All language subtitles for Enslavement- The True Story of Fanny Kimble (2000)

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,242 --> 00:00:13,242 ♪ ( woman vocalizing ) ♪ 2 00:00:58,414 --> 00:01:01,372 ♪♪ 3 00:01:37,500 --> 00:01:39,351 QUAKA. OH! 4 00:01:39,375 --> 00:01:42,249 ( joyful laughter ) 5 00:01:58,251 --> 00:01:59,729 AAAAH! QUAKA! 6 00:01:59,753 --> 00:02:00,854 HUH?! 7 00:02:00,878 --> 00:02:02,251 QUAKA! 8 00:02:04,251 --> 00:02:06,187 JUBA! 9 00:02:06,211 --> 00:02:07,812 JUBA! 10 00:02:07,836 --> 00:02:10,228 ( grunting ) 11 00:02:10,252 --> 00:02:11,962 ( shouting ) 12 00:02:28,713 --> 00:02:29,689 GUESS YOU GOT NO PASS, 13 00:02:29,713 --> 00:02:31,229 HUH, QUAKA? 14 00:02:31,253 --> 00:02:32,230 THAT'S YOUR NAME? 15 00:02:32,254 --> 00:02:33,898 WHAT KIND OF NAME IS "QUAKA," 16 00:02:33,922 --> 00:02:35,898 HUH?! QUACK QUACK! 17 00:02:35,922 --> 00:02:37,065 I AIN'T NEVER SEEN NO 18 00:02:37,089 --> 00:02:38,230 NIGGER DUCK BEFORE! 19 00:02:38,254 --> 00:02:39,773 I BET YOU'LL THINK TWICE BEFORE 20 00:02:39,797 --> 00:02:41,231 YOU RUN OFF TO PLANT YOUR OATS 21 00:02:41,255 --> 00:02:42,230 IN YOUR LITTLE WIFE, 22 00:02:42,254 --> 00:02:44,254 HUH, QUAKA? 23 00:02:46,506 --> 00:02:47,506 DO IT! 24 00:02:53,381 --> 00:02:55,108 AAAAH! 25 00:02:55,132 --> 00:02:57,841 ( whipping continues ) 26 00:03:00,924 --> 00:03:02,549 AAAAH! 27 00:03:08,256 --> 00:03:11,233 AAAH! AAAAH.... 28 00:03:11,257 --> 00:03:14,258 ( whipping, Quaka grunting ) 29 00:03:27,968 --> 00:03:30,258 ( audience cheering ) 30 00:03:31,968 --> 00:03:34,234 ( cheering ) 31 00:03:34,258 --> 00:03:36,259 BRAVO! BRAVO! 32 00:03:44,259 --> 00:03:46,235 ( excited chatter ) 33 00:03:46,259 --> 00:03:47,821 GIVE HER THE FLOWER! 34 00:03:47,845 --> 00:03:49,236 MISS KEMBLE! 35 00:03:49,260 --> 00:03:50,236 Man: STEP BACK, PLEASE. 36 00:03:50,260 --> 00:03:52,678 I JUST WANT AN AUTOGRAPH! 37 00:03:54,260 --> 00:03:56,236 SEE THAT SHE GETS IT TONIGHT. 38 00:03:56,260 --> 00:03:58,260 YES, I WILL. 39 00:04:06,929 --> 00:04:08,072 Man: THOMAS SCULLY 40 00:04:08,096 --> 00:04:09,114 IS HERE TONIGHT. 41 00:04:09,138 --> 00:04:11,280 HE'S A VERY FINE PAINTER, FANNY. 42 00:04:11,304 --> 00:04:12,906 I WANT YOU TO MEET HIM. 43 00:04:12,930 --> 00:04:14,322 HE'S ASSURED ME HE CAN PAINT 44 00:04:14,346 --> 00:04:16,238 A TRUE LIKENESS OF YOU. 45 00:04:16,262 --> 00:04:17,239 NO, FATHER, NO ONE CAN PAINT 46 00:04:17,263 --> 00:04:18,531 ME AS I AM, BECAUSE I AM NOT 47 00:04:18,555 --> 00:04:19,781 WHAT I APPEAR TO BE. 48 00:04:19,805 --> 00:04:21,406 THATIS A TRUE STATEMENT. 49 00:04:21,430 --> 00:04:22,865 ELIZABETH! 50 00:04:22,889 --> 00:04:24,365 YOU SAID ONLY A FEW PEOPLE. 51 00:04:24,389 --> 00:04:26,239 THESEAREONLY A FEW PEOPLE. 52 00:04:26,263 --> 00:04:27,240 WOULD YOU LIKE ME TO MIND 53 00:04:27,264 --> 00:04:28,907 THE CHILD FOR A WHILE? 54 00:04:28,931 --> 00:04:31,239 IF IT WERE ONLY POSSIBLE. 55 00:04:31,263 --> 00:04:32,282 HA HA HA HA! 56 00:04:32,306 --> 00:04:33,407 TONIGHT WAS MY LAST 57 00:04:33,431 --> 00:04:35,116 PERFORMANCE IN AMERICA. 58 00:04:35,140 --> 00:04:36,239 THE AUDIENCE COUGHED 59 00:04:36,263 --> 00:04:37,408 TOO MUCH, DID THEY? 60 00:04:37,432 --> 00:04:40,533 OH, I'M SORRY. WHAT THE MATTER? 61 00:04:40,557 --> 00:04:42,658 EVERYTHING. BLUNDERING ACTORS 62 00:04:42,682 --> 00:04:43,867 WHO DIDN'T KNOW THEIR PARTS, 63 00:04:43,891 --> 00:04:45,742 COMATOSE AUDIENCES, AND AMERICA. 64 00:04:45,766 --> 00:04:48,491 I'M TIRED OF SPITTOONS AND BAD 65 00:04:48,515 --> 00:04:51,241 BRANDY AND COMPETING WITH WILD 66 00:04:51,265 --> 00:04:54,160 PIGS FOR SPACE ON THE SIDEWALKS. 67 00:04:54,184 --> 00:04:55,325 SO THIS IS THE CAPRICIOUS 68 00:04:55,349 --> 00:04:57,242 KEMBLE WE'VE ALL HEARD ABOUT. 69 00:04:57,266 --> 00:04:59,160 INTRODUCE US, MRS. SEDGWICK. 70 00:04:59,184 --> 00:05:00,784 FANNY, THIS IS JOHN QUINCY 71 00:05:00,808 --> 00:05:02,493 ADAMS, THE ESTEEMED FORMER 72 00:05:02,517 --> 00:05:04,242 PRESIDENT OF THE UNITED STATES. 73 00:05:04,266 --> 00:05:06,242 AND DANIEL WEBSTER, SENATOR 74 00:05:06,266 --> 00:05:08,452 AND FAMOUS ORATOR. 75 00:05:08,476 --> 00:05:10,827 FANNY WAS JUST SAYING HOW MUCH 76 00:05:10,851 --> 00:05:12,368 SHE LOVES AMERICA. 77 00:05:12,392 --> 00:05:14,327 FINEST COUNTRY ON EARTH. 78 00:05:14,351 --> 00:05:16,120 MY MOTHER-IN-LAW WAS ENGLISH. 79 00:05:16,144 --> 00:05:17,369 BY THE BYE, SHE LOVED 80 00:05:17,393 --> 00:05:19,286 SHAKESPEARE, ADORED IT. 81 00:05:19,310 --> 00:05:21,411 YOU WERE QUITE GOOD TONIGHT. 82 00:05:21,435 --> 00:05:22,953 WOMEN WEPT. 83 00:05:22,977 --> 00:05:24,453 BUT I THINK DESDEMONA'S 84 00:05:24,477 --> 00:05:27,244 MISFORTUNE IS A VERY JUST 85 00:05:27,268 --> 00:05:28,412 JUDGMENT UPON HER FOR 86 00:05:28,436 --> 00:05:31,912 MARRYING A NIGGER. 87 00:05:31,936 --> 00:05:33,121 DESDEMONA'S FAULT WAS 88 00:05:33,145 --> 00:05:34,704 BEING IN LOVE, SIR. 89 00:05:34,728 --> 00:05:37,537 OTHELLO'S ERROR WAS PRIDE... 90 00:05:37,561 --> 00:05:39,038 NOT BEING A NEGRO, A CONDITION 91 00:05:39,062 --> 00:05:41,312 OVER WHICH HE HAD NO CONTROL. 92 00:05:43,353 --> 00:05:45,269 GOOD EVENING. 93 00:05:48,269 --> 00:05:49,395 EXCUSE ME. 94 00:05:52,270 --> 00:05:53,998 WHAT I WONDER IS IF YOU'VE EVER 95 00:05:54,022 --> 00:05:55,914 HAD ANY CONTROL OVER YOURMOUTH. 96 00:05:55,938 --> 00:05:57,246 NOW, WHAT IS THE MATTER? 97 00:05:57,270 --> 00:05:58,246 I AM SICK TO DEATH OF 98 00:05:58,270 --> 00:05:59,330 BEING FANNY KEMBLE. 99 00:05:59,354 --> 00:06:01,206 I'M SO GOOD AT IT I DON'T DARE 100 00:06:01,230 --> 00:06:02,456 BE ANYONE ELSE. 101 00:06:02,480 --> 00:06:03,790 WELL, THAT'S HONEST. 102 00:06:03,814 --> 00:06:05,248 WHAT'S TO BE DONE? 103 00:06:05,272 --> 00:06:06,457 FANNY, THEY'RE WAITING 104 00:06:06,481 --> 00:06:08,190 FOR YOU. COME. 105 00:06:10,271 --> 00:06:12,040 AND NOW OUR NEXT MUSICIAN 106 00:06:12,064 --> 00:06:14,124 IS PIERCE BUTLER WHO WILL PLAY 107 00:06:14,148 --> 00:06:17,248 A FLUTE SONATA BY CARULLI, 108 00:06:17,272 --> 00:06:19,875 ACCOMPANIED BY MR. AVELEN 109 00:06:19,899 --> 00:06:21,833 ON THE GUITAR. 110 00:06:21,857 --> 00:06:22,875 I WOULD LIKE TO DEDICATE 111 00:06:22,899 --> 00:06:24,583 THIS PIECE TO OUR CHARMING 112 00:06:24,607 --> 00:06:25,916 GUEST OF HONOR, 113 00:06:25,940 --> 00:06:28,233 MISS FANNY KEMBLE. 114 00:06:34,108 --> 00:06:36,816 ♪♪ 115 00:06:58,275 --> 00:07:00,818 ♪♪ ( continues ) 116 00:07:10,986 --> 00:07:13,903 ( sonata ends to applause ) 117 00:07:35,278 --> 00:07:37,422 WHAT'S IN A NAME? 118 00:07:37,446 --> 00:07:39,380 THAT WHICH WE CALL A ROSE 119 00:07:39,404 --> 00:07:40,839 BY ANY OTHER NAME 120 00:07:40,863 --> 00:07:43,156 WOULD SMELL AS SWEET. 121 00:07:49,279 --> 00:07:53,279 ♪♪ ( dance music ) 122 00:08:07,033 --> 00:08:08,425 Fanny: NOT ONLY DO YOU KNOW 123 00:08:08,449 --> 00:08:10,134 SHAKESPEARE, YOU PLAY THE FLUTE 124 00:08:10,158 --> 00:08:11,258 VERY WELL, MR. BUTLER. 125 00:08:11,282 --> 00:08:13,300 ARE YOU A MUSICIAN? 126 00:08:13,324 --> 00:08:14,925 IF MY MUSIC MOVES YOU I AM, 127 00:08:14,949 --> 00:08:16,050 OTHERWISE I AM MERELY 128 00:08:16,074 --> 00:08:18,134 A DULL LAWYER. 129 00:08:18,158 --> 00:08:19,426 I'M SURPRISED YOU FOUND TIME 130 00:08:19,450 --> 00:08:20,926 TO LEAVE ROSES FOR ME 131 00:08:20,950 --> 00:08:22,258 THROUGHOUT THE TOUR. 132 00:08:22,282 --> 00:08:23,426 I DON'T RECALL SAYING I DID. 133 00:08:23,450 --> 00:08:24,634 PERHAPS YOU'RE TOO ASHAMED 134 00:08:24,658 --> 00:08:25,843 TO CONFESS IT. 135 00:08:25,867 --> 00:08:27,258 IS THAT WHY YOU NEVER 136 00:08:27,282 --> 00:08:29,010 SIGNED YOUR NAME? 137 00:08:29,034 --> 00:08:30,135 IF I HAD SIGNED MY NAME, 138 00:08:30,159 --> 00:08:31,094 I WOULD HAVE BEEN ANOTHER ONE 139 00:08:31,118 --> 00:08:32,259 OF THOSE MOON-FACED ADMIRERS 140 00:08:32,283 --> 00:08:33,259 GAPING AT US THROUGH THE 141 00:08:33,283 --> 00:08:34,844 WINDOWS; I WANTED TO BE 142 00:08:34,868 --> 00:08:36,219 THE ONE DANCING WITH YOU, AND 143 00:08:36,243 --> 00:08:37,802 TALKING TO YOU IN THE GARDEN. 144 00:08:37,826 --> 00:08:38,802 BUT HOW ARE YOU DIFFERENT 145 00:08:38,826 --> 00:08:39,635 FROM THEM? 146 00:08:39,659 --> 00:08:40,677 THEY'RE ONLY DAZZLED BY 147 00:08:40,701 --> 00:08:42,259 THE ROLES I PLAY. 148 00:08:42,283 --> 00:08:45,260 BECAUSE I KNOW YOU BETTER. 149 00:08:45,284 --> 00:08:46,137 "IN THE INMOST CHAMBERS OF MY 150 00:08:46,161 --> 00:08:47,553 SOUL, THERE IS ANOTHER WORLD, 151 00:08:47,577 --> 00:08:50,179 A BLESSED HOME O'ER WHICH 152 00:08:50,203 --> 00:08:51,762 NO LIVING POWER HOLDETH CONTROL, 153 00:08:51,786 --> 00:08:53,095 CLOSE TO WHICH ILL THINGS 154 00:08:53,119 --> 00:08:54,511 DO NEVER COME." 155 00:08:54,535 --> 00:08:56,554 I READ YOUR BOOK OF POETRY. 156 00:08:56,578 --> 00:08:58,261 THOSE POEMS ARE THE FOOLISH 157 00:08:58,285 --> 00:09:00,180 MUSINGS OF A YOUNG GIRL. 158 00:09:00,204 --> 00:09:01,929 THE FACT THEY'RE EVEN PUBLISHED 159 00:09:01,953 --> 00:09:03,138 IS MY ETERNAL PUNISHMENT 160 00:09:03,162 --> 00:09:04,262 FOR HAVING WRITTEN THEM. 161 00:09:04,286 --> 00:09:06,261 WELL, I'M VERY GLAD YOU DID. 162 00:09:06,285 --> 00:09:07,846 I KNEW THE POET WAS RARE-- 163 00:09:07,871 --> 00:09:08,889 I DID NOT KNOW SHE WAS 164 00:09:08,913 --> 00:09:10,680 ALSO BEAUTIFUL. 165 00:09:10,704 --> 00:09:11,889 YOU'RE BEGINNING TO SOUND 166 00:09:11,913 --> 00:09:13,181 A LOT LIKE A MOON-FACED ADMIRER 167 00:09:13,205 --> 00:09:16,055 YOURSELF, MR. BUTLER. 168 00:09:16,079 --> 00:09:17,014 WOULD YOU FEEL SAFER 169 00:09:17,038 --> 00:09:18,788 IF I WERE? 170 00:09:20,455 --> 00:09:22,347 IT IS TIME FOR ME TO GO. 171 00:09:22,371 --> 00:09:23,681 ONCE WE GO BACK INSIDE, 172 00:09:23,705 --> 00:09:24,973 YOU BELONG TO THEM. 173 00:09:24,997 --> 00:09:26,015 I MUCH PREFER HAVING YOU 174 00:09:26,039 --> 00:09:27,872 ALL TO MYSELF. 175 00:09:32,287 --> 00:09:33,998 GOOD NIGHT, MISS KEMBLE. 176 00:09:40,288 --> 00:09:41,640 I THINK I'D PREFER THAT TOO, 177 00:09:41,664 --> 00:09:43,873 MR. BUTLER. 178 00:09:45,289 --> 00:09:47,265 "OUR PERFORMANCE OFOTHELLO 179 00:09:47,289 --> 00:09:49,308 WAS WELL RECEIVED, THOUGH ON THE 180 00:09:49,332 --> 00:09:50,558 WHOLE, PHILADELPHIA AUDIENCES 181 00:09:50,582 --> 00:09:52,058 CANNOT DISTINGUISH GOOD THEATER 182 00:09:52,082 --> 00:09:53,516 FROM A CATTLE RACE. 183 00:09:53,540 --> 00:09:55,225 AFTER THE PERFORMANCE, 184 00:09:55,249 --> 00:09:56,265 I RECEIVED YET ANOTHER 185 00:09:56,289 --> 00:09:57,934 SINGLE WHITE ROSE. 186 00:09:57,958 --> 00:10:01,266 BUT THE MYSTERY IS FINALLY OVER. 187 00:10:01,290 --> 00:10:03,018 ELIZABETH'S SOIREE WAS WITLESS 188 00:10:03,042 --> 00:10:04,517 BUT MILDLY INTERESTING-- 189 00:10:04,541 --> 00:10:06,517 MY LAST, I VOW-- 190 00:10:06,541 --> 00:10:08,101 BUT IT WAS THERE THAT MY SECRET 191 00:10:08,125 --> 00:10:10,560 ADMIRER MADE HIS PRESENCE KNOWN. 192 00:10:10,584 --> 00:10:14,267 HIS NAME: PIERCE BUTLER. 193 00:10:14,291 --> 00:10:16,267 HE WAS SO BRASH AND I WAS SO 194 00:10:16,291 --> 00:10:18,267 ALOOF, BOTH OF US PLAYING OUR 195 00:10:18,291 --> 00:10:20,560 PARTS, BUT HE LIKED THE ONLY 196 00:10:20,584 --> 00:10:22,228 GOOD POEM I'VE EVER WRITTEN, 197 00:10:22,252 --> 00:10:23,436 AND HE PLAYED THE FLUTE 198 00:10:23,460 --> 00:10:25,061 HAUNTINGLY. 199 00:10:25,085 --> 00:10:27,710 QUITE HANDSOME, TOO." 200 00:10:42,336 --> 00:10:43,961 MISS KEMBLE! 201 00:10:49,796 --> 00:10:51,855 MISS KIMBLE, ARE YOU ALL RIGHT? 202 00:10:51,879 --> 00:10:52,897 OF COURSE I'M ALL RIGHT. 203 00:10:52,921 --> 00:10:53,813 WHY DO YOU ASK? 204 00:10:53,837 --> 00:10:54,730 I THOUGHT YOUR HORSE 205 00:10:54,754 --> 00:10:55,772 HAD RUN AWAY WITH YOU. 206 00:10:55,796 --> 00:10:57,480 WHAT A PREPOSTEROUS IDEA. 207 00:10:57,504 --> 00:10:58,480 HAVE YOU BEEN FOLLOWING ME, 208 00:10:58,504 --> 00:10:59,898 MR. BUTLER? 209 00:10:59,922 --> 00:11:02,522 OH, NO. 210 00:11:02,546 --> 00:11:04,148 WELL, YES. 211 00:11:04,172 --> 00:11:06,271 I PAID THE STABLE BOY SIX 212 00:11:06,295 --> 00:11:07,314 SHILLINGS TO TELL ME WHERE YOU 213 00:11:07,338 --> 00:11:09,856 RODE; I WANTED TO ESCORT YOU. 214 00:11:09,880 --> 00:11:11,190 I THOUGHT THE RAIN MIGHT HAVE 215 00:11:11,214 --> 00:11:12,232 MADE THE TRAILS UNFIT FOR 216 00:11:12,256 --> 00:11:14,149 LADIES, BUT I CAN SEE 217 00:11:14,173 --> 00:11:15,440 I UNDERESTIMATED YOU. 218 00:11:15,464 --> 00:11:16,523 GOOD DAY, MISS KEMBLE. 219 00:11:16,547 --> 00:11:17,273 WELL, THE TRAILS ARE UNFIT 220 00:11:17,297 --> 00:11:18,940 FOR LADIES, MR. BUTLER, 221 00:11:18,964 --> 00:11:20,607 BUT I WOULD ENJOY YOU ESCORTING 222 00:11:20,631 --> 00:11:24,273 ME NONETHELESS. 223 00:11:24,297 --> 00:11:24,733 DO YOU ALWAYS RIDE 224 00:11:24,757 --> 00:11:25,983 AT THAT PACE? 225 00:11:26,007 --> 00:11:27,316 NO, ON THE QUEEN'S BIRTHDAY 226 00:11:27,340 --> 00:11:30,273 I TROT RESPECTFULLY. 227 00:11:30,297 --> 00:11:31,273 I'M SURPRISED YOU WOULD 228 00:11:31,297 --> 00:11:32,566 DEFER TO ANYONE, MISS KEMBLE, 229 00:11:32,590 --> 00:11:33,608 EVEN A QUEEN. 230 00:11:33,632 --> 00:11:35,108 I DID NOT SAY I WOULD DEFER; 231 00:11:35,132 --> 00:11:37,984 ONLY THAT I TROT. 232 00:11:38,008 --> 00:11:40,549 ( laughs ) 233 00:11:44,299 --> 00:11:45,442 IS THIS YOUR FIRST VISIT 234 00:11:45,466 --> 00:11:48,318 TO AMERICA? 235 00:11:48,342 --> 00:11:49,152 I SENSE THAT YOU DON'T 236 00:11:49,176 --> 00:11:51,610 CARE FOR IT MUCH. 237 00:11:51,634 --> 00:11:54,359 I CAN'T BLAME YOU. 238 00:11:54,383 --> 00:11:55,777 YOU'VE ONLY SEEN DIRTY CITIES 239 00:11:55,801 --> 00:11:57,068 AND THE INSIDES OF THEATERS 240 00:11:57,092 --> 00:11:58,568 AND PEOPLE FAWNING ALL OVER YOU. 241 00:11:58,592 --> 00:11:59,443 YOU SHOULD HAVE ME 242 00:11:59,467 --> 00:12:00,903 AS YOUR PERSONAL GUIDE. 243 00:12:00,927 --> 00:12:03,069 YOU'RE VERY BOLD, MR. BUTLER. 244 00:12:03,093 --> 00:12:04,276 THIS IS A GRAND COUNTRY, 245 00:12:04,300 --> 00:12:05,153 MISS KEMBLE-- 246 00:12:05,177 --> 00:12:06,236 IT INVITES GUMPTION. 247 00:12:06,260 --> 00:12:07,360 STAY ON AFTER YOUR TOUR 248 00:12:07,384 --> 00:12:08,652 IS COMPLETED. 249 00:12:08,676 --> 00:12:09,444 I'LL GIVE YOU THE EYES 250 00:12:09,468 --> 00:12:10,903 OF AN AMERICAN. 251 00:12:10,927 --> 00:12:12,319 I THINK IN YOUR HEART AND SOUL 252 00:12:12,343 --> 00:12:13,987 YOU ALREADY ARE ONE. 253 00:12:14,011 --> 00:12:15,469 ( Fanny chuckles ) 254 00:12:17,844 --> 00:12:18,612 YOU SEE THAT TREE LINE 255 00:12:18,636 --> 00:12:21,277 OVER THERE? 256 00:12:21,301 --> 00:12:23,277 LAST ONE THERE HAS NO GUMPTION. 257 00:12:23,301 --> 00:12:25,136 HEEYA! GO! GO! 258 00:12:29,929 --> 00:12:31,654 HEEYA! GO! 259 00:12:31,678 --> 00:12:33,302 COME ON! 260 00:12:36,512 --> 00:12:38,138 GO! RUN! 261 00:12:42,387 --> 00:12:43,971 GO! GO! 262 00:12:52,847 --> 00:12:54,240 DO I HAVE GUMPTION, 263 00:12:54,264 --> 00:12:55,573 MR. BUTLER? 264 00:12:55,597 --> 00:12:58,280 ( laughs ) 265 00:12:58,304 --> 00:13:01,281 OH, YOU DO INDEED, MISS KEMBLE. 266 00:13:01,305 --> 00:13:02,280 I PRONOUNCE YOU 267 00:13:02,305 --> 00:13:05,116 AN HONORARY AMERICAN. 268 00:13:05,140 --> 00:13:08,140 ( both laugh ) 269 00:13:12,305 --> 00:13:13,449 RIDING ALONE WITH UNATTACHED 270 00:13:13,473 --> 00:13:16,575 MEN, RACING THEM ON HORSEBACK. 271 00:13:16,599 --> 00:13:17,950 FORTUNATELY, YOUR MOTHER 272 00:13:17,974 --> 00:13:19,201 IS IN ENGLAND. 273 00:13:19,225 --> 00:13:20,282 WELL, HE WAS CHARMING. 274 00:13:20,306 --> 00:13:21,617 AND AT LEAST HE DOESN'T CHEW 275 00:13:21,641 --> 00:13:23,450 TOBACCO LIKE MOST AMERICAN MEN. 276 00:13:23,474 --> 00:13:25,242 I'VE ACTUALLY SEEN A GENTLEMAN 277 00:13:25,266 --> 00:13:26,283 SPIT UPON THE CARPET IN THE 278 00:13:26,307 --> 00:13:27,409 COMPANY OF WOMEN WITHOUT EVEN 279 00:13:27,433 --> 00:13:28,409 A HINT OF REMORSE. 280 00:13:28,433 --> 00:13:30,307 OH! APPALLING. 281 00:13:35,433 --> 00:13:36,743 BETWEEN RACES, DID HE MENTION 282 00:13:36,767 --> 00:13:37,993 THE SUBJECT OF MARRIAGE, 283 00:13:38,017 --> 00:13:39,035 PERHAPS? 284 00:13:39,059 --> 00:13:41,284 MARRIAGE? 285 00:13:41,308 --> 00:13:42,284 PIERCE IS MERELY 286 00:13:42,308 --> 00:13:43,702 AN AMUSING FRIEND. 287 00:13:43,726 --> 00:13:45,203 BESIDES, I WOULD NEVER MARRY 288 00:13:45,227 --> 00:13:46,284 A FOOL, WHICH ANY MAN WHO WANTED 289 00:13:46,308 --> 00:13:47,952 TO MARRY ME WOULD HAVE TO BE. 290 00:13:47,976 --> 00:13:49,284 HA HA HA! 291 00:13:49,308 --> 00:13:50,368 BUT THE QUESTION IS, 292 00:13:50,392 --> 00:13:52,285 WOULD YOU MARRY HIM? 293 00:13:52,309 --> 00:13:53,285 I TOLD YOU WE'RE FRIENDS. 294 00:13:53,309 --> 00:13:54,411 WHY DO YOU EVEN ASK? 295 00:13:54,435 --> 00:13:55,745 YOU HAVE A TENDENCY TO DIVE 296 00:13:55,769 --> 00:13:57,120 IN BEFORE TESTING THE DEPTH, 297 00:13:57,144 --> 00:13:58,435 FANNY. 298 00:14:02,102 --> 00:14:03,411 HAS THE SUBJECT OF PIERCE'S 299 00:14:03,435 --> 00:14:06,746 600 SLAVES ARISEN AT ALL? 300 00:14:06,770 --> 00:14:07,412 THEY'RE NOT HIS, 301 00:14:07,436 --> 00:14:08,788 THEY'RE HIS GRANDFATHER'S. 302 00:14:08,812 --> 00:14:09,871 ONLY TILL HIS AUNT DIES 303 00:14:09,895 --> 00:14:11,246 AND THEN THEY'RE HIS, 304 00:14:11,270 --> 00:14:13,895 AND SHE'S ON HER DEATH BED. 305 00:14:17,230 --> 00:14:19,455 MY GOD, I'M MEDDLING. 306 00:14:19,479 --> 00:14:20,663 PIERCE IS NOT A PERSON 307 00:14:20,687 --> 00:14:22,312 WHO KEEPS SLAVES. 308 00:14:27,311 --> 00:14:28,247 ARE YOUR PLANTATIONS 309 00:14:28,271 --> 00:14:29,289 AS LARGE AS ALL THIS? 310 00:14:29,313 --> 00:14:30,581 THEY AREN'T MINE YET, 311 00:14:30,605 --> 00:14:32,289 BUT THEY ARE MUCH LARGER. 312 00:14:32,313 --> 00:14:34,288 AND ARE THERE SLAVES? 313 00:14:34,312 --> 00:14:36,040 YES. IT'S A WAY OF LIFE 314 00:14:36,064 --> 00:14:37,372 IN THE SOUTH. 315 00:14:37,396 --> 00:14:38,331 I CANNOT IMAGINE A LIFE 316 00:14:38,355 --> 00:14:40,123 WITHOUT FREEDOM. 317 00:14:40,147 --> 00:14:41,208 OF COURSE NOT; 318 00:14:41,232 --> 00:14:42,707 IT'S NOT YOUR LIFE. 319 00:14:42,731 --> 00:14:44,208 BUT I GREW UP WITH IT. 320 00:14:44,232 --> 00:14:45,289 THE BUTLER ISLAND SLAVES 321 00:14:45,313 --> 00:14:46,665 HELPED RAISE ME. 322 00:14:46,689 --> 00:14:48,707 I LOVE THEM, AND THEY LOVE ME. 323 00:14:48,731 --> 00:14:49,874 THEY'RE HAPPY AND WELL 324 00:14:49,898 --> 00:14:51,249 CARED FOR; THEY HAVE 325 00:14:51,273 --> 00:14:52,874 NO WISH TO BE FREE. 326 00:14:52,898 --> 00:14:54,083 BUT YOU COULD FREE THEM 327 00:14:54,107 --> 00:14:55,500 IF YOU CHOSE TO. 328 00:14:55,524 --> 00:14:56,583 OF COURSE I COULD, FANNY, 329 00:14:56,607 --> 00:14:59,917 NOTHING COULD BE EASIER. 330 00:14:59,941 --> 00:15:01,083 IT'S QUITE LOVELY HERE; 331 00:15:01,107 --> 00:15:03,333 IT REMINDS ME OF ENGLAND. 332 00:15:03,357 --> 00:15:06,168 YOU SOUND HOMESICK. 333 00:15:06,192 --> 00:15:07,168 HAS YOUR GUMPTION FAILED YOU 334 00:15:07,192 --> 00:15:08,834 ALREADY? 335 00:15:08,858 --> 00:15:10,793 WHAT DO YOU WANT, FANNY? 336 00:15:10,817 --> 00:15:13,501 I MEAN TRULY. 337 00:15:13,525 --> 00:15:14,334 I WANT TO DO EVERYTHING 338 00:15:14,358 --> 00:15:16,210 THAT CAN BE DONE. 339 00:15:16,234 --> 00:15:17,291 AND I HAVE PLENTY OF GUMPTION 340 00:15:17,315 --> 00:15:18,668 TO DO IT. 341 00:15:18,692 --> 00:15:19,794 UNFORTUNATELY, I WAS BORN A 342 00:15:19,818 --> 00:15:21,710 WOMAN AND RAISED BY ACTORS. 343 00:15:21,734 --> 00:15:22,960 THOSE ARE ADVANTAGES, 344 00:15:22,984 --> 00:15:25,127 NOT IMPEDIMENTS. 345 00:15:25,151 --> 00:15:26,919 OH, PIERCE, EVERYONE 346 00:15:26,943 --> 00:15:29,627 HAS ALWAYS SAID NO TO ME. 347 00:15:29,651 --> 00:15:31,920 I KNOW YOUR HEART, FANNY. 348 00:15:31,944 --> 00:15:34,293 WHY AREN'T YOU MARRIED? 349 00:15:34,317 --> 00:15:37,293 I KNOW YOU'VE HAD MANY SUITORS. 350 00:15:37,317 --> 00:15:38,293 WHY HAVE YOU ALWAYS 351 00:15:38,317 --> 00:15:39,503 REJECTED THEM? 352 00:15:39,527 --> 00:15:41,293 WHY WOULD I SWEAR BEFORE GOD 353 00:15:41,317 --> 00:15:43,754 TO BE ANY MAN'S DOCILE ORNAMENT? 354 00:15:43,778 --> 00:15:45,754 I WOULD NEVER GIVE UP 355 00:15:45,778 --> 00:15:47,879 MY FREEDOM. 356 00:15:47,903 --> 00:15:49,294 MEN THINK THEY WANT TO MARRY ME, 357 00:15:49,318 --> 00:15:50,294 BUT IT'S NOT THEIR BRAINS 358 00:15:50,318 --> 00:15:52,420 DOING THE THINKING. 359 00:15:52,444 --> 00:15:54,213 PERHAPS NO ONE HAS EVER 360 00:15:54,237 --> 00:15:56,296 LOVED YOU AS I DO. 361 00:15:56,320 --> 00:15:57,505 I WOULD NEVER ATTEMPT 362 00:15:57,529 --> 00:16:00,295 TO RESTRICT YOU.EVER. 363 00:16:00,319 --> 00:16:02,088 I'M NOT INTERESTING IN ORNAMENTS 364 00:16:02,112 --> 00:16:04,295 OR BLIND OBEDIENCE. 365 00:16:04,319 --> 00:16:05,172 I WANT TO GIVE YOU 366 00:16:05,196 --> 00:16:06,713 THE LIFE YOU DESERVE. 367 00:16:06,737 --> 00:16:10,089 IT WOULD ENRICH ME TO EVEN TRY. 368 00:16:10,113 --> 00:16:14,296 I LOVE YOU, FANNY, I DO. 369 00:16:14,320 --> 00:16:16,631 I WANT TO MARRY YOU... 370 00:16:16,655 --> 00:16:18,571 RIGHT AWAY. 371 00:16:32,448 --> 00:16:34,424 THE RAVEN HIMSELF IS HOARSE 372 00:16:34,448 --> 00:16:36,716 THAT CROAKS THE FATAL ENTRANCE 373 00:16:36,740 --> 00:16:41,217 OF DUNCAN UNDER MY BATTLEMENTS. 374 00:16:41,241 --> 00:16:43,091 COME, YOU SPIRITS, THAT TEND ON 375 00:16:43,115 --> 00:16:44,341 MORTAL THOUGHTS. 376 00:16:44,365 --> 00:16:46,299 UNSEX ME NOW AND FILL ME FROM 377 00:16:46,323 --> 00:16:47,884 THE CROWN TO THE TOE TOP 378 00:16:47,908 --> 00:16:51,299 FULL OF DIRE CRUELTY. 379 00:16:51,323 --> 00:16:53,491 MAKE THICK MY BLOOD-- 380 00:16:54,991 --> 00:16:56,760 ELIZABETH! 381 00:16:56,784 --> 00:16:57,927 YOU ARE SO UTTERLY 382 00:16:57,951 --> 00:16:59,426 CONVINCING. 383 00:16:59,450 --> 00:17:00,384 DID YOU COME HERE TO 384 00:17:00,408 --> 00:17:02,968 WATCH ME REHEARSE... 385 00:17:02,992 --> 00:17:04,052 OR TO LECTURE ME ON 386 00:17:04,076 --> 00:17:06,219 THE PERILS OR MARRIAGE? 387 00:17:06,243 --> 00:17:07,760 WELL, SINCE YOU 388 00:17:07,784 --> 00:17:11,011 BRING IT UP... 389 00:17:11,035 --> 00:17:12,220 YOU HAVE LONG DECLARED YOUR 390 00:17:12,244 --> 00:17:14,427 DISDAIN FOR MARRIAGE, FANNY. 391 00:17:14,451 --> 00:17:16,301 YET YOU ARE ABOUT TO GIVE UP 392 00:17:16,325 --> 00:17:18,261 BEING SINGLE AND INDEPENDENT 393 00:17:18,285 --> 00:17:20,220 TO SHARE YOUR LIFE WITH A MAN. 394 00:17:20,244 --> 00:17:24,804 THE QUESTION IS: WHY? 395 00:17:24,828 --> 00:17:26,804 BECAUSETHISIS MY LIFE-- 396 00:17:26,828 --> 00:17:29,179 HOLED UP BACKSTAGE OR ACTING 397 00:17:29,203 --> 00:17:31,804 THE FOOL ONSTAGE. 398 00:17:31,828 --> 00:17:34,596 MY LIFE HAS BEEN PREDICTABLE. 399 00:17:34,620 --> 00:17:36,263 BUT PIERCE ISN'T. 400 00:17:36,287 --> 00:17:38,596 HE SURPRISES ME. 401 00:17:38,620 --> 00:17:40,303 AND ALL OF THE EMOTIONS THAT 402 00:17:40,327 --> 00:17:42,096 I'VE ACTED ON STAGE, 403 00:17:42,120 --> 00:17:44,013 I NOWFEEL. 404 00:17:44,037 --> 00:17:45,554 THEY'RE REAL. 405 00:17:45,578 --> 00:17:46,764 YOU'RE HOPING TO LEAVE 406 00:17:46,788 --> 00:17:47,806 THE FANNY KEMBLE YOU'RE 407 00:17:47,830 --> 00:17:49,680 SO SICK OF BEHIND? 408 00:17:49,704 --> 00:17:51,764 SHE MAY FOLLOW YOU, YOU KNOW. 409 00:17:51,788 --> 00:17:53,014 WHEN I'M WITH PIERCE, I DON'T 410 00:17:53,038 --> 00:17:55,847 HAVE TO BE FANNY KEMBLE. 411 00:17:55,871 --> 00:17:58,765 I ADORE BEING WITH HIM. 412 00:17:58,789 --> 00:18:02,305 I LOVE HIM. 413 00:18:02,329 --> 00:18:04,348 DON'T RUIN IT, ELIZABETH. 414 00:18:04,372 --> 00:18:06,348 I'M VERY PLEASED FOR YOU. 415 00:18:06,372 --> 00:18:09,182 I JUST WANT WHAT'S BEST FOR YOU. 416 00:18:09,206 --> 00:18:11,306 YOU MUST KNOW THAT. 417 00:18:11,330 --> 00:18:13,330 OH... 418 00:18:15,082 --> 00:18:16,058 Fanny:WE WERE MARRIED, AS 419 00:18:16,082 --> 00:18:18,058 PIERCE WISHED, RIGHT AWAY. 420 00:18:18,082 --> 00:18:19,557 FATHER DID NOT APPROVE, 421 00:18:19,581 --> 00:18:20,557 MOSTLY BECAUSE IT ENDED 422 00:18:20,581 --> 00:18:22,306 OUR TOUR PREMATURELY. 423 00:18:22,330 --> 00:18:23,683 BUT MY STAGE CAREER HAS ENDED 424 00:18:23,707 --> 00:18:25,307 AT LONG LAST. 425 00:18:25,331 --> 00:18:27,307 WE MOVED INTO BUTLER PLACE, 426 00:18:27,331 --> 00:18:28,517 PIERCE'S CHILDHOOD HOME 427 00:18:28,541 --> 00:18:30,307 OUTSIDE OF PHILADELPHIA. 428 00:18:30,331 --> 00:18:31,683 I WOULD NEVER TELL HIM, 429 00:18:31,707 --> 00:18:32,683 BUT IT'S LITTLE MORE THAN 430 00:18:32,707 --> 00:18:33,809 A SECOND-RATE FARMHOUSE 431 00:18:33,833 --> 00:18:35,307 BY ENGLISH STANDARDS. 432 00:18:35,331 --> 00:18:36,518 BUT HE HAS ASSURED ME THAT WE 433 00:18:36,542 --> 00:18:38,308 WILL BE TRAVELING EXTENSIVELY, 434 00:18:38,332 --> 00:18:40,227 SO I DON'T MIND. 435 00:18:40,251 --> 00:18:41,518 AND MARRIAGE DOES HAVE 436 00:18:41,542 --> 00:18:44,667 ITS SINGULAR ADVANTAGES... 437 00:20:09,339 --> 00:20:11,632 YOU ARESOBEAUTIFUL. 438 00:20:32,551 --> 00:20:33,360 I CAN BEAR THE SUSPENSE 439 00:20:33,384 --> 00:20:34,568 NO LONGER. 440 00:20:34,592 --> 00:20:35,693 I MUST KNOW, DID YOU FINISH 441 00:20:35,717 --> 00:20:36,902 READING MY JOURNAL? 442 00:20:36,926 --> 00:20:38,317 YES, I HAVE. 443 00:20:38,341 --> 00:20:39,402 YOU ARE AN EXCELLENT WRITER, 444 00:20:39,426 --> 00:20:40,820 FANNY, VERY OBSERVANT 445 00:20:40,844 --> 00:20:41,736 AND DETAILED. 446 00:20:41,760 --> 00:20:42,986 I AM SO PLEASED. 447 00:20:43,010 --> 00:20:44,318 I WANT TO PUBLISH IT AND USE 448 00:20:44,342 --> 00:20:46,318 THE PROCEEDS TO HELP MY FATHER. 449 00:20:46,342 --> 00:20:47,444 HE HAS THE OPPORTUNITY TO 450 00:20:47,468 --> 00:20:49,070 REGAIN CONTROL OF COVENT GARDEN 451 00:20:49,094 --> 00:20:50,278 THEATER. 452 00:20:50,302 --> 00:20:51,153 WE COULD ARRANGE A LOAN 453 00:20:51,178 --> 00:20:52,112 AGAINST MY INHERITANCE 454 00:20:52,136 --> 00:20:53,154 IF THAT WOULD HELP. 455 00:20:53,178 --> 00:20:54,071 HE WOULD NEVER ACCEPT IT, 456 00:20:54,095 --> 00:20:55,112 BUT THERE'S NO NEED TO. 457 00:20:55,136 --> 00:20:56,154 I SENT MY JOURNAL TO 458 00:20:56,178 --> 00:20:57,320 CAREY, LEA & BLANCHARD. 459 00:20:57,344 --> 00:20:59,071 THEY PUBLISHED MY POEMS; 460 00:20:59,095 --> 00:21:00,529 THEY'RE VERY INTERESTED IN 461 00:21:00,553 --> 00:21:01,487 THE JOURNAL, AND THEY 462 00:21:01,511 --> 00:21:03,988 WANT TO PROCEED. 463 00:21:04,012 --> 00:21:05,320 I DON'T THINK IT'S WISE, 464 00:21:05,344 --> 00:21:07,530 FANNY. 465 00:21:07,554 --> 00:21:08,863 THEY ARE YOUR PRIVATE 466 00:21:08,887 --> 00:21:10,320 REFLECTIONS, AND IN MY OPINION, 467 00:21:10,344 --> 00:21:11,863 SHOULD REMAIN SO. 468 00:21:11,887 --> 00:21:12,822 WELL, MANY WRITERS 469 00:21:12,846 --> 00:21:14,446 PUBLISH THEIR JOURNALS. 470 00:21:14,470 --> 00:21:15,906 ESPECIALLY THEIR THOUGHTS ON 471 00:21:15,930 --> 00:21:17,864 COMING TO A NEW COUNTRY. 472 00:21:17,888 --> 00:21:19,031 I TOLD YOU, FANNY, 473 00:21:19,055 --> 00:21:20,321 I DON'T THINK IT'S WISE. 474 00:21:20,345 --> 00:21:21,281 BUT IT'S MY JOURNAL, 475 00:21:21,305 --> 00:21:24,138 AND I'LL PUBLISH IT IF I WISH! 476 00:21:25,471 --> 00:21:26,321 I'M SORRY, I DIDN'T MEAN 477 00:21:26,345 --> 00:21:28,346 TO SOUND SO ADAMANT. 478 00:21:31,346 --> 00:21:32,824 I WILL LOOK AT IT AGAIN. 479 00:21:32,848 --> 00:21:34,115 PERHAPS WITH PROPER EDITING 480 00:21:34,139 --> 00:21:35,322 IT CAN BE MADE PRESENTABLE 481 00:21:35,346 --> 00:21:36,282 TO THE PUBLIC. 482 00:21:36,306 --> 00:21:37,406 EDITING?? NO! 483 00:21:37,430 --> 00:21:39,032 IT MUST BE PUBLISHED INTACT. 484 00:21:39,056 --> 00:21:39,949 I WOULDN'T EVEN ALLOW MR. CAREY 485 00:21:39,973 --> 00:21:40,658 TO EDIT IT. 486 00:21:40,682 --> 00:21:41,783 FANNY, PLEASE. IT IS 487 00:21:41,807 --> 00:21:42,658 FILLED WITH CRITICISMS 488 00:21:42,682 --> 00:21:43,741 AND EXAGGERATIONS. 489 00:21:43,765 --> 00:21:44,908 IT IS NOT APPROPRIATE. 490 00:21:44,932 --> 00:21:46,242 FOR WHOM? 491 00:21:46,266 --> 00:21:47,324 YOU MADE ME BELIEVE THAT THE 492 00:21:47,348 --> 00:21:48,866 WORLD WAS OPEN TO ME. 493 00:21:48,890 --> 00:21:50,323 WHY ARE YOU RESTRICTING ME? 494 00:21:50,347 --> 00:21:51,324 I'M NOT; I'M TRYING 495 00:21:51,348 --> 00:21:52,616 TO PROTECT YOU. 496 00:21:52,640 --> 00:21:54,284 IT IS MY DUTY AS YOUR HUSBAND. 497 00:21:54,308 --> 00:21:55,492 THIS COULD HARM YOU GREATLY. 498 00:21:55,516 --> 00:21:57,324 HARM ME? I'M HARDLY 499 00:21:57,348 --> 00:21:58,867 AS DELICATE AS THAT, PIERCE. 500 00:21:58,891 --> 00:22:01,324 I WAS WEANED ON CRITICS. 501 00:22:01,348 --> 00:22:03,784 BUT I WILL NOT BE IDLE. 502 00:22:03,808 --> 00:22:06,202 YOU'RE RARELY HOME, WE NEVER GO 503 00:22:06,226 --> 00:22:07,325 TO THE THEATER OR A BALL, 504 00:22:07,349 --> 00:22:08,451 THE ROAD IS IMPOSSIBLE 505 00:22:08,475 --> 00:22:09,785 FOR FRIENDS TO VISIT, 506 00:22:09,809 --> 00:22:10,618 AND FOR ALL THE ADVENTURES 507 00:22:10,642 --> 00:22:11,618 THAT I HAD ANTICIPATED, 508 00:22:11,642 --> 00:22:13,910 YOU JUST SAY, "IN TIME." 509 00:22:13,934 --> 00:22:15,244 I EXIST IN AN INTELLECTUAL 510 00:22:15,268 --> 00:22:16,743 DROUGHT HERE, AND I AMGOING 511 00:22:16,767 --> 00:22:19,326 TO PUBLISH MY JOURNAL. 512 00:22:19,350 --> 00:22:20,286 I HAVE ALREADY CALLED 513 00:22:20,310 --> 00:22:21,286 MR. CAREY AND ASKED HIM 514 00:22:21,310 --> 00:22:23,852 TO HALT PUBLICATION. 515 00:22:27,768 --> 00:22:29,227 YOU READ MY MAIL. 516 00:22:30,811 --> 00:22:32,787 HOW DARE YOU! 517 00:22:32,811 --> 00:22:34,662 THIS IS MY BUSINESS, NOT YOURS! 518 00:22:34,686 --> 00:22:35,995 YOU CANNOT BLITHELY DECIDE 519 00:22:36,019 --> 00:22:37,120 WHETHER MY WORK IS TO BE 520 00:22:37,144 --> 00:22:38,745 PUBLISHED OR NOT! 521 00:22:38,769 --> 00:22:40,829 I WROTE THIS JOURNAL, AND WHAT 522 00:22:40,853 --> 00:22:42,913 BECOMES OF IT ISMYDECISION! 523 00:22:42,937 --> 00:22:44,579 NO, FANNY. YOU TOOK AN OATH 524 00:22:44,603 --> 00:22:46,371 TO OBEY ME, AND YOU WILL 525 00:22:46,395 --> 00:22:48,328 RESPECT MY WISHES. 526 00:22:48,352 --> 00:22:50,329 I WILL GLADLY EDIT THE JOURNAL. 527 00:22:50,353 --> 00:22:51,538 UNDER NO OTHER CIRCUMSTANCES 528 00:22:51,562 --> 00:22:53,288 WILL I PERMIT IT BE PUBLISHED. 529 00:22:53,312 --> 00:22:54,580 DO YOU UNDERSTAND ME? 530 00:22:54,604 --> 00:22:56,081 NO. I UNDERSTOOD 531 00:22:56,105 --> 00:22:57,789 THAT YOU LOVED ME. 532 00:22:57,813 --> 00:22:59,081 I CAN SEE THAT I HAVE BEEN 533 00:22:59,105 --> 00:23:02,188 GREATLY DECEIVED. 534 00:23:07,856 --> 00:23:09,355 ( door slams ) 535 00:23:18,814 --> 00:23:19,415 HOW DID THE NEWSPAPERS 536 00:23:19,439 --> 00:23:22,331 GET AHOLD OFTHIS? 537 00:23:22,355 --> 00:23:23,582 "THE SHEEP IS ON THE 538 00:23:23,606 --> 00:23:25,124 OTHER FOOT. FANNY THIMBLE, 539 00:23:25,148 --> 00:23:26,624 FIERCE CUTLER..." 540 00:23:26,648 --> 00:23:28,749 WHY, I HAD NO IDEA. 541 00:23:28,773 --> 00:23:30,124 I GAVE THE MANUSCRIPT TO 542 00:23:30,148 --> 00:23:31,166 MR. CAREY IN STRICTEST 543 00:23:31,190 --> 00:23:31,959 CONFIDENCE. 544 00:23:31,983 --> 00:23:32,959 YOU SHOULD ASKHIM. 545 00:23:32,983 --> 00:23:33,625 THE WHOLE CITY'S 546 00:23:33,649 --> 00:23:34,500 IN AN UPROAR! 547 00:23:34,524 --> 00:23:35,333 MAY I REMIND YOU THAT YOU ARE 548 00:23:35,357 --> 00:23:36,500 A GUEST IN AMERICA, AND YOU 549 00:23:36,524 --> 00:23:38,042 SHOULD HONOR THE PRIVILEGE? 550 00:23:38,066 --> 00:23:40,209 YES. AMERICA, BASTION 551 00:23:40,233 --> 00:23:41,251 OF FREE SPEECH UNTIL SOMEONE 552 00:23:41,275 --> 00:23:42,332 DARES EXPRESS AN UNFAVORABLE 553 00:23:42,356 --> 00:23:43,542 OPINION. 554 00:23:43,566 --> 00:23:45,333 WHY DIDN'T THEY REPORT THE MANY 555 00:23:45,357 --> 00:23:47,210 FAVORABLE OBSERVATIONS I MADE, 556 00:23:47,234 --> 00:23:48,668 THE THINGS ILIKEABOUT AMERICA? 557 00:23:48,692 --> 00:23:49,584 YOU REFERRED TO NEWSPAPER 558 00:23:49,608 --> 00:23:51,210 WRITERS AS "IRRITATING BUGS"! 559 00:23:51,234 --> 00:23:52,001 WHAT IN GOD'S NAME DID YOU 560 00:23:52,025 --> 00:23:52,793 EXPECT?! 561 00:23:52,817 --> 00:23:53,709 WELL, THEYAREBUGS, 562 00:23:53,733 --> 00:23:55,210 AND THIS PROVES IT. 563 00:23:55,234 --> 00:23:56,126 HOW CAN YOU TAKE 564 00:23:56,150 --> 00:23:57,334 THEIR SIDE AGAINST ME? 565 00:23:57,358 --> 00:23:58,334 I WILL NOT HAVE YOU BEHAVE 566 00:23:58,358 --> 00:23:59,710 THIS WAY TOWARD ME, FANNY. 567 00:23:59,734 --> 00:24:02,358 I'M WARNING YOU. 568 00:24:04,442 --> 00:24:05,334 I SUPPOSE YOU HEARD THAT 569 00:24:05,358 --> 00:24:06,334 MR. CAREY WOULD NOT STOP 570 00:24:06,358 --> 00:24:08,586 PUBLICATION OF MY JOURNAL. 571 00:24:08,610 --> 00:24:09,878 EIGHT HUNDRED COPIES 572 00:24:09,902 --> 00:24:11,461 SOLD IN THE FIRST DAY. 573 00:24:11,485 --> 00:24:13,545 SO MUCH FOR ADVERSE PUBLICITY. 574 00:24:13,569 --> 00:24:14,753 I LIKE THE PART ABOUT THE 575 00:24:14,777 --> 00:24:16,170 PHILADELPHIA WOMEN HAVING 576 00:24:16,194 --> 00:24:18,461 "ABOMINABLY LARGE FEET 577 00:24:18,485 --> 00:24:20,335 AND HORRID DARK COMPLEXIONS." 578 00:24:20,359 --> 00:24:23,360 THAT WENT OVERVERYWELL. 579 00:24:29,070 --> 00:24:31,403 I'M CONSIDERING A DIVORCE. 580 00:24:34,737 --> 00:24:35,547 WELL, DO YOU KNOW 581 00:24:35,571 --> 00:24:37,256 THAT WOULD RUIN HIM? 582 00:24:37,280 --> 00:24:38,588 HIS COLLEAGUES WOULD OSTRACIZE 583 00:24:38,612 --> 00:24:41,071 HIM. IS THAT WHAT YOU WANT? 584 00:24:45,113 --> 00:24:46,923 HAVE CHILDREN, FANNY. 585 00:24:46,947 --> 00:24:48,381 FEW THINGS BRING PEOPLE CLOSER 586 00:24:48,405 --> 00:24:50,905 TOGETHER THAN HAVING CHILDREN. 587 00:24:53,362 --> 00:24:54,381 I HAD THOUGHT THAT MARRIAGE 588 00:24:54,405 --> 00:24:56,798 WOULD BE A COMPANIONSHIP 589 00:24:56,822 --> 00:24:59,299 ON EQUAL TERMS... 590 00:24:59,323 --> 00:25:00,340 THAT IF THERE WERE 591 00:25:00,364 --> 00:25:01,590 DISAGREEMENTS, NEITHER ONE 592 00:25:01,614 --> 00:25:02,632 WOULD BE FORCED TO YIELD OR 593 00:25:02,656 --> 00:25:05,966 BE DICTATED TO BY THE OTHER. 594 00:25:05,990 --> 00:25:07,339 I LOVE PIERCE, BUT IT'S NOT 595 00:25:07,363 --> 00:25:09,674 IN ME TO PROMISE OBEDIENCE TO 596 00:25:09,698 --> 00:25:11,050 ANY HUMAN BEING WHO'S AS 597 00:25:11,074 --> 00:25:12,340 FALLIBLE AS I AM. 598 00:25:12,364 --> 00:25:13,591 I OWE OBEDIENCE TO GOD, 599 00:25:13,615 --> 00:25:15,008 AND ONLY TO GOD, AND I CANNOT 600 00:25:15,032 --> 00:25:16,133 SEE HOW HAVING CHILDREN WILL 601 00:25:16,157 --> 00:25:18,866 CHANGE THAT, ELIZABETH. 602 00:25:23,158 --> 00:25:24,341 HE KNOWS HOW PRECIOUS FREEDOM 603 00:25:24,365 --> 00:25:26,384 IS TO ME. 604 00:25:26,408 --> 00:25:27,926 YET HE'S ONLY DENIED IT. 605 00:25:27,950 --> 00:25:29,341 WHY HAS HE DONE THIS? 606 00:25:29,365 --> 00:25:31,384 WELL, WHAT CAN YOU EXPECT? 607 00:25:31,408 --> 00:25:33,634 HE'S A MAN OF HIS ERA WHO 608 00:25:33,658 --> 00:25:35,094 MARRIED A WOMAN COMPLETELY 609 00:25:35,118 --> 00:25:38,052 OUT OF HERS. 610 00:25:38,076 --> 00:25:38,677 DO YOU KNOW WHAT CHILDREN 611 00:25:38,701 --> 00:25:40,552 DO BEST? 612 00:25:40,576 --> 00:25:42,552 THEY TAKE OUR RIGID PHILOSOPHIES 613 00:25:42,576 --> 00:25:45,635 AND THEY TURN THEM UPSIDE-DOWN. 614 00:25:45,659 --> 00:25:46,969 AND IF YOU THINK PIERCE IS 615 00:25:46,993 --> 00:25:49,095 THE ONLY ONE WHO'S INTRACTABLE, 616 00:25:49,119 --> 00:25:52,077 LOOK IN THE MIRROR. 617 00:25:56,410 --> 00:25:57,343 Fanny:SADLY, 618 00:25:57,367 --> 00:25:58,970 ELIZABETH WAS WRONG. 619 00:25:58,994 --> 00:26:00,345 AS MUCH AS WE LOVE OUR PRECIOUS 620 00:26:00,369 --> 00:26:02,387 GIRLS, IT HAS NOT RESOLVED 621 00:26:02,411 --> 00:26:04,887 OUR DIFFICULTIES. 622 00:26:04,911 --> 00:26:06,179 PAPA! 623 00:26:06,203 --> 00:26:08,971 HELLO, SUGAR. 624 00:26:08,995 --> 00:26:10,679 ( baby crying ) 625 00:26:10,703 --> 00:26:12,055 WELCOME HOME, PIERCE. 626 00:26:12,079 --> 00:26:13,429 WE'VE MISSED YOU VERY MUCH. 627 00:26:13,453 --> 00:26:15,329 FANNY. 628 00:26:20,662 --> 00:26:22,222 THE OVERSEER'S EXCELLENT. 629 00:26:22,246 --> 00:26:23,680 HIS GRANDFATHER WAS THE OVERSEER 630 00:26:23,704 --> 00:26:25,346 FORMYGRANDFATHER. 631 00:26:25,370 --> 00:26:26,597 COTTON PRODUCTION ON ALL THE 632 00:26:26,621 --> 00:26:27,848 PLANTATIONS WAS IN EXCESS 633 00:26:27,872 --> 00:26:29,472 OF 2600 BALES; THAT'S A VERY 634 00:26:29,496 --> 00:26:30,514 SUBSTANTIAL INCREASE 635 00:26:30,538 --> 00:26:32,056 FROM LAST YEAR. 636 00:26:32,080 --> 00:26:33,306 AND WE NOW HAVE OUR OWN 637 00:26:33,330 --> 00:26:36,139 STEAM MILL... 638 00:26:36,163 --> 00:26:38,347 ( sighs ) 639 00:26:38,371 --> 00:26:40,347 I CAN SEE THAT I'M BORING YOU. 640 00:26:40,371 --> 00:26:41,473 ACTUALLY, PIERCE, 641 00:26:41,497 --> 00:26:44,057 YOU'RE NOT. 642 00:26:44,081 --> 00:26:45,347 WHAT WOULD YOU THINK ABOUT 643 00:26:45,371 --> 00:26:46,557 TAKING ME AND THE CHILDREN 644 00:26:46,581 --> 00:26:48,182 WITH YOU FOR THE WINTER? 645 00:26:48,206 --> 00:26:49,641 TO GEORGIA? 646 00:26:49,665 --> 00:26:51,348 YOU CAN'T BE SERIOUS. 647 00:26:51,372 --> 00:26:54,016 YES, I AM. 648 00:26:54,040 --> 00:26:55,348 PERHAPS A NEW PLACE AWAY FROM 649 00:26:55,372 --> 00:26:56,683 THE MEAN-SPIRITED GOSSIPS OF 650 00:26:56,707 --> 00:26:58,599 PHILADELPHIA WOULD GIVE US 651 00:26:58,623 --> 00:27:00,016 A CHANCE TO REDISCOVER WHAT 652 00:27:00,040 --> 00:27:02,499 ONCE DREW US TOGETHER. 653 00:27:05,583 --> 00:27:06,559 FOR ALL OUR DIFFICULTIES, 654 00:27:06,583 --> 00:27:10,684 PIERCE, I DO LOVE YOU. 655 00:27:10,708 --> 00:27:11,725 AND I WANT TO KNOW WHAT YOU LOVE 656 00:27:11,749 --> 00:27:13,349 AND SEE WHAT YOU'VE 657 00:27:13,373 --> 00:27:15,709 ACCOMPLISHED. 658 00:27:17,417 --> 00:27:20,227 I'M VERY TOUCHED, FANNY. 659 00:27:20,251 --> 00:27:21,350 BUT YOU MUST KNOW IT'S AN 660 00:27:21,374 --> 00:27:24,350 EXTREMELY HARSH LIFE DOWN THERE. 661 00:27:24,374 --> 00:27:25,977 I'VE HAD A VERY SOFT LIFE, 662 00:27:26,002 --> 00:27:27,394 PIERCE, TO MY DETRIMENT 663 00:27:27,418 --> 00:27:29,978 AND TO THOSE I LOVE. 664 00:27:30,002 --> 00:27:32,918 LET ME TRY ANOTHER WAY. 665 00:27:45,836 --> 00:27:48,295 ( indistinct chatter ) 666 00:27:57,377 --> 00:28:00,420 ( all shout greetings ) 667 00:28:09,421 --> 00:28:12,064 WELL... 668 00:28:12,088 --> 00:28:14,354 THIS IS BUTLER'S ISLAND. 669 00:28:14,378 --> 00:28:16,422 IT'S QUITE BEAUTIFUL. 670 00:28:50,133 --> 00:28:51,650 FANNY, THIS IS OWEN PARKER. 671 00:28:51,674 --> 00:28:53,382 NICE TO MEET YOU, MR. PARKER. 672 00:28:56,842 --> 00:28:57,734 MR. BUTLER. 673 00:28:57,758 --> 00:28:58,842 HELLO, OWEN. 674 00:29:07,343 --> 00:29:08,843 COME ALONG, SUGAR. 675 00:29:09,968 --> 00:29:11,610 I'M GOING TO LIKE IT HERE. 676 00:29:11,634 --> 00:29:13,360 MM-HMM. 677 00:29:13,384 --> 00:29:15,634 I'M GOING TO LIKE IT, TOO. 678 00:29:22,927 --> 00:29:24,360 SHAD HALL DROWNED 679 00:29:24,384 --> 00:29:25,736 LAST FRIDAY. 680 00:29:25,760 --> 00:29:28,279 I'LL TAKE IT. 681 00:29:28,303 --> 00:29:29,529 SO I GOT HABERSHAM MUNGIN 682 00:29:29,553 --> 00:29:30,404 TO TAKE HIS PLACE AT 683 00:29:30,428 --> 00:29:31,904 THE STEAM MILL. 684 00:29:31,928 --> 00:29:33,321 GOT THREE NEW BABIES, 685 00:29:33,345 --> 00:29:35,696 AND EIGHT WOMEN ARE PREGNANT. 686 00:29:35,720 --> 00:29:36,863 I SWEAR, THEY GET PREGNANT 687 00:29:36,887 --> 00:29:37,988 DURING PLANTING SEASON JUST SO 688 00:29:38,012 --> 00:29:39,487 THEY DON'T HAVE TO WORK. 689 00:29:39,511 --> 00:29:41,361 NOW, YOU TAKE A HORSE, 690 00:29:41,385 --> 00:29:42,697 IT'LL WORK PREGNANT UP TO 691 00:29:42,721 --> 00:29:44,114 THE DAY IT GIVES BIRTH, AND IT'S 692 00:29:44,138 --> 00:29:46,362 BACK TO WORK THE NEXT DAY. 693 00:29:46,386 --> 00:29:47,613 SURELY THERE IS A DIFFERENCE, 694 00:29:47,637 --> 00:29:50,221 MR. PARKER. 695 00:30:03,180 --> 00:30:04,406 Fanny:"DEAR ELIZABETH, 696 00:30:04,430 --> 00:30:05,948 I'VE DECIDED TO KEEP A JOURNAL 697 00:30:05,972 --> 00:30:07,407 OF MY SOUTHERN SOJOURN IN THE 698 00:30:07,431 --> 00:30:09,199 FORM OF LETTERS TO YOU. 699 00:30:09,223 --> 00:30:10,407 THAT WAY I CAN TRUTHFULLY TELL 700 00:30:10,431 --> 00:30:11,740 PIERCE THAT I'M NOT KEEPING 701 00:30:11,764 --> 00:30:13,574 A JOURNAL. 702 00:30:13,598 --> 00:30:15,032 THE SEA ISLANDS HAVE A KIND 703 00:30:15,056 --> 00:30:17,199 OF BARREN, WILD BEAUTY, AND 704 00:30:17,223 --> 00:30:18,699 FROM WHAT LITTLE I'VE SEEN, 705 00:30:18,723 --> 00:30:21,449 CIVILIZATION DOES NOT EXIST. 706 00:30:21,473 --> 00:30:23,950 WHAT EXISTS IS SLAVERY, 707 00:30:23,974 --> 00:30:25,365 AND SLAVES. 708 00:30:25,389 --> 00:30:27,575 IN MY NAIVETE, I HAVE NEVER 709 00:30:27,599 --> 00:30:28,867 FULLY CONSIDERED THE HARSH 710 00:30:28,891 --> 00:30:31,075 REALITY OF IT." 711 00:30:31,100 --> 00:30:32,492 MORNIN', MISSUS. 712 00:30:32,516 --> 00:30:34,118 MY NAME'S JACK, I'S SUPPOSED 713 00:30:34,142 --> 00:30:35,576 TO BE YOUR PERSONAL DOMESTIC 714 00:30:35,600 --> 00:30:36,492 WHILE YOU'RE HERE. 715 00:30:36,516 --> 00:30:37,868 I KNOW LOTS OF WORDS, 716 00:30:37,892 --> 00:30:38,617 LIKE "DOMESTIC," WHICH MOST 717 00:30:38,641 --> 00:30:39,534 NIGGERS DON'T KNOW, 718 00:30:39,558 --> 00:30:41,201 'CAUSE I'M VERY SMART. 719 00:30:41,225 --> 00:30:42,118 I CAN TELL YOU EVERYTHING ABOUT 720 00:30:42,142 --> 00:30:43,118 THIS PLACE, I CAN TELL YOU 721 00:30:43,142 --> 00:30:44,535 WHERE THE QUICKSAND IS OR HOW 722 00:30:44,559 --> 00:30:46,286 NOT TO RILE UP THE SNAKES, 723 00:30:46,310 --> 00:30:47,202 JUST TO START WITH. 724 00:30:47,226 --> 00:30:49,035 MY MAMA SAYS THAT I MAKE UP IN 725 00:30:49,059 --> 00:30:49,952 TALKING WHAT I DON'T DO IN 726 00:30:49,976 --> 00:30:50,910 WORKING, AND SHE'S RIGHT, 727 00:30:50,934 --> 00:30:53,286 'CAUSE I'M A REAL TALKER. 728 00:30:53,310 --> 00:30:54,327 WELL, I HAPPEN TO ENJOY 729 00:30:54,351 --> 00:30:56,368 TALKING, JACK, SO WE SHOULD 730 00:30:56,392 --> 00:30:57,828 GET ALONG JUST FINE. 731 00:30:57,852 --> 00:31:00,203 YES'M. WELL, I'M REAL GLAD 732 00:31:00,227 --> 00:31:01,828 ABOUT THAT, MISSUS, REAL GLAD. 733 00:31:01,852 --> 00:31:02,661 NOW, YOU KNOW WHERE 734 00:31:02,685 --> 00:31:04,078 THE PLANTATION IS? 735 00:31:04,102 --> 00:31:05,368 WELL, I'LL SHOW YOU EVERYTHING, 736 00:31:05,392 --> 00:31:07,786 JUST FOLLOW ME, MISSUS. 737 00:31:07,810 --> 00:31:09,603 COME ON. 738 00:31:11,394 --> 00:31:12,412 Man (singing) ♪ WORK, WORK 739 00:31:12,436 --> 00:31:14,369 ♪ BIG PILES OF COTTON, WORK 740 00:31:14,393 --> 00:31:16,829 ♪ WORK BIG MOUNDS OF DIRT, WORK 741 00:31:16,853 --> 00:31:18,912 ♪ WORK, BIG PILES OF COTTON 742 00:31:18,936 --> 00:31:20,913 ♪ TILL THE EVENING COME DOWN 743 00:31:20,937 --> 00:31:23,370 ♪ YEAH, YEAH, O MY LORD, 744 00:31:23,394 --> 00:31:25,746 ♪ YEAH, YEAH, O MY LORD, 745 00:31:25,770 --> 00:31:29,830 ♪ YEAH, YEAH, O MY LOOOOORD 746 00:31:29,854 --> 00:31:32,998 ♪ TILL THE EVENING COME DOWN 747 00:31:33,022 --> 00:31:35,331 ♪ YEAH, YEAH, O MY LORD, 748 00:31:35,355 --> 00:31:38,371 ♪ YEAH, YEAH, O MY LORD... 749 00:31:38,395 --> 00:31:39,914 DO THEY ALWAYS SING? 750 00:31:39,938 --> 00:31:41,371 MOST ALWAYS. 751 00:31:41,395 --> 00:31:42,831 I DON'T MIND IT EXCEPT WHEN THEY 752 00:31:42,855 --> 00:31:44,248 START SINGIN' ABOUT DYIN', AND 753 00:31:44,272 --> 00:31:46,372 THEN IT SCARES ME AWFUL BAD. 754 00:31:46,396 --> 00:31:48,165 ( bells ringing ) 755 00:31:48,189 --> 00:31:49,372 ♪ WORK, WORK 756 00:31:49,396 --> 00:31:51,372 ♪ BIG PILES OF COTTON... 757 00:31:51,396 --> 00:31:53,249 WHAT'S THAT ON HIS HEAD? 758 00:31:53,273 --> 00:31:54,957 OH. THAT'S JOSIAH. 759 00:31:54,981 --> 00:31:56,415 HE RUNS OFF A LOT. 760 00:31:56,439 --> 00:31:57,624 BUT NOW MASSA PARKERCAN 761 00:31:57,648 --> 00:31:58,875 HEAR THOSE BELLS, SO HE 762 00:31:58,899 --> 00:32:01,397 DON'T GET TOO FAR. 763 00:32:03,481 --> 00:32:04,374 HEY, JOSIAH! 764 00:32:04,398 --> 00:32:05,499 RING YOUR BELLS FOR 765 00:32:05,523 --> 00:32:07,373 YOUR NEW MISTRESS! 766 00:32:07,397 --> 00:32:08,958 ( ringing ) 767 00:32:08,982 --> 00:32:11,025 NO. 768 00:32:14,150 --> 00:32:16,900 ( slaves continue singing ) 769 00:32:21,398 --> 00:32:22,668 Woman: DON'T WORRY, NOW. 770 00:32:22,692 --> 00:32:23,918 PULL YOURSELF TOGETHER. 771 00:32:23,942 --> 00:32:24,710 COME ON, NOW, IT'S GONNA 772 00:32:24,734 --> 00:32:25,626 BE ALL RIGHT. 773 00:32:25,650 --> 00:32:27,375 ( crying ) 774 00:32:27,399 --> 00:32:29,168 SHE'LL BE ALL RIGHT, MINDAH. 775 00:32:29,192 --> 00:32:30,375 LET'S GO SEE. 776 00:32:30,399 --> 00:32:31,376 WHAT IS IT, PSYCHE? 777 00:32:31,400 --> 00:32:33,210 THIS CHILD'S MAMA'S GOT 778 00:32:33,234 --> 00:32:34,878 A PROBLEM HAVING A BABY. 779 00:32:34,902 --> 00:32:36,377 I BETTER GO HELP OUT. 780 00:32:36,401 --> 00:32:37,919 I WON'T BE LONG. 781 00:32:37,943 --> 00:32:39,693 I'LL GO WITH YOU. 782 00:32:42,526 --> 00:32:43,419 YES'M. 783 00:32:43,443 --> 00:32:45,193 COME ON. 784 00:32:47,819 --> 00:32:49,401 IT'S RIGHT UP HERE. 785 00:32:57,401 --> 00:32:58,212 Child: HELLO, MISSUS. 786 00:32:58,236 --> 00:32:59,504 NO, WAIT, Y'ALL MIND NOW. 787 00:32:59,528 --> 00:33:02,379 THIS IS YOUR NEW MISTRESS. 788 00:33:02,403 --> 00:33:03,862 COME ON. 789 00:33:14,363 --> 00:33:16,403 ( chatter, baby crying ) 790 00:33:31,530 --> 00:33:35,380 ( crying ) 791 00:33:35,404 --> 00:33:36,381 WHERE ARE YOU TAKING HER? 792 00:33:36,405 --> 00:33:38,489 TO THE INFIRMARY. 793 00:33:40,405 --> 00:33:42,615 ( groaning, crying ) 794 00:33:47,573 --> 00:33:50,199 ( agonized groaning ) 795 00:33:59,699 --> 00:34:02,407 ( crying, groaning ) 796 00:34:05,407 --> 00:34:06,383 SHE THINK HER BABY DEAD, 797 00:34:06,407 --> 00:34:07,467 AUNT JERUSALEM. MINDAH SAY 798 00:34:07,491 --> 00:34:09,010 IT AIN'T MOVED ALL DAY. 799 00:34:09,034 --> 00:34:11,407 SET HER DOWN RIGHT HERE. 800 00:34:12,533 --> 00:34:16,094 ( crying, groaning ) 801 00:34:16,118 --> 00:34:17,969 Aunt Jerusalem: OKAY, OKAY. 802 00:34:17,993 --> 00:34:20,408 OKAY. OKAY. 803 00:34:23,910 --> 00:34:25,803 OKAY. 804 00:34:25,827 --> 00:34:27,409 IT'S ALL RIGHT. 805 00:34:30,409 --> 00:34:31,970 IT'S PROBABLY JUST SLEEPIN', 806 00:34:31,994 --> 00:34:34,385 SAVIN' UP TO GET BORN. 807 00:34:34,409 --> 00:34:37,053 CAN'T YOU CALL HER A DOCTOR? 808 00:34:37,077 --> 00:34:38,554 AIN'T NO DOCTORS FOR NIGGERS, 809 00:34:38,578 --> 00:34:40,888 MISSUS. 810 00:34:40,912 --> 00:34:42,221 WELL, I'LL SPEAK WITH 811 00:34:42,245 --> 00:34:44,386 MY HUSBAND. 812 00:34:44,410 --> 00:34:45,804 MISSUS, CAN YOU ASK HIM 813 00:34:45,828 --> 00:34:47,386 FOR ME, TOO? 814 00:34:47,410 --> 00:34:49,386 WELL, YES. WHAT'S YOUR NAME? 815 00:34:49,410 --> 00:34:50,889 HARRIET. 816 00:34:50,913 --> 00:34:52,722 I HAVE THREE BABIES DIE ALREADY, 817 00:34:52,746 --> 00:34:54,264 MISSUS, AND I THINK THIS ONE 818 00:34:54,288 --> 00:34:56,847 GONNA DIE TOO! 819 00:34:56,871 --> 00:34:58,180 AND I CAN'T HAVE NO MORE BABIES, 820 00:34:58,204 --> 00:34:59,847 MISSUS, THAT'S IT. 821 00:34:59,871 --> 00:35:01,597 I'LL SHOW YOU. 822 00:35:01,621 --> 00:35:03,289 OH, MY GOD. 823 00:35:05,247 --> 00:35:06,723 YES, HARRIET. 824 00:35:06,747 --> 00:35:08,388 I-I'LL SPEAK WITH HIM. 825 00:35:08,412 --> 00:35:10,413 ( baby crying ) 826 00:35:12,997 --> 00:35:14,348 I KNOW THEY'RE ALL AT 827 00:35:14,372 --> 00:35:15,599 THE INFIRMARY, MRS. BUTLER. 828 00:35:15,623 --> 00:35:17,724 BEEN THAT WAY FOR 17 YEARS. 829 00:35:17,748 --> 00:35:18,682 AIN'T NO REASON TO CHANGE IT 830 00:35:18,706 --> 00:35:20,765 NOW. NIGGERS IS FILTHY 831 00:35:20,789 --> 00:35:22,432 CREATURES BY NATURE. 832 00:35:22,456 --> 00:35:24,182 BESIDES, THEY'RE STRONGER 833 00:35:24,206 --> 00:35:25,724 THAN WHITES. 834 00:35:25,748 --> 00:35:26,640 MOST OF 'EM GET WELL 835 00:35:26,664 --> 00:35:28,017 SOON ENOUGH. 836 00:35:28,041 --> 00:35:29,558 I'M NOT BLIND, SIR. 837 00:35:29,582 --> 00:35:31,225 HARRIET IS NOT WELL, AND SHE'S 838 00:35:31,249 --> 00:35:32,225 STILL BEING FORCED TO WORK 839 00:35:32,249 --> 00:35:33,267 IN THE FIELDS. 840 00:35:33,291 --> 00:35:34,474 FANNY... 841 00:35:34,498 --> 00:35:36,808 THIS DOES NOT CONCERN YOU. 842 00:35:36,832 --> 00:35:38,350 YOU GOTTA THINK OF NIGGERS 843 00:35:38,374 --> 00:35:40,976 DIFFERENTLY, MRS. BUTLER. 844 00:35:41,000 --> 00:35:42,851 THEIR SUBSERVIENT ATTITUDE, 845 00:35:42,875 --> 00:35:45,351 THE WAY THEY FLATTER, ALL THEIR 846 00:35:45,375 --> 00:35:46,391 LYING AND STEALING, THE WAY 847 00:35:46,415 --> 00:35:48,226 THEY SMELL-- IT'S WHO THEY ARE. 848 00:35:48,250 --> 00:35:50,934 CODDLIN' WILL RUIN 'EM. 849 00:35:50,958 --> 00:35:53,852 BESIDES, IF SLAVES WERE DYING 850 00:35:53,876 --> 00:35:55,311 IN THE INFIRMARY, MAYBE 851 00:35:55,335 --> 00:35:57,060 I'D CHANGE THINGS. 852 00:35:57,084 --> 00:35:57,852 I DON'T THINK THERE'S ANY 853 00:35:57,876 --> 00:35:59,602 DANGER OF YOU CODDLING SLAVES, 854 00:35:59,626 --> 00:36:01,894 MR. PARKER. 855 00:36:01,918 --> 00:36:03,810 NOW, IF YOU'LL EXCUSE ME, 856 00:36:03,834 --> 00:36:05,769 I SEEM TO HAVE LOST 857 00:36:05,793 --> 00:36:07,835 MY APPETITE. 858 00:36:15,210 --> 00:36:16,896 SHE WAS AN ACTRESS. 859 00:36:16,920 --> 00:36:18,979 YOU KNOW HOW THEY ARE. 860 00:36:19,003 --> 00:36:21,104 MAYBE YOU COULD PUT A FEW NEW 861 00:36:21,128 --> 00:36:22,313 BLANKETS DOWN THERE, CLEAN IT UP 862 00:36:22,337 --> 00:36:23,394 SOME, BUT YOU SHOULD RUN THINGS 863 00:36:23,418 --> 00:36:24,812 AS YOU SEE FIT, OWEN. 864 00:36:24,836 --> 00:36:28,271 I'LL KEEP MRS. BUTLER IN LINE. 865 00:36:28,295 --> 00:36:30,188 IF YOU DON'T, WE'LL HAVE 866 00:36:30,212 --> 00:36:33,254 600 SLAVES AT OUR THROATS. 867 00:36:42,213 --> 00:36:44,689 AAAAH! 868 00:36:44,713 --> 00:36:47,005 ( whipping, screaming ) 869 00:36:52,255 --> 00:36:54,048 STOP! 870 00:36:57,089 --> 00:36:58,421 AAAAH! 871 00:37:03,422 --> 00:37:04,481 STOP THIS! 872 00:37:04,505 --> 00:37:05,440 THIS AIN'T NONE OF 873 00:37:05,464 --> 00:37:07,840 YOUR BUSINESS, MRS. BUTLER. 874 00:37:12,422 --> 00:37:14,066 WHY ARE YOU PUNISHING HER? 875 00:37:14,090 --> 00:37:15,066 NONE OF THIS AIN'T 876 00:37:15,090 --> 00:37:17,191 YOUR FAULT! 877 00:37:17,215 --> 00:37:18,025 IS IT BECAUSE SHE 878 00:37:18,049 --> 00:37:19,799 COMPLAINED TO ME? 879 00:37:23,423 --> 00:37:25,423 IS IT NOT SO?! 880 00:37:31,425 --> 00:37:33,424 AAAAH! 881 00:37:38,009 --> 00:37:40,176 ( whipping continues ) 882 00:37:55,928 --> 00:37:57,802 MAY I SPEAK WITH YOU? 883 00:38:00,469 --> 00:38:01,904 MR. PARKER IS HAVING HARRIET 884 00:38:01,928 --> 00:38:03,945 FLOGGED FOR COMING TO SEE ME. 885 00:38:03,969 --> 00:38:05,070 DO YOU KNOW THIS? 886 00:38:05,094 --> 00:38:07,070 I ORDERED IT. 887 00:38:07,094 --> 00:38:08,155 HOW COULD YOU? 888 00:38:08,179 --> 00:38:09,403 HAVE YOU NO COMPASSION? 889 00:38:09,427 --> 00:38:10,487 YOU CAUSED IT, FANNY, NOT I. 890 00:38:10,511 --> 00:38:11,696 WE HAVE RULES HERE, AND 891 00:38:11,720 --> 00:38:12,821 YOU ENCOURAGED HARRIET 892 00:38:12,845 --> 00:38:14,155 TO BREAK THEM. 893 00:38:14,179 --> 00:38:14,988 SLAVES ARE TO BE WHIPPED 894 00:38:15,012 --> 00:38:16,196 FOR EXPRESSING LEGITIMATE 895 00:38:16,220 --> 00:38:17,654 GRIEVANCES, IS THAT A RULE? 896 00:38:17,678 --> 00:38:18,571 THEIR GRIEVANCES ARE 897 00:38:18,595 --> 00:38:20,156 RARELY LEGITIMATE. 898 00:38:20,180 --> 00:38:21,281 AND THEIR PHYSICAL COMPLAINTS 899 00:38:21,305 --> 00:38:22,572 ARE ALWAYS EXAGGERATED. 900 00:38:22,596 --> 00:38:24,156 YOU DON'T KNOW THEM. 901 00:38:24,180 --> 00:38:25,072 TO RILE THEM UP AS YOU DID IS 902 00:38:25,096 --> 00:38:26,404 DANGEROUS AND DISRUPTIVE. 903 00:38:26,428 --> 00:38:27,404 I WILL NOT HAVE YOU INTERFERING 904 00:38:27,428 --> 00:38:28,404 IN A SYSTEM WHICH YOU CLEARLY 905 00:38:28,428 --> 00:38:29,530 DON'T UNDERSTAND. 906 00:38:29,554 --> 00:38:30,697 WHAT I UNDERSTOOD WAS YOUR 907 00:38:30,721 --> 00:38:31,780 ASSURANCE THAT THEY WERE HAPPY 908 00:38:31,804 --> 00:38:33,157 AND WELL CARED FOR. 909 00:38:33,181 --> 00:38:34,405 I SUPPOSE YOUR PROMISE TO FREE 910 00:38:34,429 --> 00:38:36,324 THEM WAS EQUALLY HYPOCRITICAL. 911 00:38:36,348 --> 00:38:37,405 IF I FREED THEM, 912 00:38:37,429 --> 00:38:38,365 WHERE WOULD THEY GO? 913 00:38:38,389 --> 00:38:39,198 WHAT WOULD THEY DO? 914 00:38:39,222 --> 00:38:40,198 THEY WOULD BE CAPTURED AND SENT 915 00:38:40,222 --> 00:38:41,115 TO PLANTATIONS WHERE THEY WOULD 916 00:38:41,139 --> 00:38:42,405 BE TREATED FAR WORSE! 917 00:38:42,429 --> 00:38:43,198 THEIR FAMILIES WOULD BE 918 00:38:43,222 --> 00:38:44,405 BROKEN UP; DID YOU KNOW THAT? 919 00:38:44,429 --> 00:38:48,116 IS THAT YOUR IDEA OF COMPASSION? 920 00:38:48,140 --> 00:38:49,532 I DIDN'T INVENT SLAVERY, FANNY, 921 00:38:49,556 --> 00:38:51,406 BUT IT IS OUR WAY OF LIFE 922 00:38:51,430 --> 00:38:52,532 DOWN HERE, AND AS SUCH, 923 00:38:52,556 --> 00:38:53,699 I MANAGE IT AS HONORABLY 924 00:38:53,723 --> 00:38:55,406 AS I CAN; YOU WILL JUST 925 00:38:55,430 --> 00:38:56,949 HAVE TO ACCEPT IT. 926 00:38:56,974 --> 00:38:58,284 HOW CAN YOU ACCEPT A MOTHER 927 00:38:58,308 --> 00:39:00,159 OF TEN WHIPPED FOR NOT WORKING 928 00:39:00,183 --> 00:39:01,950 HARD ENOUGH TO MAINTAIN YOU 929 00:39:01,974 --> 00:39:04,117 IN YOUR LUXURY? TELL ME THAT! 930 00:39:04,141 --> 00:39:05,407 IT ISYOURLUXURY TOO, 931 00:39:05,431 --> 00:39:08,992 SPEAKING OF HYPOCRISY. 932 00:39:09,016 --> 00:39:10,951 OUR SLAVES HAVE A HOME, FOOD, 933 00:39:10,975 --> 00:39:12,743 SAFETY, AND HONEST WORK. 934 00:39:12,767 --> 00:39:13,701 LEAVE THEM BE-- 935 00:39:13,725 --> 00:39:15,432 FOR THEIR SAKE. 936 00:39:17,808 --> 00:39:18,576 I HAVE TO INSPECT OUR 937 00:39:18,600 --> 00:39:20,160 PLANTATIONS UP RIVER. 938 00:39:20,184 --> 00:39:21,534 I'LL BE AWAY FOR SEVERAL DAYS. 939 00:39:21,558 --> 00:39:22,619 YOU ALWAYS FIND A REASON 940 00:39:22,643 --> 00:39:25,433 TO BE AWAY, PIERCE. 941 00:39:30,643 --> 00:39:31,994 SOMETIMES I WATCH YOU SLEEP 942 00:39:32,018 --> 00:39:34,870 AT NIGHT, FANNY. 943 00:39:34,894 --> 00:39:36,203 IT IS THE ONLY TIME I CAN 944 00:39:36,227 --> 00:39:37,410 ADORE YOU WITHOUT HAVING 945 00:39:37,434 --> 00:39:38,578 MY SENTIMENTS HURLED BACK 946 00:39:38,602 --> 00:39:40,870 IN MY FACE. 947 00:39:40,894 --> 00:39:42,410 THAT IS WHY I FIND REASONS 948 00:39:42,434 --> 00:39:44,644 TO BE AWAY. 949 00:39:54,020 --> 00:39:54,996 ( chickens clucking ) 950 00:39:55,020 --> 00:39:58,411 ( people coughing ) 951 00:39:58,435 --> 00:40:00,355 ( baby crying ) 952 00:40:03,562 --> 00:40:06,247 OPEN UP THE WINDOWS. 953 00:40:06,271 --> 00:40:07,412 OPEN UP THE WINDOWS 954 00:40:07,436 --> 00:40:08,663 AND LET IN THE LIGHT. 955 00:40:08,687 --> 00:40:09,412 YES'M. 956 00:40:09,436 --> 00:40:10,520 OH. 957 00:40:12,437 --> 00:40:13,413 LET THAT ALONE, MISS. 958 00:40:13,437 --> 00:40:14,664 WHAT FOR YOU LIFT WOOD? 959 00:40:14,688 --> 00:40:15,623 YOU GOT NIGGERS ENOUGH 960 00:40:15,647 --> 00:40:17,081 TO DO THAT FOR YA. 961 00:40:17,105 --> 00:40:18,123 I'VE GOT ARMS AND I'VE GOT 962 00:40:18,147 --> 00:40:19,497 HANDS AND I CAN USE THEM. 963 00:40:19,521 --> 00:40:20,413 NOW, YOU OPEN UP SOME 964 00:40:20,437 --> 00:40:21,748 OF THE WINDOWS. 965 00:40:21,772 --> 00:40:23,290 DO AS I SAY. 966 00:40:23,314 --> 00:40:25,166 YES, MA'AM. 967 00:40:25,190 --> 00:40:26,832 THIS FLOOR NEEDS SWEEPING. 968 00:40:26,856 --> 00:40:29,082 ALL THIS RUBBISH AND FILTH 969 00:40:29,106 --> 00:40:30,414 MUST BE REMOVED. 970 00:40:30,438 --> 00:40:31,414 YES'M. 971 00:40:31,438 --> 00:40:32,790 AND THE CHICKENS; WE MUST 972 00:40:32,814 --> 00:40:34,999 TRY AND KEEP THIS CLEAN. 973 00:40:35,023 --> 00:40:36,541 PSYCHE, JACK. SEE IF YOU CAN 974 00:40:36,565 --> 00:40:37,625 FIND ANY BLANKETS THAT AREN'T 975 00:40:37,649 --> 00:40:38,666 BEING USED AND PUT THEM UNDER 976 00:40:38,690 --> 00:40:40,292 THE PATIENTS THAT HAVE NONE. 977 00:40:40,316 --> 00:40:41,415 AND BE CAREFUL WITH THEM. 978 00:40:41,439 --> 00:40:44,042 YES'M. 979 00:40:44,066 --> 00:40:44,708 ARE YOU STRONG ENOUGH 980 00:40:44,732 --> 00:40:45,541 TO SWEEP? 981 00:40:45,565 --> 00:40:46,415 YES'M. 982 00:40:46,439 --> 00:40:47,083 BECAUSE IF YOU ARE, YOU CAN 983 00:40:47,107 --> 00:40:48,293 HELP US TO CLEAN THE FLOOR. 984 00:40:48,317 --> 00:40:49,542 AND SOMEONE GET SOME 985 00:40:49,566 --> 00:40:51,335 FRESH WATER. 986 00:40:51,359 --> 00:40:52,043 Woman: YES, MISS. 987 00:40:52,067 --> 00:40:53,816 Jack: PUT IT OVER THERE. 988 00:40:55,566 --> 00:40:58,566 JACK, BRING ME THE POULTICE. 989 00:41:02,318 --> 00:41:03,441 THANK YOU. 990 00:41:09,193 --> 00:41:10,418 THIS MIGHT FEEL COLD. 991 00:41:10,442 --> 00:41:13,502 ( inhales sharply; sighs ) 992 00:41:13,526 --> 00:41:14,669 THAT FEEL ANY BETTER? 993 00:41:14,693 --> 00:41:17,735 YES'M...IT SURE DO. 994 00:41:19,652 --> 00:41:22,045 I'M GOING INTO TOWN TOMORROW. 995 00:41:22,069 --> 00:41:23,211 I'M GOING TO ASK THE DOCTOR 996 00:41:23,235 --> 00:41:24,586 TO COME SEE YOU ABOUT... 997 00:41:24,610 --> 00:41:25,921 YOUR OTHER PROBLEMS. 998 00:41:25,945 --> 00:41:27,046 OH, NO, DON'T DO THAT. 999 00:41:27,070 --> 00:41:29,254 AUNT JERUSALEM CLEANED ME UP 1000 00:41:29,278 --> 00:41:30,338 REAL GOOD. 1001 00:41:30,362 --> 00:41:31,419 I'M MUCH BETTER NOW, 1002 00:41:31,443 --> 00:41:33,861 TRULY I AM. 1003 00:41:38,570 --> 00:41:40,796 WHY... 1004 00:41:40,820 --> 00:41:41,713 WHY DO YOU HAVE SO MANY 1005 00:41:41,737 --> 00:41:44,297 CHILDREN, HARRIET? 1006 00:41:44,321 --> 00:41:45,420 MASSA BE REAL PLEASED YOU 1007 00:41:45,444 --> 00:41:46,420 GIVE HIM MORE LITTLE NIGGERS, 1008 00:41:46,444 --> 00:41:47,463 MISSUS. 1009 00:41:47,487 --> 00:41:49,088 MY BABY MAYBE GROW UP TO BE 1010 00:41:49,112 --> 00:41:51,421 A CARPENTER, WORTH MAYBE 1011 00:41:51,445 --> 00:41:53,340 TWENTY-FIVE HUNDRED DOLLARS. 1012 00:41:53,364 --> 00:41:55,421 MR. PARKER GIVE US TIME OFF 1013 00:41:55,445 --> 00:41:57,464 FROM WORKING IN THE FIELDS. 1014 00:41:57,488 --> 00:42:00,089 MORE CLOTHING, MORE FOOD IN THE 1015 00:42:00,113 --> 00:42:03,257 HOUSE, TREAT US MUCH BETTER. 1016 00:42:03,281 --> 00:42:06,299 AIN'T NO DOUBT ABOUT IT. 1017 00:42:06,323 --> 00:42:08,446 NO DOUBT ABOUT IT. 1018 00:42:10,031 --> 00:42:11,422 THE FACT, HARRIET, IS THAT IF 1019 00:42:11,446 --> 00:42:12,422 YOU HAVE ANY MORE CHILDREN, 1020 00:42:12,446 --> 00:42:15,008 IT'LL KILL YOU. 1021 00:42:15,032 --> 00:42:16,175 YOU MUST TELL MR. PARKER 1022 00:42:16,199 --> 00:42:19,115 THAT YOU WON'T. 1023 00:42:22,199 --> 00:42:23,423 I'LL DO THAT. 1024 00:42:23,447 --> 00:42:26,423 I POSITIVELY WILL. 1025 00:42:26,447 --> 00:42:27,424 AND THERE'LL BE NO MORE 1026 00:42:27,448 --> 00:42:28,508 FLOGGINGS IF ANYONE COMES TO ME 1027 00:42:28,532 --> 00:42:30,967 WITH THEIR PROBLEMS. 1028 00:42:30,991 --> 00:42:32,424 YOU'D DON'T NEED TO BE AFRAID 1029 00:42:32,448 --> 00:42:35,384 OF BEING WHIPPED ANYMORE. 1030 00:42:35,408 --> 00:42:37,051 ANDNO ONEIS TO BE FORCED INTO 1031 00:42:37,075 --> 00:42:38,217 HAVING ANY MORE BABIES, 1032 00:42:38,241 --> 00:42:41,010 DO YOU UNDERSTAND? 1033 00:42:41,034 --> 00:42:42,617 YES'M. 1034 00:42:53,118 --> 00:42:53,552 Fanny: DO YOU HAVE 1035 00:42:53,576 --> 00:42:56,160 A LARGE TUB? 1036 00:43:00,785 --> 00:43:02,261 NOW, YOU RUB THIS SOAPY CLOTH 1037 00:43:02,285 --> 00:43:03,427 ALL OVER YOU, EVERYWHERE, 1038 00:43:03,451 --> 00:43:05,012 JUST LIKE THIS. 1039 00:43:05,036 --> 00:43:07,762 IT DOESN'T HURT. HMM? 1040 00:43:07,786 --> 00:43:10,054 NOW YOU TRY IT. 1041 00:43:10,078 --> 00:43:11,054 HMM? 1042 00:43:11,078 --> 00:43:13,054 OH! 1043 00:43:13,078 --> 00:43:15,220 DOESN'T THAT FEEL GOOD? 1044 00:43:15,244 --> 00:43:16,428 AND WHEN YOU'RE ALL NICE AND 1045 00:43:16,452 --> 00:43:18,804 CLEAN ALL OVER, THEN YOU POUR 1046 00:43:18,828 --> 00:43:21,055 NICE, CLEAN WATER, WASH OFF 1047 00:43:21,079 --> 00:43:22,471 ALL THE SOAP. 1048 00:43:22,495 --> 00:43:25,428 ( squealing, laughing ) 1049 00:43:25,452 --> 00:43:26,263 DO YOU THINK YOU CAN 1050 00:43:26,287 --> 00:43:27,428 DO THAT BY YOURSELF? 1051 00:43:27,452 --> 00:43:28,263 YEAH. 1052 00:43:28,287 --> 00:43:31,014 DO YOU ALL THINK SO? 1053 00:43:31,038 --> 00:43:32,429 I'LL TELL YOU, ANY CHILD THAT 1054 00:43:32,453 --> 00:43:33,472 COMES TO ME WITH A CLEAN FACE 1055 00:43:33,496 --> 00:43:35,139 AND CLEAN HANDS WILL RECEIVE 1056 00:43:35,163 --> 00:43:36,680 A PENNY, ALL RIGHT? 1057 00:43:36,704 --> 00:43:40,038 YOU SPREAD THE WORD. 1058 00:43:42,414 --> 00:43:43,182 A PENNY. 1059 00:43:43,206 --> 00:43:45,430 A PENNY, YES. 1060 00:43:45,454 --> 00:43:47,122 ( laughs ) 1061 00:43:50,664 --> 00:43:51,973 I WANT TO HAVE A WOOD FLOOR PUT 1062 00:43:51,997 --> 00:43:53,431 IN, AND WINDOWS EVERYWHERE WITH 1063 00:43:53,455 --> 00:43:54,891 GLASS IN THEM, MR. PARKER, 1064 00:43:54,915 --> 00:43:56,431 WINDOWS THAT OPEN AND SHUT. 1065 00:43:56,455 --> 00:43:57,641 AND NO ONE IS TO LIE ON 1066 00:43:57,665 --> 00:43:58,724 THE FLOOR; SIMPLE BED FRAMES 1067 00:43:58,748 --> 00:44:00,016 WILL DO. 1068 00:44:00,040 --> 00:44:00,849 I DON'T DO NOTHIN' 1069 00:44:00,873 --> 00:44:03,308 WITHOUT MR. BUTLER'S SAY-SO. 1070 00:44:03,332 --> 00:44:04,431 DO I HAVE TO TELL MY HUSBAND 1071 00:44:04,455 --> 00:44:05,600 THAT YOU STAND OUTSIDE MY WINDOW 1072 00:44:05,624 --> 00:44:06,808 AT NIGHT TRYING TO CATCH 1073 00:44:06,832 --> 00:44:08,017 A GLIMPSE OF ME, OR WILL 1074 00:44:08,041 --> 00:44:10,958 MY SAY-SO DO? 1075 00:44:12,291 --> 00:44:14,059 GOOD. I SHALL BE GOING INTO 1076 00:44:14,083 --> 00:44:15,309 DARIEN THIS AFTERNOON FOR 1077 00:44:15,333 --> 00:44:16,433 SUPPLIES. 1078 00:44:16,457 --> 00:44:17,976 AND ONE MORE THING. 1079 00:44:18,000 --> 00:44:19,433 I WANT YOU TO FREE JOSIAH 1080 00:44:19,457 --> 00:44:21,433 FROM THAT HIDEOUS CONTRAPTION. 1081 00:44:21,457 --> 00:44:22,809 TOO LATE. 1082 00:44:22,833 --> 00:44:26,226 HE ALREADY RUN OFF AGAIN. 1083 00:44:26,250 --> 00:44:27,310 THEN HE MUST BE SMARTER 1084 00:44:27,334 --> 00:44:29,433 THAN YOUR CRUEL DEVICE. 1085 00:44:29,457 --> 00:44:31,126 JACK. 1086 00:44:35,458 --> 00:44:37,434 I AIN'TNEVERSEEN 1087 00:44:37,458 --> 00:44:38,769 NOTHIN' LIKE THAT. 1088 00:44:38,793 --> 00:44:40,102 I MEAN, YOU JUST TOLD HIM WHAT 1089 00:44:40,126 --> 00:44:41,311 YOU GONNA DO RIGHT STRAIGHT OUT 1090 00:44:41,335 --> 00:44:42,770 AND HE DIDN'T SAY NO! 1091 00:44:42,794 --> 00:44:43,895 I MEAN, AIN'TNOBODYEVER TALKED 1092 00:44:43,919 --> 00:44:45,435 TO MR. PARKER LIKE THAT. 1093 00:44:45,459 --> 00:44:46,770 WE JUST LUCKY WE AIN'T DEAD, 1094 00:44:46,794 --> 00:44:50,002 MISSUS, WE'RE JUST PLAIN LUCKY! 1095 00:44:54,378 --> 00:44:55,646 AIN'T NO PLANTER'S WIFE IN ALL 1096 00:44:55,670 --> 00:44:56,979 OF GEORGIA GONNA RIDE WITH 1097 00:44:57,003 --> 00:44:57,812 A PASSEL OF NIGGERS 1098 00:44:57,836 --> 00:44:59,229 WITHOUT A WHITE MAN ALONG! 1099 00:44:59,253 --> 00:45:01,795 HA HA HA HA HA! 1100 00:45:18,754 --> 00:45:20,462 ( knocking on door ) 1101 00:45:23,672 --> 00:45:24,940 DR. HUSTON? 1102 00:45:24,964 --> 00:45:26,564 I'M MRS. BUTLER. 1103 00:45:26,588 --> 00:45:27,481 MISSUS GONNA BUILD UP THE 1104 00:45:27,505 --> 00:45:28,689 INFIRMARY. SHE NEEDS BLANKETS, 1105 00:45:28,713 --> 00:45:30,148 BANDAGES, AND MEDICINE AND ALL. 1106 00:45:30,172 --> 00:45:31,398 AND I TOLD HER SHEGOTTO SEE 1107 00:45:31,422 --> 00:45:32,774 DR. HUSTON, BECAUSE YOU FIXED UP 1108 00:45:32,798 --> 00:45:34,440 A BONE FOR ME AT ST. SIMON'S. 1109 00:45:34,464 --> 00:45:36,107 I REMEMBER IT WELL, JACK. 1110 00:45:36,131 --> 00:45:37,399 IT'S NICE TO MEET YOU, 1111 00:45:37,423 --> 00:45:38,439 MRS. BUTLER, I'VE HEARD A LOT 1112 00:45:38,463 --> 00:45:40,798 ABOUT YOU ALREADY. 1113 00:45:43,131 --> 00:45:44,233 SLAVE NETWORK. 1114 00:45:44,257 --> 00:45:45,440 IT'S MUCH FASTER THAN 1115 00:45:45,464 --> 00:45:47,233 THE NEW TELEGRAPH. 1116 00:45:47,257 --> 00:45:50,233 MORE COLORFUL, TOO. 1117 00:45:50,257 --> 00:45:52,440 I WON'T ASK WHAT YOU HEARD. 1118 00:45:52,464 --> 00:45:53,440 WELL, IT WASN'T ALL BAD, 1119 00:45:53,464 --> 00:45:55,091 MRS. BUTLER. 1120 00:45:57,133 --> 00:45:57,943 I HAVE MOST OF THESE 1121 00:45:57,967 --> 00:45:59,734 MEDICAL ITEMS RIGHT HERE. 1122 00:45:59,758 --> 00:46:01,692 AND IF YOU LIKE, I CAN HELP YOU 1123 00:46:01,716 --> 00:46:02,859 GATHER THE LUMBER AND OTHER 1124 00:46:02,883 --> 00:46:04,401 ITEMS ON THE LIST. 1125 00:46:04,425 --> 00:46:05,441 THAT'S VERY KIND OF YOU, 1126 00:46:05,465 --> 00:46:07,692 DR. HUSTON. 1127 00:46:07,716 --> 00:46:09,027 WELL, I'M GLAD I COULD AT 1128 00:46:09,051 --> 00:46:09,902 LEAST HELP YOU WITH THE 1129 00:46:09,926 --> 00:46:11,443 BUILDING MATERIALS. 1130 00:46:11,467 --> 00:46:13,235 YOU CAN'T COME SEE HARRIET? 1131 00:46:13,259 --> 00:46:14,152 NOT UNLESS YOUR HUSBAND 1132 00:46:14,176 --> 00:46:16,027 OR MR. PARKER ASK ME TO. 1133 00:46:16,051 --> 00:46:18,235 BUT SHE NEEDS A DOCTOR. 1134 00:46:18,259 --> 00:46:20,235 MRS. BUTLER, WHY ARE YOU 1135 00:46:20,259 --> 00:46:22,653 TAKING UP THEIR CAUSE? 1136 00:46:22,677 --> 00:46:23,486 BECAUSE THEY'RE SUFFERING 1137 00:46:23,510 --> 00:46:24,694 HORRIBLY. 1138 00:46:24,718 --> 00:46:26,195 ONE GIRL'S HANDS AND FEET ARE 1139 00:46:26,219 --> 00:46:27,653 LITERALLY ROTTING AWAY, SEVERAL 1140 00:46:27,677 --> 00:46:28,986 OF THE CHILDREN HAVE SOME KIND 1141 00:46:29,010 --> 00:46:29,945 OF LOCKJAW, THEY'RE UNABLE 1142 00:46:29,969 --> 00:46:30,986 EVEN TO SUCKLE. 1143 00:46:31,010 --> 00:46:33,028 AND THERE'S PLEURISY EVERYWHERE. 1144 00:46:33,052 --> 00:46:33,946 THE GIRL HAS A FORM OF 1145 00:46:33,970 --> 00:46:35,154 LEPROSY TO WHICH NEGROES 1146 00:46:35,178 --> 00:46:36,737 ARE PARTICULARLY SUSCEPTIBLE, 1147 00:46:36,761 --> 00:46:38,444 AND THERE'S NO KNOWN CURE. 1148 00:46:38,468 --> 00:46:40,279 CHILDREN CONTRACT TETANUS 1149 00:46:40,303 --> 00:46:42,444 BY PLAYING WITH INFECTED DOGS. 1150 00:46:42,468 --> 00:46:45,404 AND PLEURISY? PARKER'S 1151 00:46:45,428 --> 00:46:46,905 PROBABLY WORKING 'EM TOO HARD. 1152 00:46:46,929 --> 00:46:48,655 HE'S FAMOUS FOR IT. 1153 00:46:48,679 --> 00:46:50,905 NO, WHAT I MEANT, MRS. BUTLER, 1154 00:46:50,929 --> 00:46:53,238 IS WHY ARE YOU, A WHITE WOMAN, 1155 00:46:53,262 --> 00:46:54,947 A PLANTER'S WIFE AND AN ENGLISH 1156 00:46:54,971 --> 00:46:57,322 ACTRESS, TAKING UP THE SLAVES' 1157 00:46:57,346 --> 00:47:00,406 CAUSE IN GEORGIA? 1158 00:47:00,430 --> 00:47:03,530 BECAUSE THEY'RE HUMAN BEINGS. 1159 00:47:03,554 --> 00:47:04,446 YOU MIGHT BE CAREFUL 1160 00:47:04,470 --> 00:47:06,989 WHO YOU SAY THAT TO, MADAM. 1161 00:47:07,013 --> 00:47:08,989 INCLUDING YOU? 1162 00:47:09,013 --> 00:47:11,573 WELL, I HAVEN'T LYNCHED YOU. 1163 00:47:11,597 --> 00:47:13,973 YET. 1164 00:47:19,471 --> 00:47:20,448 THANK YOU FOR ALL YOUR HELP, 1165 00:47:20,472 --> 00:47:21,865 DR. HUSTON. 1166 00:47:21,889 --> 00:47:23,033 I HOPE MY OPINIONS HAVEN'T 1167 00:47:23,057 --> 00:47:24,448 OFFENDED YOU. 1168 00:47:24,472 --> 00:47:25,448 I AM NEVER OFFENDED 1169 00:47:25,472 --> 00:47:27,866 BY HONESTY....OR BY BEAUTY. 1170 00:47:27,890 --> 00:47:30,448 PLEASE COME AGAIN. 1171 00:47:30,472 --> 00:47:33,532 SOONER IS BETTER. 1172 00:47:33,556 --> 00:47:35,683 YES, I WILL. 1173 00:48:04,018 --> 00:48:04,953 Fanny:"HOW I WISH THAT 1174 00:48:04,977 --> 00:48:06,451 INSTEAD OF MUSIC AND THEATER 1175 00:48:06,475 --> 00:48:07,619 I HAD LEARNT SOMETHING 1176 00:48:07,643 --> 00:48:09,994 OF MEDICINE. 1177 00:48:10,018 --> 00:48:11,036 I OFTEN THINK IF THEY DIDN'T 1178 00:48:11,060 --> 00:48:12,245 HAVE THEIR SONGS, THEY WOULD 1179 00:48:12,269 --> 00:48:14,162 MURDER US ALL. 1180 00:48:14,186 --> 00:48:15,954 BUT IT ISN'T ALL DREARY HERE. 1181 00:48:15,978 --> 00:48:17,954 THE SUNSETS ARE GLORIOUS, 1182 00:48:17,978 --> 00:48:19,452 THE DAYTIME SKY IS BRILLIANT, 1183 00:48:19,476 --> 00:48:21,828 AND THE LOCAL FISH EXCELLENT. 1184 00:48:21,852 --> 00:48:23,954 AND I MET A KIND MAN IN DARIEN, 1185 00:48:23,978 --> 00:48:26,080 A DOCTOR, WHO AT LEAST 1186 00:48:26,104 --> 00:48:27,621 LISTENED TO ME. 1187 00:48:27,645 --> 00:48:29,453 HE MADE ME REALIZE HOW ALONE 1188 00:48:29,477 --> 00:48:31,453 I AM HERE. 1189 00:48:31,477 --> 00:48:33,913 AS FOR THE SLAVES, SOMETIMES 1190 00:48:33,937 --> 00:48:35,537 I SENSE A PROFOUND SWEETNESS 1191 00:48:35,561 --> 00:48:37,454 IN THEM. 1192 00:48:37,478 --> 00:48:39,122 PIERCE IS RIGHT AGAIN-- 1193 00:48:39,146 --> 00:48:41,705 I DON'T KNOW THEM AT ALL. 1194 00:48:41,729 --> 00:48:44,872 I CANNOT FATHOM THEIR HEARTS." 1195 00:48:44,896 --> 00:48:45,872 NO, SHE DOESN'T HELP US. 1196 00:48:45,896 --> 00:48:46,956 ALREADY SHE HAS HAD HARRIET 1197 00:48:46,980 --> 00:48:48,454 BEATEN. SOON ONE OF US 1198 00:48:48,478 --> 00:48:50,374 WILL BE KILLED, YOU WILL SEE. 1199 00:48:50,398 --> 00:48:51,455 SHE SURE ENOUGH HELPED ME, 1200 00:48:51,479 --> 00:48:52,957 JOE, SHE GIVE ME MEDICINE. 1201 00:48:52,981 --> 00:48:54,123 AND SHE CLEANED THE INFIRMARY 1202 00:48:54,147 --> 00:48:55,455 ALMOST ON HER OWN. 1203 00:48:55,479 --> 00:48:57,123 NO, SHE LIES. SHE SAY BLACK 1204 00:48:57,147 --> 00:48:58,456 IS EQUAL LIKE WHITE. 1205 00:48:58,480 --> 00:48:59,455 ALREADY WE ARE FIGHTING 1206 00:48:59,479 --> 00:49:00,581 AMONG OURSELVES. 1207 00:49:00,605 --> 00:49:01,624 SHE IS LIKE A PRETTY 1208 00:49:01,648 --> 00:49:03,249 BUTTERFLY-- FIRST RAINY DAY 1209 00:49:03,273 --> 00:49:05,208 SHE GONNA FLOAT AWAY, GONE, 1210 00:49:05,232 --> 00:49:07,333 WE'LL STILL BE HERE. 1211 00:49:07,357 --> 00:49:08,416 THAT'S RIGHT. 1212 00:49:08,440 --> 00:49:09,249 I AIN'T GIVIN' HER 1213 00:49:09,273 --> 00:49:10,208 ALL MY HOPES. 1214 00:49:10,232 --> 00:49:11,208 YOU AIN'T SPENT TIME WITH 1215 00:49:11,232 --> 00:49:12,456 HER, AUNT JERUSALEM. 1216 00:49:12,480 --> 00:49:15,457 SHE AIN'T LIKE THE OTHERS. 1217 00:49:15,481 --> 00:49:16,875 SHE MAKE YOU HER FRIEND. 1218 00:49:16,899 --> 00:49:18,457 THEN MASSA BUTLER GET ANGRY, 1219 00:49:18,481 --> 00:49:20,457 SELL YOU AWAY. I LOSE YOU, 1220 00:49:20,481 --> 00:49:23,417 CHILDREN LOSE YOU. 1221 00:49:23,441 --> 00:49:25,417 DON'T BE HER FRIEND, PSYCHE. 1222 00:49:25,441 --> 00:49:26,775 DON'T. 1223 00:49:30,900 --> 00:49:32,834 ( hammer pounding nails) 1224 00:49:32,858 --> 00:49:34,918 NO, MR. PARKER, 1225 00:49:34,942 --> 00:49:36,458 I SAIDTWOMORE WINDOWS. 1226 00:49:36,482 --> 00:49:37,960 LIGHT IS GOOD FOR HEALING, 1227 00:49:37,984 --> 00:49:38,877 AND IT WON'T WEAKEN THE 1228 00:49:38,901 --> 00:49:39,835 STRUCTURE, RIGHT, SAM? 1229 00:49:39,859 --> 00:49:41,211 UH, YES'M. I CAN FRAME UP THE 1230 00:49:41,235 --> 00:49:42,460 SIDES OF EACH WINDOW REAL GOOD. 1231 00:49:42,484 --> 00:49:44,318 BE STRONGER THAN BEFORE. 1232 00:49:47,193 --> 00:49:48,336 TELL ME HONESTLY. 1233 00:49:48,360 --> 00:49:49,752 ISN'T THERE SOME PART OF YOU 1234 00:49:49,776 --> 00:49:50,877 THAT KNOWS THAT WHAT WE'RE DOING 1235 00:49:50,901 --> 00:49:53,460 IS A GOOD THING? 1236 00:49:53,484 --> 00:49:54,253 WHY DON'T YOU ASK 1237 00:49:54,277 --> 00:49:55,777 YOUR HUSBAND? 1238 00:49:57,403 --> 00:49:58,628 IS THIS YOUR DOING? 1239 00:49:58,652 --> 00:50:00,485 IS IT?! 1240 00:50:14,070 --> 00:50:14,545 MUST I CONFINE YOU TO 1241 00:50:14,569 --> 00:50:15,838 THE HOUSE? 1242 00:50:15,862 --> 00:50:16,838 I FORBID YOU TO GO TO THE SLAVE 1243 00:50:16,862 --> 00:50:18,089 CAMP ANYMORE, AND THIS 1244 00:50:18,113 --> 00:50:19,588 RENOVATION OF THE INFIRMARY 1245 00:50:19,612 --> 00:50:20,964 WILL STOP. 1246 00:50:20,988 --> 00:50:22,797 BUT WHY? A HEALTHY SLAVE 1247 00:50:22,821 --> 00:50:24,462 IS A WORKING SLAVE. 1248 00:50:24,486 --> 00:50:25,630 GET MAXIMUM EFFICIENCY 1249 00:50:25,654 --> 00:50:27,172 FROM YOUR PROPERTY. 1250 00:50:27,196 --> 00:50:28,256 DON'T MOCK ME, FANNY. 1251 00:50:28,280 --> 00:50:29,298 THREE SLAVES HAVE DIED 1252 00:50:29,322 --> 00:50:30,173 IN THAT HELLISH PIT 1253 00:50:30,197 --> 00:50:31,256 SINCE WE ARRIVED. 1254 00:50:31,280 --> 00:50:32,463 TO GIVE THE SICK MINIMUM CARE 1255 00:50:32,487 --> 00:50:33,798 DOESN'T SEEM TOO MUCH TO ASK. 1256 00:50:33,822 --> 00:50:34,756 WHY DIDN'T YOU CONSULT ME 1257 00:50:34,780 --> 00:50:36,215 FIRST? YOU ARE MYWIFE. 1258 00:50:36,239 --> 00:50:37,423 BEHAVE LIKE ONE, OR I'LL 1259 00:50:37,447 --> 00:50:38,463 PACK YOU OFF ON THE NEXT 1260 00:50:38,487 --> 00:50:41,341 STEAMER HOME.ALONE. 1261 00:50:41,365 --> 00:50:42,424 MAYBE SEPARATION FROM YOUR 1262 00:50:42,448 --> 00:50:43,548 CHILDREN WILL RESTORE YOUR 1263 00:50:43,572 --> 00:50:45,216 SENSE OF MARITAL OBLIGATION. 1264 00:50:45,240 --> 00:50:46,924 MY GOD, YOU WOULDN'T DARE. 1265 00:50:46,948 --> 00:50:48,049 IF YOU FORCE ME, I WILL, 1266 00:50:48,073 --> 00:50:50,323 I ASSURE YOU. 1267 00:50:54,324 --> 00:50:55,465 I WILL NO LONGER VISIT THE 1268 00:50:55,489 --> 00:50:57,591 SLAVE CAMP IF YOU WISH... 1269 00:50:57,615 --> 00:50:59,175 BUT PLEASE LET ME RESTORE 1270 00:50:59,199 --> 00:51:00,549 THE INFIRMARY. 1271 00:51:00,573 --> 00:51:02,092 IT'LL ONLY HELP YOU. 1272 00:51:02,116 --> 00:51:04,157 PLEASE, PIERCE. 1273 00:51:14,783 --> 00:51:17,659 ( angry shouting ) 1274 00:51:29,076 --> 00:51:29,844 Parker: WHAT ARE YOU 1275 00:51:29,868 --> 00:51:31,053 DOING HERE?! 1276 00:51:31,077 --> 00:51:34,244 GET BACK TO THE CAMP,NOW! 1277 00:51:43,995 --> 00:51:45,370 NOW. 1278 00:51:47,619 --> 00:51:48,703 JOE. 1279 00:51:54,620 --> 00:51:57,347 JOE... 1280 00:51:57,371 --> 00:51:59,037 GO HOME. 1281 00:52:01,662 --> 00:52:05,954 JOE,PLEASE...GO HOME. 1282 00:52:14,495 --> 00:52:15,955 PLEASE. 1283 00:52:21,747 --> 00:52:23,140 WHAT'S HAPPENED? 1284 00:52:23,164 --> 00:52:24,224 PATROLLERS CAUGHT JOSIAH 1285 00:52:24,248 --> 00:52:26,123 DOWN BY THE LANDING. 1286 00:52:27,831 --> 00:52:28,682 GUESS HE WASN'T AS SMART 1287 00:52:28,706 --> 00:52:31,039 AS YOU THOUGHT HE WAS. 1288 00:52:41,082 --> 00:52:42,473 NO! 1289 00:52:42,497 --> 00:52:44,474 ( gunshot ) AAAH! 1290 00:52:44,498 --> 00:52:46,000 GO BACK! GET OUT OF HERE! 1291 00:52:47,749 --> 00:52:49,498 OH, MY GOD! 1292 00:52:52,958 --> 00:52:53,474 THERE WAS NOTHING 1293 00:52:53,498 --> 00:52:55,642 YOU COULD DO. 1294 00:52:55,666 --> 00:52:57,227 NO LAWS WERE BROKEN, 1295 00:52:57,251 --> 00:52:58,893 HE WAS A RUNAWAY AND FAIR GAME. 1296 00:52:58,917 --> 00:53:00,060 HUMAN BEINGS ARE NOT 1297 00:53:00,084 --> 00:53:01,475 FAIR GAME FOR MURDER. 1298 00:53:01,499 --> 00:53:02,518 THEY ARE IN GEORGIA, 1299 00:53:02,542 --> 00:53:04,394 MRS. BUTLER. 1300 00:53:04,418 --> 00:53:05,475 AND UNLESS YOU LEARN TO BE 1301 00:53:05,499 --> 00:53:07,518 A LITTLE BIT MORE DISPASSIONATE, 1302 00:53:07,542 --> 00:53:08,769 YOU MAY END UP IN THE FLAMES 1303 00:53:08,793 --> 00:53:11,144 YOURSELF. 1304 00:53:11,168 --> 00:53:12,793 ( exhales ) 1305 00:53:14,500 --> 00:53:17,476 YOU'RE RIGHT, OF COURSE. 1306 00:53:17,500 --> 00:53:19,519 I SOMETIMES DOUBT THAT ANYONE 1307 00:53:19,543 --> 00:53:20,853 WHO FEELS THINGS AS INTENSELY 1308 00:53:20,877 --> 00:53:22,354 AS I DO COULD BE SAID TO FEEL 1309 00:53:22,378 --> 00:53:24,669 ANYTHING AT ALL. 1310 00:53:26,501 --> 00:53:28,294 WHY'D YOU COME TO SEE ME? 1311 00:53:31,794 --> 00:53:33,379 I DON'T KNOW. 1312 00:53:35,045 --> 00:53:36,271 LAST TIME YOU LISTENED TO ME, 1313 00:53:36,295 --> 00:53:37,188 EVEN IF YOU DIDN'T AGREE 1314 00:53:37,212 --> 00:53:38,271 WITH ME. 1315 00:53:38,295 --> 00:53:39,478 HMM. WELL, I'M GLAD YOU 1316 00:53:39,502 --> 00:53:42,502 DIDN'T HOLD THAT AGAINST ME. 1317 00:53:44,921 --> 00:53:46,479 THERE'S A LOVELY POND NEARBY. 1318 00:53:46,503 --> 00:53:49,064 I'D LOVE TO SHOW IT TO YOU. 1319 00:53:49,088 --> 00:53:51,064 STILL WATERS...IT'S GOOD 1320 00:53:51,088 --> 00:53:53,838 FOR RESTORING THE SOUL. 1321 00:53:57,964 --> 00:53:59,148 WHEN I WAS SIXTEEN, 1322 00:53:59,172 --> 00:54:02,232 I STARTED READING BYRON. 1323 00:54:02,256 --> 00:54:03,523 IT HAD SUCH AN EFFECT ON ME 1324 00:54:03,547 --> 00:54:04,606 I HAD TO LIMIT MY READING 1325 00:54:04,630 --> 00:54:05,856 TO EVERY OTHER DAY, UNTIL 1326 00:54:05,880 --> 00:54:08,857 FINALLY I HAD TO STOP ALTOGTHER. 1327 00:54:08,881 --> 00:54:10,857 IN RETURN, I HAD HOPED THAT GOD 1328 00:54:10,881 --> 00:54:11,941 WOULD MAKE ME COMPLETELY 1329 00:54:11,965 --> 00:54:14,481 AND PERMANENTLY GOOD. 1330 00:54:14,505 --> 00:54:15,482 I'M STILL AWAITING 1331 00:54:15,506 --> 00:54:17,441 THE CONVERSION. 1332 00:54:17,465 --> 00:54:19,173 ( chuckles ) 1333 00:54:20,716 --> 00:54:23,775 IT'S QUITE BEAUTIFUL HERE. 1334 00:54:23,799 --> 00:54:24,858 YOU'RE THE FIRST PERSON 1335 00:54:24,882 --> 00:54:27,258 I'VE EVER BROUGHT HERE. 1336 00:54:32,217 --> 00:54:33,276 DO YOU KNOW MY HUSBAND, 1337 00:54:33,300 --> 00:54:35,507 DR. HUSTON? 1338 00:54:37,134 --> 00:54:40,276 I MET HIM A NUMBER OF TIMES. 1339 00:54:40,300 --> 00:54:42,426 I LIKED HIM. 1340 00:54:43,551 --> 00:54:45,361 DOES HE KNOW YOU'RE HERE-- 1341 00:54:45,385 --> 00:54:48,111 WITH ME? 1342 00:54:48,135 --> 00:54:49,027 HE LEFT FOR SAVANNAH 1343 00:54:49,051 --> 00:54:52,194 THIS MORNING. 1344 00:54:52,218 --> 00:54:53,444 IT'S A GREAT MYSTERY TO ME 1345 00:54:53,468 --> 00:54:55,361 WHY HE EVER MARRIED ME. 1346 00:54:55,385 --> 00:54:56,820 HE KNEW WHO I WAS; 1347 00:54:56,844 --> 00:54:59,070 I'M NOT AT ALL SUBTLE. 1348 00:54:59,094 --> 00:55:00,237 AND IF HE EXPECTED OBEDIENCE, 1349 00:55:00,261 --> 00:55:01,820 WHY WOULD HE CHOOSE ME? 1350 00:55:01,844 --> 00:55:02,653 WELL, IF YOU EXPECTED 1351 00:55:02,677 --> 00:55:03,528 FREEDOM, WHY WOULD YOU 1352 00:55:03,552 --> 00:55:06,320 CHOOSE HIM? 1353 00:55:06,344 --> 00:55:07,321 BUT THEN IF YOU HADN'T, 1354 00:55:07,345 --> 00:55:09,486 YOU WOULDN'T HAVE COME HERE, 1355 00:55:09,510 --> 00:55:10,486 AND MY LIFE WOULD NOT BE 1356 00:55:10,510 --> 00:55:13,486 NEARLY SO BRIGHT. 1357 00:55:13,510 --> 00:55:15,487 AND THE BUTLER ISLAND SLAVES, 1358 00:55:15,511 --> 00:55:16,696 THEY'D STILL BE PLUNGED 1359 00:55:16,720 --> 00:55:19,095 IN DARKNESS. 1360 00:55:20,804 --> 00:55:24,364 TEACH THEM TO READ, MRS. BUTLER. 1361 00:55:24,388 --> 00:55:27,030 WHAT? 1362 00:55:27,054 --> 00:55:29,571 I THOUGHT YOU SUPPORTED SLAVERY. 1363 00:55:29,595 --> 00:55:31,531 NO. 1364 00:55:31,555 --> 00:55:34,073 WELL, WHY DIDN'T YOU TELL ME? 1365 00:55:34,097 --> 00:55:35,698 BECAUSE I HAD TO BE SUREYOU 1366 00:55:35,722 --> 00:55:38,512 WOULDN'T TELL ANYBODY ELSE. 1367 00:56:00,807 --> 00:56:02,514 ( knock on door ) 1368 00:56:10,183 --> 00:56:11,515 MAY I COME IN? 1369 00:56:14,017 --> 00:56:14,951 YOU AIN'T SUPPOSED 1370 00:56:14,975 --> 00:56:17,326 TO BE HERE, MISSUS. 1371 00:56:17,350 --> 00:56:20,077 HAVE YOU HEARD ABOUT JOSIAH? 1372 00:56:20,101 --> 00:56:20,952 HIM AND JOE WORKED AT 1373 00:56:20,976 --> 00:56:22,035 THE WOOD SHOP TOGETHER. 1374 00:56:22,059 --> 00:56:24,492 THEY WAS LIKE BROTHERS-- 1375 00:56:24,516 --> 00:56:26,785 MORE THAN THAT. 1376 00:56:26,809 --> 00:56:29,851 I'M VERY SORRY. 1377 00:56:32,394 --> 00:56:33,328 THERE'S SOMETHING I WANT TO DO 1378 00:56:33,352 --> 00:56:35,078 FOR YOU, FOR ALL OF YOU. 1379 00:56:35,102 --> 00:56:35,911 I WANT TO TEACH YOU 1380 00:56:35,935 --> 00:56:37,412 READING AND WRITING. 1381 00:56:37,436 --> 00:56:38,493 I KNOW IT'S ILLEGAL, BUT 1382 00:56:38,517 --> 00:56:40,493 I'M CALLING IT A BIBLE CLASS. 1383 00:56:40,517 --> 00:56:42,036 MR. PARKER HAS RELUCTANTLY 1384 00:56:42,060 --> 00:56:43,704 AGREED TO THE IDEA. 1385 00:56:43,728 --> 00:56:45,537 IT'LL BE AT SIX O'CLOCK ON 1386 00:56:45,561 --> 00:56:48,494 SUNDAY EVENINGS AT THE OLD BARN. 1387 00:56:48,518 --> 00:56:51,494 JOE, I COULD TEACH YOU NUMBERS, 1388 00:56:51,518 --> 00:56:52,454 IT WOULD HELP YOU WITH 1389 00:56:52,478 --> 00:56:54,997 YOUR CARPENTRY. 1390 00:56:55,021 --> 00:56:56,913 IS SOMETHING WRONG? 1391 00:56:56,937 --> 00:56:58,038 WHAT USE SLAVES GOT 1392 00:56:58,062 --> 00:57:01,247 KNOWING HOW TO READ AND WRITE? 1393 00:57:01,271 --> 00:57:02,495 WE AIN'T GOT NO PLACE 1394 00:57:02,519 --> 00:57:04,330 IN THIS WORLD. 1395 00:57:04,354 --> 00:57:05,495 SLAVERY WON'T LAST FOREVER, 1396 00:57:05,519 --> 00:57:07,706 PSYCHE. IF YOU CAN READ AND 1397 00:57:07,730 --> 00:57:09,331 WRITE, YOU CAN HELP FREEDOM 1398 00:57:09,355 --> 00:57:10,496 COME ALONG EVEN FASTER AND NOT 1399 00:57:10,520 --> 00:57:12,496 BE HELPLESS WHEN IT DOES COME. 1400 00:57:12,520 --> 00:57:13,456 YOU GOT ALL THE SLAVE 1401 00:57:13,480 --> 00:57:14,956 CHILDREN WASHED; WILL THAT KEEP 1402 00:57:14,980 --> 00:57:16,914 THE BELLS OFF THEIR HEAD? 1403 00:57:16,938 --> 00:57:20,124 WELL, NO, OF COURSE NOT. 1404 00:57:20,148 --> 00:57:22,082 JOSIAH... 1405 00:57:22,106 --> 00:57:24,124 HE WANT FREEDOM. 1406 00:57:24,148 --> 00:57:26,999 AND NOW HE FREE, IN ONE WAY. 1407 00:57:27,023 --> 00:57:27,665 YOU WANT TO MAKE ME BETTER 1408 00:57:27,689 --> 00:57:30,749 CARPENTER, BUT I STILL BE SLAVE. 1409 00:57:30,773 --> 00:57:32,291 YOU SAY KEEP BABIES CLEAN, 1410 00:57:32,315 --> 00:57:33,375 KEEP HOUSE CLEAN, BUT WE 1411 00:57:33,399 --> 00:57:35,791 STILL SLAVES. 1412 00:57:35,815 --> 00:57:37,916 YOU KEEP YOUR BABIES CLEAN. 1413 00:57:37,940 --> 00:57:39,250 THEY'RE BEAUTIFUL. 1414 00:57:39,274 --> 00:57:40,498 THEY GOT PATH TO HEAVEN, 1415 00:57:40,522 --> 00:57:43,899 WE'S IN HELL. WE STAYPUT. 1416 00:57:48,523 --> 00:57:50,524 GO BACK TO YOUR BIG HOUSE. 1417 00:57:52,983 --> 00:57:55,317 IT'S BETTER FOR YOU. 1418 00:58:03,524 --> 00:58:05,735 DON'T HELP US NO MORE. 1419 00:58:16,110 --> 00:58:18,502 SHE TREAT US... 1420 00:58:18,526 --> 00:58:19,837 SHE TREAT US LIKE... 1421 00:58:19,861 --> 00:58:22,254 WE IN A PIT, SHE DANGLE THE ROPE 1422 00:58:22,278 --> 00:58:24,503 THAT WE CANNOT REACH, 1423 00:58:24,527 --> 00:58:27,694 TEMPTING US LIKE THE DEVIL. 1424 00:58:28,986 --> 00:58:31,987 WE CANNOT HAVE FREEDOM. 1425 00:58:35,945 --> 00:58:37,503 SHE MAKE ME FEEL LESS 1426 00:58:37,527 --> 00:58:40,338 THAN A MAN. 1427 00:58:40,362 --> 00:58:42,423 SHE CANNEVERKNOW WHAT IT'S 1428 00:58:42,447 --> 00:58:46,297 LIKE TO BE A SLAVE. 1429 00:58:46,321 --> 00:58:49,714 NO, SHE CAN'T... 1430 00:58:49,738 --> 00:58:54,048 BUT I THINK MISSUS IS DIFFERENT. 1431 00:58:54,072 --> 00:58:56,715 I THINK SHE MEAN TO HELP. 1432 00:58:56,739 --> 00:58:59,257 I THINK...MAYBE SHE BE 1433 00:58:59,281 --> 00:59:02,780 GOD'S ANGEL SENT TO HELP US. 1434 00:59:04,529 --> 00:59:08,530 MAYBE IT'S TIME...TO REACH, JOE. 1435 00:59:18,158 --> 00:59:20,531 MY SWEET JOE. 1436 00:59:25,782 --> 00:59:27,967 ONE FOR YOU, ONE FOR YOU, 1437 00:59:27,991 --> 00:59:29,508 AND ONE FOR YOU. 1438 00:59:29,532 --> 00:59:31,093 YOU ALL DID A WONDERFUL JOB. 1439 00:59:31,117 --> 00:59:33,742 YOU LOOK SO BEAUTIFUL. 1440 00:59:47,493 --> 00:59:50,076 ♪♪ ( flute ) 1441 01:00:21,704 --> 01:00:24,288 THAT'S BEAUTIFUL. 1442 01:00:26,536 --> 01:00:28,556 I MISS YOU, FANNY. 1443 01:00:28,580 --> 01:00:29,556 I DON'T KNOW WHAT TO DO 1444 01:00:29,580 --> 01:00:30,556 TO FIND YOU. 1445 01:00:30,580 --> 01:00:33,723 COMING HERE DIDN'T HELP. 1446 01:00:33,747 --> 01:00:35,223 WHEN WE GET BACK TO 1447 01:00:35,247 --> 01:00:36,806 PHILADELPHIA, I WANNA BUY 1448 01:00:36,830 --> 01:00:38,513 A FINE HOUSE FOR US-- 1449 01:00:38,537 --> 01:00:39,513 CLOSE TO THE THEATERS, 1450 01:00:39,537 --> 01:00:40,724 CLOSE TO YOUR FRIENDS. 1451 01:00:40,748 --> 01:00:43,307 WOULD YOU LIKE THAT? 1452 01:00:43,331 --> 01:00:44,474 THAT'S VERY THOUGHTFUL, 1453 01:00:44,498 --> 01:00:45,474 PIERCE. 1454 01:00:45,498 --> 01:00:47,099 WHEN WOULD WE LEAVE? 1455 01:00:47,123 --> 01:00:48,514 RIGHT AWAY. 1456 01:00:48,538 --> 01:00:49,474 MALARIA IS A SERIOUS DANGER 1457 01:00:49,498 --> 01:00:50,266 HERE IN THE SUMMER. 1458 01:00:50,290 --> 01:00:51,515 IT WOULD BE UNWISE TO STAY, 1459 01:00:51,539 --> 01:00:52,392 IN ANY CASE. 1460 01:00:52,416 --> 01:00:54,225 PIERCE, I CAN'T GO NOW. 1461 01:00:54,249 --> 01:00:55,225 OWEN WILL FINISH THE 1462 01:00:55,249 --> 01:00:56,933 INFIRMARY, I PROMISE YOU. 1463 01:00:56,957 --> 01:00:59,891 IT'S MUCH MORE THAN THAT. 1464 01:00:59,915 --> 01:01:01,392 I CAN'T LEAVE THE SLAVES. 1465 01:01:01,416 --> 01:01:04,393 THEY DON'T NEED YOU. 1466 01:01:04,417 --> 01:01:05,517 DON'T YOU THINK I KNOW ABOUT 1467 01:01:05,541 --> 01:01:07,516 YOUR LITTLE BIBLE CLASSES? 1468 01:01:07,540 --> 01:01:08,559 EDUCATION DESTROYS THEIR 1469 01:01:08,583 --> 01:01:09,393 HAPPINESS, FANNY. 1470 01:01:09,417 --> 01:01:11,642 YOU MUST SEE THAT. 1471 01:01:11,666 --> 01:01:12,351 WHAT I SEE IS THEIR 1472 01:01:12,375 --> 01:01:13,642 HAPPINESS IS BASED ON IGNORANCE. 1473 01:01:13,666 --> 01:01:15,517 NO! YOU STILL DON'T 1474 01:01:15,541 --> 01:01:16,768 UNDERSTAND WHO THEY ARE! 1475 01:01:16,792 --> 01:01:18,185 THEY ARE A SIMPLE, 1476 01:01:18,209 --> 01:01:18,727 CONTENTED PEOPLE! 1477 01:01:18,751 --> 01:01:20,517 THEY WILL NEVER BE OUR EQUAL! 1478 01:01:20,541 --> 01:01:21,852 YET YOU EXTEND YOURSELF TO THEM 1479 01:01:21,876 --> 01:01:23,227 MORE THAN TO ME! WHY?! 1480 01:01:23,251 --> 01:01:24,517 I NEED YOU, FANNY! 1481 01:01:24,541 --> 01:01:26,019 THEY DON'T! 1482 01:01:26,043 --> 01:01:27,019 WHAT YOU NEED, PIERCE, 1483 01:01:27,043 --> 01:01:28,518 IS TO RULE ME. 1484 01:01:28,542 --> 01:01:30,561 I'VE NEVER UNDERSTOOD THAT. 1485 01:01:30,585 --> 01:01:31,602 DO YOU PERCEIVE THAT YOU ARE 1486 01:01:31,626 --> 01:01:33,353 BETTER THAN I, MORE ENLIGHTENED, 1487 01:01:33,377 --> 01:01:34,186 MORE INTELLECTUAL? 1488 01:01:34,210 --> 01:01:36,437 YOU ARE MY WIFE. 1489 01:01:36,461 --> 01:01:37,978 THE BIBLE CALLS UPON WIVES 1490 01:01:38,002 --> 01:01:39,519 TO SUBMIT TO THEIR HUSBANDS, 1491 01:01:39,543 --> 01:01:41,438 JUST AS IT CONDEMNS THE SONS 1492 01:01:41,462 --> 01:01:42,519 OF HAM TO SLAVERY. 1493 01:01:42,543 --> 01:01:43,687 OR DO YOUR SACRED OPINIONS 1494 01:01:43,711 --> 01:01:45,354 NOW SUPERSEDE THE WORD OF GOD?! 1495 01:01:45,378 --> 01:01:46,479 OH, WHEN DID YOU LAST 1496 01:01:46,503 --> 01:01:50,770 READ THE BIBLE? 1497 01:01:50,794 --> 01:01:52,397 I MISS YOU, TOO, PIERCE... 1498 01:01:52,421 --> 01:01:53,604 BUT THE MAN I FELL IN LOVE WITH 1499 01:01:53,628 --> 01:01:55,980 IS NOT THE MAN I MARRIED. 1500 01:01:56,004 --> 01:01:56,980 YOU SET THE RULES 1501 01:01:57,004 --> 01:01:58,480 OF COURTSHIP, FANNY. 1502 01:01:58,504 --> 01:01:59,980 YOU HELP UP A RED CAPE TO MEN, 1503 01:02:00,004 --> 01:02:01,355 DARING THEM TO CHARGE. 1504 01:02:01,379 --> 01:02:02,439 IF I WAS THE BULL YOU COULDN'T 1505 01:02:02,463 --> 01:02:05,189 IMPALE, I CAN'T BE BLAMED. 1506 01:02:05,213 --> 01:02:07,023 BUT I HAVE CHANGED SINCE THEN. 1507 01:02:07,047 --> 01:02:08,521 IF YOU WOULD ONLY SEE IT. 1508 01:02:08,545 --> 01:02:10,521 I FELL IN LOVE WITH YOU... 1509 01:02:10,545 --> 01:02:12,023 NOT THAT IT MATTERS A GOD DAMN. 1510 01:02:12,047 --> 01:02:13,398 LOVE DOESN'T DEMAND 1511 01:02:13,422 --> 01:02:15,399 OBEDIENCE, PIERCE. 1512 01:02:15,423 --> 01:02:17,648 YOU'RE NOT MY MASTER. 1513 01:02:17,672 --> 01:02:18,690 NO MATTER HOW MUCH YOU 1514 01:02:18,714 --> 01:02:19,606 RESTRICT ME, THAT TRUTH 1515 01:02:19,630 --> 01:02:21,465 WILL ALWAYS REMAIN. 1516 01:02:27,547 --> 01:02:28,523 YOU'VE CAST ME AS 1517 01:02:28,547 --> 01:02:29,649 THE VILLAIN, FANNY. 1518 01:02:29,673 --> 01:02:32,858 SO I WILL PLAY THE PART. 1519 01:02:32,882 --> 01:02:34,442 YOU AND THE CHILDREN WILL GO 1520 01:02:34,466 --> 01:02:36,275 TO PHILADELPHIA WHEN I SAY... 1521 01:02:36,299 --> 01:02:37,066 AND YOU WILL STOP WRITING 1522 01:02:37,090 --> 01:02:38,524 LETTERS TO ELIZABETH SEDGWICK 1523 01:02:38,548 --> 01:02:39,443 IMMEDIATELY! 1524 01:02:39,467 --> 01:02:40,650 AND DON'T GO INTO DARIEN ALONE 1525 01:02:40,674 --> 01:02:41,942 ANYMORE. 1526 01:02:41,966 --> 01:02:45,151 DON'T DO IT, FANNY. 1527 01:02:45,175 --> 01:02:48,524 NOT IF YOU VALUE YOUR LIFE. 1528 01:02:48,548 --> 01:02:49,548 AND HIS. 1529 01:02:55,176 --> 01:02:56,176 ( knock at door ) 1530 01:03:03,550 --> 01:03:04,526 I WANT YOU TO KEEP MY JOURNAL 1531 01:03:04,550 --> 01:03:07,486 FOR ME, PSYCHE. 1532 01:03:07,510 --> 01:03:09,526 YOU TRUST A NIGGER WITH THIS? 1533 01:03:09,550 --> 01:03:11,510 NO, I TRUST YOU WITH IT. 1534 01:03:23,594 --> 01:03:25,570 ♪♪ 1535 01:03:25,594 --> 01:03:27,595 ( people clapping and cheering ) 1536 01:03:34,429 --> 01:03:38,989 ( children laughing ) 1537 01:03:39,013 --> 01:03:40,529 WHAT IS THIS, MA'AM? 1538 01:03:40,553 --> 01:03:42,553 IT'S THE ANNUAL SLAVE BALL. 1539 01:04:11,555 --> 01:04:12,366 THE INFIRMARY 1540 01:04:12,390 --> 01:04:14,950 LOOKS WONDERFUL. 1541 01:04:14,974 --> 01:04:16,532 IT LOOKS MAGNIFICENT, SAM. 1542 01:04:16,556 --> 01:04:20,532 IT REALLY DOES. 1543 01:04:20,556 --> 01:04:23,325 I'D LIKE TO HAVE TWO MORE DOORS 1544 01:04:23,349 --> 01:04:24,325 IN CASE OF FIRE, 1545 01:04:24,349 --> 01:04:25,533 ONE ON EACH SIDE. 1546 01:04:25,557 --> 01:04:26,368 BE BETTER ONE BIG ONE 1547 01:04:26,392 --> 01:04:27,201 ON THE FRONT AND ONE IN BACK, 1548 01:04:27,225 --> 01:04:28,493 MISSUS, AWAY FROM THE FIREPLACES 1549 01:04:28,517 --> 01:04:29,533 AND STOVES. 1550 01:04:29,557 --> 01:04:30,533 YOU DO AS YOUR TOLD, 1551 01:04:30,557 --> 01:04:31,035 DAMN YOU! 1552 01:04:31,059 --> 01:04:35,533 YES, MASSA. 1553 01:04:35,557 --> 01:04:36,951 YOU ARE THEIR MISTRESS. 1554 01:04:36,976 --> 01:04:38,244 FOR GOD'S SAKE, ACT LIKE IT! 1555 01:04:38,268 --> 01:04:39,494 I AM NO MORE THEIR MISTRESS 1556 01:04:39,518 --> 01:04:40,534 THAN THEY ARE MINE. 1557 01:04:40,558 --> 01:04:42,036 YOUR OWNERSHIP OF THEM 1558 01:04:42,060 --> 01:04:43,494 IS A PERVERSION! 1559 01:04:43,518 --> 01:04:44,577 AND I WILL NOT SUPPORT IT 1560 01:04:44,601 --> 01:04:46,618 JUST BECAUSE I AM YOUR WIFE! 1561 01:04:46,642 --> 01:04:51,786 ( all gasp ) 1562 01:04:51,810 --> 01:04:54,269 ( groans ) 1563 01:05:20,812 --> 01:05:22,729 ARE YOU ALL RIGHT, MISSUS? 1564 01:05:29,646 --> 01:05:31,165 ( sighs ) 1565 01:05:31,189 --> 01:05:33,538 YOU'RE LUCKY TO BE ALIVE. 1566 01:05:33,562 --> 01:05:34,622 HUMILIATING YOUR HUSBAND 1567 01:05:34,646 --> 01:05:35,622 IN FRONT OF HIS SLAVES 1568 01:05:35,646 --> 01:05:38,790 IS AN INVITATION TO MURDER. 1569 01:05:38,814 --> 01:05:40,539 IT WOULD APPEAR YOU FORGOT 1570 01:05:40,563 --> 01:05:42,540 TO BE DISPASSIONATE. 1571 01:05:42,564 --> 01:05:44,458 WHAT DO YOU PLAN TO DO NOW? 1572 01:05:44,482 --> 01:05:47,291 I DON'T KNOW. 1573 01:05:47,315 --> 01:05:48,208 PIERCE AND I CAN 1574 01:05:48,232 --> 01:05:49,666 NEVER RECONCILE. 1575 01:05:49,690 --> 01:05:51,292 AND I SERIOUSLY DOUBT 1576 01:05:51,316 --> 01:05:52,375 MY ABILITY TO ALTER 1577 01:05:52,399 --> 01:05:56,125 THE SLAVE'S CIRCUMSTANCES. 1578 01:05:56,149 --> 01:05:58,083 PERHAPS IT'S TIME TO GO HOME. 1579 01:05:58,107 --> 01:06:03,541 YOU WOULD LEAVE PIERCE? 1580 01:06:03,565 --> 01:06:04,959 IF YOU DID, FANNY, YOU WOULDN'T 1581 01:06:04,983 --> 01:06:06,565 HAVE TO BE ALONE. 1582 01:06:13,567 --> 01:06:16,169 GO BACK TO BUTLER ISLAND. 1583 01:06:16,193 --> 01:06:19,835 MAKE PEACE WITH YOUR HUSBAND. 1584 01:06:19,859 --> 01:06:24,836 AS FOR THE SLAVES... 1585 01:06:24,860 --> 01:06:28,378 THERE IS SOMETHING YOU CAN DO, 1586 01:06:28,402 --> 01:06:28,961 IF YOU'RE READY TO STOP 1587 01:06:28,985 --> 01:06:31,627 PLAYING THE DILETTANTE. 1588 01:06:31,651 --> 01:06:34,170 AND I THINK YOU ARE. 1589 01:06:34,194 --> 01:06:36,254 HERE. 1590 01:06:36,278 --> 01:06:39,544 YOU'RE GONNA NEED IT. 1591 01:06:39,568 --> 01:06:41,652 AND SO AM I. 1592 01:06:51,071 --> 01:06:53,071 ( carriage approaching ) 1593 01:07:09,197 --> 01:07:11,923 ( sighs ) 1594 01:07:11,947 --> 01:07:16,547 PIERCE, I... 1595 01:07:16,571 --> 01:07:17,547 IT WAS UNCONSCIONABLE OF ME 1596 01:07:17,571 --> 01:07:19,673 TO SAY WHAT I SAID. 1597 01:07:19,697 --> 01:07:21,715 PLEASE FORGIVE ME. 1598 01:07:21,739 --> 01:07:22,547 AND FORGIVE ME 1599 01:07:22,571 --> 01:07:24,758 FOR STRIKING YOU, FANNY. 1600 01:07:24,782 --> 01:07:26,258 I'VE SPENT ALL NIGHT THINKING 1601 01:07:26,282 --> 01:07:27,615 I MIGHT NEVER SEE YOU AGAIN. 1602 01:07:47,076 --> 01:07:53,843 All: C-O-T-T-O-N. 1603 01:07:53,867 --> 01:07:54,843 COTTON. 1604 01:07:54,867 --> 01:07:57,052 THAT'S VERY GOOD. 1605 01:07:57,076 --> 01:07:58,260 NOW, YOUR ASSIGNMENT FOR NEXT 1606 01:07:58,284 --> 01:07:59,551 WEEK WILL BE TO MAKE UP A SHORT 1607 01:07:59,575 --> 01:08:00,552 SENTENCE AND COPY OUT 1608 01:08:00,576 --> 01:08:01,551 ALL THE WORDS. 1609 01:08:01,575 --> 01:08:03,551 THAT WILL BE ALL FOR TONIGHT. 1610 01:08:03,575 --> 01:08:06,243 All: THANK YOU. 1611 01:08:14,036 --> 01:08:15,512 PSYCHE, JOE, 1612 01:08:15,536 --> 01:08:17,411 WOULD YOU STAY A MOMENT? 1613 01:08:28,870 --> 01:08:30,013 DO YOU KNOW ABOUT THE 1614 01:08:30,037 --> 01:08:31,553 UNDERGROUND RAILROAD? 1615 01:08:31,577 --> 01:08:32,721 I--I HEARD SOMETHIN'. 1616 01:08:32,745 --> 01:08:36,056 DIDN'T PAY IT TOO MUCH MIND. 1617 01:08:36,080 --> 01:08:39,847 IT'S A WAY TO ESCAPE SLAVERY, 1618 01:08:39,871 --> 01:08:40,847 TO GET AWAY FROM THIS 1619 01:08:40,871 --> 01:08:42,431 PLANTATION, TO START A NEW LIFE, 1620 01:08:42,455 --> 01:08:43,014 TO BE FREE. 1621 01:08:43,038 --> 01:08:44,181 FREE? 1622 01:08:44,205 --> 01:08:46,223 WE SET ONE FOOT OFF BUTLER'S 1623 01:08:46,247 --> 01:08:47,057 ISLAND, THEM PATROLLERS 1624 01:08:47,081 --> 01:08:49,223 WILL GET US, JUST LIKE 1625 01:08:49,247 --> 01:08:50,182 THEY DID JOSIAH. 1626 01:08:50,206 --> 01:08:50,890 NO, THIS IS NOT 1627 01:08:50,914 --> 01:08:52,556 RUNNING OFF, PSYCHE. 1628 01:08:52,580 --> 01:08:54,223 AND IT'S NOT A REAL 1629 01:08:54,247 --> 01:08:55,848 RAILROAD EITHER. 1630 01:08:55,872 --> 01:08:57,515 THERE ARE SECRET ROUTES 1631 01:08:57,539 --> 01:08:58,599 WHICH YOU TRAVEL AT NIGHT 1632 01:08:58,623 --> 01:08:59,724 AND STATIONS ALONG THE WAY 1633 01:08:59,748 --> 01:09:00,640 WHERE PEOPLE WILL HIDE YOU 1634 01:09:00,664 --> 01:09:02,308 AND FEED YOU AND GET YOU SAFELY 1635 01:09:02,332 --> 01:09:03,556 TO THE NEXT STATION, ALL THE WAY 1636 01:09:03,580 --> 01:09:05,556 TO OHIO OR CANADA. 1637 01:09:05,580 --> 01:09:06,556 WHO ARE THESE PEOPLE 1638 01:09:06,580 --> 01:09:08,724 THAT HELP SLAVES? 1639 01:09:08,748 --> 01:09:11,184 I DON'T BELIEVE. 1640 01:09:11,208 --> 01:09:13,557 OH, THERE ARE PEOPLE, JOE... 1641 01:09:13,581 --> 01:09:14,975 BLACK AND WHITE, 1642 01:09:14,999 --> 01:09:17,267 BAPTIST AND QUAKER, 1643 01:09:17,291 --> 01:09:19,725 EX-SLAVES, RICH AND POOR, TRULY. 1644 01:09:19,749 --> 01:09:21,791 HOW DO YOU KNOW THIS? 1645 01:09:26,459 --> 01:09:29,393 DR. HUSTON. 1646 01:09:29,417 --> 01:09:30,558 HE'S BEEN A CONDUCTOR 1647 01:09:30,582 --> 01:09:33,351 ON THE RAILROAD FOR YEARS. 1648 01:09:33,375 --> 01:09:35,269 THERE'S A TRAIN LEAVING 1649 01:09:35,293 --> 01:09:36,559 ON MONDAY NIGHT FROM 1650 01:09:36,583 --> 01:09:38,727 OUTSIDE OF DARIEN. 1651 01:09:38,751 --> 01:09:40,478 IF YOU WANT TO GO, I CAN HELP 1652 01:09:40,502 --> 01:09:41,643 YOU AND YOUR CHILDREN. 1653 01:09:41,667 --> 01:09:43,227 THE LIMIT IS TEN, 1654 01:09:43,251 --> 01:09:45,043 SO FIVE OTHERS CAN GO, TOO. 1655 01:09:49,835 --> 01:09:51,560 I'VE DONE MANY THINGS WRONG 1656 01:09:51,584 --> 01:09:53,560 TRYING TO HELP, AND THIS IS 1657 01:09:53,584 --> 01:09:55,686 A RISK, BUT HUNDREDS OF SLAVES 1658 01:09:55,710 --> 01:09:56,686 HAVE ESCAPED THIS WAY 1659 01:09:56,710 --> 01:09:58,354 AND I THINK... 1660 01:09:58,378 --> 01:09:59,396 I THINK YOU SHOULD 1661 01:09:59,420 --> 01:10:00,585 TAKE THIS CHANCE. 1662 01:10:18,213 --> 01:10:21,190 HIDE 'EM IN FAN'S CRIB. 1663 01:10:21,214 --> 01:10:23,214 MASSA WON'T LOOK FOR 'EM THERE. 1664 01:10:39,507 --> 01:10:41,090 ( sighs ) 1665 01:11:17,592 --> 01:11:21,986 BRING 'EM ON IN, QUICKLY NOW. 1666 01:11:22,010 --> 01:11:23,320 COME ON, LET'S GO. 1667 01:11:23,344 --> 01:11:24,320 HURRY UP. 1668 01:11:24,344 --> 01:11:25,736 HURRY UP, COME ON. 1669 01:11:25,760 --> 01:11:27,528 COME ON, HURRY UP. 1670 01:11:27,552 --> 01:11:31,111 COME ON. 1671 01:11:31,135 --> 01:11:33,529 GET IN THE BARN. 1672 01:11:33,553 --> 01:11:34,779 HURRY UP. 1673 01:11:34,803 --> 01:11:36,029 COME ON. 1674 01:11:36,053 --> 01:11:39,237 COME ON. 1675 01:11:39,261 --> 01:11:42,569 COME ON, GET INSIDE, QUICKLY. 1676 01:11:42,593 --> 01:11:44,513 ALL RIGHT, COME ON IN. 1677 01:11:48,678 --> 01:11:49,780 I'M HELEN. 1678 01:11:49,804 --> 01:11:51,405 THIS IS SHADRACH. 1679 01:11:51,429 --> 01:11:52,780 HE'LL BE DRIVING THE PACKAGES 1680 01:11:52,804 --> 01:11:53,863 TO GRANGERVILLE TONIGHT 1681 01:11:53,887 --> 01:11:57,906 IN HIS WAGON. 1682 01:11:57,930 --> 01:11:59,448 YOU'RE NOT SLAVES ANYMORE. 1683 01:11:59,472 --> 01:12:02,114 YOU ARE FREE MEN. 1684 01:12:02,138 --> 01:12:03,114 HOLD THAT THOUGHT IN YOUR HEART 1685 01:12:03,138 --> 01:12:04,114 AND GOD WILL TAKE CARE 1686 01:12:04,138 --> 01:12:05,571 OF THE REST. 1687 01:12:05,595 --> 01:12:07,572 NOW, IT'S A LONG RIDE, 1688 01:12:07,596 --> 01:12:09,407 SO IF YOU WANNA HAVE SOME WATER, 1689 01:12:09,431 --> 01:12:11,596 YOU BETTER, THEN LOAD UP. 1690 01:12:17,306 --> 01:12:18,282 THIS IS MY FRIEND, 1691 01:12:18,306 --> 01:12:20,200 ELIZABETH SEDGWICK'S ADDRESS. 1692 01:12:20,224 --> 01:12:23,450 SHE'LL ALWAYS KNOW WHERE I AM. 1693 01:12:23,474 --> 01:12:25,033 WRITE TO ME WHEN 1694 01:12:25,057 --> 01:12:26,573 YOU'RE SAFE, PSYCHE. 1695 01:12:26,597 --> 01:12:30,158 PROMISE? 1696 01:12:30,182 --> 01:12:32,784 I PROMISE, MISS BUTLER. 1697 01:12:32,808 --> 01:12:35,742 AND I SWEAR, UNTIL I FORGET GOD 1698 01:12:35,766 --> 01:12:38,242 AND MY VERY OWN SELF, 1699 01:12:38,266 --> 01:12:41,575 I'LL NEVER FORGET YOU, 1700 01:12:41,599 --> 01:12:45,785 OR THE KINDNESS YOU'VE GIVEN. 1701 01:12:45,809 --> 01:12:51,910 I WAS WRONG ABOUT YOU. 1702 01:12:51,934 --> 01:12:54,017 YOU ARE MORE THAN YOUR WORDS. 1703 01:12:57,227 --> 01:12:58,453 IT'S SO HARD FOR ME 1704 01:12:58,477 --> 01:13:01,869 TO SEE YOU GO... 1705 01:13:01,893 --> 01:13:03,078 JUST WHEN I'VE COME 1706 01:13:03,102 --> 01:13:04,268 TO LOVE YOU BOTH. 1707 01:13:22,562 --> 01:13:23,538 ( pounding on door ) 1708 01:13:23,562 --> 01:13:24,578 Man: OPEN UP IN THERE! 1709 01:13:24,602 --> 01:13:26,205 OH! HIDE! HIDE! 1710 01:13:26,229 --> 01:13:28,579 COME HERE! 1711 01:13:28,603 --> 01:13:30,521 GO TO THE HAY! 1712 01:13:35,438 --> 01:13:36,579 QUICKLY! 1713 01:13:36,603 --> 01:13:37,456 LIE DOWN! 1714 01:13:37,480 --> 01:13:38,579 LIE DOWN IN THE HAY! 1715 01:13:38,603 --> 01:13:40,997 Man: OPEN UP IN THERE! 1716 01:13:41,021 --> 01:13:42,914 IT'S ALL RIGHT. 1717 01:13:42,939 --> 01:13:44,147 SHH. 1718 01:13:50,481 --> 01:13:52,290 WELL, EVENIN', GENTLEMEN. 1719 01:13:52,314 --> 01:13:54,207 WHAT CAN I DO FOR Y'ALL? 1720 01:13:54,231 --> 01:13:56,124 UM, UH, WE'RE LOOKIN' 1721 01:13:56,148 --> 01:13:57,541 FOR RUNAWAYS. 1722 01:13:57,565 --> 01:13:58,874 ( chuckles ) 1723 01:13:58,898 --> 01:14:00,874 AIN'T NO RUNAWAYS HERE 1724 01:14:00,898 --> 01:14:02,541 'CEPT ME AND, UH, 1725 01:14:02,565 --> 01:14:06,374 I'M KINDA BUSY AT THE MOMENT. 1726 01:14:06,398 --> 01:14:12,582 MIND LEAVIN' US BE? 1727 01:14:12,606 --> 01:14:14,917 ( laughs ) 1728 01:14:14,941 --> 01:14:18,209 Man: I THINK SHE LIKED YOU. 1729 01:14:18,233 --> 01:14:22,583 ALL CLEAR. 1730 01:14:22,607 --> 01:14:23,583 IT'S ALL RIGHT NOW. 1731 01:14:23,607 --> 01:14:24,793 COME ON. 1732 01:14:24,817 --> 01:14:26,502 HOW'D YOU DO THAT, MISSUS? 1733 01:14:26,526 --> 01:14:27,626 I WAS AN ACTRESS. 1734 01:14:27,650 --> 01:14:29,335 AND A GOOD ONE. 1735 01:14:29,359 --> 01:14:30,584 Helen: EVERYONE IN THE WAGON. 1736 01:14:30,608 --> 01:14:31,584 HURRY UP. 1737 01:14:31,608 --> 01:14:33,127 IT'S BEHIND THE BARN. 1738 01:14:33,151 --> 01:14:34,960 QUICKLY! QUICKLY! 1739 01:14:34,984 --> 01:14:36,252 NO, I WANNA GO BACK 1740 01:14:36,276 --> 01:14:36,668 WITH YOU, MISSUS! 1741 01:14:36,692 --> 01:14:37,584 YOU MUST GO, JACK! 1742 01:14:37,608 --> 01:14:38,584 YOU'LL BE SAFE, I PROMISE! 1743 01:14:38,608 --> 01:14:39,169 > NO! 1744 01:14:39,193 --> 01:14:39,835 THERE IS NO TIME FOR THIS! 1745 01:14:39,859 --> 01:14:40,877 THEY MAY BE BACK SOON! 1746 01:14:40,901 --> 01:14:42,169 NO! I AIN'T GOIN'! 1747 01:14:42,193 --> 01:14:46,585 I AIN'T GOIN'! 1748 01:14:46,609 --> 01:14:49,128 Fanny: GO! PSYCHE, JOE, GO! 1749 01:14:49,152 --> 01:14:51,585 PLEASE! 1750 01:14:51,609 --> 01:14:54,171 COME ON! COME ON! 1751 01:14:54,195 --> 01:14:56,153 STAY DOWN! 1752 01:15:01,820 --> 01:15:04,237 H'YAH! H'YAH! H'YAH! 1753 01:15:21,612 --> 01:15:22,780 WHOA THERE! 1754 01:15:31,031 --> 01:15:32,299 YOU SEEN ANY FUGITIVE SLAVES 1755 01:15:32,323 --> 01:15:33,589 RUNNIN' TONIGHT, SIR? 1756 01:15:33,613 --> 01:15:34,589 RUMOR IS A BUNCH OF 'EM 1757 01:15:34,613 --> 01:15:35,924 ESCAPED NEAR HERE. 1758 01:15:35,948 --> 01:15:37,257 I CAN'T SAY THAT I HAVE, 1759 01:15:37,281 --> 01:15:38,049 GENTLEMEN. 1760 01:15:38,073 --> 01:15:38,840 YOU MIND IF I LOOK 1761 01:15:38,864 --> 01:15:41,466 UNDER YOUR TARP, SIR? 1762 01:15:41,490 --> 01:15:42,590 Man: THERE'S ONE! 1763 01:15:42,614 --> 01:15:43,591 THERE HE GOES! 1764 01:15:43,615 --> 01:15:46,467 STOP, NIGGER! 1765 01:15:46,491 --> 01:15:47,590 ( gunshot ) 1766 01:15:47,614 --> 01:15:49,366 ( groans ) 1767 01:15:56,783 --> 01:15:57,759 DIDN'T KNOW THAT NIGGER 1768 01:15:57,783 --> 01:16:00,926 WAS BACK THERE. 1769 01:16:00,950 --> 01:16:02,384 TOO MANY DAMN RUNAWAYS 1770 01:16:02,408 --> 01:16:04,176 THESE DAYS. 1771 01:16:04,200 --> 01:16:07,592 ONE LESS NOW. 1772 01:16:07,616 --> 01:16:10,135 SORRY TO TROUBLE YOU, SIR. 1773 01:16:10,159 --> 01:16:10,951 H'YAH! 1774 01:16:26,494 --> 01:16:27,303 LET ME TAKE YOU 1775 01:16:27,327 --> 01:16:28,011 ALL THE WAY BACK. 1776 01:16:28,035 --> 01:16:32,637 NO, YOU MIGHT BE SEEN. 1777 01:16:32,661 --> 01:16:35,618 GOOD-BYE, DR. HUSTON. 1778 01:17:04,620 --> 01:17:06,349 TEN SLAVES ESCAPED 1779 01:17:06,373 --> 01:17:09,723 LAST NIGHT. 1780 01:17:09,747 --> 01:17:12,057 ONE WAS KILLED. 1781 01:17:12,081 --> 01:17:14,432 NO OTHER PLANTATION IN GEORGIA 1782 01:17:14,456 --> 01:17:17,100 TREATS ITS SLAVES BETTER. 1783 01:17:17,124 --> 01:17:20,141 IS THIS HOW YOU REPAY ME?! 1784 01:17:20,165 --> 01:17:22,641 THEN I WILL REPAY YOU IN KIND! 1785 01:17:22,665 --> 01:17:25,475 ONE OF YOU WILL RECEIVE 1786 01:17:25,499 --> 01:17:27,475 100 LASHES FOR ALL OF YA! 1787 01:17:27,499 --> 01:17:28,666 BRUTUS! 1788 01:17:42,459 --> 01:17:43,851 ( all scream ) 1789 01:17:43,875 --> 01:17:49,810 NO! NO! NO! NO! NO! 1790 01:17:49,834 --> 01:17:55,019 NO! NO! NO! NO! 1791 01:17:55,043 --> 01:17:56,019 MAMA? 1792 01:17:56,043 --> 01:17:59,394 NO! NO! NO! 1793 01:17:59,418 --> 01:18:00,269 MOVE 'EM BACK! 1794 01:18:00,293 --> 01:18:01,103 NO! 1795 01:18:01,127 --> 01:18:05,521 GET BACK! 1796 01:18:05,545 --> 01:18:07,104 ( grunts ) 1797 01:18:07,128 --> 01:18:08,229 GOD. 1798 01:18:08,253 --> 01:18:09,603 ( screams ) 1799 01:18:09,627 --> 01:18:11,312 YOU WILL WITNESS 1800 01:18:11,336 --> 01:18:13,437 EVERY SINGLE LASH! 1801 01:18:13,461 --> 01:18:14,770 ( screams ) 1802 01:18:14,794 --> 01:18:16,563 TELL ME, FANNY, 1803 01:18:16,587 --> 01:18:17,896 DID YOU FREE THEM FOR 1804 01:18:17,920 --> 01:18:19,480 THEIR SAKE OR TO HURT ME? 1805 01:18:19,504 --> 01:18:20,522 TELL ME THE TRUTH. 1806 01:18:20,546 --> 01:18:22,603 ( screams ) 1807 01:18:22,627 --> 01:18:25,105 NO! 1808 01:18:25,129 --> 01:18:26,729 ( screams ) 1809 01:18:26,753 --> 01:18:31,604 ( crying ) 1810 01:18:31,628 --> 01:18:33,604 ( screams ) 1811 01:18:33,628 --> 01:18:35,272 GOD DAMN YOU! 1812 01:18:35,296 --> 01:18:36,647 FANNY! 1813 01:18:36,671 --> 01:18:39,106 DON'T STOP, YOU IDIOT! 1814 01:18:39,130 --> 01:18:41,940 GET OFF HIM, FANNY! 1815 01:18:41,964 --> 01:18:43,440 GET OFF HIM, FANNY, 1816 01:18:43,464 --> 01:18:44,672 I'M WARNING YOU! 1817 01:18:49,131 --> 01:18:50,131 ( all gasp ) 1818 01:18:54,048 --> 01:18:55,024 ( screams ) 1819 01:18:55,048 --> 01:18:57,590 ( groans ) 1820 01:19:04,841 --> 01:19:10,400 THIS PUNISHMENT IS OVER. 1821 01:19:10,424 --> 01:19:13,631 ( sighs ) 1822 01:19:16,217 --> 01:19:21,734 ( crying ) 1823 01:19:21,758 --> 01:19:23,675 GOD FORGIVE US ALL. 1824 01:19:38,093 --> 01:19:39,195 I'LL BE BACK IN THE AUTUMN. 1825 01:19:39,219 --> 01:19:40,237 I PROMISE. 1826 01:19:40,261 --> 01:19:41,945 MASSA SAY YOU WON'T. 1827 01:19:41,969 --> 01:19:43,736 THAT MEAN YOU WON'T. 1828 01:19:43,760 --> 01:19:46,112 HE'S NOT MY MASSA, HARRIET. 1829 01:19:46,136 --> 01:19:47,653 OH, MISSUS, HE YOUR MASSA 1830 01:19:47,677 --> 01:19:49,634 AS MUCH AS HE IS OURS. 1831 01:20:13,636 --> 01:20:14,613 Man: THANKS FOR EVERYTHING. 1832 01:20:14,638 --> 01:20:17,305 ALL: BYE. 1833 01:20:38,599 --> 01:20:39,699 WHOA. 1834 01:20:39,723 --> 01:20:40,991 I PLEADED WITH PIERCE 1835 01:20:41,015 --> 01:20:42,615 TO GIVE ME A SEPARATION, 1836 01:20:42,639 --> 01:20:43,699 TO GO BACK TO ENGLAND 1837 01:20:43,723 --> 01:20:45,200 TO SUPPORT MYSELF BY RETURNING 1838 01:20:45,224 --> 01:20:45,699 TO THE STAGE. 1839 01:20:45,723 --> 01:20:47,534 HE'S OF COURSE REFUSED. 1840 01:20:47,558 --> 01:20:50,659 SAYS MY MIND IS DISEASED. 1841 01:20:50,683 --> 01:20:51,826 PERHAPS WE SHOULD NOT 1842 01:20:51,850 --> 01:20:52,826 STAY HERE WITH YOU, 1843 01:20:52,850 --> 01:20:53,742 UNDER THE CIRCUMSTANCES. 1844 01:20:53,766 --> 01:20:55,034 OH, FANNY, DO SIT. 1845 01:20:55,058 --> 01:20:56,616 YOU'RE MAKING ME ILL. 1846 01:20:56,640 --> 01:20:58,784 HAVE SOME OOLONG TEA. 1847 01:20:58,808 --> 01:21:00,617 PLEASE? 1848 01:21:00,641 --> 01:21:05,494 ( sighs ) 1849 01:21:05,518 --> 01:21:06,910 AS TO SEPARATIONS 1850 01:21:06,934 --> 01:21:08,660 AND OTHER MAJOR LIFE DECISIONS, 1851 01:21:08,684 --> 01:21:09,743 WHY DON'T YOU GIVE 1852 01:21:09,767 --> 01:21:11,369 YOURSELF SOME TIME? 1853 01:21:11,393 --> 01:21:14,161 AND OF COURSE YOU'LL STAY HERE. 1854 01:21:14,185 --> 01:21:14,994 HAVE YOU HEARD 1855 01:21:15,018 --> 01:21:16,411 FROM PSYCHE AND JOE? 1856 01:21:16,435 --> 01:21:18,828 YOU'VE ASKED ME THAT TWICE. 1857 01:21:18,852 --> 01:21:22,618 THE ANSWER'S STILL NO. 1858 01:21:22,642 --> 01:21:25,537 FANNY, I KNOW OF MANY MARRIAGES 1859 01:21:25,561 --> 01:21:26,619 BETWEEN INCOMPATIBLE PEOPLE 1860 01:21:26,643 --> 01:21:27,619 WHERE THEY HAVE FOUND 1861 01:21:27,643 --> 01:21:29,079 A SENSE OF HARMONY. 1862 01:21:29,103 --> 01:21:31,619 DON'T GIVE UP. 1863 01:21:31,643 --> 01:21:32,371 YOU MAY HAVE A DIFFERENT 1864 01:21:32,395 --> 01:21:33,329 OPINION OF PIERCE AFTER 1865 01:21:33,353 --> 01:21:35,703 READING THIS. 1866 01:21:35,727 --> 01:21:36,703 THEY'RE LETTERS I WROTE 1867 01:21:36,727 --> 01:21:39,205 BUT NEVER SENT. 1868 01:21:39,229 --> 01:21:40,996 ONE OF THE MAJOR ROUTES 1869 01:21:41,020 --> 01:21:42,247 OF THE UNDERGROUND RAILROAD 1870 01:21:42,271 --> 01:21:43,580 GOES UP THE DELAWARE RIVER. 1871 01:21:43,604 --> 01:21:45,620 MAYBE THEY CAME THAT WAY. 1872 01:21:45,644 --> 01:21:46,955 DO YOU PICK UP YOUR MAIL 1873 01:21:46,979 --> 01:21:47,620 OR DOES MARIA? 1874 01:21:47,644 --> 01:21:48,497 SHE--SHE MAY HAVE 1875 01:21:48,521 --> 01:21:49,205 MISPLACED A LETTER. 1876 01:21:49,229 --> 01:21:51,123 NO, SHE DIDN'T. 1877 01:21:51,147 --> 01:21:55,621 WHAT IS IT THAT YOU WANT, FANNY? 1878 01:21:55,645 --> 01:21:57,705 WHO ARE WE GOING TO SEE? 1879 01:21:57,729 --> 01:21:58,705 ( dog barks ) 1880 01:21:58,729 --> 01:22:00,872 ( both gasp ) 1881 01:22:00,896 --> 01:22:02,790 DAPHNE ALEXANDER. 1882 01:22:02,814 --> 01:22:04,207 DR. HUSTON TOLD ME 1883 01:22:04,231 --> 01:22:04,957 SHE WAS A CONDUCTOR 1884 01:22:04,981 --> 01:22:06,646 ON THE UNDERGROUND RAILROAD. 1885 01:22:11,523 --> 01:22:13,647 THIS IS A WAREHOUSE. 1886 01:22:19,647 --> 01:22:23,623 DAPHNE? 1887 01:22:23,647 --> 01:22:25,376 THAT'S ME. 1888 01:22:25,400 --> 01:22:27,584 I'M MRS. FANNY-- 1889 01:22:27,608 --> 01:22:28,792 I KNOW WHO YOU ARE. 1890 01:22:28,816 --> 01:22:30,334 YOU'S THAT WHITE WOMAN 1891 01:22:30,358 --> 01:22:32,376 GOT OWEN STIFF NECK PARKER 1892 01:22:32,400 --> 01:22:33,459 TO PUT DOWN A WOOD FLOOR 1893 01:22:33,483 --> 01:22:35,376 IN THE BUTLER ISLAND INFIRMARY. 1894 01:22:35,400 --> 01:22:36,624 YOU'S FAMOUS ON 1895 01:22:36,648 --> 01:22:38,168 THE RAILROAD, HONEY. 1896 01:22:38,192 --> 01:22:39,502 WASN'T YOU A ACTRESS 1897 01:22:39,526 --> 01:22:40,502 OR SOMETHING SILLY 1898 01:22:40,526 --> 01:22:41,709 LIKE THAT BEFORE? 1899 01:22:41,733 --> 01:22:42,793 WELL, YES, I WAS-- 1900 01:22:42,817 --> 01:22:44,625 I WAS A BUTLER ISLAND SLAVE 1901 01:22:44,649 --> 01:22:45,625 MYSELF ONCE. 1902 01:22:45,649 --> 01:22:46,625 GOT OUT BEFORE THERE 1903 01:22:46,649 --> 01:22:48,001 EVEN WAS THE RAILROAD. 1904 01:22:48,025 --> 01:22:49,419 WELL, DON'T JUST STAND THERE. 1905 01:22:49,443 --> 01:22:50,110 COME ON IN, COME ON. 1906 01:22:57,650 --> 01:22:59,128 ALL RIGHT NOW, 1907 01:22:59,152 --> 01:23:00,710 COME ON OVER HERE. 1908 01:23:00,734 --> 01:23:02,170 NOW YOU SEE WHERE YOUR MAMA IS? 1909 01:23:02,194 --> 01:23:02,878 GO SEE YOUR MAMA. 1910 01:23:02,902 --> 01:23:03,627 GO AHEAD. 1911 01:23:03,651 --> 01:23:04,795 YES, MA'AM. 1912 01:23:04,819 --> 01:23:07,003 ( sighs ) 1913 01:23:07,027 --> 01:23:08,711 UM, YOU KNOW WHO 1914 01:23:08,735 --> 01:23:10,627 WILLIAM LLOYD GARRISON IS? 1915 01:23:10,651 --> 01:23:12,504 YES, HE WAS THE-- 1916 01:23:12,528 --> 01:23:14,296 WHO YOU ANYWAY? 1917 01:23:14,320 --> 01:23:15,629 THIS IS MY DEAR FRIEND 1918 01:23:15,653 --> 01:23:17,380 ELIZABETH SEDGWICK. 1919 01:23:17,404 --> 01:23:19,628 OH. WELL, AIN'T NO WHITE MAN 1920 01:23:19,652 --> 01:23:21,046 EVER BEEN A BETTER CHAMPION 1921 01:23:21,070 --> 01:23:22,338 OF THE NEGRO THAN 1922 01:23:22,362 --> 01:23:23,505 WILLIAM LLOYD GARRISON. 1923 01:23:23,529 --> 01:23:24,505 AND HE STOOD RIGHT 1924 01:23:24,530 --> 01:23:25,755 WHERE YOU STANDIN'. 1925 01:23:25,779 --> 01:23:27,629 AND HE CONGRATULATED ME 1926 01:23:27,653 --> 01:23:28,464 ON MY WORK. 1927 01:23:28,488 --> 01:23:33,630 NOW, WHY YOU TWO STANDIN' HERE? 1928 01:23:33,654 --> 01:23:34,755 I WAS HOPING YOU MIGHT 1929 01:23:34,779 --> 01:23:36,714 REMEMBER MEETING A COUPLE. 1930 01:23:36,738 --> 01:23:37,965 PSYCHE AND JOE 1931 01:23:37,989 --> 01:23:39,173 AND THEIR THREE CHILDREN? 1932 01:23:39,197 --> 01:23:42,590 PSYCHE? 1933 01:23:42,614 --> 01:23:45,006 NO. NO, I REMEMBER ALMOST 1934 01:23:45,030 --> 01:23:46,298 EVERY NAME, BUT AIN'T NO 1935 01:23:46,322 --> 01:23:48,006 PSYCHE COME THROUGH HERE. 1936 01:23:48,030 --> 01:23:49,841 DR. HUSTON TOLD ME ABOUT-- 1937 01:23:49,865 --> 01:23:51,383 HE TELL YOU THAT PRO-SLAVE 1938 01:23:51,407 --> 01:23:53,591 DEVILS SET FIRE TO OUR STATION? 1939 01:23:53,615 --> 01:23:55,091 TWO LITTLE GIRLS 1940 01:23:55,115 --> 01:23:56,631 GOT BURNED ALIVE-- 1941 01:23:56,655 --> 01:23:58,882 MAKE IT MURDER! 1942 01:23:58,906 --> 01:24:00,551 BUT THE LAW DON'T MEAN NOTHIN' 1943 01:24:00,575 --> 01:24:01,632 'CEPT LAWS AGAINST 1944 01:24:01,656 --> 01:24:02,632 THE FUGITIVE SLAVES. 1945 01:24:02,656 --> 01:24:06,384 NOW ALL WE GOT IS THIS PLACE. 1946 01:24:06,408 --> 01:24:08,092 IT RAINS, WE GOT WATER 1947 01:24:08,116 --> 01:24:12,009 UP TO OUR ANKLES. 1948 01:24:12,033 --> 01:24:13,968 I'M SORRY. 1949 01:24:13,992 --> 01:24:18,301 SORRY I COULDN'T HELP YA. 1950 01:24:18,325 --> 01:24:20,426 CAN... 1951 01:24:20,450 --> 01:24:22,260 CAN I HELP IN SOME WAY? 1952 01:24:22,284 --> 01:24:24,177 WELL, AIN'T MANY 1953 01:24:24,201 --> 01:24:25,344 PATRICIANS LIKE YOU 1954 01:24:25,368 --> 01:24:27,219 WANT TO HELP. 1955 01:24:27,243 --> 01:24:29,718 I DON'T KNOW IF I TRUST THAT. 1956 01:24:29,742 --> 01:24:32,386 I DON'T KNOW. 1957 01:24:32,410 --> 01:24:34,010 ( laughs ) 1958 01:24:34,034 --> 01:24:37,595 OF COURSE YOU CAN HELP, HONEY! 1959 01:24:37,619 --> 01:24:39,635 THAT'S WHY YOU'VE COME! 1960 01:24:39,659 --> 01:24:40,635 ( laughs ) 1961 01:24:40,659 --> 01:24:42,345 COME ON, LET ME INTRODUCE YOU 1962 01:24:42,369 --> 01:24:44,595 WHITE LADIES AROUND. 1963 01:24:44,619 --> 01:24:45,095 OH, PIERCE WON'T 1964 01:24:45,119 --> 01:24:46,595 PUT UP WITH THIS, FANNY. 1965 01:24:46,619 --> 01:24:47,929 HE WON'T KNOW ABOUT IT. 1966 01:24:47,953 --> 01:24:49,471 OH, REALLY? 1967 01:24:49,495 --> 01:24:50,388 AND HOW ARE YOU GOING 1968 01:24:50,412 --> 01:24:50,887 TO MANAGE THAT? 1969 01:24:50,911 --> 01:24:52,636 HARMONY. 1970 01:24:52,660 --> 01:24:54,304 YOUR PHRASE. 1971 01:24:54,328 --> 01:24:55,304 I'LL BE MORE OBEDIENT 1972 01:24:55,328 --> 01:24:56,304 AND AGREEABLE, THE WIFE 1973 01:24:56,328 --> 01:24:57,346 HE WANTS ME TO BE. 1974 01:24:57,370 --> 01:24:58,429 IN OTHER WORDS, YOU'RE GOING 1975 01:24:58,453 --> 01:25:00,347 TO DECEIVE HIM INTO THINKING 1976 01:25:00,371 --> 01:25:01,514 THAT ALL IS WELL WHILE YOU 1977 01:25:01,538 --> 01:25:02,680 COMMIT MATRIMONIAL HERESY 1978 01:25:02,704 --> 01:25:04,805 BEHIND HIS BACK? 1979 01:25:04,829 --> 01:25:05,637 I'M AN ACTRESS. 1980 01:25:05,661 --> 01:25:07,180 HE'LL NEVER KNOW. 1981 01:25:07,204 --> 01:25:09,637 YOU HATED ACTING, FANNY, 1982 01:25:09,661 --> 01:25:12,056 BECAUSE IT WASN'T TRUTHFUL. 1983 01:25:12,080 --> 01:25:13,638 THIS IS A LIE THAT WOULD 1984 01:25:13,662 --> 01:25:18,306 WOUND PIERCE TERRIBLY. 1985 01:25:18,330 --> 01:25:19,515 YOU DON'T HAVE TO BE 1986 01:25:19,539 --> 01:25:20,848 INVOLVED, ELIZABETH. 1987 01:25:20,872 --> 01:25:23,640 YES, I DO. 1988 01:25:23,664 --> 01:25:25,582 I READ YOUR JOURNAL. 1989 01:25:29,747 --> 01:25:30,474 CAN'T STAY WITH 1990 01:25:30,498 --> 01:25:31,099 ELIZABETH FOREVER. 1991 01:25:31,123 --> 01:25:32,141 AND SINCE YOU'VE MADE IT CLEAR 1992 01:25:32,165 --> 01:25:33,182 HOW MUCH YOU DESPISE BUTLER 1993 01:25:33,206 --> 01:25:34,057 PLACE, WE'LL HAVE TO FIND 1994 01:25:34,081 --> 01:25:34,807 SOMETHING ELSE. 1995 01:25:34,831 --> 01:25:35,640 I'LL START LOOKING FOR 1996 01:25:35,664 --> 01:25:36,975 A HOUSE TO RENT IF YOU LIKE. 1997 01:25:36,999 --> 01:25:37,975 YOU WON'T HAVE TIME FOR IT, 1998 01:25:37,999 --> 01:25:39,517 I'M SURE. 1999 01:25:39,541 --> 01:25:40,433 THERE IS ANOTHER MATTER 2000 01:25:40,457 --> 01:25:42,267 I WANTED TO ASK YOU ABOUT. 2001 01:25:42,291 --> 01:25:43,640 THE PHILADELPHIA SOCIETY'S 2002 01:25:43,664 --> 01:25:44,640 ASKED ME TO DO THEATRICAL 2003 01:25:44,664 --> 01:25:47,268 READINGS FOR VARIOUS HOSPITALS, 2004 01:25:47,292 --> 01:25:48,641 FOR CHARITY. 2005 01:25:48,665 --> 01:25:49,892 THEY WOULD MOSTLY BE 2006 01:25:49,916 --> 01:25:50,641 IN THE EVENINGS. 2007 01:25:50,665 --> 01:25:51,143 READINGS? 2008 01:25:51,167 --> 01:25:52,351 NO, FANNY. 2009 01:25:52,375 --> 01:25:53,641 I WON'T HAVE MY WIFE 2010 01:25:53,665 --> 01:25:54,642 DISPLAYING HERSELF IN PUBLIC 2011 01:25:54,666 --> 01:25:57,101 SHOW, CHARITY OR NOT. 2012 01:25:57,125 --> 01:25:58,309 IT IS UNSEEMLY AND 2013 01:25:58,333 --> 01:25:59,144 ENTIRELY UNNECESSARY. 2014 01:25:59,168 --> 01:25:59,935 I'M SURE THEY'LL FIND 2015 01:25:59,959 --> 01:26:00,561 SOMEONE ELSE. 2016 01:26:00,585 --> 01:26:06,352 I'LL POLITELY DECLINE. 2017 01:26:06,376 --> 01:26:08,519 YOU, UH, MIGHT WANT 2018 01:26:08,543 --> 01:26:10,269 TO TAKE THIS. 2019 01:26:10,293 --> 01:26:11,335 IT COULD RAIN. 2020 01:26:21,377 --> 01:26:23,644 THEATRICAL READINGS? 2021 01:26:23,668 --> 01:26:24,645 I NEED TO TELL HIM 2022 01:26:24,669 --> 01:26:26,020 WHERE I'LL BE AT NIGHT. 2023 01:26:26,044 --> 01:26:27,396 BUT HE SAID NO. 2024 01:26:27,420 --> 01:26:28,312 WELL, HE HASN'T HAD 2025 01:26:28,336 --> 01:26:30,687 ANY REASON TO SAY YES, YET. 2026 01:26:30,711 --> 01:26:33,668 YOU ARE SHAMELESS. 2027 01:27:00,922 --> 01:27:02,214 FANNY? 2028 01:27:26,258 --> 01:27:28,341 ( moans ) 2029 01:27:33,633 --> 01:27:34,634 YOUR JUICE, SIR. 2030 01:27:37,674 --> 01:27:38,650 WHY DON'T I TAKE 2031 01:27:38,674 --> 01:27:39,860 THE DAY OFF ON FRIDAY? 2032 01:27:39,884 --> 01:27:40,569 WE COULD HAVE A PICNIC 2033 01:27:40,593 --> 01:27:40,943 ON HORSEBACK. 2034 01:27:40,967 --> 01:27:43,650 THE GIRLS, TOO. 2035 01:27:43,674 --> 01:27:45,651 SOUNDS LOVELY. 2036 01:27:45,675 --> 01:27:48,777 I'LL MAKE THE ARRANGEMENTS. 2037 01:27:48,801 --> 01:27:50,069 I'VE BEEN THINKING ABOUT 2038 01:27:50,093 --> 01:27:52,027 THOSE READINGS YOU WANTED TO DO. 2039 01:27:52,051 --> 01:27:54,652 YOU SAY THEY'RE FOR CHARITY? 2040 01:27:54,676 --> 01:27:55,819 MM. 2041 01:27:55,843 --> 01:27:57,403 THEN WHY DON'T YOU DO THEM. 2042 01:27:57,427 --> 01:27:58,652 I DON'T SEE THE HARM. 2043 01:27:58,676 --> 01:28:02,154 AND IT MIGHT BE GOOD FOR YOU. 2044 01:28:02,178 --> 01:28:04,987 THEN I WILL. 2045 01:28:05,011 --> 01:28:07,676 THANK YOU, PIERCE, VERY MUCH. 2046 01:28:16,304 --> 01:28:19,321 ( baby crying ) 2047 01:28:19,345 --> 01:28:22,864 GIVE ME ANOTHER SHEET. 2048 01:28:22,888 --> 01:28:24,654 ALL RIGHT. 2049 01:28:24,678 --> 01:28:27,388 ( crying continues ) 2050 01:28:32,888 --> 01:28:34,615 YOU SURE YOU KNOW HOW 2051 01:28:34,639 --> 01:28:35,656 TO FIX A BROKE ARM? 2052 01:28:35,680 --> 01:28:36,948 DID YOU THINK I ONLY KNOW 2053 01:28:36,972 --> 01:28:38,073 HOW TO POUR TEA? 2054 01:28:38,097 --> 01:28:40,323 OH, AIN'T WE GOT SOME CHEEK. 2055 01:28:40,347 --> 01:28:42,655 ( chuckles ) 2056 01:28:42,679 --> 01:28:44,991 WE CAN'T BE IN 2057 01:28:45,015 --> 01:28:46,616 THIS WATER HOLE COME WINTER. 2058 01:28:46,640 --> 01:28:48,032 THESE BRAVE SOULS 2059 01:28:48,056 --> 01:28:49,533 NEED AN ISLAND OF COMFORT 2060 01:28:49,557 --> 01:28:50,824 ON THEIR DANGEROUS JOURNEY, 2061 01:28:50,848 --> 01:28:52,848 NOT A ANTE-ROOM OF HELL. 2062 01:29:15,766 --> 01:29:19,451 IT'S BEAUTIFUL. 2063 01:29:19,475 --> 01:29:20,743 I WANNA SEE THE UPSTAIRS. 2064 01:29:20,767 --> 01:29:21,659 I CANNOT BELIEVE 2065 01:29:21,683 --> 01:29:25,743 YOU'VE DONE THIS. 2066 01:29:25,767 --> 01:29:27,952 YOU'VE DONE IT, FANNY. 2067 01:29:27,976 --> 01:29:29,161 YOU'VE MADE A GREAT EFFORT 2068 01:29:29,185 --> 01:29:29,659 TO CHANGE. 2069 01:29:29,683 --> 01:29:31,578 THIS IS THE LEAST I CAN DO. 2070 01:29:31,602 --> 01:29:32,660 I KNOW YOU GET HOMESICK 2071 01:29:32,684 --> 01:29:33,579 FOR ENGLAND. 2072 01:29:33,603 --> 01:29:36,328 BUT WE CAN BRING ENGLAND HERE. 2073 01:29:36,352 --> 01:29:37,661 YOUR FAMILY, YOUR FRIENDS, 2074 01:29:37,685 --> 01:29:38,660 EVERYONE. 2075 01:29:38,684 --> 01:29:39,412 WE CAN HAVE BALLS, 2076 01:29:39,436 --> 01:29:40,078 GRAND DINNERS, EVERYTHING, 2077 01:29:40,102 --> 01:29:41,660 RIGHT HERE IN OUR OWN HOME. 2078 01:29:41,684 --> 01:29:42,703 AND YOU HAVE A WRITING ROOM 2079 01:29:42,727 --> 01:29:48,538 WITH A VIEW OF THE WHOLE CITY. 2080 01:29:48,562 --> 01:29:50,413 I LOVE YOU, FANNY. 2081 01:29:50,437 --> 01:29:51,769 I'VE NEVER STOPPED. 2082 01:30:03,354 --> 01:30:04,913 THERE ARE 11 ROOMS, 2083 01:30:04,937 --> 01:30:05,955 8 WITH FIREPLACES, 2084 01:30:05,979 --> 01:30:07,289 AND PLENTY OF BEDS. 2085 01:30:07,313 --> 01:30:09,747 THE KITCHEN'S WELL-EQUIPPED. 2086 01:30:09,771 --> 01:30:10,663 WE'RE FOUR MILES FROM THE RIVER, 2087 01:30:10,687 --> 01:30:11,290 BUT THAT MIGHT MAKE IT 2088 01:30:11,314 --> 01:30:13,039 SAFER AS A STATION, ESPECIALLY 2089 01:30:13,063 --> 01:30:14,331 FOR FUGITIVES WHO ARE SICK 2090 01:30:14,355 --> 01:30:16,998 AND NEED TIME TO RECOVER. 2091 01:30:17,022 --> 01:30:17,664 THERE ARE NO OTHER HOUSES 2092 01:30:17,688 --> 01:30:18,415 FOR MILES AND NO ONE 2093 01:30:18,439 --> 01:30:19,789 EVER COMES BY HERE. 2094 01:30:19,813 --> 01:30:20,664 IT'S PERFECT! 2095 01:30:20,688 --> 01:30:23,082 PRAISE THE LORD! 2096 01:30:23,106 --> 01:30:25,040 AND YOU, TOO, HONEY. 2097 01:30:25,064 --> 01:30:26,040 WOULD YOU JUST WAIT 2098 01:30:26,064 --> 01:30:27,541 JUST A MINUTE? 2099 01:30:27,565 --> 01:30:28,915 WHAT IF PIERCE COMES 2100 01:30:28,939 --> 01:30:29,664 HERE TO VISIT? 2101 01:30:29,688 --> 01:30:30,664 I MEAN, THIS IS HIS 2102 01:30:30,688 --> 01:30:32,083 CHILDHOOD HOME. 2103 01:30:32,107 --> 01:30:32,958 HE WON'T. 2104 01:30:32,982 --> 01:30:33,833 HE'S TOTALLY CONSUMED 2105 01:30:33,857 --> 01:30:35,125 WITH THE NEW HOUSE. 2106 01:30:35,149 --> 01:30:36,208 BESIDES, I TOLD HIM 2107 01:30:36,232 --> 01:30:37,399 I HATED IT HERE. 2108 01:30:39,689 --> 01:30:41,689 ( baby cooing ) 2109 01:30:47,108 --> 01:30:47,834 WILL YOU TAKE HIM 2110 01:30:47,858 --> 01:30:48,941 TO HIS MOTHER? 2111 01:30:55,691 --> 01:30:57,419 DO YOU FEEL MORE WILL COME? 2112 01:30:57,443 --> 01:30:58,627 OH, THEY'LL COME, 2113 01:30:58,651 --> 01:31:00,502 MISS BUTLER, MORE AND MORE 2114 01:31:00,526 --> 01:31:01,294 EVERY WEEK. 2115 01:31:01,318 --> 01:31:02,377 DON'T YOU WORRY, 2116 01:31:02,401 --> 01:31:03,127 THEY'LL COME. 2117 01:31:03,151 --> 01:31:04,335 MISS BUTLER? 2118 01:31:04,359 --> 01:31:05,544 MISS BUTLER! 2119 01:31:05,568 --> 01:31:07,668 IS THAT YOU, MISS BUTLER?! 2120 01:31:07,692 --> 01:31:11,170 OH, YOU GOT OUT? 2121 01:31:11,194 --> 01:31:13,752 YES'M, I DID. 2122 01:31:13,776 --> 01:31:14,752 THANKS TO YOU. 2123 01:31:14,776 --> 01:31:16,420 THAT DAY WHEN I FELT YOUR ARMS 2124 01:31:16,444 --> 01:31:17,919 COME 'ROUND ME, I THOUGHT 2125 01:31:17,943 --> 01:31:19,128 IT WAS GOD HISSELF. 2126 01:31:19,152 --> 01:31:21,669 TRULY I DID. 2127 01:31:21,693 --> 01:31:23,546 AND 100 LASHES KILLS A MAN. 2128 01:31:23,570 --> 01:31:24,920 I OWE MY LIFE TO YOU, 2129 01:31:24,944 --> 01:31:27,669 MISS BUTLER. 2130 01:31:27,693 --> 01:31:30,045 I'M SO HAPPY TO SEE YOU. 2131 01:31:30,069 --> 01:31:31,338 HOW DID YOU GET OUT? 2132 01:31:31,362 --> 01:31:33,088 DID DR. HUSTON HELP YOU? 2133 01:31:33,112 --> 01:31:34,255 HE DID, MISSUS. 2134 01:31:34,279 --> 01:31:36,088 AFTER YOU LEFT, HE GOT A LOT OF 2135 01:31:36,112 --> 01:31:38,630 SLAVES OUT FOR 50 MILES 'ROUND. 2136 01:31:38,654 --> 01:31:42,796 BUT THE OWNERS... 2137 01:31:42,820 --> 01:31:46,672 I GUESS THE FOUND OUT ABOUT HIM. 2138 01:31:46,696 --> 01:31:49,839 THEY SHOT HIM IN HIS BED. 2139 01:31:49,863 --> 01:31:53,423 HE HAD 32 BULLET HOLES IN HIM. 2140 01:31:53,447 --> 01:31:55,424 HE WAS POWERFUL FOND OF YOU, 2141 01:31:55,448 --> 01:31:57,549 MISS BUTLER. 2142 01:31:57,573 --> 01:31:59,048 HE SAID SO. 2143 01:31:59,072 --> 01:32:01,672 I'M AWFUL SORRY ABOUT IT. 2144 01:32:01,696 --> 01:32:03,507 ( crying ) 2145 01:32:03,531 --> 01:32:05,672 YOUNG MAN, YOU BEST 2146 01:32:05,696 --> 01:32:06,799 HAVE SOMETHING TO EAT. 2147 01:32:06,823 --> 01:32:09,300 COME ON. 2148 01:32:09,324 --> 01:32:11,673 I'M SORRY. 2149 01:32:11,697 --> 01:32:14,300 OH, GOD! 2150 01:32:14,324 --> 01:32:16,407 ( continues crying ) 2151 01:33:09,703 --> 01:33:11,721 "THAT VERY TIME I SAW 2152 01:33:11,745 --> 01:33:12,929 BUT THOU COULDST NOT, 2153 01:33:12,953 --> 01:33:14,762 FLYING BETWEEN THE COLD MOON 2154 01:33:14,786 --> 01:33:18,431 AND THE EARTH, CUPID, ALL ARMED. 2155 01:33:18,455 --> 01:33:20,264 A CERTAIN AIM HE TOOK AT 2156 01:33:20,288 --> 01:33:21,306 A FAIR VESTAL THRONED 2157 01:33:21,330 --> 01:33:22,222 BY THE WEST--" 2158 01:33:22,246 --> 01:33:23,930 IS CUPID REAL, MOTHER? 2159 01:33:23,954 --> 01:33:24,930 IF HE SHOOTS YOU, 2160 01:33:24,954 --> 01:33:26,722 YOU'LL SWEAR HE IS. 2161 01:33:26,746 --> 01:33:27,763 PAPA! 2162 01:33:27,787 --> 01:33:29,639 HELLO, SUGAR. MWA. 2163 01:33:29,663 --> 01:33:30,723 I'M GOING TO BE 2164 01:33:30,747 --> 01:33:32,931 AN ACTRESS, PAPA. 2165 01:33:32,955 --> 01:33:35,307 I DIDN'T SAY A WORD. 2166 01:33:35,331 --> 01:33:36,307 WELL, ACTRESSES HAVE 2167 01:33:36,331 --> 01:33:37,473 TO WORK AT NIGHT, SARAH, AND 2168 01:33:37,497 --> 01:33:39,806 I KNOW HOW YOU LIKE TO SLEEP. 2169 01:33:39,830 --> 01:33:42,349 IN FACT, I WAS ASLEEP WHEN YOUR 2170 01:33:42,373 --> 01:33:44,391 MOTHER CAME HOME LAST NIGHT. 2171 01:33:44,415 --> 01:33:47,057 DID THE READING GO ON THAT LONG? 2172 01:33:47,081 --> 01:33:48,681 NO, IT DIDN'T, 2173 01:33:48,705 --> 01:33:50,681 BUT COMING HOME TOOK FOREVER. 2174 01:33:50,705 --> 01:33:53,141 THE AXLE ON THE CAB BROKE. 2175 01:33:53,165 --> 01:33:54,682 SO WE HAD TO WALK ABOUT 2176 01:33:54,706 --> 01:33:57,058 HALF A MILE, MOSTLY THROUGH MUD, 2177 01:33:57,082 --> 01:33:58,142 TILL WE CAME TO A FARMHOUSE 2178 01:33:58,166 --> 01:33:59,682 WHERE WE HAD TO WAKE THE OWNER 2179 01:33:59,706 --> 01:34:00,601 AND HE BROUGHT US HOME 2180 01:34:00,625 --> 01:34:02,184 IN A BUCKBOARD. 2181 01:34:02,208 --> 01:34:03,559 I HAD TO DO HALF THE READING 2182 01:34:03,583 --> 01:34:04,475 AGAIN JUST FOR HIM. 2183 01:34:04,499 --> 01:34:09,310 ( chuckles ) 2184 01:34:09,334 --> 01:34:11,726 I LOVE YOU, FANNY. 2185 01:34:11,750 --> 01:34:12,726 AND I THINK SARAH 2186 01:34:12,750 --> 01:34:15,958 WOULD MAKE A LOVELY ACTRESS. 2187 01:34:20,168 --> 01:34:20,852 I DON'T KNOW WHAT HE KNOWS 2188 01:34:20,876 --> 01:34:21,684 OR SUSPECTS. 2189 01:34:21,708 --> 01:34:22,684 YOU HAVE TO SUSPEND 2190 01:34:22,708 --> 01:34:23,810 YOUR ACTIVITIES FOR A WHILE, 2191 01:34:23,834 --> 01:34:24,894 FANNY, REALLY. 2192 01:34:24,918 --> 01:34:26,477 I'LL GO IN YOUR PLACE. 2193 01:34:26,501 --> 01:34:28,394 I WILL AFTER TONIGHT. 2194 01:34:28,418 --> 01:34:29,936 HE'S IN NEW YORK. 2195 01:34:29,960 --> 01:34:35,936 HERE. 2196 01:34:35,960 --> 01:34:37,270 WHAT HAPPENED? 2197 01:34:37,294 --> 01:34:38,228 THE WAGON WAS ATTACKED 2198 01:34:38,252 --> 01:34:39,187 NOT FAR FROM HERE. 2199 01:34:39,211 --> 01:34:40,395 SCHOOLBOYS WITH KNIVES 2200 01:34:40,419 --> 01:34:41,438 AND BUCKSHOT. 2201 01:34:41,462 --> 01:34:42,438 THEY KILLED THE CONDUCTOR 2202 01:34:42,462 --> 01:34:43,686 AND WOUNDED A WHOLE BUNCH ELSE. 2203 01:34:43,710 --> 01:34:44,687 ( groans ) 2204 01:34:44,711 --> 01:34:46,313 DAMN PRO-SLAVERS. 2205 01:34:46,337 --> 01:34:47,812 MAY THEY ALL BURN IN HELL! 2206 01:34:47,836 --> 01:34:50,711 RIDER COMIN'! 2207 01:34:58,711 --> 01:35:03,022 PIERCE! 2208 01:35:03,046 --> 01:35:07,440 WHAT IS THIS? 2209 01:35:07,464 --> 01:35:09,315 GET THESE GOD DAMN NIGGERS 2210 01:35:09,339 --> 01:35:10,273 OUT OF HERE! 2211 01:35:10,297 --> 01:35:10,731 THEY'LL BE GONE 2212 01:35:10,755 --> 01:35:11,814 IN THE MORNING. 2213 01:35:11,838 --> 01:35:12,689 SOME OF THEM ARE WOUNDED 2214 01:35:12,713 --> 01:35:13,712 AND NEED CARE. 2215 01:35:21,673 --> 01:35:25,689 ( grunts ) 2216 01:35:25,713 --> 01:35:28,441 THIS IS MY HOUSE! 2217 01:35:28,465 --> 01:35:30,025 YOU GET OUT! 2218 01:35:30,049 --> 01:35:31,690 I ORDER YOU TO GET OUT OF HERE! 2219 01:35:31,714 --> 01:35:33,108 THIS IS YOUR HOUSE, 2220 01:35:33,132 --> 01:35:34,691 BUT YOU OWE THEM A GOOD NIGHT'S 2221 01:35:34,715 --> 01:35:35,690 REST AT THE VERY LEAST. 2222 01:35:35,714 --> 01:35:37,049 NO ONE'S LEAVING. 2223 01:35:40,299 --> 01:35:43,715 ( all gasp ) 2224 01:36:05,510 --> 01:36:07,320 DOES HE HAVE A RIFLE 2225 01:36:07,344 --> 01:36:09,302 OUT THERE? 2226 01:36:17,595 --> 01:36:18,694 OH, MY GOD, 2227 01:36:18,718 --> 01:36:19,695 HE'S GONNA BURN US OUT! 2228 01:36:19,719 --> 01:36:21,094 COME ON! 2229 01:36:25,718 --> 01:36:26,862 ELIZABETH, DAPHNE, 2230 01:36:26,886 --> 01:36:27,695 GET EVERYONE OUT! 2231 01:36:27,719 --> 01:36:29,179 THE INJURED, GET THEM OUT! 2232 01:36:30,719 --> 01:36:33,012 ( grunting ) 2233 01:36:40,347 --> 01:36:41,031 COME ON NOW! 2234 01:36:41,055 --> 01:36:41,696 COME ON! 2235 01:36:41,720 --> 01:36:42,906 GET EVERYONE! 2236 01:36:42,930 --> 01:36:44,156 ELIZABETH, HURRY! 2237 01:36:44,180 --> 01:36:45,406 WE GOTTA COME THIS WAY! 2238 01:36:45,430 --> 01:36:47,720 ( all talking ) 2239 01:36:50,013 --> 01:36:52,240 YOU GOTTA COME THIS WAY! 2240 01:36:52,264 --> 01:36:57,697 ( all talking ) 2241 01:36:57,721 --> 01:36:58,865 WE CAN'T GET OUT THAT WAY! 2242 01:36:58,889 --> 01:37:00,407 WE GOTTA FIND A WINDOW! 2243 01:37:00,431 --> 01:37:01,616 OVER THERE, COME ON! 2244 01:37:01,640 --> 01:37:02,657 ( all scream ) 2245 01:37:02,681 --> 01:37:04,074 GET INSIDE QUICKLY! 2246 01:37:04,098 --> 01:37:06,366 HELP ME! 2247 01:37:06,390 --> 01:37:07,949 EVERYONE MOVE BACK! 2248 01:37:07,973 --> 01:37:10,617 MOVE BACK! 2249 01:37:10,641 --> 01:37:11,991 ( grunts ) 2250 01:37:12,015 --> 01:37:13,698 QUICK, EVERYONE! 2251 01:37:13,722 --> 01:37:17,075 GET OUT! GET OUT! 2252 01:37:17,099 --> 01:37:18,034 CAREFUL. 2253 01:37:18,058 --> 01:37:19,367 ( grunts ) 2254 01:37:19,391 --> 01:37:20,825 COME ON! 2255 01:37:20,849 --> 01:37:22,992 ( grunts ) 2256 01:37:23,016 --> 01:37:23,699 GET OUT! 2257 01:37:23,723 --> 01:37:25,699 COME ON, GET 'EM OUT, QUICK! 2258 01:37:25,723 --> 01:37:27,910 ( all screaming ) 2259 01:37:27,934 --> 01:37:29,452 COME ON, THERE YOU GO. 2260 01:37:29,476 --> 01:37:30,951 COME ON, THAT'S IT. 2261 01:37:30,975 --> 01:37:31,701 COME ON. 2262 01:37:31,725 --> 01:37:34,619 I'LL BE ALL RIGHT. 2263 01:37:34,643 --> 01:37:38,700 GO THAT WAY. 2264 01:37:38,724 --> 01:37:39,725 COME ON! 2265 01:37:43,143 --> 01:37:43,701 GO HOME. 2266 01:37:43,725 --> 01:37:44,785 GET YOUR CHILDREN 2267 01:37:44,809 --> 01:37:45,701 BEFORE HE DOES. 2268 01:37:45,725 --> 01:37:46,494 WE'LL BE OKAY. 2269 01:37:46,518 --> 01:37:47,453 TAKE HER WITH YOU, ELIZABETH! 2270 01:37:47,477 --> 01:37:49,077 GO! GO! 2271 01:37:49,101 --> 01:37:50,702 YOU GET OUT OF HERE! 2272 01:37:50,726 --> 01:37:51,703 COME ON, GET TO THE WAGON! 2273 01:37:51,727 --> 01:37:53,454 YOU GET OUT OF HERE! 2274 01:37:53,478 --> 01:37:54,995 YOU GET OUT OF MY HOUSE! 2275 01:37:55,019 --> 01:37:56,287 COME ON, COME ON! 2276 01:37:56,311 --> 01:38:00,078 GET OUT! 2277 01:38:00,102 --> 01:38:02,810 ( door opens ) 2278 01:38:10,728 --> 01:38:12,703 GET THE CHILDREN DOWN HERE. 2279 01:38:12,727 --> 01:38:14,704 I WANT THEM TO SEE THEIR MOTHER 2280 01:38:14,728 --> 01:38:17,247 AS SHE REALLY IS. 2281 01:38:17,271 --> 01:38:20,164 THEY'RE WITH ELIZABETH. 2282 01:38:20,188 --> 01:38:21,331 I THOUGHT IT WOULD BE BETTER 2283 01:38:21,355 --> 01:38:24,247 FOR THEM AND FOR US. 2284 01:38:24,271 --> 01:38:25,872 ALWAYS WHAT YOU DECIDE, 2285 01:38:25,896 --> 01:38:28,705 ISN'T THAT RIGHT, FANNY? 2286 01:38:28,729 --> 01:38:29,705 THIS HOUSE MEANS NOTHING 2287 01:38:29,729 --> 01:38:31,165 TO YOU, DOES IT? 2288 01:38:31,189 --> 01:38:32,705 WAS IT EASY TO MAKE ME BELIEVE 2289 01:38:32,729 --> 01:38:33,789 YOU CARED FOR ME? 2290 01:38:33,813 --> 01:38:34,998 DID YOU AND ELIZABETH 2291 01:38:35,022 --> 01:38:35,998 HAVE A GOOD LAUGH ABOUT IT? 2292 01:38:36,022 --> 01:38:38,373 NO. 2293 01:38:38,397 --> 01:38:39,749 IT WAS A DECEPTION AT FIRST, 2294 01:38:39,773 --> 01:38:40,707 BUT THEN I SAW THE MAN 2295 01:38:40,731 --> 01:38:44,041 I FELL IN LOVE WITH... 2296 01:38:44,065 --> 01:38:45,957 THE MAN I STILL LOVE. 2297 01:38:45,981 --> 01:38:46,999 OH, MY GOD, 2298 01:38:47,023 --> 01:38:48,208 HAVE YOU NO SHAME? 2299 01:38:48,232 --> 01:38:49,458 YOU WOULD BE QUITE DIFFERENT, 2300 01:38:49,482 --> 01:38:51,209 PIERCE, WITHOUT ME, 2301 01:38:51,233 --> 01:38:53,083 WITHOUT YOUR SLAVES. 2302 01:38:53,107 --> 01:38:56,708 YOU'RE SUCH A GOOD MAN. 2303 01:38:56,732 --> 01:38:57,584 MARRIAGE HAS TURNED YOU 2304 01:38:57,608 --> 01:39:01,000 AGAINST YOUR NATURE. 2305 01:39:01,024 --> 01:39:02,751 WHY DON'T YOU JOIN US? 2306 01:39:02,775 --> 01:39:04,834 ME, ELIZABETH, AND THE OTHERS. 2307 01:39:04,858 --> 01:39:06,084 THERE'S ANY NUMBER OF WAYS 2308 01:39:06,108 --> 01:39:06,918 THAT YOU COULD HELP 2309 01:39:06,942 --> 01:39:08,293 THE FUGITIVES. 2310 01:39:08,317 --> 01:39:09,959 IT WOULD BRING US TOGETHER 2311 01:39:09,983 --> 01:39:12,627 AND IT WOULD LIFT SUCH 2312 01:39:12,651 --> 01:39:14,669 A WEIGHT FROM YOUR SOUL. 2313 01:39:14,693 --> 01:39:16,943 YOU'LL FEEL LIKE YOU COULD FLY. 2314 01:39:23,943 --> 01:39:26,337 ( chuckles ) 2315 01:39:26,361 --> 01:39:29,711 OH, YOU ARE MARVELOUS, FANNY. 2316 01:39:29,735 --> 01:39:32,753 I ALMOST BELIEVED YOU... 2317 01:39:32,777 --> 01:39:35,710 AGAIN. 2318 01:39:35,734 --> 01:39:38,296 NO, I WON'T HELP YOUR 2319 01:39:38,320 --> 01:39:39,837 BELOVED NIGGERS. 2320 01:39:39,861 --> 01:39:42,795 SORRY, YOUR FUGITIVE FREEMEN. 2321 01:39:42,819 --> 01:39:44,087 IN FACT, YOU WON'T EITHER, 2322 01:39:44,111 --> 01:39:44,962 EVER AGAIN! 2323 01:39:44,986 --> 01:39:46,254 YOU WILL HAVE NOTHING TO DO 2324 01:39:46,278 --> 01:39:48,296 WITH THEM OR ANY ABOLITIONIST 2325 01:39:48,320 --> 01:39:49,672 OR ANTI-SLAVERY DEMAGOGUE! 2326 01:39:49,696 --> 01:39:50,712 IF YOU DO, YOU WILL NEVER 2327 01:39:50,736 --> 01:39:51,713 SEE YOUR CHILDREN AGAIN! 2328 01:39:51,737 --> 01:39:52,838 DO YOU UNDERSTAND ME?! 2329 01:39:52,862 --> 01:39:54,380 PIERCE, PLEASE DON'T DO THIS. 2330 01:39:54,404 --> 01:39:55,297 AND YOU WILL STAY AWAY FROM 2331 01:39:55,321 --> 01:39:56,214 ELIZABETH SEDGWICK! 2332 01:39:56,238 --> 01:39:57,214 I'LL DO WHATEVER YOU WANT, 2333 01:39:57,238 --> 01:39:58,589 BUT I CANNOT STOP HELPING 2334 01:39:58,613 --> 01:39:59,547 THOSE PEOPLE. 2335 01:39:59,571 --> 01:40:00,589 WON'T HURT YOU, NO ONE 2336 01:40:00,613 --> 01:40:01,590 HAS TO KNOW ANYTHING ABOUT IT, 2337 01:40:01,614 --> 01:40:02,548 BUT I'M-- 2338 01:40:02,572 --> 01:40:04,006 I SAID NO! 2339 01:40:04,030 --> 01:40:05,713 YOUR INSOLENT DEFIANCE 2340 01:40:05,737 --> 01:40:07,713 SICKENS ME! 2341 01:40:07,737 --> 01:40:10,048 YOU MADE ME BURN DOWN MY HOUSE! 2342 01:40:10,072 --> 01:40:10,673 AND WHY? 2343 01:40:10,697 --> 01:40:12,131 YOU LOVE NIGGERS MORE THAN ME! 2344 01:40:12,155 --> 01:40:14,341 NO, PIERCE, NO! 2345 01:40:14,365 --> 01:40:17,674 I LOVE JUSTICE! 2346 01:40:17,698 --> 01:40:18,965 AND I LOVE YOU. 2347 01:40:18,989 --> 01:40:20,549 LIAR! 2348 01:40:20,573 --> 01:40:22,007 YOU ARE A DEMON! 2349 01:40:22,031 --> 01:40:22,882 GO BACK TO HELL 2350 01:40:22,906 --> 01:40:24,049 WHERE YOU CAME FROM! 2351 01:40:24,073 --> 01:40:25,425 YOU HAVE DESTROYED 2352 01:40:25,449 --> 01:40:26,907 MY HAPPINESS! 2353 01:40:37,700 --> 01:40:38,884 Fanny:"DEAR ELIZABETH, 2354 01:40:38,908 --> 01:40:40,800 I AM FOREVER INDEBTED TO YOU 2355 01:40:40,824 --> 01:40:41,716 FOR SUGGESTING I TAKE 2356 01:40:41,740 --> 01:40:42,468 A COTTAGE HERE IN 2357 01:40:42,492 --> 01:40:43,509 THE BERKSHIRES. 2358 01:40:43,533 --> 01:40:45,009 I SPEND WHOLE AFTERNOONS 2359 01:40:45,033 --> 01:40:46,218 TENDING MY GARDENS 2360 01:40:46,242 --> 01:40:47,716 OR WRITING LENGTHY LETTERS 2361 01:40:47,740 --> 01:40:49,219 TO SARAH AND FAN. 2362 01:40:49,243 --> 01:40:50,510 I NEVER THOUGHT I COULD 2363 01:40:50,534 --> 01:40:52,052 SURVIVE WITHOUT THEM. 2364 01:40:52,076 --> 01:40:53,344 BUT HUMAN BEINGS ARE ABLE 2365 01:40:53,368 --> 01:40:54,843 TO ADJUST TO ANY PRIVATION, 2366 01:40:54,867 --> 01:40:56,801 HOWEVER PAINFUL. 2367 01:40:56,825 --> 01:40:58,968 MR. FURNESS, BLESS HIS HEART, 2368 01:40:58,992 --> 01:41:00,427 HAS ACQUIRED A FINAL 2369 01:41:00,451 --> 01:41:01,718 DIVORCE SETTLEMENT AFTER 2370 01:41:01,742 --> 01:41:03,011 FIVE LONG YEARS. 2371 01:41:03,035 --> 01:41:04,718 PERHAPS BECAUSE PIERCE 2372 01:41:04,742 --> 01:41:05,718 HAS SPENT ALL OF HIS MONEY 2373 01:41:05,742 --> 01:41:07,345 AND I'VE ASKED FOR NONE. 2374 01:41:07,369 --> 01:41:08,844 HE EVEN HAD TO AUCTION OFF 2375 01:41:08,868 --> 01:41:10,386 HIS SLAVES. 2376 01:41:10,410 --> 01:41:11,969 BUT I CAN SEE MY GIRLS AGAIN 2377 01:41:11,993 --> 01:41:13,346 AT LAST. 2378 01:41:13,370 --> 01:41:14,638 I WILL BE IN PHILADELPHIA 2379 01:41:14,662 --> 01:41:17,970 ON FRIDAY TO SIGN THE PAPERS." 2380 01:41:17,994 --> 01:41:19,719 PIERCE IS NOT COMING? 2381 01:41:19,743 --> 01:41:22,429 HE'S ILL, BUT HE SIGNED. 2382 01:41:22,453 --> 01:41:24,346 THAT'S ALL THAT MATTERS. 2383 01:41:24,370 --> 01:41:25,347 YOU'LL BE ABLE TO SEE YOUR 2384 01:41:25,371 --> 01:41:26,888 DAUGHTERS TWO DAYS EACH MONTH 2385 01:41:26,912 --> 01:41:29,013 AND TWO MONTHS IN THE SUMMER. 2386 01:41:29,037 --> 01:41:31,347 BUT HE STILL INSISTS THAT 2387 01:41:31,371 --> 01:41:32,347 YOU NOT PUBLISH YOUR 2388 01:41:32,371 --> 01:41:33,222 GEORGIA JOURNALS. 2389 01:41:33,246 --> 01:41:35,721 HE SEEMED FIXED ON THAT POINT. 2390 01:41:35,745 --> 01:41:37,181 OTHER THAN THAT, THE AGREEMENT 2391 01:41:37,205 --> 01:41:39,014 SEEMS GENEROUS ENOUGH. 2392 01:41:39,038 --> 01:41:40,722 WHEN DO I SEE MY GIRLS? 2393 01:41:40,746 --> 01:41:43,348 AH, WELL, NOW, THAT, UM... 2394 01:41:43,372 --> 01:41:45,556 THAT WAS A THORNY PROBLEM. 2395 01:41:45,580 --> 01:41:48,474 BUT FINALLY IN THE END, 2396 01:41:48,498 --> 01:41:50,746 I PREVAILED. 2397 01:41:55,746 --> 01:41:56,848 MAMA. 2398 01:41:56,872 --> 01:41:58,349 IT'S MAMA. 2399 01:41:58,373 --> 01:42:00,723 OH! 2400 01:42:00,747 --> 01:42:02,933 OH, SARAH, FAN! 2401 01:42:02,957 --> 01:42:05,350 I MISSED YOU BOTH SO MUCH. 2402 01:42:05,374 --> 01:42:06,642 I LOVE YOU, MAMA. 2403 01:42:06,666 --> 01:42:11,391 OH, AND I LOVE YOU, TOO. 2404 01:42:11,415 --> 01:42:13,749 AH! 2405 01:42:19,458 --> 01:42:20,434 HAVE YOU READ THIS? 2406 01:42:20,458 --> 01:42:20,850 READ WHAT? 2407 01:42:20,874 --> 01:42:21,850 IT'S PREPOSTEROUS. 2408 01:42:21,874 --> 01:42:22,476 WHAT? 2409 01:42:22,500 --> 01:42:23,601 WAIT UNTIL YOU READ IT, 2410 01:42:23,625 --> 01:42:24,393 MRS. SEDGWICK. 2411 01:42:24,417 --> 01:42:25,726 IT IS VERY TERRIBLE. 2412 01:42:25,750 --> 01:42:26,725 PARLIAMENT IS SERIOUSLY 2413 01:42:26,749 --> 01:42:27,393 CONSIDERING A LOAN 2414 01:42:27,417 --> 01:42:28,101 TO THE CONFEDERACY. 2415 01:42:28,125 --> 01:42:29,725 ARE THE COMPLETELY MAD, 2416 01:42:29,749 --> 01:42:30,935 WITH A WAR BETWEEN THE STATES 2417 01:42:30,959 --> 01:42:32,268 ALMOST INEVITABLE? 2418 01:42:32,292 --> 01:42:33,393 WHERE ARE YOU GOING? 2419 01:42:33,417 --> 01:42:34,726 I AM GOING TO MY PUBLISHER. 2420 01:42:34,750 --> 01:42:36,977 FANNY, NO! 2421 01:42:37,001 --> 01:42:38,686 YOU CAN'T PUBLISH YOUR JOURNAL. 2422 01:42:38,710 --> 01:42:39,726 PIERCE WILL CUT OFF 2423 01:42:39,750 --> 01:42:40,810 YOUR VISITATION RIGHTS. 2424 01:42:40,834 --> 01:42:41,645 PEOPLE WILL WANT 2425 01:42:41,669 --> 01:42:42,977 TO KILL YOU IN THE STREETS. 2426 01:42:43,001 --> 01:42:44,269 OH, WOULD YOU JUST STOP IT, 2427 01:42:44,293 --> 01:42:44,936 FANNY, STOP IT. 2428 01:42:44,960 --> 01:42:45,977 I AM SERIOUS. 2429 01:42:46,001 --> 01:42:47,144 NOW THINK ABOUT 2430 01:42:47,168 --> 01:42:48,354 THE RAMIFICATIONS. 2431 01:42:48,378 --> 01:42:49,727 I HAVE. 2432 01:42:49,751 --> 01:42:50,728 PARLIAMENT HAS NO IDEA 2433 01:42:50,752 --> 01:42:52,145 WHAT THIS WAR COULD MEAN. 2434 01:42:52,169 --> 01:42:52,895 THEY'RE ONLY INTERESTED 2435 01:42:52,919 --> 01:42:53,811 IN PROTECTING THEIR SUPPLY 2436 01:42:53,835 --> 01:42:55,145 OF SOUTHERN COTTON. 2437 01:42:55,169 --> 01:42:56,520 TO THEM, THE EVILS OF SLAVERY 2438 01:42:56,544 --> 01:42:57,229 ARE INSIGNIFICANT. 2439 01:42:57,253 --> 01:43:01,396 I CANNOT JUST STAND BY. 2440 01:43:01,420 --> 01:43:03,021 "MRS. BUTLER, WHO GLOWED 2441 01:43:03,045 --> 01:43:03,938 ON THE STAGE IN HER PREVIOUS 2442 01:43:03,962 --> 01:43:05,979 CAREER, NOW TARNISHES HER 2443 01:43:06,003 --> 01:43:07,230 REPUTATION WITH HER GEORGIA 2444 01:43:07,254 --> 01:43:08,563 JOURNAL, AN OUTRAGEOUS 2445 01:43:08,587 --> 01:43:10,188 FALSIFICATION OF SLAVERY." 2446 01:43:10,212 --> 01:43:11,104 ( sighs ) 2447 01:43:11,128 --> 01:43:13,064 GUESS WHO WROTE THIS ONE. 2448 01:43:13,088 --> 01:43:14,189 "ARE WE TO LET OURSELVES 2449 01:43:14,213 --> 01:43:15,729 BE INFLUENCED BY THE TRIVIAL 2450 01:43:15,753 --> 01:43:17,729 MUSINGS OF AN EX-PATRIOT, 2451 01:43:17,753 --> 01:43:18,729 AN ACTRESS TO BOOT, 2452 01:43:18,753 --> 01:43:20,813 ON MATTERS OF SUCH IMPORTANCE?" 2453 01:43:20,837 --> 01:43:22,064 PARLIAMENT, OF COURSE. 2454 01:43:22,088 --> 01:43:24,730 BLOODY BLIND FOOLS. 2455 01:43:24,754 --> 01:43:27,023 IT IS IMPORTANT. 2456 01:43:27,047 --> 01:43:28,898 THERE'S NO DARKER HUMAN IMPULSE 2457 01:43:28,922 --> 01:43:30,106 THAN TO DENY ANOTHER 2458 01:43:30,130 --> 01:43:31,106 HIS FREEDOM. 2459 01:43:31,130 --> 01:43:31,940 IT'S DEGRADING 2460 01:43:31,964 --> 01:43:33,730 AND DEBASED EXISTENCE. 2461 01:43:33,754 --> 01:43:34,607 THIS LOAN WILL ONLY 2462 01:43:34,631 --> 01:43:36,608 PROLONG THE MISERY OF IT. 2463 01:43:36,632 --> 01:43:37,731 ARE PEOPLE GONNA 2464 01:43:37,755 --> 01:43:39,731 KILL YOU IN THE STREETS? 2465 01:43:39,755 --> 01:43:43,566 THEY WON'T, MY DARLING. 2466 01:43:43,590 --> 01:43:45,941 BUT I HAD TO DO THIS. 2467 01:43:45,965 --> 01:43:47,484 WE CANNOT ALWAYS HIDE IN THE 2468 01:43:47,508 --> 01:43:48,775 SHADOWS WHEN SOMETHING'S WRONG. 2469 01:43:48,799 --> 01:43:53,275 THAT MAKES US PART OF THE ERROR. 2470 01:43:53,299 --> 01:43:55,775 IT'S A MESSAGE FROM PIERCE. 2471 01:43:55,799 --> 01:43:57,756 HE WANTS TO SEE YOU. 2472 01:44:02,757 --> 01:44:04,509 ( sighs ) 2473 01:44:10,634 --> 01:44:13,569 PIERCE? 2474 01:44:13,593 --> 01:44:14,944 IT'S FANNY. 2475 01:44:14,968 --> 01:44:19,653 MAY I COME IN? 2476 01:44:19,677 --> 01:44:23,903 PIERCE? 2477 01:44:23,927 --> 01:44:27,778 FANNY. 2478 01:44:27,802 --> 01:44:30,719 PLEASE, COME IN. 2479 01:44:36,761 --> 01:44:39,196 WHAT A SURPRISE. 2480 01:44:39,220 --> 01:44:41,736 I'M SO GLAD TO SEE YOU. 2481 01:44:41,760 --> 01:44:42,946 I'M SORRY YOU'RE SEEING 2482 01:44:42,970 --> 01:44:44,154 THE HOUSE LIKE THIS. 2483 01:44:44,178 --> 01:44:45,196 I'M FURNISHING 2484 01:44:45,220 --> 01:44:46,780 AND PAINTING UPSTAIRS. 2485 01:44:46,804 --> 01:44:50,155 I'VE BEEN SO BUSY LATELY. 2486 01:44:50,179 --> 01:44:51,638 PLEASE SIT DOWN. 2487 01:45:01,762 --> 01:45:02,738 I WANTED TO THANK YOU FOR 2488 01:45:02,762 --> 01:45:03,738 SETTLING OUR DIFFERENCES, 2489 01:45:03,762 --> 01:45:05,781 PIERCE. 2490 01:45:05,805 --> 01:45:08,031 AND FOR TAKING SUCH GOOD CARE 2491 01:45:08,055 --> 01:45:11,865 OF SARAH AND FAN. 2492 01:45:11,889 --> 01:45:13,739 THEY'RE QUITE GROWN UP. 2493 01:45:13,763 --> 01:45:15,574 GIVE THE CREDIT TO THEIR 2494 01:45:15,598 --> 01:45:20,074 BOARDING SCHOOL, NOT TO ME. 2495 01:45:20,098 --> 01:45:21,115 PIERCE, THERE'S SOMETHING 2496 01:45:21,139 --> 01:45:24,740 ELSE I WANT TO TELL YOU. 2497 01:45:24,764 --> 01:45:27,700 I KNOW MY REBELLIOUS EMOTIONS 2498 01:45:27,724 --> 01:45:28,741 CONTRIBUTED ENORMOUSLY 2499 01:45:28,765 --> 01:45:31,659 TO OUR DIFFICULTIES. 2500 01:45:31,683 --> 01:45:32,991 AN EFFORT TO COMPROMISE 2501 01:45:33,015 --> 01:45:34,992 NOW AND THEN WOULD NOT 2502 01:45:35,016 --> 01:45:38,409 HAVE HARMED ME. 2503 01:45:38,433 --> 01:45:43,159 I'M TRULY SORRY FOR 2504 01:45:43,183 --> 01:45:50,118 ALL THE MISERY IT'S CAUSED YOU. 2505 01:45:50,142 --> 01:45:51,535 AT THE AUCTION, 2506 01:45:51,559 --> 01:45:53,742 A VERY OLD SLAVE CAME UP TO ME. 2507 01:45:53,766 --> 01:45:56,202 HIS NAME WAS CUDJO. 2508 01:45:56,226 --> 01:46:00,161 I'D FORGOTTEN I EVEN OWNED HIM. 2509 01:46:00,185 --> 01:46:04,203 HE TOOK MY HAND. 2510 01:46:04,227 --> 01:46:04,744 NO SLAVE HAD EVER 2511 01:46:04,768 --> 01:46:07,245 TOUCHED ME BEFORE. 2512 01:46:07,269 --> 01:46:09,745 HE SMILED. 2513 01:46:09,769 --> 01:46:12,537 AND HE SAID, "YOU IS FREE NOW, 2514 01:46:12,561 --> 01:46:18,954 MASSA, YOU IS FREE." 2515 01:46:18,978 --> 01:46:22,955 I READ YOUR GEORGIA JOURNAL. 2516 01:46:22,979 --> 01:46:25,538 I KEPT THINKING, WHO IS THIS 2517 01:46:25,562 --> 01:46:29,121 CRUEL, UNFORGIVING MAN? 2518 01:46:29,145 --> 01:46:32,746 AND IT WAS I. 2519 01:46:32,770 --> 01:46:35,563 ( crying ) 2520 01:47:10,316 --> 01:47:12,709 MOMMY, MRS. SEDGWICK'S HERE. 2521 01:47:12,733 --> 01:47:13,501 FANNY! 2522 01:47:13,525 --> 01:47:14,251 ELIZABETH! 2523 01:47:14,275 --> 01:47:16,167 OH, YOU LEFT TOO SOON. 2524 01:47:16,191 --> 01:47:17,584 PARLIAMENT CANCELED 2525 01:47:17,608 --> 01:47:19,042 THE LOAN TO THE CONFEDERACY. 2526 01:47:19,066 --> 01:47:20,042 THEY READ EXTRACTS 2527 01:47:20,066 --> 01:47:20,750 FROM YOUR JOURNAL 2528 01:47:20,774 --> 01:47:21,669 IN THE HOUSE OF COMMONS. 2529 01:47:21,693 --> 01:47:23,335 EVEN THE QUEEN READ IT. 2530 01:47:23,359 --> 01:47:24,834 OH, YOU DID IT, FANNY! 2531 01:47:24,858 --> 01:47:27,252 YOU REALLY DID IT! 2532 01:47:27,276 --> 01:47:27,750 THE TRUTH CHANGED 2533 01:47:27,774 --> 01:47:28,750 THEIR MINDS, ELIZABETH, 2534 01:47:28,774 --> 01:47:30,585 NOT I. 2535 01:47:30,609 --> 01:47:33,044 FANNY, YOU MAY HAVE CHANGED 2536 01:47:33,068 --> 01:47:34,752 THE COURSE OF HISTORY. 2537 01:47:34,776 --> 01:47:36,628 WITHOUT ADDITIONAL CAPITAL, 2538 01:47:36,652 --> 01:47:37,628 THE SOUTH WILL NEVER EQUAL 2539 01:47:37,652 --> 01:47:38,752 THE NORTH'S CAPACITY TO PRODUCE 2540 01:47:38,776 --> 01:47:40,544 ARMS AND AMMUNITION. 2541 01:47:40,568 --> 01:47:42,544 YOUR JOURNAL MAY END UP HELPING 2542 01:47:42,568 --> 01:47:44,127 TO PRESERVE THE UNION, 2543 01:47:44,151 --> 01:47:46,629 AND END SLAVERY. 2544 01:47:46,653 --> 01:47:49,462 YOU SHOULD BE PLEASED, FANNY. 2545 01:47:49,486 --> 01:47:51,629 YOU SAID YOU WANTED TO HELP. 2546 01:47:51,653 --> 01:47:53,545 AND NOW YOU HAVE... 2547 01:47:53,569 --> 01:47:55,403 SIGNIFICANTLY. 2548 01:48:02,487 --> 01:48:04,046 LADIES AND GENTLEMEN, 2549 01:48:04,070 --> 01:48:05,672 I'VE MET WITH THE MAYOR 2550 01:48:05,696 --> 01:48:06,463 OF YOUR TOWN WHO HAS 2551 01:48:06,487 --> 01:48:08,129 REQUESTED THAT I NOT READ 2552 01:48:08,154 --> 01:48:10,506 THE MERRY WIVES OF WINDSOR. 2553 01:48:10,530 --> 01:48:11,838 I'VE BEEN MET BY THE CLERGYMAN 2554 01:48:11,862 --> 01:48:12,922 OF YOUR TOWN WHO HAS ALSO 2555 01:48:12,946 --> 01:48:14,506 REQUESTED THAT I NOT READ 2556 01:48:14,530 --> 01:48:16,130 THE MERRY WIVES OF WINDSOR. 2557 01:48:16,154 --> 01:48:17,754 I'VE BEEN MET BY THE 2558 01:48:17,778 --> 01:48:19,464 SCHOOLTEACHERS OF YOUR TOWN. 2559 01:48:19,488 --> 01:48:21,215 THEY, TOO, HAVE UNANIMOUSLY 2560 01:48:21,239 --> 01:48:22,756 REQUESTED THAT I NOT READ 2561 01:48:22,780 --> 01:48:27,048 THE MERRY WIVES OF WINDSOR. 2562 01:48:27,072 --> 01:48:29,465 LADIES AND GENTLEMEN, 2563 01:48:29,489 --> 01:48:30,798 I SHALL HAVE THE HONOR OF 2564 01:48:30,822 --> 01:48:32,756 PRESENTING TO YOU TODAY 2565 01:48:32,780 --> 01:48:35,756 SHAKESPEARE'S IMMORTAL COMEDY 2566 01:48:35,780 --> 01:48:38,383 THE MERRY WIVES OF WINDSOR. 2567 01:48:38,407 --> 01:48:43,466 ( applause ) 2568 01:48:43,490 --> 01:48:45,342 OH, THEY ADORED YOU, 2569 01:48:45,366 --> 01:48:45,967 ABSOLUTELY. 2570 01:48:45,991 --> 01:48:47,509 YOU WERE MARVELOUS. 2571 01:48:47,533 --> 01:48:48,758 AND I MAKE BUSHELS OF MONEY, 2572 01:48:48,782 --> 01:48:50,217 MOST OF WHICH I GIVE TO DAPHNE 2573 01:48:50,241 --> 01:48:51,967 TO KEEP UP HER GOOD WORK. 2574 01:48:51,991 --> 01:48:55,283 MOMMY, LOOK. 2575 01:49:04,033 --> 01:49:05,718 SARAH, FETCH ME 2576 01:49:05,742 --> 01:49:09,052 A CROWBAR AND HAMMER. 2577 01:49:09,076 --> 01:49:11,159 WHAT ON EARTH COULD THIS BE? 2578 01:49:19,076 --> 01:49:21,760 EXCUSE ME, GIRLS. 2579 01:49:21,784 --> 01:49:25,784 ( grunting ) 2580 01:49:30,784 --> 01:49:32,328 WHO SENT IT, MAMA? 2581 01:49:36,911 --> 01:49:38,762 IT'S FROM JOE. 2582 01:49:38,786 --> 01:49:42,429 HE MADE THIS. 2583 01:49:42,453 --> 01:49:46,762 PSYCHE WROTE ME A LETTER. 2584 01:49:46,786 --> 01:49:49,763 "DEAR MRS. BUTLER, WE MADE IT 2585 01:49:49,787 --> 01:49:51,762 TO KINGSTON, CANADA. 2586 01:49:51,786 --> 01:49:53,763 WE HEARD ABOUT BUTLER STATION 2587 01:49:53,787 --> 01:49:55,556 WAS BURNED. 2588 01:49:55,580 --> 01:49:58,306 WE HEARD YOU MOVED TO LENNOX. 2589 01:49:58,330 --> 01:49:59,515 WE WILL VISIT WHEN 2590 01:49:59,539 --> 01:50:02,181 IT IS SAFE TO TRAVEL. 2591 01:50:02,205 --> 01:50:03,723 JOE MAKE THIS FOR YOU. 2592 01:50:03,747 --> 01:50:05,640 HE SAY IT IS FOR MANY MORE 2593 01:50:05,664 --> 01:50:07,557 WORDS YOU WILL WRITE. 2594 01:50:07,581 --> 01:50:09,764 WE ALL THANK YOU. 2595 01:50:09,788 --> 01:50:12,807 WE CAN ALL READ AND WRITE. 2596 01:50:12,831 --> 01:50:14,764 JOE LEARNED NUMBERS. 2597 01:50:14,788 --> 01:50:16,224 YOU OPENED THE WINDOWS 2598 01:50:16,248 --> 01:50:18,224 AND LET IN THE LIGHT. 2599 01:50:18,248 --> 01:50:20,267 YOU SAW OUR SOULS, 2600 01:50:20,291 --> 01:50:23,016 NOT OUR SKIN. 2601 01:50:23,040 --> 01:50:24,765 WE ARE FREE 2602 01:50:24,789 --> 01:50:28,141 INSIDE OUR HEARTS. 2603 01:50:28,165 --> 01:50:29,891 AND THAT IS WHERE YOU ARE, 2604 01:50:29,915 --> 01:50:33,809 ALWAYS, FOREVER. 2605 01:50:33,833 --> 01:50:36,476 WE LOVE YOU. 2606 01:50:36,500 --> 01:50:39,101 PSYCHE, JOE, MAYSIE, 2607 01:50:39,125 --> 01:50:40,916 ESTHER, AND RACHEL." 2608 01:50:50,418 --> 01:50:53,727 ( chuckles ) 2609 01:50:53,751 --> 01:50:56,085 ( indistinct chatter ) 150215

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