Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:17,365 --> 00:00:19,497
It's a medium, God damn it.
2
00:00:22,805 --> 00:00:24,502
It ain't gonna fit me.
3
00:00:28,376 --> 00:00:29,725
-Look at that.
4
00:00:30,508 --> 00:00:32,423
Oh, it's exactly--
5
00:00:32,467 --> 00:00:34,382
It's exactly what I have,
but it's a medium,
6
00:00:34,425 --> 00:00:36,079
I don't think
it's gonna fit.
7
00:00:36,123 --> 00:00:38,212
-You need a large?
-Yeah, minimum.
8
00:00:41,128 --> 00:00:43,260
I can't wear a shirt
unless it has a stain on it.
9
00:00:43,304 --> 00:00:45,610
If you wear a shirt that
doesn't have a stain on it,
10
00:00:45,654 --> 00:00:46,742
it's not a shirt.
11
00:00:49,701 --> 00:00:52,313
One of the biggest problems
I have is my memory.
12
00:00:54,706 --> 00:00:56,317
I just wanna forget everything.
13
00:00:58,275 --> 00:00:59,450
Unfortunately, I can't.
14
00:01:01,583 --> 00:01:03,541
-You raised her--
-The past haunts me.
15
00:01:05,848 --> 00:01:08,416
Do these animals
deserve the same protections
16
00:01:08,459 --> 00:01:11,288
given to other species?
17
00:01:11,332 --> 00:01:13,508
Or should they just
be left to die?
18
00:01:17,729 --> 00:01:19,340
These creatures
were here before us.
19
00:01:22,299 --> 00:01:24,649
I guess Netflix
is doing the thing on Jurassic.
20
00:01:26,999 --> 00:01:28,349
They want to hear
the real story.
21
00:01:29,741 --> 00:01:31,917
Not a revisionist history
version.
22
00:01:34,355 --> 00:01:36,096
We're in "C" Theater
23
00:01:36,139 --> 00:01:39,838
at 3210 Kerner Boulevard,
San Rafael, California,
24
00:01:39,882 --> 00:01:41,318
the old ILM facility.
25
00:01:42,798 --> 00:01:44,365
In this theater
is where we projected
26
00:01:44,408 --> 00:01:46,323
every single one of the shots
27
00:01:46,367 --> 00:01:47,977
that we knew was gonna change
the entire film industry.
28
00:01:53,765 --> 00:01:57,160
When the T-Rex took a step,
you had a secondary jiggle.
29
00:01:57,204 --> 00:01:59,336
So, I had separate channels
of animation
30
00:01:59,380 --> 00:02:01,295
of literally
a digital bladder
31
00:02:01,730 --> 00:02:03,514
hung off
the hierarchy of the leg,
32
00:02:03,558 --> 00:02:05,386
so it shook on the bone.
33
00:02:05,429 --> 00:02:07,083
So, if the bladder shook,
34
00:02:07,127 --> 00:02:09,607
the outside control vertices
shook as well.
35
00:02:09,651 --> 00:02:11,261
So, every time
the Rex took a step,
36
00:02:11,305 --> 00:02:13,307
you had to have
a massive amount of shake
37
00:02:13,350 --> 00:02:15,004
of this muscle.
38
00:02:15,047 --> 00:02:16,527
A lot of people
are always referring back to it
39
00:02:16,571 --> 00:02:18,616
being the best
of all the Jurassics.
40
00:02:18,660 --> 00:02:19,922
And now, what is it?
41
00:02:19,965 --> 00:02:21,750
World domination
of everything--
42
00:02:21,793 --> 00:02:23,882
I mean the "Giganotosaurus",
that's the latest one.
43
00:02:23,926 --> 00:02:25,710
It was like three times
the size of the Rex.
44
00:02:25,754 --> 00:02:28,017
"It is?
Oh, I better go see the sequel."
45
00:02:28,060 --> 00:02:30,715
Why don't they just merge
Star Wars and Jurassic
together
46
00:02:30,759 --> 00:02:32,761
and come up
with one big mega movie?
47
00:02:32,804 --> 00:02:34,632
You know,
it's like dinosaurs in space
48
00:02:34,676 --> 00:02:36,286
and everyone's shooting
each other, you know?
49
00:02:42,684 --> 00:02:44,555
I'm naive, I guess,
50
00:02:44,599 --> 00:02:45,948
when it comes
to a lot of stuff.
51
00:02:48,472 --> 00:02:50,170
And you get burned, y'know.
52
00:02:52,302 --> 00:02:53,390
You get burned.
53
00:02:57,133 --> 00:02:59,179
Things are so simple now,
right?
54
00:03:01,877 --> 00:03:03,400
Looking back
at the ILM days,
55
00:03:03,444 --> 00:03:05,359
it's almost like
it was a weird dream.
56
00:03:08,710 --> 00:03:11,278
Even though I was using
machines as a tool back then,
57
00:03:12,453 --> 00:03:14,281
I myself
was stuck in a machine.
58
00:03:16,108 --> 00:03:18,198
And this whole thing
about blind curiosity,
59
00:03:18,241 --> 00:03:19,677
trying to, A,
prove it yourself,
60
00:03:19,721 --> 00:03:21,375
and B, you know,
61
00:03:21,418 --> 00:03:23,768
prove it to the world,
you can do something.
62
00:03:23,812 --> 00:03:24,900
Little did I know...
63
00:03:26,162 --> 00:03:27,555
y'know, I created a monster.
64
00:03:30,601 --> 00:03:32,603
And joining me now
in the studio
65
00:03:32,647 --> 00:03:34,779
is the chief animator
at Lucasfilm, Steve Williams.
66
00:03:34,823 --> 00:03:37,260
George Lucas' Industrial Light
and Magic Company,
67
00:03:37,304 --> 00:03:39,044
the folks who provided
special effects
68
00:03:39,088 --> 00:03:40,916
for Star Wars,
is going commercial.
69
00:03:40,959 --> 00:03:42,918
These hummingbirds
are not real.
70
00:03:42,961 --> 00:03:45,703
Animator Steve Williams
sketches out a line drawing
71
00:03:45,747 --> 00:03:47,662
on a computer screen.
72
00:03:47,705 --> 00:03:49,446
It was never
Steve's intention to combine
73
00:03:49,490 --> 00:03:51,709
his classical animation
training with computers,
74
00:03:51,753 --> 00:03:53,842
but now colleagues marvel,
75
00:03:53,885 --> 00:03:56,279
they've never seen anyone
create life so realistically.
76
00:03:56,323 --> 00:03:58,325
It was not biotechnology
77
00:03:58,368 --> 00:04:01,241
that brought the dinosaurs
to life inJurassic Park.
78
00:04:01,284 --> 00:04:03,025
Animator Steve Williams
79
00:04:03,068 --> 00:04:05,288
used a computer
to bring the T-Rex to life.
80
00:04:05,332 --> 00:04:07,290
The Universal Studios picture
81
00:04:07,334 --> 00:04:09,901
could generate as much
as $50 million this weekend.
82
00:04:09,945 --> 00:04:11,686
Other studios
in town will not open
83
00:04:11,729 --> 00:04:13,514
any of their pictures
against it.
84
00:04:13,557 --> 00:04:15,211
Williams
is one of the hottest
85
00:04:15,255 --> 00:04:16,778
computer animators
in Hollywood.
86
00:04:16,821 --> 00:04:18,432
Spreading his message
87
00:04:18,475 --> 00:04:19,694
that computer animation
is about art,
88
00:04:19,737 --> 00:04:21,086
not technology.
89
00:04:24,002 --> 00:04:26,004
I mean, is there anything
that worries you about this?
90
00:04:26,048 --> 00:04:27,963
Oh, yeah,
I-- I think it's pretty--
91
00:04:28,006 --> 00:04:29,921
I-- I don't think
it's a good thing, but it's--
92
00:04:29,965 --> 00:04:31,488
Well, so, you're sort of
like Dr. Frankenstein.
93
00:04:43,021 --> 00:04:45,894
Everybody thinks that
chaos is completely random.
94
00:04:47,504 --> 00:04:49,071
There is no such thing
as random.
95
00:04:50,725 --> 00:04:52,596
Every single variable
is calculatable.
96
00:04:53,728 --> 00:04:55,947
And math
is nothing but a language
97
00:04:55,991 --> 00:04:58,994
to try and describe
what nature already knows.
98
00:05:02,302 --> 00:05:03,955
We're so steeped
in the rules...
99
00:05:05,522 --> 00:05:08,960
so when you think differently,
you're seen as a heretic.
100
00:05:09,004 --> 00:05:14,052
♪
101
00:05:22,409 --> 00:05:24,628
I know I was different,
you know, I-- I knew it.
102
00:05:25,847 --> 00:05:27,065
I've always been different.
103
00:05:29,024 --> 00:05:32,027
I had visions about
how things are gonna be...
104
00:05:33,245 --> 00:05:35,683
and not should be,
but just are going to be.
105
00:05:37,641 --> 00:05:39,774
Especially about,
you know, synthetic imagery.
106
00:05:40,775 --> 00:05:43,168
Here's a low-resolution data
of the T-Rex,
107
00:05:43,212 --> 00:05:44,735
and most of these points here
108
00:05:44,779 --> 00:05:46,607
where each one
of the bones were.
109
00:05:46,650 --> 00:05:48,130
Jurassic Park storyboards.
110
00:05:48,739 --> 00:05:51,742
"SS approved" means
Steven Spielberg approved.
111
00:05:51,786 --> 00:05:53,614
Chase scene four.
112
00:05:53,657 --> 00:05:55,572
75 frames. Took me four months
to animate this shot.
113
00:05:57,748 --> 00:06:00,490
Here's somebody
that was fundamental
114
00:06:00,534 --> 00:06:03,580
at that time,
in-- in, uh, the-- the,
115
00:06:03,624 --> 00:06:07,497
um, progress of this
disruptive technology.
116
00:06:08,063 --> 00:06:10,587
But, the way
that I know him now,
117
00:06:10,631 --> 00:06:12,328
he mainly likes to blacksmith,
118
00:06:12,372 --> 00:06:13,982
and we end up hanging out
in the shop
119
00:06:14,025 --> 00:06:16,506
because he likes
to get his hands dirty,
120
00:06:16,550 --> 00:06:17,638
just like I do.
121
00:06:18,508 --> 00:06:19,814
We all called him Spaz.
122
00:06:20,292 --> 00:06:22,469
Now, calling
Steve Williams "Spaz,"
123
00:06:22,512 --> 00:06:24,645
was, uh, a nickname,
124
00:06:24,688 --> 00:06:27,648
like, that giant guy
in high school
125
00:06:27,691 --> 00:06:29,780
that everybody called Tiny.
126
00:06:29,824 --> 00:06:31,782
Hey, Spaz,
my, how you doing, buddy?
127
00:06:31,826 --> 00:06:35,177
That character
with the pocket protector
128
00:06:35,220 --> 00:06:38,485
and the thick glasses,
he was the opposite.
129
00:06:39,486 --> 00:06:42,358
Here was a motorcycle-riding,
130
00:06:42,402 --> 00:06:45,317
leather-jacket-wearing guy,
131
00:06:45,361 --> 00:06:47,189
who's the first one
that I ever met,
132
00:06:47,232 --> 00:06:48,320
that was an artist,
133
00:06:48,364 --> 00:06:49,974
who had computer
134
00:06:50,018 --> 00:06:52,412
and high-mathematical skills.
135
00:06:53,369 --> 00:06:57,155
Like Michelangelo took corpses
and dissected them,
136
00:06:57,199 --> 00:07:01,203
Spaz is a guy who kind of
dissected life a little bit.
137
00:07:01,246 --> 00:07:03,379
I was just amazed
by how things worked.
138
00:07:03,988 --> 00:07:05,773
My whole life I was driven by
how things work.
139
00:07:06,730 --> 00:07:09,429
Cartoons deviated
from the rules
140
00:07:09,472 --> 00:07:11,039
of the way nature operates.
141
00:07:11,605 --> 00:07:13,650
It was sort of
questioning convention.
142
00:07:14,303 --> 00:07:16,784
-You're questioning reality.
143
00:07:16,827 --> 00:07:18,612
Good he's got that
going for me.
144
00:07:18,655 --> 00:07:20,135
Got that going at me.
145
00:07:20,178 --> 00:07:21,441
Sheridan College
in Toronto.
146
00:07:22,180 --> 00:07:23,660
All of us are misfits.
147
00:07:24,400 --> 00:07:26,446
We didn't think
conventionally.
148
00:07:26,489 --> 00:07:28,404
We're these, like,
these strange artists.
149
00:07:28,970 --> 00:07:31,407
I decided to take
classical animation.
150
00:07:31,451 --> 00:07:33,409
Then, I took
computer engineering,
151
00:07:33,453 --> 00:07:35,019
University of Toronto.
152
00:07:35,063 --> 00:07:37,326
Then I joined a company
in Toronto called Alias,
153
00:07:37,369 --> 00:07:39,676
using computers
to do animation.
154
00:07:39,720 --> 00:07:41,504
No one really thought about it
that way.
155
00:07:42,113 --> 00:07:43,550
They thought it
for data processing,
156
00:07:43,593 --> 00:07:44,681
they didn't really
think about it
157
00:07:44,725 --> 00:07:45,900
for actually animating.
158
00:07:46,596 --> 00:07:48,816
I was attempting to try
and replicate the real world
159
00:07:48,859 --> 00:07:50,295
in a synthetic environment.
160
00:07:51,122 --> 00:07:53,211
There were very few people
in the world that knew Alias,
161
00:07:53,255 --> 00:07:55,910
three-dimensional
computer graphics back in 1988.
162
00:07:56,650 --> 00:07:58,652
I was working on a system
called the "CIWS,"
163
00:07:58,695 --> 00:08:00,828
it was a Gatling gun that,
for the most part,
164
00:08:00,871 --> 00:08:02,743
sat on Iowa-class
battleships.
165
00:08:03,744 --> 00:08:05,180
The simulation
I was working,
166
00:08:05,223 --> 00:08:06,964
had the fluorocarbon
cooling system.
167
00:08:07,748 --> 00:08:09,793
ILM,
Industrial Light Magic,
168
00:08:09,837 --> 00:08:11,621
got wind
that there was somebody
169
00:08:11,665 --> 00:08:13,231
that actually knew something
about fluid dynamics.
170
00:08:14,319 --> 00:08:15,973
They're working on a movie
171
00:08:16,017 --> 00:08:18,280
where there's a water creature.
172
00:08:18,323 --> 00:08:20,108
Now, you see
water doing things
173
00:08:20,151 --> 00:08:22,502
all the time,
but back in the day,
174
00:08:22,545 --> 00:08:24,547
you said, "Well, it's gonna be
water that comes alive,
175
00:08:24,591 --> 00:08:26,418
and then the face
comes out of the water."
176
00:08:27,245 --> 00:08:28,508
People would just blank out.
177
00:08:29,726 --> 00:08:32,381
It was a big question mark
for everybody.
178
00:08:32,424 --> 00:08:34,426
What Jim had seen
in computer graphics
179
00:08:34,470 --> 00:08:35,819
up to that point,
180
00:08:35,863 --> 00:08:37,299
was all the other
prior films
181
00:08:37,342 --> 00:08:38,909
that had used
computer graphics,
182
00:08:38,953 --> 00:08:40,563
like Last Starfighter,
and Tron,
183
00:08:40,607 --> 00:08:42,304
and even
Young Sherlock Holmes.
184
00:08:43,087 --> 00:08:45,263
CG had
an artificiality to it.
185
00:08:46,351 --> 00:08:49,659
We were looking
for a photo-real thing.
186
00:08:49,703 --> 00:08:52,096
His previous films,
Terminatorand Aliens,
187
00:08:52,140 --> 00:08:54,925
they were about
thrills and action.
188
00:08:56,797 --> 00:09:00,278
They were not about just
a straight sense of wonder.
189
00:09:01,323 --> 00:09:03,368
He really wanted to
show that he could do that.
190
00:09:04,500 --> 00:09:07,459
We clearly needed
additional talent
191
00:09:07,503 --> 00:09:10,027
and we found
Steve Williams.
192
00:09:11,376 --> 00:09:14,118
The quality was paramount.
193
00:09:14,162 --> 00:09:15,772
If we were gonna be successful,
194
00:09:15,816 --> 00:09:18,079
this stuff had to be
not just good enough,
195
00:09:18,122 --> 00:09:20,429
it had to be great,
it had to be convincing,
196
00:09:20,472 --> 00:09:22,039
it had to be something
197
00:09:22,083 --> 00:09:25,216
that ultimately
no one had ever seen before.
198
00:09:26,696 --> 00:09:28,480
So I ended up
at Industrial Light Magic,
199
00:09:28,524 --> 00:09:31,614
and I got hired
in October of 1988
200
00:09:31,658 --> 00:09:33,529
to be Chief Animator
on The Abyss.
201
00:09:34,878 --> 00:09:36,358
We had two machines,
202
00:09:36,401 --> 00:09:39,187
Silicon Graphics GT60
and a GT80.
203
00:09:39,840 --> 00:09:41,276
The first thing I had to do
204
00:09:41,319 --> 00:09:43,670
was figure out
how to animate the spine
205
00:09:43,713 --> 00:09:44,801
of the pseudopod.
206
00:09:45,672 --> 00:09:47,282
"The Water Weenie"
was the nickname.
207
00:09:48,239 --> 00:09:49,414
Everyone's looking at us.
208
00:09:50,154 --> 00:09:51,721
If we fail,
209
00:09:51,765 --> 00:09:53,070
it would have been
a tremendous setback.
210
00:09:55,116 --> 00:09:57,379
I was the first Ph.D.
at ILM
211
00:09:57,422 --> 00:09:59,120
in the subject
of computer graphics.
212
00:10:00,077 --> 00:10:01,731
We didn't have
a lot office space,
213
00:10:01,775 --> 00:10:03,864
but I got put in this thing
called "The Pit,"
214
00:10:04,995 --> 00:10:06,867
which was downstairs
and was a sound room.
215
00:10:06,910 --> 00:10:09,565
And we turned it into this
kind of wild, wacky office.
216
00:10:10,740 --> 00:10:12,612
Spaz was put down there too.
217
00:10:13,874 --> 00:10:16,485
My first impression,
he walks in,
218
00:10:16,528 --> 00:10:19,009
he's got, like,
a tight, white t-shirt,
219
00:10:19,053 --> 00:10:20,924
crew cut,
Dudley Do-Right chin,
220
00:10:20,968 --> 00:10:22,622
old school jeans
rolled up at the bottom,
221
00:10:22,665 --> 00:10:23,797
and wearing engineer boots.
222
00:10:24,449 --> 00:10:27,452
It-- it's, like,
a '50s biker thing
223
00:10:27,496 --> 00:10:29,498
or, you know,
this kind of strange,
224
00:10:29,541 --> 00:10:31,326
macho Canadian thing
or who knows what.
225
00:10:31,369 --> 00:10:33,110
There's this fucking
hippie and I'm thinking,
226
00:10:33,154 --> 00:10:34,721
"Ah, God damned fucking hippie,
227
00:10:34,764 --> 00:10:37,462
God damned Californian,"
you know?
228
00:10:37,506 --> 00:10:38,812
And he's got his feet
on the desk
229
00:10:38,855 --> 00:10:40,814
and playing on the stereo
230
00:10:40,857 --> 00:10:43,120
Alice Cooper,
"Love it to Death."
231
00:10:43,164 --> 00:10:46,733
That's the first fucking
album I ever had and he goes,
232
00:10:46,776 --> 00:10:48,299
"That's the first album
I ever had."
233
00:10:48,343 --> 00:10:50,084
And that was it. Game over.
234
00:10:50,693 --> 00:10:52,477
We hit it off right away.
235
00:10:52,521 --> 00:10:54,131
I mean, it's funny, even though
we're very different,
236
00:10:54,175 --> 00:10:55,480
we like to have fun.
237
00:10:56,264 --> 00:10:58,527
Have fun, be fun.
That was our motto.
238
00:10:59,397 --> 00:11:01,138
We were outsiders,
239
00:11:01,182 --> 00:11:04,098
only because we had this
technical animation solution,
240
00:11:04,141 --> 00:11:05,708
but we hadn't really worked
on films.
241
00:11:06,622 --> 00:11:08,493
My job, you know,
242
00:11:08,537 --> 00:11:10,234
was to try and figure out
the nuance of the animation.
243
00:11:11,453 --> 00:11:13,542
Mark had come up
with this code
244
00:11:13,585 --> 00:11:15,762
that allowed us to put
little sine wave distributions
245
00:11:15,805 --> 00:11:17,546
over the surface
to create a rippling effect.
246
00:11:18,286 --> 00:11:20,288
How to take surfaces
and make them undulate
247
00:11:20,331 --> 00:11:21,942
like they're water,
even though they're tubes,
248
00:11:21,985 --> 00:11:23,683
that was a big pain in the ass.
249
00:11:24,205 --> 00:11:26,120
We had to just find solutions.
250
00:11:26,729 --> 00:11:29,123
Jim sent us back scans
251
00:11:29,166 --> 00:11:31,038
with the video we had
252
00:11:31,081 --> 00:11:33,649
just drawing on it
with a marker, he faxed them.
253
00:11:33,693 --> 00:11:36,260
Ultimately,
we were able to accomplish
254
00:11:36,304 --> 00:11:37,914
what Jim was looking for.
255
00:11:38,654 --> 00:11:40,961
Cameron had said,
had that scene failed,
256
00:11:41,004 --> 00:11:42,919
he would've just yanked it
from the entire film.
257
00:11:43,615 --> 00:11:45,400
But it ended being
one of the premiere scenes.
258
00:11:45,879 --> 00:11:47,054
Everybody looked at it
and went,
259
00:11:47,097 --> 00:11:48,708
"How in blazes was that done?"
260
00:11:49,360 --> 00:11:50,710
And that's
where the deal changed.
261
00:11:53,364 --> 00:11:56,019
I knew darn well
this would be the best
262
00:11:56,063 --> 00:11:57,542
that I would ever do.
263
00:11:57,586 --> 00:11:58,630
Ever.
264
00:11:59,893 --> 00:12:01,416
I just knew
that there wasn't gonna be
265
00:12:01,459 --> 00:12:03,331
any more creative hurdles,
266
00:12:03,374 --> 00:12:05,725
there wouldn't be anything
like what we were doing at ILM.
267
00:12:08,728 --> 00:12:10,904
When you grow up in Canada,
it's like...
268
00:12:12,644 --> 00:12:15,299
you grow up
with eight colors, okay?
269
00:12:16,431 --> 00:12:19,477
So, you have to learn
how to design and draw,
270
00:12:19,521 --> 00:12:20,914
and paint
with these eight colors.
271
00:12:20,957 --> 00:12:22,567
When you come to the States,
272
00:12:22,611 --> 00:12:24,308
you're instantly,
across the border,
273
00:12:24,352 --> 00:12:25,788
given 20 colors.
274
00:12:32,012 --> 00:12:33,796
It blows your bloody mind.
275
00:12:33,840 --> 00:12:36,799
You can have a '65 Cadillac
without any rust on it.
276
00:12:36,843 --> 00:12:39,236
Engines, gas,
277
00:12:39,280 --> 00:12:42,718
bullets, beer, everything,
just like that, snap.
278
00:12:42,762 --> 00:12:44,372
Everything's
a half an hour away.
279
00:12:44,415 --> 00:12:46,374
It's great.
It's like being in Disneyland.
280
00:12:47,592 --> 00:12:50,117
One, one gun,
ah, ah, ah, ah.
281
00:12:52,772 --> 00:12:55,644
In America,
anybody can do anything.
282
00:12:56,297 --> 00:12:58,734
All you have to do
is put in the dedication
283
00:12:58,778 --> 00:13:00,301
and the sweat,
284
00:13:00,344 --> 00:13:01,563
and you can get
whatever you fucking want.
285
00:13:02,956 --> 00:13:04,827
That concept
didn't exist in Canada.
286
00:13:06,220 --> 00:13:07,699
Growing up in Toronto,
287
00:13:09,397 --> 00:13:11,007
you're growing up
in suppression.
288
00:13:12,052 --> 00:13:13,967
You're growing up
in bureaucracy.
289
00:13:14,750 --> 00:13:17,144
You are not qualified
to do this.
290
00:13:18,493 --> 00:13:19,799
The prime minister
at the time
291
00:13:19,842 --> 00:13:21,017
was a guy named
Pierre Trudeau.
292
00:13:21,583 --> 00:13:23,063
And Pierre Trudeau said,
293
00:13:23,106 --> 00:13:24,151
"If you don't like it here
in Canada,
294
00:13:24,194 --> 00:13:25,630
move somewhere else."
295
00:13:25,674 --> 00:13:27,589
So, I said,
"Okay, fine. I'm gonna."
296
00:13:28,111 --> 00:13:29,199
And I did.
297
00:13:31,462 --> 00:13:33,334
So, this is
the original mousepad
298
00:13:33,377 --> 00:13:36,424
that I used
to build Terminator 2.
299
00:13:37,599 --> 00:13:41,081
I was there so much
I ended up wearing out the pad.
300
00:13:42,560 --> 00:13:43,648
Pretty funny, eh?
301
00:13:46,173 --> 00:13:48,262
The pseudopod sequence
was a validation
302
00:13:48,305 --> 00:13:50,699
that this was a technique
that had a lot of promise.
303
00:13:51,874 --> 00:13:54,572
But it took Jim Cameron
on his next film,
304
00:13:54,616 --> 00:13:57,227
Terminator 2, to kind of
take it to the next step
305
00:13:57,271 --> 00:13:59,229
of what you could do
with it.
306
00:14:04,278 --> 00:14:07,716
The Abyss encouraged me
to take it a step further,
307
00:14:07,759 --> 00:14:09,022
or many steps further.
308
00:14:09,065 --> 00:14:10,980
He knew to try and push it.
309
00:14:11,024 --> 00:14:13,113
And that was the good thing
about Cameron, he pushed it.
310
00:14:13,156 --> 00:14:14,766
He believed in it,
311
00:14:14,810 --> 00:14:16,333
even though he didn't know
the technology
312
00:14:16,377 --> 00:14:18,814
or the technique
and he let myself and Spaz
313
00:14:18,858 --> 00:14:20,468
and everyone run with it.
314
00:14:23,688 --> 00:14:26,474
Everyone's neck
was on the line, including his.
315
00:14:28,084 --> 00:14:30,043
The biggest
technical challenge
316
00:14:30,086 --> 00:14:33,176
was building a human in data,
it hadn't been done before.
317
00:14:33,220 --> 00:14:36,092
Robert Patrick
is the T-1000.
318
00:14:36,136 --> 00:14:37,615
We're gonna study his body,
319
00:14:37,659 --> 00:14:39,269
we're gonna watch
his movements,
320
00:14:39,313 --> 00:14:41,576
we're gonna find a way
to capture his quality.
321
00:14:42,229 --> 00:14:44,057
There was
no motion capture back then.
322
00:14:44,100 --> 00:14:46,146
So, Mark and I thought
323
00:14:46,189 --> 00:14:48,452
"Okay, well, let's do
what Muybridge had done."
324
00:14:48,496 --> 00:14:51,586
Put a grid,
but not on the background.
325
00:14:52,456 --> 00:14:53,588
Put a grid on the guy.
326
00:14:54,894 --> 00:14:56,417
The day I got cast,
327
00:14:56,460 --> 00:14:59,942
I'm flown
to wherever the hell ILM is.
328
00:15:00,769 --> 00:15:04,773
Spaz and Mark start to paint
these grids over me...
329
00:15:06,340 --> 00:15:08,908
and I had no idea
what the fuck they were doing.
330
00:15:08,951 --> 00:15:11,388
Pardon my language, but,
you know, they're animators,
331
00:15:11,432 --> 00:15:13,086
I don't know
what they're doing, but they--
332
00:15:13,129 --> 00:15:14,826
they seem real interested
in what I'm doing.
333
00:15:14,870 --> 00:15:17,177
All right,
oh, man, oh, man.
334
00:15:17,220 --> 00:15:19,614
-I'm one of the biggest--
-No, no, you're not.
335
00:15:19,657 --> 00:15:21,877
Yes, I am.
I could have been a T-1000.
336
00:15:21,921 --> 00:15:24,184
You can only pray
to have lines like that.
337
00:15:24,227 --> 00:15:26,012
I think
that's the only time
338
00:15:26,055 --> 00:15:27,665
I ever seen you with a smile,
Robert, huh?
339
00:15:27,709 --> 00:15:29,972
He's out of character.
340
00:15:30,016 --> 00:15:33,149
Mark and Steve
were so inquisitive
341
00:15:33,193 --> 00:15:34,977
about what was I thinking,
342
00:15:35,021 --> 00:15:37,197
where was I getting
these ideas?
343
00:15:37,240 --> 00:15:38,894
If you're my target now,
344
00:15:38,938 --> 00:15:40,940
my left leg and my hip
would drop back,
345
00:15:40,983 --> 00:15:43,246
my hip would lead me,
and then the target's there.
346
00:15:43,290 --> 00:15:44,987
Gotcha.
347
00:15:45,031 --> 00:15:45,901
Immediately,
it clicked with that.
348
00:15:46,597 --> 00:15:48,556
We had, like,
our own theory,
349
00:15:48,599 --> 00:15:51,428
our own T-1000 talk,
our own jargon.
350
00:15:52,473 --> 00:15:54,736
And they were kinda close
to my age.
351
00:15:54,779 --> 00:15:56,651
And I could tell
they were young and eager,
352
00:15:56,694 --> 00:15:59,697
trying to make a name
for themselves as well.
353
00:16:02,048 --> 00:16:04,746
We were all
pretty passionate.
354
00:16:05,660 --> 00:16:07,183
And I remember thinking,
355
00:16:07,227 --> 00:16:09,098
"T-2 man,
it's a whole 'nother level up."
356
00:16:10,447 --> 00:16:12,058
The walk out of the fire,
357
00:16:12,972 --> 00:16:16,279
the first unveiling
of the special powers
358
00:16:16,323 --> 00:16:17,977
the T-1000 had.
359
00:16:20,588 --> 00:16:22,416
The first take I did,
I went in there
360
00:16:22,459 --> 00:16:24,026
and I could smell
my shirt burning.
361
00:16:24,070 --> 00:16:25,897
And I could feel it
on the back of my ears.
362
00:16:25,941 --> 00:16:27,508
My ears were getting singed.
363
00:16:28,204 --> 00:16:29,553
The first shot I had to do
364
00:16:29,597 --> 00:16:31,381
was CC1
walking out of the fire.
365
00:16:31,425 --> 00:16:33,296
There was 375 frames long,
366
00:16:33,340 --> 00:16:35,472
fully skin walking T-1000.
367
00:16:36,125 --> 00:16:37,735
I remember shooting that,
368
00:16:37,779 --> 00:16:39,259
and I remember
everybody being frustrated.
369
00:16:39,302 --> 00:16:41,261
I remember me
being very frustrated,
370
00:16:41,304 --> 00:16:43,002
because I thought
I was fucking it up
371
00:16:43,045 --> 00:16:44,960
for everybody.
372
00:16:45,004 --> 00:16:47,049
I think we did like 27 takes
or something, I don't know.
373
00:16:47,919 --> 00:16:49,530
I do remember that day,
374
00:16:49,573 --> 00:16:52,489
Jim and I sitting somewhere
in that canal,
375
00:16:52,533 --> 00:16:53,925
off to the side
in the shade.
376
00:16:54,709 --> 00:16:57,016
I think he could sense
at how frustrated I was
377
00:16:58,321 --> 00:17:02,195
and he said, "Hey, man,
this has never been done.
378
00:17:03,761 --> 00:17:05,198
We're making movie history.
379
00:17:06,982 --> 00:17:08,418
This is history right now."
380
00:17:10,464 --> 00:17:11,900
At ILM,
381
00:17:11,943 --> 00:17:13,119
we shot all this
great reference material
382
00:17:13,162 --> 00:17:14,294
of Robert Patrick walking.
383
00:17:15,599 --> 00:17:17,993
I'd come up with a method
to actually build the T-1000.
384
00:17:18,472 --> 00:17:19,690
Okay, ready to roll camera?
385
00:17:20,430 --> 00:17:22,302
All right,
roll "B" camera.
386
00:17:22,345 --> 00:17:23,433
Action!
387
00:17:24,565 --> 00:17:26,219
I started with a set of bones.
388
00:17:27,089 --> 00:17:31,050
Spaz, he actually
animated my skeletal system.
389
00:17:34,096 --> 00:17:36,098
So it operates
like any standard puppet,
390
00:17:36,142 --> 00:17:37,752
it's got 30 channels to it
391
00:17:37,795 --> 00:17:39,623
that go from anywhere
from controlling
392
00:17:39,667 --> 00:17:41,451
the speed of his legs
393
00:17:41,495 --> 00:17:43,236
to the speed
of what his fingers are doing.
394
00:17:43,279 --> 00:17:44,933
This is really
the first successful step
395
00:17:44,976 --> 00:17:46,804
to adding real life
396
00:17:46,848 --> 00:17:49,416
to an otherwise inanimate
piece of geometry.
397
00:17:49,459 --> 00:17:51,418
We are destined to do that
or nothing.
398
00:17:51,461 --> 00:17:53,811
We knew that other people
had come so far,
399
00:17:53,855 --> 00:17:55,683
we wanted to go beyond that.
400
00:17:56,945 --> 00:17:58,425
Once that shot happened,
that was it.
401
00:17:59,469 --> 00:18:00,557
Everybody knew.
402
00:18:02,429 --> 00:18:03,865
That was a new beginning.
403
00:18:05,649 --> 00:18:06,998
ILM was evolving.
404
00:18:08,391 --> 00:18:12,613
If you're lucky,
you will find a place to go
405
00:18:12,656 --> 00:18:15,746
where they will continue
to subsidize your insanity.
406
00:18:15,790 --> 00:18:18,488
Stories that wanted to be told
ten years ago
407
00:18:18,532 --> 00:18:20,490
couldn't really be told
408
00:18:20,534 --> 00:18:22,449
because there was limitations
in the effects industry.
409
00:18:22,492 --> 00:18:24,407
You know, so...
410
00:18:24,451 --> 00:18:26,583
Every time we did something
that became better and digital,
411
00:18:26,627 --> 00:18:29,369
more experts moved in,
that we'd never seen before.
412
00:18:30,370 --> 00:18:31,675
More managers moved in.
413
00:18:32,633 --> 00:18:34,591
More people to tell you
what you were doing wrong,
414
00:18:34,635 --> 00:18:35,723
even though
they didn't even understand
415
00:18:35,766 --> 00:18:36,854
what you were doing.
416
00:18:37,551 --> 00:18:39,857
Many folks,
particularly in the beginning,
417
00:18:39,901 --> 00:18:42,599
didn't embrace it,
nor did they feel, like,
418
00:18:42,643 --> 00:18:45,167
they had the capability
to embrace it.
419
00:18:45,863 --> 00:18:47,691
You didn't want
to lose your job
420
00:18:47,735 --> 00:18:49,302
to anything that was new.
421
00:18:50,085 --> 00:18:52,435
Right away, we knew,
"This is coming."
422
00:18:53,044 --> 00:18:54,785
A lot of people
were terrified by it,
423
00:18:54,829 --> 00:18:56,744
"It's gonna put model makers
out of work."
424
00:18:56,787 --> 00:18:58,789
It was a live conversation
happening all the time
425
00:18:58,833 --> 00:18:59,834
'cause it was a threat.
426
00:19:00,530 --> 00:19:02,184
That's how we saw it.
427
00:19:02,228 --> 00:19:04,839
So not only did they not want
to embrace them,
428
00:19:04,882 --> 00:19:06,928
they actually
wanted to see them fail,
429
00:19:06,971 --> 00:19:08,147
in my opinion.
430
00:19:09,583 --> 00:19:11,498
But, this was the future.
431
00:19:11,541 --> 00:19:13,282
And I just started
buying gear.
432
00:19:13,326 --> 00:19:15,154
Throwing money into digital.
433
00:19:15,763 --> 00:19:17,591
Now, we started hiring.
434
00:19:17,634 --> 00:19:20,811
And we needed to hire people
to do Terminator 2.
435
00:19:20,855 --> 00:19:22,465
On The Abyss,
436
00:19:22,509 --> 00:19:24,250
there were probably
seven or eight, um,
437
00:19:24,293 --> 00:19:25,947
computer graphics artists.
438
00:19:25,990 --> 00:19:27,514
And by the time
we got to Terminator
439
00:19:27,557 --> 00:19:29,994
it had grown to around 15.
440
00:19:31,039 --> 00:19:33,084
We were kind of new
to this whole field.
441
00:19:33,128 --> 00:19:35,217
We were inventing
it as we went along.
442
00:19:36,131 --> 00:19:38,481
I went into ILM
my first day,
443
00:19:38,525 --> 00:19:41,441
and they crack open a binder
full of storyboards,
444
00:19:41,484 --> 00:19:43,182
and I'm turning
through the pages
445
00:19:43,225 --> 00:19:44,705
and looking at one thing
and saying,
446
00:19:44,748 --> 00:19:46,881
"Oh, well,
how are we gonna do that?"
447
00:19:47,360 --> 00:19:49,362
And they said,
"Oh, we don't know yet."
448
00:19:50,101 --> 00:19:52,016
I turn a few more pages
and look at something else
449
00:19:52,060 --> 00:19:53,583
and,
"Oh, how do we do that?"
450
00:19:54,323 --> 00:19:55,803
"We don't know."
451
00:19:55,846 --> 00:19:57,848
And I thought,
"You people are crazy."
452
00:19:58,849 --> 00:20:01,069
What I knew
was geometry and animation,
453
00:20:01,112 --> 00:20:02,679
and a little bit
about lighting.
454
00:20:02,723 --> 00:20:04,290
I didn't know anything
about compositing,
455
00:20:04,333 --> 00:20:05,726
I certainly
didn't know anything
456
00:20:05,769 --> 00:20:07,336
about traditional
special effects.
457
00:20:07,380 --> 00:20:08,685
I wasn't even
a big movie buff, really.
458
00:20:09,469 --> 00:20:12,689
I had no training
in film whatsoever.
459
00:20:13,299 --> 00:20:14,822
Not a single day
of film school.
460
00:20:15,518 --> 00:20:18,478
Every filmmaker who wanted
to do something new,
461
00:20:18,521 --> 00:20:19,696
came to ILM.
462
00:20:19,740 --> 00:20:22,264
But, doing traditional effects,
463
00:20:22,308 --> 00:20:24,353
blowing things up
in camera,
464
00:20:24,397 --> 00:20:26,225
and then optically
printing them
465
00:20:26,268 --> 00:20:28,488
was very much
still the norm back then.
466
00:20:29,053 --> 00:20:30,707
As the manager of the company,
467
00:20:30,751 --> 00:20:32,927
what I really needed to do
is foster change,
468
00:20:32,970 --> 00:20:35,669
so I needed to take some of
the computer graphics people
469
00:20:35,712 --> 00:20:38,585
and put them in
with the old school masters.
470
00:20:39,194 --> 00:20:41,501
And I carved out,
like, a week of time
471
00:20:41,544 --> 00:20:43,894
of these people
to be together in a seminar
472
00:20:43,938 --> 00:20:45,505
so that
they could teach each other.
473
00:20:49,683 --> 00:20:53,208
It was like oil and water.
474
00:20:53,252 --> 00:20:55,732
And this is, uh,
C-3PO, huh, you know.
475
00:20:56,255 --> 00:20:58,169
The computer graphics people
476
00:20:58,213 --> 00:21:00,955
that were being hired
had very little time,
477
00:21:00,998 --> 00:21:03,827
nor interest,
in old school technology.
478
00:21:03,871 --> 00:21:06,047
And let's see how
his vital signs are.
479
00:21:06,090 --> 00:21:08,005
Well, after all these years
he still holds up.
480
00:21:08,049 --> 00:21:09,398
It was like, you know,
481
00:21:09,442 --> 00:21:11,313
your high school students
saying,
482
00:21:11,357 --> 00:21:12,880
"Why do I have to study math?
I don't need to study.
483
00:21:12,923 --> 00:21:14,534
I have this thing,
it's a calculator."
484
00:21:15,622 --> 00:21:18,755
We all loved ILM
and we loved George Lucas
485
00:21:18,799 --> 00:21:20,279
and we loved all that stuff
486
00:21:20,322 --> 00:21:21,671
'cause it had an impact
on our lives.
487
00:21:21,715 --> 00:21:24,892
But, we weren't,
like, mad fanboys.
488
00:21:24,935 --> 00:21:27,547
We believed in kind of
the irony of it all, you know?
489
00:21:27,590 --> 00:21:29,810
So, it wasn't, like,
to be taken so seriously,
490
00:21:29,853 --> 00:21:32,247
it wasn't, like, uh, uh,
491
00:21:32,291 --> 00:21:34,293
we wanted to deify
or worship all these things.
492
00:21:34,336 --> 00:21:36,164
So, we were-- First of all,
we were casual about it.
493
00:21:37,339 --> 00:21:39,298
Hello, how are you?
494
00:21:39,341 --> 00:21:41,387
My name's Dobbie,
Dobbie Dickwit.
495
00:21:41,430 --> 00:21:43,345
Steve Williams
was a combination
496
00:21:43,389 --> 00:21:47,915
of brilliance, naivete,
some childishness,
497
00:21:47,958 --> 00:21:50,744
all wrapped
into one package.
498
00:21:50,787 --> 00:21:52,485
And I think, uh,
499
00:21:52,528 --> 00:21:55,966
some of that rubbed management
the wrong way.
500
00:21:56,010 --> 00:21:57,751
He drove me crazy.
501
00:21:57,794 --> 00:21:59,492
He drove everybody crazy
in that marketing department
502
00:21:59,535 --> 00:22:01,407
'cause he did not do
what we wanted him to do.
503
00:22:01,972 --> 00:22:04,279
And he almost had,
like, a secret glee,
504
00:22:04,323 --> 00:22:06,063
by not doing
what we wanted him to do.
505
00:22:07,543 --> 00:22:09,763
If you're gonna have
a successful company
506
00:22:09,806 --> 00:22:11,504
with creative people in it,
507
00:22:11,547 --> 00:22:15,769
you gotta give some leeway
to these unusual types.
508
00:22:15,812 --> 00:22:19,642
They are young,
full of energy,
509
00:22:19,686 --> 00:22:22,950
and some of them
are oddballs.
510
00:22:22,993 --> 00:22:25,082
Well, hi there,
I am Hickory, I own this farm.
511
00:22:25,126 --> 00:22:26,693
-Nice to meet you.
-Ow!
512
00:22:26,736 --> 00:22:29,260
Let go
you fucking asshole.
513
00:22:30,827 --> 00:22:32,612
There was a lot
of serious work there,
514
00:22:32,655 --> 00:22:34,701
but there was also
a lot of nonsense.
515
00:22:34,744 --> 00:22:36,920
And you have to have
a lot of nonsense
516
00:22:36,964 --> 00:22:40,097
to actually get
creative stuff done.
517
00:22:40,141 --> 00:22:43,100
It's part of the equation.
518
00:22:44,319 --> 00:22:45,973
We would have these parties
519
00:22:46,016 --> 00:22:47,714
called "pit parties."
520
00:22:47,757 --> 00:22:49,498
We hung up fliers
all around the company,
521
00:22:49,542 --> 00:22:52,414
it said, "Nailed, an evening
of social penetration."
522
00:23:00,727 --> 00:23:02,946
We had two big bowls,
523
00:23:02,990 --> 00:23:04,818
"Mystic Masonic Punch,"
524
00:23:04,861 --> 00:23:06,863
and "Our Lady
of the Berry Wine."
525
00:23:07,908 --> 00:23:10,301
There are people running around
drunk out of their heads.
526
00:23:11,607 --> 00:23:13,479
There's really no guidelines
527
00:23:13,522 --> 00:23:15,263
or no established standards
528
00:23:15,306 --> 00:23:17,091
of how we were supposed
to behave
529
00:23:17,134 --> 00:23:19,354
or what we're supposed to do
or not do.
530
00:23:19,398 --> 00:23:21,530
So, there were certain drugs
were consumed,
531
00:23:21,574 --> 00:23:23,402
and, well,
I took some mushrooms
532
00:23:23,445 --> 00:23:25,447
and watched some black
and white movie in reverse.
533
00:23:26,274 --> 00:23:27,884
The fact
that they were down there
534
00:23:27,928 --> 00:23:29,582
in the pit, they could let off
a lot of steam.
535
00:23:30,234 --> 00:23:32,933
Steve would have a hockey stick
and he'd be bashing something.
536
00:23:33,803 --> 00:23:35,370
I end up falling off the desk
537
00:23:35,414 --> 00:23:36,850
and falling
into a pile of glass.
538
00:23:37,677 --> 00:23:39,069
I didn't have any feeling
for a while.
539
00:23:39,940 --> 00:23:41,724
I was suspended twice,
540
00:23:41,768 --> 00:23:43,465
because we fucking
destroyed the place.
541
00:23:45,815 --> 00:23:47,513
You needed to allow people
542
00:23:47,556 --> 00:23:50,951
to make mistakes
and experiment.
543
00:23:51,821 --> 00:23:54,563
You also needed to allow them
to understand
544
00:23:54,607 --> 00:23:55,956
that it was a business.
545
00:23:57,044 --> 00:23:58,872
There was a lot
of politics at the time
546
00:23:58,915 --> 00:24:00,874
because it was
a high-profile film.
547
00:24:00,917 --> 00:24:02,484
In The Abyss,
548
00:24:02,528 --> 00:24:04,225
you know,
there was a small sequence.
549
00:24:04,268 --> 00:24:05,835
James Cameron
had basically said,
550
00:24:05,879 --> 00:24:08,403
"If this does not get done
on schedule,
551
00:24:08,447 --> 00:24:10,318
I can just cut it out."
552
00:24:10,361 --> 00:24:12,973
Now, for Terminator 2,
it was pretty clear
553
00:24:13,016 --> 00:24:16,063
that if computer graphics
didn't work out,
554
00:24:16,106 --> 00:24:17,194
that would be a problem.
555
00:24:18,021 --> 00:24:19,806
So, the pressure was on.
556
00:24:19,849 --> 00:24:22,373
Somehow, everybody around us
just had to trust us.
557
00:24:23,113 --> 00:24:24,506
If the studio
was about to spend
558
00:24:24,550 --> 00:24:26,508
five or six million dollars,
559
00:24:26,552 --> 00:24:29,076
they want somebody
that's got some cred, right?
560
00:24:29,119 --> 00:24:30,686
Not us young punks.
561
00:24:30,730 --> 00:24:32,862
For a group
of computer graphics people
562
00:24:32,906 --> 00:24:34,647
who are trying
to prove themselves,
563
00:24:34,690 --> 00:24:37,258
you had to have a face for that,
and that was Dennis.
564
00:24:38,607 --> 00:24:41,567
Dennis Muren
looms big over everything.
565
00:24:42,176 --> 00:24:43,612
He is Optimus Prime.
566
00:24:44,395 --> 00:24:45,832
Dennis had all the experience
567
00:24:45,875 --> 00:24:47,834
and such great credentials.
568
00:24:47,877 --> 00:24:49,531
He was the leader
of the pack.
569
00:24:49,575 --> 00:24:51,533
He was the guy
with the most gold statues,
570
00:24:51,577 --> 00:24:53,317
he was the guy that was still
standing in there the longest.
571
00:24:53,361 --> 00:24:55,276
He was the guy.
572
00:24:55,319 --> 00:24:57,452
Computer generated images
are a way of coming up
573
00:24:57,496 --> 00:24:58,888
with new effects.
574
00:24:58,932 --> 00:25:00,673
You're starting to see,
I think,
575
00:25:00,716 --> 00:25:03,197
a lot of the limits
of traditional effects.
576
00:25:03,240 --> 00:25:04,546
So, I've all the time,
577
00:25:04,590 --> 00:25:05,895
been sort of pushing
for this stuff to work.
578
00:25:06,635 --> 00:25:08,507
Dennis not only supported
579
00:25:08,550 --> 00:25:11,553
digital technology,
but embraced it and pressed it.
580
00:25:12,119 --> 00:25:14,556
He always,
I think, is looking big picture
581
00:25:14,600 --> 00:25:16,645
and understands
how all the elements fit.
582
00:25:17,341 --> 00:25:19,430
He could look at an image,
"It's not working."
583
00:25:19,474 --> 00:25:20,780
He's the kind of guy
that could say
584
00:25:20,823 --> 00:25:22,303
what'll make it work.
585
00:25:22,346 --> 00:25:23,783
And that's a big, big talent.
586
00:25:24,958 --> 00:25:26,437
He's one of the best.
587
00:25:26,481 --> 00:25:28,091
That's why
he's so well respected
588
00:25:28,135 --> 00:25:29,223
and won so many awards.
589
00:25:30,616 --> 00:25:33,314
He had the vision
to see where it could go,
590
00:25:33,357 --> 00:25:37,057
but the specifics
of making it go there,
591
00:25:37,100 --> 00:25:38,928
as far as the actual doing,
592
00:25:38,972 --> 00:25:40,713
fell, somewhat,
to other people.
593
00:25:41,583 --> 00:25:43,454
You know, hierarchies
being what they are,
594
00:25:43,498 --> 00:25:47,328
at some point you find yourself
now reporting to someone
595
00:25:47,371 --> 00:25:48,808
who knows less than you do
596
00:25:48,851 --> 00:25:51,027
about what it is
that you're doing.
597
00:25:51,854 --> 00:25:54,596
Dennis comes
from a camera background.
598
00:25:54,640 --> 00:25:56,467
He knows that area really well,
599
00:25:56,511 --> 00:25:59,514
but he was relying,
certainly, on us computer geeks
600
00:25:59,558 --> 00:26:01,516
to try
and bolt everything together
601
00:26:01,560 --> 00:26:02,735
and get the shots through.
602
00:26:03,649 --> 00:26:06,739
There's no one person
who can know or do everything
603
00:26:06,782 --> 00:26:10,569
and, so, you have to rely
on people who have expertise.
604
00:26:10,612 --> 00:26:14,007
If you're smart,
you get into that organization,
605
00:26:14,050 --> 00:26:17,097
you play by the rules,
you make connections,
606
00:26:17,140 --> 00:26:19,882
but you have to have
a bit of humility.
607
00:26:20,883 --> 00:26:23,930
The Spaz-Dippé
personality style
608
00:26:23,973 --> 00:26:25,279
I don't think fit.
609
00:26:26,367 --> 00:26:28,325
They had
more of a punk sensibility.
610
00:26:28,978 --> 00:26:30,371
The way they liked to dress
611
00:26:30,414 --> 00:26:32,242
and the way
they liked to do things
612
00:26:32,286 --> 00:26:35,028
was not the norm at ILM.
613
00:26:35,071 --> 00:26:37,421
There were several times
when they almost got fired
614
00:26:37,465 --> 00:26:39,859
During the making
of Terminator 2
615
00:26:39,902 --> 00:26:41,991
there was a dinner.
616
00:26:42,513 --> 00:26:44,080
And it's at Skywalker Ranch.
617
00:26:44,559 --> 00:26:45,952
The ranch was sort of verboten.
618
00:26:46,517 --> 00:26:49,346
We were sort of,
like, the bastard step-children
619
00:26:49,390 --> 00:26:51,610
that lived on Kerner
and ate at Foodles.
620
00:26:52,654 --> 00:26:55,178
Mark and I
are invited to the ranch.
621
00:26:56,092 --> 00:26:58,617
We ride our motorcycles
up Skywalker Ranch.
622
00:26:59,226 --> 00:27:01,402
We park them on the front,
like, 25 motorcycles.
623
00:27:02,011 --> 00:27:04,579
This office building
is a house.
624
00:27:04,623 --> 00:27:06,886
We went
into the executive dining room.
625
00:27:06,929 --> 00:27:09,149
The food's being served.
These two guys get bored
626
00:27:09,192 --> 00:27:11,107
and they decide
to get up and take a walk.
627
00:27:11,151 --> 00:27:12,848
We're just walkin'
around the house.
628
00:27:12,892 --> 00:27:15,329
And then at the very end,
there's a little, like,
629
00:27:15,372 --> 00:27:17,113
sunken den.
630
00:27:17,157 --> 00:27:19,942
They found their way
to George's private sanctum,
631
00:27:19,986 --> 00:27:22,510
the anteroom
to his actual office.
632
00:27:22,553 --> 00:27:24,555
And they walk into the office
and they sit down--
633
00:27:24,599 --> 00:27:27,950
Smoking cigars,
into George's liquor cabinet,
634
00:27:27,994 --> 00:27:29,822
feet up on the desk.
635
00:27:29,865 --> 00:27:33,173
Now, unbeknownst to us,
everything is alarmed.
636
00:27:33,216 --> 00:27:35,001
They have pressure sensitive
carpets up there.
637
00:27:35,044 --> 00:27:36,698
And all of a sudden,
out of nowhere,
638
00:27:36,742 --> 00:27:39,222
the Skywalker police show up.
639
00:27:39,266 --> 00:27:41,747
Skywalker had their own police
and fire department.
640
00:27:41,790 --> 00:27:43,574
"What's going on here?
Who are you?"
641
00:27:43,618 --> 00:27:45,576
"What are you doing?
You're in George Lucas' office."
642
00:27:45,620 --> 00:27:47,448
They had done the unthinkable!
643
00:27:47,491 --> 00:27:51,408
They had actually gone in
and defouled the chambers!
644
00:27:51,452 --> 00:27:53,541
Spaz says,
"Well, my name is Scott Ross."
645
00:27:54,194 --> 00:27:56,718
Dippé gave his name
as Lincoln Hu,
646
00:27:56,762 --> 00:27:58,807
which caused
a certain amount of chagrin
647
00:27:58,851 --> 00:28:00,591
for the real Lincoln Hu.
648
00:28:00,635 --> 00:28:02,376
Lincoln Hu's one of
the only other Asian guys
649
00:28:02,419 --> 00:28:03,769
I can think of, even though
I'm only half Asian.
650
00:28:03,812 --> 00:28:05,553
And the security guy said,
651
00:28:05,596 --> 00:28:07,555
"We know who Scott Ross is.
What's your name?"
652
00:28:07,598 --> 00:28:10,950
And Spaz says, "You got me,
my name's Ed Jones."
653
00:28:11,515 --> 00:28:13,517
So, the next morning
the call comes in.
654
00:28:13,561 --> 00:28:15,258
"What the hell
did you guys do?"
655
00:28:15,302 --> 00:28:16,869
"We didn't do anything,
we were screwing around!"
656
00:28:16,912 --> 00:28:18,174
"Well, they think
you did something
657
00:28:18,218 --> 00:28:19,785
and you're in deep shit."
658
00:28:19,828 --> 00:28:21,612
I go, "Like what?"
"They want you fired."
659
00:28:21,656 --> 00:28:22,701
"What?"
660
00:28:23,223 --> 00:28:24,920
Doug Norby.
661
00:28:24,964 --> 00:28:26,879
Doug Norby was the head
of Lucas Film at the time.
662
00:28:26,922 --> 00:28:28,358
My arch nemesis.
663
00:28:28,402 --> 00:28:30,143
He calls me on the phone
and he says,
664
00:28:30,186 --> 00:28:33,146
"George is beside himself
and I want you to fire
665
00:28:33,189 --> 00:28:35,148
Lincoln Hu and Ed Jones."
666
00:28:35,191 --> 00:28:36,932
I said, "Well, first of all,
it wasn't Lincoln Hu
667
00:28:36,976 --> 00:28:38,629
and it wasn't Ed Jones,
668
00:28:38,673 --> 00:28:41,023
it was Steve Williams
and it was Mark Dippé."
669
00:28:41,067 --> 00:28:43,112
He says,
"George wants them fired."
670
00:28:44,200 --> 00:28:45,419
I said,
"I can't fire them."
671
00:28:46,115 --> 00:28:47,551
"Listen,
this is what George wants,
672
00:28:47,595 --> 00:28:49,553
-he wants them fired."
-Okay.
673
00:28:49,597 --> 00:28:50,903
Let me just put you
in the picture.
674
00:28:51,381 --> 00:28:53,470
If I fire these two guys,
675
00:28:53,514 --> 00:28:55,168
Jim Cameron
676
00:28:55,211 --> 00:28:58,693
and the entire
Columbia Legal Department
677
00:28:58,737 --> 00:29:01,043
is gonna be in your office
tomorrow
678
00:29:01,087 --> 00:29:04,568
because these two guys
are what makes Terminator 2.
679
00:29:05,613 --> 00:29:08,834
And if I fire the two of them,
the film doesn't get done
680
00:29:08,877 --> 00:29:10,313
and you're gonna be sued.
681
00:29:11,532 --> 00:29:13,099
"Okay,
let me get back to you."
682
00:29:13,142 --> 00:29:15,231
-"Thanks, Doug." Click.
-Damn it! You know?
683
00:29:15,754 --> 00:29:18,321
So, what they had to do
is they had to figure out
684
00:29:18,365 --> 00:29:19,845
how to penalize us.
685
00:29:19,888 --> 00:29:20,802
So, what happened
was we had to sit
686
00:29:20,846 --> 00:29:21,934
on a tribunal.
687
00:29:21,977 --> 00:29:23,500
Me and Mark on one side
688
00:29:23,544 --> 00:29:25,764
and all the head brass
of Lucas Film.
689
00:29:26,373 --> 00:29:28,505
They're asking us
the weirdest fucking questions
690
00:29:28,549 --> 00:29:30,116
in the world,
they're going,
691
00:29:30,159 --> 00:29:31,900
"If you're having a party
at your house,
692
00:29:31,944 --> 00:29:34,598
and you see that people
have gone into your bedroom
693
00:29:34,642 --> 00:29:36,296
during the party,
would you be offended?"
694
00:29:36,339 --> 00:29:38,167
I said, "No!
Are you kidding me?"
695
00:29:38,211 --> 00:29:39,516
They're-- I said,
"At my parties,
696
00:29:39,560 --> 00:29:40,822
everyone's in the bedroom!"
697
00:29:41,344 --> 00:29:44,695
This-- We-- we-- we--
This is ridiculous.
698
00:29:44,739 --> 00:29:46,959
Mark and I go,
"Look, we'll quit right now."
699
00:29:47,002 --> 00:29:49,570
We said we'll quit.
"Oh, no, no, no."
700
00:29:49,613 --> 00:29:51,180
"They can stay,
701
00:29:51,224 --> 00:29:53,704
but they are banned
from the ranch.
702
00:29:53,748 --> 00:29:56,577
They are no longer allowed
on the ranch."
703
00:29:56,620 --> 00:29:59,841
From that moment on,
they were persona non grata
704
00:29:59,885 --> 00:30:01,625
at the ranch.
705
00:30:01,669 --> 00:30:03,976
Lincoln Hu
winds up getting a phone call
706
00:30:04,019 --> 00:30:05,847
and it's Doug Norby.
707
00:30:05,891 --> 00:30:08,676
"I know it wasn't you,
I know it was the other guys
708
00:30:08,719 --> 00:30:10,765
and I'm really sorry
that I used your name,
709
00:30:10,809 --> 00:30:14,290
but I really wanna thank you
for the plate of cookies
710
00:30:14,334 --> 00:30:15,683
that you sent me."
711
00:30:15,726 --> 00:30:17,859
And Lincoln says, "Doug,
712
00:30:17,903 --> 00:30:21,167
I wouldn't eat any of those
cookies if I was you."
713
00:30:25,171 --> 00:30:27,129
I'm Roger Ebert
of theChicago Sun Times.
714
00:30:27,173 --> 00:30:28,914
And I'm Gene Siskel
of theChicago Tribune
715
00:30:28,957 --> 00:30:30,829
and our first film
isTerminator 2.
716
00:30:32,178 --> 00:30:34,136
Thanks to some
truly spectacular
717
00:30:34,180 --> 00:30:35,790
and mystifying
special effects,
718
00:30:35,834 --> 00:30:37,357
this is one terrific
action picture.
719
00:30:37,400 --> 00:30:38,837
I enjoyed it a lot more
than the original.
720
00:30:39,663 --> 00:30:41,013
It hit the press big.
721
00:30:41,578 --> 00:30:43,015
Tons of publicity and stuff.
722
00:30:43,972 --> 00:30:45,104
Accolades.
723
00:30:46,061 --> 00:30:47,889
No one had ever seen
anything like it before.
724
00:30:48,977 --> 00:30:51,284
Mark Dippé and I,
we were like these superstars.
725
00:30:52,241 --> 00:30:54,200
The press was crazy.
726
00:30:54,243 --> 00:30:56,985
Dennis and I did
a Timemagazine article
together
727
00:30:57,029 --> 00:30:58,639
and the way it was shown
was like,
728
00:30:58,682 --> 00:31:01,033
uh, the sorcerer
and his young apprentice.
729
00:31:01,860 --> 00:31:04,340
I think Dennis was a supporter
of the idea, but...
730
00:31:05,385 --> 00:31:08,562
you know, he's like--
A-- He was worried.
731
00:31:08,605 --> 00:31:10,042
I didn't go into this show
732
00:31:10,085 --> 00:31:11,870
relying on CG
to be able to do it.
733
00:31:11,913 --> 00:31:13,610
I had a backup plan.
734
00:31:13,654 --> 00:31:16,352
I was ready at any time
to start pulling out the--
735
00:31:16,396 --> 00:31:19,965
To get the model shop going
and getting the foam beam,
736
00:31:20,008 --> 00:31:21,444
you know,
whipped up, and castings
737
00:31:21,488 --> 00:31:23,142
and everything like that
if we had to
738
00:31:23,185 --> 00:31:25,144
and try, you know,
other techniques to do it.
739
00:31:26,101 --> 00:31:28,364
Those guys were working
with limitations.
740
00:31:29,148 --> 00:31:30,714
Technical limitations.
741
00:31:31,454 --> 00:31:33,369
When computer graphics
came along,
742
00:31:34,066 --> 00:31:35,545
we're really trying
to do better
743
00:31:35,589 --> 00:31:36,895
what the guy did before.
744
00:31:38,984 --> 00:31:41,421
Steve really pushed
on everyone.
745
00:31:42,117 --> 00:31:43,466
He knew what we could do
746
00:31:43,510 --> 00:31:44,728
and that we could
push it further.
747
00:31:45,338 --> 00:31:47,209
Maybe that's where
some of the friction came from.
748
00:31:47,818 --> 00:31:49,385
It will be no secret
749
00:31:49,429 --> 00:31:52,867
that Dennis
and Spaz's relationship...
750
00:31:56,305 --> 00:32:00,353
was not always
the friendliest thing.
751
00:32:00,396 --> 00:32:01,963
Oddly enough,
the biggest obstacles
752
00:32:02,007 --> 00:32:04,226
I ran into
were the experts at ILM.
753
00:32:04,270 --> 00:32:07,360
They were the obstacles.
It wasn't the technology.
754
00:32:07,403 --> 00:32:08,752
They were the obstacles.
755
00:32:09,797 --> 00:32:11,494
He was like having
the crazy grandfather
756
00:32:11,538 --> 00:32:13,105
in the room
that was in World War II
757
00:32:13,148 --> 00:32:15,324
and is mumbling stories
about World War II,
758
00:32:15,368 --> 00:32:17,109
but you're supposed
to listen to him
759
00:32:17,152 --> 00:32:18,675
because if you don't, you know,
760
00:32:18,719 --> 00:32:21,504
it's considered
politically incorrect.
761
00:32:21,548 --> 00:32:23,550
The big shift
in your time, I guess,
762
00:32:23,593 --> 00:32:24,986
was from optical to digital
763
00:32:25,030 --> 00:32:26,640
and, so,
you went through, what,
764
00:32:26,683 --> 00:32:28,947
a kind of crisis
or a period of learning?
765
00:32:28,990 --> 00:32:30,861
The credit was given
to the person
766
00:32:30,905 --> 00:32:32,994
that actually didn't even
understand how it was done.
767
00:32:33,038 --> 00:32:34,822
The Abyss just looked amazing
768
00:32:34,865 --> 00:32:36,998
and I thought,
"This is gonna work."
769
00:32:37,042 --> 00:32:39,000
And I don't understand it.
770
00:32:39,044 --> 00:32:41,437
This was such a new technology,
he wouldn't have had any clue.
771
00:32:47,356 --> 00:32:51,056
I got that big van Dam
folly book on CG,
772
00:32:51,099 --> 00:32:54,494
I read that just from front
to back over a period of weeks.
773
00:32:59,064 --> 00:33:00,282
After The Abyss,
774
00:33:00,935 --> 00:33:02,719
he got an Oscar for it.
775
00:33:02,763 --> 00:33:04,547
And I'm here
for Industrial Light and Magic
776
00:33:04,591 --> 00:33:06,201
and thanks everybody
who worked on the show
777
00:33:06,245 --> 00:33:08,160
from up there,
John Knoll and, uh,
778
00:33:08,203 --> 00:33:10,249
everyone in the computer
graphics department.
779
00:33:10,292 --> 00:33:12,294
And thanks so much,
especially to Jim Cameron,
780
00:33:12,338 --> 00:33:13,817
my wife, Zara, and Gregory.
781
00:33:13,861 --> 00:33:15,080
Thank you!
782
00:33:23,566 --> 00:33:26,700
No, I missed that,
uh, where-- What's this?
783
00:33:26,743 --> 00:33:28,745
For The Abyss?
What-- It looks a little soft.
784
00:33:29,659 --> 00:33:32,793
I think in any environment
like that,
785
00:33:32,836 --> 00:33:36,536
you're gonna have some,
uh, jealousy.
786
00:33:37,319 --> 00:33:40,583
Everybody is jockeying
for a position.
787
00:33:41,541 --> 00:33:43,195
But I don't think,
uh, Steve Williams
788
00:33:43,238 --> 00:33:44,805
was jockeying for anything.
789
00:33:45,458 --> 00:33:47,547
He was not a ladder climber.
790
00:33:48,635 --> 00:33:51,029
He just wanted to have fun
and do his art.
791
00:33:52,030 --> 00:33:55,033
He was the one
actually hands-on creating.
792
00:33:56,338 --> 00:33:59,037
He would work late nights
in the pit.
793
00:33:59,515 --> 00:34:00,995
That's when he would focus
the most
794
00:34:01,039 --> 00:34:02,910
and follow his own instincts.
795
00:34:05,130 --> 00:34:06,957
Politically,
you don't see this stuff coming
796
00:34:07,001 --> 00:34:08,698
because you're so engrossed
in what you're doing.
797
00:34:10,526 --> 00:34:12,180
There's always been bureaucracy
798
00:34:12,224 --> 00:34:14,095
and red tape and politics
799
00:34:14,139 --> 00:34:17,098
and there were politics at ILM
back in the day, too.
800
00:34:17,664 --> 00:34:19,796
You know,
there was a big man on campus,
801
00:34:19,840 --> 00:34:20,884
bigger than Steve.
802
00:34:21,711 --> 00:34:24,932
Won numerous Oscars.
803
00:34:24,975 --> 00:34:27,239
I'd like to thank my mom
and John Berg and Phil Tippett
804
00:34:27,282 --> 00:34:29,067
and Ken
and all the camera department.
805
00:34:29,110 --> 00:34:31,112
And thank you very much
to Mike McAllister, uh,
806
00:34:31,156 --> 00:34:33,332
Mike Pangrazio,
and the math department.
807
00:34:33,375 --> 00:34:35,160
I'd very much like to thank
Bruce Nicholson,
808
00:34:35,203 --> 00:34:37,466
Mike McAllister,
Mike Owens.
809
00:34:37,510 --> 00:34:39,164
Well,
thank you to the Academy,
810
00:34:39,207 --> 00:34:41,122
and Steven Spielberg,
George Lucas,
811
00:34:41,166 --> 00:34:43,124
Kathy Kennedy, Frank Marshall,
and Robert Watts.
812
00:34:43,168 --> 00:34:44,865
This is a big thrill.
813
00:34:44,908 --> 00:34:46,649
We'd really like to thank
the Academy,
814
00:34:46,693 --> 00:34:48,477
Joe Dante for doing
his great direction,
815
00:34:48,521 --> 00:34:50,000
Mike Finnell,
of course, Steven Spielberg-
816
00:34:50,044 --> 00:34:51,959
His name was gonna be
at the top,
817
00:34:52,002 --> 00:34:53,439
regardless of all the people
who were working underneath
818
00:34:53,482 --> 00:34:54,614
and there were dozens
and dozens,
819
00:34:54,657 --> 00:34:56,311
Steve was just one of 'em.
820
00:34:56,355 --> 00:34:58,661
Secondly, there's the concept
of, you know,
821
00:34:58,705 --> 00:35:00,663
there's your story,
there's my story,
822
00:35:00,707 --> 00:35:02,100
and there's the story.
823
00:35:02,665 --> 00:35:03,753
I think, you know...
824
00:35:05,146 --> 00:35:08,062
history is written
for the victors.
825
00:35:10,412 --> 00:35:12,632
The Oscar goes to
Dennis Muren,
826
00:35:12,675 --> 00:35:14,851
Stan Winston,
Gene Warren, Jr.,
827
00:35:14,895 --> 00:35:16,375
and Robert Skotak.
828
00:35:16,418 --> 00:35:18,246
Terminator 2:
Judgement Day.
829
00:35:22,163 --> 00:35:24,470
Thanks to, uh, everyone
at Industrial Light and Magic,
830
00:35:24,513 --> 00:35:27,037
and especially my incredible
computer graphic team.
831
00:35:27,081 --> 00:35:30,737
To Janet Healy, Mark Dippé,
my wife, Zara, Gregory,
832
00:35:30,780 --> 00:35:33,914
and Gwendolyn,
and especially Jim Cameron.
833
00:35:44,054 --> 00:35:45,143
He didn't mention me.
834
00:35:47,014 --> 00:35:49,234
I remember I was so mad,
I put my fist through a wall.
835
00:36:08,775 --> 00:36:10,298
I never thought about,
politically,
836
00:36:10,342 --> 00:36:11,734
how to play
this fuckin' chess game.
837
00:36:14,259 --> 00:36:16,348
We were thinking about
creating the art, right?
838
00:36:16,391 --> 00:36:17,566
Creating these ideas.
839
00:36:19,046 --> 00:36:20,526
We weren't thinking about,
840
00:36:20,569 --> 00:36:21,701
"What does
this mean for my future?"
841
00:36:21,744 --> 00:36:25,792
♪
842
00:36:33,626 --> 00:36:35,105
There's always
gonna be a bigger fish
843
00:36:35,149 --> 00:36:36,194
who's gonna get
the credit.
844
00:36:38,457 --> 00:36:39,936
That's how the game is played.
845
00:36:41,851 --> 00:36:42,939
That's life.
846
00:36:44,767 --> 00:36:46,726
If you wanna stay
in the industry,
847
00:36:46,769 --> 00:36:47,857
you gotta play the game.
848
00:36:51,034 --> 00:36:52,297
Steve didn't play that game.
849
00:36:53,733 --> 00:36:55,996
He didn't know how to.
He didn't want to.
850
00:36:59,695 --> 00:37:00,914
That's why he stood out.
851
00:37:03,569 --> 00:37:05,658
You learn a lot
in an environment like that.
852
00:37:05,701 --> 00:37:07,964
Not just about how to do,
853
00:37:08,008 --> 00:37:11,707
what is, ostensibly, your job,
but how it fits with the rest.
854
00:37:14,449 --> 00:37:17,322
Not everybody really fits
that environment
855
00:37:17,844 --> 00:37:20,586
and you function
within this hierarchy.
856
00:37:21,978 --> 00:37:24,590
This is the sort of
through to the bone moment
857
00:37:24,633 --> 00:37:27,549
where you realize,
"Yes, the game is changing."
858
00:37:34,295 --> 00:37:37,690
In June of '91,
this meeting happened
859
00:37:37,733 --> 00:37:40,345
at a place called
Yu Shang across from ILM.
860
00:37:40,997 --> 00:37:42,695
So, Mark Dippé
and I are sitting there
861
00:37:42,738 --> 00:37:45,219
and Dennis Muren's there,
John Schlag's there,
862
00:37:45,263 --> 00:37:48,570
Mike Natkin is there,
Stefen Fangmeier's there.
863
00:37:49,267 --> 00:37:52,008
Muren said Steven Spielberg
is coming up with this new film
864
00:37:52,052 --> 00:37:53,532
based on
Michael Crighton's book
865
00:37:53,575 --> 00:37:54,881
called Jurassic Park.
866
00:37:55,621 --> 00:37:58,754
It's about a bunch of dinosaurs
in a park and it goes awry.
867
00:37:58,798 --> 00:38:00,930
When Jurassicstarted,
868
00:38:00,974 --> 00:38:03,455
there were three
different approaches
869
00:38:03,498 --> 00:38:05,979
in companies
that were going to handle it.
870
00:38:06,022 --> 00:38:09,678
Stan Winston's group would do
the physical creatures,
871
00:38:09,722 --> 00:38:10,897
the close ups.
872
00:38:11,506 --> 00:38:14,335
Phil Tippet's group
would do the medium shots
873
00:38:14,379 --> 00:38:16,642
via stop-motion
where you could see
874
00:38:16,685 --> 00:38:18,470
all the action
of a dinosaur.
875
00:38:19,514 --> 00:38:23,213
And then ILM would do
the far away heard shots.
876
00:38:23,910 --> 00:38:25,259
The long shots.
877
00:38:25,303 --> 00:38:26,826
Oh, they're way over there
878
00:38:26,869 --> 00:38:28,567
and they're only this big
in the frame
879
00:38:28,610 --> 00:38:30,699
and we can get away
with all kinds of cheats.
880
00:38:31,700 --> 00:38:33,354
These are the decisions we made.
881
00:38:33,398 --> 00:38:35,617
Here's where we're going.
This is great.
882
00:38:38,490 --> 00:38:43,669
So, Steve Williams,
Mark Dippé said,
883
00:38:43,712 --> 00:38:45,061
"Why don't we just build
the whole thing
884
00:38:45,105 --> 00:38:46,193
on computer graphics?
885
00:38:46,672 --> 00:38:48,151
Let's just do
the whole thing."
886
00:38:52,895 --> 00:38:54,941
Yeah, that's a tough one, um--
887
00:38:54,984 --> 00:38:56,682
Sure. Yeah, um--
888
00:38:56,725 --> 00:38:59,162
We're all like, uh, okay?
889
00:38:59,206 --> 00:39:00,816
We're ready for this,
we can do this.
890
00:39:00,860 --> 00:39:02,601
-We gotta fuckin' do it.
-Oh, no.
891
00:39:02,644 --> 00:39:04,777
No, no, no, no, no.
Nope. Nope.
892
00:39:04,820 --> 00:39:07,867
Muren, he's just blank.
Like, Orphan Annie eyes.
893
00:39:08,346 --> 00:39:10,870
Fangmeier, he jumped in
right away and said no.
894
00:39:10,913 --> 00:39:13,829
We're in the last stretches
of completing Terminator 2.
895
00:39:13,873 --> 00:39:17,267
We're working 16-hour days,
we're all worn out.
896
00:39:17,311 --> 00:39:19,313
So, I think
we were rather cautious.
897
00:39:19,357 --> 00:39:22,751
The amount of work is so large
and unknowns, so many.
898
00:39:22,795 --> 00:39:25,406
People were being negative.
899
00:39:25,450 --> 00:39:27,974
Now, look,
you've done chrome,
900
00:39:28,017 --> 00:39:29,758
you've done water,
901
00:39:29,802 --> 00:39:31,412
but you've never done anything
living, breathing.
902
00:39:31,456 --> 00:39:34,197
The liquid metal,
poly alloy Terminator
903
00:39:34,241 --> 00:39:36,635
was simpler than a dinosaur.
904
00:39:36,678 --> 00:39:38,506
We knew
we'd never done it before.
905
00:39:38,550 --> 00:39:39,986
Even The Abyss,
I'd never done that before,
906
00:39:40,029 --> 00:39:41,727
but I said I could do it.
907
00:39:41,770 --> 00:39:43,032
T2, same thing,
I'd never done it before,
908
00:39:43,076 --> 00:39:44,556
but I said I could do it.
909
00:39:44,599 --> 00:39:46,340
Steve Williams
and Mark Dippé
910
00:39:46,384 --> 00:39:48,386
knew that the time
was right.
911
00:39:48,429 --> 00:39:49,648
They could just see it.
912
00:39:50,170 --> 00:39:53,129
The opportunity was there,
they wanted to seize it.
913
00:39:53,173 --> 00:39:56,437
And I think other people
was like "Whoa, that's--
914
00:39:56,481 --> 00:39:58,831
No, we're not going
into this whole new realm."
915
00:40:00,659 --> 00:40:04,140
The powers that be
were just so concerned.
916
00:40:05,054 --> 00:40:06,969
Phil was definitely a nay-sayer
in the beginning.
917
00:40:08,493 --> 00:40:10,320
I kinda felt it was, like...
918
00:40:11,409 --> 00:40:12,453
the Wild West.
919
00:40:13,759 --> 00:40:15,413
These new guys were coming in.
920
00:40:16,109 --> 00:40:18,677
The young gunslingers,
you know,
921
00:40:18,720 --> 00:40:22,028
it was like, you know,
I can outdraw you.
922
00:40:23,159 --> 00:40:26,554
Phil Tippett,
the enfant terrible
923
00:40:26,598 --> 00:40:28,643
of stop motion visual effects.
924
00:40:29,644 --> 00:40:31,080
He'’s the real deal.
925
00:40:31,646 --> 00:40:34,170
Watching Phil Tippett work,
926
00:40:34,214 --> 00:40:36,216
it was real apparent
real quick
927
00:40:36,259 --> 00:40:37,913
that he was
one of those magic people.
928
00:40:40,133 --> 00:40:41,961
When you have
that much talent
929
00:40:42,004 --> 00:40:44,006
and you have
that much knowledge
930
00:40:44,050 --> 00:40:46,313
and you have
that much work discipline,
931
00:40:46,356 --> 00:40:49,795
it makes you
a sort of super,
932
00:40:49,838 --> 00:40:51,144
uber effects geek.
933
00:40:51,927 --> 00:40:53,189
And that was Phil.
934
00:40:54,843 --> 00:40:56,889
Phil Tippett
and Dennis Muren both worked
935
00:40:56,932 --> 00:41:00,936
at Cascade at the early parts
of their careers.
936
00:41:00,980 --> 00:41:04,462
They worked on Dragon Slayer
together in 1981.
937
00:41:05,680 --> 00:41:07,595
They'’d had a long relationship.
938
00:41:08,988 --> 00:41:11,338
Right from the start,
Dennis was in the position
939
00:41:11,381 --> 00:41:13,296
of having people that he knew
940
00:41:13,340 --> 00:41:15,603
that he wanted to make sure
they were a part of the mix.
941
00:41:17,213 --> 00:41:19,128
Steve knew what we could do,
942
00:41:19,172 --> 00:41:20,390
and that
we could push it further.
943
00:41:21,566 --> 00:41:24,569
I perceived
just a slight amount of,
944
00:41:24,612 --> 00:41:27,223
you know,
competition on their side,
945
00:41:27,267 --> 00:41:29,574
you know,
needing to prove themselves.
946
00:41:29,617 --> 00:41:31,271
That'’s why Phil got mad.
947
00:41:31,314 --> 00:41:33,186
Because we were trying
to do a stop-motion film
948
00:41:33,229 --> 00:41:34,492
using computer graphics.
949
00:41:35,188 --> 00:41:36,842
He led the camp that
950
00:41:36,885 --> 00:41:38,626
that is the wrong road
to go down.
951
00:41:39,975 --> 00:41:41,586
I think from
Dennis'’ point of view,
952
00:41:41,629 --> 00:41:42,804
he was worried.
953
00:41:43,762 --> 00:41:45,590
He'’s, like,
"“Dude, this is a lot different
954
00:41:45,633 --> 00:41:47,026
than liquid metal."”
955
00:41:47,069 --> 00:41:49,115
And then Phil was like,
956
00:41:49,158 --> 00:41:51,770
"“Computer animation,
that'’s the wrong approach."”
957
00:41:52,858 --> 00:41:55,817
The stop-motion footage
was the selected solution.
958
00:41:55,861 --> 00:41:58,733
Full-scale
animatronics with Stan Winston.
959
00:41:58,777 --> 00:42:00,909
That was the approach
that was agreed upon
960
00:42:00,953 --> 00:42:02,520
and that was the road
they were going down.
961
00:42:03,129 --> 00:42:04,826
Everything had been assigned.
962
00:42:04,870 --> 00:42:06,524
Stan'’s doing this,
Phil'’s doing this,
963
00:42:06,567 --> 00:42:07,612
Stan'’s doing this
and that'’s it.
964
00:42:08,090 --> 00:42:09,570
This is the technology
we are using.
965
00:42:09,614 --> 00:42:11,354
There is no room
for a new technology.
966
00:42:19,537 --> 00:42:21,408
There was something
about being told no,
967
00:42:21,451 --> 00:42:25,281
um, you know,
if you'’re rebellious,
968
00:42:25,325 --> 00:42:28,981
you know, "no" is actually
really, um, a fuel for you.
969
00:42:30,069 --> 00:42:33,115
He took it
upon himself to just prove it
970
00:42:33,159 --> 00:42:36,292
and the only way
to prove that is to show it.
971
00:42:36,336 --> 00:42:39,121
Steve, Spaz,
starts by making a skeleton.
972
00:42:42,255 --> 00:42:44,518
I literally did
exactly what I did
973
00:42:44,562 --> 00:42:47,260
with the T-Rex
that I did with the T-1000.
974
00:42:48,348 --> 00:42:50,002
I just built the bones.
975
00:42:50,829 --> 00:42:54,136
I built the damn thing,
secretly, on my own time.
976
00:42:55,224 --> 00:42:57,009
It was a complete act
of rebellion.
977
00:42:58,793 --> 00:43:00,447
I think one of the reasons
they tried to stop
978
00:43:00,490 --> 00:43:02,231
that type of innovation
is because
979
00:43:02,275 --> 00:43:04,625
the visual effects gurus
who didn'’t theorize it,
980
00:43:04,669 --> 00:43:07,323
would be seen
as having egg on their face.
981
00:43:08,498 --> 00:43:09,935
I just believed we could do it.
982
00:43:11,414 --> 00:43:12,851
But actually having to prove it,
983
00:43:13,634 --> 00:43:14,853
that was the challenge.
984
00:43:15,593 --> 00:43:16,724
Because it was all about proof.
985
00:43:18,117 --> 00:43:19,771
I remember
Dennis Muren, actually,
986
00:43:19,814 --> 00:43:22,121
he had heard a rumor
from one of his little
987
00:43:22,164 --> 00:43:23,862
weaselly minions
that I was building
988
00:43:23,905 --> 00:43:25,080
a set of T-Rex bones.
989
00:43:25,907 --> 00:43:27,605
He told me, to my face,
990
00:43:29,171 --> 00:43:31,434
"Don'’t bother trying to build
the T-Rex."
991
00:43:32,305 --> 00:43:33,523
Phil'’s doing it.
992
00:43:34,873 --> 00:43:36,265
I was saying,
"Guys, don'’t do this,
993
00:43:36,309 --> 00:43:38,050
"you know,
Phil-- Phil'’s my buddy,
994
00:43:38,093 --> 00:43:39,878
he'’s got the job
for everything else, you know?
995
00:43:39,921 --> 00:43:41,749
And just let this play out."
996
00:43:41,793 --> 00:43:43,577
That'’s what he said.
That'’s what he said.
997
00:43:43,621 --> 00:43:44,970
And he hadn'’t seen
anything yet.
998
00:43:47,712 --> 00:43:51,629
I don'’t worry
about hardly anything, ever.
999
00:43:54,762 --> 00:43:56,068
Although...
1000
00:43:57,156 --> 00:43:58,984
you know, I'’ve got this anxiety
1001
00:43:59,027 --> 00:44:01,203
that'’s like
the sword of Damocles
1002
00:44:01,247 --> 00:44:02,770
that'’s hanging over my head.
1003
00:44:04,729 --> 00:44:06,426
Sometimes, I just feel like
1004
00:44:07,209 --> 00:44:08,515
something terrible''’s
gonna happen.
1005
00:44:11,300 --> 00:44:13,607
Steve Williams, uh,
1006
00:44:13,651 --> 00:44:17,219
on his own, put together
a Tyrannosaurus skeleton
1007
00:44:17,263 --> 00:44:19,352
and did a walk cycle.
1008
00:44:20,614 --> 00:44:25,880
♪
1009
00:44:30,580 --> 00:44:33,801
I don'’t think
we fully realized...
1010
00:44:35,368 --> 00:44:36,543
how...
1011
00:44:38,980 --> 00:44:41,026
that was going
to change everything.
1012
00:44:41,679 --> 00:44:43,332
It was all secret,
no one knew about it.
1013
00:44:44,943 --> 00:44:46,901
There was a big meeting
that was going to happen.
1014
00:44:47,772 --> 00:44:49,425
Kathleen Kennedy,
1015
00:44:49,469 --> 00:44:52,385
Frank Marshall, Dennis Muren,
and Janet Healy.
1016
00:44:53,255 --> 00:44:55,301
Janet Healy is the producer,
1017
00:44:55,344 --> 00:44:58,260
Dennis Muren is the visual
effects supervisor.
1018
00:44:58,304 --> 00:45:01,133
I looked at it as, like,
"Oh, this is mom and dad."
1019
00:45:01,176 --> 00:45:02,438
They'’re in charge.
1020
00:45:03,831 --> 00:45:06,312
I didn''’t know when the
entourage
was gonna come up,
1021
00:45:06,355 --> 00:45:07,879
but I knew
they were coming up eventually,
1022
00:45:07,922 --> 00:45:09,924
so I got wind of it.
1023
00:45:09,968 --> 00:45:12,579
Frank and Kathy had come in
because Steven couldn'’t come in.
1024
00:45:14,015 --> 00:45:17,062
Kathleen Kennedy was
Steven Spielberg'’s producer.
1025
00:45:17,105 --> 00:45:19,238
Kathleen Kennedy,
Frank Marshall,
1026
00:45:19,281 --> 00:45:21,762
they were gonna come walking in
on a Monday morning
1027
00:45:21,806 --> 00:45:23,808
in November in 1991.
1028
00:45:23,851 --> 00:45:25,505
And I guess
the hard part of that
1029
00:45:25,548 --> 00:45:27,159
was he had to find
a way to get that
1030
00:45:27,202 --> 00:45:29,465
in front of Kathleen Kennedy.
1031
00:45:30,423 --> 00:45:31,772
And he found a way to do that.
1032
00:45:32,860 --> 00:45:34,819
This was not supposed to happen.
1033
00:45:36,255 --> 00:45:38,474
Dennis and Janet, they didn'’t
know it was gonna happen.
1034
00:45:40,172 --> 00:45:41,956
I had a playing on a monitor,
1035
00:45:42,827 --> 00:45:44,654
and everyone came walking in.
1036
00:45:45,830 --> 00:45:47,919
She immediately
sees it right away.
1037
00:45:49,050 --> 00:45:50,269
and she goes, "“What'’s this?"”
1038
00:45:51,879 --> 00:45:53,228
I said,
"“Well, I was just working on
1039
00:45:53,272 --> 00:45:55,448
this walking T-Rex bone thing."”
1040
00:45:59,234 --> 00:46:01,149
Kathleen Kennedy pats me
on the back and goes,
1041
00:46:01,193 --> 00:46:03,238
"“You have a very bright future."”
And that was that.
1042
00:46:04,022 --> 00:46:05,980
That'’s the first
and only time I ever met her.
1043
00:46:06,415 --> 00:46:08,069
I never-- never saw her again.
1044
00:46:09,114 --> 00:46:10,985
That'’s where everything changed.
1045
00:46:11,029 --> 00:46:13,814
Dennis Muren said, "Okay,
this is really interesting.
1046
00:46:13,858 --> 00:46:15,642
I didn'’t know
how close we could get.
1047
00:46:15,685 --> 00:46:17,905
And then eventually
some of the guys did some tests
1048
00:46:17,949 --> 00:46:19,994
on a T-Rex
which came out really great
1049
00:46:20,038 --> 00:46:23,258
and surprised everybody
and then we skinned that.
1050
00:46:23,302 --> 00:46:25,434
All we had at this time was
a skeleton and we were going,
1051
00:46:25,478 --> 00:46:27,219
-"We can do it!"
-Stan Winston is gonna set up
1052
00:46:27,262 --> 00:46:29,525
a five-foot model.
Mark and I cut it up into bits
1053
00:46:30,135 --> 00:46:33,747
and we put it in a cyborg
scanner and scan all the pieces.
1054
00:46:33,791 --> 00:46:35,575
I have to reconstruct
1055
00:46:35,618 --> 00:46:37,838
all the data to have
the proper contour muscles.
1056
00:46:38,491 --> 00:46:41,146
I built the skin version
of the T-Rex.
1057
00:46:41,624 --> 00:46:42,974
It was all working.
1058
00:46:43,409 --> 00:46:45,715
ILM, you know,
largely through Steve Williams,
1059
00:46:45,759 --> 00:46:48,196
Mark Dippé, and, uh,
Stefen Fangmeier
1060
00:46:48,240 --> 00:46:50,459
put together
the first dinosaur tests.
1061
00:46:50,503 --> 00:46:52,287
The film couldn'’t
have happened without them.
1062
00:46:52,331 --> 00:46:53,811
It certainly
couldn'’t have happened
1063
00:46:53,854 --> 00:46:55,725
without Steve'’s
ability to model,
1064
00:46:55,769 --> 00:46:57,162
uh, first the Terminator
and then later the dinosaurs.
1065
00:46:57,205 --> 00:46:58,641
The film, at the same time,
1066
00:46:58,685 --> 00:47:00,339
also was very much
still on track
1067
00:47:00,382 --> 00:47:02,167
to do, uh, stop-motion.
1068
00:47:02,907 --> 00:47:05,083
Back then,
everything that we did
1069
00:47:05,126 --> 00:47:06,519
hadn'’t been done before.
1070
00:47:06,562 --> 00:47:07,694
I mean, certainly,
nobody attempted
1071
00:47:07,737 --> 00:47:09,522
to do dinosaurs before.
1072
00:47:09,565 --> 00:47:14,179
They made a convincing
computer graphic Tyrannosaurus.
1073
00:47:15,267 --> 00:47:17,356
The first fully skinned version.
1074
00:47:17,878 --> 00:47:19,749
And we had it walkin'’.
In daylight.
1075
00:47:20,489 --> 00:47:23,449
Then Dennis and Janet
with Tippett went down
1076
00:47:23,492 --> 00:47:25,843
to Universal to show it
to Steven Spielberg,
1077
00:47:26,626 --> 00:47:27,888
but I wasn'’t
allowed to be there.
1078
00:47:28,802 --> 00:47:30,586
I got a call from Dennis Muren
at ILM,
1079
00:47:30,630 --> 00:47:32,284
who already had the job
1080
00:47:32,327 --> 00:47:33,807
of doing Jurassic Park
with Phil Tippett.
1081
00:47:33,851 --> 00:47:35,504
And Dennis said
that he thought
1082
00:47:35,548 --> 00:47:38,551
that he could
pull off a full-sized dinosaur
1083
00:47:38,594 --> 00:47:40,858
that would be authentic
to the eye.
1084
00:47:40,901 --> 00:47:42,903
Spielberg suddenly went
absolutely insane
1085
00:47:42,947 --> 00:47:45,297
and said everything was gonna
be computer graphics now.
1086
00:47:46,080 --> 00:47:47,081
That'’s the future.
1087
00:47:48,039 --> 00:47:50,737
That'’s the way
it'’s gonna be from now on.
1088
00:48:14,804 --> 00:48:17,590
That first
shot of the Brachiosaurus...
1089
00:48:19,244 --> 00:48:21,681
my jaw dropped,
I had literally--
1090
00:48:27,774 --> 00:48:29,689
And then that wide reveal
1091
00:48:29,732 --> 00:48:31,560
of them all out there
on the plain.
1092
00:48:31,604 --> 00:48:33,649
♪
1093
00:48:37,305 --> 00:48:39,481
That'’s still the one
that gets my heart.
1094
00:48:43,746 --> 00:48:45,661
I swear to God,
it looked like
1095
00:48:45,705 --> 00:48:47,620
National Geographic went back
in a time machine
1096
00:48:47,663 --> 00:48:49,665
and shot real dinosaurs,
and that'’s what I fucking saw.
1097
00:48:49,709 --> 00:48:53,582
Those things looked real
and what they were representing
1098
00:48:53,626 --> 00:48:55,541
was not some sci-fi thing.
1099
00:48:56,846 --> 00:48:58,892
As far as we know,
those things moved around
1100
00:48:58,936 --> 00:49:00,459
like that and that'’s what
they looked like,
1101
00:49:00,502 --> 00:49:02,809
that'’s what they did.
1102
00:49:02,852 --> 00:49:05,203
Jurassic Park took
everybody by surprise.
1103
00:49:05,246 --> 00:49:06,726
Nobody saw that one coming.
1104
00:49:07,814 --> 00:49:10,773
For almost 75 years,
the technology
1105
00:49:10,817 --> 00:49:14,168
and the techniques
were pretty much the same.
1106
00:49:14,212 --> 00:49:17,258
Jurassic, that'’s when
the computers came in.
1107
00:49:20,348 --> 00:49:22,481
That'’s when the tsunami hit.
1108
00:49:24,048 --> 00:49:26,006
Jurassic Park opened tonight
1109
00:49:26,050 --> 00:49:29,009
with predictions that it may be
the biggest hit in years and,
1110
00:49:29,053 --> 00:49:30,663
like any great event,
1111
00:49:30,706 --> 00:49:32,447
people are camped out
to be part of it.
1112
00:49:32,491 --> 00:49:34,232
We got here
about 11 o'’clock this morning.
1113
00:49:34,275 --> 00:49:35,755
11:00
this morning for what show?
1114
00:49:35,798 --> 00:49:38,018
Uh, the 10:45 tomorrow morning.
1115
00:49:38,062 --> 00:49:42,022
That was the turning
point of visual filmmaking.
1116
00:49:42,066 --> 00:49:43,893
People, especially kids,
1117
00:49:43,937 --> 00:49:46,026
- like dinosaurs.
-Jurassic Park!
1118
00:49:46,070 --> 00:49:47,854
Where the giant dinosaurs
live again!
1119
00:49:47,897 --> 00:49:49,464
With all the excitement
1120
00:49:49,508 --> 00:49:51,162
-of the movie!
-Dino damage!
1121
00:49:51,205 --> 00:49:52,685
Only at Jurassic Park!
1122
00:49:53,947 --> 00:49:56,602
The film was supposed
to be a stop-motion film.
1123
00:49:57,646 --> 00:49:59,344
Computer graphics came in
1124
00:49:59,387 --> 00:50:01,476
and completely deposed
all of it.
1125
00:50:02,956 --> 00:50:05,132
It destroyed one thing,
but it begat another.
1126
00:50:06,481 --> 00:50:08,701
I had come up
with this test that--
1127
00:50:08,744 --> 00:50:11,138
It seemed it revolutionized
everything.
1128
00:50:11,182 --> 00:50:13,836
The call came down--
Dennis called me at home
1129
00:50:13,880 --> 00:50:16,796
and said, "I'’m afraid
I have some bad news.
1130
00:50:16,839 --> 00:50:20,017
Steven'’s decided
to do the whole show CG
1131
00:50:20,060 --> 00:50:22,236
and I-- You know,
like the Bombay doors just,
1132
00:50:25,544 --> 00:50:27,111
You know, I saw,
you know, like,
1133
00:50:27,154 --> 00:50:29,026
the-- the end and I--
"Oh, shit,
1134
00:50:29,069 --> 00:50:30,723
now what am I gonna do?
1135
00:50:30,766 --> 00:50:32,594
I thought, because
I was animation supervisor
1136
00:50:32,638 --> 00:50:36,337
on, um, Terminator 2,
which is very successful,
1137
00:50:36,381 --> 00:50:37,904
you know, I was gonna be
1138
00:50:37,947 --> 00:50:38,818
animation supervisor
on Jurassic.
1139
00:50:40,472 --> 00:50:42,648
I literally ambushed them
with the image.
1140
00:50:42,691 --> 00:50:44,563
I thought,
"How much more can I do
1141
00:50:44,606 --> 00:50:46,608
to actually to prove
that I came up with the idea?"
1142
00:50:47,522 --> 00:50:49,872
I thought for sure
it was a slam dunk.
1143
00:50:51,309 --> 00:50:52,919
There was no definition
1144
00:50:52,962 --> 00:50:54,964
about what the jobs were
on Jurassic Park.
1145
00:50:55,791 --> 00:50:57,532
So, I asked Janet Healy,
1146
00:50:57,576 --> 00:50:58,881
I said, "“Well, you know,
what'’s goin' on?
1147
00:50:58,925 --> 00:51:00,666
What'’s my position?"”
1148
00:51:00,709 --> 00:51:02,537
"“You'’re just an animator
on the film."”
1149
00:51:02,581 --> 00:51:05,497
"“What? Who'’s
the animation supervisor?"”
1150
00:51:08,891 --> 00:51:10,589
Dennis,
in all of his brilliance,
1151
00:51:11,633 --> 00:51:13,679
he has a plan B.
1152
00:51:23,210 --> 00:51:24,690
Phil Tippett wanted to actually
1153
00:51:24,733 --> 00:51:26,822
do storyboards
three dimensionally
1154
00:51:26,866 --> 00:51:30,174
with little figures
of dinosaurs and people
1155
00:51:30,217 --> 00:51:33,002
that would completely imitate
my storyboards,
1156
00:51:33,046 --> 00:51:36,310
but flesh out my storyboards
and give them dimension.
1157
00:51:36,354 --> 00:51:38,138
Storyboards don'’t show you
1158
00:51:38,182 --> 00:51:40,749
any of the-- the temporal
cadence, the sequence,
1159
00:51:40,793 --> 00:51:44,318
the timing of it and, uh,
the animatics allowed us
1160
00:51:44,362 --> 00:51:48,017
to-- to block out the entire,
you know, sequence.
1161
00:51:49,715 --> 00:51:52,544
Phil was able
to turn himself
1162
00:51:52,587 --> 00:51:54,502
into the director
of the CGI dinosaurs.
1163
00:51:54,546 --> 00:51:57,940
He knew so much about dinosaurs
and the behavior of animals.
1164
00:51:57,984 --> 00:51:59,899
I go into dailies
at 8:00 AM
1165
00:51:59,942 --> 00:52:02,815
and there'’s Phil Tippett,
who'’s now functioning
1166
00:52:02,858 --> 00:52:05,339
as the animation director
for Jurassic Park.
1167
00:52:09,082 --> 00:52:12,781
Wow! And the Oscar goes to...
1168
00:52:12,825 --> 00:52:15,436
Dennis Muren, Stan Winston,
Phil Tippett,
1169
00:52:15,480 --> 00:52:18,222
and Michael Lantieri
for Jurassic Park !
1170
00:52:18,265 --> 00:52:19,745
♪
1171
00:52:33,367 --> 00:52:35,152
Thanks, ILM.
Thanks, Tippet Studios.
1172
00:52:35,195 --> 00:52:37,328
Thanks, Steven Spielberg.
Thanks Mike--
1173
00:52:54,345 --> 00:52:56,564
I'’ve always believed the people
1174
00:52:56,608 --> 00:52:59,437
that worked on the work
should be acknowledged for it.
1175
00:53:01,265 --> 00:53:04,746
Any time an individual
took an award
1176
00:53:04,790 --> 00:53:07,793
and took the award home
and took the accolades for it,
1177
00:53:07,836 --> 00:53:09,447
to me, it was theft.
1178
00:53:11,405 --> 00:53:13,538
ILM had won
14 Oscars at that time.
1179
00:53:15,757 --> 00:53:17,629
Not one of ''‘em were at ILM.
1180
00:53:19,500 --> 00:53:20,675
Not one!
1181
00:53:22,242 --> 00:53:24,201
So, these guys had
the audacity
1182
00:53:24,244 --> 00:53:27,029
to actually take this piece
of shit home with them
1183
00:53:27,073 --> 00:53:29,989
when it was representing
30 or 40 people.
1184
00:53:31,817 --> 00:53:33,297
Regardless of what they do...
1185
00:53:34,298 --> 00:53:36,735
this is what
their credit is on the film.
1186
00:53:36,778 --> 00:53:38,215
And if it wins an Oscar
1187
00:53:38,258 --> 00:53:39,520
for visual effects,
they get it.
1188
00:53:42,088 --> 00:53:43,350
That'’s the way it works.
1189
00:53:44,656 --> 00:53:46,223
If you point
to any one person
1190
00:53:46,266 --> 00:53:48,050
it couldn'’t have
been done without 'em,
1191
00:53:48,094 --> 00:53:49,878
it probably is Steve,
''‘cause I don'’t know
1192
00:53:49,922 --> 00:53:51,706
that anybody else could'’ve
modeled those dinosaurs,
1193
00:53:51,750 --> 00:53:53,230
I don'’t know
that anybody else could'’ve set
1194
00:53:53,273 --> 00:53:54,535
the standards
for animating them.
1195
00:53:54,579 --> 00:53:55,754
I don'’t know
that we would'’ve even tried.
1196
00:53:59,845 --> 00:54:00,933
I'’m not a diplomat.
1197
00:54:02,630 --> 00:54:03,718
I never have been.
1198
00:54:05,416 --> 00:54:07,766
To a fault,
I'’ve been a very bad diplomat.
1199
00:54:10,116 --> 00:54:12,292
I'’m not political,
I'’m not political,
1200
00:54:12,336 --> 00:54:14,294
I've--
I'’ve never been political.
1201
00:54:14,338 --> 00:54:16,122
Right? I'’m not good at it.
1202
00:54:16,165 --> 00:54:17,471
You know, I-- Look at me,
for fuck'’s sakes,
1203
00:54:17,515 --> 00:54:18,820
man, I look like
fuckin'’ Popeye.
1204
00:54:18,864 --> 00:54:20,518
You know? Fuck.
1205
00:54:20,561 --> 00:54:22,563
After Jurassic,
I did a bunch of interviews
1206
00:54:22,607 --> 00:54:24,696
and stuff like that and I told
the truth about what happened.
1207
00:54:24,739 --> 00:54:26,611
The entire film
ofJurassic was--
1208
00:54:26,654 --> 00:54:27,786
This is Jurassic Park?
1209
00:54:27,829 --> 00:54:28,961
Right.
1210
00:54:37,491 --> 00:54:39,058
I was told not to do it
1211
00:54:39,101 --> 00:54:40,842
by my supervisors and I did it,
you know?
1212
00:54:40,886 --> 00:54:42,366
I built it.
1213
00:54:42,931 --> 00:54:44,585
Dennis Muren
got mad at me a few times.
1214
00:54:45,282 --> 00:54:48,372
He pulled me into
his office and he said,
1215
00:54:48,415 --> 00:54:50,243
"I don'’t know
why you'’re saying all this."
1216
00:54:50,287 --> 00:54:52,201
And then I said, "Well, Dennis,
this is what happened."
1217
00:54:52,245 --> 00:54:55,030
And he goes, "You'’re committing
political suicide."
1218
00:54:55,074 --> 00:54:56,684
That'’s what he told me.
1219
00:54:56,728 --> 00:54:58,686
Steve Williams foresees the day
1220
00:54:58,730 --> 00:55:01,341
when it will be commonplace
for computer generated actors
1221
00:55:01,385 --> 00:55:04,257
to star alongside
real actors.
1222
00:55:04,301 --> 00:55:06,215
I think that you'’ll have
characters acting
1223
00:55:06,259 --> 00:55:09,436
with current famous people, um,
that are computer generated,
1224
00:55:09,480 --> 00:55:11,264
but you'’ll also be able
to introduce characters
1225
00:55:11,308 --> 00:55:14,006
that have been dead
for 50 or 60 years.
1226
00:55:14,049 --> 00:55:15,877
In the future, I mean, it'’s
quite obvious what'’ll happen.
1227
00:55:15,921 --> 00:55:18,489
It will actually scan the actor
in a polygonal data set
1228
00:55:18,532 --> 00:55:19,794
of computer generated data--
1229
00:55:19,838 --> 00:55:21,840
Are they worried
about this?
1230
00:55:21,883 --> 00:55:23,624
-If I was an actor I'’d, uh--
-Actually, SAG,
1231
00:55:23,668 --> 00:55:25,322
the Screen Actors Guild,
is very interested in it.
1232
00:55:25,365 --> 00:55:27,193
Are actors right
to have concerns
1233
00:55:27,236 --> 00:55:28,629
that they'’ll eventually
be phased out all together?
1234
00:55:28,673 --> 00:55:30,805
This will be abused
and-- and--
1235
00:55:30,849 --> 00:55:32,633
and the trick is
for all of us to stand up
1236
00:55:32,677 --> 00:55:34,331
and say,
"No, that'’s wrong,
1237
00:55:34,374 --> 00:55:35,767
This is a violation,
1238
00:55:35,810 --> 00:55:37,595
this is not
what we should be doing.
1239
00:55:37,638 --> 00:55:39,727
Synthetic actors are inevitable,
there'’s no doubt.
1240
00:55:39,771 --> 00:55:41,425
We'’re talking about
the morals!
1241
00:55:41,468 --> 00:55:42,948
This is unfortunately
what'’s happening.
1242
00:55:42,991 --> 00:55:44,993
To be human is to bleed,
1243
00:55:45,037 --> 00:55:46,995
is to have a soul,
is to breathe.
1244
00:55:47,039 --> 00:55:48,954
See-- see, we'’re not trying
to duplicate human beings,
1245
00:55:48,997 --> 00:55:51,173
but what you'’re seeing
is subjective already.
1246
00:55:51,217 --> 00:55:52,914
How many times
have you met an actor
1247
00:55:52,958 --> 00:55:54,916
who'’s either shorter
or smaller in person?
1248
00:55:54,960 --> 00:55:56,875
So, what you'’re seeing
is already an "interpretation"
1249
00:55:56,918 --> 00:55:59,094
-of what they look like.
-Absolutely.
1250
00:55:59,138 --> 00:56:01,140
-This is what we'’re trying--
-We'’re down
1251
00:56:01,183 --> 00:56:02,750
-to our last two minutes.
-Good afternoon,
1252
00:56:02,794 --> 00:56:04,273
my name is Thomas White,
I handle Artists' Rights
1253
00:56:04,317 --> 00:56:05,884
Enforcement Matters
for the estate
1254
00:56:05,927 --> 00:56:07,320
of Fred Astaire,
the estate of Orson Welles,
1255
00:56:07,364 --> 00:56:08,800
and the director,
Stanley Kramer.
1256
00:56:08,843 --> 00:56:10,671
All uses from my clients
get licensed.
1257
00:56:10,715 --> 00:56:12,412
If they don'’t get licensed,
they get prosecuted.
1258
00:56:12,456 --> 00:56:13,979
-It'’s that simple.
-Good.
1259
00:56:14,022 --> 00:56:16,416
And the damages--
the damages that we seek
1260
00:56:16,460 --> 00:56:18,897
and the attorney's fees
are extraordinarily high.
1261
00:56:18,940 --> 00:56:21,334
Thank you all very much
and I think we'’re done.
1262
00:56:23,423 --> 00:56:25,469
They all denied
what we were doing.
1263
00:56:26,121 --> 00:56:28,167
And, to me, that'’s a fight.
1264
00:56:29,342 --> 00:56:31,039
You wanna fuckin'’
get in a fight, man?
1265
00:56:31,083 --> 00:56:32,563
You wanna fuckin'’ drop
the gloves?
1266
00:56:32,606 --> 00:56:34,303
You wanna go? Let'’s go.
1267
00:56:38,917 --> 00:56:40,788
When it comes to
special effects
1268
00:56:40,832 --> 00:56:43,008
in the movies today,
the question really isn'’t
1269
00:56:43,051 --> 00:56:46,925
what can they do, the question
is what can'’t they do?
1270
00:56:46,968 --> 00:56:49,362
For the most part, I like having
fun and having a good laugh.
1271
00:56:49,406 --> 00:56:51,146
Cartoons are what
got me into this thing.
1272
00:56:51,190 --> 00:56:53,279
Animation supervisor
Steve Williams,
1273
00:56:53,322 --> 00:56:55,716
whose credits include
The Abyss and Jurassic Park
1274
00:56:55,760 --> 00:56:58,240
has been a cartoon buff
all his life.
1275
00:56:58,284 --> 00:57:02,114
After Jurassic,
I just didn'’t give a crap.
1276
00:57:02,157 --> 00:57:03,724
Everybody can go
fuck themselves.
1277
00:57:04,943 --> 00:57:07,075
These are the fuckin'’
good days, man.
1278
00:57:08,250 --> 00:57:10,949
He was uncontrollable.
1279
00:57:10,992 --> 00:57:15,954
This masculine, tough guy
that could not be harnessed.
1280
00:57:16,563 --> 00:57:19,131
That was kinda my first
experience working with him.
1281
00:57:19,784 --> 00:57:22,134
When you are in Steve'’s orbit,
1282
00:57:22,961 --> 00:57:26,443
it was like you were
in the spotlight with him.
1283
00:57:27,792 --> 00:57:30,751
You knew if you were
gonna be in his company
1284
00:57:30,795 --> 00:57:33,928
that you were gonna feel like
the queen of the world.
1285
00:57:35,495 --> 00:57:37,628
We grew to fall in love
with each other.
1286
00:57:38,977 --> 00:57:42,459
We started a relationship
that was very intense.
1287
00:57:43,024 --> 00:57:46,767
We wanted to start a family
and I moved up to Marin
1288
00:57:46,811 --> 00:57:49,509
from the city and it was like
boom, boom, boom.
1289
00:57:49,553 --> 00:57:51,468
I'’m starting the clock.
It'’s supposed to be--
1290
00:57:51,511 --> 00:57:53,078
I'’m totally shaking.
1291
00:57:53,121 --> 00:57:54,645
It's supposed
to be two minutes.
1292
00:57:54,688 --> 00:57:55,776
Okay,
I just peed on that thing.
1293
00:57:55,820 --> 00:57:57,343
It'’s fucking pink!
1294
00:57:57,386 --> 00:57:58,910
I know, I don'’t believe it!
1295
00:57:58,953 --> 00:58:00,085
I think you did it.
1296
00:58:00,128 --> 00:58:01,695
You big stud!
1297
00:58:01,739 --> 00:58:03,480
You big stud!
You did it!
1298
00:58:03,523 --> 00:58:05,046
We never got married.
1299
00:58:05,090 --> 00:58:07,005
We'’re gonna be
like hippies, man.
1300
00:58:07,048 --> 00:58:09,094
Not get married and have a kid,
and it was great, you know?
1301
00:58:11,879 --> 00:58:13,925
Hannah came along
and that was a new world,
1302
00:58:13,968 --> 00:58:15,187
that'’s for sure.
1303
00:58:16,971 --> 00:58:19,278
You think you know it all,
but this door gets opened.
1304
00:58:20,584 --> 00:58:21,628
Fatherhood.
1305
00:58:22,499 --> 00:58:24,762
What do you got, Hannah?
Tell me about your new car.
1306
00:58:24,805 --> 00:58:26,633
Um, I don'’t want to.
1307
00:58:26,677 --> 00:58:28,505
Okay, are you gonna
take it for a drive now?
1308
00:58:34,598 --> 00:58:36,469
It'’s really easy to hold on
1309
00:58:36,513 --> 00:58:39,559
to those perfect experiences
1310
00:58:39,603 --> 00:58:41,082
or a perfect time
in your life
1311
00:58:41,126 --> 00:58:42,954
or when
"“everything was better."
1312
00:58:44,999 --> 00:58:47,045
The movie making world changed.
1313
00:58:48,437 --> 00:58:50,352
He was right there, you know?
1314
00:58:50,396 --> 00:58:52,529
He was on the frontlines
of doing that.
1315
00:58:52,572 --> 00:58:55,532
Dippé and me
in a meat locker!
1316
00:58:55,575 --> 00:58:56,968
"The revolution is them."
1317
00:58:59,492 --> 00:59:01,538
Jurassicopened
the doors for all movies,
1318
00:59:02,016 --> 00:59:03,583
so it transformed filmmaking.
1319
00:59:03,627 --> 00:59:06,194
Everybody wanted digital.
1320
00:59:06,238 --> 00:59:08,545
Computer graphics
was the hot, new thing.
1321
00:59:12,157 --> 00:59:13,332
After Jurassic Park,
1322
00:59:14,028 --> 00:59:15,552
filmmaking went off the rails.
1323
00:59:15,595 --> 00:59:17,292
Computers allowed them to--
1324
00:59:17,945 --> 00:59:20,513
to make these spectacles.
1325
00:59:20,557 --> 00:59:23,516
Producers are always looking
for the magic ticket,
1326
00:59:23,560 --> 00:59:26,258
the secret button,
and they suddenly said
1327
00:59:26,301 --> 00:59:28,347
if it'’s got digital effects,
1328
00:59:28,390 --> 00:59:30,436
that'’s the button you press
that makes a gazillion bucks.
1329
00:59:30,479 --> 00:59:32,656
They think
the more of this little thing
1330
00:59:32,699 --> 00:59:35,310
that'’s great, you know,
and by increasing it
1331
00:59:35,354 --> 00:59:37,312
in these films, it'’s gonna
make the film better,
1332
00:59:37,356 --> 00:59:38,749
and it hasn'’t, it's actually
destroyed filmmaking.
1333
00:59:38,792 --> 00:59:40,446
More junk,
more junk, more junk,
1334
00:59:40,489 --> 00:59:42,187
faster, more junk,
more junk--
1335
00:59:46,104 --> 00:59:50,108
A successful movie is built
on a triangle.
1336
00:59:50,151 --> 00:59:53,198
You have art, on another point
you have technology,
1337
00:59:53,241 --> 00:59:55,461
and the other part
you have business.
1338
00:59:55,504 --> 00:59:58,638
And if any side gets
too big or too small,
1339
00:59:58,682 --> 01:00:00,727
the motion picture will suffer.
1340
01:00:02,468 --> 01:00:05,645
And it became more about
style over substance.
1341
01:00:05,689 --> 01:00:08,648
We saw all kinds
of horrible movies
1342
01:00:08,692 --> 01:00:10,389
with lots of visual effects.
1343
01:00:10,432 --> 01:00:11,695
You know
what we got rewarded for?
1344
01:00:11,738 --> 01:00:13,653
For fuckin'’ Jurassic Park?
1345
01:00:13,697 --> 01:00:15,612
Casper the Friendly Ghost.
1346
01:00:15,655 --> 01:00:17,178
I hated Casperwhen it was 2D.
1347
01:00:17,526 --> 01:00:19,790
Uh, Hi?
1348
01:00:19,833 --> 01:00:24,533
The concept became, "Let'’s redo
everything digitally,"
1349
01:00:24,577 --> 01:00:26,710
right, that was done
in a two-dimensional medium.
1350
01:00:26,753 --> 01:00:28,407
I mean, if you look at
something like Scooby Doo,
1351
01:00:28,668 --> 01:00:33,325
this ridiculously
stupid-looking cartoon dog,
1352
01:00:34,195 --> 01:00:38,286
it'’s like, "No! That thing
does not exist in our world!
1353
01:00:38,330 --> 01:00:41,202
I refuse to believe it!
Take it away!"
1354
01:00:45,729 --> 01:00:46,991
♪ Through the
1355
01:00:47,034 --> 01:00:49,080
This was the period when
1356
01:00:49,123 --> 01:00:52,736
motion pictures stopped
being director-controlled
1357
01:00:52,779 --> 01:00:54,563
and started becoming
corporate-driven.
1358
01:00:55,173 --> 01:00:57,175
And this was
the beginning of the end.
1359
01:00:59,481 --> 01:01:01,266
The corporations have
just kind of
1360
01:01:01,309 --> 01:01:02,571
taken everything over.
1361
01:01:03,442 --> 01:01:05,400
And fucked everything up.
1362
01:01:06,097 --> 01:01:07,185
And...
1363
01:01:07,881 --> 01:01:10,014
But they can still sell,
you know,
1364
01:01:10,057 --> 01:01:12,059
lots of Coca-Cola, you know?
1365
01:01:12,103 --> 01:01:13,365
And...
1366
01:01:14,409 --> 01:01:15,976
crummy superhero movies.
1367
01:01:18,239 --> 01:01:20,938
Because of the success of Mask
1368
01:01:20,981 --> 01:01:23,941
we ended up producing
a very popular comic
1369
01:01:23,984 --> 01:01:25,377
at the time called Spawn.
1370
01:01:31,122 --> 01:01:32,645
That was Mark and my foray
1371
01:01:32,689 --> 01:01:34,821
to getting into
making our own films.
1372
01:01:35,126 --> 01:01:38,216
So, we leave ILM, boom.
Gone, you know?
1373
01:01:38,259 --> 01:01:39,608
Then we end up
hiring back the company
1374
01:01:39,652 --> 01:01:40,740
to do the visual effects.
1375
01:01:57,801 --> 01:01:59,498
♪ Out came the sun
1376
01:01:59,541 --> 01:02:02,327
After Spawn, I don'’t have a
job.
1377
01:02:02,980 --> 01:02:04,068
No job.
1378
01:02:05,765 --> 01:02:07,985
So, I was asked
to do the visual effects
1379
01:02:08,028 --> 01:02:10,683
on The Hulkat ILM.
1380
01:02:12,250 --> 01:02:14,861
and then that article comes out
about pencil neck geeks.
1381
01:02:14,905 --> 01:02:18,952
♪
1382
01:02:25,742 --> 01:02:27,874
Dennis Muren basically said,
1383
01:02:27,918 --> 01:02:29,876
"How much more of this
do we have to take?"
1384
01:02:32,052 --> 01:02:34,881
Gone from ILM, kicked out.
1385
01:02:34,925 --> 01:02:36,578
I was done with them,
they were done with me.
1386
01:02:39,538 --> 01:02:40,931
After all these years...
1387
01:02:42,889 --> 01:02:44,021
I'’ll never forget it.
1388
01:02:46,980 --> 01:02:49,983
What made him brilliant
and a maverick
1389
01:02:50,027 --> 01:02:54,509
and a magnetic draw
for many of us
1390
01:02:55,293 --> 01:02:56,903
soon became something
1391
01:02:56,947 --> 01:02:59,688
that I felt
he needed to outgrow.
1392
01:03:02,604 --> 01:03:03,867
She just didn'’t like my antics.
1393
01:03:04,868 --> 01:03:05,999
She didn'’t like the drinking.
1394
01:03:07,740 --> 01:03:10,656
Everybody who'’s with me changes,
right?
1395
01:03:10,699 --> 01:03:12,223
But they have to understand
that I don'’t change.
1396
01:03:12,266 --> 01:03:13,572
I'’m always the fucking same.
1397
01:03:13,615 --> 01:03:15,617
Always. Right or wrong.
1398
01:03:17,532 --> 01:03:20,840
-Hm? What keeps me from--
-From changing.
1399
01:03:20,884 --> 01:03:22,450
What keeps me from changing?
1400
01:03:22,494 --> 01:03:24,975
Stupidity.
1401
01:03:26,280 --> 01:03:27,368
I know nothin'’ else.
1402
01:03:30,981 --> 01:03:33,853
He was really good
in the therapy sessions and...
1403
01:03:34,854 --> 01:03:36,987
the moment
we got home he was like,
1404
01:03:37,030 --> 01:03:38,815
"“Oh, fuck that shit, you know,
I'’m not gonna change, you know,
1405
01:03:38,858 --> 01:03:40,729
this is who I am,
this is who I am,
1406
01:03:40,773 --> 01:03:42,166
this is what people love,
this is what people expect,
1407
01:03:42,209 --> 01:03:43,515
I'’m Spaz, you know."
1408
01:03:43,558 --> 01:03:45,952
And I kind of naively thought,
1409
01:03:45,996 --> 01:03:49,521
"Well, let'’s give it some time
and maybe he will change."
1410
01:03:53,568 --> 01:03:54,831
Give me a smile, honey.
1411
01:03:54,874 --> 01:03:56,658
Hi.
1412
01:03:56,702 --> 01:03:58,269
I'’m just kind of in a rush
right now, as usual.
1413
01:03:58,312 --> 01:03:59,879
And as soon as
Hannah discovers I'm gone,
1414
01:03:59,923 --> 01:04:01,576
then I will have
no extra hands--
1415
01:04:01,620 --> 01:04:03,317
I figure
it'’s a good thing if I have
1416
01:04:03,361 --> 01:04:04,884
the camera on,
then you won'’t yell at me.
1417
01:04:04,928 --> 01:04:06,407
I don'’t yell that much.
1418
01:04:06,451 --> 01:04:09,367
Excuse me.
Steve, please, okay?
1419
01:04:09,933 --> 01:04:11,586
Hi!
1420
01:04:11,630 --> 01:04:13,850
-Where are we going, sweetie?
1421
01:04:15,068 --> 01:04:16,853
Hey, look!
1422
01:04:16,896 --> 01:04:18,506
Visual effects supervisors
strapped to the fence!
1423
01:04:18,550 --> 01:04:20,117
Isn'’t that funny?
1424
01:04:20,160 --> 01:04:21,901
What? I'’m sorry.
1425
01:04:21,945 --> 01:04:23,337
-What-- what did I say?
-.
1426
01:04:23,381 --> 01:04:24,295
What am I not allowed
to do now?
1427
01:04:26,340 --> 01:04:27,994
My parents split up
when I was three.
1428
01:04:29,517 --> 01:04:32,956
It kind of just became normal
1429
01:04:32,999 --> 01:04:34,740
that my parents
weren'’t together?
1430
01:04:34,783 --> 01:04:36,916
You know, my mom moved
to San Rafael,
1431
01:04:36,960 --> 01:04:38,613
my dad still had the house.
1432
01:04:41,312 --> 01:04:44,358
Steve decided to take
his career in a new direction,
1433
01:04:44,402 --> 01:04:46,012
so he was off feature films
1434
01:04:46,056 --> 01:04:47,971
and he was starting
to direct commercials.
1435
01:04:50,974 --> 01:04:52,801
Blockbuster campaign.
1436
01:04:52,845 --> 01:04:53,933
It was very successful.
1437
01:04:54,760 --> 01:04:57,981
We get approached by Disney,
who has a film called
1438
01:04:58,024 --> 01:05:01,593
The Wild, and so we end up
working on this movie.
1439
01:05:02,507 --> 01:05:05,162
2003, I was working
as an assistant editor
1440
01:05:05,205 --> 01:05:06,337
for the movie, The Wild.
1441
01:05:06,380 --> 01:05:07,816
Hello, Spaz!
1442
01:05:09,166 --> 01:05:12,386
I was just so in love
with Steve.
1443
01:05:12,996 --> 01:05:14,606
I really felt
like he was my soulmate.
1444
01:05:15,607 --> 01:05:19,393
And we made
a fantastic home together.
1445
01:05:19,437 --> 01:05:21,874
Okay, Christmas! 2005!
1446
01:05:21,918 --> 01:05:23,223
Christmas!
-Christmas!
1447
01:05:23,267 --> 01:05:24,746
2005!
1448
01:05:24,790 --> 01:05:26,139
-Here, look, Hannah.
-Hi!
1449
01:05:26,183 --> 01:05:27,575
He put a lot of love
1450
01:05:27,619 --> 01:05:28,968
and craftsmanship
into that house.
1451
01:05:29,577 --> 01:05:31,014
It was warm and cozy,
1452
01:05:31,057 --> 01:05:33,190
unique, fun,
creative place to be.
1453
01:05:34,931 --> 01:05:36,715
We decided to get married
in the backyard.
1454
01:05:43,026 --> 01:05:45,985
Oh, yeah, baby!
1455
01:05:46,029 --> 01:05:50,207
♪
1456
01:05:50,250 --> 01:05:53,036
When we got back
from Toronto after The Wild,
1457
01:05:53,079 --> 01:05:55,168
it was really hard
for those of us
1458
01:05:55,212 --> 01:05:56,691
on the film to get work
1459
01:05:56,735 --> 01:05:59,390
because the film
was so poorly received.
1460
01:05:59,433 --> 01:06:01,740
It was a drag. It was a drag.
1461
01:06:01,783 --> 01:06:03,916
And then, so, I went back
to commercials again.
1462
01:06:03,960 --> 01:06:05,831
Which one would be better,
1463
01:06:05,874 --> 01:06:08,529
to knock a guy
off of a motorcycle?
1464
01:06:08,573 --> 01:06:11,358
Road Rash 3D.
1465
01:06:13,882 --> 01:06:15,580
You know, either you'’re
the flavor of the month
1466
01:06:15,623 --> 01:06:16,755
or you'’re not.
1467
01:06:18,887 --> 01:06:20,585
It'’s just
a very fickle business.
1468
01:06:23,980 --> 01:06:26,112
Things just stalled for me.
1469
01:06:28,897 --> 01:06:31,378
The commercials,
those dried up.
1470
01:06:32,814 --> 01:06:35,817
Nothing was really coming in
that was substantial enough.
1471
01:06:38,603 --> 01:06:39,865
The world had changed.
1472
01:06:41,649 --> 01:06:43,564
Sometimes, you'’re rewarded by,
1473
01:06:43,608 --> 01:06:47,264
uh, your longevity in--
in doing things
1474
01:06:47,307 --> 01:06:51,007
and, you know, those guys were
relatively new to the game.
1475
01:06:51,833 --> 01:06:55,446
And, uh,
they moved on very quickly
1476
01:06:55,489 --> 01:06:58,405
to wanting to direct
their own stuff.
1477
01:06:59,102 --> 01:07:02,235
So, they moved into
a whole 'nother zone
1478
01:07:02,279 --> 01:07:04,107
and then they kind of
didn'’t come back.
1479
01:07:06,761 --> 01:07:09,199
The problem
with this racket is that
1480
01:07:09,242 --> 01:07:10,504
if you'’re not...
1481
01:07:12,028 --> 01:07:14,769
in it, you--
Then you'’re not in it.
1482
01:07:17,076 --> 01:07:18,904
And he hadn'’t been
in the game for a long time.
1483
01:07:21,124 --> 01:07:22,429
You know,
you just get forgotten.
1484
01:07:28,131 --> 01:07:29,523
I reapplied to ILM.
1485
01:07:32,091 --> 01:07:33,179
They shut me down.
1486
01:07:35,616 --> 01:07:37,444
They don'’t want me back there
and I don'’t blame ''‘em.
1487
01:07:38,489 --> 01:07:39,794
I don'’t blame ''‘em at all.
1488
01:07:42,841 --> 01:07:44,451
If I'’d been more political...
1489
01:07:45,713 --> 01:07:47,628
I wouldn'’t be struggling
right now
1490
01:07:47,672 --> 01:07:50,022
to pay my God damn mortgage.
1491
01:07:59,162 --> 01:08:02,252
That rejection on a big stage...
1492
01:08:04,167 --> 01:08:07,996
I don'’t think I'll ever know
1493
01:08:08,040 --> 01:08:11,870
the true effects of what
that feels like for him.
1494
01:08:13,001 --> 01:08:16,701
All of those feelings, like,
just completely resurfaced
1495
01:08:16,744 --> 01:08:18,224
and he didn'’t know
how to handle it.
1496
01:08:22,141 --> 01:08:25,231
It was a snowball of...
1497
01:08:26,232 --> 01:08:29,061
bad memories, guilt,
1498
01:08:29,105 --> 01:08:31,672
lack of clarity
about certain things.
1499
01:08:34,284 --> 01:08:36,895
He just started drinking more.
1500
01:08:39,680 --> 01:08:41,160
It'’s a way to cover up
1501
01:08:41,204 --> 01:08:42,814
all the things
you feel shitty about.
1502
01:08:44,990 --> 01:08:46,774
We were down at the pub
every single day,
1503
01:08:46,818 --> 01:08:48,863
drinking for about three hours
every night and then
1504
01:08:48,907 --> 01:08:52,867
that sort of grew into drinking
before we went to the pub,
1505
01:08:52,911 --> 01:08:55,348
and, um, just getting into,
1506
01:08:55,392 --> 01:08:58,395
just the worst knock down,
drag-out,
1507
01:08:58,438 --> 01:09:01,398
awful fights when we got home.
1508
01:09:03,051 --> 01:09:04,575
So, I finally
worked up the courage
1509
01:09:04,618 --> 01:09:05,837
to walk into an AA meeting.
1510
01:09:06,794 --> 01:09:10,058
You go, you keep going back,
and I got sober,
1511
01:09:10,102 --> 01:09:12,974
I stayed sober and, I'’m gonna
sound like an AA thumper,
1512
01:09:13,018 --> 01:09:14,933
but by the grace of God
I'’m still sober
1513
01:09:14,976 --> 01:09:17,196
and my marriage fell apart.
1514
01:09:19,546 --> 01:09:21,461
I knew
that if I didn'’t move out,
1515
01:09:21,505 --> 01:09:22,723
I wouldn'’t stay sober.
1516
01:09:23,811 --> 01:09:26,118
It'’s common where...
1517
01:09:26,771 --> 01:09:29,730
two alcoholics, one gets sober
and the other doesn'’t.
1518
01:09:31,079 --> 01:09:33,169
Well, I thought
we were doin'’ okay.
1519
01:09:41,655 --> 01:09:43,266
Ellen, please, I--
1520
01:09:52,362 --> 01:09:55,234
She left to light a fire
1521
01:09:55,278 --> 01:09:57,889
under my dad'’s ass, like, "“Hey,
you gotta clean up your act
1522
01:09:57,932 --> 01:09:59,238
or I'’m gone for good."
1523
01:10:00,500 --> 01:10:02,807
The train was goin'’
200 miles an hour.
1524
01:10:03,547 --> 01:10:05,505
I was either gonna go
into the wall with it,
1525
01:10:05,549 --> 01:10:07,159
or I was gonna get off
1526
01:10:07,638 --> 01:10:11,207
and hope that Steve could get
off before it-- it killed him.
1527
01:10:11,250 --> 01:10:13,426
So, I think she wanted
to scare him a little bit.
1528
01:10:15,036 --> 01:10:16,777
And it only made it worse.
1529
01:10:24,045 --> 01:10:25,873
Boredom is destructive.
1530
01:10:31,618 --> 01:10:33,229
I'’m just waiting
for another mission.
1531
01:10:35,796 --> 01:10:37,145
I don'’t have a mission anymore.
1532
01:10:42,673 --> 01:10:44,849
He completely isolated himself.
1533
01:10:46,067 --> 01:10:47,547
Lost a bunch of weight.
1534
01:10:48,809 --> 01:10:50,942
You know, he just looked sick.
1535
01:10:50,985 --> 01:10:52,160
It was awful.
1536
01:10:53,814 --> 01:10:56,817
He was waking up at noon.
1537
01:10:56,861 --> 01:10:57,949
Drinking.
1538
01:10:58,602 --> 01:11:00,168
Passing out at 4:00.
1539
01:11:00,821 --> 01:11:04,172
Waking up again at 7:00.
1540
01:11:04,216 --> 01:11:05,696
Drinking.
1541
01:11:05,739 --> 01:11:07,393
Passing out at midnight,
1542
01:11:07,437 --> 01:11:10,353
waking up at 4 AM to drink.
1543
01:11:12,224 --> 01:11:13,573
To see him...
1544
01:11:15,314 --> 01:11:16,446
plummet...
1545
01:11:17,185 --> 01:11:18,709
like, headfirst...
1546
01:11:19,840 --> 01:11:21,146
into the deep end...
1547
01:11:22,147 --> 01:11:24,497
that was one
of the hardest things
1548
01:11:24,541 --> 01:11:25,672
to ever deal with.
1549
01:11:25,716 --> 01:11:28,371
♪
1550
01:11:32,636 --> 01:11:35,247
I don'’t think
it'’s gonna end well for me.
1551
01:11:39,295 --> 01:11:40,513
God damn it.
1552
01:11:40,557 --> 01:11:42,341
I think it'’s gonna end bad.
1553
01:12:03,841 --> 01:12:06,452
-Fuck you!
1554
01:13:00,463 --> 01:13:02,029
I'’ve never been an adult.
1555
01:13:06,599 --> 01:13:09,297
I'’ve never been an adult,
I'’ve only been, um...
1556
01:13:10,298 --> 01:13:12,736
I'’ve been a child, right,
that kind of...
1557
01:13:14,128 --> 01:13:16,000
grew up, but, you know...
1558
01:13:18,045 --> 01:13:19,786
loves Saturday morning cartoons
1559
01:13:19,830 --> 01:13:21,919
and I-- I kind of wish
that every day
1560
01:13:21,962 --> 01:13:24,617
was a Saturday morning cartoon,
but it'’s not.
1561
01:13:25,444 --> 01:13:26,489
You know?
1562
01:13:38,979 --> 01:13:40,285
I'’m an alcoholic.
1563
01:13:42,983 --> 01:13:46,117
And... I lost my family.
1564
01:13:50,077 --> 01:13:51,339
I lost them all.
1565
01:13:56,606 --> 01:13:58,042
I just need a mission.
1566
01:14:01,611 --> 01:14:03,003
I have to invent
the mission.
1567
01:14:06,529 --> 01:14:07,834
And what is the mission?
1568
01:14:10,446 --> 01:14:11,490
To sober up.
1569
01:14:13,623 --> 01:14:14,841
Hopefully, that'’ll--
1570
01:14:15,668 --> 01:14:18,062
You know, resolve
and some of it works out.
1571
01:14:18,889 --> 01:14:24,285
♪
1572
01:14:31,771 --> 01:14:32,946
It'’s Diane.
1573
01:14:35,340 --> 01:14:37,385
She'’s a sweetheart. Hi, Di.
1574
01:14:43,217 --> 01:14:45,698
Diane'’s a nurse,
she'’s an RN, yeah.
1575
01:14:47,526 --> 01:14:48,919
She knows I'’m a mess.
1576
01:14:49,659 --> 01:14:52,792
Ready?
What''’re you drinking there?
1577
01:14:52,836 --> 01:14:54,446
-A cider.
-Hard cider?
1578
01:14:54,490 --> 01:14:55,926
Yeah.
1579
01:14:55,969 --> 01:14:57,754
Can you not drink that, please?
1580
01:14:57,797 --> 01:14:59,059
-You'’re on the property.
-I'’m sorry.
1581
01:14:59,843 --> 01:15:01,584
-All right.
-Don'’t drink that!
1582
01:15:01,627 --> 01:15:03,803
Gimme that!
No, you-- you can'’t.
1583
01:15:05,239 --> 01:15:06,937
-Give it to him.
-I'’m sorry.
1584
01:15:07,633 --> 01:15:09,505
Okay. That'’s all right.
1585
01:15:09,548 --> 01:15:11,898
We gotta get you in nursing
and get your intake done.
1586
01:15:11,942 --> 01:15:13,770
So, you can, uh,
grab your stuff.
1587
01:15:13,813 --> 01:15:15,336
You have
to leave your camera in here.
1588
01:15:15,380 --> 01:15:16,512
Yeah, I got it.
1589
01:15:16,947 --> 01:15:18,731
Just a couple of these...
1590
01:15:19,906 --> 01:15:25,085
♪
1591
01:15:38,795 --> 01:15:40,187
So, it was time to smarten up.
1592
01:15:42,668 --> 01:15:43,930
Time to grow up.
1593
01:15:49,588 --> 01:15:51,459
I wouldn'’t be standing here
if I had not made
1594
01:15:51,503 --> 01:15:53,157
that decision eight months ago.
1595
01:15:54,767 --> 01:15:56,116
Um...
1596
01:15:57,857 --> 01:15:59,076
It'’s a lot quieter.
1597
01:15:59,903 --> 01:16:01,600
I'’ve sort of shut down
all the old ways,
1598
01:16:01,644 --> 01:16:03,515
all the old places,
all the old people.
1599
01:16:04,385 --> 01:16:06,431
You know?
Now, I'’m just stuck with me.
1600
01:16:08,172 --> 01:16:09,303
Which is good and bad.
1601
01:16:11,262 --> 01:16:13,569
I have to be very careful
because beer was used
1602
01:16:13,612 --> 01:16:16,702
to run away from myself
and I have myself only
1603
01:16:16,746 --> 01:16:18,486
and I have to be
very, very careful.
1604
01:16:19,966 --> 01:16:23,491
You know, I always occupy
my mind with things to do.
1605
01:16:24,405 --> 01:16:25,493
That''’s the most important
thing.
1606
01:16:26,973 --> 01:16:30,150
Even if it includes something
so simple as doing the dishes.
1607
01:16:34,198 --> 01:16:36,113
Being an adult
is a very strange thing.
1608
01:16:38,855 --> 01:16:40,596
But looking in the mirror,
1609
01:16:40,639 --> 01:16:42,162
you'’re not frightened
of yourself anymore.
1610
01:16:44,687 --> 01:16:46,297
So, where the journey'’s gonna
take me now,
1611
01:16:46,340 --> 01:16:47,646
I don'’t know.
1612
01:16:47,690 --> 01:16:49,779
At 57, that'’s a good question.
1613
01:16:51,694 --> 01:16:54,174
This is kind of like
being at a bus depot
1614
01:16:54,697 --> 01:16:56,307
and the next bus
that comes along,
1615
01:16:56,350 --> 01:16:58,091
you don'’t know where it's going.
1616
01:16:58,614 --> 01:17:00,746
But, while you'’re at the depot,
you get to pick up
1617
01:17:00,790 --> 01:17:02,226
some of your old hobbies
1618
01:17:02,269 --> 01:17:04,750
that you enjoyed
and not have the threat
1619
01:17:04,794 --> 01:17:07,579
of taking your finger off
''‘cause you'’ve had a six-pack.
1620
01:17:10,713 --> 01:17:14,064
He'’s a lot more self-aware now.
1621
01:17:14,107 --> 01:17:16,327
And he'’s a lot more aware
1622
01:17:16,370 --> 01:17:19,765
of I'’d say,
people and their needs.
1623
01:17:22,463 --> 01:17:24,030
I think the pain
1624
01:17:24,727 --> 01:17:28,556
of certain things in his life
will never go away.
1625
01:17:30,167 --> 01:17:33,387
But he still has
so much to give.
1626
01:17:34,388 --> 01:17:37,130
Welcome to the expert series.
1627
01:17:37,174 --> 01:17:39,002
We have, uh, Steve Williams,
1628
01:17:39,045 --> 01:17:42,875
he'’s here to share
with you his expertise.
1629
01:17:45,269 --> 01:17:47,967
You guys are gonna have
a good time, he'’s a lot of fun.
1630
01:17:48,011 --> 01:17:49,708
The thing
about being an artist
1631
01:17:49,752 --> 01:17:51,362
I want you guys to remember
is that everytime
1632
01:17:51,405 --> 01:17:55,148
there's plotted out path
for you and rules,
1633
01:17:55,192 --> 01:17:56,889
-fuckin'’ break ''‘em, right?
1634
01:17:56,933 --> 01:17:58,717
-Yes!
-And remember,
1635
01:17:58,761 --> 01:18:01,459
art is always about
questioning established systems.
1636
01:18:03,504 --> 01:18:05,724
To continue to be relevant,
1637
01:18:05,768 --> 01:18:07,900
that'’s what we all want.
1638
01:18:08,640 --> 01:18:10,860
Is to have some kind of
body of experience
1639
01:18:10,903 --> 01:18:13,906
that'’s going to educate
and inspire other people.
1640
01:18:15,125 --> 01:18:16,779
That'’s the gift
of getting older.
1641
01:18:17,954 --> 01:18:20,870
You allow yourself
to make mistakes,
1642
01:18:20,913 --> 01:18:22,349
like, really big mistakes.
1643
01:18:23,481 --> 01:18:27,050
Going to the wrong door
and finding your way out.
1644
01:18:27,093 --> 01:18:29,443
That'’s where the gold is.
1645
01:18:29,487 --> 01:18:31,663
When you say pioneers,
it makes you think of
1646
01:18:31,707 --> 01:18:33,230
a certain spirit of a person
1647
01:18:33,273 --> 01:18:34,753
that'’s willing to go out
and risk it all
1648
01:18:34,797 --> 01:18:36,494
and-- and go for it.
1649
01:18:36,537 --> 01:18:38,278
Face whatever dangers
they'’re gonna face
1650
01:18:38,322 --> 01:18:41,804
and be willing to try to fail
at things and, uh,
1651
01:18:41,847 --> 01:18:44,241
take it to the next level.
1652
01:18:44,937 --> 01:18:46,634
I don'’t know
when there'’s going to be
1653
01:18:46,678 --> 01:18:48,985
another breakthrough
1654
01:18:49,028 --> 01:18:53,163
that is as transformative
as making the transition
1655
01:18:53,206 --> 01:18:55,905
from old-school effects
to digital effects.
1656
01:18:56,601 --> 01:18:59,256
Is new ground
being broken today?
1657
01:18:59,299 --> 01:19:01,911
Yeah, but experimentation
1658
01:19:01,954 --> 01:19:05,958
is left to scrappier,
upstart maverick people.
1659
01:19:06,002 --> 01:19:08,918
We'’re all believers
in our point of view.
1660
01:19:08,961 --> 01:19:10,397
Even though you have
a lot of talent
1661
01:19:10,441 --> 01:19:12,530
and you're very passionate
1662
01:19:12,573 --> 01:19:14,837
it'’s still not easy to survive
or to succeed in this world.
1663
01:19:21,582 --> 01:19:23,019
In some ways,
1664
01:19:23,715 --> 01:19:26,152
talented people are talented
1665
01:19:26,196 --> 01:19:28,589
because they are able
1666
01:19:28,633 --> 01:19:35,379
to stay in touch with sort of
a childish nature in them.
1667
01:19:36,859 --> 01:19:41,646
Your ability to touch
pure reactions to things
1668
01:19:41,689 --> 01:19:45,041
are kind of like seeing
the world for the first time.
1669
01:19:46,782 --> 01:19:50,655
Anyone who can draw
on that kind of
1670
01:19:50,698 --> 01:19:54,398
childish thinking
has the opportunity
1671
01:19:54,441 --> 01:19:55,965
for greatness in them.
1672
01:19:56,008 --> 01:19:59,098
♪
1673
01:20:01,057 --> 01:20:06,018
♪
120745
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.