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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,970 --> 00:00:05,364 HIS NAME'S AIDAN. HMM. REALLY? IS THAT A MAN'S NAME? 2 00:00:05,365 --> 00:00:06,899 PREVIOUSLY ON "BETRAYAL"... 3 00:00:06,900 --> 00:00:10,803 THE COPS PULLED LOU OUT OF THE RIVER WITH TWO BULLETS IN HIM. 4 00:00:10,804 --> 00:00:12,071 ANYTHING MISSING? 5 00:00:12,072 --> 00:00:15,107 OH, YEAH. THE BULB FROM THE LID. 6 00:00:16,274 --> 00:00:18,878 YOU WERE WITH ME ALL NIGHT AT THE CLUB. 7 00:00:18,879 --> 00:00:19,912 THAT'S THE NEW TRUTH. 8 00:00:19,913 --> 00:00:22,515 MY RECORD CLEANED, A GREEN CARD. 9 00:00:22,516 --> 00:00:25,017 IF YOU MAKE ME AN AMERICAN, I'LL DO WHATEVER YOU WANT. 10 00:00:25,018 --> 00:00:26,219 IF ANYTHING GOES WRONG, 11 00:00:26,220 --> 00:00:28,120 SLIP THE WORD "FRIDAY" INTO THE CONVERSATION, 12 00:00:28,121 --> 00:00:30,022 AND WE'LL GET YOU OUT. 13 00:00:35,761 --> 00:00:38,064 I'M ELAINE, BY THE WAY. I OWN THE PLACE. 14 00:00:38,065 --> 00:00:40,266 OH. SARA. 15 00:00:45,571 --> 00:00:46,872 SARA! SARA, WHAT'S WRONG? 16 00:00:46,873 --> 00:00:49,342 OH, GOD! WHAT IS -- WHAT IS IT? WHAT -- WHAT IS IT? 17 00:00:57,850 --> 00:01:00,086 NICE PHOTOS. 18 00:01:16,702 --> 00:01:18,271 DREW? 19 00:01:51,370 --> 00:01:53,272 EVERYTHING OKAY? 20 00:01:54,807 --> 00:01:56,842 YEAH. WHY? 21 00:01:58,444 --> 00:02:00,279 YOU SEEM A LITTLE STRESSED. 22 00:02:02,381 --> 00:02:03,949 I GOT A LOT OF WORK. 23 00:02:03,950 --> 00:02:06,018 YEAH. 24 00:02:08,586 --> 00:02:11,857 SO, YOU'RE NOT ANNOYED THAT I GOT SICK AT THE PARTY? 25 00:02:11,858 --> 00:02:15,061 NO, BUT, YOU KNOW, NEXT TIME, 26 00:02:15,062 --> 00:02:17,129 A SIMPLE "LET'S GO" WILL BE FINE. 27 00:02:18,831 --> 00:02:20,433 MAYBE YOU SHOULD TALK ABOUT WHAT HAPPENED. 28 00:02:22,201 --> 00:02:25,071 YOU KNOW, TO YOUR THERAPIST, ABOUT THE PANIC ATTACK. 29 00:02:28,107 --> 00:02:29,875 ANYWAY, I REALLY LIKE THE PHOTOS. 30 00:02:31,477 --> 00:02:33,479 WHICH ONES? 31 00:02:33,480 --> 00:02:37,516 THE ONES OLIVER TOOK OF US BEFORE THE PARTY. 32 00:02:37,517 --> 00:02:38,718 WHY -- WERE THERE MORE? 33 00:02:39,885 --> 00:02:43,155 I JUST TOOK SOME OF HIM PLAYING T-BALL, AS WELL AS... 34 00:02:43,156 --> 00:02:45,458 WELL, YOU'LL HAVE TO SHOW ME THOSE LATER. 35 00:02:45,459 --> 00:02:47,860 MM-HMM. 36 00:02:47,861 --> 00:02:49,328 YOU SHOULD GO TO BED. 37 00:02:49,329 --> 00:02:51,364 GET SOME REST. 38 00:02:51,365 --> 00:02:54,900 WELL, JUST, UH, DON'T STAY UP TOO LATE. 39 00:03:01,807 --> 00:03:03,142 OKAY. NIGHT. 40 00:03:03,143 --> 00:03:04,844 GOOD NIGHT. 41 00:03:24,663 --> 00:03:27,666 -- Captions by VITAC -- 42 00:03:38,210 --> 00:03:41,947 YOU WANT ME TO TAKE OFF MY CLOTHES? 43 00:03:41,948 --> 00:03:45,718 WHY? IS THERE A PROBLEM? 44 00:03:47,553 --> 00:03:48,788 THE MUSIC'S INTERFERING. 45 00:03:48,789 --> 00:03:50,189 I CAN'T HEAR CRAP. I'M TRYING TO FILTER IT OUT. 46 00:03:50,190 --> 00:03:52,258 WHAT ABOUT WHAT I ASKED? 47 00:03:52,259 --> 00:03:55,795 IF -- IF I'M GOING TO KEEP LYING ABOUT T.J... 48 00:03:55,796 --> 00:04:00,266 ...A LITTLE MORE MONEY WOULD HELP. 49 00:04:03,235 --> 00:04:06,105 CHESS RECORDS -- INTERESTING STORY. 50 00:04:06,106 --> 00:04:09,108 OLD-TIME CHICAGO BLUES, 51 00:04:09,109 --> 00:04:10,776 SOME JAZZ, EARLY ROCK 'N' ROLL. 52 00:04:10,777 --> 00:04:14,046 FOUNDED BY TWO BROTHERS, POLISH IMMIGRANTS... 53 00:04:14,047 --> 00:04:16,248 ...LAST NAME CZYZ. 54 00:04:16,249 --> 00:04:19,918 SPELLED C-Z-Y-Z. 55 00:04:19,919 --> 00:04:22,120 PRETTY OBVIOUS WHY THEY CHANGED IT TO "CHESS." 56 00:04:22,121 --> 00:04:25,324 I NEED A DEDICATED, MULTI-BAND DIGITAL NOISE GATE ALGORITHM. 57 00:04:25,325 --> 00:04:28,594 WE CAN, UH, RECORD NOW, PROCESS BACK AT THE LAB. 58 00:04:28,595 --> 00:04:30,196 THAT'LL BE TOO LATE. 59 00:04:30,197 --> 00:04:32,665 DO YOU KNOW WHY THEIR STORY IS SO INTERESTING? 60 00:04:32,666 --> 00:04:35,167 'CAUSE IT'S SO AMERICAN. 61 00:04:35,168 --> 00:04:37,470 "CZYZ" BECOMES "CHESS"... 62 00:04:37,471 --> 00:04:42,341 ...LIKE "BRONISLOVA" BECOMES "BRANDY." 63 00:04:42,342 --> 00:04:45,177 WE REINVENT OURSELVES. 64 00:04:45,178 --> 00:04:48,113 WE MAKE SACRIFICES... 65 00:04:48,114 --> 00:04:51,650 ...ALL FOR THAT ELUSIVE AMERICAN DREAM. 66 00:04:57,323 --> 00:05:00,659 I WONDER WHAT'S UNDERNEATH THIS BLOUSE. 67 00:05:00,660 --> 00:05:02,161 I DID WHAT YOU ASKED. 68 00:05:02,162 --> 00:05:04,597 I GAVE HIM AN ALIBI. 69 00:05:04,598 --> 00:05:06,599 I WANT WHAT'S FAIR. 70 00:05:06,600 --> 00:05:08,734 AND I DON'T APPRECIATE 71 00:05:08,735 --> 00:05:10,536 THAT YOU COME TO MY HOUSE AND MAKE DEMANDS. 72 00:05:12,705 --> 00:05:15,441 PLEASE. 73 00:05:15,442 --> 00:05:17,409 MY RENT IS LATE. 74 00:05:17,410 --> 00:05:19,512 THEY'RE GOING TO EVICT US FRIDAY. 75 00:05:19,513 --> 00:05:21,447 IT SOUNDED LIKE SHE SAID THE SAFE WORD. 76 00:05:21,448 --> 00:05:23,182 GIVE HER A LITTLE MORE TIME. 77 00:05:23,183 --> 00:05:25,050 THEN I DON'T SEE THE PROBLEM. 78 00:05:25,051 --> 00:05:30,689 JUST THINK OF ME AS ONE OF YOUR CLIENTS. 79 00:05:48,173 --> 00:05:49,875 DAD? 80 00:05:49,876 --> 00:05:52,545 DAD, ARE YOU IN HERE? 81 00:05:52,546 --> 00:05:54,747 WHAT'S WITH THE LOUD -- 82 00:05:54,748 --> 00:05:57,182 BRANDY? 83 00:05:57,183 --> 00:05:59,018 YOU'RE HOME. 84 00:06:00,719 --> 00:06:03,455 THANK YOU, MR. KARSTEN. GOOD NIGHT. 85 00:06:05,791 --> 00:06:07,359 WHAT WERE YOU GUYS TALKING ABOUT? 86 00:06:07,360 --> 00:06:09,862 MUSIC'S FADING. NOTHING. I-I HAVE SOME LEGAL PROBLEMS 87 00:06:09,863 --> 00:06:11,363 I THOUGHT HE COULD HELP ME WITH. 88 00:06:11,364 --> 00:06:13,032 YOU CAME ALL THE WAY HERE FOR THAT? 89 00:06:13,033 --> 00:06:15,000 IT'S URGENT. 90 00:06:15,001 --> 00:06:16,502 UH, HOW HAVE YOU BEEN? 91 00:06:16,503 --> 00:06:17,636 OH, BUSY. 92 00:06:17,637 --> 00:06:20,339 I GOT A JOB -- A REAL ONE -- AT THAT GARAGE. 93 00:06:20,340 --> 00:06:22,041 THAT'S GREAT. 94 00:06:22,042 --> 00:06:24,877 I REALLY WANT TO HEAR ALL ABOUT IT, BUT I NEED TO GET HOME NOW. 95 00:06:24,878 --> 00:06:27,413 ARE -- ARE YOU OKAY? 96 00:06:27,414 --> 00:06:31,050 Y-YOU SEEM DIFFERENT. I'M FINE. REALLY. 97 00:06:31,051 --> 00:06:35,888 YOU KNOW, YOU DON'T HAVE TO GO TO MY DAD TO ASK FOR HELP. 98 00:06:35,889 --> 00:06:37,556 YOU CAN COME TO ME. 99 00:06:37,557 --> 00:06:39,525 I OWE YOU FOR WHAT YOU DID 100 00:06:39,526 --> 00:06:42,294 THAT TIME WHEN WE MADE UP THE NEW TRUTH. 101 00:06:46,465 --> 00:06:48,734 UH, I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 102 00:06:48,735 --> 00:06:50,135 THAT'S WHAT YOU CALLED IT 103 00:06:50,136 --> 00:06:53,806 THAT TIME IN THE KITCHEN WHEN JACK AND DAD WERE THERE. 104 00:06:53,807 --> 00:06:56,141 Y-YOU TOLD ME TO SAY -- 105 00:07:06,952 --> 00:07:08,454 SHE'S OUT. 106 00:07:08,455 --> 00:07:10,856 WE GOT NOTHING. 107 00:07:33,312 --> 00:07:36,081 COME ON, OLLIE, GET YOUR JACKET. WE'RE GONNA BE LATE. 108 00:07:36,082 --> 00:07:38,751 WHICH ONE? THE DENIM ONE. 109 00:07:38,752 --> 00:07:41,053 WHERE IS IT? I DON'T KNOW. WHERE DID YOU LAST LEAVE IT? 110 00:07:41,054 --> 00:07:43,055 I DON'T KNOW. WELL, TRY YOUR ROOM. 111 00:07:47,026 --> 00:07:49,628 HOW'D YOU SLEEP? GOOD. 112 00:07:49,629 --> 00:07:52,498 LOOK. 113 00:07:52,499 --> 00:07:55,167 THE NECKLACE -- YOU AND OLLIE GAVE IT TO ME 114 00:07:55,168 --> 00:07:57,603 FOR CHRISTMAS TWO YEARS AGO, REMEMBER? 115 00:07:57,604 --> 00:07:59,938 OLLIE PICKED IT OUT. 116 00:07:59,939 --> 00:08:01,874 COME ON, MOM. OKAY, BOSS MAN. 117 00:08:01,875 --> 00:08:03,642 ALL RIGHT. SEE YOU LATER. 118 00:08:03,643 --> 00:08:04,643 SEE YOU. BYE. 119 00:08:04,644 --> 00:08:07,613 BYE, DAD. SEE YOU! 120 00:08:25,831 --> 00:08:28,333 STAFFORD, THIS IS GOSS. 121 00:08:28,334 --> 00:08:30,936 CPD WANTS YOU DOWN AT A CRIME SCENE. SAYS IT'S URGENT. 122 00:08:30,937 --> 00:08:33,839 I'LL CHECK IT OUT, BUT I SUGGEST YOU CALL ME AS SOON AS YOU CAN. 123 00:08:33,840 --> 00:08:35,874 DETECTIVE MITCHELL. 124 00:08:35,875 --> 00:08:37,909 YEAH, WHO WANTS TO KNOW? 125 00:08:37,910 --> 00:08:39,144 HOWARD GOSS, 126 00:08:39,145 --> 00:08:41,013 INTERIM DIRECTOR OF THE STATE'S ATTORNEY'S OFFICE, 127 00:08:41,014 --> 00:08:43,182 CRIMINAL DIVISION -- TAKING OVER FOR ABRAMS. 128 00:08:43,183 --> 00:08:45,317 GOOD FOR YOU. WHERE'S STAFFORD? 129 00:08:45,318 --> 00:08:46,318 I WISH I KNEW. 130 00:08:46,319 --> 00:08:47,820 MAYBE YOU CAN EXPLAIN TO ME 131 00:08:47,821 --> 00:08:50,522 WHY YOU WANTED AN A.S.A. DOWN AT A ROUTINE CRIME SCENE. 132 00:08:50,523 --> 00:08:52,257 WELL, MAYBE IT'S NOT SO ROUTINE. 133 00:08:52,258 --> 00:08:54,526 NEIGHBORS REPORTED GUNFIRE AROUND 4:00 A.M. 134 00:08:54,527 --> 00:08:56,662 LOOKS LIKE AN ATTEMPTED ROBBERY. 135 00:08:56,663 --> 00:08:58,097 KID DIDN'T EVEN MAKE IT INSIDE. 136 00:08:58,098 --> 00:09:00,265 TRAGIC. AND? 137 00:09:00,266 --> 00:09:02,034 WE RAN THE KID'S GUN -- 138 00:09:02,035 --> 00:09:05,037 A .38 REGISTERED TO A ONE LOUIS MROZEK. 139 00:09:05,038 --> 00:09:07,673 THE VICTIM IN THE T.J. KARSTEN CASE. 140 00:09:07,674 --> 00:09:09,742 BUT HERE'S WHERE IT GETS INTERESTING. 141 00:09:09,743 --> 00:09:12,644 THE BULLETS THEY TOOK OUT OF MROZEK -- ALSO FROM A .38. 142 00:09:14,046 --> 00:09:16,281 HOW MUCH YOU WANT TO BET THEY MATCH? 143 00:09:16,282 --> 00:09:18,383 YOU'RE SAYING MROZEK WAS KILLED WITH HIS OWN GUN? 144 00:09:18,384 --> 00:09:20,686 BY A KID WITH A RAP SHEET A MILE LONG. 145 00:09:20,687 --> 00:09:23,055 HE'S DONE TIME FOR CAR THEFT, LARCENY. 146 00:09:23,056 --> 00:09:26,792 THIS IS THE GUY YOU'RE LOOKING FOR -- NOT T.J. KARSTEN. 147 00:09:26,793 --> 00:09:30,162 STAFFORD'S HAD IT ALL WRONG FROM THE START. 148 00:09:57,156 --> 00:09:59,024 LOOK, I HAVEN'T BEEN ABLE TO GET AHOLD OF HIM, 149 00:09:59,025 --> 00:10:00,292 BUT I'M SURE HE'LL CALL BACK. 150 00:10:00,293 --> 00:10:02,194 DREW IS THE ONE WHO GOT ME TO DO THIS. 151 00:10:02,195 --> 00:10:03,962 WE'LL TAKE CARE OF YOU. I PROMISE. 152 00:10:03,963 --> 00:10:06,732 BUT WE NEED KARSTEN ON RECORD SAYING SOMETHING WE CAN USE. 153 00:10:06,733 --> 00:10:08,267 YOU HAVE TO GO BACK IN THERE. 154 00:10:08,268 --> 00:10:10,235 ARE YOU CRAZY? 155 00:10:10,236 --> 00:10:13,272 KARSTEN KNOWS. WE'RE ALREADY WORKING ON YOUR GREEN CARD. 156 00:10:13,273 --> 00:10:15,007 YOU NEED TO HOLD UP YOUR END OF THE DEAL. 157 00:10:15,008 --> 00:10:18,310 WHAT I NEED IS FOR YOU TO LEAVE ME ALONE. 158 00:10:18,311 --> 00:10:21,046 FORGET THE DEAL. TELL DREW I'M OUT. 159 00:10:22,481 --> 00:10:24,149 YEAH, OUR KID GOT TO HER PHONE 160 00:10:24,150 --> 00:10:26,752 AND ACCIDENTALLY CHANGED THE PASS CODE. 161 00:10:26,753 --> 00:10:30,856 OH, SHE'S BUSY. THAT'S WHY I'M CALLING. 162 00:10:30,857 --> 00:10:33,225 NO, WE DON'T WANT TO RESET THE WHOLE PHONE. 163 00:10:33,226 --> 00:10:34,693 SHE'D LOSE ALL OF HER INFO. 164 00:10:34,694 --> 00:10:37,162 LOOK, MY NAME'S ON THE ACCOUNT, TOO, SO WHAT'S THE PROBLEM? 165 00:10:37,163 --> 00:10:39,765 FINE. I GET IT. 166 00:10:39,766 --> 00:10:42,634 NO, YOU'VE BEEN VERY HELPFUL. 167 00:10:42,635 --> 00:10:46,305 JACKASS. 168 00:11:09,700 --> 00:11:11,569 IT'S A GOOD PLACE TO THINK... 169 00:11:11,570 --> 00:11:13,971 AMONG OTHER THINGS. 170 00:11:21,311 --> 00:11:25,849 FOUND THIS ON THE SHELF -- ONE OF MY FAVORITES. 171 00:11:25,850 --> 00:11:29,419 EXCEPT IT'S, UH -- IT'S FAKE, 172 00:11:29,420 --> 00:11:31,855 LIKE THE TV, THE STOVE, EVERYTHING. 173 00:11:34,758 --> 00:11:37,227 DID YOU WANT HIM TO FIND OUT? 174 00:11:37,228 --> 00:11:38,729 WAS THAT THE IDEA? 175 00:11:38,730 --> 00:11:40,297 WHAT ARE YOU TALKING ABOUT? 176 00:11:51,675 --> 00:11:53,176 I THOUGHT I DELETED IT. 177 00:11:53,177 --> 00:11:54,578 YOU THOUGHT? DID HE SEE IT? 178 00:11:54,579 --> 00:11:56,446 NO, BUT HOW COULD YOU DO THAT? 179 00:11:58,415 --> 00:12:00,717 I ONLY GET YOU FOR A FEW HOURS AT A TIME. 180 00:12:00,718 --> 00:12:02,619 I JUST WANTED SOMETHING TO KEEP. 181 00:12:06,657 --> 00:12:09,059 WE HAVE TO BE MORE CAREFUL. 182 00:12:09,060 --> 00:12:12,596 YOU CAN'T JUST DO SOMETHING LIKE THAT WITHOUT -- I KNOW. I'M SORRY. 183 00:12:14,431 --> 00:12:18,936 IT JUST FELT LIKE SOME PART OF YOU WANTS TO GET CAUGHT. 184 00:12:20,304 --> 00:12:22,406 YOU KNOW, MAYBE SOME PART OF ME DOES. 185 00:12:22,407 --> 00:12:25,442 I -- JUST SO WE CAN STOP LYING AND SNEAKING AROUND. 186 00:12:25,443 --> 00:12:27,477 'CAUSE IT MAY NOT BOTHER YOU, BUT IT SURE AS HELL BOTHERS ME. 187 00:12:27,478 --> 00:12:28,912 OF COURSE IT BOTHERS ME! 188 00:12:28,913 --> 00:12:30,781 WELL, THEN WHY KEEP DOING IT? YOU MEAN HIDING IT? 189 00:12:30,782 --> 00:12:33,817 NO, ANY OF IT. I MEAN, WHAT'S THE END GAME? 190 00:12:33,818 --> 00:12:35,619 WOULD YOU EVER LEAVE YOUR HUSBAND? 191 00:12:35,620 --> 00:12:37,821 WOULD YOU EVER LEAVE ELAINE? 192 00:12:48,598 --> 00:12:51,535 I MET HER, YOU KNOW -- AT THE RESTAURANT. 193 00:12:51,536 --> 00:12:54,938 WHAT? SHE'S LOVELY. 194 00:12:54,939 --> 00:12:57,074 SHE'S CHARMING. SHE'S VERY FRIENDLY. 195 00:12:57,075 --> 00:12:58,742 SHE'S SMART. WHAT DID YOU SAY TO HER? 196 00:12:58,743 --> 00:13:01,244 NOTHING. WE HAD A DRINK. SHE HAD NO IDEA WHO I WAS. 197 00:13:01,245 --> 00:13:02,512 WHY THE HELL WOULD YOU DO THAT? 198 00:13:02,513 --> 00:13:04,281 BECAUSE I WANTED TO KNOW ABOUT HER, 199 00:13:04,282 --> 00:13:05,949 BECAUSE I WANT TO KNOW ABOUT YOU. 200 00:13:05,950 --> 00:13:07,050 AND YOU'RE ACCUSING ME 201 00:13:07,051 --> 00:13:09,152 OF -- OF BEING CARELESS FOR TAKING A PICTURE, 202 00:13:09,153 --> 00:13:11,455 AND YOU SAT DOWN AND YOU HAD DRINKS WITH MY WIFE?! 203 00:13:13,991 --> 00:13:16,093 DO YOU LOVE HER? 204 00:13:16,094 --> 00:13:19,329 COME ON, SARA. DO YOU? 205 00:13:19,330 --> 00:13:22,799 I'VE BEEN WITH HER FOR 20 YEARS. 206 00:13:24,134 --> 00:13:25,669 YOU KNOW, SHE -- SHE GETS MY JOKES. 207 00:13:25,670 --> 00:13:26,770 SHE KNOWS EVERY REFERENCE. 208 00:13:26,771 --> 00:13:28,705 SHE KNOWS EVERYTHING ABOUT ME. 209 00:13:30,841 --> 00:13:32,142 ALMOST. 210 00:13:32,143 --> 00:13:36,580 YEAH. ALMOST. 211 00:13:36,581 --> 00:13:38,715 I LOVE HER. 212 00:13:38,716 --> 00:13:42,786 YOU KNOW, IT'S NOT THE SAME AS IT ONCE WAS, BUT STILL. 213 00:13:42,787 --> 00:13:45,789 AND I LOVE DREW. 214 00:13:45,790 --> 00:13:48,792 SO WHAT ARE WE DOING HERE? 215 00:13:53,130 --> 00:13:54,931 YOU KNOW, YOU REALIZE YOU COULD HAVE ASKED 216 00:13:54,932 --> 00:13:56,466 ONE OF THE KITCHEN STAFF TO SIGN FOR THIS? 217 00:13:56,467 --> 00:13:59,503 YES. I COULD HAVE DONE THAT, BUT, YOU KNOW, IT'S COMPLICATED. 218 00:13:59,504 --> 00:14:02,172 YEAH. 219 00:14:02,173 --> 00:14:03,840 YOU DON'T SEEM COMPLICATED. 220 00:14:03,841 --> 00:14:05,475 OUCH. 221 00:14:05,476 --> 00:14:08,712 I JUST MEAN YOU -- YOU SEEM REMARKABLY FREE OF BAGGAGE. 222 00:14:08,713 --> 00:14:10,547 OH, I DON'T KNOW. I'VE GOT MY PROBLEMS. 223 00:14:10,548 --> 00:14:11,882 MM-HMM. LIKE WHAT? 224 00:14:11,883 --> 00:14:15,252 LIKE WANTING WHAT I CAN'T HAVE. 225 00:14:18,755 --> 00:14:20,257 ELAINE. 226 00:14:20,258 --> 00:14:21,992 HEY. 227 00:14:21,993 --> 00:14:23,460 WHAT ARE YOU DOING HERE? 228 00:14:23,461 --> 00:14:24,861 UH, MEETING ENDED EARLY. 229 00:14:24,862 --> 00:14:27,330 YOU WANT TO GRAB A COFFEE? 230 00:14:27,331 --> 00:14:28,999 I WOULD LOVE TO, BUT, UH, 231 00:14:29,000 --> 00:14:31,401 I HAVE THIS CORPORATE LUNCHEON AT 11:00. 232 00:14:31,402 --> 00:14:33,537 IT'S GONNA BE A FULL HOUSE. 233 00:14:33,538 --> 00:14:34,905 EVERYTHING OKAY? 234 00:14:34,906 --> 00:14:36,540 YEAH. YEAH, I'M FINE. 235 00:14:36,541 --> 00:14:38,341 DID YOU NEED ANYTHING ELSE? 236 00:14:38,342 --> 00:14:39,576 WE'RE GOOD. THANKS. 237 00:14:39,577 --> 00:14:41,445 UH, SORRY. JACK, THIS IS, UH -- 238 00:14:41,446 --> 00:14:43,346 AIDAN. THE WINE GUY. 239 00:14:43,347 --> 00:14:44,714 ACTUALLY, WOULD YOU MIND 240 00:14:44,715 --> 00:14:46,883 BRINGING IN THE BOX OF PINOT, PLEASE? 241 00:14:46,884 --> 00:14:48,251 SURE. 242 00:14:49,886 --> 00:14:51,688 NICE GUY. 243 00:14:53,623 --> 00:14:55,025 WHAT'S GOING ON? 244 00:14:55,026 --> 00:14:56,927 UH, NOTHING. I TOLD YOU. 245 00:14:56,928 --> 00:15:00,263 JACK, YOU ARE NOT YOURSELF. 246 00:15:00,264 --> 00:15:02,132 WHAT'S WRONG? 247 00:15:06,203 --> 00:15:09,272 I GOT TO GO. JACK, TALK TO ME. 248 00:15:09,273 --> 00:15:11,475 IT'S ME. ABOUT WHAT? I TOLD YOU. I'M FINE. ALL RIGHT? 249 00:15:18,281 --> 00:15:20,517 SO, YOU TOLD YOUR HUSBAND ABOUT ME? 250 00:15:22,519 --> 00:15:25,722 YEAH, I TOLD HIM YOU WERE OVERCHARGING ME FOR MERLOT. 251 00:15:25,723 --> 00:15:28,592 BUT YOU DON'T KNOW FOR SURE. 252 00:15:28,593 --> 00:15:31,661 DO I HAVE PROOF? NO. 253 00:15:31,662 --> 00:15:33,930 BUT ISN'T IT OBVIOUS? 254 00:15:33,931 --> 00:15:35,899 SHE'S NOTHING BUT TROUBLE, JACK, 255 00:15:35,900 --> 00:15:37,834 AND YOU SHOULD HAVE BEEN ON TOP OF IT. 256 00:15:37,835 --> 00:15:39,636 WELL, FORGIVE ME FOR NOT BEING PSYCHIC. 257 00:15:39,637 --> 00:15:42,239 YOU DON'T NEED TO BE PSYCHIC TO SEE WE'RE BEING PLAYED. 258 00:15:42,240 --> 00:15:44,674 YOU USED TO BE BETTER THAN THIS. 259 00:15:44,675 --> 00:15:46,743 NOW, ARE YOU GONNA HANDLE THIS THING 260 00:15:46,744 --> 00:15:49,012 OR DO I NEED TO BRING IN SOMEONE WHO CAN? 261 00:15:49,013 --> 00:15:51,648 OH, BY "SOMEONE," YOU MEAN ZAREK? YEAH. 262 00:15:51,649 --> 00:15:52,983 HE'S EFFECTIVE. 263 00:15:54,251 --> 00:15:57,287 I'LL STRAIGHTEN OUT BRANDY, BUT WE STILL NEED HER, OKAY? 264 00:15:57,288 --> 00:15:59,489 SHE'S THE ONLY ALIBI T.J.'s GOT. 265 00:15:59,490 --> 00:16:01,391 OKAY. 266 00:16:01,392 --> 00:16:04,895 BUT IF SHE'S WORKING FOR THE FEDS, JACK... 267 00:16:04,896 --> 00:16:06,496 SHE'S NOT AN ALIBI. 268 00:16:06,497 --> 00:16:08,965 SHE'S A PROBLEM. 269 00:16:12,869 --> 00:16:15,472 BUT I DON'T UNDERSTAND. WHERE -- WHERE ARE YOU GOING? 270 00:16:15,473 --> 00:16:17,174 TO VISIT FRIENDS. 271 00:16:17,175 --> 00:16:18,208 BUT FOR HOW LONG? 272 00:16:18,209 --> 00:16:19,609 I DON'T KNOW. 273 00:16:19,610 --> 00:16:22,212 YOU KISSED ME. 274 00:16:22,213 --> 00:16:23,613 WHAT? 275 00:16:23,614 --> 00:16:26,383 YOU SAID THAT WE DON'T KISS, BUT THEN YOU DID. YOU KISSED ME. 276 00:16:26,384 --> 00:16:30,987 I-I DID IT BECAUSE I DIDN'T WANT US TO GET IN TROUBLE. 277 00:16:30,988 --> 00:16:33,390 IN TROUBLE FOR WHAT? 278 00:16:33,391 --> 00:16:34,991 WHAT'S GOING ON? 279 00:16:34,992 --> 00:16:37,360 YEAH, THAT'S WHAT I'VE BEEN WONDERING. 280 00:16:37,361 --> 00:16:39,896 T.J., YOU MIND? BRANDY AND I NEED TO TALK. 281 00:16:39,897 --> 00:16:41,498 NO, I'M DONE TALKING. 282 00:16:41,499 --> 00:16:43,166 OH, REALLY? TO US? 283 00:16:43,167 --> 00:16:44,634 OR TO THE FEDS? 284 00:16:44,635 --> 00:16:46,303 YOU THINK THEY DON'T KNOW? 285 00:16:46,304 --> 00:16:48,772 YOU THINK ANYONE BELIEVES T.J. WAS WITH ME? 286 00:16:48,773 --> 00:16:50,207 WELL, BUT THEY DO BELIEVE IT. 287 00:16:50,208 --> 00:16:51,441 THEY -- THEY LET ME GO. 288 00:16:51,442 --> 00:16:52,876 I'M SORRY, BABE. 289 00:16:52,877 --> 00:16:55,879 I-I DON'T MEAN TO SCARE YOU, BUT I CAN'T HELP YOU ANYMORE. 290 00:16:55,880 --> 00:16:58,315 THE BEST THING WOULD BE FOR ME TO TAKE AMY 291 00:16:58,316 --> 00:16:59,983 AND GO WHERE NO ONE WILL EVER FIND US. 292 00:16:59,984 --> 00:17:02,752 YOU ARE NOT LEAVING. DO YOU UNDERSTAND? 293 00:17:02,753 --> 00:17:04,887 YOU WILL SHUT THE HELL UP AND STAY HERE 294 00:17:04,888 --> 00:17:06,656 UNTIL T.J.'s TRIAL, JUST LIKE WE AGREED. 295 00:17:06,657 --> 00:17:07,924 STOP TELLING ME WHAT TO DO. 296 00:17:07,925 --> 00:17:10,193 YOU MADE A PROMISE, AND IF YOU BREAK IT... 297 00:17:10,194 --> 00:17:12,028 THEN WHAT? WHAT ARE YOU GONNA DO? KILL ME? 298 00:17:12,029 --> 00:17:13,730 JUST GET OUT. GET OUT! 299 00:17:13,731 --> 00:17:15,531 LET HER GO. ALL RIGHT. CALM DOWN. 300 00:17:15,532 --> 00:17:18,234 I SAID LET HER GO! 301 00:17:18,235 --> 00:17:19,603 YOU STOP SCARING HER! 302 00:17:19,604 --> 00:17:20,936 T.J., SHE'S NOT WHAT YOU THINK. 303 00:17:20,937 --> 00:17:22,705 YES, SHE IS. YOU DON'T UNDERSTAND. 304 00:17:22,706 --> 00:17:27,077 STOP TALKING! YOU ALWAYS TALK DOWN TO ME! 305 00:17:27,078 --> 00:17:29,713 YOU BULLY PEOPLE, YOU USE THEM, YOU HURT THEM, 306 00:17:29,714 --> 00:17:31,114 BECAUSE THAT'S YOUR JOB! 307 00:17:31,115 --> 00:17:33,016 RELAX, OKAY? 308 00:17:33,017 --> 00:17:34,918 EVER SINCE WE WERE KIDS, YOU WANTED TO HURT ME. 309 00:17:34,919 --> 00:17:37,354 THAT'S NOT TRUE. YES, IT IS, AND YOU KNOW IT. 310 00:17:37,355 --> 00:17:39,389 YOU LET ME DRIVE THAT NIGHT! 311 00:17:39,390 --> 00:17:40,957 YOU DIDN'T STOP ME! 312 00:17:40,958 --> 00:17:43,560 YOU WANTED IT TO HAPPEN! YOU WANTED TO HURT ME! 313 00:17:43,561 --> 00:17:47,530 YOU HAD NOTHING -- NO PARENTS, NO MONEY! 314 00:17:47,531 --> 00:17:49,699 WE TOOK YOU IN. WE MADE YOU ONE OF US. 315 00:17:49,700 --> 00:17:52,736 WE MADE YOU PART OF THE FAMILY, AND YOU HATED US FOR IT. 316 00:17:52,737 --> 00:17:56,873 YOU TOOK IT OUT ON ME. 317 00:17:56,874 --> 00:18:02,779 EVERY TIME I SEE YOU, I KNOW. 318 00:18:51,415 --> 00:18:52,783 HELLO? 319 00:18:52,784 --> 00:18:54,852 HI. YOU HAVEN'T SEEN MY PHONE, HAVE YOU? 320 00:18:54,853 --> 00:18:56,454 NOPE. SORRY. 321 00:18:56,455 --> 00:18:58,556 I don't know what I did with it. 322 00:18:58,557 --> 00:19:00,992 ANYWAY, HOW'S YOUR DAY? 323 00:19:00,993 --> 00:19:02,159 Good. 324 00:19:02,160 --> 00:19:04,095 HOW ABOUT YOU? ANY PLANS? 325 00:19:04,096 --> 00:19:07,565 NO, JUST A MEETING THIS AFTERNOON. 326 00:19:07,566 --> 00:19:10,701 AT THE OFFICE? No, just over coffee. 327 00:19:10,702 --> 00:19:12,870 ALL RIGHT, I'LL KEEP LOOKING. 328 00:19:12,871 --> 00:19:15,339 LOVE YOU. LOVE YOU, TOO. 329 00:19:22,680 --> 00:19:24,548 WHAT IF HE COMES BACK? 330 00:19:24,549 --> 00:19:26,350 OR -- OR IF YOUR FATHER SENDS SOMEONE ELSE? 331 00:19:26,351 --> 00:19:28,552 THEN I'LL BE RIGHT HERE. 332 00:19:28,553 --> 00:19:30,755 I-I-I WON'T LET ANYTHING HAPPEN TO YOU. 333 00:19:30,756 --> 00:19:33,424 OH, YOU DON'T KNOW HOW MUCH TROUBLE I'M IN. 334 00:19:33,425 --> 00:19:36,861 WELL, I DON'T THINK ANYONE COULD BE IN MORE TROUBLE THAN ME. 335 00:19:36,862 --> 00:19:38,930 LISTEN, YOU HEARD JACK. 336 00:19:38,931 --> 00:19:41,399 UH, IF YOU STAY HERE, IT'LL BE OKAY. 337 00:19:41,400 --> 00:19:43,367 THAT'S ALL THEY WANT. 338 00:19:43,368 --> 00:19:48,372 IT'S NOT THAT SIMPLE. 339 00:19:48,373 --> 00:19:51,208 I MADE MISTAKES. 340 00:19:51,209 --> 00:19:56,147 BUT IF THEY WANT TO, THEY CAN FIND YOU WHEREVER YOU GO. 341 00:19:56,148 --> 00:19:58,115 HERE, I CAN HELP YOU. 342 00:19:58,116 --> 00:20:02,019 IF YOU LEAVE, I CAN'T. 343 00:20:02,020 --> 00:20:04,088 STAY HERE. 344 00:20:04,089 --> 00:20:08,426 LET ME HELP YOU. I WANT TO HELP. 345 00:20:42,059 --> 00:20:43,761 JACK? 346 00:20:49,767 --> 00:20:51,602 JACK? 347 00:20:54,872 --> 00:20:57,875 SO, NOTHING HAPPENED? NO. 348 00:20:57,876 --> 00:21:01,879 YOU DON'T THINK THAT JACK SEEMS OFF? 349 00:21:01,880 --> 00:21:04,348 HE'S GOT A LOT OF THINGS ON HIS MIND. 350 00:21:04,349 --> 00:21:05,983 A LOT ON HIS MIND? 351 00:21:05,984 --> 00:21:08,319 NO, HE'S A WRECK. 352 00:21:08,320 --> 00:21:12,690 WELL, HE CERTAINLY ISN'T AT THE TOP OF HIS GAME. 353 00:21:12,691 --> 00:21:15,292 I THOUGHT IT MIGHT BE SOMETHING AT HOME. 354 00:21:15,293 --> 00:21:17,294 AND I THOUGHT IT WAS SOMETHING AT WORK. AH. 355 00:21:17,295 --> 00:21:19,397 BECAUSE EVER SINCE T.J.'s ARREST, 356 00:21:19,398 --> 00:21:22,233 HE'S BEEN PREOCCUPIED AND DISTANT. 357 00:21:22,234 --> 00:21:24,468 MAYBE THIS IS ALL TOO MUCH PRESSURE FOR HIM. 358 00:21:24,469 --> 00:21:26,570 JACK INSISTED ON HANDLING IT HIMSELF. 359 00:21:26,571 --> 00:21:27,705 WELL, I'M SURE HE DID, 360 00:21:27,706 --> 00:21:29,373 BUT MAYBE DEFENDING YOUR OWN BROTHER-IN-LAW 361 00:21:29,374 --> 00:21:30,741 IS NOT THE BEST LEGAL STRATEGY. 362 00:21:30,742 --> 00:21:33,511 I SUGGESTED BRINGING IN ANOTHER LAWYER, 363 00:21:33,512 --> 00:21:36,347 BUT HE DIDN'T WANT ANYONE ELSE REPRESENTING T.J. 364 00:21:36,348 --> 00:21:38,382 YOU KNOW THEIR HISTORY. 365 00:21:38,383 --> 00:21:42,820 I IMAGINE JACK STILL FEELS RESPONSIBLE FOR WHAT HAPPENED. 366 00:21:44,688 --> 00:21:48,492 THE ACCIDENT WAS A LONG TIME AGO, DAD. 367 00:21:48,493 --> 00:21:51,028 JACK NEVER TALKS ABOUT IT. 368 00:21:51,029 --> 00:21:55,566 ELAINE, THE THINGS MEN NEVER TALK ABOUT 369 00:21:55,567 --> 00:21:58,035 ARE THE THINGS THAT DRIVE THEM CRAZY. 370 00:22:03,441 --> 00:22:07,978 WE GREW UP TOGETHER. WE DID EVERYTHING TOGETHER. 371 00:22:07,979 --> 00:22:09,580 T.J. KNEW ALL THE BANDS. 372 00:22:09,581 --> 00:22:13,017 I MEAN, HE COULD TALK OUR WAY INTO ANY CLUB, ANY BAR. 373 00:22:13,018 --> 00:22:16,821 ME -- I WAS QUIET, YOU KNOW, THE WINGMAN. 374 00:22:16,822 --> 00:22:20,091 BUT HE WAS THE PRINCE OF THE NORTH SIDE. 375 00:22:20,092 --> 00:22:24,328 YOU KNOW, EVERYONE KNEW HIM OR WANTED TO BE HIM. 376 00:22:24,329 --> 00:22:27,465 AND HE HAD THIS UNBELIEVABLY TRICKED-OUT CAMARO. 377 00:22:29,200 --> 00:22:31,202 HE LOVED THAT CAR. 378 00:22:38,109 --> 00:22:41,979 ONE NIGHT, WE GOT WASTED AFTER A SHOW AT THE METRO. 379 00:22:41,980 --> 00:22:43,647 WE WERE DRIVING HOME. 380 00:22:43,648 --> 00:22:46,650 WE CUT THROUGH THE SKOKIE LAGOONS, NO LIGHTS -- 381 00:22:46,651 --> 00:22:49,220 JUST PUSHING THE CAR FASTER AND FASTER. 382 00:22:54,258 --> 00:22:57,561 WE TOOK A CURVE TOO FAST, AND THE CAR -- 383 00:22:57,562 --> 00:22:59,930 IT PLUNGED INTO THE WATER. 384 00:22:59,931 --> 00:23:02,066 I MEAN IT -- IT HIT LIKE A SHOCK. 385 00:23:02,067 --> 00:23:04,568 THE WATER STARTED POURING IN EVERYWHERE. 386 00:23:04,569 --> 00:23:07,238 AND I'M SCREAMING, YOU KNOW, "T.J., WE GOT TO GET OUT," 387 00:23:07,239 --> 00:23:09,707 BUT HE'S NOT MOVING, 388 00:23:09,708 --> 00:23:13,244 AND THE WATER'S CLOSING UP OVER US. 389 00:23:13,245 --> 00:23:15,446 I CAN'T SEE. I CAN'T BREATHE. 390 00:23:15,447 --> 00:23:19,216 AND T.J.'s STRAPPED IN, AND M-MY FINGERS AREN'T WORKING. 391 00:23:19,217 --> 00:23:22,620 AND I START TO BLACK OUT. 392 00:23:26,357 --> 00:23:28,192 SO, I LEAVE HIM, 393 00:23:28,193 --> 00:23:33,797 AND I SWIM UP AND GRAB SOME AIR AND DIVE BACK DOWN. 394 00:23:33,798 --> 00:23:35,132 BUT IT'S TOO LATE. 395 00:23:35,133 --> 00:23:37,268 YOU KNOW, HE -- HE WAS UNDER 396 00:23:37,269 --> 00:23:39,703 FOR WAY TOO LONG WITHOUT ANY AIR. 397 00:23:39,704 --> 00:23:42,940 AND HE'S STILL ALIVE, BUT HE'S... 398 00:23:46,977 --> 00:23:52,349 AFTERWARDS, EVERYBODY'S THANKING ME. 399 00:23:52,350 --> 00:23:55,486 YOU KNOW, SAYING I SAVED HIM. 400 00:24:01,959 --> 00:24:04,995 BUT I WAS DRIVING. 401 00:24:07,164 --> 00:24:10,334 I JUST WANTED TO DRIVE THAT CAR SO BAD. 402 00:24:10,335 --> 00:24:12,903 I-I TOOK THE KEYS FROM HIM. 403 00:24:12,904 --> 00:24:15,306 I NEVER TOLD ANYONE. 404 00:24:18,676 --> 00:24:20,344 NOT EVEN HIM. 405 00:24:23,247 --> 00:24:27,651 MAYBE I-I WAITED A SECOND TOO LONG. 406 00:24:27,652 --> 00:24:32,690 YOU KNOW, MAYBE I COULD HAVE GOT HIM OUT SOONER. 407 00:24:32,691 --> 00:24:34,158 LOOK WHAT I DID TO HIM. 408 00:24:34,159 --> 00:24:37,161 LOOK WHAT I TOOK AWAY. 409 00:25:02,566 --> 00:25:04,935 GIVE ME YOUR CLOTHES. I'LL WASH THEM. 410 00:25:04,936 --> 00:25:06,707 THANKS. 411 00:25:06,708 --> 00:25:09,543 IT'S SWEET OF YOU TO WANT TO GET CLEANED UP FOR AMY. 412 00:25:09,544 --> 00:25:10,945 SHE'LL BE HAPPY TO SEE YOU. 413 00:25:12,513 --> 00:25:14,415 I'M GLAD YOU'RE STAYING. 414 00:25:14,416 --> 00:25:18,285 WELL, I JUST SAID I WOULD THINK ABOUT IT. 415 00:25:18,286 --> 00:25:22,089 I'M STILL GLAD. 416 00:25:22,090 --> 00:25:26,193 WHY? 417 00:25:26,194 --> 00:25:28,128 WHY DO YOU CARE SO MUCH? 418 00:25:40,574 --> 00:25:42,209 WHAT? 419 00:25:43,677 --> 00:25:46,847 NOTHING. I JUST... 420 00:25:51,285 --> 00:25:55,289 UM...BRANDY? 421 00:25:55,290 --> 00:25:57,825 WHAT? 422 00:25:57,826 --> 00:26:02,396 I-I THOUGHT THIS WASN'T GONNA HAPPEN. 423 00:26:02,397 --> 00:26:06,367 YEAH. IT WON'T. 424 00:26:16,110 --> 00:26:17,878 I'M SORRY ABOUT THE PHOTO. 425 00:26:17,879 --> 00:26:20,514 IT'S OKAY. 426 00:26:20,515 --> 00:26:21,849 I MEAN, YOU WERE RIGHT. 427 00:26:21,850 --> 00:26:27,154 I DO HAVE THIS SECRET HOPE THAT, SOMEHOW, 428 00:26:27,155 --> 00:26:30,324 SOMETHING WILL HAPPEN, AND EVERYTHING WILL CHANGE. 429 00:26:30,325 --> 00:26:34,662 WHAT WOULD YOU WANT TO DO -- WANT TO BE -- 430 00:26:34,663 --> 00:26:37,331 IF YOU WEREN'T WORKING FOR THATCHER KARSTEN? 431 00:26:37,332 --> 00:26:42,403 I DON'T KNOW. 432 00:26:42,404 --> 00:26:47,374 SOMETIMES, I FEEL LIKE I'M IN THIS...CAGE. 433 00:26:47,375 --> 00:26:51,512 THE CRAZY PART IS EVERY SINGLE BAR I PUT THERE -- 434 00:26:51,513 --> 00:26:54,248 YOU KNOW, WHO I AM, WHAT I DO. 435 00:26:54,249 --> 00:26:57,851 YOU KNOW, IT WAS MY CHOICE EVERY STEP OF THE WAY. 436 00:27:00,287 --> 00:27:02,456 WELL, HERE'S THE THING. 437 00:27:02,457 --> 00:27:06,327 YOU PUT THE BARS UP. YOU CAN TAKE THEM DOWN. 438 00:28:02,983 --> 00:28:05,853 EXCUSE ME? 439 00:28:05,854 --> 00:28:07,755 ALL IMPECCABLY FURNISHED 440 00:28:07,756 --> 00:28:10,290 WITH COOK'S KITCHENS AND BREATHTAKING VIEWS. 441 00:28:10,291 --> 00:28:12,760 STOP BY, AND ONE OF OUR REPRESENTATIVES 442 00:28:12,761 --> 00:28:15,396 WOULD BE HAPPY TO SHOW YOU A MODEL APARTMENT 443 00:28:15,397 --> 00:28:18,065 JUST LIKE THE ONE THAT COULD BE YOURS. 444 00:28:18,066 --> 00:28:21,802 THE MONTAGUE -- WHERE YOUR FUTURE AWAITS. 445 00:28:31,945 --> 00:28:34,782 NOW, WHAT DID YOU SAY YOUR NAME WAS AGAIN? 446 00:28:34,783 --> 00:28:35,816 BOB. BOB DREW. 447 00:28:35,817 --> 00:28:37,418 AND ARE YOU NEW TO CHICAGO? 448 00:28:37,419 --> 00:28:40,020 JUST MOVED FROM NEW YORK. OH, I'VE NEVER BEEN. 449 00:28:40,021 --> 00:28:42,022 YEAH, I KEEP TELLING MY HUSBAND. 450 00:28:42,023 --> 00:28:43,557 STUPID SILLY. 451 00:28:43,558 --> 00:28:45,492 I BROUGHT THE WRONG MASTER KEY. 452 00:28:45,493 --> 00:28:48,595 I'LL JUST BE A MINUTE. 453 00:29:03,610 --> 00:29:05,746 WE OFFER A CHOICE OF VIKING OR SUB-ZERO 454 00:29:05,747 --> 00:29:07,548 AND, OF COURSE, A WALK-IN PANTRY. 455 00:29:07,549 --> 00:29:08,982 YOU DO LIKE TO COOK? NO. 456 00:29:08,983 --> 00:29:10,517 AH, HERE WE ARE. 457 00:29:12,119 --> 00:29:13,554 HERE WE GO. 458 00:29:19,593 --> 00:29:21,095 ET VOILà. 459 00:29:23,163 --> 00:29:24,998 NO. 460 00:29:24,999 --> 00:29:27,701 NO, NO, NO. THIS IS ALL WRONG. 461 00:29:27,702 --> 00:29:29,770 YOU DON'T LIKE IT? THIS IS NORTH. 462 00:29:29,771 --> 00:29:32,773 I NEED WEST. I TOLD YOU FACING THE WRIGLEY BUILDING. 463 00:29:32,774 --> 00:29:34,208 WELL, THEY'RE ALL NICE VIEWS. 464 00:29:34,209 --> 00:29:36,376 THE APARTMENT ON THE TV -- WHERE IS IT? 465 00:29:36,377 --> 00:29:38,846 UH, THAT'S PENTHOUSE 15, BUT WE'RE NOT SHOWING IT. 466 00:29:38,847 --> 00:29:40,180 SIR. SIR! 467 00:30:52,252 --> 00:30:53,453 ORESTES, WHAT'S UP? 468 00:30:55,289 --> 00:30:57,090 LET ME CALL YOU BACK. 469 00:30:57,091 --> 00:30:59,359 IT'S ABOUT T.J. 470 00:30:59,360 --> 00:31:00,727 I HAVE TO GO. 471 00:31:02,796 --> 00:31:05,232 THANK YOU. 472 00:31:09,102 --> 00:31:11,572 YOU'RE A GOOD MAN, JACK McALLISTER. 473 00:31:11,573 --> 00:31:13,774 YOU MAY NOT KNOW IT, BUT I DO. 474 00:32:14,372 --> 00:32:15,807 SORRY I'M LATE. OH. 475 00:32:15,808 --> 00:32:18,476 MY INTERVIEW WENT LONG. DID YOU GET MY TEXT? 476 00:32:18,477 --> 00:32:20,144 NO, BUT IT'S OKAY. 477 00:32:20,145 --> 00:32:21,479 SO, WHAT'S THIS ARTICLE ABOUT? 478 00:32:21,480 --> 00:32:23,114 ALISSA DIDN'T TELL YOU? 479 00:32:23,115 --> 00:32:25,750 SHE JUST SAID YOU WERE DOING THIS MAJOR FEATURE AND WE HAD TO MEET. 480 00:32:25,751 --> 00:32:27,885 "25 CHICAGOANS ON THE VERGE." 481 00:32:27,886 --> 00:32:30,221 ALL UNDER 40, ALL UP-AND-COMERS. 482 00:32:30,222 --> 00:32:32,657 NEW BLOOD -- NOT THE SAME OLD FACES. 483 00:32:32,658 --> 00:32:34,692 AND I WAS THINKING SIMPLE BLACK-AND-WHITES, 484 00:32:34,693 --> 00:32:36,794 BUT YOU'RE THE EXPERT. 485 00:32:36,795 --> 00:32:40,098 IS THE LIST SET, OR IS THERE STILL ROOM? 486 00:32:40,099 --> 00:32:41,332 WHY? YOU GOT SOMEONE IN MIND? 487 00:32:42,767 --> 00:32:44,769 UP TILL NOW, THE STORY'S BEEN 488 00:32:44,770 --> 00:32:46,838 THAT T.J. KARSTEN KILLED LOU MROZEK, 489 00:32:46,839 --> 00:32:49,007 BUT THAT'S ALL IT IS -- A STORY. 490 00:32:49,008 --> 00:32:50,642 YOU WANT TO HEAR MINE? 491 00:32:50,643 --> 00:32:52,377 DARIUS MILLER, KNOWN AS LIL' D, 492 00:32:52,378 --> 00:32:54,345 IS ON THE STREET LOOKING FOR A TARGET. 493 00:32:54,346 --> 00:32:55,847 HE FINDS ONE -- LOU MROZEK. 494 00:32:55,848 --> 00:32:58,216 LIL' D TAKES OUT HIS KNIFE, APPROACHES. 495 00:32:58,217 --> 00:33:00,685 BUT LOU'S BEEN UNEASY LATELY -- PARANOID. 496 00:33:00,686 --> 00:33:02,820 HE'S PACKING A GUN. THERE'S A STRUGGLE. 497 00:33:02,821 --> 00:33:04,355 LIL' D GETS AHOLD OF THE GUN 498 00:33:04,356 --> 00:33:06,124 AND SHOOTS LOU TWICE, KILLING HIM. 499 00:33:06,125 --> 00:33:08,926 AND THEN HE RUNS AND THE MURDER WEAPON DISAPPEARS. 500 00:33:08,927 --> 00:33:10,862 UNTIL NOW. 501 00:33:10,863 --> 00:33:12,664 WORD TRAVELS FAST. 502 00:33:12,665 --> 00:33:16,367 I KNOW THE WEAPON'S BEEN FOUND COVERED WITH LIL' D's PRINTS 503 00:33:16,368 --> 00:33:18,102 BUT NOT T.J. KARSTEN'S. 504 00:33:18,103 --> 00:33:21,172 NOT THIS OFFICE'S FINEST HOUR. AGREED. 505 00:33:21,173 --> 00:33:23,174 RIGHT. THEN YOU UNDERSTAND WHAT I'M GETTING AT. 506 00:33:23,175 --> 00:33:26,644 LOOK, DREW STAFFORD'S BEEN PURSUING A PERSONAL VENDETTA 507 00:33:26,645 --> 00:33:28,813 AGAINST THE KARSTEN FAMILY SINCE DAY ONE, 508 00:33:28,814 --> 00:33:31,516 AND WHEN THIS NEW EVIDENCE IS DISCLOSED, 509 00:33:31,517 --> 00:33:34,519 HIS CASE AGAINST T.J. -- HIS STORY -- IS DONE. 510 00:33:34,520 --> 00:33:36,387 AND IT'LL BE ALL OVER THE MEDIA 511 00:33:36,388 --> 00:33:39,023 THAT YOUR DEPARTMENT PROSECUTED AN INNOCENT MAN. 512 00:33:39,024 --> 00:33:44,228 NOW, IS THAT THE FIRST MARK YOU WANT TO MAKE AS DIRECTOR? 513 00:33:47,699 --> 00:33:49,500 HE LED A MAJOR CORRUPTION PROBE 514 00:33:49,501 --> 00:33:51,502 INTO THE CHICAGO POLICE DEPARTMENT. 515 00:33:51,503 --> 00:33:54,005 HE JUST SUCCESSFULLY PROSECUTED BRIBERY CHARGES 516 00:33:54,006 --> 00:33:55,873 FOR THE COUNCILMAN FIELDING CASE. 517 00:33:55,874 --> 00:33:58,409 HE'S A CRUSADER, BUT HE'S STILL PRETTY UNKNOWN, 518 00:33:58,410 --> 00:34:00,011 AND HE'S YOUR HUSBAND. 519 00:34:00,012 --> 00:34:01,412 I-I KNOW, BUT I AM TELLING YOU, 520 00:34:01,413 --> 00:34:03,281 HE'S A REALLY GOOD SUBJECT FOR THIS ARTICLE. 521 00:34:03,282 --> 00:34:04,415 IF YOU WANT "ON THE VERGE," 522 00:34:04,416 --> 00:34:07,919 THE GUY IS GONNA BE SENATOR OR GOVERNOR SOMEDAY. 523 00:34:07,920 --> 00:34:09,187 HE NEVER STOPS WORKING. 524 00:34:26,571 --> 00:34:27,572 OKAY, GREAT. 525 00:34:27,573 --> 00:34:29,340 DREW, WHAT ARE YOU DOING HERE? 526 00:34:29,341 --> 00:34:32,143 MET AN ALDERMAN FOR DRINKS. YOU? 527 00:34:32,144 --> 00:34:34,545 OH, JUST THE MAN WE WERE TALKING ABOUT. 528 00:34:34,546 --> 00:34:36,013 I'M GREG. 529 00:34:36,014 --> 00:34:37,348 GREG'S GONNA INCLUDE YOU 530 00:34:37,349 --> 00:34:40,650 IN AN ARTICLE OF RISING LOCAL STARS. 531 00:34:40,651 --> 00:34:42,053 SARA'S BEEN PRETTY PERSUASIVE. 532 00:34:42,054 --> 00:34:44,188 HE'S GONNA FEATURE YOU IN THE MAGAZINE. 533 00:34:46,257 --> 00:34:48,993 UH, THAT'S...GREAT. 534 00:34:48,994 --> 00:34:50,061 THANKS. 535 00:34:50,062 --> 00:34:51,829 I GOT TO GO. OKAY. 536 00:34:51,830 --> 00:34:53,331 MEETING MY HUSBAND FOR DINNER. 537 00:34:53,332 --> 00:34:55,366 WE'LL DISCUSS THE PHOTOS BACK AT THE OFFICE. SOUNDS GOOD. 538 00:34:55,367 --> 00:34:56,734 BYE. BYE. BYE. 539 00:34:59,937 --> 00:35:01,806 WHAT'S GOING ON? 540 00:35:01,807 --> 00:35:03,975 I JUST -- I THINK I'M GOING CRAZY. 541 00:35:03,976 --> 00:35:06,010 I MEAN... 542 00:35:09,380 --> 00:35:11,182 I GOT IT OFF YOUR CAMERA. 543 00:35:16,053 --> 00:35:18,456 WHY DIDN'T YOU SAY SOMETHING? 544 00:35:18,457 --> 00:35:20,458 JUST ANSWER ME. 545 00:35:25,963 --> 00:35:28,232 ARE YOU HAVING AN AFFAIR? 546 00:35:30,134 --> 00:35:33,004 NO. 547 00:35:33,005 --> 00:35:35,106 NO. THIS IS A TEST SHOT. 548 00:35:35,107 --> 00:35:36,941 OF WHAT? 549 00:35:36,942 --> 00:35:39,210 FOR THIS...SERIES OF SELF-PORTRAITS 550 00:35:39,211 --> 00:35:41,212 THAT I'VE BEEN THINKING ABOUT. 551 00:35:41,213 --> 00:35:44,182 IT'S, LIKE, UH, STAGED SCENES, LIKE CINDY SHERMAN. 552 00:35:44,183 --> 00:35:46,818 I TOOK IT A FEW DAYS AGO AT THIS APARTMENT 553 00:35:46,819 --> 00:35:49,020 THAT THE MAGAZINE USED FOR SHOOTS. 554 00:35:53,291 --> 00:35:59,030 THIS REFLECTION -- WHO'S THAT? 555 00:35:59,031 --> 00:36:02,767 THAT'S BILLY, ONE OF THE INTERNS. 556 00:36:04,669 --> 00:36:07,071 I KNOW. I'M NO CINDY SHERMAN, RIGHT? 557 00:36:09,473 --> 00:36:11,909 MAYBE I AM GOING CRAZY. 558 00:36:11,910 --> 00:36:14,345 NO, IT'S TOTALLY UNDERSTANDABLE. 559 00:36:14,346 --> 00:36:17,281 I -- JUST NEXT TIME YOU THINK SOMETHING, JUST ASK, OKAY? 560 00:36:17,282 --> 00:36:18,950 DON'T DWELL ON IT. 561 00:36:18,951 --> 00:36:21,519 YOU'RE RIGHT. YEAH. YOU'RE RIGHT. 562 00:36:26,524 --> 00:36:28,226 WHAT'S THAT? 563 00:36:28,227 --> 00:36:34,165 OH, UM...OLLIE HAD A... BLOODY NOSE THIS MORNING. 564 00:36:34,166 --> 00:36:35,833 OH. 565 00:36:37,235 --> 00:36:39,804 ALL RIGHT, WELL, I'VE GOT TO GET BACK TO THE OFFICE, 566 00:36:39,805 --> 00:36:40,872 BUT I'LL SEE YOU LATER. 567 00:36:40,873 --> 00:36:42,206 ALL RIGHT? SEE YOU AT HOME. 568 00:36:42,207 --> 00:36:43,808 YEAH. 569 00:36:43,809 --> 00:36:45,176 OKAY. YEAH. 570 00:36:45,177 --> 00:36:46,510 ALL RIGHT. BYE. 571 00:36:51,782 --> 00:36:53,451 BYE. BYE. BYE. BYE. 572 00:37:26,656 --> 00:37:28,491 WHAT? 573 00:37:28,492 --> 00:37:31,093 SORRY, I'VE BEEN HOME SICK. WHY? 574 00:37:31,094 --> 00:37:33,129 CONFIRMATION FOR A HEARING? 575 00:37:33,130 --> 00:37:35,965 I DON'T HAVE A HEARING SCHEDULED FOR TODAY. 576 00:37:35,966 --> 00:37:40,336 LAST ON THE DOCKET -- PEOPLE vs. THATCHER KARSTEN JR. 577 00:37:40,337 --> 00:37:41,370 IS EVERYONE PRESENT? 578 00:37:41,371 --> 00:37:42,805 YES, YOUR HONOR. YES, YOUR HONOR. 579 00:37:42,806 --> 00:37:45,208 THE STATE HAS MADE A MOTION TO DISMISS THE CASE. 580 00:37:45,209 --> 00:37:46,108 IS THAT CORRECT? 581 00:37:46,109 --> 00:37:47,543 THAT'S RIGHT, YOUR HONOR. 582 00:37:47,544 --> 00:37:49,812 WHAT THE HELL IS GOING ON? WHY IS GOSS HERE? 583 00:37:49,813 --> 00:37:51,681 I BELIEVE HE'S YOUR NEW BOSS. 584 00:37:51,682 --> 00:37:53,249 AND IS THERE ANY OBJECTION? 585 00:37:53,250 --> 00:37:55,218 NO, YOUR HONOR. THE DEFENSE HAS NO OBJECTION. 586 00:37:55,219 --> 00:37:58,054 THEN, ON THE STATE'S MOTION, AND WITHOUT OBJECTION, 587 00:37:58,055 --> 00:38:00,990 THE MATTER OF THE PEOPLE vs. THATCHER KARSTEN JR. 588 00:38:00,991 --> 00:38:02,325 IS HEREBY DISMISSED. 589 00:38:08,164 --> 00:38:10,233 HE DID IT. 590 00:38:10,234 --> 00:38:11,567 HEY. GREAT, HUH? 591 00:38:18,207 --> 00:38:19,542 I DON'T KNOW WHAT TO SAY. 592 00:38:19,543 --> 00:38:20,877 IT'S OKAY. 593 00:38:20,878 --> 00:38:23,412 UH, I'M SORRY FOR ALL THE THINGS I SAID. 594 00:38:23,413 --> 00:38:25,481 I WAS -- I WAS WAY OUT OF LINE. 595 00:38:25,482 --> 00:38:28,251 IT'S SOMETHING WE SHOULD HAVE TALKED ABOUT A LONG TIME AGO. 596 00:38:29,685 --> 00:38:32,588 WELL DONE, JACK. HEY. 597 00:38:34,156 --> 00:38:35,658 YOU DID IT. 598 00:38:35,659 --> 00:38:37,093 IT'S OVER. 599 00:38:37,094 --> 00:38:40,062 I TOLD YOU IT'D BE OKAY. 600 00:38:40,063 --> 00:38:41,364 UH, I'LL MEET YOU AT HOME. 601 00:38:41,365 --> 00:38:43,199 I HAVE TO FINALIZE SOME PAPERS FOR T.J.'s RELEASE. 602 00:38:43,200 --> 00:38:45,968 CONGRATULATIONS. OKAY, WELL, GET BACK SOON, BECAUSE WE'RE CELEBRATING. 603 00:38:45,969 --> 00:38:47,703 RIGHT? EVERYONE, TO THE RESTAURANT. 604 00:38:47,704 --> 00:38:49,472 YEAH, I'LL CALL BRANDY. 605 00:38:53,576 --> 00:38:54,877 I SAY WE LEAVE HER ALONE. 606 00:38:54,878 --> 00:38:56,112 SHE'S LEARNED HER LESSON. 607 00:38:56,113 --> 00:38:57,580 THE STORY'S GOT A HAPPY ENDING. 608 00:38:57,581 --> 00:39:00,249 LET'S LEAVE IT AT THAT. WHAT ABOUT THE FEDS? 609 00:39:00,250 --> 00:39:02,084 SHE DOESN'T KNOW ANYTHING ABOUT OUR OPERATION. 610 00:39:02,085 --> 00:39:03,152 SHE'S NO THREAT. 611 00:39:06,722 --> 00:39:08,591 YOU DID GOOD, JACK. 612 00:39:08,592 --> 00:39:10,693 NOW THAT IT'S OVER, WE CAN GET BACK TO BUSINESS. 613 00:39:10,694 --> 00:39:13,396 WE'VE GOT A MEETING WITH WESTLAKE CAPITAL 614 00:39:13,397 --> 00:39:15,932 AND LUNCH AT THE BUILDERS ASSOCIATION. 615 00:39:15,933 --> 00:39:18,501 YOU COMING, DAD? YEAH. 616 00:39:19,835 --> 00:39:21,971 JACK? 617 00:39:21,972 --> 00:39:23,372 ARE YOU ALL RIGHT? 618 00:39:23,373 --> 00:39:26,642 WHAT'S GOING ON? 619 00:39:26,643 --> 00:39:27,977 I QUIT. 620 00:39:27,978 --> 00:39:30,212 WHAT? 621 00:39:30,213 --> 00:39:32,014 WHAT DID YOU SAY? 622 00:39:32,015 --> 00:39:36,485 I QUIT, THATCHER. I-I-I QUIT. 623 00:39:36,486 --> 00:39:38,020 YOU -- YOU MEAN THE CASE? 624 00:39:38,021 --> 00:39:39,488 THE CASE IS OVER, JACK. 625 00:39:39,489 --> 00:39:41,757 I'M NOT WORKING FOR YOU ANYMORE. 626 00:39:41,758 --> 00:39:44,160 I'M SORRY. 627 00:39:44,161 --> 00:39:47,029 I'M DONE. 628 00:40:29,338 --> 00:40:30,806 WHAT DID HE MEAN, DAD? 629 00:40:30,807 --> 00:40:32,775 IS JACK NOT WORKING FOR YOU ANYMORE? 630 00:40:32,776 --> 00:40:34,577 IT SOUNDED LIKE HE SAID HE QUIT. 631 00:40:36,712 --> 00:40:39,215 NOBODY QUITS. 632 00:40:41,717 --> 00:40:44,754 YOU PULLED A FAST ONE, DIDN'T YOU? 633 00:40:44,755 --> 00:40:46,522 KARSTEN WAY. 634 00:40:46,523 --> 00:40:47,690 THE EVIDENCE SPEAKS FOR ITSELF, 635 00:40:47,691 --> 00:40:49,125 WHETHER YOU CHOOSE TO BELIEVE IT OR NOT. 636 00:40:49,126 --> 00:40:50,960 HE'S RIGHT. LET IT GO. EVIDENCE MY ASS. 637 00:40:50,961 --> 00:40:52,862 YOU DID SOMETHING, AND WHEN I FIND OUT -- 638 00:40:52,863 --> 00:40:54,463 YOU'LL WHAT? YOU'LL COME AFTER ME? 639 00:40:54,464 --> 00:40:56,499 THERE'S NOTHING TO FIND OUT. 640 00:40:56,500 --> 00:40:58,367 LISTEN TO YOUR COLLEAGUE. 641 00:40:58,368 --> 00:41:01,037 IT'S OVER. 642 00:41:01,038 --> 00:41:04,407 LET'S JUST PUT THIS BEHIND US, HMM? 643 00:41:08,778 --> 00:41:09,945 YOU HURT YOUR HAND. 644 00:41:11,247 --> 00:41:13,916 MR. McALLISTER? MR. McALLISTER, A STATEMENT? 645 00:41:13,917 --> 00:41:15,818 IS IT TRUE NEW EVIDENCE SURFACED, 646 00:41:15,819 --> 00:41:17,186 EXONERATING T.J. KARSTEN? 647 00:41:17,187 --> 00:41:19,422 HOWARD GOSS AND THE STATE'S ATTORNEY'S DEPARTMENT 648 00:41:19,423 --> 00:41:21,323 HAVE ACTED WITH ADMIRABLE TACT AND SPEED. 649 00:41:21,324 --> 00:41:24,193 COME ON. WE DON'T NEED TO SEE THIS. 650 00:41:24,194 --> 00:41:28,264 THAT'S ALL. THANK YOU VERY MUCH. 43290

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