All language subtitles for 05 - The Girl in Boxcar

(GUN FIRING)

Let's get out of here!

Good idea.
What'II we use for a horse?

AII right, you,
get off ofthere.

It's me they want, so just do as
you're told and you'll be all right.

Hey, don't I know you
from someplace?

I should hope not.

No, Mike, no, wait!

(GUN FIRING)

NARRA TOR:
Hannibal Heyes and Kid Curry,

the two most successful outlaws
in the history of the West.

And in all the trains
and banks they robbed,

they never shot anyone.

This made our two Iatter-day
Robin Hoods very popular

with everyone but the
railroads and the banks.

CURRY: There's one thing
we gotta get, Heyes.

HEYES.' What's that?

CURRY: Out of this business.

LOM: The governor can't come flat
out and give you amnesty now.

First, you gotta prove
you deserve it.

Ah, so all we have to do
is just stay out of trouble

till the governor figures
we deserve amnesty.

But in the meantime,
we'll still be wanted.

LOM: Well, that's true.

Till then, only you, me and the
governor will know about it.

It'II be our secret.

CURRY: I sure wish the governor
would let a few more people

in on our secret.

NARRATOR:
Alias Smith and Jones,

starring Pete Duel
and Ben Murphy.

(KNOCKING ON DOOR)

Now let's see the letter.

Colonel Harper
gave you this personally?

That's right.
Describe him.

About your height. Gray hair, thin.
Got a mole right here.

And eyes Iike a couple
of slugs from a .45.

Have a seat, boys.

Now, this job has changed since
you fellas first took it.

Oh, how?

It's gotten dangerous.

BOTH: Dangerous?

That's right.

Well, carrying $50,000
400 miles is a little risky.

No, the word is dangerous.

People around here know that I withdrew that
money out of the bankjust as it closed.

And depressions have a way
ofturning people mean.

Did you see anyone across
the street when you rode up?

Yeah, a couple of fellas
walking down that way.

This office has been watched night
and day for the past five days.

The place was entered and
searched just the other night.

Mmm-hmm. I see what
you mean by "dangerous."

Ifthey tried to open it,
they didn't get very far.

The money is still in there.

Yeah. Maybe we ought to
head out of here right now.

No, not now. Come back
at 3:00 in the morning.

Come to this door,

when I answer,
tap five times.

Now you boys sure that you
want to go through with this?

Yeah. Why not?

Why not?

The Colonel must be paying
you two a pretty sizeable fee.

No. But the Colonel
does know the Governor

and we're hoping to do some important
business with the Governor later this year.

I see. I hope the job
will be worth it for you.

I wouldn't take it
even for the Governor.

(CRICKETS CHIRPING)

CURRY: Well,
good evening, sir.

(MAN GRUNTING)

(MUFFLED SCREAMS)

Who is it?

Did you have any trouble?

Yeah, there's a guy
tied up outside.

I knew they'd be watching.

What're you doing?

You boys have got some money to
count, you can't count in the dark.

Then you should've had it
turned up all along.

I'm sorry.
You're right.

I'm a Iawyer, I'm not used to sneaking
money out of town in the dead of night.

Well, it can't be helped
now, let's move.

What's up? Something's
going on over there!

BRIGGS: The Iamp, it was
turned up, just now.

Go tell Mike.

I'II want you both
to sign a receipt

that I delivered $50,000
over to you.

Start counting, I don't want you
to take that amount on faith.

What do you got?

Twenty-three thousand.

It's all here, $50,000.

Okay.

Somebody's in there, huh?

Who's watching the back door?
Brewster.

And I sent Breen back there
to make sure he's awake.

AII right. Sign that
receipt and get going.

Wait.

Good Iuck to both of you.
You'll need it.

(MUFFLED SCREAMS)

(DOOR OPENING)

BREEN: Those two guys
just high-tailed it.

CURRY: Okay, Heyes! Good Iuck
and give 'em a good chase!

HEYES: Remember, that isn't
$50,000, it's our amnesty!

(SNAPPING)

(HORSE NEIGHING)

There's nothing on either
one ofthese horses.

Where'd you drop off
your partner?

Partner?

(GRUNTS)

Where'd you drop your partner?

I guess I'm gonna
have to tell you...

We had another horse stashed
in town, tied up in an alley.

He switched over to that one.

(GRUNTING)

MIKE: You're aliar.

You rode in on two horses,
them two.

The stable man's
a friend of mine,

he'd have told me if you'd
got yourself another one.

Are you gonna tell me
where he is?

I'm sure gonna
give it some thought.

AII right.

He's hiding out on a farm
just outside the town.

Whose farm?

Man named Johnson.

Breen, you ever hear of a farmer
named Johnson around here?

It's a nice, common name,
but it won't work.

There ain't no farmer
named Johnson around here.

AII right. I'm gonna give you one
more opportunity to tell me.

Then I use this and leave you
out here for the coyotes.

(TRAIN WHISTLE BLOWS)

(CLATTERING)

Mike.

(WHISPERS) That whistle
tell you anything?

Yeah. A freight's pulling out.
So what?

Well, ifa man knewthat
ahead oftime,

he wouldn't need a horse
to get out of town. Right?

(WHISTLE BLOWING)

ANNABELLE: ...he wanted
so much to marry me.

He simply begged
and pleaded,

said we'd go to Europe
on our honeymoon.

And visit all the
art galleries, the Louvre,

big cathedrals and all the wonderful
foreign things that they have over there.

I'II admit I was tempted.

Father always promised
he'd take me there.

But he's been so busy
with his financial dealings

that I just know it'Il never
happen if I wait for him.

This fellow,
what was his name?

Reggie.

Reginald Vandemeter,
to be exact.

Comes from a New England family.
One ofthe Four Hundred.

The Four Hundred what?

It's easy to see you don't
know very much about society.

I guess not.

What I was getting at, though, was
why didn't you want to marry him?

Because I didn't love him.

That's the only reason there
can be for a person Iike me.

How old are you?

Twenty-one.

How old are you?

Seventeen.

What're you doing
so far from Philadelphia?

I felt stifled.

I wanted adventure
and excitement.

To meet people,
the common people, you know.

Riding around in freight cars, you
can meet a lot ofthem all right.

Wouldn't taking a passenger
train do just about as well?

But anybody can do that.

I believe deeply that a girl
should have authentic experience

before she gets married
and settles down.

Don't you agree?

That's the only kind
to have, authentic.

You got any special
destination in mind?

I thought I'd try
San Francisco.

It has the kind of hotels
that I'm accustomed to,

and the gourmet restaurants.

Ijust love gourmet.

You wouldn't happen to have a gourmet
sandwich or two in that bag, would you?

Now surely you don't expect me to
carry food around in my baggage.

When's the last time
you ate?

Yesterday.

When yesterday?

Morning.

You sit there starving to death
and I got to pry it out of you.

I guess I'II just never
understand you society folks.

You're making fun of me.

I never make fun of people
on an empty stomach.

MIKE: Are you telling us that's the
first stop that freight makes?

She stops all right, for coal, for
water, or to pick up freight.

But them's only way stations.
They got no telegraph office.

How many stops?
And for how long?

Six, seven. Now, they pick up
cattle, that can be along Iayover.

How many times they do that?
Pick up cattle?

Twice, I think.

(METALLIC CLINKING)

(BRAKES SQUEAKING)

What's that?

The shack.

The what?

The brakeman.

Now, if you'll expect to steal
rides on freight cars

you're gonna have to
learn the language.

What are we stopping for?

Probably for water.
Or coal.

Coal?

It's for the engine.

You burn coal
and it heats the water.

The water turns into steam. The
steam makes the wheels go around.

When the wheels go around...
The train moves.

My, you certainly know
a Iot of interesting things.

It's the mark
ofthe common man, Annabelle.

Good, we're stopping
for water.

Now that'Il give me a chance
to get us some food.

I saw some farm houses
out there.

And when I hop off, you close
the door, but watch for me.

The second I get back,
open that door fast.

'Cause ifthey catch me, we both
got to do a lot of walking.

AII right?

AII right.

(WHISTLE BLOWS)

Thirty-five, forty.

You just bought yourself
a good horse, mister.

I said when I woke up this
morning, this was gonna be my day.

You know, in case you're
interested, I call her Princess.

(CRICKETS CHIRPING)

CURRY: Annabelle?

Am I glad to see you.

Are you talking to me,
or to that?

Oh! To you, Annabelle.
Are you all right?

I am not!

I'm tired and I'm hungry
and I've walked for miles.

And I'm cold!

What made you decide
to get offthe train?

I figured that the only way I was
going to find anything to eat

was to find you.

Besides, with you gone that freight
car seemed awfully lonely.

So, when it slowed down
Ijumped off.

Where is it?

Where's what?

What you went after. Food.

Didn't you find any?

Annabelle, I'm sorry.
I ate it.

AII of it?

Afraid so.

Well, then
just find me some more!

After all I went through
to find you...

Part of myjob's
to check out the empties.

Ijust finished going through every one
of 'em no more than 10 minutes ago.

You seen anyone jump offthe
train since you left North Rim?

No.

A fella tried to get on.

Back where
we made a water stop.

Only he didn't make it.

You might say
I kind of changed his mind.

Come to think of it now,

he did look something Iike the
man you're talking about.

(WIND HOWLING)

(KNOCKING ON DOOR)

Who's out there?

CURRY: Would Iike to
talk to you, mister.

What about?
And who are you?

ANNABELLE: Let us in, please.

I hate disturbing you folks,

but we hoped that maybe you might
have some food you could sell us.

What're you doing way out
here this time of night?

Well, we...
We were on our...

We're on our honeymoon.

(STUTTERING) And the buggy
broke down and the wheel broke

and we just had
the one horse.

(CRIES)

You poor dear!

And on your honeymoon, too!

You come right in to the fire
and get warmed up

while I make you
some hot soup.

Well, just don't stand there,
young feller. Come on in.

We reckon we can get some
grub for you and your wife.

Thank you.

ANNABELLE:
I simply can't get over

how gracious you and your
husband have been to us.

So American, you know.

It'Il make
such a fascinating story

to tell our children,
won't it, dear?

We expect to have three.
At least.

I suppose your children are all
grown and married now, huh?

Minerva and me
never had any children.

It might be... We've been
spared a lot of heartache.

Well, excuse me.

Well, I'd guess
we ought to be getting on.

You'll do no such thing.

John, this young man's
talking about leaving!

The very idea! Wanting to take
your poor wife traveling

in the middle
of a freezing night.

We won't hear of it,
will we?

JOHN: They're spending
the night right here.

It's not that we're ungrateful, Mrs.
Lambert, you see, but...

No, dear.

If you think that I'm going
to get back on that horse

on a night Iike this,
you just don't know me,

dear.

JOHN: Well, that's settled.

We don't have a room
for you here in the house,

let me fix up a nice snug
place for you in the barn,

with a couple of blankets and
a lot of hay for a mattress.

Just come along with me.

Where is it?

What?

Saddlebags.
I left them by the door.

Oh, I put 'em away. In the hall
closet, with your wife's things.

I'm sorry, Mr. Lambert.

Honeymoon's do have a way of
making people a little nervous.

And I guess as long as
we're gonna stay here

I might as well
go get our things.

(DOGS BARKING)

(WIND HOWLING)

It's better than riding
in the cold and the dark

on that bony old horse
of yours.

Well, you don't hear me
complaining about it, do you?

Well, I wouldn't have
insisted we stay

if I wasn't sure
I could trust you.

Good for you.

Well, not up to what you'll get
in San Francisco, I guess,

but the price is right.

Thank you.

Come on, crawl in before
I turn out the Iantern.

You society folks always
sleep with your shoes on?

I'm afraid I don't have your
knowledge of living Iike a hobo.

You wanted authentic experience.
Well, you're getting it.

(GRUNTING)

(SHIVERING)

(COYOTES HOWLING)

Try and relax, Annabelle.

It takes a little
getting used to.

I am relaxed!

(COYOTES HOWLING)

I'm freezing.

Okay, get your blanket
and crawl in.

I don't want you to think
for one minute...

I'm not thinking anything.
Get in.

It's just that I'm cold.

So was I.

Glad you and your blanket
decided to join me.

I wouldn't dream of doing
anything Iike this if I wasn't.

Cold, I mean.

Of course you wouldn't.

I just wanted you to know.

I know!

You all right now?

Yes.

Annabelle?
What?

You're quite aliar,
you know that?

Well, you saw how they looked at
us when they opened the door.

If I hadn't said
that we were married

they wouldn't even have
let us in the house.

I know that. I'm talking about
everything else you've said.

It takes a first rate memory to
be a really good Iiar, Annabelle.

You aren't equipped for it.

Well, it wasn't all lies.

Ijust Iike to
exaggerate a little,

for the sake of
interesting conversation.

You know what
really would interest me?

What?

Knowing what you're really
running away from.

Oh.

And where
you're really going.

Why, I told you
the honest truth.

I'm running away
from getting married.

To Reginald Vandemeter,
ofthe Four Hundred.

Well. Not exactly.

And where
are you really going?

To my father.

The financier.

Well, not exactly.

But he is a gentleman,

and an authentic aristocrat.

A man of Ieisure and
good manners and style.

Like Ietting you ride
around on freight trains.

Style all right.

But he doesn't know that I'm coming
to see him, to Iive with him.

Are you sure
you can find him?

Oh, sure.
He lives in Kingsburg.

Kingsburg?

Well, what's so surprising
about living in Kingsburg?

Oh, nothing, except
that's where I'm headed.

Really?

Maybe you know my father.

His name is
DeCourcey Considine.

No, I'm afraid not,
Annabelle.

I'm only going to Kingsburg
on business.

We'll be together
all the way then, won't we?

I won't let you
out of my sight.

Suddenly I feel very warm
and happy,

and sleepy.

Good.

I was a little afraid
you might talk all night.

Good night, Annabelle.

Here we are, Iike this, and I
don't even know your name.

It's Jones.

And you called me aliar.

The world is full of people
named Jones.

Yeah, I guess it is.

And I'm glad I met one ofthem.
Good night, Mr. Jones.

Good night, Annabelle.

(ROOSTER CROWING)

I was beginning to think
you'd sleep forever.

HEYES: Yeah, I'm looking for a friend
of mine, I wondered if you can help me?

Maybe.

Well, he bought
an old sorrel horse

without a saddle
a few miles back.

Ijust want to know
if he rode this way.

Sorrel horse, no saddle.
Nope. Can't help you.

Thanks anyway.
Come on.

(GUN FIRING)

Let's get out of here!

Good idea.
What'II we use for a horse?

I'm sorry, Princess.

AII right, you,
get off ofthere.

It's me they want, so just do as
you're told and you'll be all right.

Hey, don't I know you
from some place?

I should hope not.

No, Mike, no, wait!

(GUN FIRING)

MIKE: Let go! l'll kill him.

Settle down now. Mike!

AII right.

There's a few hundred there.
You might as well get it.

Okay.

You figured
we'd catch up with you.

Grab the saddlebags and ride
off after a quick look, right?

Well, it didn't work.
Now, where is it?

Mr. Greer showed us those
packages and we believed him.

So Mr. Greer's
gonna have to tell you

where the money is,
'cause I sure can't.

Greer's a Iawyer,
he don't have to steal.

Well, he did.

He had us sign a receipt
for $50,000.

Which puts him in the clear,
and me in a lot oftrouble.

You expect me to believe

that you signed for all that
money without even counting it?

Well, Iike you said, he's a
Iawyer, he don't have to steal.

I trusted him.

You're aliar.

Nobody's going to save your
skin this time except you,

by telling me where it is.

Hold it, Mike.
I wanna talk to you.

MIKE:
You keep an eye on them.

(EXCLAIMS) I got it now!

You're old man Pringle's
granddaughter, Annie. Annie Considine!

You remember me.

I was at one of 'em barn dances over
at your place a couple months ago.

Hey, you was supposed to
be getting married about now

to one ofthem
wheat farmers.

AII right, you and the girl
can go.

You gonna let him
get away with that yarn?

When that first bundle was cut
open, I saw the look on his face.

Can't nobody look
that surprised on purpose.

Then where is it?

That blackleg Iawyer's
got it. Just Iike he said.

Bythe way, if you're thinking we're
a bunch ofthieves, forget it.

Every man here lost money when
that bank in North Rim closed.

AII we're after
is what belongs to us.

AII right,
where'd you put it?

You cleaned out that saddlebag.
Last night, when I was asleep.

I'd Iike to know where you hid
it, and I'd Iike to know now.

You're horrible.

How would I know
you had money in that thing?

Now, you listen to me.

There was $50,000 in this saddlebag
the night I left North Rim.

Now, if you didn't take it,
I'd Iike to know who did.

The Iawyer.
You said yourselfthat he...

That was a lie, for them.

I helped count every pack ofthat
money and put it in the bags myself.

And it hasn't been
out of my sight since.

Except when they were
in that freight car with you,

and later on
when I was asleep.

(CRYING)

AII right. AII right,
all right, Annabelle.

There is one other answer.

If you didn't take it then our friends
back there, Mr. and Mrs. Lambert, did.

That nice old couple? That's
even worse than accusing me.

Well, it's either you or them.
There's no other possibility.

I'm going to take you
back there with me.

And I'm not gonna let you out of my
sight until I get that money back.

Did you marry him, Annabelle?
The wheat farmer?

No.

I wanted to live,
to see things.

To talk to people
about anything

except the weather and cows and
pigs and the prices of grain.

Ijust wasn't meant
to be a farmer's wife.

I was meant to Iive
differently, Iike my father.

How does he live?

Like a gentleman.

CURRY: I know how it sounds,
Mr. Lambert.

But somewhere between
North Rim and your place,

somebody took that money
out of my saddlebags.

And whoever it was put back bundles
made out of cut-up newspapers.

Like you've got right here.

You come into my home and
accuse me of stealing from you?

If I was a younger man
I'd throw you out of here.

I don't Iike it any better than you do, Mr.
Lambert. But somebody took that money.

Now, she took it,
or you took it.

Your own wife?

Either way,
I aim to get it back. Now.

Well, I never.

Let's not get into that,
Mrs. Lambert.

Things are mixed up
enough already.

I'd Iike your permission
to search your place,

house, barn, everything.

The only way you'll search
my place is with a sheriff.

(PANTING)

AII right, Mr. Lambert.
Let's start looking.

Where's the key?

You aren't going
to open that door.

Where's the key?

There isn't any key
to that room.

It's God's truth.
There is no key.

Either you give me the key
or I shoot the door open.

You aren't
going into that room!

I'm sorry.

Before I leave, I'II fix the lock and
it'Il be just the way it was before.

We figured you'd
come back for it.

(ANNABELLE GASPING)

AII right, I did. I'm checking
out the only other possibility,

but I still figure
Greer has it.

Maybe. Breen is heading
back there now.

Nothing here
belongs to any of you.

MIKE: Shut up.

This is my home!

HEYES: Why don't we all
talk this over?

(PISTOL COCKING)

Hi.

(TRAIN BELL RINGING)

GREER: Hello there, boys.

Am I glad to see you two. I
thought you'd never get here.

We don't have the money.

I guess it doesn't come as a
big surprise to you, does it?

Well, no.

I gather you ran
into a little trouble.

Where's the money,
Mr. Greer?

I had a choice. Risk the
money with you fellows

or use you as decoys and
bring the money here myself.

I decided
to bring it here myself.

And how did you get the stacks
of newsprint in the saddle bags?

Ijust switched saddle bags, while
you boys were signing the receipt.

Cool down.
Cool down.

You can't blame him
for being upset, Mr. Greer.

If we'd lost that money, we'd
have been in big, big trouble.

And you thought
you'd lost it?

Mmm-hmm.

But you didn't.
All's well that ends well.

(LAUGHS)

You know,
that's my philosophy, too.

What was that for?

Because you
called me a thief.

And I'm about to do it again
unless I hear an apology.

I apologize, Annabelle,
I apologize.

(WHISTLE BLOWS)

Howdy. We'd Iike
two rooms, please.

One with bath
for the young lady.

Yes, sir.

Could you tell me where I might find Mr.
DeCourcey Considine?

Who?

Mr. DeCourcey Considine.

LN \ \Nx & ¡ I

Oh. Oh, Deke.
Deke Considine. Sure.

Where?

In the saloon, Miss.

The saloon?

Yes, Miss. You'll find Deke there
most any time, day or night.

Why do you say that?

'Cause that's where he is. When Deke's
got money he plays poker for himself.

When he's broke he deals stud
or blackjack for the house.

He's there right now,
seen him half an hour ago.

Dealing blackjack
for the house.

Thank you.

You didn't sign
the register, miss.

Why don't you
take yourself a room.

Get a bath and a rest
and you'll be all right.

I am all right.

Good. Sign the register.

No. There's a train east
in two hours.

I'II be taking it.

To where?

Home. I'm going home.

To get married?

Yes.

Probably, one day.

What about all that authentic
experience you were looking for?

I... I think I found it.

AII right.

The train it is, but first
you're going to get a bath

and a chance
to change your clothes.

(TRAIN HONKING)

Tell my father you met me,

and that I'm all grown up,
and very happy.

Sure you don't want to
tell him yourself?

There's another train
tomorrow.

No. I'm not
that grown up.

(WHISTLE BLOWING)

His name is
DeCourcey Considine,

and he lives here
in Kingsburg.

(WHEELS CHUGGING)