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00:00:43,959 --> 00:00:45,583
Man: ♪ FIRST,
YOU SAY YOU DO ♪
2
00:00:45,583 --> 00:00:47,083
♪ AND THEN YOU DON'T ♪
3
00:00:47,083 --> 00:00:49,125
♪ AND THEN YOU SAY YOU WILL,
AND THEN YOU WON'T ♪
4
00:00:49,125 --> 00:00:50,458
♪ YOU'RE UNDECIDED NOW ♪
5
00:00:50,458 --> 00:00:52,083
♪ SO WHAT ARE YOU
GONNA DO? ♪
6
00:00:54,291 --> 00:00:55,125
Woman:
♪ NOW YOU WANNA PLAY ♪
7
00:00:55,125 --> 00:00:56,667
♪ AND THEN IT'S NO ♪
8
00:00:56,667 --> 00:00:57,792
♪ AND WHEN YOU SAY
YOU'LL STAY ♪
9
00:00:57,792 --> 00:00:59,041
♪ THAT'S
WHEN YOU'LL GO ♪
10
00:00:59,041 --> 00:01:00,291
♪ YOU'RE UNDECIDED NOW ♪
11
00:01:00,291 --> 00:01:01,834
♪ SO WHAT'RE YOU
GONNA DO? ♪
12
00:01:03,959 --> 00:01:05,208
♪ I'VE BEEN SITTIN'
ON THE FENCE ♪
13
00:01:05,208 --> 00:01:06,625
♪ AND IT DOESN'T
MAKE NO SENSE ♪
14
00:01:06,625 --> 00:01:07,875
♪ 'CAUSE YOU KEEP ME
IN SUSPENSE ♪
15
00:01:07,875 --> 00:01:09,250
♪ AND YOU KNOW IT ♪
16
00:01:09,250 --> 00:01:10,458
♪ THEN YOU PROMISE
TO RETURN ♪
17
00:01:10,458 --> 00:01:11,750
♪ WHEN YOU DON'T,
I REALLY BURN ♪
18
00:01:11,750 --> 00:01:12,792
♪ WELL, I GUESS
I'LL NEVER LEARN ♪
19
00:01:12,792 --> 00:01:14,291
♪ AND I SHOW IT ♪
20
00:01:14,291 --> 00:01:16,125
♪ IF YOU GOT A HEART,
AND IF YOU'RE KIND ♪
21
00:01:16,125 --> 00:01:17,708
♪ OOH, DON'T
KEEP US APART ♪
22
00:01:17,708 --> 00:01:19,291
♪ MAKE UP YOUR MIND ♪
23
00:01:19,291 --> 00:01:20,458
Both: ♪ YOU'RE
UNDECIDED NOW ♪
24
00:01:20,458 --> 00:01:21,500
♪ SO WHAT ARE YOU
GONNA DO? ♪
25
00:02:03,667 --> 00:02:06,000
♪ FIRST, YOU SAY YOU DO,
AND THEN YOU DON'T ♪
26
00:02:06,000 --> 00:02:07,083
♪ THEN YOU SAY
YOU WILL ♪
27
00:02:07,083 --> 00:02:08,667
♪ AND THEN YOU WON'T ♪
28
00:02:08,667 --> 00:02:09,834
♪ YOU'RE UNDECIDED NOW ♪
29
00:02:09,834 --> 00:02:13,667
♪ SO WHAT ARE YOU
GONNA DO? ♪
30
00:02:13,667 --> 00:02:16,000
♪ NOW YOU WANT TO PLAY,
AND THEN IT'S NO ♪
31
00:02:16,000 --> 00:02:16,959
♪ THEN YOU SAY YOU'LL STAY ♪
32
00:02:16,959 --> 00:02:18,083
♪ THAT'S WHEN YOU GO ♪
33
00:02:18,083 --> 00:02:19,250
♪ YOU'RE UNDECIDED NOW ♪
34
00:02:19,250 --> 00:02:21,250
♪ SO WHAT ARE YOU
GONNA DO? ♪
35
00:02:23,125 --> 00:02:26,583
♪ YOU'RE UNDECIDED NOW ♪
36
00:02:26,583 --> 00:02:29,250
♪ WHAT YOU GONNA DO? ♪
37
00:02:33,208 --> 00:02:37,041
Man: THE END OF MY INNOCENCE
AND CHILDHOOD BEGAN IN 1957.
38
00:02:37,041 --> 00:02:38,834
IT IS REMARKABLE TO ME NOW
39
00:02:38,834 --> 00:02:42,041
JUST HOW LITTLE I KNEW THEN
ABOUT THE PEOPLE AROUND ME.
40
00:02:42,041 --> 00:02:43,500
IT TOOK ME YEARS
TO FIGURE OUT
41
00:02:43,500 --> 00:02:45,583
EXACTLY WHAT THE TRUTH WAS,
42
00:02:45,583 --> 00:02:47,542
ESPECIALLY GIVEN
MY BROTHER'S KNACK
43
00:02:47,542 --> 00:02:49,834
AT INVENTING FACTS.
44
00:02:49,834 --> 00:02:53,083
MY MOTHER ONCE TOLD ME THAT
IF THE ABBOTTS DIDN'T EXIST,
45
00:02:53,083 --> 00:02:55,750
MY BROTHER WOULD'VE
HAD TO INVENT THEM.
46
00:03:20,250 --> 00:03:22,708
LLOYD ABBOTT WASN'T
THE RICHEST MAN IN TOWN,
47
00:03:22,708 --> 00:03:24,291
BUT IT SEEMED LIKE HE WAS,
48
00:03:24,291 --> 00:03:25,917
BECAUSE HE HAD
3 BEAUTIFUL DAUGHTERS--
49
00:03:25,917 --> 00:03:28,667
ALICE, ELEANOR,
AND PAMELA.
50
00:03:28,667 --> 00:03:30,208
AT LEAST TWICE A YEAR,
51
00:03:30,208 --> 00:03:32,792
YOU COULD SEE THE BIG TENT
GO UP ON THEIR TENNIS COURT,
52
00:03:32,792 --> 00:03:34,291
AND EVERYBODY COULD SEE
THAT ONE OF THE ABBOTT GIRLS
53
00:03:34,291 --> 00:03:36,041
WAS HAVING A BIRTHDAY
54
00:03:36,041 --> 00:03:37,500
OR GRADUATING
OR GOING AWAY TO COLLEGE.
55
00:03:39,291 --> 00:03:40,208
Man: HERE WE GO--
ANOTHER PARTY.
56
00:03:40,208 --> 00:03:41,667
SHUT UP.
57
00:03:41,667 --> 00:03:43,291
EVERY TIME AN ABBOTT
GIRL GETS HER PERIOD,
58
00:03:43,291 --> 00:03:44,250
THEY HAVE SOME PARTY.
59
00:03:44,250 --> 00:03:45,583
SHUT UP.
60
00:03:45,583 --> 00:03:47,000
KOTEX PARTIES,
KOTEX PARTY HATS.
61
00:03:55,959 --> 00:03:58,291
Man: MY BROTHER AND I
WERE BORN STRANGERS--
62
00:03:58,291 --> 00:03:59,875
SAME LAST NAME,
63
00:03:59,875 --> 00:04:01,208
SAME ADDRESS,
64
00:04:01,208 --> 00:04:03,750
BUT EVERYTHING ELSE
ABOUT US WAS DIFFERENT.
65
00:04:03,750 --> 00:04:07,125
BACK THEN, JACEY WAS
A COMPLETE MYSTERY TO ME,
66
00:04:07,125 --> 00:04:10,500
AND I WAS A CONSTANT SOURCE
OF EMBARRASSMENT TO HIM.
67
00:04:12,208 --> 00:04:13,667
[HUMMING HEARTBREAK HOTEL]
68
00:04:38,000 --> 00:04:39,041
OH, CHRIST.
69
00:04:40,333 --> 00:04:41,834
MOM?
70
00:04:41,834 --> 00:04:42,875
MOM?
71
00:04:46,208 --> 00:04:47,875
[HUMS HEARTBREAK HOTEL]
72
00:04:49,750 --> 00:04:51,000
MOM?
HMM?
73
00:04:51,000 --> 00:04:52,875
MOM, HE HAS
TO WASH THAT OFF.
74
00:04:52,875 --> 00:04:54,250
WHY?
75
00:04:54,250 --> 00:04:55,417
YOU CANNOT LET HIM
GO TO THE PARTY
76
00:04:55,417 --> 00:04:56,625
UNTIL HE WASHES
THAT OFF.
77
00:04:56,625 --> 00:04:58,208
MOM, IT'LL LOOK WORSE
IF I WASH IT.
78
00:04:58,208 --> 00:04:59,333
IT'S INDIA INK.
IT'LL TURN GRAY.
79
00:04:59,333 --> 00:05:00,875
IT'LL LOOK LIKE DIRT.
80
00:05:00,875 --> 00:05:02,375
YOU LOOK LIKE A CLOWN.
81
00:05:02,375 --> 00:05:03,875
HE LOOKS LIKE A CLOWN, MOM,
AND HE DOESN'T EVEN KNOW IT.
82
00:05:05,792 --> 00:05:06,917
I--I THOUGHT YOU WEREN'T
EVEN GOING TO THE PARTY.
83
00:05:08,166 --> 00:05:09,208
I CHANGED MY MIND.
84
00:05:09,208 --> 00:05:10,875
DOUG, YOU DO UNDERSTAND
85
00:05:10,875 --> 00:05:12,834
THAT YOU MAY BE THE ONLY
PERSON AT THIS PARTY
86
00:05:12,834 --> 00:05:14,250
WITH ARTIFICIAL
SIDEBURNS?
87
00:05:14,250 --> 00:05:15,917
YEAH.
88
00:05:15,917 --> 00:05:17,875
YOU DO UNDERSTAND THAT
THEY DON'T LOOK REAL?
89
00:05:17,875 --> 00:05:19,875
YEAH.
90
00:05:19,875 --> 00:05:21,917
THAT THEY LOOK REALLY AS
IF YOU'D DRAWN THEM ON?
91
00:05:23,875 --> 00:05:25,375
YEAH.
92
00:05:25,375 --> 00:05:26,708
YEAH, WELL, HONEY,
93
00:05:26,708 --> 00:05:28,000
IT DOES SEEM
THAT HE UNDERSTANDS,
94
00:05:28,000 --> 00:05:30,166
SO JUST GO TO THE PARTY
AND IGNORE DOUG.
95
00:05:30,166 --> 00:05:32,041
JUST HAVE A GOOD TIME.
96
00:05:32,041 --> 00:05:33,041
PRETEND THAT
YOU DON'T EVEN...
97
00:05:33,041 --> 00:05:34,625
YOU'VE GOT...
98
00:05:36,250 --> 00:05:36,959
BYE.
99
00:05:56,375 --> 00:05:58,583
Doug: LLOYD ABBOTT
HAD POWER IN OUR TOWN,
100
00:05:58,583 --> 00:05:59,959
AND HE DIDN'T HAVE
TO TWIST ARMS
101
00:05:59,959 --> 00:06:01,500
TO GET WHAT HE WANTED.
102
00:06:01,500 --> 00:06:03,000
HE HAD A MUCH MORE
EFFECTIVE WAY
103
00:06:03,000 --> 00:06:04,959
OF EXERCISING HIS INFLUENCE.
104
00:06:04,959 --> 00:06:08,125
HE GAVE LAVISH PARTIES
WITH REAL CHICAGO MUSICIANS
105
00:06:08,125 --> 00:06:09,125
AND FRESH SHRIMP COCKTAIL.
106
00:06:10,750 --> 00:06:12,041
THERE WASN'T
A PERSON AROUND
107
00:06:12,041 --> 00:06:14,792
WHO WOULDN'T DO ALMOST
ANYTHING TO BE INVITED,
108
00:06:14,792 --> 00:06:15,875
ESPECIALLY MY BROTHER.
109
00:06:37,458 --> 00:06:41,166
I'M GOING OUT
TO THE LAKE TOMORROW.
110
00:06:41,166 --> 00:06:44,125
SANDY WANTS TO SHOW OFF
HER DAD'S NEW BOAT.
111
00:06:48,208 --> 00:06:50,458
I WANT YOU TO COME.
112
00:06:50,458 --> 00:06:51,417
Jacey: I, UH...
113
00:06:54,000 --> 00:06:55,333
I HAVE TO WORK.
114
00:06:59,583 --> 00:07:02,000
GUESS YOU'LL HAVE TO
WRITE ME A LETTER THEN.
115
00:07:06,333 --> 00:07:08,834
Jacey:
WHAT DO YOU MEAN?
116
00:07:08,834 --> 00:07:11,834
♪ AND IF I TRIED ♪
117
00:07:11,834 --> 00:07:14,208
♪ I STILL COULDN'T HIDE ♪
118
00:07:14,208 --> 00:07:16,041
♪ MY LOVE FOR YOU ♪
119
00:07:19,375 --> 00:07:21,834
♪ YOU OUGHTA KNOW ♪
120
00:07:21,834 --> 00:07:23,291
♪ FOR HAVEN'T I ♪
121
00:07:23,291 --> 00:07:27,083
♪ TOLD YOU SO ♪
122
00:07:27,083 --> 00:07:30,000
♪ A MILLION OR MORE TIMES? ♪
123
00:07:37,959 --> 00:07:40,417
I'LL BE RIGHT BACK.
124
00:07:40,417 --> 00:07:42,250
♪ I SPEAK YOUR NAME ♪
125
00:07:42,250 --> 00:07:45,417
♪ IN MY EVERY ♪
126
00:07:45,417 --> 00:07:47,041
♪ PRAYER ♪
127
00:07:47,041 --> 00:07:49,041
HI.
128
00:07:49,041 --> 00:07:50,250
HI.
129
00:07:50,250 --> 00:07:51,542
NICE TIE.
130
00:07:51,542 --> 00:07:52,250
THANKS.
131
00:07:54,250 --> 00:07:55,083
CAN I BORROW
A KLEENEX?
132
00:07:55,083 --> 00:07:55,708
GREASER.
133
00:07:58,375 --> 00:07:59,417
ANY SMOKES
AROUND HERE?
134
00:08:01,417 --> 00:08:02,917
♪ YOU'LL NEVER KNOW ♪
135
00:08:02,917 --> 00:08:06,208
♪ IF YOU DON'T KNOW ♪
136
00:08:06,208 --> 00:08:09,166
♪ NOW ♪
137
00:08:09,166 --> 00:08:10,917
[DRUMROLL]
138
00:08:12,333 --> 00:08:15,125
[APPLAUSE]
139
00:08:15,125 --> 00:08:17,125
[CYMBAL CRASH]
140
00:08:17,125 --> 00:08:18,375
LADIES AND GENTLEMEN,
141
00:08:18,375 --> 00:08:20,875
I WOULD LIKE
TO PROPOSE A TOAST
142
00:08:20,875 --> 00:08:23,583
IN HONOR OF OUR CAUSE
FOR CELEBRATION TONIGHT--
143
00:08:23,583 --> 00:08:25,875
THE ENGAGEMENT
OF OUR DAUGHTER ALICE
144
00:08:25,875 --> 00:08:27,625
TO MR. PETER VANLANINGHAM.
145
00:08:27,625 --> 00:08:29,375
[APPLAUSE]
146
00:08:34,417 --> 00:08:36,417
SO IS THIS PETER YOUR ALICE
IS GONNA MARRY RICH?
147
00:08:36,417 --> 00:08:40,417
OF COURSE, HE IS ONE OF
THE ATLAS STEEL VANLANINGHAMS--
148
00:08:40,417 --> 00:08:42,125
PITTSBURGH.
149
00:08:42,125 --> 00:08:44,375
HE'S A BULLY.
150
00:08:44,375 --> 00:08:47,208
SO HOW COME ALICE
IS MARRYING HIM?
151
00:08:47,208 --> 00:08:49,834
BECAUSE MY PARENTS
WANT HER TO,
152
00:08:49,834 --> 00:08:53,041
AND ALICE IS AFRAID
OF MY PARENTS.
153
00:08:53,041 --> 00:08:55,625
IT'S PRACTICALLY
AN ARRANGED MARRIAGE.
154
00:08:55,625 --> 00:08:57,291
THEY THINK ALICE HAS
PEANUT SHELLS FOR BRAINS
155
00:08:57,291 --> 00:08:58,959
OR SOMETHING,
156
00:08:58,959 --> 00:09:01,000
SO THEY SORT OF SUGGESTED
157
00:09:01,000 --> 00:09:03,625
THAT IT WAS TIME
TO TIE THE OLD KNOT,
158
00:09:03,625 --> 00:09:05,291
AND THEN
THEY SORT OF SUGGESTED
159
00:09:05,291 --> 00:09:06,917
THAT PETER WAS THE ONE
TO DO IT WITH.
160
00:09:06,917 --> 00:09:08,708
JEEZ...
161
00:09:08,708 --> 00:09:11,333
NO ONE COULD BE
THAT MUCH OF A PUSHOVER.
162
00:09:11,333 --> 00:09:14,458
LOOK, ALICE
IS THE GOOD DAUGHTER,
163
00:09:14,458 --> 00:09:17,625
ELEANOR'S
THE BAD ONE, AND..
164
00:09:17,625 --> 00:09:20,166
I'M THE ONE THAT JUST
SORT OF GETS OFF THE HOOK.
165
00:09:20,166 --> 00:09:22,291
IT'S JUST
THE WAY IT WORKS.
166
00:09:22,291 --> 00:09:23,000
WHICH ONE ARE YOU?
167
00:09:24,959 --> 00:09:27,000
YOU MEAN WHICH KIND
OF BROTHER AM I?
168
00:09:27,000 --> 00:09:28,708
YOU GOT ME.
169
00:09:28,708 --> 00:09:30,583
THE LITTLE BROTHER,
I GUESS.
170
00:09:30,583 --> 00:09:32,125
[LAUGHS]
171
00:09:32,125 --> 00:09:32,792
HMM...
172
00:09:35,333 --> 00:09:37,542
I LIKE YOUR SIDEBURNS.
173
00:09:37,542 --> 00:09:39,000
THANK YOU.
174
00:09:41,542 --> 00:09:43,542
Doug: YOU NEVER REALLY KNEW
175
00:09:43,542 --> 00:09:45,667
WHAT WAS GOING ON
WITH THE ABBOTTS,
176
00:09:45,667 --> 00:09:48,041
AND WHAT THE GUESTS
AT THE PARTY DIDN'T KNOW
177
00:09:48,041 --> 00:09:49,583
WAS THAT
THEY WERE CELEBRATING
178
00:09:49,583 --> 00:09:51,708
A VERY EXPENSIVE
SHOTGUN WEDDING.
179
00:09:51,708 --> 00:09:54,166
ALICE ABBOTT WAS ALREADY
2 MONTHS PREGNANT.
180
00:09:58,291 --> 00:10:00,166
LOOK, I'LL--I'LL
SEE YOU LATER, OK?
181
00:10:00,166 --> 00:10:02,333
OK.
182
00:10:02,333 --> 00:10:03,208
THANKS FOR COMING.
183
00:10:03,208 --> 00:10:04,125
NO PROBLEM.
184
00:10:10,166 --> 00:10:11,500
[HUMMING
LOVE ME TENDER]
185
00:10:36,708 --> 00:10:38,542
Doug: EVERYTHING JACEY
WANTED IN LIFE
186
00:10:38,542 --> 00:10:40,250
THE ABBOTTS ALREADY HAD--
187
00:10:40,250 --> 00:10:42,625
THEIR CARS, MONEY,
COUNTRY CLUBS.
188
00:10:42,625 --> 00:10:45,125
BUT IN THE BEGINNING,
MORE THAN ANYTHING ELSE,
189
00:10:45,125 --> 00:10:46,583
HE WANTED ELEANOR ABBOTT.
190
00:10:57,375 --> 00:10:59,542
I'D WITNESSED ENOUGH
OF MY BROTHER'S SOCIAL AGONY
191
00:10:59,542 --> 00:11:01,542
TO RESOLVE EARLY ON
192
00:11:01,542 --> 00:11:04,417
I WOULD NEVER LET
THE ABBOTTS MATTER TO ME.
193
00:11:06,208 --> 00:11:07,208
3 OUT OF 5?
194
00:11:14,333 --> 00:11:16,250
2 OUT OF 3.
YOU SERVE.
195
00:11:39,125 --> 00:11:39,959
Jacey: YOU WANT TO GO
GET A BEER?
196
00:11:42,500 --> 00:11:43,458
GET A BEER BEER?
197
00:11:45,333 --> 00:11:47,625
NO, A ROOT BEER.
YEAH, A BEER BEER.
198
00:11:47,625 --> 00:11:49,708
WHERE ARE WE
GOING TO GET BEER?
199
00:11:49,708 --> 00:11:51,083
THE BAIT SHOP.
200
00:11:51,083 --> 00:11:52,625
IF YOU GO IN THERE ALONE
201
00:11:52,625 --> 00:11:53,834
AND NOBODY ELSE
IS THERE,
202
00:11:53,834 --> 00:11:57,291
ERNIE WILL SELL YOU
A COUPLE BOTTLES.
203
00:11:57,291 --> 00:11:57,834
YEAH.
204
00:12:00,291 --> 00:12:00,834
OK.
205
00:12:05,333 --> 00:12:07,583
JACEY...
206
00:12:07,583 --> 00:12:10,959
REMEMBER THAT TIME I GOT
MY DICK CAUGHT IN MY ZIPPER?
207
00:12:10,959 --> 00:12:13,583
REMEMBER? IN SCHOOL?
IN THE FIRST GRADE?
208
00:12:13,583 --> 00:12:15,375
REMEMBER MRS. HORGE
CAME TO HELP ME,
209
00:12:15,375 --> 00:12:16,583
BUT I WOULDN'T LET HER,
210
00:12:16,583 --> 00:12:18,458
SO SHE WENT TO GET MOM
OUT OF HER CLASSROOM,
211
00:12:18,458 --> 00:12:20,583
BUT I WOULDN'T LET HER
HELP ME, EITHER,
212
00:12:20,583 --> 00:12:22,458
SO I MADE HER
GO GET YOU?
213
00:12:22,458 --> 00:12:23,458
REMEMBER?
214
00:12:23,458 --> 00:12:25,417
YEAH...
215
00:12:25,417 --> 00:12:26,125
I REMEMBER.
216
00:12:27,500 --> 00:12:29,250
[TRUCK APPROACHES]
217
00:12:34,583 --> 00:12:35,792
WE SHOULD OWN
THAT COMPANY.
218
00:12:39,375 --> 00:12:40,000
WHAT DO YOU MEAN?
219
00:12:41,708 --> 00:12:43,875
MIDWEST STEEL DESK,
220
00:12:43,875 --> 00:12:45,458
DAD'S FILE CABINET
DRAWER--
221
00:12:47,834 --> 00:12:49,500
LLOYD ABBOTT SCREWED
MOM OUT OF THE PATENT
222
00:12:49,500 --> 00:12:51,333
AFTER DAD DIED.
223
00:12:51,333 --> 00:12:52,000
SAYS WHO?
224
00:12:53,750 --> 00:12:54,500
IT'S ABSOLUTELY TRUE.
225
00:12:55,834 --> 00:12:57,500
MOM'S NOT STUPID.
226
00:12:57,500 --> 00:13:00,500
MMM. I DIDN'T SAY
SHE WAS STUPID.
227
00:13:00,500 --> 00:13:01,959
LLOYD'S PRETTY SMOOTH.
228
00:13:01,959 --> 00:13:03,750
THAT'S WHY
HE OWNS THE COMPANY.
229
00:13:03,750 --> 00:13:05,125
NO. HE OWNS THE COMPANY
230
00:13:05,125 --> 00:13:06,500
BECAUSE HE MARRIED
THE BOSS' DAUGHTER.
231
00:13:06,500 --> 00:13:08,417
HE OWNS THE COMPANY
232
00:13:08,417 --> 00:13:10,792
BECAUSE DAD'S PATENT
SAVED THE COMPANY'S ASS
233
00:13:10,792 --> 00:13:12,041
AFTER THE WAR,
234
00:13:12,041 --> 00:13:13,542
WHEN ALL THE WAR
CONTRACTS DRIED UP.
235
00:13:16,208 --> 00:13:18,542
WELL, MAYBE MOM SOLD IT
'CAUSE WE NEEDED THE MONEY.
236
00:13:18,542 --> 00:13:19,750
WHAT MONEY?
237
00:13:21,500 --> 00:13:22,625
WE NEVER HAD ANY MONEY.
238
00:13:22,625 --> 00:13:24,583
MONEY HAD NOTHING
TO DO WITH IT.
239
00:13:26,458 --> 00:13:28,750
[CAR APPROACHES]
240
00:13:28,750 --> 00:13:31,542
AND THAT'S WHY
WE'RE DRIVING THIS CAR
241
00:13:31,542 --> 00:13:32,375
INSTEAD OF THAT ONE.
242
00:13:43,375 --> 00:13:44,000
HI.
243
00:13:52,542 --> 00:13:53,250
CONGRATULATIONS.
244
00:13:56,625 --> 00:13:58,417
FOR WHAT?
245
00:13:58,417 --> 00:13:59,458
I HEARD YOU GOT
ACCEPTED TO PENN.
246
00:14:01,333 --> 00:14:01,792
UH...
247
00:14:03,542 --> 00:14:04,291
YEAH. YEAH.
248
00:14:05,625 --> 00:14:07,792
THANKS.
249
00:14:07,792 --> 00:14:10,458
HOW DID YOU SWING AN
IVY LEAGUE SCHOOL LIKE THAT?
250
00:14:10,458 --> 00:14:12,208
WELL...
251
00:14:12,208 --> 00:14:14,792
MY GRANDFATHER
WENT THERE, AND...
252
00:14:14,792 --> 00:14:16,708
I HAD THE GRADES,
SO...
253
00:14:18,375 --> 00:14:19,583
IT REALLY
STINKS IN HERE.
254
00:14:19,583 --> 00:14:21,333
YEAH.
255
00:14:21,333 --> 00:14:23,250
YEP, MIGHT'VE
DROPPED SOMETHING.
256
00:14:23,250 --> 00:14:23,875
YEAH...
257
00:14:25,417 --> 00:14:26,250
ME.
258
00:14:29,333 --> 00:14:30,291
I JUST THOUGHT...
259
00:14:31,583 --> 00:14:33,250
YOU AND STEVE--
260
00:14:33,250 --> 00:14:34,625
WELL, THAT'S WHAT
YOU THOUGHT.
261
00:14:36,458 --> 00:14:38,625
I THINK STEVE IS...
262
00:14:38,625 --> 00:14:40,125
I DON'T KNOW.
263
00:14:40,125 --> 00:14:43,458
I DON'T KNOW WHAT
I THINK ABOUT STEVE.
264
00:14:43,458 --> 00:14:44,291
I NEVER
THINK ABOUT HIM.
265
00:14:46,458 --> 00:14:48,291
I JUST DO THINGS.
266
00:14:49,959 --> 00:14:51,792
I LET OTHER PEOPLE
FIGURE THEM OUT.
267
00:14:51,792 --> 00:14:53,041
THAT'S WHAT
PARENTS ARE FOR.
268
00:14:53,041 --> 00:14:54,333
THEY'RE REALLY GOOD
AT DOING ALL THE THINKING,
269
00:14:54,333 --> 00:14:54,834
SO...
270
00:14:56,583 --> 00:14:57,291
WHY SHOULD I?
271
00:14:59,792 --> 00:15:01,500
I THINK THIS IS CALLED
THE SILENT TREATMENT.
272
00:15:04,000 --> 00:15:06,708
I GET ENOUGH OF IT
FROM MY FATHER.
273
00:15:06,708 --> 00:15:09,458
I DON'T NEED IT
FROM YOU,
274
00:15:09,458 --> 00:15:10,625
SO GOOD LUCK AT PENN.
275
00:15:35,500 --> 00:15:37,333
AHEM.
276
00:15:37,333 --> 00:15:37,834
ELEANOR...
277
00:15:40,625 --> 00:15:42,041
COME ON. DAD'S WAITING.
278
00:16:05,583 --> 00:16:07,166
[CAR STARTS]
279
00:16:08,875 --> 00:16:09,875
Man: THANK YOU,
MR. ABBOTT.
280
00:16:16,750 --> 00:16:17,834
STAY AWAY FROM HIM.
281
00:16:20,542 --> 00:16:22,458
WHO?
282
00:16:22,458 --> 00:16:23,083
JACEY.
283
00:16:25,041 --> 00:16:25,750
WHY?
284
00:16:27,041 --> 00:16:28,250
BECAUSE I SAID SO.
285
00:16:35,333 --> 00:16:37,500
WE SHOULD HAVE A PARTY
OUT AT THE BOATHOUSE, MAN.
286
00:16:37,500 --> 00:16:39,542
THAT'S WHAT WE SHOULD DO.
287
00:16:39,542 --> 00:16:41,041
SURE.
288
00:16:41,041 --> 00:16:42,542
YOU KNOW, UH...
289
00:16:42,542 --> 00:16:43,750
INVITE SOME GIRLS...
290
00:16:43,750 --> 00:16:45,750
RIGHT, RIGHT.
291
00:16:45,750 --> 00:16:48,208
GET SOME BEER,
GO SWIMMING,
292
00:16:48,208 --> 00:16:50,917
LOOK UP A FEW WORDS
IN THE DICTIONARY.
293
00:16:50,917 --> 00:16:52,667
YEAH, LIKE "BOY"
OR "EUNUCH."
294
00:16:52,667 --> 00:16:53,875
EUNUCH?
295
00:16:53,875 --> 00:16:55,083
WHAT'S THAT?
296
00:16:55,083 --> 00:16:57,125
THAT'S LATIN
FOR BUSBOY.
297
00:16:57,125 --> 00:16:58,834
BUSINESS IS
A LITTLE LIGHT TODAY.
298
00:16:58,834 --> 00:17:00,125
EH, TOO DAMN HOT.
299
00:17:02,083 --> 00:17:03,458
SO WHICH ONE OF YOU
KNUCKLEHEADS
300
00:17:03,458 --> 00:17:04,625
WANTS TO GET OFF EARLY?
301
00:17:04,625 --> 00:17:05,708
OH, ME.
302
00:17:05,708 --> 00:17:06,583
I DO.
303
00:17:08,750 --> 00:17:09,792
CALL IN THE AIR.
304
00:17:11,500 --> 00:17:12,041
Doug: TAILS.
305
00:17:45,125 --> 00:17:45,834
Woman: MMM...
306
00:17:58,458 --> 00:17:58,959
HI, DOUG.
307
00:18:02,083 --> 00:18:02,959
GET OUT!
308
00:18:09,083 --> 00:18:11,583
Doug: I HAD ALWAYS THOUGHT
OF ELEANOR ABBOTT
309
00:18:11,583 --> 00:18:13,875
AS JUST ANOTHER
STUCK-UP RICH GIRL--
310
00:18:13,875 --> 00:18:16,041
A FLIRT, A TEASE.
311
00:18:16,041 --> 00:18:18,500
BUT SHE PROVED TO BE
A BIGGER RIDDLE
312
00:18:18,500 --> 00:18:20,208
THAN I EVER WAS.
313
00:18:20,208 --> 00:18:22,166
YOU'LL WRITE TO US
WHEN YOU GET THERE, RIGHT?
314
00:18:22,166 --> 00:18:23,500
OK.
315
00:18:23,500 --> 00:18:25,041
Doug: JACEY AND I
NEVER TALKED ABOUT
316
00:18:25,041 --> 00:18:27,667
THAT THING BETWEEN HIM AND
ELEANOR IN THE GARAGE,
317
00:18:27,667 --> 00:18:31,583
BUT JACEY NEVER BRAGGED
ABOUT HIS CONQUESTS.
318
00:18:31,583 --> 00:18:33,834
WHEN HE WENT
OFF TO COLLEGE THAT FALL,
319
00:18:33,834 --> 00:18:36,625
I DIDN'T FEEL
PARTICULARLY SAD.
320
00:18:36,625 --> 00:18:37,625
I FELT FREE.
321
00:19:55,166 --> 00:19:56,417
[LAUGHTER]
322
00:20:14,250 --> 00:20:15,834
HOW'S YOUR CHIN?
323
00:20:15,834 --> 00:20:16,333
DROP DEAD.
324
00:20:17,959 --> 00:20:18,834
YOU WANT A RIDE?
325
00:20:18,834 --> 00:20:20,291
NOPE.
326
00:20:20,291 --> 00:20:22,792
YOU CAN DRIVE.
327
00:20:22,792 --> 00:20:23,834
I DON'T HAVE
MY LICENSE YET.
328
00:20:23,834 --> 00:20:25,917
I DON'T CARE.
329
00:20:25,917 --> 00:20:28,083
SO HOW COME YOU
NEVER ASKED ME OUT?
330
00:20:28,083 --> 00:20:29,250
WHAT FOR?
331
00:20:29,250 --> 00:20:31,667
FOR, LIKE, A DATE,
BLOCKHEAD.
332
00:20:31,667 --> 00:20:33,125
BECAUSE I SEE YOU
ALL THE TIME.
333
00:20:33,125 --> 00:20:35,208
I DON'T MEAN
JUST HANGING OUT.
334
00:20:35,208 --> 00:20:35,959
COME ON.
335
00:20:38,208 --> 00:20:39,250
SCARED OF ME
OR SOMETHING?
336
00:20:39,250 --> 00:20:40,875
HELL, NO.
337
00:20:40,875 --> 00:20:42,917
I GOT A JOB.
I GOT SCHOOL.
338
00:20:42,917 --> 00:20:44,041
I DON'T HAVE TIME
FOR DATES
339
00:20:44,041 --> 00:20:44,875
AND ALL THAT STUFF.
340
00:20:44,875 --> 00:20:45,625
FORGET IT.
341
00:20:47,834 --> 00:20:49,291
IT'S NOT LIKE I'M YOUR
BOYFRIEND OR ANYTHING.
342
00:20:49,291 --> 00:20:51,750
I SAID FORGET IT,
SO FORGET IT.
343
00:20:56,458 --> 00:20:58,041
Doug: MY BROTHER
WAS MORE SUCCESSFUL
344
00:20:58,041 --> 00:21:00,166
AT REINVENTING HIMSELF
THAN I WAS.
345
00:21:00,166 --> 00:21:02,000
JUST AS THE ABBOTT PARTIES
346
00:21:02,000 --> 00:21:03,667
WERE THE PLACE TO BE
IN HALEY,
347
00:21:03,667 --> 00:21:06,250
JACEY'S PARTIES AT THE
UNIVERSITY OF PENNSYLVANIA
348
00:21:06,250 --> 00:21:08,500
WERE THE HIPPEST ONES
AROUND.
349
00:21:08,500 --> 00:21:12,000
AND EVEN THOUGH HE HAD
A MAJOR IN ARCHITECTURE,
350
00:21:12,000 --> 00:21:13,667
HE SERIOUSLY
MINORED...
351
00:21:13,667 --> 00:21:15,708
IN BEAUTIFUL COEDS.
352
00:21:15,708 --> 00:21:16,708
BRIDGES...
353
00:21:18,875 --> 00:21:19,834
SKYSCRAPERS...
354
00:21:22,750 --> 00:21:24,291
BRAS--
OF COURSE, BRAS...
355
00:21:26,750 --> 00:21:29,166
ALL UTILIZE THE SAME
FUNDAMENTAL PRINCIPLES
356
00:21:29,166 --> 00:21:30,708
OF STRUCTURAL DESIGN.
357
00:21:34,083 --> 00:21:35,542
YOU KNOW, I'M ENGAGED.
358
00:21:37,125 --> 00:21:38,166
SO AM I.
359
00:21:39,917 --> 00:21:40,875
YOU ARE?
360
00:21:40,875 --> 00:21:42,083
SURE.
361
00:21:45,375 --> 00:21:47,708
I'M ENGAGED IN
CONVERSATION WITH YOU.
362
00:21:52,333 --> 00:21:55,291
Doug: I WAS IN AWE OF
HIS SUCCESS WITH WOMEN.
363
00:21:55,291 --> 00:21:57,875
JUST THE THOUGHT OF ELEANOR
CONJURED UP IMAGES
364
00:21:57,875 --> 00:22:00,875
OF ABSOLUTE DEBAUCHERY
IN MY MIND.
365
00:22:00,875 --> 00:22:02,542
AFTER AWHILE...
366
00:22:02,542 --> 00:22:04,041
I DIDN'T SEE MY BROTHER
BENEATH HER
367
00:22:04,041 --> 00:22:05,917
ON THE OLD SOFA
IN THE GARAGE.
368
00:22:05,917 --> 00:22:07,708
I SAW ME.
369
00:22:07,708 --> 00:22:09,000
Mom: DOUG! DINNER!
370
00:22:13,375 --> 00:22:15,917
I WISH YOU WOULDN'T SMOKE
IN THE GARAGE, HONEY.
371
00:22:15,917 --> 00:22:18,417
I DON'T SMOKE
IN THE GARAGE.
372
00:22:18,417 --> 00:22:19,625
THERE'S A LOT OF
OLD STUFF OUT THERE.
373
00:22:19,625 --> 00:22:22,000
I DON'T WANT ANYTHING
TO CATCH ON FIRE.
374
00:22:22,000 --> 00:22:24,250
I DON'T SMOKE, MOM.
375
00:22:24,250 --> 00:22:25,375
JUST THE SAME,
I'D PREFER IT
376
00:22:25,375 --> 00:22:26,959
IF YOU'D SMOKE
OUT IN THE BACKYARD, OK?
377
00:22:28,417 --> 00:22:29,208
YES, MA'AM.
378
00:22:31,291 --> 00:22:33,166
UM...
379
00:22:33,166 --> 00:22:33,708
I GOT TO GET READY.
380
00:22:36,875 --> 00:22:38,208
WHERE YOU GOING?
381
00:22:38,208 --> 00:22:40,583
I KIND OF HAVE A DATE.
382
00:22:43,000 --> 00:22:44,458
WELL, YOU KNOW,
FRIDAY NIGHT'S...
383
00:22:46,083 --> 00:22:47,250
YOU CAN LEAVE THAT.
384
00:22:47,250 --> 00:22:48,750
THANKS.
385
00:22:48,750 --> 00:22:49,750
HAVE FUN.
386
00:22:49,750 --> 00:22:50,458
YOU, TOO.
387
00:23:06,792 --> 00:23:07,792
HI.
388
00:23:07,792 --> 00:23:09,166
HI.
389
00:23:09,166 --> 00:23:10,959
WHAT DO YOU WANT?
390
00:23:10,959 --> 00:23:12,333
UM...
391
00:23:12,333 --> 00:23:13,792
WHAT ARE YOU
DOING TONIGHT?
392
00:23:13,792 --> 00:23:14,333
YOU WANT TO GO OUT?
393
00:23:16,834 --> 00:23:18,875
I DON'T BELIEVE YOU.
394
00:23:18,875 --> 00:23:20,792
I CAN'T. MY FOLKS
WENT OUT TO DINNER
395
00:23:20,792 --> 00:23:22,083
WITH PETER AND ALICE,
396
00:23:22,083 --> 00:23:23,959
AND I GOT TRICKED
INTO WATCHING THE BABY.
397
00:23:23,959 --> 00:23:24,792
OH.
398
00:23:26,041 --> 00:23:26,792
WHERE'S ELEANOR?
399
00:23:30,458 --> 00:23:31,959
I THOUGHT YOU CAME OVER
TO ASK ME OUT.
400
00:23:31,959 --> 00:23:33,125
I DID.
401
00:23:35,333 --> 00:23:36,291
GOOD, BECAUSE
SHE'S NOT HERE.
402
00:23:39,333 --> 00:23:40,333
CAN I COME IN?
403
00:23:40,333 --> 00:23:42,041
NO.
404
00:23:42,041 --> 00:23:44,000
WHY NOT?
405
00:23:44,000 --> 00:23:45,000
WELL, BECAUSE MY PARENTS
AREN'T HERE.
406
00:23:47,834 --> 00:23:49,291
WELL...
407
00:23:49,291 --> 00:23:50,125
MAYBE SOME OTHER TIME?
408
00:23:52,166 --> 00:23:53,875
[BABY CRIES]
409
00:23:56,250 --> 00:23:58,625
OK, BUT JUST FOR
A LITTLE WHILE.
410
00:24:03,000 --> 00:24:04,667
[TV ON]
411
00:24:08,041 --> 00:24:09,166
YOU'RE NOT LIKE JACEY.
412
00:24:11,000 --> 00:24:11,625
WHY NOT?
413
00:24:14,959 --> 00:24:16,375
HE'S SO TRIG
AND POLISHED.
414
00:24:18,500 --> 00:24:19,708
WHAT DOES TRIG MEAN?
415
00:24:21,333 --> 00:24:23,333
YOU KNOW, HANDSOME...
416
00:24:23,333 --> 00:24:25,333
SEXY, SOPHISTICATED--
417
00:24:25,333 --> 00:24:27,959
LIKE A PIPE SMOKER.
418
00:24:27,959 --> 00:24:30,708
I DON'T THINK JACEY
SMOKES A PIPE.
419
00:24:30,708 --> 00:24:33,417
YOU DON'T HAVE TO SMOKE
A PIPE TO BE TRIG.
420
00:24:33,417 --> 00:24:36,000
♪ GIVE IT A NAME ♪
421
00:24:36,000 --> 00:24:37,500
Man: CALL IT A DODGE.
422
00:24:37,500 --> 00:24:38,834
LOOK...
423
00:24:41,000 --> 00:24:43,208
EITHER YOU'RE MAD AT ME
BECAUSE...
424
00:24:43,208 --> 00:24:44,250
YOU'RE MAD AT ME...
425
00:24:46,125 --> 00:24:47,959
OR YOU'RE MAD AT ME
BECAUSE YOU LIKE ME,
426
00:24:47,959 --> 00:24:49,834
BECAUSE THAT'S HOW
GIRLS ACT. I MEAN...
427
00:24:49,834 --> 00:24:53,208
I DON'T KNOW MUCH,
BUT I KNOW THAT.
428
00:24:53,208 --> 00:24:54,041
SO, LIKE...
429
00:24:56,208 --> 00:24:57,500
WHICH IS IT?
430
00:24:59,583 --> 00:25:00,375
BOTH.
431
00:25:04,250 --> 00:25:05,375
Man on TV: WE BETTER
TAKE A LOOK AT HER.
432
00:25:05,375 --> 00:25:06,417
LET'S PULL ALONGSIDE.
433
00:25:22,083 --> 00:25:23,250
TV: HELLO!
434
00:25:24,834 --> 00:25:27,250
HELLO! ANYBODY ABOARD?
435
00:25:40,542 --> 00:25:42,417
TV: ANYBODY DOWN THERE?
436
00:26:09,000 --> 00:26:10,667
DO YOU LOVE ME, DOUG?
437
00:26:24,625 --> 00:26:26,542
STOP IT.
438
00:26:26,542 --> 00:26:28,500
PAM.
439
00:26:28,500 --> 00:26:29,708
PAM?
440
00:26:49,542 --> 00:26:52,250
PAM...
441
00:26:52,250 --> 00:26:54,333
I'M SORRY.
442
00:26:54,333 --> 00:26:56,125
I'M REALLY SORRY.
443
00:27:02,291 --> 00:27:04,333
I'M NOT ELEANOR.
444
00:27:05,959 --> 00:27:08,333
I CAN'T GO SO FAST.
445
00:27:11,542 --> 00:27:13,291
Peter: EVERY TIME WE GO OUT,
446
00:27:13,291 --> 00:27:14,708
YOU GOING TO TELL
THE SAME GODDAMN STORY?
447
00:27:14,708 --> 00:27:16,750
[DOOR SLAMS]
448
00:27:16,750 --> 00:27:18,291
Alice: ACCIDENTALLY BRUSHING
YOUR TEETH WITH BRYLCREEM.
449
00:27:18,291 --> 00:27:19,542
THAT'S A FUNNY STORY.
450
00:27:19,542 --> 00:27:21,083
WILL YOU SHUT THE FUCK UP
ABOUT THE BRYLCREEM?
451
00:27:21,083 --> 00:27:22,375
IT WAS IN A RED AND
WHITE TUBE, JUST LIKE--
452
00:27:22,375 --> 00:27:23,708
THE BABY'S CRYING.
453
00:27:23,708 --> 00:27:26,583
[BABY CRYING]
454
00:27:26,583 --> 00:27:28,458
Mr. Abbott:
JUST STAY OUT OF IT, JOAN.
455
00:27:28,458 --> 00:27:30,166
ALICE MEANT NO HARM.
456
00:27:30,166 --> 00:27:31,375
SHE THINKS
IT'S A FUNNY STORY.
457
00:27:31,375 --> 00:27:32,708
IT DOESN'T MATTER.
458
00:27:32,708 --> 00:27:34,417
IT DOESN'T MATTER
WHAT YOU THINK.
459
00:27:34,417 --> 00:27:35,667
IT'S THEIR BUSINESS,
460
00:27:35,667 --> 00:27:37,667
AND ALICE IS
A SPOILED BRAT,
461
00:27:37,667 --> 00:27:39,208
BUT SHE'S PETER'S
PROBLEM NOW,
462
00:27:39,208 --> 00:27:41,333
SO WHY DON'T YOU JUST
GO TAKE ONE OF YOUR PILLS
463
00:27:41,333 --> 00:27:43,542
AND WATCH
THE JACK PAAR SHOW
464
00:27:43,542 --> 00:27:44,542
AND SEE WHAT HE'S
CRYING ABOUT TONIGHT.
465
00:27:44,542 --> 00:27:45,500
[POUNDING ON DOOR]
466
00:27:47,375 --> 00:27:49,000
ALL RIGHT, ALICE.
467
00:27:49,000 --> 00:27:50,542
OPEN THE GODDAMN DOOR
RIGHT NOW.
468
00:27:54,041 --> 00:27:56,125
ALICE, OPEN THE GODDAMN DOOR
RIGHT NOW.
469
00:28:25,291 --> 00:28:28,250
Doug: ALTHOUGH I SHARED
JACEY'S AVID INTEREST
470
00:28:28,250 --> 00:28:29,625
IN THE OPPOSITE SEX...
471
00:28:31,375 --> 00:28:34,333
I OBVIOUSLY LACKED
HIS CONSUMMATE SKILL.
472
00:28:34,333 --> 00:28:35,125
AAH!
473
00:28:37,625 --> 00:28:38,708
NEXT.
474
00:28:38,708 --> 00:28:39,959
THANK YOU.
475
00:28:45,417 --> 00:28:48,375
[HORN HONKS]
476
00:28:48,375 --> 00:28:49,625
HI, JACEY.
477
00:28:49,625 --> 00:28:50,750
HEY.
478
00:28:55,792 --> 00:28:57,875
HEY, GET MY CASE,
WILL YOU?
479
00:28:57,875 --> 00:28:59,875
Doug: WHEN HE CAME HOME
THAT SUMMER,
480
00:28:59,875 --> 00:29:01,667
HE PICKED RIGHT UP WHERE
HE LEFT OFF WITH ELEANOR,
481
00:29:01,667 --> 00:29:03,333
AND SHE WAS MORE THAN EAGER
482
00:29:03,333 --> 00:29:06,291
TO PICK RIGHT UP WHERE
SHE LEFT OFF WITH HIM.
483
00:29:06,291 --> 00:29:07,000
[HEAVY BREATHING]
484
00:29:35,333 --> 00:29:36,750
HI, DADDY.
485
00:29:36,750 --> 00:29:38,333
WHAT ARE YOU DOING
OUT HERE?
486
00:29:39,750 --> 00:29:42,583
FUCKING JACEY.
487
00:29:42,583 --> 00:29:43,959
GET IN THE CAR.
488
00:29:46,333 --> 00:29:47,000
GOOD NIGHT.
489
00:29:48,542 --> 00:29:49,875
GOOD NIGHT.
490
00:30:35,458 --> 00:30:37,834
Helen: OH.
491
00:30:37,834 --> 00:30:38,959
HMM. I'LL GET IT,
HONEY.
492
00:30:47,417 --> 00:30:48,125
JOAN?
493
00:30:50,750 --> 00:30:52,583
UM...
494
00:30:52,583 --> 00:30:54,917
WELL, HOW--
HOW ARE YOU?
495
00:30:54,917 --> 00:30:56,583
MAY I HAVE A WORD
WITH YOU, HELEN?
496
00:30:56,583 --> 00:30:58,917
WELL, OF COURSE.
497
00:30:58,917 --> 00:31:00,834
WON'T YOU--
WON'T YOU COME IN?
498
00:31:00,834 --> 00:31:03,291
UH, NO, I--
I DON'T HAVE TIME.
499
00:31:03,291 --> 00:31:03,959
UM...PLEASE.
500
00:31:06,041 --> 00:31:08,625
Doug: MY MOTHER NEVER HAD
MANY VISITORS.
501
00:31:08,625 --> 00:31:10,417
IN FACT, BEFORE THAT DAY,
502
00:31:10,417 --> 00:31:12,250
I'D NEVER SEEN HER
AND JOAN ABBOTT
503
00:31:12,250 --> 00:31:13,625
SPEAK TO EACH OTHER.
504
00:31:13,625 --> 00:31:16,625
JOAN WAS THE PINNACLE
OF HIGH SOCIETY IN OUR TOWN.
505
00:31:16,625 --> 00:31:19,458
MY MOTHER HAD
NO SOCIAL LIFE TO SPEAK OF.
506
00:31:19,458 --> 00:31:22,417
SHE WAS THE ONLY MOM I KNEW
WHO WORKED FOR A LIVING,
507
00:31:22,417 --> 00:31:25,291
AND I ASSUMED THAT WAS WHY
SHE NEVER GOT OUT MUCH.
508
00:31:25,291 --> 00:31:27,417
THERE WAS A REASON,
509
00:31:27,417 --> 00:31:29,750
BUT BEING A SCHOOLTEACHER
HAD NOTHING TO DO WITH IT.
510
00:31:29,750 --> 00:31:31,417
JACEY NEEDS TO BE
DISCIPLINED.
511
00:31:31,417 --> 00:31:33,083
I DON'T THINK
THAT'S NECESSARY.
512
00:31:33,083 --> 00:31:34,959
WELL, IF I WERE YOU,
I WOULD TALK TO HIM.
513
00:31:34,959 --> 00:31:37,333
NO, JOAN, I'M NOT
GOING TO DO THAT.
514
00:31:37,333 --> 00:31:39,375
IF YOU HAVE SOMETHING
TO SAY TO MY SON,
515
00:31:39,375 --> 00:31:42,291
YOU'RE GOING TO HAVE TO
SAY IT TO HIM YOURSELF.
516
00:31:44,959 --> 00:31:47,291
I JUST THOUGHT
YOU WOULD LIKE TO KNOW
517
00:31:47,291 --> 00:31:49,667
WHAT YOUR SON HAS DONE.
518
00:31:49,667 --> 00:31:52,625
AND WHY ON EARTH SHOULD I
BELIEVE ANYTHING YOU SAY, JOAN?
519
00:32:02,750 --> 00:32:04,750
Doug: THAT VISIT
FROM JOAN ABBOTT
520
00:32:04,750 --> 00:32:08,041
NOT ONLY MARKED THE END OF
JACEY'S AFFAIR WITH ELEANOR,
521
00:32:08,041 --> 00:32:10,875
BUT ALSO THE END
OF ELEANOR ABBOTT HERSELF.
522
00:32:10,875 --> 00:32:12,792
SHE DISAPPEARED FROM HALEY--
523
00:32:12,792 --> 00:32:14,834
VANISHED--OR BANISHED.
524
00:32:14,834 --> 00:32:17,500
NO ONE KNEW FOR CERTAIN.
525
00:32:17,500 --> 00:32:20,834
BUT LIFE AT THE ABBOTTS'
WENT ON WITHOUT HER.
526
00:32:40,542 --> 00:32:41,166
[WHISTLES]
527
00:32:48,417 --> 00:32:48,917
HEY.
528
00:32:51,542 --> 00:32:53,959
HOW COME YOU'RE GOING
TO SUMMER SCHOOL?
529
00:32:53,959 --> 00:32:56,917
I GOT AN INCOMPLETE
IN U.S. HISTORY.
530
00:32:56,917 --> 00:32:59,458
MRS. BATES CAUGHT ME
DRAWING BOOBS
531
00:32:59,458 --> 00:33:02,000
ON HER PICTURE
OF MAMIE EISENHOWER.
532
00:33:02,000 --> 00:33:04,041
WHY DO YOU ALWAYS
DO THINGS LIKE THAT?
533
00:33:04,041 --> 00:33:05,834
I WISH I KNEW.
534
00:33:05,834 --> 00:33:08,708
I JUST CAN'T SEEM
TO HELP IT SOMETIMES.
535
00:33:10,417 --> 00:33:12,583
ARE YOU COMING
TO THE PARTY?
536
00:33:14,417 --> 00:33:18,500
IT'S MY BIRTHDAY,
YOU KNOW.
537
00:33:18,500 --> 00:33:20,750
EVERYBODY'S
GONNA BE THERE.
538
00:33:20,750 --> 00:33:22,375
IT SHOULD BE FUN.
539
00:33:22,375 --> 00:33:24,125
I DON'T KNOW.
540
00:33:24,125 --> 00:33:25,583
MAYBE.
541
00:33:27,625 --> 00:33:29,375
JUST COME, OK?
542
00:33:31,625 --> 00:33:32,458
PLEASE.
543
00:33:45,125 --> 00:33:47,917
[ROCK AND ROLL
PLAYS ON RADIO]
544
00:33:52,583 --> 00:33:54,125
HEY.
545
00:33:54,125 --> 00:33:55,708
FILL 'ER UP.
546
00:33:55,708 --> 00:33:56,583
[DOOR OPENS]
547
00:33:56,583 --> 00:33:58,792
NICE TIE.
548
00:33:58,792 --> 00:34:00,583
MIND IF I BORROW IT?
549
00:34:06,959 --> 00:34:09,083
I THOUGHT YOU DIDN'T
LIKE THOSE PARTIES
550
00:34:09,083 --> 00:34:10,792
AT THE ABBOTTS'.
551
00:34:10,792 --> 00:34:11,625
I DON'T.
552
00:34:13,875 --> 00:34:15,875
THEN WHY ARE YOU GOING?
553
00:34:15,875 --> 00:34:18,458
JUST DOING SOMEONE
A FAVOR, I GUESS.
554
00:34:19,917 --> 00:34:22,125
HOW COME YOU'RE NOT GOING?
555
00:34:22,125 --> 00:34:25,041
I'M PERSONA NON GRATA.
556
00:34:25,041 --> 00:34:26,875
WHAT DO YOU MEAN?
557
00:34:26,875 --> 00:34:28,417
YOU KNOW WHAT I MEAN.
558
00:34:30,917 --> 00:34:32,959
Radio deejay:
A BRAND-NEW ADDITION
559
00:34:32,959 --> 00:34:35,375
TO THE SILVER-DOLLAR
SURVEY HERE ON...
560
00:34:35,375 --> 00:34:38,083
JACEY, WHAT HAPPENED
WITH YOU AND ELEANOR?
561
00:34:38,083 --> 00:34:39,875
ELEANOR...
562
00:34:39,875 --> 00:34:41,917
WAS JUST LOOKING
FOR A WAY OUT--
563
00:34:41,917 --> 00:34:44,417
A WAY OUT OF THE WHOLE
ABBOTT WORLD,
564
00:34:44,417 --> 00:34:46,792
AND IT TURNS OUT
THAT IT TAKES A LOT...
565
00:34:46,792 --> 00:34:48,000
TO GET AWAY.
566
00:34:48,000 --> 00:34:49,250
IT'S NOT ENOUGH
THAT YOU SLEEP AROUND
567
00:34:49,250 --> 00:34:51,250
WITH THE BOYS
FROM YOUR WORLD.
568
00:34:51,250 --> 00:34:52,917
YOU HAVE TO
FUCK THE BOYS
569
00:34:52,917 --> 00:34:55,458
FROM THE WRONG SIDE
OF THE TRACKS.
570
00:34:55,458 --> 00:34:58,041
WHAT DO YOU MEAN,
LIKE GUYS FROM FOUNTAIN PARK?
571
00:34:58,041 --> 00:35:00,083
NO. I MEAN ME.
572
00:35:00,083 --> 00:35:02,542
SHE WAS FUCKING ME.
573
00:35:02,542 --> 00:35:06,000
WE'RE NOT FROM THE
WRONG SIDE OF THE TRACKS.
574
00:35:08,458 --> 00:35:11,917
I WOULDN'T GO TO THAT
PARTY IF I WERE YOU.
575
00:35:11,917 --> 00:35:13,792
WELL, YOU'RE NOT ME.
576
00:35:15,542 --> 00:35:18,500
YOU KNOW, WE'RE
JUST AS GOOD AS THE ABBOTTS.
577
00:35:18,500 --> 00:35:21,542
[GOOD NIGHT, IRENE
PLAYS ON RADIO]
578
00:35:21,542 --> 00:35:22,875
WHAT?
579
00:35:26,583 --> 00:35:27,583
WHAT?
580
00:35:27,583 --> 00:35:29,375
YOU DON'T HAVE ANY IDEA,
DO YOU?
581
00:35:30,917 --> 00:35:32,041
ABOUT WHAT?
582
00:35:35,834 --> 00:35:38,208
AFTER DAD DIED...
583
00:35:38,208 --> 00:35:41,041
MOM HAD AN AFFAIR
WITH LLOYD ABBOTT.
584
00:35:41,041 --> 00:35:43,583
THAT'S HOW HE GOT
DAD'S PATENT AWAY FROM HER.
585
00:35:45,750 --> 00:35:46,917
I DON'T BELIEVE YOU.
586
00:35:48,875 --> 00:35:51,000
BELIEVE IT OR NOT.
I DON'T CARE.
587
00:35:51,000 --> 00:35:53,041
[CASH REGISTER DINGS]
588
00:35:53,041 --> 00:35:56,542
I'LL TELL YOU WHAT, DOUG.
WHY DON'T YOU GO ASK MOM?
589
00:35:56,542 --> 00:35:58,583
WHY DON'T YOU ASK HER
WHAT HAPPENED?
590
00:35:58,583 --> 00:36:01,750
WHY DON'T YOU ASK HER WHY
SHE DOESN'T HAVE ANY FRIENDS?
591
00:36:01,750 --> 00:36:02,917
WHY DON'T YOU ASK HER
592
00:36:02,917 --> 00:36:04,792
WHY SHE NEVER GETS
INVITED TO THE ABBOTTS'?
593
00:36:04,792 --> 00:36:05,583
ASK HER WHICH SIDE
OF THE TRACKS WE LIVE ON.
594
00:36:34,875 --> 00:36:36,375
[RUMBA PLAYS]
595
00:36:50,083 --> 00:36:52,291
HOW LONG
HAVE YOU BEEN HERE?
596
00:36:52,291 --> 00:36:53,667
AWHILE.
597
00:36:53,667 --> 00:36:55,291
ARE YOU OK?
598
00:36:55,291 --> 00:36:57,834
FINE.
599
00:36:57,834 --> 00:36:58,959
HAVING FUN?
600
00:37:01,291 --> 00:37:02,458
COME DANCE WITH ME.
601
00:37:18,708 --> 00:37:19,333
HI.
602
00:37:20,792 --> 00:37:21,792
HI.
603
00:37:26,792 --> 00:37:29,792
SO, UM, IS JACEY
JUST HOME FOR A VISIT,
604
00:37:29,792 --> 00:37:32,000
OR IS HE HERE
FOR THE SUMMER?
605
00:37:32,000 --> 00:37:34,333
HOME FOR THE SUMMER.
606
00:37:34,333 --> 00:37:36,250
IT'S CHEAPER IF HE
COMES HOME FOR THE SUMMER.
607
00:37:36,250 --> 00:37:37,834
HE CAN SAVE MONEY
FOR SCHOOL
608
00:37:37,834 --> 00:37:39,834
'CAUSE HE DOESN'T
HAVE TO PAY RENT.
609
00:37:39,834 --> 00:37:41,750
MONEY'S KIND OF TIGHT,
YOU KNOW.
610
00:37:41,750 --> 00:37:43,000
WE'RE SORT OF POOR.
611
00:37:43,000 --> 00:37:44,667
YOU'RE NOT POOR.
612
00:37:44,667 --> 00:37:46,250
ARE YOU KIDDING?
613
00:37:46,250 --> 00:37:47,917
EVEN WITH JACEY
WORKING SUMMERS,
614
00:37:47,917 --> 00:37:50,917
MY MOM STILL HAD TO
BORROW AGAINST THE HOUSE
615
00:37:50,917 --> 00:37:51,792
FOR HIM TO GO TO PENN.
616
00:37:54,500 --> 00:37:56,125
Doug: SO WHERE'S
ELEANOR TONIGHT?
617
00:37:56,125 --> 00:37:57,875
ELEANOR'S JUST NOT HERE.
618
00:37:57,875 --> 00:37:59,959
SHE PREGNANT?
619
00:37:59,959 --> 00:38:01,166
NO. WHO SAID THAT?
620
00:38:01,166 --> 00:38:02,834
I DON'T KNOW.
621
00:38:02,834 --> 00:38:05,291
EVERYONE IN TOWN SAYS
SOMETHING DIFFERENT--
622
00:38:05,291 --> 00:38:06,917
EITHER
SHE GOT KNOCKED UP
623
00:38:06,917 --> 00:38:08,166
OR SHE RAN AWAY
624
00:38:08,166 --> 00:38:10,000
OR HER OLD MAN
KICKED HER OUT.
625
00:38:10,000 --> 00:38:11,375
WHICH IS IT?
626
00:38:14,208 --> 00:38:15,208
EXCUSE ME.
627
00:38:15,208 --> 00:38:16,250
FUCK OFF.
628
00:38:16,250 --> 00:38:18,375
WHY DO YOU HATE ME
SO MUCH?
629
00:38:18,375 --> 00:38:19,583
FUCK YOU, ASSHOLE.
630
00:38:41,875 --> 00:38:43,208
[KNOCK ON DOOR]
631
00:38:43,208 --> 00:38:44,166
[DOOR OPENS]
632
00:38:51,041 --> 00:38:52,834
YOU ASLEEP?
633
00:38:52,834 --> 00:38:54,542
NO.
634
00:39:10,834 --> 00:39:12,250
[PING-PONG SOUNDS]
635
00:39:29,458 --> 00:39:31,333
Doug: I BECAME
A SOCIAL PARIAH
636
00:39:31,333 --> 00:39:34,125
AFTER PAM'S BIRTHDAY PARTY.
637
00:39:34,125 --> 00:39:36,458
IT WAS A LONG
AND LONELY WINTER.
638
00:39:38,375 --> 00:39:41,834
[CHRISTMAS CAROLS PLAYING]
639
00:39:41,834 --> 00:39:43,166
[COUGHING]
640
00:39:45,792 --> 00:39:47,083
YOU OK, MOM?
641
00:39:47,083 --> 00:39:48,792
I'M FINE.
642
00:39:48,792 --> 00:39:49,625
[COUGHING]
643
00:39:52,250 --> 00:39:54,875
YOU SURE?
644
00:39:54,875 --> 00:39:57,000
YOU LOOK A LITTLE...
TIRED.
645
00:39:57,000 --> 00:39:58,250
IT'S JUST A COLD.
646
00:39:58,250 --> 00:39:59,875
[SNIFFLES]
647
00:39:59,875 --> 00:40:02,875
I DO WISH JACEY WOULD
COME HOME FOR CHRISTMAS.
648
00:40:02,875 --> 00:40:04,917
MAYBE THAT'S
WHAT'S WRONG WITH ME.
649
00:40:04,917 --> 00:40:07,583
YEAH, WELL, I GUESS THAT
FREELANCE DRAFTING JOB
650
00:40:07,583 --> 00:40:10,083
WAS TOO GOOD
FOR HIM TO TURN DOWN.
651
00:40:10,083 --> 00:40:12,500
OH, I DON'T THINK THAT'S
WHY HE DIDN'T COME HOME.
652
00:40:14,125 --> 00:40:15,625
NO?
653
00:40:21,208 --> 00:40:23,166
WHEN DID YOU START
DRINKING BEER?
654
00:40:23,166 --> 00:40:25,333
OH, I BOUGHT THOSE
FOR YOU, HONEY.
655
00:40:25,333 --> 00:40:27,375
I HAD THEM OUT IN
THE GARAGE ALL THIS TIME.
656
00:40:27,375 --> 00:40:29,834
I KEEP FORGETTING
TO BRING THEM IN.
657
00:40:29,834 --> 00:40:33,000
OH, GOOD HEAVENS.
I KNOW YOU DRINK BEER.
658
00:40:33,000 --> 00:40:34,583
[CHUCKLES]
659
00:40:34,583 --> 00:40:36,583
WELL, HERE,
HAVE ONE WITH ME.
660
00:40:36,583 --> 00:40:38,667
OH, NO, NO.
I BOUGHT THOSE FOR YOU.
661
00:40:38,667 --> 00:40:40,333
IT'S NOT GOOD
TO DRINK ALONE, MOM.
662
00:40:40,333 --> 00:40:42,083
OH, DON'T BE SILLY.
663
00:40:42,083 --> 00:40:43,125
COME ON.
664
00:40:43,125 --> 00:40:45,875
SIT DOWN.
665
00:40:45,875 --> 00:40:47,458
HAVE A BEER.
666
00:40:50,000 --> 00:40:51,208
[SIGHS]
667
00:40:52,500 --> 00:40:54,834
[CHUCKLES]
668
00:40:54,834 --> 00:40:56,166
UH...
669
00:40:56,166 --> 00:40:57,417
MERRY CHRISTMAS?
670
00:40:57,417 --> 00:40:58,834
MERRY CHRISTMAS.
671
00:40:58,834 --> 00:40:59,333
[CLINK]
672
00:41:04,875 --> 00:41:06,166
WELL, IT'S BEER.
673
00:41:08,917 --> 00:41:12,125
CHARLIE WAS ALWAYS TRYING
TO GET ME TO DRINK BEER.
674
00:41:12,125 --> 00:41:13,542
[LAUGHS]
675
00:41:13,542 --> 00:41:15,875
WHY DO YOU ALWAYS
CALL HIM CHARLIE?
676
00:41:15,875 --> 00:41:17,875
WELL, THAT WAS HIS NAME.
677
00:41:19,208 --> 00:41:21,041
I KNOW, BUT...
678
00:41:21,041 --> 00:41:23,333
WHY DON'T YOU EVER SAY
"YOUR FATHER"?
679
00:41:23,333 --> 00:41:26,375
WELL, SOMETIMES I DO,
DON'T I?
680
00:41:26,375 --> 00:41:29,458
I--I DON'T KNOW.
UM...
681
00:41:29,458 --> 00:41:31,417
WHEN I THINK OF HIM,
I JUST THINK OF CHARLIE.
682
00:41:35,208 --> 00:41:37,208
DID YOU EVER...
683
00:41:37,208 --> 00:41:39,083
MEET ANYBODY ELSE?
684
00:41:39,083 --> 00:41:40,542
I HAD A FRIEND.
685
00:41:40,542 --> 00:41:43,542
I USED TO GO SEE HIM
IN CHICAGO
686
00:41:43,542 --> 00:41:46,875
WHEN I WENT TO VISIT BEA
DURING SUMMER VACATIONS.
687
00:41:46,875 --> 00:41:48,583
DO YOU REMEMBER?
688
00:41:48,583 --> 00:41:50,875
HOW LONG THIS
GO ON FOR?
689
00:41:50,875 --> 00:41:53,333
OH, 8 YEARS OR SO.
690
00:41:53,333 --> 00:41:55,208
THAT'S A LONG TIME.
691
00:41:55,208 --> 00:41:56,583
MM-HMM.
692
00:41:56,583 --> 00:41:59,125
DID YOU EVER THINK ABOUT
MARRYING HIM?
693
00:41:59,125 --> 00:42:02,542
HE PROPOSED,
BUT OBVIOUSLY I SAID NO.
694
00:42:02,542 --> 00:42:04,375
WHY?
695
00:42:04,375 --> 00:42:06,083
BECAUSE I'M IN LOVE WITH--
696
00:42:08,083 --> 00:42:09,875
I'M IN LOVE
WITH YOUR FATHER.
697
00:42:11,375 --> 00:42:13,375
WITH MY MEMORY OF HIM.
698
00:42:13,375 --> 00:42:15,875
HE WAS THE ONE FOR ME.
699
00:42:15,875 --> 00:42:17,417
I DON'T KNOW.
700
00:42:17,417 --> 00:42:20,250
THERE'S DIFFERENT KINDS
OF LOVE, DARLING.
701
00:42:20,250 --> 00:42:22,834
SOME PEOPLE YOU LOVE
NO MATTER WHAT,
702
00:42:22,834 --> 00:42:25,583
AND OTHERS YOU LOVE
IF THE SITUATION IS RIGHT.
703
00:42:25,583 --> 00:42:28,291
TO ME,
THE BEST KIND OF LOVE
704
00:42:28,291 --> 00:42:29,750
IS THE "NO MATTER WHAT"
KIND.
705
00:42:34,125 --> 00:42:36,166
WELL, I'M A CHEAP DRUNK...
706
00:42:36,166 --> 00:42:37,291
AREN'T I?
707
00:42:41,500 --> 00:42:43,500
MOM, WHAT'S SCENIC DESIGN?
708
00:42:43,500 --> 00:42:45,500
IN WHAT CONTEXT?
709
00:42:45,500 --> 00:42:47,208
WAIT A MINUTE.
710
00:42:47,208 --> 00:42:48,125
IT'S THEATER.
711
00:42:48,125 --> 00:42:49,333
HMM.
712
00:42:49,333 --> 00:42:50,667
"THE HOWARD LAMBERT
SCHOLARSHIP
713
00:42:50,667 --> 00:42:54,291
IN SCENIC DESIGN
FOR THE THEATER."
714
00:42:54,291 --> 00:42:55,542
WOW, IT'S A FULL RIDE.
715
00:42:55,542 --> 00:42:56,542
HMM.
716
00:42:56,542 --> 00:42:58,542
4 YEARS.
PAYS EVERYTHING ALMOST.
717
00:42:58,542 --> 00:43:00,708
HELL, I COULD DO THAT.
718
00:43:00,708 --> 00:43:02,375
WELL, SURE, YOU COULD,
HONEY.
719
00:43:02,375 --> 00:43:05,291
I JUST HAVE TO FIGURE OUT
WHAT SCENIC DESIGN IS.
720
00:43:08,208 --> 00:43:10,041
UM, MOM?
721
00:43:10,041 --> 00:43:11,625
I'LL WAIT FOR YOU
OUTSIDE, OK?
722
00:43:11,625 --> 00:43:12,708
OK.
723
00:43:12,708 --> 00:43:14,166
HAVE YOU GOT THIS
IN PINK?
724
00:43:14,166 --> 00:43:15,417
YEAH.
725
00:43:15,417 --> 00:43:16,667
I BOUGHT THIS BEFORE.
726
00:43:16,667 --> 00:43:17,583
I WAS VERY HAPPY
WITH IT.
727
00:43:17,583 --> 00:43:18,375
OK.
728
00:43:32,250 --> 00:43:34,375
[APPLAUSE]
729
00:43:37,166 --> 00:43:39,041
PAMELA LOUISE ABBOTT.
730
00:43:45,041 --> 00:43:47,625
DANIEL G. HOLBROOK.
731
00:43:51,708 --> 00:43:54,041
SHARON DROCK.
732
00:43:54,041 --> 00:43:54,875
[BABY CRYING]
733
00:43:57,458 --> 00:43:59,583
DOUGLAS LEE HOLT.
734
00:44:07,041 --> 00:44:08,208
DAVID NABORS.
735
00:44:13,333 --> 00:44:14,542
MAXINE TUDOR.
736
00:44:14,542 --> 00:44:16,083
[BABY CRYING]
737
00:44:20,000 --> 00:44:22,333
HELEN SCHUSTER.
738
00:44:27,083 --> 00:44:28,542
MARK MURPHY.
739
00:44:33,458 --> 00:44:35,291
MEREDITH WEIR.
740
00:44:35,291 --> 00:44:37,291
[APPLAUSE]
741
00:44:40,125 --> 00:44:41,417
THANK YOU.
742
00:44:41,417 --> 00:44:42,125
YOU'RE WELCOME.
743
00:44:50,917 --> 00:44:53,625
HMM. WELL,
CONGRATULATIONS, HELEN.
744
00:44:53,625 --> 00:44:56,417
WELL, THANK YOU, LLOYD.
SAME TO YOU.
745
00:44:56,417 --> 00:44:58,750
OH, WHERE IS PAM
GOING TO SCHOOL?
746
00:44:58,750 --> 00:44:59,625
HMM?
747
00:45:01,166 --> 00:45:02,333
OH, CHRIST.
748
00:45:02,333 --> 00:45:03,667
I FORGOT.
749
00:45:03,667 --> 00:45:05,708
[LLOYD CHUCKLES]
750
00:45:05,708 --> 00:45:06,542
NO, WAIT.
BRYN MAWR.
751
00:45:06,542 --> 00:45:07,750
BRYN MAWR.
752
00:45:07,750 --> 00:45:09,208
I SHOULD
REMEMBER THAT.
753
00:45:09,208 --> 00:45:10,542
IT COSTS ENOUGH.
754
00:45:10,542 --> 00:45:13,333
SHE'LL DO VERY WELL THERE.
SHE'S A VERY BRIGHT GIRL.
755
00:45:15,291 --> 00:45:17,333
Lloyd: AND DOUG
IS GOING TO--
756
00:45:17,333 --> 00:45:18,959
YES, DOUG
GOT A SCHOLARSHIP
757
00:45:18,959 --> 00:45:20,458
TO THE UNIVERSITY
OF PENNSYLVANIA
758
00:45:20,458 --> 00:45:21,583
IN...SCENIC DESIGN--
THEATER.
759
00:45:21,583 --> 00:45:22,583
HMM.
760
00:45:22,583 --> 00:45:23,792
YEAH.
761
00:45:23,792 --> 00:45:25,500
THAT'S THE SAME SCHOOL
AS, UH...
762
00:45:25,500 --> 00:45:27,875
AS--AS JACEY.
MM-HMM.
763
00:45:27,875 --> 00:45:30,125
PAM'S SCHOOL
IS RIGHT NEARBY.
764
00:45:30,125 --> 00:45:31,583
RIGHT. WELL,
CONGRATULATIONS.
765
00:45:31,583 --> 00:45:34,083
WELL, THANK YOU, LLOYD.
THANK YOU. SAME TO YOU.
766
00:45:53,166 --> 00:45:55,333
[CRICKETS CHIRPING]
767
00:45:55,333 --> 00:45:56,333
PING-PONG?
768
00:45:57,834 --> 00:45:59,166
IT'S TOO HOT.
769
00:46:01,834 --> 00:46:04,291
WANT TO GET SOME BEERS
AND GO TO THE LAKE?
770
00:46:09,583 --> 00:46:10,875
NO. NO.
771
00:46:10,875 --> 00:46:12,500
I DON'T WANT
TO GET SOME...
772
00:46:15,166 --> 00:46:16,166
GOD DAMN IT.
773
00:46:19,417 --> 00:46:22,667
LISTEN, I DON'T WANT YOU
IN PHILADELPHIA.
774
00:46:22,667 --> 00:46:24,291
I DON'T NEED YOU AROUND
775
00:46:24,291 --> 00:46:26,792
TO--TO REMIND ME
AND EVERYBODY ELSE
776
00:46:26,792 --> 00:46:29,542
THAT I COME FROM FUCKING
HICKSVILLE, USA, SO...
777
00:46:31,375 --> 00:46:34,417
IF YOU'RE GOING
TO GO TO PENN,
778
00:46:34,417 --> 00:46:37,458
YOU'RE ON YOUR OWN,
DIPSHIT.
779
00:46:37,458 --> 00:46:39,708
I DON'T NEED YOU
RIDING MY COATTAILS.
780
00:46:41,500 --> 00:46:44,000
WHY DON'T YOU LIVE
YOUR OWN LIFE
781
00:46:44,000 --> 00:46:46,000
AND STOP BEING
MY FUCKING SHADOW?
782
00:46:48,333 --> 00:46:48,917
SCREW YOU.
783
00:47:10,542 --> 00:47:11,417
JACEY, DOUG--
784
00:47:11,417 --> 00:47:12,041
[GASPS]
785
00:47:13,542 --> 00:47:14,625
OH...
786
00:47:14,625 --> 00:47:17,417
Jacey: COME ON, DOUG.
787
00:47:17,417 --> 00:47:19,583
I'M JUST GONNA KICK
YOUR LITTLE ASS.
788
00:47:34,667 --> 00:47:36,417
WHAT'S GOING ON?
789
00:47:36,417 --> 00:47:37,458
WHO'S OUT HERE?
790
00:47:39,667 --> 00:47:40,542
STOP THAT, YOU TWO!
791
00:47:55,333 --> 00:47:56,792
COME ON, DOUG,
792
00:47:56,792 --> 00:47:59,125
YOU'VE BEEN PAINTING
THAT SAME SPOT FOR 5 MINUTES.
793
00:48:31,291 --> 00:48:33,625
EXCUSE ME. COULD I GET
CHANGE FOR $1.00?
794
00:48:33,625 --> 00:48:34,667
Waitress:
JUST A MINUTE, HON.
795
00:48:38,375 --> 00:48:41,333
Doug: WHEN ALICE ABBOTT FILED
FOR A DIVORCE FROM PETER,
796
00:48:41,333 --> 00:48:43,458
JACEY WRONGLY THOUGHT
SHE WAS ESCAPING
797
00:48:43,458 --> 00:48:46,375
FROM SOMETHING MORE THAN
JUST AN UNHAPPY MARRIAGE.
798
00:48:46,375 --> 00:48:48,667
HE DIDN'T REALLY UNDERSTAND
WHAT MATTERED TO HER.
799
00:48:48,667 --> 00:48:50,542
CAN I HELP YOU?
800
00:48:50,542 --> 00:48:52,000
YES, I NEED CHA--
801
00:48:52,000 --> 00:48:54,500
YOU DON'T WORK HERE,
DO YOU?
802
00:48:54,500 --> 00:48:55,500
NO. NO.
803
00:48:57,000 --> 00:49:00,792
I WAS JUST...
THINKING ABOUT YOU.
804
00:49:00,792 --> 00:49:02,625
I WAS GOING
TO CALL YOU TONIGHT.
805
00:49:02,625 --> 00:49:04,875
WHY?
806
00:49:04,875 --> 00:49:07,583
THERE'S A PICNIC
ON SUNDAY AT...
807
00:49:07,583 --> 00:49:08,750
RIVER POINT.
808
00:49:08,750 --> 00:49:10,625
I WANTED TO INVITE YOU.
809
00:49:12,667 --> 00:49:13,750
I COULDN'T.
810
00:49:13,750 --> 00:49:15,458
YOU COULD BRING SUSAN.
811
00:49:15,458 --> 00:49:17,000
KIDS LOVE PICNICS.
812
00:49:17,000 --> 00:49:19,625
I JUST CAME IN TO GET
CHANGE FOR THE METER.
813
00:49:20,917 --> 00:49:22,333
OK. HERE.
814
00:49:26,834 --> 00:49:28,041
THANK YOU.
815
00:49:28,041 --> 00:49:29,875
DO YOU HAVE TIME
FOR AN ICED TEA?
816
00:49:29,875 --> 00:49:31,041
MY MOTHER'S
IN THE CAR WAITING
817
00:49:31,041 --> 00:49:32,792
SO WE DON'T
GET A TICKET.
818
00:49:32,792 --> 00:49:34,542
WELL, MAYBE SHE'D LIKE
AN ICED TEA.
819
00:49:34,542 --> 00:49:35,250
NO.
820
00:49:36,708 --> 00:49:38,458
NO HARM ASKING.
821
00:49:38,458 --> 00:49:39,500
NO.
822
00:49:39,500 --> 00:49:40,708
DON'T DO THAT.
823
00:49:40,708 --> 00:49:43,458
WHY NOT?
824
00:49:43,458 --> 00:49:44,834
YOU KNOW WHY.
825
00:49:46,625 --> 00:49:48,500
THEN I'LL MAKE YOU
A DEAL.
826
00:49:48,500 --> 00:49:49,959
COME TO THE PICNIC
ON SUNDAY,
827
00:49:49,959 --> 00:49:52,500
AND I'LL WAIT HERE
AND LET YOU LEAVE FIRST
828
00:49:52,500 --> 00:49:54,500
SO YOUR MOTHER
DOESN'T SEE ME.
829
00:49:54,500 --> 00:49:57,875
I DON'T CARE
IF MY MOTHER SEES YOU.
830
00:49:57,875 --> 00:50:00,375
THEN YOU WON'T MIND
IF I ASK HER
831
00:50:00,375 --> 00:50:02,583
IF SHE'D LIKE TO JOIN US
FOR AN ICED TEA.
832
00:50:02,583 --> 00:50:03,375
NO, WAIT.
833
00:50:05,542 --> 00:50:08,417
I DON'T KNOW IF I CAN.
I'LL TRY.
834
00:50:08,417 --> 00:50:10,625
IT JUST...DEPENDS.
835
00:50:15,000 --> 00:50:17,291
SUNDAY, RIVER POINT,
AROUND NOON.
836
00:50:22,583 --> 00:50:24,583
[DOOR CLOSES]
837
00:50:24,583 --> 00:50:28,625
Doug: MY BROTHER AND I HAD
MORE IN COMMON THAN WE KNEW.
838
00:50:28,625 --> 00:50:30,750
THAT SUMMER, IT SEEMED,
FOR BOTH OF US,
839
00:50:30,750 --> 00:50:33,500
THAT ALL ROADS
LED TO AN ABBOTT GIRL.
840
00:50:33,500 --> 00:50:35,375
IS THAT PAMELA ABBOTT?
841
00:50:37,041 --> 00:50:38,542
THAT IS PAM.
842
00:50:38,542 --> 00:50:39,959
LET'S PULL OVER HERE.
843
00:50:45,834 --> 00:50:47,792
PAMELA,
ARE YOU ALL RIGHT?
844
00:50:47,792 --> 00:50:50,125
SORT OF,
BUT THIS STUPID JACK
845
00:50:50,125 --> 00:50:52,250
KEEPS SINKING
INTO THE PAVEMENT.
846
00:50:52,250 --> 00:50:55,792
WELL, MAYBE DOUG
CAN GIVE YOU A HAND.
847
00:50:55,792 --> 00:50:57,750
GO ON, DOUG,
HELP HER OUT.
848
00:51:04,792 --> 00:51:07,959
WHERE'S THE THING THAT GOES
ON THE BOTTOM OF THE JACK?
849
00:51:07,959 --> 00:51:09,625
WHAT THING?
850
00:51:09,625 --> 00:51:11,125
THE THING
THE BASE OF THE JACK
FITS INTO.
851
00:51:11,125 --> 00:51:13,667
Pamela:
I DIDN'T SEE ANYTHING.
852
00:51:13,667 --> 00:51:15,291
THIS.
853
00:51:15,291 --> 00:51:18,750
I THOUGHT THAT WAS
THE SPARE TIRE HOLDER-ON.
854
00:51:18,750 --> 00:51:20,250
READ YOUR MANUAL.
855
00:51:20,250 --> 00:51:22,834
PAM, CAN YOU RUN DOUG
HOME FOR ME?
856
00:51:22,834 --> 00:51:24,625
I'VE GOT TO GET TO THE BANK
BEFORE IT CLOSES.
857
00:51:24,625 --> 00:51:25,708
MOM...
858
00:51:25,708 --> 00:51:27,500
YEAH, SURE,
I'LL DRIVE HIM HOME.
859
00:51:27,500 --> 00:51:28,667
THANKS FOR STOPPING.
860
00:51:28,667 --> 00:51:30,208
OK. BYE-BYE.
861
00:51:41,667 --> 00:51:45,667
YOU THINK YOU'LL BE
FINISHED SOMETIME TODAY?
862
00:51:45,667 --> 00:51:47,125
I'M GETTING SUNSTROKE.
863
00:51:49,667 --> 00:51:50,875
PUT THE TOP UP.
864
00:51:50,875 --> 00:51:54,333
STOP ACTING LIKE JACEY.
865
00:51:54,333 --> 00:51:55,625
WHAT MAKES YOU THINK
YOU'RE SO COOL?
866
00:51:59,000 --> 00:52:00,708
CAN'T EVEN TALK TO ME.
867
00:52:02,834 --> 00:52:05,667
NAME ONE BAD THING
I'VE EVER DONE TO YOU.
868
00:52:05,667 --> 00:52:06,959
WHY?
869
00:52:06,959 --> 00:52:08,667
GO ON.
NAME ONE BAD THING.
870
00:52:08,667 --> 00:52:09,875
WHAT'S THE POINT?
871
00:52:09,875 --> 00:52:11,792
YOU TELL ME
'CAUSE I DON'T GET IT.
872
00:52:11,792 --> 00:52:14,083
LOOK, I'M NOT RICH.
MY FATHER IS.
873
00:52:14,083 --> 00:52:15,875
AND I DIDN'T
PICK MY FATHER.
874
00:52:15,875 --> 00:52:18,250
AND IF I HAD A CHOICE
BETWEEN HAVING TONS OF MONEY
875
00:52:18,250 --> 00:52:19,875
OR HAVING
ANOTHER FATHER,
876
00:52:19,875 --> 00:52:22,208
I'D BE ABSOLUTELY
DELIGHTED TO BE POOR.
877
00:52:22,208 --> 00:52:25,250
BUT UNFORTUNATELY, LIFE
IS JUST NOT A CAFETERIA.
878
00:52:30,166 --> 00:52:31,917
LIFE IS
NOT A CAFETERIA?
879
00:52:31,917 --> 00:52:34,333
YOU KNOW WHAT I MEAN.
880
00:52:34,333 --> 00:52:35,708
I'M SUPPOSED TO
FEEL SORRY FOR YOU
881
00:52:35,708 --> 00:52:36,792
'CAUSE YOU'RE RICH?
882
00:52:36,792 --> 00:52:38,667
AND I'M SUPPOSED
TO FEEL SORRY FOR YOU
883
00:52:38,667 --> 00:52:39,708
'CAUSE YOU'RE SO POOR?
884
00:52:39,708 --> 00:52:40,667
NO.
885
00:52:40,667 --> 00:52:41,959
THEN JUST STOP IT.
886
00:52:41,959 --> 00:52:43,208
STOP WHAT?
887
00:52:43,208 --> 00:52:44,708
STOP TREATING ME
LIKE AN ABBOTT.
888
00:52:44,708 --> 00:52:46,500
THEN HOW THE HELL AM I
SUPPOSED TO TREAT YOU?
889
00:52:46,500 --> 00:52:47,917
LIKE YOU USED TO.
890
00:52:47,917 --> 00:52:49,542
LIKE JUST PLAIN PAM.
891
00:52:52,250 --> 00:52:54,291
AND YOU DON'T HAVE
TO SAY YOU'RE SORRY.
892
00:52:54,291 --> 00:52:58,458
AND DON'T LOOK LIKE SOMEBODY
JUST RAN OVER YOUR DOG.
893
00:52:58,458 --> 00:53:01,291
YOU JUST MAKE ME
WANT TO SCREAM SOMETIMES.
894
00:53:07,708 --> 00:53:08,708
WHAT ARE YOU LOOKING AT?
895
00:53:12,750 --> 00:53:13,291
YOU.
896
00:53:27,667 --> 00:53:28,917
WHERE IS EVERYBODY?
897
00:53:28,917 --> 00:53:29,917
UH...
898
00:53:32,750 --> 00:53:33,667
UM...
899
00:53:36,000 --> 00:53:37,959
WELL, WE ARE EVERYONE.
900
00:53:39,959 --> 00:53:41,125
BUT YOU SAID THAT--
901
00:53:41,125 --> 00:53:43,959
NO, I DIDN'T.
I SAID THAT...
902
00:53:43,959 --> 00:53:45,125
THERE WAS A PICNIC.
903
00:53:47,625 --> 00:53:49,917
I DIDN'T SAY WHETHER OR NOT
ANYONE ELSE WAS INVITED.
904
00:53:52,250 --> 00:53:53,792
WHERE YOU GOING?
905
00:53:53,792 --> 00:53:54,667
I'M SORRY.
I THOUGHT--
906
00:53:54,667 --> 00:53:56,667
YOU CAME HERE TO SEE ME.
907
00:53:58,625 --> 00:54:02,250
YOU DIDN'T COME HERE TO SEE
ANYBODY ELSE, DID YOU?
908
00:54:04,792 --> 00:54:06,792
THAT'S WHY YOU DIDN'T
BRING SUSAN ALONG.
909
00:54:08,959 --> 00:54:10,375
I'M MARRIED.
910
00:54:10,375 --> 00:54:14,000
I THOUGHT YOU WERE
GETTING A DIVORCE.
911
00:54:14,000 --> 00:54:16,125
I AM, BUT IT'S
NOT FINAL YET.
912
00:54:21,333 --> 00:54:23,375
BESIDES, I'M 2 YEARS
OLDER THAN YOU.
913
00:54:34,667 --> 00:54:35,208
GOOD.
914
00:54:38,166 --> 00:54:41,250
THEN IF THE COPS COME...
915
00:54:41,250 --> 00:54:43,708
WE CAN JUST TELL THEM
YOU BOUGHT THE BEER.
916
00:54:59,041 --> 00:54:59,959
[GLASS SHATTERS]
917
00:54:59,959 --> 00:55:00,708
Pamela: AY.
918
00:55:08,291 --> 00:55:10,083
SO WHO DO YOU
LOOK MORE LIKE,
919
00:55:10,083 --> 00:55:11,708
YOUR MOM OR YOUR DAD?
920
00:55:11,708 --> 00:55:12,708
I DON'T KNOW.
921
00:55:18,041 --> 00:55:20,083
WHAT'D YOUR FATHER
LOOK LIKE?
922
00:55:20,083 --> 00:55:22,083
LIKE A PHOTOGRAPH.
923
00:55:22,083 --> 00:55:24,250
I NEVER KNEW HIM.
924
00:55:24,250 --> 00:55:28,250
HE DIED LIKE A MONTH
BEFORE I WAS EVEN BORN.
925
00:55:28,250 --> 00:55:31,208
JACEY PROBABLY LOOKS
LIKE HIM MORE THAN I DO.
926
00:55:31,208 --> 00:55:33,208
DID YOU KNOW
HE'S NAMED AFTER HIM?
927
00:55:33,208 --> 00:55:34,708
THAT'S HOW HE GOT
TO BE CALLED JACEY,
928
00:55:34,708 --> 00:55:37,208
AFTER HIS INITIALS,
JOHN CHARLES--J.C.
929
00:55:39,750 --> 00:55:42,750
HE DIED IN A CAR WRECK,
RIGHT?
930
00:55:42,750 --> 00:55:44,417
YOU NEVER HEARD
ABOUT THAT?
931
00:55:44,417 --> 00:55:46,125
ABOUT WHAT?
932
00:55:46,125 --> 00:55:48,792
IT WAS SORT OF A CAR.
933
00:55:48,792 --> 00:55:51,417
HE DROWNED
OR FROZE TO DEATH
OR BOTH.
934
00:55:51,417 --> 00:55:53,208
I DON'T KNOW.
935
00:55:53,208 --> 00:55:54,750
HE WAS TRYING TO DRIVE
OUT TO MUD ISLAND.
936
00:55:54,750 --> 00:55:56,750
MUD ISLAND IS IN
THE MIDDLE OF THE LAKE.
937
00:55:56,750 --> 00:56:00,166
IT WAS WINTER.
THE LAKE WAS FROZE OVER.
938
00:56:00,166 --> 00:56:01,708
THAT'S PRETTY STUPID.
939
00:56:05,417 --> 00:56:07,000
I'M SORRY.
940
00:56:07,000 --> 00:56:08,750
IT'S ALL RIGHT.
941
00:56:08,750 --> 00:56:09,917
IT IS STUPID.
942
00:56:09,917 --> 00:56:12,708
REAL STUPID.
943
00:56:12,708 --> 00:56:14,708
HE DID IT ON A BET.
944
00:56:16,750 --> 00:56:20,667
HE BET SOMEONE 20 BUCKS
THAT HE COULD DO IT.
945
00:56:20,667 --> 00:56:23,291
MADE IT ALL THE WAY
OUT THERE, TOO.
946
00:56:23,291 --> 00:56:26,166
HE WENT THROUGH THE ICE
ON HIS WAY BACK.
947
00:56:32,000 --> 00:56:33,458
OH, BOY.
948
00:56:33,458 --> 00:56:34,500
RRAHH!
949
00:56:53,792 --> 00:56:56,834
YOU KNOW, I THINK MY DAD
WAS LIKE JACEY IS.
950
00:56:56,834 --> 00:56:59,250
YOU KNOW, SOME GUYS
ARE JUST DAREDEVILS.
951
00:56:59,250 --> 00:57:01,291
LIKE ONE TIME,
I DARED JACEY
952
00:57:01,291 --> 00:57:02,750
THAT HE COULDN'T
DO A BACKFLIP
953
00:57:02,750 --> 00:57:05,083
OFF THE GARAGE ROOF
INTO A BIG PILE OF LEAVES,
954
00:57:05,083 --> 00:57:06,208
AND HE DID IT.
955
00:57:07,875 --> 00:57:10,291
ONE TIME,
ELEANOR AND I SNUCK OUT
956
00:57:10,291 --> 00:57:12,458
AND RAN AROUND THE YARD
NAKED.
957
00:57:12,458 --> 00:57:14,250
YOU DID?
958
00:57:14,250 --> 00:57:16,208
IT WAS
SORT OF A DARE, TOO.
959
00:57:16,208 --> 00:57:18,166
SHE DARED ME,
AND I DARED HER,
960
00:57:18,166 --> 00:57:19,166
SO WE BOTH DID IT.
961
00:57:19,166 --> 00:57:20,792
YOU WALKED AROUND,
962
00:57:20,792 --> 00:57:22,917
OR DID YOU LIKE RUN
FROM TREE TO TREE?
963
00:57:22,917 --> 00:57:25,166
WE JUST WALKED AROUND.
964
00:57:25,166 --> 00:57:26,375
FRONT YARD OR BACKYARD?
965
00:57:26,375 --> 00:57:28,125
BACKYARD.
966
00:57:28,125 --> 00:57:29,000
DOES IT MATTER?
967
00:57:29,000 --> 00:57:30,291
YEAH.
968
00:57:30,291 --> 00:57:33,125
BACKYARD NUDITY
IS HYPOCRITICAL.
969
00:57:33,125 --> 00:57:35,250
IT'S INSINCERE.
970
00:57:35,250 --> 00:57:36,667
PEOPLE SHOULD
DO AND SAY
971
00:57:36,667 --> 00:57:38,250
EXACTLY WHAT THEY
FEEL OR THINK
972
00:57:38,250 --> 00:57:39,000
AND NOT TRY
TO HIDE THINGS.
973
00:57:43,041 --> 00:57:44,208
OK.
974
00:57:46,000 --> 00:57:46,708
OK.
975
00:57:51,250 --> 00:57:52,542
[WHISPERS]
All right.
976
00:57:52,542 --> 00:57:53,834
[WHISPERS]
OK.
977
00:57:56,166 --> 00:57:58,083
YOU LOOK PRETTY.
978
00:57:58,083 --> 00:57:59,417
REALLY?
979
00:57:59,417 --> 00:58:00,834
YEAH.
980
00:58:33,583 --> 00:58:34,625
PAM...
981
00:58:53,417 --> 00:58:55,125
[CLOCK CHIMING]
982
00:59:07,250 --> 00:59:08,792
Woman:
WHERE HAVE YOU BEEN?
983
00:59:08,792 --> 00:59:11,250
Gary Cooper: HOTEL IN TOWN.
I GOT DRUNK.
984
00:59:11,250 --> 00:59:15,458
HAD IT OCCURRED TO YOU TO
LET ME KNOW WHERE YOU WERE?
985
00:59:15,458 --> 00:59:16,667
IT OCCURRED TO ME.
986
00:59:18,542 --> 00:59:19,166
[WHISPERING]
Jacey...
987
00:59:21,291 --> 00:59:23,667
You can't tell anyone
what we're doing.
988
00:59:26,166 --> 00:59:28,125
Promise me
you won't tell anyone.
989
00:59:35,208 --> 00:59:39,125
Doug: BEING RECKLESS WAS NOT
A TRUE PART OF ALICE'S NATURE.
990
00:59:39,125 --> 00:59:40,750
LIKE ANY TRAPPED ANIMAL,
991
00:59:40,750 --> 00:59:43,250
SHE WAS CAPABLE
OF ALMOST ANYTHING.
992
00:59:43,250 --> 00:59:45,208
HER DESPERATION
MADE HER DANGEROUS,
993
00:59:45,208 --> 00:59:47,250
AND JACEY'S ADDICTION
TO THE ABBOTTS
994
00:59:47,250 --> 00:59:49,166
MADE HIM DESPERATE
TO POSSESS HER.
995
00:59:53,792 --> 00:59:55,166
ELEANOR'S LIVING
IN CHICAGO NOW.
996
00:59:55,166 --> 00:59:56,417
SHE IS?
997
00:59:56,417 --> 00:59:58,208
YEAH. SHE'S GOING
TO STEWARDESS SCHOOL.
998
00:59:58,208 --> 01:00:00,166
WHAT DO THEY TEACH HER
AT STEWARDESS SCHOOL?
999
01:00:00,166 --> 01:00:01,625
I DON'T KNOW.
1000
01:00:01,625 --> 01:00:03,708
HOW TO WIGGLE
YOUR BOTTOM.
1001
01:00:03,708 --> 01:00:06,166
REALLY? MAYBE YOU SHOULD
GO THERE INSTEAD OF BRYN MAWR.
1002
01:00:06,166 --> 01:00:07,333
OW!
1003
01:00:07,333 --> 01:00:10,500
I'M SORRY,
I'M SORRY.
1004
01:00:10,500 --> 01:00:12,333
DID IT HURT?
1005
01:00:12,333 --> 01:00:14,000
IT WAS AN ACCIDENT.
1006
01:00:14,000 --> 01:00:16,458
BE CAREFUL
WITH YOUR BIG FEET.
1007
01:00:16,458 --> 01:00:17,166
COME HERE.
1008
01:00:19,375 --> 01:00:21,166
WANNA GO UPSTAIRS?
1009
01:00:21,166 --> 01:00:22,708
NO.
1010
01:00:22,708 --> 01:00:25,166
I JUST THOUGHT MAYBE YOU
WERE TIRED OF JUST KISSING.
1011
01:00:25,166 --> 01:00:26,166
I'M NOT. ARE YOU?
1012
01:00:26,166 --> 01:00:27,166
NO...
1013
01:00:27,166 --> 01:00:28,417
BUT TOUCHING IS NICE.
1014
01:00:28,417 --> 01:00:30,208
WE ARE TOUCHING.
1015
01:00:30,208 --> 01:00:31,625
I KNOW. I JUST...
1016
01:00:31,625 --> 01:00:33,208
WOULD LIKE TO SEE
WHAT YOU LOOK LIKE
1017
01:00:33,208 --> 01:00:34,208
WITHOUT ANY CLOTHES ON.
1018
01:00:34,208 --> 01:00:35,708
TSK! OH, DOUG.
1019
01:00:35,708 --> 01:00:37,333
WELL, WHAT?
AREN'T YOU CURIOUS?
1020
01:00:37,333 --> 01:00:39,458
I KNOW WHAT I LOOK LIKE
WITHOUT ANY CLOTHES ON.
1021
01:00:39,458 --> 01:00:40,625
I LOOK NAKED.
1022
01:00:40,625 --> 01:00:42,208
CAN I TOUCH
YOUR BREASTS?
1023
01:00:42,208 --> 01:00:43,208
NO.
1024
01:00:43,208 --> 01:00:44,166
JUST ON THE OUTSIDE?
1025
01:00:44,166 --> 01:00:44,750
NO.
1026
01:00:46,458 --> 01:00:49,208
YOU CAN KISS ME.
1027
01:00:49,208 --> 01:00:51,208
I LIKE LIPS.
1028
01:00:51,208 --> 01:00:53,333
YOU LIKE LIPS?
1029
01:00:53,333 --> 01:00:55,792
I LIKE YOUR LIPS,
BLOCKHEAD.
1030
01:00:55,792 --> 01:00:58,291
I LIKE BEING HERE
LIKE THIS.
1031
01:00:58,291 --> 01:01:00,291
BUT WE'RE NOT
GOING UPSTAIRS
1032
01:01:00,291 --> 01:01:01,792
'CAUSE IF WE
GO UPSTAIRS,
1033
01:01:01,792 --> 01:01:04,291
YOU KNOW
WHAT WE'LL DO THEN.
1034
01:01:04,291 --> 01:01:07,667
I DON'T WANT TO BE
LIKE MY SISTERS,
1035
01:01:07,667 --> 01:01:10,458
NOT IF I
CAN HELP IT.
1036
01:01:10,458 --> 01:01:11,250
OK.
1037
01:01:27,375 --> 01:01:29,250
OH, SHIT.
WHAT IS IT?
1038
01:01:29,250 --> 01:01:31,166
MY BROTHER, HE JUST WENT
IN THE GARAGE WITH YOUR SISTER.
1039
01:01:31,166 --> 01:01:32,458
WITH ELEANOR?
1040
01:01:32,458 --> 01:01:33,250
ALICE.
1041
01:01:35,166 --> 01:01:36,500
PAM, HOLD UP.
1042
01:01:36,500 --> 01:01:38,291
WHY DIDN'T YOU TELL ME?
1043
01:01:38,291 --> 01:01:39,500
I DIDN'T KNOW.
WHAT'S THIS GOTTA DO WITH--
1044
01:01:39,500 --> 01:01:41,250
GOD! WHAT IS SHE DOING?
1045
01:01:41,250 --> 01:01:43,250
WHY IS IT OK IF YOU'RE
GONNA SNEAK AROUND WITH ME,
1046
01:01:43,250 --> 01:01:44,500
BUT IT'S NOT RIGHT FOR ALICE
TO SNEAK AROUND WITH JACEY?
1047
01:01:44,500 --> 01:01:45,750
BECAUSE IT'S DIFFERENT.
1048
01:01:45,750 --> 01:01:46,667
I'M NOT ALICE,
AND YOU'RE NOT JACEY.
1049
01:01:46,667 --> 01:01:48,708
ALICE IS LIKE MY MOTHER.
1050
01:01:48,708 --> 01:01:50,000
THEY GET HURT SO EASY.
1051
01:01:50,000 --> 01:01:52,166
THEY'RE LIKE TURTLES
WITHOUT SHELLS.
1052
01:01:52,166 --> 01:01:53,792
YOU DON'T KNOW MY DAD.
1053
01:01:53,792 --> 01:01:55,291
YOU DON'T KNOW
HOW HE IS ABOUT JACEY.
1054
01:01:55,291 --> 01:01:57,834
HE BLAMES HIM FOR EVERYTHING
THAT HAPPENED WITH ELEANOR.
1055
01:01:57,834 --> 01:01:59,333
ELEANOR FOOLED AROUND
WITH A LOT OF GUYS.
1056
01:01:59,333 --> 01:02:01,208
IT'S NOT JACEY'S FAULT
YOUR DAD KICKED HER OUT.
1057
01:02:01,208 --> 01:02:02,959
HE DIDN'T KICK HER OUT.
1058
01:02:02,959 --> 01:02:05,208
HE SENT HER OFF
TO SOME GODDAMN NUTHOUSE.
1059
01:02:05,208 --> 01:02:08,375
HE JUST UP AND SHIPPED HER OFF
TO SOME CLINIC IN WISCONSIN.
1060
01:02:08,375 --> 01:02:10,291
I--I THOUGHT YOU SAID
SHE'S IN CHICAGO.
1061
01:02:10,291 --> 01:02:11,291
WELL, SHE IS NOW.
1062
01:02:11,291 --> 01:02:13,500
THEY LET HER OUT
LIKE A MONTH AGO.
1063
01:02:13,500 --> 01:02:14,458
SHIT.
1064
01:02:14,458 --> 01:02:15,250
YEAH, SHIT.
1065
01:02:29,125 --> 01:02:31,125
[VOICES WHISPERING]
1066
01:02:31,125 --> 01:02:31,667
[DOOR CLOSES]
1067
01:02:47,208 --> 01:02:48,000
DOUG.
1068
01:02:49,708 --> 01:02:51,041
WHO'S UPSTAIRS
WITH JACEY?
1069
01:02:52,500 --> 01:02:53,333
ALICE ABBOTT.
1070
01:02:55,250 --> 01:02:58,792
HOW LONG IS SHE
LIKELY TO STAY?
1071
01:02:58,792 --> 01:03:00,500
I DON'T KNOW, BUT I
WOULDN'T HOLD UP DINNER.
1072
01:03:39,750 --> 01:03:42,208
[SIGHS]
DO YOU WANT DINNER?
1073
01:03:45,208 --> 01:03:46,750
NO. THANKS.
1074
01:03:46,750 --> 01:03:48,458
DON'T SIT ON THAT.
DOUG JUST PAINTED--
1075
01:03:48,458 --> 01:03:49,208
I KNOW.
1076
01:03:55,708 --> 01:03:57,708
I HAD TO BRING HER
HERE TODAY.
1077
01:03:57,708 --> 01:04:00,333
THERE'S JUST
NOWHERE ELSE WE CAN GO.
1078
01:04:00,333 --> 01:04:01,667
I APPRECIATE THAT,
JACEY, BUT--
1079
01:04:01,667 --> 01:04:04,708
I LOVE HER...
1080
01:04:04,708 --> 01:04:06,750
AND I AM GOING
TO MARRY HER.
1081
01:04:06,750 --> 01:04:09,458
DO HER PARENTS
KNOW ABOUT THIS?
1082
01:04:09,458 --> 01:04:10,875
OF COURSE NOT.
1083
01:04:10,875 --> 01:04:12,250
DON'T YOU THINK
THEY SHOULD?
1084
01:04:12,250 --> 01:04:14,041
WELL, I DON'T GIVE A DAMN
ABOUT THEM.
1085
01:04:19,291 --> 01:04:22,500
DOES ALICE FEEL
THE SAME WAY YOU DO?
1086
01:04:22,500 --> 01:04:24,041
SHE LOVES ME.
1087
01:04:26,750 --> 01:04:29,458
AND SHE'S AGREED
TO MARRY YOU?
1088
01:04:29,458 --> 01:04:30,625
SHE WILL.
1089
01:04:33,708 --> 01:04:35,667
SHE NEEDS TIME.
SHE'S FRIGHTENED.
1090
01:04:35,667 --> 01:04:38,000
THIS ISN'T EASY FOR HER.
1091
01:04:38,000 --> 01:04:39,542
AND HOW IS HIDING IT
FROM HER PARENTS
1092
01:04:39,542 --> 01:04:40,792
MAKE IT ANY EASIER?
1093
01:04:40,792 --> 01:04:43,083
WELL, WE DON'T REALLY
HAVE ANY CHOICE, DO WE?
1094
01:04:43,083 --> 01:04:45,625
ALICE IS A GROWN WOMAN,
JACEY.
1095
01:04:45,625 --> 01:04:46,750
SHE HAS
A CHILD OF HER OWN.
1096
01:04:46,750 --> 01:04:47,875
IF SHE LOVES YOU--
1097
01:04:47,875 --> 01:04:49,291
THE ONLY THING
THAT MATTERS
1098
01:04:49,291 --> 01:04:50,667
IS THAT I GET HER AWAY
FROM HER PARENTS BEFORE--
1099
01:04:50,667 --> 01:04:53,583
I CAN'T BE A PARTY
TO THAT, JACEY.
1100
01:04:53,583 --> 01:04:55,750
WELL, I DON'T NEED
YOUR HELP.
1101
01:04:59,750 --> 01:05:02,291
AND I'M NOT
ASKING FOR IT.
1102
01:05:02,291 --> 01:05:04,917
YOU'RE GONNA HAVE TO
FIND SOMEWHERE ELSE
1103
01:05:04,917 --> 01:05:06,291
TO TAKE ALICE.
1104
01:05:06,291 --> 01:05:08,959
I CAN'T HAVE YOU
BRINGING HER HERE AGAIN.
1105
01:05:08,959 --> 01:05:10,125
I'M SORRY.
1106
01:05:17,333 --> 01:05:19,834
Doug: JACEY PRETENDED
TO CARE FOR ALICE SO WELL,
1107
01:05:19,834 --> 01:05:21,792
THE ILLUSION
BECAME SO COMPLETE
1108
01:05:21,792 --> 01:05:23,208
THAT EVEN HE WAS FOOLED.
1109
01:05:24,667 --> 01:05:26,625
Jacey: MARRY ME.
1110
01:05:26,625 --> 01:05:27,166
Alice: IMPOSSIBLE.
1111
01:05:29,667 --> 01:05:30,667
NOTHING'S IMPOSSIBLE.
1112
01:05:40,041 --> 01:05:41,166
[WHISPERS]
Go away!
1113
01:05:43,333 --> 01:05:45,667
ARE YOU SAYING THIS DOESN'T
MEAN ANYTHING TO YOU?
1114
01:05:45,667 --> 01:05:46,667
DON'T SCREAM.
1115
01:05:46,667 --> 01:05:47,500
NO, IT'S MORE THAN THAT.
1116
01:05:47,500 --> 01:05:48,625
DON'T!
1117
01:05:48,625 --> 01:05:49,458
DON'T WHAT?
1118
01:05:51,708 --> 01:05:52,834
ALICE!
1119
01:05:58,667 --> 01:05:59,333
YES, DADDY?
1120
01:06:00,875 --> 01:06:02,500
WHO ARE YOU TALKING TO?
1121
01:06:04,834 --> 01:06:06,542
SHE'S TALKING TO ME,
DADDY.
1122
01:06:10,041 --> 01:06:12,542
JUST A LITTLE
GIRL TALK.
1123
01:06:12,542 --> 01:06:15,208
WELL, YOU CAN TALK INSIDE.
IT'S LATE.
1124
01:06:30,875 --> 01:06:34,417
Doug: JACEY DIDN'T HEAR
FROM ALICE FOR SEVERAL DAYS.
1125
01:06:34,417 --> 01:06:37,166
AND THEN, FINALLY,
PAM ARRIVED WITH A MESSAGE.
1126
01:06:54,834 --> 01:06:56,583
HOW IS SHE?
1127
01:06:58,667 --> 01:06:59,875
SHE'S AT THE BOATHOUSE.
1128
01:07:21,959 --> 01:07:23,708
WHAT'S GOING ON?
1129
01:07:25,625 --> 01:07:26,792
TELL JACEY I'M SORRY.
1130
01:07:40,959 --> 01:07:41,667
ALICE?
1131
01:07:43,792 --> 01:07:46,750
I HAVE PLANS FOR
MY DAUGHTERS, MR. HOLT,
1132
01:07:46,750 --> 01:07:48,083
AND THEY
DON'T INCLUDE YOU.
1133
01:07:52,959 --> 01:07:55,250
I KNOW YOU.
1134
01:07:55,250 --> 01:07:58,125
I KNOW YOU BETTER
THAN YOU KNOW ME.
1135
01:07:58,125 --> 01:08:00,208
I KNOW
ALL THERE IS TO KNOW
1136
01:08:00,208 --> 01:08:03,291
ABOUT SCREWING YOUR WAY
INTO A WEALTHY FAMILY,
1137
01:08:03,291 --> 01:08:06,667
AND I'LL NEVER LET YOU
SCREW YOUR WAY INTO MINE.
1138
01:08:44,041 --> 01:08:45,000
ALICE!
1139
01:08:47,834 --> 01:08:48,625
ALICE!
1140
01:08:50,000 --> 01:08:51,708
ALICE!
GOD.
1141
01:08:51,708 --> 01:08:52,708
WHERE IS SHE?
1142
01:08:52,708 --> 01:08:54,041
WHO DO YOU THINK
YOU ARE?
1143
01:08:54,041 --> 01:08:55,208
GODDAMN IT,
WHERE IS SHE?
GET OUT!
1144
01:08:55,208 --> 01:08:57,542
ALICE! ALICE!
GET OUT OF HERE!
1145
01:09:01,208 --> 01:09:02,542
CALL THE POLICE,
JOAN.
1146
01:09:04,667 --> 01:09:06,250
YOU SON OF A BITCH.
1147
01:09:08,667 --> 01:09:09,708
WHERE IS SHE?
1148
01:09:11,875 --> 01:09:13,708
TELL ME WHERE SHE IS.
1149
01:09:15,750 --> 01:09:17,708
BEHIND YOU,
MR. HOLT.
1150
01:09:23,542 --> 01:09:24,083
HEY, BABY...
1151
01:09:26,208 --> 01:09:27,250
COME ON.
1152
01:09:29,625 --> 01:09:31,375
COME WITH ME RIGHT NOW.
1153
01:09:47,750 --> 01:09:49,583
NOW, GET THE HELL
OUT OF HERE,
1154
01:09:49,583 --> 01:09:50,917
YOU RUTTIN' STUD.
1155
01:09:50,917 --> 01:09:53,125
KEEP YOUR POOR BOY DICK
OUT OF MY DAUGHTERS.
1156
01:10:10,667 --> 01:10:11,125
[DOOR CLOSES]
1157
01:10:35,959 --> 01:10:36,959
HI.
1158
01:10:36,959 --> 01:10:37,667
HI.
1159
01:10:39,959 --> 01:10:41,667
WHAT'S UP?
1160
01:10:41,667 --> 01:10:43,291
I'VE BEEN THINKING
1161
01:10:43,291 --> 01:10:45,125
THAT MAYBE WE SHOULDN'T
SEE EACH OTHER RIGHT NOW.
1162
01:10:48,959 --> 01:10:49,667
OK.
1163
01:10:51,708 --> 01:10:52,792
SEE YOU AROUND.
1164
01:11:15,250 --> 01:11:17,208
[HANGERS RUSTLING]
1165
01:11:29,333 --> 01:11:33,000
JACEY, WHY SPEND ALL NIGHT
AND HALF THE DAY TOMORROW
1166
01:11:33,000 --> 01:11:36,125
IN CHICAGO WAITING
FOR THE PHILADELPHIA BUS?
1167
01:11:36,125 --> 01:11:39,834
WHY NOT JUST WAIT
TILL THE MORNING?
1168
01:11:39,834 --> 01:11:42,708
BECAUSE THE SOONER I GET
OUT OF THIS FUCKING TOWN,
1169
01:11:42,708 --> 01:11:43,708
THE BETTER.
1170
01:11:43,708 --> 01:11:45,208
[CONTINUES PACKING]
1171
01:11:47,708 --> 01:11:48,708
SUIT YOURSELF.
1172
01:11:58,708 --> 01:12:00,208
Doug: DAMN IT.
1173
01:12:00,208 --> 01:12:02,708
I DON'T KNOW WHY HE COULDN'T
JUST FORGET ABOUT THEM.
1174
01:12:02,708 --> 01:12:03,959
Helen: WHO?
1175
01:12:03,959 --> 01:12:05,875
THE ABBOTTS.
1176
01:12:05,875 --> 01:12:08,875
THERE'S NO END OF ABBOTTS
IN THIS WORLD,
1177
01:12:08,875 --> 01:12:10,250
IF THAT'S WHAT YOU NEED.
1178
01:12:10,250 --> 01:12:12,083
HE JUST NEEDS THAT
SOMEHOW.
1179
01:12:17,166 --> 01:12:19,333
ACTUALLY, I KNOW HOW.
1180
01:12:19,333 --> 01:12:21,083
WHAT DO YOU MEAN?
1181
01:12:21,083 --> 01:12:24,291
HOW DO YOU KNOW?
1182
01:12:24,291 --> 01:12:28,166
I WAS JUST A WRECK
WHEN CHARLIE DIED.
1183
01:12:28,166 --> 01:12:29,792
JACEY WAS ALMOST 2,
1184
01:12:29,792 --> 01:12:32,208
AND I WAS 8 MONTHS
PREGNANT WITH YOU.
1185
01:12:33,959 --> 01:12:35,458
AND...
1186
01:12:35,458 --> 01:12:36,708
WELL...
1187
01:12:39,250 --> 01:12:42,708
SOME MORNINGS I'D BE CRYING
BEFORE I EVEN WOKE UP.
1188
01:12:45,166 --> 01:12:47,250
AND THEN YOU WERE BORN.
1189
01:12:50,583 --> 01:12:53,708
AND JACEY
JUST GOT LOST IN THERE.
1190
01:12:55,750 --> 01:12:57,708
I DIDN'T HAVE ANYTHING
FOR HIM.
1191
01:13:01,792 --> 01:13:04,750
I SHOULD'VE
TAKEN US AWAY FROM HERE,
1192
01:13:04,750 --> 01:13:05,959
GONE SOMEWHERE ELSE.
1193
01:13:05,959 --> 01:13:07,125
WHY?
1194
01:13:11,291 --> 01:13:12,875
WELL,
AFTER CHARLIE DIED,
1195
01:13:12,875 --> 01:13:14,834
LLOYD ABBOTT
STARTED DROPPING BY
1196
01:13:14,834 --> 01:13:16,750
ON HIS WAY HOME
FROM WORK.
1197
01:13:19,291 --> 01:13:21,792
HE FELT SO BAD
ABOUT THAT BET
1198
01:13:21,792 --> 01:13:25,750
THAT CHARLIE HAD MADE
WITH HIM AT THE LAKE.
1199
01:13:25,750 --> 01:13:29,083
THAT FOOLISH...
1200
01:13:29,083 --> 01:13:31,458
IDIOTIC BET.
1201
01:13:31,458 --> 01:13:33,166
POOR LLOYD.
1202
01:13:33,166 --> 01:13:34,792
I FELT SORRY FOR HIM.
1203
01:13:38,208 --> 01:13:40,959
BUT HE STARTED
DROPPING BY SO OFTEN
1204
01:13:40,959 --> 01:13:42,458
THAT...
1205
01:13:42,458 --> 01:13:44,000
PEOPLE
BEGAN TO TALK.
1206
01:13:46,667 --> 01:13:49,291
AND THEN ONE DAY,
I WAS IN WOOLWORTH'S.
1207
01:13:49,291 --> 01:13:51,333
I WAS HAVING LUNCH
AT THE COUNTER
1208
01:13:51,333 --> 01:13:54,125
AND SUDDENLY,
THERE WAS JOAN ABBOTT...
1209
01:13:54,125 --> 01:13:55,875
SCREAMING AT ME
1210
01:13:55,875 --> 01:13:58,166
TO STOP SLEEPING WITH
HER HUSBAND, WITH LLOYD.
1211
01:14:00,250 --> 01:14:02,000
I...I WAS SPEECHLESS.
1212
01:14:02,000 --> 01:14:03,417
I...
1213
01:14:03,417 --> 01:14:06,000
SHE WAS GONE BEFORE
I COULD FIND MY TONGUE.
1214
01:14:06,000 --> 01:14:07,166
CHRIST.
1215
01:14:07,166 --> 01:14:08,834
I WENT TO SEE JOAN.
1216
01:14:08,834 --> 01:14:11,208
I WANTED TO PUT
HER MIND AT REST.
1217
01:14:11,208 --> 01:14:13,458
I WANTED TO TELL HER...
1218
01:14:13,458 --> 01:14:14,875
BUT WHY?
1219
01:14:14,875 --> 01:14:17,542
WHY DID EVERYONE IN TOWN
BELIEVE JOAN ABBOTT?
1220
01:14:17,542 --> 01:14:19,000
BECAUSE
SHE'S JOAN ABBOTT.
1221
01:14:21,458 --> 01:14:24,333
I HATE THIS TOWN.
1222
01:14:24,333 --> 01:14:25,708
I HATE
THE ABBOTTS.
1223
01:14:27,667 --> 01:14:30,166
MAYBE I SHOULDN'T
HAVE TOLD YOU.
1224
01:14:30,166 --> 01:14:32,041
I ALREADY KNEW.
1225
01:14:32,041 --> 01:14:33,542
OH.
1226
01:14:33,542 --> 01:14:36,250
PEOPLE STILL
TALK ABOUT IT?
1227
01:14:36,250 --> 01:14:38,417
I NEVER HEARD ANYONE
TALK ABOUT IT.
1228
01:14:38,417 --> 01:14:40,500
NOT TO ME, AT LEAST.
1229
01:14:40,500 --> 01:14:42,375
WELL, THEN HOW DID--
1230
01:14:42,375 --> 01:14:43,417
JACEY.
1231
01:14:46,125 --> 01:14:47,208
OH, LORD.
1232
01:14:49,208 --> 01:14:51,041
JACEY KNOWS, TOO.
1233
01:14:51,041 --> 01:14:51,875
YEAH, BUT...
1234
01:14:54,125 --> 01:14:56,041
HE THINKS
IT REALLY HAPPENED.
1235
01:15:05,333 --> 01:15:08,250
Doug: FOR THE FIRST TIME
IN MY LIFE
1236
01:15:08,250 --> 01:15:09,333
THAT I CAN REMEMBER,
1237
01:15:09,333 --> 01:15:11,375
I SAW MY MOTHER CRY.
1238
01:15:11,375 --> 01:15:15,291
I FELT SAD LEAVING HALEY
FOR COLLEGE,
1239
01:15:15,291 --> 01:15:18,375
SAD FOR MY MOTHER BECAUSE
SHE HAD BEEN LEFT BEHIND,
1240
01:15:18,375 --> 01:15:21,250
FIRST BY MY FATHER,
1241
01:15:21,250 --> 01:15:24,166
THEN BY MY BROTHER,
1242
01:15:24,166 --> 01:15:25,125
AND NOW BY ME.
1243
01:15:29,250 --> 01:15:31,750
Doug: THE ONLY PART
OF MY PAST IN HALEY
1244
01:15:31,750 --> 01:15:33,417
THAT I NEVER
STOPPED THINKING ABOUT,
1245
01:15:33,417 --> 01:15:35,125
NOT FOR A DAY,
1246
01:15:35,125 --> 01:15:36,750
WAS PAM.
1247
01:15:36,750 --> 01:15:39,959
THEN THAT SPRING,
MY PAST CAUGHT UP WITH ME.
1248
01:15:39,959 --> 01:15:40,458
PAM?
1249
01:15:42,417 --> 01:15:44,250
DOUG?
1250
01:15:44,250 --> 01:15:46,041
HI.
HI.
1251
01:15:46,041 --> 01:15:47,959
WHAT ARE YOU UP TO?
1252
01:15:47,959 --> 01:15:50,125
I COME DOWN SOMETIMES
TO USE THE LIBRARY.
1253
01:15:52,166 --> 01:15:53,250
HOW'S BRYN MAWR?
1254
01:15:53,250 --> 01:15:54,375
VERY BRYN.
1255
01:15:54,375 --> 01:15:56,125
YOU LIKE IT HERE?
1256
01:15:56,125 --> 01:15:57,458
YEAH.
1257
01:15:57,458 --> 01:15:59,208
JUST FINE.
1258
01:15:59,208 --> 01:16:02,250
LOOK, I JUST HAVE TO
DROP OFF THESE SET DESIGNS.
1259
01:16:02,250 --> 01:16:04,125
DO YOU WANNA GO
GET SOMETHING TO EAT?
1260
01:16:04,125 --> 01:16:05,250
I CAN'T. SORRY.
1261
01:16:05,250 --> 01:16:07,333
I GOTTA GET
THE BUS BACK.
1262
01:16:07,333 --> 01:16:09,083
YOU SEEM TALLER.
1263
01:16:11,208 --> 01:16:12,458
AND YOU SEEM...
1264
01:16:12,458 --> 01:16:13,750
NOT SO PLAIN.
1265
01:16:18,458 --> 01:16:21,125
MAYBE ANOTHER TIME, OK?
1266
01:16:21,125 --> 01:16:22,583
YEAH.
1267
01:16:22,583 --> 01:16:24,125
REALLY. I MEAN IT.
1268
01:16:24,125 --> 01:16:26,417
JUST CALL ME.
I'M AT REED HALL.
1269
01:16:26,417 --> 01:16:27,458
OK.
1270
01:16:27,458 --> 01:16:28,708
OK. BYE.
1271
01:16:46,667 --> 01:16:48,250
[KNOCK ON DOOR]
1272
01:16:48,250 --> 01:16:50,000
Man: HEY, HOLT,
YOU'VE GOT A VISITOR.
1273
01:17:04,500 --> 01:17:05,875
WHO'S HERE?
1274
01:17:17,542 --> 01:17:18,291
DID YOU
MISS THE BUS?
1275
01:17:18,291 --> 01:17:21,333
[CHUCKLES]
1276
01:17:21,333 --> 01:17:22,500
ARE YOU DRUNK?
1277
01:17:22,500 --> 01:17:23,750
OH, CHRIST.
1278
01:17:23,750 --> 01:17:25,250
I'D BETTER GET
YOU OUT OF HERE
1279
01:17:25,250 --> 01:17:26,500
BEFORE THE PURITANS
TAR AND FEATHER YOU.
1280
01:17:26,500 --> 01:17:27,417
LOOK, CAN YOU WALK?
1281
01:17:29,291 --> 01:17:30,291
CAN YOU...
1282
01:17:30,291 --> 01:17:32,375
STAND UP.
1283
01:17:32,375 --> 01:17:33,417
CAN YOU WALK?
1284
01:17:37,542 --> 01:17:39,041
OH, LET'S DANCE.
1285
01:17:39,041 --> 01:17:40,125
NO, NO, NO.
1286
01:17:40,125 --> 01:17:41,667
SHH!
1287
01:17:41,667 --> 01:17:45,041
GO OUT THE FRONT DOOR.
GO OUT THE FRONT DOOR,
1288
01:17:45,041 --> 01:17:46,834
MAKE A RIGHT AND GO AROUND
THE SIDE OF THE BUILDING.
1289
01:17:46,834 --> 01:17:48,708
AND WAIT FOR ME
BY THE FIRE ESCAPE, OK?
1290
01:17:48,708 --> 01:17:50,917
YEAH, JUST WAIT
FOR ME. YEAH.
1291
01:18:10,291 --> 01:18:11,667
DOUG?
1292
01:18:11,667 --> 01:18:12,792
WATCH OUT
FOR THE LADDER.
1293
01:18:18,792 --> 01:18:21,083
OOH!
1294
01:18:23,667 --> 01:18:25,291
COME ON, UP WE GO.
1295
01:18:27,792 --> 01:18:30,458
[VOMITING]
1296
01:19:31,750 --> 01:19:34,500
[THUNDER]
1297
01:19:41,333 --> 01:19:42,625
DOUG!
1298
01:19:42,625 --> 01:19:44,000
IT'S PAM.
1299
01:19:49,708 --> 01:19:50,542
HELLO?
1300
01:19:57,875 --> 01:19:59,542
THANK YOU.
1301
01:20:11,375 --> 01:20:12,875
IF YOU FEEL LIKE
YOU'RE GOING TO PUKE,
1302
01:20:12,875 --> 01:20:14,041
USE THE WASTEBASKET
OVER THERE.
1303
01:20:16,458 --> 01:20:17,041
I'M SORRY.
1304
01:20:21,291 --> 01:20:24,375
I WAS EMBARRASSED.
1305
01:20:24,375 --> 01:20:26,375
I WOKE UP AND I DIDN'T
KNOW WHERE I WAS.
1306
01:20:26,375 --> 01:20:29,750
AND I FELT LIKE I WAS
DYING, SO I JUST...
1307
01:20:29,750 --> 01:20:32,291
I DON'T KNOW.
I WAS BLOTTO.
1308
01:20:32,291 --> 01:20:34,250
I MEAN, I WAS
SO HAPPY TO SEE YOU.
1309
01:20:36,583 --> 01:20:38,041
BUT THEN,
I JUST GOT SAD.
1310
01:20:39,542 --> 01:20:40,792
SAD AND STUPID.
1311
01:20:40,792 --> 01:20:42,542
IT HAPPENS SOMETIMES,
YOU KNOW?
1312
01:20:45,625 --> 01:20:47,417
YOU WANT TO SEE
SOMETHING?
1313
01:20:47,417 --> 01:20:48,500
WHAT?
1314
01:20:48,500 --> 01:20:49,959
I WANT TO SHOW YOU
SOMETHING. COME ON.
1315
01:20:57,667 --> 01:20:59,000
WHAT ARE WE DOING HERE?
1316
01:20:59,000 --> 01:21:00,125
I WANT TO SHOW YOU
SOMETHING.
1317
01:21:03,250 --> 01:21:04,458
RIGHT HERE.
1318
01:21:04,458 --> 01:21:05,750
STAND RIGHT HERE.
1319
01:21:05,750 --> 01:21:07,417
CLOSE YOUR EYES.
1320
01:21:07,417 --> 01:21:08,208
OK.
1321
01:21:15,333 --> 01:21:16,458
OK.
1322
01:21:21,291 --> 01:21:22,291
IT'S BEAUTIFUL.
1323
01:21:23,542 --> 01:21:25,166
THANKS.
1324
01:21:26,750 --> 01:21:28,000
YOU KNOW,
THE SENIOR ACTING CLASS
1325
01:21:28,000 --> 01:21:29,875
DOES SCENES
FROM DIFFERENT PLAYS.
1326
01:21:29,875 --> 01:21:32,792
THEY INVITE EVERYBODY.
IT'S REALLY A BIG DEAL.
1327
01:21:32,792 --> 01:21:34,291
WELL, SO THERE'S
THIS COMPETITION
1328
01:21:34,291 --> 01:21:37,542
AMONGST ALL THE THEATER DESIGN
STUDENTS TO DO THE SETS.
1329
01:21:37,542 --> 01:21:42,500
AND, UM, I'M THE ONE
WHOSE DESIGN GOT PICKED.
1330
01:21:42,500 --> 01:21:43,917
WHAT SCENE IS IT FOR?
WHAT PLAY?
1331
01:21:45,875 --> 01:21:48,000
ROMEO AND JULIET.
1332
01:21:48,000 --> 01:21:49,542
BUT IT'S SOMETHING
DIFFERENT, YOU KNOW.
1333
01:21:49,542 --> 01:21:52,000
YOU'RE REALLY GOOD
AT THIS.
1334
01:21:53,792 --> 01:21:56,792
IT'S LIKE MAKING MODELS
WHEN I WAS A KID.
1335
01:21:56,792 --> 01:22:00,000
IT'S FUN.
IT'S MAKE BELIEVE.
1336
01:22:04,667 --> 01:22:06,291
DOES IT REMIND YOU
OF ANYTHING?
1337
01:22:09,458 --> 01:22:11,333
YOU KNOW, THEY TORE
THAT WHOLE PART DOWN.
1338
01:22:11,333 --> 01:22:13,041
DID THEY?
1339
01:22:15,625 --> 01:22:18,125
SEE, THEY ALWAYS TEAR DOWN
THE WRONG STUFF.
1340
01:22:21,667 --> 01:22:22,458
I'VE MISSED YOU.
1341
01:22:36,500 --> 01:22:38,667
WHAT?
1342
01:22:38,667 --> 01:22:40,333
WHAT'S THE MATTER?
1343
01:22:43,000 --> 01:22:43,875
DO YOU HAVE
A BOYFRIEND?
1344
01:22:43,875 --> 01:22:45,667
NO.
1345
01:22:45,667 --> 01:22:48,667
THEN WHAT'S
THE PROBLEM?
1346
01:22:48,667 --> 01:22:50,041
I CAN'T DO THIS.
1347
01:22:50,041 --> 01:22:51,458
WHY NOT?
1348
01:22:51,458 --> 01:22:54,500
THAT'S OK. WE DON'T
HAVE TO GO SO FAST.
1349
01:22:54,500 --> 01:22:56,959
I HAVE TO BE BACK
AT THE DORM BY 10:00.
1350
01:22:56,959 --> 01:22:58,959
WAIT! WHAT ABOUT TOMORROW?
IN THE AFTERNOON?
1351
01:22:58,959 --> 01:23:02,417
IT'S JUST TOO LATE NOW.
1352
01:23:02,417 --> 01:23:05,333
EVERYTHING'S JUST
TOO SCREWED UP.
1353
01:23:08,542 --> 01:23:10,542
PAM...
1354
01:23:10,542 --> 01:23:11,583
IT'S NOT TOO LATE!
1355
01:23:20,417 --> 01:23:22,875
Doug: PAM HAD BEEN WALKING
IN AND OUT OF MY LIFE
1356
01:23:22,875 --> 01:23:25,375
FOR AS LONG AS
I COULD REMEMBER.
1357
01:23:25,375 --> 01:23:27,000
NOW, FAR FROM HALEY,
1358
01:23:27,000 --> 01:23:29,417
I BELIEVED IT WOULD
FINALLY BE DIFFERENT,
1359
01:23:29,417 --> 01:23:31,583
THAT THE PAST COULD BE
LEFT BEHIND US.
1360
01:24:00,917 --> 01:24:02,458
WHAT'S WRONG
WITH YOU?
1361
01:24:05,500 --> 01:24:06,708
NOTHING.
1362
01:24:08,667 --> 01:24:10,166
[TEAKETTLE WHISTLING]
1363
01:24:14,750 --> 01:24:16,166
[KNOCK ON DOOR]
1364
01:24:17,875 --> 01:24:19,291
I'LL GET IT.
1365
01:24:24,959 --> 01:24:27,583
HI.
1366
01:24:27,583 --> 01:24:28,583
HI.
1367
01:24:29,792 --> 01:24:30,583
COME IN.
1368
01:24:36,750 --> 01:24:38,166
HOW'D YOU KNOW
I WAS HERE?
1369
01:24:38,166 --> 01:24:40,542
UM...
1370
01:24:40,542 --> 01:24:41,625
I DIDN'T.
1371
01:24:41,625 --> 01:24:44,834
I CAME TO TALK
TO JACEY.
1372
01:24:44,834 --> 01:24:46,458
WHY?
1373
01:24:46,458 --> 01:24:49,250
YOU WANT ANOTHER CUP
OF COFFEE OR SOMETHING?
1374
01:24:49,250 --> 01:24:50,959
DOUG, THERE'S SOMETHING
THAT, UM...
1375
01:24:50,959 --> 01:24:52,917
I NEED TO TELL YOU.
1376
01:24:52,917 --> 01:24:54,834
UM...
1377
01:24:54,834 --> 01:24:56,000
WELL, I DIDN'T EXPECT
TO SEE YOU AGAIN.
1378
01:24:58,875 --> 01:24:59,708
SHOULDN'T YOU
HAVE CALLED?
1379
01:25:06,166 --> 01:25:08,125
WELL, I...
1380
01:25:08,125 --> 01:25:09,500
I MEAN,
DO YOU WANT TO FUCK?
1381
01:25:09,500 --> 01:25:11,208
I GUESS THAT'S
WHY YOU CAME OVER.
1382
01:25:21,750 --> 01:25:23,834
DOUG...
1383
01:25:32,250 --> 01:25:34,250
DOUG!
1384
01:25:40,125 --> 01:25:41,166
YOU BASTARD.
1385
01:26:02,000 --> 01:26:02,750
DOUG?
1386
01:26:07,959 --> 01:26:08,875
FUCK YOU.
1387
01:26:11,792 --> 01:26:13,041
I DIDN'T KNOW.
1388
01:26:13,041 --> 01:26:14,750
YOU DIDN'T KNOW WHAT?
1389
01:26:14,750 --> 01:26:16,291
HOW YOU FELT ABOUT PAM.
1390
01:26:17,875 --> 01:26:18,917
FUCK YOU.
1391
01:26:18,917 --> 01:26:22,750
I'M SORRY.
1392
01:26:22,750 --> 01:26:24,417
APOLOGIZE TO HER,
ASSHOLE.
1393
01:26:27,708 --> 01:26:28,291
I DID.
1394
01:26:30,458 --> 01:26:34,417
JUST, UH...I RAN INTO HER
AT SOME PARTY.
1395
01:26:34,417 --> 01:26:36,208
AND SHE WAS DRINKING,
I WAS DRINKING. IT WAS...
1396
01:26:36,208 --> 01:26:38,750
IT WAS EASY.
1397
01:26:38,750 --> 01:26:41,917
SHE FELT GUILTY ABOUT TELLING
HER FATHER ABOUT ME AND ALICE.
1398
01:26:45,750 --> 01:26:48,250
ACTUALLY, YOU KNOW,
I MADE HER FEEL GUILTY.
1399
01:26:48,250 --> 01:26:50,917
I MADE HER FEEL
LIKE SHE HAD...
1400
01:26:50,917 --> 01:26:52,667
BETRAYED ALICE.
1401
01:26:52,667 --> 01:26:54,291
WHAT THE HELL
DID PAM EVER DO
1402
01:26:54,291 --> 01:26:56,083
TO DESERVE
YOUR REVENGE? WHAT?
1403
01:27:00,000 --> 01:27:00,834
NOTHING.
1404
01:27:05,291 --> 01:27:08,000
IS IT JUST YOUR WAY
OF EVENING THE SCORE
1405
01:27:08,000 --> 01:27:09,333
WITH LLOYD ABBOTT?
1406
01:27:11,000 --> 01:27:11,792
RIGHT.
1407
01:27:13,750 --> 01:27:14,959
AAH!
1408
01:27:14,959 --> 01:27:16,166
I DON'T KNOW YOU.
1409
01:27:18,500 --> 01:27:20,959
I DON'T EVEN KNOW
WHO THE FUCK YOU ARE.
1410
01:27:20,959 --> 01:27:23,500
YOU FUCK EVERYTHING,
YOU FUCK EVERYTHING UP.
1411
01:27:25,917 --> 01:27:27,166
BUT WHY PAM?
1412
01:27:30,625 --> 01:27:31,625
WHY PAM, TOO?
1413
01:27:47,166 --> 01:27:48,959
Doug: WHEN I WENT OVER
TO BRYN MAWR TO FIND PAM,
1414
01:27:48,959 --> 01:27:50,959
SHE HAD DISAPPEARED.
1415
01:27:50,959 --> 01:27:53,083
I TRIED EVERY WAY
I COULD TO LOCATE HER.
1416
01:27:53,083 --> 01:27:54,333
I EVEN CALLED MY MOTHER
1417
01:27:54,333 --> 01:27:57,083
TO SEE IF SHE HAD
GONE BACK TO HALEY,
1418
01:27:57,083 --> 01:27:58,875
BUT SHE WASN'T THERE.
1419
01:27:58,875 --> 01:28:01,291
IT'S A LOVELY FISH,
HONEY.
1420
01:28:01,291 --> 01:28:03,834
KEEP YOUR GLUE
ON THE PAPER.
1421
01:28:03,834 --> 01:28:06,291
OH, LOOK AT THAT,
ALMOST DONE.
1422
01:28:06,291 --> 01:28:07,708
THAT'S VERY PRETTY.
1423
01:28:07,708 --> 01:28:10,000
YOU'RE DOING A WONDERFUL JOB.
THAT'S GREAT.
1424
01:28:10,000 --> 01:28:12,125
LILLIAN! JACK! SAM!
1425
01:28:12,125 --> 01:28:14,583
BACK TO YOUR SEATS, PLEASE.
1426
01:28:14,583 --> 01:28:15,834
BOYS AND GIRLS,
DID YOU HEAR ME?
1427
01:28:15,834 --> 01:28:17,166
GET BACK TO YOUR SEATS
RIGHT NOW.
1428
01:28:22,792 --> 01:28:25,250
THAT'S A GOOD JOB,
BOYS AND GIRLS. GOOD JOB.
1429
01:28:38,792 --> 01:28:41,959
Doug: ALTHOUGH SHE SEEMED
UNIQUE TO ME THEN,
1430
01:28:41,959 --> 01:28:44,500
I NOW KNOW THAT THE WORLD IS
FILLED WITH WORKING WOMEN
1431
01:28:44,500 --> 01:28:47,041
RAISING CHILDREN
BY THEMSELVES.
1432
01:28:47,041 --> 01:28:50,875
THERE WAS NOTHING ESPECIALLY
ORIGINAL ABOUT MY MOTHER,
1433
01:28:50,875 --> 01:28:52,291
NOT EVEN IN THE WAY
1434
01:28:52,291 --> 01:28:54,875
SHE FINALLY BROUGHT HER SONS
BACK TOGETHER AGAIN.
1435
01:29:20,875 --> 01:29:22,000
WHAT DO YOU WANT?
1436
01:29:22,000 --> 01:29:23,583
IT'S MOM.
1437
01:30:00,083 --> 01:30:01,625
HI, DOUG.
1438
01:30:04,125 --> 01:30:06,125
HOW'S YOUR CHIN?
1439
01:30:06,125 --> 01:30:07,291
DO YOU REMEMBER?
1440
01:30:07,291 --> 01:30:09,333
THE PENCIL?
1441
01:30:09,333 --> 01:30:13,625
YEAH. I HAVE
A LITTLE SCAR.
1442
01:30:16,166 --> 01:30:18,250
ARE YOU GOING HOME?
1443
01:30:18,250 --> 01:30:20,000
BACK TO HOLE IN THE
GROUND, ILLINOIS?
1444
01:30:22,125 --> 01:30:23,333
MY MOTHER DIED.
1445
01:30:28,041 --> 01:30:30,625
I'M SORRY.
1446
01:30:30,625 --> 01:30:33,250
I JUST SAW HER OVER CHRISTMAS,
AND SHE SEEMED FINE.
1447
01:30:33,250 --> 01:30:35,834
SHE WAS A LITTLE TIRED.
1448
01:30:35,834 --> 01:30:38,291
I THOUGHT IT WAS
THE FLU OR SOMETHING.
1449
01:30:38,291 --> 01:30:40,125
SHE DIDN'T EVEN TELL US.
1450
01:30:40,125 --> 01:30:42,333
THE HOSPITAL TOLD JACEY
WHEN THEY CALLED HIM.
1451
01:30:45,041 --> 01:30:46,000
HOW'S JACEY?
1452
01:30:48,667 --> 01:30:51,458
HE HAD TO STAY TO TAKE
HIS STATE BOARD EXAMS.
1453
01:30:51,458 --> 01:30:52,667
HE'S COMING BACK
TOMORROW.
1454
01:30:57,083 --> 01:30:58,041
I'M REALLY SORRY.
1455
01:31:00,083 --> 01:31:01,834
I WAS WONDERING IF
YOU KNEW WHERE PAM WAS.
1456
01:31:07,166 --> 01:31:08,375
NO, I DON'T.
1457
01:31:11,417 --> 01:31:14,708
I GOT TO GO.
1458
01:31:14,708 --> 01:31:16,875
I'LL MISS MY RIDE
TO THE HOTEL.
1459
01:31:21,875 --> 01:31:22,583
TELL HER I LOVE HER.
1460
01:31:26,291 --> 01:31:28,208
JUST TELL HER THAT, OK?
1461
01:31:53,041 --> 01:31:54,250
Man: GENTLEMEN.
1462
01:32:28,417 --> 01:32:31,625
Doug: MY MOTHER'S LIFE
HAD BEEN DAMAGED BY A LIE,
1463
01:32:31,625 --> 01:32:33,542
AND MY BROTHER
WAS FOREVER LOST
1464
01:32:33,542 --> 01:32:37,625
IN A MAZE OF ILLUSION
THAT LIE HAD CREATED.
1465
01:32:37,625 --> 01:32:39,166
AND I HAD
FOLLOWED HIM THERE.
1466
01:32:41,375 --> 01:32:44,333
JACEY WOULD NEVER
FIND HIS WAY OUT,
1467
01:32:44,333 --> 01:32:45,959
BUT I HAD TO.
1468
01:32:47,583 --> 01:32:49,750
AND THE ONLY WAY
I COULD DO THAT
1469
01:32:49,750 --> 01:32:53,166
WAS TO FORGIVE,
WHAT I COULD NEVER FORGET.
1470
01:32:56,166 --> 01:32:58,000
YOU, UH, WANT TO GET
SOMETHING TO EAT?
1471
01:33:05,166 --> 01:33:06,500
YEAH, SURE.
1472
01:33:29,542 --> 01:33:30,708
YOU KNOW, UM...
1473
01:33:32,542 --> 01:33:34,125
YOU WERE RIGHT.
1474
01:33:36,375 --> 01:33:37,208
ABOUT WHAT?
1475
01:33:39,667 --> 01:33:42,041
I SHOULD LIVE
MY OWN LIFE.
1476
01:33:42,041 --> 01:33:43,041
STOP BEING
YOUR SHADOW.
1477
01:33:48,291 --> 01:33:51,125
I'M NOT LIKE YOU,
JACEY...
1478
01:33:51,125 --> 01:33:51,875
AND I DON'T
WANT TO BE.
1479
01:33:58,417 --> 01:33:59,375
I'M SORRY.
1480
01:34:03,208 --> 01:34:04,041
I KNOW YOU ARE.
1481
01:34:09,583 --> 01:34:11,875
DID YOU, UH,
HAVE TO GET STITCHES?
1482
01:34:13,750 --> 01:34:16,208
OH, YES.
1483
01:34:16,208 --> 01:34:17,208
10.
1484
01:34:21,250 --> 01:34:22,208
SORRY.
1485
01:34:28,083 --> 01:34:29,083
LOOK, UM...
1486
01:34:31,125 --> 01:34:33,750
I FOUND THIS...
1487
01:34:33,750 --> 01:34:36,750
IN ONE OF THE BOXES
IN THE GARAGE.
1488
01:34:36,750 --> 01:34:38,750
IT'S A LETTER
OF AGREEMENT
1489
01:34:38,750 --> 01:34:41,083
BETWEEN LLOYD ABBOTT
AND DAD.
1490
01:34:41,083 --> 01:34:43,917
DAD SOLD HIM THE FILE
TO OUR PATENT, NOT MOM.
1491
01:34:54,208 --> 01:34:54,792
A CAR?
1492
01:34:56,250 --> 01:34:57,333
YEP.
1493
01:34:57,333 --> 01:35:01,792
JESUS CHRIST.
1494
01:35:01,792 --> 01:35:04,291
HE SOLD THE PATENT
FOR A USED CAR?
1495
01:35:04,291 --> 01:35:07,792
I DON'T KNOW.
I GUESS--
1496
01:35:07,792 --> 01:35:11,291
I GUESS DAD NEEDED
A CAR AND...
1497
01:35:11,291 --> 01:35:12,458
HE FIGURED
WHO THE HELL NEEDED
1498
01:35:12,458 --> 01:35:13,125
A FULL SUSPENSION
FILE DRAWER.
1499
01:35:16,834 --> 01:35:23,208
"A 1937 DESOTO COUPE
CONVERTIBLE...
1500
01:35:23,208 --> 01:35:24,291
AS IS."
1501
01:35:26,208 --> 01:35:27,500
WONDER WHATEVER
HAPPENED TO IT.
1502
01:35:32,708 --> 01:35:34,959
HE PARKED IT
AT THE BOTTOM OF A LAKE.
1503
01:35:42,166 --> 01:35:43,542
Doug: THE TRUTH ABOUT
OUR MOTHER AND LLOYD
1504
01:35:43,542 --> 01:35:45,333
DIDN'T COMFORT JACEY
1505
01:35:45,333 --> 01:35:48,750
BECAUSE THE TRUTH SEEMED
TO HIM JUST AS UNFAIR
1506
01:35:48,750 --> 01:35:50,959
AS THE LIE HE HAD
ALWAYS BELIEVED IN.
1507
01:36:00,834 --> 01:36:03,291
DO ME A FAVOR.
1508
01:36:03,291 --> 01:36:06,166
DON'T STAND HERE
AND WAVE GOOD-BYE.
1509
01:36:06,166 --> 01:36:07,208
MAKES ME THINK OF MOM.
1510
01:36:09,333 --> 01:36:10,375
OK.
1511
01:36:14,166 --> 01:36:14,792
I'LL SEE YOU.
1512
01:36:41,375 --> 01:36:42,708
[CAR ENGINE STARTING]
1513
01:36:57,166 --> 01:36:59,166
Doug: MY MOTHER WAS RIGHT.
1514
01:36:59,166 --> 01:37:00,959
IF THE ABBOTTS DIDN'T EXIST,
1515
01:37:00,959 --> 01:37:03,250
JACEY WOULD HAVE HAD
TO INVENT THEM.
1516
01:37:03,250 --> 01:37:06,125
BUT IT SEEMS TO ME
THAT INVENTING THE ABBOTTS
1517
01:37:06,125 --> 01:37:08,542
WAS SOMETHING ALMOST
EVERYONE IN HALEY DID
1518
01:37:08,542 --> 01:37:09,250
AND STILL DO.
1519
01:37:11,875 --> 01:37:14,208
ALICE REUNITED WITH PETER,
1520
01:37:14,208 --> 01:37:16,542
LIVED OUT THE SAME LIE
OF A HAPPY MARRIAGE
1521
01:37:16,542 --> 01:37:19,250
THAT HER MOTHER AND FATHER
HAD LIVED,
1522
01:37:19,250 --> 01:37:22,250
AND A NEW GENERATION
OF ABBOTT PARTIES BEGAN.
1523
01:37:27,625 --> 01:37:28,750
WHAT DO YOU WANT?
1524
01:37:28,750 --> 01:37:30,750
I WANT TO TALK TO YOU.
1525
01:37:40,708 --> 01:37:42,417
SHUT THE DOOR.
1526
01:37:48,458 --> 01:37:49,250
SMOKE?
1527
01:37:54,417 --> 01:37:55,667
HAVE A SEAT.
1528
01:37:55,667 --> 01:37:57,500
I DON'T WANT
TO SIT DOWN.
1529
01:37:57,500 --> 01:37:58,959
THEN DON'T.
1530
01:38:04,083 --> 01:38:05,000
I'M SORRY
ABOUT YOUR MOTHER.
1531
01:38:06,625 --> 01:38:07,625
YOU'RE SORRY?
1532
01:38:12,750 --> 01:38:15,291
YOU DIDN'T KNOW
YOUR MOTHER AT ALL
1533
01:38:15,291 --> 01:38:16,750
IF YOU THINK
SOMEONE LIKE ME
1534
01:38:16,750 --> 01:38:18,291
WOULD EVER STOOD A CHANCE
WITH SOMEONE LIKE HER.
1535
01:38:20,667 --> 01:38:22,333
I KNOW THAT'S
WHAT JACEY THINKS.
1536
01:38:22,333 --> 01:38:23,959
I CAN TELL BY THE WAY
HE LOOKS AT ME,
1537
01:38:23,959 --> 01:38:25,542
EVER SINCE
HE WAS A LITTLE BOY,
1538
01:38:25,542 --> 01:38:27,250
LOOKING AT ME LIKE
I OWED HIM SOMETHING.
1539
01:38:27,250 --> 01:38:28,500
BUT GODDAMN IT,
HE'S WRONG.
1540
01:38:32,792 --> 01:38:34,917
THAT BET WAS
YOUR FATHER'S IDEA.
1541
01:38:37,625 --> 01:38:41,417
AND I NEVER MEANT
YOUR MOTHER ANY HARM.
1542
01:38:41,417 --> 01:38:43,500
I WOULD HAVE
DONE ANYTHING FOR HER.
1543
01:38:43,500 --> 01:38:45,500
ANYTHING.
1544
01:38:45,500 --> 01:38:46,500
I LOVED HER.
1545
01:39:01,875 --> 01:39:03,041
SO...
1546
01:39:04,917 --> 01:39:06,792
WHAT DO YOU WANT?
1547
01:39:08,750 --> 01:39:09,834
I WANT TO FIND PAM.
1548
01:39:12,375 --> 01:39:14,500
I WANT YOU TO TELL ME
WHERE SHE IS.
1549
01:41:00,041 --> 01:41:02,417
HOW CAN YOU EVER
FORGIVE ME?
1550
01:41:02,417 --> 01:41:04,625
YOU ALWAYS LOVED ME
NO MATTER WHAT I DID, RIGHT?
1551
01:41:04,625 --> 01:41:06,458
YEAH.
1552
01:41:06,458 --> 01:41:09,458
MAYBE THAT'S HOW
I LOVE YOU.
1553
01:41:09,458 --> 01:41:10,875
NO MATTER WHAT.
1554
01:41:10,875 --> 01:41:13,458
IT'S THE BEST KIND
OF LOVE, YOU KNOW?
1555
01:41:17,041 --> 01:41:19,166
BUT HOW CAN WE JUST
START ALL OVER AGAIN?
1556
01:41:51,125 --> 01:41:53,792
YOU SEE THERE...
1557
01:41:53,792 --> 01:41:54,667
WE'RE DOING IT.
1558
01:42:00,500 --> 01:42:04,875
SO, UM, WHAT ARE YOU
DOING TONIGHT?
1559
01:42:06,750 --> 01:42:08,083
YOU WANT TO GO OUT?
1560
01:42:08,083 --> 01:42:11,250
[GIGGLES]
YOU'RE CRAZY.
1561
01:42:11,250 --> 01:42:12,875
SOME PEOPLE
NEVER CHANGE.
1562
01:42:14,875 --> 01:42:16,583
HI.
1563
01:42:16,583 --> 01:42:17,834
HI.
1564
01:42:24,750 --> 01:42:26,291
Doug: A YEAR LATER,
1565
01:42:26,291 --> 01:42:27,959
THE IMPOSSIBLE
FINALLY HAPPENED.
1566
01:42:27,959 --> 01:42:29,750
ONE OF THE HOLT BOYS
1567
01:42:29,750 --> 01:42:32,166
MARRIED ONE OF
THE ABBOTT GIRLS.
1568
01:42:32,166 --> 01:42:34,083
WE HAD 2 DAUGHTERS,
1569
01:42:34,083 --> 01:42:36,708
NAMED THE YOUNGEST HELEN...
1570
01:42:36,708 --> 01:42:38,083
AFTER MY MOM.
1571
01:43:18,875 --> 01:43:23,083
♪ ON SPRINGFIELD MOUNTAIN ♪
1572
01:43:23,083 --> 01:43:26,583
♪ THERE DID DWELL ♪
1573
01:43:26,583 --> 01:43:30,667
♪ A HANDSOME YOUTH ♪
1574
01:43:30,667 --> 01:43:34,083
♪ I LOVED HIM WELL ♪
1575
01:43:34,083 --> 01:43:38,291
♪ HE GAVE TO ME ♪
1576
01:43:38,291 --> 01:43:42,083
♪ MY LIFE AND THEN ♪
1577
01:43:42,083 --> 01:43:46,125
♪ HE TOOK IT ALL ♪
1578
01:43:46,125 --> 01:43:50,125
♪ AWAY WITH HIM ♪
1579
01:43:50,125 --> 01:43:54,000
♪ ON SPRINGFIELD MOUNTAIN ♪
1580
01:43:54,000 --> 01:43:57,917
♪ I LOVED YOU WELL ♪
1581
01:43:57,917 --> 01:44:01,667
♪ MORE THAN YOU LOVED ME ♪
1582
01:44:01,667 --> 01:44:05,000
♪ NO MORE TO TELL ♪
1583
01:44:13,625 --> 01:44:17,834
♪ ON SPRINGFIELD MOUNTAIN ♪
1584
01:44:17,834 --> 01:44:21,166
♪ RAIN WILL FALL ♪
1585
01:44:21,166 --> 01:44:25,667
♪ WHERE ONCE YOU LOVED ME ♪
1586
01:44:25,667 --> 01:44:28,917
♪ MOST OF ALL ♪
1587
01:44:28,917 --> 01:44:33,208
♪ MORE THAN THE STARLIGHT ♪
1588
01:44:33,208 --> 01:44:36,667
♪ THOUGH IT IS TRUE ♪
1589
01:44:36,667 --> 01:44:40,750
♪ NEVER AS MUCH ♪
1590
01:44:40,750 --> 01:44:44,250
♪ AS I LOVED YOU ♪
1591
01:44:44,250 --> 01:44:48,708
♪ AS HEARTS GROW COLD ♪
1592
01:44:48,708 --> 01:44:52,708
♪ AND LOVE GROWS OLD ♪
1593
01:44:52,708 --> 01:44:56,291
♪ AND MEMORIES FADE ♪
1594
01:44:56,291 --> 01:45:00,208
♪ IN DISTANT TIME ♪
1595
01:45:00,208 --> 01:45:04,333
♪ YOU LOVE ANOTHER ♪
1596
01:45:04,333 --> 01:45:10,750
♪ AND I NEVER ♪
1597
01:45:10,750 --> 01:45:14,250
♪ WILL HAVE A LOVE ♪
1598
01:45:14,250 --> 01:45:18,166
♪ THAT ONCE WAS MINE ♪
1599
01:45:42,417 --> 01:45:46,250
♪ ON SPRINGFIELD MOUNTAIN ♪
1600
01:45:46,250 --> 01:45:50,250
♪ I LOVED YOU WELL ♪
1601
01:45:50,250 --> 01:45:54,083
♪ MORE THAN YOU LOVED ME ♪
1602
01:45:54,083 --> 01:45:57,917
♪ NO MORE TO TELL ♪
1603
01:45:57,917 --> 01:46:01,750
♪ MORE THAN THE STARLIGHT ♪
1604
01:46:01,750 --> 01:46:05,208
♪ GOD KNOWS IT'S TRUE ♪
1605
01:46:05,208 --> 01:46:09,250
♪ NEVER AS MUCH ♪
1606
01:46:09,250 --> 01:46:13,458
♪ AS I LOVED YOU ♪
1607
01:46:13,458 --> 01:46:18,041
♪ NEVER AS MUCH ♪
1608
01:46:18,041 --> 01:46:27,625
♪ AS I LOVED YOU ♪
98603
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