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1
00:01:35,530 --> 00:01:38,924
♪ I FOUND A ROSE
2
00:01:39,055 --> 00:01:44,669
♪ IN AN OLD MISSION TOWN
3
00:01:44,800 --> 00:01:52,286
♪ ROSE ANNE OF SAN JOSE
4
00:01:54,592 --> 00:01:58,161
♪ SHE WAS A DREAM
5
00:01:58,292 --> 00:02:03,601
♪ IN AN OLD FASHIONED GOWN
6
00:02:03,732 --> 00:02:10,782
♪ ROSE ANNE OF SAN JOSE
7
00:02:13,176 --> 00:02:16,788
♪ WE MET QUITE BY CHANCE
8
00:02:16,919 --> 00:02:20,966
♪ IN A GARDEN
9
00:02:21,097 --> 00:02:25,493
♪ NEAR THE CHAPEL
10
00:02:25,623 --> 00:02:30,019
♪ BY THE SHRINE
11
00:02:31,586 --> 00:02:34,980
♪ I KNEW AT A GLANCE
12
00:02:35,111 --> 00:02:39,550
♪ SHE WAS LONELY
13
00:02:39,681 --> 00:02:48,037
♪ BUT I SAW
SHE COULD NEVER BE MINE ♪
14
00:02:50,344 --> 00:02:53,347
♪ THERE ON HER HAND
15
00:02:53,477 --> 00:02:58,700
♪ WAS A PLAIN YELLOW BAND
16
00:02:58,830 --> 00:03:06,447
♪ AND SO I RODE AWAY
17
00:03:08,492 --> 00:03:16,239
♪ EVER TO REMEMBER
18
00:03:16,370 --> 00:03:27,032
♪ ROSE ANNE OF SAN JOSE ♪
19
00:04:19,998 --> 00:04:23,393
DAD BLAME THIS ROTTEN,
SHOOTIN'....THING.
20
00:04:23,524 --> 00:04:26,266
I'LL HIT THIS JUG
THIS TIME, OR I'LL...
21
00:04:26,396 --> 00:04:28,398
WELL, I WILL, THAT'S ALL.
22
00:04:36,450 --> 00:04:38,278
SOAPY!
23
00:04:39,366 --> 00:04:40,410
SOAPY JONES!
24
00:04:40,541 --> 00:04:41,759
YES, MA'AM?
25
00:04:41,890 --> 00:04:43,979
YOU HAVE ANOTHER
WINDOW PANE TO PAY FOR.
26
00:04:44,109 --> 00:04:46,111
MARY ANNE,
THAT'S ALL I DO,
27
00:04:46,242 --> 00:04:48,984
IS PUT IN NEW W-W-W-W--
THEM NEW GLASSES.
28
00:04:49,114 --> 00:04:51,203
YOU'VE BEEN WARNED
TIME AND AGAIN--
29
00:04:51,334 --> 00:04:52,727
IF YOU MUST PRACTICE,
GO OUT IN THE HILLS
30
00:04:52,857 --> 00:04:54,250
WHERE YOU CAN'T
DO ANY DAMAGE.
31
00:04:54,381 --> 00:04:56,034
WHAT TIME DO I GOT
TO GO TO THE HILLS?
32
00:04:56,165 --> 00:04:57,688
ALL I GOT TIME TO DO
IS COOK.
33
00:04:57,819 --> 00:05:00,561
HEY, I GOTTA GET CHOW READY NOW.
34
00:05:00,691 --> 00:05:02,824
WHERE DID UNCLE WALT
GO THIS MORNING?
35
00:05:02,954 --> 00:05:05,392
I DON'T KNOW,
BUT HE SHOULD BE
ON HIS WAY BACK BY NOW.
36
00:06:33,393 --> 00:06:35,656
WHAT'S THIS I HEARD
ABOUT BIG WALT JARVIS?
37
00:06:35,786 --> 00:06:39,137
SOMEBODY DRY-GULCHED HIM
ON HIS WAY HOME FROM TOWN.
38
00:06:39,268 --> 00:06:40,791
THIS YOUNG FELLER
BROUGHT THE BODY IN.
39
00:06:40,922 --> 00:06:42,576
DID YOU SEE HIM
DRY-GULCHED?
40
00:06:42,706 --> 00:06:44,142
I DID.
41
00:06:44,273 --> 00:06:45,796
WHAT DID THE KILLER
LOOK LIKE?
42
00:06:45,927 --> 00:06:47,755
I DIDN'T GET A LOOK
AT HIS FACE,
43
00:06:47,885 --> 00:06:50,279
BUT HE'S WEARIN'
STORE CLOTHES.
44
00:06:50,410 --> 00:06:52,716
THAT DESCRIPTION
COULD FIT A LOT OF PEOPLE
AROUND HERE.
45
00:06:52,847 --> 00:06:54,979
THAT'S WHAT I WAS SAYING
WHEN YOU WALKED IN.
46
00:06:55,110 --> 00:06:56,720
HOW DO WE KNOW HE
DIDN'T DO IT?
47
00:06:56,851 --> 00:06:58,592
DID YOU TAKE A LOOK
AT HIS GUN?
48
00:06:58,722 --> 00:07:00,463
ONE OF 'EM'S BEEN FIRED
WITHIN THE LAST FEW HOURS.
49
00:07:00,594 --> 00:07:02,813
I FIRED IN THE AIR
A COUPLE OF TIMES
TO WARN JARVIS.
50
00:07:02,944 --> 00:07:04,032
JUST PASSIN' THROUGH HERE?
51
00:07:04,162 --> 00:07:06,600
COULD BE.
52
00:07:06,730 --> 00:07:08,558
WHAT'S YOUR NAME?
53
00:07:08,689 --> 00:07:10,865
EDDIE DEAN--
BUT WHAT'S IT TO YOU?
54
00:07:10,995 --> 00:07:13,433
YOU'RE IN FOR
A HEAP OF TROUBLE, DEAN,
55
00:07:13,563 --> 00:07:15,435
I'M JUST TRYING
TO HELP YOU OUT.
56
00:07:15,565 --> 00:07:17,698
WHAT KIND OF TROUBLE?
57
00:07:17,828 --> 00:07:20,440
LOOK HERE, MR. DEAN,
A MAN WE ALL RESPECTED
58
00:07:20,570 --> 00:07:22,920
HAS BEEN KILLED
FOR NO APPARENT REASON.
59
00:07:23,051 --> 00:07:26,750
NATURALLY, YOU BEING A STRANGER,
YOU'RE UNDER SUSPICION.
60
00:07:26,881 --> 00:07:29,666
AND YOU DON'T TELL
A VERY CLEAR STORY.
61
00:07:29,797 --> 00:07:32,713
HE'S PROBABLY LYIN',
LET'S SHOW HIM
WHAT WE DO TO KILLERS.
62
00:07:35,933 --> 00:07:38,458
HOLD IT! BREAK IT UP!
63
00:07:38,588 --> 00:07:39,589
BREAK IT UP!
64
00:07:41,286 --> 00:07:43,506
NOW, GET THIS STRAIGHT.
65
00:07:43,637 --> 00:07:46,074
I'M PUMPIN' LEAD
INTO THE FIRST ONE OF YOU
THAT STARTS ANY TROUBLE.
66
00:07:46,204 --> 00:07:47,815
NOW GET OUT.
67
00:07:53,951 --> 00:07:55,605
I'LL TAKE YOUR GUNS, DEAN.
68
00:07:55,736 --> 00:07:58,390
YOUR FRIENDS DON'T SEEM TO
LIKE ME VERY WELL.
69
00:07:58,521 --> 00:08:00,392
BARNEY JUST LIKES
TO FEEL IMPORTANT.
70
00:08:00,523 --> 00:08:03,308
I'M GONNA HAVE TO
LOCK YOU UP
71
00:08:03,439 --> 00:08:04,527
TILL WE GET THIS
STRAIGHTENED OUT.
72
00:08:07,312 --> 00:08:09,271
DID YOU HEAR ABOUT
BIG WALT JARVIS?
73
00:08:09,401 --> 00:08:11,665
YEAH, I HEARD HE GOT SHOT--
WHO DID IT?
74
00:08:11,795 --> 00:08:13,710
WELL, THE SHERIFF'S
HOLDING A FELLA NAMED DEAN.
75
00:08:13,841 --> 00:08:15,495
DO YOU THINK HE'S GUILTY?
76
00:08:15,625 --> 00:08:17,540
MAYBE, MAYBE NOT--
IT ALL DEPENDS.
77
00:08:17,671 --> 00:08:19,194
WHAT DO FOLKS IN TOWN THINK?
78
00:08:19,324 --> 00:08:21,675
THEY THINK HE'S GUILTY.
79
00:08:21,805 --> 00:08:23,241
POOR OLD WALT.
80
00:08:23,372 --> 00:08:24,982
HE FOLLOWED
HIS BROTHER JIM
81
00:08:25,113 --> 00:08:27,158
TO THE GRAVE
IN LESS THAN SIX MONTHS.
82
00:08:27,289 --> 00:08:30,466
TOO BAD--A COUPLE OF FINE GENTS
IF I EVER SAW ANY.
83
00:08:30,597 --> 00:08:33,121
AND JUST TO THINK THAT
NEITHER ONE OF 'EM
84
00:08:33,251 --> 00:08:35,036
EVER KNEW WHAT THEIR PROPERTY
WAS REALLY WORTH.
85
00:08:35,166 --> 00:08:37,604
HOW ABOUT MARY ANNE?
86
00:08:37,734 --> 00:08:39,606
NOW THAT HER FATHER
AND UNCLE ARE BOTH GONE,
87
00:08:39,736 --> 00:08:41,390
I DON'T KNOW OF
ANYTHING IN THE WORLD
88
00:08:41,521 --> 00:08:42,957
THAT WOULD WANT TO
MAKE HER STAY ON THAT RANCH.
89
00:08:43,087 --> 00:08:45,394
WELL, I GUESS AS
THE FAMILY LAWYER,
90
00:08:45,525 --> 00:08:49,354
IT'S UP TO ME
TO BREAK THE NEWS TO HER,
MUCH AS I HATE TO.
91
00:08:49,485 --> 00:08:52,227
BUT YOU HAVE TO TAKE
THE BAD ALONG WITH THE GOOD.
92
00:08:52,357 --> 00:08:55,099
IN CASE MARY ANNE DOES DECIDE
TO SACRIFICE HER RANCH,
93
00:08:55,230 --> 00:08:57,232
CAN YOU RAISE THE MONEY
IN A HURRY?
94
00:08:57,362 --> 00:08:58,363
I'VE ALREADY GOT IT.
95
00:09:02,629 --> 00:09:04,587
IT'S ABOUT YOUR UNCLE WALT.
96
00:09:04,718 --> 00:09:08,069
I'D SOONER TAKE A BEATING
THAN BRING YOU SUCH BAD NEWS.
97
00:09:08,199 --> 00:09:10,550
WHAT IS IT, MR. GUNDERSON?
98
00:09:10,680 --> 00:09:13,248
HE WAS SHOT, AMBUSHED.
99
00:09:13,378 --> 00:09:15,772
HE ISN'T DEAD, IS HE?
100
00:09:15,903 --> 00:09:19,210
YES, MARY ANNE,
HE WAS KILLED INSTANTLY.
101
00:09:26,087 --> 00:09:28,176
[ Mary Anne crying ]
102
00:09:28,306 --> 00:09:31,658
COME, MY DEAR,
YOU MUST GET AHOLD OF YOURSELF.
103
00:09:34,835 --> 00:09:37,664
THIS RANCH HAS BROUGHT
NOTHING BUT TROUBLE AND SORROW.
104
00:09:37,794 --> 00:09:40,101
I WANT YOU TO
SELL IT RIGHT AWAY,
105
00:09:40,231 --> 00:09:42,669
I DON'T WANT TO STAY HERE
ANY LONGER THAN I HAVE TO.
106
00:09:42,799 --> 00:09:45,672
WELL, NATURALLY I'LL TRY,
IF YOU INSIST.
107
00:09:45,802 --> 00:09:47,064
I DO INSIST.
108
00:09:47,195 --> 00:09:48,805
BUT YOU MUST UNDERSTAND
109
00:09:48,936 --> 00:09:50,546
IT'S NOT EASY TO DISPOSE OF
A RANCH OF THIS SIZE.
110
00:09:50,677 --> 00:09:52,548
IT MIGHT TAKE SOME TIME
TO FIND A BUYER.
111
00:09:52,679 --> 00:09:55,072
I DON'T CARE
WHAT I GET FOR IT,
JUST SELL IT.
112
00:09:55,203 --> 00:09:57,379
I'LL DO THE VERY BEST I CAN.
113
00:10:19,096 --> 00:10:21,055
[ whistles ]
114
00:10:25,668 --> 00:10:27,104
[ whistles ]
115
00:10:33,763 --> 00:10:35,896
HOW'S EVERYTHING COMING?
116
00:10:36,026 --> 00:10:38,159
THE FURTHER I DIG,
THE RICHER IT GETS.
117
00:10:38,289 --> 00:10:40,857
THERE'S A MILLION DOLLARS
WORTH OF ORE IN THE HILL,
118
00:10:40,988 --> 00:10:42,250
OR MY NAME AIN'T JED GRIMES.
119
00:10:42,380 --> 00:10:43,730
WELL, KEEP RIGHT ON.
120
00:10:43,860 --> 00:10:45,340
IN A FEW DAYS,
WE'LL HAVE EVERYTHING SET.
121
00:10:45,470 --> 00:10:47,342
DO YOU NEED ANY SUPPLIES?
122
00:10:47,472 --> 00:10:50,171
NOPE, BARNEY FOSTER CAME UP
AND BROUGHT ME
EVERYTHING I NEED.
123
00:11:37,522 --> 00:11:39,263
WHAT'D YOU FIND, SHERIFF?
124
00:11:39,394 --> 00:11:41,178
I FOUND THE RIFLE SHELL
BEHIND THE ROCK
125
00:11:41,309 --> 00:11:42,963
AND THE PLACE WHERE
THE KILLER TIED HIS HORSE.
126
00:11:43,093 --> 00:11:45,530
YOUR STORY SEEMS TO
CHECK PRETTY STRAIGHT.
127
00:11:45,661 --> 00:11:47,707
COULDN'T CHECK
ANY OTHER WAY.
128
00:11:47,837 --> 00:11:51,145
YOU KNOW, I'M PUZZLED--
I CAN'T FIGURE OUT WHY ANYBODY
129
00:11:51,275 --> 00:11:53,364
WOULD WANT TO KILL
JIM AND WALT JARVIS.
130
00:11:53,495 --> 00:11:56,846
IF YOU FIND OUT WHY,
YOU'LL PROBABLY KNOW
WHO DID THE KILLING.
131
00:11:56,977 --> 00:11:59,066
YOU SEEM TO KNOW A LOT
ABOUT THIS SORT OF THING.
132
00:11:59,196 --> 00:12:01,459
I MAKE IT MY BUSINESS
TO KEEP MY EYES AND EARS OPEN.
133
00:12:01,590 --> 00:12:03,940
DID I HEAR YOU SAY SOMETHING
ABOUT A MISS JARVIS?
134
00:12:04,071 --> 00:12:06,551
YEP. I SURE FEEL SORRY FOR HER.
135
00:12:06,682 --> 00:12:09,816
SHE CAN'T HANDLE
THAT ENORMOUS RANCH
BY HERSELF--
136
00:12:09,946 --> 00:12:12,383
I DOUBT IF SHE'LL WANT TO
AFTER WHAT'S HAPPENED.
137
00:12:12,514 --> 00:12:14,211
SEE YOU LATER, SHERIFF.
138
00:12:35,755 --> 00:12:37,757
TRY AND TALK
TO HER AGAIN, BOB.
139
00:12:37,887 --> 00:12:39,410
IT AIN'T NO USE.
140
00:12:39,541 --> 00:12:41,195
SHE'S MADE UP HER MIND
TO SELL THE PLACE,
141
00:12:41,325 --> 00:12:42,979
AND THAT'S ALL
THERE IS TO IT.
142
00:12:43,110 --> 00:12:44,894
WE BETTER START LOOKIN'
FOR NEW JOBS.
143
00:12:45,025 --> 00:12:47,331
I DON'T WANT NO NEW JOB.
144
00:12:47,462 --> 00:12:50,465
YOU FELLAS SIT DOWN,
I'M GONNA SHOW YOU
SOME FANCY SHOOTIN'.
145
00:12:57,951 --> 00:12:59,387
HA HA HA!
146
00:12:59,517 --> 00:13:02,782
THIS DAD-BLAME 6-SHOOTER
AIN'T WORTH--
147
00:13:04,392 --> 00:13:07,221
BOY, THAT'S SOME SHOOTIN'!
I'VE NEVER SEEN BETTER.
148
00:13:07,351 --> 00:13:09,092
HA HA HA!
149
00:13:09,223 --> 00:13:11,616
I GUESS YOU FELLAS THINK
THAT WAS AN ACCIDENT--
150
00:13:13,140 --> 00:13:14,619
HA HA HA!
151
00:13:17,492 --> 00:13:20,190
HEY, WHO'S THAT
RIDING UP THERE?
152
00:13:23,890 --> 00:13:26,066
I WONDER IF THAT'S
THE FELLER I SAW THE OTHER DAY.
153
00:13:26,196 --> 00:13:29,286
I WAS HERDIN' SOME STOCK
AND TRIED TO MEET UP WITH HIM,
BUT HE CLEARED OUT.
154
00:13:29,417 --> 00:13:31,462
WELL, HE WON'T THIS TIME.
155
00:13:33,203 --> 00:13:35,423
HEY! WAIT FOR ME!
156
00:14:40,618 --> 00:14:42,664
WHAT ARE YOU
DOING OUT HERE?
157
00:14:42,794 --> 00:14:45,188
JUST LOOKING AROUND--
I MIGHT BE INTERESTED
IN BUYING THIS SPREAD.
158
00:14:45,319 --> 00:14:47,887
HOW DID YOU KNOW
THIS RANCH WAS FOR SALE?
159
00:14:48,017 --> 00:14:49,976
EVERYBODY AROUND HERE
KNOWS IT BY NOW.
160
00:14:50,106 --> 00:14:51,673
WHO ARE YOU, ANYWAY?
161
00:14:51,803 --> 00:14:53,109
WHAT DIFFERENCE
DOES IT MAKE?
162
00:14:53,240 --> 00:14:55,459
BEING A STRANGER AROUND HERE
MAKES A LOT OF DIFFERENCE.
163
00:14:55,590 --> 00:14:56,939
LET'S TAKE HIM INTO TOWN.
164
00:14:57,070 --> 00:14:59,463
I'D MUCH RATHER
YOU'D TAKE ME
OVER TO THE RANCHHOUSE,
165
00:14:59,594 --> 00:15:01,117
I'D LIKE TO HAVE A TALK
WITH MISS JARVIS.
166
00:15:01,248 --> 00:15:03,380
MAYBE HE WOULD
LIKE TO BUY THIS SPREAD.
167
00:15:03,511 --> 00:15:07,210
WE CAN STILL WATCH HIM--
IT'S UP TO YOU, BOB.
168
00:15:07,341 --> 00:15:09,082
ALL RIGHT,
START RIDIN', MISTER.
169
00:15:24,749 --> 00:15:26,751
MR. GUNDERSON,
IT'S NICE TO SEE YOU AGAIN.
170
00:15:26,882 --> 00:15:28,753
HELLO, MARY ANNE.
171
00:15:28,884 --> 00:15:30,930
I'VE BEEN INTENDING
TO COME OUT,
172
00:15:31,060 --> 00:15:34,237
BUT I'VE BEEN PRETTY BUSY
ARRANGING THINGS FOR YOU.
173
00:15:34,368 --> 00:15:35,673
WON'T YOU SIT DOWN?
174
00:15:35,804 --> 00:15:37,066
YES, THANK YOU.
175
00:15:37,197 --> 00:15:39,199
HAVE YOU HAD ANY OFFERS?
176
00:15:39,329 --> 00:15:42,071
BUYERS FOR A RANCH THIS BIG
AREN'T EASY TO FIND, UNLESS--
177
00:15:42,202 --> 00:15:44,117
UNLESS WHAT?
178
00:15:44,247 --> 00:15:46,684
UNLESS YOU'RE WILLING
TO ACCEPT A RIDICULOUSLY
SMALL AMOUNT TO MAKE THE SALE.
179
00:15:46,815 --> 00:15:49,165
I'LL TAKE ANYTHING
I CAN GET.
180
00:15:49,296 --> 00:15:51,515
WELL, BARNEY FOSTER
TOLD ME HE MIGHT BE INTERESTED.
181
00:15:51,646 --> 00:15:53,561
BARNEY FOSTER?
182
00:15:53,691 --> 00:15:56,564
HE NEVER TOOK CARE
OF HIS OWN PLACE.
183
00:15:56,694 --> 00:15:58,914
I KNOW, BUT YOU KNOW
HOW SOME MEN ARE--
184
00:15:59,045 --> 00:16:00,916
THEY'RE JUST LAND MAD,
CAN'T GET ENOUGH.
185
00:16:01,047 --> 00:16:02,962
BESIDES, IF YOU'RE SO
ANXIOUS TO SELL,
186
00:16:03,092 --> 00:16:04,920
WHAT DIFFERENCE
DOES IT MAKE?
187
00:16:05,051 --> 00:16:06,878
PERHAPS YOU'RE RIGHT.
188
00:16:07,009 --> 00:16:08,619
WE'LL SEE HOW MUCH
HE'S WILLING TO OFFER.
189
00:16:08,750 --> 00:16:10,186
YES, PLEASE DO.
190
00:16:10,317 --> 00:16:12,232
AND I AM GRATEFUL
FOR ALL YOU'RE DOING FOR ME.
191
00:16:12,362 --> 00:16:14,495
I ASSURE YOU I'LL DO
ALL I CAN FOR YOU.
192
00:16:14,625 --> 00:16:16,627
[ horses approaching ]
193
00:16:25,288 --> 00:16:27,073
WE JUST FOUND THIS BIRD
IN THE FOOTHILLS,
194
00:16:27,203 --> 00:16:28,378
HE'S BEEN SNOOPING AROUND.
195
00:16:28,509 --> 00:16:30,337
YOU'RE DEAN, AREN'T YOU?
196
00:16:30,467 --> 00:16:31,686
YES, THAT'S RIGHT.
197
00:16:31,816 --> 00:16:34,297
THE SHERIFF TOLD YOU
TO GET OUT OF THIS LOCALITY.
198
00:16:34,428 --> 00:16:36,430
HE DIDN'T SAY ANYTHING
ABOUT IT TO ME.
199
00:16:36,560 --> 00:16:38,562
ANYWAY, AS LONG AS
I HAPPEN TO BE HERE,
200
00:16:38,693 --> 00:16:40,434
I THOUGHT I'D HAVE
A LOOK-AROUND
OVER THE JARVIS LAYOUT.
201
00:16:40,564 --> 00:16:42,479
MAY I ASK WHY?
202
00:16:42,610 --> 00:16:44,220
YES, MA'AM--
I'M IN THE MARKET
TO BUY A RANCH.
203
00:16:44,351 --> 00:16:45,439
YOU?
204
00:16:45,569 --> 00:16:47,267
ANYTHING WRONG WITH MY MONEY?
205
00:16:47,397 --> 00:16:50,096
NO, OF COURSE NOT,
ONLY AS MISS JARVIS' LAWYER, I--
206
00:16:50,226 --> 00:16:52,141
WHO IS THIS MAN?
207
00:16:52,272 --> 00:16:55,231
HE BROUGHT YOUR UNCLE'S BODY
INTO TOWN.
208
00:16:55,362 --> 00:16:56,798
UNDER PECULIAR CIRCUMSTANCES,
209
00:16:56,928 --> 00:16:58,626
BUT THE SHERIFF
BELIEVED HIS STORY.
210
00:16:58,756 --> 00:17:01,107
AND JUST WHAT
DO YOU BELIEVE?
211
00:17:01,237 --> 00:17:02,978
WELL, FRANKLY,
I THINK YOU'RE INNOCENT.
212
00:17:03,109 --> 00:17:05,285
BUT I HAVE BEEN KNOWN
TO GUESS WRONG.
213
00:17:05,415 --> 00:17:08,505
IF YOU'RE ON THE LEVEL
ABOUT BUYING THIS RANCH,
214
00:17:08,636 --> 00:17:11,378
I'M HANDLING
MISS JARVIS' AFFAIRS.
215
00:17:14,076 --> 00:17:16,339
BOYS, I'LL TALK
TO MR. DEAN ALONE.
216
00:17:23,868 --> 00:17:25,218
WON'T YOU SIT DOWN?
217
00:17:29,918 --> 00:17:32,268
YOU SAID YOU WANTED
TO TALK TO ME
ABOUT BUYING THE RANCH.
218
00:17:32,399 --> 00:17:34,009
FRANKLY, THAT'S NOT TRUE.
219
00:17:34,140 --> 00:17:35,402
THEN YOU WERE LYING.
220
00:17:35,532 --> 00:17:36,707
A WHITE LIE, MISS JARVIS.
221
00:17:36,838 --> 00:17:39,710
IN THAT CASE, WE HAVE
NOTHING MORE TO SAY.
222
00:17:39,841 --> 00:17:41,843
AND IF YOU DON'T MIND--
223
00:17:41,973 --> 00:17:45,238
I CAN'T LET YOU GET AWAY
WITHOUT HEARING ME OUT.
224
00:17:45,368 --> 00:17:46,804
I'M REALLY VERY BUSY.
225
00:17:46,935 --> 00:17:48,632
BUSY PREPARING
TO RUN AWAY?
226
00:17:48,763 --> 00:17:52,071
JUST WHY ARE YOU
SO CONCERNED ABOUT IT?
227
00:17:52,201 --> 00:17:54,073
FOR TWO REASONS.
228
00:17:54,203 --> 00:17:56,336
FIRST, I WANT YOU
TO GIVE ME A JOB.
229
00:17:56,466 --> 00:17:58,294
A JOB?
230
00:17:58,425 --> 00:18:00,905
YES, BUT I'D RATHER NOT
GO INTO EXPLANATIONS
AT THIS TIME.
231
00:18:01,036 --> 00:18:03,386
AND THE OTHER?
232
00:18:03,517 --> 00:18:06,824
I'VE GOT A HUNCH THIS PROPERTY
IS VALUABLE FOR SOMETHING
BESIDES GRAZING CATTLE,
233
00:18:06,955 --> 00:18:09,262
AND I WOULDN'T WANT TO
SEE YOU SCARED OFF
234
00:18:09,392 --> 00:18:11,307
AND ROBBED OF SOMETHING
THAT'S RIGHTFULLY YOURS.
235
00:18:11,438 --> 00:18:13,614
I MAKE MY OWN DECISIONS,
MR. DEAN.
236
00:18:13,744 --> 00:18:16,443
HOWEVER, IF IT WILL HELP YOU,
237
00:18:16,573 --> 00:18:19,098
I'LL TELL BOB
THAT YOU'RE STAYING ON--
TEMPORARILY.
238
00:18:28,803 --> 00:18:30,370
WHAT'S THE NEWS?
239
00:18:30,500 --> 00:18:32,154
I JUST CAME
FROM THE JARVIS PLACE--
240
00:18:32,285 --> 00:18:33,721
MARY ANNE'S TALKING BUSINESS
WITH THAT FELLA DEAN.
241
00:18:33,851 --> 00:18:35,897
HE'S TRYING TO
BUY THE RANCH FROM HER.
242
00:18:36,027 --> 00:18:38,378
WHAT? WE CAN'T TAKE
ANY CHANCES.
243
00:18:38,508 --> 00:18:41,381
I DON'T INTEND TO LET
A SLIP OF A GIRL
OR A COWHAND STAND IN OUR WAY.
244
00:18:41,511 --> 00:18:44,558
YOU TELL YOUR MEN TO BE
ON THE LOOKOUT FOR DEAN.
245
00:18:44,688 --> 00:18:47,691
WE'LL GIVE HIM
THE SAME TREATMENT
WE GAVE JARVIS.
246
00:18:58,354 --> 00:18:59,442
[ gunshot ]
247
00:19:03,403 --> 00:19:04,926
[ gunshot ]
248
00:19:20,246 --> 00:19:21,464
[ gunfire continues ]
249
00:19:36,958 --> 00:19:38,916
HEY, SOAPY!
QUIT THAT SHOOTIN'!
250
00:19:39,047 --> 00:19:40,614
HUH?
251
00:19:40,744 --> 00:19:42,006
COME HERE!
252
00:19:49,971 --> 00:19:52,234
YOU ALMOST PLUGGED ME
WITH THAT SIX-GUN.
253
00:19:52,365 --> 00:19:53,844
I WASN'T AIMIN' AT YOU.
254
00:19:53,975 --> 00:19:55,890
THAT'S THE TROUBLE--
255
00:19:56,020 --> 00:19:58,109
IF YOU'D BEEN AIMING AT ME,
I'D HAVE BEEN PERFECTLY SAFE.
256
00:19:58,240 --> 00:20:00,286
WHY DON'T YOU
LEAVE ME ALONE?
257
00:20:00,416 --> 00:20:02,070
I'M SORRY, PAL.
258
00:20:02,201 --> 00:20:05,465
YOU'RE A TENTH-RATE SHOT,
BUT A FIRST-RATE SIDEKICK.
259
00:20:05,595 --> 00:20:07,467
TELL ME--SINCE I SAW YOU
AT HEADQUARTERS,
260
00:20:07,597 --> 00:20:09,251
HAVE YOU MADE ANY PROGRESS
ON THIS CASE?
261
00:20:09,382 --> 00:20:11,427
I'M PRETTY SURE THAT
THAT TRAIN ROBBER
262
00:20:11,558 --> 00:20:14,474
WE'VE BEEN LOOKIN' FOR
IS IN THE SECTION SOMEPLACE.
263
00:20:14,604 --> 00:20:16,345
MIGHT EVEN BE TIED UP
WITH THESE KILLINGS.
264
00:20:16,476 --> 00:20:17,651
YEAH.
265
00:20:17,781 --> 00:20:19,522
IF WE COULD
GET OUR HANDS ON HIM,
266
00:20:19,653 --> 00:20:21,481
WE COULD KILL TWO BIRDS
WITH ONE S-S-S-S--
267
00:20:21,611 --> 00:20:23,222
ROCK.
268
00:20:23,352 --> 00:20:24,353
OH, BE SERIOUS.
269
00:20:26,703 --> 00:20:29,532
ARE YOU SURE THAT
NO ONE KNOW ABOUT
YOU AND I WORKING TOGETHER?
270
00:20:29,663 --> 00:20:30,968
SHH...NOT A SOUL.
271
00:20:31,099 --> 00:20:33,797
HEY, EDDIE,
WATCH THIS SHOT.
272
00:20:37,584 --> 00:20:38,628
OH!
273
00:20:58,648 --> 00:21:00,998
IT'S ONLY A SCRATCH,
HE'LL BE ALL RIGHT.
274
00:21:01,129 --> 00:21:03,131
WHEN YOU GONNA
LEARN HOW TO SHOOT?
275
00:21:03,262 --> 00:21:05,089
WELL, I HIT HIM,
DIDN'T I?
276
00:21:21,497 --> 00:21:23,717
HEY, EDDIE,
277
00:21:23,847 --> 00:21:25,675
COME HERE AND LOOK AT
THESE PRETTY ROCKS.
278
00:21:33,117 --> 00:21:35,294
HEY, THAT'S HIGH-GRADE ORE.
279
00:21:35,424 --> 00:21:36,556
ORE WHAT?
280
00:21:36,686 --> 00:21:37,818
GOLD ORE.
281
00:21:39,776 --> 00:21:41,343
HEY, DID YOU SAY GOLD ORE?
282
00:21:41,474 --> 00:21:43,824
THE HIGHEST GRADE ORE
I'VE EVER SEEN.
283
00:21:43,954 --> 00:21:47,871
THIS IS PART OF
THE JARVIS RANCH.
284
00:21:48,002 --> 00:21:52,093
YEAH, AND THIS IS WHY
THE JARVIS BROTHERS
WERE MURDERED.
285
00:21:52,223 --> 00:21:53,964
COULD BE.
286
00:21:54,095 --> 00:21:56,227
WE BETTER TELL MARY ANNE
SHE'S STRUCK IT RICH.
287
00:21:56,358 --> 00:21:58,404
WE MUSTN'T SAY
A WORD TO ANYBODY.
288
00:21:58,534 --> 00:22:01,189
OTHERWISE, WE MAY WARN
THE VERY MAN WE'RE
TRYING TO TRAP.
289
00:22:01,320 --> 00:22:04,584
DON'T FORGET,
HE MAY BE MIXED UP
IN THIS DEAL.
290
00:22:10,503 --> 00:22:12,679
THE ONLY CLUE WE HAVE
TO HIS IDENTITY
291
00:22:12,809 --> 00:22:14,594
IS THE FACT THAT HE SHOOTS
WITH HIS LEFT HAND,
292
00:22:14,724 --> 00:22:17,597
AND THE MAN WHO SHOT
WALT JARVIS IS LEFT-HANDED.
293
00:22:25,474 --> 00:22:27,737
HEY, THAT OLD GOAT
IS STEALING MY HORSE!
294
00:22:27,868 --> 00:22:30,000
SAVE YOUR LEAD,
HE'S GONE.
295
00:22:30,131 --> 00:22:32,220
WELL, WHAT ARE WE
GONNA DO?
296
00:22:32,351 --> 00:22:33,700
WHAT ARE WE
GONNA DO?
YEAH.
297
00:22:33,830 --> 00:22:36,267
I'M GONNA RIDE,
AND YOU'LL WALK.
298
00:22:36,398 --> 00:22:38,357
YEAH, YOU'RE GONNA RIDE
AND I'M GONNA--
299
00:22:38,487 --> 00:22:39,836
HEY, WAIT A MINUTE!
300
00:22:46,408 --> 00:22:47,540
OOH.
301
00:22:49,280 --> 00:22:51,848
HE RIDES AND I WALK.
302
00:22:53,197 --> 00:22:54,547
HOWDY, SHERIFF.HOWDY.
303
00:22:54,677 --> 00:22:56,853
HELLO, BARNEY.
304
00:22:56,984 --> 00:23:01,118
ANYTHING I CAN DO TO HELP YOU
WITH THE JARVIS CASE,
JUST CALL ON ME.
305
00:23:01,249 --> 00:23:04,426
I MAY DO THAT.
SEE YOU LATER.
306
00:23:07,516 --> 00:23:09,083
WHAT BRINGS YOU
INTO TOWN?
307
00:23:09,213 --> 00:23:10,693
I JUST CAME
FROM YOUR OFFICE.
308
00:23:10,824 --> 00:23:12,042
ANYTHING WRONG?
309
00:23:12,173 --> 00:23:13,304
A COUPLE OF
THE JARVIS HANDS
310
00:23:13,435 --> 00:23:14,741
FOUND THE MINE
AND SHOT GRIMES.
311
00:23:14,871 --> 00:23:16,395
IS-IS HE DEAD?
312
00:23:16,525 --> 00:23:18,092
NO, HE'S OVER AT MY PLACE.
313
00:23:18,222 --> 00:23:20,877
HE GOT AWAY WHILE THEY WERE
LOOKING OVER THE DIGGIN'S.
314
00:23:23,402 --> 00:23:26,361
IF THE JARVIS GIRL
KNOWS ABOUT THAT VEIN OF GOLD,
SHE WON'T SELL.
315
00:23:26,492 --> 00:23:28,407
HAS GRIMES TALKED?
316
00:23:28,537 --> 00:23:29,799
HE SAYS HE HASN'T.
317
00:23:29,930 --> 00:23:32,062
MAKE SURE THAT HE DON'T.
318
00:23:32,193 --> 00:23:35,022
I WONDER IF ONE OF
THOSE JARVIS HANDS
COULD BE DEAN?
319
00:23:35,152 --> 00:23:37,067
I HEAR HE'S STILL
HANGING AROUND THE RANCH.
320
00:23:37,198 --> 00:23:39,156
WELL, THE DESCRIPTION
OF ONE OF 'EM FITS HIM.
321
00:23:39,287 --> 00:23:41,507
IF IT'S THE MINE
HE'S AFTER,
322
00:23:41,637 --> 00:23:43,247
HE'S LIKELY TO
KEEP THAT TO HIMSELF,
323
00:23:43,378 --> 00:23:45,032
WHICH MEANS THAT
HE'LL PLAY RIGHT INTO OUR HANDS.
324
00:23:45,162 --> 00:23:46,599
WHAT DO YOU MEAN?
325
00:23:46,729 --> 00:23:48,383
GET BACK TO YOUR PLACE
AND WAIT.
326
00:23:48,514 --> 00:23:50,167
I'LL PICK YOU UP
THERE LATER
327
00:23:50,298 --> 00:23:52,300
AS SOON AS I
FIX UP SOME PAPERS
FOR MARY ANNE.
328
00:23:52,431 --> 00:23:53,867
YOU MEAN TO
SELL THE PLACE TO ME?
329
00:23:53,997 --> 00:23:55,259
THAT'S RIGHT.
330
00:23:55,390 --> 00:23:56,826
SHE WON'T DO IT.
331
00:23:56,957 --> 00:23:58,741
OH, YES,
I THINK SHE WILL.
332
00:24:14,757 --> 00:24:18,326
ANDY, ASK MR. DEAN
IF HE'LL DRIVE ME INTO TOWN.
333
00:24:18,457 --> 00:24:19,588
OH, DEAN?
334
00:24:19,719 --> 00:24:21,024
YEAH?
335
00:24:21,155 --> 00:24:23,200
WOULD YOU DRIVE
MISS JARVIS INTO TOWN?
336
00:24:29,946 --> 00:24:32,079
SURE, BE GLAD TO.
337
00:24:32,209 --> 00:24:34,298
I HOPE THIS WON'T
INCONVENIENCE YOU.
338
00:24:34,429 --> 00:24:35,735
IT WON'T.
339
00:24:45,222 --> 00:24:51,185
♪ I'LL BID MY LOVE GOODBYE
340
00:24:51,315 --> 00:24:56,059
♪ BY THE MAPLE TREE
341
00:24:56,190 --> 00:25:00,977
♪ BY THE MAPLE TREE
342
00:25:01,108 --> 00:25:05,895
♪ BY THE MAPLE TREE
343
00:25:06,026 --> 00:25:11,074
♪ I'LL BID MY LOVE GOODBYE
344
00:25:11,205 --> 00:25:15,514
♪ BY THE MAPLE TREE
345
00:25:15,644 --> 00:25:24,044
♪ AND THEN I'LL RIDE AWAY
346
00:25:25,915 --> 00:25:30,529
♪ NOW DON'T YOU WEEP FOR ME
347
00:25:30,659 --> 00:25:33,140
♪ MY DARLING
348
00:25:33,270 --> 00:25:37,187
♪ DON'T YOU WEEP FOR ME
349
00:25:37,318 --> 00:25:40,277
♪ I PRAY
350
00:25:40,408 --> 00:25:43,933
♪ AND I'LL HANG MY HEART
351
00:25:44,064 --> 00:25:47,458
♪ ON THE HITCHIN' POST
352
00:25:47,589 --> 00:25:54,248
♪ TILL I COME HOME TO STAY
353
00:25:54,378 --> 00:25:57,773
♪ I'LL PACK A DREAM OR TWO
354
00:25:57,904 --> 00:26:01,081
♪ IN A SADDLEBAG
355
00:26:01,211 --> 00:26:04,867
♪ IN A SADDLEBAG
356
00:26:04,998 --> 00:26:07,914
♪ IN A SADDLEBAG
357
00:26:08,044 --> 00:26:11,570
♪ I'LL PACK A DREAM OR TWO
358
00:26:11,700 --> 00:26:15,138
♪ IN A SADDLEBAG
359
00:26:15,269 --> 00:26:21,797
♪ AND THEN I'LL RIDE AWAY
360
00:26:21,928 --> 00:26:27,760
♪ NOW DON'T YOU WEEP FOR ME
361
00:26:27,890 --> 00:26:32,460
♪ MY DARLING
362
00:26:32,591 --> 00:26:38,335
♪ DON'T YOU WEEP FOR ME
363
00:26:38,466 --> 00:26:41,121
♪ I PRAY
364
00:26:42,949 --> 00:26:46,126
♪ AND I'LL HANG MY HEART
365
00:26:46,256 --> 00:26:49,346
♪ ON THE HITCHIN' POST
366
00:26:49,477 --> 00:26:55,744
♪ TILL I COME HOME TO STAY ♪
367
00:27:05,145 --> 00:27:06,712
WHOA!
368
00:27:12,500 --> 00:27:14,067
WHOA, BOY.
369
00:27:19,202 --> 00:27:21,770
THIS IS SURE
PRETTY COUNTRY AROUND HERE.
370
00:27:21,901 --> 00:27:24,730
YEAH. I'VE LOVED IT
SINCE THE FIRST DAY
371
00:27:24,860 --> 00:27:26,514
I CAME OUT HERE
WITH DAD AND UNCLE WALT.
372
00:27:26,645 --> 00:27:29,256
YOU SEE I HAVEN'T
GONE AWAY YET.
373
00:27:29,386 --> 00:27:30,649
SO I NOTICED.
374
00:27:30,779 --> 00:27:32,215
ARE YOU SURPRISED?
375
00:27:32,346 --> 00:27:33,652
WELL, YES AND NO.
376
00:27:33,782 --> 00:27:34,957
WHAT DOES THAT MEAN?
377
00:27:35,088 --> 00:27:37,699
THAT MEANS YES I AM,
AND NO I'M NOT.
378
00:27:37,830 --> 00:27:40,615
HAVE YOU CHANGED YOUR MIND
ABOUT LEAVING?
379
00:27:40,746 --> 00:27:42,922
PERHAPS.
WHY?
380
00:27:43,052 --> 00:27:45,446
DO I HAVE TO GIVE REASONS
FOR EVERYTHING I DO?
381
00:27:45,576 --> 00:27:47,230
YOU DON'T HAVE
TO DO ANYTHING.
382
00:27:47,361 --> 00:27:48,623
EDDIE, WAIT.
383
00:27:48,754 --> 00:27:50,756
NOW, I HAVEN'T ASKED
A LOT OF QUESTIONS, HAVE I?
384
00:27:50,886 --> 00:27:52,583
NO, YOU'VE BEEN
PRETTY SWELL ABOUT EVERYTHING.
385
00:27:52,714 --> 00:27:55,804
THEN DON'T YOU THINK
I'M ENTITLED TO KNOW
WHAT YOU'RE DOING HERE?
386
00:27:55,935 --> 00:27:57,937
SURE YOU ARE,
BUT I CAN'T TELL YOU RIGHT NOW.
387
00:27:58,067 --> 00:27:59,982
YOU MEAN YOU DON'T TRUST ME?
388
00:28:00,113 --> 00:28:01,723
I TRUST YOU ALL RIGHT,
389
00:28:01,854 --> 00:28:04,378
BUT YOU CHANGE YOUR MIND
ABOUT THINGS SO OFTEN.
390
00:28:04,508 --> 00:28:07,250
I SHOULD HAVE KNOWN BETTER
THAN TO ASK--PLEASE DRIVE ON.
391
00:28:07,381 --> 00:28:08,991
WAIT A MINUTE,
MARY ANNE.
392
00:28:09,122 --> 00:28:10,819
THE NAME IS MISS JARVIS,
IF YOU PLEASE.
393
00:28:10,950 --> 00:28:12,821
ALL RIGHT,
MISS JARVIS-IF-YOU-PLEASE,
394
00:28:12,952 --> 00:28:14,475
I'LL TELL YOU EVERYTHING
WHEN THE PROPER TIME COMES.
395
00:28:14,605 --> 00:28:16,695
I'M REALLY NOT INTERESTED.
396
00:28:16,825 --> 00:28:18,174
HAVE IT YOUR WAY--
GIDDYUP!
397
00:28:31,710 --> 00:28:34,103
DO I HAVE TO
DRIVE YOU HOME?
398
00:28:34,234 --> 00:28:35,714
YOU DON'T HAVE TO
DO ANYTHING--
399
00:28:35,844 --> 00:28:38,194
I CAN MANAGE
VERY WELL BY MYSELF.
400
00:29:02,566 --> 00:29:05,526
Gunderson:
HELLO DEAN.
STILL AROUND TOWN, I SEE.
401
00:29:05,656 --> 00:29:07,180
ANY REASON WHY
I SHOULDN'T BE?
402
00:29:07,310 --> 00:29:08,572
NO, I GUESS NOT.
403
00:29:08,703 --> 00:29:11,053
YOU STILL IN THE MARKET
TO BUY THE JARVIS RANCH?
404
00:29:11,184 --> 00:29:12,881
TOO BIG A PROPOSITION
FOR MY POCKETBOOK.
405
00:29:13,012 --> 00:29:14,970
SOMETHING SHOULD BE
DONE ABOUT IT, THOUGH,
406
00:29:15,101 --> 00:29:16,667
SO I CAME TO TALK TO YOU.
407
00:29:16,798 --> 00:29:18,408
WHAT DO YOU MEAN?
408
00:29:18,539 --> 00:29:20,367
I'M SURE THE JARVIS BROTHERS
WEREN'T MURDERED FOR NOTHING.
409
00:29:20,497 --> 00:29:22,412
IT'S LIKELY THE SAME PARTY
OR PARTIES
410
00:29:22,543 --> 00:29:24,763
ARE PLANNING
TO DO AWAY WITH
MISS JARVIS, TOO.
411
00:29:24,893 --> 00:29:26,677
NONSENSE.
412
00:29:26,808 --> 00:29:28,157
MAYBE NOT.
413
00:29:28,288 --> 00:29:30,029
DO YOU KNOW ANYTHING, DEAN?
414
00:29:30,159 --> 00:29:31,987
IF YOU DO,
IN HEAVEN'S NAME, TELL ME.
415
00:29:32,118 --> 00:29:33,597
IF ANYTHING
SHOULD HAPPEN TO MARY ANNE--
416
00:29:33,728 --> 00:29:36,122
I DON'T KNOW A THING,
BUT I'VE GOT HUNCH.
417
00:29:36,252 --> 00:29:37,776
WHAT SORT OF A HUNCH?
418
00:29:37,906 --> 00:29:39,647
SOMEBODY IS SO ANXIOUS
TO GRAB THE JARVIS SPREAD
419
00:29:39,778 --> 00:29:41,170
THAT THEY'LL
STOP AT NOTHING.
420
00:29:41,301 --> 00:29:43,085
WHAT DO YOU SUGGEST?
421
00:29:43,216 --> 00:29:45,087
I TALKED MARY ANNE
OUT OF SELLING THE PLACE,
422
00:29:45,218 --> 00:29:47,176
NOW I THINK THE MORE MILES
SHE PUTS BETWEEN HERSELF
423
00:29:47,307 --> 00:29:49,091
AND THIS LOCALITY,
THE BETTER OFF SHE'LL BE.
424
00:29:49,222 --> 00:29:50,571
WHY DON'T YOU
TALK HER INTO LEAVING, THEN?
425
00:29:50,701 --> 00:29:52,616
I'M NOT IN VERY GOOD STANDING
RIGHT NOW.
426
00:29:52,747 --> 00:29:55,141
OH, I SEE. AND YOU WANT ME
TO DO WHAT I CAN ABOUT IT?
427
00:29:55,271 --> 00:29:56,882
I'D APPRECIATE IT.
428
00:29:57,012 --> 00:29:59,101
ALL RIGHT, DEAN,
I'LL SEE HER TONIGHT.
429
00:29:59,232 --> 00:30:01,277
HAVE A CIGAR.
430
00:30:01,408 --> 00:30:02,888
DON'T MIND IF I DO.
431
00:30:13,681 --> 00:30:15,857
I'LL TELL MISS JARVIS
TO EXPECT YOU TONIGHT.
432
00:30:15,988 --> 00:30:17,598
THANKS. I'LL BE THERE.
433
00:33:27,788 --> 00:33:29,790
EDDIE, I JUST RAN INTO
THE FELLA
434
00:33:29,920 --> 00:33:31,705
THAT I ACCIDENTALLY
SHOT UP AT THE MINE,
435
00:33:31,835 --> 00:33:34,055
THE ONE WHO STOLE MY HORSE.
436
00:33:34,186 --> 00:33:36,666
DID YOU ASK HIM WHY
HE STOLE YOUR HORSE?
NO.
437
00:33:36,797 --> 00:33:38,407
DID YOU ASK HIM
WHO HE'S WORKING FOR?
NO.
438
00:33:38,538 --> 00:33:39,756
WHAT DID YOU ASK HIM?
NOTHING.
439
00:33:39,887 --> 00:33:40,844
WHY?
440
00:33:40,975 --> 00:33:42,498
HE'S D-D-D-DEAD.
441
00:33:42,629 --> 00:33:43,891
COME ON, I'LL SHOW YOU!
442
00:34:16,010 --> 00:34:18,056
WHAT'S THE MATTER?
443
00:34:18,186 --> 00:34:20,058
I DON'T LIKE IT--
444
00:34:20,188 --> 00:34:23,409
DID I GO THATAWAY,
OR THATAWAY?
445
00:34:23,539 --> 00:34:24,932
MAYBE IT WAS THATAWAY.
446
00:34:25,063 --> 00:34:26,542
WELL, MAKE UP YOUR MIND.
447
00:34:26,673 --> 00:34:28,588
WE GOT COMPANY.
448
00:34:28,718 --> 00:34:30,068
WE CAN'T TAKE HER ALONG.
449
00:34:32,026 --> 00:34:33,984
YOU BOYS HURRIED ON
SO FAST,
450
00:34:34,115 --> 00:34:35,725
I THOUGHT I'D BETTER
FIND OUT WHAT HAPPENED.
451
00:34:35,856 --> 00:34:37,379
IS ANYTHING WRONG?
452
00:34:37,510 --> 00:34:39,338
NO, MA'AM, SOAPY
JUST WANTED
TO SHOW ME
453
00:34:39,468 --> 00:34:41,557
HOW HIS SHOOTING
HAD IMPROVED.
454
00:34:41,688 --> 00:34:45,344
IT HAPPENED ALL OF A SUDDEN,
JUST LIKE THAT.
455
00:34:45,474 --> 00:34:49,391
MR. DEAN, WAS IT YOUR IDEA
TO HAVE MR. GUNDERSON
CALL ON ME LAST NIGHT?
456
00:34:49,522 --> 00:34:52,264
YES, MA'AM, I DID SAY SOMETHING
TO HIM ABOUT IT.
457
00:34:52,394 --> 00:34:55,571
I DON'T KNOW WHY
YOU'RE SO INTERESTED
IN WHAT I DO,
458
00:34:55,702 --> 00:34:58,008
BUT I ASSURE YOU,
I AM DEFINITELY
NOT GOING AWAY.
459
00:34:58,139 --> 00:35:00,620
I WAS JUST THINKING
OF YOUR OWN GOOD.
460
00:35:00,750 --> 00:35:03,231
HOWEVER, IF YOU WANT
TO BE OBSTINATE ABOUT IT--
461
00:35:03,362 --> 00:35:04,624
JUST A MINUTE.
462
00:35:04,754 --> 00:35:07,061
WHEN YOU FIRST CAME HERE,
YOU INSISTED THAT I REMAIN.
463
00:35:07,192 --> 00:35:08,758
I DID NOT INSIST.
464
00:35:08,889 --> 00:35:10,891
WELL, YOU MADE IT VERY CLEAR
ABOUT HOW YOU FELT
ABOUT MY LEAVING.
465
00:35:11,021 --> 00:35:13,372
NOT THAT YOUR WISHES MAKE
THE SLIGHTEST DIFFERENCE TO ME.
466
00:35:13,502 --> 00:35:15,243
OH, CERTAINLY NOT.
467
00:35:15,374 --> 00:35:17,506
NOW FOR NO GOOD REASON
YOU WANT ME TO GO AWAY.
468
00:35:17,637 --> 00:35:19,378
WOULD YOU MIND EXPLAINING?
469
00:35:19,508 --> 00:35:21,684
YOU JUST GO AHEAD AND STAY HERE
IF YOU WANT TO.
470
00:35:21,815 --> 00:35:23,643
I'LL BE ON MY WAY
IN A COUPLE OF DAYS
471
00:35:23,773 --> 00:35:25,471
AND I WON'T BE MINDING
WHAT YOU DO.
472
00:35:49,973 --> 00:35:51,671
THERE HE IS, EDDIE.
473
00:36:00,593 --> 00:36:02,986
YOU DON'T THINK THAT BULLET
I PUT THROUGH HIS SHOULDER
474
00:36:03,117 --> 00:36:04,727
COULD HAVE KILLED HIM, DO YOU?
475
00:36:04,858 --> 00:36:06,512
THIS MAN GOT A BULLET
THROUGH THE HEAD,
476
00:36:06,642 --> 00:36:08,253
AND HE WASN'T SHOT HERE, EITHER.
477
00:36:08,383 --> 00:36:09,950
HE WAS BROUGHT HERE
AFTER HE WAS DEAD.
478
00:36:10,080 --> 00:36:11,821
HOW DO YOU KNOW THAT?
479
00:36:11,952 --> 00:36:13,736
THERE ISN'T A SPECK OF BLOOD
ON THE GROUND.
480
00:36:13,867 --> 00:36:16,435
YOU AND I ARE GONNA
TAKE THE BODY INTO TOWN
481
00:36:16,565 --> 00:36:18,045
AND TURN IT OVER
TO THE SHERIFF.
482
00:36:18,176 --> 00:36:20,265
WHY DON'T WE JUST RIDE IN
AND SENT THE SHERIFF OUT HERE?
483
00:36:20,395 --> 00:36:24,051
SOAPY, I THINK YOU
GOT SOMETHING THERE.
484
00:36:33,060 --> 00:36:35,149
NOW, I'LL DO
ALL THE TALKING.
485
00:36:50,512 --> 00:36:52,427
LISTEN TO THIS:
486
00:36:52,558 --> 00:36:54,647
"WE HAVE KIDNAPPED
THE JARVIS GIRL.
487
00:36:54,777 --> 00:36:57,780
"HAVE DEAN BRING
A THOUSAND DOLLARS
488
00:36:57,911 --> 00:36:59,956
"TO THE ABANDONED SHACK
BACK OF OLD PEAK.
489
00:37:00,087 --> 00:37:03,830
"UNLESS HE COMES ALONE,
YOU WILL NEVER SEE
THE GIRL ALIVE AGAIN."
490
00:37:03,960 --> 00:37:05,875
AND IT'S SIGNED
WITH A DAGGER.
491
00:37:06,006 --> 00:37:07,529
LET ME SEE THAT.
492
00:37:07,660 --> 00:37:09,488
THIS NOTE IS MADE
TO ORDER FOR US.
493
00:37:09,618 --> 00:37:10,793
I DON'T FOLLOW YOU.
494
00:37:10,924 --> 00:37:12,099
SHE WROTE
THAT NOTE HERSELF.
495
00:37:12,230 --> 00:37:14,101
OH, YOU'RE CRAZY.
496
00:37:14,232 --> 00:37:17,017
LOOK, YOU SEE THOSE
LITTLE CIRCLES OVER THE "I"s"?
497
00:37:17,147 --> 00:37:19,715
MARY ANNE ALWAYS
DOTS HER "I"s LIKE THAT.
498
00:37:19,846 --> 00:37:21,543
SHE TRIED TO DISGUISE
HER HANDWRITING,
499
00:37:21,674 --> 00:37:23,415
BUT HABIT TRIPPED HER UP.
500
00:37:23,545 --> 00:37:25,591
I GUESS YOU'RE RIGHT.
501
00:37:25,721 --> 00:37:27,723
BUT WHY WOULD SHE WANT
TO STAGE A FAKE KIDNAPPING?
502
00:37:27,854 --> 00:37:29,682
WHO CARES, AS LONG AS
IT HELPS US?
503
00:37:29,812 --> 00:37:32,380
THIS NOTE WILL CLEAR US
OF ANYTHING--COME ON.
504
00:37:57,318 --> 00:37:59,451
HER HORSE MUST BE
AROUND HERE SOMEPLACE,
505
00:37:59,581 --> 00:38:01,279
SEE IF YOU CAN FIND IT.
506
00:38:26,608 --> 00:38:28,349
YOU POOR CHILD--
507
00:38:28,480 --> 00:38:30,220
DID YOU RECOGNIZE
THE KIDNAPPERS?
508
00:38:30,351 --> 00:38:33,528
NO, I-I REALLY DIDN'T
GET A GOOD LOOK AT THEM.
509
00:38:33,659 --> 00:38:35,487
IT ALL HAPPENED
SO UNEXPECTEDLY.
510
00:38:35,617 --> 00:38:36,923
TOO BAD.
511
00:38:37,053 --> 00:38:38,794
HOW DID YOU KNOW
WHERE TO FIND ME?
512
00:38:38,925 --> 00:38:40,753
BARNEY FOSTER AND I
CAME OVER TO YOUR PLACE
TO TALK TO YOU,
513
00:38:40,883 --> 00:38:43,016
AND WE FOUND
THE RANSOM NOTE
514
00:38:43,146 --> 00:38:44,800
ON A KNIFE STUCK ON
THE FRONT DOOR.
515
00:38:44,931 --> 00:38:46,715
A RANSOM NOTE?
516
00:38:46,846 --> 00:38:48,717
IF ANYTHING EVER
HAPPENED TO YOU,
I'D NEVER FORGIVE MYSELF.
517
00:38:48,848 --> 00:38:51,459
I'M GOING TO TAKE YOU
SAFELY AWAY FROM HERE,
518
00:38:51,590 --> 00:38:53,592
AND I'LL SET A TRAP
FOR THOSE FELLAS,
WHOEVER THEY ARE.
519
00:38:53,722 --> 00:38:55,158
BUT IF YOU TAKE ME HOME--
520
00:38:55,289 --> 00:38:57,117
THAT WOULDN'T BE SAFE
JUST YET--
521
00:38:57,247 --> 00:38:58,814
YOU LEAVE EVERYTHING TO ME.
522
00:39:27,147 --> 00:39:28,366
HIYA, FELLAS.
523
00:39:28,496 --> 00:39:29,932
HI, EDDIE.
524
00:39:30,063 --> 00:39:31,760
SAY, WHAT'S GOING ON
BETWEEN YOU AND THE BOSS?
525
00:39:31,891 --> 00:39:33,283
WHAT DO YOU MEAN?
526
00:39:33,414 --> 00:39:35,938
IT MUST BE SERIOUS
WHEN SHE'S WRITING YOU NOTES.
527
00:39:36,069 --> 00:39:38,593
I'VE MAILED TOO MANY OF THOSE
TO HER KINFOLK IN THE EAST
528
00:39:38,724 --> 00:39:40,334
NOT TO KNOW
ONE OF MISS JARVIS' LETTERS.
529
00:39:40,465 --> 00:39:42,118
WHAT MAKES YOU THINK
IT'S FOR ME?
530
00:39:42,249 --> 00:39:43,816
'CAUSE IT WAS
LYIN' ON YOUR PILLOW.
531
00:39:43,946 --> 00:39:49,517
LOOKS LIKE MISS JARVIS HAS GONE
AND GOTTEN HERSELF KIDNAPPED.
532
00:39:49,648 --> 00:39:51,476
KIDNAPPED?
533
00:39:51,606 --> 00:39:54,566
"IF YOU WANT TO
SAVE MISS JARVIS FROM DEATH,
534
00:39:54,696 --> 00:39:56,872
"COME TO THE ABANDONED SHACK
ALONE AND BRING $1,000."
535
00:39:57,003 --> 00:39:59,353
SIGNED, "A FRIEND".
536
00:39:59,484 --> 00:40:00,833
WE'VE GOT TO SAVE HER!
537
00:40:00,963 --> 00:40:02,182
TAKE IT EASY.
538
00:40:02,312 --> 00:40:04,663
IF SHE WROTE THAT NOTE,
SHE'S IN TROUBLE.
539
00:40:04,793 --> 00:40:07,361
IF SHE WROTE THIS NOTE,
SHE KIDNAPPED HERSELF.
540
00:40:07,492 --> 00:40:08,797
WHY WOULD SHE DO THAT?SHE WOULDN'T.
541
00:40:08,928 --> 00:40:10,451
ALL RIGHT, HEROES,
542
00:40:10,582 --> 00:40:12,148
GO AHEAD AND RESCUE HER.
543
00:40:12,279 --> 00:40:14,063
YOU'RE DARN TOOTIN'
WE WILL.
544
00:40:14,194 --> 00:40:15,935
AIN'T YOU COMIN' ALONG?
545
00:40:16,065 --> 00:40:18,546
NO, I'LL BE HERE
TO LAUGH AT YOU
WHEN YOU GET BACK.
546
00:40:43,397 --> 00:40:44,877
JUST SIGN THIS.
547
00:40:45,007 --> 00:40:46,400
WHAT IS IT?
548
00:40:46,531 --> 00:40:48,358
IT'S A BILL OF SALE
FOR YOUR RANCH.
549
00:40:48,489 --> 00:40:49,838
MR. FOSTER HERE
IS BUYING IT.
550
00:40:49,969 --> 00:40:52,711
OH NO, HE ISN'T--
NOT MY RANCH.
551
00:40:52,841 --> 00:40:55,844
I TOLD YOU
I DIDN'T INTEND TO SELL,
552
00:40:55,975 --> 00:40:58,847
SO IF THAT'S WHY
YOU'VE BROUGHT ME HERE,
I'LL BE GOING.
553
00:40:58,978 --> 00:41:00,806
NOT UNTIL YOU
SIGN THOSE PAPERS.
554
00:41:00,936 --> 00:41:02,547
I'LL NEVER SIGN THEM.
555
00:41:02,677 --> 00:41:05,463
YOU BETTER DO IT
WHILE WE'RE INCLINED
TO BE FRIENDLY.
556
00:41:05,593 --> 00:41:08,727
SEND YOUR MEN UP TO THE SHACK
AND THEN COME BACK HERE.
557
00:41:08,857 --> 00:41:10,946
LOOK AFTER HER
558
00:41:11,077 --> 00:41:13,035
WHILE I TAKE
THE RANSOM NOTE
INTO THE SHERIFF.
559
00:41:19,128 --> 00:41:21,522
YOU SEE, MARY ANNE,
THAT RANSOM NOTE
IS A PERFECT ALIBI
560
00:41:21,653 --> 00:41:23,829
FOR GETTING YOU AND DEAN
OUT OF THE WAY.
561
00:41:23,959 --> 00:41:26,222
WHAT DO YOU MEAN?
562
00:41:26,353 --> 00:41:28,268
IT'S SIMPLE--
DEAN CAME HERE,
563
00:41:28,398 --> 00:41:31,097
SHOT YOUR UNCLE,
AND KIDNAPPED YOU.
564
00:41:31,227 --> 00:41:33,491
THEN HE MURDERED YOU.
565
00:41:33,621 --> 00:41:36,102
FOSTER AND I
UNCOVERED HIS DIRTY WORK,
566
00:41:36,232 --> 00:41:39,148
WE TRIED TO CAPTURE DEAN,
HE MADE A BREAK FOR IT,
567
00:41:39,279 --> 00:41:41,324
SO WE HAD TO SHOOT HIM.
568
00:41:41,455 --> 00:41:44,327
IF I THOUGHT YOU HAD
ONE SPECK OF HONESTY
IN YOUR HEART,
569
00:41:44,458 --> 00:41:47,983
I'D SIGN THAT BILL OF SALE,
570
00:41:48,114 --> 00:41:50,986
PROVIDING YOU PROMISE
TO LEAVE DEAN ALONE.
571
00:41:51,117 --> 00:41:52,945
YOU HAVE MY WORD.
572
00:42:00,213 --> 00:42:03,738
YOU HAVE NO WORD,
MR. GUNDERSON.
573
00:42:43,256 --> 00:42:44,779
THERE AIN'T NOBODY HERE.
574
00:42:44,910 --> 00:42:46,564
MAYBE DEAN WAS RIGHT.
575
00:42:46,694 --> 00:42:48,435
IF HE WAS, HE'LL SURE
HAVE A LAUGH ON US.
576
00:42:54,093 --> 00:42:55,573
HEY, I WONDER
WHO THAT COULD BE?
577
00:42:55,703 --> 00:42:56,965
IT'S FOSTER'S OUTFIT.
578
00:42:57,096 --> 00:42:58,532
THEY LOOK LIKE
THEY MEAN BUSINESS.
579
00:43:03,537 --> 00:43:04,582
WE WANT EDDIE DEAN.
580
00:43:04,712 --> 00:43:06,105
WHAT DO YOU
WANT WITH HIM?
581
00:43:06,235 --> 00:43:07,802
THAT'S OUR BUSINESS.
582
00:43:07,933 --> 00:43:09,978
BETTER TURN HIM OVER UNLESS
YOU'RE LOOKIN' FOR TROUBLE.
583
00:43:10,109 --> 00:43:12,067
IF YOU WANT EDDIE,
YOU'LL HAVE TO
COME AND GET HIM.
584
00:44:02,988 --> 00:44:04,859
HIS LEG'S IN
PRETTY BAD SHAPE,
585
00:44:04,990 --> 00:44:06,948
WE'LL HAVE TO TAKE IT EASY
GETTING HIM DOWN TO THE RANCH.
586
00:44:39,546 --> 00:44:42,505
THE WHOLE JARVIS OUTFIT
WAS WAITIN' FOR US
AT THE SHACK.
587
00:44:42,636 --> 00:44:44,072
WHAT ABOUT DEAN?
588
00:44:44,203 --> 00:44:46,292
WE NEVER CAUGHT SIGHT OF HIM.
589
00:44:46,422 --> 00:44:48,511
YOU'RE A FINE PACK
TO SEND OUT ON A JOB.
590
00:44:48,642 --> 00:44:50,513
GO ON, PATCH YOURSELVES UP.
591
00:44:59,087 --> 00:45:02,395
WHAT DO WE DO NOW?
SHE AIN'T GONNA SIGN
NO BILL OF SALE.
592
00:45:02,525 --> 00:45:05,790
I'M RIDING INTO TOWN
TO TAKE THAT RANSOM NOT
TO THE SHERIFF.
593
00:45:05,920 --> 00:45:07,748
THAT CAN PUT US
IN THE CLEAR.
594
00:45:07,879 --> 00:45:09,794
WHAT ABOUT THE BILL OF SALE?
595
00:45:09,924 --> 00:45:11,665
I THINK I CAN COPY
HER SIGNATURE ALL RIGHT.
596
00:45:11,796 --> 00:45:14,102
FORGERY, EH?
597
00:45:14,233 --> 00:45:15,713
YEAH.
598
00:45:32,686 --> 00:45:34,644
WHAT'S THE MATTER
WITH CHARLIE?
599
00:45:34,775 --> 00:45:36,646
NEVER MIND THAT--
WHERE'S EDDIE?
600
00:45:36,777 --> 00:45:38,910
HE RODE INTO TOWN
AFTER YOU LEFT.
601
00:45:39,040 --> 00:45:40,563
GO AND GET HIM,
602
00:45:40,694 --> 00:45:42,870
AND TELL HIM THAT
THE KIDNAPPING
WAS NO FAKE.
603
00:45:43,001 --> 00:45:44,480
NO FAKE?!
HOLY MACKEREL!
604
00:45:56,144 --> 00:45:59,321
THAT SACK CARRIES THE NAME
"KANE NATIONAL BANK"
OF KANSAS CITY,
605
00:45:59,452 --> 00:46:02,324
AND THE PACKAGES
IN GUNDERSON'S SAFE
606
00:46:02,455 --> 00:46:03,891
WERE ALL CRISP NEW BILLS.
607
00:46:34,748 --> 00:46:37,011
YOU KNEW IT WAS GUNDERSON
WHEN HE STRUCK THE MATCH?
608
00:46:37,142 --> 00:46:38,926
THE LEFT-HANDED BUSINESS
WAS THE PROOF,
609
00:46:39,057 --> 00:46:40,798
AND THE SACK OF MONEY
TIED THE WHOLE THING UP.
610
00:46:47,108 --> 00:46:49,545
AND YOU FOUND A SHOULDER HOLSTER
RIGGED FOR A LEFT-HANDED MAN?
611
00:46:49,676 --> 00:46:50,982
THAT'S RIGHT.
612
00:46:51,112 --> 00:46:52,897
WHY DIDN'T YOU
BRING THAT HERE?
613
00:46:53,027 --> 00:46:55,682
I LEFT THE REST INTACT
SO WE COULD FIND IT
IN THE SAFE AS EVIDENCE.
614
00:47:49,257 --> 00:47:51,042
I THOUGHT I'D HAVE
A BETTER CHANCE
615
00:47:51,172 --> 00:47:52,913
IF I DIDN'T ADVERTISE
THAT I'M A U.S. MARSHAL.
616
00:47:53,044 --> 00:47:55,263
YOU SURE SEWED
THIS CASE UP.
617
00:47:55,394 --> 00:47:57,483
SOON AS I FOUND OUT
HOW THINGS ARE
OUT AT THE RANCH,
618
00:47:57,613 --> 00:47:59,528
I'LL GO OUT AND HAVE
A SESSION WITH BARNEY FOSTER.
619
00:47:59,659 --> 00:48:01,835
I'LL PICK UP GUNDERSON.
620
00:49:02,069 --> 00:49:04,115
HEY, EDDIE,
LOOK OUT!
621
00:49:06,030 --> 00:49:07,161
HYAH!
622
00:49:30,880 --> 00:49:32,839
EDDIE! EDDIE!
623
00:49:32,970 --> 00:49:35,624
GEE, WHIZ,
MY DAD-BURNED--
624
00:49:46,461 --> 00:49:48,246
HA HA!
625
00:49:48,376 --> 00:49:50,683
THE ONLY CHANCE
I'VE EVER HAD
TO USE MY GUN
626
00:49:50,813 --> 00:49:52,511
AND I JUST PLUMB
FORGOT IT.
627
00:49:52,641 --> 00:49:54,252
THAT WAS GUNDERSON,
WASN'T IT?
628
00:49:54,382 --> 00:49:55,949
YEAH, AND HE TRIED
TO DRY-GULCH YOU.
629
00:49:56,080 --> 00:49:57,690
ANOTHER THING--
630
00:49:57,820 --> 00:49:59,909
THAT KIDNAPPING OF MARY ANNE'S
IS NO FAKE, BROTHER,
631
00:50:00,040 --> 00:50:01,955
AND SHE'S IN
PLENTY OF TROUBLE.
632
00:50:02,086 --> 00:50:03,826
HOW DO YOU KNOW
IT WAS THE REAL THING?
633
00:50:03,957 --> 00:50:06,394
CHARLIE GOT ALL SHOT UP
WHEN THEY WENT TO THE SHACK
634
00:50:06,525 --> 00:50:08,396
AND HAD A GUNFIGHT
WITH FOSTER'S MEN.
635
00:50:08,527 --> 00:50:10,659
I DON'T HAVE TIME
TO GET BOB AND THE BOYS.
636
00:50:10,790 --> 00:50:14,054
IF SHE'S IN FOSTER'S HANDS,
SHE'S REALLY IN DANGER!
637
00:50:17,710 --> 00:50:19,320
HEY, FOSTER!
638
00:50:19,451 --> 00:50:20,626
WE GOTTA CLEAR OUT.
639
00:50:20,756 --> 00:50:22,149
WHAT'S WRONG?
640
00:50:22,280 --> 00:50:24,021
EVERYTHING--WE HAVEN'T
A MOMENT TO LOSE.
641
00:50:24,151 --> 00:50:25,979
WHAT ABOUT THE GIRL?
642
00:50:26,110 --> 00:50:27,502
WE'LL TAKE HER WITH US.
643
00:51:19,989 --> 00:51:22,035
OH! EDDIE!
644
00:51:22,166 --> 00:51:24,603
THERE'S NO ONE IN THERE
BUT ONE OF THE HANDS,
AND HE'S DEAD.
645
00:51:24,733 --> 00:51:27,214
I GUESS THEY DIDN'T HAVE
MARY ANNE HERE, AFTER ALL.
646
00:51:27,345 --> 00:51:29,912
YES THEY DID--I FOUND
HER HANDKERCHIEF INSIDE.
647
00:51:30,043 --> 00:51:31,610
THEY MUST HAVE HEADED
INTO THOSE HILLS.
648
00:51:31,740 --> 00:51:33,264
STAY HERE AND KEEP YOUR EYE
ON THAT DEAD MAN.
649
00:51:33,394 --> 00:51:34,961
YEAH, I'LL STAY HERE AND--
650
00:51:35,092 --> 00:51:36,919
HEY! HE AIN'T GOIN' ANYWHERE!
651
00:52:03,207 --> 00:52:04,991
HOLD IT, BEN! LOOK!
652
00:52:09,213 --> 00:52:10,475
IT'S DEAN!
653
00:54:11,030 --> 00:54:12,727
YOU SURE DID A GREAT JOB.
654
00:54:12,858 --> 00:54:14,903
PERSONALLY, I WOULDN'T HAVE
TAKE THE CHANCES YOU DID.
655
00:54:15,034 --> 00:54:17,993
IF WE'RE EVER GOING TO
STAMP OUT TRAIN ROBBERIES,
656
00:54:18,124 --> 00:54:21,083
MEN LIKE GUNDERSON
WILL HAVE BE TRACKED DOWN
AND PUT IN THE PENITENTIARY.
657
00:54:21,214 --> 00:54:24,522
WITH WHAT YOU'VE GOT ON HIM,
HE'LL BE GONE FOR A LONG TIME.
658
00:54:24,652 --> 00:54:27,568
SOAPY AND I WILL BE
OVER TO THE JAIL
TO PICK UP GUNDERSON.
659
00:54:27,699 --> 00:54:29,396
ALL RIGHT.
660
00:54:34,836 --> 00:54:36,490
HEY, EDDIE.
661
00:54:36,621 --> 00:54:38,884
MARY ANNE WANTS
TO TALK TO YOU.
662
00:54:39,014 --> 00:54:40,059
MARY ANNE?
663
00:54:40,189 --> 00:54:41,103
YEAH.
664
00:54:45,934 --> 00:54:47,588
DID YOU WANT
TO SEE ME, MA'AM?
665
00:54:47,719 --> 00:54:49,416
I SEE YOU'RE LEAVING.
666
00:54:49,547 --> 00:54:51,462
YES, I'M TAKING GUNDERSON
BACK FOR TRIAL.
667
00:54:51,592 --> 00:54:53,420
I CAN'T PERSUADE YOU
TO STAY ON
668
00:54:53,551 --> 00:54:55,292
AND TAKE CHARGE OF
THE RANCH AND THE NEW MINE?
669
00:54:55,422 --> 00:54:57,381
BOB, YOUR FOREMAN,
WILL TAKE CARE OF ALL THAT.
670
00:54:57,511 --> 00:54:59,426
BESIDES, THAT'S
A LITTLE OUT OF MY LINE.
671
00:55:03,561 --> 00:55:05,824
♪ I'M HITTIN' THE TRAIL
672
00:55:05,954 --> 00:55:07,565
♪ FOR CORNBREAD COUNTRY
673
00:55:07,695 --> 00:55:10,524
♪ LITTLE PONY
DON'T YOU THROW A SHOE ♪
674
00:55:10,655 --> 00:55:12,874
♪ GET ALONG, GET ALONG
675
00:55:13,005 --> 00:55:16,748
♪ GOT A LONG, LONG WAY TO RIDE
676
00:55:16,878 --> 00:55:20,795
♪ I'M GONNA LIVE
A LIFE OF EASE ♪
677
00:55:20,926 --> 00:55:24,016
♪ IN THE LAND
OF BLACK-EYED PEAS ♪
678
00:55:24,146 --> 00:55:29,978
♪ WITH A BLUE-EYED GAL
IN GINGHAM BY MY SIDE ♪
679
00:55:30,109 --> 00:55:33,591
♪ OH, CARRY ME BACK
TO CORNBREAD COUNTRY ♪
680
00:55:33,721 --> 00:55:36,855
♪ LITTLE PONY
DON'T YOU LET ME DOWN ♪
681
00:55:36,985 --> 00:55:39,118
♪ GET ALONG, GET ALONG
682
00:55:39,248 --> 00:55:42,600
♪ GONNA LONG NO MORE TO ROAM
683
00:55:43,862 --> 00:55:46,691
♪ I'M HEADIN'
STRAIGHT FOR TENNESSEE ♪
684
00:55:46,821 --> 00:55:49,824
♪ TO RAISE A CORNFED FAMILY
685
00:55:49,955 --> 00:55:55,308
♪ AND I'LL NEVER LEAVE
MY CORNBREAD COUNTRY HOME ♪
686
00:56:09,453 --> 00:56:12,630
♪ OH, HOW I LOVE
THOSE SUGAR HAMS ♪
687
00:56:12,760 --> 00:56:15,589
♪ DOWN IN THE LAND
OF CANDIED YAMS ♪
688
00:56:15,720 --> 00:56:21,508
♪ AND MY OLD BLACKSTRAP MOLASSES
ON THE SIDE ♪
689
00:56:21,639 --> 00:56:25,033
♪ OH, CARRY ME BACK
TO CORNBREAD COUNTRY ♪
690
00:56:25,164 --> 00:56:28,080
♪ DON'T YOU LET ME DOWN
691
00:56:28,210 --> 00:56:30,169
♪ GET ALONG, GET ALONG
692
00:56:30,299 --> 00:56:34,521
♪ GONNA LONG NO MORE TO ROAM
693
00:56:34,652 --> 00:56:37,437
♪ I'M HEADIN'
STRAIGHT FOR TENNESSEE ♪
694
00:56:37,568 --> 00:56:40,614
♪ TO RAISE A CORNFED FAMILY
695
00:56:40,745 --> 00:56:46,272
♪ AND I'LL NEVER LEAVE
MY CORNBREAD COUNTRY HOME ♪
696
00:56:46,403 --> 00:56:49,449
♪ CORNBREAD COUNTRY HOME ♪
697
00:56:53,105 --> 00:56:56,717
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