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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,909 --> 00:00:04,111 FRANK PERKINS. 2 00:00:04,112 --> 00:00:05,812 LOU'S PARTNER? IS HE HERE? 3 00:00:05,813 --> 00:00:08,248 NO. HE'S IN HONG KONG ON BUSINESS. 4 00:00:08,249 --> 00:00:09,983 THATCHER KARSTEN THOUGHT YOUR HUSBAND WAS STEALING FROM HIM. 5 00:00:09,984 --> 00:00:12,853 THAT'S WHY KARSTEN SENT T.J. TO TAKE CARE OF HIM. 6 00:00:12,854 --> 00:00:15,655 IF ANYONE ASKS, YOU WERE WITH BRANDY. 7 00:00:15,656 --> 00:00:17,924 T.J. KARSTEN, YOU'RE UNDER ARREST. 8 00:00:17,925 --> 00:00:20,594 WHAT HAPPENED WAS A MISTAKE, AND I'LL NEVER FORGIVE MYSELF. 9 00:00:20,595 --> 00:00:23,130 IT ISN'T LIKE THAT. WE'LL FIGURE OUT WHAT THIS IS. 10 00:00:23,131 --> 00:00:24,965 MEET ME TONIGHT, 8:00, HERE. 11 00:00:24,966 --> 00:00:28,368 IF YOU DON'T COME, I WILL NEVER BOTHER YOU AGAIN. 12 00:01:43,443 --> 00:01:46,446 -- Captions by VITAC -- 13 00:02:21,448 --> 00:02:23,049 GOD, I HATE THIS. 14 00:02:23,050 --> 00:02:25,352 I MEAN, I DON'T KNOW HOW CAN THEY HOLD T.J. 15 00:02:25,353 --> 00:02:26,653 WITH SO LITTLE EVIDENCE. 16 00:02:26,654 --> 00:02:29,589 SINCE WHEN HAS THE LEGAL PROCESS EVER BEEN ABOUT FAIRNESS? 17 00:02:29,590 --> 00:02:31,491 SINCE WHEN DID YOU GET SO CYNICAL? 18 00:02:31,492 --> 00:02:33,159 I THINK IT WAS THE FIRST TIME 19 00:02:33,160 --> 00:02:34,928 I EVER WALKED INTO A COURTROOM. 20 00:02:34,929 --> 00:02:37,464 YEAH, IT DOESN'T HELP THAT AUNT CONNIE TOLD THEM 21 00:02:37,465 --> 00:02:40,066 THAT SHE SAW T.J. AND LOU ARGUE THAT NIGHT. 22 00:02:40,067 --> 00:02:42,168 WELL, WHAT ELSE COULD SHE DO? 23 00:02:42,169 --> 00:02:43,904 ANYWAY, HE'S INNOCENT. 24 00:02:43,905 --> 00:02:45,839 YEAH, HE'S ALSO A KARSTEN. 25 00:02:47,007 --> 00:02:49,042 SO T.J.'s BEING USED AS A SCAPEGOAT 26 00:02:49,043 --> 00:02:50,277 FOR ALL OF THE PEOPLE 27 00:02:50,278 --> 00:02:52,746 THAT MY FATHER HAS PISSED OFF OVER THE YEARS? 28 00:02:52,747 --> 00:02:54,548 WE SHOULD HAVE GOTTEN AWAY FROM THIS SCREWED-UP FAMILY 29 00:02:54,549 --> 00:02:55,549 WHEN WE HAD A CHANCE. 30 00:02:55,550 --> 00:02:58,385 WHEN WAS THAT, EXACTLY? 31 00:02:58,386 --> 00:02:59,553 CAN YOU ZIP ME? 32 00:02:59,554 --> 00:03:01,521 WE COULD STILL DO IT, YOU KNOW. 33 00:03:01,522 --> 00:03:03,523 ESCAPE, SHOW THE KIDS THE WORLD. 34 00:03:03,524 --> 00:03:04,758 WE SHOULD GET GOING. 35 00:03:04,759 --> 00:03:05,959 WE COULD DRIVE UP THE AMALFI COAST. 36 00:03:05,960 --> 00:03:07,460 THAT WOULD REALLY GIVE THEM SOME PERSPECTIVE. 37 00:03:07,461 --> 00:03:10,363 WE HAVE A BAIL HEARING IN AN HOUR. 38 00:03:13,767 --> 00:03:17,304 THAT SLEAZE McALLISTER HAS A HOOKER AS AN ALIBI. 39 00:03:17,305 --> 00:03:18,838 I HAVE A WIDOW'S SWORN STATEMENT 40 00:03:18,839 --> 00:03:20,473 PLACING T.J. KARSTEN AT THE SCENE. 41 00:03:20,474 --> 00:03:21,708 WHAT'S A HOOKER? 42 00:03:21,709 --> 00:03:23,543 NOTHING, HONEY. EAT YOUR CEREAL. 43 00:03:23,544 --> 00:03:24,844 WHAT'S A SLEAZE? 44 00:03:24,845 --> 00:03:27,714 A SLEAZE IS SOMEBODY WHO DOESN'T PLAY BY THE RULES. 45 00:03:27,715 --> 00:03:28,748 LIKE A CHEATER? 46 00:03:28,749 --> 00:03:30,483 EXACTLY. WHY DO THEY CHEAT? 47 00:03:30,484 --> 00:03:32,319 OLIVER, YOU'RE GONNA BE LATE. 48 00:03:32,320 --> 00:03:33,553 HONEY, NO, LOOK, THERE'S -- 49 00:03:33,554 --> 00:03:35,322 THERE'S CERTAIN HARSH TRUTHS IN THIS WORLD 50 00:03:35,323 --> 00:03:36,590 THAT YOU JUST CAN'T AVOID, 51 00:03:36,591 --> 00:03:38,024 YOU CAN'T SWEEP UNDER THE RUG. 52 00:03:38,025 --> 00:03:40,694 HE'S TOO SMART FOR IT. 53 00:03:40,695 --> 00:03:42,395 SLEAZES CHEAT BECAUSE THEY THINK 54 00:03:42,396 --> 00:03:43,630 THEY'RE BETTER THAN EVERYBODY ELSE, 55 00:03:43,631 --> 00:03:47,100 AND IT'S MY JOB TO TELL THEM THEY AREN'T. 56 00:03:47,101 --> 00:03:48,735 SO SLEAZES ARE BAD GUYS. 57 00:03:48,736 --> 00:03:50,437 RIGHT. 58 00:03:50,438 --> 00:03:52,839 BUT I NEED TO MAKE SURE THEY DON'T GET AWAY WITH BEING BAD. 59 00:03:52,840 --> 00:03:53,840 SO YOU'RE A GOOD GUY. 60 00:03:53,841 --> 00:03:56,776 LIKE I SAID, THE KID'S A GENIUS. 61 00:03:56,777 --> 00:03:58,945 GO GET YOUR STUFF, BABY. 62 00:03:58,946 --> 00:04:00,614 OKAY. 63 00:04:00,615 --> 00:04:03,583 MY CLIENT IS A YOUNG MAN WITH ROOTS IN THIS COMMUNITY. 64 00:04:03,584 --> 00:04:05,318 AND THE MEANS TO FLEE, YOUR HONOR. 65 00:04:05,319 --> 00:04:07,354 FURTHERMORE, THE STATE HAS NO DIRECT EVIDENCE 66 00:04:07,355 --> 00:04:08,622 LINKING HIM TO THIS CRIME. 67 00:04:08,623 --> 00:04:09,756 WE HAVE THE MOTIVE OF RETRIBUTION 68 00:04:09,757 --> 00:04:12,459 OVER THE MISSING MONEY AND THE WIDOW'S STATEMENT. 69 00:04:12,460 --> 00:04:13,727 WHICH STATEMENT? 70 00:04:13,728 --> 00:04:14,828 THE FIRST OR THE SECOND ONE YOU PRESSURED HER INTO? 71 00:04:14,829 --> 00:04:17,130 SHE PLACES HIM AS THE LAST KNOWN PERSON 72 00:04:17,131 --> 00:04:18,498 TO SEE THE VICTIM ALIVE. 73 00:04:18,499 --> 00:04:21,668 THERE'S NO GUN, YOUR HONOR, AND HE HAS A STRONG ALIBI. 74 00:04:21,669 --> 00:04:22,836 HIS GIRLFRIEND, BRANDY KORSKAYA, 75 00:04:22,837 --> 00:04:24,437 WILL TESTIFY THAT AT THE TIME OF THE MURDER -- 76 00:04:24,438 --> 00:04:26,106 A GIRLFRIEND? IS THAT WHAT WE'RE CALLING HER NOW? 77 00:04:26,107 --> 00:04:28,608 PUT AWAY THE SWORDS, BOYS. 78 00:04:28,609 --> 00:04:30,543 CONSIDERING THE SERIOUSNESS OF THE CRIME 79 00:04:30,544 --> 00:04:32,278 AND THE DEFENDANT'S RISK OF FLIGHT, 80 00:04:32,279 --> 00:04:34,047 I FIND FOR THE STATE. 81 00:04:34,048 --> 00:04:35,582 BAIL DENIED. YOUR HONOR -- 82 00:04:35,583 --> 00:04:38,385 COUNSELOR, YOU'RE FREE TO PETITION FOR ANOTHER HEARING. 83 00:04:48,161 --> 00:04:49,396 WE'LL GET YOU OUT, SON. 84 00:04:49,397 --> 00:04:50,997 YOU BE STRONG. 85 00:04:50,998 --> 00:04:52,832 LIKE YOU WERE, RIGHT, DAD? 86 00:04:52,833 --> 00:04:55,335 WHEN YOU WENT AWAY WHEN I WAS LITTLE. 87 00:04:55,336 --> 00:04:58,004 THAT'S RIGHT. 88 00:04:58,005 --> 00:05:00,507 JUST LIKE THAT. 89 00:05:02,842 --> 00:05:05,412 YOU TAKE CARE OF YOURSELF, "TEEJ," OKAY? 90 00:05:10,784 --> 00:05:13,420 HE SHOULDN'T BE IN THERE WITH REGULAR CRIMINALS. 91 00:05:13,421 --> 00:05:15,822 THE ONLY ALTERNATIVE WAS A PSYCHIATRIC FACILITY. 92 00:05:15,823 --> 00:05:17,357 WOULD THAT HAVE BEEN BETTER? 93 00:05:17,358 --> 00:05:19,959 AT SOME POINT, YOU ARE GOING TO HAVE TO ACKNOWLEDGE 94 00:05:19,960 --> 00:05:21,061 THAT HE'S DIFFERENT. 95 00:05:21,062 --> 00:05:22,328 HE HAS DIFFERENT NEEDS. 96 00:05:22,329 --> 00:05:24,931 WHAT HE NEEDS IS FOR US TO GET THE COPS OFF HIS BACK 97 00:05:24,932 --> 00:05:25,932 AND BRING HIM HOME. 98 00:05:25,933 --> 00:05:28,234 JACK. 99 00:05:28,235 --> 00:05:29,335 I JUST GOT AN E-MAIL 100 00:05:29,336 --> 00:05:31,371 SAYING PERKINS IS BACK FROM HONG KONG. 101 00:05:31,372 --> 00:05:32,372 WHO'S PERKINS? 102 00:05:32,373 --> 00:05:34,074 LOU'S PARTNER ON THE LOFTS PROJECT. 103 00:05:34,075 --> 00:05:36,776 WE THINK HE STOLE SOME MONEY, LOU FOUND OUT ABOUT IT. 104 00:05:36,777 --> 00:05:39,212 PERKINS MAY HAVE KILLED LOU TO KEEP IT QUIET. 105 00:05:39,213 --> 00:05:41,448 SO, AS LONG THIS GUY PERKINS IS OUT THERE, 106 00:05:41,449 --> 00:05:43,249 T.J. IS GONNA BE STUCK IN JAIL. 107 00:05:43,250 --> 00:05:44,317 YOU FIND HIM. 108 00:05:44,318 --> 00:05:46,152 GIVE THESE BASTARDS A BETTER THEORY 109 00:05:46,153 --> 00:05:47,721 THAN THE ONE THEY'VE GOT. 110 00:05:53,460 --> 00:05:55,562 I ONLY SOLD THREE? 111 00:05:55,563 --> 00:05:58,264 AND TWO WERE TO THE SAME GUY 112 00:05:58,265 --> 00:06:00,300 WHO SPENT THREE HOURS IN THE BACK ROOM DECIDING. 113 00:06:00,301 --> 00:06:03,770 TURNS OUT MOST OF OUR CLIENTS AREN'T SO INTO STAGED REALISM. 114 00:06:03,771 --> 00:06:06,606 OKAY, WELL, I HAVE A NEW IDEA I'VE BEEN THINKING ABOUT. 115 00:06:06,607 --> 00:06:08,708 IT'S A SERIES ON OBSESSION. 116 00:06:08,709 --> 00:06:10,877 I'M -- I'M TRYING TO CAPTURE 117 00:06:10,878 --> 00:06:14,614 HOW THINGS CAN TAKE OVER YOUR THOUGHTS AND CONSUME YOU. 118 00:06:14,615 --> 00:06:16,449 SARA, YOUR PORTRAITS ARE STUNNING. 119 00:06:16,450 --> 00:06:18,485 BUT YOUR WORK IS TOO COMMERCIAL FOR US, 120 00:06:18,486 --> 00:06:20,186 TOO CONTROLLED, TOO VANITY FAIR. 121 00:06:20,187 --> 00:06:21,988 YEAH, BUT THIS NEW OBSESSION STORY, 122 00:06:21,989 --> 00:06:23,323 IT'S A DIFFERENT DIRECTION. 123 00:06:23,324 --> 00:06:24,390 IT'S MORE CONCEPTUAL. 124 00:06:24,391 --> 00:06:25,792 WHEN YOU HAVE SOMETHING TO SHOW ME, 125 00:06:25,793 --> 00:06:26,993 I'M HAPPY TO TAKE A LOOK. 126 00:06:26,994 --> 00:06:28,795 BUT IN THE MEANTIME, MY TWO CENTS -- DON'T FORCE IT. 127 00:06:28,796 --> 00:06:29,963 YOU'RE GOOD WITH GLOSSY. 128 00:06:29,964 --> 00:06:31,865 YOU COULD BE THE NEXT ANNIE LEIBOVITZ. 129 00:06:31,866 --> 00:06:33,299 RUN WITH THAT. 130 00:06:37,437 --> 00:06:38,671 YEAH, MR. PERKINS, 131 00:06:38,672 --> 00:06:40,774 I'D REALLY APPRECIATE YOU GETTING BACK TO ME. 132 00:06:40,775 --> 00:06:42,275 IT'S URGENT. 133 00:06:57,657 --> 00:06:59,492 NUMBERS CAME IN ON THE RIVER PROJECT. 134 00:06:59,493 --> 00:07:00,527 OH, THANKS, FRED. 135 00:07:00,528 --> 00:07:01,661 BREAK THEM DOWN FOR ME, WILL YOU? 136 00:07:01,662 --> 00:07:03,196 HEY, JACK, A COUPLE OF THINGS -- 137 00:07:03,197 --> 00:07:04,564 YOUR 3:00 GOT PUSHED TO 4:00 138 00:07:04,565 --> 00:07:07,167 AND OSHA IS DROPPING ALL CHARGES AGAINST THE PARK DEVELOPMENT. 139 00:07:07,168 --> 00:07:08,668 I HOPE THEY BUY US FLOWERS, TOO. 140 00:07:08,669 --> 00:07:11,070 THAT'LL PROBABLY DEPEND ON WHETHER YOU WERE CHARMING JACK 141 00:07:11,071 --> 00:07:12,572 OR BALL-BUSTER JACK. 142 00:07:12,573 --> 00:07:14,507 CAN'T I BE BOTH? NOT AT THE SAME TIME. 143 00:07:14,508 --> 00:07:16,476 HEY, MR. McALLISTER, DO YOU HAVE A SEC? 144 00:07:16,477 --> 00:07:17,977 I'M JULES WHITMAN FROM I.T. 145 00:07:17,978 --> 00:07:19,179 IT'S THAT CLOSET FULL OF NERDS 146 00:07:19,180 --> 00:07:20,513 OVER THERE BY THE SERVICE ELEVATOR. 147 00:07:20,514 --> 00:07:21,514 HOW OLD ARE YOU? 148 00:07:21,515 --> 00:07:23,883 20...IN APRIL. 149 00:07:23,884 --> 00:07:25,151 CHECK IT OUT. 150 00:07:25,152 --> 00:07:26,853 I WAS LOOKING INTO REORGANIZING OUR CORPORATE DATABASE, 151 00:07:26,854 --> 00:07:28,555 AND THERE'S A MAJOR ISSUE. OH, JACK, I FORGOT -- 152 00:07:28,556 --> 00:07:29,989 SOMEONE WAITING IN THE CONFERENCE ROOM. 153 00:07:29,990 --> 00:07:30,990 BEEN HERE A WHILE. 154 00:07:30,991 --> 00:07:32,325 I'M A TECHNOPHOBE, ACTUALLY. 155 00:07:32,326 --> 00:07:34,460 IF YOU HAVE A COMPUTER ISSUE, YOU TAKE IT UP WITH -- 156 00:07:34,461 --> 00:07:35,562 SIR, THIS IS REALLY IMPORTANT. 157 00:07:35,563 --> 00:07:38,431 I CAN'T TALK NOW. SOMEBODY'S WAITING. 158 00:07:38,432 --> 00:07:41,100 JACK. 159 00:07:41,101 --> 00:07:42,402 SORRY ABOUT THE SHORT NOTICE. 160 00:07:42,403 --> 00:07:44,103 I JUST GOT IN FROM HONG KONG. 161 00:07:44,104 --> 00:07:46,172 I AM SO SORRY ABOUT YOUR LOSS. 162 00:07:46,173 --> 00:07:47,173 AND YOU ARE? 163 00:07:47,174 --> 00:07:49,008 OH, GOD, WHAT A DUMMY. 164 00:07:49,009 --> 00:07:51,578 MY NAME'S PERKINS -- FRANK PERKINS. 165 00:07:53,146 --> 00:07:54,647 I HEAR YOU'RE LOOKING FOR ME. 166 00:08:48,416 --> 00:08:49,550 ■ 167 00:08:49,551 --> 00:08:51,645 SO, WERE YOU AND UNCLE LOU CLOSE? 168 00:08:51,646 --> 00:08:54,381 NO, NOT REALLY. YOU KNOW, I'M A MONEY GUY. 169 00:08:54,382 --> 00:08:57,952 I WENT IN AS A SILENT PARTNER ON THE LOFTS PROJECT 170 00:08:57,953 --> 00:09:00,021 LOU WAS MANAGING FOR YOU GUYS. 171 00:09:00,022 --> 00:09:02,431 I MET HIM SIX MONTHS AGO TO HAMMER OUT A DEAL. 172 00:09:02,432 --> 00:09:04,650 DEALT WITH HIM VIA PHONE MOSTLY SINCE THEN. 173 00:09:04,651 --> 00:09:07,220 I'VE GOT A BOOKKEEPING ISSUE YOU MIGHT HAVE HEARD ABOUT? 174 00:09:08,287 --> 00:09:10,323 I'M HOPING YOU CAN HELP CLEAR THINGS UP. 175 00:09:10,324 --> 00:09:12,558 SURE. ANYTHING I CAN DO. 176 00:09:12,559 --> 00:09:16,462 A MILLION DOLLARS ALLOCATED FOR THE LOFTS PROJECT VANISHED. 177 00:09:16,463 --> 00:09:18,931 I THOUGHT WE MIGHT BE ABLE TO ANSWER SOME QUESTIONS 178 00:09:18,932 --> 00:09:21,434 BY COMPARING LOU'S RECORDS WITH YOURS. 179 00:09:21,435 --> 00:09:22,869 ABSOLUTELY. LOOK, NO PROBLEM. 180 00:09:22,870 --> 00:09:25,004 I'LL HAVE MY GUYS SEND THE FINANCIALS RIGHT OVER. 181 00:09:26,606 --> 00:09:28,141 OH, I BROUGHT YOU SOMETHING. 182 00:09:30,643 --> 00:09:33,246 THIS WAS TAKEN ON THE DAY WE BROKE GROUND ON THE LOFTS. 183 00:09:33,247 --> 00:09:36,416 I GUESS YOU KNEW LOU WAS A BIG BULLS FAN. 184 00:09:36,417 --> 00:09:38,351 WELL, HE ENDED EVERY PHONE CALL SAYING, 185 00:09:38,352 --> 00:09:40,153 "JUST WAIT TILL ROSE COMES AROUND." 186 00:09:41,320 --> 00:09:42,321 THANKS. 187 00:09:42,322 --> 00:09:44,190 THATCHER WILL APPRECIATE IT. 188 00:09:44,191 --> 00:09:47,827 LEAST I CAN DO. 189 00:09:47,828 --> 00:09:49,695 IT'S A TERRIBLE TRAGEDY, WHAT HAPPENED. 190 00:09:49,696 --> 00:09:51,264 YEAH, IT IS. 191 00:09:52,799 --> 00:09:55,701 ANY IDEA WHY SOMEONE WOULD WANT LOU DEAD? 192 00:09:55,702 --> 00:09:58,371 NO, NOT AT ALL. 193 00:09:58,372 --> 00:10:00,773 BUT, YOU KNOW, THE WAY STREET CRIME IS, 194 00:10:00,774 --> 00:10:03,276 IT COULD'VE JUST BEEN A MUGGING GONE BAD. 195 00:10:03,277 --> 00:10:05,511 I APPRECIATE YOUR TIME, MR. PERKINS. 196 00:10:05,512 --> 00:10:07,280 PLEASE -- "FRANK" IS FINE. 197 00:10:07,281 --> 00:10:09,382 AND IF YOU THINK OF ANY OTHER WAY 198 00:10:09,383 --> 00:10:11,717 I CAN BE HELPFUL, LET ME KNOW. 199 00:10:23,262 --> 00:10:25,231 LOU WOULDN'T PAY A CONTRACTOR. 200 00:10:25,232 --> 00:10:27,333 WANTED TO MANAGE IT ALL HIMSELF. 201 00:10:27,334 --> 00:10:31,537 I'LL HAVE TO FIND SOMEONE TO FINISH THE WORK, I GUESS. 202 00:10:31,538 --> 00:10:34,574 I DON'T THINK T.J. DID IT. 203 00:10:34,575 --> 00:10:36,142 HE LOVED LOU. 204 00:10:36,143 --> 00:10:38,845 BUT I COULDN'T KEEP LYING, 205 00:10:38,846 --> 00:10:40,413 EVEN THOUGH I PROMISED JACK AND YOUR FATHER. 206 00:10:40,414 --> 00:10:42,849 THEY ASKED YOU TO LIE TO THE COPS? 207 00:10:42,850 --> 00:10:45,251 THEY WERE JUST LOOKING OUT FOR T.J. 208 00:10:45,252 --> 00:10:47,420 THEY THOUGHT LOU WAS STEALING. 209 00:10:47,421 --> 00:10:48,721 HE GOT SCARED. 210 00:10:48,722 --> 00:10:51,958 THAT'S THE ONLY REASON HE AGREED TO WORK WITH THE FEDS. 211 00:10:51,959 --> 00:10:54,026 AND AFTER THATCHER TALKED TO HIM, 212 00:10:54,027 --> 00:10:56,629 HE PROMISED HE WOULDN'T GO THROUGH WITH IT. 213 00:10:56,630 --> 00:10:57,730 A FEW HOURS LATER... 214 00:10:57,731 --> 00:10:59,232 OH, CONNIE, THAT'S CRAZY. 215 00:10:59,233 --> 00:11:00,967 DAD WOULDN'T DO THIS. THEN WHO? 216 00:11:00,968 --> 00:11:02,034 I'LL TAKE THIS. 217 00:11:02,035 --> 00:11:03,970 I DON'T KNOW. WHAT ABOUT THAT PERKINS GUY? 218 00:11:03,971 --> 00:11:05,972 MAYBE HE'S INVOLVED. PERKINS? 219 00:11:05,973 --> 00:11:07,940 NO, I CAN'T IMAGINE. 220 00:11:07,941 --> 00:11:10,176 LOU LIKED HIM. 221 00:11:10,177 --> 00:11:13,079 GOD, I FEEL LIKE A BIRD IN A CAGE. 222 00:11:13,080 --> 00:11:15,381 THAT'S CHARLIE. 223 00:11:15,382 --> 00:11:16,549 HE WORKS DAYS. 224 00:11:16,550 --> 00:11:19,585 IS ALL THIS PROTECTION REALLY NECESSARY? 225 00:11:19,586 --> 00:11:23,155 THE PROSECUTOR THOUGHT I NEEDED IT. 226 00:11:23,156 --> 00:11:26,158 LAINIE, I-I WANT TO GO. 227 00:11:26,159 --> 00:11:28,628 JUST...GO. 228 00:11:28,629 --> 00:11:30,263 WHAT DO YOU MEAN? WHERE? 229 00:11:30,264 --> 00:11:32,431 ESCAPE. SEE THE WORLD. 230 00:11:32,432 --> 00:11:33,900 I-I... 231 00:11:33,901 --> 00:11:36,068 I CAN'T SPEND MY LIFE AFRAID. 232 00:11:36,069 --> 00:11:39,005 CONNIE, NO ONE IS TRYING TO HURT YOU. 233 00:11:39,006 --> 00:11:41,574 YOU DON'T KNOW THAT. 234 00:11:41,575 --> 00:11:44,110 MY FATHER IS CAPABLE OF A LOT OF THINGS, 235 00:11:44,111 --> 00:11:46,445 BUT NOTHING LIKE WHAT YOU'RE SAYING. 236 00:11:46,446 --> 00:11:48,681 HE THREATENED ME, TOO, LAINIE. 237 00:11:48,682 --> 00:11:51,017 AT LOU'S MEMORIAL. CONNIE -- 238 00:11:51,018 --> 00:11:53,452 I KNOW IT'S HARD TO HEAR. 239 00:11:53,453 --> 00:11:59,792 BUT SOMETIMES PEOPLE ARE CAPABLE OF THINGS WE NEVER IMAGINE. 240 00:12:36,963 --> 00:12:39,699 SORRY. 241 00:12:39,700 --> 00:12:42,802 HOTSHOT ARGENTINEAN PIANIST IS DOING A SERIES OF CONCERTS 242 00:12:42,803 --> 00:12:43,803 AT THE CONSERVATORY. 243 00:12:43,804 --> 00:12:45,137 WE'RE RUNNING A FEATURE. 244 00:12:45,138 --> 00:12:48,307 YOU ARE GOING TO PHOTOGRAPH HIS REHEARSAL TODAY. 245 00:12:48,308 --> 00:12:50,843 DO YOU THINK WAGNER COULD DO IT? 246 00:12:50,844 --> 00:12:52,278 WAGNER IS SHOOTING MILKSHAKES. 247 00:12:52,279 --> 00:12:53,346 IT'S JUST I WAS HOPING 248 00:12:53,347 --> 00:12:55,047 TO SPEND THE DAY ON MY OBSESSION SERIES. 249 00:12:55,048 --> 00:12:56,248 COOL. WHEN YOU'RE DONE WITH THE MUSICIAN, 250 00:12:56,249 --> 00:12:57,450 YOU CAN OBSESS ALL YOU LIKE. 251 00:12:57,451 --> 00:13:00,553 WELL, I-I DON'T KNOW ANYTHING ABOUT CLASSICAL MUSIC. 252 00:13:00,554 --> 00:13:02,555 SO? 253 00:13:02,556 --> 00:13:04,790 SO I'M THINKING IT MIGHT NOT BE A GREAT FIT FOR ME. 254 00:13:04,791 --> 00:13:06,192 WHAT ARE YOU TALKING ABOUT? 255 00:13:06,193 --> 00:13:07,727 THIS IS TOTALLY UP YOUR ALLEY. 256 00:13:07,728 --> 00:13:09,662 IT'S -- IT'S PERSONALITIES AND PORTRAITS. 257 00:13:09,663 --> 00:13:10,830 IT'S WHAT YOU DO. 258 00:13:10,831 --> 00:13:11,931 EXACTLY. 259 00:13:11,932 --> 00:13:14,433 I'M THINKING THAT MAYBE I SHOULD JUST GET AWAY 260 00:13:14,434 --> 00:13:16,335 FROM PORTRAITS FOR A WHILE. 261 00:13:16,336 --> 00:13:20,006 SARA, WHAT'S GOING ON WITH YOU TODAY? 262 00:13:22,174 --> 00:13:24,410 NATALIA STARK FROM THE GALLERY 263 00:13:24,411 --> 00:13:26,045 SAID MY STUFF IS TOO COMMERCIAL. 264 00:13:26,046 --> 00:13:29,048 NATALIA STARK IS A SNOB. 265 00:13:29,049 --> 00:13:30,650 SHE ONLY SOLD THREE OF MY PRINTS. 266 00:13:30,651 --> 00:13:33,419 WELL, SO YOU HAVE TO BE EDGY AND EXPERIMENTAL 267 00:13:33,420 --> 00:13:34,453 AND SELL STUFF? 268 00:13:34,454 --> 00:13:36,222 DID I MENTION I HATE ART? 269 00:13:37,256 --> 00:13:38,891 LOOK, I ADORE YOU, 270 00:13:38,892 --> 00:13:40,526 BUT IF YOU ARE BECOMING SOMEHOW DISILLUSIONED 271 00:13:40,527 --> 00:13:41,861 WITH THE WORK THAT WE'RE DOING HERE, 272 00:13:41,862 --> 00:13:43,462 THEN WE NEED TO HAVE A BIGGER CONVERSATION. 273 00:13:45,498 --> 00:13:48,901 AURELIO VOLTAN -- HE'S GOT A GOOD FACE. 274 00:13:50,403 --> 00:13:51,637 AND SHE'S BACK. 275 00:13:51,638 --> 00:13:52,738 HALLELUJAH. 276 00:13:52,739 --> 00:13:54,407 THEY'RE EXPECTING YOU IN AN HOUR. 277 00:14:00,579 --> 00:14:01,947 GET OFF ME! 278 00:14:02,982 --> 00:14:04,216 STOP IT! 279 00:14:08,788 --> 00:14:10,089 HEY! 280 00:14:10,090 --> 00:14:11,424 COME ON! 281 00:14:11,425 --> 00:14:13,059 THAT'S IT -- TO THE OFFICE! 282 00:14:13,060 --> 00:14:15,061 WHY DID YOU HAVE TO FIGHT HIM, VIC? 283 00:14:15,062 --> 00:14:18,030 YOU WANT ME TO LET SOME JERK SAY STUFF ABOUT OUR FAMILY? 284 00:14:21,667 --> 00:14:23,736 I'M SORRY, BUT THIS IS NOW AN ACTUAL EMERGENCY. 285 00:14:23,737 --> 00:14:25,404 KARSTEN ALLIED HAS A SECURITY BREACH. 286 00:14:25,405 --> 00:14:27,707 A BIG, FAT WORM IS WORKING ITS WAY THROUGH YOUR SYSTEM. 287 00:14:27,708 --> 00:14:29,408 IT'S WHAT WE CALL A BLENDED THREAT -- 288 00:14:29,409 --> 00:14:32,411 A WORM/VIRUS/TROJAN HORSE WITH A TIME-TO-LIVE FIELD 289 00:14:32,412 --> 00:14:34,346 THAT'S GETTING SHORTER BY THE MINUTE. SPEAK ENGLISH, PLEASE. 290 00:14:34,347 --> 00:14:35,915 I SEARCHED OUR SYSTEM ALGORITHMS, 291 00:14:35,916 --> 00:14:37,917 AND WE ARE NOW T-MINUS 12 FROM TOTAL TAKEOVER. 292 00:14:37,918 --> 00:14:38,984 GUESS WHAT HAPPENS THEN. 293 00:14:38,985 --> 00:14:40,052 THE COMPUTERS SHUT DOWN? 294 00:14:40,053 --> 00:14:41,220 AND THE WATER AND THE ELECTRICITY 295 00:14:41,221 --> 00:14:42,388 AND PRETTY MUCH EVERYTHING ELSE. 296 00:14:42,389 --> 00:14:43,989 IT'S GONNA LOOK LIKE "THE WALKING DEAD" IN HERE. 297 00:14:43,990 --> 00:14:45,324 WHAT CAN YOU DO TO FIX IT? 298 00:14:45,325 --> 00:14:47,393 I NEED YOUR AUTHORIZATION TO MODIFY THE A.C.L. 299 00:14:47,394 --> 00:14:48,694 I DON'T KNOW WHAT YOU'RE SAYING. 300 00:14:48,695 --> 00:14:50,496 JUST -- YOU HAVE MY AUTHORIZATION. JUST FIX IT. 301 00:14:50,497 --> 00:14:51,831 ALL RIGHT, I'M GONNA RUN WITH THAT. 302 00:14:52,932 --> 00:14:54,233 HEY. I GOT YOUR MESSAGE. 303 00:14:54,234 --> 00:14:55,968 YOU TELL YOUR FATHER WHAT HAPPENED. 304 00:14:55,969 --> 00:14:57,303 I NEED TO TALK TO MY DAD. 305 00:14:57,304 --> 00:14:59,505 VIC, WHAT'S GOING ON? 306 00:14:59,506 --> 00:15:00,673 THERE WAS A FIGHT, 307 00:15:00,674 --> 00:15:02,808 BUT IN HIS DEFENSE, THE KID WAS TALKING CRAP. 308 00:15:02,809 --> 00:15:04,243 ABOUT WHAT? 309 00:15:04,244 --> 00:15:06,812 ABOUT UNCLE T.J., ABOUT US, AND OUR FAMILY. 310 00:15:06,813 --> 00:15:09,348 LOOK, I DON'T WANT TO TALK ABOUT THIS HERE. 311 00:15:10,382 --> 00:15:12,218 DAD, HE'S, LIKE, TOTALLY LOSING IT. 312 00:15:12,219 --> 00:15:13,786 LOOK, I'LL BE RIGHT IN. 313 00:15:13,787 --> 00:15:16,155 WE JUST HAVE A BIT OF A SITUATION HERE. 314 00:15:16,156 --> 00:15:17,323 OKAY. 315 00:15:17,324 --> 00:15:18,724 HEY. 316 00:15:18,725 --> 00:15:21,927 HEY. 317 00:15:21,928 --> 00:15:25,231 SHOULDN'T YOU BE AVERTING A CRISIS? 318 00:15:25,232 --> 00:15:27,967 I DID NOT THREATEN HER -- EVER! 319 00:15:27,968 --> 00:15:29,435 THEN WHY IS SHE SO SCARED? 320 00:15:29,436 --> 00:15:31,504 HOW THE HELL SHOULD I KNOW? 321 00:15:31,505 --> 00:15:32,972 BECAUSE SHE'S SENILE. 322 00:15:32,973 --> 00:15:34,406 HER MEMORY'S FADING. 323 00:15:34,407 --> 00:15:36,408 SHE NEVER COULD KEEP ANYTHING STRAIGHT ANYWAY. 324 00:15:36,409 --> 00:15:38,144 DAD, COME ON. CONNIE'S FINE. 325 00:15:38,145 --> 00:15:39,178 YEAH? 326 00:15:39,179 --> 00:15:41,147 THEN WHY DID SHE CHANGE HER STORY? 327 00:15:41,148 --> 00:15:43,415 AND WHY IS SHE FEEDING YOU ALL THIS CRAP 328 00:15:43,416 --> 00:15:45,151 ABOUT US FORCING HER TO LIE? 329 00:15:45,152 --> 00:15:47,186 GUYS, I CAN HEAR YOU DOWN THE HALL. 330 00:15:47,187 --> 00:15:48,821 CONNIE'S DOING A NUMBER ON ELAINE. 331 00:15:48,822 --> 00:15:49,855 WELL, SHE'S TERRIFIED. 332 00:15:49,856 --> 00:15:51,624 YOU KNOW, SHE'S HOLED UP IN HER HOUSE. 333 00:15:51,625 --> 00:15:52,958 SHE'S GOT POLICE GUARDING HER. 334 00:15:52,959 --> 00:15:54,160 WELL, DID SHE TELL YOU WHY? 335 00:15:54,161 --> 00:15:56,195 BECAUSE SHE DIDN'T DO WHAT YOU ASKED HER TO, 336 00:15:56,196 --> 00:15:58,531 BECAUSE SHE THINKS DAD IS INVOLVED IN LOU'S MURDER. 337 00:15:58,532 --> 00:16:01,100 NOW SHE'S NOT PLAYING ALONG, HE'S GONNA GO AFTER HER, TOO. 338 00:16:01,101 --> 00:16:03,836 THAT'S ABSURD. JUST LISTEN TO YOURSELF! 339 00:16:03,837 --> 00:16:07,006 LOOK, WE ONLY ASKED CONNIE TO BE SELECTIVE. 340 00:16:07,007 --> 00:16:12,111 JACK...WHEN DID YOU BECOME THAT GUY? 341 00:16:12,112 --> 00:16:14,113 PRESSURING PEOPLE -- MY OWN AUNT -- 342 00:16:14,114 --> 00:16:15,614 INTO LYING TO THE POLICE? 343 00:16:15,615 --> 00:16:19,018 WHEN I STARTED TRYING TO GET YOUR BROTHER OUT OF JAIL. 344 00:16:22,154 --> 00:16:24,190 WOW. 345 00:16:24,191 --> 00:16:27,860 WOW, DAD. 346 00:16:27,861 --> 00:16:30,196 YOU REALLY DO KNOW HOW TO TURN PEOPLE 347 00:16:30,197 --> 00:16:33,265 INTO EXACTLY WHAT YOU NEED THEM TO BE, DON'T YOU? 348 00:16:33,266 --> 00:16:36,869 OH, DO I KNOW THAT LOOK. 349 00:16:36,870 --> 00:16:40,706 SO CRITICAL. SO ABSOLUTE. 350 00:16:40,707 --> 00:16:44,443 EVERYTHING'S BLACK AND WHITE, ISN'T IT? 351 00:16:44,444 --> 00:16:47,246 NO SHADES OF GRAY FOR YOU. 352 00:16:47,247 --> 00:16:49,114 PEOPLE ARE EITHER GOOD OR THEY'RE ROTTEN. 353 00:16:49,115 --> 00:16:51,317 YOU LOVE OR YOU HATE. 354 00:16:52,518 --> 00:16:55,254 I DON'T KNOW WHEN OUR RELATIONSHIP SWITCHED 355 00:16:55,255 --> 00:17:01,026 FROM ONE TO THE OTHER, LAINIE, BUT...I MISS IT. 356 00:17:01,027 --> 00:17:04,829 I MISS BEING THE FATHER WHO LOVES YOU. 357 00:17:06,232 --> 00:17:09,435 I'M SURPRISED YOU REMEMBER THAT... 358 00:17:09,436 --> 00:17:12,171 BECAUSE I SURE DON'T. 359 00:17:24,964 --> 00:17:26,676 I THOUGHT YOU WERE GONNA PREVENT THIS. 360 00:17:26,677 --> 00:17:28,145 WELL, IF YOU'D LISTENED TO ME IN THE FIRST PLACE -- 361 00:17:28,146 --> 00:17:30,004 DAD, WHAT'S GOING ON? 362 00:17:30,005 --> 00:17:32,740 UH, SLIGHT POWER OUTAGE -- WE'RE WORKING ON IT. 363 00:17:32,741 --> 00:17:33,974 DON'T WORRY ABOUT IT, BOSS. I'M ALL OVER IT. 364 00:17:33,975 --> 00:17:35,909 DON'T CALL ME "BOSS." YOU GOT IT, CHIEF. 365 00:17:35,910 --> 00:17:38,212 OR THAT, EITHER. 366 00:17:39,747 --> 00:17:41,482 SO, HE'S YOUR DAD, HUH? 367 00:17:41,483 --> 00:17:42,616 YEAH. 368 00:17:42,617 --> 00:17:43,951 NICE GUY. 369 00:17:45,586 --> 00:17:47,988 THESE THINGS CAN BE PRETTY PESKY. 370 00:17:47,989 --> 00:17:50,024 YOU EVER HEAR OF THE MORRIS WORM? 371 00:17:50,025 --> 00:17:51,358 CODE RED? MAFIABOY? 372 00:17:51,359 --> 00:17:53,427 NO IDEA WHAT YOU'RE TALKING ABOUT. 373 00:17:53,428 --> 00:17:54,428 ILOVEYOU? 374 00:17:54,429 --> 00:17:55,996 WHAT? 375 00:17:55,997 --> 00:17:58,271 ILOVEYOU -- IT WAS THIS WORM 376 00:17:58,272 --> 00:17:59,883 THAT SPREAD THROUGHOUT THE WHOLE WORLD IN A DAY, 377 00:17:59,884 --> 00:18:01,133 DISGUISED AS A LOVE LETTER. 378 00:18:01,134 --> 00:18:03,536 PROVING LOVE REALLY DOES SUCK, I GUESS. 379 00:18:03,537 --> 00:18:05,171 YEAH. 380 00:18:05,172 --> 00:18:07,573 SO DO WORMS. 381 00:18:07,574 --> 00:18:09,709 LET'S GO ON A MISSION TO MAKE THEM BOTH OBSOLETE. 382 00:18:14,046 --> 00:18:16,048 MY FOOTWORK STUNK, 383 00:18:16,049 --> 00:18:17,450 BUT I HAD A HELL OF A RIGHT HAND 384 00:18:17,451 --> 00:18:20,086 AND I COULD ALWAYS TAKE A PUNCH. 385 00:18:20,087 --> 00:18:22,221 THEY USED TO CALL BOXING THE MANLY ART. 386 00:18:22,222 --> 00:18:23,789 YOU KNOW WHY? 387 00:18:23,790 --> 00:18:29,262 BECAUSE IT FORCES YOU TO DEAL WITH YOUR FEAR AND YOUR RAGE, 388 00:18:29,263 --> 00:18:33,032 NOT JUST PHYSICALLY, BUT ALSO UP HERE. 389 00:18:33,033 --> 00:18:36,302 YOU NEED TO ANSWER THE QUESTION, 390 00:18:36,303 --> 00:18:38,838 "WHAT'S THE BALANCE BETWEEN SELF-DEFENSE 391 00:18:38,839 --> 00:18:39,939 AND NAKED AGGRESSION?" 392 00:18:39,940 --> 00:18:41,107 I THOUGHT IT WAS ABOUT 393 00:18:41,108 --> 00:18:43,342 HITTING THE OTHER GUY HARDER THAN HE HITS YOU. 394 00:18:43,343 --> 00:18:44,543 NO. 395 00:18:44,544 --> 00:18:47,280 IF YOU WANT TO BE POWERFUL -- REALLY POWERFUL -- 396 00:18:47,281 --> 00:18:49,548 YOU NEED TO DEVELOP SELF-RESTRAINT. 397 00:18:49,549 --> 00:18:54,720 POWER WITHOUT SELF-CONTROL COUNTS FOR NOTHING. 398 00:18:57,490 --> 00:18:59,592 VIC, WE HAVE TO FINISH OUR TALK. 399 00:18:59,593 --> 00:19:01,460 I DON'T WANT TO TALK. 400 00:19:01,461 --> 00:19:04,163 YOU CAN'T HIT PEOPLE. 401 00:19:04,164 --> 00:19:06,132 IT DOESN'T MATTER WHAT THEY SAY. 402 00:19:06,133 --> 00:19:08,567 YOU TAKE THINGS TOO PERSONALLY. 403 00:19:08,568 --> 00:19:10,102 YOU CAN TAKE THINGS AS PERSONALLY AS YOU WANT, VIC, 404 00:19:10,103 --> 00:19:11,537 IF YOU CAN HANDLE YOURSELF. 405 00:19:11,538 --> 00:19:13,572 YEAH, THATCHER, I'VE GOT THIS, REALLY. 406 00:19:13,573 --> 00:19:17,209 OH, COME ON, JACK. 407 00:19:17,210 --> 00:19:19,111 HE'S BECOMING A MAN. 408 00:19:19,112 --> 00:19:21,213 DON'T BABY HIM. 409 00:19:26,452 --> 00:19:28,888 POWER'S BACK. 410 00:20:07,693 --> 00:20:09,995 VAL, COME ON. WE'RE GOING. 411 00:20:21,207 --> 00:20:23,843 YOU NEED TO SHORE UP THE SECURITY SYSTEM 412 00:20:23,844 --> 00:20:25,911 SO THAT DOESN'T HAPPEN AGAIN. 413 00:20:25,912 --> 00:20:27,113 TOTALLY. WILL DO. 414 00:20:27,114 --> 00:20:30,015 I'M ASSUMING, WITH YOUR PARTICULAR SKILL SET, 415 00:20:30,016 --> 00:20:32,218 YOU'D KNOW HOW TO HACK INTO SOMEONE'S FINANCIAL RECORDS 416 00:20:32,219 --> 00:20:33,686 WITHOUT THEM KNOWING. IN MY SLEEP. 417 00:20:33,687 --> 00:20:36,188 ALL RIGHT, CHECK THIS GUY OUT. 418 00:20:36,189 --> 00:20:38,958 SEE WHAT HIS DEAL IS, HIS HISTORY. 419 00:20:38,959 --> 00:20:39,959 DIG DEEP. 420 00:20:39,960 --> 00:20:42,528 FRANK PERKINS -- YOU GOT IT, BIG MAC. 421 00:20:42,529 --> 00:20:45,865 THAT'S NOT WORKING FOR YOU, EITHER, IS IT? 422 00:20:45,866 --> 00:20:47,032 GOT IT. 423 00:21:55,968 --> 00:21:58,404 ARE YOU ALL RIGHT? 424 00:21:58,405 --> 00:22:01,273 MR. VOLTAN? 425 00:22:05,611 --> 00:22:09,281 THE FIRST MOVEMENT ALWAYS MAKES ME FEEL SICK. 426 00:22:09,282 --> 00:22:12,218 WHAT DO YOU MEAN? 427 00:22:12,219 --> 00:22:17,122 THE BROODING PROGRESSIONS, THE UNRESOLVED DISSONANCE, 428 00:22:17,123 --> 00:22:20,626 THE RELENTLESS TUMULT -- IT'S TORTURE. 429 00:22:20,627 --> 00:22:25,264 BUT I THOUGHT THIS WAS ONE OF YOUR FAVORITE SONATAS TO PLAY. 430 00:22:25,265 --> 00:22:26,932 IT'S A CONCERTO. 431 00:22:26,933 --> 00:22:29,502 SORRY. CONCERTO. 432 00:22:31,437 --> 00:22:34,240 WHY PLAY SOMETHING THAT MAKES YOU WANT TO THROW UP? 433 00:22:37,076 --> 00:22:39,411 IN ARGENTINA, WE SAY, 434 00:22:39,412 --> 00:22:43,983 "EL QUE ALGO QUIERE, ALGO LE CUESTA." 435 00:22:43,984 --> 00:22:46,752 "IF YOU WANT THE FRUIT, YOU MUST CLIMB THE TREE." 436 00:22:46,753 --> 00:22:49,088 OKAY. 437 00:22:49,089 --> 00:22:53,359 THE FIRST MOVEMENT OF THE BRAHMS -- IT IS TORTURE. 438 00:22:53,360 --> 00:22:55,427 BUT IT IS THE STRUGGLE THAT MAKES -- 439 00:22:55,428 --> 00:22:58,764 MAKES THE JOY OF THE REST SO SWEET. 440 00:22:58,765 --> 00:23:01,667 ISN'T THAT SOMETHING ONE TELLS ONESELF 441 00:23:01,668 --> 00:23:04,169 JUST TO JUSTIFY BEING MISERABLE? 442 00:23:04,170 --> 00:23:06,472 I DON'T HAVE TO JUSTIFY ANYTHING. 443 00:23:06,473 --> 00:23:08,774 YOU ARE AN ARTIST, RIGHT? 444 00:23:08,775 --> 00:23:10,843 I MEAN, DO YOU NOT SOMETIMES SEE THINGS 445 00:23:10,844 --> 00:23:13,112 THAT BOTH INSPIRE YOU AND HURT YOU? 446 00:23:13,113 --> 00:23:15,614 THE FANTASY THAT YOU HAVE TO MAKE REAL? 447 00:23:15,615 --> 00:23:21,687 THERE'S NO -- NO PASSION WITHOUT PAIN. 448 00:23:21,688 --> 00:23:25,991 I SUPPOSE I ALWAYS THOUGHT IT WAS A BIT OF A CLICHé. 449 00:23:27,927 --> 00:23:32,831 YOU WOULD MAKE A VERY LAZY PIANIST. 450 00:23:36,335 --> 00:23:39,972 YOUR BOY PERKINS IS A COLORFUL DUDE. 451 00:23:39,973 --> 00:23:43,242 BUNCH OF FISCAL INCONSISTENCIES, THE FINANCIALS ARE WHACK, 452 00:23:43,243 --> 00:23:44,977 NO CELLPHONE, NO UTILITIES. 453 00:23:44,978 --> 00:23:47,146 YOU ASK ME, HIS COMPANY ISN'T A COMPANY AT ALL. 454 00:23:47,147 --> 00:23:48,781 CAN YOU GET ME SOME PAPER COPIES, PLEASE? 455 00:23:48,782 --> 00:23:51,183 PAPER IS SO 2010, JACK. 456 00:23:51,184 --> 00:23:53,419 CONSIDER THE ENVIRONMENT. 457 00:24:00,225 --> 00:24:02,061 SO HE'S A CON MAN? 458 00:24:02,062 --> 00:24:03,162 TOTAL SHELL. 459 00:24:03,163 --> 00:24:06,365 HIS BUSINESS ADDRESS -- IT'S A P.O. BOX. 460 00:24:06,366 --> 00:24:09,602 FRANKIE BOY'S RUNNING THIS THING OUT OF A POST OFFICE. 461 00:24:09,603 --> 00:24:12,371 SON OF A BITCH. 462 00:24:12,372 --> 00:24:14,740 HELLO, FRANK. 463 00:24:14,741 --> 00:24:16,041 JACK. 464 00:24:16,042 --> 00:24:17,042 WHAT A SURPRISE. 465 00:24:17,043 --> 00:24:18,744 HOW ABOUT WE TAKE A RIDE? 466 00:24:18,745 --> 00:24:20,279 YOU KNOW WHAT? I'M RIGHT AROUND THE CORNER. 467 00:24:20,280 --> 00:24:21,380 WHERE YOU GOING? 468 00:24:21,381 --> 00:24:24,516 LOOK, I KNOW YOU THINK I STOLE YOUR MONEY. 469 00:24:24,517 --> 00:24:26,685 DID YOU? I-I -- NO! I -- HEY! 470 00:24:26,686 --> 00:24:28,654 DID YOU KILL LOU TO COVER IT UP? 471 00:24:28,655 --> 00:24:30,322 I DIDN'T KILL ANYBODY! 472 00:24:30,323 --> 00:24:32,257 LOOK, TIMES ARE TOUGH, OKAY? 473 00:24:32,258 --> 00:24:33,359 MY BUSINESS WENT UNDER. 474 00:24:33,360 --> 00:24:35,194 I GOT IN ON THE LOFTS PROJECT WITH LOU 475 00:24:35,195 --> 00:24:36,762 TO HELP ME GET BACK ON MY FEET. 476 00:24:36,763 --> 00:24:37,930 SHUT UP. 477 00:24:37,931 --> 00:24:39,231 I DON'T WANT TO HEAR YOUR LIFE STORY. 478 00:24:39,232 --> 00:24:41,867 WHERE'S OUR MONEY? I DON'T HAVE IT, JACK. 479 00:24:41,868 --> 00:24:44,303 ME AND LOU, WE WERE ON THE UP-AND-UP. 480 00:24:44,304 --> 00:24:46,672 ALL RIGHT, ALL RIGHT, I WAS SKIMMING A LITTLE, OKAY? 481 00:24:46,673 --> 00:24:47,806 BUT LET'S WORK TOGETHER. 482 00:24:47,807 --> 00:24:49,174 I CAN HELP YOU FIGURE OUT WHERE IT WENT. 483 00:24:49,175 --> 00:24:50,275 WHAT ABOUT WHO KILLED LOU? 484 00:24:50,276 --> 00:24:52,645 I GOT NOTHING FOR YOU THERE. 485 00:24:52,646 --> 00:24:54,546 HONESTLY. 486 00:24:57,583 --> 00:24:59,385 YOU HAVE A CELLPHONE? 487 00:24:59,386 --> 00:25:00,519 YEAH, YEAH. 488 00:25:00,520 --> 00:25:01,520 I'M TAKING IT. HEY, HEY! 489 00:25:01,521 --> 00:25:02,955 I'M GONNA SEE WHAT YOU'VE BEEN UP TO. 490 00:25:02,956 --> 00:25:04,890 IN THE MEANTIME, YOU STAY IN TOUCH, 491 00:25:04,891 --> 00:25:06,291 OR I SWEAR, I WILL TRACK YOU DOWN, 492 00:25:06,292 --> 00:25:07,826 AND I WON'T BE SO FRIENDLY NEXT TIME. 493 00:25:07,827 --> 00:25:11,096 ALL RIGHT, ALL RIGHT. GET OFF MY CAR. 494 00:25:14,466 --> 00:25:15,534 LET GO OF ME! 495 00:25:15,535 --> 00:25:17,269 HEY, HEY! CALM DOWN, CONNIE. 496 00:25:17,270 --> 00:25:18,337 WHAT'S GOING ON? 497 00:25:18,338 --> 00:25:20,406 WHEN THEY OFFERED ME PROTECTION, 498 00:25:20,407 --> 00:25:21,674 I DIDN'T THINK IT MEANT HOUSE ARREST. 499 00:25:21,675 --> 00:25:22,941 YOU'RE UNDER A LOT OF STRESS RIGHT NOW. 500 00:25:22,942 --> 00:25:24,576 YOU DON'T UNDERSTAND. 501 00:25:24,577 --> 00:25:25,678 NO, I DO. 502 00:25:25,679 --> 00:25:27,279 WELL, THEN MAKE THESE COPS GO AWAY, 503 00:25:27,280 --> 00:25:28,714 BECAUSE I CAN'T LIVE LIKE THIS. 504 00:25:28,715 --> 00:25:31,350 OKAY, LET ME GO WITH HER, AND IF YOU REALLY NEED TO, 505 00:25:31,351 --> 00:25:33,052 YOU CAN JUST FOLLOW BEHIND US. 506 00:25:33,053 --> 00:25:34,386 MA'AM, I HAVE MY ORDERS. 507 00:25:34,387 --> 00:25:36,055 I KNOW, BUT PLEASE -- IT'S GONNA BE FINE. 508 00:25:36,056 --> 00:25:37,890 ALL I WANT TO DO IS GET MILK FOR MY TEA. 509 00:25:37,891 --> 00:25:39,058 I FEEL TRAPPED, ELAINE. 510 00:25:39,059 --> 00:25:40,759 I CAN'T EVEN BREATHE. 511 00:26:01,668 --> 00:26:03,537 OH, IT'S LIKE A CHESS GAME, VIC. 512 00:26:03,538 --> 00:26:06,139 GOT TO HAVE A STRATEGY, GOT TO USE YOUR HEAD. 513 00:26:06,140 --> 00:26:09,409 UNH-UNH. GET YOUR FEET UNDER YOU. 514 00:26:10,878 --> 00:26:12,397 WE TIE THE CAR BOMB TO KARSTEN, 515 00:26:12,398 --> 00:26:13,732 WE GET HIM ON ATTEMPTED MURDER, 516 00:26:13,733 --> 00:26:14,800 INTIMIDATING A WITNESS, 517 00:26:14,801 --> 00:26:16,694 IMPEDING A CRIMINAL INVESTIGATION. 518 00:26:16,695 --> 00:26:19,196 COME ON, DREW, I ALREADY HAVE A PHONE SHEET 519 00:26:19,197 --> 00:26:21,198 LITTERED WITH CALLS FROM THE FBI. 520 00:26:21,199 --> 00:26:22,967 LET'S TURN IT AROUND, THEN. 521 00:26:22,968 --> 00:26:26,604 MAKE THE FEDS WANT TO WORK WITH US. 522 00:26:26,605 --> 00:26:28,372 IT'S NOT ALL ABOUT THROWING PUNCHES, YOU KNOW. 523 00:26:28,373 --> 00:26:29,740 YOU'VE GOT TO BE IN CONTROL. 524 00:26:34,145 --> 00:26:35,846 JUST AS IMPORTANT TO KNOW WHEN NOT TO PUNCH. 525 00:26:35,847 --> 00:26:37,515 IT'S ALL WRAPPED TOGETHER, LARRY -- 526 00:26:37,516 --> 00:26:40,551 THE OLD MAN'S DEATH, THE ATTEMPT ON THE WIDOW, 527 00:26:40,552 --> 00:26:43,421 THE EMBEZZLEMENT SCHEME, THE FEDERAL PROBE. 528 00:26:43,422 --> 00:26:47,992 YOU PICK THAT FIGHT, YOU EITHER WIN OR YOU LOSE BAD. 529 00:26:47,993 --> 00:26:51,195 CONTROL YOURSELF. CONTAIN YOUR EMOTION. 530 00:26:51,196 --> 00:26:52,530 DON'T GET CARRIED AWAY, DREW. 531 00:26:52,531 --> 00:26:54,865 FEEL THAT ANGER, THAT RAGE? 532 00:26:54,866 --> 00:26:57,735 GOOD. NOW USE IT. DON'T LET IT USE YOU. 533 00:26:57,736 --> 00:27:01,706 LARRY, YOU'RE RETIRING IN, WHAT, A FEW WEEKS, RIGHT? 534 00:27:01,707 --> 00:27:02,940 CUT OFF THE RING. 535 00:27:02,941 --> 00:27:05,376 WHY NOT BRING DOWN THE KARSTEN EMPIRE ON YOUR WATCH... 536 00:27:05,377 --> 00:27:07,511 BUT DON'T FORCE IT. 537 00:27:07,512 --> 00:27:09,313 ...SPEND YOUR LAST DAY SIGNING THE ARREST WARRANT 538 00:27:09,314 --> 00:27:10,881 FOR THE GREAT MAN HIMSELF? 539 00:27:20,124 --> 00:27:21,993 IF YOU'RE GONNA GO FOR THE KNOCKOUT... 540 00:27:21,994 --> 00:27:23,661 YOU TAKE A SHOT AT THE KING... 541 00:27:23,662 --> 00:27:25,296 ...YOU BETTER KNOW HOW TO LAND IT. 542 00:27:25,297 --> 00:27:27,765 ...BE SURE YOU DON'T MISS. 543 00:27:27,766 --> 00:27:28,833 A SAFE HOUSE? 544 00:27:28,834 --> 00:27:31,435 WE CAN'T RISK ANYTHING HAPPENING TO YOU. 545 00:27:31,436 --> 00:27:34,238 OUR ENTIRE CASE DEPENDS ON YOUR TESTIFYING AT TRIAL. 546 00:27:34,239 --> 00:27:40,211 YOU WANT TO M-MOVE ME SOMEWHERE? 547 00:27:40,212 --> 00:27:41,712 YES -- 548 00:27:41,713 --> 00:27:43,381 UNDER THE CLOAK OF PROTECTION. 549 00:27:43,382 --> 00:27:45,783 WHAT HAPPENED YESTERDAY WILL NEVER HAPPEN AGAIN. 550 00:27:45,784 --> 00:27:49,553 I NEED TIME TO SAY GOODBYE TO MY FAMILY 551 00:27:49,554 --> 00:27:52,123 AND GET THINGS IN ORDER. 552 00:27:52,124 --> 00:27:53,924 NOW IS BETTER. NOW IS SAFEST. 553 00:27:53,925 --> 00:27:56,193 I NEED A DAY. 554 00:28:20,785 --> 00:28:22,553 WHAT'S ALL THIS? 555 00:28:22,554 --> 00:28:24,622 I'M A DEDICATED GUY, YOU KNOW THAT. 556 00:28:24,623 --> 00:28:27,124 BUT THIS KARSTEN CASE, THIS GUY McALLISTER -- 557 00:28:27,125 --> 00:28:29,827 IT'S LIKE NOTHING I'VE EVER EXPERIENCED. 558 00:28:29,828 --> 00:28:32,029 I CAN'T EAT, I CAN'T SLEEP, 559 00:28:32,030 --> 00:28:34,398 I CAN'T THINK ABOUT ANYTHING ELSE. 560 00:28:34,399 --> 00:28:39,203 WELL, I-I AM TAKING PHOTOS OF A CLASSICAL CONCERT TONIGHT. 561 00:28:39,204 --> 00:28:41,372 I HAVE TWO V.I.P. PASSES. 562 00:28:41,373 --> 00:28:44,608 AND I WAS THINKING WE COULD BOTH GO. 563 00:28:44,609 --> 00:28:46,143 DREW? 564 00:28:46,144 --> 00:28:49,580 I WOULD LOVE TO, BABE, BUT I AM ON A ROLL HERE. 565 00:28:49,581 --> 00:28:52,349 IT'S RIGHT NEXT TO THAT SUSHI PLACE. 566 00:28:52,350 --> 00:28:53,784 WE COULD GET A BITE FIRST. 567 00:28:53,785 --> 00:28:55,653 I HAVE JANEY COMING OVER TO BABYSIT. 568 00:28:55,654 --> 00:28:57,221 HONEY, I KNOW MY WORK CRAZINESS 569 00:28:57,222 --> 00:28:58,923 MAY BE HARD FOR YOU TO UNDERSTAND. 570 00:28:58,924 --> 00:29:00,758 NO. NO, IT'S NOT. 571 00:29:00,759 --> 00:29:03,761 SO WHY IS THIS SO IMPORTANT TO YOU, SARAH? 572 00:29:03,762 --> 00:29:05,729 IT'S JUST A CONCERT. 573 00:29:05,730 --> 00:29:09,433 AND BESIDES, WE HATE CLASSICAL MUSIC. 574 00:29:16,574 --> 00:29:18,375 LOU WAS GONNA TESTIFY TO THE FEDS. 575 00:29:18,376 --> 00:29:20,311 YOU THREATENED HIM THE NIGHT HE DIED. 576 00:29:20,312 --> 00:29:21,645 WHO TOLD YOU THAT? 577 00:29:21,646 --> 00:29:23,914 ELAINE, WHO GOT IT FROM CONNIE. 578 00:29:23,915 --> 00:29:25,249 OF COURSE SHE DID. 579 00:29:25,250 --> 00:29:26,750 SO WHAT DOES ELAINE THINK? 580 00:29:26,751 --> 00:29:27,918 SHE'S SHOOK UP. 581 00:29:27,919 --> 00:29:29,286 SHE THINKS YOU'RE BEHIND IT ALL. 582 00:29:32,523 --> 00:29:34,158 I KNEW ABOUT LOU AND THE FEDS. 583 00:29:34,159 --> 00:29:37,428 AND I DID HAVE A FIGHT WITH HIM THAT NIGHT, AND THAT'S IT. 584 00:29:37,429 --> 00:29:41,398 AND WHY DID YOU FAIL TO MENTION ANY OF THIS TO ME? 585 00:29:41,399 --> 00:29:44,168 LOU WAS DEAD. WHAT WAS THE POINT? 586 00:29:44,169 --> 00:29:47,304 IF YOU'RE LYING, IF YOU'RE LETTING T.J. TAKE THE HEAT -- 587 00:29:47,305 --> 00:29:49,573 IT WOULDN'T BE THE FIRST TIME WE LIED TO THE POLICE 588 00:29:49,574 --> 00:29:52,910 AFTER A FAMILY TRAGEDY, NOW, WOULD IT, JACK? 589 00:29:55,112 --> 00:29:57,348 THE ACCIDENT WITH T.J., THAT WAS -- THAT WAS DIFFERENT. 590 00:29:57,349 --> 00:30:01,051 WHY? BECAUSE IT INVOLVED YOU? 591 00:30:01,052 --> 00:30:05,723 DO YOUR JOB, JACK, OKAY? 592 00:30:05,724 --> 00:30:09,460 SO, WHERE DO WE STAND WITH FRANK PERKINS? 593 00:30:09,461 --> 00:30:13,230 HIS COMPANY WAS A SHELL. 594 00:30:13,231 --> 00:30:14,865 THEN HE STOLE THE MONEY? 595 00:30:14,866 --> 00:30:17,101 HE WAS SKIMMING A LITTLE OFF THE TOP BUT NOT MUCH -- 596 00:30:17,102 --> 00:30:18,135 NOT A MILLION. 597 00:30:18,136 --> 00:30:20,771 THE GUY'S CROOKED, BUT HE'S SMALL-TIME, 598 00:30:20,772 --> 00:30:22,673 AND I DOUBT HE'S A KILLER. 599 00:30:22,674 --> 00:30:25,609 ANYONE CAN BE A KILLER, JACK. 600 00:30:25,610 --> 00:30:28,846 YOU JUST NEED TO MAKE THE EFFORT. 601 00:30:28,847 --> 00:30:31,715 I'M NOT A KILLER, LAINIE. 602 00:30:31,716 --> 00:30:33,350 YOU GOT TO TELL THEM THAT. 603 00:30:33,351 --> 00:30:36,187 WE ARE GONNA GET YOU OUT OF HERE VERY SOON. 604 00:30:36,188 --> 00:30:39,056 I HEARD AUNT CONNIE TOLD THEM THAT I DID IT. 605 00:30:39,057 --> 00:30:42,860 NO. N-- SHE TOLD THEM THAT SHE SAW YOU THAT NIGHT 606 00:30:42,861 --> 00:30:44,562 BEFORE IT HAPPENED. 607 00:30:44,563 --> 00:30:47,231 THEY SAID MY OWN AUNT RATTED ME OUT. 608 00:30:47,232 --> 00:30:49,466 NO, T.J., IT'S NOT LIKE THAT. 609 00:30:49,467 --> 00:30:51,569 LOOK -- SHE HAD TO TELL THE TRUTH. 610 00:30:51,570 --> 00:30:53,037 THERE'S A NEW TRUTH. 611 00:30:53,038 --> 00:30:54,672 DID SHE TELL THEM ABOUT THAT, THE NEW TRUTH? 612 00:30:54,673 --> 00:30:56,607 DON'T -- DON'T -- DON'T -- LET'S NOT TALK ABOUT THAT. 613 00:30:56,608 --> 00:31:00,511 DON'T TALK ABOUT THAT WITH ANYONE. 614 00:31:02,513 --> 00:31:04,381 WHAT HAPPENED TO YOUR EYE, T.J.? 615 00:31:06,717 --> 00:31:08,152 I CAN TAKE CARE OF MYSELF, LAINIE. 616 00:31:08,153 --> 00:31:10,454 I KNOW HOW TO. 617 00:31:10,455 --> 00:31:13,090 OF COURSE YOU DO. 618 00:31:13,091 --> 00:31:15,559 YOU'RE A KARSTEN, AFTER ALL. 619 00:31:15,560 --> 00:31:17,861 WE BOTH ARE. 620 00:31:19,096 --> 00:31:21,966 TILL THE DAY WE DIE. 621 00:31:31,991 --> 00:31:36,663 WHISKEY NEAT -- A GIRL AFTER MY OWN HEART. 622 00:31:36,664 --> 00:31:40,233 I'VE NEVER SEEN YOU IN HERE BEFORE. 623 00:31:40,234 --> 00:31:42,335 JUST PASSING THROUGH. 624 00:31:42,336 --> 00:31:45,805 ON VACATION? 625 00:31:48,441 --> 00:31:50,310 NO. WORK. 626 00:31:50,311 --> 00:31:51,878 WHAT DO YOU DO? 627 00:31:54,180 --> 00:31:58,117 I'M A CLASSICAL PIANIST. I'M ON TOUR. 628 00:31:58,118 --> 00:32:01,287 I'VE NEVER REALLY UNDERSTOOD CLASSICAL MUSIC. 629 00:32:01,288 --> 00:32:04,424 WELL, IT'S LIKE ANY OTHER KIND OF MUSIC. 630 00:32:04,425 --> 00:32:08,628 THERE'S TINY VIBRATIONS THAT MAKE YOU FEEL THINGS. 631 00:32:10,697 --> 00:32:14,500 AND IF YOU'RE REALLY LISTENING, 632 00:32:14,501 --> 00:32:19,172 IT CAN MAKE YOU FEEL JOY... OR PAIN. 633 00:32:26,679 --> 00:32:28,648 OR BOTH. 634 00:33:02,415 --> 00:33:04,450 LATER, MOM. 635 00:33:04,451 --> 00:33:06,552 WAIT. WAIT. WHERE ARE YOU GOING? 636 00:33:06,553 --> 00:33:08,187 UH, BATTING CAGE WITH MIKE. 637 00:33:08,188 --> 00:33:10,857 OH, OKAY. COME HERE. FIRST THINGS FIRST. 638 00:33:13,626 --> 00:33:15,561 I LOVE YOU, KID. 639 00:33:18,931 --> 00:33:20,633 YOU KNOW THAT, RIGHT? 640 00:33:25,204 --> 00:33:26,773 BE CAREFUL. 641 00:33:28,708 --> 00:33:29,842 MOM? 642 00:33:29,843 --> 00:33:31,110 YEAH. 643 00:33:31,111 --> 00:33:34,180 IS EVERYTHING OKAY? 644 00:33:34,181 --> 00:33:35,481 YEAH. 645 00:33:35,482 --> 00:33:38,251 BECAUSE YOU'RE ACTING KIND OF WEIRD. 646 00:33:38,252 --> 00:33:42,388 OH, I'M JUST WORRIED ABOUT UNCLE T.J. 647 00:33:42,389 --> 00:33:43,823 HE'LL BE FINE. 648 00:33:43,824 --> 00:33:45,792 DAD WILL GET HIM OUT. 649 00:33:45,793 --> 00:33:48,294 YEAH. YES, HE WILL. 650 00:33:52,799 --> 00:33:55,401 I'LL BE BACK IN A MINUTE. 651 00:33:55,402 --> 00:33:56,903 WHAT? 652 00:33:56,904 --> 00:34:00,840 WHERE ARE YOU GOING? 653 00:34:42,114 --> 00:34:44,516 IF YOU'RE GONNA GO FOR THE KNOCKOUT, 654 00:34:44,517 --> 00:34:46,652 YOU BETTER KNOW HOW TO LAND IT. 655 00:35:12,178 --> 00:35:13,913 A TREASURE TROVE. 656 00:35:13,914 --> 00:35:15,882 HE'S GOT THE RACETRACK ON SPEED DIAL, 657 00:35:15,883 --> 00:35:18,217 A SERIOUS RELATIONSHIP WITH A HEMP CLINIC IN SKOKIE, 658 00:35:18,218 --> 00:35:19,352 AND CHECK THIS OUT. 659 00:35:19,353 --> 00:35:21,153 THE PHONE WAS REGISTERED TO AN M. HENDRICKS. 660 00:35:21,154 --> 00:35:22,989 PERKINS ISN'T EVEN THE GUY'S REAL NAME. 661 00:35:22,990 --> 00:35:24,190 SO WHO WAS PERKINS? 662 00:35:24,191 --> 00:35:26,759 NOBODY. AN ALIAS. BUT GET THIS. 663 00:35:26,760 --> 00:35:29,295 HENDRICKS MAKES 87 PHONE CALLS 664 00:35:29,296 --> 00:35:31,063 IN THE PAST MONTH TO ONE NUMBER. 665 00:35:31,064 --> 00:35:32,098 WHO WAS HE CALLING? 666 00:35:32,099 --> 00:35:33,766 LOU MROZEK. 667 00:35:33,767 --> 00:35:34,934 BINGO. 668 00:35:34,935 --> 00:35:36,469 BUT HERE'S WHERE IT GETS WEIRD. 669 00:35:36,470 --> 00:35:38,504 THE CALLS GET MORE FREQUENT IN THE PAST WEEK 670 00:35:38,505 --> 00:35:39,539 AFTER YOUR UNCLE DIED. 671 00:35:39,540 --> 00:35:41,240 YOU KNOW WHY? 672 00:35:41,241 --> 00:35:45,444 BECAUSE HE WASN'T CALLING UNCLE LOU. 673 00:35:45,445 --> 00:35:48,881 CONNIE? 674 00:35:54,787 --> 00:35:58,391 CONNIE? 675 00:36:30,156 --> 00:36:32,625 CONNIE? 676 00:36:32,626 --> 00:36:33,926 I'M SORRY, JACK. 677 00:36:33,927 --> 00:36:36,495 I DIDN'T WANT IT TO BE LIKE THIS. 678 00:36:44,470 --> 00:36:48,407 FRANK PERKINS. 679 00:36:52,768 --> 00:36:54,323 SHE EMBEZZLED THE MILLION DOLLARS 680 00:36:54,324 --> 00:36:56,648 FROM THE LOFTS PROJECT. LOU HAD NO IDEA. 681 00:36:56,649 --> 00:36:59,584 HE LET THATCHER TAKE ADVANTAGE OF HIM FOR 30 YEARS. 682 00:36:59,585 --> 00:37:00,986 I HAD TO GET US OUR DUE. 683 00:37:00,987 --> 00:37:02,187 SHE HAD AN ACCOMPLICE, 684 00:37:02,188 --> 00:37:04,656 A SMALL-TIME ACCOUNTANT NAMED MATTHEW HENDRICKS. 685 00:37:04,657 --> 00:37:07,726 SHE PAID HIM A CUT TO HELP SIPHON THE MONEY. 686 00:37:07,727 --> 00:37:10,095 I CAME UP WITH THE NAME FRANK PERKINS. 687 00:37:10,096 --> 00:37:13,165 A SHELL COMPANY THAT ALLOWED THEM UNMONITORED ACCESS 688 00:37:13,166 --> 00:37:15,834 TO OUR PROJECT MONEY. 689 00:37:15,835 --> 00:37:19,537 PERKINS WAS A SILENT PARTNER, ALMOST NEVER AROUND. 690 00:37:19,538 --> 00:37:21,746 HENDRICKS -- WELL, HE PLAYED THE ROLE 691 00:37:21,747 --> 00:37:23,381 AT THE OCCASIONAL PROJECT MEETING. 692 00:37:23,382 --> 00:37:26,184 AND AFTER I TRACKED HIM DOWN, HENDRICKS GOT PANICKY. 693 00:37:26,185 --> 00:37:28,786 HE TALKED TO CONNIE. 694 00:37:28,787 --> 00:37:31,689 SHE KNEW IT WAS ONLY A MATTER OF TIME 695 00:37:31,690 --> 00:37:34,992 BEFORE IT ALL FELL APART. 696 00:37:37,261 --> 00:37:39,797 SO SHE CONVINCED HENDRICKS 697 00:37:39,798 --> 00:37:43,801 TO HELP HER DO SOMETHING DRASTIC. 698 00:37:47,739 --> 00:37:50,641 WHY WOULD SHE STAGE THIS ELABORATE PIECE OF THEATER 699 00:37:50,642 --> 00:37:51,976 JUST FOR ELAINE? 700 00:37:51,977 --> 00:37:55,446 TO CONVINCE ELAINE THAT HER LIFE WAS IN IMMINENT DANGER. 701 00:37:55,447 --> 00:37:57,715 CONNIE NEEDED HER HELP TO ESCAPE. 702 00:38:00,318 --> 00:38:03,488 SHE STOLE A MILLION DOLLARS OF YOUR FATHER'S MONEY. 703 00:38:03,489 --> 00:38:05,289 HE'S NOT GONNA MISS IT. 704 00:38:05,290 --> 00:38:06,390 ELAINE, WHY? 705 00:38:06,391 --> 00:38:07,925 WHY WOULD YOU AGREE TO HELP HER 706 00:38:07,926 --> 00:38:09,660 AFTER SHE MANIPULATED YOU LIKE THAT? 707 00:38:09,661 --> 00:38:13,131 JA-- I'M USED TO BEING MANIPULATED, JACK. 708 00:38:13,132 --> 00:38:14,132 HANDLED. 709 00:38:14,133 --> 00:38:15,967 THAT'S NORMAL TO ME NOW. 710 00:38:15,968 --> 00:38:18,369 YOU KNOW, CONNIE WAS A GOOD PERSON. 711 00:38:18,370 --> 00:38:21,439 SHE JUST GOT ALL TURNED AROUND BY THIS FAMILY. 712 00:38:21,440 --> 00:38:23,407 AND MY BROTHER IS INNOCENT. 713 00:38:23,408 --> 00:38:25,843 HE'S GONNA GET EATEN ALIVE IN JAIL. 714 00:38:25,844 --> 00:38:29,714 SO WITH CONNIE GONE, THEY'RE BOTH FREE. 715 00:38:31,749 --> 00:38:34,952 TWO BIRDS, ONE STONE, JACK. 716 00:38:34,953 --> 00:38:38,756 YOU REALLY ARE A KARSTEN AFTER ALL. 717 00:38:39,824 --> 00:38:45,596 UNTIL THE DAY I DIE. 718 00:38:45,597 --> 00:38:48,299 DO YOU EVER THINK ABOUT 719 00:38:48,300 --> 00:38:50,101 HOW THINGS COULD HAVE BEEN DIFFERENT? 720 00:38:50,102 --> 00:38:51,169 OH, COME ON. 721 00:38:51,170 --> 00:38:53,137 NO. DO YOU? 722 00:38:58,476 --> 00:39:02,613 YEAH, I DO SOMETIMES. 723 00:39:07,185 --> 00:39:10,121 CONNIE HAD A SHOT AT ESCAPE AND A CHANCE TO START OVER. 724 00:39:10,122 --> 00:39:15,593 I MEAN, THAT'S -- THAT'S MORE THAN I CAN SAY FOR US. 725 00:39:32,476 --> 00:39:34,879 WHOA. 726 00:39:34,880 --> 00:39:36,013 YOU'RE WORKING HARD. 727 00:39:36,014 --> 00:39:37,849 WHAT ARE YOU DOING HERE SO LATE? 728 00:39:37,850 --> 00:39:41,452 CLEARANCE ISSUES, THE BANE OF MY EXISTENCE. 729 00:39:41,453 --> 00:39:43,487 HOW WAS THE CONCERT? 730 00:39:43,488 --> 00:39:46,891 IT WAS, UM -- IT WAS KIND OF INCREDIBLE. 731 00:39:46,892 --> 00:39:48,125 LOOK. 732 00:39:51,863 --> 00:39:54,732 SARA. WOW. 733 00:40:06,544 --> 00:40:10,214 IT WAS LIKE NOTHING I'D EVER SEEN BEFORE. 734 00:40:10,215 --> 00:40:12,617 HE WAS TOTALLY CONSUMED, 735 00:40:12,618 --> 00:40:15,653 TRANSPORTED TO THIS OTHER PLANE. 736 00:40:15,654 --> 00:40:19,891 AND SUDDENLY EVERYTHING HE SAID TO ME MADE SENSE. 737 00:40:19,892 --> 00:40:23,127 I'VE BEEN LAZY. 738 00:40:23,128 --> 00:40:25,563 LAZY? HOW? 739 00:40:25,564 --> 00:40:27,398 AVOIDANT. AFRAID. 740 00:40:27,399 --> 00:40:30,401 WHAT ARE YOU TALKING ABOUT? 741 00:40:30,402 --> 00:40:32,336 W-WHAT ARE YOU AFRAID OF? 742 00:40:32,337 --> 00:40:36,274 JOY, PAIN, ALL OF IT. 743 00:40:38,109 --> 00:40:40,645 I WANT TO DO A SERIES ON OBSESSION, 744 00:40:40,646 --> 00:40:42,747 BUT WHAT DO I KNOW ABOUT IT? 745 00:40:42,748 --> 00:40:45,016 WHAT DO I KNOW ABOUT ANYTHING? 746 00:40:45,017 --> 00:40:47,652 ALL I'VE EVER DONE THROUGHOUT MY LIFE 747 00:40:47,653 --> 00:40:51,322 IS BE ON THE OUTSIDE OBSERVING BECAUSE I'M JUST AFRAID. 748 00:40:51,323 --> 00:40:53,724 I'M AFRAID OF FEELING. 749 00:40:53,725 --> 00:40:56,227 FEELING WHAT? 750 00:40:56,228 --> 00:40:59,230 THE MAGNITUDE OF THINGS. 751 00:41:11,309 --> 00:41:15,846 SOMETHING HAPPENED TO ME A WEEK AGO, 752 00:41:15,847 --> 00:41:17,882 AND IT CHANGED ME. 753 00:41:17,883 --> 00:41:20,051 CHANGED YOU HOW? 754 00:41:20,052 --> 00:41:24,488 I'VE BEEN TRYING TO MAKE IT GO AWAY, BUT I CAN'T. 755 00:41:27,992 --> 00:41:29,193 IT'S LIKE THERE'S THIS DOOR, 756 00:41:29,194 --> 00:41:32,763 AND ONCE I OPENED IT, EVERYTHING SHIFTED. 757 00:41:32,764 --> 00:41:36,000 WHAT HAPPENED A WEEK AGO? 758 00:41:37,068 --> 00:41:38,970 I MET SOMEONE. 759 00:41:43,808 --> 00:41:47,945 AND NOW THERE'S NO GOING BACK. 50827

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