
709
00:36:25,168 --> 00:36:27,003
The house slave was the
one making their food,
710
00:36:27,104 --> 00:36:29,639
fixing their drinks,
making their beds at night.
711
00:36:29,740 --> 00:36:31,707
Well it sounds like a porter.
712
00:36:31,808 --> 00:36:34,510
Don't underestimate the threat
you can be on the inside.
713
00:36:34,611 --> 00:36:36,251
There's value to being
close to the enemy.
714
00:36:36,346 --> 00:36:38,047
Ears to the door, hmm?
715
00:36:38,148 --> 00:36:39,649
Collecting information.
716
00:36:39,992 --> 00:36:42,227
So I should get close to Edwards?
717
00:36:42,252 --> 00:36:44,453
Build his trust.
718
00:36:44,554 --> 00:36:46,989
And when you have enough, you get out
719
00:36:47,090 --> 00:36:48,391
and blow the whole thing up.
720
00:36:48,492 --> 00:36:50,993
[SOFT DRAMATIC MUSIC]
721
00:36:51,094 --> 00:36:55,009
[BACKGROUND CHATTER]
[SOFT DRAMATIC MUSIC]
722
00:36:57,100 --> 00:37:00,025
♪
723
00:37:02,339 --> 00:37:03,806
How you doin', Lucy-Mae?
724
00:37:05,342 --> 00:37:08,678
Just getting ready to fade back
into the shadows of the back row.
725
00:37:15,152 --> 00:37:18,447
You know, back when I told people
that I was gonna open this joint,
726
00:37:19,545 --> 00:37:22,494
they thought that I was crazy.
727
00:37:25,362 --> 00:37:27,697
Couldn't imagine that a Black
man could do much around here
728
00:37:27,798 --> 00:37:31,133
except, you know, work in the mines,
729
00:37:31,234 --> 00:37:32,702
on the trains.
730
00:37:34,004 --> 00:37:35,371
What's that gotta do with me?
731
00:37:37,339 --> 00:37:39,070
Just because people
weren't understanding
732
00:37:39,095 --> 00:37:41,143
what you were bringin',
733
00:37:41,244 --> 00:37:42,878
don't mean it wasn't good.
734
00:37:48,952 --> 00:37:50,886
So you're saying I can keep headlining?
735
00:37:53,056 --> 00:37:54,757
I want you to be my stage director.
736
00:37:55,720 --> 00:37:57,059
Hmm?
737
00:37:57,160 --> 00:37:59,556
Come up with the routines.
738
00:38:00,097 --> 00:38:03,806
Let's give these folks a,
a taste for the future.
739
00:38:04,167 --> 00:38:05,568
But slowly.
740
00:38:07,371 --> 00:38:09,455
A taste for the future?
741
00:38:10,729 --> 00:38:12,730
Well that's a new way of puttin' it.
742
00:38:13,176 --> 00:38:15,711
All you're really sayin'
is stay in the back row.
743
00:38:15,812 --> 00:38:17,980
This crowd don't deal in coal.
744
00:38:18,081 --> 00:38:19,656
Jigaboo, tar baby,
745
00:38:19,681 --> 00:38:20,950
ink stain, eight-rock.
746
00:38:21,051 --> 00:38:22,752
I've heard it all before.
747
00:38:29,092 --> 00:38:31,027
I'm only gonna say this once,
748
00:38:32,462 --> 00:38:33,929
so listen up.
749
00:38:36,266 --> 00:38:38,768
You got something that none
of these other girls got.
750
00:38:40,237 --> 00:38:42,104
Girl, that is vision.
751
00:38:46,209 --> 00:38:49,111
So I'm gonna leave it up to you to
decide what you wanna do with it.
752
00:39:02,259 --> 00:39:04,527
[ENGINE RUMBLING]
753
00:39:04,628 --> 00:39:06,529
MARLENE: Every page is full of nonsense,
754
00:39:06,630 --> 00:39:09,999
like restrictive immigration
and selective breeding.
755
00:39:11,701 --> 00:39:14,697
ZEKE: Yeah, well, he ain't
alone in his thinkin'.
756
00:39:14,722 --> 00:39:17,172
I mean, you could hardly find
a copy of that book anywhere.
757
00:39:17,197 --> 00:39:19,842
MARLENE: They call them
"socially inadequate persons".
758
00:39:19,943 --> 00:39:21,377
You should see the list:
759
00:39:22,279 --> 00:39:23,646
the wayward,
760
00:39:23,747 --> 00:39:26,449
deaf, deformed, dependent.
761
00:39:26,550 --> 00:39:29,185
And they always blame the
"deficiency" on the mother.
762
00:39:29,286 --> 00:39:32,421
Well you know nothin' like that
will ever happen to Teddy, right?
763
00:39:32,522 --> 00:39:34,223
Not as long as I'm breathing.
764
00:39:34,248 --> 00:39:35,572
[ZEKE SOFTLY CHUCKLES]
765
00:39:35,597 --> 00:39:38,286
I have half of mind to go home
and build that clinic myself.
766
00:39:38,328 --> 00:39:40,029
[SOFTLY LAUGHS] Go on, Marlene.
767
00:39:40,130 --> 00:39:41,831
MARLENE: I'm serious, Zeke!
768
00:39:41,932 --> 00:39:43,599
I am through asking for permission.
769
00:39:43,700 --> 00:39:46,402
I'm gonna get my clinic
one way or another.
770
00:39:49,806 --> 00:39:51,006
Paperwork.
771
00:39:55,779 --> 00:39:58,214
On the first page is
a list of all my kin,
772
00:39:58,315 --> 00:40:00,449
ah, dates of birth.
773
00:40:00,550 --> 00:40:03,252
And how do I know you
didn't make this all up?
774
00:40:03,353 --> 00:40:06,134
Well, why would I do that?
775
00:40:06,632 --> 00:40:08,400
Looks to me this nigger's
776
00:40:08,425 --> 00:40:12,128
trying to smuggle in his
prostitute in his fancy car.
777
00:40:13,430 --> 00:40:18,095
I'm a porter with the
Cross Continental Railroad, sir.
778
00:40:20,070 --> 00:40:24,140
And the company gave us this card
779
00:40:24,241 --> 00:40:25,941
when we crossin' the border.
780
00:40:29,446 --> 00:40:31,113
Said you're a porter, huh?
781
00:40:31,214 --> 00:40:32,314
That's right.
782
00:40:34,217 --> 00:40:35,951
I'll take a shine before you go.
783
00:40:36,052 --> 00:40:40,389
[TENSE MUSIC]
784
00:40:40,490 --> 00:40:45,176
But I'm off duty, sir,
and I don't got my kit.
785
00:40:45,201 --> 00:40:47,702
Oh, spit shine'll do just fine.
786
00:40:49,432 --> 00:40:52,134
Or maybe you'd rather
I take your lady aside
787
00:40:52,235 --> 00:40:53,969
and conduct a thorough inspection
788
00:40:54,070 --> 00:40:56,906
to make sure she's not
bringing in any impurities.
789
00:40:57,007 --> 00:41:01,056
[TENSE MUSIC]
790
00:41:03,013 --> 00:41:06,720
♪
791
00:41:15,292 --> 00:41:16,525
HARRISON: See?
792
00:41:17,460 --> 00:41:18,827
I just did half your work.
793
00:41:21,932 --> 00:41:23,365
Hurry up.
794
00:41:23,466 --> 00:41:27,056
[TENSE DRAMATIC MUSIC]
795
00:41:29,472 --> 00:41:33,580
♪
796
00:41:39,282 --> 00:41:43,424
♪
797
00:41:45,088 --> 00:41:47,623
[ENGINE REVVING]
798
00:41:47,724 --> 00:41:51,049
[TENSE DRAMATIC MUSIC]
799
00:41:53,730 --> 00:41:58,334
♪
800
00:41:58,435 --> 00:42:00,369
MARLENE: Zeke, slow down.
801
00:42:00,394 --> 00:42:01,446
Zeke.
802
00:42:01,471 --> 00:42:03,038
[TIRES SQUEALING]
803
00:42:03,063 --> 00:42:04,674
Zeke, stop!
804
00:42:07,077 --> 00:42:08,844
[HORN HONKING]
805
00:42:08,945 --> 00:42:10,179
MARLENE: What are you doing?
806
00:42:10,280 --> 00:42:11,413
[HORN HONKING]
807
00:42:11,514 --> 00:42:14,383
[TENSE DRAMATIC MUSIC]
808
00:42:14,484 --> 00:42:15,851
Zeke!
809
00:42:15,952 --> 00:42:17,653
You're scaring me, Zeke!
810
00:42:17,754 --> 00:42:21,900
[TENSE DRAMATIC MUSIC]
811
00:42:23,793 --> 00:42:25,461
♪
812
00:42:25,562 --> 00:42:27,029
[DOOR SLAMS]
813
00:42:31,334 --> 00:42:32,701
[ZEKE SCREAMS]
814
00:42:35,005 --> 00:42:37,406
[ZEKE PANTS]
815
00:42:53,790 --> 00:42:57,994
[CICADA HUMS] [WIND RUSTLES]
816
00:43:27,648 --> 00:43:28,748
Zeke.
817
00:43:35,237 --> 00:43:36,604
I'll see you tomorrow.
818
00:43:40,687 --> 00:43:42,390
Hey Marlene?
819
00:43:45,699 --> 00:43:47,400
Junior didn't ask me to take you.
820
00:43:48,820 --> 00:43:49,873
What?
821
00:43:49,898 --> 00:43:50,951
[SOFT MUSIC]
822
00:43:50,976 --> 00:43:52,498
I know, I-I-I'm sorry.
823
00:43:52,523 --> 00:43:54,724
I just know how much it
meant to you and I just...
824
00:43:54,843 --> 00:43:57,584
I just couldn't stand to
see your dreams slip away.
825
00:43:59,788 --> 00:44:01,222
Thank you.
826
00:44:01,323 --> 00:44:05,203
[SOFT MUSIC]
827
00:44:07,405 --> 00:44:12,093
♪
828
00:44:17,606 --> 00:44:20,508
[LIFT HUMMING]
829
00:44:32,388 --> 00:44:35,056
The watch and the money should
more than cover this week.
830
00:44:37,293 --> 00:44:39,427
Something happen I should know about?
831
00:44:39,604 --> 00:44:41,272
Nothing that's gonna happen again.
832
00:44:41,297 --> 00:44:43,698
I don't see any blood on your hands.
833
00:44:43,723 --> 00:44:46,755
Which leads me to believe
whatever problem you encountered,
834
00:44:46,780 --> 00:44:48,147
you failed to solve.
835
00:44:56,466 --> 00:44:57,999
In this business...
836
00:44:58,024 --> 00:45:00,925
[TENSE DRAMATIC MUSIC]
837
00:45:00,950 --> 00:45:02,884
QUEENIE: The only way you can be sure
838
00:45:02,985 --> 00:45:05,720
you won't encounter
the same problem twice.
839
00:45:05,821 --> 00:45:08,723
[TENSE DRAMATIC MUSIC]
840
00:45:08,824 --> 00:45:10,959
[BLADE SLICING] [BOBBY GASPING]
841
00:45:11,060 --> 00:45:12,727
[BOBBY GURGLING]
842
00:45:12,828 --> 00:45:17,098
[TENSE DRAMATIC MUSIC SWELLS]
843
00:45:20,669 --> 00:45:23,271
[BOBBY GURGLING]
844
00:45:27,676 --> 00:45:32,257
[SUSPENSEFUL MUSIC]
845
00:45:33,682 --> 00:45:36,517
♪
846
00:45:36,619 --> 00:45:41,256
This is what Bobby did
with his second chance.
847
00:45:47,396 --> 00:45:50,367
Same hustle, different drug.
848
00:45:53,569 --> 00:45:56,304
The last man who stole from me
849
00:45:56,405 --> 00:45:58,906
got picked out of the
river piece by piece.
850
00:46:00,409 --> 00:46:03,778
Believe me, porter, this was a kindness.
851
00:46:03,879 --> 00:46:07,115
[OMINOUS MUSIC]
852
00:46:07,216 --> 00:46:08,483
If you leave a man breathing,
853
00:46:08,584 --> 00:46:10,464
you leave him with another
chance to betray you.
854
00:46:12,321 --> 00:46:14,322
So you know what you have to do, right?
855
00:46:14,423 --> 00:46:18,326
[TENSE DRAMATIC MUSIC]
856
00:46:18,427 --> 00:46:20,728
Hmm.
857
00:46:20,829 --> 00:46:22,330
Sticks, clean this bitch up.
858
00:46:22,431 --> 00:46:26,609
[TENSE DRAMATIC MUSIC]
859
00:46:28,437 --> 00:46:32,759
♪
860
00:46:36,945 --> 00:46:40,114
[TRAIN CHUGGING]
861
00:46:40,215 --> 00:46:44,152
[CLOCK TICKING]
862
00:46:50,092 --> 00:46:51,092
Mr. Edwards.
863
00:46:51,126 --> 00:46:52,327
Mr. Garrett?
864
00:46:52,428 --> 00:46:55,563
Earlier today I had some
trouble crossing the border.
865
00:46:55,664 --> 00:47:00,368
The Customs Agent, well,
the way he spoke to me.
866
00:47:00,469 --> 00:47:02,370
Didn't you have your card?
867
00:47:02,471 --> 00:47:04,539
See, well, that's just it.
868
00:47:04,640 --> 00:47:06,174
As soon as I showed it to him,
869
00:47:06,275 --> 00:47:09,163
all of a sudden I was
able to get right through.
870
00:47:09,188 --> 00:47:11,523
And it made me realize how valued
871
00:47:11,548 --> 00:47:15,397
being a porter on your
railway really is.
872
00:47:15,884 --> 00:47:17,497
And I just wanted to apologize
873
00:47:17,522 --> 00:47:19,420
for ever taking that for granted, sir.
874
00:47:19,521 --> 00:47:21,889
Good to see you've come to
your senses, Mr. Garrett.
875
00:47:21,990 --> 00:47:24,892
I think we could work together
to make things better, sir.
876
00:47:28,497 --> 00:47:31,232
Sir, I would appreciate
if you would consider
877
00:47:31,257 --> 00:47:33,224
appointing me to the Welfare Committee.
878
00:47:33,249 --> 00:47:35,512
- The Welfare Committee?
- Yes, sir.
879
00:47:35,537 --> 00:47:36,896
If it's all right with you,
880
00:47:36,921 --> 00:47:39,533
I would like to be the head
man between your office
881
00:47:39,558 --> 00:47:40,992
and the committee, sir.
882
00:47:41,777 --> 00:47:44,379
Not even on the committee yet
and asking for a promotion.
883
00:47:44,480 --> 00:47:47,749
I know the work and the
men better than anyone.
884
00:47:47,850 --> 00:47:50,418
And no one knows the
railway like you, sir.
885
00:47:50,519 --> 00:47:55,124
Surely, the best change can
come if we work together.
886
00:47:55,691 --> 00:47:57,058
From the inside.
887
00:48:06,535 --> 00:48:11,194
[SOFT PIANO MUSIC]
888
00:48:12,541 --> 00:48:17,319
♪
889
00:48:22,384 --> 00:48:26,905
♪
890
00:48:32,428 --> 00:48:36,249
♪
891
00:48:42,404 --> 00:48:46,749
♪
892
00:48:51,513 --> 00:48:53,233
I'm sorry.
893
00:48:54,149 --> 00:48:57,485
Does that sorry come
with an explanation?
894
00:48:57,586 --> 00:49:00,624
[SOFT PIANO MUSIC]
895
00:49:10,566 --> 00:49:12,934
Listen, I'll make it up to you, Mar.
896
00:49:14,870 --> 00:49:16,537
MARLENE: Doesn't matter.
897
00:49:16,638 --> 00:49:18,105
It's done.
898
00:49:22,478 --> 00:49:24,378
[FIST PUMMELING] [CLARENCE GROANING]
899
00:49:25,239 --> 00:49:26,872
[CLARENCE GROANS]
900
00:49:27,208 --> 00:49:31,018
Come on, please Junior. Please.
Come on, Junior, please.
901
00:49:31,271 --> 00:49:32,338
Come on, man!
902
00:49:32,363 --> 00:49:33,430
[CLARENCE GROANS]
903
00:49:33,455 --> 00:49:36,944
[SOLEMN PIANO MUSIC]
904
00:49:38,827 --> 00:49:41,710
♪
905
00:49:44,666 --> 00:49:45,766
[GURGLING] Please, no.
906
00:49:45,868 --> 00:49:47,768
[GURGLING] No, Junior.
907
00:49:47,870 --> 00:49:49,770
[GURGLING] Please. Please.
908
00:49:49,872 --> 00:49:51,038
[CLARENCE SPUTTERING]
909
00:49:51,139 --> 00:49:52,240
[GURGLING] Please, Junior!
910
00:49:52,341 --> 00:49:55,443
[CLARENCE SPUTTERING]
911
00:49:55,544 --> 00:49:56,577
[JUNIOR YELLS]
912
00:49:56,678 --> 00:49:58,212
I'm sorry, Junior.
913
00:49:58,313 --> 00:49:59,547
Junior, no!
914
00:49:59,648 --> 00:50:00,648
No!
915
00:50:00,682 --> 00:50:01,816
No!
916
00:50:01,917 --> 00:50:04,285
[SMASHING] [CLARENCE SCREAMING]
917
00:50:04,386 --> 00:50:07,989
[SHOVEL CLATTERING] [CLARENCE CRYING]
918
00:50:08,090 --> 00:50:09,457
CLARENCE: I'm sorry.
919
00:50:12,694 --> 00:50:14,428
[GURGLING] I'm sorry.
920
00:50:14,530 --> 00:50:18,475
[SOLEMN PIANO MUSIC]
921
00:50:20,536 --> 00:50:23,530
♪
922
00:50:30,579 --> 00:50:34,421
♪
923
00:50:45,561 --> 00:50:48,718
[RHYTHMIC DRAMATIC MUSIC]
924
00:50:51,567 --> 00:50:55,249
♪
925
00:50:55,616 --> 00:50:59,616
- Synced and corrected by synk -
- www.addic7ed.com -
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