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1
00:02:12,993 --> 00:02:14,658
HERE YOU GO.
2
00:02:18,402 --> 00:02:20,064
- THAT'S NICE.
- LIKE IT?
3
00:02:20,065 --> 00:02:21,728
THAT'S GOOD.
4
00:02:21,729 --> 00:02:23,392
RIGHT THIS WAY. HI.
5
00:02:23,393 --> 00:02:25,472
HI, HOW ARE YOU?
6
00:02:25,473 --> 00:02:27,552
- PERMISSION TO BOARD?
- HI, RIGHT THIS WAY.
7
00:02:51,680 --> 00:02:53,343
NOW WE'LL BE BACK SUNDAY.
8
00:02:53,344 --> 00:02:56,256
YOU LISTEN TO GRANDMA AND
DO YOUR CHORES, OKAY?
9
00:02:56,257 --> 00:02:58,335
WHY CAN'T I GO WITH YOU?
10
00:02:58,336 --> 00:03:00,415
AARON, WE TALKED ABOUT
THIS IN THE CAR.
11
00:03:00,416 --> 00:03:03,744
NOW THIS IS OUR HONEYMOON.
12
00:03:03,745 --> 00:03:05,407
IT'S OUR ALONE TIME.
13
00:03:05,408 --> 00:03:09,151
AARON, I KNOW YOU'RE STILL
NOT USED TO ALL THIS,
14
00:03:09,567 --> 00:03:11,647
BUT...
15
00:03:12,064 --> 00:03:14,976
I CARE VERY MUCH FOR
YOU AND YOUR FATHER.
16
00:03:16,639 --> 00:03:18,302
WE GOT YOU SOMETHING.
17
00:03:18,303 --> 00:03:19,968
HERE.
18
00:03:22,880 --> 00:03:24,958
WELL, AREN'T YOU
GOING TO OPEN IT?
19
00:03:27,455 --> 00:03:30,367
- AARON, WHAT ARE YOU DOING?
- SHE'S NOT MY MOTHER!
20
00:03:30,368 --> 00:03:32,862
THAT'S A TERRIBLE THING TO SAY.
WHAT'S THE MATTER WITH YOU?
21
00:03:32,863 --> 00:03:34,942
SHE'S NOT MY MOTHER.
MY MOTHER'S DEAD.
22
00:03:36,607 --> 00:03:39,519
HONEY, HOLD ON, HOLD ON.
23
00:03:39,520 --> 00:03:42,431
AARON, WHY ARE YOU
ACTING LIKE THIS?
24
00:03:44,095 --> 00:03:46,174
AARON, GET BACK HERE.
25
00:04:07,806 --> 00:04:10,717
AARON SAID SOME
REALLY MEAN THINGS.
26
00:04:10,718 --> 00:04:12,797
I'M SORRY YOU HAD
TO HEAR THAT.
27
00:04:12,798 --> 00:04:15,292
HE'S YOUNG.
28
00:04:15,293 --> 00:04:17,373
HE'LL ACCEPT ME WHEN
HE'S READY, HONEY.
29
00:04:19,454 --> 00:04:21,533
THINK HE HATES ME?
30
00:04:21,534 --> 00:04:24,446
OF COURSE NOT.
31
00:04:26,110 --> 00:04:28,189
HE'S A LITTLE BOY...
32
00:04:28,190 --> 00:04:30,268
WHO LOST HIS MOTHER.
33
00:04:30,269 --> 00:04:32,349
PARKER,
34
00:04:32,350 --> 00:04:34,844
GIVE IT TIME.
35
00:04:34,845 --> 00:04:36,924
OKAY?
36
00:04:36,925 --> 00:04:38,172
GIVE HIM TIME.
37
00:04:39,421 --> 00:04:41,086
HE'LL COME AROUND.
38
00:04:41,917 --> 00:04:43,997
COME HERE.
39
00:04:58,973 --> 00:05:01,052
CAPTAIN ON THE BRIDGE.
40
00:05:05,212 --> 00:05:08,124
- THAT A REFLECTIVE SIGNAL?
- YES, SIR.
41
00:05:11,036 --> 00:05:13,115
SIR, THAT SIGNAL IS ADVANCING.
42
00:05:13,116 --> 00:05:16,028
LESS THAN 400 YARDS
AND CLOSING.
43
00:05:16,444 --> 00:05:19,356
- EVER SEE A SQUALL LINE GIVE OFF
A SIGNAL LIKE THAT? - NO, SIR.
44
00:05:21,436 --> 00:05:23,932
SIR, IT LOOKS LIKE--
45
00:05:23,933 --> 00:05:27,259
LIKE LAND.
46
00:05:27,260 --> 00:05:31,003
NO, THAT'S IMPOSSIBLE. THERE'S
NO LAND FOR 200 MILES.
47
00:05:34,748 --> 00:05:38,491
SIR, SIGNAL CLOSING NOW
AT LESS THAN 200 YARDS.
48
00:05:46,395 --> 00:05:48,474
CAPTAIN, LOOK! STARBOARD BOW.
49
00:05:51,387 --> 00:05:54,300
OH MY GOD.
50
00:05:55,547 --> 00:05:58,043
ENGINE ROOM, FULL
REVERSE SCREWS.
51
00:05:58,044 --> 00:06:00,539
- HARD STARBOARD!
- HARD STARBOARD, SIR.
52
00:06:10,523 --> 00:06:14,267
- PARKER, WHAT'S HAPPENING?
- I DON'T KNOW.
53
00:06:14,267 --> 00:06:17,595
- FULL AHEAD. HARD PORT!
- HARD PORT, AYE, SIR!
54
00:06:26,746 --> 00:06:29,659
NOT COMING AROUND. WE'RE
NOT GOING TO MAKE IT!
55
00:06:46,298 --> 00:06:48,378
CAPTAIN. HERE.
56
00:07:01,689 --> 00:07:03,769
WHAT IS IT?
57
00:07:25,817 --> 00:07:28,311
WHEN THE MARY CELESTE
WAS DISCOVERED
58
00:07:28,312 --> 00:07:30,808
11 DAYS AFTER HER
DISAPPEARANCE,
59
00:07:30,809 --> 00:07:33,719
THE CAPTAIN, HIS
WIFE AND DAUGHTER
60
00:07:33,720 --> 00:07:37,463
AND A CREW OF EIGHT SEEMED
TO VANISH INTO THIN AIR.
61
00:07:37,464 --> 00:07:41,624
NOW THE BOAT WAS IN
REMARKABLY GOOD CONDITION,
62
00:07:41,625 --> 00:07:43,703
AND SOME REPORTS INDICATE
63
00:07:43,704 --> 00:07:47,031
THAT A MEAL WAS STILL COOKING
ON THE STOVE IN THE GALLEY,
64
00:07:47,032 --> 00:07:50,360
AND THAT WARM COFFEE
CUPS REMAINED INTACT
65
00:07:50,361 --> 00:07:52,439
IN THE MESS HALL.
66
00:07:52,440 --> 00:07:55,351
THE MARY CELESTE REMAINS
67
00:07:55,352 --> 00:07:58,263
ONE OF THE MOST BAFFLING
AND MYSTERIOUS CASES
68
00:07:58,264 --> 00:07:59,511
IN THE HISTORY OF HUMANKIND.
69
00:08:02,008 --> 00:08:05,335
THE MARY CELESTE REMAINS ONE OF THE
MOST BAFFLING AND MYSTERIOUS CASES
70
00:08:05,335 --> 00:08:07,830
IN THE HISTORY OF THE REGION
71
00:08:08,248 --> 00:08:10,742
KNOWN AS THE BERMUDA TRIANGLE.
72
00:08:10,743 --> 00:08:14,070
THE MARY CELESTE IS ONE
OF THE MOST BAFFLING
73
00:08:14,071 --> 00:08:16,150
AND TERRIFYING,
74
00:08:16,151 --> 00:08:19,062
AND MYSTERIOUS, CONFUSING--
75
00:08:19,063 --> 00:08:20,310
BAFFLING AND MYSTERIOUS!
76
00:08:20,311 --> 00:08:22,390
THE MARY CELESTE IS...
77
00:08:22,391 --> 00:08:26,134
ONE OF THE MOST--
78
00:08:26,135 --> 00:08:29,463
AW, CRAP.
79
00:08:29,464 --> 00:08:32,375
THAT'S ALWAYS BOTHERED
YOU, HASN'T IT?
80
00:08:33,208 --> 00:08:36,118
I'M-- I'M SORRY.
DO I KNOW YOU?
81
00:08:36,119 --> 00:08:39,030
THE SIMILARITIES BETWEEN THE
TWO CASES ARE REMARKABLE.
82
00:08:39,031 --> 00:08:40,694
WHAT TWO CASES?
83
00:08:40,695 --> 00:08:43,189
THE MARY CELESTE AND
THE CORONA QUEEN.
84
00:08:43,190 --> 00:08:45,269
NO, NOT REALLY. THE CORONA
QUEEN'S NEVER BEEN FOUND.
85
00:08:45,686 --> 00:08:49,014
NO, BUT WE HAVE TO GET
ON WITH OUR LIVES.
86
00:08:49,430 --> 00:08:51,926
- GOODBYE.
- EXCUSE ME, HOW DID YOU GET IN HERE?
87
00:08:56,087 --> 00:08:58,582
HEY, I WAS JUST
COMING TO SEE YOU.
88
00:08:58,583 --> 00:09:00,660
DID YOU JUST SEE A GUY
COME OUT OF MY OFFICE?
89
00:09:00,661 --> 00:09:03,157
JUST NOW. A TALL GUY.
90
00:09:03,158 --> 00:09:04,405
NO.
91
00:09:06,070 --> 00:09:08,148
ARE YOU ALL RIGHT?
92
00:09:08,149 --> 00:09:11,478
YEAH, YEAH. I JUST
THOUGHT I SAW SOMEONE.
93
00:09:12,726 --> 00:09:14,805
UMM... YOU WANTED TO SEE ME?
94
00:09:14,805 --> 00:09:17,717
- YEAH.
- COME ON.
95
00:09:25,206 --> 00:09:27,700
- HAVE YOU HEARD?
- HEARD WHAT?
96
00:09:27,701 --> 00:09:30,613
YOU REALLY NEED TO GET
OUT OF THE OFFICE MORE.
97
00:09:32,277 --> 00:09:34,772
I JUST HEARD ON THE RADIO.
THE COAST GUARD IS REPORTING
98
00:09:34,773 --> 00:09:36,436
THAT A FISHING BOAT FOUND IT.
99
00:09:36,437 --> 00:09:38,933
- FOUND WHAT?
- THE CORONA QUEEN.
100
00:09:40,597 --> 00:09:43,924
NOT MANY DETAILS BUT
IT'S ALL OVER THE NEWS.
101
00:09:43,925 --> 00:09:46,835
I'M REALLY SURPRISED
YOU HAVEN'T HEARD.
102
00:09:46,836 --> 00:09:49,748
- WHERE?
- OFF THE BERMUDA ISLANDS.
103
00:09:51,412 --> 00:09:53,908
IS THERE A STORM
BREWING OUT THERE?
104
00:09:53,909 --> 00:09:58,484
YEAH. THAT'S ONE OF THE REASONS
THEY HAVEN'T GONE BACK OUT.
105
00:10:00,981 --> 00:10:02,643
ARE YOU SURE YOU'RE OKAY?
106
00:10:02,644 --> 00:10:04,308
YEAH, YEAH, YEAH.
107
00:10:04,309 --> 00:10:07,219
SOMETIMES I JUST
HATE BEING RIGHT.
108
00:10:07,220 --> 00:10:11,796
YOU'RE TALKING ABOUT
THAT TRIANGLE THEORY?
109
00:10:12,212 --> 00:10:14,291
DON'T LET HOLDSTEIN
GET WIND OF IT,
110
00:10:14,292 --> 00:10:17,203
OR HE'LL RAKE YOU
OVER THE COALS AGAIN.
111
00:10:17,204 --> 00:10:21,363
- REMEMBER LAST TIME?
- HOLDSTEIN IS AN IDIOT WITH NO IMAGINATION.
112
00:10:21,364 --> 00:10:23,443
HE HAS NO BUSINESS
RUNNING THIS INSTITUTE.
113
00:10:23,860 --> 00:10:25,107
MAYBE NOT.
114
00:10:25,108 --> 00:10:27,187
BUT HE BRINGS IN THE FUNDING.
115
00:10:27,188 --> 00:10:30,514
AND YOU HAVE TO ADMIT, SOME OF
YOUR STUFF IS A LITTLE OUT THERE.
116
00:10:30,515 --> 00:10:33,842
MARY, QUANTUM PHYSICS ASIDE
117
00:10:33,843 --> 00:10:36,754
WE STUDY PSYCHIC AND
PARANORMAL PHENOMENA.
118
00:10:36,755 --> 00:10:39,250
EVERYTHING WE DO IS A
LITTLE BIT OUT THERE.
119
00:10:39,251 --> 00:10:42,994
YOU REALLY NEED TO THINK
ABOUT TAKING A VACATION.
120
00:10:45,491 --> 00:10:47,155
And then,
121
00:10:47,156 --> 00:10:49,233
my dead husband returned
from the grave.
122
00:10:49,234 --> 00:10:52,562
You think something like
that can't happen to you,
123
00:10:52,978 --> 00:10:54,642
but it can.
124
00:10:54,643 --> 00:10:57,138
Mabel, why do you think
you had this visitation
125
00:10:57,139 --> 00:10:58,802
from your deceased husband?
126
00:10:58,803 --> 00:11:01,713
I don't know. But there I was
127
00:11:01,714 --> 00:11:03,794
in my kitchen, canning peaches
128
00:11:03,795 --> 00:11:06,290
and I seen him there.
129
00:11:08,370 --> 00:11:11,282
THIS IS REALLY BAD. I CAN'T
SHOW THIS TO THE NETWORK.
130
00:11:11,283 --> 00:11:13,361
HEY, YOU PICK 'EM.
I JUST SHOOT 'EM.
131
00:11:16,690 --> 00:11:18,770
- HEY, JULES.
- RANDALL.
132
00:11:19,187 --> 00:11:22,515
- HERE ARE THE MORNING TRANSCRIPTS.
- THANK YOU.
133
00:11:25,010 --> 00:11:28,337
DANA, YOU'RE STILL TAKING
YOUR VACATION NEXT MONTH?
134
00:11:28,338 --> 00:11:30,417
YES. WHY?
135
00:11:30,418 --> 00:11:32,913
I JUST WANTED TO ASK YOU
IF YOU WOULD CONSIDER
136
00:11:32,914 --> 00:11:36,657
LETTING ME TAKE THE
BROWNSVILLE ASSIGNMENT?
137
00:11:36,658 --> 00:11:39,152
I DON'T KNOW HOW COMFORTABLE
I AM WITH THAT.
138
00:11:39,153 --> 00:11:42,065
OKAY,
139
00:11:42,482 --> 00:11:45,809
BUT I ALREADY RAN
IT BY KAPLAN,
140
00:11:45,810 --> 00:11:48,304
AND HE THOUGHT IT WAS
A REALLY GOOD IDEA.
141
00:11:48,305 --> 00:11:49,968
OH.
142
00:11:49,969 --> 00:11:51,633
YOU DON'T THINK I WENT
BEHIND YOUR BACK?
143
00:11:51,634 --> 00:11:53,297
NO.
144
00:11:53,298 --> 00:11:56,208
NO, NO. IT'S ALL RIGHT.
145
00:11:56,209 --> 00:11:59,952
JUST SLOW DOWN A LITTLE.
YOUR CHANCE WILL COME, OKAY?
146
00:11:59,953 --> 00:12:03,280
THANKS, DANA. I APPRECIATE IT.
147
00:12:03,281 --> 00:12:04,945
NO, NO, NO. REALLY,
IT'S ALL RIGHT.
148
00:12:04,946 --> 00:12:07,856
HEY, WHAT YOU GOT THERE, DEE?
149
00:12:07,857 --> 00:12:09,935
JULIE, GET EVERYTHING YOU
CAN ON THE BERMUDA TRIANGLE
150
00:12:09,936 --> 00:12:11,599
AND A PASSENGER SHIP
CALLED THE CORONA QUEEN.
151
00:12:11,600 --> 00:12:13,265
RANDALL, GET A FIELD
PACKAGE TOGETHER.
152
00:12:13,266 --> 00:12:15,760
WHAT? BETACAM, COUPLE
OF RADIO MICS?
153
00:12:15,761 --> 00:12:18,256
NO, NO. WHOLE ENCHILADA.
INFRARED, TIME-LAPSE.
154
00:12:18,672 --> 00:12:21,168
- LOADING UP FOR BEAR?
- AND LIONS, AND TIGERS.
155
00:12:21,584 --> 00:12:22,416
RIGHT ON.
156
00:12:23,665 --> 00:12:25,327
WHERE ARE WE GOING?
157
00:12:25,328 --> 00:12:27,824
RANDALL AND I ARE
CHECKING OUT A STORY.
158
00:12:30,320 --> 00:12:33,647
COME IN.
159
00:12:33,648 --> 00:12:35,311
- HEY.
- HELLO.
160
00:12:35,312 --> 00:12:37,807
- HEAR YOU GOT A BIG ONE.
- LOOKS THAT WAY.
161
00:12:37,808 --> 00:12:40,719
- I'M WORKING AN ANGLE RIGHT NOW.
- GREAT, GREAT.
162
00:12:40,720 --> 00:12:42,799
- LISTEN, YOU GOT A MINUTE?
- SURE.
163
00:12:52,783 --> 00:12:56,110
- I'VE BEEN TALKING TO THE SUITS.
- AND?
164
00:12:56,111 --> 00:12:59,023
AND...
165
00:12:59,024 --> 00:13:01,103
THERE SEEMS TO BE SOME
CONCERN ABOUT THE RATINGS,
166
00:13:01,104 --> 00:13:04,430
TALK ABOUT NEW BLOOD.
167
00:13:04,431 --> 00:13:06,095
JULIE.
168
00:13:06,096 --> 00:13:08,174
SHE'S ATTRACTIVE,
SHE'S BRIGHT.
169
00:13:08,175 --> 00:13:10,670
SHE FITS RIGHT INTO THE
18 TO 35 DEMOGRAPHIC.
170
00:13:10,671 --> 00:13:15,247
- SO I'M TOO OLD NOW?
- NOBODY IS SAYING THAT.
171
00:13:15,248 --> 00:13:17,743
THEY JUST WANT TO TRY
HER OUT ONCE IN AWHILE.
172
00:13:18,159 --> 00:13:21,486
YOU KNOW, THROW HER A FIELD
ASSIGNMENT NOW AND THEN.
173
00:13:21,487 --> 00:13:24,397
WHAT ABOUT ME? I HAVE SPENT
THE PAST THREE YEARS
174
00:13:24,398 --> 00:13:26,894
TRYING TO BUILD THIS SHOW
INTO SOMETHING RESPECTABLE.
175
00:13:26,895 --> 00:13:28,974
AND YOU'VE DONE A GREAT JOB.
176
00:13:28,975 --> 00:13:31,469
BUT JUST...
177
00:13:31,470 --> 00:13:33,966
THEY FEEL IT'S
TIME FOR A CHANGE.
178
00:13:35,630 --> 00:13:37,710
MIKE, I'M ONTO A BIG
STORY RIGHT NOW.
179
00:13:37,711 --> 00:13:40,206
CAN WE DO THIS LATER?
180
00:13:40,207 --> 00:13:42,285
WE CAN DO IT ANYTIME
YOU WANT, DANA.
181
00:13:42,286 --> 00:13:45,614
BUT IT'S TIME FOR JULIE
TO START MOVING UP.
182
00:13:46,862 --> 00:13:49,357
DON'T FIGHT ME ON THIS.
183
00:13:49,358 --> 00:13:50,605
IS THAT A THREAT?
184
00:13:51,022 --> 00:13:54,350
NO, IT'S GOOD CAREER ADVICE.
185
00:14:30,540 --> 00:14:32,619
HI. AARON ROBERTS?
186
00:14:33,036 --> 00:14:35,532
- I'M DANA.
- DANA ELWAY.
187
00:14:35,533 --> 00:14:37,612
- NICE TO MEET YOU.
- YOU WATCH MY SHOW?
188
00:14:38,028 --> 00:14:40,108
JOURNALS OF THE UNEXPLAINED?
189
00:14:40,524 --> 00:14:43,436
SOMETIMES.
190
00:14:43,437 --> 00:14:45,932
YOU LOOK BETTER IN PERSON.
191
00:14:45,933 --> 00:14:49,259
OH, THANK YOU. I THINK.
192
00:14:49,260 --> 00:14:51,340
I KNOW WHAT YOU'RE HERE FOR.
WOULD YOU LIKE TO COME IN?
193
00:14:51,341 --> 00:14:53,420
THANKS.
194
00:14:56,332 --> 00:14:59,659
MR. ROBERTS, I'M A
LITTLE PRESSED FOR TIME,
195
00:14:59,660 --> 00:15:01,324
SO CAN I GET TO THE POINT?
196
00:15:01,740 --> 00:15:03,405
I WOULD LIKE YOU TO
SEE SOMETHING FIRST.
197
00:15:03,405 --> 00:15:05,068
OKAY.
198
00:15:07,979 --> 00:15:12,138
THIS PICTURE WAS TAKEN WHEN
I WAS EIGHT YEARS OLD.
199
00:15:17,131 --> 00:15:19,626
AND EVERY COUPLE OF YEARS
200
00:15:19,627 --> 00:15:22,122
SOMEONE IS NOSING AROUND
201
00:15:22,123 --> 00:15:25,035
LOOKING FOR A NEW ANGLE
ON AN OLD STORY.
202
00:15:25,036 --> 00:15:26,698
BUT THIS TIME
THERE IS A STORY.
203
00:15:26,699 --> 00:15:30,027
I'D REALLY LIKE AN EXCLUSIVE.
204
00:15:30,028 --> 00:15:31,690
AND CONSIDERING
YOUR BACKGROUND,
205
00:15:31,691 --> 00:15:33,771
YOU'RE A WONDERFUL CHOICE.
206
00:15:33,772 --> 00:15:35,850
THIS IS BIG NEWS FOR US.
207
00:15:35,851 --> 00:15:37,515
YEAH, RIGHT.
208
00:15:37,516 --> 00:15:42,090
WILL IT AIR BEFORE THE
TWO-HEADED ALIEN BABY,
209
00:15:42,091 --> 00:15:44,586
OR AFTER "I TOOK A
SHOWER WITH SATAN"?
210
00:15:45,003 --> 00:15:47,914
THAT WAS ACTUALLY ONE OF
OUR HIGHEST-RATED SHOWS,
211
00:15:47,915 --> 00:15:49,993
AND I DOUBT THAT THIS
WOULD EVEN COME CLOSE.
212
00:15:50,411 --> 00:15:52,906
WOULD IT HELP IF I
HAD SOME HORNS?
213
00:15:52,907 --> 00:15:55,818
VERY FUNNY.
214
00:15:55,819 --> 00:15:57,897
LOOK, THINK ABOUT IT.
215
00:15:57,898 --> 00:16:00,810
YOU... A YOUNG BOY...
216
00:16:02,058 --> 00:16:03,721
SAYING GOODBYE TO YOUR PARENTS
217
00:16:03,722 --> 00:16:05,801
BEFORE THE CORONA
QUEEN DISAPPEARS
218
00:16:05,802 --> 00:16:07,465
INTO THE BERMUDA TRIANGLE.
219
00:16:07,466 --> 00:16:10,377
AND THEN, YEARS LATER,
THE SHIP RETURNS,
220
00:16:10,378 --> 00:16:14,121
AND YOU GO ABOARD TO SAY
YOUR FINAL GOODBYE.
221
00:16:14,122 --> 00:16:15,370
GO ABOARD?
222
00:16:15,370 --> 00:16:17,034
WE'RE FLYING OUT TO THE
SHIP IN FOUR HOURS.
223
00:16:17,449 --> 00:16:19,529
WILL YOU GO?
224
00:16:22,442 --> 00:16:24,105
I DON'T KNOW.
225
00:16:24,106 --> 00:16:26,600
LOOK-- LOOK, MR. ROBERTS,
226
00:16:26,601 --> 00:16:28,680
LET ME BE STRAIGHT WITH YOU.
227
00:16:28,681 --> 00:16:31,592
I NEED THIS STORY.
228
00:16:31,593 --> 00:16:32,424
I THINK IT WOULD BE
GOOD FOR BOTH OF US.
229
00:16:32,425 --> 00:16:34,921
HOW'S THAT?
230
00:16:34,922 --> 00:16:39,080
I'VE DONE MY HOMEWORK. I KNOW ABOUT
YOUR WORK IN PARAPSYCHOLOGY,
231
00:16:39,081 --> 00:16:42,824
AND I KNOW ABOUT YOUR INTEREST
IN THE BERMUDA TRIANGLE.
232
00:16:42,825 --> 00:16:44,904
WE TALK THE SAME LANGUAGE.
233
00:16:46,569 --> 00:16:48,232
I DON'T THINK SO.
234
00:16:48,233 --> 00:16:51,560
I SEE THE PARANORMAL AS A
FIELD OF SCIENTIFIC STUDY.
235
00:16:51,561 --> 00:16:55,304
YOU SEE IT AS A WAY TO
EXPLOIT PEOPLE'S FEARS.
236
00:16:55,720 --> 00:16:58,216
I'VE SPENT THE LAST 15
YEARS FIGHTING AGAINST
237
00:16:58,217 --> 00:17:00,711
THE SORT OF STORIES
THE MEDIA FABRICATES.
238
00:17:00,712 --> 00:17:04,039
AND BESIDES, MY INTEREST
IN THE TRIANGLE IS--
239
00:17:04,040 --> 00:17:06,536
IT'S PURELY PERSONAL.
240
00:17:06,953 --> 00:17:09,864
IT'S NOT SANCTIONED
BY THE INSTITUTE.
241
00:17:09,865 --> 00:17:11,943
YOU CAN'T TELL ME THAT
YOU AREN'T INTRIGUED.
242
00:17:11,944 --> 00:17:14,439
I WOULD BE LYING
243
00:17:14,440 --> 00:17:17,352
IF I SAID I WASN'T
ITCHING TO GO WITH YOU.
244
00:17:17,353 --> 00:17:19,847
THEN DO.
245
00:17:19,848 --> 00:17:22,344
I'M SORRY.
246
00:17:22,760 --> 00:17:26,918
I JUST DON'T FEEL COMFORTABLE WITH
YOU EXPLOITING MY FATHER'S DEATH
247
00:17:26,919 --> 00:17:28,583
FOR TV RATINGS.
248
00:17:31,496 --> 00:17:33,575
I UNDERSTAND.
249
00:17:37,736 --> 00:17:39,814
UMM...
250
00:17:41,895 --> 00:17:43,559
IF YOU CHANGE YOUR MIND.
251
00:17:47,303 --> 00:17:50,214
YOU KNOW, I WAS KIND OF
EXPECTING THE HARD SELL.
252
00:17:50,215 --> 00:17:53,958
NO, THAT'S DEAN LAWSON FROM "THE
ADVENTURES OF THE PARANORMAL."
253
00:17:53,959 --> 00:17:56,871
WE'RE THE GOOD GUYS.
254
00:17:58,119 --> 00:18:00,199
BYE.
255
00:18:08,103 --> 00:18:11,846
I WANT TO THANK YOU,
YOU'VE HELPED ME SO MUCH.
256
00:18:11,847 --> 00:18:13,509
THANK YOU SO MUCH.
257
00:18:13,510 --> 00:18:16,837
IT'S BEEN GREAT. I'M
REALLY EXCITED.
258
00:18:16,838 --> 00:18:18,917
I CAN'T WAIT TO START.
259
00:18:20,167 --> 00:18:21,831
- GOODBYE.
- BYE BYE.
260
00:18:29,318 --> 00:18:32,645
- SO, HOW'S THE STORY GOING?
- WE'VE GOT A HELICOPTER.
261
00:18:32,646 --> 00:18:34,726
JUST A FEW OF THE
DETAILS TO WORK OUT.
262
00:18:35,142 --> 00:18:37,637
- WE LEAVE IN A COUPLE OF HOURS.
- GOOD, GOOD, GOOD.
263
00:18:37,638 --> 00:18:38,886
- YEAH.
- LISTEN,
264
00:18:39,302 --> 00:18:40,965
ONE THING.
265
00:18:40,966 --> 00:18:43,461
JULIE'S GOING WITH YOU.
266
00:18:43,462 --> 00:18:45,540
WHY? RANDALL AND I
CAN HANDLE THIS.
267
00:18:45,541 --> 00:18:47,206
I KNOW, I KNOW, I KNOW.
268
00:18:47,621 --> 00:18:49,285
BUT SHE'S GOT TO GET SOME
EXPERIENCE IN THE FIELD
269
00:18:49,286 --> 00:18:51,364
IF SHE'S GOING TO
TAKE OVER FOR YOU
270
00:18:51,365 --> 00:18:53,029
WHILE YOU'RE ON
VACATION NEXT MONTH.
271
00:18:53,030 --> 00:18:55,940
IT IS JUST A VACATION,
MIKE, ISN'T IT?
272
00:18:55,941 --> 00:18:58,020
OR DO I NEED TO START
WORKING ON MY RESUME?
273
00:19:00,101 --> 00:19:03,012
WHAT'S THE MATTER? YOU WORRIED SHE
MAY GET BETTER RATINGS THAN YOU?
274
00:19:03,013 --> 00:19:05,092
WHAT KIND OF RATINGS
ARE WE TALKING ABOUT?
275
00:19:05,093 --> 00:19:07,588
THE ONLY KIND THAT MATTER.
276
00:19:08,837 --> 00:19:10,916
COME ON, THIS IS BUSINESS.
277
00:19:10,917 --> 00:19:13,413
IT'S NOT PERSONAL.
278
00:19:15,077 --> 00:19:16,740
FINE.
279
00:19:16,741 --> 00:19:18,404
I HOPE SHE'S READY.
280
00:19:30,884 --> 00:19:33,380
There she blows!
281
00:19:33,797 --> 00:19:35,875
Are you guys out
of your minds?
282
00:19:38,788 --> 00:19:41,284
Hey! What's going on in there?
283
00:19:42,532 --> 00:19:44,611
For Christ's sake, we
could all die here!
284
00:20:18,723 --> 00:20:20,387
HELLO.
285
00:20:24,130 --> 00:20:26,210
HELLO?
286
00:20:59,073 --> 00:21:02,402
- MR. SHAW?
- YOU'RE LATE.
287
00:21:02,403 --> 00:21:06,561
RANDALL, THIS IS DAVID SHAW, HE
WORKS WITH CRESCENT CRUISES.
288
00:21:06,977 --> 00:21:08,225
THEY OPERATED THE
CORONA QUEEN.
289
00:21:08,226 --> 00:21:10,305
RANDALL BANKS, CAMERAMAN.
290
00:21:13,217 --> 00:21:15,712
JULIE LARGO, FIELD
CORRESPONDENT.
291
00:21:15,713 --> 00:21:17,793
HI.
292
00:21:21,538 --> 00:21:24,032
THIS IS HIM AND THAT'S HIM.
293
00:21:24,033 --> 00:21:26,528
MY TWO BEST SALVAGE OPERATORS.
294
00:21:26,529 --> 00:21:29,025
RANDALL, JULIE, WHY DON'T YOU
START LOADING THE EQUIPMENT?
295
00:21:29,026 --> 00:21:30,689
- SURE.
- YEAH.
296
00:21:33,600 --> 00:21:36,096
THANKS FOR HELPING OUT
ON SUCH SHORT NOTICE.
297
00:21:36,513 --> 00:21:37,760
NO PROBLEM. DID YOU HOLD UP
298
00:21:37,761 --> 00:21:39,424
WITH YOUR END OF
THE ARRANGEMENT?
299
00:21:39,425 --> 00:21:40,673
YEAH.
300
00:21:41,089 --> 00:21:43,583
HALF NOW,
301
00:21:43,584 --> 00:21:45,248
HALF WHEN WE GET BACK.
302
00:22:07,296 --> 00:22:09,375
WHAT ARE YOU WAITING FOR?
303
00:22:09,376 --> 00:22:11,872
- WE'VE GOT ONE MORE PERSON.
- NO, WE'VE GOT TO TAKE OFF.
304
00:22:11,873 --> 00:22:14,783
- THE STORM IS GETTING WORSE.
- COME ON, JUST GIVE ME TWO MORE MINUTES.
305
00:22:14,784 --> 00:22:16,863
THIS STORM'S GOING TO
BE A BITCH AND A HALF.
306
00:22:16,864 --> 00:22:19,360
WE'RE NOT GOING TO MAKE
IT IF WE DON'T LEAVE NOW.
307
00:22:35,583 --> 00:22:38,495
GREAT TIMING. ONE MORE MINUTE
AND YOU WOULD HAVE MISSED US.
308
00:22:38,496 --> 00:22:40,574
- COME ON.
- WAIT, WAIT, WAIT.
309
00:22:40,575 --> 00:22:43,902
WE'RE GOING TO DO THIS
ON MY TERMS, RIGHT?
310
00:22:45,567 --> 00:22:47,646
NO THEATRICS, NO MELODRAMA.
311
00:22:47,647 --> 00:22:50,142
OTHERWISE, I'M JUST-- I'M
GOING TO STAY HERE, OKAY?
312
00:22:50,143 --> 00:22:52,222
OKAY.
313
00:22:52,223 --> 00:22:53,886
I'M TRUSTING YOU.
314
00:22:53,887 --> 00:22:56,797
ALL RIGHT. LET'S GO.
315
00:22:56,798 --> 00:22:58,463
OKAY.
316
00:23:25,087 --> 00:23:29,245
HI, MY NAME IS DAVID
SHAW, CRESCENT CRUISES.
317
00:23:29,246 --> 00:23:31,325
AARON ROBERTS.
318
00:23:31,326 --> 00:23:33,404
YOU LOOK FAMILIAR.
319
00:23:33,405 --> 00:23:35,900
COULD BE.
320
00:23:35,901 --> 00:23:38,396
MY FAMILY SUED YOUR COMPANY.
321
00:23:38,397 --> 00:23:41,725
MY FATHER AND STEPMOTHER
WERE ON THE CORONA.
322
00:23:42,973 --> 00:23:45,884
THAT WAS BEFORE MY TIME.
323
00:23:49,629 --> 00:23:51,293
WHAT'S ALL THAT STUFF?
324
00:23:51,294 --> 00:23:52,956
IT'S MY FIELD GEAR.
325
00:23:52,957 --> 00:23:55,868
WHAT SORT OF GEAR?
326
00:23:55,869 --> 00:23:58,364
PARANORMAL RESEARCH STUFF.
327
00:23:58,365 --> 00:24:01,275
MEASURES ALL KINDS
OF PHENOMENA.
328
00:24:01,276 --> 00:24:04,189
WHAT SORT OF PHENOMENA?
329
00:24:04,190 --> 00:24:07,933
WE'LL HAVE TO FIND THAT OUT
WHEN WE GET THERE, WON'T WE?
330
00:24:19,996 --> 00:24:22,076
THIS IS OUR THIRD PASS.
331
00:24:22,077 --> 00:24:24,155
SO WHAT'S YOUR POINT?
332
00:24:24,156 --> 00:24:26,652
I DON'T HAVE THE FUEL FOR AN
EXTENDED SEARCH IN THESE WINDS.
333
00:24:27,069 --> 00:24:28,732
DO WE MATCH THE COAST
GUARD COORDINATES?
334
00:24:29,148 --> 00:24:31,643
I DON'T KNOW, WIND AND CURRENTS
MIGHT HAVE MOVED THE SHIP.
335
00:24:31,643 --> 00:24:34,139
JUST FIND THE SHIP, PLEASE.
336
00:24:39,548 --> 00:24:41,627
YOU WANT IN ON THIS?
337
00:24:51,195 --> 00:24:52,443
THIRSTY?
338
00:24:52,444 --> 00:24:54,108
NO, THANKS.
339
00:24:55,355 --> 00:24:58,683
I WENT SOBER THREE YEARS AGO.
340
00:25:00,764 --> 00:25:02,426
WOW.
341
00:25:02,427 --> 00:25:04,507
YEAH.
342
00:25:04,507 --> 00:25:08,250
SO WHAT DO YOU GUYS THINK ABOUT
THIS BERMUDA TRIANGLE STUFF?
343
00:25:08,251 --> 00:25:09,914
WIVES' TALE, OR THE REAL DEAL?
344
00:25:09,915 --> 00:25:11,994
WHAT'S BEHIND ALL THE PILOTS
AND PLANES DISAPPEARING?
345
00:25:11,995 --> 00:25:13,242
YEAH.
346
00:25:13,243 --> 00:25:15,322
STORMS.
347
00:25:15,323 --> 00:25:17,403
BAD NAVIGATION.
348
00:25:17,404 --> 00:25:19,066
FAULTY INSTRUMENTS.
349
00:25:19,067 --> 00:25:21,562
IT'S A BIG POND.
PEOPLE GET LOST.
350
00:25:22,810 --> 00:25:25,721
UNLESS YOU BELIEVE THE LEGEND.
351
00:25:25,722 --> 00:25:27,802
WHAT LEGEND?
352
00:25:27,803 --> 00:25:29,466
SOME PEOPLE SAY THE TRIANGLE
353
00:25:29,883 --> 00:25:32,794
IS LIKE A DOOR TO
SOMEPLACE ELSE.
354
00:25:32,795 --> 00:25:35,289
SOMETIMES THE DOOR
OPENS ONE WAY.
355
00:25:35,290 --> 00:25:36,953
SOMETIMES THE OTHER.
356
00:25:36,954 --> 00:25:38,618
A DOOR TO WHERE?
357
00:25:38,618 --> 00:25:41,113
THAT'S THE QUESTION, ISN'T IT?
358
00:25:41,530 --> 00:25:43,609
SOME PEOPLE SAY THE DOOR OPENS
359
00:25:44,027 --> 00:25:46,938
TO THE VERY BOWELS
OF HELL ITSELF.
360
00:25:48,186 --> 00:25:50,265
THERE IS SOME RESEARCH
361
00:25:50,266 --> 00:25:52,345
THAT SEEMS TO
SUBSTANTIATE THAT THEORY.
362
00:25:54,426 --> 00:25:56,505
THEN AGAIN,
363
00:25:56,506 --> 00:25:59,002
IT MAY JUST BE A
BOATLOAD OF BULLSHIT.
364
00:26:08,569 --> 00:26:10,649
- WHAT THE HELL WAS THAT?
- THAT WOULD BE TURBULENCE.
365
00:26:10,650 --> 00:26:13,561
NO SHIT.
366
00:26:16,057 --> 00:26:18,968
WHAT THE HELL IS
THIS, A PAGER?
367
00:26:18,969 --> 00:26:21,881
PAGER, NO. BUT IT GETS
THE MESSAGE ACROSS.
368
00:26:26,041 --> 00:26:27,704
GIVE ME TWO.
369
00:26:30,201 --> 00:26:32,695
SO, MR. ROBERTS,
370
00:26:32,696 --> 00:26:34,776
YOUR PARENTS WAS ON THIS
TUB 25 YEARS AGO, EH?
371
00:26:34,777 --> 00:26:36,856
YEAH.
372
00:26:36,857 --> 00:26:38,105
PARENTS GOT ON THE SHIP,
373
00:26:38,521 --> 00:26:41,016
SHIP DISAPPEARS,
374
00:26:41,017 --> 00:26:42,265
SHIP COMES BACK.
375
00:26:43,928 --> 00:26:45,175
TOUGH BREAK.
376
00:26:45,176 --> 00:26:47,671
YEAH.
377
00:26:54,744 --> 00:26:56,823
YOU GOT ANYTHING?
378
00:26:56,824 --> 00:26:58,903
I GOT SOMETHING OUT HERE.
379
00:27:02,647 --> 00:27:04,311
THAT'S IT. THAT'S
THE CORONA QUEEN!
380
00:27:04,312 --> 00:27:06,806
- DON'T GET EXCITED ABOUT IT.
- WHAT ELSE COULD IT BE?
381
00:27:06,807 --> 00:27:09,303
- IT MIGHT BE A NAVAL TARGET.
- THAT'S THE CORONA QUEEN.
382
00:27:33,014 --> 00:27:34,678
WISH ME LUCK.
383
00:28:21,269 --> 00:28:23,348
THAT'S IT.
384
00:28:27,509 --> 00:28:29,589
GET HIM OUT.
385
00:28:32,501 --> 00:28:34,581
GET BACK.
386
00:28:46,644 --> 00:28:48,308
DROP OUR SUPPLIES.
387
00:28:48,309 --> 00:28:50,804
I CAN'T HOLD HER MUCH LONGER.
388
00:28:50,805 --> 00:28:52,884
JUST HOVER OVER LONG ENOUGH
TO DROP OUR GODDAMN SUPPLIES!
389
00:28:53,301 --> 00:28:55,379
HEADS UP, HEADS UP.
390
00:28:58,708 --> 00:29:00,372
LET'S TAKE THIS STUFF
AND GET INSIDE.
391
00:29:01,621 --> 00:29:03,700
YOU TWO, UNLOAD IT.
392
00:29:59,858 --> 00:30:01,523
WHAT DO YOU THINK
HAPPENED IN HERE?
393
00:30:01,524 --> 00:30:02,354
DAS?
394
00:30:04,019 --> 00:30:06,931
SMALL EXPLOSION OR CHARGE
COULD'VE TAKEN THOSE OUT.
395
00:30:07,346 --> 00:30:09,426
ALMOST LOOKS LIKE
THEY WERE ATTACKED.
396
00:30:09,427 --> 00:30:11,090
ATTACKED BY WHAT?
397
00:30:11,091 --> 00:30:12,755
THERE WAS A LOT OF
PIRACY IN THE '70S.
398
00:30:12,756 --> 00:30:15,249
NOT USUALLY ON CRUISE
SHIPS, THOUGH.
399
00:30:15,250 --> 00:30:17,746
AH, HIJACKING MORE LIKELY.
400
00:30:17,747 --> 00:30:20,242
TERRORISTS.
401
00:30:20,242 --> 00:30:21,906
LOOKS LIKE THEY
JUST CAME IN HERE
402
00:30:21,907 --> 00:30:25,234
AND BLEW EVERYONE ALL TO HELL.
403
00:30:25,651 --> 00:30:27,314
WHAT DO YOU SUPPOSE HAPPENED
TO THE BODIES THEN?
404
00:30:33,970 --> 00:30:36,881
FIELDS, LET'S GET SOME KIND
OF COVER OVER THESE WINDOWS.
405
00:30:36,882 --> 00:30:39,793
WE'LL SAVE WHAT'S LEFT
OF THIS EQUIPMENT.
406
00:30:39,794 --> 00:30:42,704
WHY DON'T WE SET UP IN THE...
407
00:30:42,705 --> 00:30:44,785
CREW'S MESS, DOWN BELOW?
408
00:30:53,106 --> 00:30:56,017
WE'RE STANDING ON
THE CORONA QUEEN,
409
00:30:56,018 --> 00:30:58,512
A PASSENGER SHIP
THAT HAS REAPPEARED
410
00:30:58,513 --> 00:31:01,839
AFTER BEING OFFICIALLY LISTED
AS MISSING FOR 25 YEARS.
411
00:31:01,840 --> 00:31:04,753
THE LAST TIME AARON ROBERTS
SAW HIS PARENTS ALIVE,
412
00:31:04,754 --> 00:31:07,664
THEY WERE BOARDING
THIS VERY SHIP.
413
00:31:07,665 --> 00:31:10,160
AARON, WHAT ARE YOU FEELING?
414
00:31:14,320 --> 00:31:16,400
AARON?
415
00:31:16,817 --> 00:31:17,648
WHAT AM I FEELING?
416
00:31:17,649 --> 00:31:19,312
- YEAH.
- I FEEL...
417
00:31:19,313 --> 00:31:22,641
WET, A LITTLE HUNGRY...
418
00:31:23,889 --> 00:31:25,968
AND A LITTLE CONCERNED
YOUR PILOT FLEW OFF
419
00:31:26,385 --> 00:31:28,049
WITH ONE OF MY BAGS.
420
00:31:30,128 --> 00:31:32,208
I THOUGHT YOU CAME WITH US
TO BE PART OF THE STORY.
421
00:31:32,208 --> 00:31:34,704
AND I THOUGHT WE
HAD AN AGREEMENT.
422
00:31:34,704 --> 00:31:37,199
I CAN'T GET INSIDE OF YOUR HEAD IF
YOU DON'T GIVE ME A STRAIGHT ANSWER.
423
00:31:37,199 --> 00:31:39,695
I DON'T REMEMBER INVITING
YOU INSIDE MY HEAD.
424
00:31:41,776 --> 00:31:43,440
I'M SORRY.
425
00:31:43,857 --> 00:31:46,352
IT MUST BE DIFFICULT
BEING HERE.
426
00:32:19,631 --> 00:32:20,879
I'M GLAD I BROUGHT
THIS DOWN FIRST,
427
00:32:20,880 --> 00:32:24,207
OTHERWISE THIS WHOLE TRIP WOULD
BE ONE BIG WASTE OF TIME.
428
00:32:29,615 --> 00:32:31,694
THIS HERE IS A STANDARD
WITCH-HUNT PACKAGE.
429
00:32:32,943 --> 00:32:35,021
THREE HIGH-8 DIGICAMS,
430
00:32:35,022 --> 00:32:38,350
TWO INFRARED CCD CAMERAS,
431
00:32:38,766 --> 00:32:40,430
ONE FULL SPECTRUM CAM,
432
00:32:40,431 --> 00:32:42,093
TWO SENNHEISER 416 MICS,
433
00:32:42,094 --> 00:32:45,422
AND A PARABOLIC DISH.
434
00:32:45,422 --> 00:32:49,165
- WHAT'S THAT THING?
- IT MEASURES ATMOSPHERIC VARIANCES.
435
00:32:49,166 --> 00:32:51,245
WHEN A SPIRIT OR ENTITY
PASSES THROUGH A ROOM,
436
00:32:51,246 --> 00:32:53,741
IT LEAVES BEHIND A SORT OF
A FOOTPRINT IN THE AIR.
437
00:32:53,742 --> 00:32:56,238
ATMOSPHERIC VARIANCE, HUH?
438
00:32:59,566 --> 00:33:01,644
EMG IMAGER.
439
00:33:01,645 --> 00:33:04,557
THIS LETS US SEE RIPPLES
OR DISPLACEMENT
440
00:33:04,558 --> 00:33:06,221
CAUSED BY AN ENTITY
IN THE AREA.
441
00:33:06,222 --> 00:33:09,964
THAT'S THE OLD MODEL.
THIS IS THE LATEST.
442
00:33:09,965 --> 00:33:12,876
TOTALLY CLEAN. NO MORE
FALSE POSITIVE READINGS.
443
00:33:14,125 --> 00:33:15,373
COOL.
444
00:33:19,533 --> 00:33:20,780
HEY.
445
00:33:29,516 --> 00:33:32,844
WE COVERED UP THE WINDOWS. I DON'T
KNOW HOW MUCH GOOD IT WILL DO.
446
00:33:32,845 --> 00:33:35,340
MOST OF THE PANELS ARE
ALREADY RUSTED THROUGH.
447
00:33:35,341 --> 00:33:37,836
ASIDE FROM THE BRIDGE...
448
00:33:37,837 --> 00:33:39,916
THERE'S NO DAMAGE OR
CORROSION SO FAR.
449
00:33:39,917 --> 00:33:41,995
AFTER 25 YEARS AT SEA,
450
00:33:41,996 --> 00:33:43,660
SHE'S LOOKING PRETTY GOOD.
451
00:33:43,661 --> 00:33:44,908
PRETTY WEIRD.
452
00:33:44,909 --> 00:33:47,819
THIS TUB HASN'T AGED A DAY
SINCE SHE DISAPPEARED.
453
00:33:47,820 --> 00:33:51,148
10 YEARS ON THE HIGH SEAS, I'VE
NEVER SEEN ANYTHING LIKE IT.
454
00:33:51,149 --> 00:33:53,227
ALL RIGHT, LET'S GET
DOWN TO BUSINESS.
455
00:33:53,644 --> 00:33:55,308
WHILE WE'RE ABOARD THIS
SHIP, I'M YOUR CAPTAIN.
456
00:33:55,309 --> 00:33:57,804
NO QUESTIONS, NO ARGUMENTS,
457
00:33:57,805 --> 00:33:58,636
NO BULLSHIT.
458
00:34:00,300 --> 00:34:04,459
NOBODY GOES OFF BY THEMSELVES
WITHOUT TELLING OTHERS.
459
00:34:04,460 --> 00:34:06,123
WE DON'T KNOW WHAT
HAPPENED HERE.
460
00:34:06,124 --> 00:34:08,619
I WOULD STAY OUT OF THE
PASSENGER AREA FOR AWHILE.
461
00:34:08,620 --> 00:34:11,114
YOU CAN GET YOUR STORY,
462
00:34:11,115 --> 00:34:14,443
BUT WE DON'T WANT ANYBODY
HURT ON THIS TRIP.
463
00:34:14,444 --> 00:34:15,691
ALL RIGHT?
464
00:34:18,603 --> 00:34:20,683
DAS, FIELDS, SEE IF YOU
CAN GET SOME POWER ON.
465
00:34:20,684 --> 00:34:21,932
WE NEED SOME LIGHT.
466
00:34:24,012 --> 00:34:26,091
OKAY, WE'RE ON A
TIME CRUNCH HERE.
467
00:34:26,092 --> 00:34:28,171
WE GOT 24 HOURS TO
GET THIS SHIP READY
468
00:34:28,587 --> 00:34:30,666
TO BE TOWED BY
MY SALVAGE CREW.
469
00:34:30,667 --> 00:34:34,410
OTHERWISE WE LOSE IT TO THE
US-GODDAMN-COAST GUARD.
470
00:34:35,243 --> 00:34:39,402
OKAY. CLOCK'S TICKING.
471
00:34:39,403 --> 00:34:41,898
- WE'D BETTER GO FIND THE GENNY.
- ALL RIGHT.
472
00:34:43,563 --> 00:34:46,891
YOU GUYS MIND IF I TAG ALONG? I
JUST WANT TO GET SOME READINGS.
473
00:34:48,971 --> 00:34:51,466
IT'S FINE WITH ME.
474
00:34:51,467 --> 00:34:54,378
I'D LIKE TO GET SOME
BACKGROUND ON THE SHIP FIRST.
475
00:34:54,379 --> 00:34:56,874
- HISTORY, THAT KIND OF STUFF.
- I'LL HELP YOU ANY WAY I CAN.
476
00:34:56,875 --> 00:34:59,786
- JUST REMEMBER WHAT I SAID.
- YEAH.
477
00:34:59,787 --> 00:35:02,698
OKAY, CLOCK'S TICKING.
LET'S GO.
478
00:35:09,353 --> 00:35:12,266
THIS IS NOT THE
MOST LUXURIOUS SHIP
479
00:35:12,682 --> 00:35:13,930
I'VE EVER SEEN.
480
00:35:14,346 --> 00:35:16,010
YEAH, I KNOW WHAT YOU MEAN.
481
00:35:16,011 --> 00:35:18,505
THE NEW ONES ARE LIKE
FLOATING CASINOS AND SUCH.
482
00:35:18,506 --> 00:35:21,001
IT WAS A BIT DIFFERENT
BACK IN THE DAY.
483
00:35:22,250 --> 00:35:25,161
WHAT KIND OF A
SALVAGE OPERATION
484
00:35:25,162 --> 00:35:27,241
IS SHAW HAVING YOU RUN?
485
00:35:27,242 --> 00:35:29,737
THE ILLEGAL KIND.
486
00:35:29,738 --> 00:35:33,064
- WHAT DO YOU MEAN?
- WE'RE LIKE THE MILITARY.
487
00:35:33,065 --> 00:35:35,561
DON'T ASK, DON'T TELL.
488
00:35:35,562 --> 00:35:37,641
YOU SEE, MR. ROBERTS,
WE AIN'T EXACTLY
489
00:35:37,642 --> 00:35:39,720
SUPPOSED TO BE ON
THIS SHIP RIGHT NOW.
490
00:35:39,720 --> 00:35:41,385
BUT MONEY TALKS.
491
00:35:41,386 --> 00:35:44,713
AND BULLSHIT WALKS.
492
00:35:48,457 --> 00:35:50,536
HOW MUCH YOU THINK
SHAW'S GETTING?
493
00:35:50,537 --> 00:35:54,696
IT'S GOT TO BE SOMETHING TO
GET US OUT HERE SO FAST,
494
00:35:54,697 --> 00:35:57,192
I'LL TELL YOU ONE THING.
THE SALVAGE ON THIS TUB'S
495
00:35:57,193 --> 00:35:58,857
GOING TO BE WORTH A
HELL OF A LOT MORE
496
00:35:58,858 --> 00:36:01,353
THAN THE FIVE BILLS
HE'S PAYING US.
497
00:36:01,769 --> 00:36:03,431
DAMN STRAIGHT, DAS.
498
00:36:03,432 --> 00:36:05,928
DAMN STRAIGHT.
499
00:36:14,249 --> 00:36:16,744
YEAH, HERE WE GO.
500
00:36:18,824 --> 00:36:20,488
HEY, HOLD ON.
501
00:36:20,489 --> 00:36:21,737
WHAT'S DOWN THERE?
502
00:36:22,152 --> 00:36:23,815
THAT BE THE CREW GALLEY.
503
00:36:23,816 --> 00:36:27,143
OKAY, I'LL MEET UP
WITH YOU LATER.
504
00:36:27,144 --> 00:36:30,887
- OH, THANKS.
- I WOULDN'T OPEN ANY FREEZERS.
505
00:36:32,552 --> 00:36:33,798
WHY?
506
00:36:33,799 --> 00:36:36,295
25 YEARS WORTH OF
STINK, I'D IMAGINE.
507
00:36:36,296 --> 00:36:40,455
DAS, TELL HIM ABOUT THE
TUNA TENDER OFF MALAYSIA.
508
00:36:40,456 --> 00:36:42,534
THIS SHIP HAD ONLY BEEN
STRANDED OUT THERE
509
00:36:42,535 --> 00:36:44,199
FIVE OR SIX MONTHS,
510
00:36:44,200 --> 00:36:47,111
AND WE JUMPED INTO THE HOLD
WHERE THEY KEEP THE FISH.
511
00:36:47,112 --> 00:36:49,607
RIGHT UP TO OUR
DICKS IN MAGGOTS.
512
00:36:53,351 --> 00:36:55,847
- HAVE FUN.
- THANKS.
513
00:36:57,095 --> 00:36:58,759
MAGGOTS.
514
00:38:47,748 --> 00:38:50,660
I'D BE SURPRISED IF THIS PIECE
OF SHIT EVEN TURNS OVER.
515
00:38:51,076 --> 00:38:52,324
BE A BLEEDING MIRACLE.
516
00:38:56,900 --> 00:38:59,811
JESUS.
517
00:38:59,812 --> 00:39:02,307
THERE'S DEFINITELY
SOMETHING GOING ON HERE.
518
00:39:12,707 --> 00:39:15,618
David, tell us about the history of
the ship before her disappearance.
519
00:39:15,619 --> 00:39:17,282
All right, I'll try.
520
00:39:17,283 --> 00:39:19,362
The Corona Queen
was the sixth ship
521
00:39:19,363 --> 00:39:21,026
in the Crescent fleet.
522
00:39:21,027 --> 00:39:25,186
Her maiden voyage was on
January 22nd of 1968.
523
00:39:25,187 --> 00:39:27,682
Her first captain
was Willard Townes
524
00:39:27,683 --> 00:39:29,762
and the second was Stan Moore.
525
00:39:29,763 --> 00:39:32,674
She carried 325
passengers and crew.
526
00:39:32,675 --> 00:39:35,585
She had twin turbine
engines built in England.
527
00:39:35,586 --> 00:39:38,914
And then in July of 1972,
528
00:39:38,915 --> 00:39:41,410
she disappeared...
529
00:39:41,411 --> 00:39:43,074
without a trace until now.
530
00:39:43,906 --> 00:39:46,402
HEY, ROBERTS. EXCUSE ME.
531
00:39:46,818 --> 00:39:48,481
Randall, cut it.
532
00:39:48,482 --> 00:39:50,146
We'll pick it up later.
533
00:39:50,147 --> 00:39:51,393
ALL RIGHT.
534
00:39:51,394 --> 00:39:53,056
I THOUGHT I TOLD YOU NOT
TO WANDER OFF ALONE.
535
00:39:53,057 --> 00:39:54,306
I'M JUST TAKING SOME READINGS.
536
00:39:54,307 --> 00:39:55,553
LET ME REITERATE.
537
00:39:55,554 --> 00:39:58,050
I DON'T GIVE A SHIT.
538
00:39:58,051 --> 00:39:59,298
WHEN YOU'RE ON THIS SHIP,
YOU DO WHAT I TELL YOU,
539
00:39:59,299 --> 00:40:00,962
- YOU UNDERSTAND?
- YES.
540
00:40:13,442 --> 00:40:14,689
OKAY...
541
00:40:19,681 --> 00:40:21,346
HEY, DAS, GOOD WORK.
542
00:40:23,425 --> 00:40:26,336
GENNY CAME RIGHT UP.
PRETTY FUCKING WEIRD.
543
00:40:28,833 --> 00:40:31,328
WE'RE FIRING THE
ELECTRICAL PANELS UP NOW.
544
00:40:31,329 --> 00:40:34,656
- WHAT'S WITH THE MUSIC?
- SORRY ABOUT THE MUSIC.
545
00:40:34,657 --> 00:40:36,321
WE'LL HAVE IT OFF IN A MINUTE.
546
00:40:42,145 --> 00:40:44,225
OOOH.
547
00:40:45,889 --> 00:40:47,969
JUST TURN IT OFF.
548
00:40:53,792 --> 00:40:57,952
- COULD WE CONTINUE?
- YEAH.
549
00:40:57,952 --> 00:41:00,032
ALL RIGHT.
550
00:41:00,033 --> 00:41:02,112
WAIT. WAIT, SHH.
551
00:41:02,113 --> 00:41:05,856
IT'S AS THOUGH THE MIC'S
PICKING UP SOMETHING.
552
00:41:07,521 --> 00:41:09,599
WHERE'S IT COMING FROM?
553
00:41:09,600 --> 00:41:12,095
THINK IT'S COMING
FROM OVER HERE.
554
00:41:12,928 --> 00:41:15,424
IT'S LIKE A SQUEAKING.
555
00:41:31,231 --> 00:41:33,727
THERE. RIGHT THERE.
556
00:41:55,359 --> 00:41:58,270
- NOBODY TOUCH IT.
- WE ARE ON WATER.
557
00:41:59,935 --> 00:42:02,013
THINGS MOVE WHEN
THE SHIP MOVES.
558
00:42:06,174 --> 00:42:07,838
I DON'T THINK SO.
559
00:42:07,839 --> 00:42:10,334
THAT SEEMS MORE LIKE...
560
00:42:12,414 --> 00:42:14,493
OH, MAN.
561
00:42:15,742 --> 00:42:17,821
SEEMS MORE LIKE WHAT?
562
00:42:18,238 --> 00:42:20,318
LIKE SOMEONE IS RIDING IT.
563
00:42:22,398 --> 00:42:24,063
HEY, GUYS, IF I'M
READING THIS RIGHT,
564
00:42:24,064 --> 00:42:26,973
THIS ROOM IS HOT.
565
00:42:26,974 --> 00:42:28,637
HOT?
566
00:42:28,638 --> 00:42:30,301
LOTS OF PSYCHOKINETIC ENERGY.
567
00:42:30,302 --> 00:42:33,213
OKAY, WHY THIS ROOM?
568
00:42:33,214 --> 00:42:35,294
SOMETIMES CHILDREN ARE MORE
SUSCEPTIBLE TO PARANORMAL ACTIVITIES.
569
00:42:35,710 --> 00:42:36,542
OH, COME ON.
570
00:42:36,957 --> 00:42:39,453
YOU SHOULD TAKE A LOOK
AT THESE DRAWINGS.
571
00:42:48,190 --> 00:42:49,852
LOOK AT THE EYES.
572
00:42:49,853 --> 00:42:51,933
WHAT IS THAT?
573
00:42:51,934 --> 00:42:55,260
I DON'T KNOW. SOMETHING--
574
00:42:55,261 --> 00:42:56,925
SOMETHING HAPPENED IN HERE.
575
00:42:59,005 --> 00:43:01,084
OKAY, WHAT THE HELL WAS THAT?
576
00:43:03,166 --> 00:43:05,244
I WANT TO GET SOME
GEAR IN HERE NOW.
577
00:43:06,493 --> 00:43:08,157
I AIN'T GOT TIME
FOR THIS CRAP.
578
00:43:12,317 --> 00:43:14,813
THIS IS WHAT WE CAME FOR.
579
00:43:16,476 --> 00:43:19,804
The Corona Queen was
the sixth ship.
580
00:43:21,884 --> 00:43:24,796
All right, there's no leakage
or structural damage
581
00:43:25,628 --> 00:43:27,292
I wouldn't count on
the engines though.
582
00:43:27,708 --> 00:43:28,956
They're wrecked.
583
00:43:29,372 --> 00:43:31,867
HALF THE LIGHTS ARE DOWN. YOU GOT
ENOUGH POWER TO RUN THE PUMPS?
584
00:43:31,868 --> 00:43:33,532
We're working on it.
585
00:43:33,533 --> 00:43:35,196
GOOD.
586
00:43:37,692 --> 00:43:39,354
- DID YOU SEE THAT?
- WHAT?
587
00:43:39,355 --> 00:43:42,268
- GO BACK.
- WHAT?
588
00:43:42,269 --> 00:43:44,347
- HEY, SHAW?
- YEAH.
589
00:43:44,348 --> 00:43:46,427
YOU MIGHT WANT
TO LOOK AT THIS.
590
00:43:47,676 --> 00:43:50,171
WHAT?
591
00:43:53,084 --> 00:43:55,579
OH MY GOD.
592
00:44:00,156 --> 00:44:01,819
NOW.
593
00:44:09,308 --> 00:44:11,803
I'LL TRY THE SUBSTATION
PANEL ON A DECK.
594
00:44:12,219 --> 00:44:14,298
DON'T BOTHER. I CAN GET
IT FROM DOWN HERE.
595
00:44:15,131 --> 00:44:17,209
BET I CAN GET THIS
WHOLE TUB LIT
596
00:44:17,210 --> 00:44:19,290
BEFORE YOU CAN GET A
SINGLE BULB HOT, DAS.
597
00:44:20,955 --> 00:44:23,034
CASE OF SCOTCH SAYS YOU DON'T.
598
00:44:23,035 --> 00:44:25,530
YOU'RE ON.
599
00:44:38,426 --> 00:44:40,505
HEY, CAN I ASK YOU SOMETHING?
600
00:44:40,506 --> 00:44:42,585
SURE.
601
00:44:42,586 --> 00:44:44,665
UMM...
602
00:44:45,082 --> 00:44:48,409
HAVE YOU EVER SEEN
ANYTHING LIKE THAT BEFORE?
603
00:44:48,410 --> 00:44:50,073
NOPE.
604
00:44:50,074 --> 00:44:51,738
NOTHING LIKE THAT.
605
00:44:51,739 --> 00:44:54,233
MOST OF MY WORK IS CLINICAL.
606
00:44:54,234 --> 00:44:57,145
GHOSTS ARE A SIDE INTEREST.
607
00:44:57,146 --> 00:44:58,394
IT'S JUST THAT...
608
00:44:58,810 --> 00:45:00,889
YOU SEEM AWFULLY DAMN CALM.
609
00:45:00,890 --> 00:45:02,970
I MEAN, I FEEL FREAKY,
610
00:45:02,970 --> 00:45:05,465
LIKE MY STOMACH
JUST DROPPED OUT.
611
00:45:05,465 --> 00:45:07,129
YOU SHOULD BE HAPPY.
612
00:45:07,130 --> 00:45:09,625
I KNOW PEOPLE THAT WOULD KILL
FOR WHAT YOU SHOT TODAY.
613
00:45:11,289 --> 00:45:13,369
IF WE MAKE IT BACK
WITH THE FOOTAGE.
614
00:45:13,370 --> 00:45:15,448
YEAH.
615
00:45:21,273 --> 00:45:23,768
DANA, I'VE GOT ONE CAMERA UP.
616
00:45:23,769 --> 00:45:25,849
I'LL HAVE THE OTHERS
UP IN A MINUTE.
617
00:45:25,850 --> 00:45:27,513
OVER.
618
00:45:28,761 --> 00:45:30,425
OKAY, COPY THAT.
619
00:47:26,070 --> 00:47:27,317
WHY'D YOU DO THAT?!
620
00:47:33,558 --> 00:47:36,053
I'M SO SORRY.
621
00:47:52,278 --> 00:47:54,356
SHIT.
622
00:48:15,988 --> 00:48:18,900
I'VE ALREADY GOT HALF MY JUNCTION BOXES UP.
YOU'RE GETTING OLD, DAS.
623
00:48:18,901 --> 00:48:22,228
YEAH? I ALREADY GOT
DECKS B THROUGH D LIT.
624
00:48:31,381 --> 00:48:33,875
I'D SAY IT LOOKS LIKE YOU'RE
GETTING SLOW, FIELDSY.
625
00:48:33,876 --> 00:48:35,954
I'LL HAVE THIS CRATE PASSED
626
00:48:35,955 --> 00:48:38,451
faster than prune juice
through your grandma.
627
00:48:46,355 --> 00:48:49,267
COME ON, COME ON.
628
00:49:07,155 --> 00:49:09,651
COME ON.
629
00:49:20,466 --> 00:49:22,961
I'M GOING TO HIT THE RELAYS
ON THE MAIN BREAKER AGAIN.
630
00:49:22,962 --> 00:49:26,289
COME ON. COME ON, BABY.
631
00:49:26,290 --> 00:49:28,786
OKAY, HERE WE GO.
632
00:49:30,866 --> 00:49:32,530
ALL RIGHT.
633
00:49:35,858 --> 00:49:37,936
HOLD ON, I'M--
634
00:49:37,937 --> 00:49:39,601
WHAT WAS THAT FIELDS?
635
00:49:39,602 --> 00:49:42,097
I SAID, HOLD--
636
00:49:47,506 --> 00:49:48,754
SAY AGAIN?
637
00:49:51,250 --> 00:49:54,161
YOU'RE MESSING WITH ME. I
CANNOT AFFORD A CASE OF SCOTCH.
638
00:49:54,577 --> 00:49:56,657
I SAID HOLD--
639
00:49:57,905 --> 00:49:59,568
FIELDS?
640
00:49:59,569 --> 00:50:01,648
--REWIRING THE
CONNECTOR PANEL.
641
00:50:07,474 --> 00:50:09,969
FUCKING RADIOS.
642
00:50:18,289 --> 00:50:19,537
FIELDS?!
643
00:50:23,697 --> 00:50:25,776
FIELDS!
644
00:50:34,513 --> 00:50:36,591
Das, what's going on?
645
00:50:36,592 --> 00:50:38,671
IT'S FIELDS.
SOMETHING'S HAPPENED.
646
00:50:38,672 --> 00:50:40,336
On my way.
647
00:50:55,311 --> 00:50:56,976
FIELDS?
648
00:51:00,303 --> 00:51:01,968
OHHH.
649
00:51:06,959 --> 00:51:09,455
JESUS CHRIST.
650
00:51:22,351 --> 00:51:24,431
AW, JEEZ.
651
00:51:46,894 --> 00:51:48,557
- NO WAY.
- WE'VE GOT TO GET OFF THIS SHIP.
652
00:51:48,558 --> 00:51:50,637
I TRIED THE COAST GUARD, BUT
THE RADIOS ARE ALL DOWN.
653
00:51:50,638 --> 00:51:53,132
- YOU TRIED THE COAST GUARD?
- THERE'S A MAN DEAD ON THIS SHIP.
654
00:51:53,133 --> 00:51:55,213
THEY'RE GOING TO WANT
TO INTERVIEW EVERYBODY.
655
00:51:55,214 --> 00:51:56,877
WE ARE NOT SUPPOSED TO
BE HERE, YOU KNOW THAT.
656
00:51:57,294 --> 00:52:00,205
- WHAT ARE YOU TALKING ABOUT?
- I'M SAYING THE COAST GUARD DOESN'T KNOW WE'RE HERE,
657
00:52:00,206 --> 00:52:02,285
AND IF THEY DID, THEY
WOULDN'T LIKE IT.
658
00:52:02,286 --> 00:52:05,197
THAT'S TOO GODDAMN BAD. MY BEST
FRIEND'S LAYING DOWN THERE DEAD,
659
00:52:05,198 --> 00:52:07,277
AND YOU'RE WORRIED ABOUT
THE FUCKING COAST GUARD.
660
00:52:07,278 --> 00:52:09,357
- I'M SORRY ABOUT YOUR FRIEND--
- BULLSHIT.
661
00:52:09,773 --> 00:52:11,853
WE ONLY CAME HERE FOR
A STORY, ALL RIGHT?
662
00:52:11,854 --> 00:52:13,933
A MAN IS DEAD. WE ARE
IN DEEP SHIT, LADY.
663
00:52:14,350 --> 00:52:16,429
- WE DIDN'T KILL HIM!
- I'M NOT POINTING ANY FINGERS!
664
00:52:16,430 --> 00:52:19,341
- I BET YOU LIKE THIS, DON'T YOU, JULIE?
- DON'T PUT YOUR SHIT ON ME!
665
00:52:19,342 --> 00:52:21,837
SHUT UP!
666
00:52:22,253 --> 00:52:24,332
SHUT UP, ALL OF YOU!
667
00:52:24,333 --> 00:52:27,660
CHRIST, FIELDS IS DEAD.
THAT'S IT.
668
00:52:27,661 --> 00:52:29,740
NO ARGUMENTS, NO BULLSHIT.
669
00:52:29,741 --> 00:52:31,406
IT'S TIME TO GO.
670
00:52:33,902 --> 00:52:35,565
WHAT THE FUCK?
671
00:52:46,797 --> 00:52:48,460
HELLO?
672
00:52:51,372 --> 00:52:53,452
IT'S FOR YOU.
673
00:53:02,603 --> 00:53:04,683
HELLO?
674
00:53:07,180 --> 00:53:09,260
WHERE?
675
00:53:12,172 --> 00:53:14,251
WHAT?
676
00:53:15,916 --> 00:53:17,995
HELLO?
677
00:53:18,412 --> 00:53:20,076
HELLO?
678
00:53:25,068 --> 00:53:26,731
IT WAS FIELDS.
679
00:53:30,475 --> 00:53:32,139
WHAT DID HE SAY?
680
00:53:32,140 --> 00:53:35,883
WHAT DID HE SAY?
681
00:53:35,884 --> 00:53:39,627
THERE'S-- THERE'S SOMETHING WE
SHOULD SEE UP ON THE BRIDGE.
682
00:53:48,779 --> 00:53:50,858
WAIT, SHOULD WE BE DOING THIS?
683
00:53:50,859 --> 00:53:53,770
- PROBABLY NOT.
- I DON'T GIVE A RAT'S ASS,
684
00:53:53,771 --> 00:53:55,435
I'M GOING IN.
685
00:54:00,842 --> 00:54:02,922
WHAT ARE WE SUPPOSED
TO FIND HERE?
686
00:54:02,923 --> 00:54:04,586
YOU GOT ME.
687
00:54:18,731 --> 00:54:20,809
WHAT IS THAT?
688
00:54:22,475 --> 00:54:25,386
I DON'T KNOW, BUT IT'S HUGE.
689
00:54:27,050 --> 00:54:29,961
DISTANCE AT THAT RATE IS CLOSING
AT A FAIRLY CONSTANT SPEED.
690
00:54:29,961 --> 00:54:31,625
IT'S MOVING STRAIGHT FOR US.
691
00:54:31,626 --> 00:54:32,874
HOW LONG BEFORE IT'S HERE?
692
00:54:33,290 --> 00:54:35,785
I DON'T KNOW, THREE,
FOUR HOURS TOPS.
693
00:54:36,201 --> 00:54:37,865
SO FIELDS WAS
TRYING TO WARN US.
694
00:54:37,866 --> 00:54:39,113
YEAH, BUT FROM WHAT?
695
00:54:39,529 --> 00:54:41,609
SEE IF YOU CAN GET
THAT RADIO WORKING.
696
00:54:41,610 --> 00:54:44,105
I'M GOING TO SICKBAY,
THERE'LL BE BODY BAGS THERE.
697
00:54:44,106 --> 00:54:45,354
THE REST OF YOU GET
YOUR GEAR TOGETHER.
698
00:54:45,355 --> 00:54:48,680
- WHAT FOR?
- BECAUSE WE'RE LEAVING.
699
00:54:48,681 --> 00:54:51,176
- ROBERTS, WHY DON'T YOU COME WITH ME?
- WHERE ARE WE GOING?
700
00:54:51,177 --> 00:54:53,257
TO GET FIELDS' BODY.
701
00:55:08,649 --> 00:55:11,143
DAMN IT, HE WAS RIGHT HERE.
702
00:55:11,144 --> 00:55:14,055
- YOU SURE HE WAS DEAD?
- YES, I'M SURE.
703
00:55:14,888 --> 00:55:16,551
THEN WHERE IS HE?
704
00:55:16,552 --> 00:55:19,879
I DON'T KNOW, BUT DEAD MEN DON'T
GET UP AND WALK AWAY, DO THEY?
705
00:55:19,880 --> 00:55:21,959
- AND YOU'RE SURE ABOUT THAT?
- COME ON, ROBERTS.
706
00:55:21,960 --> 00:55:23,624
LET'S NOT TALK IN CIRCLES. YOU'RE
SUPPOSED TO BE THE EXPERT.
707
00:55:23,625 --> 00:55:26,535
WHY DON'T YOU HELP ME HERE?
708
00:55:26,536 --> 00:55:29,863
IT PROBABLY WAS AN ACCIDENT.
A HORRIBLE ACCIDENT.
709
00:55:29,864 --> 00:55:33,191
- BUT THERE ARE OTHER POSSIBILITIES.
- SUCH AS?
710
00:55:33,192 --> 00:55:36,935
- HOW LONG HAVE YOU BEEN IN THIS BUSINESS?
- ALL MY LIFE, WHY?
711
00:55:36,935 --> 00:55:38,183
THEN YOU'VE HEARD STORIES
ABOUT THE TRIANGLE,
712
00:55:38,184 --> 00:55:40,679
ABOUT THE SHIPS
THAT COME BACK.
713
00:55:40,680 --> 00:55:41,927
- YEAH, IT'S ALL HORSESHIT.
- IS IT?
714
00:55:41,928 --> 00:55:44,007
- YEAH.
- LOOK AROUND.
715
00:55:44,008 --> 00:55:46,503
I'VE SPENT A LONG TIME TRYING TO
EXPLAIN WHAT HAPPENED TO THIS SHIP,
716
00:55:46,919 --> 00:55:48,998
WHAT HAPPENED TO MY FATHER.
BUT WHAT WE'VE SEEN TODAY--
717
00:55:48,999 --> 00:55:51,911
- IT DEFIES EXPLANATION.
- THAT'S IT. THAT'S IT.
718
00:55:51,912 --> 00:55:53,576
I'VE HEARD ENOUGH
OF THIS CRAP.
719
00:55:53,991 --> 00:55:55,655
- SHAW!
- WHAT?
720
00:55:56,072 --> 00:55:58,150
HAVE YOU LOOKED FOR THE
CAPTAIN'S LOG YET?
721
00:55:58,151 --> 00:55:59,815
NO.
722
00:55:59,816 --> 00:56:01,478
WHY?
723
00:56:01,479 --> 00:56:03,974
FIND IT.
724
00:56:03,975 --> 00:56:05,638
WHAT FOR? WHAT FOR?
725
00:56:05,639 --> 00:56:09,382
I DON'T KNOW EXACTLY.
IT'S JUST A FEELING,
726
00:56:09,383 --> 00:56:12,294
BUT YOU'RE GIVING THE ORDERS.
727
00:56:21,447 --> 00:56:23,942
GODDAMN IT, DAS, WHY DON'T
YOU KEEP THE WALKIE ON?
728
00:56:23,943 --> 00:56:26,022
- I GOT THE RADIO UP.
- I'M LOOKING FOR YOU EVERYWHERE!
729
00:56:26,023 --> 00:56:29,350
I GOT THE RADIO UP! LISTEN.
GO AHEAD, SALVAGE.
730
00:56:29,766 --> 00:56:32,678
It's going to be
three hours at least
731
00:56:32,679 --> 00:56:35,173
before I can make it
back, more like four.
732
00:56:35,174 --> 00:56:38,502
I just got refueled and that
storm front is building.
733
00:56:38,918 --> 00:56:43,077
- FOUR HOURS? WE HAVE A SITUATION HERE.
- COME ON, COME ON.
734
00:56:43,078 --> 00:56:45,989
I copy that, Corona, but in
case you hadn't noticed,
735
00:56:45,990 --> 00:56:48,069
there's a hurricane
heading your direction.
736
00:56:48,070 --> 00:56:52,229
- SHIT.
- JUST GET OUT HERE AND GET US OFF THIS SHIP!
737
00:56:53,478 --> 00:56:55,557
SALVAGE, DO YOU COPY?
738
00:56:55,558 --> 00:56:56,805
SALVAGE, COME BACK.
739
00:56:56,806 --> 00:56:59,717
- GET HIM BACK.
- SALVAGE, COME BACK.
740
00:57:05,542 --> 00:57:07,620
- DID YOU TAKE CARE OF FIELDS?
- NO, I DIDN'T.
741
00:57:07,621 --> 00:57:10,116
BECAUSE THE BODY'S GONE!
742
00:57:10,117 --> 00:57:12,196
WHAT THE HELL ARE
YOU TALKING ABOUT?
743
00:57:12,197 --> 00:57:15,108
THIS ISN'T A STORM. WHATEVER
THIS IS, IT'S MOVING IN FAST.
744
00:57:15,109 --> 00:57:17,189
I DON'T GIVE A SHIT ABOUT THIS!
WHAT ABOUT FIELDS?
745
00:57:17,190 --> 00:57:19,269
YOU GOT HIM KILLED,
NOW THE REST OF US?
746
00:57:19,270 --> 00:57:20,933
HE KNEW WHAT HE SIGNED ON FOR!
747
00:57:20,934 --> 00:57:23,428
- I OUGHT TO KILL YOU RIGHT NOW!
- YOU'VE CROSSED THE LINE.
748
00:57:23,429 --> 00:57:25,091
- HAVE I?
- YOU'RE FIRED!
749
00:57:25,092 --> 00:57:26,756
YEAH, YOU'RE FIRED.
750
00:57:26,756 --> 00:57:28,836
- I'M FIRED?
- YEAH, GET OUT!
751
00:57:28,837 --> 00:57:31,332
AND YOU'VE BEEN
DRINKING TOO, HAVE YOU?
752
00:57:31,749 --> 00:57:32,996
- YEAH? WELL, FUCK YOU!
- GET OUT!
753
00:57:35,492 --> 00:57:38,820
THAT'S GOOD. YOU
FUCKING THINK I CARE?
754
00:57:38,821 --> 00:57:40,069
YOU'RE FIRED!
755
00:57:41,732 --> 00:57:44,228
YOU KNOW WHAT? I QUIT.
YOU POMPOUS COCKSUCKER.
756
00:57:44,229 --> 00:57:46,307
- YOU GODDAMN NEANDERTHAL.
- FUCK YOU!
757
00:57:46,308 --> 00:57:49,219
- GET OUT! YOU'RE FIRED. - HA!
758
00:57:49,220 --> 00:57:51,716
FUCK YOU... PRICK!
759
01:00:00,672 --> 01:00:03,168
- WHAT'S UP, J?
- HEY.
760
01:00:03,169 --> 01:00:05,664
- WHERE'VE YOU BEEN?
- I WAS IN THE...
761
01:00:06,081 --> 01:00:08,576
PLAYROOM CHECKING THE GEAR.
762
01:00:08,577 --> 01:00:10,656
I DIDN'T SEE YOU IN THERE.
763
01:00:12,736 --> 01:00:13,984
HMM.
764
01:00:13,985 --> 01:00:16,064
MAYBE THE VIDEO FEED
GOT SCREWED UP.
765
01:00:18,144 --> 01:00:20,223
WORKS FINE NOW, RIGHT?
766
01:00:23,135 --> 01:00:25,215
RANDALL BANKS,
767
01:00:26,048 --> 01:00:28,959
YOU'VE BEEN DRINKING.
768
01:00:28,960 --> 01:00:31,455
- NO, I HAVEN'T.
- YEAH, YOU HAVE.
769
01:00:31,456 --> 01:00:33,120
- NO, I HAVEN'T.
- YOU HAVE.
770
01:00:33,536 --> 01:00:35,198
- I CAN SMELL IT ON YOU.
- NO, I HAVEN'T.
771
01:00:35,199 --> 01:00:36,864
- YEAH, YOU HAVE.
- NO, I HAVEN'T!
772
01:00:36,865 --> 01:00:40,607
COME ON, RANDALL. GIVE IT UP.
773
01:00:40,608 --> 01:00:44,351
ALL RIGHT, AT LEAST
TELL ME THAT I'M RIGHT.
774
01:00:46,431 --> 01:00:48,510
OKAY, FINE. YOU'RE RIGHT.
775
01:00:52,672 --> 01:00:55,166
I'VE BEEN DRINKING.
776
01:00:55,167 --> 01:00:56,831
B-F-D.
777
01:01:00,575 --> 01:01:03,902
AND AFTER THE NETWORK
PAID FOR YOUR REHAB.
778
01:01:03,903 --> 01:01:05,567
COME ON.
779
01:01:06,398 --> 01:01:08,478
WELL, DON'T WORRY.
780
01:01:08,479 --> 01:01:11,390
IT WILL BE OUR LITTLE SECRET.
781
01:01:12,223 --> 01:01:13,470
OH, REALLY?
782
01:01:13,886 --> 01:01:16,382
YEAH, ON ONE CONDITION.
783
01:01:16,383 --> 01:01:18,461
AND WHAT COULD
THAT BE, I WONDER?
784
01:01:18,462 --> 01:01:21,373
DANA SCREWED THIS
WHOLE THING UP.
785
01:01:21,374 --> 01:01:23,454
IT'S GOING TO BLOW
UP IN HER FACE.
786
01:01:23,455 --> 01:01:25,949
- UH, JULES?
- ALL I NEED YOU TO DO
787
01:01:25,950 --> 01:01:27,197
IS BACK ME UP.
788
01:01:27,198 --> 01:01:29,693
DANA BROUGHT US OUT HERE,
AND PUT US ALL IN DANGER.
789
01:01:29,694 --> 01:01:32,190
GOT THAT SALVAGE GUY KILLED.
790
01:01:32,191 --> 01:01:36,348
THE NETWORK IS GOING TO FIRE HER FASTER
THAN YOU CAN SAY, "GROSS NEGLIGENCE."
791
01:01:36,349 --> 01:01:40,508
AND THEN, DANA
EL-WEIRD IS OUT,
792
01:01:41,342 --> 01:01:45,084
AND JULIE LARGO... IS IN.
793
01:01:45,085 --> 01:01:47,165
AND YOU'RE GOING TO
BE MY CAMERAMAN.
794
01:01:49,245 --> 01:01:52,157
UMM... HI, GUYS.
795
01:01:52,989 --> 01:01:55,069
JULIE... HMM.
796
01:01:55,070 --> 01:01:57,564
I HAVE TO GIVE YOU CREDIT,
797
01:01:57,565 --> 01:01:58,813
I THOUGHT YOU WERE
SCREWING KAPLAN,
798
01:01:59,229 --> 01:02:01,724
BUT I HAD NO IDEA YOU WERE
TRYING TO SCREW ME, TOO.
799
01:02:02,973 --> 01:02:05,052
NO, NO, DANA,
800
01:02:05,053 --> 01:02:08,796
YOU SCREWED YOURSELF.
801
01:02:08,797 --> 01:02:13,788
IF YOU'LL EXCUSE ME, I'M GOING
TO GO OUT AND GET A REAL STORY.
802
01:02:13,789 --> 01:02:15,452
- JULIE, GET BACK HERE.
- COME ON, JULIE.
803
01:02:15,453 --> 01:02:17,948
MAKE ME. LET GO OF ME!
804
01:02:17,949 --> 01:02:20,859
- JUST TAKE IT EASY.
- LET GO OF ME, RANDALL.
805
01:02:20,860 --> 01:02:22,524
CALM DOWN, JULIE.
806
01:02:24,188 --> 01:02:26,683
- HEY!
- DON'T YOU TRY TO STOP ME.
807
01:02:31,676 --> 01:02:35,419
- HEY, YOU ALL RIGHT?
- NEVER BEEN BETTER.
808
01:02:51,227 --> 01:02:52,891
THIS IS JULIE LARGO,
809
01:02:52,892 --> 01:02:54,554
PROCEEDING THROUGH
THE DARKEST...
810
01:02:54,555 --> 01:02:57,051
unexplored parts of
the Corona Queen,
811
01:02:57,467 --> 01:02:59,131
attempting to
bring you answers
812
01:02:59,132 --> 01:03:01,210
to the mystery of her fate.
813
01:03:01,211 --> 01:03:03,706
ONE CAN ALMOST HEAR
814
01:03:03,707 --> 01:03:05,786
THE SCREAMS OF THE PASSENGERS.
815
01:03:05,787 --> 01:03:07,867
AND IMAGINE--
816
01:03:08,284 --> 01:03:12,027
IMAGINE THE HORROR OF THEIR
LAST FEW MINUTES ALIVE.
817
01:03:18,683 --> 01:03:22,010
- WHAT HAPPENED TO HIM?
- THE LITTLE BITCH TAZED ME.
818
01:03:22,011 --> 01:03:23,674
- WHO?
- JULIE!
819
01:03:23,675 --> 01:03:25,754
- WHERE'S JULIE?
- WHO KNOWS? WHO CARES?
820
01:03:26,171 --> 01:03:28,250
WE'VE GOT TO FIND HER.
821
01:03:28,251 --> 01:03:29,915
THE CHOPPER'S ON ITS WAY, AND
WE'VE GOT ANOTHER PROBLEM.
822
01:03:29,916 --> 01:03:31,578
- I'LL GO FIND HER.
- NO, NO.
823
01:03:31,579 --> 01:03:32,826
DAS, WHY DON'T
YOU GO WITH HIM?
824
01:03:32,827 --> 01:03:35,322
YOU TAKE THE FORWARD
SECTION AND I'LL TAKE AFT.
825
01:03:35,323 --> 01:03:38,650
EXCUSE ME, MR. SHAW, SIR,
826
01:03:38,651 --> 01:03:41,146
BUT IF YOU REMEMBER,
YOU FIRED ME.
827
01:03:41,979 --> 01:03:43,642
I APOLOGIZE.
828
01:03:45,306 --> 01:03:48,218
ROBERTS, SHALL WE GO
FORWARD AND FIND JULIE?
829
01:03:50,714 --> 01:03:52,793
- YOU GUYS GO AHEAD.
- SHUT UP.
830
01:04:23,577 --> 01:04:24,825
HELLO?
831
01:04:26,905 --> 01:04:28,569
WHO'S THERE?
832
01:04:42,713 --> 01:04:44,792
HELLO?
833
01:05:17,655 --> 01:05:20,151
TOO BAD ABOUT DANA.
834
01:05:20,152 --> 01:05:22,231
REAL TRAGEDY.
835
01:05:30,135 --> 01:05:32,214
JULIE, JULIE, JULIE,
836
01:05:32,215 --> 01:05:34,295
SO GLAD TO SEE YOU.
837
01:05:34,296 --> 01:05:36,790
- YOU'RE ON THE AIR IN 10 MINUTES.
- I AM?
838
01:05:36,791 --> 01:05:39,702
- WHAT IS ALL THIS?
- WHAT IS ALL THIS?
839
01:05:39,703 --> 01:05:42,198
- JULIE, IT'S YOUR SHOW.
- MY SHOW?
840
01:05:42,199 --> 01:05:44,277
IT IS NOW.
841
01:05:46,359 --> 01:05:50,518
YOUR NEW CONTRACT.
842
01:05:50,519 --> 01:05:53,431
NOW, COME ON, WE
HAVE TO HURRY.
843
01:05:57,175 --> 01:05:58,838
MAKE-UP.
844
01:06:04,246 --> 01:06:06,741
SEE HOW GORGEOUS YOU ARE?
845
01:06:07,990 --> 01:06:09,654
JULIE,
846
01:06:09,655 --> 01:06:12,150
WE ALWAYS KNEW...
847
01:06:12,150 --> 01:06:15,477
YOU WERE THE ONE WHO SHOULD'VE
BEEN HOSTING THIS SHOW.
848
01:06:15,478 --> 01:06:17,142
COME ON.
849
01:06:22,133 --> 01:06:24,629
THE WORLD IS WAITING.
850
01:06:24,630 --> 01:06:26,708
- MISS LARGO, MISS LARGO.
- YEAH?
851
01:06:26,709 --> 01:06:28,373
- YOU HAVE A PHONE CALL.
- THANK YOU.
852
01:06:28,790 --> 01:06:30,452
HERE.
853
01:06:30,453 --> 01:06:32,117
MISS LARGO IS ON A
VERY TIGHT SCHEDULE,
854
01:06:32,118 --> 01:06:34,196
SOMEONE WILL GET BACK TO YOU.
855
01:06:34,613 --> 01:06:36,693
PROCEED.
856
01:06:37,941 --> 01:06:40,853
AS I WAS SAYING,
ALL THIS TIME...
857
01:06:40,854 --> 01:06:43,766
YOU SHOULD HAVE BEEN THE
ONE HOSTING THIS SHOW.
858
01:06:45,014 --> 01:06:47,092
NOW...
859
01:06:51,253 --> 01:06:54,580
SIGN YOUR CONTRACT...
860
01:06:54,581 --> 01:06:58,324
AND BE THE STAR
PLAYER ON OUR TEAM.
861
01:07:02,901 --> 01:07:04,564
GO ON.
862
01:07:06,228 --> 01:07:08,308
ATTAGIRL.
863
01:07:08,309 --> 01:07:09,972
GOOD.
864
01:07:12,053 --> 01:07:15,381
NOW... IT'S SHOW TIME.
865
01:07:17,460 --> 01:07:19,540
WE ARE ROLLING IN...
866
01:07:19,956 --> 01:07:22,868
FIVE, FOUR,
867
01:07:22,868 --> 01:07:24,532
THREE.
868
01:07:36,595 --> 01:07:38,260
JULIE?
869
01:07:38,676 --> 01:07:40,339
YOU DOWN THERE?
870
01:07:41,587 --> 01:07:43,666
COME ON.
871
01:07:49,908 --> 01:07:52,818
DAS, COME ON. ANYTHING?
872
01:07:52,819 --> 01:07:54,898
Naw, nothing yet.
873
01:08:07,795 --> 01:08:10,290
MISS LARGO?
874
01:08:34,418 --> 01:08:36,082
WHAT IS IT?
875
01:08:38,162 --> 01:08:40,242
WHAT IS IT?
876
01:08:40,243 --> 01:08:41,490
THERE'S SOMEONE UP THERE.
877
01:08:48,978 --> 01:08:51,890
HEY, DAS, WAIT UP.
878
01:09:06,866 --> 01:09:08,945
FIELDS?
879
01:09:11,441 --> 01:09:13,105
FIELDS, IS THAT YOU?
880
01:09:23,920 --> 01:09:26,832
DAS? IT'S LOCKED!
881
01:09:26,833 --> 01:09:28,496
OPEN IT!
882
01:09:30,161 --> 01:09:33,073
OH, SHIT! DAS, WAIT!
883
01:09:33,489 --> 01:09:35,152
DAS! DAS! WAIT!
884
01:09:38,065 --> 01:09:40,560
WAIT!
885
01:09:40,561 --> 01:09:43,056
MOVE AWAY FROM THE CHAIN!
886
01:09:46,799 --> 01:09:48,047
DA-AS!
887
01:09:48,048 --> 01:09:50,128
HELP ME!
888
01:09:53,040 --> 01:09:55,119
ROBERTS! COME ON!
889
01:10:02,192 --> 01:10:03,440
MOTHERFUCKER!
890
01:10:06,767 --> 01:10:08,847
HELP!
891
01:10:10,095 --> 01:10:11,758
WHAT CAN I DO? WHAT CAN I DO?
892
01:10:11,759 --> 01:10:14,254
- KILL SWITCH.
- WHERE IS IT?
893
01:10:15,503 --> 01:10:18,831
- ON THE RIGHT OF THE PANEL!
- OKAY!
894
01:10:26,735 --> 01:10:28,815
I GOT IT, DAS!
895
01:10:32,975 --> 01:10:34,637
OH.
896
01:10:34,638 --> 01:10:36,303
OH GOD.
897
01:10:42,126 --> 01:10:45,454
OH SHIT. OH.
898
01:10:53,358 --> 01:10:55,438
THIS IS ALL I FOUND.
899
01:10:55,439 --> 01:10:59,182
- WHAT ABOUT JULIE?
- THIS IS ALL I FOUND.
900
01:11:02,927 --> 01:11:05,004
WHERE'S DAS?
901
01:11:05,005 --> 01:11:06,669
HE'S DEAD.
902
01:11:06,670 --> 01:11:08,333
WHAT?
903
01:11:08,749 --> 01:11:10,414
HE THOUGHT HE SAW FIELDS
IN THE CHAIN LOCKER.
904
01:11:10,415 --> 01:11:12,076
HE WENT RUNNING IN AFTER HIM.
905
01:11:12,077 --> 01:11:14,573
THE CHAIN STARTED TO
FALL AND IT CRUSHED HIM.
906
01:11:14,574 --> 01:11:16,653
SOMEONE RAISED THE ANCHOR.
907
01:11:16,654 --> 01:11:18,733
NO, SOMEBODY DIDN'T
RAISE THE ANCHOR.
908
01:11:18,734 --> 01:11:19,980
DON'T YOU GET IT?
909
01:11:19,981 --> 01:11:22,893
THIS SHIP IS KILLING
US OFF ONE BY ONE.
910
01:11:22,894 --> 01:11:25,805
- DID YOU FIND JULIE?
- NO, JUST HER FRIGGIN' CAMERA.
911
01:11:25,806 --> 01:11:27,885
- SHE'S PROBABLY DEAD, TOO.
- DAMN IT, RANDALL.
912
01:11:27,885 --> 01:11:29,964
- JUST-- PLEASE.
- WE HAVE TO GET OFF THIS SHIP.
913
01:11:29,965 --> 01:11:32,044
IF IT MEANS TAKING OUR
CHANCES IN THOSE LIFEBOATS,
914
01:11:32,045 --> 01:11:33,709
- THEN THAT IS WHAT WE HAVE TO DO.
- THAT'S GREAT.
915
01:11:33,710 --> 01:11:36,620
- WE DIE HERE OR WE GO DROWN OUT THERE.
- SHUT UP.
916
01:11:36,621 --> 01:11:38,286
NO, YOU GUYS ARE SUPPOSED TO
BE THE ONES WITH ANSWERS!
917
01:11:38,287 --> 01:11:40,780
- SHUT UP!
- YOU DON'T KNOW WHAT THE FUCK YOU'RE TALKING ABOUT!
918
01:11:40,781 --> 01:11:43,276
I ORDER YOU TO SHUT UP!
919
01:11:43,277 --> 01:11:46,189
DON'T MAKE ME CUT YOUR
FUCKING TONGUE OUT.
920
01:11:54,509 --> 01:11:58,667
GO ON.
921
01:11:58,668 --> 01:12:02,827
A LOT OF MY RESEARCH SHOWS THAT THE
TRIANGLE IS SOME SORT OF DOORWAY.
922
01:12:02,828 --> 01:12:04,908
- TO WHERE?
- TO SOMEWHERE ELSE.
923
01:12:05,325 --> 01:12:07,404
HELL, ANOTHER DIMENSION.
924
01:12:07,820 --> 01:12:10,730
A PLACE WHERE WE DON'T BELONG.
925
01:12:10,731 --> 01:12:13,227
THE PLACE WHERE THIS SHIP
WENT TO WHEN IT DISAPPEARED.
926
01:12:13,228 --> 01:12:15,307
BUT IT CAME BACK, DIDN'T IT?
927
01:12:15,308 --> 01:12:18,635
- YOU FOUND IT?
- YEAH.
928
01:12:18,636 --> 01:12:20,715
MAYBE YOU CAN HELP ME
UNDERSTAND SOME OF THIS.
929
01:12:24,044 --> 01:12:25,291
FIRST ENTRY,
930
01:12:25,707 --> 01:12:28,619
MAY 13th, 1972.
931
01:12:28,620 --> 01:12:30,283
"I DON'T KNOW WHAT
THIS PLACE IS.
932
01:12:30,284 --> 01:12:31,948
WE HAVE NO RADIO,
933
01:12:32,364 --> 01:12:34,026
NO NAVIGATION.
934
01:12:34,027 --> 01:12:36,107
I HAVE NO CONTROL OF THE SHIP.
935
01:12:36,108 --> 01:12:37,770
THEY HAVE SLAUGHTERED
936
01:12:37,771 --> 01:12:39,851
MOST OF THE CREW AND
THE PASSENGERS.
937
01:12:39,851 --> 01:12:42,346
THE REST HAVE SIMPLY VANISHED.
938
01:12:42,347 --> 01:12:45,674
THE CHILDREN WERE THE LAST TO
GO." I READ THAT 20 TIMES.
939
01:12:45,675 --> 01:12:48,585
"SOMETHING IS COMING FOR ME.
940
01:12:48,586 --> 01:12:50,251
I CAN HEAR IT
OUTSIDE THE DOOR."
941
01:12:50,667 --> 01:12:52,330
WHAT IS THIS "THEY"?
WHO IS "THEY"?
942
01:12:52,331 --> 01:12:54,826
HOW THE HELL AM I
SUPPOSED TO KNOW?
943
01:12:54,827 --> 01:12:56,491
"I CAN HEAR IT
OUTSIDE MY DOOR."
944
01:12:57,739 --> 01:12:59,402
AND THERE'S SOMETHING ELSE.
945
01:12:59,403 --> 01:13:01,898
- WHAT?
- WHAT?
946
01:13:01,899 --> 01:13:03,978
THE SHIP...
947
01:13:03,979 --> 01:13:06,474
IT WAS ON THE OTHER
SIDE FOR A LONG TIME.
948
01:13:06,475 --> 01:13:08,970
AND?
949
01:13:08,971 --> 01:13:11,465
- DO YOU KNOW WHAT A CAPACITOR IS?
- OF COURSE.
950
01:13:11,466 --> 01:13:13,129
I THINK THE CORONA QUEEN
951
01:13:13,130 --> 01:13:15,625
HAS SOMEHOW BECOME
A CAPACITOR,
952
01:13:15,626 --> 01:13:20,201
STORING ENERGY FROM
THE OTHER SIDE.
953
01:13:20,202 --> 01:13:23,113
WE CAN CALL IT WHATEVER WE WANT,
BUT THERE'S AN INTELLIGENCE HERE,
954
01:13:23,114 --> 01:13:25,609
AND IT'S AN INTELLIGENCE
THAT'S BEEN LOCKED
955
01:13:25,610 --> 01:13:27,273
ON THE OTHER SIDE FOR
A VERY LONG TIME.
956
01:13:27,689 --> 01:13:29,769
SO NOW WE CAN NO LONGER
TRUST WHAT WE SEE OR HEAR.
957
01:13:29,770 --> 01:13:31,849
THE SHIP IS PREYING
ON OUR FEARS.
958
01:13:31,850 --> 01:13:33,514
IT IS CREATING THINGS
FOR US TO SEE.
959
01:13:33,515 --> 01:13:35,593
ONE WAY OR ANOTHER, WE
HAVE TO GET OFF THIS SHIP
960
01:13:35,594 --> 01:13:37,258
AND AWAY FROM THAT
LINE ON THE RADAR.
961
01:13:37,259 --> 01:13:41,001
WHAT IS THAT THING? WHAT,
IS IT A STORM, OR WHAT?
962
01:13:41,418 --> 01:13:43,496
MAYBE THE PHYSICAL BOUNDARIES
963
01:13:43,497 --> 01:13:45,993
BETWEEN OUR WORLD...
AND ANOTHER.
964
01:13:45,994 --> 01:13:48,904
MAYBE IT'S THE PHYSICAL BOUNDARIES
OF THE TRIANGLE ITSELF.
965
01:13:48,905 --> 01:13:51,400
OH, OKAY. THAT'S PHENOMENAL.
966
01:13:51,817 --> 01:13:53,481
A DOORWAY TO HELL.
967
01:13:53,482 --> 01:13:55,976
WE ARE FUCKED.
968
01:13:55,977 --> 01:13:59,720
I CAME ON THE SHIP-- IT
WAS TO DO A STORY, MAN.
969
01:13:59,721 --> 01:14:02,216
I DID NOT SIGN ON
FOR THIS BULLSHIT!
970
01:14:02,217 --> 01:14:04,713
LISTEN, WE ARE GOING
TO GET OFF THIS SHIP.
971
01:14:04,714 --> 01:14:07,208
BUT WE HAVE GOT TO
GET THOSE TAPES.
972
01:14:07,209 --> 01:14:10,120
DANA, FUCK THE TAPES. WE
GOT TO GET OFF THE SHIP!
973
01:14:10,536 --> 01:14:13,032
YOU KNOW HE'S RIGHT. WE
CAN'T TAKE ANY CHANCES.
974
01:14:13,033 --> 01:14:15,112
LISTEN TO ME. THIS IS THE
STORY OF A LIFETIME.
975
01:14:15,113 --> 01:14:18,023
WE HAVE COME TOO FAR TO
GO BACK EMPTY-HANDED.
976
01:14:18,024 --> 01:14:19,689
SO WE HAVE GOT TO
GET THOSE TAPES.
977
01:14:19,690 --> 01:14:21,767
SO WE GET THE TAPES, THEN
WE GET OFF THE SHIP.
978
01:14:22,185 --> 01:14:24,264
OKAY, FINE. DOES ANYBODY
HAVE A PROBLEM WITH THAT?
979
01:14:24,265 --> 01:14:26,759
YOU GO GET THE TAPES, AND
WE'LL ALL MEET UP ON DECK.
980
01:14:26,760 --> 01:14:28,424
IF THE CHOPPER'S THERE WE FLY.
IF IT'S NOT,
981
01:14:28,840 --> 01:14:30,503
WE GET IN THE BOATS.
982
01:14:30,504 --> 01:14:32,168
- I'LL BE BACK.
- WHERE THE HELL ARE YOU GOING?
983
01:14:32,169 --> 01:14:35,495
THERE'S SOMETHING I GOT TO DO.
DON'T LEAVE WITHOUT ME!
984
01:14:35,496 --> 01:14:37,991
RANDALL, GO TO THE PLAYROOM.
I'LL GET EVERYTHING HERE.
985
01:14:51,304 --> 01:14:52,967
WHERE WILL IT BE...
986
01:15:50,790 --> 01:15:53,286
JESUS, COME ON.
987
01:16:35,717 --> 01:16:37,796
WHAT THE HELL IS HE DOING?
988
01:16:53,188 --> 01:16:55,683
WHAT THE FUCK IS WRONG
WITH THIS PIECE OF SHIT?
989
01:16:55,684 --> 01:16:57,764
COME ON.
990
01:17:12,740 --> 01:17:14,404
OKAY.
991
01:17:14,819 --> 01:17:16,899
THAT'S FUCKED UP.
992
01:17:21,892 --> 01:17:24,387
JEEZ, YOU SCARED THE
SHIT OUT OF ME.
993
01:17:24,388 --> 01:17:26,466
WHERE THE HELL HAVE YOU BEEN?
994
01:17:32,291 --> 01:17:34,370
RANDALL--
995
01:17:34,371 --> 01:17:36,035
RANDALL, WHO ARE
YOU TALKING TO?
996
01:17:36,451 --> 01:17:39,778
WE'VE BEEN LOOKING ALL OVER
THIS SHIP FOR YOUR BUTT.
997
01:17:39,779 --> 01:17:42,274
WHAT? HEY, JULES?
998
01:17:46,018 --> 01:17:47,266
RANDALL!
999
01:17:50,178 --> 01:17:52,258
RANDALL!
1000
01:18:06,818 --> 01:18:10,145
RANDALL? RANDALL!
1001
01:18:10,146 --> 01:18:11,810
SHAW, IS THERE ANY SIGN
OF THE HELICOPTER?
1002
01:18:11,811 --> 01:18:14,305
THE CHOPPER'S ON ITS WAY!
1003
01:18:14,306 --> 01:18:15,971
LET'S GO!
1004
01:18:20,130 --> 01:18:21,377
The winds are too strong!
1005
01:18:21,793 --> 01:18:24,288
Go aft, I don't want to get
caught in the rigging!
1006
01:18:24,289 --> 01:18:26,785
HE SAYS WE'VE GOT TO GO
AFT, THERE'S TOO MUCH WIND.
1007
01:18:26,786 --> 01:18:28,450
HE'S GOING TO GET
CAUGHT IN THE RIGGING.
1008
01:18:41,345 --> 01:18:43,424
OH GOD.
1009
01:18:49,665 --> 01:18:51,329
HERE.
1010
01:19:03,392 --> 01:19:05,057
WHAT'S HAPPENING?
1011
01:19:19,616 --> 01:19:20,864
GOOD GOD.
1012
01:19:33,760 --> 01:19:36,255
OH, BABY.
1013
01:19:52,479 --> 01:19:53,726
DANA, LET'S GO!
1014
01:19:53,727 --> 01:19:56,223
DANA! COME ON, COME ON!
1015
01:20:02,047 --> 01:20:04,957
CORONA QUEEN TO CHOPPER.
CORONA QUEEN TO CHOPPER.
1016
01:20:04,958 --> 01:20:07,454
What the hell is going on?
1017
01:20:07,871 --> 01:20:09,950
DO NOT LEAVE WITHOUT US!
1018
01:20:09,951 --> 01:20:10,783
COME ON, DANA, LET'S GO.
1019
01:20:15,359 --> 01:20:17,438
DANA! DANA!
1020
01:20:18,687 --> 01:20:20,765
I'LL BE RIGHT BACK.
1021
01:20:44,894 --> 01:20:46,973
MOM.
1022
01:20:53,629 --> 01:20:56,124
OKAY. DANA?
1023
01:20:58,206 --> 01:21:00,284
I'M SORRY.
1024
01:21:00,285 --> 01:21:02,364
GRAB IT.
1025
01:21:02,365 --> 01:21:03,612
DANA?
1026
01:21:03,613 --> 01:21:06,940
I ONLY WANTED TO HELP YOU.
1027
01:21:06,941 --> 01:21:09,021
I DIDN'T--
1028
01:21:09,022 --> 01:21:11,933
I NEVER WANTED TO HURT YOU.
1029
01:21:14,844 --> 01:21:16,924
OH, SHIT!
1030
01:21:19,005 --> 01:21:23,164
I COULDN'T STAND TO SEE
YOU IN SO MUCH PAIN.
1031
01:21:38,556 --> 01:21:40,220
DANA, ARE YOU ALL RIGHT?
1032
01:21:43,548 --> 01:21:45,211
MY MOM...
1033
01:21:47,292 --> 01:21:49,371
I KILLED HER.
1034
01:21:49,372 --> 01:21:51,451
I'M SURE THAT'S NOT TRUE.
1035
01:21:51,452 --> 01:21:53,115
LISTEN TO ME. WHAT
YOU'RE SEEING
1036
01:21:53,116 --> 01:21:55,195
IS NOT REAL!
1037
01:21:55,196 --> 01:21:57,275
SNAP OUT OF IT!
WE'VE GOT TO GO!
1038
01:21:58,524 --> 01:22:00,603
LET ME GET THE TAPES.
1039
01:22:00,604 --> 01:22:03,099
COME ON. YOU OKAY?
1040
01:22:03,100 --> 01:22:05,595
LET'S GO!
1041
01:22:09,755 --> 01:22:11,834
OH MY GOD.
1042
01:22:11,835 --> 01:22:13,082
- WHAT IS THIS?
- LET'S GO, LET'S GO.
1043
01:22:13,083 --> 01:22:15,579
QUICK. QUICK!
1044
01:22:22,235 --> 01:22:23,898
COME ON!
1045
01:22:39,706 --> 01:22:42,619
- COME ON, GO!
- COME ON!
1046
01:22:48,026 --> 01:22:49,690
THIS IS STEEP NOW.
1047
01:22:53,018 --> 01:22:54,680
- YOU OKAY? GO AHEAD.
- YEAH.
1048
01:22:54,681 --> 01:22:56,345
- COME ON.
- OKAY.
1049
01:22:56,346 --> 01:22:58,010
GO.
1050
01:23:30,873 --> 01:23:33,368
LOWER THE BASKET!
1051
01:23:33,369 --> 01:23:37,528
LOWER THE BASKET! LOWER!
1052
01:23:48,345 --> 01:23:50,424
HURRY UP DOWN THERE.
1053
01:24:49,912 --> 01:24:52,406
WELL, WELL, WELL.
1054
01:24:52,407 --> 01:24:54,070
CONGRATULATIONS.
1055
01:24:54,071 --> 01:24:56,150
YOU GOT THE STORY
OF THE CENTURY.
1056
01:24:56,567 --> 01:24:59,477
I DON'T KNOW IF IT WAS WORTH
THE DEATHS OF FIVE PEOPLE.
1057
01:24:59,478 --> 01:25:01,142
YEAH, WELL,
1058
01:25:01,142 --> 01:25:03,637
WELCOME TO TELEVISION.
1059
01:25:32,342 --> 01:25:35,670
That's always bothered
you, hasn't it?
1060
01:25:36,917 --> 01:25:38,996
I'm-- I'm sorry, do I know you?
1061
01:25:39,414 --> 01:25:42,740
The similarities between the
two cases are remarkable.
1062
01:25:42,741 --> 01:25:46,484
- What two cases?
- The Mary Celeste and the Corona Queen.
1063
01:25:46,485 --> 01:25:49,396
Not really. The Corona
Queen's never been found.
1064
01:25:49,397 --> 01:25:52,723
No, but we have to get
on with our lives.
1065
01:25:52,724 --> 01:25:55,220
Goodbye, son.
1066
01:25:56,885 --> 01:25:59,381
But we have to get
on with our lives.
1067
01:25:59,382 --> 01:26:01,460
Goodbye, son.
1068
01:26:01,461 --> 01:26:04,788
Goodbye, son.
1069
01:26:04,789 --> 01:26:06,869
Goodbye, son.
1070
01:26:15,604 --> 01:26:17,268
HI.
1071
01:26:17,269 --> 01:26:18,932
YOU OKAY?
1072
01:26:18,933 --> 01:26:21,427
YEAH, YEAH. FINALLY.
1073
01:26:21,428 --> 01:26:23,507
YOU?
1074
01:26:23,508 --> 01:26:26,004
YEAH, I'M OKAY.
1075
01:26:26,005 --> 01:26:29,332
IT'S BEEN AN INTERESTING
COUPLE OF DAYS.
1076
01:26:31,412 --> 01:26:33,908
I'M THROUGH CARRYING GUILT FOR
SOMETHING THAT WASN'T MY FAULT.
1077
01:26:35,571 --> 01:26:37,235
YOU READY?
1078
01:26:37,236 --> 01:26:39,731
- READY?
- YEAH.
1079
01:26:42,229 --> 01:26:45,555
OH, I FORGOT, DIDN'T I?
1080
01:26:45,556 --> 01:26:49,299
MR. ROBERTS, YOU HAVE A LOT TO
LEARN ABOUT DEALING WITH WOMEN.
1081
01:26:49,300 --> 01:26:52,210
FOOD IS CRITICAL.
1082
01:26:52,211 --> 01:26:55,122
I KNOW A GREAT CHINESE PLACE
ABOUT TWO BLOCKS FROM HERE.
1083
01:26:55,123 --> 01:26:57,202
CHINESE IS GREAT. LET
ME JUST GET MY COAT.
1084
01:27:04,691 --> 01:27:07,186
WE'LL LET THE
MACHINE PICK IT UP.
1085
01:27:10,099 --> 01:27:12,595
...2364. At the tone,
1086
01:27:12,596 --> 01:27:14,674
please leave your message.
Thank you.
71080
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