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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�g� M�t�M��S��I�fS��M��S��T�kS����O�I�f@�*ױ�B@M��libebml v1.2.3 + libmatroska v1.3.0WA�mkvmerge v5.3.0 ('I could have danced') built on Feb 9 2012 10:38:07D��AB��Da� �0`xts���S��^QK���C���T�k���ׁsń�p�ꃁ������S_TEXT/UTF8Sn�SDH�D!C�u@�� i�����I am not saying that your coworker is right or wrong.��u�ơ���Amira, I am just saying that he is entitled to his opinion.��������Whether or not you agree with that is up to--�� C�u��&���how is that sexist?�� ����� _It is too early for this, okay?������Please save the postmodern Muslim��JC�u@��=3�����progressive grad student speech for someone else.��������KExcuse me. Excuse me. Excuse me, sir.��)������Call you back.��{C�u@��SР����Can I help you?��p������Some man just-- he tried to attack me.��頔��� How? When?��󠲡��RLike, five minutes ago. He had a knife.��C�u@��i��¡��Okay, are you all right? Do you need medical attention?���������No, no, no, he grabbed my arm, and I--�� ���� Wallet and watch now.�� /C�u@��~%�����[tense music]���������Now.��@����� �Okay, okay, okay, okay.��������}Just relax, all right? Put the gun--���C�u�炔������Wallet and watch or you're a dead man.��O������Do what he says, bitch.��lC�u�炮������Okay. All right.�����FOkay. Okay. - Come on!�� ������MAll right. There you go.���C�u���7�����- Let's go. - All right, all right.�������qJust take it.��C�u���ʠ����[groaning]���������[laughs]��EC�u��������[groaning]��H������Next time a girl waves at you, keep walking, dumbass.���C�u��{�����[laughing]��$�����{♪ ♪���C�u��S������You okay? I called 911.�� ������ �Cops will be here any second.��K�����~[phone ringing]���C�u@��l'�����Nina? Hey.�� i����� �Okay, I'll be there in 30 minutes.�������6I'm just dealing with something personal.��C�u���Ӡ����♪ ♪���C�u��������So what do we got?��J������Female, Hispanic, about 25, no purse, no ID, no phone.���C�u��Р�����So we're thinking robbery?���������Looks that way.��頞��� 4[indistinct chatter]�� �C�u��溠����[suspenseful music]�� 9����� �♪ ♪��6C�u��נ����Hey, everything good?��v������All good.���C�u��i�����Whoa, what happened?��������OI, uh, took a spill while I was jogging.�� ݠ�����But you're okay?���C�u��2䠺���Yeah. I'll have ERT start to process the scene.�� _C�u@��K⠙���Morning, folks.��Ǡ����So victim was killed in a federal park,������� �which means this one's all ours.�������Preliminary report suggests she's Hispanic,���C�u@��dߠ����approximately 25 years old.�������vOther than that, we are starting at the beginning.��U�����"So we get an ID yet?��TC�u��|������Got a hit on facial rec.��������Her name is Marta Muñoz.�� d������Uh-huh.��qC�u@���D�����All right, start preaching to us.�������fElise, tell us about Marta Muñoz.�������� dNo priors, single, and appears to have�� YC�u@���X�����been working as a hairstylist.��������KMm, she file any police reports�������� >or restraining orders in the last few months?��à����XNegative.���C�u@���������There's not much of a social media presence, either.���������By all accounts, looks like she was living��J����� �a pretty mundane existence.��Ǡ�����All right, well, let's get some video in the bath���C�u@��� ����and start scrubbing.�������qI want pods, street cams, surveillance video.������� �This perp didn't just appear out of thin air.���������Elise, and pull Marta's last known address���C�u@������and get it over to Tiff and Scola, please.��Ҡ����)Got it.������� �Good morning.������� It looks like we're starting from scratch.��uC�u@�� p�����Yeah, a quiet part of town, especially at night.��P������There's not a lot of surveillance cameras����� �down there, either. - Forensics?���C�u��_�����OA and Nina are at the M.E.'s office right now.��T������♪ ♪���C�u@��=K�����Cause of death is strangulation.��)������You can see the bruising under the neck.��{�¡��RHyoid bone was crushed, cutting off the flow of oxygen.�� C�u@��Z�����What about the marks on her wrist?���������Ratchet marks.�������� �The killer used handcuffs.�������MLooks like it.��C�u@��oɠ����So that he could strangle her?�� ����So he could rape her.������� �There's significant tearing and abrasions.�� �C�u@���/�����[sighs] He leave any DNA behind?��P������No, unfortunately.���������Nothing under the fingernails?��l�����bNothing.��kC�u���S�����I wish I had more answers for you.�� 4����� �So do we.��������y♪ ♪��C�u��������Hi. Mrs. Muñoz? - Yes?��Ҡ����)Hi, we're Special Agents Chase and Zidan.���C�u���������What's going on?�������pHas something happened?�� ������Yes, I'm afraid so.���C�u��Z�����Oh, my God.��E������It's Marta, isn't it?�� �����I'm sorry to say, your daughter���C�u��+M�����was killed this morning.�� ������ �Hey. I got you. I got you.���������[gasping]�� �C�u��J�����[somber music]�� ������ Marta was a good girl, a good daughter.�� CC�u@��c������Was she having any problems?��{������Was anybody threatening her, maybe an ex-boyfriend?�� �������No, nothing like that.��{C�u@��~o�����She wasn't dating anyone.���������And her last boyfriend was very nice.�� ������ He moved to Texas, I think.���C�u@���|�����Okay, did she mention anything unusual lately?��U������Like what?��������Did she mention somebody who might have been scary,�� �C�u���������anybody following her, watching her?�� >����� �Last week.��$C�u@��ɔ�����She said that some guy was watching her��v������when she closed up the salon.�� �����&I told her she should start taking taxis.���C�u��①ǡ��It's too dangerous to take the subway at that time of night,�� 4����� �but she wanted to save money.�� 8C�u���������She kept talking about buying a house up�� .����� �in Westchester someday.���C�u��נ����Did this man, did he--��������Mdid he do more than just kill her?�� �C�u��>⠎���Yes.��������♪ ♪���C�u��oؠ����We are gonna find the man that hurt Marta.�� ܠ���� 3Okay?��à����MHe's gonna pay for what he did.��lC�u���m�����I promise.���C�u���:�����I'm so sorry.���C�u@��������All right, listen up, Yankee fans.�������pMarta told her mother someone was watching her�� ������near the salon around closing time last week.�� �C�u@���������So let's start pulling video��Ƞ����near the Left Bank Hair Salon on East 8th Street.�� .������Hey, you got a sec?���C�u���������Yeah.�������l[suspenseful music]�� ������♪ ♪��C�u@�� ;�����I just got off the phone with Detective Chavez���������at the 27th precinct.�������� �I am so sorry. I had no idea.���C�u��v�����I'm fine.�� ������ I don't care how long you've been on the job.��v������Being robbed at gunpoint--���C�u��8������It was not a big deal.�� .����� �He asked for my wallet. I gave it to him.���������That was that.��C�u@��P���Well, NYPD has offered to let us handle the case.�� ������ So if you-- - No, no, no.��Ƞ����6I appreciate that, but it was a few addicts��vC�u@��j򠦡��trying to make a quick buck.���������Isobel, that's it.��k������I'm not so sure about that.��͠�����Case detective thinks that these two perps���C�u���������are responsible for at least ten other robberies.�� 栧��� =Okay. Well, that's your call.��{C�u���ɠ����But I'm good.�� 3����� �If that's what you want, okay.���C�u���r�����If you don't mind, I would prefer���������to keep this private, though.�� �����MYeah, of course.��@C�u@��������Hey. How'd it go with the boss?��)������Good, she just needs me to clean up a report.��K�����"Oh, fun. Well, it'll have to wait.��{C�u��� �����The JOC pulled street cam footage,��T������and they found the dude who was following Marta.�� �C�u@�� Š����We ran facial rec, and that is him--Norm Carver, 35.�� ������ �He has two priors, one for forcible touching,�� 3C�u@��#;�����and one for stalking in the third degree.�� ����� ZHe has warrants out for his arrest on both.��J������Also, he's a security guard off and on,��)C�u��;������so he owns his own handcuffs.��������KOkay. We have an address?�� ������2311, 2313--�� 3C�u��X������It's gonna be right up here.�� d����� �Hey.�����I think I spot him at our two.�� �C�u��v2�����Same height, same build.��������!Yep, that's him.�� 4C�u���ޠ����[honking]��{C�u���Ġ����Stay put.�� ������ �♪ ♪���C�u��痠����Whoa!���C�u���Z�����Norm Carver, you're under arrest.��נ���� .Hey! Hey.��pC�u@��,�����I've had enough, okay? I've had enough.���������Do you understand? - Hey.��J����� �Hey, hey, hey. Is everything okay?��F�����6Yeah, everything's fine.���C�u��.{�����Norm here just doesn't like to listen.��נ���� /Let's give him a chance to, OA.��zC�u��M������Yeah, okay.��Ҡ����)- Are you gonna cooperate? - Yeah.�� ������1Hands behind your back.��OC�u��n������Let's go.��������♪ ♪���C�u���𠝡��No. Don't know her.��O������You sure?�� �����Sure as I can be about something like that.�� �C�u@���Ѡ����What the hell is that supposed to mean?��K������Means I meet lots of women.����� �Some I remember, some I don't.��{C�u��Ҋ�����Okay.��J�ġ���So just to be clear, you don't remember ever meeting her?���C�u���!�����Correct.���������Okay.���C�u���������Well, this is last week.��v������That's you and that's Marta.���C�u@�� �����A man's allowed to walk down the street.��������OWhy are you lying, Norm?����� �Lying?��v�����aYou just said that you don't know her.��EC�u@�� *�����I don't.�������pDoesn't mean I've never seen her before.�������� iYou might want to rethink your strategy here.��TC�u@�� ?,�����Okay, we are investigating a murder.�� ⠤��� 9[suspenseful music]��͠����]What are you talking about?���C�u�� W|�����She's dead. Someone strangled her.�� �š�� ZYou're on the short list of people who could have done it.�� �C�u�� k������I--I thought this was about my outstanding warrants.�� Z����� �I got nothing to do with any of this.�� dC�u@�� �#�����On my mother.�������uI'm sure you love your mother very much,�������� �but we're gonna need more than that.���C�u@�� �٠����Look, I remember walking home,�������� and I saw her near a hair salon.��U������She was cute, so I followed her, hoping to,�� .C�u@�� � �����you know, start up a conversation.��Ҡ����)I'm old-school.��l����� �I like to chat up ladies face to face--�������bdon't like all that swiping left and right nonsense.�� .C�u@�� �󠸡��You like to look them in the eye, is that it?��Ҡ����)That's the best part, seeing the twinkle.�� ᠼ���aI'm sure you love to watch the twinkle disappear,�� �C�u@�� 󍠲���too, right-- the life leave their eyes?��Ƞ����No!��E����� �I followed that lady for a few blocks,���������said hello, then I tried to start up a conversation,�� C�u@�� ������but she was scared, so I stopped talking��͠����$and walked away.������� �- Because you're a gentleman? - Exactly.��)C�u@�� '������Gentlemen don't have priors for stalking��͠����$and forceable touching, Norm.��$������That's all in the past.��vC�u�� =*�����I had a crazy ex-girlfriend.��������TShe got wasted and called the police.��������WYou got a second?���C�u�� V������♪ ♪���C�u@�� k꠫���So NYPD just found another body,��͠����$same MO as Marta's murder--������� �sexual assault, strangulation,���������handcuffs on the wrist this time.��C�u�� �ޠ����- Time of death? - An hour ago.�� ��ʡā �Prince Charming is not our guy. - Okay, are we sure about that?�� �C�u@�� ���ơ��I mean, there's more than one angry white dude in the city.���������Yeah, we checked his phone's location, pulled video.���������He was in Bed-Stuy at the time of Marta's murder,��C�u@�� �Y�����so he's not our guy.��͠����$But I'll make sure he gets booked on those warrants.��$������You guys head down to the scene, okay?���C�u�� �렜���- Okay. - Thanks.�� ܠ���� 3Female, white, age 27, name's Andrea Morris.�� �C�u@�� ������- Any witnesses? - No--not yet, anyway.�� ������ But we're on it. We have agents out canvassing.�������� We got to stop meeting like this.���C�u@�� �.�����- I couldn't agree more. - What's the matter?��q������You guys don't have enough resources?��󠴡�� Forgot how to solve a simple murder case?��������What did you say?�� C�u@�� �����What the hell are you talking about?��k������We are doing everything we can--�������� �everything, do you understand?��v������- Get out of my face. - Or what?��C�u@�� &�����Whoa, whoa, whoa. Omar, chill.�������qOkay. All right.��Ҡ���� �That's enough. Back off. - He's out of line.�� C�u@�� ?�����He's got no right talking that way.�������qYeah, maybe we stop with the jokes, okay?��q����� 9We have two dead bodies.��������'♪ ♪��{C�u@�� k�����Hey.��������KWhat was that all about?�������� 4I mean, the guy was joking.��E������A bad joke, sure, but still.��vC�u�� �������You do not joke about stuff like this.�� .����� �OA's right.��������xThat was out of line.���C�u�� �w�����You good, Omar?�� d����� �Yeah, I'm fine.���C�u@�� �������Poor girl.��O������I can't imagine how scared she must have felt.�� ����� You know, being so alone and so vulnerable.���C�u�� �󠪡��This guy knows what he's doing.�������qHe filed the serial number off of the handcuffs.�� _C�u@�� �ʠ����The ADIC is getting anxious, and the mayor wants�� 4����� �to set up a press conference, so please,��󠴡���tell me something good. - I wish I could.�� �C�u@�� {�����ERT came up empty at the second crime scene.��U������No forensics.��J�����MThe killer's obviously using condoms and gloves.��KC�u@�� -j�����Okay. What about the handcuffs?�������p- Still being processed. - All right.�������� nYou two get over to the crime lab��������and light a fire under their asses.���C�u�� GA�����We have got two murders in two days and not one clue.�� d����� �Hmm, hate to say it, but he's good.�� C�u�� _e�����Now, maybe.�� ������ �What about before? - What do you mean?�� ZC�u@�� r򠴡��Well, he didn't just wake up two days ago��󠥡��Jand become a killer, right?��������HThis guy had a life before. So what was he doing?�� �C�u@�� �}�����What kinds of crimes was he committing?�� ����� ^He didn't go from model citizen to killer overnight.���������Right, he worked his way up to the big leagues,��$C�u@�� �������started small. - Harassment, stalking.�� Y����� �Yeah, and then moved on��E�����Mto more serious crimes, like rape.���C�u@�� �B�á��And got better along the way, learned from his mistakes.��������PRight.������� �All right, people, let's start digging��K�á��binto recent sexual assault cases in the Lower East Side.��TC�u@�� �O�����Scrub any and all police reports��v������within the last three months.��@����� dLook for victims that match the profile��E�����of our two recent murder victims.���C�u�� 񚠰���All right, grab your hoes and spades.��E������Get to work.������� [phone buzzes]��KC�u�� o�����Detective Chavez, I don't have a lot of time.�� 렱��� BI'm in the middle of an investigation.��KC�u@�� 'S�����I won't be long, promise.��k������I just want to go over your police report,��K����� dsee if you remember anything that might be helpful.�� ^C�u�� =l�����What does that mean?��)������Excuse me?���������I told the cop everything that happened.��vC�u@�� T �����I know, it's just that, sometimes,���������people remember things down the road, you know?��������RIn the moment, there's so many emotions.��TC�u�� m�¡��It's like, you can't really process what just happened.�� ������ �Yeah, I get it. I do this for a living.�� 9C�u@�� �������No, you solve cases for a living.�� .����� �It's, uh--it's different.��Ҡ�����Okay, well, like I said, I don't have a lot of time.�� 3C�u@�� �������You told the responding officer that���������you didn't see either of the perps' faces.��������HIs that true?��)C�u�� �������Of course I did, I-- it just happened fast.�������tYou described the female assailant as white,�� .C�u�� р�����thin build, average height.�� i����� �Anything else you want to add-- tattoos, scars?��HC�u�� �ߠ����Uh, no.��v������That's, uh, everything that I remember.��Ǡ���� �And the male assailant,��zC�u@��������wearing a hoodie, medium height and build?��J������That's correct.��͠���� �And you said neither one actually attacked you.���C�u����¡��They just asked for your wallet and you handed it over?�������\Yep.���C�u��3���Hmm.��������Look, Omar, these two perps have been pretty active,�� dC�u��PS�����and they're getting more and more violent too.��������PThey're flashing guns, pistol-whipping people.�� �C�u@��e������We need to get them off the streets.��������UAnd I wish I could help you. I really do.��T�����But I saw what I saw.�� dC�u@���N�����Would you be willing to look at some photos?���������I told you, I saw what I saw.��󠼡��"I know you didn't get a good look at their faces,��kC�u@���3�����but sometimes, seeing a picture stimulates��p������a victim's recollection.��v�ġ�� �Helps people remember things that they wouldn't remember.���C�u���𠿡��Detective, I did not get a good look at their faces.��ˠ����"Okay?��uC�u���ޠ����You can save this victim self-help crap��{������for someone else.�������� �[tense music]�� 8C�u���T�����♪ ♪���C�u@���l�����This guy is picking up the pace�����Eand we are no closer to identifying him.��E����� �Where are we at with the prior police reports?�������HAny similarities worth chasing?���C�u@�� ������We might have something.���������NYPD filed a report three weeks ago�� �����babout a young woman who was assaulted.��)C�u@��09�����- Uh-huh. - Hmm.����ǡ���Those abrasions certainly look like they're from restraints.�� Y������Who is she and what do we know?��KC�u@��G������Citra Susanti, 25, claims a guy in a ski mask�� 栤��� =dragged her into an alley,��͠����aused a zip tie to bind her hands.���C�u@��b �����All right, good. I mean, zip ties,��@������not handcuffs, but close enough.������� It still fits the killer's profile.��q������- Then what happened? - Nothing.���C�u@��{2�����According to the report, she managed to fight him off.��������UAnyone identified or taken into custody behind it?����¡��,Negative--the cop who wrote the report noted the victim�� .C�u@���㠭���was reluctant to file a complaint.��K������The only reason she did was,�������� �a witness heard her screaming, called the police.��Ƞ�����Understandable.���C�u@���������It's not easy coming forward after being attacked.��)�á���All right, why don't you two go talk to this young lady?��Ƞ�����Kelly, send them the address. - Sure.�� �C�u���6�����Maybe she saw something that'll help.���C�u@���à����My memory of that day is a little foggy, I'm sorry.�� ������ I understand.��q������We just still need to ask you some questions.��OC�u���H�����What do you want to know?�������vCan you tell us what happened from the beginning?�� �C�u��C�����I was out to dinner with friends,�� Z����� �and I was walking home when I saw him.�� �C�u��.堢���He just moved toward me.�� ������ �Did you see his face?��@�����}No. He was wearing a ski mask.�� �C�u��J������Okay.��������OWhat happened next?�������� C[suspenseful music]�� C�u��b<�����♪ ♪�������lHe grabbed me.�������� oAnd then he dragged me behind a building.�� .C�u@�y0�����He tried to bind my hands, so I bit him.�� 3�á�� �But he had gloves on, so I had to bite down really hard.�� �C�u���֠����He--he ran away.��͠����$Is there a problem?�������� No, not at all.�� �C�u���������We're just trying to understand what happened.��J������She just told you.��à���� �I know that.��TC�u���&�����But the crime scene photos tell a different story.�� ������ They show that Citra's wrists had abrasions.���C�u��׊�����- Are you saying she's lying? - No, absolutely not.��"�����yWe're just saying that injuries like that��vC�u@���Р����indicate that she was fully restrained.��͠����$What difference does it make?��̠����HA man attacked her, but she's still alive.���C�u@��]�����End of story.���������It's not as simple as that, ma'am.����á�� �We believe the man who attacked Citra may have also just�� �C�u��U�����killed two other women, so we were hoping�� ������ for some sort of information to help us identify him.���C�u��:|�����I just want to be clear, okay?��Ҡ�����This man didn't hurt you?���C�u��N������No.��à����Like I said, I bit him and he ran.�� ������,Okay.��)C�u@��hc�ʡāI know you didn't see his face, but did you see his skin color?�� ������ �Do you remember his height or his build, anything?�� �C�u���������I remember seeing his wrist.��$�����{He was white or light-skinned.�� CC�u���������And he was average height and weight, I think.��x������It's hard to remember.�� �C�u���W�����I honestly can't remember a lot about that night.�� ������ �For the better.���C�u���ʠ����- Can you just-- - We understand.�� ������ And we appreciate your help.���C�u���@�����If you remember anything else, please give us a call.�� o����� �♪ ♪���C�u@�� ������There's more than she's saying.�������qIt's possible, but she needs time.�������� nLook, I'm not judging her, OA, trust me,�� �C�u@��%D�����but she's holding back.��������I can see it in her eyes.��͠���� 8Well, maybe it's pain.��������+Or maybe it's fear or humiliation,��{C�u@��>A�����or the fact that her parents are hovering over her,��v������forcing her to pretend that it never happened.�� >�����bAll right, that can't help either.��C�u@��W�����Right? - Yeah.��à����Yeah, you're right, but-- - But what?��U����� �But it doesn't mean that I'm wrong, okay?�� �C�u@��n࠾���And I'm not trying to blame her or revictimize her.�� ��á�� I'm just frustrated, okay, because I wanted more answers�� C�u���Q�����so that we can catch this guy before he hurts��Ҡ����)or kills other women.�������� >♪ ♪���C�u@���������Still got a killer on the loose,��������Tso we're hoping for good news and good news only.��������WWell, I am doing my best, but--�� �C�u���Š����Not the start I was hoping for.�� C����� �No fingerprints on the handcuffs.��OC�u����š��Did find DNA, but it belongs to our victim, Andrea Morris.�� ������ �- So we got nothing. - Not exactly.�� �C�u@���͠����Serial number was filed off,�������qwhich initially made it difficult��@����� to determine the place of sale.��Ƞ����'- Initially? - Yeah.��vC�u@�� ������I remedied it by using a technique��)������we normally use on firearms--��נ�����applied some reagents, etched the metal.�� �C�u@��(������The number reappeared. - Hmm.�� ����� _We're gonna need that serial number��������Hto ascertain the seller.�� C�u��@(�����That's nice work.��v������A slow start, but finished with a flourish.�� �C�u��U<�����[chuckles]�������� �[indistinct chatter]�� >C�u��l������Interesting.��������OI've never been in one of these stores before.��à���� iMe neither.�� 3C�u@���z�����Special Agent Scola. This is Special Agent Wallace.��נ���� .We need to ask you a few questions.��K������What about?��C�u���������A pair of handcuffs that were sold here���������used in a crime.������� ^What kind of crime?���C�u���M�����We can't say, but your cooperation is important.�� i����� �Look, I'm as pro law enforcement as they come,�� �C�u@���@�����but if you won't tell me what happened,��v������I can't help you, can I?������� CIt's simple, sir.��������6We just need to know who bought these handcuffs.��qC�u@���>�����And that means we're gonna need access��{������to your sales records, any video footage you have���������covering the cash register area.�� dC�u@���à����Yeah, sorry. That's not gonna happen.�� _����� �I mean, my boss would kill me.��{�ơ���The dude is super against any sort of government overreach.���C�u��N�����So unless you got a warrant, I can't help you.�� 8����� �We do.���C�u��-Ӡ����- Do you mind if I take a look? - Please.�� ������ You can read it, frame it,�� ZC�u��A������put it on your wall if you want.�� d����� �We're not leaving until we have those records���C�u��U������and that footage.��������UAre we clear?���������Yeah.��bC�u@��t������Kelly, where are we at with that surplus store info?���������Well, the inventory list shows only one pair of cuffs�� �����Wwas sold in the past two weeks.��$C�u@���^�����Trouble is, I've been scouring credit card receipts��P������and can't find any charges that matches������� the purchase of the cuffs.��à����1Well, maybe he paid in cash.���C�u@���������What about the cameras covering the cash register?��͠����$Yeah, I think I might have something.��������!Obviously, there's no audio to go with the footage.���C�u@���������That's all right.��頮���@A picture's worth a thousand words.��@������Throw it up. Let's see this guy.�������� �Well, it's not a guy.���C�u���i�����Does she pop on facial rec?���������Yes. Got an immediate hit.��Ҡ����'Barbie Simmons, 35,�� 8C�u@�������has two prior arrests for solicitation.�� ����� dWhat else do we know about Barbie?��K�����Um, arrests were made by undercover vice cops�� 3C�u��������conducting sex-for-hire stings.�� ������ She apparently specializes in bondage and roleplaying.���C�u@��9�����Hmm. Do we have an address on her?�������vYes, an apartment over in Queens.�� .������All right, well, obviously she's not our rapist,���C�u@��P2�����but send Tiff and Scola over nonetheless.�������vYeah.�������� _[suspenseful music]��U����� [phone buzzes]�� 8C�u��n̠����[knocking]��������FBI, open the door.�� .�¡�� �Jubal says her phone is still pinging at this location.���C�u@���c�����[knocking] - Come on, Barbie.��͠����$You can open it up, or we can kick it down.��頛��� dIt's your choice.��UC�u@���s�����What's going on?���������The woman who stays here, you seen her today?����� 8No, sorry.��F������And where's the super stay?��pC�u��������You're looking at him.��q������- You got the key? - Sure do.�� �������♪ ♪��bC�u���l�����FBI.���C�u���/�����Barbie Simmons?��Ҡ����)Anybody home?���C�u��F�����The closet's clear.���������♪ ♪���C�u��Bu�����We got a body.��fC�u��[r�����I'm guessing that's Barbie.��$C�u@��}G�����Death appears to be from a violent strangulation,��נ���� .and based on the advanced levels of decomposition,�� 4C�u@��������I'd estimate she was killed about two weeks ago.�� ��ǡ�� �Hard to determine exactly when until I get her on the table.�� �C�u@��������What about the trauma to her face?��Ǡ����Was that before or after death?��K����� �Looks like it was inflicted post-mortem.�� =C�u@���\�����Son of a bitch couldn't get enough��@������even after she was dead.���������Probably got upset she died, so he got angry���C�u���⠣���and started punching her.���������Who knows what was in this guy's head.�� dC�u@���t�����The good news is, looks like he left behind��$�����{some leather fragments.�� �������- So he was wearing gloves? - It appears that way.���C�u�� �����I'll run them for DNA.��O������It's a long shot, but uh, you never know.�� �������Thanks, Neil.���C�u@��%������[suspenseful music]���������- Any luck with ERT? - Nothing.���������No working security cameras in the building.��UC�u@��?�����They think that the suspect wiped the apartment down���������with liquid bleach.�������� �They found a bottle discarded in the kitchen.�� �C�u@��V �����He left the windows open, too, to air it out��������Uand delay the discovery.��l����� This guy's always thinking.���C�u��k�����Well, it's time to stop admiring his work�������vand nail his ass.��C�u��������Yeah, I appreciate it.�� i����� �Okay, so the medical examiner just confirmed���C�u����ġ��that Barbie Simmons was killed approximately 12 days ago.�� ����� dSo that makes her our first victim.�� �C�u@���f�����Okay.��Ƞ����Where are we with the leather fibers?����� dUh, they found two samples, one was Barbie Simmons,�� C�u@���$�����and the other one was an unknown female��P������of Southeast Asian descent.��נ�����- So we're thinking Citra? - I mean, it has to be.���C�u@���M�����She said she bit down hard on her attacker's glove.��U������Hey, uh, there's a Detective Chavez�� ܠ�����waiting in the boardroom, says he wants to talk to you���C�u��� �����about a photo array.��������OA photo array?��Ƞ���� nUh, yeah, unrelated to this case.�� C�u@��S�����You couldn't call before showing up, detective?��{������Tried. You didn't pick up.�� �����,That is because I am in the middle of an active case.�� .C�u@��:�����So am I.�� Z����� �Patrol units just called me a few minutes ago.��נ�����Looks like the two perps that attacked you��C�u��SY�����just robbed another guy.��󠤡��JOkay. You can talk to him.������� �Can't. They shot him.�� �C�u��j!�����What?�� ����He's in bad shape, too.��$����� �On the operating table as we speak.�� �C�u@���������So with all due respect, showing up unannounced�� ������ isn't my biggest concern.��������You are correct.���C�u���������My apologies. I am sorry.�� 젽��� CI put together a photo array of potential suspects���C�u@���Р����hoping you'll take a look.��頠���@Might jog your memory.��󠭡�� �It's called guided visualization--��Ƞ�����pictures, objects, locations.���C�u��Ɲ�����Seeing them sometimes jogs repressed memories.�� ������ �♪ ♪�� �C�u��ޕ�����Give it a shot, Omar.����� �What's the harm in looking?��JC�u@���������Um, I will.�� ������ �I'm a little distracted right now.��E������We just got a lead on our serial killer, but today.�� C�u��!������I promise, you have my word.�� ������ �I appreciate that, Omar.��à�����No, thank you.���C�u��@٠����Thank you.��f����� =- Hey. - Hey, what's going on?���������Nothing.���C�u��X������Come on, don't do that.��󠵡���- Do what? - Pretend like nothing's wrong.���C�u��o𠩡��I'm your partner. Just tell me.�� �C�u@���O�����Two punks tried to rob me this morning.�� ������ The detective has some photos.��v�š���He wants me to take a look, see if I can identify anybody,���C�u���~�����but like I told him this morning,��̠á��#I didn't get a good look, because it was not a big deal.�� >C�u@���6�����Okay, well, I'm sorry that you--��P������OA, where are you going?��������~I want to go talk to Citra again,��C�u@���$�����alone this time, if you don't mind.���������The detective gave me a new angle������� dthat we haven't tried yet.��K�����I think it can work.��@C�u���������Okay.�������p♪ ♪���C�u@��V�����I don't know what else I can tell you.�������uMy memory of that night is limited.������� �I'm sure that it is.��E������But like I said, the man that attacked you���C�u��Ѡ����killed three other women.��$�����{This is important.��k����� =I get it, I do.���C�u��0 �����But I never saw the person's face,���������and I already told you what I remember.�� 접���6I know.��)C�u��K ����But maybe we can try again, because Citra, sometimes,�� 񠬡��Hwhen something like this happens,�� YC�u��c������your brain plays a trick on you.�� ݠš�� 4Like it deletes some memory so that you don't have to deal��sC�u@��|��ġ��with what really happened, so that you don't have to talk�� ������ �about it with your friends or your family,���C�u���Ƞ����and feel the embarrassment or the judgment,�� ����� ^as if, somehow, you getting attacked was your fault.���C�u���H�����I know what you mean.��T�á���I keep replaying that night, wondering why he picked me.�� �C�u���;�����I know.��F������I get it, trust me, but�� .�����"you know that this was not your fault, right?�� C�u���Ơ����No, I don't.�� ������ �I--I was in inappropriate clothing.�� �C�u���~�����No.�� /����� �There is no such thing. Okay?�� ^C�u��������You can wear whatever you want, wherever you want to.��q������It was sinful.���C�u��V�����Even if it was, okay, the Koran says,��ՠ����,we are all forgiven our trespass,��pC�u��2I�����and that we must tell the truth.�� 砐��� >Right?��Ƞ����]So now that we are here,��)C�u��M&�����in the place where he first grabbed you,���C�u��ck�����I need you to try and remember that night��q������one more time.���C�u��~�����- I don't want to. - Please?�� ������ Just try.���C�u@��������It's called guided visualization.�� ����� _And I think it might help.��������[apprehensive music]�� 8C�u���i�����♪ ♪���C�u���*�����He didn't just grab me.�� ������ �He tried to assault me s--sexually.���C�u�������He--he zip tied me and pushed me to the ground,��ՠ����,and he--he took his pants off.��MC�u@��9�����But then I bit him.�������vAnd I scratched him too.���������I must have cut him, because later, when I got home,�� C�u��QB�����I saw his blood on my blouse.��J����� �He got his blood on your shirt?���C�u��tG�����Did you wash it? - No.�� 4����� �It's at the bottom of my closet.���C�u���l�����That's really good, Citra.��󠛡�� �Citra, thank you.��C�u���H�����Thank you.��������sThe lab is running the blood on Citra's blouse.���C�u@���䠼���We should know something soon. - Fingers crossed.���������Hey, do you really think that she didn't remember��������Muntil today, or she just didn't want to talk about it?�� C�u��א�����Uh, I don't know.�� ⠕��� 9Maybe both.��J������But I'm gonna go talk to Chavez.��OC�u��������Yeah?���������I thought you said you didn't get a good look.���������I didn't.��KC�u��������Nina, I didn't, or I didn't think I did,�� ������ �but after talking to Citra, I got to try.�� �C�u�� ֠����Yeah, maybe you just needed more time.�������sIt's not easy being a victim.�� �C�u��:+�����Really messes with the way you see things.���������I'm not trying to upset you. I--��HC�u��XŠ����It's not that.��f����� �What?�� 3C�u��o �����The perps that mugged me shot someone.���������He's in critical condition.���C�u���)�á��The detective doesn't know if he's gonna make it, and...��H������he's got a family, and--�� nC�u���������Hey, go easy on yourself.�� d����� �You were mugged. And you are a victim.�� �C�u���������And I don't care who you are or what you do,��������Tthat's really heavy stuff.�� ������♪ ♪��C�u��򠠐���There.�������� dThat's him.���C�u��۠����You sure?���������I'm positive.��gC�u�������Okay. Good.��������\And that is her, the female perp.�� _C�u��8(�����No doubt about it.�������1These were the two we've been tracking.��{C�u@��R+�����We just wanted one more positive ID�����Ebefore getting a warrant.�� ݠ����yI'm sorry that it took so long.�� �C�u��m᠘���Is what it is.�������� The victim that they shot, how is he?��$�����~I'm not sure.��EC�u@���������The last I checked, he was in rough shape--��͠����$touch and go.�� d������Thanks for your help, Omar. - Yeah.��)C�u@���_�����Thank you. Hey, DNA came back.�� ������ We got a hit.��Ҡġ��1Looks like this son of a bitch was hiding in plain sight.�� C�u���������It's the clerk from the surplus store.��U������[suspenseful music]���C�u���ꠎ���FBI.���������Hands where we can see them.��{����� �Federal agents.��)C�u@��0�����Where's Jason? - Why? He in trouble?��@������- Answer the question. - He left.��@����� .He got off shift like, ten minutes ago.��Ҡ����W- On foot? - Yeah.��$C�u@��/�����- What direction did he go in? - I'm not sure.�����EHe's not here.����š�� �I saw him talking to a girl shopping for some cargo pants.�� /C�u@��E�����- Did she leave with him? - I guess.��������TI got a little busy, but definitely looked like��$������they were vibing, so probably.���C�u@��\;�����Jubal, Jason's not here.�� ����He left with a girl about ten minutes ago.�������� Copy that. Standby.��Ǡ����+Elise, when you pinged Jason's phone,��EC�u@��s�����he was at the surplus store, right?�������pYes, or at least in that general area.��������sYeah. Can you ping it again?��{C�u@���H�����Cell coverage in that area is a little spotty,��������Oso I can't give you an exact location,���������but it shows he's still within a few hundred yards���C�u@���1�����of the surplus store.��󠼡��JOA, his cell is still pinging off the same tower,�� 4������so he's still somewhere in that area.�� �C�u@���砫���Copy that. Okay. Let's split up.�� ����� ZCheck restaurants, bodegas, anywhere this guy������could be with this girl, yeah?���������[tense music]�� �C�u��ڷ�����Excuse me, sir? Have you seen this person?�� _����� �- No. - All right.���C�u�� p�����Excuse me? Have you seen this guy?�� ^C�u�� %������[woman screams]�������k♪ ♪���C�u@�� Pޠ����[woman begging indistinctly]�� 񠬡��HGuys, I just heard a woman scream��頯����one block east of the surplus store.���C�u@�� i������I'm checking it out now. - Okay. Copy that. On my way.�� ����� d[woman screams]���������I think it came from one of the shipping containers.���C�u�� �6�����I'm right behind you.��E������[woman grunting, screaming] - Shut up! Shut up!���C�u�� �9�����Hey! FBI!�� .����� �Show me your hands!��)�����Here's here, guys. Send backup.��JC�u�� �ߠ����Help is coming.�������lHey. I got her. Go.�������� �♪ ♪��C�u�� �Q�����Let's get these off. I got you, okay?�� ܠ���� 3It's all right.��)C�u@��!�����NYPD is arriving on the scene.��͠����$They should have it contained in the next few minutes.��󠠡�� nWhere are you exactly?���C�u@��!8 ����I'm in the rear of the warehouse.��J������I lost sight of the suspect,�������� �but he's got to be in here somewhere.��J�����1Hold your position. We're headed towards you.��TC�u��!S������♪ ♪��C�u��!�~�����[groans]��aC�u��!�蠙���[both grunting]�� �C�u@��"a�����What's the matter, Jason?�������uYou don't like being on the other side of this?��q����� =Hey, hey, hey! OA, OA, OA!�� _C�u��"2T�����Enough, enough, enough.��l������Back off. - Okay, okay, okay.�������� �You got him. You got him.���C�u��"J������- I got him. - You got him. It's good.�� Y����� �♪ ♪��C�u��"r������- Is the girl okay? - Yeah, she's fine.��v������Come on. Take a breather. It's over.�� �C�u��"�������[panting]�� 3�����}You did good.��UC�u@��"�Р����Thank God you got the bloody shirt���������from Citra, otherwise that girl would have been dead.�� ⠪���1I could have gotten it earlier.��JC�u@��"�Ơ����If she didn't block it out.���������If she gave it to us earlier. - Hey. Hey.��P����� �No. Don't say that.��$C�u��"�۠����It's the truth.���C�u��"Ꞡ����If she gave NYPD the bloody shirt��)������at the beginning, if she--�� �C�u@��"�[�����if she remembered, then three other girls�� Š����would be alive right now.��l������She did the best that she could.���C�u@��#-�����She was humiliated and traumatized�� d����� �and scared to tell the people that she loves��������what actually happened to her.�� C�u��#6������OA.���C�u��#J������I think she's amazing.��נ���� .And I don't blame her,��Ƞ����Mnot one minute, for what happened.��JC�u@��#j�����Okay, she worked through her pain��J������and her fear and her anger,�� _�ơ��Wand she found the courage to remember what happened to her.�� 8C�u��#������[apprehensive music]�� ����� ^♪ ♪�� C�u��#�Z�����You're right.�������Thank you.���C�u@��#������Hi, I'm looking for a patient��v������who sustained a gunshot injury earlier today.���������I'm not sure his name.��#C�u��$ʠ����Um, Peter Atkins.�� c����� �And he's still here?��E�����WHe's in the ICU, recovery room 4A.���C�u��$4B�����Okay. Any idea how he's doing?�� ������ No, I'm sorry.�������yAll right, thank you.���C�u��$Qנ����[pensive music]�� 8����� �♪ ♪��C�u��$����What are you doing here?�������]I, uh, I just wanted to make sure that he was okay.���C�u��$�"�����What about you?��Ҡ����)We just collared the perps.�� ������I just came here to deliver the good news.���C�u��$�������Nice.���C�u��$ѯ�����End of the day, we're just people.��������UBadge or no badge.������� �You know what I mean?�� 3C�u��$�������Yeah.��領���@♪ ♪�� C�u��%wE�����[dramatic music]�� ������ ♪ ♪���C�u��%������[wolf howls]��64490

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