All language subtitles for Shadow Valley (idem) (1947) enENemb. 23,97 0,57,03 372mb ENGLISHripdf

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese Download
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:35,530 --> 00:01:38,924 ♪ I FOUND A ROSE 2 00:01:39,055 --> 00:01:44,669 ♪ IN AN OLD MISSION TOWN 3 00:01:44,800 --> 00:01:52,286 ♪ ROSE ANNE OF SAN JOSE 4 00:01:54,592 --> 00:01:58,161 ♪ SHE WAS A DREAM 5 00:01:58,292 --> 00:02:03,601 ♪ IN AN OLD FASHIONED GOWN 6 00:02:03,732 --> 00:02:10,782 ♪ ROSE ANNE OF SAN JOSE 7 00:02:13,176 --> 00:02:16,788 ♪ WE MET QUITE BY CHANCE 8 00:02:16,919 --> 00:02:20,966 ♪ IN A GARDEN 9 00:02:21,097 --> 00:02:25,493 ♪ NEAR THE CHAPEL 10 00:02:25,623 --> 00:02:30,019 ♪ BY THE SHRINE 11 00:02:31,586 --> 00:02:34,980 ♪ I KNEW AT A GLANCE 12 00:02:35,111 --> 00:02:39,550 ♪ SHE WAS LONELY 13 00:02:39,681 --> 00:02:48,037 ♪ BUT I SAW SHE COULD NEVER BE MINE ♪ 14 00:02:50,344 --> 00:02:53,347 ♪ THERE ON HER HAND 15 00:02:53,477 --> 00:02:58,700 ♪ WAS A PLAIN YELLOW BAND 16 00:02:58,830 --> 00:03:06,447 ♪ AND SO I RODE AWAY 17 00:03:08,492 --> 00:03:16,239 ♪ EVER TO REMEMBER 18 00:03:16,370 --> 00:03:27,032 ♪ ROSE ANNE OF SAN JOSE ♪ 19 00:04:19,998 --> 00:04:23,393 DAD BLAME THIS ROTTEN, SHOOTIN'....THING. 20 00:04:23,524 --> 00:04:26,266 I'LL HIT THIS JUG THIS TIME, OR I'LL... 21 00:04:26,396 --> 00:04:28,398 WELL, I WILL, THAT'S ALL. 22 00:04:36,450 --> 00:04:38,278 SOAPY! 23 00:04:39,366 --> 00:04:40,410 SOAPY JONES! 24 00:04:40,541 --> 00:04:41,759 YES, MA'AM? 25 00:04:41,890 --> 00:04:43,979 YOU HAVE ANOTHER WINDOW PANE TO PAY FOR. 26 00:04:44,109 --> 00:04:46,111 MARY ANNE, THAT'S ALL I DO, 27 00:04:46,242 --> 00:04:48,984 IS PUT IN NEW W-W-W-W-- THEM NEW GLASSES. 28 00:04:49,114 --> 00:04:51,203 YOU'VE BEEN WARNED TIME AND AGAIN-- 29 00:04:51,334 --> 00:04:52,727 IF YOU MUST PRACTICE, GO OUT IN THE HILLS 30 00:04:52,857 --> 00:04:54,250 WHERE YOU CAN'T DO ANY DAMAGE. 31 00:04:54,381 --> 00:04:56,034 WHAT TIME DO I GOT TO GO TO THE HILLS? 32 00:04:56,165 --> 00:04:57,688 ALL I GOT TIME TO DO IS COOK. 33 00:04:57,819 --> 00:05:00,561 HEY, I GOTTA GET CHOW READY NOW. 34 00:05:00,691 --> 00:05:02,824 WHERE DID UNCLE WALT GO THIS MORNING? 35 00:05:02,954 --> 00:05:05,392 I DON'T KNOW, BUT HE SHOULD BE ON HIS WAY BACK BY NOW. 36 00:06:33,393 --> 00:06:35,656 WHAT'S THIS I HEARD ABOUT BIG WALT JARVIS? 37 00:06:35,786 --> 00:06:39,137 SOMEBODY DRY-GULCHED HIM ON HIS WAY HOME FROM TOWN. 38 00:06:39,268 --> 00:06:40,791 THIS YOUNG FELLER BROUGHT THE BODY IN. 39 00:06:40,922 --> 00:06:42,576 DID YOU SEE HIM DRY-GULCHED? 40 00:06:42,706 --> 00:06:44,142 I DID. 41 00:06:44,273 --> 00:06:45,796 WHAT DID THE KILLER LOOK LIKE? 42 00:06:45,927 --> 00:06:47,755 I DIDN'T GET A LOOK AT HIS FACE, 43 00:06:47,885 --> 00:06:50,279 BUT HE'S WEARIN' STORE CLOTHES. 44 00:06:50,410 --> 00:06:52,716 THAT DESCRIPTION COULD FIT A LOT OF PEOPLE AROUND HERE. 45 00:06:52,847 --> 00:06:54,979 THAT'S WHAT I WAS SAYING WHEN YOU WALKED IN. 46 00:06:55,110 --> 00:06:56,720 HOW DO WE KNOW HE DIDN'T DO IT? 47 00:06:56,851 --> 00:06:58,592 DID YOU TAKE A LOOK AT HIS GUN? 48 00:06:58,722 --> 00:07:00,463 ONE OF 'EM'S BEEN FIRED WITHIN THE LAST FEW HOURS. 49 00:07:00,594 --> 00:07:02,813 I FIRED IN THE AIR A COUPLE OF TIMES TO WARN JARVIS. 50 00:07:02,944 --> 00:07:04,032 JUST PASSIN' THROUGH HERE? 51 00:07:04,162 --> 00:07:06,600 COULD BE. 52 00:07:06,730 --> 00:07:08,558 WHAT'S YOUR NAME? 53 00:07:08,689 --> 00:07:10,865 EDDIE DEAN-- BUT WHAT'S IT TO YOU? 54 00:07:10,995 --> 00:07:13,433 YOU'RE IN FOR A HEAP OF TROUBLE, DEAN, 55 00:07:13,563 --> 00:07:15,435 I'M JUST TRYING TO HELP YOU OUT. 56 00:07:15,565 --> 00:07:17,698 WHAT KIND OF TROUBLE? 57 00:07:17,828 --> 00:07:20,440 LOOK HERE, MR. DEAN, A MAN WE ALL RESPECTED 58 00:07:20,570 --> 00:07:22,920 HAS BEEN KILLED FOR NO APPARENT REASON. 59 00:07:23,051 --> 00:07:26,750 NATURALLY, YOU BEING A STRANGER, YOU'RE UNDER SUSPICION. 60 00:07:26,881 --> 00:07:29,666 AND YOU DON'T TELL A VERY CLEAR STORY. 61 00:07:29,797 --> 00:07:32,713 HE'S PROBABLY LYIN', LET'S SHOW HIM WHAT WE DO TO KILLERS. 62 00:07:35,933 --> 00:07:38,458 HOLD IT! BREAK IT UP! 63 00:07:38,588 --> 00:07:39,589 BREAK IT UP! 64 00:07:41,286 --> 00:07:43,506 NOW, GET THIS STRAIGHT. 65 00:07:43,637 --> 00:07:46,074 I'M PUMPIN' LEAD INTO THE FIRST ONE OF YOU THAT STARTS ANY TROUBLE. 66 00:07:46,204 --> 00:07:47,815 NOW GET OUT. 67 00:07:53,951 --> 00:07:55,605 I'LL TAKE YOUR GUNS, DEAN. 68 00:07:55,736 --> 00:07:58,390 YOUR FRIENDS DON'T SEEM TO LIKE ME VERY WELL. 69 00:07:58,521 --> 00:08:00,392 BARNEY JUST LIKES TO FEEL IMPORTANT. 70 00:08:00,523 --> 00:08:03,308 I'M GONNA HAVE TO LOCK YOU UP 71 00:08:03,439 --> 00:08:04,527 TILL WE GET THIS STRAIGHTENED OUT. 72 00:08:07,312 --> 00:08:09,271 DID YOU HEAR ABOUT BIG WALT JARVIS? 73 00:08:09,401 --> 00:08:11,665 YEAH, I HEARD HE GOT SHOT-- WHO DID IT? 74 00:08:11,795 --> 00:08:13,710 WELL, THE SHERIFF'S HOLDING A FELLA NAMED DEAN. 75 00:08:13,841 --> 00:08:15,495 DO YOU THINK HE'S GUILTY? 76 00:08:15,625 --> 00:08:17,540 MAYBE, MAYBE NOT-- IT ALL DEPENDS. 77 00:08:17,671 --> 00:08:19,194 WHAT DO FOLKS IN TOWN THINK? 78 00:08:19,324 --> 00:08:21,675 THEY THINK HE'S GUILTY. 79 00:08:21,805 --> 00:08:23,241 POOR OLD WALT. 80 00:08:23,372 --> 00:08:24,982 HE FOLLOWED HIS BROTHER JIM 81 00:08:25,113 --> 00:08:27,158 TO THE GRAVE IN LESS THAN SIX MONTHS. 82 00:08:27,289 --> 00:08:30,466 TOO BAD--A COUPLE OF FINE GENTS IF I EVER SAW ANY. 83 00:08:30,597 --> 00:08:33,121 AND JUST TO THINK THAT NEITHER ONE OF 'EM 84 00:08:33,251 --> 00:08:35,036 EVER KNEW WHAT THEIR PROPERTY WAS REALLY WORTH. 85 00:08:35,166 --> 00:08:37,604 HOW ABOUT MARY ANNE? 86 00:08:37,734 --> 00:08:39,606 NOW THAT HER FATHER AND UNCLE ARE BOTH GONE, 87 00:08:39,736 --> 00:08:41,390 I DON'T KNOW OF ANYTHING IN THE WORLD 88 00:08:41,521 --> 00:08:42,957 THAT WOULD WANT TO MAKE HER STAY ON THAT RANCH. 89 00:08:43,087 --> 00:08:45,394 WELL, I GUESS AS THE FAMILY LAWYER, 90 00:08:45,525 --> 00:08:49,354 IT'S UP TO ME TO BREAK THE NEWS TO HER, MUCH AS I HATE TO. 91 00:08:49,485 --> 00:08:52,227 BUT YOU HAVE TO TAKE THE BAD ALONG WITH THE GOOD. 92 00:08:52,357 --> 00:08:55,099 IN CASE MARY ANNE DOES DECIDE TO SACRIFICE HER RANCH, 93 00:08:55,230 --> 00:08:57,232 CAN YOU RAISE THE MONEY IN A HURRY? 94 00:08:57,362 --> 00:08:58,363 I'VE ALREADY GOT IT. 95 00:09:02,629 --> 00:09:04,587 IT'S ABOUT YOUR UNCLE WALT. 96 00:09:04,718 --> 00:09:08,069 I'D SOONER TAKE A BEATING THAN BRING YOU SUCH BAD NEWS. 97 00:09:08,199 --> 00:09:10,550 WHAT IS IT, MR. GUNDERSON? 98 00:09:10,680 --> 00:09:13,248 HE WAS SHOT, AMBUSHED. 99 00:09:13,378 --> 00:09:15,772 HE ISN'T DEAD, IS HE? 100 00:09:15,903 --> 00:09:19,210 YES, MARY ANNE, HE WAS KILLED INSTANTLY. 101 00:09:26,087 --> 00:09:28,176 [ Mary Anne crying ] 102 00:09:28,306 --> 00:09:31,658 COME, MY DEAR, YOU MUST GET AHOLD OF YOURSELF. 103 00:09:34,835 --> 00:09:37,664 THIS RANCH HAS BROUGHT NOTHING BUT TROUBLE AND SORROW. 104 00:09:37,794 --> 00:09:40,101 I WANT YOU TO SELL IT RIGHT AWAY, 105 00:09:40,231 --> 00:09:42,669 I DON'T WANT TO STAY HERE ANY LONGER THAN I HAVE TO. 106 00:09:42,799 --> 00:09:45,672 WELL, NATURALLY I'LL TRY, IF YOU INSIST. 107 00:09:45,802 --> 00:09:47,064 I DO INSIST. 108 00:09:47,195 --> 00:09:48,805 BUT YOU MUST UNDERSTAND 109 00:09:48,936 --> 00:09:50,546 IT'S NOT EASY TO DISPOSE OF A RANCH OF THIS SIZE. 110 00:09:50,677 --> 00:09:52,548 IT MIGHT TAKE SOME TIME TO FIND A BUYER. 111 00:09:52,679 --> 00:09:55,072 I DON'T CARE WHAT I GET FOR IT, JUST SELL IT. 112 00:09:55,203 --> 00:09:57,379 I'LL DO THE VERY BEST I CAN. 113 00:10:19,096 --> 00:10:21,055 [ whistles ] 114 00:10:25,668 --> 00:10:27,104 [ whistles ] 115 00:10:33,763 --> 00:10:35,896 HOW'S EVERYTHING COMING? 116 00:10:36,026 --> 00:10:38,159 THE FURTHER I DIG, THE RICHER IT GETS. 117 00:10:38,289 --> 00:10:40,857 THERE'S A MILLION DOLLARS WORTH OF ORE IN THE HILL, 118 00:10:40,988 --> 00:10:42,250 OR MY NAME AIN'T JED GRIMES. 119 00:10:42,380 --> 00:10:43,730 WELL, KEEP RIGHT ON. 120 00:10:43,860 --> 00:10:45,340 IN A FEW DAYS, WE'LL HAVE EVERYTHING SET. 121 00:10:45,470 --> 00:10:47,342 DO YOU NEED ANY SUPPLIES? 122 00:10:47,472 --> 00:10:50,171 NOPE, BARNEY FOSTER CAME UP AND BROUGHT ME EVERYTHING I NEED. 123 00:11:37,522 --> 00:11:39,263 WHAT'D YOU FIND, SHERIFF? 124 00:11:39,394 --> 00:11:41,178 I FOUND THE RIFLE SHELL BEHIND THE ROCK 125 00:11:41,309 --> 00:11:42,963 AND THE PLACE WHERE THE KILLER TIED HIS HORSE. 126 00:11:43,093 --> 00:11:45,530 YOUR STORY SEEMS TO CHECK PRETTY STRAIGHT. 127 00:11:45,661 --> 00:11:47,707 COULDN'T CHECK ANY OTHER WAY. 128 00:11:47,837 --> 00:11:51,145 YOU KNOW, I'M PUZZLED-- I CAN'T FIGURE OUT WHY ANYBODY 129 00:11:51,275 --> 00:11:53,364 WOULD WANT TO KILL JIM AND WALT JARVIS. 130 00:11:53,495 --> 00:11:56,846 IF YOU FIND OUT WHY, YOU'LL PROBABLY KNOW WHO DID THE KILLING. 131 00:11:56,977 --> 00:11:59,066 YOU SEEM TO KNOW A LOT ABOUT THIS SORT OF THING. 132 00:11:59,196 --> 00:12:01,459 I MAKE IT MY BUSINESS TO KEEP MY EYES AND EARS OPEN. 133 00:12:01,590 --> 00:12:03,940 DID I HEAR YOU SAY SOMETHING ABOUT A MISS JARVIS? 134 00:12:04,071 --> 00:12:06,551 YEP. I SURE FEEL SORRY FOR HER. 135 00:12:06,682 --> 00:12:09,816 SHE CAN'T HANDLE THAT ENORMOUS RANCH BY HERSELF-- 136 00:12:09,946 --> 00:12:12,383 I DOUBT IF SHE'LL WANT TO AFTER WHAT'S HAPPENED. 137 00:12:12,514 --> 00:12:14,211 SEE YOU LATER, SHERIFF. 138 00:12:35,755 --> 00:12:37,757 TRY AND TALK TO HER AGAIN, BOB. 139 00:12:37,887 --> 00:12:39,410 IT AIN'T NO USE. 140 00:12:39,541 --> 00:12:41,195 SHE'S MADE UP HER MIND TO SELL THE PLACE, 141 00:12:41,325 --> 00:12:42,979 AND THAT'S ALL THERE IS TO IT. 142 00:12:43,110 --> 00:12:44,894 WE BETTER START LOOKIN' FOR NEW JOBS. 143 00:12:45,025 --> 00:12:47,331 I DON'T WANT NO NEW JOB. 144 00:12:47,462 --> 00:12:50,465 YOU FELLAS SIT DOWN, I'M GONNA SHOW YOU SOME FANCY SHOOTIN'. 145 00:12:57,951 --> 00:12:59,387 HA HA HA! 146 00:12:59,517 --> 00:13:02,782 THIS DAD-BLAME 6-SHOOTER AIN'T WORTH-- 147 00:13:04,392 --> 00:13:07,221 BOY, THAT'S SOME SHOOTIN'! I'VE NEVER SEEN BETTER. 148 00:13:07,351 --> 00:13:09,092 HA HA HA! 149 00:13:09,223 --> 00:13:11,616 I GUESS YOU FELLAS THINK THAT WAS AN ACCIDENT-- 150 00:13:13,140 --> 00:13:14,619 HA HA HA! 151 00:13:17,492 --> 00:13:20,190 HEY, WHO'S THAT RIDING UP THERE? 152 00:13:23,890 --> 00:13:26,066 I WONDER IF THAT'S THE FELLER I SAW THE OTHER DAY. 153 00:13:26,196 --> 00:13:29,286 I WAS HERDIN' SOME STOCK AND TRIED TO MEET UP WITH HIM, BUT HE CLEARED OUT. 154 00:13:29,417 --> 00:13:31,462 WELL, HE WON'T THIS TIME. 155 00:13:33,203 --> 00:13:35,423 HEY! WAIT FOR ME! 156 00:14:40,618 --> 00:14:42,664 WHAT ARE YOU DOING OUT HERE? 157 00:14:42,794 --> 00:14:45,188 JUST LOOKING AROUND-- I MIGHT BE INTERESTED IN BUYING THIS SPREAD. 158 00:14:45,319 --> 00:14:47,887 HOW DID YOU KNOW THIS RANCH WAS FOR SALE? 159 00:14:48,017 --> 00:14:49,976 EVERYBODY AROUND HERE KNOWS IT BY NOW. 160 00:14:50,106 --> 00:14:51,673 WHO ARE YOU, ANYWAY? 161 00:14:51,803 --> 00:14:53,109 WHAT DIFFERENCE DOES IT MAKE? 162 00:14:53,240 --> 00:14:55,459 BEING A STRANGER AROUND HERE MAKES A LOT OF DIFFERENCE. 163 00:14:55,590 --> 00:14:56,939 LET'S TAKE HIM INTO TOWN. 164 00:14:57,070 --> 00:14:59,463 I'D MUCH RATHER YOU'D TAKE ME OVER TO THE RANCHHOUSE, 165 00:14:59,594 --> 00:15:01,117 I'D LIKE TO HAVE A TALK WITH MISS JARVIS. 166 00:15:01,248 --> 00:15:03,380 MAYBE HE WOULD LIKE TO BUY THIS SPREAD. 167 00:15:03,511 --> 00:15:07,210 WE CAN STILL WATCH HIM-- IT'S UP TO YOU, BOB. 168 00:15:07,341 --> 00:15:09,082 ALL RIGHT, START RIDIN', MISTER. 169 00:15:24,749 --> 00:15:26,751 MR. GUNDERSON, IT'S NICE TO SEE YOU AGAIN. 170 00:15:26,882 --> 00:15:28,753 HELLO, MARY ANNE. 171 00:15:28,884 --> 00:15:30,930 I'VE BEEN INTENDING TO COME OUT, 172 00:15:31,060 --> 00:15:34,237 BUT I'VE BEEN PRETTY BUSY ARRANGING THINGS FOR YOU. 173 00:15:34,368 --> 00:15:35,673 WON'T YOU SIT DOWN? 174 00:15:35,804 --> 00:15:37,066 YES, THANK YOU. 175 00:15:37,197 --> 00:15:39,199 HAVE YOU HAD ANY OFFERS? 176 00:15:39,329 --> 00:15:42,071 BUYERS FOR A RANCH THIS BIG AREN'T EASY TO FIND, UNLESS-- 177 00:15:42,202 --> 00:15:44,117 UNLESS WHAT? 178 00:15:44,247 --> 00:15:46,684 UNLESS YOU'RE WILLING TO ACCEPT A RIDICULOUSLY SMALL AMOUNT TO MAKE THE SALE. 179 00:15:46,815 --> 00:15:49,165 I'LL TAKE ANYTHING I CAN GET. 180 00:15:49,296 --> 00:15:51,515 WELL, BARNEY FOSTER TOLD ME HE MIGHT BE INTERESTED. 181 00:15:51,646 --> 00:15:53,561 BARNEY FOSTER? 182 00:15:53,691 --> 00:15:56,564 HE NEVER TOOK CARE OF HIS OWN PLACE. 183 00:15:56,694 --> 00:15:58,914 I KNOW, BUT YOU KNOW HOW SOME MEN ARE-- 184 00:15:59,045 --> 00:16:00,916 THEY'RE JUST LAND MAD, CAN'T GET ENOUGH. 185 00:16:01,047 --> 00:16:02,962 BESIDES, IF YOU'RE SO ANXIOUS TO SELL, 186 00:16:03,092 --> 00:16:04,920 WHAT DIFFERENCE DOES IT MAKE? 187 00:16:05,051 --> 00:16:06,878 PERHAPS YOU'RE RIGHT. 188 00:16:07,009 --> 00:16:08,619 WE'LL SEE HOW MUCH HE'S WILLING TO OFFER. 189 00:16:08,750 --> 00:16:10,186 YES, PLEASE DO. 190 00:16:10,317 --> 00:16:12,232 AND I AM GRATEFUL FOR ALL YOU'RE DOING FOR ME. 191 00:16:12,362 --> 00:16:14,495 I ASSURE YOU I'LL DO ALL I CAN FOR YOU. 192 00:16:14,625 --> 00:16:16,627 [ horses approaching ] 193 00:16:25,288 --> 00:16:27,073 WE JUST FOUND THIS BIRD IN THE FOOTHILLS, 194 00:16:27,203 --> 00:16:28,378 HE'S BEEN SNOOPING AROUND. 195 00:16:28,509 --> 00:16:30,337 YOU'RE DEAN, AREN'T YOU? 196 00:16:30,467 --> 00:16:31,686 YES, THAT'S RIGHT. 197 00:16:31,816 --> 00:16:34,297 THE SHERIFF TOLD YOU TO GET OUT OF THIS LOCALITY. 198 00:16:34,428 --> 00:16:36,430 HE DIDN'T SAY ANYTHING ABOUT IT TO ME. 199 00:16:36,560 --> 00:16:38,562 ANYWAY, AS LONG AS I HAPPEN TO BE HERE, 200 00:16:38,693 --> 00:16:40,434 I THOUGHT I'D HAVE A LOOK-AROUND OVER THE JARVIS LAYOUT. 201 00:16:40,564 --> 00:16:42,479 MAY I ASK WHY? 202 00:16:42,610 --> 00:16:44,220 YES, MA'AM-- I'M IN THE MARKET TO BUY A RANCH. 203 00:16:44,351 --> 00:16:45,439 YOU? 204 00:16:45,569 --> 00:16:47,267 ANYTHING WRONG WITH MY MONEY? 205 00:16:47,397 --> 00:16:50,096 NO, OF COURSE NOT, ONLY AS MISS JARVIS' LAWYER, I-- 206 00:16:50,226 --> 00:16:52,141 WHO IS THIS MAN? 207 00:16:52,272 --> 00:16:55,231 HE BROUGHT YOUR UNCLE'S BODY INTO TOWN. 208 00:16:55,362 --> 00:16:56,798 UNDER PECULIAR CIRCUMSTANCES, 209 00:16:56,928 --> 00:16:58,626 BUT THE SHERIFF BELIEVED HIS STORY. 210 00:16:58,756 --> 00:17:01,107 AND JUST WHAT DO YOU BELIEVE? 211 00:17:01,237 --> 00:17:02,978 WELL, FRANKLY, I THINK YOU'RE INNOCENT. 212 00:17:03,109 --> 00:17:05,285 BUT I HAVE BEEN KNOWN TO GUESS WRONG. 213 00:17:05,415 --> 00:17:08,505 IF YOU'RE ON THE LEVEL ABOUT BUYING THIS RANCH, 214 00:17:08,636 --> 00:17:11,378 I'M HANDLING MISS JARVIS' AFFAIRS. 215 00:17:14,076 --> 00:17:16,339 BOYS, I'LL TALK TO MR. DEAN ALONE. 216 00:17:23,868 --> 00:17:25,218 WON'T YOU SIT DOWN? 217 00:17:29,918 --> 00:17:32,268 YOU SAID YOU WANTED TO TALK TO ME ABOUT BUYING THE RANCH. 218 00:17:32,399 --> 00:17:34,009 FRANKLY, THAT'S NOT TRUE. 219 00:17:34,140 --> 00:17:35,402 THEN YOU WERE LYING. 220 00:17:35,532 --> 00:17:36,707 A WHITE LIE, MISS JARVIS. 221 00:17:36,838 --> 00:17:39,710 IN THAT CASE, WE HAVE NOTHING MORE TO SAY. 222 00:17:39,841 --> 00:17:41,843 AND IF YOU DON'T MIND-- 223 00:17:41,973 --> 00:17:45,238 I CAN'T LET YOU GET AWAY WITHOUT HEARING ME OUT. 224 00:17:45,368 --> 00:17:46,804 I'M REALLY VERY BUSY. 225 00:17:46,935 --> 00:17:48,632 BUSY PREPARING TO RUN AWAY? 226 00:17:48,763 --> 00:17:52,071 JUST WHY ARE YOU SO CONCERNED ABOUT IT? 227 00:17:52,201 --> 00:17:54,073 FOR TWO REASONS. 228 00:17:54,203 --> 00:17:56,336 FIRST, I WANT YOU TO GIVE ME A JOB. 229 00:17:56,466 --> 00:17:58,294 A JOB? 230 00:17:58,425 --> 00:18:00,905 YES, BUT I'D RATHER NOT GO INTO EXPLANATIONS AT THIS TIME. 231 00:18:01,036 --> 00:18:03,386 AND THE OTHER? 232 00:18:03,517 --> 00:18:06,824 I'VE GOT A HUNCH THIS PROPERTY IS VALUABLE FOR SOMETHING BESIDES GRAZING CATTLE, 233 00:18:06,955 --> 00:18:09,262 AND I WOULDN'T WANT TO SEE YOU SCARED OFF 234 00:18:09,392 --> 00:18:11,307 AND ROBBED OF SOMETHING THAT'S RIGHTFULLY YOURS. 235 00:18:11,438 --> 00:18:13,614 I MAKE MY OWN DECISIONS, MR. DEAN. 236 00:18:13,744 --> 00:18:16,443 HOWEVER, IF IT WILL HELP YOU, 237 00:18:16,573 --> 00:18:19,098 I'LL TELL BOB THAT YOU'RE STAYING ON-- TEMPORARILY. 238 00:18:28,803 --> 00:18:30,370 WHAT'S THE NEWS? 239 00:18:30,500 --> 00:18:32,154 I JUST CAME FROM THE JARVIS PLACE-- 240 00:18:32,285 --> 00:18:33,721 MARY ANNE'S TALKING BUSINESS WITH THAT FELLA DEAN. 241 00:18:33,851 --> 00:18:35,897 HE'S TRYING TO BUY THE RANCH FROM HER. 242 00:18:36,027 --> 00:18:38,378 WHAT? WE CAN'T TAKE ANY CHANCES. 243 00:18:38,508 --> 00:18:41,381 I DON'T INTEND TO LET A SLIP OF A GIRL OR A COWHAND STAND IN OUR WAY. 244 00:18:41,511 --> 00:18:44,558 YOU TELL YOUR MEN TO BE ON THE LOOKOUT FOR DEAN. 245 00:18:44,688 --> 00:18:47,691 WE'LL GIVE HIM THE SAME TREATMENT WE GAVE JARVIS. 246 00:18:58,354 --> 00:18:59,442 [ gunshot ] 247 00:19:03,403 --> 00:19:04,926 [ gunshot ] 248 00:19:20,246 --> 00:19:21,464 [ gunfire continues ] 249 00:19:36,958 --> 00:19:38,916 HEY, SOAPY! QUIT THAT SHOOTIN'! 250 00:19:39,047 --> 00:19:40,614 HUH? 251 00:19:40,744 --> 00:19:42,006 COME HERE! 252 00:19:49,971 --> 00:19:52,234 YOU ALMOST PLUGGED ME WITH THAT SIX-GUN. 253 00:19:52,365 --> 00:19:53,844 I WASN'T AIMIN' AT YOU. 254 00:19:53,975 --> 00:19:55,890 THAT'S THE TROUBLE-- 255 00:19:56,020 --> 00:19:58,109 IF YOU'D BEEN AIMING AT ME, I'D HAVE BEEN PERFECTLY SAFE. 256 00:19:58,240 --> 00:20:00,286 WHY DON'T YOU LEAVE ME ALONE? 257 00:20:00,416 --> 00:20:02,070 I'M SORRY, PAL. 258 00:20:02,201 --> 00:20:05,465 YOU'RE A TENTH-RATE SHOT, BUT A FIRST-RATE SIDEKICK. 259 00:20:05,595 --> 00:20:07,467 TELL ME--SINCE I SAW YOU AT HEADQUARTERS, 260 00:20:07,597 --> 00:20:09,251 HAVE YOU MADE ANY PROGRESS ON THIS CASE? 261 00:20:09,382 --> 00:20:11,427 I'M PRETTY SURE THAT THAT TRAIN ROBBER 262 00:20:11,558 --> 00:20:14,474 WE'VE BEEN LOOKIN' FOR IS IN THE SECTION SOMEPLACE. 263 00:20:14,604 --> 00:20:16,345 MIGHT EVEN BE TIED UP WITH THESE KILLINGS. 264 00:20:16,476 --> 00:20:17,651 YEAH. 265 00:20:17,781 --> 00:20:19,522 IF WE COULD GET OUR HANDS ON HIM, 266 00:20:19,653 --> 00:20:21,481 WE COULD KILL TWO BIRDS WITH ONE S-S-S-S-- 267 00:20:21,611 --> 00:20:23,222 ROCK. 268 00:20:23,352 --> 00:20:24,353 OH, BE SERIOUS. 269 00:20:26,703 --> 00:20:29,532 ARE YOU SURE THAT NO ONE KNOW ABOUT YOU AND I WORKING TOGETHER? 270 00:20:29,663 --> 00:20:30,968 SHH...NOT A SOUL. 271 00:20:31,099 --> 00:20:33,797 HEY, EDDIE, WATCH THIS SHOT. 272 00:20:37,584 --> 00:20:38,628 OH! 273 00:20:58,648 --> 00:21:00,998 IT'S ONLY A SCRATCH, HE'LL BE ALL RIGHT. 274 00:21:01,129 --> 00:21:03,131 WHEN YOU GONNA LEARN HOW TO SHOOT? 275 00:21:03,262 --> 00:21:05,089 WELL, I HIT HIM, DIDN'T I? 276 00:21:21,497 --> 00:21:23,717 HEY, EDDIE, 277 00:21:23,847 --> 00:21:25,675 COME HERE AND LOOK AT THESE PRETTY ROCKS. 278 00:21:33,117 --> 00:21:35,294 HEY, THAT'S HIGH-GRADE ORE. 279 00:21:35,424 --> 00:21:36,556 ORE WHAT? 280 00:21:36,686 --> 00:21:37,818 GOLD ORE. 281 00:21:39,776 --> 00:21:41,343 HEY, DID YOU SAY GOLD ORE? 282 00:21:41,474 --> 00:21:43,824 THE HIGHEST GRADE ORE I'VE EVER SEEN. 283 00:21:43,954 --> 00:21:47,871 THIS IS PART OF THE JARVIS RANCH. 284 00:21:48,002 --> 00:21:52,093 YEAH, AND THIS IS WHY THE JARVIS BROTHERS WERE MURDERED. 285 00:21:52,223 --> 00:21:53,964 COULD BE. 286 00:21:54,095 --> 00:21:56,227 WE BETTER TELL MARY ANNE SHE'S STRUCK IT RICH. 287 00:21:56,358 --> 00:21:58,404 WE MUSTN'T SAY A WORD TO ANYBODY. 288 00:21:58,534 --> 00:22:01,189 OTHERWISE, WE MAY WARN THE VERY MAN WE'RE TRYING TO TRAP. 289 00:22:01,320 --> 00:22:04,584 DON'T FORGET, HE MAY BE MIXED UP IN THIS DEAL. 290 00:22:10,503 --> 00:22:12,679 THE ONLY CLUE WE HAVE TO HIS IDENTITY 291 00:22:12,809 --> 00:22:14,594 IS THE FACT THAT HE SHOOTS WITH HIS LEFT HAND, 292 00:22:14,724 --> 00:22:17,597 AND THE MAN WHO SHOT WALT JARVIS IS LEFT-HANDED. 293 00:22:25,474 --> 00:22:27,737 HEY, THAT OLD GOAT IS STEALING MY HORSE! 294 00:22:27,868 --> 00:22:30,000 SAVE YOUR LEAD, HE'S GONE. 295 00:22:30,131 --> 00:22:32,220 WELL, WHAT ARE WE GONNA DO? 296 00:22:32,351 --> 00:22:33,700 WHAT ARE WE GONNA DO? YEAH. 297 00:22:33,830 --> 00:22:36,267 I'M GONNA RIDE, AND YOU'LL WALK. 298 00:22:36,398 --> 00:22:38,357 YEAH, YOU'RE GONNA RIDE AND I'M GONNA-- 299 00:22:38,487 --> 00:22:39,836 HEY, WAIT A MINUTE! 300 00:22:46,408 --> 00:22:47,540 OOH. 301 00:22:49,280 --> 00:22:51,848 HE RIDES AND I WALK. 302 00:22:53,197 --> 00:22:54,547 HOWDY, SHERIFF.HOWDY. 303 00:22:54,677 --> 00:22:56,853 HELLO, BARNEY. 304 00:22:56,984 --> 00:23:01,118 ANYTHING I CAN DO TO HELP YOU WITH THE JARVIS CASE, JUST CALL ON ME. 305 00:23:01,249 --> 00:23:04,426 I MAY DO THAT. SEE YOU LATER. 306 00:23:07,516 --> 00:23:09,083 WHAT BRINGS YOU INTO TOWN? 307 00:23:09,213 --> 00:23:10,693 I JUST CAME FROM YOUR OFFICE. 308 00:23:10,824 --> 00:23:12,042 ANYTHING WRONG? 309 00:23:12,173 --> 00:23:13,304 A COUPLE OF THE JARVIS HANDS 310 00:23:13,435 --> 00:23:14,741 FOUND THE MINE AND SHOT GRIMES. 311 00:23:14,871 --> 00:23:16,395 IS-IS HE DEAD? 312 00:23:16,525 --> 00:23:18,092 NO, HE'S OVER AT MY PLACE. 313 00:23:18,222 --> 00:23:20,877 HE GOT AWAY WHILE THEY WERE LOOKING OVER THE DIGGIN'S. 314 00:23:23,402 --> 00:23:26,361 IF THE JARVIS GIRL KNOWS ABOUT THAT VEIN OF GOLD, SHE WON'T SELL. 315 00:23:26,492 --> 00:23:28,407 HAS GRIMES TALKED? 316 00:23:28,537 --> 00:23:29,799 HE SAYS HE HASN'T. 317 00:23:29,930 --> 00:23:32,062 MAKE SURE THAT HE DON'T. 318 00:23:32,193 --> 00:23:35,022 I WONDER IF ONE OF THOSE JARVIS HANDS COULD BE DEAN? 319 00:23:35,152 --> 00:23:37,067 I HEAR HE'S STILL HANGING AROUND THE RANCH. 320 00:23:37,198 --> 00:23:39,156 WELL, THE DESCRIPTION OF ONE OF 'EM FITS HIM. 321 00:23:39,287 --> 00:23:41,507 IF IT'S THE MINE HE'S AFTER, 322 00:23:41,637 --> 00:23:43,247 HE'S LIKELY TO KEEP THAT TO HIMSELF, 323 00:23:43,378 --> 00:23:45,032 WHICH MEANS THAT HE'LL PLAY RIGHT INTO OUR HANDS. 324 00:23:45,162 --> 00:23:46,599 WHAT DO YOU MEAN? 325 00:23:46,729 --> 00:23:48,383 GET BACK TO YOUR PLACE AND WAIT. 326 00:23:48,514 --> 00:23:50,167 I'LL PICK YOU UP THERE LATER 327 00:23:50,298 --> 00:23:52,300 AS SOON AS I FIX UP SOME PAPERS FOR MARY ANNE. 328 00:23:52,431 --> 00:23:53,867 YOU MEAN TO SELL THE PLACE TO ME? 329 00:23:53,997 --> 00:23:55,259 THAT'S RIGHT. 330 00:23:55,390 --> 00:23:56,826 SHE WON'T DO IT. 331 00:23:56,957 --> 00:23:58,741 OH, YES, I THINK SHE WILL. 332 00:24:14,757 --> 00:24:18,326 ANDY, ASK MR. DEAN IF HE'LL DRIVE ME INTO TOWN. 333 00:24:18,457 --> 00:24:19,588 OH, DEAN? 334 00:24:19,719 --> 00:24:21,024 YEAH? 335 00:24:21,155 --> 00:24:23,200 WOULD YOU DRIVE MISS JARVIS INTO TOWN? 336 00:24:29,946 --> 00:24:32,079 SURE, BE GLAD TO. 337 00:24:32,209 --> 00:24:34,298 I HOPE THIS WON'T INCONVENIENCE YOU. 338 00:24:34,429 --> 00:24:35,735 IT WON'T. 339 00:24:45,222 --> 00:24:51,185 ♪ I'LL BID MY LOVE GOODBYE 340 00:24:51,315 --> 00:24:56,059 ♪ BY THE MAPLE TREE 341 00:24:56,190 --> 00:25:00,977 ♪ BY THE MAPLE TREE 342 00:25:01,108 --> 00:25:05,895 ♪ BY THE MAPLE TREE 343 00:25:06,026 --> 00:25:11,074 ♪ I'LL BID MY LOVE GOODBYE 344 00:25:11,205 --> 00:25:15,514 ♪ BY THE MAPLE TREE 345 00:25:15,644 --> 00:25:24,044 ♪ AND THEN I'LL RIDE AWAY 346 00:25:25,915 --> 00:25:30,529 ♪ NOW DON'T YOU WEEP FOR ME 347 00:25:30,659 --> 00:25:33,140 ♪ MY DARLING 348 00:25:33,270 --> 00:25:37,187 ♪ DON'T YOU WEEP FOR ME 349 00:25:37,318 --> 00:25:40,277 ♪ I PRAY 350 00:25:40,408 --> 00:25:43,933 ♪ AND I'LL HANG MY HEART 351 00:25:44,064 --> 00:25:47,458 ♪ ON THE HITCHIN' POST 352 00:25:47,589 --> 00:25:54,248 ♪ TILL I COME HOME TO STAY 353 00:25:54,378 --> 00:25:57,773 ♪ I'LL PACK A DREAM OR TWO 354 00:25:57,904 --> 00:26:01,081 ♪ IN A SADDLEBAG 355 00:26:01,211 --> 00:26:04,867 ♪ IN A SADDLEBAG 356 00:26:04,998 --> 00:26:07,914 ♪ IN A SADDLEBAG 357 00:26:08,044 --> 00:26:11,570 ♪ I'LL PACK A DREAM OR TWO 358 00:26:11,700 --> 00:26:15,138 ♪ IN A SADDLEBAG 359 00:26:15,269 --> 00:26:21,797 ♪ AND THEN I'LL RIDE AWAY 360 00:26:21,928 --> 00:26:27,760 ♪ NOW DON'T YOU WEEP FOR ME 361 00:26:27,890 --> 00:26:32,460 ♪ MY DARLING 362 00:26:32,591 --> 00:26:38,335 ♪ DON'T YOU WEEP FOR ME 363 00:26:38,466 --> 00:26:41,121 ♪ I PRAY 364 00:26:42,949 --> 00:26:46,126 ♪ AND I'LL HANG MY HEART 365 00:26:46,256 --> 00:26:49,346 ♪ ON THE HITCHIN' POST 366 00:26:49,477 --> 00:26:55,744 ♪ TILL I COME HOME TO STAY ♪ 367 00:27:05,145 --> 00:27:06,712 WHOA! 368 00:27:12,500 --> 00:27:14,067 WHOA, BOY. 369 00:27:19,202 --> 00:27:21,770 THIS IS SURE PRETTY COUNTRY AROUND HERE. 370 00:27:21,901 --> 00:27:24,730 YEAH. I'VE LOVED IT SINCE THE FIRST DAY 371 00:27:24,860 --> 00:27:26,514 I CAME OUT HERE WITH DAD AND UNCLE WALT. 372 00:27:26,645 --> 00:27:29,256 YOU SEE I HAVEN'T GONE AWAY YET. 373 00:27:29,386 --> 00:27:30,649 SO I NOTICED. 374 00:27:30,779 --> 00:27:32,215 ARE YOU SURPRISED? 375 00:27:32,346 --> 00:27:33,652 WELL, YES AND NO. 376 00:27:33,782 --> 00:27:34,957 WHAT DOES THAT MEAN? 377 00:27:35,088 --> 00:27:37,699 THAT MEANS YES I AM, AND NO I'M NOT. 378 00:27:37,830 --> 00:27:40,615 HAVE YOU CHANGED YOUR MIND ABOUT LEAVING? 379 00:27:40,746 --> 00:27:42,922 PERHAPS. WHY? 380 00:27:43,052 --> 00:27:45,446 DO I HAVE TO GIVE REASONS FOR EVERYTHING I DO? 381 00:27:45,576 --> 00:27:47,230 YOU DON'T HAVE TO DO ANYTHING. 382 00:27:47,361 --> 00:27:48,623 EDDIE, WAIT. 383 00:27:48,754 --> 00:27:50,756 NOW, I HAVEN'T ASKED A LOT OF QUESTIONS, HAVE I? 384 00:27:50,886 --> 00:27:52,583 NO, YOU'VE BEEN PRETTY SWELL ABOUT EVERYTHING. 385 00:27:52,714 --> 00:27:55,804 THEN DON'T YOU THINK I'M ENTITLED TO KNOW WHAT YOU'RE DOING HERE? 386 00:27:55,935 --> 00:27:57,937 SURE YOU ARE, BUT I CAN'T TELL YOU RIGHT NOW. 387 00:27:58,067 --> 00:27:59,982 YOU MEAN YOU DON'T TRUST ME? 388 00:28:00,113 --> 00:28:01,723 I TRUST YOU ALL RIGHT, 389 00:28:01,854 --> 00:28:04,378 BUT YOU CHANGE YOUR MIND ABOUT THINGS SO OFTEN. 390 00:28:04,508 --> 00:28:07,250 I SHOULD HAVE KNOWN BETTER THAN TO ASK--PLEASE DRIVE ON. 391 00:28:07,381 --> 00:28:08,991 WAIT A MINUTE, MARY ANNE. 392 00:28:09,122 --> 00:28:10,819 THE NAME IS MISS JARVIS, IF YOU PLEASE. 393 00:28:10,950 --> 00:28:12,821 ALL RIGHT, MISS JARVIS-IF-YOU-PLEASE, 394 00:28:12,952 --> 00:28:14,475 I'LL TELL YOU EVERYTHING WHEN THE PROPER TIME COMES. 395 00:28:14,605 --> 00:28:16,695 I'M REALLY NOT INTERESTED. 396 00:28:16,825 --> 00:28:18,174 HAVE IT YOUR WAY-- GIDDYUP! 397 00:28:31,710 --> 00:28:34,103 DO I HAVE TO DRIVE YOU HOME? 398 00:28:34,234 --> 00:28:35,714 YOU DON'T HAVE TO DO ANYTHING-- 399 00:28:35,844 --> 00:28:38,194 I CAN MANAGE VERY WELL BY MYSELF. 400 00:29:02,566 --> 00:29:05,526 Gunderson: HELLO DEAN. STILL AROUND TOWN, I SEE. 401 00:29:05,656 --> 00:29:07,180 ANY REASON WHY I SHOULDN'T BE? 402 00:29:07,310 --> 00:29:08,572 NO, I GUESS NOT. 403 00:29:08,703 --> 00:29:11,053 YOU STILL IN THE MARKET TO BUY THE JARVIS RANCH? 404 00:29:11,184 --> 00:29:12,881 TOO BIG A PROPOSITION FOR MY POCKETBOOK. 405 00:29:13,012 --> 00:29:14,970 SOMETHING SHOULD BE DONE ABOUT IT, THOUGH, 406 00:29:15,101 --> 00:29:16,667 SO I CAME TO TALK TO YOU. 407 00:29:16,798 --> 00:29:18,408 WHAT DO YOU MEAN? 408 00:29:18,539 --> 00:29:20,367 I'M SURE THE JARVIS BROTHERS WEREN'T MURDERED FOR NOTHING. 409 00:29:20,497 --> 00:29:22,412 IT'S LIKELY THE SAME PARTY OR PARTIES 410 00:29:22,543 --> 00:29:24,763 ARE PLANNING TO DO AWAY WITH MISS JARVIS, TOO. 411 00:29:24,893 --> 00:29:26,677 NONSENSE. 412 00:29:26,808 --> 00:29:28,157 MAYBE NOT. 413 00:29:28,288 --> 00:29:30,029 DO YOU KNOW ANYTHING, DEAN? 414 00:29:30,159 --> 00:29:31,987 IF YOU DO, IN HEAVEN'S NAME, TELL ME. 415 00:29:32,118 --> 00:29:33,597 IF ANYTHING SHOULD HAPPEN TO MARY ANNE-- 416 00:29:33,728 --> 00:29:36,122 I DON'T KNOW A THING, BUT I'VE GOT HUNCH. 417 00:29:36,252 --> 00:29:37,776 WHAT SORT OF A HUNCH? 418 00:29:37,906 --> 00:29:39,647 SOMEBODY IS SO ANXIOUS TO GRAB THE JARVIS SPREAD 419 00:29:39,778 --> 00:29:41,170 THAT THEY'LL STOP AT NOTHING. 420 00:29:41,301 --> 00:29:43,085 WHAT DO YOU SUGGEST? 421 00:29:43,216 --> 00:29:45,087 I TALKED MARY ANNE OUT OF SELLING THE PLACE, 422 00:29:45,218 --> 00:29:47,176 NOW I THINK THE MORE MILES SHE PUTS BETWEEN HERSELF 423 00:29:47,307 --> 00:29:49,091 AND THIS LOCALITY, THE BETTER OFF SHE'LL BE. 424 00:29:49,222 --> 00:29:50,571 WHY DON'T YOU TALK HER INTO LEAVING, THEN? 425 00:29:50,701 --> 00:29:52,616 I'M NOT IN VERY GOOD STANDING RIGHT NOW. 426 00:29:52,747 --> 00:29:55,141 OH, I SEE. AND YOU WANT ME TO DO WHAT I CAN ABOUT IT? 427 00:29:55,271 --> 00:29:56,882 I'D APPRECIATE IT. 428 00:29:57,012 --> 00:29:59,101 ALL RIGHT, DEAN, I'LL SEE HER TONIGHT. 429 00:29:59,232 --> 00:30:01,277 HAVE A CIGAR. 430 00:30:01,408 --> 00:30:02,888 DON'T MIND IF I DO. 431 00:30:13,681 --> 00:30:15,857 I'LL TELL MISS JARVIS TO EXPECT YOU TONIGHT. 432 00:30:15,988 --> 00:30:17,598 THANKS. I'LL BE THERE. 433 00:33:27,788 --> 00:33:29,790 EDDIE, I JUST RAN INTO THE FELLA 434 00:33:29,920 --> 00:33:31,705 THAT I ACCIDENTALLY SHOT UP AT THE MINE, 435 00:33:31,835 --> 00:33:34,055 THE ONE WHO STOLE MY HORSE. 436 00:33:34,186 --> 00:33:36,666 DID YOU ASK HIM WHY HE STOLE YOUR HORSE? NO. 437 00:33:36,797 --> 00:33:38,407 DID YOU ASK HIM WHO HE'S WORKING FOR? NO. 438 00:33:38,538 --> 00:33:39,756 WHAT DID YOU ASK HIM? NOTHING. 439 00:33:39,887 --> 00:33:40,844 WHY? 440 00:33:40,975 --> 00:33:42,498 HE'S D-D-D-DEAD. 441 00:33:42,629 --> 00:33:43,891 COME ON, I'LL SHOW YOU! 442 00:34:16,010 --> 00:34:18,056 WHAT'S THE MATTER? 443 00:34:18,186 --> 00:34:20,058 I DON'T LIKE IT-- 444 00:34:20,188 --> 00:34:23,409 DID I GO THATAWAY, OR THATAWAY? 445 00:34:23,539 --> 00:34:24,932 MAYBE IT WAS THATAWAY. 446 00:34:25,063 --> 00:34:26,542 WELL, MAKE UP YOUR MIND. 447 00:34:26,673 --> 00:34:28,588 WE GOT COMPANY. 448 00:34:28,718 --> 00:34:30,068 WE CAN'T TAKE HER ALONG. 449 00:34:32,026 --> 00:34:33,984 YOU BOYS HURRIED ON SO FAST, 450 00:34:34,115 --> 00:34:35,725 I THOUGHT I'D BETTER FIND OUT WHAT HAPPENED. 451 00:34:35,856 --> 00:34:37,379 IS ANYTHING WRONG? 452 00:34:37,510 --> 00:34:39,338 NO, MA'AM, SOAPY JUST WANTED TO SHOW ME 453 00:34:39,468 --> 00:34:41,557 HOW HIS SHOOTING HAD IMPROVED. 454 00:34:41,688 --> 00:34:45,344 IT HAPPENED ALL OF A SUDDEN, JUST LIKE THAT. 455 00:34:45,474 --> 00:34:49,391 MR. DEAN, WAS IT YOUR IDEA TO HAVE MR. GUNDERSON CALL ON ME LAST NIGHT? 456 00:34:49,522 --> 00:34:52,264 YES, MA'AM, I DID SAY SOMETHING TO HIM ABOUT IT. 457 00:34:52,394 --> 00:34:55,571 I DON'T KNOW WHY YOU'RE SO INTERESTED IN WHAT I DO, 458 00:34:55,702 --> 00:34:58,008 BUT I ASSURE YOU, I AM DEFINITELY NOT GOING AWAY. 459 00:34:58,139 --> 00:35:00,620 I WAS JUST THINKING OF YOUR OWN GOOD. 460 00:35:00,750 --> 00:35:03,231 HOWEVER, IF YOU WANT TO BE OBSTINATE ABOUT IT-- 461 00:35:03,362 --> 00:35:04,624 JUST A MINUTE. 462 00:35:04,754 --> 00:35:07,061 WHEN YOU FIRST CAME HERE, YOU INSISTED THAT I REMAIN. 463 00:35:07,192 --> 00:35:08,758 I DID NOT INSIST. 464 00:35:08,889 --> 00:35:10,891 WELL, YOU MADE IT VERY CLEAR ABOUT HOW YOU FELT ABOUT MY LEAVING. 465 00:35:11,021 --> 00:35:13,372 NOT THAT YOUR WISHES MAKE THE SLIGHTEST DIFFERENCE TO ME. 466 00:35:13,502 --> 00:35:15,243 OH, CERTAINLY NOT. 467 00:35:15,374 --> 00:35:17,506 NOW FOR NO GOOD REASON YOU WANT ME TO GO AWAY. 468 00:35:17,637 --> 00:35:19,378 WOULD YOU MIND EXPLAINING? 469 00:35:19,508 --> 00:35:21,684 YOU JUST GO AHEAD AND STAY HERE IF YOU WANT TO. 470 00:35:21,815 --> 00:35:23,643 I'LL BE ON MY WAY IN A COUPLE OF DAYS 471 00:35:23,773 --> 00:35:25,471 AND I WON'T BE MINDING WHAT YOU DO. 472 00:35:49,973 --> 00:35:51,671 THERE HE IS, EDDIE. 473 00:36:00,593 --> 00:36:02,986 YOU DON'T THINK THAT BULLET I PUT THROUGH HIS SHOULDER 474 00:36:03,117 --> 00:36:04,727 COULD HAVE KILLED HIM, DO YOU? 475 00:36:04,858 --> 00:36:06,512 THIS MAN GOT A BULLET THROUGH THE HEAD, 476 00:36:06,642 --> 00:36:08,253 AND HE WASN'T SHOT HERE, EITHER. 477 00:36:08,383 --> 00:36:09,950 HE WAS BROUGHT HERE AFTER HE WAS DEAD. 478 00:36:10,080 --> 00:36:11,821 HOW DO YOU KNOW THAT? 479 00:36:11,952 --> 00:36:13,736 THERE ISN'T A SPECK OF BLOOD ON THE GROUND. 480 00:36:13,867 --> 00:36:16,435 YOU AND I ARE GONNA TAKE THE BODY INTO TOWN 481 00:36:16,565 --> 00:36:18,045 AND TURN IT OVER TO THE SHERIFF. 482 00:36:18,176 --> 00:36:20,265 WHY DON'T WE JUST RIDE IN AND SENT THE SHERIFF OUT HERE? 483 00:36:20,395 --> 00:36:24,051 SOAPY, I THINK YOU GOT SOMETHING THERE. 484 00:36:33,060 --> 00:36:35,149 NOW, I'LL DO ALL THE TALKING. 485 00:36:50,512 --> 00:36:52,427 LISTEN TO THIS: 486 00:36:52,558 --> 00:36:54,647 "WE HAVE KIDNAPPED THE JARVIS GIRL. 487 00:36:54,777 --> 00:36:57,780 "HAVE DEAN BRING A THOUSAND DOLLARS 488 00:36:57,911 --> 00:36:59,956 "TO THE ABANDONED SHACK BACK OF OLD PEAK. 489 00:37:00,087 --> 00:37:03,830 "UNLESS HE COMES ALONE, YOU WILL NEVER SEE THE GIRL ALIVE AGAIN." 490 00:37:03,960 --> 00:37:05,875 AND IT'S SIGNED WITH A DAGGER. 491 00:37:06,006 --> 00:37:07,529 LET ME SEE THAT. 492 00:37:07,660 --> 00:37:09,488 THIS NOTE IS MADE TO ORDER FOR US. 493 00:37:09,618 --> 00:37:10,793 I DON'T FOLLOW YOU. 494 00:37:10,924 --> 00:37:12,099 SHE WROTE THAT NOTE HERSELF. 495 00:37:12,230 --> 00:37:14,101 OH, YOU'RE CRAZY. 496 00:37:14,232 --> 00:37:17,017 LOOK, YOU SEE THOSE LITTLE CIRCLES OVER THE "I"s"? 497 00:37:17,147 --> 00:37:19,715 MARY ANNE ALWAYS DOTS HER "I"s LIKE THAT. 498 00:37:19,846 --> 00:37:21,543 SHE TRIED TO DISGUISE HER HANDWRITING, 499 00:37:21,674 --> 00:37:23,415 BUT HABIT TRIPPED HER UP. 500 00:37:23,545 --> 00:37:25,591 I GUESS YOU'RE RIGHT. 501 00:37:25,721 --> 00:37:27,723 BUT WHY WOULD SHE WANT TO STAGE A FAKE KIDNAPPING? 502 00:37:27,854 --> 00:37:29,682 WHO CARES, AS LONG AS IT HELPS US? 503 00:37:29,812 --> 00:37:32,380 THIS NOTE WILL CLEAR US OF ANYTHING--COME ON. 504 00:37:57,318 --> 00:37:59,451 HER HORSE MUST BE AROUND HERE SOMEPLACE, 505 00:37:59,581 --> 00:38:01,279 SEE IF YOU CAN FIND IT. 506 00:38:26,608 --> 00:38:28,349 YOU POOR CHILD-- 507 00:38:28,480 --> 00:38:30,220 DID YOU RECOGNIZE THE KIDNAPPERS? 508 00:38:30,351 --> 00:38:33,528 NO, I-I REALLY DIDN'T GET A GOOD LOOK AT THEM. 509 00:38:33,659 --> 00:38:35,487 IT ALL HAPPENED SO UNEXPECTEDLY. 510 00:38:35,617 --> 00:38:36,923 TOO BAD. 511 00:38:37,053 --> 00:38:38,794 HOW DID YOU KNOW WHERE TO FIND ME? 512 00:38:38,925 --> 00:38:40,753 BARNEY FOSTER AND I CAME OVER TO YOUR PLACE TO TALK TO YOU, 513 00:38:40,883 --> 00:38:43,016 AND WE FOUND THE RANSOM NOTE 514 00:38:43,146 --> 00:38:44,800 ON A KNIFE STUCK ON THE FRONT DOOR. 515 00:38:44,931 --> 00:38:46,715 A RANSOM NOTE? 516 00:38:46,846 --> 00:38:48,717 IF ANYTHING EVER HAPPENED TO YOU, I'D NEVER FORGIVE MYSELF. 517 00:38:48,848 --> 00:38:51,459 I'M GOING TO TAKE YOU SAFELY AWAY FROM HERE, 518 00:38:51,590 --> 00:38:53,592 AND I'LL SET A TRAP FOR THOSE FELLAS, WHOEVER THEY ARE. 519 00:38:53,722 --> 00:38:55,158 BUT IF YOU TAKE ME HOME-- 520 00:38:55,289 --> 00:38:57,117 THAT WOULDN'T BE SAFE JUST YET-- 521 00:38:57,247 --> 00:38:58,814 YOU LEAVE EVERYTHING TO ME. 522 00:39:27,147 --> 00:39:28,366 HIYA, FELLAS. 523 00:39:28,496 --> 00:39:29,932 HI, EDDIE. 524 00:39:30,063 --> 00:39:31,760 SAY, WHAT'S GOING ON BETWEEN YOU AND THE BOSS? 525 00:39:31,891 --> 00:39:33,283 WHAT DO YOU MEAN? 526 00:39:33,414 --> 00:39:35,938 IT MUST BE SERIOUS WHEN SHE'S WRITING YOU NOTES. 527 00:39:36,069 --> 00:39:38,593 I'VE MAILED TOO MANY OF THOSE TO HER KINFOLK IN THE EAST 528 00:39:38,724 --> 00:39:40,334 NOT TO KNOW ONE OF MISS JARVIS' LETTERS. 529 00:39:40,465 --> 00:39:42,118 WHAT MAKES YOU THINK IT'S FOR ME? 530 00:39:42,249 --> 00:39:43,816 'CAUSE IT WAS LYIN' ON YOUR PILLOW. 531 00:39:43,946 --> 00:39:49,517 LOOKS LIKE MISS JARVIS HAS GONE AND GOTTEN HERSELF KIDNAPPED. 532 00:39:49,648 --> 00:39:51,476 KIDNAPPED? 533 00:39:51,606 --> 00:39:54,566 "IF YOU WANT TO SAVE MISS JARVIS FROM DEATH, 534 00:39:54,696 --> 00:39:56,872 "COME TO THE ABANDONED SHACK ALONE AND BRING $1,000." 535 00:39:57,003 --> 00:39:59,353 SIGNED, "A FRIEND". 536 00:39:59,484 --> 00:40:00,833 WE'VE GOT TO SAVE HER! 537 00:40:00,963 --> 00:40:02,182 TAKE IT EASY. 538 00:40:02,312 --> 00:40:04,663 IF SHE WROTE THAT NOTE, SHE'S IN TROUBLE. 539 00:40:04,793 --> 00:40:07,361 IF SHE WROTE THIS NOTE, SHE KIDNAPPED HERSELF. 540 00:40:07,492 --> 00:40:08,797 WHY WOULD SHE DO THAT?SHE WOULDN'T. 541 00:40:08,928 --> 00:40:10,451 ALL RIGHT, HEROES, 542 00:40:10,582 --> 00:40:12,148 GO AHEAD AND RESCUE HER. 543 00:40:12,279 --> 00:40:14,063 YOU'RE DARN TOOTIN' WE WILL. 544 00:40:14,194 --> 00:40:15,935 AIN'T YOU COMIN' ALONG? 545 00:40:16,065 --> 00:40:18,546 NO, I'LL BE HERE TO LAUGH AT YOU WHEN YOU GET BACK. 546 00:40:43,397 --> 00:40:44,877 JUST SIGN THIS. 547 00:40:45,007 --> 00:40:46,400 WHAT IS IT? 548 00:40:46,531 --> 00:40:48,358 IT'S A BILL OF SALE FOR YOUR RANCH. 549 00:40:48,489 --> 00:40:49,838 MR. FOSTER HERE IS BUYING IT. 550 00:40:49,969 --> 00:40:52,711 OH NO, HE ISN'T-- NOT MY RANCH. 551 00:40:52,841 --> 00:40:55,844 I TOLD YOU I DIDN'T INTEND TO SELL, 552 00:40:55,975 --> 00:40:58,847 SO IF THAT'S WHY YOU'VE BROUGHT ME HERE, I'LL BE GOING. 553 00:40:58,978 --> 00:41:00,806 NOT UNTIL YOU SIGN THOSE PAPERS. 554 00:41:00,936 --> 00:41:02,547 I'LL NEVER SIGN THEM. 555 00:41:02,677 --> 00:41:05,463 YOU BETTER DO IT WHILE WE'RE INCLINED TO BE FRIENDLY. 556 00:41:05,593 --> 00:41:08,727 SEND YOUR MEN UP TO THE SHACK AND THEN COME BACK HERE. 557 00:41:08,857 --> 00:41:10,946 LOOK AFTER HER 558 00:41:11,077 --> 00:41:13,035 WHILE I TAKE THE RANSOM NOTE INTO THE SHERIFF. 559 00:41:19,128 --> 00:41:21,522 YOU SEE, MARY ANNE, THAT RANSOM NOTE IS A PERFECT ALIBI 560 00:41:21,653 --> 00:41:23,829 FOR GETTING YOU AND DEAN OUT OF THE WAY. 561 00:41:23,959 --> 00:41:26,222 WHAT DO YOU MEAN? 562 00:41:26,353 --> 00:41:28,268 IT'S SIMPLE-- DEAN CAME HERE, 563 00:41:28,398 --> 00:41:31,097 SHOT YOUR UNCLE, AND KIDNAPPED YOU. 564 00:41:31,227 --> 00:41:33,491 THEN HE MURDERED YOU. 565 00:41:33,621 --> 00:41:36,102 FOSTER AND I UNCOVERED HIS DIRTY WORK, 566 00:41:36,232 --> 00:41:39,148 WE TRIED TO CAPTURE DEAN, HE MADE A BREAK FOR IT, 567 00:41:39,279 --> 00:41:41,324 SO WE HAD TO SHOOT HIM. 568 00:41:41,455 --> 00:41:44,327 IF I THOUGHT YOU HAD ONE SPECK OF HONESTY IN YOUR HEART, 569 00:41:44,458 --> 00:41:47,983 I'D SIGN THAT BILL OF SALE, 570 00:41:48,114 --> 00:41:50,986 PROVIDING YOU PROMISE TO LEAVE DEAN ALONE. 571 00:41:51,117 --> 00:41:52,945 YOU HAVE MY WORD. 572 00:42:00,213 --> 00:42:03,738 YOU HAVE NO WORD, MR. GUNDERSON. 573 00:42:43,256 --> 00:42:44,779 THERE AIN'T NOBODY HERE. 574 00:42:44,910 --> 00:42:46,564 MAYBE DEAN WAS RIGHT. 575 00:42:46,694 --> 00:42:48,435 IF HE WAS, HE'LL SURE HAVE A LAUGH ON US. 576 00:42:54,093 --> 00:42:55,573 HEY, I WONDER WHO THAT COULD BE? 577 00:42:55,703 --> 00:42:56,965 IT'S FOSTER'S OUTFIT. 578 00:42:57,096 --> 00:42:58,532 THEY LOOK LIKE THEY MEAN BUSINESS. 579 00:43:03,537 --> 00:43:04,582 WE WANT EDDIE DEAN. 580 00:43:04,712 --> 00:43:06,105 WHAT DO YOU WANT WITH HIM? 581 00:43:06,235 --> 00:43:07,802 THAT'S OUR BUSINESS. 582 00:43:07,933 --> 00:43:09,978 BETTER TURN HIM OVER UNLESS YOU'RE LOOKIN' FOR TROUBLE. 583 00:43:10,109 --> 00:43:12,067 IF YOU WANT EDDIE, YOU'LL HAVE TO COME AND GET HIM. 584 00:44:02,988 --> 00:44:04,859 HIS LEG'S IN PRETTY BAD SHAPE, 585 00:44:04,990 --> 00:44:06,948 WE'LL HAVE TO TAKE IT EASY GETTING HIM DOWN TO THE RANCH. 586 00:44:39,546 --> 00:44:42,505 THE WHOLE JARVIS OUTFIT WAS WAITIN' FOR US AT THE SHACK. 587 00:44:42,636 --> 00:44:44,072 WHAT ABOUT DEAN? 588 00:44:44,203 --> 00:44:46,292 WE NEVER CAUGHT SIGHT OF HIM. 589 00:44:46,422 --> 00:44:48,511 YOU'RE A FINE PACK TO SEND OUT ON A JOB. 590 00:44:48,642 --> 00:44:50,513 GO ON, PATCH YOURSELVES UP. 591 00:44:59,087 --> 00:45:02,395 WHAT DO WE DO NOW? SHE AIN'T GONNA SIGN NO BILL OF SALE. 592 00:45:02,525 --> 00:45:05,790 I'M RIDING INTO TOWN TO TAKE THAT RANSOM NOT TO THE SHERIFF. 593 00:45:05,920 --> 00:45:07,748 THAT CAN PUT US IN THE CLEAR. 594 00:45:07,879 --> 00:45:09,794 WHAT ABOUT THE BILL OF SALE? 595 00:45:09,924 --> 00:45:11,665 I THINK I CAN COPY HER SIGNATURE ALL RIGHT. 596 00:45:11,796 --> 00:45:14,102 FORGERY, EH? 597 00:45:14,233 --> 00:45:15,713 YEAH. 598 00:45:32,686 --> 00:45:34,644 WHAT'S THE MATTER WITH CHARLIE? 599 00:45:34,775 --> 00:45:36,646 NEVER MIND THAT-- WHERE'S EDDIE? 600 00:45:36,777 --> 00:45:38,910 HE RODE INTO TOWN AFTER YOU LEFT. 601 00:45:39,040 --> 00:45:40,563 GO AND GET HIM, 602 00:45:40,694 --> 00:45:42,870 AND TELL HIM THAT THE KIDNAPPING WAS NO FAKE. 603 00:45:43,001 --> 00:45:44,480 NO FAKE?! HOLY MACKEREL! 604 00:45:56,144 --> 00:45:59,321 THAT SACK CARRIES THE NAME "KANE NATIONAL BANK" OF KANSAS CITY, 605 00:45:59,452 --> 00:46:02,324 AND THE PACKAGES IN GUNDERSON'S SAFE 606 00:46:02,455 --> 00:46:03,891 WERE ALL CRISP NEW BILLS. 607 00:46:34,748 --> 00:46:37,011 YOU KNEW IT WAS GUNDERSON WHEN HE STRUCK THE MATCH? 608 00:46:37,142 --> 00:46:38,926 THE LEFT-HANDED BUSINESS WAS THE PROOF, 609 00:46:39,057 --> 00:46:40,798 AND THE SACK OF MONEY TIED THE WHOLE THING UP. 610 00:46:47,108 --> 00:46:49,545 AND YOU FOUND A SHOULDER HOLSTER RIGGED FOR A LEFT-HANDED MAN? 611 00:46:49,676 --> 00:46:50,982 THAT'S RIGHT. 612 00:46:51,112 --> 00:46:52,897 WHY DIDN'T YOU BRING THAT HERE? 613 00:46:53,027 --> 00:46:55,682 I LEFT THE REST INTACT SO WE COULD FIND IT IN THE SAFE AS EVIDENCE. 614 00:47:49,257 --> 00:47:51,042 I THOUGHT I'D HAVE A BETTER CHANCE 615 00:47:51,172 --> 00:47:52,913 IF I DIDN'T ADVERTISE THAT I'M A U.S. MARSHAL. 616 00:47:53,044 --> 00:47:55,263 YOU SURE SEWED THIS CASE UP. 617 00:47:55,394 --> 00:47:57,483 SOON AS I FOUND OUT HOW THINGS ARE OUT AT THE RANCH, 618 00:47:57,613 --> 00:47:59,528 I'LL GO OUT AND HAVE A SESSION WITH BARNEY FOSTER. 619 00:47:59,659 --> 00:48:01,835 I'LL PICK UP GUNDERSON. 620 00:49:02,069 --> 00:49:04,115 HEY, EDDIE, LOOK OUT! 621 00:49:06,030 --> 00:49:07,161 HYAH! 622 00:49:30,880 --> 00:49:32,839 EDDIE! EDDIE! 623 00:49:32,970 --> 00:49:35,624 GEE, WHIZ, MY DAD-BURNED-- 624 00:49:46,461 --> 00:49:48,246 HA HA! 625 00:49:48,376 --> 00:49:50,683 THE ONLY CHANCE I'VE EVER HAD TO USE MY GUN 626 00:49:50,813 --> 00:49:52,511 AND I JUST PLUMB FORGOT IT. 627 00:49:52,641 --> 00:49:54,252 THAT WAS GUNDERSON, WASN'T IT? 628 00:49:54,382 --> 00:49:55,949 YEAH, AND HE TRIED TO DRY-GULCH YOU. 629 00:49:56,080 --> 00:49:57,690 ANOTHER THING-- 630 00:49:57,820 --> 00:49:59,909 THAT KIDNAPPING OF MARY ANNE'S IS NO FAKE, BROTHER, 631 00:50:00,040 --> 00:50:01,955 AND SHE'S IN PLENTY OF TROUBLE. 632 00:50:02,086 --> 00:50:03,826 HOW DO YOU KNOW IT WAS THE REAL THING? 633 00:50:03,957 --> 00:50:06,394 CHARLIE GOT ALL SHOT UP WHEN THEY WENT TO THE SHACK 634 00:50:06,525 --> 00:50:08,396 AND HAD A GUNFIGHT WITH FOSTER'S MEN. 635 00:50:08,527 --> 00:50:10,659 I DON'T HAVE TIME TO GET BOB AND THE BOYS. 636 00:50:10,790 --> 00:50:14,054 IF SHE'S IN FOSTER'S HANDS, SHE'S REALLY IN DANGER! 637 00:50:17,710 --> 00:50:19,320 HEY, FOSTER! 638 00:50:19,451 --> 00:50:20,626 WE GOTTA CLEAR OUT. 639 00:50:20,756 --> 00:50:22,149 WHAT'S WRONG? 640 00:50:22,280 --> 00:50:24,021 EVERYTHING--WE HAVEN'T A MOMENT TO LOSE. 641 00:50:24,151 --> 00:50:25,979 WHAT ABOUT THE GIRL? 642 00:50:26,110 --> 00:50:27,502 WE'LL TAKE HER WITH US. 643 00:51:19,989 --> 00:51:22,035 OH! EDDIE! 644 00:51:22,166 --> 00:51:24,603 THERE'S NO ONE IN THERE BUT ONE OF THE HANDS, AND HE'S DEAD. 645 00:51:24,733 --> 00:51:27,214 I GUESS THEY DIDN'T HAVE MARY ANNE HERE, AFTER ALL. 646 00:51:27,345 --> 00:51:29,912 YES THEY DID--I FOUND HER HANDKERCHIEF INSIDE. 647 00:51:30,043 --> 00:51:31,610 THEY MUST HAVE HEADED INTO THOSE HILLS. 648 00:51:31,740 --> 00:51:33,264 STAY HERE AND KEEP YOUR EYE ON THAT DEAD MAN. 649 00:51:33,394 --> 00:51:34,961 YEAH, I'LL STAY HERE AND-- 650 00:51:35,092 --> 00:51:36,919 HEY! HE AIN'T GOIN' ANYWHERE! 651 00:52:03,207 --> 00:52:04,991 HOLD IT, BEN! LOOK! 652 00:52:09,213 --> 00:52:10,475 IT'S DEAN! 653 00:54:11,030 --> 00:54:12,727 YOU SURE DID A GREAT JOB. 654 00:54:12,858 --> 00:54:14,903 PERSONALLY, I WOULDN'T HAVE TAKE THE CHANCES YOU DID. 655 00:54:15,034 --> 00:54:17,993 IF WE'RE EVER GOING TO STAMP OUT TRAIN ROBBERIES, 656 00:54:18,124 --> 00:54:21,083 MEN LIKE GUNDERSON WILL HAVE BE TRACKED DOWN AND PUT IN THE PENITENTIARY. 657 00:54:21,214 --> 00:54:24,522 WITH WHAT YOU'VE GOT ON HIM, HE'LL BE GONE FOR A LONG TIME. 658 00:54:24,652 --> 00:54:27,568 SOAPY AND I WILL BE OVER TO THE JAIL TO PICK UP GUNDERSON. 659 00:54:27,699 --> 00:54:29,396 ALL RIGHT. 660 00:54:34,836 --> 00:54:36,490 HEY, EDDIE. 661 00:54:36,621 --> 00:54:38,884 MARY ANNE WANTS TO TALK TO YOU. 662 00:54:39,014 --> 00:54:40,059 MARY ANNE? 663 00:54:40,189 --> 00:54:41,103 YEAH. 664 00:54:45,934 --> 00:54:47,588 DID YOU WANT TO SEE ME, MA'AM? 665 00:54:47,719 --> 00:54:49,416 I SEE YOU'RE LEAVING. 666 00:54:49,547 --> 00:54:51,462 YES, I'M TAKING GUNDERSON BACK FOR TRIAL. 667 00:54:51,592 --> 00:54:53,420 I CAN'T PERSUADE YOU TO STAY ON 668 00:54:53,551 --> 00:54:55,292 AND TAKE CHARGE OF THE RANCH AND THE NEW MINE? 669 00:54:55,422 --> 00:54:57,381 BOB, YOUR FOREMAN, WILL TAKE CARE OF ALL THAT. 670 00:54:57,511 --> 00:54:59,426 BESIDES, THAT'S A LITTLE OUT OF MY LINE. 671 00:55:03,561 --> 00:55:05,824 ♪ I'M HITTIN' THE TRAIL 672 00:55:05,954 --> 00:55:07,565 ♪ FOR CORNBREAD COUNTRY 673 00:55:07,695 --> 00:55:10,524 ♪ LITTLE PONY DON'T YOU THROW A SHOE ♪ 674 00:55:10,655 --> 00:55:12,874 ♪ GET ALONG, GET ALONG 675 00:55:13,005 --> 00:55:16,748 ♪ GOT A LONG, LONG WAY TO RIDE 676 00:55:16,878 --> 00:55:20,795 ♪ I'M GONNA LIVE A LIFE OF EASE ♪ 677 00:55:20,926 --> 00:55:24,016 ♪ IN THE LAND OF BLACK-EYED PEAS ♪ 678 00:55:24,146 --> 00:55:29,978 ♪ WITH A BLUE-EYED GAL IN GINGHAM BY MY SIDE ♪ 679 00:55:30,109 --> 00:55:33,591 ♪ OH, CARRY ME BACK TO CORNBREAD COUNTRY ♪ 680 00:55:33,721 --> 00:55:36,855 ♪ LITTLE PONY DON'T YOU LET ME DOWN ♪ 681 00:55:36,985 --> 00:55:39,118 ♪ GET ALONG, GET ALONG 682 00:55:39,248 --> 00:55:42,600 ♪ GONNA LONG NO MORE TO ROAM 683 00:55:43,862 --> 00:55:46,691 ♪ I'M HEADIN' STRAIGHT FOR TENNESSEE ♪ 684 00:55:46,821 --> 00:55:49,824 ♪ TO RAISE A CORNFED FAMILY 685 00:55:49,955 --> 00:55:55,308 ♪ AND I'LL NEVER LEAVE MY CORNBREAD COUNTRY HOME ♪ 686 00:56:09,453 --> 00:56:12,630 ♪ OH, HOW I LOVE THOSE SUGAR HAMS ♪ 687 00:56:12,760 --> 00:56:15,589 ♪ DOWN IN THE LAND OF CANDIED YAMS ♪ 688 00:56:15,720 --> 00:56:21,508 ♪ AND MY OLD BLACKSTRAP MOLASSES ON THE SIDE ♪ 689 00:56:21,639 --> 00:56:25,033 ♪ OH, CARRY ME BACK TO CORNBREAD COUNTRY ♪ 690 00:56:25,164 --> 00:56:28,080 ♪ DON'T YOU LET ME DOWN 691 00:56:28,210 --> 00:56:30,169 ♪ GET ALONG, GET ALONG 692 00:56:30,299 --> 00:56:34,521 ♪ GONNA LONG NO MORE TO ROAM 693 00:56:34,652 --> 00:56:37,437 ♪ I'M HEADIN' STRAIGHT FOR TENNESSEE ♪ 694 00:56:37,568 --> 00:56:40,614 ♪ TO RAISE A CORNFED FAMILY 695 00:56:40,745 --> 00:56:46,272 ♪ AND I'LL NEVER LEAVE MY CORNBREAD COUNTRY HOME ♪ 696 00:56:46,403 --> 00:56:49,449 ♪ CORNBREAD COUNTRY HOME ♪ 697 00:56:53,105 --> 00:56:56,717 Captioned by CAPTIONEERING Your Closed Captioning Resource51297

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.