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1
00:00:03,200 --> 00:00:04,530
- YOU HAVE TO ENTER
THE SONGWRITING CONTEST.
2
00:00:04,533 --> 00:00:06,303
YOU COULD WIN THIS THING.
3
00:00:06,300 --> 00:00:08,700
- MEL, LOOK, I KNOW YOUR HEART'S
IN THE RIGHT PLACE,
4
00:00:08,700 --> 00:00:11,430
AND I LOVE YOU FOR IT,
BUT WE'RE DIFFERENT PEOPLE.
5
00:00:11,433 --> 00:00:13,673
YOU LIKE HAVING
ALL THE ATTENTION, AND I DON'T.
6
00:00:13,667 --> 00:00:16,397
I DON'T LIKE PEOPLE
LOOKING AT ME AND JUDGING ME.
7
00:00:16,400 --> 00:00:18,130
- WHO'S GONNA JUDGE YOU?
8
00:00:18,133 --> 00:00:20,273
- THAT'S KINDA THE POINT
OF THE CONTEST, ISN'T IT?
9
00:00:20,267 --> 00:00:23,297
- YEAH, BUT IT'S EDDIE DURAN'S
SONGWRITING CONTEST.
10
00:00:23,300 --> 00:00:25,130
- THAT MAKES IT
SO MUCH WORSE.
11
00:00:25,133 --> 00:00:27,833
- NO, BETTER.
YOU LOVE EDDIE.
12
00:00:27,833 --> 00:00:29,673
- RIGHT, WHICH IS WHY
I'M NOT EXACTLY INTERESTED
13
00:00:29,667 --> 00:00:31,297
IN HIM HEARING
MY CHOKED UP SINGING.
14
00:00:31,300 --> 00:00:33,770
- WHAT? NO, LOREN--
15
00:00:33,767 --> 00:00:36,927
EDDIE WILL LOVE YOUR SONGS.
I KNOW IT.
16
00:00:36,933 --> 00:00:39,003
I KNOW WITH EVERY MOLECULE
IN MY BEING.
17
00:00:39,000 --> 00:00:41,330
- LOOK, MEL, HE'S A ROCK STAR.
18
00:00:41,333 --> 00:00:43,533
AND I'M A TEENAGE GIRL.
I'M SUPPOSED TO LOVE HIM.
19
00:00:43,533 --> 00:00:44,833
THAT'S HOW IT WORKS.
20
00:00:44,833 --> 00:00:46,073
BUT IT'S JUST A DREAM.
21
00:00:46,067 --> 00:00:48,067
- A SWEET, SWEET DREAM.
22
00:00:48,067 --> 00:00:50,427
- BUT WRITING SONGS IN MY ROOM
FOR MYSELF, THAT-
23
00:00:50,433 --> 00:00:51,803
THAT'S REAL.
24
00:00:51,800 --> 00:00:55,430
AND I DON'T WANT MY DREAMS
STOPPING MY REALITY. NO.
25
00:00:55,433 --> 00:00:58,703
- THEN LET'S MAKE YOUR DREAMS
A REALITY.
26
00:01:03,133 --> 00:01:04,733
MM-HMM.
27
00:01:04,733 --> 00:01:07,733
[upbeat pop]
28
00:01:07,733 --> 00:01:12,333
*
29
00:01:12,333 --> 00:01:14,233
WHAT'S THE WORST
THAT COULD HAPPEN?
30
00:01:14,233 --> 00:01:16,933
- I COULD DIE OF STAGE FRIGHT.
- JEEZ.
31
00:01:16,933 --> 00:01:18,473
I DIDN'T THINK OF THAT.
- YEAH.
32
00:01:18,467 --> 00:01:19,797
- MAYBE YOU'RE RIGHT
NOT TO ENTER THE CONTEST.
33
00:01:19,800 --> 00:01:21,170
IT'S NOT SAFE.
34
00:01:21,167 --> 00:01:22,397
- IT'S TOTALLY NOT.
IT'S DOWNRIGHT DANGEROUS.
35
00:01:22,400 --> 00:01:23,900
- I MEAN, YOU COULD WIN.
36
00:01:23,900 --> 00:01:26,230
AND THEN YOU'D HAVE TO MEET
EDDIE AND HANG OUT WITH HIM.
37
00:01:26,233 --> 00:01:28,703
GOD, AND YOU'D GET SO FLUSTERED
THAT YOU TRIP AND HIT YOUR HEAD.
38
00:01:28,700 --> 00:01:30,870
YOU'D END UP IN A COMA.
AND REMEMBER KILL BILL?
39
00:01:30,867 --> 00:01:33,097
COMAS ARE GROSS.
YOU KNOW WHAT, YOU'RE RIGHT.
40
00:01:33,100 --> 00:01:35,130
WE SHOULD JUST FORGET
THE WHOLE THING.
41
00:01:35,133 --> 00:01:36,903
- YOU THINK
I'M BEING RIDICULOUS.
42
00:01:36,900 --> 00:01:39,570
- I THINK THE WORST THAT COULD
HAPPEN IS YOU DON'T WIN,
43
00:01:39,567 --> 00:01:41,697
AND THEN WE'RE JUST RIGHT BACK
IN THE SAME SPOT WE ARE NOW.
44
00:01:41,700 --> 00:01:45,070
THERE'S NOTHING TO LOSE.
45
00:01:45,067 --> 00:01:46,397
- IS THIS HOW YOU TALK YOURSELF
46
00:01:46,400 --> 00:01:48,130
INTO ENTERING
ALL THOSE FILM FESTIVALS?
47
00:01:48,133 --> 00:01:50,303
- NO, I DON'T NEED
TO BE PERSUADED, I JUST DO IT.
48
00:01:50,300 --> 00:01:53,230
- EVEN WHEN YOU'RE UP AGAINST
THE WORLD'S BEST FILMMAKERS?
49
00:01:53,233 --> 00:01:56,733
- YEAH, IT'S JUST FUN TO THINK
ABOUT WHAT IF I DID GET IN
50
00:01:56,733 --> 00:01:59,073
AND, YOU KNOW, PEOPLE LIKED IT
AND I WON AN AWARD.
51
00:01:59,067 --> 00:02:02,067
LIKE YOU SAID,
WE'RE DIFFERENT.
52
00:02:02,067 --> 00:02:04,127
BUT I CAN TELL YOU
IF THERE WAS A FILM FESTIVAL
53
00:02:04,133 --> 00:02:07,833
WHERE I COULD MEET EDDIE DURAN,
I WOULD BE ALL UP IN THAT.
54
00:02:07,833 --> 00:02:10,733
- I MAY NEED TO BORROW SOME
OF THAT CONFIDENCE YOU HAVE.
55
00:02:10,733 --> 00:02:13,233
- WHY DON'T WE JUST RECORD
A SONG?
56
00:02:13,233 --> 00:02:14,803
AND WE'LL LISTEN TO IT,
57
00:02:14,800 --> 00:02:17,230
AND IF IT'S GOOD
WE CAN SEND IT IN.
58
00:02:17,233 --> 00:02:19,403
THERE'S NO HARM IN THAT, RIGHT?
59
00:02:19,400 --> 00:02:20,900
- GUESS NOT.
60
00:02:20,900 --> 00:02:23,670
GIMME A COUPLE DAYS, AND I WILL
COME UP WITH SOMETHING.
61
00:02:23,667 --> 00:02:25,067
- COUPLE DAYS?
62
00:02:25,067 --> 00:02:26,297
YOU KNOW I DON'T HAVE
THAT KIND OF ATTENTION SPAN.
63
00:02:26,300 --> 00:02:27,800
I WON'T REMEMBER ANY OF THIS
IN TWO DAYS.
64
00:02:27,800 --> 00:02:29,130
LET'S MAKE ONE RIGHT NOW.
65
00:02:29,133 --> 00:02:30,533
I KNOW YOU'VE GOT A SONG
ON THE TIP OF YOUR TONGUE.
66
00:02:30,533 --> 00:02:31,903
- YEAH, IT'S NOT READY,
THOUGH.
67
00:02:31,900 --> 00:02:34,070
- WHAT ABOUT THAT DEMO
YOU MADE A COUPLE OF WEEKS AGO?
68
00:02:34,067 --> 00:02:35,797
WE COULD SEND THAT IN.
- OH, MY GOD, NO.
69
00:02:35,800 --> 00:02:37,100
I SOUND LIKE A SEAL
HAVING LABOR PAINS.
70
00:02:37,100 --> 00:02:38,330
WE'RE NOT SENDING THAT IN.
71
00:02:38,333 --> 00:02:39,803
- [scoffs] WELL,
THEN LET'S MAKE A NEW ONE.
72
00:02:39,800 --> 00:02:41,630
I'VE GOT A CAMERA AND A MIC.
LET'S MAKE SOME MUSIC.
73
00:02:44,067 --> 00:02:46,697
- WHOA, BABY, I NEVER SAID
74
00:02:46,700 --> 00:02:48,070
THAT I BELIEVED WHAT TYLER
SAID ABOUT YOU.
75
00:02:48,067 --> 00:02:50,467
- JUST THE FACT THAT HE WOULD
EVEN BRING UP MY NAME.
76
00:02:50,467 --> 00:02:51,927
- HE KNOWS WE'RE TOGETHER.
77
00:02:51,933 --> 00:02:54,403
I MEAN, WE ALL MET ON
THE SENIOR DITCH DAY SET.
78
00:02:54,400 --> 00:02:56,330
I THINK HE FEELS LIKE
HE KNOWS YOU.
79
00:02:56,333 --> 00:02:58,873
- BUT HE DOESN'T.
HE KNOWS NOTHING ABOUT ME.
80
00:02:58,867 --> 00:03:02,067
- WELL, HE'S PRETTY CONVINCED
THAT HE'S GOT YOU FIGURED OUT.
81
00:03:02,067 --> 00:03:04,497
- OH. WELL, PLEASE ENLIGHTEN ME.
82
00:03:04,500 --> 00:03:07,400
I WOULD LOVE TO KNOW
THE LIES THAT HE'S SPREADING.
83
00:03:07,400 --> 00:03:09,470
- IT WAS JUST
THE TYPICAL STUFF.
84
00:03:09,467 --> 00:03:11,167
YOU KNOW,
LIKE YOU'RE A GOLD DIGGER,
85
00:03:11,167 --> 00:03:13,067
AND YOU CAN'T WAIT
TO GET YOUR HOOKS IN ME.
86
00:03:13,067 --> 00:03:16,227
- AH, WELL, OBVIOUSLY
THAT'S TRUE.
87
00:03:16,233 --> 00:03:18,073
I MEAN, WHAT ELSE DO YOU HAVE
TO OFFER A GIRL
88
00:03:18,067 --> 00:03:20,267
OTHER THAN COLD, HARD CASH?
89
00:03:23,667 --> 00:03:25,497
FRANKLY, I'M DISAPPOINTED
HE WOULDN'T COME UP
90
00:03:25,500 --> 00:03:27,170
WITH SOMETHING
BETTER THAN THAT.
91
00:03:27,167 --> 00:03:30,667
- YEAH, I MEAN, IT WAS PRETTY
HARD TO TAKE SERIOUSLY SINCE--
92
00:03:30,667 --> 00:03:33,467
WELL, I'VE HEARD IT ABOUT EVERY
GIRL I'VE DATED SINCE I WAS 16.
93
00:03:33,467 --> 00:03:36,067
BUT NONE OF THEM
COMPARE TO YOU.
94
00:03:36,067 --> 00:03:38,097
- WAS HE STILL
TRYING TO BLAME YOU
95
00:03:38,100 --> 00:03:40,100
FOR HIS FAILED ACTING CAREER?
96
00:03:40,100 --> 00:03:43,800
- CAN WE JUST...
DROP THE SUBJECT OF TYLER?
97
00:03:43,800 --> 00:03:45,130
- YES.
98
00:03:45,133 --> 00:03:46,633
I JUST WANNA MAKE SURE
THAT HE WASN'T TRYING
99
00:03:46,633 --> 00:03:49,703
TO MAKE YOU FEEL GUILTY OR
SHAME YOU INTO DOING ANYTHING.
100
00:03:49,700 --> 00:03:50,830
- MM-MM.
101
00:03:50,833 --> 00:03:52,233
THE ONLY THING
HE SHAMED ME INTO DOING
102
00:03:52,233 --> 00:03:53,503
WAS MEETING HIM HERE TONIGHT.
103
00:03:53,500 --> 00:03:55,900
AND THAT WILL NEVER
HAPPEN AGAIN.
104
00:03:57,600 --> 00:03:59,770
THE SAD THING IS
105
00:03:59,767 --> 00:04:01,727
TYLER'S TALENTED.
106
00:04:01,733 --> 00:04:04,403
YOU KNOW,
HE'S GOT THIS CRAZY, RAW,
107
00:04:04,400 --> 00:04:06,530
EDGY PRESENCE ONSCREEN.
108
00:04:06,533 --> 00:04:10,073
- SOME GIRLS LIKE THAT.
I PERSONALLY FIND IT CREEPY.
109
00:04:10,067 --> 00:04:11,667
- YOU KNOW,
AND HE GETS IN HIS OWN WAY.
110
00:04:11,667 --> 00:04:14,127
THAT MOVIE--IT SHOULD'VE BEEN
A BIG BREAK FOR BOTH OF US.
111
00:04:14,133 --> 00:04:16,073
- IT LAUNCHED YOUR CAREER.
- RIGHT.
112
00:04:16,067 --> 00:04:17,527
AND EVER SINCE THEN,
113
00:04:17,533 --> 00:04:19,433
HE'S BEEN LIKE THIS
PROFESSIONAL BRIDGE BURNER.
114
00:04:19,433 --> 00:04:21,433
BUT IF YOU ASK HIM--
- OH, LET ME GUESS.
115
00:04:21,433 --> 00:04:23,073
IT'S NOT HIS FAULT.
- RIGHT.
116
00:04:23,067 --> 00:04:24,597
- YEAH.
- EVERYONE'S AFTER TYLER.
117
00:04:24,600 --> 00:04:25,900
ESPECIALLY ME AND JAKE
118
00:04:25,900 --> 00:04:27,800
EVER SINCE JAKE DROPPED HIM
AS A CLIENT.
119
00:04:27,800 --> 00:04:30,630
- WELL, I AM STARTING
TO FEEL NAUSEOUS.
120
00:04:30,633 --> 00:04:31,833
YOU'RE RIGHT.
121
00:04:31,833 --> 00:04:35,403
LET'S MAKE TONIGHT
A TYLER-FREE ZONE.
122
00:04:35,400 --> 00:04:36,730
- ALL RIGHT.
123
00:04:36,733 --> 00:04:38,433
I NEVER WANNA
SEE HIM AGAIN.
124
00:04:38,433 --> 00:04:42,203
- WOULDN'T THAT BE NICE?
125
00:04:47,200 --> 00:04:48,570
- WELL, EXCUSE ME, MA'AM,
126
00:04:48,567 --> 00:04:49,927
BUT I MUST BE
AT THE WRONG HOUSE.
127
00:04:49,933 --> 00:04:52,203
- DON'T YOU EVEN THINK
ABOUT WALKING OUT THAT DOOR.
128
00:04:52,200 --> 00:04:56,970
- I'D HAVE TO EXAMINE MY HEAD,
BECAUSE YOU LOOK INCREDIBLE.
129
00:04:56,967 --> 00:04:58,867
BUT I THINK THIS IS WHAT
MY CLIENTS WITH CHILDREN CALL
130
00:04:58,867 --> 00:05:00,327
"NEGATIVE CONDITIONING."
131
00:05:00,333 --> 00:05:02,273
- MM, HOW'S THAT?
132
00:05:02,267 --> 00:05:04,797
- WELL, I STAND YOU UP
FOR MY WELCOME-BACK DINNER,
133
00:05:04,800 --> 00:05:06,630
AND THIS IS WHAT I GET
IN RETURN--
134
00:05:06,633 --> 00:05:09,573
A SEXY HAIRDO
AND A HOT LITTLE DRESS.
135
00:05:09,567 --> 00:05:10,967
IT JUST DOESN'T SEEM RIGHT,
136
00:05:10,967 --> 00:05:12,267
UNLESS YOU'RE DOING THIS
FOR SOMEBODY ELSE.
137
00:05:12,267 --> 00:05:15,527
- WELL, YOU'RE FORGIVEN
FOR LAST NIGHT.
138
00:05:15,533 --> 00:05:17,073
BUT IN ORDER
TO MAKE UP FOR IT,
139
00:05:17,067 --> 00:05:18,697
YOU HAVE TO DOUBLE
YOUR EFFORTS.
140
00:05:18,700 --> 00:05:23,330
OKAY, I WANT TWO BACK MASSAGES,
TWO TIMES THE SWEET TALK,
141
00:05:23,333 --> 00:05:24,533
AND TWO DESSERTS.
142
00:05:24,533 --> 00:05:25,933
- TWO DESSERTS?
- MM-HMM.
143
00:05:25,933 --> 00:05:27,173
- OH, I CAN HANDLE THAT.
144
00:05:27,167 --> 00:05:30,267
- [laughing]
- LET'S GO, I AM STARVING!
145
00:05:30,267 --> 00:05:31,627
YOU READY?
- YEAH.
146
00:05:31,633 --> 00:05:34,773
[phone ringing]
147
00:05:34,767 --> 00:05:37,297
GO AHEAD.
148
00:05:37,300 --> 00:05:38,670
- THIS IS JAKE!
149
00:05:38,667 --> 00:05:40,297
HEY, TOM.
150
00:05:40,300 --> 00:05:42,830
YEAH, WE ANNOUNCED
THE SONG CONTEST LAST NIGHT.
151
00:05:42,833 --> 00:05:46,203
WAIT, YOU NEED EDDIE WHEN?
152
00:05:54,367 --> 00:05:55,797
- YOU'RE HERE ALONE?
153
00:05:55,800 --> 00:05:57,270
- KELLY ASKED ME
TO COVER FOR HER.
154
00:05:57,267 --> 00:05:59,097
SHE NEEDED TO PICK UP
A PRESCRIPTION.
155
00:05:59,100 --> 00:06:01,130
- I HOPE IT'S NOT AN IMPOSITION
FOR YOU TO STAY LATE.
156
00:06:01,133 --> 00:06:02,303
- NO, IT'S FINE.
157
00:06:02,300 --> 00:06:03,870
- I KNOW YOU HAVE
A DAUGHTER AT HOME.
158
00:06:03,867 --> 00:06:05,427
- WELL, AS YOU.
159
00:06:05,433 --> 00:06:07,473
- ADRIANA'S ACTUALLY
HAPPIER WHEN I'M NOT AROUND.
160
00:06:07,467 --> 00:06:09,067
- WELL, THEY'RE AT THAT AGE
161
00:06:09,067 --> 00:06:10,967
WHERE THEY NEED
THEIR INDEPENDENCE.
162
00:06:10,967 --> 00:06:12,397
- YOU'RE VERY TACTFUL, NORA.
163
00:06:12,400 --> 00:06:14,900
- [laughing] I TRY.
164
00:06:20,800 --> 00:06:24,070
- WOULD YOU LIKE
TO GRAB A DRINK AFTER WORK?
165
00:06:24,067 --> 00:06:25,867
- OH, UM--
- IT'S ALWAYS NICE
166
00:06:25,867 --> 00:06:27,367
TO COME DOWN FROM THE STRESS
OF THE DAY
167
00:06:27,367 --> 00:06:29,497
BEFORE YOU GO HOME
TO THE STRESS OF A TEENAGER.
168
00:06:29,500 --> 00:06:31,300
DON'T YOU THINK?
- I KNOW WHAT YOU MEAN.
169
00:06:31,300 --> 00:06:32,630
- SO IS THAT A YES?
170
00:06:32,633 --> 00:06:35,333
- UM...
171
00:06:35,333 --> 00:06:36,933
YOU KNOW,
I PROBABLY SHOULD GET HOME.
172
00:06:36,933 --> 00:06:39,373
- UNDERSTOOD.
ANOTHER TIME?
173
00:06:39,367 --> 00:06:41,297
- UH, YEAH, MAYBE.
174
00:06:47,133 --> 00:06:49,573
- DID DON JUST ASK YOU OUT?
175
00:06:49,567 --> 00:06:51,767
- NO, IT WAS JUST A DRINK.
176
00:06:51,767 --> 00:06:54,667
- DID YOU...SAY...NO?
177
00:06:54,667 --> 00:06:58,167
- I DON'T KNOW.
IT JUST DOESN'T...
178
00:06:58,167 --> 00:06:59,767
FEEL RIGHT.
YOU KNOW, HE'S A PARTNER.
179
00:06:59,767 --> 00:07:02,727
I JUST...THINK IT'S
A TRICKY PATH TO NAVIGATE.
180
00:07:11,567 --> 00:07:14,567
[phone ringing]
181
00:07:14,567 --> 00:07:16,127
- HELLO?
- HEY, THERE, GORGEOUS.
182
00:07:16,133 --> 00:07:17,533
- I'M NOT READY YET.
183
00:07:17,533 --> 00:07:19,533
- COOL, 'CAUSE I'M GONNA BE
A LITTLE BIT LATE.
184
00:07:19,533 --> 00:07:20,773
- WHERE ARE YOU?
185
00:07:20,767 --> 00:07:23,267
- UH, I'M JUST TAKING CARE
OF SOME STUFF.
186
00:07:23,267 --> 00:07:25,527
- OH, SO SECRETIVE.
187
00:07:25,533 --> 00:07:26,873
THAT'S SO HOT.
188
00:07:26,867 --> 00:07:28,197
- IF SECRETS ARE HOT,
189
00:07:28,200 --> 00:07:30,170
YOU'RE GONNA GET BURNED
HANGING WITH ME, SWEETIE.
190
00:07:30,167 --> 00:07:32,267
- CAN YOU AT LEAST TELL ME
WHERE YOU'RE TAKING ME TONIGHT?
191
00:07:32,267 --> 00:07:34,767
- ONLY THE HOTTEST PLACE
IN TOWN.
192
00:07:34,767 --> 00:07:36,597
WEAR SOMETHING SEXY.
193
00:07:36,600 --> 00:07:38,370
BUT NOT SEXY ENOUGH THAT I'M
GONNA HAVE TO FIGHT SOME GUYS
194
00:07:38,367 --> 00:07:39,567
TO GET OUTTA THERE.
195
00:07:39,567 --> 00:07:41,667
BUT PRETTY SEXY.
196
00:07:41,667 --> 00:07:43,427
- I DON'T KNOW
WHAT THAT MEANS.
197
00:07:43,433 --> 00:07:46,703
- I'LL SEE YOU SOON.
- PHIL--
198
00:08:01,567 --> 00:08:02,867
- ARE YOU KIDDING ME?
199
00:08:02,867 --> 00:08:04,797
THOSE DECKS ARE BLU-RAY.
THE PHONE IS 4G.
200
00:08:04,800 --> 00:08:07,930
DO YOU EVEN KNOW
WHAT THE MARKET VALUE IS?
201
00:08:07,933 --> 00:08:09,673
- I'M THE MARKET.
202
00:08:09,667 --> 00:08:13,067
AND THE VALUE
IS WHAT I'M PAYING.
203
00:08:13,067 --> 00:08:15,097
LOOK, YOU WANT WHAT I'M GIVING,
OR YOU GONNA WALK?
204
00:08:15,100 --> 00:08:18,130
- THIS ISN'T ENOUGH
TO FILL MY TANK.
205
00:08:18,133 --> 00:08:19,933
- SEE, WHAT MY BOY PHIL HERE
IS SAYING...
206
00:08:19,933 --> 00:08:21,473
IS THAT HE'S GOT
A HOT PIECE OF TALENT
207
00:08:21,467 --> 00:08:23,497
WITH VERY EXPENSIVE TASTE.
208
00:08:23,500 --> 00:08:26,970
AND THIS WAD AIN'T GONNA KEEP
HER IN TIGHT DESIGNER JEANS.
209
00:08:26,967 --> 00:08:30,167
- WE'RE TALKING
BUSINESS HERE, RAY.
210
00:08:30,167 --> 00:08:33,797
YOU WANNA DO SOMETHING USEFUL?
KEEP AN EYE OUT.
211
00:08:33,800 --> 00:08:37,100
- WHATEVER, MAN.
212
00:08:37,100 --> 00:08:38,600
- WE'LL TAKE IT,
BUT THIS IS IT.
213
00:08:38,600 --> 00:08:40,770
IF THERE'S A NEXT TIME, WE NEED
SOMETHING MORE SUBSTANTIAL.
214
00:08:40,767 --> 00:08:42,667
- IT'S A PLEASURE
DOING BUSINESS WITH YOU.
215
00:08:47,133 --> 00:08:49,403
- DON'T MENTION ADRIANA
IN FRONT OF THE CUSTOMERS.
216
00:08:49,400 --> 00:08:51,170
- [scoffs] REOW!
- OH, THAT'S FUNNY, CHUCKLEHEAD!
217
00:08:51,167 --> 00:08:53,427
WHILE YOU WERE BUSY GOOFING OFF,
WE JUST GOT TOTALLY SCREWED.
218
00:08:53,433 --> 00:08:55,233
- CONSIDERING THAT WE JACKED
THE STUFF, BRO,
219
00:08:55,233 --> 00:08:56,303
IT'S A PRETTY GOOD PROFIT.
220
00:08:56,300 --> 00:08:59,400
IT'S LIKE, WHAT, 50%?
221
00:08:59,400 --> 00:09:00,970
- WE DIDN'T PAY A DIME FOR IT.
222
00:09:00,967 --> 00:09:04,297
SO IT'S MORE LIKE 100% PROFIT.
223
00:09:04,300 --> 00:09:05,930
I'M SICK OF THIS
SMALL-TIME CRAP.
224
00:09:05,933 --> 00:09:08,103
WE NEED TO STEP IT UP IF WE'RE
GONNA MAKE SOME REAL CHA-CHING.
225
00:09:08,100 --> 00:09:10,070
I WANNA BANK 6 FIGURES,
AND IT'S NOT GONNA HAPPEN
226
00:09:10,067 --> 00:09:11,327
WITH THESE PENNY ANTE DEALS.
227
00:09:11,333 --> 00:09:12,833
- WHY DON'T WE GO ON THAT SHOW
228
00:09:12,833 --> 00:09:14,073
WHERE LIKE WE RACE
AROUND THE WORLD?
229
00:09:14,067 --> 00:09:15,367
YOU CAN WIN LIKE
A MILLION BUCKS.
230
00:09:15,367 --> 00:09:16,697
- YEAH, YOU DO THAT, RAY.
231
00:09:16,700 --> 00:09:18,700
YOU GO EAT DONKEY DUNG
IN UGANDA.
232
00:09:18,700 --> 00:09:20,070
MAKE A QUICK BUCK.
233
00:09:20,067 --> 00:09:21,497
- I'M JUST THROWING OUT
IDEAS HERE, MAN, ALL RIGHT?
234
00:09:21,500 --> 00:09:23,200
I'M PARTICIPATING.
235
00:09:23,200 --> 00:09:24,530
- WE NEED TO SEE COLORADO.
236
00:09:24,533 --> 00:09:26,803
- OH, MAN, I AIN'T GOING
TO COLORADO, ALL RIGHT?
237
00:09:26,800 --> 00:09:29,170
I DON'T GO TO BURBANK
IF I DON'T HAVE TO.
238
00:09:29,167 --> 00:09:31,697
- COLORADO'S A GUY.
HE'S A FENCE.
239
00:09:31,700 --> 00:09:34,530
SELLS MERCHANDISE LIKE OURS,
LARGE QUANTITIES.
240
00:09:34,533 --> 00:09:35,533
HE'S BIG TIME.
241
00:09:35,533 --> 00:09:38,073
- ARE WE, UH--
ARE WE BIG TIME?
242
00:09:38,067 --> 00:09:40,067
- WE'RE GONNA BE, RAY RAY.
243
00:09:40,067 --> 00:09:41,527
- MAYBE I CAN AFFORD
TO GET MYSELF
244
00:09:41,533 --> 00:09:42,973
ONE OF THOSE DOCTOR'S GIRLS,
HUH?
245
00:09:42,967 --> 00:09:45,067
ADRIANA'S GOTTA HAVE
SOME SMOKING FRIENDS.
246
00:09:45,067 --> 00:09:47,527
- YEAH, THEY'RE ALWAYS
ASKING ABOUT YOU.
247
00:09:47,533 --> 00:09:48,833
- REALLY?
- NO.
248
00:09:48,833 --> 00:09:50,373
- GIRLS LIKE THAT
ALWAYS SMELL GOOD.
249
00:09:50,367 --> 00:09:52,067
I LOVE THE WAY THEY SMELL.
250
00:09:52,067 --> 00:09:54,067
DOES ADRIANA SMELL GOOD?
- SHUT UP, RAY.
251
00:09:54,067 --> 00:09:55,227
- WE'RE NOT SHOOTING
252
00:09:55,233 --> 00:09:56,773
THE AMAZING SPIDER-MAN
HERE, MEL.
253
00:09:56,767 --> 00:09:58,167
- THAT'S ALL CGI ANYWAY.
254
00:09:58,167 --> 00:10:00,197
I'M GOING FOR CINEMA VERITE.
255
00:10:00,200 --> 00:10:01,530
- THAT'S GREAT.
256
00:10:01,533 --> 00:10:02,873
I'M GOING FOR CINEMA
GETTING OUT OF HERE
257
00:10:02,867 --> 00:10:04,127
UNLESS YOU HURRY IT UP, OKAY?
258
00:10:04,133 --> 00:10:05,733
THIS WAITING'S
MAKING ME NERVOUS.
259
00:10:05,733 --> 00:10:07,133
- SHEESH, IF YOU'RE THIS NERVOUS
IN MY ROOM,
260
00:10:07,133 --> 00:10:08,573
THINK HOW YOU'LL BE
IF YOU WIN.
261
00:10:08,567 --> 00:10:10,027
- THAT'S WHAT WE CALL
A HIGH-CLASS PROBLEM.
262
00:10:10,033 --> 00:10:12,203
IT'D BE NICE IF IT HAPPENS,
BUT IT'S NOT GOING TO.
263
00:10:12,200 --> 00:10:14,270
- DON'T BE A DEBBIE DOWNER.
264
00:10:14,267 --> 00:10:16,297
THIS IS A BIG OPPORTUNITY
FOR YOU.
265
00:10:16,300 --> 00:10:17,700
AND FOR ME
AS YOUR VIDEOGRAPHER.
266
00:10:17,700 --> 00:10:19,470
OKAY, READY WHEN YOU ARE.
- HOLD ON!
267
00:10:19,467 --> 00:10:21,367
JUST...LET ME GO OVER IT
A COUPLE TIMES AND WARM UP.
268
00:10:21,367 --> 00:10:22,767
- CHIRPING AT ME
THIS WHOLE TIME
269
00:10:22,767 --> 00:10:24,127
DOESN'T COUNT
AS WARMING UP YOUR VOICE?
270
00:10:24,133 --> 00:10:25,373
- JUST GIVE ME A MINUTE.
271
00:10:25,367 --> 00:10:26,927
- OKAY, FINE.
BUT I'M ON THE CLOCK.
272
00:10:26,933 --> 00:10:28,333
THIS COULD GET EXPENSIVE.
273
00:10:28,333 --> 00:10:29,603
- [sigh]
274
00:10:33,600 --> 00:10:38,800
- * THEY TELL ME IT'S NICE
THIS TIME OF YEAR *
275
00:10:38,800 --> 00:10:41,000
* DOWN--
NO, HOLD ON.
276
00:10:41,000 --> 00:10:42,230
- NO, NO, NO, IT SOUNDED GOOD.
- IT WAS AWFUL.
277
00:10:42,233 --> 00:10:44,173
IT SOUNDED--NO, HOLD ON.
[music stops]
278
00:10:44,167 --> 00:10:45,697
I NEED TO FEEL THE MUSIC,
MEL.
279
00:10:45,700 --> 00:10:47,570
JUST GIVE ME A SECOND.
280
00:10:50,400 --> 00:10:52,000
[sighs]
OKAY.
281
00:10:52,000 --> 00:10:57,170
[music starts]
282
00:10:57,167 --> 00:11:02,667
* THEY TELL ME IT'S NICE
THIS TIME OF YEAR *
283
00:11:02,667 --> 00:11:07,927
* DOWN ON EARTH
284
00:11:07,933 --> 00:11:10,303
* BUT MY HEAD'S BEEN
IN THE CLOUDS *
285
00:11:10,300 --> 00:11:13,700
* I'M ACTING WEIRD *
286
00:11:13,700 --> 00:11:17,870
* AT A LOSS FOR WORDS
287
00:11:17,867 --> 00:11:20,167
* FALLING LIKE THE STARS
288
00:11:20,167 --> 00:11:22,827
* I'M FALLING FAST ENOUGH *
289
00:11:22,833 --> 00:11:27,803
* FOR SOMETHING
I CAN'T REACH *
290
00:11:27,800 --> 00:11:36,300
*
291
00:11:36,300 --> 00:11:40,600
* YOU MIGHT AS WELL
BE MARS *
292
00:11:40,600 --> 00:11:42,800
- THAT WAS AMAZING.
TOO BAD I DIDN'T RECORD IT.
293
00:11:42,800 --> 00:11:44,230
OH, WAIT, I DID!
294
00:11:44,233 --> 00:11:45,933
WHAT?
- THAT'S AN OLD SCORSESE TRICK,
295
00:11:45,933 --> 00:11:48,303
RECORDING REHEARSAL--
YOU GET FRESH STUFF THAT WAY.
296
00:11:48,300 --> 00:11:50,630
- LET ME SEE THAT.
- MM-HMM.
297
00:11:50,633 --> 00:11:52,703
[playback runs]
298
00:11:52,700 --> 00:11:54,900
- EWW, I LOOK STUPID.
299
00:11:54,900 --> 00:11:57,370
WHY AM I WRINKLING MY NOSE
LIKE THAT?
300
00:11:57,367 --> 00:11:58,927
- I THOUGHT MAYBE
YOU WERE CASTING A SPELL.
301
00:11:58,933 --> 00:12:02,573
- I WISH I COULD CAST A SPELL
TO FORGET I EVER DID THAT.
302
00:12:02,567 --> 00:12:04,097
THERE'S NO WAY
THAT THIS VIDEO
303
00:12:04,100 --> 00:12:06,070
IS EVER GETTING SEEN
BY HUMANS, OKAY?
304
00:12:06,067 --> 00:12:07,867
THE THOUGHT OF EDDIE WATCHING IT
MAKES ME WANT TO HURL.
305
00:12:07,867 --> 00:12:10,527
- AS YOUR BACKUP DANCER,
I'M A LITTLE HURT.
306
00:12:10,533 --> 00:12:12,403
DELETE IT, BOOGIE QUEEN.
307
00:12:12,400 --> 00:12:14,070
- WELL, CAN'T WE JUST--
- NOW!
308
00:12:14,067 --> 00:12:17,767
- OKAY. FINE.
309
00:12:20,100 --> 00:12:21,930
OKAY, ALL GONE. HAPPY?
310
00:12:21,933 --> 00:12:23,873
- HAPPIER.
311
00:12:23,867 --> 00:12:25,567
- WELL, NOW LET'S RECORD ONE
YOU ACTUALLY LIKE.
312
00:12:25,567 --> 00:12:27,897
- NO, I AM DONE, OKAY?
NO MORE.
313
00:12:27,900 --> 00:12:29,700
ELVIS HAS LEFT THE BUILDING.
GOOD NIGHT.
314
00:12:33,167 --> 00:12:34,427
[door shuts]
315
00:12:37,333 --> 00:12:39,133
[cell phone ringing]
- YOUR PURSE IS RINGING.
316
00:12:39,133 --> 00:12:41,703
- MMM, FORGET IT.
WHOEVER IT IS CAN WAIT
317
00:12:41,700 --> 00:12:43,430
UNTIL, LIKE, NEVER.
318
00:12:43,433 --> 00:12:44,933
- YOU SURE YOU DON'T WANT
TO LOOK AT IT?
319
00:12:44,933 --> 00:12:48,073
- MMM, I JUST WANT TO
CONCENTRATE ON YOU.
320
00:12:48,067 --> 00:12:49,097
[cell phone continues ringing]
321
00:12:49,100 --> 00:12:51,130
- WHAT IF IT HAS TO DO
WITH WORK?
322
00:12:51,133 --> 00:12:55,173
- OKAY, I'LL CHECK.
323
00:12:55,167 --> 00:12:58,197
UM, CAN YOU GRAB ME
A WATER?
324
00:12:58,200 --> 00:13:01,530
- YEAH.
- THANKS.
325
00:13:12,700 --> 00:13:16,500
- I AM GOING TO CREATE
AN APP FOR THOSE THINGS
326
00:13:16,500 --> 00:13:18,770
SO THERE'S NO PHONE CALLS,
327
00:13:18,767 --> 00:13:21,267
NO TEXTS,
NO MESSAGES ALLOWED.
328
00:13:21,267 --> 00:13:22,497
- IT'S WEIRD.
THEY HAVE THIS THING--
329
00:13:22,500 --> 00:13:24,300
IT'S CALLED AN ON/OFF SWITCH.
330
00:13:24,300 --> 00:13:25,570
- LOOK AT YOU.
331
00:13:25,567 --> 00:13:27,267
I DON'T THINK I'VE EVER
TURNED MY PHONE OFF.
332
00:13:27,267 --> 00:13:28,627
- WELL, WHEN WE'RE TOGETHER,
333
00:13:28,633 --> 00:13:30,603
I DON'T NEED ANYONE
FROM THE OUTSIDE WORLD.
334
00:13:30,600 --> 00:13:32,200
- REALLY?
- MM-HMM.
335
00:13:32,200 --> 00:13:34,270
- WELL, WHO FROM THE OUTSIDE
WORLD WAS INTERRUPTING US?
336
00:13:34,267 --> 00:13:36,197
- HANNA.
337
00:13:36,200 --> 00:13:38,770
SHE JUST WANTED TO TELL ME
HOW HAPPY THE CLIENT WAS
338
00:13:38,767 --> 00:13:40,267
WITH THE PHOTO SHOOT TODAY.
339
00:13:40,267 --> 00:13:41,397
- I COULD HAVE TOLD YOU THAT.
340
00:13:41,400 --> 00:13:43,830
- [laughs]
YOU WEREN'T THERE.
341
00:13:43,833 --> 00:13:47,803
I MEAN, POSING AND POUTING,
IT'S GREAT FOR RIGHT NOW.
342
00:13:47,800 --> 00:13:50,200
BUT I HAVE BIGGER AMBITIONS
THAN JUST LANDING THE COVER
343
00:13:50,200 --> 00:13:52,830
OF SPORTS ILLUSTRATED'S
SWIMSUIT EDITION.
344
00:13:52,833 --> 00:13:53,973
- THAT'S A HELL OF A COVER.
345
00:13:53,967 --> 00:13:55,927
- I'M SERIOUS.
346
00:13:55,933 --> 00:13:57,933
- THAT'S FUNNY BECAUSE
TYLER TOLD ME
347
00:13:57,933 --> 00:13:59,273
HOW AMBITIOUS YOU ARE.
348
00:13:59,267 --> 00:14:03,527
- TYLER. MMM.
NOW, THAT'S A MOOD KILL.
349
00:14:03,533 --> 00:14:07,073
YES, I DO WANT TO MOVE
MY WAY INTO ACTING.
350
00:14:07,067 --> 00:14:11,497
BUT MY OTHER AMBITION
IS TO MAKE YOU HAPPY.
351
00:14:11,500 --> 00:14:15,100
- AND THAT YOU DEFINITELY--
352
00:14:15,100 --> 00:14:17,130
DEFINITELY DO.
- MM.
353
00:14:17,133 --> 00:14:18,433
[cell phone ringing]
- OH...
354
00:14:18,433 --> 00:14:20,133
I'M DEFINITELY CREATING
THAT APP.
355
00:14:20,133 --> 00:14:24,273
- [chuckles]
- [sighs]
356
00:14:24,267 --> 00:14:27,527
JAKE, WHAT'S UP?
357
00:14:27,533 --> 00:14:31,503
UH, TONIGHT.
BUT I AM WITH CHLOE.
358
00:14:31,500 --> 00:14:34,970
- MM. IT'S FINE.
359
00:14:34,967 --> 00:14:36,767
- UH...OKAY.
360
00:14:36,767 --> 00:14:38,797
YEAH, NO, YOU CAN COME BY.
361
00:14:38,800 --> 00:14:42,770
I'LL LET YOU KNOW.
362
00:14:42,767 --> 00:14:44,497
ALL RIGHT.
363
00:14:44,500 --> 00:14:46,430
- NOW WHO'S THE ONE
GETTING INTERRUPTED?
364
00:14:46,433 --> 00:14:47,973
- EHH, IT'S JUST THIS
NEW VIDEO DIRECTOR
365
00:14:47,967 --> 00:14:49,327
THAT JAKE WANTS ME
TO MEET WITH.
366
00:14:49,333 --> 00:14:51,373
HE HAS TO FLY
TO TOKYO TOMORROW
367
00:14:51,367 --> 00:14:54,067
TO SHOOT A COMMERCIAL,
SO HE'S GONNA COME OVER
368
00:14:54,067 --> 00:14:55,697
AND TALK ABOUT
THE NEW VIDEO.
369
00:14:55,700 --> 00:14:57,770
BUT YOU DON'T HAVE TO GO.
370
00:14:57,767 --> 00:15:00,467
YOU SHOULD STAY.
- THAT'S OKAY.
371
00:15:00,467 --> 00:15:03,927
I THINK WE SHOULD KEEP
OUR BUSINESS INTERESTS SEPARATE.
372
00:15:03,933 --> 00:15:06,273
EXCEPT FOR IF YOU WANT
TO MAKE ME THE LEAD
373
00:15:06,267 --> 00:15:09,967
IN YOUR MUSIC VIDEO.
374
00:15:09,967 --> 00:15:13,067
I'M GONNA GO.
- [laughs]
375
00:15:13,067 --> 00:15:16,667
- HAVE A WONDERFUL MEETING,
AND I'LL SEE YOU TOMORROW.
376
00:15:16,667 --> 00:15:19,167
- OKAY.
377
00:15:19,167 --> 00:15:21,727
- GOOD NIGHT.
378
00:15:28,700 --> 00:15:31,370
- CHLOE, IT'S ME. LISTEN,
I'M IN A REAL JAM.
379
00:15:31,367 --> 00:15:33,797
I GOT POPPED FOR A DUI.
380
00:15:33,800 --> 00:15:35,370
I'M AT THE WEST HOLLYWOOD
STATION,
381
00:15:35,367 --> 00:15:37,767
AND I REALLY NEED
YOUR HELP, BABE.
382
00:15:37,767 --> 00:15:38,927
- YO, I AM SO SORRY, TRACI,
383
00:15:38,933 --> 00:15:40,503
BUT THIS EDITOR IS GOING
BACK TO LONDON TONIGHT,
384
00:15:40,500 --> 00:15:42,770
AND HE WANTS TO PUT EDDIE ON THE
COVER OF NEW MUSICAL EXPRESS,
385
00:15:42,767 --> 00:15:46,197
SO I GOTTA GO OVER THE DEAL.
386
00:15:46,200 --> 00:15:48,500
THANKS.
DID I MENTION I'M SORRY?
387
00:15:48,500 --> 00:15:51,200
- IT'S NME. THAT'S HUGE.
388
00:15:51,200 --> 00:15:53,600
- YOU ARE THE BEST WIFE
IN HISTORY.
389
00:15:53,600 --> 00:15:56,070
- I'LL CALL AND CANCEL
THE RESERVATIONS.
390
00:15:56,067 --> 00:15:57,927
- NO, NO, NO, NO, DON'T.
HE'S GOT A PLANE TO CATCH.
391
00:15:57,933 --> 00:16:00,803
ONE QUICK DRINK,
I'LL MEET YOU AT THE RESTAURANT.
392
00:16:00,800 --> 00:16:02,570
- JAKE...
393
00:16:02,567 --> 00:16:05,067
- I SWEAR ON MY MOTHER'S BIBLE.
- YOUR MOTHER'S AN ATHEIST.
394
00:16:05,067 --> 00:16:06,767
HOW MANY TIMES ARE YOU
GONNA PULL THAT ONE? COME ON.
395
00:16:06,767 --> 00:16:08,067
- I PROMISE
I'LL BE THERE, BABY.
396
00:16:08,067 --> 00:16:09,327
- IF YOU'RE NOT THERE
BY 9:30,
397
00:16:09,333 --> 00:16:12,333
I'M ORDERING WITHOUT YOU
AND EATING ALONE.
398
00:16:12,333 --> 00:16:14,803
DESSERT TOO.
- I'LL BE THERE.
399
00:16:20,433 --> 00:16:21,773
- I COULD JUST SEND THE VIDEO
I SHOT TONIGHT.
400
00:16:21,767 --> 00:16:24,697
LOREN HAS NO IDEA
HOW GOOD IT IS.
401
00:16:24,700 --> 00:16:26,330
IT'S AS GOOD OR BETTER
THAN ANY SONG
402
00:16:26,333 --> 00:16:27,903
EDDIE'LL GET IN THAT CONTEST.
403
00:16:27,900 --> 00:16:30,400
SO SHE'LL DEFINITELY
THANK ME.
404
00:16:30,400 --> 00:16:32,670
OR SHE'LL HATE ME.
405
00:16:32,667 --> 00:16:34,797
IT'S ONE OR THE OTHER.
NO MIDDLE GROUND HERE.
406
00:16:34,800 --> 00:16:36,970
[knock on door, door opens]
407
00:16:36,967 --> 00:16:38,667
FINISH YOUR HOMEWORK?
- ALMOST.
408
00:16:38,667 --> 00:16:40,627
- GOOD. DID LOREN
HELP YOU WITH MATH?
409
00:16:40,633 --> 00:16:42,233
- YEAH. I'M ALL SET
FOR THE TEST.
410
00:16:42,233 --> 00:16:43,833
- WANT ME TO QUIZ YOU
ONE LAST TIME?
411
00:16:43,833 --> 00:16:46,273
- MOM, I'M NOT 12.
I'M GOING TO COLLEGE NEXT YEAR.
412
00:16:46,267 --> 00:16:48,397
I THINK I SHOULD TAKE
RESPONSIBILITY FOR MY OWN WORK.
413
00:16:48,400 --> 00:16:49,830
- I WAS JUST TRYING TO HELP.
414
00:16:49,833 --> 00:16:52,473
- TRY PHIL. THAT BOY NEEDS
ALL KINDS OF HELP.
415
00:16:52,467 --> 00:16:54,897
- OH, HE'S ON A DATE
WITH ADRIANA.
416
00:16:54,900 --> 00:16:57,870
- OF COURSE. HE'LL NEED
LOTS OF HELP AFTER THAT.
417
00:16:57,867 --> 00:17:00,897
THE ANTIBIOTIC KIND.
- MELISSA, THAT'S AWFUL.
418
00:17:00,900 --> 00:17:03,300
SHE IS A BEAUTIFUL GIRL, AND HER
FATHER IS ONE OF THE TOP--
419
00:17:03,300 --> 00:17:05,170
- ORTHOPEDIC SURGEONS IN L.A.
420
00:17:05,167 --> 00:17:06,297
- YES.
- BLAH, BLAH, BLAH.
421
00:17:06,300 --> 00:17:08,130
MAYBE HE CAN OPERATE
ON HER PERSONALITY,
422
00:17:08,133 --> 00:17:11,133
BECAUSE SHE IS ONE OF THE MOST
UNPLEASANT PEOPLE I'VE EVER MET.
423
00:17:11,133 --> 00:17:13,333
- I KNOW THAT YOU'RE LASHING OUT
BECAUSE YOU'RE ANGRY,
424
00:17:13,333 --> 00:17:16,303
BUT ALL OF THE SNIDE
LITTLE COMMENTS IN THE WORLD
425
00:17:16,300 --> 00:17:17,830
AREN'T GONNA COVER UP THE FACT
426
00:17:17,833 --> 00:17:20,303
THAT YOU'VE PROVEN
YOU CAN'T BE TRUSTED.
427
00:17:20,300 --> 00:17:21,830
- YEAH, WELL, ALL THE ATTEMPTS
AT HELPING ME
428
00:17:21,833 --> 00:17:23,873
WITH MY HOMEWORK, MOM,
WON'T COVER UP THE FACT
429
00:17:23,867 --> 00:17:27,727
THE MOST OF THE TIME
I FEEL LIKE YOU HATE ME.
430
00:17:30,767 --> 00:17:32,797
- I CAN'T BELIEVE YOU SCORED
A RESERVATION HERE.
431
00:17:32,800 --> 00:17:34,470
HOW'D YOU DO IT?
432
00:17:34,467 --> 00:17:37,667
- IT'S ALL ABOUT THE HOOK-UPS,
AND I GOT 'EM.
433
00:17:37,667 --> 00:17:39,967
- YEAH, I'LL SAY.
434
00:17:39,967 --> 00:17:42,067
I MEAN, FIRST YOU GET ME
THOSE AMAZING SEATS
435
00:17:42,067 --> 00:17:43,267
AT EDDIE'S CONCERT,
436
00:17:43,267 --> 00:17:45,567
AND NOW THE HOTTEST PLACE
IN L.A.
437
00:17:45,567 --> 00:17:48,097
YOU KNOW WHAT THE HOSTESS
TOLD ME WHEN SHE SEATED US?
438
00:17:48,100 --> 00:17:49,670
- WHAT?
- EDDIE DURAN
439
00:17:49,667 --> 00:17:51,127
AND HIS GIRLFRIEND CHLOE
WERE HERE.
440
00:17:51,133 --> 00:17:53,973
THEY SAT RIGHT OVER THERE.
441
00:17:53,967 --> 00:17:55,597
- WELL, SOMEDAY SHE'S GONNA
BE TELLING PEOPLE
442
00:17:55,600 --> 00:17:57,830
THAT ADRIANA AND PHIL
SAT RIGHT HERE.
443
00:17:57,833 --> 00:17:59,433
- MAYBE ONE DAY.
444
00:17:59,433 --> 00:18:00,873
- WHY WAIT ONE DAY?
445
00:18:00,867 --> 00:18:04,097
NO REASON YOU CAN'T
HAVE IT ALL RIGHT NOW.
446
00:18:04,100 --> 00:18:05,970
A LITTLE SOMETHING
FOR YOU, SUNSHINE.
447
00:18:09,567 --> 00:18:13,767
- OH, MY GOD, PHIL...
LOOK AT THESE!
448
00:18:13,767 --> 00:18:15,267
THEY'RE BEAUTIFUL.
449
00:18:15,267 --> 00:18:17,197
- THAT'S HOW I DO.
450
00:18:17,200 --> 00:18:19,070
- I HAVE TO TRY THEM ON
IMMEDIATELY.
451
00:18:19,067 --> 00:18:21,567
I'LL BE RIGHT BACK.
452
00:18:27,100 --> 00:18:30,730
[cell phone chimes]
453
00:18:36,333 --> 00:18:39,533
- YOU...ARE WALKING.
[chuckles]
454
00:18:39,533 --> 00:18:41,833
ALONE, IN A REMOTE,
BARREN PLACE,
455
00:18:41,833 --> 00:18:44,273
BROODING ABOUT
YOUR LOST LOVE, HUH?
456
00:18:44,267 --> 00:18:46,927
IT'S DARK, EDGY--
DID I SAY "BROODING" YET?
457
00:18:46,933 --> 00:18:51,133
- YEAH. UM, IS THERE FOG?
IS IT FOGGY?
458
00:18:51,133 --> 00:18:53,403
- IT IS. [laughs]
WE'RE ON THE SAME PAGE.
459
00:18:53,400 --> 00:18:56,770
- YEAH, RIGHT. UM,
THAT'S INTERESTING, CHRIS.
460
00:18:56,767 --> 00:18:58,927
REALLY. BUT I THINK
ON THIS ONE,
461
00:18:58,933 --> 00:19:02,203
I WANT SOMETHING
MORE UPBEAT.
462
00:19:02,200 --> 00:19:05,300
LIKE AN UPBEAT VISUAL MOTIF.
YOU KNOW?
463
00:19:05,300 --> 00:19:07,270
I LIKE THE GRAINY
AND THE BLACK AND WHITE SHOTS
464
00:19:07,267 --> 00:19:09,797
FOR A SONG LIKE THIS,
BUT...
465
00:19:09,800 --> 00:19:11,970
I DON'T KNOW, MAYBE LIKE
AN IMAGE THAT VIBRATES
466
00:19:11,967 --> 00:19:15,927
WITH THE BASS--YOU KNOW,
LIKE BOOM...BOOM...BOOM.
467
00:19:15,933 --> 00:19:17,333
- [chuckles]
- YOU FEEL ME?
468
00:19:17,333 --> 00:19:19,533
- YOU KNOW,
THAT'S ACTUALLY CLOSER
469
00:19:19,533 --> 00:19:20,903
TO WHAT I ORIGINALLY WANTED.
470
00:19:20,900 --> 00:19:22,200
NOW I KNOW
WE'RE ON THE SAME PAGE.
471
00:19:22,200 --> 00:19:23,130
[chuckles]
- RIGHT.
472
00:19:25,833 --> 00:19:27,773
- THANKS FOR BAILING ME OUT,
CHLO.
473
00:19:27,767 --> 00:19:29,527
THE THOUGHT
OF SPENDING THE NIGHT
474
00:19:29,533 --> 00:19:31,273
IN THAT DRUNK TANK
WITH THOSE FREAKS
475
00:19:31,267 --> 00:19:33,967
WAS TOO HORRIFYING
FOR WORDS.
476
00:19:33,967 --> 00:19:36,897
- WELL, IT'S A GOOD THING
WE GOT OUT OF THERE QUICKLY.
477
00:19:36,900 --> 00:19:39,570
I MEAN, TMZ AND THE ENQUIRER
HAVE SPIES POSTED
478
00:19:39,567 --> 00:19:40,697
ALL OVER THAT PLACE.
479
00:19:40,700 --> 00:19:43,100
AND NOTHING SELLS FASTER
THAN A HIDEOUS PHOTO
480
00:19:43,100 --> 00:19:44,730
OF A CELEBRITY
LEAVING JAIL.
481
00:19:44,733 --> 00:19:47,073
- YOU THINK THE PAPARAZZI
WOULD RECOGNIZE ME?
482
00:19:47,067 --> 00:19:48,497
- I WAS TALKING ABOUT ME.
483
00:19:48,500 --> 00:19:49,970
- RIGHT, BUT STILL,
I MEAN, SOMEBODY WOULD WANT
484
00:19:49,967 --> 00:19:51,127
A PICTURE OF ME.
485
00:19:51,133 --> 00:19:53,403
- WE CAN NEVER
BE SEEN TOGETHER.
486
00:19:53,400 --> 00:19:56,470
- WELL, THAT'S GONNA PUT
A DAMPER ON OUR RELATIONSHIP.
487
00:19:56,467 --> 00:19:57,467
- AND JUST WHAT WERE
YOU TRYING TO PROVE
488
00:19:57,467 --> 00:19:58,967
WITH THAT STUNT
YOU PULLED TONIGHT?
489
00:19:58,967 --> 00:20:01,397
- [sighs]
I THOUGHT IT WAS TIME TO, UH,
490
00:20:01,400 --> 00:20:03,770
REALLY SCOPE OUT
MY COMPETITION.
491
00:20:03,767 --> 00:20:07,227
- HUH. YOU ARE
WAY OUT OF HIS LEAGUE.
492
00:20:07,233 --> 00:20:09,703
- OKAY, EDDIE MIGHT BE ON TOP
OF THE MUSIC BUSINESS RIGHT NOW,
493
00:20:09,700 --> 00:20:11,300
BUT THAT BUBBLE'S
GONNA BURST.
494
00:20:11,300 --> 00:20:13,300
- THAT'S NOT GONNA HAPPEN.
495
00:20:13,300 --> 00:20:15,130
- AND I'M SURE VANILLA ICE
SAID THE SAME THING.
496
00:20:15,133 --> 00:20:16,873
- EDDIE'S SURROUNDED
BY AMAZING PEOPLE.
497
00:20:16,867 --> 00:20:18,997
HE HAS HIS DAD, JAKE, ME.
498
00:20:19,000 --> 00:20:20,670
- OKAY. JAKE USED TO BE
MY AGENT
499
00:20:20,667 --> 00:20:22,567
BEFORE HE BECAME BEFORE
HE BECAME EDDIE'S MANAGER.
500
00:20:22,567 --> 00:20:24,727
- MM. ANOTHER SMART
CAREER MOVE.
501
00:20:24,733 --> 00:20:26,933
- EDDIE'S JUST SO DAMN
FULL OF HIMSELF.
502
00:20:26,933 --> 00:20:28,803
- HE HAS EVERY REASON
TO BE.
503
00:20:28,800 --> 00:20:30,900
- YEAH, BUT HE DOESN'T HAVE
TO SHOVE IT IN MY FACE.
504
00:20:30,900 --> 00:20:32,970
- OH, THAT'S HARDLY
EDDIE'S STYLE.
505
00:20:32,967 --> 00:20:36,267
- HE HAS YOU FOOLED,
BUT PEOPLE LIKE HIM
506
00:20:36,267 --> 00:20:37,767
DUMP ALL OVER GUYS
LIKE US.
507
00:20:37,767 --> 00:20:40,967
- [chuckles] DON'T INCLUDE ME
IN YOUR PARANOID DELUSIONS.
508
00:20:40,967 --> 00:20:42,727
- OKAY, YOU MIGHT HAVE HIM
SUCKERED INTO THINKING
509
00:20:42,733 --> 00:20:44,233
YOU'RE THIS SOPHISTICATE
510
00:20:44,233 --> 00:20:46,033
FROM THE UPPER WEST SIDE
OF MANHATTAN,
511
00:20:46,033 --> 00:20:47,633
BUT HE HAS NO CLUE
WHO YOU ARE.
512
00:20:47,633 --> 00:20:50,933
- MM. HE KNOWS
EXACTLY WHO I AM.
513
00:20:50,933 --> 00:20:52,133
I'M GONNA BE HIS WIFE.
514
00:20:52,133 --> 00:20:54,803
YOU SEE, EDDIE ASKED ME
TO MARRY HIM.
515
00:20:54,800 --> 00:20:56,770
AND GUESS WHAT I SAID.
516
00:21:02,800 --> 00:21:05,270
- SO...HOW DO THEY LOOK?
517
00:21:05,267 --> 00:21:08,067
- YOU GOT A TEXT.
518
00:21:08,067 --> 00:21:11,467
- OH.
519
00:21:11,467 --> 00:21:13,867
- SINCE WHEN ARE YOU AND PATRICK
SEXTING BUDDIES?
520
00:21:13,867 --> 00:21:16,067
- IT'S A JOKE, OKAY?
HE TEXTED ME.
521
00:21:16,067 --> 00:21:18,067
I JUST WROTE BACK
TO PLAY ALONG.
522
00:21:18,067 --> 00:21:20,067
- OH, SO YOU'RE PLAYING WITH
YOUR EX-BOYFRIEND AGAIN, HUH?
523
00:21:20,067 --> 00:21:23,127
- NO, NO.
I'M WITH YOU, PHIL.
524
00:21:23,133 --> 00:21:26,703
- [sighs]
PATRICK IS A TOTAL JACK-HOLE.
525
00:21:26,700 --> 00:21:28,070
YOU KNOW THAT, RIGHT?
526
00:21:28,067 --> 00:21:30,867
- LOOK AT YOU, ALL JEALOUS.
527
00:21:30,867 --> 00:21:32,127
- WELL, I KIND OF HAVE A RIGHT
TO BE, DON'T YOU THINK?
528
00:21:32,133 --> 00:21:34,473
I MEAN, CONSIDERING
HOW I BUST MY HUMP FOR YOU.
529
00:21:34,467 --> 00:21:36,397
DO YOU KNOW HOW MUCH
THESE LITTLE EARRINGS COST?
530
00:21:36,400 --> 00:21:40,430
I DON'T LIKE SHARING
MY GIRLFRIEND WITH ANYONE,
531
00:21:40,433 --> 00:21:41,733
JOKE OR NOT.
532
00:21:41,733 --> 00:21:44,373
- PATRICK AND I HAVE BEEN OVER
FOR A LONG TIME NOW.
533
00:21:44,367 --> 00:21:47,797
YOU HAVE NOTHING
TO WORRY ABOUT.
534
00:21:47,800 --> 00:21:49,600
BUT IT'S KINDA HOT
THAT YOU ARE.
535
00:21:49,600 --> 00:21:53,100
- I JUST DON'T WANT YOU
DOING ANYTHING BEHIND MY BACK.
536
00:21:53,100 --> 00:21:56,230
- OKAY. AND SINCE WE'RE
TALKING ABOUT SECRETS,
537
00:21:56,233 --> 00:21:59,103
HOW DID YOU AFFORD
ALL THIS STUFF, PHIL?
538
00:21:59,100 --> 00:22:02,970
AND THOSE CONCERT TICKETS,
NOT TO MENTION THIS DINNER.
539
00:22:02,967 --> 00:22:04,597
SO WHERE'S THE CASH
COMING FROM?
540
00:22:04,600 --> 00:22:06,800
- I'VE GOT A JOB.
541
00:22:06,800 --> 00:22:08,100
- WHAT KIND OF JOB?
542
00:22:08,100 --> 00:22:10,670
- I'M CEO OF A MULTI-NATIONAL
CONGLOMERATE.
543
00:22:10,667 --> 00:22:12,497
WHAT DO YOU MEAN
WHAT KIND OF JOB?
544
00:22:12,500 --> 00:22:14,730
- I'M JUST TAKING AN INTEREST.
545
00:22:14,733 --> 00:22:17,173
I THOUGHT WE WERE HAVING
A NICE CONVERSATION.
546
00:22:17,167 --> 00:22:19,527
- THERE'S SOME THINGS THAT
I DON'T LIKE TO TALK ABOUT.
547
00:22:19,533 --> 00:22:23,173
- OKAY, WELL, I DIDN'T KNOW
THAT IT WAS SUCH A BIG MYSTERY.
548
00:22:23,167 --> 00:22:25,467
- ISN'T IT ENOUGH TO KNOW
THAT I CAN AFFORD IT?
549
00:22:25,467 --> 00:22:29,497
- FOR SOME GIRLS, MAYBE.
550
00:22:29,500 --> 00:22:33,870
BUT I KNOW
HOW I CAN GET IT OUT OF YOU.
551
00:22:36,200 --> 00:22:38,530
- HE PROPOSED TO YOU TONIGHT?
- IN THE MIDDLE OF DESSERT.
552
00:22:38,533 --> 00:22:41,073
- RIGHT. SINCE WHEN DO MODELS
EAT DESSERT?
553
00:22:41,067 --> 00:22:42,667
- WE'RE DONE HERE.
554
00:22:42,667 --> 00:22:44,867
- SO WHERE'S THE RING?
555
00:22:44,867 --> 00:22:46,867
- IT'S COMING.
556
00:22:46,867 --> 00:22:48,367
UH, IT WAS HIS MOM'S RING,
557
00:22:48,367 --> 00:22:49,797
SO HE HAD TO GET IT
RE-SIZED.
558
00:22:49,800 --> 00:22:52,870
- AN OLD RING?
CHEAP, CHEAP, CHEAP.
559
00:22:52,867 --> 00:22:56,097
YOU DIDN'T SAY YES
TO TIGHTWAD EDDIE, DID YOU?
560
00:22:56,100 --> 00:22:57,430
YOU DON'T WANT
TO SELL YOURSELF SHORT.
561
00:22:57,433 --> 00:23:00,333
I MEAN, YOU GOT TALENT.
YOU COULD SCORE A HUGE ROCK.
562
00:23:00,333 --> 00:23:03,203
A LEXUS...
OR A HOUSE IN MALIBU.
563
00:23:03,200 --> 00:23:05,370
- YOU KNOW, THIS MAY BE HARD
FOR YOUR EGO TO GRASP,
564
00:23:05,367 --> 00:23:07,127
BUT I ACTUALLY LOVE EDDIE.
565
00:23:07,133 --> 00:23:09,903
- OH, OKAY,
THAT PERFORMANCE MIGHT WORK
566
00:23:09,900 --> 00:23:11,430
IN YOUR INTRO TO IMPROV CLASS,
567
00:23:11,433 --> 00:23:13,733
BUT THAT'S NOT GONNA GET YOU
AN ACADEMY AWARD, SWEETHEART.
568
00:23:13,733 --> 00:23:16,533
AND THAT'S NOT GONNA GET EDDIE
TO PUT A RING ON IT.
569
00:23:16,533 --> 00:23:17,833
- IT'S REAL, TY.
570
00:23:17,833 --> 00:23:19,873
- [pops top on can]
NO. NO, IT'S NOT.
571
00:23:19,867 --> 00:23:21,327
JUST DROP IT, OKAY?
572
00:23:21,333 --> 00:23:22,873
YOU'RE NOT THAT GOOD
OF AN ACTRESS.
573
00:23:22,867 --> 00:23:25,067
ALL THAT PRETENDING
TO BE IN LOVE WITH THE GUY
574
00:23:25,067 --> 00:23:27,067
AND HAVING TO BE
SO FAKE EVERYWHERE--
575
00:23:27,067 --> 00:23:28,597
THAT'S GONNA TAKE
TOO MUCH OUT OF YOU.
576
00:23:28,600 --> 00:23:32,070
- I CAN DO THIS.
I WILL DO THIS.
577
00:23:32,067 --> 00:23:33,727
DON'T DOUBT ME.
578
00:23:33,733 --> 00:23:35,633
- OH, NO,
EVEN IN THE BEDROOM?
579
00:23:35,633 --> 00:23:37,233
ARE YOU FAKING IT
IN THERE TOO?
580
00:23:37,233 --> 00:23:39,073
LOOK, EDDIE'S SO DENSE,
HE MIGHT NOT BE ABLE
581
00:23:39,067 --> 00:23:40,697
TO FIGURE IT OUT,
BUT ARE YOU SURE
582
00:23:40,700 --> 00:23:42,070
YOU'RE PUTTING ON
ENOUGH OF A SHOW
583
00:23:42,067 --> 00:23:43,927
TO GET THAT RING?
584
00:23:43,933 --> 00:23:46,433
- EDDIE'S GONNA PROPOSE TO ME.
I KNOW IT.
585
00:23:46,433 --> 00:23:52,073
- WHO ARE YOU TRYING
TO CONVINCE...ME OR YOU?
586
00:23:52,067 --> 00:23:54,227
- YO, JUST HAD A GREAT MEETING
WITH THE EDITOR
587
00:23:54,233 --> 00:23:55,773
OF NEW MUSICAL EXPRESS.
588
00:23:55,767 --> 00:23:57,627
HE WANTS TO PUT YOUR FACE
ON THE NEXT COVER
589
00:23:57,633 --> 00:23:59,903
AND A FOUR-PAGE COLOR SPREAD
INSIDE.
590
00:23:59,900 --> 00:24:01,970
- WOW. COOL.
THANKS, DUDE.
591
00:24:01,967 --> 00:24:03,367
- SO HOW'D IT GO WITH CHRIS?
592
00:24:03,367 --> 00:24:05,367
- IT WENT OKAY.
[laughs]
593
00:24:05,367 --> 00:24:07,427
I MEAN, HE'S DEFINITELY GOT
SOME INTERESTING IDEAS,
594
00:24:07,433 --> 00:24:08,673
BUT I FEEL LIKE WE SHOULD
PROBABLY MEET
595
00:24:08,667 --> 00:24:09,867
WITH SOME OTHER DIRECTORS TOO.
596
00:24:09,867 --> 00:24:12,067
- OKAY, I'LL SET IT UP.
- ALL RIGHT.
597
00:24:12,067 --> 00:24:14,097
SO WHAT'S UP TONIGHT?
YOU HAVING DINNER WITH TRACI?
598
00:24:14,100 --> 00:24:15,530
- YEAH, I'M MEETING WITH HER
A LITTLE LATER.
599
00:24:15,533 --> 00:24:17,073
- AH. WILL YOU GET OUT OF HERE
AND STOP MAKING
600
00:24:17,067 --> 00:24:18,967
THAT GORGEOUS WOMAN
WAIT ANY LONGER!
601
00:24:18,967 --> 00:24:21,967
- OKAY, I GUESS I'LL LEAVE YOU
TO YOUR WRITING.
602
00:24:21,967 --> 00:24:25,597
- SUBTLE.
- I MEAN, HOW'S IT GOING?
603
00:24:25,600 --> 00:24:27,570
- IT'S GOING, ALL RIGHT?
604
00:24:27,567 --> 00:24:29,767
IT'S TOUGH TO GET STARTED.
605
00:24:29,767 --> 00:24:34,497
SOMETIMES IT'S A MELODY,
SOMETIMES IT'S A LYRIC.
606
00:24:34,500 --> 00:24:37,130
BUT YOU GOTTA KEEP
AN OPEN MIND AND AN OPEN HEART,
607
00:24:37,133 --> 00:24:41,073
'CAUSE YOU NEVER KNOW WHERE THAT
MOTIVATION'S GONNA COME FROM.
608
00:24:42,967 --> 00:24:45,627
[mellow melody]
609
00:24:45,633 --> 00:24:48,703
*
610
00:24:48,700 --> 00:24:51,300
- [singing indistinctly]
611
00:24:51,300 --> 00:24:52,830
[knock on door]
612
00:24:52,833 --> 00:24:55,333
- AM I DISTURBING ANYTHING?
613
00:24:55,333 --> 00:24:56,733
- WHAT WOULD YOU BE
DISTURBING?
614
00:24:56,733 --> 00:24:58,103
- I DON'T KNOW.
ONE OF THESE DAYS
615
00:24:58,100 --> 00:25:00,330
I'M GONNA COME IN HERE
AND BE DISTURBING SOMETHING.
616
00:25:00,333 --> 00:25:01,833
YOU'LL BE MAKING OUT
WITH SOME CUTE BOY,
617
00:25:01,833 --> 00:25:03,703
AND I'LL HAVE TO CHASE HIM
OUT OF THE HOUSE.
618
00:25:03,700 --> 00:25:05,170
- YOU SOUND EXCITED
ABOUT THAT.
619
00:25:05,167 --> 00:25:07,197
- IT'LL BE FUN.
REAL MOM STUFF.
620
00:25:07,200 --> 00:25:09,500
- HOW WAS WORK, MOM?
- IT WAS GOOD.
621
00:25:09,500 --> 00:25:11,530
IT WAS GOOD.
YEAH, I'M GETTING THE HANG
622
00:25:11,533 --> 00:25:13,103
OF BEING IN THE OFFICE AGAIN.
623
00:25:13,100 --> 00:25:14,400
YOU KNOW, EVERYONE SEEMS
REALLY NICE.
624
00:25:14,400 --> 00:25:16,900
NO POLITICS OR DRAMA.
- OH, GOOD. I'M GLAD.
625
00:25:16,900 --> 00:25:20,400
- YEAH. SO...
ANY NEWS?
626
00:25:20,400 --> 00:25:22,870
- ALL QUIET
ON THE COLLEGE FRONT.
627
00:25:22,867 --> 00:25:24,367
- OH! AH, THESE SCHOOLS.
628
00:25:24,367 --> 00:25:25,927
THEY REALLY KNOW HOW
TO TORTURE KIDS, DON'T THEY?
629
00:25:25,933 --> 00:25:28,533
- AND APPARENTLY MOMS TOO.
- OH, I KNOW.
630
00:25:28,533 --> 00:25:30,073
- EVERYBODY AT SCHOOL
IS A WRECK,
631
00:25:30,067 --> 00:25:33,067
BUT I'M JUST TRYING TO FOCUS
ON MUSIC AND WORK
632
00:25:33,067 --> 00:25:38,067
AND WORK AND MUSIC AND--
DID I MENTION WORK AND MUSIC?
633
00:25:38,067 --> 00:25:39,327
- WELL, YOU'VE DONE EVERYTHING,
YOU KNOW?
634
00:25:39,333 --> 00:25:41,073
THE ESSAYS, APPLICATIONS.
635
00:25:41,067 --> 00:25:44,227
NOW IT'S JUST
OUT OF OUR HANDS.
636
00:25:44,233 --> 00:25:45,833
BEING THE CONTROL FREAK
THAT I AM,
637
00:25:45,833 --> 00:25:47,173
I HATE THAT
IT'S OUT OF OUR HANDS.
638
00:25:47,167 --> 00:25:48,597
I JUST WISH I COULD MAKE
THAT ACCEPTANCE
639
00:25:48,600 --> 00:25:49,970
FROM BROWN COME TOMORROW.
640
00:25:49,967 --> 00:25:51,597
- WELL, EVEN IF IT DOESN'T,
I'LL HAVE OPTIONS.
641
00:25:51,600 --> 00:25:54,070
I MEAN, EVERYBODY ENDS UP
SOMEWHERE, RIGHT?
642
00:25:54,067 --> 00:25:56,397
- OH, HONEY, OF COURSE
YOU HAVE PLENTY OF OPTIONS.
643
00:25:56,400 --> 00:25:58,230
WHAT COLLEGE WOULDN'T
WANT YOU?
644
00:25:58,233 --> 00:26:00,303
- OKAY, I DON'T WANT TO
TALK ABOUT IT ANYMORE.
645
00:26:00,300 --> 00:26:01,300
- OKAY, RIGHT, RIGHT, RIGHT.
SORRY, I FORGOT.
646
00:26:01,300 --> 00:26:03,530
WORK, MUSIC. WORK, MUSIC.
647
00:26:03,533 --> 00:26:06,103
OH, DOES THIS MEAN THAT
YOU'LL BE SENDING A SONG IN
648
00:26:06,100 --> 00:26:07,630
TO THE EDDIE DURAN CONTEST?
649
00:26:07,633 --> 00:26:08,703
- HOW DID YOU KNOW
ABOUT THAT?
650
00:26:08,700 --> 00:26:10,400
- MELISSA TOLD ME.
I'M ON HER BLOG.
651
00:26:10,400 --> 00:26:13,370
YOU KNOW WHAT,
ARE YOU GONNA SEND THAT SONG
652
00:26:13,367 --> 00:26:15,067
THAT I HEARD YOU WORKING ON
653
00:26:15,067 --> 00:26:16,397
WHEN YOU WERE SUPPOSEDLY
SLEEPING?
654
00:26:16,400 --> 00:26:17,930
- [sighs]
I DON'T KNOW, MOM.
655
00:26:17,933 --> 00:26:20,903
YOU HAVE TO SEND IN A VIDEO
OF YOU PERFORMING THE SONG.
656
00:26:20,900 --> 00:26:22,070
- WELL, THAT'D BE FUN.
657
00:26:22,067 --> 00:26:24,367
- YEAH, IF BY FUN
YOU MEAN TORTUROUS.
658
00:26:24,367 --> 00:26:26,267
I CAN'T SING, MOM.
659
00:26:26,267 --> 00:26:28,797
- YOU'RE CRAZY.
YOU HAVE A GREAT VOICE.
660
00:26:28,800 --> 00:26:30,700
- THANK YOU, BUT I DON'T THINK
IT'S SAFE
661
00:26:30,700 --> 00:26:32,100
TO TAKE YOUR MOM'S OPINION
ON THAT.
662
00:26:32,100 --> 00:26:35,870
UNLESS YOUR MOM'S
SIMON COWELL.
663
00:26:35,867 --> 00:26:38,767
- WELL, THEY'RE LOOKING
FOR A SONG, NOT A SINGER.
664
00:26:38,767 --> 00:26:40,727
- OKAY, BUT HOW ARE THEY
SUPPOSED TO JUDGE THE SONG
665
00:26:40,733 --> 00:26:42,833
IF THEY HAVE TO LISTEN TO ME
SCREECHING MY WAY THROUGH IT?
666
00:26:42,833 --> 00:26:44,673
- YOU ARE SO HARD ON YOURSELF.
667
00:26:44,667 --> 00:26:46,867
JUST TAKE A CHANCE
ON THIS.
668
00:26:46,867 --> 00:26:49,167
WHAT DO YOU HAVE TO LOSE?
669
00:26:54,933 --> 00:26:56,533
- MEL?
- I KNOW, I'M NOT ALLOWED
670
00:26:56,533 --> 00:26:57,873
OUT OF MY ROOM PAST 9:00.
671
00:26:57,867 --> 00:27:00,297
- CAN WE TALK FOR A MINUTE?
- WHAT DID I DO NOW?
672
00:27:00,300 --> 00:27:02,070
- NOTHING.
673
00:27:02,067 --> 00:27:04,897
MELISSA, I THINK
WHAT WE HAVE IS
674
00:27:04,900 --> 00:27:06,330
A FAILURE TO COMMUNICATE.
675
00:27:06,333 --> 00:27:07,933
- WOW, MOM,
DID YOU JUST REFERENCE
676
00:27:07,933 --> 00:27:09,403
AN OLD PAUL NEWMAN MOVIE?
677
00:27:09,400 --> 00:27:11,930
- YOU'RE NOT THE ONLY
FILM AFICIONADO IN THE FAMILY.
678
00:27:11,933 --> 00:27:13,503
- YEAH, YOU'RE A REGULAR
TARANTINO.
679
00:27:13,500 --> 00:27:16,230
- I KNOW YOU HAVE THIS IDEA
IN YOUR HEAD THAT I HATE YOU.
680
00:27:16,233 --> 00:27:18,603
- IT BEING IN MY HEAD WOULD MEAN
IT WAS A FANTASY.
681
00:27:18,600 --> 00:27:20,530
I HAVE A VERY RICH
FANTASY LIFE,
682
00:27:20,533 --> 00:27:22,973
BUT UNFORTUNATELY,
I THINK THIS IS REALITY.
683
00:27:22,967 --> 00:27:25,797
- I DON'T HATE YOU.
I LOVE YOU.
684
00:27:25,800 --> 00:27:27,370
I CAN'T EVEN TELL YOU
HOW MUCH.
685
00:27:27,367 --> 00:27:28,727
- THEN WHY DO YOU TREAT ME
LIKE A PRISONER?
686
00:27:28,733 --> 00:27:30,533
- I JUST DON'T WANT YOU
TO TURN OUT--
687
00:27:30,533 --> 00:27:32,373
- LIKE YOU?
688
00:27:32,367 --> 00:27:35,497
MOM, I CAN'T IMAGINE YOU
DOING ANYTHING WRONG EVER.
689
00:27:35,500 --> 00:27:37,300
- WELL, I NEVER LIED ABOUT
WHERE I WENT OR WHAT I DID.
690
00:27:37,300 --> 00:27:38,500
THAT'S TRUE.
- I WOULDN'T LIE TO YOU
691
00:27:38,500 --> 00:27:40,200
IF YOU DIDN'T
MICROMANAGE ME TO DEATH.
692
00:27:40,200 --> 00:27:42,430
YOU DON'T TRUST ME,
AND YOU NEVER HAVE.
693
00:27:42,433 --> 00:27:45,433
IT'S BEEN THIS WAY
MY WHOLE LIFE.
694
00:27:45,433 --> 00:27:47,703
- I DON'T NEED TO CONVINCE YOU
OR ANYONE ELSE
695
00:27:47,700 --> 00:27:51,100
ABOUT THE STRENGTH OF MY
RELATIONSHIP WITH EDDIE, OKAY?
696
00:27:51,100 --> 00:27:52,500
I KNOW WHAT WE HAVE.
697
00:27:52,500 --> 00:27:54,670
- THE GUY'S CRAZY ABOUT YOU.
I DON'T DOUBT THAT.
698
00:27:54,667 --> 00:27:57,127
BUT MARRIAGE?
THAT DOESN'T MAKE SENSE.
699
00:27:57,133 --> 00:27:58,373
HE'S NOT SETTLING DOWN.
700
00:27:58,367 --> 00:28:00,067
- NOT ALL MEN ARE LIKE YOU.
701
00:28:00,067 --> 00:28:02,297
- NO, THEY ARE LIKE ME.
AND THEY ALL THINK LIKE ME.
702
00:28:02,300 --> 00:28:05,070
THEY JUST DON'T SAY THIS STUFF
OUT LOUD.
703
00:28:05,067 --> 00:28:06,967
HE'S 21, CHLOE.
704
00:28:06,967 --> 00:28:08,767
HE COULD HAVE ANY WOMAN
HE WANTS.
705
00:28:08,767 --> 00:28:10,327
HE COULD FLY TO ENGLAND
TOMORROW,
706
00:28:10,333 --> 00:28:11,703
HE COULD CALL UP
THAT PRINCESS KATE,
707
00:28:11,700 --> 00:28:13,830
AND SHE WOULD BE
AT HIS HOTEL ROOM, GUARANTEED.
708
00:28:13,833 --> 00:28:16,173
YOU THINK HE'S GONNA
GIVE ALL THAT UP
709
00:28:16,167 --> 00:28:17,497
TO PLAY HOUSE WITH YOU?
710
00:28:17,500 --> 00:28:19,700
- WHAT'S WRONG WITH ME?
711
00:28:19,700 --> 00:28:21,470
- NOTHING.
THERE'S NOTHING WRONG WITH YOU.
712
00:28:21,467 --> 00:28:24,067
YOU'RE BEAUTIFUL
AND YOU'RE AMAZING,
713
00:28:24,067 --> 00:28:28,267
BUT HE CAN HAVE 20 FLAVORS
OF BEAUTIFUL/AMAZING EVERY WEEK.
714
00:28:28,267 --> 00:28:30,427
HE'S IN A DIFFERENT UNIVERSE.
715
00:28:30,433 --> 00:28:32,933
- HE--HE LOVES ME.
I KNOW IT.
716
00:28:32,933 --> 00:28:34,273
- YEAH, BECAUSE YOU'LL
ALWAYS BE THERE RIGHT?
717
00:28:34,267 --> 00:28:36,667
YOU'RE LOCKED DOWN.
718
00:28:36,667 --> 00:28:38,367
HE COULD GO ON TOUR
AND PLOW THROUGH
719
00:28:38,367 --> 00:28:42,167
THE WHOLE FEMALE POPULATION
OF THE WESTERN HEMISPHERE,
720
00:28:42,167 --> 00:28:43,827
AND HE KNOWS THAT
YOU WON'T LEAVE HIM
721
00:28:43,833 --> 00:28:46,073
BECAUSE YOU WANT TO BE
MRS. EDDIE DURAN.
722
00:28:46,067 --> 00:28:47,497
- IF YOU'RE TRYING
TO MAKE ME MAD, THEN--
723
00:28:47,500 --> 00:28:51,330
- NO, I'M TRYING TO GIVE YOU
A REALITY CHECK, CHLO.
724
00:28:51,333 --> 00:28:52,573
MAYBE YOU DON'T WANT
TO HEAR THIS,
725
00:28:52,567 --> 00:28:54,727
BUT DEEP DOWN
YOU KNOW I'M RIGHT.
726
00:28:54,733 --> 00:28:57,133
- THIS ISN'T GONNA WORK.
JUST GET OUT NOW
727
00:28:57,133 --> 00:28:59,073
WITH YOUR DIGNITY
AND SOME NICE JEWELRY.
728
00:28:59,067 --> 00:29:01,327
- NO, I CAN DO THIS.
729
00:29:01,333 --> 00:29:02,873
AND I KNOW WHAT YOU'RE TRYING
TO DO.
730
00:29:02,867 --> 00:29:04,627
YOU'RE--YOU'RE JUST TRYING
TO GET ME TO COME BACK TO YOU
731
00:29:04,633 --> 00:29:07,233
SO YOU CAN CHALK ONE UP
AS A VICTORY OVER EDDIE.
732
00:29:07,233 --> 00:29:09,203
- NO, I WANT YOU
TO COME BACK TO ME
733
00:29:09,200 --> 00:29:10,670
BECAUSE WE BELONG TOGETHER.
734
00:29:10,667 --> 00:29:14,127
- I'M NOT LEAVING HIM, TY.
735
00:29:14,133 --> 00:29:17,273
- OKAY. I'LL TELL YOU WHAT,
I'LL MAKE YOU A DEAL.
736
00:29:17,267 --> 00:29:21,197
THE DAY EDDIE PROPOSES,
I WALK AWAY.
737
00:29:21,200 --> 00:29:23,830
BUT IN THE MEANTIME, LET ME JUST
GIVE YOU WHAT YOU'RE MISSING
738
00:29:23,833 --> 00:29:25,173
IN YOUR LIFE.
739
00:29:25,167 --> 00:29:26,497
NO STRINGS, OKAY?
740
00:29:26,500 --> 00:29:31,670
JUST A PRIVATE ARRANGEMENT
WITH BENEFITS.
741
00:29:31,667 --> 00:29:34,467
YOU KNOW THIS IS WHAT
YOU WANT.
742
00:29:39,800 --> 00:29:43,930
- I LIKE IT, MAN.
IT'S SOULFUL.
743
00:29:43,933 --> 00:29:46,633
- THANKS.
IT'S FAR FROM A SONG,
744
00:29:46,633 --> 00:29:48,133
BUT IT COULD BE
A NICE HOOK.
745
00:29:48,133 --> 00:29:51,073
- OKAY. I WILL LEAVE ALL
THE CREATIVE DECISIONS TO YOU.
746
00:29:51,067 --> 00:29:53,797
- ALL RIGHT.
AND I WILL LEAVE ALL THE, UH,
747
00:29:53,800 --> 00:29:55,770
BUSINESS DECISIONS TO YOU.
748
00:29:55,767 --> 00:29:57,527
AND THE LITTLE LEPRECHAUN
UP IN YOUR EAR,
749
00:29:57,533 --> 00:29:59,173
BECAUSE I KNOW WE'VE BEEN
GETTING SO LUCKY LATELY,
750
00:29:59,167 --> 00:30:00,727
I KNOW IT'S NOT JUST YOU.
751
00:30:00,733 --> 00:30:02,133
- TOO TRUE, MY FRIEND.
752
00:30:02,133 --> 00:30:05,233
- [sighs]
GOD, YOU KNOW, I MISS THIS.
753
00:30:05,233 --> 00:30:06,873
JUST CHILLING.
754
00:30:06,867 --> 00:30:08,927
- OH, WE'LL STILL BE ABLE TO DO
STUFF LIKE THAT AGAIN, MAN.
755
00:30:08,933 --> 00:30:10,303
WE JUST HAVE TO WORK
REALLY HARD NOW
756
00:30:10,300 --> 00:30:11,530
SO WE CAN HAVE DOWN TIME
LATER.
757
00:30:11,533 --> 00:30:14,603
- LATER. LIKE--
LIKE WHEN OUR KIDS GROW UP
758
00:30:14,600 --> 00:30:16,000
AND GO TO COLLEGE LATER?
759
00:30:16,000 --> 00:30:17,100
- DAMN RIGHT.
760
00:30:17,100 --> 00:30:18,870
YO, AND OUR KIDS
WILL BE FRIENDS TOO.
761
00:30:18,867 --> 00:30:20,867
- I LIKE THAT.
762
00:30:20,867 --> 00:30:23,467
YOU AND TRACI AND ME AND CHLOE
WITH LITTLE KIDS RUNNING AROUND.
763
00:30:23,467 --> 00:30:25,367
PERFECT.
- WOW.
764
00:30:25,367 --> 00:30:27,427
THAT'S WHY YOU ARE
WHO YOU ARE, EDDIE.
765
00:30:27,433 --> 00:30:28,973
WITH ALL THE STUFF
THAT'S GOING ON, MAN,
766
00:30:28,967 --> 00:30:31,427
YOU STILL HAVE TIME TO THINK
ABOUT FRIENDS AND FAMILY.
767
00:30:31,433 --> 00:30:34,673
WHICH IS WHY YOU NEED TO BE DONE
WITH TYLER FOR GOOD NOW.
768
00:30:34,667 --> 00:30:35,967
- CHLOE WOULD HAVE MY HEAD
IF I SAID
769
00:30:35,967 --> 00:30:37,967
TWO MORE WORDS TO THAT GUY.
770
00:30:37,967 --> 00:30:39,497
- I MEAN, I CAN MAKE IT
SO HE NEVER BOTHERS YOU AGAIN.
771
00:30:39,500 --> 00:30:41,400
- YEAH, FORGET IT.
772
00:30:41,400 --> 00:30:43,430
I KNOW HE'S A LOUDMOUTH,
BUT HE'S HARMLESS.
773
00:30:43,433 --> 00:30:45,503
- OKAY.
774
00:30:45,500 --> 00:30:46,500
- I'M HUNGRY.
775
00:30:46,500 --> 00:30:48,800
- OH, NO.
OH, MY GOD.
776
00:30:48,800 --> 00:30:51,630
THE TIME HAS JUST GONE BY, MAN.
TRACI'S AT THE RESTAURANT.
777
00:30:51,633 --> 00:30:53,203
- OOH, LOOK AT YOU.
778
00:30:53,200 --> 00:30:54,330
DUDE, YOU BETTER GET THERE
779
00:30:54,333 --> 00:30:56,633
BEFORE SOME OTHER MAN
PICKS HER UP.
780
00:30:56,633 --> 00:30:58,103
[chuckles]
781
00:30:58,100 --> 00:31:00,270
[cell phone rings]
782
00:31:06,100 --> 00:31:07,430
- I DON'T EVEN WANT
TO HEAR IT.
783
00:31:07,433 --> 00:31:08,873
- YOU DON'T EVEN KNOW
WHAT I WAS GONNA SAY.
784
00:31:08,867 --> 00:31:11,067
- WHO IS THIS?
- WHO'S THIS?
785
00:31:11,067 --> 00:31:12,867
IS THAT A NICE QUESTION
786
00:31:12,867 --> 00:31:14,427
FOR YOUR ONE AND ONLY
TRUE SISTER?
787
00:31:14,433 --> 00:31:15,903
- KELLY?
788
00:31:15,900 --> 00:31:18,700
YOU ALREADY KNOW I ALREADY GOT
A REAL SISTER, DON'T YOU?
789
00:31:18,700 --> 00:31:20,200
- YEAH, BUT YOU STILL KNEW
IT WAS ME.
790
00:31:20,200 --> 00:31:21,430
- YEAH, THAT'S BECAUSE
MY REAL SISTER
791
00:31:21,433 --> 00:31:22,933
WOULDN'T PLAY THAT GAME.
792
00:31:22,933 --> 00:31:24,373
- OH, WELL,
IF I REMEMBER CORRECTLY,
793
00:31:24,367 --> 00:31:27,397
SHE DOESN'T PLAY ANY GAMES.
- THAT'S HER. [chuckles]
794
00:31:27,400 --> 00:31:29,830
I'M SORRY, I THOUGHT
YOU WERE JAKE.
795
00:31:29,833 --> 00:31:31,403
- OH. WHAT DID HE DO
THIS TIME?
796
00:31:31,400 --> 00:31:34,330
- HMM, HE WAS SUPPOSED TO
MEET ME HERE FOR DINNER.
797
00:31:34,333 --> 00:31:36,103
APPARENTLY,
HE GOT SIDETRACKED.
798
00:31:36,100 --> 00:31:39,330
- IS THIS BECOMING
THE STORY OF YOUR LIFE?
799
00:31:39,333 --> 00:31:40,833
- I HOPE NOT.
800
00:31:40,833 --> 00:31:43,503
THIS IS NOT WHAT
I SIGNED UP FOR.
801
00:31:43,500 --> 00:31:46,130
ANYWAYS, HOW ARE YOU?
802
00:31:46,133 --> 00:31:48,733
GOD, I FEEL LIKE WE HAVEN'T
TALKED IN MONTHS.
803
00:31:48,733 --> 00:31:50,403
- YEAH, I KNOW.
804
00:31:50,400 --> 00:31:53,830
THINGS--THINGS HAVE BEEN
KINDA CRAZY.
805
00:31:53,833 --> 00:31:58,073
- I MISS YOU.
KEL, I WISH YOU LIVED CLOSER.
806
00:31:58,067 --> 00:32:00,827
- WELL, YOU'RE IN LUCK BECAUSE
I MIGHT BE COMING TO L.A. SOON.
807
00:32:00,833 --> 00:32:02,673
I HAVE SOME PROSPECTS
OUT THERE
808
00:32:02,667 --> 00:32:04,567
THAT ARE STARTING TO LOOK
KIND OF HOPEFUL.
809
00:32:04,567 --> 00:32:07,267
- THAT'S GREAT. YOU'RE STAYING
WITH US, OF COURSE.
810
00:32:07,267 --> 00:32:08,897
- IF IT'S NOT AN INTRUSION.
811
00:32:08,900 --> 00:32:15,470
- KELLY, I AM SITTING
IN A FANCY RESTAURANT ALONE.
812
00:32:15,467 --> 00:32:17,327
WHAT WOULD YOU BE
INTRUDING ON?
813
00:32:17,333 --> 00:32:20,173
- ALL RIGHT, WELL, EITHER WAY,
JUST ASK YOUR BALL AND CHAIN.
814
00:32:20,167 --> 00:32:22,127
- TRUST ME, IT'S FINE.
815
00:32:26,833 --> 00:32:30,903
- ADRIANA.
- HI DAD.
816
00:32:30,900 --> 00:32:34,500
- YOU, GET OUT OF HERE.
817
00:32:34,500 --> 00:32:37,130
- GOOD TO SEE YOU AGAIN,
DR. DON.
818
00:32:37,133 --> 00:32:39,773
LATER, GORGEOUS.
- BYE, BABE.
819
00:32:39,767 --> 00:32:41,467
THANKS FOR DINNER
AND THE EARRINGS.
820
00:32:43,833 --> 00:32:46,133
- DINNER AND EARRINGS?
821
00:32:46,133 --> 00:32:47,903
- YEAH. PHIL GAVE ME THESE
TONIGHT.
822
00:32:47,900 --> 00:32:50,700
DO YOU LIKE 'EM?
- NO, I DON'T.
823
00:32:50,700 --> 00:32:53,770
I DON'T LIKE THE IDEA
OF MY HIGH-SCHOOL-AGE DAUGHTER
824
00:32:53,767 --> 00:32:55,967
ACCEPTING GIFTS FROM MEN...
825
00:32:55,967 --> 00:32:58,427
ESPECIALLY WHEN HE EXPECTS
SOMETHING IN RETURN.
826
00:32:58,433 --> 00:33:00,633
- DAD, WHAT TYPE OF GIRL
DO YOU THINK I AM?
827
00:33:00,633 --> 00:33:03,073
I AM NOT SOME TYPE
OF CHEAP SLUT
828
00:33:03,067 --> 00:33:05,827
WHO PUTS OUT FOR THE FIRST GUY
WHO BUYS HER SOMETHING SPARKLY.
829
00:33:05,833 --> 00:33:08,373
- WHERE DOES A KID LIKE PHIL
GET MONEY FOR JEWELRY?
830
00:33:08,367 --> 00:33:09,897
- HE EARNS IT?
- HE EARNS IT?
831
00:33:09,900 --> 00:33:11,570
DOING WHAT, SELLING DRUGS?
- HARDLY.
832
00:33:11,567 --> 00:33:14,867
PHIL HAS A REAL JOB.
- WHAT KIND OF JOB?
833
00:33:14,867 --> 00:33:16,467
HE CAN BARELY ADD
TWO PLUS TWO.
834
00:33:16,467 --> 00:33:18,367
- HE GOT A 2,340
ON HIS SATs, DAD.
835
00:33:18,367 --> 00:33:19,967
- BY CHEATING, NO DOUBT.
836
00:33:19,967 --> 00:33:23,497
- CHEATING. THERE'S A TERRITORY
YOU'RE FAMILIAR WITH.
837
00:33:23,500 --> 00:33:26,500
- OH, ADRIANA, ADRIANA.
838
00:33:26,500 --> 00:33:29,170
ONE DAY--ONE DAY
YOU'RE GONNA PUSH ME TOO HARD.
839
00:33:29,167 --> 00:33:30,697
- YEAH, I CAN'T WAIT.
840
00:33:30,700 --> 00:33:32,370
MAYBE THEN I CAN GO LIVE
WITH MOM.
841
00:33:32,367 --> 00:33:36,197
- SURE. CALL HER RIGHT NOW.
SEE IF SHE'LL HAVE YOU.
842
00:33:44,633 --> 00:33:45,873
*
843
00:33:45,867 --> 00:33:51,397
- * NO, NO, NO, NO,
NO, NO, NO *
844
00:33:54,667 --> 00:33:56,697
- [sighs]
845
00:33:56,700 --> 00:34:00,570
CLIMBING THE WALLS,
FEELING THE HEAT,
846
00:34:00,567 --> 00:34:02,197
I'M RUNNING ON EMPTY...
847
00:34:02,200 --> 00:34:04,330
UGH, I CAN'T FIND THE BEAT.
848
00:35:14,500 --> 00:35:16,700
[phone line ringing]
849
00:35:16,700 --> 00:35:20,530
- HEY...
CAN YOU COME OVER?
850
00:35:20,533 --> 00:35:21,703
NOW.
851
00:35:32,933 --> 00:35:37,703
- OH, MY GOD!
OH...OH...
852
00:35:40,967 --> 00:35:42,097
- OH, MY GOD, OH, MY GOD,
OH, MY GOD!
853
00:35:42,100 --> 00:35:43,870
EDDIE RE-TWEETED YOUR LYRICS!
854
00:35:43,867 --> 00:35:45,567
- I KNOW.
855
00:35:45,567 --> 00:35:46,797
HE SAID IT WAS
A BEAUTIFUL POEM.
856
00:35:46,800 --> 00:35:49,970
- [gasps]
YOU KNOW THIS IS A SIGN, RIGHT?
857
00:35:49,967 --> 00:35:52,727
YOU HAVE TO SEND HIM
YOUR SONG.
858
00:36:04,600 --> 00:36:08,630
[mellow R&B playing]
859
00:36:08,633 --> 00:36:09,803
- YOU'RE HOME.
860
00:36:09,800 --> 00:36:12,530
- I AM SO SORRY
I STOOD YOU UP, BABY.
861
00:36:15,100 --> 00:36:16,870
- YOU COOKED DINNER?
862
00:36:16,867 --> 00:36:18,267
- NOW, LET'S NOT GET CRAZY,
ALL RIGHT?
863
00:36:18,267 --> 00:36:19,867
ELECTRIC LOTUS DELIVERS.
864
00:36:19,867 --> 00:36:21,067
[purse thunks]
865
00:36:21,067 --> 00:36:22,897
- YOU KNOW A COUPLE
CARTONS OF CURRY
866
00:36:22,900 --> 00:36:25,400
AIN'T GONNA GET YOU OFF THE HOOK
FOR TONIGHT'S EPIC FAIL, RIGHT?
867
00:36:25,400 --> 00:36:27,530
- I KNOW. I GOTTA LEARN
HOW TO DELEGATE, BABY.
868
00:36:27,533 --> 00:36:29,873
I'M JUST SO DAMN OBSESSED.
869
00:36:29,867 --> 00:36:31,527
- AND COMPULSIVE.
870
00:36:33,567 --> 00:36:37,227
WHICH KINDA...ATTRACTED ME
TO YOU IN THE FIRST PLACE.
871
00:36:37,233 --> 00:36:39,073
- WHAT, 'CAUSE OF MY OCD?
872
00:36:39,067 --> 00:36:41,067
- NO.
873
00:36:41,067 --> 00:36:42,697
'CAUSE OF YOUR...
874
00:36:42,700 --> 00:36:45,130
HTB...
875
00:36:45,133 --> 00:36:47,703
HOT, TIGHT BODY.
876
00:36:47,700 --> 00:36:49,600
- [laughs]
- BABY, I'M REALLY GONNA
877
00:36:49,600 --> 00:36:51,430
HAVE TO START TAKING IT
PERSONALLY
878
00:36:51,433 --> 00:36:53,073
IF YOUR FINE ATTENTION
TO DETAIL
879
00:36:53,067 --> 00:36:54,627
AND YOUR LEGENDARY MEMORY
880
00:36:54,633 --> 00:36:56,803
DOESN'T APPLY TO
DINNER WITH YOUR WIFE.
881
00:36:56,800 --> 00:36:58,870
- OH, I PROMISE
I'LL WORK ON THAT.
882
00:36:58,867 --> 00:37:00,967
BUT NOT TONIGHT.
883
00:37:00,967 --> 00:37:02,527
MY SCHEDULE IS FULL.
884
00:37:02,533 --> 00:37:04,503
- MM.
HA.
885
00:37:04,500 --> 00:37:07,070
- * WITHOUT YOUR SKIN
I'M NAKED *
886
00:37:07,067 --> 00:37:10,197
*
887
00:37:10,200 --> 00:37:12,470
* WITHOUT YOUR SKIN
888
00:37:12,467 --> 00:37:14,697
* WITHOUT YOUR SKIN
889
00:37:14,700 --> 00:37:19,670
* OOH
890
00:37:19,667 --> 00:37:21,797
* WITHOUT YOUR SKIN,
I'M NAKED *
891
00:37:21,800 --> 00:37:23,770
*
892
00:37:23,767 --> 00:37:25,097
*OOH *
893
00:37:25,100 --> 00:37:27,800
- ADRIANA, COME BACK HERE!
894
00:37:29,267 --> 00:37:31,127
- WHAT FOR?
895
00:37:31,133 --> 00:37:33,203
SO YOU CAN TRASH
MY BOYFRIEND SOME MORE?
896
00:37:33,200 --> 00:37:35,470
- I THINK YOU CAN DO BETTER,
THAT'S ALL.
897
00:37:35,467 --> 00:37:37,667
- WELL, DUH.
YOU'RE MY DAD.
898
00:37:37,667 --> 00:37:40,327
YOU'RE SUPPOSED TO THINK THAT.
899
00:37:40,333 --> 00:37:42,973
BUT I'M NOT TAKING
RELATIONSHIP ADVICE FROM YOU.
900
00:37:42,967 --> 00:37:44,397
- THERE WERE A LOT OF REASONS
901
00:37:44,400 --> 00:37:46,800
FOR YOUR MOM AND I
SPLITTING UP, YOU KNOW?
902
00:37:46,800 --> 00:37:49,130
- YEAH, I KNOW--
SAMANTHA, AMBER, CHRISTY.
903
00:37:49,133 --> 00:37:51,533
OH, AND THAT LAKER GIRL.
WHAT WAS HER NAME?
904
00:37:51,533 --> 00:37:53,133
TOOTSIE OR TOTSY?
905
00:37:53,133 --> 00:37:55,673
- IT WAS MORE COMPLICATED
THAN THAT, KID.
906
00:37:55,667 --> 00:37:57,067
- YEAH, FOR MOM, IT WAS.
907
00:37:57,067 --> 00:37:58,327
SHE COULDN'T GO ANYWHERE
908
00:37:58,333 --> 00:38:00,633
WITHOUT RUNNING INTO
ONE OF THEM.
909
00:38:00,633 --> 00:38:04,873
YOU KNOW, THAT'S WHY SHE MOVED
SO FAR AWAY FROM L.A.
910
00:38:04,867 --> 00:38:07,067
I JUST WISH
I COULD HAVE GONE WITH HER.
911
00:38:08,867 --> 00:38:11,367
- WELL, FOR NOW,
YOU'RE STUCK WITH ME.
912
00:38:11,367 --> 00:38:13,667
MAYBE WE SHOULD
MAKE THE MOST OF IT, YOU KNOW?
913
00:38:13,667 --> 00:38:15,697
WE USED TO HAVE FUN
TOGETHER.
914
00:38:15,700 --> 00:38:16,900
- YEAH, WHEN I WAS SEVEN.
WHAT...
915
00:38:16,900 --> 00:38:19,500
YOU WANNA GO TO THE ZOO,
DAD, IS THAT WHAT IT IS?
916
00:38:19,500 --> 00:38:21,330
- YOU THINK OF ME
AS SOME COMMANDANT.
917
00:38:21,333 --> 00:38:22,503
THAT'S NOT RIGHT.
918
00:38:22,500 --> 00:38:24,370
I HAVEN'T DISLIKED
ALL YOUR BOYFRIENDS.
919
00:38:24,367 --> 00:38:26,197
PATRICK--I LIKED HIM.
WHAT HAPPENED TO PATRICK?
920
00:38:26,200 --> 00:38:29,800
- PATRICK WENT TO COLLEGE.
YALE.
921
00:38:29,800 --> 00:38:32,070
AND I THINK HE'S GAY.
JUST DOESN'T KNOW IT.
922
00:38:32,067 --> 00:38:34,067
- STILL! YALE.
HE'S IVY LEAGUE.
923
00:38:34,067 --> 00:38:36,127
AND NOW YOU GOT PHIL?
- DAD, ARE YOU KIDDING ME?
924
00:38:36,133 --> 00:38:39,073
- AS YOUR FATHER, I'M ALLOWED
TO HAVE AN OPINION, AREN'T I?
925
00:38:39,067 --> 00:38:42,067
- YEAH, AND AS YOUR DAUGHTER,
I'M NOT GONNA LISTEN TO IT.
926
00:38:42,067 --> 00:38:44,597
OR ANYTHING ELSE
YOU HAVE TO SAY.
927
00:38:49,567 --> 00:38:51,897
- COLORADO?
928
00:38:51,900 --> 00:38:54,170
MR. COLORADO?
929
00:38:54,167 --> 00:38:56,497
- WHAT CAN I DO FOR YOU BOYS?
- MY MAN ISAAC SMITH
930
00:38:56,500 --> 00:38:58,600
SAID MAYBE WE SHOULD HOOK UP,
DO SOME BUSINESS.
931
00:38:58,600 --> 00:39:00,130
- AM I SUPPOSED TO KNOW
WHO THAT IS?
932
00:39:00,133 --> 00:39:02,433
- VICTOR'S BROTHER?
- WELL, VICTOR I KNOW,
933
00:39:02,433 --> 00:39:04,303
BUT HE NEVER MENTIONED
ANYTHING TO ME
934
00:39:04,300 --> 00:39:05,730
ABOUT ANY KIND OF REFERRAL.
935
00:39:05,733 --> 00:39:07,503
- I DON'T KNOW,
THAT MUST HAVE BEEN...
936
00:39:07,500 --> 00:39:09,100
SOME KIND OF OVERSIGHT
OR SOMETHING.
937
00:39:09,100 --> 00:39:10,830
- YEAH.
SOMETHING.
938
00:39:10,833 --> 00:39:13,173
WHAT KIND OF WORK
YOU LOOKING TO DO?
939
00:39:13,167 --> 00:39:15,727
YOU WANT US TO BUFF THE
SCRATCHES OUT OF YOUR PAINT?
940
00:39:15,733 --> 00:39:18,073
- THIS KINDA WORK.
941
00:39:18,067 --> 00:39:21,267
4G, FACTORY SEALED.
942
00:39:21,267 --> 00:39:24,767
WE KNOW WHAT WE'RE DOING.
WE CAN GET MORE.
943
00:39:24,767 --> 00:39:27,597
- THIS IS A BODY SHOP.
NOT A BEST BUY.
944
00:39:27,600 --> 00:39:31,070
YOU KNOW,
VICTOR OR YOUR MAN ISAAC--
945
00:39:31,067 --> 00:39:33,067
I DON'T KNOW WHAT
THEY SAID TO YOU,
946
00:39:33,067 --> 00:39:34,567
BUT I RUN A LEGIT BUSINESS
HERE.
947
00:39:34,567 --> 00:39:36,467
9:00-9:00,
SIX DAYS A WEEK.
948
00:39:36,467 --> 00:39:38,797
- I THOUGHT THAT--
- YOU THOUGHT THAT WHAT?
949
00:39:38,800 --> 00:39:40,230
THE OWNER OF A STRAIGHT
SMALL BUSINESS
950
00:39:40,233 --> 00:39:41,603
WANTS TO BE SEEN
HOLDING A BAG
951
00:39:41,600 --> 00:39:43,100
OF WHAT I ASSUME
IS STOLEN GOODS?
952
00:39:43,100 --> 00:39:46,870
- I GET IT.
- THERE'S NOTHING TO GET, KID.
953
00:39:46,867 --> 00:39:49,567
TAKE YOUR MUTE PAL...
AND HIT THE ROAD.
954
00:39:49,567 --> 00:39:52,427
- WHAT ARE WE SUPPOSED TO DO
WITH ALL THESE PHONES, MAN?
955
00:39:52,433 --> 00:39:54,203
- MAKE SOME CALLS.
956
00:39:54,200 --> 00:39:56,500
- [scoffs]
GOOD JOB, LAMEBRAIN.
957
00:39:56,500 --> 00:39:58,570
I THOUGHT HE WAS GONNA
CHOP US INTO SPARE PARTS.
958
00:39:58,567 --> 00:40:00,567
- YOU HOPELESS SKEEZ,
9:00 TO 9:00 IS CODE.
959
00:40:00,567 --> 00:40:02,767
HE TOLD US TO COME BACK
AFTER HOURS.
960
00:40:02,767 --> 00:40:04,897
MADE AN IMPRESSION, BRO.
961
00:40:32,400 --> 00:40:34,970
- BETTER SURPRISE HER.
962
00:40:42,533 --> 00:40:43,903
- HI.
963
00:40:43,900 --> 00:40:45,400
- HI.
964
00:40:57,633 --> 00:40:59,633
- I AM NOT RECORDING
THAT SONG AGAIN.
965
00:40:59,633 --> 00:41:01,933
- NO PROBLEM, I'LL JUST
SEND THE ONE THAT--
966
00:41:01,933 --> 00:41:03,173
- THE ONE WHAT?
967
00:41:03,167 --> 00:41:05,067
THE ONE WHERE I SOUND LIKE
A SEAL GIVING BIRTH?
968
00:41:05,067 --> 00:41:07,067
- NO, NOT THAT ONE.
969
00:41:07,067 --> 00:41:09,067
- THEN...THE ONE THAT WE
JUST RECORDED,
970
00:41:09,067 --> 00:41:11,097
THE ONE
I JUST SAW YOU ERASE?
971
00:41:11,100 --> 00:41:14,200
- NOTHING'S EVER TRULY
ERASED ANYMORE, LOREN.
972
00:41:14,200 --> 00:41:16,200
- MEL, I WANT
THAT FOOTAGE BACK.
973
00:41:16,200 --> 00:41:17,700
- IT'S SO MUCH BETTER
THAN YOU THINK.
974
00:41:17,700 --> 00:41:19,800
I EVEN BOOSTED THE AUDIO
WITH MY EDITING SOFTWARE--
975
00:41:19,800 --> 00:41:22,130
- I DON'T CARE.
I'M NOT SENDING IT IN.
976
00:41:22,133 --> 00:41:24,073
- FINE. THEN I'LL DO IT.
977
00:41:24,067 --> 00:41:25,767
- NO--MEL--I--DON'T--
978
00:41:25,767 --> 00:41:27,067
SEND--MEL--
- TOO LATE.
979
00:41:27,067 --> 00:41:28,597
IT'S ON ITS WAY.
980
00:41:28,600 --> 00:41:30,600
- MEL, TELL ME YOU'RE JOKING,
OKAY?
981
00:41:30,600 --> 00:41:33,800
THAT THIS IS ONE OF YOUR WACKY
PRANKS TO PLAY ON LOREN?
982
00:41:33,800 --> 00:41:36,070
- NOPE. YOUR VIDEO
IS NOW OFFICIALLY ENTERED
983
00:41:36,067 --> 00:41:37,797
INTO THE EDDIE DURAN
SONG WRITING CONTEST.
984
00:41:37,800 --> 00:41:39,470
ANYWAY, YOU'RE WELCOME.
985
00:41:39,520 --> 00:41:44,070
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