All language subtitles for Kindred s01e03 Furniture.eng

OLIVIA: Dana?

You're here.

You're here.

I was waiting for you.

I was worried there would be

another however many years
before I saw you again.

And don't be long in here,
Ms. Liv.

I don't want no trouble.

OLIVIA: I'll get us
out as fast as I can.

Take this. For Nigel.

And could you have
Sabina or someone

bring something warmer
for Dana to wear?

Me getting caught up in this
house is a real risk for him.

Margaret and I are not
on the best of terms.

-What happened?
-Well, you actually.

But never mind that now.

Tell me,
who is this white man walking

around here
calling himself your master?

RUFUS: Dana.

I want Dana.

DANA: His name's Kevin.

A friend.

He was holding on to me
when I got pulled back.

So, you can take folks
back and forth.

I knew it.

What happened to your eye?

I saw the patroller.

From the night
we saw each other,

but that was
only yesterday for me.

Time moves different.

OLIVIA:
Interesting.

So what'd you do with him?

What do you mean?

You took him
with you to the present.

The patroller? No, I didn't.

You did, Dana, I saw
you with my own eyes.

I came back alone.

-So what happened to him?
-I don't know.

What are you thinking?

I think what we better do

is figure out exactly
what's happened to us.

I think it might have
something to do with Rufus.

What is your connection
to that boy?

I don't know. Isn't he what
brought you here?

-No.
-Then how did you get here?

(bell ringing)

MARGARET: Rufus!

Stop that clamoring.

It is enough to wake the dead,

Look, here's
Carrie with your breakfast.

RUFUS: I don't want breakfast.

Oh, Mr. Franklin, I am so sorry.

-Did Rufus wake you?
-KEVIN: Oh, it's fine.

All morning long he's been
begging for Dana to read to him.

Where is Dana?

Well, I suspect you rang
your bell but you couldn't hear.

Well, perhaps
she's still in the attic.

OLIVIA: It was
some sort of massacre.

The family was hacked
all to pieces,

fire set to everything.

I hid in the forest for days

before somebody
even came and found me.

There was an old medicine
woman foraging for plants.

She thought I was crazy.
I thought I was crazy.

Until this one day
I heard someone mention

Easton, Maryland

And that rang a bell.

Reggie's father and mine,
your grandfathers,

they both came up to Brooklyn.

Together from Baltimore,
and Reggie had family

-in Easton going way back.
-Wait a minute, wait-- wait a minute.

My father had ancestors here?

Could Rufus be one of them?

(footsteps)

Oh, Jesus, Dana,

I thought
you'd gone back without me.

What are you doing up here?

This is-- this is Kevin.

This is--

Kevin, this is...

My mother.

Hello.

What-- what is this place?
What happened last night?

Margaret locked me in.

Why didn't you call for help?

And wake the whole house up?

The last thing we need
is to cause a scene.

(bell ringing)

What is that ringing?

KEVIN: Rufus is calling for you.

I think we should try
to get out of here now.

Kevin, we need you to distract
the family just for a moment

and then we'll all go.

-Yeah--
-(sighing)

-Okay.
-DANA: It'll be just a moment.

That's him?

He's gonna get you killed.

(theme music)

TOM: What in God's name
is all this noise for?

RUFUS: I want Dana.

MARGARET: Tom, please don't
make things worse.

TOM: What's the problem?
Go get her--

LUKE: Celeste
has a dress for Dana.

-They still in the attic, Sir?
-Uh, yes.

TOM: I will personally tan
every hide under this roof!

I can not afford to look like--

You need to go talk to him,
find out everything he knows.

What exactly is happening to him

right before
he calls you to him?

And what happens
with him when you go?

Who's there?

It's just old Celeste,
Ms. Olivia.

Luke said you was
just looking for a dress.

Of course Luke
would send for you.

Thank you.
Will-- will you help me?

-RUFUS: I want Dana!
-TOM: Margaret.

The boy is inconsolable
and it is unacceptable.

We have guests
beginning to arrive.

-RUFUS: Dana.
-Who?

I just saw the minister's
carriage pull up just now

and Broadus right behind.

Dana!

Are you up there?

She is, Miss.

She's not
supposed to know I'm here.

Witch! Witch!

Dana! Remove her
from this house at once.

How dare you step foot anywhere
near me or my child, you savage.

TOM: Quiet yourself.

What business have you in here?

It was Mr. Kevin here
who called on Luke

for a medicine woman.

Dana was feeling
very ill all day yesterday

and I thought
it was an emergency.

I don't recall any complaints.

OLIVIA: Woman troubles,
Mr. Weylin.

(clearing throat)

And what are you doing here?

With Sabina gone,
there was some need

for extra help in the house.

Come Celeste,
back to the kitchen.

I want her out, Thomas.

-Out!
-TOM: Enough.

-Are you done?
-Almost.

TOM: Then grab your things.

Escort her somewhere
where she may wait for Dana.

Meanwhile,
I must beg of you to have Dana

tend to
my pitiful excuse of a son.

He seems hell bent on
seeing her before he is quiet.

I'll go check on him.

Why must you humiliate me, so?

How can you allow
that woman passage

on this land after
everything that she's done?

She has brought
the devil upon our child twice.

Margaret,
go attend to the guests.

Go question the boy
and meet me at the cook house.

-RUFUS: Dana!
-(bell ringing)

I-- I am very sorry.

Now, don't apologize.

The party's put Margaret
in a state.

I would have done
the same thing.

Now, Olivia has delivered
a good amount of stock for me.

I have to say I did notice
a general laziness about Dana.

How long has it been
since you procured her?

Not long. A week, two.

Well, you may have purchased two
for the price of one. Lucky.

That should recoup
for your stolen belongings.

RUFUS: Dana, there you are.

I had the best dream last night.

I was this Gulliver fella.

And I got tied up.

-What's wrong?
-Nothing.

Well, will
you continue reading to me?

Dana, can I talk
to you for a sec?

She just got here.

-Please don't take her away.
-Just a second, Rufus.

-What's happening?
-They think you're pregnant.

-Can we go right now?
-No.

No, I need to figure out
some information on this kid.

What information?

Olivia and I
just figured out that he...

he might be related to me.

-What?
-Yeah, he might be my ancestor.

I need to figure out
what's going on on his side.

I think that's why
I'm being pulled back.

Minister, please.

Lay your hands on Rufus.

Bless him in this room.

Pray for his recovery

and rid this house of the evil

that that devil's
servant brought with her.

Mama, what are
you talking about?

That black witch
that your father

still patronizes was
snuck in here this morning.

HOWELL: Rufus, you ought
to be more careful.

Heavenly father,
protect and heal this child.

And protect us all against Satan
and all the evil spirits

who roam through the world,
seeking the ruin of souls. Amen.

-Oh, hello.
-Oh!

Minister Howell, may I introduce
Mr. Kevin Franklin of New York.

Oh!

Mr. Franklin
was arrested of his clothes

at dagger and gunpoint.

By the grace of God,

that he stumbled
upon our precious Rufus

and found
his way to our doorstep.

HOWELL: The Lord hath
blessed Mr. Franklin

with your Christian charity.

Speaking of which,
we shouldn't leave Tom

or the libations
he promised us waiting.

You're right. Come, come, come.

You too, Mr. Franklin.

Mr. Franklin, you mustn't
continue being so shy.

Come meet everyone.
Dana can watch after Rufus

-a little longer, can't she?
-Uh, can I have just a minute.

MARGARET: Of course.

I really don't think we should
be separated right now.

Just let me find out
what I need to find out

and-- and then I'll
come get you and we can go.

I promise.

(sighs)

Okay, Rufus.
I'll make you a deal.

I'll read to you if you answer
a few questions for me.

-Hello, Margaret.
-Good day to you, Charles.

-Isadora.
-Hello, Margaret.

HOWELL: Eggnog for little
Temperance, Isadora?

ISADORA: Oh, yes, Minister.

Spirits might actually
brighten up her disposition.

She's quite morose
about our return to England.

-MARGARET: Oh.
-HOWELL: Cheers, everyone!

ISADORA: Margaret!

What you've done with this
parlor is quite... bold.

Where have my sister's
chairs gone and her curtains?

Those were taken
to charity long ago.

Mama, what are those?

I don't know.

Margaret, what are these?
Carvings?

A Christmas observance.

These are remembrances
of my lost angels.

A bit morbid for a party.

Some traditions are
best left on the pig farm.

I thought my daddy
was gonna kill me

when I threw
those curtains in the hearth.

There was all the smoke
and I couldn't breathe.

Wait, you started the fire?

I didn't think it'd get so big.

I was just angry with
daddy for horse whipping me.

-He whips you?
-RUFUS: Not anymore.

Mama made him stop,
threatened to run away,

cause he shouldn't treat
his own flesh and blood

the same way
he treat you niggers.

But I still got
some scars I could show you.

Don't call me that.

Rufus.

-Call you what?
-Nigger.

Why not?

Where I come from,
that's an insult.

Where do you come from?

It's hard to explain.

You a witch then,
like Ms. Olivia?

Do you think she's a witch?

That's what Mama said.

Daddy made her mama's nurse
when I was in her belly.

'Cause none of mama's babies
before ever survived.

But when I was real little,
Mama says

that Olivia summoned the devil
in my nursery to take me away.

That was me, Rufus.

That was
the first night you called.

I don't remember that.

(footsteps approaching)

Hi Carrie, hi Nigel,
you can come in.

Is this for me?

Thank you, Carrie.

Look at what Carrie made for me.

She's so talented.

Carrie said for you
to come to the cookhouse.

Ms. Olivia is calling for you.

She's supposed to read to me.

I-- I'll be right back.

What if you leave again?

I don't think
that's going to happen.

You might.

It won't. Here.

Ring this bell
if I take too long.

MARGARET: How dare you
invite Isadora here

without my consultation.

Her sister was once
mistress of this house,

and it is her good opinion of us

that will ultimately
sway Charles.

Charles.

-So happy you could join us.
-Good Yuletide, Tom.

Isadora. Hmm.

Forgive me, but the occasion
compels me toward gratitude,

gratitude for old friends
and new acquaintances.

Mrs. Weylin and I are humbled by
your presence here this evening.

We also stand in remembrance

of those who are
but present in spirit.

Let us all raise a glass
now to the memory of Hannah.

A loving wife.

Thank you, Tom.
Show us to the library.

I'd like to see how it's fared
under Margaret's renovations.

Of course, dear heart.

Mr. Franklin, please.

Minister Howell,
would you care for some company?

HOWELL: Come, come.

TOM: Oh, I love reading.

In truth, very few
are permitted in this room.

Your presence is testament to my
admiration for you, Isadora.

Your shared devotion to
my family's memory touches me,

but you remember
Hannah's generosity of spirit.

She would want
these books to be read.

My uncle has just
brought back from London

a most exquisite novel

-by a Ms. Jane Austen.
-Pride and Prejudice.

Yes, that's it.

Are you familiar?

Yeah, I've seen that--
I read that, um,

a while ago. Not that long ago.

-Mr. Darcy, right?
-ISADORA: Yes. (laughs)

Well, you must have
been in England recently then.

Yeah, I love London.

I much prefer verse.

These lady novels
with their silly women

prattling on about marriage.

It bored me to tears,
I'm afraid, Mr. Franklin.

-Are you married, Sir?
-No.

Oh. I see. Are you a libertine
by any chance?

Yeah, yeah, in some ways.
In some ways, I guess.

Um, I think, um...

What's a libertine?

-Oh!
-(all laughing)

Don't you think Hannah
would have loved our guest?

-(laughs)
-Mmm-hmm.

He's also quite
a skilled piano player.

Oh!

Perhaps you would play for us,
Mr. Franklin?

(gasps) Oh, would you?
We love music.

-Please.
-Um, I--

Everyone. Everyone.

I would ask that you
all join me in the parlor.

We've planned a small pageant
for all to enjoy.

Come, come.

-Please.
-(Margaret clears throat)

MARGARET: Gather up everyone.

Please come in to the parlor.

Well done.

KEVIN: Oh.

OLIVIA: You talked to the boy?

-What'd you learn?
-Not much.

Nothing seems to make any sense.

Every time has
been completely different.

I can't seem to find
a common thread.

He doesn't seem to have any more
control over this than we do.

It looks like whatever it is
that's bringing us back here,

it happens right
before he loses consciousness.

OLIVIA: He's awake
when he calls you?

Yeah, but when I arrive,
he's always passed out.

And I thought it happened
whenever he was in danger,

but it turns out he set the fire
from the last time himself.

The last thing that he remembers
is thinking that his dad

was gonna kill him
once the curtains caught.

-And then he saw me--
-Wait a minute.

That his father
was going to kill him?

But then there's
something that I don't--

-I don't understand.
-OLIVIA: What?

The first time that I was here,
I remember someone

being in the room with him.
I-- I remember a woman.

I think that she was trying
to turn him over in the crib.

Wasn't that you?

No.

Then who was it?

People are always
coming and going around here,

and that was
almost a decade ago now.

-(bell ringing)
-RUFUS: Dana!

Oh, that's Rufus.
I told him I'd go.

Go, go to him.

RUFUS: Dana!

My sweet Rufus
and I had hoped to offer

a little entertainment
to you all,

but as you can probably hear,

he convalesces
upstairs with a broken leg.

However, I've been able
to whip up a little diversion

in its place, and I sincerely
hope you will all enjoy.

(clapping rhythmically
and humming)

Whoo!

(humming and clapping)

MARGARET: Whoo!

TOM: What did I tell you
about ringing that bell?

You are deliberately
provoking me, son.

DANA: It was my fault.
It was my fault!

Move, girl.
This does not concern you.

I-- I was in the kitchen
and I got distracted.

He was just calling for me.

(clapping and singing
in distance)

Give me the damn bell.

You okay?

I'm fine.
Will you read to me now?

(applause)

Bravo, yes!

Let's all show
them our appreciation.

(gasps) Carrie?

It's Sarah's daughter.

I believe I held
this one as a baby. Aw.

Her mother
was my nurse, Charles.

Will you take me
to see your mother, dear?

Is she about?

Yeah. (sighs)

I feel I must apologize
on behalf of our host.

Oh, what for?

His open courtship of me.

(sighs) And how he grovels
at my wife's feet,

pretending to care about music
and Hannah's library.

The whole world
knows he's barely literate.

(shudders) Tom Weylin, handsome
but low, don't you agree?

Oh, I don't--
I don't know him well enough.

But you can see
that he is handsome, no?

(scoffs)

Oh, don't get jealous,
Mr. Franklin.

You're handsome too,
though I'm sure you've

been told this before.

In your years as a bachelor.

Uh, no, no, no. No, not really.

Let me make it quite clear,

you are most welcome sight
at this gathering.

Oh, well.

Uh, great. You too-- You too.

So. You've enjoyed seeing me?

Oh, whoa!

-Forgive my absence.
-No apology necessary.

Mr. Franklin here was giving
me a lecture on the pianoforte.

-(clears throat)
-Hmm.

Uh, shall we continue
our conversation elsewhere?

Absolutely.

TOM: Why don't
you play something for us, hmm?

"But would come up to
my very feet without starting.

"The riders would
leap them over my hand

"as I held it on the ground."

RUFUS: Thank you, Cyrus.

Are you Rufus?

Yes.

I'm Temperance.

Our parents know each other.
Hello.

Hello.

I heard you had
an unfortunate accident

and I wanted to see it.

How long is your convalescence?

RUFUS: The doctor
said four weeks.

TEMPERANCE: Four weeks.
That's not very long.

Who gave you this?

-My friends.
-What friends?

RUFUS: Carrie and Nigel.
They live here.

You still play with your slaves?

You still play
with dolls and slaves.

What are we gonna do with you?

Nigger, come. Clean this up.

Rufus, your girl
is insubordinate.

If we were in my house,
I would strike her.

She needs to be taught a lesson.

Come here, wench,
so I can slap your face.

Come here, wench,

so I can slap your face.

Do I get to slap yours back?

(screaming)

-TEMPERANCE: Daddy!
-RUFUS: Uh oh.

TEMPERANCE: Daddy! Daddy! Daddy!

Are we a team, Rufus?

-Yes.
-So here's what we're gonna do.

If anyone comes up here,

you're gonna say I didn't do it.

(Kevin playing "Head Over
Heels" by Tears for Fears)

Daddy, Daddy, Daddy!

-Daddy!
-CHARLES: Temperance.

Why, whatever's the matter?

That negress upstairs
said she'd strike me!

CHARLES: What negress?

TEMPERANCE: The one
upstairs with Rufus.

MARGARET: Take my hand and let
Miss Margaret take care of this.

KEVIN: Wait, Charles.

You threatened
my daughter, you animal.

I didn't. I promise you, Sir.

Oh, so these are mock tears?

She and Rufus
were playing just fine,

and then she ran out
of the room. Right, Rufus?

Nonsense. Nonsense.

No. This must
be dealt with handily.

I wish I could punish her,
Charles,

but unfortunately
she's not my property.

-Who does she belong to?
-She's, uh, she's mine.

Well.

Well, I do not
know you well enough

to speak on you
as a slaver, Sir.

But no nigger of mine

would evade punishment
for insubordination.

I-- I will punish her.

And what shall that be?
Will you strike her?

That is what she has
threatened of my daughter.

TOM: Charles...

No, I refuse
to accept anything other

than he'd give her
a slap well laid

until she is scarred
with her lesson.

Yeah, I can't--
I can't-- I can't do that.

-And why not, Sir?
-I'm pregnant.

Yes, yes, she's with child,

and, um, I'd be left
with damaged property.

I see then.

Oh, this rogue
would protect his property

before my daughter's honor.

Come, dear.
We must find your mother.

We're going.

TOM: Wait, Charles.
We have much to discuss.

-We're family.
-CHARLES: We were family.

Isadora will hear
about this insult presently.

TOM: Charles, come back.
We can fix this.

Franklin, get out here!

Something happened
between you and Broadus.

Yes.

My slave insulted him,
and for that I am so sorry--

TOM: Shut up. No, before that.

I know the man. Hmm?

There is no way he'd leave
without getting his way.

So what did you say
to him to make him leave?

Uh, I didn't say anything.

-Um, he was--
-You're lying.

Tell me.

Or I will exact
the same punishment

-that he did not.
-He touched me, he touched me!

What?

He-- he grabbed my genitals.

Mildly.

TOM: Oh.

Oh.

(laughing)

Filthy rascal.

Mr. Franklin, I thank you.

-You thank me?
-TOM: Yes.

(Tom laughs)

Can we go now?

Tom, we need to leave.

-Uh, Dana is still sick.
-TOM: Tend to your business.

We will drink
in celebration upon your return.

Someone touched you?

Let's go.

-She looks just like Hannah.
-Olivia.

SARAH: Be careful saying
that around Margaret.

ISADORA: How can you stand
to be around that woman?

SARAH: I don't set foot in
there, especially that parlor.

She sold my sons
for that furniture, Isadora.

For that furniture.

Oh, Sarah.

That furniture and China plates
and fancy things

that she had when she first
moved in was good enough

for Ms. Hannah and you when
you all are real ladies.

I just don't understand.
I'm sorry.

Oh, Sarah.

(floor creaking)

SARAH: Can I help you?

Oh, we were
just looking for Olivia.

I'm sure my husband
wonders where I've gone.

I will miss you, Sarah.

Uh, Tom gave us leave to attend
to Dana's, um, ailment.

Let's find Luke.

He said he'd lend the wagon.

Goodbye, Sarah.

SARAH: Dana, let me
have a word with you.

Here, take this into the parlor.

If that woman's
studying you so close,

I suspect you with child.

And if so...

then you must get down
on your hands and knees

and beg Mr. Kevin to give
your children their freedom.

I see the affects
you have on him.

Don't end up like me.

Be sensible. You hear me?

Now get.

OLIVIA

Y'all get on inside.

ALICE: Mama Livia!

-Hi, sweetie.
-ALICE: What took you so long?

OLIVIA:
We got into a bit of trouble.

Get back inside
before you catch a cold!

Oh, it's freezing!

I'll make us some tea,
it'll warm us up.

Dana, you remember Alice?

Hagar's daughter.

Alice, why
don't you show Ms. Dana

what you've been working on?

Kevin, may I have your help?

-KEVIN: Oh, yeah, of course.
-I'm making a family.

This is Mama Livia,
Mommy and me.

-(meows)
-And this is my cat, Daisy.

So, you her boyfriend?

Oh.

No, no, we just met, actually.
Uh--

-Did she say that?
-No. But I'm not an idiot.

This is Eleanor,
Brittany and Jeanette.

They're really nice.

I want you to listen closely.

It's going to seem scary,

but it's not as bad as it looks.

She'll survive, okay?

What?

OLIVIA: Just make sure
she drinks water.

Tea's almost ready.

DANA: Where's Hagar?

Hagar passed
a couple months ago.

Right after your last visit.

I've been taking
care of Alice ever since.

I think it must have
been some kind of cancer.

She doesn't have
any other family?

OLIVIA: None that I found.

Her father was
a slave sold South,

but Hagar was a free woman.

Said she was born free.

But you have no idea

how difficult it would be
for her to stay that way.

So when I saw that you took
Daniel back, I got excited.

I thought that maybe
if I could figure out

how to go back too,
I could bring her with me.

That was wrong.

And I can't just leave her here.
Not at that age.

Oh, I wanna give you something.

-What is that?
-OLIVIA: It's my wedding ring.

For the longest time
it was the only thing I had

that was proof of the life
that I knew I had lived.

All of the memories
that were in my mind.

That they really happened,
that I hadn't just made them up.

Why are you giving it to me?

It belonged
to your father's grandmother,

so I want you to have it.

Just in case
this is my life now.

What? But it's not.

I'm not so sure that's right.

I think I might be stuck.

But you can stay close to me.

You can grab on
to me, like Kevin.

OLIVIA: How are you
so sure Kevin will go back?

You don't know what
happened to the patrolman--

But it's not the same, you're
from a different time than him!

And I'm from
a different time than you.

2016.

That is
a different world for me.

What...

What are you saying?

OLIVIA: I'm saying
I need more time.

Enough time to figure out
somebody to take care of Alice.

At least enough time to see if--

if I really
can go back on my own.

I have wanted nothing
more than to go back home.

All this time, nothing
more than to see you again.

But I don't want to get lost.

Listen. I did
figure out something today.

At the river,
you went back home.

Tom pulled a gun out on you.

Yeah.

OLIVIA: And that patroller did
what he did.

But, when we first
met in the hallway,

when you disappeared,
what happened?

You rushed at me
and you scared me.

And you thought I was dead.

Yeah.

Drink your tea.

Earlier you were telling
me about all the times

you were brought back,
that the boy was frightened.

(Dana clears throat)

But I think
it's not that simple.

I think he has to be
more than just scared.

I think he has to believe
he is going to die and I suspect

something similar has
to happen for you to go home.

So, I put a little
something in your tea.

-A poison.
-What?

OLIVIA: You need to hurry up
and get help.

-What the fuck?
-(gasping)

You need to get help
or you're not going to make it.

What's happening to her?

OLIVIA: I hope Rufus
doesn't call you back,

-but I suspect he will.
-(gasping continues)

Take this. Remember.

Remember? Remember what?

-Dana? Dana?
-(gasping)

Dana, Dana, Dana!

-(Dana gasping)
-Dana.

Dana!

(theme music)

♪♪♪

♪♪♪

Captioned by LADB.

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