All language subtitles for Leverage.S01E06.The.Stork.Job.REPACK.1080p.AMZN.WEB-DL.DD5.1.H.264-SiGMA

Where is he? What
have you done with him?

Why haven't you returned our calls?

Did you think we'd just go away?

We've given you the money.
What else do you want?

What have you done with Luka?

Dana!

Joe? Joe?

No, God.

Help!

Please, somebody help us!
Please! Oh, God. Help!

Joe's still in physical therapy.

He spent two weeks
in a Belgrade hospital

before he was strong
enough to fly back home.

We just wanted a family.

Right. Why Serbia?

Back in college, Joe got
busted on a small pot charge.

Nothing major, just
typical stupid kid stuff.

Right, right.
But it disqualified you

from adoption agencies
in the States, right?

And Korea and China
and Guatemala.

Hmm.

Irina was the first one to tell
us that it wouldn't be an issue.

All she needed was...

Money.

Administrative fees.
That's what she called it.

After a few months, we got
suspicious, so we flew out there.

We told her we'd go
to the authorities.

That's when she
introduced us to Luka.

After that, we gave Irina
everything she wanted.

How much money did she take from you?

$120,000.

We had to take a second
mortgage out on the house.

Well, we can get the money back.

We don't want the money.
All we want is Luka.

Right.

So, Irina let Luka stay
with the Mortons for a week.

That's when this was taken.

What happened to
the boy afterwards?

Don't know. A car came along,
picked him up, took him away.

Are we seriously considering
this? Huh? Swiping a kid?

Yeah, well...
What happened to you?

Well, how was I supposed to
know it was a lesbian bar?

Okay, listen. Money, jewels,
paintings, those we steal.

But a little boy?

We help people who
have nowhere else to go.

U.S. government
isn't gonna help

'cause they went
outside the system.

Over there, it's the Wild West.

No records, no paper trails,

we're supposed
to find one orphan?

How do we even know
this kid is an orphan?

See him pocketing those cookies?

He's hoarding food.
That bag on the table?

He keeps his essentials
light and portable.

He knows he's gonna be
taken away at any moment.

And there, when she goes
to touch him, he flinches.

He's expecting for her to...

Trust me.
He's an orphan.

Nate.

Hit it.

Irina Larenko,
former Russian model.

She had a decent
career in the '80s.

She did the whole
Paris fashion circuit.

She had some parts
in some small films.

Really?
Like what films?

Some French films.

Like what?

Uh, Emmanuelle Unleashed.

She was Tatiana. Yeah, this was
when they rebooted the franchise.

That's right.
Emmanuelle's space station.

- She rides the controls.
- Yeah. Yeah.

- Okay. Anyway. Anyway.
- What...

She started living
a little too hard.

She fell in with some
Russian mobsters,

and she wound up grifting
her way through Europe.

She ended up in Belgrade
a few years ago.

All right, what's
the adoption scam?

Okay, so you're looking
to adopt a kid, right?

You log on to a legitimate
adoption website.

You follow one of the links on
the side, it leads you to Irina.

Now, she just shows you
a bunch of pictures,

strings you along a little bit,

and she'll hit you up
for some money.

Yeah. It's just like
the Spanish Prisoner scam.

Yeah. She hooks you
until she bleeds you dry.

Yeah, but how does
she get the kids?

After the war, there's, what,
100,000 orphans in Serbia?

She could be getting
them from anywhere.

Where's Irina now?

Well, she closed her
office in Belgrade

after the incident
with the Mortons.

However, her name popped
up on an invitation

to a party at the
American Embassy next week.

Very exclusive.

All right. We're gonna do
this the old-fashioned way.

A little look and hook.

Pack your bags. We're going to Belgrade.

Hey, can we stop off
in Paris on the way?

Yeah. Maybe on
the way back.

Cool.

Ambassador.

It's good to see you.

Hmm.

That interception
stopped the game.

We ended up winning. I
mean, it's like... Excuse me.

Do you have eyes on Irina?

Yes, and she's with someone.

It's never stopped me before.

Get me a picture.

You know, this would be
easier if you were in here.

Well, we would be,

if Sophie weren't already old
friends with the ambassador.

I wouldn't say
old friends, exactly.

The United States is pleased
to make the first payment

for construction of the
Trans-Ukrainian Oil Pipeline

to Her Royal Highness,
Princess Magda of Slovenia.

I still have that tiara, though.

Hardison, anything on the
facial recognition? Come on.

I am working on a laptop
in a borrowed office.

Yeah, well, just hurry up.

It's not so fun working in the
crappy command center, is it?

No, see, you're usually off
doing your European spy thing.

Well, welcome to my world.

Orangescu?

Oh. I got a hit fast.

That's weird. I got a
face match, but no name.

His file's already
on my hard drive.

That's the guy... That's the guy who
picked up the kid from the Mortons.

Sure is. Hey, Parker, I
need you to lift his wallet.

We need more info.

Eliot, get ready to meet Irina.

I'll give you your cues.

You know, I have picked
up women before, all right?

Like yesterday.

Yeah. And we can
all agree that...

- Dagmar.
- Was it?

...Dagmar from the car rental
place was a lovely girl,

but listen, Irina is
a professional grifter.

She's gonna see straight
through your moves.

She does this for a living.

You know, gets people
to like her and trust her,

even to fall in love with her.

She doesn't do this for sport.

Hmm. Sounds like
someone I know.

Parker, have you found him yet?

No. I can't believe
I lost him.

Well, hello, beautiful.

Found him.

Okay, Parker, don't panic. You're
just having a little conversation.

And who has come to shame the
splendor of Belgrade with her beauty?

Are you kidding me?

Hardison.

Hardison. Beautiful
name for beautiful lady.

Tell me, Hardison, what
brings you to Serbia?

"Ah, do my fangs and
cape frighten you?"

- Hardison.
- Hardison.

Okay, Parker, you're an exchange
student. Ask him his name.

I'm an exchange student,
and what is your name?

Nicolas Obrovic,
at your service.

This one's on the house.

Next one's on you,
unless you tip me well.

Hi.

American.

Yes, ma'am.

Your hair is too long,
your bowtie is poorly tied,

and your eyes,
they shift to the left.

So either you're lying,
or you're about to lie.

No, no, no, listen. You have
to demonstrate higher social value.

She needs a reason
to be interested in you.

Okay, Eliot, listen to me.

You're right.
You're absolutely right.

I ain't big on formal occasions.

Much rather be on
my ranch in Texas.

Your ranch in Texas?

Yes, ma'am.

And I know what
you're gonna say.

"There's another oil man
trying to be a cowboy," huh?

Well, maybe.

But I can't stand being
in the boardroom, you know?

That's why I love
traveling the world.

Well, we are certainly glad that
Belgrade made your itinerary.

Well, it's becoming
one of my favorite stops.

Okay, good. She's feeling
happy. Now, anchor the emotion.

Raise the champagne
flute to your lips.

Cheers.

And take a nice, long sip.

And now every time she laughs
or smiles, repeat that motion.

She's gonna link that to a nice,
warm feeling. You can use that later.

That drink thing...

You've never used
that on me, have you?

I would never.

Course not.

So, where are you from?

- Where am I from?
- Mmm.

Oh! Where am I from!

Near Pittsburgh,
Detroit, Atlanta...

I'm from Pittsburgh,
Detroit, Atlanta.

No, no, no.
No, I meant pick one.

Don't let Irina
get too comfortable.

Toss her... Yeah, toss her
a backhanded compliment.

Your eyes are really blue.

Thank you.

They're almost too blue,
don't you think?

You, uh, manipulated me?

Nate, really, now?

No, give her a time limit.
Tell her you can't stay long.

All relationships are
about manipulation.

Oh, that... No, Parker, sleeping
is not a hobby. That's so cynical.

Perfect. Now, just step
back. Yeah, let her come to you.

Why is that cynical, huh?

Because I don't leave my
personal life to chance?

- Well, no, because...
- Guys, guys...

- Really, guys! Seriously.
- That's not...

Come on now, look, if you're done
with your little delightful banter,

I got some actually
useful information, okay?

Nicolas Obrovic, organized
crime ties, smuggling.

Now, he went legit
five years ago.

He took over a government agency

that takes in families
from the Kosovo war,

relocations and lost
relatives, things like that.

All right, that
explains how she gets the kids.

Now, this guy could
lead us right to Luka.

Okay, Parker, try this.

It's amazing how far
Serbia has come,

but the scars must
still be there.

I mean, all the families
who suffered during the war.

Yes, but history always
has its casualties.

Yes, but those families
and those children...

It's tragic, yes.

But the strong,
the smart, the beautiful,

they survive.

Smile.

- Smile!
- Smile.

What's wrong?
What's wrong?

He's a great little guy.

It's time to go.

Not everyone is worth saving.

Boris! Boris! Boris!

- Ow!
- What's going on? What happened?

Whoa.

Boris!

Whoa, whoa, whoa, whoa.

I'm getting a bunch
of calls to the police.

What the hell is
going on down there?

I'll tell you what's going on.

Parker just stabbed
her guy with a fork.

I'm gonna lose Irina.

Okay, all right,
all right, hold up.

Maybe Irina is gonna
go after Nicolas,

see what's happened to him.

Uh-uh. No, no, no, no, no,
no. She wouldn't risk that.

No, no, no, they'd be prepared.
They'd have a safe house.

A dead drop for further
instructions. That's what I'd do.

Yes, that's right. That's
exactly what you'd do.

Okay, Eliot, listen up.
We don't have much time.

Listen, sweetheart, I apologize.

I have to get out
of here. I have...

I have an early call
time tomorrow, so...

Call time?
Yeah, yeah.

I'm here producing a film,
among other things.

Trying to produce. There's a
lot of roles left to cast, so...

You know, I used to be actress.

You're kidding me.

Quite good, you know.

You wouldn't...
You wouldn't wanna...

I mean, it's a
really small role.

There are no small
roles. Here.

Wow, this is perfect.
I have to go.

I'll tell you what I'll do.

I'll have a car sent to
this address in the morning,

and I'll pick you up.
Okay. Thank you. Thank you.

Okay, we'll see you. Take
care of yourself. Thank you.

Bye-bye.

So how'd you know Irina'd
go for the movie thing?

A European grifter who wants
to be an actress? Lucky guess.

Where's Parker?

How the hell should I know?

I can't reach her on the coms.

She slipped the security
grid at the Embassy.

Where could she be?

This is Parker
we're talking about.

She could be halfway across Europe
by now. Trust me. She is gone.

Who's gone?

What?

So, Irina's expecting to be
in a movie. What do we do now?

Now?

We steal a movie.

Eastern Europe, with
all its cheap labor,

is pretty popular with
American film productions.

Currently, there are five
films shooting in Serbia,

one of which is independent.

It's not tied to
any U.S. studio.

Now, all the crew,
they're local,

so they'll listen to
whoever is paying the bills.

So we just have to
clear out two people.

That's all wrong.
It's all wrong!

The director.

Really? Really?
Are you kidding?

All right, ladies, let's take
a picture for my agent, Pike.

And the producer.

Fortunately, film productions
are pretty fragile enterprises.

Why, just this morning, there
was an unfortunate interruption

in the film production's
cash flow.

What? What do you mean,
"The money's all gone"?

No, no, don't do anything. I'll
be on the next flight back to LA.

And what about the director?

He got an offer
he couldn't refuse.

It's fine. It's fine.

I...
How you say, sorry.

No, no, it's okay. It's okay.
It's fine. It's fine. Fine.

"Hills Have Eyes Six wants you.
Need you in Vancouver right away"?

Forget the latte! Just get me
a car and mail me my luggage!

So wait a minute. You did the
lift? Why wasn't I involved?

Because somebody decided
to jeopardize the mission

when a certain somebody
shish-kabobbed a certain mark.

Yeah, that was me.

So, what about the movie?
Who's the new director?

Werewolves, and take!
Cut, cut! And great! Cut!

Okay, once again with more
feeling! Feeling! Up! Up!

We're lucky to have you
on such a short notice.

Hvala ti. Is that right, hvala ti? Yes.

Thank you. See?
Yeah? No?

Welcome to set.

Fire in the hole!

Yeah, it's exciting, isn't it?

That guy's our special effects
guy. He ain't all there.

What? What, you're showing
me a couple of shirts.

I don't know what...
Dale? Dale?

Looks great.
Looks great. Looks great.

- Yes, sir, Jack?
- What is this?

Not now, Serena. What'd I say last time?

- Listen... Irina Larenko.
- What do you got?

This is Jack Lindsey.
He's the director.

- Come on. Let me see what you got.
- Ah!

Let me see what you got.
The other way.

- What did I tell you?
- The other way.

What do you think? Perfect?

Okay, the other way.
Yeah.

- Good laugh. Good laugh.
- Yeah, yeah, yeah.

Here's what I'm thinking.
I'm thinking the mother.

No, no, no, no. No, no.
You know what I'm thinking?

The mother.

So, I will be a mother, yes?

Yes. Yes.
A very, very exciting part.

We just need to get you a script, right?

Klinka, Klinka, Klinka!
Come here.

I want you to get Irina
here a script, okay?

And something maybe to...

You want some coffee or water?

Cold or room temperature? Yes, please.

Yes, both. Both.
Both. Go, go. Go.

Okay.

This is ridiculous.

Tell me about it.

We're supposed to
believe these are real.

This is what he expects me to
do, fetch scripts and water?

No, it's a trust thing.
He just needs to know

that you're gonna go along
with the game plan.

Yeah, yeah, I get it.
We're a team.

A little more than a team.

I'm just saying.

Hardison, let's go, man.
Do you have it?

Oh, not yet. Sophie?
Sophie, we need that scene.

Are you finished with it yet?

It's in the box
on the back of the truck.

Sophie, are you...
Seriously, Sophie,

it was supposed to be a two-page
scene between Irina and a boy.

That's still the heart of it.

The heart of it? There's,
like, 10 pages here!

You have a stunt. You
have special effects.

"Sister Magda crosses and gets a loaf
of bread." Wait, who's Sister Magda?

Tell me you didn't
see that coming.

Of course you need the nun.

You can't give Irina
the death scene.

Whoa, whoa, whoa.
What death scene?

In the second act.

Well, the thing is, you
have to establish, you know,

the main character's dramatic need.
- Right.

Otherwise, there's no emotional
payoff in the resolution.

Wait, this is a movie about NATO
troops being attacked by werewolves.

No, there is no
emotional payoff.

Excuse me?

Listen, all we need to do is
convince her to bring Luka to the set,

finish her scene,
complete it, and that's it.

Let's just keep this
simple. Simple.

Listen, all right?
Look around you.

Look. Look at all this.
This is my world, okay?

You need, you need someone
to, I don't know,

crawl through an air duct,
you call Parker,

bash a head in, Eliot,
internet porn, Hardison.

You need someone to
take over a movie, then...

Yes, an actor.

Yeah. Right.

Um...

Sophie...

About the acting...

Oh, yeah? What?
What is it?

You're right. You're right.
You know, we're gonna go...

We're gonna go with your scene.

Really? Oh!

It's gonna be... It's
gonna be fantastic. Right?

It certainly is.

I'm gonna go to make-up.

Okay, everybody, tense up.

And action!

Oh, no!

We have you surrounded!

- Come out with your hands up!
- "The Lord is my shepherd, I shall not want."

Surrender or we will
take you by force!

"He maketh me to lie down
in green pastures."

This is your
last chance! Hit it.

"Yea, though I walk
in the valley

"of the shadow of death,

"I fear no evil."

And cut!

She can't act.

She can act when it's an act.

Unbelievable!
You were really good.

Really? Really?

Really.
It was brilliant.

Nate? Nate?

That was...
I mean... I never...

Hey, I'm gonna need that
for my reel, okay?

Yeah, give... Right,
let's get Irina in here.

Okay. Irina.
Irina's up.

All right, come here.
Come here.

Here she comes.

- It's a disaster! A disaster.
- Jack. Jack, I know. I know.

- I tell you. Where is...
- I know, okay?

- Okay? Just...
- Is there a problem?

- No, no.
- Yes, there is a problem.

"Is there a
problem?" Listen to her.

The kid that was
gonna play your son,

he didn't show up
for work today.

- All right? Listen.
- No. No.

Listen, don't get...
Listen, don't do that.

I don't... Listen, we're
gonna cut the scene.

That's what we're gonna do.

- No! No, no, no, no, no!
- Yes.

- We have time to recast.
- Scene cut.

- Do we have time to recast?
- No. Cut. No.

- We have time to recast!
- We lost the boy!

All right! All right!
You're right, you're right.

Irina, I'm sorry. We're
gonna have to move on.

I apologize, sweetheart.

Wait! Wait!
I will find you a boy.

No, we had the perfect boy.
Don't you understand?

No, just use all that
stuff. Just use it.

He was 10 years old, blonde hair,
almond eyes. Old soul! He was perfect!

Please! Please,
don't cut the scene!

Trust me, I know this
boy! I will bring him.

Can he be here by tomorrow?

'Cause I can't afford another...

Tomorrow I bring him.
I promise you.

- Please don't cut my...
- Otherwise, scene cut!

Okay, no cut!
No, I bring him!

Parker?
She's on the move.

Okay. I integrated
a camera into this new headset.

What you see, I see.

Just take it slow until
she leads you to Luka.

I can't believe Nate sent
you here to babysit me.

I'm here on my own.

Hardison, what does it say?

Orphanage.
"Mount Carmel Orphanage."

Hardison, are you seeing this?

Yeah.

Why does an orphanage
need armed security?

Must be some badass kids.

Parker, stop pushing
your luck. Get out now.

My God.

Luka!

Boris.

Stay clear of those
guys, circle around, and...

No, Parker, I don't think
that's such a good idea.

Parker!

She's got Luka, but there's a
problem. We've got new players.

Recording as we speak.

Tell me what you like.

It's good.

Okay. It's deal. All
right, it's good. Come.

Oh, my God.

Oh, this isn't good.

This isn't just
an adoption scam.

I know.
I already called Nate.

These are arms dealers, and they're
using the orphanage for cover.

I already called Nate.

Now, look, we can go over this
with the others back at the hotel.

We have to bail.

No, no, no, no. What
about Luka and the others?

We can't leave them like that.

Why not?

You don't mean that.

You think this is the only
crappy orphanage in this place?

This is a country
full of orphans, okay?

We can't save them all.

No, but we can save this one.

Park, we can save this one.

Look, I know growing up
was tough.

I know that you grew up in
the system, and it was bad.

I know it was worse than bad.

But that doesn't mean that all
foster parents are monsters.

Mine wasn't.

You grew up with
your grandmother.

We called her Nana, but
she was our foster mom.

She would cuss like a sailor,

and old girl would tan your ass

just as soon as look at you.

But she fed us, she bathed us,
she put a roof over our head,

and oh, she would raise hell if
you so much as looked at us crooked.

- Yeah? Well, you were lucky.
- Yeah.

No, we put these kids
in the system,

and odds are they're gonna...

They're gonna turn out like me.

I like how you turned out.

Let's go.

So, during the NATO
bombing runs in the '90s,

gun runners, they used to store their
weapons in hospitals, orphanages,

anywhere they knew
wouldn't be targeted.

Yeah. So now, instead of evading
bombs, they're ducking the police.

It's the same strategy.

And what about
the adoption scam?

Fringe benefit. You take a
building filled with orphans,

bunch of kids
nobody cares about,

why not use them to
make some extra cash?

Nicolas sells his guns, and
Irina gets a little sideline.

Modern-day working couple.

Well, I ran Humpty and Dumpty
through the usual databases,

they're Chechen separatists.
Seriously bad dudes.

After reading their bios, I don't
think I'm ever gonna sleep again.

Never tell a Chechen his
sister has a nice smile.

Trust me.

I ran this through
a translation program.

They're inspecting
the merchandise.

They're bringing
the money tomorrow.

Well, none of this affects
our original plan.

Irina is bringing Luka
to the set here tomorrow.

So we grab him,
and we clear out.

And Nicolas doesn't have
to be part of the picture.

Whoa, whoa, whoa. What
about the other orphans?

No, listen, we can't
do anything about them.

I mean, we're not
equipped. I mean...

No, no, no, I already
talked to Parker about it.

And I said walk away.

You didn't mean that.

We can't leave them there.

It is too risky.
They have...

They have guns, the
manpower, potential hostages.

What do we have? We have
a prop truck. That's it.

What we'll do is,
we will go home,

we will figure this thing out,

do some research,
make a real plan,

and we will come back.
We'll come back.

But right now, the
focus has to be on Luka.

To rescue Luka.

That's why we're here.

He's right, you know.

I know.

He is perfect.
Gonna be great. Okay.

Okay! Let's talk about
the scene. Come along.

All right. Now, you're running
through these woods here.

Now these soldiers,
they're your escorts.

Only they can't protect you
from the werewolves.

And they all die, yes?

Yes, they all die,
which is why you run.

- You move through here.
- Hey.

You run into the cabin, okay?

You come in here and everything,

because you wanna
protect your son.

And then that's
when you go back out,

and you fight the werewolves
while he's in there.

Okay. One sec.
You got that? Good.

Okay, more...
No, that's ridiculous.

More blood. No, no, I mean,
just corn syrup and food dye.

- Why are you skimping?
- Sorry. Sorry.

More! More! More! More! Blood, blood!
More. That's what audiences want.

To see me die?

Like you wouldn't believe.

Okay, let's go back
to one. Back to one.

Okay, and action!

Help!

The werewolves! Ha!

I can do better.
We go again?

Hello? Mr. Director?

Okay, let's go.

All right.

Maybe this will help.

Hi, Luka.
Do you remember us?

- Thank you.
- Thanks so much.

Come on.

I gotta tell you, I
had my doubts at first,

but this feels pretty good.

Yeah, we'll come back
for the others.

Where's Parker?

I thought she was with you.

No.

Oh, she's not
wearing her ear bud.

What? Why?

It's cool.
It's cool.

You remember when I
lost her at the party?

I put a GPS tracker
in her shoes.

She's headed back
towards the orphanage.

No more stalling.
Let's finish this.

Check them.

Okay.

Okay.

Okay.

Come on. Come on.
Come on. Come on.

Okay.

Haagen-Dazs!

Okay, great.
Okay. Okay, come.

Hardison?

Okay, everything's gonna be
okay. Okay? Okay, come on!

Parker!

We have you
surrounded! Come out with your hands up!

Surrender or we will
take you by force!

Hurry! Hurry!

We have you surrounded!
Come out with your hands up!

Surrender or we will
take you by force!

Come on. Let's go.
Let's go. Let's go.

Come, come!

Okay.

Be quiet. They have armed
guards at that door.

No, they don't.

Why are we stopping?
Go, go, go, go!

Prop truck.

We have you
surrounded! Come out with your hands up!

Surrender or we will
take you by force!

And cut!

These are the guns you
sold me? These toys?

Where is my money?

They're all asleep.

We replaced
this license plate, Nate,

so that we can get a
clean shot to the border.

Okay, and when we cross over,

we're gonna turn the kids over
to the World Health Organization.

What? Wait.

No, it's okay. We called,
and they're expecting us.

It's all gonna be okay.

Okay.
What about Irina?

Irina? Yeah.

Well, do you remember the movie
funding that just disappeared?

Call the FBI. I think I
found who took our money.

She should have known better,
taking a producer's cut.

Nate, you did get a copy of my
scene, my death scene, for my reel?

Yeah, no. No.
We kind of...

There was no film in the camera.

What?

We are definitely,
definitely stopping in Paris.

Way to go. No film
in the camera?

Really? Seriously?

Hey, how'd you know
I'd be at the orphanage?

Thank Hardison for that.

You know you could have gotten killed.

Did you even have
an exit strategy?

I didn't really think
that far ahead.

You don't work alone
anymore. You know that, right?

- I know.
- We're a team.

We're a little more than a team.

Hey, Nate, I have to
tell you something.

What is it?

We have
to stop at a Haagen-Dazs.

Haagen-Dazs!