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1
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♪♪
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00:00:02,793 --> 00:00:03,833
ONCE UPON A TIME,
3
00:00:03,878 --> 00:00:05,838
THERE WERE THREE
BEAUTIFUL GIRLS.
4
00:00:07,757 --> 00:00:11,135
TWO OF THEM GRADUATED
FROM THE POLICE ACADEMY.
5
00:00:11,427 --> 00:00:15,097
THE OTHER GRADUATED FROM
A TOP SCHOOL FOR MODELS.
6
00:00:16,432 --> 00:00:18,475
AND THEY EACH
REAPED THEIR REWARDS
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00:00:18,768 --> 00:00:19,852
OF THEIR EXCITING CAREERS.
8
00:00:22,271 --> 00:00:23,897
BUT I TOOK THEM
AWAY FROM ALL THAT,
9
00:00:24,190 --> 00:00:26,108
AND NOW THEY WORK FOR ME.
10
00:00:26,400 --> 00:00:27,943
MY NAME IS CHARLIE.
11
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♪♪
12
00:02:36,155 --> 00:02:37,239
AH...
13
00:02:39,533 --> 00:02:42,911
OH, I'M SO GLAD I WAS ABLE
TO GET BACK TO THE CITY AGAIN.
14
00:02:43,204 --> 00:02:45,623
AND TO SEE YOU AGAIN.
15
00:02:46,999 --> 00:02:48,625
HOW'S THIS?
16
00:02:48,918 --> 00:02:51,503
I HAVE SO MANY PRESSING
PROBLEMS AT HOME.
17
00:02:51,796 --> 00:02:53,255
DOESN'T EVERYONE?
18
00:02:53,547 --> 00:02:56,341
I LOOK FORWARD TO THESE MOMENTS.
19
00:02:59,303 --> 00:03:02,097
THAT'S GOOD. THAT'S GOOD.
20
00:03:07,103 --> 00:03:09,021
NAME IS JODY. JODY MILLS.
21
00:03:09,313 --> 00:03:10,689
ALL RIGHT, WHO IS SHE
22
00:03:10,981 --> 00:03:12,221
AND WHY ARE WE LOOKING FOR HER?
23
00:03:12,441 --> 00:03:15,152
WELL, SHE'S FROM
NEBRASKA AND SHE WORKS...
24
00:03:15,444 --> 00:03:17,547
OR AT LEAST SHE WORKED, AT
THE WOODMAN MODELING AGENCY
25
00:03:17,571 --> 00:03:18,655
HERE IN TOWN.
26
00:03:18,948 --> 00:03:20,658
- AS A MODEL?
- THAT'S RIGHT.
27
00:03:20,950 --> 00:03:22,701
HER FATHER HAS
LOST TOUCH WITH HER
28
00:03:22,993 --> 00:03:24,388
SO HE WANTS US TO
GO OVER THERE TONIGHT
29
00:03:24,412 --> 00:03:26,252
AND SEE IF SHE'S STILL
ASSOCIATED WITH WOODMAN.
30
00:03:26,372 --> 00:03:28,165
JUST THE THREE OF
US ON THIS ONE, BOS?
31
00:03:28,457 --> 00:03:30,417
I GUESS SO, IN THAT TIFFANY'S
DECIDED TO STAY EAST
32
00:03:30,668 --> 00:03:31,752
FOR A WHILE.
33
00:03:33,379 --> 00:03:37,879
NOW, HERE IS A PICTURE
OF HER FRIEND NAMED TERRY.
34
00:03:42,972 --> 00:03:45,724
AND THIS IS HER ROOMMATE, HMM.
35
00:03:46,016 --> 00:03:47,767
JULIE ROGERS.
36
00:03:50,187 --> 00:03:51,581
DID YOU FIND THAT
JIMMY JOY CHARACTER?
37
00:03:51,605 --> 00:03:52,605
I FOUND HIM.
38
00:03:52,815 --> 00:03:54,316
IS HE STILL DOING BUSINESS HERE?
39
00:03:54,608 --> 00:03:56,318
MM-HM.
40
00:03:57,653 --> 00:03:58,862
I'M GONNA LOOK FOR JODY MILLS.
41
00:03:59,155 --> 00:04:00,424
I THINK SHE'S WORKING
THE HOME SHOW.
42
00:04:00,448 --> 00:04:01,657
STAY IN TOUCH.
43
00:04:01,949 --> 00:04:03,283
OKAY. SEE YOU.
44
00:04:14,253 --> 00:04:16,338
SO WHO ARE YOU?
45
00:04:16,630 --> 00:04:17,670
MISS MILLS IS MY ROOMMATE.
46
00:04:17,882 --> 00:04:20,259
I'VE GOT SOMETHING I
GOTTA DELIVER TO HER.
47
00:04:20,551 --> 00:04:22,469
SHE NEEDS IT
QUICK. GET MY DRIFT?
48
00:04:22,762 --> 00:04:26,390
AH, SHE AND HER PHOTOGRAPHER
WERE IN THE FIRST ROOM
49
00:04:26,682 --> 00:04:28,642
BUT I THINK I HEARD
SOMEBODY LEAVE.
50
00:04:28,934 --> 00:04:32,270
SOME OF OUR CLIENTS DON'T
WANT TO WALK OUT THE FRONT DOOR
51
00:04:32,563 --> 00:04:33,689
IF YOU KNOW WHAT I MEAN.
52
00:04:33,981 --> 00:04:35,899
I'll BET.
53
00:04:39,028 --> 00:04:42,197
♪♪
54
00:05:26,700 --> 00:05:28,201
MR. MILLS, IF THE
POLICE ARE INVOLVED,
55
00:05:28,494 --> 00:05:29,745
WHY DO YOU STILL WANNA HIRE US?
56
00:05:30,037 --> 00:05:32,456
I WANNA KNOW WHO KILLED MY GIRL.
57
00:05:32,748 --> 00:05:37,248
AND I WANNA KNOW WHY SHE
DIED WITH DRUGS IN HER BODY.
58
00:05:37,837 --> 00:05:39,463
CAN YOU UNDERSTAND THAT?
59
00:05:40,798 --> 00:05:41,965
YEAH.
60
00:05:42,258 --> 00:05:46,178
THIS JULIE ROGERS, SHE
SEEMED TO BE HIDING SOMETHING
61
00:05:46,470 --> 00:05:49,097
SO I DECIDED TO
COME SEE FOR MYSELF.
62
00:05:54,770 --> 00:05:56,730
THIS MORNING, WHEN I
QUESTIONED MISS ROGERS
63
00:05:57,022 --> 00:05:59,024
ABOUT JODY MILLS' DEATH
SHE GOT VERY DEFENSIVE.
64
00:05:59,316 --> 00:06:01,776
I WOULD SAY THAT MISS ROGER
BEARS FURTHER WATCHING, CHARLIE.
65
00:06:02,069 --> 00:06:03,445
I AGREE.
66
00:06:03,737 --> 00:06:05,029
THE QUESTION IS,
67
00:06:05,322 --> 00:06:07,002
HOW DO WE PROCEED
WITHOUT TIPPING OUR HAND?
68
00:06:07,116 --> 00:06:08,951
WELL, SHE'S A MODEL WITH
THE WOODMAN AGENCY.
69
00:06:09,243 --> 00:06:10,369
MAYBE WE COULD START THERE.
70
00:06:10,661 --> 00:06:12,120
WHO ARE THESE TWO YOUNG LADIES?
71
00:06:12,413 --> 00:06:14,248
WELL, SHE JUST TOLD
YOU. GARRETT AND MUNROE.
72
00:06:14,540 --> 00:06:16,180
YOU WEREN'T PAYING
ATTENTION, MR. WOODMAN.
73
00:06:16,208 --> 00:06:18,084
I TOLD THEM WE WEREN'T
SEEING ANY NEW PEOPLE,
74
00:06:18,377 --> 00:06:19,795
BUT THEY, UH, INSISTED.
75
00:06:20,087 --> 00:06:22,297
YOU AREN'T EXACTLY SUFFERING
FROM SHYNESS, ARE YOU?
76
00:06:22,590 --> 00:06:24,150
WHAT IS IT THEY SAY
ABOUT A FAINT HEART?
77
00:06:24,425 --> 00:06:27,052
ALL RIGHT, THEN.
78
00:06:27,344 --> 00:06:29,637
THIS EVENING,
WE'RE GIVING A PARTY
79
00:06:29,930 --> 00:06:32,807
HERE FOR SOME
OUT-OF-TOWN ADVERTISERS.
80
00:06:33,100 --> 00:06:36,311
YOU TWO, YOU CAN COME
ALONG, LOOKING YOUR VERY BEST.
81
00:06:36,604 --> 00:06:39,648
AND IF I THINK THAT YOUR BEST
IS APPRECIATED BY OUR CLIENTS
82
00:06:39,940 --> 00:06:41,149
THEN WE'LL TALK.
83
00:06:41,442 --> 00:06:42,651
WHAT ARE YOU DOING HERE?
84
00:06:42,943 --> 00:06:44,819
I'M TRYING TO
IMPRESS MR. WOODMAN.
85
00:06:45,112 --> 00:06:46,113
IMPRESS HIM?
86
00:06:46,405 --> 00:06:47,739
YEAH, SO HE'LL HIRE ME.
87
00:06:48,032 --> 00:06:50,492
AS A MODEL? RIGHT.
88
00:06:50,784 --> 00:06:54,829
LOOK, THIS, UM, ISN'T ALL AS
EASY AND PRETTY AS IT LOOKS.
89
00:06:55,122 --> 00:06:58,708
IT ISN'T? NO. THIS ISN'T
OMAHA, NEBRASKA.
90
00:06:59,001 --> 00:07:01,795
THIS IS THE BIG POND WHERE
THE BIG FISH PLAY FOR BIG BUCKS.
91
00:07:02,087 --> 00:07:04,089
THERE'S SHARKS IN THESE WATERS
92
00:07:04,381 --> 00:07:06,174
AND YOU CAN GET CUT
IN HALF REAL QUICK.
93
00:07:06,467 --> 00:07:08,594
SO BEFORE YOU DIVE IN,
GIVE IT A LOT OF THOUGHT.
94
00:07:08,886 --> 00:07:10,596
ALL RIGHT, I WILL.
95
00:07:10,888 --> 00:07:12,347
OH, YEAH? I DON'T KNOW YOU.
96
00:07:12,640 --> 00:07:13,682
WELL, THAT'S OKAY.
97
00:07:13,974 --> 00:07:15,600
BECAUSE I'M TAKING
OVER YOUR ACTION HERE.
98
00:07:15,893 --> 00:07:17,686
WHAT ARE YOU, CRAZY?
99
00:07:17,978 --> 00:07:20,522
CRAZY ABOUT THE
BUSINESS YOU'RE DOING HERE.
100
00:07:20,814 --> 00:07:23,608
SO I'M TAKING OVER YOUR SPOT.
GO FIND YOURSELF ANOTHER CORNER.
101
00:07:23,901 --> 00:07:26,194
OH, YEAH, YOU ARE CRAZY.
102
00:07:26,487 --> 00:07:28,030
ENJOY YOURSELF TONIGHT, JIMMY.
103
00:07:29,615 --> 00:07:31,575
I'M TAKING OVER TOMORROW.
104
00:07:36,956 --> 00:07:39,416
THAT'S HARRY? THAT'S HARRY.
105
00:07:39,708 --> 00:07:43,336
LOOKS LIKE YOU TOOK
TOO LONG GETTING HERE.
106
00:07:43,629 --> 00:07:44,838
IT SURE LOOKS THAT WAY.
107
00:07:55,140 --> 00:07:56,516
HARRY.
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00:07:56,809 --> 00:07:58,310
HARRY.
109
00:07:59,478 --> 00:08:02,314
FIND OUT WHO THAT WAS.
110
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♪♪
111
00:08:29,925 --> 00:08:31,843
THANKS FOR COMING.
112
00:08:32,136 --> 00:08:35,764
JULIE, LISTEN, IN A DAY OR
TWO, MAYBE WE SHOULD TALK.
113
00:08:36,724 --> 00:08:37,975
ABOUT WHAT?
114
00:08:38,267 --> 00:08:40,435
WELL, WE BOTH SEEM TO BE
WORKING ON THE SAME CASE.
115
00:08:42,563 --> 00:08:44,606
I WORKED WITH HARRY.
116
00:08:46,275 --> 00:08:48,277
I DON'T KNOW WHAT
I'M GONNA DO NOW.
117
00:08:48,569 --> 00:08:51,321
LET'S TALK IN A FEW DAYS
WHEN YOU FEEL BETTER, OKAY?
118
00:08:53,866 --> 00:08:56,326
LOOK, YOU MIGHT AS WELL SAY
WHAT YOU HAVE TO SAY NOW.
119
00:08:58,120 --> 00:09:00,622
WHAT EXACTLY WERE YOU
AND HARRY WORKING ON?
120
00:09:00,914 --> 00:09:02,165
HOW'D YOU TWO GET STARTED?
121
00:09:02,458 --> 00:09:05,669
I MET HARRY WHEN I
WAS IN SYBIL BRAND.
122
00:09:05,961 --> 00:09:07,253
I'D BEEN SENT THERE FOR...
123
00:09:07,546 --> 00:09:08,964
SHOPLIFTING A DRESS?
124
00:09:09,256 --> 00:09:11,007
YEAH, YOU PEOPLE
DO YOUR HOMEWORK.
125
00:09:11,300 --> 00:09:12,467
IT'S PART OF THE JOB.
126
00:09:12,760 --> 00:09:14,803
I WAS...
127
00:09:15,095 --> 00:09:18,139
I WAS BROKE AND I WAS
TRYING TO GET THIS JOB
128
00:09:18,432 --> 00:09:21,643
AS A RECEPTIONIST AND
I HAD NOTHING TO WEAR.
129
00:09:21,935 --> 00:09:24,395
JULIE, YOU DON'T OWE
US AN EXPLANATION.
130
00:09:24,688 --> 00:09:29,188
WELL, ANYWAY, WHEN I GOT OUT,
HARRY WAS MY PAROLE OFFICER
131
00:09:29,610 --> 00:09:31,490
AND WHEN I WENT TO WORK
AT THE AGENCY AS A MODEL
132
00:09:31,737 --> 00:09:33,989
I NOTICED CERTAIN THINGS
AND I TOLD HARRY ABOUT IT.
133
00:09:34,281 --> 00:09:35,657
WHAT SORT OF THINGS?
134
00:09:35,949 --> 00:09:37,589
WELL, THERE WERE A LOT
OF DRUGS GOING DOWN
135
00:09:37,743 --> 00:09:39,503
AND THE ENTERTAINING
OF THE CLIENTS THE GIRLS
136
00:09:39,787 --> 00:09:41,205
WERE ASKED TO DO, IT WAS...
137
00:09:41,497 --> 00:09:43,248
WELL, IT WAS A LOT
MORE THAN MODELING.
138
00:09:43,540 --> 00:09:45,260
YOU MEAN THEY WERE
FORCED INTO PROSTITUTION?
139
00:09:45,459 --> 00:09:48,044
NO. NO, THEY WERE NEVER
FORCED INTO ANYTHING.
140
00:09:48,462 --> 00:09:51,006
IT'S JUST, THE
PRESSURE, THE DEMANDS.
141
00:09:51,298 --> 00:09:53,341
MOST OF THE GIRLS JUST
DON'T HAVE A CHANCE.
142
00:09:53,634 --> 00:09:55,354
THEY'RE EITHER RUNAWAYS
OR FROM BROKEN HOMES
143
00:09:55,636 --> 00:09:57,471
AND THEY JUST
DON'T HAVE A CHANCE.
144
00:09:57,763 --> 00:10:00,682
THEY GET IN HOCK TO THE
AGENCY AND THEY GET DESPERATE.
145
00:10:01,266 --> 00:10:02,433
INTO HOCK? HOW DO YOU MEAN?
146
00:10:02,726 --> 00:10:04,352
WELL, THE AGENCY
LENDS THEM MONEY
147
00:10:04,645 --> 00:10:05,645
FOR PROFESSIONAL PICTURES
148
00:10:05,813 --> 00:10:07,293
AND ADVANCES THEM
FOOD AND RENT MONEY.
149
00:10:07,564 --> 00:10:08,564
BUT WITHIN THREE MONTHS
150
00:10:08,649 --> 00:10:10,168
IF THEY'RE NOT WORKING
THE BIG-PAYING JOBS,
151
00:10:10,192 --> 00:10:11,192
THEY'RE IN TROUBLE.
152
00:10:11,401 --> 00:10:13,111
DALE WOODMAN DEMANDS REPAYMENT?
153
00:10:13,403 --> 00:10:15,321
NO, DALE WOODMAN
NEVER DEMANDS ANYTHING.
154
00:10:15,614 --> 00:10:17,073
HE JUST SUGGESTS
THAT MAYBE THEY TRY
155
00:10:17,366 --> 00:10:18,784
SOME OF THE LESS GLAMOROUS JOBS.
156
00:10:19,076 --> 00:10:20,118
SUCH AS?
157
00:10:20,410 --> 00:10:23,121
INDUSTRIAL
DEMONSTRATIONS, AUTO SHOWS.
158
00:10:23,413 --> 00:10:24,956
HOSTESS TYPE THINGS, WHATEVER.
159
00:10:25,249 --> 00:10:27,501
AND THE GIRLS HOPE SOMEHOW
THINGS WILL GET BETTER
160
00:10:27,793 --> 00:10:29,878
SO THEY CAN GET BACK IN...
161
00:10:30,170 --> 00:10:32,213
BACK INTO THE A GROUP. - RIGHT.
162
00:10:32,506 --> 00:10:33,757
ONLY IT DOESN'T WORK THAT WAY.
163
00:10:34,049 --> 00:10:36,718
NOW, DON'T MISUNDERSTAND
ME. MOST AGENCIES ARE STRAIGHT.
164
00:10:37,010 --> 00:10:38,655
THEY WOULDN'T TAKE 90
PERCENT OF THOSE GIRLS
165
00:10:38,679 --> 00:10:40,559
IN THE FIRST PLACE. THEY'D
SEND THEM RIGHT HOME.
166
00:10:42,724 --> 00:10:44,475
JODY MILLS, YOUR ROOMMATE.
167
00:10:44,768 --> 00:10:46,121
YOU WEREN'T TRYING TO
BUY DRUGS FOR HER THE NIGHT
168
00:10:46,145 --> 00:10:47,145
SHE WAS KILLED?
169
00:10:47,229 --> 00:10:48,230
OF COURSE NOT.
170
00:10:48,522 --> 00:10:49,833
I WAS TRYING TO FIND
OUT WHO THE CONNECTION
171
00:10:49,857 --> 00:10:51,567
WAS AT THE AGENCY.
172
00:10:51,859 --> 00:10:55,195
AND ALSO, I WAS
WORRIED ABOUT HER.
173
00:10:55,487 --> 00:10:57,280
BECAUSE HER FATHER
HAD WRITTEN HER
174
00:10:57,573 --> 00:10:58,633
AND SAID HE WAS
COMING TO SEE HER?
175
00:10:58,657 --> 00:11:00,700
RIGHT.
176
00:11:00,993 --> 00:11:02,577
THEN SHE DIES BEHIND
THAT FREAK SHOP
177
00:11:02,870 --> 00:11:04,496
THE NIGHT BEFORE
HER FATHER GETS HERE.
178
00:11:06,832 --> 00:11:08,352
TERRY, THE GIRL THAT
DIED ON THE BEACH,
179
00:11:08,417 --> 00:11:09,918
WAS SHE IN HOCK
TO THE AGENCY TOO?
180
00:11:10,210 --> 00:11:14,005
YEAH, I THINK SO. SHE
WAS A PRETTY HEAVY USER.
181
00:11:14,298 --> 00:11:16,883
THAT'S WHAT HARRY AND I
WERE WORKING ON WHEN HE...
182
00:11:20,679 --> 00:11:22,722
LOOK, WHY DON'T WE ALL
WORK ON THIS TOGETHER?
183
00:11:24,516 --> 00:11:26,726
NO, I...
184
00:11:27,019 --> 00:11:28,270
I DON'T.
185
00:11:28,562 --> 00:11:30,605
WHY?
186
00:11:30,898 --> 00:11:33,525
I JUST DON'T CARE.
187
00:11:33,817 --> 00:11:35,610
HARRY WAS THE...
188
00:11:35,903 --> 00:11:37,362
WAS THE ONE PERSON IN MY LIFE
189
00:11:37,654 --> 00:11:41,783
WHO WAS GOOD TO
ME, STRAIGHT WITH ME.
190
00:11:42,075 --> 00:11:44,077
AND NOW HE'S GONE AND I...
191
00:11:45,704 --> 00:11:49,749
I JUST... I DON'T CARE.
192
00:11:50,042 --> 00:11:51,960
JULIE,
193
00:11:52,252 --> 00:11:53,962
I CAN'T PRETEND TO
KNOW HOW YOU HURT.
194
00:11:54,254 --> 00:11:56,256
I DON'T KNOW YOU.
195
00:11:56,548 --> 00:11:58,188
BUT I JUST DON'T SEE
HOW YOU CAN WALK AWAY
196
00:11:58,300 --> 00:11:59,467
FROM WHAT KILLED HARRY.
197
00:12:01,053 --> 00:12:03,513
YOU PEOPLE ARE
PRIVATE DETECTIVES.
198
00:12:03,805 --> 00:12:06,182
WHY WOULD YOU CARE SO MUCH?
199
00:12:06,808 --> 00:12:09,977
JULIE, WE NEED YOU ON THIS ONE.
200
00:12:19,738 --> 00:12:21,156
OKAY.
201
00:12:21,448 --> 00:12:24,159
I'll HANG IN WITH YOU,
BUT I'll TELL YOU THIS.
202
00:12:24,451 --> 00:12:25,771
WHEN WE FIND OUT
WHO KILLED HARRY,
203
00:12:26,036 --> 00:12:27,412
YOU THREE BETTER BACK OFF,
204
00:12:27,704 --> 00:12:30,540
BECAUSE HE OR SHE
IS GONNA BE MINE.
205
00:12:30,832 --> 00:12:32,917
ALL MINE.
206
00:12:34,211 --> 00:12:35,587
OKAY.
207
00:12:51,103 --> 00:12:53,271
♪♪
208
00:13:17,004 --> 00:13:20,215
LET'S GET THE FILL IN AND
OUT. ALL RIGHT. COME ON.
209
00:13:28,098 --> 00:13:30,558
OUR JUDGE IS READY FOR US.
210
00:13:30,851 --> 00:13:34,813
THAT, UH, DOESN'T
LOOK QUITE RIGHT.
211
00:13:35,105 --> 00:13:36,439
WELL, IT ISN'T SUPPOSED TO.
212
00:13:36,732 --> 00:13:38,358
YOU REALLY GONNA TRY THIS?
213
00:13:38,650 --> 00:13:40,650
YOU'RE REALLY GONNA HAVE
HER DELIBERATELY SCREW UP?
214
00:13:40,902 --> 00:13:43,946
YES, RIGHT OUT OF THE A GROUP
TO SEE WHERE IT LEADS HER.
215
00:13:44,239 --> 00:13:45,823
SHE'LL BURY THAT HAIRDO.
216
00:13:46,116 --> 00:13:48,409
YOU'LL BE WELL ON YOUR WAY.
217
00:13:48,702 --> 00:13:53,202
ALSO, UH, THE ROBE
DOESN'T LOOK QUITE RIGHT.
218
00:13:54,333 --> 00:13:56,376
OH, WELL, NOBODY'S
GONNA KNOW IT,
219
00:13:56,668 --> 00:13:58,271
BUT I RIPPED OUT SOME
OF THE INNER STITCHING.
220
00:13:58,295 --> 00:13:59,754
NOW, THE CLIENT WON'T KNOW WHY,
221
00:14:00,047 --> 00:14:01,673
BUT HE WON'T LIKE
THE WAY IT FITS.
222
00:14:01,965 --> 00:14:04,300
THE CLIENT NEVER KNOWS WHY
HE DOESN'T LIKE THE WAY IT FITS.
223
00:14:04,593 --> 00:14:06,720
ALSO, BEING A LITTLE CLUMSY
WILL HELP DISCOURAGE HIM.
224
00:14:07,012 --> 00:14:08,847
SHE'S CLUMSY TOO?
225
00:14:11,016 --> 00:14:12,496
ACTUALLY, IT COMES
QUITE EASY FOR HER.
226
00:14:13,894 --> 00:14:14,978
VERY FUNNY.
227
00:14:15,270 --> 00:14:17,021
OKAY, HOW DO I LOOK, KIDS?
228
00:14:17,314 --> 00:14:18,440
AH, PERFECT.
229
00:14:20,067 --> 00:14:22,444
LOOK, WE'LL GO ON OUT
FIRST AND KRIS WILL BE LATE.
230
00:14:22,736 --> 00:14:23,862
THAT'LL HELP.
231
00:14:24,154 --> 00:14:25,989
GOOD LUCK. OKAY.
232
00:14:30,786 --> 00:14:32,120
MODELS' ROOM.
233
00:14:32,412 --> 00:14:33,871
OH, HI, BOS. WHAT'S HAPPENING?
234
00:14:34,164 --> 00:14:37,458
ALOHA. I'VE DONE SOME RESEARCH
ON THAT PIECE OF LENS CAP
235
00:14:37,751 --> 00:14:39,461
WE FOUND IN THE
ALLEY BEHIND EDDIE'S.
236
00:14:39,753 --> 00:14:41,755
APPARENTLY, IT FITS
SIX KINDS OF CAMERAS.
237
00:14:42,047 --> 00:14:44,299
IT'S MANUFACTURED AT VARIOUS
PLACES AROUND THE COUNTRY.
238
00:14:44,591 --> 00:14:46,134
IT'S GONNA BE VERY
HARD 70 FIND OUT
239
00:14:46,426 --> 00:14:48,469
JUST EXACTLY WHERE
OR WHEN, OR WHO USED IT.
240
00:14:48,762 --> 00:14:50,242
I TOLD YOU NOT TO
TRY ANY ROUGH STUFF.
241
00:14:50,430 --> 00:14:52,306
YEAH?
242
00:14:52,599 --> 00:14:54,934
AND I TOLD YOU, I DON'T LIKE
NOBODY PUSHING ME AROUND.
243
00:14:55,227 --> 00:14:57,187
OH, GREAT, SO YOU SHOOT
HIM DOWN IN BROAD DAYLIGHT
244
00:14:57,270 --> 00:14:58,646
ON A PUBLIC BEACH.
245
00:14:58,939 --> 00:15:01,125
YOU BOTHER TO ASK HIM WHAT HIS
NAME WAS BEFORE YOU KILLED HIM?
246
00:15:01,149 --> 00:15:02,441
I DON'T CARE WHO HE WAS!
247
00:15:02,734 --> 00:15:04,235
OH, GOD.
248
00:15:04,528 --> 00:15:06,988
WOODMAN KNEW THE AGENCY WAS
INVOLVED IN SOMETHING LIKE THIS.
249
00:15:07,280 --> 00:15:09,156
THE AGENCY IS NOT INVOLVED.
250
00:15:09,449 --> 00:15:10,867
IT'S JUST YOU AND
ME, SWEETHEART.
251
00:15:11,159 --> 00:15:13,199
NOW, YOU KEEP YOUR HEAD
AND EVERYTHING WILL BE COOL.
252
00:15:13,328 --> 00:15:15,496
I'll KEEP SELLING THE STUFF
AND YOU'LL GET YOUR CUT.
253
00:15:15,789 --> 00:15:16,789
YOU GOT IT?
254
00:15:16,957 --> 00:15:18,101
I DON'T CARE WHAT HIS NAME WAS!
255
00:15:18,125 --> 00:15:19,125
BOS, LISTEN, HOLD IT.
256
00:15:19,251 --> 00:15:21,044
YEAH, I ONLY GOT PART OF THAT.
257
00:15:21,336 --> 00:15:23,546
YEAH, SOMEBODY'S HAVING A
SHOUTING MATCH NEXT DOOR.
258
00:15:23,839 --> 00:15:25,119
I'll CHECK YOU
BACK AT THE OFFICE
259
00:15:25,298 --> 00:15:26,818
AND WE'LL GO OVER
IT AGAIN THERE, OKAY?
260
00:15:27,092 --> 00:15:29,344
RIGHT. OKAY.
261
00:15:30,637 --> 00:15:32,388
IT'S JUST YOU AND ME.
262
00:15:32,681 --> 00:15:34,557
KEEP YOUR HEAD AND
EVERYTHING WILL BE COOL.
263
00:15:36,810 --> 00:15:38,770
♪♪
264
00:16:18,226 --> 00:16:19,393
OH, I'M SORRY.
265
00:16:19,686 --> 00:16:22,397
DON'T TELL ME THAT
KLUTZ IS ONE OF YOU.
266
00:16:22,689 --> 00:16:23,731
UH, I'M AFRAID SHE IS.
267
00:16:24,024 --> 00:16:25,775
I'M SORRY. I'M...
268
00:16:28,195 --> 00:16:29,529
I'M VERY SORRY.
269
00:16:31,281 --> 00:16:32,801
OH, I'VE RUINED YOUR
BEAUTIFUL DISPLAY.
270
00:16:32,949 --> 00:16:34,116
I SEE.
271
00:16:36,328 --> 00:16:37,871
GET OVER HERE.
272
00:16:38,163 --> 00:16:40,165
GOD, I DO THIS ALL THE
TIME. THIS IS THE WORST.
273
00:16:40,457 --> 00:16:42,083
GET OVER HERE!
274
00:16:42,375 --> 00:16:43,542
I'M VERY SORRY.
275
00:16:43,835 --> 00:16:47,046
SIX HOURS OF SHOOTING,
FOUR HOURS OF LIGHT LEFT
276
00:16:47,339 --> 00:16:49,966
AND A WALKING DISASTER
AREA FOR A MODEL!
277
00:16:55,514 --> 00:16:57,516
♪♪
278
00:17:09,694 --> 00:17:12,405
I THINK WE'LL BE ABLE TO
HELP YOU, MISS MUNROE.
279
00:17:12,697 --> 00:17:16,283
HOW MUCH MONEY DID YOU
WANT TO BORROW, EXACTLY?
280
00:17:16,576 --> 00:17:20,204
UM, WELL, ACTUALLY,
ABOUT A THOUSAND DOLLARS.
281
00:17:20,497 --> 00:17:21,737
A THOUSAND? A THOUSAND DOLLARS?
282
00:17:21,998 --> 00:17:24,542
THAT'S, UH, A GREAT DEAL
OF MONEY, MISS MUNROE.
283
00:17:24,834 --> 00:17:26,293
YES, I KNOW.
284
00:17:26,586 --> 00:17:29,964
BUT IT'S VERY EXPENSIVE
LIVING IN THIS CITY. I HAD NO IDEA.
285
00:17:30,257 --> 00:17:32,384
WELL, YOU COULD DEDUCT
THE MONEY FROM MY PAYCHECKS
286
00:17:32,676 --> 00:17:33,676
AS THEY COME IN.
287
00:17:35,554 --> 00:17:38,265
I UNDERSTAND YOU HAD A BIT OF
TROUBLE WITH THE PHOTO SESSION
288
00:17:38,557 --> 00:17:40,642
FOR CINCINNATI
TEXTILES YESTERDAY.
289
00:17:42,227 --> 00:17:44,229
OH, YOU HEARD ABOUT THAT.
290
00:17:44,521 --> 00:17:46,481
WELL, CINCINNATI
TEXTILES IS ONE OF OUR
291
00:17:46,773 --> 00:17:48,274
MOST PRESTIGIOUS ACCOUNTS
292
00:17:48,567 --> 00:17:51,278
AND THE OWNER, MR. JORDAN,
IS A VERY VALUED CLIENT.
293
00:17:51,570 --> 00:17:53,010
IN FACT, YOU MAY
REMEMBER MEETING HIM
294
00:17:53,113 --> 00:17:54,113
HERE THE OTHER NIGHT.
295
00:17:54,364 --> 00:17:56,699
THIS MR. JORDAN,
HE'S UNHAPPY WITH ME?
296
00:17:56,992 --> 00:17:58,868
NO, NO, NO. IT'S NOTHING
PERSONAL AT ALL.
297
00:17:59,160 --> 00:18:00,661
IT'S JUST THAT HE'S...
298
00:18:00,954 --> 00:18:04,248
WELL, HE'S ALWAYS IN A HURRY
AND HE'S VERY DEMANDING.
299
00:18:04,541 --> 00:18:06,668
I THINK PERHAPS I'll PUT
YOU IN ANOTHER JOB.
300
00:18:07,794 --> 00:18:10,046
ANOTHER JOB? WOODMAN: YES.
301
00:18:10,338 --> 00:18:14,050
ONE MORE SUITED TO YOUR
TEMPERAMENT AND YOUR EXPERIENCE.
302
00:18:14,801 --> 00:18:16,177
SUCH AS?
303
00:18:16,469 --> 00:18:18,029
WELL, WE HAVE DOZENS OF CLIENTS
304
00:18:18,263 --> 00:18:20,583
THAT WOULD APPRECIATE YOUR
PARTICULAR TALENTS, MISS MUNROE.
305
00:18:20,849 --> 00:18:25,349
AS A MATTER OF FACT, THERE
IS A JOB AT THE AUTO SHOW.
306
00:18:25,812 --> 00:18:27,104
THE AUTO SHOW?
307
00:18:27,397 --> 00:18:29,542
WELL, IT DOESN'T PAY AS
WELL AS OUR OTHER ACCOUNTS,
308
00:18:29,566 --> 00:18:31,669
BUT YOU CAN DO A LOT OF WORK,
PICK UP SOME GOOD MONEY...
309
00:18:31,693 --> 00:18:33,486
MODELING IN AN AUTO SHOW.
310
00:18:33,778 --> 00:18:35,631
I MEAN, IT'S NOT EXACTLY
WHAT I HAD IN MIND FOR MYSELF.
311
00:18:35,655 --> 00:18:38,074
WELL, OF COURSE,
IF YOU'D RATHER NOT.
312
00:18:38,366 --> 00:18:40,678
IT'S JUST THAT, YOU KNOW, YOU
SAID YOU NEEDED SOME MONEY AND...
313
00:18:40,702 --> 00:18:42,120
I DO.
314
00:18:43,121 --> 00:18:45,039
WHAT EXACTLY WOULD I BE
DOING AT THE AUTO SHOW?
315
00:18:45,332 --> 00:18:49,044
OH, WHAT, MOSTLY JUST
BE YOURSELF, THAT'S ALL.
316
00:18:49,586 --> 00:18:52,380
THAT'S ALL? HERE.
317
00:18:52,672 --> 00:18:54,548
LLOYD MARKS IS A CLIENT OF OURS.
318
00:18:54,841 --> 00:18:57,093
HE DOES INDUSTRIAL AND
TRADE EXHIBITING MOSTLY.
319
00:18:57,385 --> 00:18:59,220
YOU SEE HIM.
320
00:18:59,512 --> 00:19:02,181
I'll CALL AND SET IT
UP FOR YOU, OKAY?
321
00:19:03,808 --> 00:19:05,518
WELL, IF YOU THINK THAT'S BEST.
322
00:19:05,810 --> 00:19:08,229
OH, 1 DO. I DO.
323
00:19:08,521 --> 00:19:10,606
NOW, YOU GO DOWN TO
PAYROLL IN THE MORNING
324
00:19:10,899 --> 00:19:12,259
AND YOU CAN SIGN
THE LOAN AGREEMENT
325
00:19:12,359 --> 00:19:14,569
AND COLLECT A CHECK
FOR $1000, HOW'S THAT?
326
00:19:16,988 --> 00:19:18,588
THANK YOU, MR. WOODMAN.
YOU'RE VERY KIND.
327
00:19:18,698 --> 00:19:20,074
NOT AT ALL. THANK YOU.
328
00:19:20,367 --> 00:19:21,910
GOODBYE. THANKS.
329
00:19:30,835 --> 00:19:32,920
YOU KNOW, IT'S ODD.
330
00:19:33,213 --> 00:19:34,756
SHE SEEMED SO MUCH MORE POLISHED
331
00:19:35,048 --> 00:19:36,090
WHEN SHE BLUFFED HER WAY
332
00:19:36,383 --> 00:19:37,818
WIN HERE THE OTHER
DAY WITH MISS GARRET.
333
00:19:37,842 --> 00:19:40,594
YEAH, WELL, I'M AFRAID THAT'S
EXACTLY WHAT IT IS: BLUFF.
334
00:19:40,887 --> 00:19:43,222
BUT I THINK NOT
WITHOUT HER USEFULNESS.
335
00:19:43,515 --> 00:19:45,725
WELL, PERHAPS SHE'LL COME
AROUND WITH MORE EXPERIENCE.
336
00:19:46,017 --> 00:19:48,352
OH, YEAH, I THINK ONE WAY OR
ANOTHER, SHE'LL EARN HER KEEP.
337
00:19:48,645 --> 00:19:50,605
I'M SURE THAT YOU WILL
SEE THAT SHE DOES, STEPHEN.
338
00:19:50,897 --> 00:19:52,273
JUST SPARE ME THE DETAILS.
339
00:19:54,693 --> 00:19:57,779
DALE, YOU NEVER WANNA DEAL
WITH THE HARSH REALITIES, DO YOU?
340
00:19:58,071 --> 00:20:00,448
WHY SHOULD I, WHEN I HAVE
YOU TO HANDLE THEM FOR ME?
341
00:20:02,742 --> 00:20:06,287
NOW, DON'T SULK, DEAR BOY, IT
MAKES YOU VERY UNATTRACTIVE.
342
00:20:11,584 --> 00:20:13,544
♪♪
343
00:20:27,058 --> 00:20:28,658
HERE'S YOUR WORKING
CLOTHES, MISS MUNROE.
344
00:20:31,438 --> 00:20:33,523
YOU DON'T EXPECT
ME TO WEAR THIS?
345
00:20:33,815 --> 00:20:34,941
THAT'S THE PLAN.
346
00:20:35,233 --> 00:20:36,713
YOUR AGENCY DID
SEND YOU, DIDN'T THEY?
347
00:20:36,985 --> 00:20:40,154
LOOK, I'M A MODEL,
NOT A BILLBOARD.
348
00:20:40,447 --> 00:20:43,533
WHAT YOU ARE IS AN EMPLOYEE
WORKING FOR ME, REMEMBER?
349
00:20:43,825 --> 00:20:44,992
BUT THIS IS TACKY.
350
00:20:45,285 --> 00:20:46,828
YOU'RE HERE TO HELP SELL TRUCKS.
351
00:20:47,120 --> 00:20:49,288
GUYS WHO BUY TRUCKS
WILL LIKE YOU IN THIS.
352
00:20:49,581 --> 00:20:50,999
BUT I WON'T LIKE ME IN THIS.
353
00:20:51,291 --> 00:20:52,792
YOU DON'T COUNT, MISS MUNROE.
354
00:20:53,084 --> 00:20:54,484
YOU'RE JUST PART
OF THE MERCHANDISE.
355
00:20:54,669 --> 00:20:55,836
WELL, WHAT IF I SAY NO?
356
00:20:56,129 --> 00:20:57,421
THEN I'll CALL THE AGENCY.
357
00:20:57,714 --> 00:21:00,299
THEY'LL SEND ME SOMEONE
ELSE AND SEND YOU PACKING.
358
00:21:00,592 --> 00:21:03,845
IT'S JUST I THOUGHT THERE
WAS A FINANCIAL COMMITMENT
359
00:21:04,137 --> 00:21:06,264
YOU HAD TO FULFILL.
360
00:21:06,556 --> 00:21:07,890
YEAH.
361
00:21:08,183 --> 00:21:10,268
YOU CAN CHANGE IN THERE.
362
00:21:15,523 --> 00:21:17,024
HEY.
363
00:21:22,614 --> 00:21:25,241
WHAT'S YOUR PROBLEM?
364
00:21:25,533 --> 00:21:27,660
YOU'RE THE ONE WITH THE PROBLEM.
365
00:21:27,952 --> 00:21:29,495
MAYBE I CAN HELP.
366
00:21:29,788 --> 00:21:31,164
YEAH, WHO ARE YOU?
367
00:21:31,456 --> 00:21:32,707
EDDIE.
368
00:21:32,999 --> 00:21:34,375
EDDIE ROBBINS.
369
00:21:34,667 --> 00:21:36,710
HOW CAN YOU HELP?
370
00:21:37,003 --> 00:21:40,297
YOU DON'T WANNA PARADE
AROUND IN PUBLIC IN THAT RAG.
371
00:21:40,590 --> 00:21:42,174
THERE ARE OTHER
WAYS TO MAKE A BUCK.
372
00:21:42,467 --> 00:21:46,596
FASTER. MORE PRIVATE.
373
00:21:46,888 --> 00:21:47,930
SUCH AS?
374
00:21:48,223 --> 00:21:50,016
I OWN A LITTLE PLACE
OVER ON 3RD STREET.
375
00:21:51,893 --> 00:21:54,270
I USE PHOTOGRAPHIC MODELS THERE.
376
00:21:54,562 --> 00:21:56,146
3RD STREET, HUH?
377
00:21:56,439 --> 00:21:57,606
IT'S CALLED EDDIE'S.
378
00:21:57,899 --> 00:21:59,775
OH, I THINK I'VE HEARD OF IT.
379
00:22:00,819 --> 00:22:01,986
OH, YEAH?
380
00:22:02,278 --> 00:22:04,398
AS A MATTER OF FACT, I WAS
THERE A COUPLE OF DAYS AGO.
381
00:22:04,614 --> 00:22:05,948
YOU WERE? HOW COME?
382
00:22:06,241 --> 00:22:08,534
OH, I WAS LOOKING
FOR A FRIEND OF MINE.
383
00:22:08,827 --> 00:22:11,412
THIS OLD MAN ASKED
ME, UH, IF I WANTED A JOB.
384
00:22:11,704 --> 00:22:13,580
SOME CREEP WITH HIS
NOSE BEHIND A BOOK.
385
00:22:13,873 --> 00:22:17,293
THAT MAKES TWO OFFERS.
YOU OUGHT TO THINK ABOUT IT.
386
00:22:19,295 --> 00:22:20,295
I JUST DID.
387
00:22:20,505 --> 00:22:21,589
WHAT?
388
00:22:21,881 --> 00:22:24,008
I JUST THOUGHT
ABOUT IT. I'll TAKE IT.
389
00:22:24,300 --> 00:22:26,593
JUST LIKE THAT? JUST LIKE THAT.
390
00:22:26,886 --> 00:22:28,053
WHEN DO I START?
391
00:22:28,346 --> 00:22:32,808
WELL, YOU GO OVER THERE
RIGHT NOW IF YOU LIKE.
392
00:22:33,101 --> 00:22:34,852
I'll EXPLAIN TO LLOYD.
393
00:22:35,144 --> 00:22:36,603
OH.
394
00:22:36,896 --> 00:22:38,272
YOU THINK HE'S GONNA UNDERSTAND?
395
00:22:38,565 --> 00:22:39,566
SURE.
396
00:22:41,234 --> 00:22:44,904
OH, YEAH, YOU GUYS PROBABLY
EXCHANGE GIRLS A LOT.
397
00:22:45,196 --> 00:22:46,989
YEAH, RIGHT.
398
00:22:47,282 --> 00:22:49,117
HEY, I'll HANDLE IT, NO PROBLEM.
399
00:22:50,368 --> 00:22:52,787
YOU GO ON OVER TO MY PLACE.
400
00:22:53,079 --> 00:22:57,083
TELL THE, UH, OLD MAN WE TALKED.
401
00:22:57,375 --> 00:23:00,211
I'll DROP BY LATER TO
SEE HOW YOU'RE DOING.
402
00:23:00,503 --> 00:23:01,962
TERRIFIC.
403
00:23:02,255 --> 00:23:03,798
THANKS.
404
00:23:05,425 --> 00:23:07,385
♪♪
405
00:23:14,851 --> 00:23:16,871
ANYWAY, I CAME HOME,
CHANGED MY CLOTHES
406
00:23:16,895 --> 00:23:18,415
AND I'M HEADING FOR
EDDIE'S IN A WHILE.
407
00:23:18,521 --> 00:23:20,564
OKAY.
408
00:23:20,857 --> 00:23:23,025
KRIS, BE CAREFUL.
409
00:23:23,318 --> 00:23:25,236
OKAY, BOS.
410
00:24:06,861 --> 00:24:08,612
EXCUSE US.
411
00:24:10,865 --> 00:24:11,907
HI. HELLO.
412
00:24:12,200 --> 00:24:13,680
COME TO SEE ONE OF
THE A-PARTIES, BOS?
413
00:24:13,785 --> 00:24:15,912
OH, YES, VERY PLUSH.
414
00:24:16,204 --> 00:24:17,705
LISTEN, I, UH, JUST
TALKED TO KRIS.
415
00:24:17,997 --> 00:24:20,541
SHE JUST WALKED OUT ON THE JOB
SHE HAD OVER AT THE AUTO SHOW.
416
00:24:20,833 --> 00:24:22,543
WALKED OUT? WHY?
417
00:24:22,835 --> 00:24:23,835
SHE GOT A WORSE OFFER.
418
00:24:23,962 --> 00:24:25,797
A WORSE OFFER? FROM WHOM?
419
00:24:26,089 --> 00:24:27,369
FROM THE FELLOW
WHO RUNS THE SHOP
420
00:24:27,590 --> 00:24:28,710
WHERE JODY MILLS GOT KILLED.
421
00:24:28,883 --> 00:24:30,342
WELL, WHAT'S SHE
DOING DOWN THERE?
422
00:24:30,635 --> 00:24:32,845
LETTING THOSE SHUTTERBUGS
TAKE HER PICTURE
423
00:24:33,137 --> 00:24:34,555
AND KEEPING HER
EYES OPEN, I GUESS.
424
00:24:34,847 --> 00:24:37,391
SHE THINKS SHE CAN FIND
A LEAD ON HOW AND WHY
425
00:24:37,684 --> 00:24:38,684
JODY MILLS WAS KILLED.
426
00:24:38,810 --> 00:24:41,103
THAT'S A TOUGH
OPERATION DOWN THERE.
427
00:24:42,480 --> 00:24:44,064
YEAH, I KNOW. I
DON'T THINK YOU DO.
428
00:24:44,357 --> 00:24:46,192
I WAS RAISED IN A
NEIGHBORHOOD LIKE THAT
429
00:24:46,484 --> 00:24:48,204
AND WHAT YOU SEE FROM
THE OUTSIDE LOOKING IN
430
00:24:48,361 --> 00:24:50,571
IT'S WORSE FROM THE
INSIDE LOOKING OUT.
431
00:24:50,863 --> 00:24:53,740
I GET THE FEELING SHE KNOWS
WHAT SHE'S TALKING ABOUT, BOS.
432
00:24:54,033 --> 00:24:55,534
BELIEVE IT, I DO.
433
00:24:55,827 --> 00:24:58,621
THEN I DON'T THINK WE SHOULD
LEAVE KRIS WITHOUT A BACKUP.
434
00:24:58,913 --> 00:25:01,194
OKAY, WE'LL GO DOWN THERE A
LITTLE LATER AND CHECK ON HER.
435
00:25:01,249 --> 00:25:02,708
OH, WHICH REMINDS ME
436
00:25:03,001 --> 00:25:06,754
I RAN A CHECK ON THAT SILVER
SEDAN THAT WE SAW AT THE BEACH.
437
00:25:07,046 --> 00:25:08,756
ANY LUCK? BOSLEY: PROBABLY NOT.
438
00:25:09,048 --> 00:25:11,467
THERE ARE OVER 100 SILVER SEDANS
439
00:25:11,759 --> 00:25:13,802
WITH G-L AS THE FIRST
LETTERS ON THE LICENSE
440
00:25:14,095 --> 00:25:15,763
REGISTERED IN CALIFORNIA.
441
00:25:16,055 --> 00:25:17,366
WELL, SO WHERE
DOES THAT LEAVE US?
442
00:25:17,390 --> 00:25:19,475
ALMOST NOWHERE.
443
00:25:25,648 --> 00:25:26,732
WHAT ARE YOU LOOKING AT?
444
00:25:27,942 --> 00:25:29,276
STEVE AND JIMMY JOY.
445
00:25:34,866 --> 00:25:36,534
WHAT ABOUT THEM?
446
00:25:36,826 --> 00:25:38,971
WHEN WE WERE SHOOTING THE
CINCINNATI TEXTILES COMMERCIAL
447
00:25:38,995 --> 00:25:40,515
AROUND THE POOL
REMEMBER WHAT KRIS SAID
448
00:25:40,621 --> 00:25:41,747
ABOUT STEVE AND JIMMY JOY?
449
00:25:43,332 --> 00:25:45,167
YEAH, SOMETHING
ABOUT THEM ARGUING.
450
00:25:45,460 --> 00:25:47,500
RIGHT, SHE COULDN'T UNDERSTAND
WHAT THEY WERE SAYING
451
00:25:47,587 --> 00:25:49,667
BUT THEY WERE YELLING AT
EACH OTHER IN THE NEXT ROOM.
452
00:25:49,922 --> 00:25:50,922
MEANING WHAT?
453
00:25:51,090 --> 00:25:52,174
I DON'T KNOW.
454
00:25:52,467 --> 00:25:54,135
I JUST KNOW HARRY
SAID HE WAS GONNA
455
00:25:54,427 --> 00:25:56,470
PRESSURE JIMMY JOY. PUSH HIM.
456
00:25:56,763 --> 00:25:58,389
AND NOW HARRY IS DEAD
457
00:25:58,681 --> 00:26:01,308
AND STEVE'S LOOKING AWFULLY
UPTIGHT ALL OF A SUDDEN.
458
00:26:01,601 --> 00:26:04,562
BUT JIMMY JOY DOESN'T
DRIVE A SILVER SEDAN.
459
00:26:04,854 --> 00:26:07,106
WELL, I STILL INTEND
TO KEEP AN EYE ON HIM.
460
00:26:07,398 --> 00:26:09,733
RIGHT TILL I'VE BUSTED
HIM FOR PUSHING DRUGS.
461
00:26:11,027 --> 00:26:14,238
MEANWHILE, STEVE DOESN'T
KNOW ME, SO I'll KEEP AN EYE ON HIM.
462
00:26:14,530 --> 00:26:16,865
ALL RIGHT.
463
00:26:17,158 --> 00:26:20,035
WELL, I'M A LITTLE TIRED. I
THINK I'M GONNA PACK IT IN.
464
00:26:20,328 --> 00:26:21,648
SEE YOU TOMORROW?
OKAY, TAKE CARE.
465
00:26:21,913 --> 00:26:23,831
OKAY, GOOD NIGHT. GOOD NIGHT.
466
00:26:25,374 --> 00:26:28,418
WELL, WHAT DO YOU THINK?
I THINK SHE'S HURTING.
467
00:26:28,711 --> 00:26:30,254
I DID A LITTLE MORE
RESEARCH ON HER.
468
00:26:30,546 --> 00:26:33,173
SHE WAS BORN IN NEW YORK
AND RAISED STREET TOUGH,
469
00:26:33,466 --> 00:26:34,466
JUST LIKE SHE SAID.
470
00:26:34,634 --> 00:26:37,678
WHAT ABOUT HER FAMILY?
WELL, IT SEEMS THAT...
471
00:26:42,517 --> 00:26:43,717
IT SEEMS THAT HER FATHER SPLIT
472
00:26:43,976 --> 00:26:45,352
WHEN SHE WAS TOO
YOUNG TO REMEMBER.
473
00:26:45,645 --> 00:26:47,063
HER MOTHER?
474
00:26:47,355 --> 00:26:49,065
SHE DIED TWO YEARS AGO
475
00:26:49,357 --> 00:26:52,651
IN A CHARITY HOSPITAL,
ACUTE ALCOHOLISM.
476
00:26:52,944 --> 00:26:55,863
OH, WELL, THAT EXPLAINS
HER TOUGH EDGE.
477
00:26:56,155 --> 00:26:58,035
YOU KNOW, I THINK THAT
HARRY WAS THE ONLY FRIEND
478
00:26:58,324 --> 00:26:59,658
SHE EVER HAD.
479
00:27:00,618 --> 00:27:02,369
LIKE I SAID, SHE'S HURTING.
480
00:27:02,662 --> 00:27:05,206
I JUST HOPE WE CAN HELP
HER HURT A LITTLE LESS.
481
00:27:06,374 --> 00:27:07,833
WE WILL, BOS. WE WILL.
482
00:27:09,669 --> 00:27:11,879
I'D BETTER GO BACK AND MIX.
483
00:27:12,171 --> 00:27:13,171
OKAY.
484
00:27:49,000 --> 00:27:51,002
♪♪
485
00:28:03,723 --> 00:28:05,474
YOU WANNA WORK HERE?
486
00:28:05,766 --> 00:28:06,850
YOU ASKED ME TO, REMEMBER?
487
00:28:07,143 --> 00:28:10,896
OH, YES. THAT'S
RIGHT, I DID, DIDN'T 1?
488
00:28:11,189 --> 00:28:12,481
MEMORY'S NOT SO GOOD, HUH?
489
00:28:12,773 --> 00:28:16,526
I'VE BEEN READING THIS BOOK.
IT TAKES ALL MY CONCENTRATION.
490
00:28:16,819 --> 00:28:18,153
SO HOW DO I START?
491
00:28:18,446 --> 00:28:21,449
YOU GO IN THE MODELS'
ROOM AT THE END OF THE HALL
492
00:28:21,741 --> 00:28:24,785
WAIT THERE TILL I GET A
CUSTOMER AND CALL YOU.
493
00:28:25,077 --> 00:28:28,872
SPEAKING OF CUSTOMERS,
MAY I HELP YOU, SIR?
494
00:28:29,165 --> 00:28:33,252
YES. I NEED A ROOM AND A GIRL.
495
00:28:33,544 --> 00:28:34,920
WELL, WHAT ABOUT THIS GIRL, SIR?
496
00:28:42,511 --> 00:28:43,970
SHE'S NEW HERE.
497
00:28:44,263 --> 00:28:46,306
YES, YES.
498
00:28:46,599 --> 00:28:48,684
SHE'LL DO VERY WELL.
499
00:29:13,209 --> 00:29:15,794
♪♪
500
00:29:16,087 --> 00:29:18,839
YOU SAY YOU'RE NEW AT THIS
SORT OF THING, MISS, UH...?
501
00:29:19,131 --> 00:29:20,465
MISS...?
502
00:29:21,801 --> 00:29:23,761
WHAT DID YOU SAY YOUR NAME WAS?
503
00:29:24,053 --> 00:29:26,346
I DIDN'T SAY. YOU
CAN CALL ME KRIS.
504
00:29:26,639 --> 00:29:29,016
OH, THAT'S A LOVELY NAME.
505
00:29:29,308 --> 00:29:31,018
CAN I ASK YOU A QUESTION?
506
00:29:31,310 --> 00:29:33,145
OF COURSE.
507
00:29:33,437 --> 00:29:35,397
YOU LOOK AT ME
AS IF YOU KNOW ME.
508
00:29:35,690 --> 00:29:37,024
I DO?
509
00:29:37,316 --> 00:29:38,358
YES.
510
00:29:38,651 --> 00:29:41,236
YOU DON'T KNOW ME, DO YOU?
511
00:29:41,529 --> 00:29:43,614
NO, I DON'T THINK SO.
512
00:29:43,906 --> 00:29:47,534
I DIDN'T THINK SO, EITHER.
513
00:29:47,827 --> 00:29:51,288
WELL, TELL ME ABOUT YOURSELF.
514
00:29:51,580 --> 00:29:52,998
WHAT DO YOU WANNA HEAR?
515
00:29:53,291 --> 00:29:56,585
ANYTHING YOU WANT TO TELL ME.
516
00:29:56,877 --> 00:30:00,714
YOUR SECRET THOUGHTS,
SHARE THEM WITH ME.
517
00:30:03,259 --> 00:30:04,802
I DON'T HAVE ANY
SECRET THOUGHTS.
518
00:30:05,094 --> 00:30:07,554
OH, WE ALL HAVE
SECRET THOUGHTS, KRIS.
519
00:30:07,847 --> 00:30:10,558
THAT'S WHAT MAKES
LIFE WORTH LIVING.
520
00:30:10,850 --> 00:30:14,478
SO BEFORE I PHOTOGRAPH
YOUR OUTER SELF,
521
00:30:14,770 --> 00:30:17,397
TELL ME ABOUT YOUR FEELINGS.
522
00:30:17,690 --> 00:30:18,857
DON'T LEAVE ANYTHING OUT
523
00:30:19,150 --> 00:30:21,735
NO MATTER HOW PERSONAL
OR EMBARRASSING IT MAY SEEM.
524
00:30:22,028 --> 00:30:23,446
COULD YOU DO THAT?
525
00:30:23,738 --> 00:30:27,533
WELL, I'll TRY.
526
00:31:53,786 --> 00:31:56,830
HOW'S IT GOING? MAN:
OKAY, HOW ARE YOU?
527
00:32:02,795 --> 00:32:06,131
HELLO, SWEETHEART. LET'S
HAVE A COUPLE OF BEERS.
528
00:32:23,899 --> 00:32:25,942
YOU LOOK WORRIED.
WHAT'S THE MATTER?
529
00:32:27,361 --> 00:32:30,030
PRETTY BOY STEVE
IS RUNNING SCARED.
530
00:32:30,322 --> 00:32:33,074
HE'S GONNA BLOW
IT FOR ME. FOR US.
531
00:32:33,367 --> 00:32:35,262
WELL, IF HE BLOWS IT FOR
US, HE BLOWS IT FOR HIMSELF.
532
00:32:35,286 --> 00:32:36,453
YOU REMIND HIM OF THAT.
533
00:32:36,745 --> 00:32:39,956
I REMINDED HIM. HE'S
STILL RUNNING SCARED.
534
00:32:50,593 --> 00:32:52,636
FOR HIM, DEALING
DRUGS IS ONE THING.
535
00:32:54,680 --> 00:32:56,973
KILLING SOMEBODY, NOW
THAT'S SOMETHING ELSE.
536
00:32:58,809 --> 00:33:01,186
HE'S IN A SWEAT. HE'S
GONNA MAKE A MISTAKE.
537
00:33:01,479 --> 00:33:03,731
HE'S GONNA SAY THE WRONG
THING AT THE WRONG TIME
538
00:33:04,023 --> 00:33:06,275
AND WERE ALL GOING
RIGHT DOWN THE TUBES.
539
00:33:06,567 --> 00:33:07,651
WHAT ARE WE SUPPOSED TO DO?
540
00:33:07,943 --> 00:33:10,403
WHAT WE HAVE TO DO.
WE GOTTA SHUT HIM UP.
541
00:33:13,616 --> 00:33:14,992
I TOLD HIM TO MEET US HERE.
542
00:33:15,284 --> 00:33:15,993
WHEN?
543
00:33:16,285 --> 00:33:18,245
NOW.
544
00:33:18,537 --> 00:33:20,830
NOW? YOU MEAN, YOU
WANNA ICE HIM NOW?
545
00:33:23,417 --> 00:33:26,002
WE CAN'T COOL HIM OUT?
546
00:33:26,295 --> 00:33:27,671
YES.
547
00:33:34,512 --> 00:33:36,680
♪♪
548
00:34:51,130 --> 00:34:52,631
HELLO, MOBILE OPERATOR.
549
00:34:52,923 --> 00:34:54,734
I'D LIKE TO PUT A
PERSON-TO-PERSON CALL THROUGH,
550
00:34:54,758 --> 00:34:56,384
PLEASE, TO A MISS KELLY GARRETT
551
00:34:56,677 --> 00:34:59,680
AT THE WOODMAN AGENCY
ON WILSHIRE BOULEVARD.
552
00:35:35,090 --> 00:35:36,674
STEVE, WHAT ARE YOU DOING HERE?
553
00:35:36,967 --> 00:35:38,927
I WAS ABOUT TO ASK
YOU THE SAME QUESTION.
554
00:35:39,219 --> 00:35:40,511
GET UP.
555
00:35:52,733 --> 00:35:54,359
WHAT ARE YOU DOING WITH HER?
556
00:35:54,652 --> 00:35:55,903
SHE MUST'VE FOLLOWED YOU HERE.
557
00:35:56,195 --> 00:35:59,281
SHE'S BEEN WATCHING
YOU FROM UP AT THE BAR
558
00:35:59,573 --> 00:36:02,409
WITH THIS TUCKED IN HER PURSE.
559
00:36:05,287 --> 00:36:07,914
WHY ARE YOU CARRYING
A GUN? WHY NOT?
560
00:36:08,207 --> 00:36:10,375
I'M NOT IN THE MOOD FOR
YOUR SMART MOUTH, LITTLE GIRL.
561
00:36:10,668 --> 00:36:12,544
NOW, WHAT ARE YOU
DOING WITH A GUN?
562
00:36:12,836 --> 00:36:15,255
HEY, IT'S A TOUGH WORLD.
A GIRL HAS TO BE CAREFUL.
563
00:36:15,547 --> 00:36:16,787
WHY HAVE YOU BEEN FOLLOWING US?
564
00:36:17,049 --> 00:36:18,383
WHO SAYS I WAS FOLLOWING YOU?
565
00:36:18,676 --> 00:36:21,595
I'M NOT IN THE MOOD TO
PLAY ANY GAMES HERE.
566
00:36:21,887 --> 00:36:24,431
LET'S ALL JUST TAKE A
LITTLE WALK OUTSIDE.
567
00:36:24,723 --> 00:36:27,308
I THINK YOU'RE MAKING A BIG
THING OUT OF NOTHING, YOU KNOW?
568
00:36:27,601 --> 00:36:32,101
MOVE. STEVE, YOU TOO.
569
00:36:32,648 --> 00:36:33,888
I GOTTA GET BACK TO THE AGENCY.
570
00:36:34,024 --> 00:36:36,401
I DON'T THINK SO.
571
00:36:36,694 --> 00:36:38,814
HEY, WHAT'S GOING ON HERE?
WHAT'S YOUR PROBLEM ANYWAY?
572
00:36:38,987 --> 00:36:40,071
YOU'RE OUR PROBLEM.
573
00:36:42,199 --> 00:36:44,951
I DON'T LIKE PEOPLE WHO
SWEAT AND YOU SWEAT TOO MUCH.
574
00:36:46,078 --> 00:36:49,790
NOW LET'S JUST ALL
MOVE TO THE DOOR.
575
00:37:00,801 --> 00:37:03,011
♪♪
576
00:37:40,758 --> 00:37:42,092
HI. HI.
577
00:37:42,384 --> 00:37:44,386
WHERE'S THE SILVER
SEDAN WITH THE G-L LICENSE?
578
00:37:44,678 --> 00:37:47,097
RIGHT THERE.
579
00:37:47,389 --> 00:37:48,723
BOS, THERE'S JULIE NOW.
580
00:37:50,601 --> 00:37:52,761
I DON'T THINK JULIE'S GOING,
I THINK SHE'S BEING TAKEN.
581
00:37:52,936 --> 00:37:55,039
YOU LOOK LIKE YOU NEED TO GET
SOMETHING OFF YOUR CHEST, STEVE.
582
00:37:55,063 --> 00:37:56,463
WHY ARE YOU TURNING
ON ME LIKE THIS?
583
00:37:56,732 --> 00:37:57,732
TURNING ON YOU?
584
00:37:57,816 --> 00:37:59,192
WHAT HAVE YOU
TWO BEEN UP TO, HUH?
585
00:37:59,485 --> 00:38:00,605
MAYBE A MURDER AT THE BEACH?
586
00:38:00,861 --> 00:38:02,797
I SHOULD'VE CUT YOU DOWN
WITH YOUR LOUDMOUTHED FRIEND.
587
00:38:02,821 --> 00:38:03,821
NOW GET IN THE CAR.
588
00:38:26,094 --> 00:38:27,553
DROP IT!
589
00:39:11,014 --> 00:39:12,974
♪♪
590
00:39:44,882 --> 00:39:46,602
CHARLIE, WE PUT JIMMY
JOY AND HIS ACCOMPLICE
591
00:39:46,800 --> 00:39:48,551
IN THE PRISON WARD
AT THE CITY HOSPITAL.
592
00:39:48,844 --> 00:39:50,720
ALSO STEVE, WHO DID
QUITE A BIT OF TALKING
593
00:39:51,013 --> 00:39:52,156
BEFORE THEY PUT HIM
INTO THE AMBULANCE.
594
00:39:52,180 --> 00:39:53,700
WHAT ABOUT JULIE?
595
00:39:53,765 --> 00:39:56,005
YES, JULIE'S DOWN THERE GIVING
A STATEMENT TO THE POLICE.
596
00:39:56,268 --> 00:39:58,520
ALL RIGHT, YOU CAN FILL
ME IN ON THE DETAILS LATER.
597
00:39:58,812 --> 00:40:00,313
ANY NEWS ABOUT KRIS?
598
00:40:00,606 --> 00:40:02,834
WE'RE ON OUR WAY OVER TO
EDDIE'S NOW TO SEE HOW SHE'S DOING.
599
00:40:02,858 --> 00:40:04,738
I THINK WE ALL BETTER
TOUCH BASE IN THE MORNING.
600
00:40:04,943 --> 00:40:08,571
RIGHT. OKAY. TALK TO YOU LATER.
601
00:40:08,864 --> 00:40:10,323
LET'S GO IN ONE
CAR. WE'LL TAKE MINE.
602
00:40:10,616 --> 00:40:12,284
ALRIGHTY.
603
00:40:12,576 --> 00:40:14,661
KRIS, I'M SURE A GIRL WITH
YOUR LOOKS AND EXPERIENCE
604
00:40:14,953 --> 00:40:16,496
HAS DEVELOPED
MORE SOPHISTICATION
605
00:40:16,788 --> 00:40:18,664
THAN YOU'VE SHOWN ME THUS FAR.
606
00:40:18,957 --> 00:40:21,042
LOOK, WHY DO YOU HAVE TO
KNOW MY INNER THOUGHTS?
607
00:40:21,335 --> 00:40:24,796
WHY DO YOU NEED THAT
KIND OF STIMULATION?
608
00:40:25,088 --> 00:40:27,715
I DON'T NEED THAT SORT OF
STIMULATION, AS YOU PUT IT.
609
00:40:28,008 --> 00:40:29,801
I WAS MERELY TRYING
TO BE FRIENDLY,
610
00:40:30,093 --> 00:40:31,733
SO WE COULD GET TO
KNOW EACH OTHER BETTER.
611
00:40:31,970 --> 00:40:34,013
PEOPLE CAN'T ACCOMPLISH
ANYTHING GOOD OR BAD
612
00:40:34,306 --> 00:40:35,849
IF THEY REMAIN STRANGERS.
613
00:40:37,267 --> 00:40:38,587
OF COURSE, I WOULD
NEVER FORCE YOU
614
00:40:38,810 --> 00:40:41,687
TO DO ANYTHING
AGAINST YOUR WILL.
615
00:40:41,980 --> 00:40:44,357
THERE ARE OTHER WAYS
I CAN GET TO SEE YOU.
616
00:40:44,650 --> 00:40:47,861
I MEAN, THE REAL YOU.
617
00:40:48,153 --> 00:40:51,906
THE INNER SELF THAT YOU TRY
SO CLEVERLY TO HIDE FROM ME.
618
00:40:59,039 --> 00:41:01,916
WELL, SHALL WE BEGIN?
619
00:41:10,217 --> 00:41:11,551
AH.
620
00:41:11,843 --> 00:41:12,927
YOU KNOW WHAT?
621
00:41:13,220 --> 00:41:15,222
I THINK I'D LIKE TO
FIX MY MAKEUP FIRST.
622
00:41:32,823 --> 00:41:35,492
YOU KNOW, WE MAY
HAVE MADE A MISTAKE.
623
00:41:35,784 --> 00:41:36,910
MISTAKE?
624
00:41:37,202 --> 00:41:39,454
ABOUT WHETHER WE'D
SEEN EACH OTHER BEFORE.
625
00:41:39,746 --> 00:41:41,414
WHAT DO YOU MEAN?
626
00:41:41,707 --> 00:41:43,333
HAVE YOU EVER BEEN HERE BEFORE?
627
00:41:43,625 --> 00:41:45,460
WHAT DIFFERENCE DOES THAT MAKE?
628
00:41:45,752 --> 00:41:48,004
OH, I JUST THOUGHT
I'D SEEN YOU HERE.
629
00:41:48,296 --> 00:41:50,339
YOU COULDN'T POSSIBLY
HAVE SEEN ME BEFORE.
630
00:41:50,632 --> 00:41:52,425
THE MAN AT THE DESK
SAID YOU WERE NEW HERE.
631
00:41:52,718 --> 00:41:55,262
THE MAN AT THE DESK DOESN'T
HAVE A VERY GOOD MEMORY.
632
00:41:55,554 --> 00:41:58,223
THE QUESTION IS, WHY ARE
YOU PLAYING THIS CHARADE,
633
00:41:58,515 --> 00:41:59,599
MISS MUNROE?
634
00:42:02,227 --> 00:42:03,227
YOU KNOW MY NAME.
635
00:42:03,437 --> 00:42:04,437
WHY ARE YOU HERE?
636
00:42:04,688 --> 00:42:06,088
TWO DAYS AGO YOU
WERE AT THE AGENCY,
637
00:42:06,148 --> 00:42:07,649
NOW SUDDENLY YOU'RE HERE.
638
00:42:07,941 --> 00:42:10,902
IT USUALLY TAKES QUITE A WHILE
TO GET FROM THE AGENCY TO HERE
639
00:42:11,194 --> 00:42:15,198
UNLESS YOU'RE TRYING TO TRAP ME.
640
00:42:17,034 --> 00:42:21,246
ANSWER ME, MISS MUNROE.
WHY ARE YOU HERE?
641
00:42:21,538 --> 00:42:23,373
WHY DON'T YOU TELL ME
ABOUT THIS, MR. JORDAN?
642
00:42:23,665 --> 00:42:25,101
THIS WAS FOUND IN
THE ALLEY THE MORNING
643
00:42:25,125 --> 00:42:26,292
AFTER JODY MILLS WAS KILLED.
644
00:42:26,585 --> 00:42:28,628
IT SEEMS TO BELONG
TO YOUR LENS CAP.
645
00:42:28,920 --> 00:42:33,420
OH, YOU'RE ALL THE SAME, AREN'T
YOU? SO PRETTY, SO DEMANDING.
646
00:42:34,176 --> 00:42:37,262
THE LOVELY FACADE
THAT HIDES DECEIT.
647
00:42:37,554 --> 00:42:39,305
IS THAT WHY YOU
KILLED JODY MILLS?
648
00:42:39,598 --> 00:42:41,600
THAT IS WHY I HAVE NO
CHOICE BUT TO KILL YOU.
649
00:42:54,112 --> 00:42:56,280
♪♪
650
00:43:07,584 --> 00:43:08,710
STOP HIM!
651
00:43:09,002 --> 00:43:10,878
HOLD IT!
652
00:43:18,345 --> 00:43:20,680
CALL THE POLICE.
653
00:43:31,108 --> 00:43:33,527
OH, GOD.
654
00:43:33,819 --> 00:43:37,405
GOD, I'M SORRY.
655
00:43:37,697 --> 00:43:41,200
I DIDN'T WANNA KILL THAT GIRL.
656
00:43:41,493 --> 00:43:44,537
I JUST WANTED HER
TO BE NICE TO ME
657
00:43:44,830 --> 00:43:47,666
JUST FOR A LITTLE WHILE.
658
00:43:50,127 --> 00:43:51,711
SHE MADE ME DO IT.
659
00:43:52,003 --> 00:43:55,506
SHE TRIED TO RUN AWAY AND I...
660
00:43:55,799 --> 00:43:58,510
I LOST CONTROL.
661
00:44:01,346 --> 00:44:04,140
WHY?
662
00:44:04,432 --> 00:44:07,101
WHY DID I DO IT?
663
00:44:08,145 --> 00:44:10,230
WHY?
664
00:44:21,825 --> 00:44:24,035
♪♪
665
00:44:46,975 --> 00:44:51,145
WELL, WELL, WELL.
WHAT HAVE WE HERE?
666
00:44:51,438 --> 00:44:54,315
AREN'T WE OUT OF UNIFORM?
667
00:44:54,608 --> 00:44:59,108
MR. WOODMAN, STEVE IS IN THE
HOSPITAL. UNDER POLICE CUSTODY.
668
00:45:00,113 --> 00:45:03,199
HE'S FACING CHARGES OF
MURDER AND NARCOTICS
669
00:45:03,491 --> 00:45:07,745
ALONG WITH YOUR IN-HOUSE
DRUG DEALER, JIMMY JOY.
670
00:45:08,038 --> 00:45:10,081
ALSO, YOUR FAVORITE CLIENT,
671
00:45:10,373 --> 00:45:12,291
MR. JORDAN OF
CINCINNATI TEXTILES
672
00:45:12,584 --> 00:45:14,184
HAS CONFESSED TO THE
MURDER OF JODY MILLS
673
00:45:14,419 --> 00:45:16,295
WHO WAS ONCE A
MODEL IN THIS AGENCY.
674
00:45:16,588 --> 00:45:19,674
IT SEEMS SHE HAD FALLEN
OUT OF FAVOR WITH YOU.
675
00:45:19,966 --> 00:45:22,510
MISS MONROE, I HAVEN'T
THE FAINTEST IDEA
676
00:45:22,802 --> 00:45:24,011
WHAT YOU'RE TALKING ABOUT
677
00:45:24,304 --> 00:45:26,973
BUT I REALLY CANNOT
HAVE MY GUESTS DISTURBED
678
00:45:27,265 --> 00:45:29,475
BY THESE SORDID LITTLE STORIES.
679
00:45:29,768 --> 00:45:31,811
BUT THAT'S JUST THE
POINT, MR. WOODMAN.
680
00:45:32,103 --> 00:45:34,688
WE DO WANNA DISTURB YOUR GUESTS.
681
00:45:34,981 --> 00:45:37,733
WE WANT ALL THESE HOPEFUL
YOUNG LADIES TO KNOW WHAT IT'S LIKE
682
00:45:38,026 --> 00:45:39,546
WHEN THEY DON'T
MAKE IT IN THE A GROUP.
683
00:45:39,778 --> 00:45:42,113
WHAT IT'S LIKE WHEN YOU TUMBLE
DOWN THAT LADDER OF SUCCESS
684
00:45:42,405 --> 00:45:44,323
TILL YOU END UP IN THE
STREET MODEL SHOPS
685
00:45:44,616 --> 00:45:45,616
OR THE MASSAGE PARLORS.
686
00:45:45,867 --> 00:45:48,828
WE WANT ALL THESE FINE-LOOKING
CLIENTS OF YOURS TO KNOW
687
00:45:49,120 --> 00:45:50,480
HOW YOU MERCHANDISE
ALL THE GLAMOUR
688
00:45:50,622 --> 00:45:52,165
AND THE BIG BUCKS
TO THEIR BENEFIT.
689
00:45:52,457 --> 00:45:55,334
NOW, YOU LISTEN TO ME.
690
00:45:55,627 --> 00:45:59,005
WHAT MY ASSOCIATES, MY
COLLEAGUES, MY EMPLOYEES
691
00:45:59,297 --> 00:46:02,258
OR MY CLIENTS DO
IN THEIR SPARE TIME
692
00:46:02,550 --> 00:46:03,926
IS NO CONCERN OF MINE.
693
00:46:04,219 --> 00:46:08,598
I RUN A RESPECTABLE AGENCY
694
00:46:08,890 --> 00:46:10,516
AND YOU'D HAVE A HELL OF A TIME
695
00:46:10,809 --> 00:46:12,602
PROVING THAT I AM RESPONSIBLE
696
00:46:12,894 --> 00:46:16,230
FOR ANY OF THE THINGS THAT YOU
HAVE SO GRAPHICALLY DESCRIBED.
697
00:46:16,523 --> 00:46:18,566
YOU'RE PROBABLY
RIGHT, MR. WOODMAN.
698
00:46:18,858 --> 00:46:20,943
WE WOULD PLAY HELL PROVING THEM.
699
00:46:22,279 --> 00:46:24,281
BUT THAT IS WHY WE
WANT EVERYONE HERE
700
00:46:24,572 --> 00:46:28,742
TO KNOW JUST EXACTLY
WHAT THEY'RE DEALING WITH.
701
00:46:41,089 --> 00:46:42,329
LADIES AND GENTLEMEN, I'M SORRY
702
00:46:42,382 --> 00:46:43,758
FOR THIS UNFORTUNATE
INTERRUPTION.
703
00:46:44,050 --> 00:46:46,343
IT'S OF NO CONSEQUENCE
WHATSOEVER
704
00:46:46,636 --> 00:46:50,848
SO WHY DON'T YOU HAVE ANOTHER
DRINK AND FORGET ABOUT IT ALL?
705
00:46:51,141 --> 00:46:52,642
THERE'S NO NEED TO LEAVE.
706
00:46:52,934 --> 00:46:57,434
THE PARTY IS NOT OVER AND
I CAN EXPLAIN MY POSITION.
707
00:46:58,648 --> 00:47:02,068
PLEASE, DON'T LEAVE.
708
00:47:02,360 --> 00:47:05,029
IT'S ALL BEEN A MOST UNFORTUNATE
MISUNDERSTANDING. PLEASE.
709
00:47:05,322 --> 00:47:07,073
PLEASE.
710
00:47:12,370 --> 00:47:14,705
♪♪
711
00:47:20,545 --> 00:47:23,089
HI, SORRY I'M LATE,
I HAD SOMETHING
712
00:47:23,381 --> 00:47:25,633
A LITTLE SPECIAL TO ATTEND TO.
713
00:47:25,925 --> 00:47:27,778
KRIS, HOW'S YOUR
SHOULDER FEELING?
714
00:47:27,802 --> 00:47:29,094
OH, IT'S STILL A LITTLE SORE.
715
00:47:29,387 --> 00:47:31,097
IT'LL BE FINE IN A
DAY OR TWO, CHARLIE.
716
00:47:31,389 --> 00:47:34,683
GOOD. I'D LIKE TO COMMEND YOU
ALL ON A JOB VERY WELL DONE.
717
00:47:34,976 --> 00:47:36,185
THANK YOU, CHARLIE.
718
00:47:36,478 --> 00:47:37,854
WE CERTAINLY GOT AN INSIDE LOOK
719
00:47:38,146 --> 00:47:39,564
AT THE GLAMOROUS
WORLD OF MODELING.
720
00:47:39,856 --> 00:47:42,400
WELL, MOST AGENCIES
ARE FILLED WITH TALENTED,
721
00:47:42,692 --> 00:47:44,318
HARDWORKING, HONEST PEOPLE.
722
00:47:44,611 --> 00:47:46,892
UNFORTUNATELY, YOU DEALT
WITH ONE THAT WAS LESS THAN THAT.
723
00:47:47,072 --> 00:47:49,365
EVEN SO, CHARLIE, IT'S A
ROUGH WAY TO MAKE A LIVING.
724
00:47:49,657 --> 00:47:51,992
I JUST WISH A LOT OF THOSE
ASPIRING YOUNG MODELS
725
00:47:52,285 --> 00:47:54,704
THAT COME TO THE BIG
CITY WERE AWARE OF IT.
726
00:47:54,996 --> 00:47:56,789
I AGREE. OH, BOSLEY,
727
00:47:57,082 --> 00:47:59,084
DID YOU TAKE CARE OF
THAT MATTER WE DISCUSSED?
728
00:47:59,376 --> 00:48:00,376
OH, YES, CHARLIE.
729
00:48:00,502 --> 00:48:01,782
WELL, THEN, WHY
DON'T WE PROCEED?
730
00:48:01,836 --> 00:48:02,878
ALL RIGHT, CHARLIE.
731
00:48:03,171 --> 00:48:04,422
WHAT ARE YOU UP TO, CHARLIE?
732
00:48:04,714 --> 00:48:06,382
WE HAVE A LITTLE
SURPRISE FOR YOU.
733
00:48:06,674 --> 00:48:08,634
HO-HO. I HOPE IT'S A
COUPLE OF DAYS OFF.
734
00:48:08,927 --> 00:48:10,219
EVEN BETTER THAN THAT.
735
00:48:10,512 --> 00:48:12,639
REALLY?!/ THINK SO.
736
00:48:14,057 --> 00:48:17,060
BOSLEY? I'M BACK, CHARLIE.
737
00:48:19,437 --> 00:48:20,437
HI.
738
00:48:20,647 --> 00:48:22,940
HI. HI.
739
00:48:23,233 --> 00:48:25,153
I TALKED TO THE POLICE
COMMISSIONER THIS MORNING.
740
00:48:25,652 --> 00:48:28,529
HE WAS AS PLEASED WITH
JULIE'S WORK AS I WAS WITH YOURS
741
00:48:28,822 --> 00:48:30,782
SO WE CAME UP WITH
THIS TERRIFIC IDEA.
742
00:48:31,074 --> 00:48:32,158
WHICH IS?
743
00:48:32,450 --> 00:48:33,993
WELL, THE
COMMISSIONER IS WILLING
744
00:48:34,285 --> 00:48:35,744
TO MAKE AN EXCEPTION
IN JULIE'S CASE
745
00:48:36,037 --> 00:48:40,537
.AND ISSUE HER AN INVESTIGATOR'S
LICENSE ON A TRIAL BASIS.
746
00:48:41,376 --> 00:48:42,376
YOU MEAN...?
747
00:48:42,502 --> 00:48:45,171
SHE'D BE WORKING HERE, WITH US?
748
00:48:45,463 --> 00:48:47,339
THAT'S THE GENERAL IDEA.
749
00:48:49,801 --> 00:48:53,137
LISTEN, IF YOU DON'T
THINK IT'S A GOOD IDEA.
750
00:48:54,180 --> 00:48:56,140
WELL, I ONLY HAVE
ONE QUESTION, CHARLIE.
751
00:48:56,433 --> 00:48:57,433
WHICH IS?
752
00:48:57,642 --> 00:48:59,894
WHY DIDN'T WE THINK OF IT FIRST?
753
00:49:00,186 --> 00:49:01,520
GOOD QUESTION, KELLY.
754
00:49:01,813 --> 00:49:03,022
WELCOME ABOARD.
755
00:49:03,314 --> 00:49:04,314
THANKS.
756
00:49:04,399 --> 00:49:05,608
THAT GOES FOR ME TOO. THANKS.
757
00:49:05,900 --> 00:49:07,067
ME TOO.
758
00:49:07,360 --> 00:49:09,487
♪♪
759
00:49:14,451 --> 00:49:16,578
♪♪
54934
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