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1
00:00:10,700 --> 00:00:12,167
PLEASE... DON'T LEAVE.
2
00:00:12,200 --> 00:00:14,300
YOU ARE
A FULL-ON LESBIAN.
3
00:00:14,333 --> 00:00:15,967
YOU JUST WANT TO SLEEP
WITH PEOPLE,
4
00:00:16,000 --> 00:00:17,500
MAKE THEM FALL IN LOVE WITH YOU.
5
00:00:17,533 --> 00:00:19,400
JENNY WOULDN'T KNOW
WHAT THE REAL DEAL WAS
6
00:00:19,433 --> 00:00:20,800
IF IT BIT HER
IN THE ASS.
7
00:00:20,833 --> 00:00:21,800
[SHANE]: WHY ARE YOU DOING THIS?
8
00:00:21,833 --> 00:00:23,000
[JENNY]: IT MAKES ME FEEL GOOD.
9
00:00:23,033 --> 00:00:24,500
BECAUSE I'M IN CHARGE.
10
00:00:24,533 --> 00:00:26,767
AND IT HELPS ME REMEMBER
ALL OF THIS CHILDHOOD SHIT
11
00:00:26,800 --> 00:00:27,967
THAT HAPPENS TO ME.
12
00:00:29,500 --> 00:00:32,467
[SOBBING]:
I NEED HELP.
13
00:00:32,500 --> 00:00:34,800
YOU'RE JUST BACK
FROM CHERIE JAFFE LAND?
14
00:00:34,833 --> 00:00:36,133
[SHANE]: NOTHING'S CHANGED.
I'M STILL ME.
15
00:00:36,167 --> 00:00:37,467
YOU DON'T THINK
16
00:00:37,500 --> 00:00:38,467
YOU COULD HAVE CHANGED YOUR PLAN
A LITTLE BIT?
17
00:00:38,500 --> 00:00:39,900
I DON'T HAVE A PLAN.
18
00:00:39,933 --> 00:00:41,233
THAT'S THE POINT.
19
00:00:41,267 --> 00:00:43,967
[CARMEN]: DON'T WANT
TO GET INVOLVED WITH ANYBODY,
20
00:00:44,000 --> 00:00:46,133
AND THAT IS COOL.
21
00:00:46,167 --> 00:00:48,733
I DON'T FEEL LIKE
I HAVE ANYTHING LEFT TO GIVE.
22
00:00:48,767 --> 00:00:50,133
I KNOW HOW HARD YOU WORK--
23
00:00:50,167 --> 00:00:52,300
KEEP YOURSELF AT A DISTANCE
FROM EVERYONE ELSE.
24
00:00:52,333 --> 00:00:54,467
I DON'T WANT YOU
TO GO.
25
00:00:54,500 --> 00:00:56,467
THIS IS THE KEY
TO MY APARTMENT.
26
00:00:56,500 --> 00:00:57,467
I LIVE TWO BLOCKS
27
00:00:57,500 --> 00:00:58,633
FROM THE PLANET.
28
00:00:58,667 --> 00:01:00,167
IVAN, IT'S NOT
A DONE DEAL YET.
29
00:01:00,200 --> 00:01:01,733
I'D BE HAPPY TO CO-SIGN
ON THE LOAN.
30
00:01:01,767 --> 00:01:03,233
BUT WHAT ABOUT
THE DOWN PAYMENT?
31
00:01:03,267 --> 00:01:04,700
[KIT]:
THIS IS A DREAM COME TRUE.
32
00:01:04,733 --> 00:01:05,967
LADY WITH THE FLASHING EYES.
33
00:01:06,067 --> 00:01:06,833
THANKS FOR
KEEPING ME COMPANY.
34
00:01:06,867 --> 00:01:08,200
I REALLY APPRECIATE IT.
35
00:01:08,233 --> 00:01:10,333
[KIT]: IT WAS MY PLEASURE.
36
00:01:10,367 --> 00:01:11,567
I JUST DON'T WANT YOU
TO GET HURT.
37
00:01:11,600 --> 00:01:14,700
I KNEW GOING IN
WHAT THE DEAL WAS.
38
00:01:14,733 --> 00:01:16,567
I WANT THIS BABY
MORE THAN EVER.
39
00:01:16,600 --> 00:01:19,667
I'M NOT EVER GOING TO THINK
ABOUT HER AGAIN.
40
00:01:19,700 --> 00:01:21,067
DID YOU FUCK ALL NIGHT
41
00:01:21,067 --> 00:01:23,533
BEFORE YOU TOLD HER
I WAS THE LOVE OF YOUR LIFE?
42
00:01:23,567 --> 00:01:25,067
YOU GAVE UP
YOUR AUTONOMY
43
00:01:25,067 --> 00:01:26,067
IN A RELATIONSHIP
44
00:01:26,067 --> 00:01:27,633
THAT THE LAW DOESN'T RECOGNIZE.
45
00:01:27,667 --> 00:01:29,200
I GOT A CALL
FROM TINA'S LAWYER.
46
00:01:29,233 --> 00:01:31,167
TINA, WE CAN FIX THIS.
47
00:01:31,200 --> 00:01:33,633
HELENA, I HOPE YOU'RE GOING TO
CONTINUE TO SUPPORT THE ARTS.
48
00:01:33,667 --> 00:01:34,667
I DON'T THINK SO.
49
00:01:34,700 --> 00:01:35,733
DID YOU KNOW
THAT TINA WAS PREGNANT?
50
00:01:35,767 --> 00:01:36,833
BETTE, YOU DIDN'T KNOW?
51
00:01:38,733 --> 00:01:40,533
WHAT ARE YOU DOING
WITH MY GIRLFRIEND?
52
00:01:40,567 --> 00:01:43,067
TINA DOESN'T SEEM TO THINK
SHE REALLY IS YOUR GIRLFRIEND.
53
00:01:43,067 --> 00:01:45,200
I NEED TO HAVE
SOME KIND OF RESOLUTION
54
00:01:45,233 --> 00:01:46,367
BEFORE THE BABY IS BORN.
55
00:01:46,400 --> 00:01:47,800
THAT'S YOUR BABY.
56
00:01:47,833 --> 00:01:49,533
[TINA]: I REALLY LOVED
BEING THERE WITH YOU.
57
00:01:49,567 --> 00:01:50,467
COME HERE.
58
00:01:50,500 --> 00:01:51,700
THE BOARD HAS DECIDED
59
00:01:51,733 --> 00:01:54,067
TO BUY OUT
YOUR CONTRACT.
60
00:01:54,067 --> 00:01:56,967
I WANT
TO MOVE BACK INTO OUR HOUSE.
61
00:01:57,067 --> 00:01:58,300
WELCOME
62
00:01:58,333 --> 00:02:00,233
TO THE FIRST CORPORATE-SPONSORED
LESBIAN WEDDING.
63
00:02:00,267 --> 00:02:02,933
ARE YOU MY FIANCEE, TONYA,
OR ARE YOU MY MANAGER?
64
00:02:02,967 --> 00:02:04,767
SO IF I WAS TO KISS YOU AGAIN?
65
00:02:04,800 --> 00:02:06,600
YOU ALWAYS LET HER GET AWAY.
66
00:02:06,633 --> 00:02:07,267
WE HAVE TO TELL OUR FRIENDS.
67
00:02:07,300 --> 00:02:08,933
I WANT MORE OF YOU.
68
00:02:08,967 --> 00:02:10,267
WE DON'T BELONG TOGETHER.
69
00:02:10,300 --> 00:02:11,467
DON'T NECESSARILY THINK
WE SHOULD BE FRIENDS
70
00:02:11,500 --> 00:02:12,467
WITH OUR EXES.
71
00:02:12,500 --> 00:02:14,067
YOU'RE VERY CUTE.
OH, SHUT UP.
72
00:02:14,100 --> 00:02:15,100
[GIGGLING]
73
00:02:15,133 --> 00:02:16,133
WHAT DO YOU THINK
ABOUT MOVING IN WITH ME?
74
00:02:16,167 --> 00:02:17,133
WHAT?
75
00:02:17,167 --> 00:02:18,867
I DIDN'T KNOW I WAS
TURNING INTO SOMEONE
76
00:02:18,900 --> 00:02:21,700
WHO WAS ALL SMOTHERY
AND NEEDY AND...
77
00:02:21,733 --> 00:02:24,100
[CROWD CHEERING]
78
00:02:24,133 --> 00:02:26,500
[***]
79
00:02:40,967 --> 00:02:42,367
YOU ARE GONNA HAVE
80
00:02:42,400 --> 00:02:45,367
A VERY, VERY
INTERESTING LIFE
81
00:02:45,400 --> 00:02:50,733
BECAUSE WE ARE SOME VERY, VERY
INTERESTING PEOPLE.
82
00:02:50,767 --> 00:02:54,067
[BABY COOING]
83
00:02:56,233 --> 00:02:59,433
[***]
84
00:03:10,600 --> 00:03:13,600
OH, MY GOD, WHERE IS IT?
85
00:03:13,633 --> 00:03:16,267
OH, NO, IT'S HORRIBLE.
86
00:03:16,300 --> 00:03:17,667
DON'T SAY IT'S HORRIBLE.
87
00:03:17,700 --> 00:03:19,333
IT'S BEAUTIFUL.
88
00:03:19,367 --> 00:03:21,633
WELL, IT SURE
ISN'T BEAUTIFUL.
89
00:03:21,667 --> 00:03:23,967
DOLL, IT LOOKS LIKE
BURNT CURTAINS,
90
00:03:24,067 --> 00:03:25,333
BUT I'LL BE DAMNED
91
00:03:25,367 --> 00:03:26,400
IF I'M GOING TO BE
CALLED FRIGID
92
00:03:26,433 --> 00:03:27,400
FOR THE REST
OF MY LIFE
93
00:03:27,433 --> 00:03:28,600
JUST BECAUSE
I DON'T UNDERSTAND
94
00:03:28,633 --> 00:03:30,067
WHAT I'VE GOT GOING ON
DOWN THERE.
95
00:03:30,067 --> 00:03:32,767
CAREFUL WITH
THE GRANOLA!
96
00:03:32,800 --> 00:03:34,067
GIRLS...
97
00:03:34,067 --> 00:03:35,500
IF IT WASN'T
FOR THIS GROUP,
98
00:03:35,533 --> 00:03:39,100
I'D STILL THINK VALIUM
WAS MY ONLY HOPE FOR SURVIVAL.
99
00:03:39,133 --> 00:03:40,633
AND I WOULD STILL BELIEVE
IN THE MYTH
100
00:03:40,667 --> 00:03:42,600
OF THE VAGINAL ORGASM.
101
00:03:42,633 --> 00:03:44,167
THANK YOU,
SIGMUND FREUD,
102
00:03:44,200 --> 00:03:45,800
YOU PATRONIZING, SEXIST PIG!
103
00:03:45,833 --> 00:03:46,633
WHOO!
104
00:03:46,667 --> 00:03:47,900
CAN I JUST SAY...
105
00:03:47,933 --> 00:03:50,767
I KNOW THIS IS ONLY
OUR FIFTH MEETING,
106
00:03:50,800 --> 00:03:51,800
BUT I ALREADY FEEL CLOSER
TO ALL OF YOU
107
00:03:51,833 --> 00:03:53,067
THAN I DO TO MY OWN HUSBAND.
108
00:03:53,100 --> 00:03:54,333
AW...
109
00:03:54,367 --> 00:03:55,867
I SURE DON'T KNOW
ANY HUSBAND
110
00:03:55,900 --> 00:03:57,133
THAT'S GOING TO GET
THIS FAMILIAR
111
00:03:57,167 --> 00:04:00,400
WITH A BUNCH
OF LADIES' WIFF-WAFFS.
112
00:04:00,433 --> 00:04:02,533
[LAUGHTER]
113
00:04:05,267 --> 00:04:07,300
WHAT ABOUT YOU, SWEETIE?
114
00:04:07,333 --> 00:04:10,067
IS THIS JUST
ALL TOO FAR OUT FOR YOU?
115
00:04:10,100 --> 00:04:13,500
OH, NO, I...
116
00:04:13,533 --> 00:04:14,933
WHAT?
117
00:04:14,967 --> 00:04:16,633
COME ON,
YOU CAN TELL US.
118
00:04:16,667 --> 00:04:17,867
WE'RE YOUR SISTERS.
119
00:04:17,900 --> 00:04:19,900
YOU CAN TELL US
HOW YOU'RE FEELING.
120
00:04:22,067 --> 00:04:24,900
I DIDN'T KNOW...
121
00:04:24,933 --> 00:04:26,567
CHET, HE'S JUST
SO FAST
122
00:04:26,600 --> 00:04:29,367
AND CLUMSY.
123
00:04:29,400 --> 00:04:33,400
I HAD NO IDEA
ABOUT THE, UM...
124
00:04:33,433 --> 00:04:35,067
EXCUSE ME.
125
00:04:37,133 --> 00:04:39,200
[SIGHS]
126
00:04:41,067 --> 00:04:43,633
I'M JUST GOING TO GO
CHECK ON HER.
127
00:04:46,100 --> 00:04:47,067
[LAUGHTER]
128
00:04:56,867 --> 00:04:59,067
YOU HAVE A RIGHT
TO BE HAPPY...
129
00:05:02,833 --> 00:05:04,967
AND SEXUALLY
FULFILLED.
130
00:05:07,067 --> 00:05:08,567
I SHOULD--
131
00:05:08,600 --> 00:05:11,100
DID YOU KNOW THAT YOU CAN
BE SEXUALLY FULFILLED?
132
00:05:11,133 --> 00:05:12,400
I SHOULD GO.
133
00:05:12,433 --> 00:05:13,967
CHET'S EXPECTING ME.
134
00:05:14,067 --> 00:05:15,300
SO?
135
00:05:15,333 --> 00:05:16,167
I HAVE A THREE-YEAR-OLD.
136
00:05:16,200 --> 00:05:18,067
HE SOMETIMES WAKES.
137
00:05:18,067 --> 00:05:21,600
NIGHT TERRORS.
138
00:05:21,633 --> 00:05:23,067
WELL, WHAT'S
GOING TO HAPPEN
139
00:05:23,067 --> 00:05:25,467
IF YOU TURN UP
A LITTLE LATE?
140
00:05:25,500 --> 00:05:27,300
HMM?
141
00:05:27,333 --> 00:05:29,533
IS THE WORLD GOING
TO STOP TURNING?
142
00:05:34,300 --> 00:05:36,067
DOCK YOUR ALLOWANCE?
143
00:05:38,300 --> 00:05:39,933
WHAT DO I TELL HIM?
144
00:05:42,300 --> 00:05:46,233
TELL HIM THE GIRLS HAD
A LOT TO TALK ABOUT TONIGHT.
145
00:05:46,267 --> 00:05:47,400
TELL HIM WE'RE
CHANGING THE WORLD,
146
00:05:47,433 --> 00:05:50,733
AND IT'S GOING
TO TAKE SOME TIME.
147
00:05:50,767 --> 00:05:51,900
TELL HIM
IT'S NO EASY TASK
148
00:05:51,933 --> 00:05:55,333
CREATING EQUALITY
FOR WOMEN.
149
00:05:55,367 --> 00:05:58,633
[BREATHING HEAVILY]
150
00:05:59,767 --> 00:06:02,733
[***]
151
00:06:02,767 --> 00:06:09,400
* GIRLS IN TIGHT DRESSES
WHO DRAG WITH MUSTACHES *
152
00:06:09,433 --> 00:06:16,167
* CHICKS DRIVING FAST
INGENUES WITH LONG LASHES *
153
00:06:16,200 --> 00:06:22,067
* WOMEN WHO LONG, LOVE, LUST
WOMEN WHO GIVE *
154
00:06:22,067 --> 00:06:28,733
* THIS IS THE WAY
IT'S THE WAY THAT WE LIVE *
155
00:06:36,267 --> 00:06:37,767
* TALKING, LAUGHING
LOVING, BREATHING *
156
00:06:37,800 --> 00:06:39,500
* FIGHTING, FUCKING
CRYING, DRINKING *
157
00:06:39,533 --> 00:06:40,867
* WRITING, WINNING
LOSING, CHEATING *
158
00:06:40,900 --> 00:06:42,567
* KISSING, THINKING, DREAMING
159
00:06:42,600 --> 00:06:44,567
* THIS IS THE WAY...
160
00:06:44,600 --> 00:06:47,400
* IT'S THE WAY
THAT WE LIVE *
161
00:06:47,433 --> 00:06:52,867
* IT'S THE WAY THAT WE LIVE
162
00:06:52,900 --> 00:06:56,700
* AND LOVE *
163
00:07:00,867 --> 00:07:03,200
[***]
164
00:07:12,200 --> 00:07:14,467
THAT WAS "SO JEALOUS"
BY TEGAN AND SARA,
165
00:07:14,500 --> 00:07:16,267
AND I'M ALICE PIESZECKI,
166
00:07:16,300 --> 00:07:19,467
AND YOU'RE LISTENING
TO THE CHART ON KCRW.
167
00:07:19,500 --> 00:07:20,600
WELCOME BACK.
168
00:07:20,633 --> 00:07:23,933
TONIGHT, WE ARE TALKING
ABOUT THE CONNECTION
169
00:07:23,967 --> 00:07:26,967
BETWEEN LOVE AND THE SENSES.
170
00:07:27,067 --> 00:07:30,233
YOUR LOVER KISSES YOU,
171
00:07:30,267 --> 00:07:34,400
AND YOU FEEL A TREMOR
IN THE BACK OF YOUR KNEES.
172
00:07:34,433 --> 00:07:36,900
THE SYNAPSES FIRE,
SENDING ORDERS--
173
00:07:36,933 --> 00:07:39,600
"MOVE YOUR LEGS,
MOVE YOUR ARMS.
174
00:07:39,633 --> 00:07:40,933
"SHE'S THE ONE FOR YOU.
175
00:07:40,967 --> 00:07:44,267
"SHE'S THE...
GIRL OF YOUR DREAMS.
176
00:07:44,300 --> 00:07:48,567
SHE'S YOUR ONE AND ONLY...
177
00:07:48,600 --> 00:07:50,300
AND YOU KNOW,
178
00:07:50,333 --> 00:07:56,433
BECAUSE THE SMELL OF HER
MAKES YOUR HEAD SWIM,
179
00:07:56,467 --> 00:07:59,767
BECAUSE YOU GET A PHYSICAL JOLT
EVERY TIME...
180
00:07:59,800 --> 00:08:02,633
SHE SENDS A GLANCE YOUR WAY.
181
00:08:02,667 --> 00:08:04,067
I MEAN,
SHE TOUCHES YOU HERE...
182
00:08:04,067 --> 00:08:08,700
AND YOU FEEL IT HERE.
183
00:08:08,733 --> 00:08:11,067
IT...
184
00:08:11,067 --> 00:08:13,567
YOU TOUCH HER ANYWHERE,
185
00:08:13,600 --> 00:08:17,800
AND YOU FEEL IT EVERYWHERE,
186
00:08:17,833 --> 00:08:18,967
AND THEN...
187
00:08:20,800 --> 00:08:22,067
BOOM!
188
00:08:22,100 --> 00:08:23,833
IT'S SIX MONTHS LATER,
189
00:08:23,867 --> 00:08:26,367
AND SHE'S...TOUCHING
SOMEONE ELSE.
190
00:08:26,400 --> 00:08:27,733
HI.
191
00:08:27,767 --> 00:08:28,967
HEY.
192
00:08:30,267 --> 00:08:31,300
AND YOU MIGHT SAY,
193
00:08:31,333 --> 00:08:34,067
"HEY, AL...
194
00:08:34,100 --> 00:08:36,600
"RELATIONSHIPS END,
LOVERS LEAVE,
195
00:08:36,633 --> 00:08:41,433
LEAVING A LABYRINTH OF HEARTACHE
AND BETRAYAL."
196
00:08:41,467 --> 00:08:45,167
FOR EXAMPLE,
MY FIRST BOYFRIEND LEFT ME
197
00:08:45,200 --> 00:08:49,233
FOR A VOLUPTUOUS FORMER LESBIAN
NAMED APRIL,
198
00:08:49,267 --> 00:08:51,700
WHO I THEN WOUND UP HAVING
A REBOUND AFFAIR WITH.
199
00:08:51,733 --> 00:08:55,867
BUT WE COULD ALSO TALK
ABOUT GABBY,
200
00:08:55,900 --> 00:08:58,067
OTHERWISE KNOWN AS LESBIAN X,
201
00:08:58,067 --> 00:08:59,467
THE POINT OF ORIGIN
202
00:08:59,500 --> 00:09:03,067
FOR AN ENTIRE
GEOGRAPHICAL SUBSTRATUM
203
00:09:03,067 --> 00:09:05,533
OF LESBIAN LINKAGES,
204
00:09:05,567 --> 00:09:07,067
INCLUDING LARA.
205
00:09:07,100 --> 00:09:09,400
WHAT ARE YOU
MAKING?
206
00:09:09,433 --> 00:09:12,100
A SURPRISE.
207
00:09:12,133 --> 00:09:15,067
SIX EGG YOLKS,
3/4 CUP OF HEAVY CREAM.
208
00:09:15,100 --> 00:09:17,200
LARA, I CAN'T EAT THIS.
I'M TRAINING.
209
00:09:17,233 --> 00:09:18,467
YES, YOU CAN,
210
00:09:18,500 --> 00:09:19,933
BECAUSE WITH
YOUR METABOLISM,
211
00:09:19,967 --> 00:09:22,433
AND THE WORKOUT
I'M ABOUT TO GIVE YOU,
212
00:09:22,467 --> 00:09:23,700
YOU CAN INDULGE
213
00:09:23,733 --> 00:09:25,467
IN MY LITTLE
BREAKFAST SOUFFLE.
214
00:09:25,500 --> 00:09:26,567
CAN I?
215
00:09:26,600 --> 00:09:27,567
YES.
216
00:09:27,600 --> 00:09:28,600
OKAY.
217
00:09:31,733 --> 00:09:32,767
WORKOUT, HUH?
218
00:09:32,800 --> 00:09:34,267
MM-HMM.
219
00:09:34,300 --> 00:09:37,167
[ALICE]:
YES, THAT SAME LARA.
220
00:09:37,200 --> 00:09:38,967
WE LOVE HER.
221
00:09:39,067 --> 00:09:40,900
LARA THE LARCENIST.
222
00:09:40,933 --> 00:09:42,700
LARA THE LIBERATOR.
223
00:09:42,733 --> 00:09:46,500
LARA THE NEW, UH, TRUE LOVE
224
00:09:46,533 --> 00:09:48,067
OF-- OF DANA.
225
00:09:48,067 --> 00:09:49,467
AND, UH...
226
00:09:49,500 --> 00:09:51,167
YEAH.
227
00:09:51,200 --> 00:09:53,067
I MEAN, DANA,
228
00:09:53,067 --> 00:09:56,500
WHO TOLD ME SHE NEEDED CLOSURE,
229
00:09:56,533 --> 00:09:58,400
CLOSURE WITH LARA.
230
00:09:58,433 --> 00:10:03,233
WELL...
231
00:10:03,267 --> 00:10:04,633
IT'S SIX MONTHS LATER,
232
00:10:04,667 --> 00:10:06,267
AND I'M STILL
WAITING FOR IT TO CLOSE.
233
00:10:06,300 --> 00:10:08,667
[***]
234
00:10:08,700 --> 00:10:11,467
* HELLO, EVERYBODY
235
00:10:11,500 --> 00:10:13,633
* SO GLAD TO SEE YOU
236
00:10:13,667 --> 00:10:17,333
* HELLO, TO LOLA
237
00:10:17,367 --> 00:10:19,667
* SO GLAD TO SEE YOU
238
00:10:19,700 --> 00:10:23,067
* HELLO, TO PIERCE
239
00:10:23,100 --> 00:10:25,533
* SO GLAD TO SEE YOU
240
00:10:25,567 --> 00:10:28,867
* HELLO, TO ANGELICA
241
00:10:28,900 --> 00:10:30,900
* SO GLAD TO SEE YOU
242
00:10:30,933 --> 00:10:34,733
* HELLO, EVERYBODY
243
00:10:34,767 --> 00:10:38,033
* SO GLAD TO SEE YOU
244
00:10:38,067 --> 00:10:40,167
YAY!
245
00:10:43,600 --> 00:10:45,733
IT'S TIME FOR INSTRUMENTS.
246
00:10:45,767 --> 00:10:47,867
I'LL TRY AND GET HER
THE TRIANGLE TODAY.
247
00:10:47,900 --> 00:10:48,900
OKAY.
248
00:10:49,933 --> 00:10:52,567
[INSTRUMENTS RATTLING]
249
00:10:52,600 --> 00:10:54,500
OH, I WAS JUST
LOOKING FOR THAT.
250
00:10:54,533 --> 00:10:56,033
I'M SURE THERE'S MORE.
251
00:10:56,067 --> 00:10:57,733
NO, THERE AREN'T.
THAT'S THE LAST ONE.
252
00:10:57,767 --> 00:10:58,733
SORRY.
253
00:10:58,767 --> 00:10:59,867
ASSHOLE.
254
00:11:04,633 --> 00:11:07,300
OKAY, DOES EVERYONE
HAVE AN INSTRUMENT?
255
00:11:07,333 --> 00:11:08,600
IT'S TIME TO GET UP
256
00:11:08,633 --> 00:11:10,800
FOR "DANCE
IN A CIRCLE" TIME.
257
00:11:12,667 --> 00:11:13,900
[INSTRUCTOR CHUCKLING]
258
00:11:23,500 --> 00:11:24,933
SORRY ABOUT THAT.
259
00:11:24,967 --> 00:11:26,667
AH, IT HAPPENS,
260
00:11:26,700 --> 00:11:29,267
ESPECIALLY WITH
SOME OF THESE MOMS.
261
00:11:29,300 --> 00:11:32,800
WHICH ONE OF YOU
IS THE MOM?
262
00:11:32,833 --> 00:11:34,667
I GAVE BIRTH, ACTUALLY.
263
00:11:34,700 --> 00:11:37,067
OH, WOW, I WOULD HAVE
FIGURED IT WAS HER.
264
00:11:37,067 --> 00:11:38,967
YOU DAUGHTER LOOKS
A LOT LIKE HER.
265
00:11:39,067 --> 00:11:40,500
SHE'S NOT YOUR
SISTER, IS SHE?
266
00:11:40,533 --> 00:11:42,633
SHE'S MY PARTNER.
267
00:11:42,667 --> 00:11:43,733
OH...
268
00:11:43,767 --> 00:11:45,067
[TINA LAUGHS POLITELY]
269
00:11:45,067 --> 00:11:46,133
AND, UM...
270
00:11:49,500 --> 00:11:52,167
SHE'S A LITTLE
STRESSED OUT TODAY.
271
00:11:52,200 --> 00:11:53,633
WE'RE ABOUT TO HAVE
A HOME VISIT
272
00:11:53,667 --> 00:11:56,167
FROM THE ADOPTION
SOCIAL WORKER.
273
00:11:56,200 --> 00:11:57,600
BUT SHE'S YOUR BABY.
274
00:11:57,633 --> 00:11:59,067
YEAH.
275
00:11:59,067 --> 00:12:02,400
I MEAN, BUT NOT BETTE'S,
276
00:12:02,433 --> 00:12:03,700
AT LEAST,
NOT ACCORDING TO THE LAW.
277
00:12:03,733 --> 00:12:05,400
SHE HAS TO DO THIS THING
278
00:12:05,433 --> 00:12:07,333
THAT'S CALLED A
SECOND PARENT ADOPTION,
279
00:12:07,367 --> 00:12:10,467
SO SHE CAN LEGALLY BECOME
ANGELICA'S OTHER PARENT.
280
00:12:10,500 --> 00:12:11,633
HMM.
281
00:12:11,667 --> 00:12:13,400
COMPLICATED.
282
00:12:15,067 --> 00:12:17,067
THIS IS SO WEIRD.
283
00:12:17,067 --> 00:12:20,067
I DIDN'T REALIZE
IT WOULD BE SO AWKWARD.
284
00:12:20,067 --> 00:12:22,867
IT DOESN'T HAVE
TO BE AWKWARD, MOM.
285
00:12:22,900 --> 00:12:24,467
JUST TELL ME
WHAT'S BEEN GOING ON,
286
00:12:24,500 --> 00:12:26,833
AND I'LL DO MY BEST
TO HELP YOU OUT.
287
00:12:26,867 --> 00:12:32,100
I-- I THINK IT STARTED
AROUND THE TIME DADDY GOT SICK,
288
00:12:32,133 --> 00:12:34,200
AND I JUST-- I DIDN'T DEAL.
289
00:12:34,233 --> 00:12:36,067
I JUST DIDN'T DEAL.
290
00:12:36,067 --> 00:12:38,067
I KNOW
IT'S MY FAULT,
291
00:12:38,067 --> 00:12:42,300
FOR LETTING IT, YOU KNOW,
GO THIS LONG, BUT HE...
292
00:12:42,333 --> 00:12:45,233
HE WAS SO SICK,
AND HE NEEDED ALL MY ATTENTION,
293
00:12:45,267 --> 00:12:46,367
AND, YOU KNOW,
294
00:12:46,400 --> 00:12:47,800
IF I HAD TAKEN
CARE OF MYSELF,
295
00:12:47,833 --> 00:12:49,400
WE WOULD HAVE CAUGHT IT
BEFORE IT GOT THIS BAD--
296
00:12:49,433 --> 00:12:52,367
WHOA, WHOA,
WHOA, WHOA, MOM.
297
00:12:52,400 --> 00:12:53,633
LET'S NOT
PLAN YOUR FUNERAL YET.
298
00:12:53,667 --> 00:12:54,867
NOW, WHAT ARE YOUR SYMPTOMS?
299
00:12:57,833 --> 00:13:00,400
WELL, BREATHING.
300
00:13:00,433 --> 00:13:02,200
I HAVE A HARD TIME BREATHING,
301
00:13:02,233 --> 00:13:04,433
AND HEART PALPITATIONS,
302
00:13:04,467 --> 00:13:05,600
AND SOMETIMES,
303
00:13:05,633 --> 00:13:09,233
I HAVE TO SIT DOWN
TO CATCH MY BREATH,
304
00:13:09,267 --> 00:13:12,633
AND I, UH...
305
00:13:12,667 --> 00:13:14,433
I'M HAVING THESE HEADACHES
EVERY DAY,
306
00:13:14,467 --> 00:13:16,300
AND I KNOW THEY'RE CONNECTED
TO SOMETHING
307
00:13:16,333 --> 00:13:20,600
THAT'S BAD
GOING ON SOMEWHERE ELSE
308
00:13:20,633 --> 00:13:23,233
AND I-- I'M HAVING A HARD TIME
309
00:13:23,267 --> 00:13:25,300
JUST CONCENTRATING
ON ANY ONE THING.
310
00:13:25,333 --> 00:13:28,700
WELL, YOUR BLOOD PRESSURE'S
A LITTLE HIGH,
311
00:13:28,733 --> 00:13:30,267
BUT IT'S NOT OFF THE CHART.
312
00:13:30,300 --> 00:13:33,067
DON'T ASSUME
THE WORST, OKAY?
313
00:13:33,067 --> 00:13:34,967
HERE'S WHAT
WE'RE GOING TO DO.
314
00:13:35,067 --> 00:13:36,200
I'M GOING TO SEND YOU
FOR SOME BLOODWORK.
315
00:13:36,233 --> 00:13:38,500
WE'RE GOING TO
CHECK YOUR LEVELS.
316
00:13:38,533 --> 00:13:40,400
WE'RE GOING TO RUN A FEW TESTS.
317
00:13:40,433 --> 00:13:42,400
NOW, I'M ACTUALLY BETTING
THAT THIS IS PSYCHOLOGICAL.
318
00:13:45,633 --> 00:13:47,167
YOU'RE UNDER A LOT OF STRESS,
319
00:13:47,200 --> 00:13:49,067
RUNNING THAT BUSINESS
ALL BY YOURSELF,
320
00:13:49,100 --> 00:13:50,967
NOT TO MENTION ALL THE TIME
HELPING WITH TINA'S BABY.
321
00:13:51,067 --> 00:13:54,467
YEAH, WELL, IT'S BETTE'S BABY,
TOO, YOU KNOW, NOT JUST TINA'S.
322
00:13:54,500 --> 00:13:56,767
JUST CALL TODAY.
323
00:14:01,167 --> 00:14:05,200
YEAH, IT'S, UM,
2:00 TO 6:00 ON SATURDAY.
324
00:14:05,233 --> 00:14:06,800
IT'S HER SIX-MONTH.
325
00:14:06,833 --> 00:14:09,067
IT'S REALLY JUST AN EXCUSE
TO HAVE A PARTY.
326
00:14:09,067 --> 00:14:10,167
THANKS. I'LL TRY AND MAKE IT.
327
00:14:10,200 --> 00:14:11,200
OKAY. TAKE CARE.
328
00:14:11,233 --> 00:14:13,400
SEE YOU.
329
00:14:13,433 --> 00:14:15,067
WHY DID YOU
INVITE HIM?
330
00:14:15,067 --> 00:14:16,867
HE'S SWEET. I LIKE HIM.
331
00:14:16,900 --> 00:14:19,200
HE'S SO...STRAIGHT.
332
00:14:19,233 --> 00:14:20,767
SINCE WHEN DID YOU HAVE
A PROBLEM WITH STRAIGHT PEOPLE?
333
00:14:20,800 --> 00:14:22,267
I DON'T HAVE A PROBLEM
WITH STRAIGHT PEOPLE.
334
00:14:22,300 --> 00:14:23,533
IT'S JUST-- HE'S SO...
335
00:14:23,567 --> 00:14:24,467
YOU KNOW, SUBURBAN.
336
00:14:24,500 --> 00:14:25,667
I GREW UP
IN THE SUBURBS.
337
00:14:25,700 --> 00:14:28,567
THE SUBURBS
AREN'T THAT TERRIBLE.
338
00:14:28,600 --> 00:14:30,067
WHY DOES EVERYBODY
HAVE TO BE A HIPSTER?
339
00:14:31,967 --> 00:14:33,833
ANGUS...
340
00:14:33,867 --> 00:14:35,300
I HAVE A PROPOSITION
FOR YOU.
341
00:14:35,333 --> 00:14:36,967
HMM?
342
00:14:37,067 --> 00:14:39,233
WOULD YOU BE INTERESTED
IN PLAYING FOR THE KIDS
343
00:14:39,267 --> 00:14:40,400
AT ANGELICA'S
SIX-MONTH CELEBRATION?
344
00:14:40,433 --> 00:14:41,500
WOW. YEAH.
345
00:14:41,533 --> 00:14:43,067
I'LL PLAY ALMOST
ANYWHERE I'M INVITED
346
00:14:43,067 --> 00:14:45,267
AS LONG AS
THERE'S A PAYCHECK INVOLVED.
347
00:14:45,300 --> 00:14:48,067
MY BAND'S TRYING TO PUT OUT
OUR CD.
348
00:14:48,067 --> 00:14:50,400
WHAT DO YOU THINK,
ANGELICA?
349
00:14:50,433 --> 00:14:53,467
WANT ME TO ROCK
YOUR HALF-BIRTHDAY PARTY?
350
00:14:53,500 --> 00:14:54,500
MAYBE SOME OZZY?
351
00:14:54,533 --> 00:14:55,700
BLACK SABBATH?
352
00:14:55,733 --> 00:14:56,833
I WAS ACTUALLY
THINKING
353
00:14:56,867 --> 00:14:58,367
MORE OF COCK-A-DOODLE-DOO.
354
00:14:58,400 --> 00:14:59,733
NO, THAT'S WHAT YOU'LL GET.
355
00:14:59,767 --> 00:15:01,700
THANKS, I COULD REALLY
USE THE CASH.
356
00:15:01,733 --> 00:15:02,900
GREAT.
357
00:15:02,933 --> 00:15:04,400
OOH, COME HERE.
358
00:15:04,433 --> 00:15:06,067
I AM POWER AND BEAUTY,
359
00:15:06,067 --> 00:15:07,600
EMANATING THE WARMTH
OF THE SUN,
360
00:15:07,633 --> 00:15:10,333
THROUGH A HEART
AS DEEP AS THE OCEAN.
361
00:15:10,367 --> 00:15:13,500
ARE YOU SURE IT'S NOT
"POCKETS AS DEEP AS THE OCEAN"?
362
00:15:13,533 --> 00:15:14,300
IT COULD BE.
363
00:15:14,333 --> 00:15:17,833
YEAH, POCKETS.
364
00:15:17,867 --> 00:15:19,633
UH, YOU JUST BOUGHT SOMETHING,
365
00:15:19,667 --> 00:15:21,433
SOMETHING THAT MOST PEOPLE
CONSIDER RECKLESS AND FOOLISH.
366
00:15:21,467 --> 00:15:23,400
WE ARE ABOUT TO CLOSE
ON A DEAL,
367
00:15:23,433 --> 00:15:25,500
BUT I CAN'T TELL YOU
WHAT IT IS.
368
00:15:25,533 --> 00:15:27,400
YOU DON'T HAVE TO SAY.
369
00:15:29,467 --> 00:15:31,233
YOU BOUGHT A MOVIE STUDIO.
370
00:15:31,267 --> 00:15:34,733
MY GOD,
HOW DID YOU KNOW THAT?
371
00:15:34,767 --> 00:15:38,600
BECAUSE THE CARDS
KNOW EVERYTHING.
372
00:15:38,633 --> 00:15:39,733
OH...
373
00:15:39,767 --> 00:15:43,633
AND THERE'S A ROMANCE
IN YOUR FUTURE.
374
00:15:43,667 --> 00:15:44,900
SEE?
375
00:15:44,933 --> 00:15:46,700
THIS IS YOU, THE EMPRESS.
376
00:15:46,733 --> 00:15:48,133
SHE KNOWS HOW
TO PAMPER HERSELF,
377
00:15:48,167 --> 00:15:49,200
BUT SHE REALLY KNOWS
378
00:15:49,233 --> 00:15:51,067
HOW TO TAKE CARE OF HER LOVERS,
379
00:15:51,067 --> 00:15:54,600
AND THIS, THE KNIGHT OF WANDS,
THAT'S THE LOVE INTEREST.
380
00:15:54,633 --> 00:15:56,900
IT'S A CREATIVE PERSON,
AN ARTIST OF SOME KIND,
381
00:15:56,933 --> 00:16:00,233
VOLATILE AND CHANGEABLE,
ESPECIALLY SEXUALLY.
382
00:16:00,267 --> 00:16:01,500
SEXUALLY CHANGEABLE?
383
00:16:01,533 --> 00:16:03,067
WHAT DOES THAT MEAN,
BISEXUAL OR SOMETHING?
384
00:16:03,100 --> 00:16:04,300
SHUFFLE
AND TAKE THREE MORE CARDS.
385
00:16:21,167 --> 00:16:22,300
BISEXUAL, YEAH.
386
00:16:22,333 --> 00:16:24,967
THIS PERSON
IS BISEXUAL.
387
00:16:25,067 --> 00:16:27,767
HE OR SHE, UH--
388
00:16:27,800 --> 00:16:29,967
SHE, I THINK--
389
00:16:30,067 --> 00:16:31,400
IS GOING TO STAND
BACK TO BACK WITH YOU,
390
00:16:31,433 --> 00:16:32,633
AND THEN FACE TO FACE.
391
00:16:33,633 --> 00:16:34,633
WHAT DOES THAT MEAN?
392
00:16:40,067 --> 00:16:41,500
I'M SORRY.
393
00:16:41,533 --> 00:16:45,433
I CAN'T TELL YOU ANY MORE
RIGHT NOW.
394
00:16:45,467 --> 00:16:48,367
EXCEPT THAT SHE DRIVES
A BLUE CAR,
395
00:16:48,400 --> 00:16:49,667
AND SHE'S A BRUNETTE.
396
00:16:52,100 --> 00:16:53,500
ALL RIGHT, NOW,
397
00:16:53,533 --> 00:16:55,067
ONE OF YOU LIE DOWN
ON THIS FLUFFY COUCH,
398
00:16:55,100 --> 00:16:57,267
AND THE OTHER ONE,
COME AND PICK SOME MATERIAL.
399
00:16:57,300 --> 00:16:58,800
MAMA T, WHY DON'T YOU
BE THE "LIER-DOWNER,"
400
00:16:58,833 --> 00:17:00,633
AND I'LL GO CHOOSE
SOME MATERIALS FOR US.
401
00:17:00,667 --> 00:17:02,233
NO... PLEASE.
402
00:17:02,267 --> 00:17:03,733
WHAT?
403
00:17:03,767 --> 00:17:05,667
DO YOU ALSO CALL HER MAMA B?
404
00:17:05,700 --> 00:17:08,133
UH, YEAH, SOMETIMES I DO
CALL HER MAMA B.
405
00:17:08,167 --> 00:17:09,167
OKAY, GET UP.
406
00:17:09,200 --> 00:17:10,133
YOU GO SIT DOWN.
407
00:17:10,167 --> 00:17:11,233
SIT DOWN.
408
00:17:14,267 --> 00:17:17,700
ALL RIGHT, LISTEN,
THE GUIDING PRINCIPLE HERE
409
00:17:17,733 --> 00:17:18,933
IS THAT WE ARE
TRYING TO REKINDLE
410
00:17:18,967 --> 00:17:19,933
THE SEXUAL SPARK
411
00:17:19,967 --> 00:17:21,367
IN THIS LONG-TERM
RELATIONSHIP,
412
00:17:21,400 --> 00:17:24,233
AND "MAMA T" AND "MAMA B"
413
00:17:24,267 --> 00:17:27,567
DO NOT MAKE MAD PASSIONATE LOVE
TO ONE ANOTHER.
414
00:17:27,600 --> 00:17:28,700
THEY MAKE COOKIES.
415
00:17:28,733 --> 00:17:30,200
OKAY.
416
00:17:30,233 --> 00:17:33,633
NOW, WHEN YOU DO
THESE SENSATE FOCUS EXERCISES
417
00:17:33,667 --> 00:17:34,767
AT HOME,
418
00:17:34,800 --> 00:17:36,067
TINA,
SHE'LL BE NAKED,
419
00:17:36,067 --> 00:17:37,100
WEARING
A BLINDFOLD.
420
00:17:37,133 --> 00:17:38,133
OH-HO, NO WAY.
421
00:17:38,167 --> 00:17:39,733
WHAT'S WRONG WITH THAT?
422
00:17:39,767 --> 00:17:41,067
I'LL FEEL
RIDICULOUS.
423
00:17:41,067 --> 00:17:42,467
I DON'T WANT ANYBODY
424
00:17:42,500 --> 00:17:44,067
STARING DOWN
AT MY NAKED BODY,
425
00:17:44,067 --> 00:17:46,833
TICKLING ME WITH STRIPS
OF RUBBER AND SUEDE.
426
00:17:46,867 --> 00:17:48,933
WELL, FIRST OF ALL,
I'M NOT JUST ANYBODY,
427
00:17:48,967 --> 00:17:51,667
I'M YOUR LIFE PARTNER
AND WOULD-BE LOVER,
428
00:17:51,700 --> 00:17:54,333
AND SECONDLY,
I FIND YOU BEAUTIFUL.
429
00:17:54,367 --> 00:17:56,367
YOU CAN'T POSSIBLY FIND
THIS BIG UGLY SCAR
430
00:17:56,400 --> 00:17:58,133
AND MY SAGGING
STOMACH
431
00:17:58,167 --> 00:17:59,133
AND MY LEAKY NIPPLES
432
00:17:59,167 --> 00:18:00,200
BEAUTIFUL.
433
00:18:00,233 --> 00:18:01,300
YOU CANNOT TELL ME
434
00:18:01,333 --> 00:18:02,933
WHAT I CAN AND CAN'T
FIND BEAUTIFUL.
435
00:18:02,967 --> 00:18:04,200
I MEAN, I DON'T THINK
THIS IS ALL ABOUT
436
00:18:04,233 --> 00:18:06,500
YOU FEELING
UNATTRACTIVE OR TIRED.
437
00:18:06,533 --> 00:18:08,800
I HATE TO SAY THIS,
BUT, DR. FARBER,
438
00:18:08,833 --> 00:18:10,400
I THINK SHE'S STILL
PUNISHING ME FOR--
439
00:18:10,433 --> 00:18:11,567
I AM NOT
PUNISHING YOU.
440
00:18:11,600 --> 00:18:12,533
OH NO?
441
00:18:12,567 --> 00:18:14,267
I'M EXHAUSTED.
442
00:18:14,300 --> 00:18:15,633
I AM UP HALF THE NIGHT
WITH ANGELICA--
443
00:18:15,667 --> 00:18:17,667
LET'S TRY SOMETHING ELSE,
ALL RIGHT?
444
00:18:17,700 --> 00:18:19,433
UH...
445
00:18:21,067 --> 00:18:23,200
WE COULD TRY THE...
446
00:18:23,233 --> 00:18:25,867
THE LOVERS' PAINTBOX.
447
00:18:25,900 --> 00:18:26,900
BEAUTIFUL.
448
00:18:26,933 --> 00:18:28,100
VERY HIGH QUALITY CHOCOLATE.
449
00:18:28,133 --> 00:18:30,867
$33.95.
450
00:18:30,900 --> 00:18:32,433
[WHISPERING]:
IT'S TOO EXPENSIVE.
451
00:18:32,467 --> 00:18:34,767
AND THIS IS...
452
00:18:34,800 --> 00:18:38,200
THE HOT SEX ICE CUBE KIT.
453
00:18:38,233 --> 00:18:40,267
$19.95, NOT AS EXPENSIVE.
454
00:18:40,300 --> 00:18:42,933
WHAT DO YOU DO WITH
THE ICE CUBE KIT?
455
00:18:42,967 --> 00:18:44,300
WELL, YOU
TAKE A CUBE,
456
00:18:44,333 --> 00:18:45,300
AND IT COULD BE
BREAST-SHAPED,
457
00:18:45,333 --> 00:18:46,100
PENIS-SHAPED,
WHATEVER.
458
00:18:46,133 --> 00:18:47,533
PUT IT IN YOUR MOUTH,
459
00:18:47,567 --> 00:18:50,167
LET A LITTLE WATER DRIP
ON HER CLIT,
460
00:18:50,200 --> 00:18:52,400
ON HER NIPPLES...
461
00:18:52,433 --> 00:18:54,067
AND BECAUSE, REALLY,
462
00:18:54,067 --> 00:18:56,667
ONE OF THE BIG PROBLEMS
OF LESBIAN SEXUAL DYSFUNCTION
463
00:18:56,700 --> 00:18:58,433
IS AVERSION TO ORAL STIMULATION.
464
00:18:58,467 --> 00:19:01,800
AND THOSE,
IF YOU PARDON THE PUN,
465
00:19:01,833 --> 00:19:04,900
ARE A MAJOR
ICEBREAKER.
466
00:19:04,933 --> 00:19:07,967
OR IF ALL ELSE FAILS,
467
00:19:08,067 --> 00:19:11,633
TRY A LITTLE HUMOR.
468
00:19:11,667 --> 00:19:13,100
COME ON,
A LITTLE LEVITY
469
00:19:13,133 --> 00:19:14,833
NEVER HURT
ANYBODY'S SEX LIFE.
470
00:19:14,867 --> 00:19:18,167
OKAY, SO, WHAT TIME DO YOU PUT
ANGELICA DOWN TO SLEEP?
471
00:19:18,200 --> 00:19:21,167
OH, WELL, IT DIFFERS
EVERY NIGHT.
472
00:19:21,200 --> 00:19:22,767
WE DON'T REALLY HAVE HER
ON A SCHEDULE.
473
00:19:22,800 --> 00:19:24,467
YEAH.
474
00:19:24,500 --> 00:19:25,967
TONIGHT, GET HER TO SLEEP,
PUT HER IN THE CRIB--
475
00:19:26,067 --> 00:19:27,833
NOW, WE DON'T
PUT HER DOWN.
476
00:19:27,867 --> 00:19:30,067
WE'RE PRACTICING
ATTACHMENT PARENTING.
477
00:19:30,100 --> 00:19:31,300
WE TRY TO KEEP HER
IN CONTACT
478
00:19:31,333 --> 00:19:32,533
WITH ANOTHER HUMAN BODY
479
00:19:32,567 --> 00:19:34,400
AS MUCH AS POSSIBLE.
480
00:19:34,433 --> 00:19:35,867
WHERE IS SHE RIGHT NOW?
481
00:19:37,833 --> 00:19:38,967
MY TURN.
482
00:19:39,067 --> 00:19:40,933
OOH, YEAH.
483
00:19:40,967 --> 00:19:42,133
YEAH, SHE'S
A BIG GIRL.
484
00:19:42,167 --> 00:19:45,067
WHOO-HOO!
485
00:19:45,067 --> 00:19:46,233
I WOULDN'T SAY
486
00:19:46,267 --> 00:19:48,167
MY PARENTS ARE HAPPY
ABOUT IT, NECESSARILY.
487
00:19:48,200 --> 00:19:51,300
I WOULD JUST SAY
THAT THEY'VE ACCEPTED IT,
488
00:19:51,333 --> 00:19:52,967
SORT OF,
IN THEIR OWN WAY.
489
00:19:53,067 --> 00:19:54,300
YEAH, THEY DON'T TRY
490
00:19:54,333 --> 00:19:55,067
AND FIX YOU UP
WITH GUYS ANYMORE,
491
00:19:55,100 --> 00:19:55,967
SO THAT'S GOOD.
492
00:19:56,067 --> 00:19:56,467
THAT'S GOOD.
493
00:19:56,500 --> 00:19:57,967
YEAH.
494
00:19:58,067 --> 00:19:59,200
THE WHOLE
"COMING OUT TO YOUR PARENTS"
495
00:19:59,233 --> 00:20:01,767
IN A MEXICAN FAMILY,
THAT STUFF?
496
00:20:01,800 --> 00:20:03,167
MM, THERE'S SOMETHING ABOUT IT.
497
00:20:03,200 --> 00:20:04,633
IT DOESN'T REALLY PLAY.
498
00:20:04,667 --> 00:20:06,500
NO, SO YOU JUST
STAY IN THE CLOSET.
499
00:20:06,533 --> 00:20:07,767
NO, SWEETHEART.
YES.
500
00:20:07,800 --> 00:20:09,600
YOU DON'T JUST
STAY IN THE CLOSET.
501
00:20:09,633 --> 00:20:10,800
THERE ARE CERTAIN THINGS
THAT ARE UNDERSTOOD,
502
00:20:10,833 --> 00:20:12,400
AND IT IS UNDERSTOOD
503
00:20:12,433 --> 00:20:13,967
THAT WE DO NOT TALK
ABOUT THOSE THINGS.
504
00:20:14,000 --> 00:20:15,467
LIKE, I HAVE THIS
UNCLE POPPY,
505
00:20:15,500 --> 00:20:17,333
AND HE BORROWED HIS SISTER'S
PROM DRESS ONE YEAR,
506
00:20:17,367 --> 00:20:20,167
AND WHAT HE DID WITH THAT
PROM DRESS, WE DON'T KNOW,
507
00:20:20,200 --> 00:20:22,867
AND, GUESS WHAT,
WE DON'T ASK.
508
00:20:22,900 --> 00:20:24,467
I FOUND IT DISCONCERTING,
THAT'S ALL.
509
00:20:24,500 --> 00:20:25,500
WHY?
510
00:20:25,533 --> 00:20:26,700
WHAT'S WRONG
WITH "CLIT"?
511
00:20:26,733 --> 00:20:28,100
IT'S A LITTLE
GRAPHIC.
512
00:20:28,133 --> 00:20:29,233
I PREFER
THAT OUR THERAPIST
513
00:20:29,267 --> 00:20:30,600
USE A MORE
NEUTRAL LANGUAGE.
514
00:20:30,633 --> 00:20:33,100
SO "CLIT" MADE YOU
UNCOMFORTABLE?
A LITTLE, YEAH.
515
00:20:33,133 --> 00:20:34,700
WHAT ABOUT "CUNT"? DO YOU HAVE
A PROBLEM WITH "CUNT"?
516
00:20:34,733 --> 00:20:35,700
IT'S NOT MY FAVORITE.
HEY, BOO-BOO!
517
00:20:35,733 --> 00:20:37,367
LOOK WHO IT IS.
518
00:20:38,367 --> 00:20:39,533
HEY...
519
00:20:39,567 --> 00:20:40,600
HI.
520
00:20:40,633 --> 00:20:42,800
ACTUALLY, I LIKE "PUSSY."
521
00:20:42,833 --> 00:20:44,300
OH, HEAR! HEAR!
I LOVE "PUSSY."
522
00:20:44,333 --> 00:20:45,333
EXCUSE ME.
523
00:20:45,367 --> 00:20:47,500
WELL, SHANE,
IT'S NOT LIKE
524
00:20:47,533 --> 00:20:49,000
SHE CAN REALLY UNDERSTAND
WHAT WE'RE TALKING ABOUT--
525
00:20:49,033 --> 00:20:50,100
YOU DON'T KNOW THAT.
526
00:20:50,133 --> 00:20:52,267
WHAT ARE YOU
TALKING ABOUT?
527
00:20:52,300 --> 00:20:53,833
WELL, TINA HAS A PROBLEM
WITH THE WORD "CLIT,"
528
00:20:53,867 --> 00:20:56,200
WHICH I FIND
SOMEWHAT TROUBLING,
529
00:20:56,233 --> 00:20:58,167
AND SHE'S ALSO
NOT TOO FOND OF "CUNT."
530
00:20:58,200 --> 00:21:00,433
OH, MY GOD,
I LOVE THE WORD "CUNT."
531
00:21:00,467 --> 00:21:01,833
I FIND IT
TOTALLY HOT.
532
00:21:01,867 --> 00:21:03,100
NO-- YOU DO?
533
00:21:03,133 --> 00:21:05,400
YEAH, DON'T YOU?
534
00:21:07,567 --> 00:21:08,567
I...
535
00:21:08,600 --> 00:21:10,233
WELL, WHAT WORDS DO YOU USE?
536
00:21:13,533 --> 00:21:15,167
"PUSSY" WORKS FOR ME.
537
00:21:15,200 --> 00:21:16,633
MM-HMM. "BEAVER"
IS ALSO FUN SOMETIMES,
538
00:21:16,667 --> 00:21:17,400
AND I LIKE "TWAT."
539
00:21:17,433 --> 00:21:20,267
[GIGGLING]
540
00:21:20,300 --> 00:21:21,567
I ACTUALLY
REALLY LIKE TWAT.
541
00:21:21,600 --> 00:21:22,633
YOU KNOW THAT.
542
00:21:22,667 --> 00:21:23,633
I KNOW.
543
00:21:23,667 --> 00:21:24,767
AW, BABE.
544
00:21:24,800 --> 00:21:27,200
I KNOW.
545
00:21:27,233 --> 00:21:28,900
SEE, I GREW UP
IN A WORLD OF EUPHEMISMS.
546
00:21:28,933 --> 00:21:30,400
LIKE, "DOWN THERE,"
547
00:21:30,433 --> 00:21:32,233
"NETHER REGIONS,"
"PRIVATE PARTS,"
548
00:21:32,267 --> 00:21:33,600
"NAUGHTY BITS."
549
00:21:33,633 --> 00:21:35,767
"UH-OH, DON'T TOUCH
YOUR NO-NO."
550
00:21:37,433 --> 00:21:38,433
I WAS THE SAME WAY.
551
00:21:38,467 --> 00:21:40,200
PRIVATE PARTS,
LADY PARTS,
552
00:21:40,233 --> 00:21:42,067
LADY PARTS, "IT."
553
00:21:42,100 --> 00:21:43,900
"IT," THAT'S MY
PERSONAL FAVORITE--
554
00:21:43,933 --> 00:21:46,400
THEN WHO CAME UP
WITH "PEEPER"?
555
00:21:46,433 --> 00:21:48,067
PEEPER. PEEPER,
PEEPER, PEEPER...
556
00:21:48,067 --> 00:21:50,367
MAMA T, WHY DON'T YOU
FEED HER FOR A WHILE.
557
00:21:50,400 --> 00:21:51,667
I THINK SHE'S HUNGRY.
558
00:21:51,700 --> 00:21:53,167
SHE'S FINE.
559
00:21:53,200 --> 00:21:54,200
PEEPER, PEEPER, PEEPER.
560
00:21:54,233 --> 00:21:55,267
ALICE, SERIOUSLY--
561
00:21:55,300 --> 00:21:56,867
"TOUCH MY PEEPER, AL.
562
00:21:56,900 --> 00:21:59,900
NOBODY TOUCHES MY PEEPER
LIKE YOU DO."
563
00:22:00,067 --> 00:22:01,167
OH, LOOK WHAT HAPPENS
TO MY PEEPER
564
00:22:01,200 --> 00:22:02,967
WHEN IT TOUCHES
YOUR PEEPER.
565
00:22:03,067 --> 00:22:04,467
IT'S A WET PEEPER.
OKAY.
566
00:22:04,500 --> 00:22:05,733
ALICE...
567
00:22:05,767 --> 00:22:06,833
WE'RE GOING TO GO.
568
00:22:06,867 --> 00:22:08,467
IT'S A WET,
WET PEEPER.
569
00:22:08,500 --> 00:22:11,400
ALL RIGHT,
YOU WIN, AL.
570
00:22:12,900 --> 00:22:14,300
PEEPER.
571
00:22:20,067 --> 00:22:21,433
OH, BABY,
SAY HELLO TO AUNTIE ALICE.
572
00:22:21,467 --> 00:22:22,467
MAMA T, PLEASE--
573
00:22:22,500 --> 00:22:24,233
SAY HELLO. SAY HELLO.
574
00:22:28,300 --> 00:22:29,767
SO, WHAT ARE YOU ON NOW?
575
00:22:29,800 --> 00:22:31,100
I'M ON METHYLPHENIDATE.
576
00:22:31,133 --> 00:22:32,933
POSSIBLE
SIDE EFFECTS
577
00:22:32,967 --> 00:22:36,133
INCLUDE, UM, TOURETTE'S.
578
00:22:36,167 --> 00:22:37,100
[SIGHS]
579
00:22:37,133 --> 00:22:38,300
IT'S OKAY.
580
00:22:38,333 --> 00:22:40,067
WE'RE ALL A LITTLE
STRESSED OUT RIGHT NOW.
581
00:22:40,067 --> 00:22:41,500
IT'LL BE OKAY.
YEAH.
582
00:22:41,533 --> 00:22:42,367
TOTALLY.
583
00:22:42,400 --> 00:22:43,733
YEAH, TINA AND I,
584
00:22:43,767 --> 00:22:45,100
WE HAVE OUR FIRST
HOME VISIT
585
00:22:45,133 --> 00:22:47,067
WITH THE ADOPTION
SOCIAL WORKER TODAY.
586
00:22:47,100 --> 00:22:48,633
AH...
587
00:22:48,667 --> 00:22:49,800
I'M GOING TO MEET
588
00:22:49,833 --> 00:22:51,667
CARMEN'S MOTHER
589
00:22:51,700 --> 00:22:53,867
AND HAVE DINNER
WITH HER ENTIRE FAMILY.
590
00:22:53,900 --> 00:22:54,867
AND?
591
00:22:54,900 --> 00:22:55,867
I'M GOING
TO ACT STRAIGHT.
592
00:22:55,900 --> 00:22:57,533
[ALL LAUGHING]
593
00:22:57,567 --> 00:22:58,567
WHO WINS?
594
00:22:58,600 --> 00:22:59,333
YOU WIN.
595
00:22:59,367 --> 00:23:00,800
YEAH, YOU WIN.
596
00:23:00,833 --> 00:23:04,500
INHALE,
TAKE THE GAZE UP PART WAY.
597
00:23:04,533 --> 00:23:06,267
EXHALE, STEPPING BACK.
598
00:23:06,300 --> 00:23:09,400
TO DANDASANA, LOWERING DOWN.
599
00:23:09,433 --> 00:23:12,167
INHALE, COMING INTO UP-DOG.
600
00:23:12,200 --> 00:23:14,667
OPENING UP THE CHEST
THROUGH THE ARMS.
601
00:23:14,700 --> 00:23:19,800
EXHALING BACK
INTO DOWNWARD-FACING DOG.
602
00:23:19,833 --> 00:23:21,900
NOW, LET'S STEP FROM DOWN-DOG,
603
00:23:21,933 --> 00:23:25,100
THE RIGHT FOOT UP
BESIDE THE RIGHT HAND.
604
00:23:25,133 --> 00:23:26,700
WE'RE GOING INTO
WARRIOR ONE, PEOPLE.
605
00:23:26,733 --> 00:23:28,700
VIRABHADRASANA.
606
00:23:28,733 --> 00:23:31,367
[STUDENTS GRUNTING WITH EFFORT]
607
00:23:31,400 --> 00:23:33,833
[SOBBING]
608
00:23:33,867 --> 00:23:35,833
OH, I KNOW.
609
00:23:35,867 --> 00:23:37,733
THIS ONE'S REALLY HARD.
610
00:23:37,767 --> 00:23:39,600
IT KILLS ME.
611
00:23:39,633 --> 00:23:42,367
[SOBBING]
612
00:23:42,400 --> 00:23:44,667
OH, SWEETHEART,
I'M SORRY.
613
00:23:44,700 --> 00:23:47,600
I THOUGHT THIS WOULD BE
GOOD FOR YOU.
614
00:23:47,633 --> 00:23:49,067
IS THERE
ANYTHING I CAN DO?
615
00:23:49,067 --> 00:23:50,667
OH, NO, YOU'RE
A GOOD FRIEND.
616
00:23:50,700 --> 00:23:51,800
YOU'RE A GOOD FRIEND.
617
00:23:51,833 --> 00:23:54,333
NOW PIVOT ON THE BALL
OF THE LEFT FOOT,
618
00:23:54,367 --> 00:23:56,333
DROP THAT HEEL
TO THE GROUND,
619
00:23:56,367 --> 00:23:58,367
TURN THE TOES OUT
45 DEGREES.
620
00:23:58,400 --> 00:24:03,100
IS EVERYONE
COOL WITH THAT?
621
00:24:03,133 --> 00:24:05,433
OH, YOU POOR THING.
622
00:24:05,467 --> 00:24:07,067
IS IT DANA?
623
00:24:07,067 --> 00:24:08,733
I DON'T KNOW.
624
00:24:08,767 --> 00:24:12,767
IT COULD BE
THESE NEW DRUGS I'M ON.
625
00:24:12,800 --> 00:24:13,833
OKAY,
626
00:24:13,867 --> 00:24:15,100
AND DROP YOUR
SHOULDER BLADES
627
00:24:15,133 --> 00:24:19,067
DOWN YOUR BACK.
628
00:24:19,100 --> 00:24:20,900
[SOBBING]
629
00:24:20,933 --> 00:24:24,300
I JUST--
I FEEL A LITTLE UNPREDICTABLE,
630
00:24:24,333 --> 00:24:26,633
BUT I DON'T KNOW, MAYBE...
631
00:24:26,667 --> 00:24:28,200
MAYBE IT'S JUST MAKING ME
SPONTANEOUS, YOU KNOW?
632
00:24:28,233 --> 00:24:29,233
LIKE I'M READY--
633
00:24:29,267 --> 00:24:30,267
SHH...
634
00:24:30,300 --> 00:24:32,667
NO TALKING.
635
00:24:32,700 --> 00:24:35,633
OKAY, NOW, LET'S ALL
PARTNER UP WITH THE PERSON
636
00:24:35,667 --> 00:24:37,767
ON THE MAT
NEXT TO US.
637
00:24:37,800 --> 00:24:41,200
I WANT YOU TO TURN
BACK TO BACK...
638
00:24:43,400 --> 00:24:45,067
AND LINK ARMS.
639
00:24:45,067 --> 00:24:48,533
NOW, THE PERSON FACING
THE FRONT OF THE ROOM,
640
00:24:48,567 --> 00:24:51,700
I WANT YOU TO
BEND FORWARD
641
00:24:51,733 --> 00:24:55,100
AND GENTLY STRETCH
YOUR PARTNER'S BACK.
642
00:24:55,133 --> 00:24:57,233
GENTLY BOUNCE
AND STRETCH.
643
00:24:57,267 --> 00:24:58,300
BOUNCE AND STRETCH.
644
00:24:58,333 --> 00:24:59,300
[SOBBING]
645
00:24:59,333 --> 00:25:01,167
ALICE!
646
00:25:01,200 --> 00:25:02,633
GOOD,
NOW SWITCH.
647
00:25:02,667 --> 00:25:03,833
[GRUNTS]
648
00:25:03,867 --> 00:25:05,933
WAIT, WAIT.
649
00:25:05,967 --> 00:25:07,067
WE'RE NOT QUITE
BACK TO BACK.
650
00:25:07,100 --> 00:25:08,133
OKAY.
651
00:25:09,733 --> 00:25:12,333
OH, GOD.
652
00:25:12,367 --> 00:25:14,167
[SOBBING]
653
00:25:14,200 --> 00:25:16,867
OKAY, ONCE YOU'VE
BOTH DONE THE STRETCH,
654
00:25:16,900 --> 00:25:19,133
I WANT YOU TO STAND
655
00:25:19,167 --> 00:25:20,533
AND TURN TO FACE
YOUR PARTNERS,
656
00:25:20,567 --> 00:25:22,933
AND GRIP ONE
ANOTHER'S SHOULDERS,
657
00:25:22,967 --> 00:25:24,067
LIKE THIS...
658
00:25:26,367 --> 00:25:28,633
AND BEND
YOUR KNEES.
659
00:25:28,667 --> 00:25:29,700
OH, GOD...
660
00:25:29,733 --> 00:25:30,233
HOLY SHIT.
661
00:25:30,267 --> 00:25:31,700
WHAT?
662
00:25:31,733 --> 00:25:34,167
WE WERE BACK TO BACK,
AND NOW WE'RE FACE TO FACE.
663
00:25:34,200 --> 00:25:35,300
YEAH, I KNOW.
THAT'S WHAT HE SAID TO DO.
664
00:25:35,333 --> 00:25:36,500
READY?
665
00:25:36,533 --> 00:25:39,500
OKAY...
666
00:25:41,500 --> 00:25:44,167
[SOBBING]
667
00:25:46,067 --> 00:25:48,233
SATURDAY, THERE'S
A FUSE EVENT AT FALCON.
668
00:25:48,267 --> 00:25:50,500
WE SHOULD GO.
669
00:25:50,533 --> 00:25:51,967
HELENA,
I CAN'T EVEN REMEMBER
670
00:25:52,067 --> 00:25:54,467
HOW TO SAY HELLO
TO A GIRL AT A BAR.
671
00:25:54,500 --> 00:25:56,233
I'LL HELP YOU.
672
00:25:56,267 --> 00:26:00,100
WE'LL SCOPE THE PLACE OUT,
YOU SEE ANYBODY YOU LIKE, AND--
673
00:26:00,133 --> 00:26:03,933
YOUR CAR'S BLUE.
674
00:26:03,967 --> 00:26:05,933
I KNOW IT'S DIRTY.
675
00:26:05,967 --> 00:26:08,233
I'M USUALLY
SUCH A NEAT FREAK, REALLY.
676
00:26:08,267 --> 00:26:09,733
YOU'LL NEVER MEET ANYONE
TIDIER THAN ME.
677
00:26:09,767 --> 00:26:10,733
IT'S JUST...
678
00:26:10,767 --> 00:26:14,067
SINCE DANA, YEAH.
679
00:26:14,067 --> 00:26:17,933
YOU KNOW, MY LIFE IS SHIT,
HELENA, OKAY?
680
00:26:17,967 --> 00:26:20,067
YOU SAW ME IN THERE.
681
00:26:20,067 --> 00:26:21,367
I'M GOOD FOR FIVE MINUTES
ON THESE MEDS, AND THEN IT--
682
00:26:21,400 --> 00:26:22,767
AND THEN
IT WEARS OFF.
683
00:26:22,800 --> 00:26:23,767
THAT'S THE TROUBLE
WITH MEDICATION.
684
00:26:23,800 --> 00:26:25,567
MAYBE YOU SHOULD JUST ST--
685
00:26:25,600 --> 00:26:27,833
I SHOULD TAKE MORE.
I SHOULD TAKE A HIGHER DOSE.
686
00:26:27,867 --> 00:26:29,900
YES, OF COURSE.
IT'S-- I JUST--
687
00:26:29,933 --> 00:26:31,733
IT'S VERY...NOT PRECISE,
THIS PILL-POPPING BUSINESS.
688
00:26:31,767 --> 00:26:33,800
YOU KNOW?
689
00:26:41,267 --> 00:26:43,133
ARE YOU JUDGING ME?
690
00:26:43,167 --> 00:26:45,200
I MEAN, I WOULD UNDERSTAND
IF YOU WERE, BUT...
691
00:26:45,233 --> 00:26:47,067
NO, I JUST...
692
00:26:50,067 --> 00:26:52,333
YOU'RE A GOOD FRIEND,
YOU'RE A GOOD FRIEND.
693
00:26:52,367 --> 00:26:54,067
GOOD FRIEND.
694
00:27:04,133 --> 00:27:05,133
FUCK!
695
00:27:05,167 --> 00:27:07,333
[TELEPHONE RINGING]
696
00:27:07,367 --> 00:27:09,733
KIT, CAN YOU HELP ME
WITH THIS TABLE BEFORE YOU GO?
697
00:27:09,767 --> 00:27:12,400
SHE'S GOING TO BE HERE
IN TWO SECONDS.
698
00:27:12,433 --> 00:27:14,067
[CAR HORN HONKING]
699
00:27:14,067 --> 00:27:17,167
JESUS, WHAT IS
THEIR FUCKING PROBLEM?
700
00:27:17,200 --> 00:27:19,633
HERE WE ARE. OKAY.
701
00:27:19,667 --> 00:27:21,133
THAT'S THE
SOCIAL WORKER.
702
00:27:21,167 --> 00:27:23,967
SHE NEEDS HELP
GETTING UP THE PORCH STEPS.
703
00:27:24,067 --> 00:27:25,233
HERE YOU GO.
704
00:27:25,267 --> 00:27:27,067
HERE WE GO, ANGELICA.
705
00:27:27,100 --> 00:27:28,267
HERE, BOO-BOO.
706
00:27:28,300 --> 00:27:31,800
COME ON, LET'S GO MEET
THE SOCIAL WORKER.
707
00:27:41,700 --> 00:27:42,700
HI.
708
00:27:42,733 --> 00:27:43,967
YOU MADE IT.
709
00:27:44,067 --> 00:27:45,933
HELLO, MS. COLLIE.
710
00:27:45,967 --> 00:27:47,800
I'M BETTE PORTER.
711
00:27:47,833 --> 00:27:49,300
IT'S REALLY NICE
TO MEET YOU.
712
00:27:49,333 --> 00:27:50,933
THIS IS MY PARTNER,
TINA KENNARD,
713
00:27:50,967 --> 00:27:52,967
AND THIS MY SISTER,
714
00:27:53,067 --> 00:27:54,667
KIT PORTER.
715
00:27:54,700 --> 00:27:56,300
AND THIS
716
00:27:56,333 --> 00:27:57,900
IS ANGELICA.
717
00:27:57,933 --> 00:27:59,500
YOU MIGHT WANT
TO PUT THAT BABY DOWN
718
00:27:59,533 --> 00:28:00,667
AND HELP ME
UP THESE STEPS.
719
00:28:00,700 --> 00:28:02,067
WELL, WE DON'T REALLY
PUT HER DOWN,
720
00:28:02,067 --> 00:28:03,700
BUT I THINK
WE'LL BE OKAY.
721
00:28:03,733 --> 00:28:04,700
WHAT DO YOU MEAN,
YOU DON'T PUT HER DOWN?
722
00:28:04,733 --> 00:28:06,300
WELL, WE'RE--
723
00:28:06,333 --> 00:28:08,067
WE'RE PRACTICING
ATTACHMENT PARENTING.
724
00:28:08,067 --> 00:28:10,133
WELL, I SAY
725
00:28:10,167 --> 00:28:12,300
ANYTHING THAT CAN BE ATTACHED
CAN BE DETACHED.
726
00:28:12,333 --> 00:28:13,967
SO WHY DON'T YOU
DETACH THE BABY,
727
00:28:14,067 --> 00:28:15,500
PUT HER IN HER CRIB
FOR A FEW MINUTES
728
00:28:15,533 --> 00:28:16,633
SO YOU DON'T DROP ME.
729
00:28:19,400 --> 00:28:21,900
I THINK TINA AND I
CAN MANAGE THIS, OKAY?
730
00:28:21,933 --> 00:28:23,300
ANYWAY, WE DON'T HAVE A CRIB.
731
00:28:23,333 --> 00:28:25,733
WE BOUGHT ONE,
732
00:28:25,767 --> 00:28:27,433
BUT IT BECAME
APPARENT
733
00:28:27,467 --> 00:28:29,233
THAT WE WEREN'T
GOING TO USE IT,
734
00:28:29,267 --> 00:28:32,467
SO WE DONATED IT
TO A FAMILY IN EAST L.A.
735
00:28:32,500 --> 00:28:33,533
THAT'S WHERE I WORK.
736
00:28:36,067 --> 00:28:37,400
YOU HAVE
A SIX-MONTH-OLD BABY,
737
00:28:37,433 --> 00:28:39,933
AND YOU DON'T
HAVE A CRIB?
738
00:28:39,967 --> 00:28:42,067
OKAY, GOOD LUCK,
MOMMIES.
739
00:28:49,933 --> 00:28:51,300
[TIRES SQUEALING]
740
00:28:51,333 --> 00:28:52,867
CUNT...
741
00:28:52,900 --> 00:28:54,167
CUNT!
742
00:28:57,067 --> 00:28:58,067
HEY... DANA?
743
00:29:01,133 --> 00:29:02,900
DANA!
744
00:29:02,933 --> 00:29:04,233
FUCK YOU!
745
00:29:04,267 --> 00:29:07,067
FUCK YOU!
746
00:29:07,100 --> 00:29:09,467
GOING TO GET AWAY?
THINK YOU'RE GOING TO GET AWAY?
747
00:29:17,967 --> 00:29:19,467
OH, FUCK YOU!
748
00:29:19,500 --> 00:29:20,933
DANA!
749
00:29:22,700 --> 00:29:24,800
[CELLPHONE RINGS]
750
00:29:24,833 --> 00:29:25,700
ARE YOU INSANE?
751
00:29:25,733 --> 00:29:27,067
AM I INSANE?
752
00:29:27,100 --> 00:29:28,300
YOU'RE THE ONE
WHO DID THIS, DANA, OKAY?
753
00:29:28,333 --> 00:29:29,333
JUST STOP IT, AL--
754
00:29:29,367 --> 00:29:30,367
YOU DID THIS!
755
00:29:30,400 --> 00:29:31,400
JUST STOP IT!
756
00:29:31,433 --> 00:29:33,100
I DIDN'T LEAVE YOU, OKAY?
757
00:29:34,300 --> 00:29:35,300
GOD!
758
00:29:35,333 --> 00:29:36,400
ALICE!
759
00:29:38,500 --> 00:29:41,100
[BRAKES SCREECHING]
760
00:29:42,300 --> 00:29:44,067
HOLD IT, DANA,
I'M GETTING ANOTHER CALL.
761
00:29:44,100 --> 00:29:45,133
HOLD ON, OKAY?
762
00:29:45,167 --> 00:29:45,933
[GROWLING]
763
00:29:47,567 --> 00:29:48,600
HELLO?
764
00:29:48,633 --> 00:29:50,400
ALICE?
765
00:29:50,433 --> 00:29:52,133
IT'S HELENA.
766
00:29:52,167 --> 00:29:53,900
LOOK, I WANTED YOU
TO BE THE FIRST TO KNOW--
767
00:29:53,933 --> 00:29:54,967
HELENA...
768
00:29:55,067 --> 00:29:56,633
CAN YOU JUST HOLD ON?
769
00:29:56,667 --> 00:29:57,900
I'M JUST-- DANA'S TRYING
TO GET AWAY FROM ME. HOLD ON.
770
00:29:57,933 --> 00:29:59,767
DANA'S WHAT?
771
00:29:59,800 --> 00:30:01,800
I JUST--
SHE'S TRYING-- FUCK.
772
00:30:01,833 --> 00:30:02,867
FUCK...
773
00:30:02,900 --> 00:30:04,767
HEY, I'M BACK.
774
00:30:04,800 --> 00:30:07,400
I'M BUYING A MOVIE STUDIO,
ALICE.
775
00:30:07,433 --> 00:30:09,267
THAT'S GREAT, HELENA.
THAT'S SO GOOD.
776
00:30:09,300 --> 00:30:10,733
I CAN'T REALLY TALK
RIGHT NOW, THOUGH.
777
00:30:10,767 --> 00:30:12,200
NO, NO, NO.
778
00:30:12,233 --> 00:30:13,867
I NEED TO ASK YOU
ONE QUICK QUESTION.
779
00:30:13,900 --> 00:30:15,600
DANA, FUCK!
780
00:30:15,633 --> 00:30:17,267
WONDERING
WHAT YOUR NATURAL HAIR COLOR IS.
781
00:30:17,300 --> 00:30:18,933
OH, UM...
782
00:30:18,967 --> 00:30:20,967
I GUESS IF I GO BACK
TO CHILDHOOD, IT'S--
783
00:30:21,000 --> 00:30:22,933
YOU KNOW, I WOULD
CONSIDER MYSELF A BLONDE,
784
00:30:22,967 --> 00:30:24,633
UM...
785
00:30:24,667 --> 00:30:25,767
IT KIND OF DEPENDS
786
00:30:25,800 --> 00:30:27,200
ON WHAT ANGLE
YOU LOOK AT ME.
787
00:30:27,233 --> 00:30:29,200
I MEAN, IT'S KIND OF
UP FOR INTERPRETATION.
788
00:30:29,233 --> 00:30:30,067
IF YOU LOOK AT ME
FROM ONE ANGLE,
789
00:30:30,100 --> 00:30:31,567
IT COULD BE A-- A...
790
00:30:31,600 --> 00:30:33,600
YOU KNOW,
A LIGHTISH DIRTY BLONDE,
791
00:30:33,633 --> 00:30:35,600
OR, YOU KNOW
FROM ANOTHER ANGLE,
792
00:30:35,633 --> 00:30:37,100
IT COULD BE SORT OF A-- A...
793
00:30:37,133 --> 00:30:39,633
VERY PALE BRUNETTE.
794
00:30:39,667 --> 00:30:41,933
OH, GODDAMMIT, I LOST HER.
795
00:30:41,967 --> 00:30:42,967
HOLD ON A SEC, OKAY?
796
00:30:43,000 --> 00:30:44,800
ALICE!
797
00:30:46,267 --> 00:30:47,733
HEY, DANE.
798
00:30:47,767 --> 00:30:49,467
DANE, UM, ARE YOU PLANNING ON
GOING STRAIGHT DOWN SUNSET,
799
00:30:49,500 --> 00:30:50,800
OR DO YOU THINK
800
00:30:50,833 --> 00:30:52,967
THAT MAYBE YOU MIGHT
TURN OFF?
801
00:30:53,000 --> 00:30:53,967
DANA?
802
00:30:54,000 --> 00:30:54,967
[DIAL TONE]
803
00:30:55,000 --> 00:30:56,100
DANA?
804
00:31:00,433 --> 00:31:01,700
[SCOFFS]
805
00:31:01,733 --> 00:31:04,167
YOU HAVEN'T EXACTLY
BABY-PROOFED, HAVE YOU?
806
00:31:04,200 --> 00:31:06,667
WELL, I DON'T BELIEVE
IN BABY-PROOFING, PER SE.
807
00:31:06,700 --> 00:31:08,233
I MEAN, FIRST
OF ALL, IT'S UGLY.
808
00:31:08,267 --> 00:31:09,833
AND I REALLY
WANT ANGELICA
809
00:31:09,867 --> 00:31:12,300
TO DEVELOP AN INTRINSIC
SENSE OF BEAUTY.
810
00:31:12,333 --> 00:31:15,067
MM-HMM.
811
00:31:15,067 --> 00:31:17,533
WELL, I CAN TELL
THAT'S IMPORTANT TO YOU, BETTE.
812
00:31:17,567 --> 00:31:20,200
PRESUMABLY, IT'S WHY
I DON'T SEE AN ABUNDANCE
813
00:31:20,233 --> 00:31:22,167
OF BRIGHTLY COLORED,
814
00:31:22,200 --> 00:31:24,067
STIMULATING
INTERACTIVE PLASTIC TOYS
815
00:31:24,067 --> 00:31:25,100
STREWN AROUND THE HOME.
816
00:31:25,133 --> 00:31:28,067
EXACTLY.
817
00:31:28,067 --> 00:31:30,567
AND FROM THE POINT OF VIEW
OF SAFETY?
818
00:31:30,600 --> 00:31:31,600
WELL, MS. COLLIE,
I TRULY BELIEVE--
819
00:31:31,633 --> 00:31:32,600
CALL ME ROBERTA.
820
00:31:32,633 --> 00:31:34,133
ROBERTA...
821
00:31:34,167 --> 00:31:36,233
I BELIEVE THAT
CHILDREN CAN LEARN
822
00:31:36,267 --> 00:31:38,833
WHAT'S SAFE
AND WHAT'S NOT SAFE
823
00:31:38,867 --> 00:31:40,200
THROUGH TACTILE
ENCOUNTERS.
824
00:31:40,233 --> 00:31:41,600
I MEAN, AT THIS AGE,
825
00:31:41,633 --> 00:31:43,167
SHE CAN'T REALLY
GRASP CONCEPTS.
826
00:31:43,200 --> 00:31:45,600
SHE CAN ONLY
HAVE EXPERIENCES.
827
00:31:45,633 --> 00:31:47,867
SO YOU'RE PLANNING TO LET HER
PUT HER HAND IN THE FIRE?
828
00:31:49,500 --> 00:31:50,633
METAPHORICALLY.
829
00:31:50,667 --> 00:31:52,333
I'LL GIVE YOU
A METAPHOR, BETTE.
830
00:31:52,367 --> 00:31:56,367
GO AHEAD AND THROW YOURSELF
OFF THE 405 OVERPASS.
831
00:31:56,400 --> 00:31:57,733
IT'LL HURT LIKE HELL,
832
00:31:57,767 --> 00:31:59,067
AND DAMN STRAIGHT
YOU WON'T DO IT AGAIN,
833
00:31:59,067 --> 00:32:00,700
BECAUSE YOU'LL BE DEAD.
834
00:32:00,733 --> 00:32:02,800
IT'S NOT LIKE
WE'RE TOTALLY OPPOSED
835
00:32:02,833 --> 00:32:04,367
TO BABY-PROOFING.
836
00:32:04,400 --> 00:32:07,167
I MEAN, SHE'S NOT
EVEN CRAWLING YET.
837
00:32:07,200 --> 00:32:10,200
I KNOW, SHE'S NOT
EVEN CRAWLING.
838
00:32:10,233 --> 00:32:12,100
I'VE BEEN RESEARCHING
POOL COVERS AND FENCES.
839
00:32:12,133 --> 00:32:13,133
THE FENCES
ARE REALLY UGLY.
840
00:32:13,167 --> 00:32:14,133
BETTE HATES THEM A LOT.
841
00:32:14,167 --> 00:32:15,167
REALLY A LOT.
842
00:32:21,833 --> 00:32:23,267
MOM?
843
00:32:23,300 --> 00:32:24,367
HELLO, DARLING.
844
00:32:24,400 --> 00:32:25,867
[SILVERWARE RATTLING]
845
00:32:28,467 --> 00:32:30,433
NOW, WE'VE REALLY
GOT TO HURRY HERE.
846
00:32:30,467 --> 00:32:33,633
WE'VE GOT ONE HOUR
UNTIL SUNDOWN.
847
00:32:33,667 --> 00:32:35,567
SO...
848
00:32:35,600 --> 00:32:37,633
HERE, CAN YOU
TAKE THAT END
849
00:32:37,667 --> 00:32:38,933
AND PUT THAT
UP THERE?
850
00:32:38,967 --> 00:32:41,067
AND THEN I'M GOING
TO GET YOU
851
00:32:41,067 --> 00:32:43,733
TO GET THE CHINA DOWN.
852
00:32:43,767 --> 00:32:47,600
YOUR FATHER WANTS
EVERYONE TO GO TO SHUL.
853
00:32:47,633 --> 00:32:49,400
HE SAYS THIS
IS YOUR LAST DINNER
854
00:32:49,433 --> 00:32:52,733
HERE IN SKOKIE.
855
00:32:52,767 --> 00:32:56,067
I HAD MY LAST THERAPY SESSION
WITH DR. PERETZ TODAY.
856
00:32:56,100 --> 00:32:59,233
HMM.
857
00:32:59,267 --> 00:33:00,533
DO-- DO YOU KNOW
858
00:33:00,567 --> 00:33:04,067
YOUR FATHER'S INVITED
THE CRANES FOR DINNER?
859
00:33:04,067 --> 00:33:07,133
MARSHALL'S BACK FROM MIT.
860
00:33:07,167 --> 00:33:09,833
HE'S GOING TO BE
AT SHUL.
861
00:33:09,867 --> 00:33:12,067
YOU KNOW WHAT WOULD
BE REALLY AWESOME?
862
00:33:12,067 --> 00:33:15,100
IF YOU COULD PLEASE
ASK MY STEPFATHER
863
00:33:15,133 --> 00:33:18,133
TO STOP SETTING ME UP WITH GUYS,
864
00:33:18,167 --> 00:33:19,333
ESPECIALLY MARSHALL CRANE.
865
00:33:19,367 --> 00:33:21,600
AND WHAT'S WRONG WITH MARSHALL?
866
00:33:21,633 --> 00:33:23,400
HE'S A MATHEMATICAL GENIUS.
867
00:33:23,433 --> 00:33:24,633
NOTHING,
868
00:33:24,667 --> 00:33:26,433
EXCEPT FOR THE FACT
THAT HE'S A MAN, AND I--
869
00:33:26,467 --> 00:33:27,667
DON'T START, JENNY.
870
00:33:33,600 --> 00:33:36,333
WE ALL KNOW YOU WERE SICK.
871
00:33:36,367 --> 00:33:38,067
THAT'S NOT PART
OF MY SICKNESS.
872
00:33:38,067 --> 00:33:41,967
OH, AND IS THAT WHAT DR. PERETZ
HAS BEEN TELLING YOU?
873
00:33:42,067 --> 00:33:43,700
DR. PERETZ
DOESN'T HAVE A PROBLEM
874
00:33:43,733 --> 00:33:45,600
WITH MY SEXUAL ORIENTATION, MOM.
875
00:33:48,533 --> 00:33:51,633
WELL, THEN, I HAVE TO TELL YOU
876
00:33:51,667 --> 00:33:54,767
THAT I THINK DR. PERETZ
IS AS SICK AS YOU ARE.
877
00:33:56,500 --> 00:34:00,867
[***]
878
00:34:10,200 --> 00:34:11,667
HERE WE ARE.
879
00:34:13,200 --> 00:34:14,433
[SHANE]: I DON'T
KNOW ABOUT THIS.
880
00:34:14,467 --> 00:34:15,933
WHY?
WHAT'S WRONG?
881
00:34:15,967 --> 00:34:17,067
IT'S TOO SOON.
882
00:34:17,067 --> 00:34:18,633
NO, I'M TELLING YOU.
883
00:34:18,667 --> 00:34:19,800
YOU'RE GOING
TO BE FINE, OKAY?
884
00:34:19,833 --> 00:34:21,533
JUST...
885
00:34:21,567 --> 00:34:23,533
THEY DON'T THINK
LIKE THAT, ALL RIGHT?
886
00:34:23,567 --> 00:34:24,733
SO ALL YOU HAVE TO DO
IS BE YOURSELF.
887
00:34:24,767 --> 00:34:27,267
THEY ARE GOING
TO FUCKING LOVE YOU.
888
00:34:29,067 --> 00:34:30,767
COME ON.
889
00:34:43,233 --> 00:34:44,200
THIS OKAY?
890
00:34:44,233 --> 00:34:45,333
YEAH.
891
00:34:45,367 --> 00:34:47,667
YOU LOOK BEAUTIFUL.
892
00:34:47,700 --> 00:34:49,367
OKAY...
893
00:34:51,733 --> 00:34:54,133
THE SHOW DEBUTS NEXT MONTH
AT THE SLATE MUSEUM.
894
00:34:54,167 --> 00:34:55,233
IT'S CALLED
THE ART OF DISSENT.
895
00:34:55,267 --> 00:34:58,667
I SEE,
896
00:34:58,700 --> 00:34:59,767
AND DOES A PERSON
ACTUALLY GET PAID
897
00:34:59,800 --> 00:35:01,233
FOR SOMETHING LIKE THAT?
898
00:35:01,267 --> 00:35:02,367
OH, WELL, IT'S NOT
A FULL-TIME JOB.
899
00:35:02,400 --> 00:35:04,100
I'M JUST DOING IT
AS A PASSION PROJECT
900
00:35:04,133 --> 00:35:06,433
WHILE I'M LOOKING FOR
A MORE PERMANENT POSITION.
901
00:35:06,467 --> 00:35:07,833
SO YOU'RE UNEMPLOYED?
902
00:35:07,867 --> 00:35:09,367
JUST FOR THE LAST
SIX MONTHS.
903
00:35:09,400 --> 00:35:10,767
I'VE BEEN OFFERED
SEVERAL POSITIONS,
904
00:35:10,800 --> 00:35:13,567
JUST NONE THAT I--
THAT I PASSIONATELY WANT TO DO.
905
00:35:13,600 --> 00:35:15,600
IS THAT ABSOLUTELY NECESSARY?
906
00:35:15,633 --> 00:35:17,267
WHAT?
I'M SORRY.
907
00:35:17,300 --> 00:35:18,700
THE INFANT!
908
00:35:18,733 --> 00:35:19,933
THE SPOON,
THE BANGING AND CLANGING.
909
00:35:19,967 --> 00:35:21,067
CAN YOU NOT JUST
PUT IT AWAY
910
00:35:21,067 --> 00:35:22,300
FOR 15 MINUTES?
911
00:35:22,333 --> 00:35:23,633
OH.
POTS AND PANS AWAY.
912
00:35:23,667 --> 00:35:24,867
I MEANT THE BABY.
913
00:35:29,167 --> 00:35:31,333
WHY DON'T YOU JUST
NURSE HER FOR A WHILE?
914
00:35:31,367 --> 00:35:32,433
OKAY, LET ME
JUST REVIEW.
915
00:35:32,467 --> 00:35:34,267
[CLEARS THROAT]
916
00:35:34,300 --> 00:35:36,567
NO BABY-PROOFING,
917
00:35:36,600 --> 00:35:38,133
PASSIONATELY UNEMPLOYED,
918
00:35:38,167 --> 00:35:41,100
HARBORS SEXUALLY
EXPLICIT,
919
00:35:41,133 --> 00:35:42,367
ANTI-PATRIOTIC
PROPAGANDA
920
00:35:42,400 --> 00:35:44,467
MASQUERADING AS ART.
921
00:35:44,500 --> 00:35:45,533
WHAT ABOUT MEN?
922
00:35:45,567 --> 00:35:47,100
MEN?
923
00:35:47,133 --> 00:35:49,533
YOU DO KNOW
THAT WE'RE LESBIANS, RIGHT?
924
00:35:49,567 --> 00:35:52,067
YES, THAT MATTER
WAS FAIRLY EXPLICITLY TOUTED
925
00:35:52,067 --> 00:35:53,367
ON YOUR PETITION TO THE STATE,
926
00:35:53,400 --> 00:35:55,067
WHICH IS ALL THE MORE REASON
927
00:35:55,067 --> 00:35:56,467
WHY I FIND THE MAN QUESTION
CRITICAL.
928
00:35:56,500 --> 00:35:58,933
HOW IS ANGELICA GOING TO KNOW
WHAT A MAN IS?
929
00:35:58,967 --> 00:35:59,667
ALL SHE HAS TO DO IS
TURN ON THE TELEVISION.
930
00:35:59,700 --> 00:36:01,067
THEY'RE EVERYWHERE.
931
00:36:01,067 --> 00:36:02,933
OUR CHILD'S GOING
TO BE AROUND
932
00:36:02,967 --> 00:36:05,300
A LOT OF MEN.
933
00:36:05,333 --> 00:36:07,233
BUT WILL THERE BE
A SIGNIFICANT MAN?
934
00:36:07,267 --> 00:36:12,200
I MEAN, IS SHE GOING TO KNOW
ONE SPECIAL MAN'S VOICE?
935
00:36:12,233 --> 00:36:13,233
I MEAN, HOW IS SHE
GOING TO KNOW
936
00:36:13,267 --> 00:36:15,867
WHAT A MAN FEELS LIKE,
937
00:36:15,900 --> 00:36:18,900
WHAT HE SMELLS LIKE?
938
00:36:18,933 --> 00:36:20,700
WILL SHE EVER...
939
00:36:20,733 --> 00:36:24,600
RUB HER CHEEK UP AGAINST
A SCRATCHY, UNSHAVEN FACE?
940
00:36:24,633 --> 00:36:27,600
PLAY WITH THE LITTLE
CURLY HAIRS ON HIS CHEST
941
00:36:27,633 --> 00:36:30,067
OR HIS BACK...
942
00:36:30,067 --> 00:36:31,700
[CRASHING, GLASS SHATTERS]
943
00:36:31,733 --> 00:36:32,700
[AIR HISSING]
944
00:36:32,733 --> 00:36:33,967
WHOA...
945
00:36:34,067 --> 00:36:35,233
[ALICE, SHOUTING]:
WHERE THE FUCK
946
00:36:35,267 --> 00:36:36,800
DID THAT COME FROM?
947
00:36:36,833 --> 00:36:38,600
SHIT, MOTHERFUCKER!
948
00:36:38,633 --> 00:36:41,667
GODDAMMIT! JESUS CHRIST!
949
00:36:41,700 --> 00:36:43,467
GREAT.
950
00:36:45,767 --> 00:36:47,300
WELL, JESUS FUCK!
951
00:36:47,333 --> 00:36:49,067
[TINA]:
WHAT HAPPENED?
952
00:36:49,067 --> 00:36:50,067
WELL, I'M COMING
IN YOUR DRIVEWAY,
953
00:36:50,067 --> 00:36:51,367
AND THIS BIG FUCKING,
954
00:36:51,400 --> 00:36:52,467
RIDICULOUS THING'S
IN THE WAY.
955
00:36:52,500 --> 00:36:53,467
RIDICULOUS HOW?
956
00:36:53,500 --> 00:36:54,500
IS THAT YOUR CAR?
957
00:36:54,533 --> 00:36:55,967
BECAUSE YOU
COULD MAYBE
958
00:36:56,067 --> 00:36:57,300
HAVE MOVED IT UP A LITTLE.
959
00:36:57,333 --> 00:36:58,367
THERE'S, LIKE,
10 FEET IN FRONT OF YOU.
960
00:36:58,400 --> 00:37:00,600
DO YOU KNOW THIS PERSON?
961
00:37:00,633 --> 00:37:01,800
ANYWAY, I'M SORRY
I TAPPED YOUR CAR.
962
00:37:01,833 --> 00:37:03,167
TAPPED?
963
00:37:03,200 --> 00:37:04,067
I THINK IT'S
THESE DRUGS I'M ON,
964
00:37:04,067 --> 00:37:05,567
AND I JUST GOT
IN A CAR CHASE--
965
00:37:05,600 --> 00:37:07,267
YOU GOT IN A CAR CHASE
WITH DANA?
966
00:37:07,300 --> 00:37:08,533
YEAH, I KIND OF
RAN HER OFF THE ROAD.
967
00:37:08,567 --> 00:37:09,900
WHAT?
968
00:37:09,933 --> 00:37:11,067
ANYWAY, LOOK, LADY,
I DON'T KNOW.
969
00:37:11,100 --> 00:37:12,200
I MEAN, YOUR CAR IS FINE.
970
00:37:12,233 --> 00:37:13,133
IT'S LIKE MINE
GOT THE WORST OF IT.
971
00:37:13,167 --> 00:37:14,167
IF YOU COULD LOOK...
972
00:37:14,200 --> 00:37:16,233
YOU KNOW, IT'S LIKE,
973
00:37:16,267 --> 00:37:17,233
IT WOULD HAVE BEEN
A LOT LESS DAMAGE
974
00:37:17,267 --> 00:37:18,233
IF YOU DROVE A NORMAL CAR.
975
00:37:18,267 --> 00:37:20,067
NORMAL?
976
00:37:20,100 --> 00:37:20,667
SHE DIDN'T MEAN IT THAT WAY.
THAT'S NOT WHAT SHE MEANT.
977
00:37:20,700 --> 00:37:22,133
LET'S JUST HOPE
978
00:37:22,167 --> 00:37:23,333
SHE DOESN'T HAVE A LOT
OF CONTACT WITH THE CHILD.
979
00:37:23,367 --> 00:37:24,967
I'LL BE GOING NOW.
980
00:37:25,067 --> 00:37:26,400
UH, I HAPPEN TO BE
THE EARTH MOTHER.
981
00:37:26,433 --> 00:37:27,767
I WOULD HAVE BEEN
THE GODMOTHER,
982
00:37:27,800 --> 00:37:29,267
BUT I DON'T BELIEVE IN GOD.
983
00:37:29,300 --> 00:37:30,067
OF COURSE YOU DON'T.
984
00:37:30,100 --> 00:37:31,667
IT WAS MAMA B'S IDEA.
985
00:37:31,700 --> 00:37:33,333
OF COURSE IT WAS.
986
00:37:33,367 --> 00:37:34,933
I'LL BE BACK
IN 10 DAYS.
YOU'RE COMING BACK?
987
00:37:34,967 --> 00:37:37,300
WE DO TWO HOME VISITS PER CASE,
988
00:37:37,333 --> 00:37:39,300
SO YOU'LL GET A SECOND CHANCE...
989
00:37:39,333 --> 00:37:42,433
THOUGH FIRST IMPRESSIONS
ARE HARD TO OVERCOME.
990
00:37:46,067 --> 00:37:47,167
HELP, PLEASE.
991
00:37:47,200 --> 00:37:49,533
AND MOVE CAR!
992
00:37:49,567 --> 00:37:52,267
OH, SHE'S REALLY TOO MUCH.
993
00:37:53,367 --> 00:37:56,967
HELP, PLEASE!
994
00:37:57,067 --> 00:37:58,067
TODAY!
995
00:38:05,100 --> 00:38:07,600
COME ON, EAT MORE.
YOU'RE SO SKINNY.
996
00:38:07,633 --> 00:38:09,467
SHE'S SO SKINNY.
DON'T YOU FEED HER?
997
00:38:09,500 --> 00:38:11,233
NO, MOMMY,
I DO NOT FEED HER.
998
00:38:11,267 --> 00:38:13,667
SHE FEEDS HERSELF.
999
00:38:13,700 --> 00:38:15,767
SUCH A PRETTY
GIRL, TOO.
1000
00:38:15,800 --> 00:38:17,167
DON'T YOU THINK
SHE'S PRETTY?
1001
00:38:17,200 --> 00:38:19,633
YES, MOM,
SHE'S VERY PRETTY.
1002
00:38:19,667 --> 00:38:21,300
[SHANE]: THANK YOU.
1003
00:38:21,333 --> 00:38:25,633
JANE, CARMEN SAYS
THAT YOU'RE A HAIRDRESSER.
1004
00:38:25,667 --> 00:38:27,100
I AM.
1005
00:38:27,133 --> 00:38:29,967
WHO DOES YOUR HAIR?
1006
00:38:32,167 --> 00:38:33,667
OH, I DO.
1007
00:38:33,700 --> 00:38:34,967
IT'S THE LOOK, MAMA.
1008
00:38:36,967 --> 00:38:40,100
YEAH, IT'S THE BOMB.
1009
00:38:40,133 --> 00:38:41,467
DO YOU KNOW COUSIN EVI?
1010
00:38:41,500 --> 00:38:43,967
NO, I DON'T
BELIEVE I DO.
1011
00:38:44,067 --> 00:38:45,633
MOM, THIS IS
THE FIRST TIME
1012
00:38:45,667 --> 00:38:46,833
SHE'S MET ANYONE
IN OUR FAMILY.
1013
00:38:46,867 --> 00:38:48,900
EVI'S AN ASSISTANT HAIRDRESSER.
1014
00:38:48,933 --> 00:38:51,067
SHE WORKS DOWNTOWN
AT JOSE'S HAIR EXPERIENCE.
1015
00:38:51,067 --> 00:38:54,733
WELL, THAT'S
VERY COOL.
1016
00:38:54,767 --> 00:38:55,800
YOUR FAMILY,
JANE,
1017
00:38:55,833 --> 00:38:57,233
THEY LIVE
IN LOS ANGELES?
1018
00:38:57,267 --> 00:38:58,800
YOU SEE THEM ALL THE TIME?
1019
00:38:58,833 --> 00:39:00,067
[SPEAKS SPANISH]
1020
00:39:00,100 --> 00:39:02,200
MOMMY, PLEASE.
1021
00:39:02,233 --> 00:39:04,367
PLEASE, MOM,
COME ON.
1022
00:39:04,400 --> 00:39:07,867
ACTUALLY I'M
FROM AUSTIN,
1023
00:39:07,900 --> 00:39:10,300
AND I THINK MY FAMILY
ARE STILL THERE.
1024
00:39:10,333 --> 00:39:12,067
YOU THINK?
1025
00:39:12,067 --> 00:39:13,867
YOU DON'T KNOW
WHERE YOUR FAMILY IS?
1026
00:39:13,900 --> 00:39:16,467
I JUST HAVEN'T SEEN THEM
IN A WHILE.
1027
00:39:16,500 --> 00:39:18,533
[SPEAKING SPANISH]
1028
00:39:18,567 --> 00:39:21,400
[SPEAKING SPANISH]
1029
00:39:21,433 --> 00:39:23,200
CARMEN...
1030
00:39:23,233 --> 00:39:24,233
I DON'T UNDERSTAND.
1031
00:39:24,267 --> 00:39:25,500
HER FAMILY...
1032
00:39:25,533 --> 00:39:28,067
OH, WELL, UM,
1033
00:39:28,067 --> 00:39:29,133
SHE GREW UP
IN FOSTER CARE.
1034
00:39:29,167 --> 00:39:32,067
SO SHE HASN'T
MET HER FATHER,
1035
00:39:32,067 --> 00:39:35,233
AND SHE NEVER REALLY KNEW
HER MOTHER EITHER.
1036
00:39:35,267 --> 00:39:37,400
SO...
1037
00:39:37,433 --> 00:39:41,067
[SPEAKS SPANISH]
1038
00:39:41,100 --> 00:39:42,300
WE'RE YOUR FAMILY
NOW, OKAY?
1039
00:39:42,333 --> 00:39:43,367
OH...
1040
00:39:44,900 --> 00:39:46,067
[SPEAKS SPANISH]
1041
00:39:46,067 --> 00:39:47,067
THANK YOU.
1042
00:39:47,067 --> 00:39:49,100
GRACIAS. THANK YOU.
1043
00:39:52,233 --> 00:39:56,300
[***]
1044
00:40:07,667 --> 00:40:08,700
HOW YOU DOING?
1045
00:40:08,733 --> 00:40:11,700
HI.
1046
00:40:11,733 --> 00:40:13,000
HOW ARE YOU?
1047
00:40:13,033 --> 00:40:14,067
I'M ALL RIGHT.
1048
00:40:14,100 --> 00:40:15,633
YEAH?
1049
00:40:15,667 --> 00:40:16,867
HOW'S THE BOOK GOING?
1050
00:40:16,900 --> 00:40:18,667
I-- I DON'T KNOW.
1051
00:40:18,700 --> 00:40:20,400
I THINK IT'S OKAY.
1052
00:40:20,433 --> 00:40:21,667
I THINK IT'S GOOD.
I THINK I'M ALMOST DONE,
1053
00:40:21,700 --> 00:40:22,867
WHICH MEANS
THAT I'M GETTING READY
1054
00:40:22,900 --> 00:40:24,733
TO BLOW OUT OF THIS TOWN.
1055
00:40:24,767 --> 00:40:26,467
I'VE BEEN THINKING ABOUT IT.
1056
00:40:26,500 --> 00:40:27,633
WHAT?
1057
00:40:27,667 --> 00:40:28,833
I WANT TO GO FOR IT.
1058
00:40:28,867 --> 00:40:30,833
FUCK OFF.
1059
00:40:30,867 --> 00:40:32,233
YOU WANT TO COME TO L.A.
WITH ME?
1060
00:40:34,767 --> 00:40:35,900
YEAH.
1061
00:40:35,933 --> 00:40:38,467
WHOO!
1062
00:40:38,500 --> 00:40:40,533
I'M EXCITED.
1063
00:40:40,567 --> 00:40:42,067
MOM?
1064
00:40:42,100 --> 00:40:44,133
WHAT ARE WE
DOING IN HERE?
1065
00:40:44,167 --> 00:40:46,033
MARISELA'S QUINCEANERA,
NEXT FRIDAY.
1066
00:40:46,067 --> 00:40:47,133
JANE HAS TO COME.
1067
00:40:47,167 --> 00:40:48,467
MOTHER, NO, PLEASE.
1068
00:40:48,500 --> 00:40:50,000
WHA-- WHAT'S
A QUINCEARA?
1069
00:40:50,033 --> 00:40:51,133
A QUINCEANERA.
1070
00:40:51,167 --> 00:40:53,233
IT'S LIKE
A SWEET 15.
1071
00:40:53,267 --> 00:40:55,633
[SPEAKS SPANISH]
1072
00:40:55,667 --> 00:40:58,533
AND I HAVE
SOMETHING FOR YOU.
1073
00:40:58,567 --> 00:41:00,200
IT'S THIS
RELIGIOUS CEREMONY.
1074
00:41:00,233 --> 00:41:01,367
IT TAKES PLACE
IN A CHURCH,
1075
00:41:01,400 --> 00:41:03,667
AND IT'S A HUGE PARTY
1076
00:41:03,700 --> 00:41:06,633
WITH GOWNS AND A TIARA
AND BOUQUETS
1077
00:41:06,667 --> 00:41:07,767
AND THE WHOLE THING.
1078
00:41:07,800 --> 00:41:09,467
[MOTHER SPEAKING SPANISH]
1079
00:41:09,500 --> 00:41:10,933
BELIEVE OR NOT.
1080
00:41:10,967 --> 00:41:13,400
SHE SAYS SHE USED TO BE
SKINNY JUST LIKE YOU.
1081
00:41:13,433 --> 00:41:14,767
[SPEAKING SPANISH]
1082
00:41:14,800 --> 00:41:16,467
I DON'T REMEMBER THAT.
1083
00:41:16,500 --> 00:41:19,267
[MOTHER SPEAKING SPANISH]
1084
00:41:21,100 --> 00:41:23,300
AH...
1085
00:41:23,333 --> 00:41:24,433
HOW PRETTY.
1086
00:41:24,467 --> 00:41:26,333
OH, THAT'S BEAUTIFUL.
1087
00:41:29,300 --> 00:41:30,633
EH, NO...
1088
00:41:30,667 --> 00:41:31,767
[LAUGHS]
1089
00:41:31,800 --> 00:41:33,267
YOU KNOW, I THINK
1090
00:41:33,300 --> 00:41:34,300
THAT IT WOULD LOOK
A LOT BETTER ON CARMEN.
1091
00:41:34,333 --> 00:41:35,433
OH, NO!
OH, NO!
1092
00:41:35,467 --> 00:41:38,167
CARMEN'S LIKE THIS,
YOU'RE LIKE THAT.
1093
00:41:38,200 --> 00:41:39,767
[SPEAKS SPANISH]
1094
00:41:39,800 --> 00:41:41,500
WELL, MAYBE
NOT SO SKINNY.
1095
00:41:41,533 --> 00:41:43,967
YOU HAVE
A BOYFRIEND, JANE?
1096
00:41:44,067 --> 00:41:45,600
NOT YET.
1097
00:41:45,633 --> 00:41:47,300
OH, YOU WILL.
1098
00:41:47,333 --> 00:41:48,467
PUT IT ON.
1099
00:41:48,500 --> 00:41:49,967
I'LL GO GET
MY SEWING KIT.
1100
00:41:52,100 --> 00:41:54,933
[DOOR CLOSES]
1101
00:41:54,967 --> 00:41:55,933
MY MOTHER LOVES YOU.
1102
00:41:55,967 --> 00:41:57,267
YEAH, I KNOW
SHE DOES.
1103
00:41:57,300 --> 00:41:58,467
I LOVE HER...
OH, MY GOSH.
1104
00:41:58,500 --> 00:42:00,200
BUT PLEASE DON'T
MAKE ME DO THIS.
1105
00:42:00,233 --> 00:42:01,533
OH, PLEASE, YOU HAVE
TO PUT IT ON.
1106
00:42:01,567 --> 00:42:02,600
OH, BABE...
1107
00:42:02,633 --> 00:42:03,600
WHAT ARE YOU DOING?
1108
00:42:03,633 --> 00:42:05,367
SHE'S GOING TO COME IN.
1109
00:42:16,633 --> 00:42:18,467
OKAY...
1110
00:42:18,500 --> 00:42:19,533
DON'T, DON'T,
DON'T.
1111
00:42:19,567 --> 00:42:21,500
IT'S OKAY.
1112
00:42:23,333 --> 00:42:25,500
BUT YOU FEEL
SO GOOD.
1113
00:42:30,967 --> 00:42:33,300
OKAY...
1114
00:42:33,333 --> 00:42:36,900
OH, CARMEN,
DON'T MAKE ME DO THIS.
1115
00:42:37,867 --> 00:42:39,867
HANDS IN.
IT'S OKAY.
1116
00:42:39,900 --> 00:42:42,067
PLEASE, FOR ME.
COME ON.
1117
00:42:45,067 --> 00:42:46,200
OKAY...
1118
00:42:51,833 --> 00:42:54,167
OH, MY GOODNESS.
1119
00:42:57,067 --> 00:42:58,700
OH!
1120
00:42:58,733 --> 00:43:01,067
THAT IS SO PRETTY!
1121
00:43:01,100 --> 00:43:02,167
OH!
1122
00:43:02,200 --> 00:43:05,900
OH...
1123
00:43:05,933 --> 00:43:07,933
OH, LOOK AT THAT.
1124
00:43:07,967 --> 00:43:10,700
OH...
1125
00:43:10,733 --> 00:43:12,267
THIS IS SO GENEROUS OF YOU.
1126
00:43:12,300 --> 00:43:16,367
I-- I KIND OF FEEL BAD...
TAKING IT AWAY FROM YOU.
1127
00:43:16,400 --> 00:43:17,600
DON'T BE
RIDICULOUS.
1128
00:43:17,633 --> 00:43:20,067
YOU ARE FAMILIA NOW,
REMEMBER?
1129
00:43:20,067 --> 00:43:21,633
AH, THERE.
1130
00:43:21,667 --> 00:43:22,900
SI.
1131
00:43:22,933 --> 00:43:24,233
HUH?
1132
00:43:24,267 --> 00:43:25,233
AH...
1133
00:43:25,267 --> 00:43:26,300
IT'S SOMETHING ELSE.
1134
00:43:26,333 --> 00:43:27,400
THANK YOU.
1135
00:43:30,333 --> 00:43:34,367
POOR BABY...
1136
00:43:34,400 --> 00:43:36,433
THIS IS GOING
TO MAKE YOU ALL BETTER.
1137
00:43:36,467 --> 00:43:37,733
THANK YOU.
1138
00:43:42,633 --> 00:43:44,133
GOOD?
1139
00:43:44,167 --> 00:43:45,600
WHAT IS THAT?
1140
00:43:45,633 --> 00:43:47,133
DOUBLE LEMON
SUGAR COOKIES
1141
00:43:47,167 --> 00:43:49,767
WITH LAVENDER
AND ROSEMARY INFUSION.
1142
00:43:49,800 --> 00:43:51,700
I'M TRYING THEM OUT
ON YOU.
1143
00:43:51,733 --> 00:43:52,800
THANK YOU.
1144
00:44:01,167 --> 00:44:03,367
MM...
1145
00:44:03,400 --> 00:44:04,367
GOOD?
1146
00:44:04,400 --> 00:44:05,400
YES.
1147
00:44:07,100 --> 00:44:07,833
[GIGGLING]
1148
00:44:07,867 --> 00:44:09,233
WHAT?
1149
00:44:13,500 --> 00:44:15,633
[***]
1150
00:45:00,400 --> 00:45:03,967
[***]
1151
00:45:04,067 --> 00:45:07,900
I WANT TO WAIT
UNTIL MY PARENTS ARE ASLEEP
1152
00:45:07,933 --> 00:45:09,733
WHEN I GET MY STUFF,
1153
00:45:09,767 --> 00:45:12,067
BECAUSE I DON'T WANT TO START
A THING WITH THEM TONIGHT.
1154
00:45:12,100 --> 00:45:14,067
YOU GOING TO BE LIKE
A TEENAGE RUNAWAY?
1155
00:45:14,067 --> 00:45:16,133
YES, I AM,
1156
00:45:16,167 --> 00:45:17,300
BECAUSE MY MOM
STILL PUTS ME
1157
00:45:17,333 --> 00:45:19,867
IN THAT PLACE,
YOU KNOW?
1158
00:45:19,900 --> 00:45:21,633
I DON'T THINK
IT'S GOING TO TAKE ME
1159
00:45:21,667 --> 00:45:24,800
MORE THAN, I DON'T KNOW,
20 MINUTES TO PACK,
1160
00:45:24,833 --> 00:45:26,833
BECAUSE I DIDN'T BRING
A LOT OF STUFF,
1161
00:45:26,867 --> 00:45:28,600
BECAUSE I DIDN'T THINK
I'D BE HERE IN SKOKIE
1162
00:45:28,633 --> 00:45:30,367
FOR SIX MONTHS.
1163
00:45:30,400 --> 00:45:32,933
YEAH...
1164
00:45:32,967 --> 00:45:35,067
THEN WE COULD SWING BY MY PLACE.
1165
00:45:35,067 --> 00:45:36,100
I'M UP IN WILMETTE.
1166
00:45:36,133 --> 00:45:37,200
REALLY?
1167
00:45:39,100 --> 00:45:41,867
ARE WE REALLY GOING TO DO THIS?
1168
00:45:41,900 --> 00:45:43,700
YEAH, I'VE BEEN PLANNING
ON GOING TO L.A.
1169
00:45:43,733 --> 00:45:45,300
FROM THE TIME
I GOT OUT OF COLLEGE.
1170
00:45:45,333 --> 00:45:46,533
THAT'S, LIKE,
TWO YEARS NOW.
1171
00:45:46,567 --> 00:45:47,867
FUCK...
1172
00:45:47,900 --> 00:45:49,567
WHERE DID YOU GO TO COLLEGE?
1173
00:45:49,600 --> 00:45:51,667
UM, HARPER
COLLEGE TECH.
1174
00:45:51,700 --> 00:45:53,233
WHAT DID YOU STUDY?
1175
00:45:53,267 --> 00:45:56,067
I DID WEBSITE DESIGN
AND PROGRAMMING,
1176
00:45:56,100 --> 00:45:58,733
NETWORK ADMINISTRATION,
WIRELESS NETWORKING,
1177
00:45:58,767 --> 00:46:00,367
UH, WEB OPTIMIZATION--
1178
00:46:00,400 --> 00:46:01,600
ARE YOU
THINKING ABOUT
1179
00:46:01,633 --> 00:46:04,067
HAVING SEX WITH ME
RIGHT NOW?
1180
00:46:04,100 --> 00:46:06,067
IT'S CROSSED MY MIND.
1181
00:46:30,067 --> 00:46:31,267
WHO DID THAT TO YOU?
1182
00:46:34,467 --> 00:46:36,867
I DID IT TO MYSELF.
1183
00:46:59,800 --> 00:47:00,833
WHAT ARE YOU DOING?
1184
00:47:00,867 --> 00:47:02,700
YOU HAVE A LUMP.
1185
00:47:02,733 --> 00:47:03,800
HUH?
RIGHT THERE.
1186
00:47:03,833 --> 00:47:05,067
OH, I KNOW.
IT'S BEEN THERE FOREVER.
1187
00:47:05,100 --> 00:47:06,700
IT'S NOTHING.
DANA...
1188
00:47:06,733 --> 00:47:08,133
WHAT?
1189
00:47:08,167 --> 00:47:09,067
WELL, YOU SHOULD
GET IT CHECKED OUT.
1190
00:47:09,067 --> 00:47:09,867
I'VE HAD IT
CHECKED OUT.
1191
00:47:09,900 --> 00:47:11,300
OH, YOU HAVE?
1192
00:47:11,333 --> 00:47:14,067
YES, THEY'RE VERY SEXY,
SINEWY, FIBROUS BREASTS.
1193
00:47:14,067 --> 00:47:15,767
NOW, KISS ME.
1194
00:47:26,567 --> 00:47:30,500
[HEAVY BREATHING,
BED SQUEAKING]
1195
00:47:35,067 --> 00:47:37,500
[HEAVY BREATHING,
BED SQUEAKING]
1196
00:47:41,067 --> 00:47:43,067
JEN?
1197
00:47:45,433 --> 00:47:46,667
GET UP!
1198
00:47:46,700 --> 00:47:48,833
WHAT THE HELL DO YOU
THINK YOU'RE DOING?
1199
00:47:50,833 --> 00:47:52,067
HOW DARE YOU TREAT US THIS WAY
1200
00:47:52,067 --> 00:47:54,333
AFTER WE OPENED
OUR HOME TO YOU.
1201
00:47:54,367 --> 00:47:57,067
HOW DARE YOU BRING A MAN
BACK INTO THIS HOUSE.
1202
00:47:57,067 --> 00:47:58,467
I WOULD NEVER DO THAT, WARREN.
1203
00:47:58,500 --> 00:47:59,467
[SCOFFS]
1204
00:47:59,500 --> 00:48:00,900
I WANT YOU MEET MOIRA.
1205
00:48:00,933 --> 00:48:02,567
SHE LIVES OVER
IN WILMETTE.
1206
00:48:04,633 --> 00:48:05,667
NICE TO MEET YOU.
1207
00:48:07,233 --> 00:48:08,700
S-SORRY.
1208
00:48:08,733 --> 00:48:10,067
GET OUT OF HERE.
1209
00:48:10,100 --> 00:48:11,533
THAT'S WHAT
I'M DOING, WARREN.
1210
00:48:11,567 --> 00:48:13,433
JUST GIVE ME
A COUPLE OF MINUTES.
1211
00:48:13,467 --> 00:48:14,933
NOW.
1212
00:48:14,967 --> 00:48:17,167
I WANT YOU OUT NOW.
1213
00:48:20,700 --> 00:48:23,833
ACTUALLY...
1214
00:48:23,867 --> 00:48:25,367
YOU'VE WANTED ME
OUT OF THIS HOUSE
1215
00:48:25,400 --> 00:48:28,067
FROM THE MOMENT
I SET FOOT IN HERE.
1216
00:48:28,067 --> 00:48:29,067
WHAT IS IT, WARREN?
1217
00:48:29,067 --> 00:48:32,567
AM I TOO FUCKED UP FOR YOU?
1218
00:48:32,600 --> 00:48:35,500
AM I TOO PERVERTED?
1219
00:48:37,200 --> 00:48:40,733
LOOK AT ME.
1220
00:48:40,767 --> 00:48:42,067
DO I REMIND YOU
1221
00:48:42,100 --> 00:48:43,667
OF HOW MESSY
1222
00:48:43,700 --> 00:48:44,500
AND OUT OF CONTROL
1223
00:48:44,533 --> 00:48:46,100
YOUR LIFE IS?
1224
00:48:48,267 --> 00:48:50,067
WARREN...
1225
00:48:51,533 --> 00:48:54,267
I'M JUST...
1226
00:48:54,300 --> 00:48:55,767
NOT THE GIRL
YOU WANTED ME TO BE--
1227
00:48:55,800 --> 00:48:56,767
JENNIFER, STOP.
1228
00:48:56,800 --> 00:48:58,200
NO, YOU STOP.
1229
00:48:58,233 --> 00:49:02,833
WHEN ARE YOU GOING TO
START BEING
1230
00:49:02,867 --> 00:49:05,967
AN ACTUAL PERSON
1231
00:49:06,067 --> 00:49:07,367
AND NOT
THIS SILENT SLAVE
1232
00:49:07,400 --> 00:49:08,800
TO THIS MAN?
1233
00:49:08,833 --> 00:49:11,600
DON'T YOU DARE
DISRESPECT YOUR MOTHER.
1234
00:49:11,633 --> 00:49:13,500
THAT'S A PRIVILEGE
THAT'S RESERVED FOR YOU.
1235
00:49:13,533 --> 00:49:15,667
I DON'T KNOW
WHAT MORE WE CAN DO.
1236
00:49:15,700 --> 00:49:17,533
NOTHING.
1237
00:49:17,567 --> 00:49:19,300
THERE IS NOTHING MORE
YOU CAN DO FOR ME
1238
00:49:19,333 --> 00:49:23,300
TO MAKE ME THE PERSON
THAT YOU ARE COMFORTABLE WITH,
1239
00:49:23,333 --> 00:49:27,600
BECAUSE I'M NOT GOING TO MARRY
THAT NICE JEWISH BOY.
1240
00:49:27,633 --> 00:49:31,067
I'M NOT GOING TO HAVE
THOSE NICE JEWISH KIDS.
1241
00:49:31,100 --> 00:49:34,400
I'M NOT GOING
TO SHUT UP
1242
00:49:34,433 --> 00:49:37,267
AND BE SUBSERVIENT.
1243
00:49:37,300 --> 00:49:39,367
I'M NOT GOING TO SET
THE DINNER TABLE
1244
00:49:39,400 --> 00:49:41,833
AND PRETEND
THAT BAD THINGS DON'T HAPPEN.
1245
00:49:43,867 --> 00:49:45,800
BECAUSE WHEN YOU DON'T
TALK ABOUT THEM....
1246
00:49:48,133 --> 00:49:50,533
THEY GET WORSE, WARREN.
1247
00:49:55,067 --> 00:49:57,100
LET'S GO.
1248
00:50:20,933 --> 00:50:23,533
JENNIFER?
1249
00:50:23,567 --> 00:50:25,867
CAN YOU
HANG ON A SEC?
1250
00:50:30,733 --> 00:50:32,500
HEY.
1251
00:50:32,533 --> 00:50:33,800
JENNIFER, I DON'T--
1252
00:50:33,833 --> 00:50:36,933
I DON'T UNDERSTAND HERE.
1253
00:50:36,967 --> 00:50:39,600
ARE YOU TRYING TO PUNISH ME?
1254
00:50:39,633 --> 00:50:41,867
NO...
1255
00:50:53,000 --> 00:50:57,567
I'M GRATEFUL TO YOU.
1256
00:50:57,600 --> 00:51:01,333
YOU DID A GOOD JOB
WITH ME,
1257
00:51:01,367 --> 00:51:04,067
AND I'M NOT TRYING
TO PUNISH YOU.
1258
00:51:08,500 --> 00:51:09,933
IS THIS BECAUSE OF
WHAT HAPPENED
1259
00:51:09,967 --> 00:51:15,467
WHEN YOU WERE
A LITTLE GIRL?
1260
00:51:15,500 --> 00:51:19,567
IS THAT WHY YOU
TURNED OUT THIS WAY?
1261
00:51:26,800 --> 00:51:29,100
WHY DIDN'T YOU
PROTECT ME?
1262
00:51:29,133 --> 00:51:31,100
OH...
1263
00:51:35,200 --> 00:51:36,533
THERE...
1264
00:51:36,567 --> 00:51:37,900
THERE WAS NOTHING
I COULD DO
1265
00:51:37,933 --> 00:51:42,967
TO CHANGE
WHAT HAPPENED.
1266
00:51:43,067 --> 00:51:44,167
I KNOW--
1267
00:51:44,200 --> 00:51:45,433
MOM, YOU COULD HAVE
COMFORTED ME.
1268
00:51:45,467 --> 00:51:49,433
YOU COULD HAVE TOLD ME
THAT IT WASN'T MY FAULT.
1269
00:51:52,467 --> 00:51:55,067
OH, I'M SO SORRY.
1270
00:51:57,300 --> 00:51:58,967
I'M SORRY.
1271
00:52:02,400 --> 00:52:05,067
THANK YOU.
1272
00:52:06,933 --> 00:52:08,433
THANK YOU FOR WHAT?
1273
00:52:08,467 --> 00:52:12,400
BECAUSE...
1274
00:52:12,433 --> 00:52:15,067
IT'S THE FIRST TIME THAT
YOU'VE EVER ACKNOWLEDGED
1275
00:52:15,067 --> 00:52:17,633
WHAT HAPPENED TO ME.
1276
00:52:19,067 --> 00:52:20,300
I HAVE TO GO.
1277
00:52:20,333 --> 00:52:22,533
[SNIFFLES]
1278
00:52:22,567 --> 00:52:24,067
BYE.
1279
00:52:24,067 --> 00:52:26,767
[***]
1280
00:53:16,100 --> 00:53:17,867
WHAT ARE YOU LOOKING AT?
1281
00:53:35,133 --> 00:53:40,067
HAVE YOU NOTICED ANY CHANGES
IN YOUR HAIR OR SKIN?
1282
00:53:40,067 --> 00:53:43,067
OH, MY SKIN,
DEFINITELY.
1283
00:53:43,067 --> 00:53:45,433
IT'S BLOTCHY.
1284
00:53:45,467 --> 00:53:47,233
IT USED TO BE
LIKE SILK.
1285
00:53:47,267 --> 00:53:48,467
AND YOU ALREADY SAID
1286
00:53:48,500 --> 00:53:50,667
THAT YOU'VE BEEN
EXPERIENCING MOOD SWINGS,
1287
00:53:50,700 --> 00:53:52,167
LOSS OF ENERGY.
1288
00:53:52,200 --> 00:53:54,333
OH, DAVID, DO NOT
FUCKING PROTECT ME.
1289
00:53:54,367 --> 00:53:55,800
PLEASE TELL ME WHAT IT IS.
1290
00:53:55,833 --> 00:53:58,133
YOU KNOW,
I'D RATHER KNOW WHAT IT IS.
1291
00:53:58,167 --> 00:54:00,400
I WANT TO KNOW
SO I CAN DEAL WITH IT.
1292
00:54:00,433 --> 00:54:02,733
MOM, I JUST NEED TO ASK YOU
A FEW MORE QUESTIONS.
1293
00:54:02,767 --> 00:54:07,367
NOW, ARE YOU HAVING
ANY MEMORY PROBLEMS?
1294
00:54:07,400 --> 00:54:09,933
EXCUSE ME, I'M SORRY,
I FORGOT THE QUESTION.
1295
00:54:12,100 --> 00:54:14,300
LOOK, WHAT ABOUT, UH...
1296
00:54:14,333 --> 00:54:15,433
YOU KNOW, VAGINAL DRYNESS?
1297
00:54:15,467 --> 00:54:16,467
WHAT?
1298
00:54:16,500 --> 00:54:17,900
I'M SORRY, MOM,
1299
00:54:17,933 --> 00:54:20,067
BUT IT'S IMPORTANT
THAT I ASCERTAIN THESE THINGS.
1300
00:54:20,100 --> 00:54:21,567
NO, NO, NO,
WE DO NOT GO THERE.
1301
00:54:21,600 --> 00:54:22,600
I AM YOUR MOTHER,
1302
00:54:22,633 --> 00:54:24,733
AND YOU ARE MY SON,
1303
00:54:24,767 --> 00:54:26,600
AND MY PUNAANY,
DRY OR NOT DRY,
1304
00:54:26,633 --> 00:54:30,433
IS SOMETHING WE DO NOT DISCUSS.
1305
00:54:30,467 --> 00:54:32,067
I HAVE A FRIEND
IN ENGLAND,
1306
00:54:32,100 --> 00:54:33,733
AND HER DAUGHTER
CALLS IT "FRONT BOTTOM."
1307
00:54:33,767 --> 00:54:35,400
FRONT BOTTOM?
1308
00:54:35,433 --> 00:54:37,367
HMM, THAT'S TWISTED.
1309
00:54:37,400 --> 00:54:38,700
I HAD A GIRLFRIEND ONCE--
1310
00:54:38,733 --> 00:54:40,400
YES, REMEMBER WHEN
I HAD A GIRLFRIEND--
1311
00:54:40,433 --> 00:54:42,233
NO, BUT SHE CALLED IT
HER PRETTY PINK PEARL,
1312
00:54:42,267 --> 00:54:44,200
P.P.P.
1313
00:54:44,233 --> 00:54:45,533
NOT TO BE CONFUSED
WITH HER PEE PEE.
1314
00:54:47,067 --> 00:54:48,067
YOU KNOW WHAT'S
REALLY LOVELY?
1315
00:54:49,100 --> 00:54:50,500
YONI.
1316
00:54:50,533 --> 00:54:51,767
EW! OH, GOD...
1317
00:54:51,800 --> 00:54:53,567
IT'S SANSKRIT.
1318
00:54:53,600 --> 00:54:56,067
NO, NO, I LIKE, LIKE,
A NON-SANSKRIT TRASHY THING,
1319
00:54:56,067 --> 00:54:57,333
LIKE, TONGUE TRAP.
1320
00:54:57,367 --> 00:54:58,600
YEAH.
1321
00:54:58,633 --> 00:55:00,833
OR A, UH,
BALD MAN IN A BOAT.
1322
00:55:00,867 --> 00:55:02,133
[LAUGHING]
1323
00:55:02,167 --> 00:55:03,667
BREAKFAST OF CHAMPIONS.
1324
00:55:03,700 --> 00:55:04,800
THAT'S GOOD.
1325
00:55:04,833 --> 00:55:05,967
MUNCHBOX.
1326
00:55:06,067 --> 00:55:07,133
WEE WEE.
1327
00:55:07,167 --> 00:55:08,133
HA-HA.
HOO-HOO.
1328
00:55:08,167 --> 00:55:08,767
MIMI.
1329
00:55:10,167 --> 00:55:11,467
[SHANE]:
FUCK HOLE.
1330
00:55:11,500 --> 00:55:12,467
[CARMEN]: WHAT ELSE?
1331
00:55:12,500 --> 00:55:14,133
CALCUNTA.
1332
00:55:14,167 --> 00:55:17,333
[GIRLS GIGGLING MADLY]
1333
00:55:17,367 --> 00:55:18,633
HEY, KIT...
1334
00:55:18,667 --> 00:55:20,933
WHAT'S WRONG?
1335
00:55:20,967 --> 00:55:22,467
WHAT'S GOING ON?
1336
00:55:22,500 --> 00:55:23,833
I JUST FOUND OUT
I'VE GOT MENOPAUSE.
1337
00:55:25,200 --> 00:55:26,567
OH, KIT...
1338
00:55:26,600 --> 00:55:27,800
AW...
1339
00:55:27,833 --> 00:55:29,133
OOH...
1340
00:55:29,167 --> 00:55:30,133
OH, IT'S OKAY.
1341
00:55:30,167 --> 00:55:31,500
NO MORE PERIODS.
1342
00:55:31,533 --> 00:55:32,800
YEAH, YOU
DON'T HAVE TO
1343
00:55:32,833 --> 00:55:34,133
TAKE CARRIE TO THE PROM
ANYMORE.
1344
00:55:35,467 --> 00:55:36,933
NO MORE MOOD SWINGS...
1345
00:55:36,967 --> 00:55:38,733
EVENTUALLY.
1346
00:55:38,767 --> 00:55:40,300
NO MORE TAMPONS OR PADS.
1347
00:55:40,333 --> 00:55:41,233
NO MORE MIDOL OR EXCEDRIN,
OR TYLENOL
1348
00:55:41,267 --> 00:55:42,367
OR ANY OF THAT STUFF.
1349
00:55:42,400 --> 00:55:44,467
YEAH, BUT ONCE
THE MONKEY GOES SOUTH,
1350
00:55:44,500 --> 00:55:45,400
THAT'S THE END OF IT.
1351
00:55:45,433 --> 00:55:46,633
NO, KIT,
THAT'S NOT TRUE.
1352
00:55:46,667 --> 00:55:48,067
THERE ARE A LOT
OF MENOPAUSAL WOMEN
1353
00:55:48,100 --> 00:55:50,500
WHO ARE VERY SEXUALLY ACTIVE.
1354
00:55:50,533 --> 00:55:52,167
YEAH, IT'S TRUE.
YOU CAN STILL GET IT ON.
1355
00:55:52,200 --> 00:55:53,600
YOU ARE STILL
GOING TO BE
1356
00:55:53,633 --> 00:55:56,067
DOING THE HANKY PANKY
TILL THE COWS COME HOME, OKAY?
1357
00:55:56,067 --> 00:55:57,900
SO GET YOURSELF
A LITTLE...
1358
00:55:57,933 --> 00:55:59,367
HOT BEEF INJECTION TONIGHT
AND FEEL BETTER.
1359
00:55:59,400 --> 00:56:01,067
YOU COULD DIP THE CHIP.
1360
00:56:01,067 --> 00:56:03,200
BANG THE BOX.
SWEEP OUT
YOUR CHIMNEY.
1361
00:56:03,233 --> 00:56:04,667
AH, YOU COULD
STRETCH THAT LEATHER.
1362
00:56:04,700 --> 00:56:05,700
BUMP THE UGLIES.
1363
00:56:05,733 --> 00:56:06,867
DIP AND DIVE.
1364
00:56:06,900 --> 00:56:08,700
YOU CAN
SHAKE THE SHEETS.
1365
00:56:08,733 --> 00:56:10,400
OH, CRACK THE NUT.
1366
00:56:10,433 --> 00:56:12,133
GIVE SOME SKANK
ON THE HANG-LOW.
1367
00:56:12,167 --> 00:56:14,433
[ALL]: OH!
1368
00:56:14,467 --> 00:56:16,767
RIDE THE BALONEY PONY.
1369
00:56:16,800 --> 00:56:18,367
GIVE THAT DOG
A BONE.
1370
00:56:18,400 --> 00:56:20,067
THERE YOU GO,
KIT, YEAH.
1371
00:56:20,067 --> 00:56:21,667
SHUCK THE OYSTER,
BABY.
1372
00:56:21,700 --> 00:56:26,567
OKAY, UM, PUT SOME BEEF
IN YO' TACO!
1373
00:56:26,600 --> 00:56:28,433
RIDE THAT BEEF BUS
TO TUNA TOWN.
1374
00:56:28,467 --> 00:56:30,100
[ALL GROANING]
1375
00:56:30,133 --> 00:56:32,667
THAT WAS SO SEXY.
I'M SO GLAD YOU SAID THAT.
1376
00:56:32,700 --> 00:56:34,867
THE LIPS
BETWEEN THE HIPS.
1377
00:56:34,900 --> 00:56:35,500
FURRY MONKEY.
1378
00:56:35,533 --> 00:56:36,233
SMURF CREASE.
1379
00:56:36,267 --> 00:56:37,067
BEARDED OYSTER.
1380
00:56:37,100 --> 00:56:37,933
BIKINI BISCUIT.
1381
00:56:37,967 --> 00:56:38,800
COOTER.
1382
00:56:38,833 --> 00:56:40,967
AND, UH, CHERRY PIE.
1383
00:56:41,067 --> 00:56:41,700
CAT FLAPS.
1384
00:56:41,733 --> 00:56:43,133
WHAT ABOUT CHA-CHA?
1385
00:56:43,167 --> 00:56:46,067
HAIRY GOBLET. MM.
1386
00:56:46,100 --> 00:56:47,600
THE GRAND CANYON.
1387
00:56:47,633 --> 00:56:50,067
OH, HERE'S ANOTHER ONE.
FISH TACO.
1388
00:56:50,067 --> 00:56:51,467
OH, I GOT A GOOD ONE--
CREAM COLLECTOR.
1389
00:56:51,500 --> 00:56:52,533
GOODIE BAG.
1390
00:56:52,567 --> 00:56:55,100
HOW ABOUT THIS ONE?
BOX OF ASSORTED CREAMS.
1391
00:56:55,133 --> 00:56:56,633
UH, HONEY PIE.
1392
00:56:56,667 --> 00:56:57,300
DUGOUT.
1393
00:56:57,333 --> 00:56:58,067
LOVE MITTEN?
1394
00:56:58,067 --> 00:56:59,167
MERMAID'S PURSE.
1395
00:56:59,200 --> 00:57:00,733
SKEEKY. SKEEZY.
1396
00:57:00,767 --> 00:57:02,200
I GOT ONE, I GOT ONE--
1397
00:57:02,233 --> 00:57:04,933
PINK VELVET SAUSAGE WALLET.
1398
00:57:04,967 --> 00:57:05,600
THAT'S ATTRACTIVE.
1399
00:57:05,633 --> 00:57:06,300
NONNY.
1400
00:57:06,333 --> 00:57:06,800
HAM WALLET.
1401
00:57:06,833 --> 00:57:07,333
COOCHIE.
1402
00:57:07,367 --> 00:57:08,100
SWEET SPOT.
1403
00:57:08,133 --> 00:57:08,967
OKAY, I'VE GOT
ANOTHER ONE.
1404
00:57:09,067 --> 00:57:09,467
THE POWER SLOT.
1405
00:57:09,500 --> 00:57:10,533
FU-FU VALVE.
1406
00:57:10,567 --> 00:57:11,833
[LAUGHING]
1407
00:57:11,867 --> 00:57:14,300
I KNOW, FU-FU VALVE.
WHO WOULD SAY "FU-FU VALVE"?
1408
00:57:14,333 --> 00:57:15,100
PORK SHUTTERS.
1409
00:57:15,133 --> 00:57:15,900
BERMUDA TRIANGLE.
1410
00:57:15,933 --> 00:57:17,067
GRAB HOLE.
1411
00:57:17,100 --> 00:57:18,067
SQUEEGEE?
1412
00:57:18,067 --> 00:57:19,067
VERTICAL SMILE.
1413
00:57:19,067 --> 00:57:19,767
VESSEL TUBE.
1414
00:57:19,800 --> 00:57:20,800
MONKEY'S CHIN.
1415
00:57:20,833 --> 00:57:21,700
CHEWBACCA.
1416
00:57:21,733 --> 00:57:22,933
WHAT ABOUT PANTY HAMSTER?
1417
00:57:22,967 --> 00:57:23,900
ROAST BEEF SANDWICH.
1418
00:57:23,933 --> 00:57:26,200
UH, CAMEL TOE--
OH, THAT'S SO GENERIC.
92509
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