All language subtitles for La Brea S02E12 netnaya

.

[tense music]

- James took
everything from me.

He needs to be stopped.
- It's a slow acting poison.

- Levi tried
to kill James today.

- I don't want you
anywhere near my family.

So he wants to go back
to when I was a kid.

It's called
Project Blue Moon,

but he can't do it
without the journal.

- James is obsessed
with getting that journal.

He'll hurt anyone he needs to.
- And I would never hurt her.

- I don't believe you!
He killed her!

- I don't think he did.
I think it was Kiera.

* *

- Stay there.

I don't want anyone
else getting hurt.

- She's now
in charge of Lazarus.

She'll never let you
near that building again.

We can get back inside
if you are willing to trust me.

- I still can't get over
how little time I had with her.

- I find myself thinking
the same thing

and wondering how I could have
done things differently.

But I am grateful
for the time we had together,

even though we didn't always
see eye to eye.

And I'm grateful
that we had a son.

- So what happens now?

- We honor
what your mother wanted--

for you to have
a fulfilling life...

Which is why we are going
to take the building

back from Kiera,
fix the portal,

and send your family home.

- And we're going
to get Ty back?

- Yeah.

[soft dramatic music]

- You think
all of this is possible?

- I've made contact
with an ally

who has offered to help.
We can do this.

I'm certain that together,
we can overcome any problem.

- I'm still worried about Levi.

Nobody's seen him
since the wedding.

- Why is that a concern?

- Levi tried
to kill you yesterday.

His wife died in the sinkhole.
He blames your project.

- The drink he tried
to give me at the wedding?

- Yeah.
- You were there too.

- And she stopped him.

* *

- Then I should probably
thank you for saving my life.

And let me repay that
by getting your family home.

* *

- Hey, how's he doing?
- He's stable.

He's burning up.

It means his body's
fighting an infection.

I'm going to get some herbs
to help with that.

- Thank you, Sam.

- What can we do?
- You're doing it right now.

When we go to the building,
stay here

and keep helping Sam.

- Wait, what are we gonna do
about Levi?

No one's seen him
since the wedding.

Guys, he's not himself.
He needs us.

We have to find him.

- Iz, what we have to do
is find a way home, OK?

The longer we stay here,
the greater the chance

my vision has of coming true.
- Dad, Levi is like family.

- Family doesn't do
what he did yesterday.

- Maybe yesterday
was him showing us

that he needs us now
more than ever.

- Iz.

- OK, look, I know things have
been complicated with Levi,

but we wouldn't have survived
without him.

I know I couldn't have.
- Iz.

Levi made his choice.
We have to make ours.

That's it.

- Fine.

- Izzy.
Izzy!

- She'll calm down.

You guys go.

I'll make sure she's all right.

- We'll be back
as soon as we can.

* *

- OK, thanks.
- Great job, guys.

- All right.

A water tower, huh?
Rad.

- Not bad for a little home
improvement project, right?

- What we can't forage,
we slap together

with bubblegum and duct tape.
I like it.

- Ow!
[grunting]

- Hey!
You OK?

- Yeah.
[deep rumbling]

- Do you hear that?

- Yeah.

Where's it coming from?

Is that an earthquake?
- No.

[deep rumbling]

I think
something's underneath us.

[deep rumbling]

Scott, what's happening?

- Good God.

- Are you sure
you saw a sextant?

I don't remember one
in the clearing.

- Trust me, it was there.

It came through
when the Aurora opened.

- If we do find it,
I can help you use it.

Figure out where
those coordinates

and that journal lead.

- May I ask why you're familiar

with a celestial
navigation device?

- When you have
a Navy SEAL for a dad,

you pick up all sorts
of weird things.

- Not that I mind the company,
but I got to ask.

Why did you want to join me?

We don't really
talk to each other.

- I know.

I just thought
maybe I'd change that.

Not a lot of people
our age down here.

- I bet you had a lot
of friends back home.

- Less than you'd think--
[chuckles]

at least the ones that matter.

But I do miss
having someone to talk to.

- What's going on?

- [sighs]
I got into a fight with Josh.

I'm just bummed,

and I don't know
how to fix it,

but I'm glad
I could be here with you.

* *

- Where is everyone?

This is super creepy.

[eerie music]

Anyone here?

* *

Ella?

* *

[thuds]

[startled breathing]
- Shh, get in the truck.

- What happened here?
- Get in the truck.

I'll explain.
- No, explain now.

- Riley, if they hear us,
we're dead.

- If who hears us?

[insects buzzing]

- [screams]

[insects buzzing]

No way!

- [panicked whimpering]

[dramatic music]

* *

.

[insects buzzing]

- OK.

They're going back
into their nests underground.

If they get distracted
by something else,

eventually, they'll retreat.

- What the hell
are those things?

- Officially, they're called
Vespula maculifrons.

You may know them
as your pesky

neighborhood yellowjacket wasp.

But the Pleistocene version
are far bigger

and immensely more toxic.

- Where did they come from?

There weren't any bugs
in here yesterday.

- Yesterday,
they were still underground

in their dormant stage,

but this morning,
we woke them up.

So please,
keep your voices down.

These guys
are hypersensitive to noise,

so any little thing
will set them off.

- Ella, have you seen her?

- I did.

But the bugs came,
and I lost her in the chaos.

I think she left
with everyone else.

People were screaming
and running for their lives.

The wasps
were about to sting me,

so I jumped in here.
- How do we get rid of them?

- Uh, we could give them
a nice bath with water

from the tower.

Soap and water
can clog their spiracles,

the pores they breathe through.
Then they're as good as dead.

- Or we skip bath time
and get the hell out of here.

- That too.

- No.

That's Ella.

[tense music]

* *

- Hang on.
I think she's alive.

* *

- Are all security systems
under our control now?

Good.
- On your knees.

- Now we move
to the portal room,

upload the new protocols
from Moore's journal.

And take these men
to containment.

- So now you're in charge.

- Now I give this project
what it's needed

for some time, focus.

Now we get back to the business
of helping the world.

- And those who don't agree?

* *

- You're free to leave.

[soft dramatic music]

* *

- Wait.

If you really want to help,

there are people here
who need it.

Once you fix that portal,
please send my friends home.

- I can't do that.

Look what's happened
since they came to Lazarus.

A virus was uploaded,
nearly destroying everything.

The project's been jeopardized
because of them.

I am not going to invite
another problem

into my building.
- Your building?

Look, whatever anger you feel
at what's happened,

you cannot let that
cloud your judgment.

We are here because of
your project's mistakes.

You owe us your help.

- I have a responsibility
to many more people

than are down here.
I'm sorry.

This is the way it has to be.

- You're making a mistake.

My friends, the people here,
they will not let this go.

- If they don't,
I promise you,

they will suffer more
than they already have.

* *

- Levi.

- Sam.

What are you doing here?

- Looking for medicine
to help Silas.

The better question is,
what are you doing?

Are those explosives?

* *

We need to talk about this.

- Why don't you go back
to the village?

- Why don't you
come back with me?

Look, I heard what happened
with James yesterday,

and I know you're hurting,

and from the looks
of the explosives,

it seems you're not done
with him yet.

- Sam, just go.

- I don't have any love
for Gavin's father either,

but he's our only way home.

What you're doing,
that's not the way to help.

- It's the only way.
- Levi.

- Stay back.
- I can't let you do this.

- I don't want
to hurt you, Sam,

but if you don't walk away
right now,

I won't have another choice.

[tense music]

* *

- We gotta get to her now.

- No, no, no,
that is a terrible idea.

The wasps have built an empire
beneath the dirt.

You see that opening?

They're all around
the clearing.

That's where the wasps are.

And there's one
right in front of Ella.

We can't get close to her.
- What if we're super quiet?

- It's not just noise
that disturbs them.

It's all sound vibrations,
including footsteps.

Think of the ground between us
and Ella as a giant minefield.

One step can be fine,
and then--

- The next could wake up
the sting squad.

- Ella's never abandoned me.

There's no way
I'm abandoning her.

- If we were able
to get to her,

how are we gonna help?

It's not like we can give her

a shot
of prehistoric antivenom.

- What about an EpiPen?

My dad has one
in the med kit on the bus.

- Uh, I mean,
there are no cracks

between here and the bus.

That shouldn't be a problem
if we stay quiet.

- I think we can do this.

[dramatic music]

- Let's go.

- My contact
should be here any moment.

I'm gonna go see
if he's nearby.

- All right.

- Hey, you OK?
- Yeah.

I just got a lot on my mind.

- If you're worried about James
and Project Blue Moon,

I'm pretty sure
he's put it behind him.

- I do, too.
It's Levi.

Maybe 'cause he has a point.

Maybe we should
be helping him out.

- OK, Izzy's right
in that we treated him

like family because he was,
but he's not anymore.

I can forgive him
for everything

that happened with you
because I had a part in that.

But what he did yesterday,
that jeopardized

our best hope
of keeping you safe

and getting everyone home.

- What if we run
into him again?

I don't think
he's gonna give up on this.

- When I see him, I'm gonna do
whatever it takes to stop him.

[alarm blaring]

Hey, what's that?

- It's the Lazarus
evacuation alarm.

This is Elliot.

He's been quietly by my side
for over two decades.

He's gonna help us
get back in the building.

- I'll help,
but I don't think anyone

should be in there right now.
- Why?

- Kiera's takeover
inadvertently corrupted

the security network.

Worse, all the animals
in the research lab

have gotten loose.
They're running rampant.

So everyone's getting out
as fast as they can.

- But we don't have a choice.
We have to get in the building.

- Eve?
Gavin?

- Ty.

How did you get here?

How did you get away
from Kiera?

- She had no use for me
once she made it

back to the building.

After she let me go,
I started to get this headache,

and anyway,
then I found you guys.

- Whatever progress
you've made against the cancer

goes away immediately

if you're not doing
consistent treatment.

When I take back the building,
I will get you your pills.

- Ty, you need to go back
to the village.

Paara has been guiding an army
to come save you.

You have to let her know
you're safe.

- No, I can't leave
you guys now.

Kiera is not gonna let you
near that portal room

without a fight.

You need
all the help you can get.

- Whoever's going
needs to go now.

I've disabled
all the security cameras,

but they'll be back online
in minutes.

- You sure you're OK with this?

- Yeah, you guys would do
the same for me.

* *

- Thank you for everything.
- Good luck.

* *

* *

.

[dramatic music]

- Here we go.

This is where
we launch our attack.

From this computer,
I can implement a series

of security protocols
that will allow me

to take back the building.

Then Elliot's team
can detain Kiera

and the rest of her traitors.

- How do you still have access?
- I don't.

The first thing she will
have done is shut me out,

but you do.

It's the same way
that you helped load the virus.

Your credentials
are hidden deep

within the security network

where Kiera will have
a very hard time finding them.

All I need is your handprint.

[computer chimes]

Yes, I'll take things
from here.

- Hey, won't this
alert Kiera we're here?

- Yeah, I'm sure it will.

And it's gonna take time
to implement things on my end,

so I need some of you to go
into the western corridors

and manually seal them off.

Every second
we can slow her down

buys us valuable time.
- Understood.

- I'll go with Gavin.

[soft dramatic music]

* *

- All right, I think
we've got enough herbs.

We should get back to Silas.
- No, you go.

I need to find Levi.
- Hang on, Iz.

I'm worried about him, too,

but we have no idea
where he is.

- Do you remember
when I was in the hospital

after my accident?
- Of course.

- I couldn't have
gotten through without Levi.

OK, On my bad days, when I
wouldn't do physical therapy

or even get out of bed,
Levi was the one

to snap me out of it.

He would say, "I'm not
here to bring you flowers.

I'm here to kick your ass."

- That does sound like Levi.

- And he told me
that he was gonna go down

to the cafeteria
and get a cup of coffee,

and he was not gonna leave
until I got out of bed,

walked down there, and had
a cup of coffee with him.

He waited in that cafeteria
for two days before I made it.

He hadn't slept,
he looked like crap,

but he was there for me.

OK, now I need
to be there for him.

- [groaning]

- Oh, my God.
- Sam?

- Sam?

[tense music]

- What happened?
You OK?

- I found Levi.
- He did this to you?

- Yeah, now he's headed
to the building

with a bunch
of plastic explosives.

I have to stop him.
- Easy, easy.

We got to get you back
to the village, OK?

Hey, Iz!
What are you doing?

- I need to get
to that building.

- Izzy, don't!
- I'm sorry.

I have to.

- Izzy!

* *

- [wheezing]

Great, let's get
to the next one.

- Hey, hey, are you OK?

- Yeah.
Come on.

- Ty, wait.
I'll take care of the doors.

You should get
to the infirmary.

There's nobody there.
You can get your pills.

- There'll be time
for that later--

- Hey, you don't know that, OK?

You got to take the opportunity
while it's there.

- I can't leave you alone.

There are animals
in these halls.

- Ty, you've done enough
for my family.

It's time you did something
for yourself.

[soft dramatic music]

Please.

* *

- Thank you.
I'll catch up.

* *

- Levi!
Hey!

What are you doing with those?

Levi, hey, look at me!
[thudding]

Levi!
Stop!

You don't have to do this.

No, no, no, Levi!
Levi, look at me!

We can talk this through!

Hey, hey, Levi, listen!

Hey, I know
you lost your wife,

but this is not
how you honor her.

It's not.

- You don't understand.

This isn't just about her.

The day she died...

she wasn't alone.

She had our daughter
with her too.

- I'm sorry.

- This project
has taken everything from me.

* *

I got to stop it.

- Levi!
Hey, hey!

- You need to leave.

I'm gonna destroy
this entire building.

- No.

Levi!
Hey!

Levi!
Levi!

[tense music]

Levi!

.

- I need an update
on those stabilization numbers.

- We're 90% through
instituting the new directives.

We're on the verge
of fixing the machine.

- What now?
- Threat level breach.

Someone in the executive lounge
accessed the security network.

It appears to be Gavin.
- This is James.

Get your team
to the executive lounge now,

and watch yourselves.

Those animals
could be anywhere.

- This is your only warning.

Everybody leave
the building now.

Ah-ah, Kiera,
put that journal down.

You're staying.

I need your help.

[tense music]

* *

- Where's the EpiPen?

I thought you said it was here.

- I thought it was.

- Well, you were wrong.

And Ella's out there dying,
and there's nothing we can do.

I don't know what to do.

- Veronica,
you need to breathe.

[inhales deeply]

[exhales deeply]

If you're not calm,
you make mistakes.

You can't see the things
that are right in front of you.

OK?

OK, let's just slow down
and find that EpiPen.

OK?
- OK.

- OK.
- Wait a minute.

Yes!
I'm all over it.

- Amazing.
How do we get it to Ella?

- I know.
Here's what we do.

We just add soap
to that water

and then quietly
connect the hose

and get it into the crack.

- How will that kill
all of them?

There's more than one crack.

What about the one
in front of Ella?

- Wasp nests
are interconnected--

typically.

- Typically?

- It's better odds
than we had five minutes ago.

- OK.
Then we have to do this.

* *

- Nobody ever said
that killing wasps

was environmentally friendly.

[water hisses]

Come on, baby.

Come on.

[water gurgling]

- Do you think it's working?

- Oh, I'm sure they're dying
excruciating deaths down there.

[water gurgling]

- So what do we do now?

- Not we.
This is on me.

I'm gonna bring
the EpiPen to Ella.

- No, no,
we're all going together.

I'd like to say
we got all the bugs,

but I just can't be sure.

- That's why
I'm gonna do it alone.

She's my sister.
I got this.

* *

- [labored breathing]

* *

[twig snaps]

[deep rumbling]

* *

[insects buzzing]

- Ugh!

* *

[insects buzzing]

We got to go.
Come here.

[insects buzzing]

OK.
- [groans]

[insects buzzing]

[metal clattering]

Come here.
Come here.

- [groans]
- Shh.

Hey.
Shh.

You're gonna be OK.
I brought an EpiPen.

Here.

Where is it?
Where is it?

No.

* *

No.

* *

.

- What's wrong?

[tense music]

* *

- The EpiPen,
it fell out of my pocket.

It's out there.

- It's OK.

I'm just happy you're here.

- Stop it.
Stop talking like that.

I know that tone.

I heard it
when you were little

whenever you were about
to give up,

but I'm not going to let you.
We'll figure this out, OK?

We still have stuff
we need to do together.

- Veronica,
I'm not gonna make it.

[somber music]

* *

- You have to.

Together, we were strong.
Alone is impossible.

- It's not.

You were always the one

who kept us going
when things got hard.

You always saved me.

You'll be fine.

- No.

No, we're gonna
figure this out.

* *

[insects buzzing]

- What the hell
are we gonna do?

We have to get to that EpiPen.
- Yeah.

OK, think, Scott.
Think, Scott.

Think.
Think.

Oh!

No, I got nothing.
Damn it!

[soft dramatic music]

* *

On second thought,
there may be a way.

I'm gonna need coolant
from the engine,

a roll of duct tape,
and some kind of helmet.

- It sounds crazy.
- You're probably right.

* *

OK.

[insects buzzing]

Yes.
You've got this.

You are not afraid.

[insects buzzing]

Come on.
Clear off!

Come on!

[screams]

Yes, yes!
Come on!

I can't believe it's working.

[insects buzzing]

Yes!
Come on!

[screams]

They're flying away.
Yes!

[dramatic music]

* *

I did it.
I think they're all gone.

Ella, you're going to be OK.

- That's amazing.
Give me the EpiPen.

* *

- Oh, no.
- What? What?

* *

- You were stung.

* *

- I didn't even feel it.

- It must have been
the adrenaline.

Veronica.

- Give it to her.
- What?

- The shot, she needs it.

- No, you need to take it.

- Veronica, please.

Please.

- Is there another EpiPen?
- I'm sorry.

There's only one.

[somber music]

* *

- Can you give us a minute?

* *

[tense music]

* *

- Oh, my God.

[creature growling]

[craeture roaring]

- The infirmary, thank God.

[soft dramatic music]

* *

[creature roars]

- Help!
- Gavin.

* *

[creature growls]

[creature roaring softly

- Help!
Help!

* *

[creature roaring]

Thank you.

But we have a bigger problem.

Levi, he's about
to make a huge mistake.

- What?

* *

- We can't
debate this anymore.

You need to take the shot.
- No.

- Ella...

you deserve
a long, happy life.

- No.

It's your turn.

I came down here
to save your life.

[somber music]

Don't take that
away from me now.

* *

Take the shot.

Please.

* *

Go on.

It's OK.

- I can't do it.

* *

- I love you.

- I love you too.

[sobs quietly]

* *

[sobbing]

* *

.

- Have a little faith, Eve.

I'm about to retake the system.

- No, I'm--

I'm worried about Gavin and Ty.

They should be back by now.

- Oh, I'm sure they're fine.

- You know, for somebody
who said that they would do

absolutely anything
to reunite with their son,

I'm a little confused
why you're not

as concerned as I am.

- Of course, I'm concerned.

We all have our tasks
that require focus.

- What aren't you telling me?
- Nothing.

I asked that you trust me.

Now, given the complexity
of what I'm trying to achieve,

I wish that you would
honor that request.

- You're a smart man, James.

You choose
your words carefully,

and right now, you're choosing
your words very carefully.

So I'm going to ask you again,
what aren't you telling me?

- I don't know
what you're talking about.

- OK, then let me see
what you're working on.

- And if I refuse?

- Then the trust you're asking
for doesn't go both ways.

- Eve, stop.
[computer chirps]

- Wait a minute,
Project Blue Moon.

You're working
on Project Blue Moon?

What the hell is going on here?

Tell me that what you're doing

isn't going to erase
my family forever.

James!

That's it.
I'm stopping this right now.

- No, you're not.

Put it down now.

[tense music]

* *

- A few hours ago,
you were making promises

to your son
at your wife's grave.

I thought this family
meant something to you.

If you do this,
you're gonna be throwing

all of that away.

- I'm not throwing
anything away.

I am fixing what I broke.

This way, I never lose Gavin,
and I never lose his mother.

- You're trading
my family for your own, James.

Look, I get wanting to go back.
I do.

There's not a person alive
who wouldn't want

to go back
and fix their mistakes,

but that's not how life works.

This isn't going to make you
as happy as you think.

Please.

Please, don't do this.
- I've made my choice.

Eve.
Eve, please.

Eve, you don't want to have
to tell your husband

that you killed his father.

Please, put the knife down.

* *

Put the knife down!

* *

- [gasps]

- Hey,
I just wanted to say...

[somber music]

* *

I know no one
can fill Ella's shoes,

but if you want,
I'm here to talk.

- Riley.

I'm not good
at opening up to people...

But I could
really use a friend.

* *

Thanks for being here.

* *

- It's time you let me go.

The entire building
has been evacuated.

- No, you still haven't
done your part.

- Which is what exactly?

- Shift all auxiliary power
to the portal.

- If I do that,
those explosives

will destroy
the entire building.

- I guess they do put
the smart people in charge.

- I won't do it.

I can't destroy this project.
It's too important.

- Think really hard about that.

- [sighs]

It's done.

- Maybe one day
you'll realize

that that was the moment
you actually did something good

for humanity.

[device beeping]

- No, Levi!

- Dear God.
- You need to stop this.

- I told you to leave.
- Yeah?

You know I can't do that.

I made a promise
to my family to get them home.

- Gavin, if you don't
walk away now,

what happens next is on you.

- What's that?

[device beeping]

- Levi.

- You're gonna shoot me?

After everything
we've been through?

- I don't want to.

- Please, it doesn't
have to end like this.

[device beeping]

- Wait.

- Iz.

Iz, you shouldn't be here!
- Izzy, he's right.

You need to go now.

- That's exactly what I said
to you in the hospital,

but you stayed.

- No, Izzy, this is different.
- No, it's not.

I needed help then
like you do now.

[device beeping]

OK, but I'm not gonna
help you here.

- What are you talking about?

- I'm gonna be
in the cafeteria.

OK?

When you're ready to talk,
I'm gonna be there.

- Izzy, this whole building
is gonna explode.

- Then it's gonna explode
with me in it.

[device beeping]

[tense music]

- Levi.

* *

- Izzy, wait.

I won't lose you too.

[soft dramatic music]

* *

- [sighs]

[device clicks]

[device continues beeping]

- Levi, why isn't it stopping?

[tense music]

- I don't know.

- Pull the damn wire.

[device beeps harshly]

- What's happening?

- This was built
by someone in '98.

They must have put in
a failsafe.

- What does that mean?
- It's not gonna stop.

- Look, we've got to move now!

[dramatic music]

[devices beeping rapidly]

* *