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(pen scribbling)
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(ambient music)
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(suspenseful music)
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- [Reporter] Early reports say
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that Alhambra has been under an attack.
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There is no confirmation of
any hostages or casualties
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but according to eyewitnesses,
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a series of explosions around
the fortress created panic
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among the visitors,
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and heavily armed unidentified men
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have now seized control of the fortress.
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We're waiting for more details
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from officials at the incident,
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and hopefully learn the
identity of the group
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behind the attack.
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(siren ringing)
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(people chattering in the background)
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(tense music)
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- What's going on?
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- The area is closed.
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(suspenseful music)
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(car engine roaring)
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(suspenseful music)
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- [Reporter] That the
soldier has been shot at
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from the fortress.
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(phone ringing)
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Less than an hour ago,
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a group of unidentified men seized control
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of the Alhambra fortress in Granada.
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(phone ringing)
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(car engine revving)
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(singing in foreign language)
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(slow ambient music)
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(footsteps approaching)
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(tense cinematic music)
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(gravel crunching)
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(car doors closing)
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(phone ringing)
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(airplane engine roaring)
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(phone ringing)
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- Yes?
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(suspenseful music)
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- Okay, you promise to take me to Geneva?
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But I can help you to get
in contact with Zamen.
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(suspenseful music)
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- Your phone.
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Contact him.
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(suspenseful music)
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- [Man] So now we wait.
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- May I give you a lift?
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- No, thank you.
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- Come, maybe this might interest you.
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(suspenseful music)
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(car tires screeching)
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(suspenseful music)
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- What are we doing here?
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(suspenseful music)
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(phone beeping)
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- He wants to meet you.
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(suspenseful music)
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In Alhambra.
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(intensifying suspenseful music)
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67
- Wait, what is it?
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Open the door, open the door.
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Open the door, can you
open the door, let me out!
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Where are they taking him?
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Where are they taking him?
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(ignition starting)
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(tires screeching)
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- [Driver] You are free
to leave the country.
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(doors unlocking)
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(ignition starting)
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- [Woman] Why does Zamen
Essayah want to meet you?
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- I don't know.
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- I have to make sure this is not a trap.
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- Oh, of course.
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- And I can not let you leave the base.
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I tell you when we are ready.
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85
- I appeal to the Europeans
Union mutual defense close.
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I ask the European union
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to help us find the terrorist branch
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that organized the attack
directed at Alhambra.
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- [High representative] We assume
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this is a terrorist attack?
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- [Man] At the moment, yes, we do.
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- I'm deeply sorry
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about the attack directed at your country.
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What we have here is an
attack that's directed
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at the whole Europe.
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Whatever the situation in Alhambra is,
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we have failed to protect our borders.
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We need to have a body that can keep
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all of the defensive pieces together.
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- We can get EU's rapid
deployment force mobilized
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in seven days at the earliest.
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I apologize.
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- If the European countries
could join their forces earlier,
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My country will not have to
suffer from a terrorist threat.
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- Excuse me?
- Yes?
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- Aren't we overreacting a little bit?
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- Can you explain what you mean?
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- Is it really necessary to gather up here
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and use the highest
political forum in Europe
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for speculation?
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I suggest that we wait for
the Spanish police army
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and intelligence to find
out a little bit more.
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- Who is the attacker?
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- We have no idea for sure.
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We only know one name.
(phone vibrating)
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Zamen Essayah.
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(suspenseful music)
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- Well, I'm not sure.
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Maybe we should have to ask NATO for help.
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I spoke briefly with Jeremy MacCoughlin.
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He was very interested in Zamen Essayah.
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He's considering who's going
to take part in the process
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of solution on their part.
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We have to do all we can do
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to resolve this situation quickly.
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- Of course we'll cooperate with NATO.
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- I think it's a mistake
to ask for NATO's help.
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We have always, in Finland,
chosen transparency
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in all action and decision making process.
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NATO's decision-making
process will always be hidden
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from us.
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(suspenseful music)
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- I see your point.
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I suggest that we then send
EU's Rapid Deployment force
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to Spain at this point.
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We will show the world how we
solve the crisis peacefully.
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(phone ringing)
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139
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141
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(slow tense music)
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144
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146
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(ambient music)
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- We are not prepared.
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We know nothing about him yet.
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The only good thing so far is that
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if the weapons are there,
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this will be over soon.
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And she's not even a hostage negotiator.
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(phone ringing)
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- Sorry. I have to take this.
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157
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159
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(suspenseful music)
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(distant chattering)
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- Mr, can I have a few words with you?
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- Yeah, of course.
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- Zamen Essayah wants to
meet Ann-Mari Sundell.
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You know her,
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you liked her as foreign
minister much more than
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you like me.
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(chuckling)
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- Do Ann-Mari and Essayah know each other?
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- She was as shocked to
hear about this as we are.
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But you know she is the best person
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to find a peaceful solution for this mess.
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(suspenseful music)
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(car engine revving)
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178
- You are going in?
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Position is then.
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- I'm not going alone.
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182
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- Help me.
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185
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- Don't let her go in there.
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Bullet proof vest won't save her life.
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- I'll be with her the whole time.
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- We are peace workers,
we're not soldiers.
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And this is something
completely different.
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192
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- Yeah.
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(suspenseful music)
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(suspenseful music)
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(slow ambient music)
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00:20:12,120 --> 00:20:15,120
(suspenseful music)
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00:20:23,800 --> 00:20:26,880
(car engine revving)
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(suspenseful music)
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203
(distant music playing)
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205
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207
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- Zamen Essayah is a dangerous terrorist.
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This is a lot different
than chatting about bees
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in a conference room.
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You can say no.
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We are ready to storm Alhambra.
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- I'll meet him.
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- We know what the terrorist want.
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- No, we don't.
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We need to listen to him first.
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He has a reason for
behaving the way he is.
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- By the decision made
by the Spanish government
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and the minister for foreign affairs,
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responsibility for Alhambra
has been transferred
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from the police to an antiterrorist squad
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which is led by me.
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To aid the special forces,
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we have EU's peace
negotiator Ann-Mari Sundell.
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This attack was well-planned.
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There are no civilian
casualties as far as we know.
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And we can only estimate
the number of attackers.
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Special investigator from NATO,
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Grady Wells also takes part
in the crisis resolution.
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- Tom.
- Grady.
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- The perpetrators cannot be seen
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on the security camera
footage taken on the evening
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and night of the attack.
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(whispering)
(suspenseful music)
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There is a possibility that
the shipment of the weapons
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that the attackers used was delivered
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from the Malheur Harbor to Alhambra.
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But the security camera footage
tells us nothing more...
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- They're totally useless.
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- Sorry?
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- They're totally useless.
219
00:22:55,920 --> 00:22:58,080
I'm here because I know Zamen.
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You know Zamen was a part of an operation
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we had back in Iraq
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called the Hotel California.
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Zamen is actually a good guy.
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Talented, gifted,
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smart, very liked among men.
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He knew a lot.
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Some people might say he
knew a little too much.
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(suspenseful music)
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Anyway, what I'm trying to say is that
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Zamen is a soldier trained
by the US Army and the CIA.
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- So he's one of your men?
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- Yes.
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I know he's a local,
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and the locals you can't fully trust.
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But then again, who the fuck
can we trust these days, right?
236
00:23:43,280 --> 00:23:44,980
(suspenseful music)
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Which brings me to this fellow here,
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if you mind.
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His name is Abu.
240
00:23:51,920 --> 00:23:54,600
Now Abu and Zamen,
they're best of friends.
241
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They go way back.
242
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Even grew up in the same village.
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Abu was a harbor manager in
Jeddah just until recently
244
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when he was found dead.
245
00:24:05,880 --> 00:24:07,580
And let's just pretend for a second here
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that poor Abu's passing to the other side
247
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has to do with the fact
that he was a arms dealer.
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00:24:15,640 --> 00:24:17,860
- We are here to talk about
how to get Zamen Essayah
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out of Alhambra.
250
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- Great. So let's do that.
251
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Let's focused on that.
252
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Let's focus on you for a second.
253
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Ann-Mari Sundell.
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I hear that he wants to meet you.
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- Yes.
256
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- Well, how come he even knows you?
257
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- I was contacted
through someone in Spain.
258
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- The contact's name is
Asier Garcia, we have him.
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- Fantastic.
260
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I'd love to have a chat with him.
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- You will
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not actually.
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He's in the Union LEX
Witness Protection Program.
264
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(suspenseful music)
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- You have your funny ways
with your EU citizens,
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maybe that...
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- We have 12 hours
before we enter Alhambra.
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Can we concentrate on the attack?
269
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- There will be no attack.
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I will meet him and we'll talk.
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- We don't know precisely
where he is located.
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There are 16 exit in Alhambra.
273
00:25:21,440 --> 00:25:26,440
And we have a total of 265
soldiers to intrude the fortress.
274
00:25:26,880 --> 00:25:30,340
We will have our monitoring
operations from here
275
00:25:30,440 --> 00:25:32,860
and here.
(descending footsteps)
276
00:25:35,080 --> 00:25:38,980
300
277
00:25:39,080 --> 00:25:42,860
(approaching footsteps)
278
00:25:42,960 --> 00:25:46,040
(distant chattering)
279
00:25:53,160 --> 00:25:55,760
(door closing)
280
00:26:06,840 --> 00:26:09,240
(whispering)
281
00:26:11,880 --> 00:26:14,220
(distant birds chipping)
282
00:26:17,400 --> 00:26:21,160
307
283
00:26:55,960 --> 00:26:58,220
309
(suspenseful music)
284
00:27:26,480 --> 00:27:29,020
311
(suspenseful music)
285
00:27:29,120 --> 00:27:34,120
(airplane engine roaring)
286
00:27:34,960 --> 00:27:37,600
(phone ringing)
287
00:27:48,360 --> 00:27:50,060
- Yeah, it's me.
288
00:27:50,160 --> 00:27:51,500
I have her phone.
289
00:27:51,600 --> 00:27:52,780
(ambient music)
290
00:27:52,880 --> 00:27:54,900
- Hi?
291
00:27:55,000 --> 00:27:55,820
- Hi.
292
00:27:55,920 --> 00:27:58,600
(ambient music)
293
00:28:01,400 --> 00:28:03,140
- Where is Ann-Mari?
294
00:28:03,240 --> 00:28:05,440
- She's going to meet
Zamen inside Alhambra.
295
00:28:07,000 --> 00:28:09,000
- She is?
296
00:28:09,960 --> 00:28:12,620
- I know she'd hate me for saying this,
297
00:28:12,720 --> 00:28:14,800
but I hope God is watching and has a plan.
298
00:28:15,800 --> 00:28:18,620
(ambient music)
299
00:28:18,720 --> 00:28:20,720
- Hey, uh.
300
00:28:21,320 --> 00:28:24,720
Listen, something's going on here.
301
00:28:25,720 --> 00:28:28,040
My father told me about New Era,
302
00:28:29,440 --> 00:28:31,700
and of peace that would start today.
303
00:28:31,800 --> 00:28:33,700
(helicopter rattling)
304
00:28:33,800 --> 00:28:35,800
There in Alhambra.
305
00:28:36,400 --> 00:28:38,980
(ambient music)
306
00:28:39,080 --> 00:28:42,080
(people chattering)
307
00:28:50,600 --> 00:28:52,980
- How many armed assailants
are there approximately?
308
00:28:53,080 --> 00:28:53,820
- We don't know.
309
00:28:53,920 --> 00:28:56,620
They were will fire
immediately if we go closer.
310
00:28:56,720 --> 00:28:58,500
- I don't feel comfortable
when Grady goes around here.
311
00:28:58,600 --> 00:28:59,860
Can you make sure that
he doesn't come close
312
00:28:59,960 --> 00:29:01,960
to the fortress?
313
00:29:03,400 --> 00:29:05,400
- Let's try this.
314
00:29:10,760 --> 00:29:12,140
- So, Ann-Mari.
315
00:29:12,240 --> 00:29:12,940
- [Ann-Mari] Yes.
316
00:29:13,040 --> 00:29:13,780
- Yeah, come.
317
00:29:13,880 --> 00:29:14,620
- I can hear you.
318
00:29:14,720 --> 00:29:15,460
- Good.
319
00:29:15,560 --> 00:29:18,060
Wait for my command
before you go in, okay?
320
00:29:18,160 --> 00:29:21,160
(suspenseful music)
321
00:29:31,240 --> 00:29:36,240
(clicking)
(distant radio calls)
322
00:29:38,680 --> 00:29:41,220
- That's them on the side.
323
00:29:41,320 --> 00:29:44,320
(suspenseful music)
324
00:29:59,200 --> 00:30:00,700
- [Woman] Okay, listen.
325
00:30:00,800 --> 00:30:02,260
We are good to go in.
326
00:30:02,360 --> 00:30:04,340
You can proceed.
327
00:30:06,240 --> 00:30:08,140
355
- Yeah.
328
00:30:08,240 --> 00:30:11,240
(suspenseful music)
329
00:30:25,840 --> 00:30:29,660
358
(distant radio calls)
330
00:30:29,760 --> 00:30:32,760
(suspenseful music)
331
00:30:35,560 --> 00:30:40,560
(slow footsteps)
(intense suspenseful music)
332
00:30:41,640 --> 00:30:43,900
- Only Ann-Mari Sundell can enter.
333
00:30:44,000 --> 00:30:47,300
(suspenseful music)
334
00:30:47,400 --> 00:30:48,660
- He's my security man.
335
00:30:48,760 --> 00:30:50,460
He's always with me.
336
00:30:50,560 --> 00:30:51,500
- [Woman] Good, Ann-Mari.
337
00:30:51,600 --> 00:30:54,600
(suspenseful music)
338
00:30:57,160 --> 00:30:59,160
Keep talking.
339
00:31:01,480 --> 00:31:02,460
- He's my security man,
340
00:31:02,560 --> 00:31:04,560
I'm not coming without him.
341
00:31:07,200 --> 00:31:09,200
- Weapons.
342
00:31:10,440 --> 00:31:12,440
- We're unarmed.
343
00:31:13,640 --> 00:31:16,340
(suspenseful music)
344
00:31:16,440 --> 00:31:18,140
- Microphones.
345
00:31:18,240 --> 00:31:19,020
- [Woman] No, we need them.
346
00:31:19,120 --> 00:31:20,420
We need to hear.
347
00:31:20,520 --> 00:31:22,020
- We need the microphones.
348
00:31:22,120 --> 00:31:24,460
The people outside need
to know that we're safe.
349
00:31:24,560 --> 00:31:26,460
- Take away the microphones.
350
00:31:26,560 --> 00:31:28,640
- [Woman] Don't give out the microphones.
351
00:31:29,680 --> 00:31:30,620
- I don't have an option.
352
00:31:30,720 --> 00:31:31,900
- Don't, don't cut the connection,
353
00:31:32,000 --> 00:31:34,000
we need to...
354
00:31:41,720 --> 00:31:44,320
384
(radio static)
355
00:31:49,160 --> 00:31:52,100
(distant helicopter rattling)
356
00:31:52,200 --> 00:31:54,200
- Move in.
357
00:31:55,800 --> 00:31:58,520
(slow footsteps)
358
00:32:07,600 --> 00:32:10,080
(gun cocking)
359
00:32:14,840 --> 00:32:17,320
(gun cocking)
360
00:32:18,280 --> 00:32:21,040
(slow footsteps)
361
00:32:27,920 --> 00:32:31,080
(helicopter rattling)
362
00:33:07,520 --> 00:33:09,520
- Wait here.
363
00:33:13,400 --> 00:33:16,560
(helicopter rattling)
364
00:33:17,840 --> 00:33:21,240
(distant birds chipping)
365
00:33:27,280 --> 00:33:30,560
(distant man speaking)
366
00:33:34,280 --> 00:33:36,940
397
(gun cocking)
367
00:33:37,040 --> 00:33:40,200
(helicopter rattling)
368
00:33:42,680 --> 00:33:45,360
(ambient music)
369
00:34:02,600 --> 00:34:06,320
(distant car engine revving)
370
00:34:12,000 --> 00:34:12,860
(car door closes)
371
00:34:12,960 --> 00:34:16,660
(suspenseful music)
372
00:34:16,760 --> 00:34:20,160
(distant men chattering)
373
00:34:22,920 --> 00:34:25,920
(suspenseful music)
374
00:34:43,760 --> 00:34:45,760
- Tom?
375
00:34:50,160 --> 00:34:51,740
- Let's go.
376
00:34:51,840 --> 00:34:54,840
(suspenseful music)
377
00:35:09,080 --> 00:35:13,160
(intensifying suspenseful music)
378
00:35:22,280 --> 00:35:26,000
(slow footsteps approaching)
379
00:35:27,840 --> 00:35:30,840
(suspenseful music)
380
00:35:55,560 --> 00:35:57,180
- Ann-Mari Sundell.
381
00:35:57,280 --> 00:35:59,280
- Zamen Essayah.
382
00:36:01,080 --> 00:36:03,100
- I will have to ask you to
give our microphones back
383
00:36:03,200 --> 00:36:05,900
to show that you have faith
in these negotiations.
384
00:36:06,000 --> 00:36:09,560
The team outside will storm
Alhambra if they can't hear us.
385
00:36:10,400 --> 00:36:12,400
- I see.
386
00:36:14,400 --> 00:36:16,560
I wanna have a word with you in private.
387
00:36:22,040 --> 00:36:24,800
It's important we understand each other.
388
00:36:27,360 --> 00:36:29,360
I'm very happy you came.
389
00:36:31,280 --> 00:36:33,400
It's not a coincidence we're meeting here.
390
00:36:35,040 --> 00:36:38,220
The Muslims and Morrissey
built this beautiful fortress
391
00:36:38,320 --> 00:36:40,680
on land called Al-Andalus.
392
00:36:42,120 --> 00:36:44,120
It's the area of Muslim dynasties.
393
00:36:45,160 --> 00:36:47,640
They ruled for 700 years.
394
00:36:49,240 --> 00:36:52,920
And under their rule,
this area flourished.
395
00:36:54,400 --> 00:36:57,720
Muslims, Jews, Christians, all
living together, peacefully.
396
00:36:59,400 --> 00:37:01,400
Blooming trade,
397
00:37:02,000 --> 00:37:03,900
life,
398
00:37:04,000 --> 00:37:06,000
all his joys.
399
00:37:06,720 --> 00:37:08,980
And then the Spanish
Christians took over the land
400
00:37:09,080 --> 00:37:11,080
700 years ago.
401
00:37:12,080 --> 00:37:14,960
And that battle ended here.
402
00:37:15,880 --> 00:37:17,880
A fall of Granada.
403
00:37:18,400 --> 00:37:20,440
- And why are we here today?
404
00:37:23,120 --> 00:37:27,000
- Everyone wants pleasure
in their life, right?
405
00:37:29,800 --> 00:37:31,620
Even you.
406
00:37:31,720 --> 00:37:33,580
Even though you come from the North,
407
00:37:33,680 --> 00:37:35,680
woman who never smiles.
408
00:37:38,440 --> 00:37:40,220
I still believe there's a part of you
409
00:37:40,320 --> 00:37:42,820
that wants to enjoy life.
410
00:37:42,920 --> 00:37:45,320
- I want the microphones.
411
00:37:48,560 --> 00:37:51,560
(suspenseful music)
412
00:38:03,880 --> 00:38:06,560
444
(phone buzzing)
413
00:38:11,200 --> 00:38:12,300
446
(suspenseful music)
414
00:38:13,760 --> 00:38:16,900
448
415
00:38:17,000 --> 00:38:17,980
- Are you going to attack?
416
00:38:18,080 --> 00:38:20,060
- No. Now we all wait.
417
00:38:20,160 --> 00:38:23,320
(helicopter rattling)
418
00:38:29,440 --> 00:38:32,440
(suspenseful music)
419
00:38:43,320 --> 00:38:45,580
(gun shots)
420
00:38:45,680 --> 00:38:47,380
(people shouting)
421
00:38:47,480 --> 00:38:50,480
(suspenseful music)
422
00:38:53,760 --> 00:38:54,700
- Did they shoot somebody?
423
00:38:54,800 --> 00:38:56,860
- No. Nobody got shot.
424
00:38:56,960 --> 00:38:58,020
That's a warning.
425
00:38:58,120 --> 00:38:59,700
Here, drink this.
426
00:38:59,800 --> 00:39:00,700
No need to worry, okay?
427
00:39:00,800 --> 00:39:01,540
I promise.
428
00:39:01,640 --> 00:39:03,640
Now, excuse me.
429
00:39:05,440 --> 00:39:07,020
- Hey, what the fuck was that?
430
00:39:07,120 --> 00:39:08,700
- Telling them to keep
their fucking distance.
431
00:39:08,800 --> 00:39:10,620
We can't (indistinct)
432
00:39:10,720 --> 00:39:12,380
Okay?
433
00:39:12,480 --> 00:39:14,580
(suspenseful music)
434
00:39:14,680 --> 00:39:15,940
- Sir, listen.
435
00:39:16,040 --> 00:39:16,780
Wait.
436
00:39:16,880 --> 00:39:19,100
(indistinct)
437
00:39:19,200 --> 00:39:22,200
(suspenseful music)
438
00:39:26,280 --> 00:39:30,360
(intensifying suspenseful music)
439
00:40:12,680 --> 00:40:15,360
474
(ambient music)
27519
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