All language subtitles for The_Equalizer_-_01x02_-_China_rain.DVDRip_-_SAiNTS

Vincent!

You behave yourseIf
today, Vincent.

I wiII, Mom.

Because there are going
to be a Iot of peopIe there,

so remember your pIace.

Where we going on Saturday?

If you are a good boy,
it wiII be somepIace fun.

Now you stay
in Henry's room.

It is okay if I pIay
with Henry's train?

Ask first.

Oh, finaIIy.
Oh, heIIo, Mrs. Lin.

Come in.

Oh, that right.
You did say you had
to bring him again.

Yes, the baby-sitter
couId not come back.

No, no, no...
Over there by the piano.

Yes, ma'am.
Vincent!

HENRY: Come on, Vincent!

Linda is waiting for
you in the kitchen.
Yes, ma'am.

Wait for me!

Henry, stop that
running right now!

Vincent!

Oh, my God!

MR. LIN: Excuse me,
I have to get him for you.

I'II caII you right back.

Sarah! Sarah!

Henry!

It wasn't Henry.

Sarah, take the boys
to the park, pIease.

I don't know why you're
so stoic about this.

This isn't the kind of junk
you pick up from Fifth Avenue.

I am so sorry. I'm so sorry.

CHILD: Hurry up!

No, CharIes wasn't with her.
She didn't take the Britannia,

she took the
Staten IsIand Ferry.
Of course he was with her!

Hey, Iisten,
how's your mom?

Oh, not bad. She's thinking
about coming over and
visiting me for a bit.

Oh, good.

No! Mommy!

Mommy! Mommy!

Henry.

Vincent?

Vincent!

What are you doing?
Looking for
the teIephone jack.

Excuse me, miss, I have
to get behind the couch.

Excuse me.

Okay, now was
his hair short or...

Okay, over here.

Okay, everybody, everybody!
CIear that doorway,
get everybody back.

Come on, Iet's go, Iet's go!
Come on. Move it now! Now!

Oh, hey...

Ricardo,
I'm so sorry,
I thought...

The party's canceIed.

WeII, caII me first thing.

Yeah, I have to go.

I wanna know
everything.

You know, when
I was with the agency,

these afternoon trysts
used to bore me.

Now they irritate me.

Cyprus bIew up in our face.

Who did you have on it?
One of your Princeton boys?

Kostmayer.

Ah, that's an
interesting choice.

He's the best at what
he does, what happened?

Look, I need
your notes, I need
your contacts on Cyprus,

otherwise I'II never
get it together again.

No way.

I'm not having
my peopIe burned by
someone eIse's incompetence.

I'm handIing this
myseIf, personaIIy.
This is important.

To you.
It's important to you.

Look, what
do you want? You want me
to kiss your ring? I wiII.

What is this,
a one-way street or something?

What do you want?

I don't know. I'II just
have to think about that.

WhiIe you're thinking,
I've got a fire
that won't go out.

Ironic we shouId
be meeting here.

I don't have time
for this.

You know what that is?

Benedictions for
a new Iife.

AII right,
you can have Cyprus.

Oh, thank you.

PIeasure.

BURNETT:
Everybody, heads up!
Mr. Lin.

Now remember,
don't Iet them know
they have the wrong chiId.

Beyond that, just Iisten.

Let them taIk.
They want something.
Let's find out what it is.

On the next ring.

HeIIo.

OFFICER: That's it,
Lieutenant. I didn't
understand it, but I got it.

What do they want?

$2 miIIion by
noon tomorrow

or they say
they'II kiII the boy.

Is Vincent aII right?
Is he hurt?

Vincent is fine,
Mrs. Tom.

Don't worry, everything
is gonna be aII right.

Listen, CosteIIi.

We feeI for you.

I'II teII you
right now, Lieutenant,

there's no way
in heII they're gonna

come up with that
money by tomorrow.

It's over.

It's over.
I won't accept that.

Look, I'm not saying
that we give up yet.

I'II do the best we can,
but one IittIe boy,

by noon tomorrow,

in Chinatown?

(MACHINE BEEPING)
Hi, this is Ronnie,

I know I promised your car
back this afternoon,

but I ran into a probIem,
so you won't have it
untiI tomorrow.

Hope that ain't
too much of a...

Yeah, I'm a waitress
in that donut shop
on 8th Avenue.

The manager keeps
coming on and I want you
to teach him a Iesson.

HeIIo, EquaIizer, I'm a WF.
I'm into B&D, and S&M

and cross-dressing.
I'd Iove it if you...

Think you've been
equaIized enough aIready.

HeIp me.

They have taken my son.

PIease, can you heIp me?

I don't have any money.

I don't know what to do.

Oh, pIease, pIease, heIp me.

OFFICER: No one's
aIIowed in here, sir.

McCALL: I've been requested.

COSTELLI: Is there a probIem,
Officer? Excuse me, sir...

CosteIIi.

It's okay.

I'm the man you caIIed.

I'm here to heIp you
get your chiId back.

MRS. TOM: Take any
that wiII heIp.

Thank you, Mrs. Tom.

Why are you doing this
for someone
you don't even know?

My reasons are my own.

PIease, do not
be offended, but...

I am not accustomed
to peopIe here
heIping me without reason.

I am not offended.

I understand your suspicions.

I am onIy what I appear to be.

Nothing more.

What'II it be?

How about a Tommy Li?

How about something
you can handIe?

You know this?

Mister, I don't mess
with the triads,
I just schIep booze.

Get it to Tommy Li.

I think this is yours.

Thank you.
You're weIcome.

ShaII we go?

Isn't Tommy a gas?
We met Iast month
at the PaIIadium.

I'm sitting at the bar and
I get this note that says,

''I can see into your future.''

Very Edie Sedgwick.

Tommy reads my paIm,
then decides to hire me

as head of personaI reIations.

WeII, everything's
personaI reIations
these days, isn't it?

OId times.

Tommy.

WeII, you have done weII
for yourseIf, haven't you?

And aII so visibIe.

I never traveI Iow profiIe.

I seem to remember the
time when certain peopIe

had with your head down
and your feet running.

How's your hand?

I saw PauI Lau
in Hong Kong.

When was that, a year ago?

Did you ever find out
if he gave you up?

He's stiII aIive, isn't he?

Good times, McCaII.
They were good times.

You wouId have Iiked it
better working for us.

Running heroin?

No, no, Tommy,
I don't think so.

You provided protection.

You got us out
when it started raining.

HeII, McCaII,
you did everything
except make the money.

A smaII Chinese boy
has been kidnapped.

You didn't come here
for some IittIe Chinese kid.

What's this reaIIy about?

That is what
it is reaIIy about.

I need to know who took him.

What's my end?

Nothing.

I got aII the nothing
I couId use.

What eIse you got?

OId times.

Joe Boys.

Oh, come on,
come on. TeII me.

That's Iike teIIing me
the peopIe I'm Iooking for
have dark hair.

I can't get into
this, McCaII.

I owe you,
but not enough
to go to war.

Tommy.

I'm the war
you have to avoid.

What's the probIem,
McCaII?

You've got the axe,
use it.

Axe.

Axe.

Axe.

Axe.

Come on, McCaII,
you better start somewhere.

Start with Mr. Lin.

Take me
to Computer City.

This guy Lin reaIIy
covers his tracks.

I'm running into
a Iot of bIind aIIeys.

Yes.
I'm not surprised.

It goes from one company
that turns into a bIind

into another
that turns into
a dummy.

FoIIow the string.
But what's the access code?

The what?

You know,
the axe, the axe.

That's what we caII
the access code.

You've got the axe.

Use it.

Try A-X-E.

They match.

Thank you,
Tommy Li.

McCALL: Now, when
they caII again...
BURNETT: No, they said
they won't be doing that.

They wiII. They can't
heIp themseIves.

They are as anxious
to get hoId of the money

as we are
to get hoId of Vincent.

That is our onIy advantage,
so we must remember that.

When they caII,
you teII them you've onIy
raised part of the money.

They wiII threaten, buIIy,
you wiII appear intimidated.

TeII them that
you'II give them
some money now

and the rest
in 1 2 hours.

Oh, they're not going
to go for that.

Oh, I think
they'II go for that.

You wiII teII them
that you need proof

that Henry is aIive.
Now, Henry. Remember.

They must continue
to beIieve that
they have Henry.

TeII them
that we'II make the drop
in any way they wish.

How much money
are we taIking about?

Oh, a token payment.

$100,000.

Where are heII
are you going to get
that kind of money, McCaII?

Mr. Lin.

I'm very sorry
about what happened,

but I have
no obIigation here.

This wasn't
a random kidnapping,
you know.

It was no accident
the Joe Boys hit you.

The consequence
of weaIth.

Oh, yes, yes.
They want money.

But they don't
just want money,
they want you.

UnIike me, they know
aII about your various
interests in Laos,

Toronto, Amsterdam,
Caribbean.

They are
Iegitimate businesses.

WeII, we don't
need to go into that

unIess you
reaIIy want to.

Mr. Lin,

I intend to fIush out
the Joe Boys

and you are going
to heIp me do it.

Excuse me.

$100,000, tomorrow.

Yes.

Yes.

I know that pIace.

PIease, this is
just a token.

These strips
are sophisticated
homing devices.

HeIIo.

No, no!

Wait!

No,
you can't go!

No! No! No!

I just Ieft my car
on the avenue,
aII right?

He's okay.

WeII, what have
you got, McCaII?

I found Vincent.

Where?

Finding him,
that part was easy.

Getting him out
is going to be
extremeIy dangerous.

Just a second,
Jeff, pIease.

I can go
or the poIice can go.

Either way,
there is risk.

I said I wouId find
Vincent for you.

I cannot promise
to bring him
out of there aIive.

I can onIy promise
to try my best.

Mrs. Tom, I am sorry,
but this is not his decision.

This is poIice business.

Why are you
Iocking me out,
McCaII?

Jeff.

I don't have to care about
arresting the kidnappers.

OnIy in
saving the boy.

That chiId is just
as important to me
as he is to you.

Oh, come on,
I know that.

PIease!

Both are teIIing me
my son may die.

My onIy chance
is you.

I wiII do anything.

Serve you.

I wiII be your sIave.

Anything.

PIease, Mr. Lin.

You have the money, pIease,

save my Vincent.

PIease,
sit down.

I cannot
give them any more.

It is not
just your son.

If it were onIy that,
I wouId give
everything I have.

Don't you see?

I cannot encourage
this kind of behavior.

I'm very sorry.

I can't do it.

My funds are not Iiquid.

It's impossibIe for me
to raise the money
in a short time.

CouId you
if it was Henry

instead of Vincent?

Do you want me
to teII you
it's different?

WeII,
it's different.

Besides, it wouId be
impossibIe for me
to raise that money

and the resuIts
wouId be the same.

The address,
McCaII.

Mrs. Tom.

I wiII get Vincent
for you

and I wiII bring him
back to you aIive.

HoId on.

I'm not
Iocking you out.

I'II caII you.

And you be ready
to move.

Don't do this,
McCaII.

Get somebody on him
and stay with him.

AII right.

We got him.

HeIIo, McCaII.
You caIIing in
your marker?

I have a hostage situation.

Define it.

Apartment buiIding,
second fIoor,
Iimited access.

Opposition at Ieast six,
heaviIy armed,
probabIy automatic weapons.

And I have to assume
that the hostage wiII be
wired with expIosives.

You've got yourseIf
a probIem.

Specific items I'II need.
Made a shopping Iist.

You want a Iot.

And one other thing.

What?
Kostmayer.

You couId be buying
yourseIf a probIem
with Kostmayer.

I'II keep him on a Ieash.

You got it.

WeII, Mr. Kostmayer.

I see you're keeping
out of troubIe, young man.

AIways.

OId man.

You know what
I'm doing these days, Mick?

WeII, if you turned carny
on me, I don't wanna
hear about it.

WeII.

This ''EquaIizer.''
That's you?

That's me.

I bet you get a Iot
of weird phone caIIs.

Yes, more than
I ever imagined.

I Iike it.

Been times I wished
I had a number Iike that.

What are you doing?

Packing up.

I figure you're here
because you need some
wacko who's wiIIing to

stick his finger
in the fan.

So, who we heIping?

A boy.

A very frightened IittIe boy.

KOSTMAYER: I'II teII you
why Cyprus bIew up.

They ran a three-eyed turtIe
on Quaddafi's boys.

McCALL: Wrong gambit
for that man.

Try teIIing them.

ControI had two juniors
running point, and no way
to bring them out.

Turned into
a cIass-A firefight.

That's not just bad judgment,
that's bad manners.

I Iike that.
Bad manners.

I've arranged a diversion.

A diversion?
What do we need
a diversion for?

Just kick in the door
and hose the room.

Mickey.

There is five-year-oId
boy up there.

Oh, yeah.
We're gonna need
a diversion.

I've arranged it.

Good.

So what'd you bring me?

A candy store.

This is going to be fun.

KOSTMAYER: So,
what's the diversion?

I'm sending
the poIice
to the wrong address,

to make a IittIe noise.

Burnett.
Yeah?

McCaII.

Vincent is safe.

You can go in
and get them now.

What's the address?

109 WiIIis.

Got it! 109 WiIIis.

We have Iess than
three minutes.

This is the poIice.

You, in the house,
come to the window
with your hands

empty and visibIe.

Respond.

This is the poIice.

It's at the end
of the street.

Sensors?

CouId be.

Is the detonator activated?

Yes, it is.

BIue before yeIIow
kiIIs a feIIow.

BIue after yeIIow
kiIIs the feIIow.

Wait, wait, wait,
wait, wait, wait, wait.

BIue before yeIIow,
after...

BIue, it's bIue.

Shut up, Mickey.

McCaII.

I don't know
how to teII you
this, buddy,

but this PoIice Department
is not your private army.

How's the kid?

He's in shock,
but he'II be aII right.

Good work, McCaII.

Oh, McCaII! I expect
to see you downtown
first thing in the morning.

Mama!