All language subtitles for Hollywood Heights s01e04 Chloes Secret.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,200 --> 00:00:04,530 - YOU HAVE TO ENTER THE SONGWRITING CONTEST. 2 00:00:04,533 --> 00:00:06,303 YOU COULD WIN THIS THING. 3 00:00:06,300 --> 00:00:08,700 - MEL, LOOK, I KNOW YOUR HEART'S IN THE RIGHT PLACE, 4 00:00:08,700 --> 00:00:11,430 AND I LOVE YOU FOR IT, BUT WE'RE DIFFERENT PEOPLE. 5 00:00:11,433 --> 00:00:13,673 YOU LIKE HAVING ALL THE ATTENTION, AND I DON'T. 6 00:00:13,667 --> 00:00:16,397 I DON'T LIKE PEOPLE LOOKING AT ME AND JUDGING ME. 7 00:00:16,400 --> 00:00:18,130 - WHO'S GONNA JUDGE YOU? 8 00:00:18,133 --> 00:00:20,273 - THAT'S KINDA THE POINT OF THE CONTEST, ISN'T IT? 9 00:00:20,267 --> 00:00:23,297 - YEAH, BUT IT'S EDDIE DURAN'S SONGWRITING CONTEST. 10 00:00:23,300 --> 00:00:25,130 - THAT MAKES IT SO MUCH WORSE. 11 00:00:25,133 --> 00:00:27,833 - NO, BETTER. YOU LOVE EDDIE. 12 00:00:27,833 --> 00:00:29,673 - RIGHT, WHICH IS WHY I'M NOT EXACTLY INTERESTED 13 00:00:29,667 --> 00:00:31,297 IN HIM HEARING MY CHOKED UP SINGING. 14 00:00:31,300 --> 00:00:33,770 - WHAT? NO, LOREN-- 15 00:00:33,767 --> 00:00:36,927 EDDIE WILL LOVE YOUR SONGS. I KNOW IT. 16 00:00:36,933 --> 00:00:39,003 I KNOW WITH EVERY MOLECULE IN MY BEING. 17 00:00:39,000 --> 00:00:41,330 - LOOK, MEL, HE'S A ROCK STAR. 18 00:00:41,333 --> 00:00:43,533 AND I'M A TEENAGE GIRL. I'M SUPPOSED TO LOVE HIM. 19 00:00:43,533 --> 00:00:44,833 THAT'S HOW IT WORKS. 20 00:00:44,833 --> 00:00:46,073 BUT IT'S JUST A DREAM. 21 00:00:46,067 --> 00:00:48,067 - A SWEET, SWEET DREAM. 22 00:00:48,067 --> 00:00:50,427 - BUT WRITING SONGS IN MY ROOM FOR MYSELF, THAT- 23 00:00:50,433 --> 00:00:51,803 THAT'S REAL. 24 00:00:51,800 --> 00:00:55,430 AND I DON'T WANT MY DREAMS STOPPING MY REALITY. NO. 25 00:00:55,433 --> 00:00:58,703 - THEN LET'S MAKE YOUR DREAMS A REALITY. 26 00:01:03,133 --> 00:01:04,733 MM-HMM. 27 00:01:04,733 --> 00:01:07,733 [upbeat pop] 28 00:01:07,733 --> 00:01:12,333 * 29 00:01:12,333 --> 00:01:14,233 WHAT'S THE WORST THAT COULD HAPPEN? 30 00:01:14,233 --> 00:01:16,933 - I COULD DIE OF STAGE FRIGHT. - JEEZ. 31 00:01:16,933 --> 00:01:18,473 I DIDN'T THINK OF THAT. - YEAH. 32 00:01:18,467 --> 00:01:19,797 - MAYBE YOU'RE RIGHT NOT TO ENTER THE CONTEST. 33 00:01:19,800 --> 00:01:21,170 IT'S NOT SAFE. 34 00:01:21,167 --> 00:01:22,397 - IT'S TOTALLY NOT. IT'S DOWNRIGHT DANGEROUS. 35 00:01:22,400 --> 00:01:23,900 - I MEAN, YOU COULD WIN. 36 00:01:23,900 --> 00:01:26,230 AND THEN YOU'D HAVE TO MEET EDDIE AND HANG OUT WITH HIM. 37 00:01:26,233 --> 00:01:28,703 GOD, AND YOU'D GET SO FLUSTERED THAT YOU TRIP AND HIT YOUR HEAD. 38 00:01:28,700 --> 00:01:30,870 YOU'D END UP IN A COMA. AND REMEMBER KILL BILL? 39 00:01:30,867 --> 00:01:33,097 COMAS ARE GROSS. YOU KNOW WHAT, YOU'RE RIGHT. 40 00:01:33,100 --> 00:01:35,130 WE SHOULD JUST FORGET THE WHOLE THING. 41 00:01:35,133 --> 00:01:36,903 - YOU THINK I'M BEING RIDICULOUS. 42 00:01:36,900 --> 00:01:39,570 - I THINK THE WORST THAT COULD HAPPEN IS YOU DON'T WIN, 43 00:01:39,567 --> 00:01:41,697 AND THEN WE'RE JUST RIGHT BACK IN THE SAME SPOT WE ARE NOW. 44 00:01:41,700 --> 00:01:45,070 THERE'S NOTHING TO LOSE. 45 00:01:45,067 --> 00:01:46,397 - IS THIS HOW YOU TALK YOURSELF 46 00:01:46,400 --> 00:01:48,130 INTO ENTERING ALL THOSE FILM FESTIVALS? 47 00:01:48,133 --> 00:01:50,303 - NO, I DON'T NEED TO BE PERSUADED, I JUST DO IT. 48 00:01:50,300 --> 00:01:53,230 - EVEN WHEN YOU'RE UP AGAINST THE WORLD'S BEST FILMMAKERS? 49 00:01:53,233 --> 00:01:56,733 - YEAH, IT'S JUST FUN TO THINK ABOUT WHAT IF I DID GET IN 50 00:01:56,733 --> 00:01:59,073 AND, YOU KNOW, PEOPLE LIKED IT AND I WON AN AWARD. 51 00:01:59,067 --> 00:02:02,067 LIKE YOU SAID, WE'RE DIFFERENT. 52 00:02:02,067 --> 00:02:04,127 BUT I CAN TELL YOU IF THERE WAS A FILM FESTIVAL 53 00:02:04,133 --> 00:02:07,833 WHERE I COULD MEET EDDIE DURAN, I WOULD BE ALL UP IN THAT. 54 00:02:07,833 --> 00:02:10,733 - I MAY NEED TO BORROW SOME OF THAT CONFIDENCE YOU HAVE. 55 00:02:10,733 --> 00:02:13,233 - WHY DON'T WE JUST RECORD A SONG? 56 00:02:13,233 --> 00:02:14,803 AND WE'LL LISTEN TO IT, 57 00:02:14,800 --> 00:02:17,230 AND IF IT'S GOOD WE CAN SEND IT IN. 58 00:02:17,233 --> 00:02:19,403 THERE'S NO HARM IN THAT, RIGHT? 59 00:02:19,400 --> 00:02:20,900 - GUESS NOT. 60 00:02:20,900 --> 00:02:23,670 GIMME A COUPLE DAYS, AND I WILL COME UP WITH SOMETHING. 61 00:02:23,667 --> 00:02:25,067 - COUPLE DAYS? 62 00:02:25,067 --> 00:02:26,297 YOU KNOW I DON'T HAVE THAT KIND OF ATTENTION SPAN. 63 00:02:26,300 --> 00:02:27,800 I WON'T REMEMBER ANY OF THIS IN TWO DAYS. 64 00:02:27,800 --> 00:02:29,130 LET'S MAKE ONE RIGHT NOW. 65 00:02:29,133 --> 00:02:30,533 I KNOW YOU'VE GOT A SONG ON THE TIP OF YOUR TONGUE. 66 00:02:30,533 --> 00:02:31,903 - YEAH, IT'S NOT READY, THOUGH. 67 00:02:31,900 --> 00:02:34,070 - WHAT ABOUT THAT DEMO YOU MADE A COUPLE OF WEEKS AGO? 68 00:02:34,067 --> 00:02:35,797 WE COULD SEND THAT IN. - OH, MY GOD, NO. 69 00:02:35,800 --> 00:02:37,100 I SOUND LIKE A SEAL HAVING LABOR PAINS. 70 00:02:37,100 --> 00:02:38,330 WE'RE NOT SENDING THAT IN. 71 00:02:38,333 --> 00:02:39,803 - [scoffs] WELL, THEN LET'S MAKE A NEW ONE. 72 00:02:39,800 --> 00:02:41,630 I'VE GOT A CAMERA AND A MIC. LET'S MAKE SOME MUSIC. 73 00:02:44,067 --> 00:02:46,697 - WHOA, BABY, I NEVER SAID 74 00:02:46,700 --> 00:02:48,070 THAT I BELIEVED WHAT TYLER SAID ABOUT YOU. 75 00:02:48,067 --> 00:02:50,467 - JUST THE FACT THAT HE WOULD EVEN BRING UP MY NAME. 76 00:02:50,467 --> 00:02:51,927 - HE KNOWS WE'RE TOGETHER. 77 00:02:51,933 --> 00:02:54,403 I MEAN, WE ALL MET ON THE SENIOR DITCH DAY SET. 78 00:02:54,400 --> 00:02:56,330 I THINK HE FEELS LIKE HE KNOWS YOU. 79 00:02:56,333 --> 00:02:58,873 - BUT HE DOESN'T. HE KNOWS NOTHING ABOUT ME. 80 00:02:58,867 --> 00:03:02,067 - WELL, HE'S PRETTY CONVINCED THAT HE'S GOT YOU FIGURED OUT. 81 00:03:02,067 --> 00:03:04,497 - OH. WELL, PLEASE ENLIGHTEN ME. 82 00:03:04,500 --> 00:03:07,400 I WOULD LOVE TO KNOW THE LIES THAT HE'S SPREADING. 83 00:03:07,400 --> 00:03:09,470 - IT WAS JUST THE TYPICAL STUFF. 84 00:03:09,467 --> 00:03:11,167 YOU KNOW, LIKE YOU'RE A GOLD DIGGER, 85 00:03:11,167 --> 00:03:13,067 AND YOU CAN'T WAIT TO GET YOUR HOOKS IN ME. 86 00:03:13,067 --> 00:03:16,227 - AH, WELL, OBVIOUSLY THAT'S TRUE. 87 00:03:16,233 --> 00:03:18,073 I MEAN, WHAT ELSE DO YOU HAVE TO OFFER A GIRL 88 00:03:18,067 --> 00:03:20,267 OTHER THAN COLD, HARD CASH? 89 00:03:23,667 --> 00:03:25,497 FRANKLY, I'M DISAPPOINTED HE WOULDN'T COME UP 90 00:03:25,500 --> 00:03:27,170 WITH SOMETHING BETTER THAN THAT. 91 00:03:27,167 --> 00:03:30,667 - YEAH, I MEAN, IT WAS PRETTY HARD TO TAKE SERIOUSLY SINCE-- 92 00:03:30,667 --> 00:03:33,467 WELL, I'VE HEARD IT ABOUT EVERY GIRL I'VE DATED SINCE I WAS 16. 93 00:03:33,467 --> 00:03:36,067 BUT NONE OF THEM COMPARE TO YOU. 94 00:03:36,067 --> 00:03:38,097 - WAS HE STILL TRYING TO BLAME YOU 95 00:03:38,100 --> 00:03:40,100 FOR HIS FAILED ACTING CAREER? 96 00:03:40,100 --> 00:03:43,800 - CAN WE JUST... DROP THE SUBJECT OF TYLER? 97 00:03:43,800 --> 00:03:45,130 - YES. 98 00:03:45,133 --> 00:03:46,633 I JUST WANNA MAKE SURE THAT HE WASN'T TRYING 99 00:03:46,633 --> 00:03:49,703 TO MAKE YOU FEEL GUILTY OR SHAME YOU INTO DOING ANYTHING. 100 00:03:49,700 --> 00:03:50,830 - MM-MM. 101 00:03:50,833 --> 00:03:52,233 THE ONLY THING HE SHAMED ME INTO DOING 102 00:03:52,233 --> 00:03:53,503 WAS MEETING HIM HERE TONIGHT. 103 00:03:53,500 --> 00:03:55,900 AND THAT WILL NEVER HAPPEN AGAIN. 104 00:03:57,600 --> 00:03:59,770 THE SAD THING IS 105 00:03:59,767 --> 00:04:01,727 TYLER'S TALENTED. 106 00:04:01,733 --> 00:04:04,403 YOU KNOW, HE'S GOT THIS CRAZY, RAW, 107 00:04:04,400 --> 00:04:06,530 EDGY PRESENCE ONSCREEN. 108 00:04:06,533 --> 00:04:10,073 - SOME GIRLS LIKE THAT. I PERSONALLY FIND IT CREEPY. 109 00:04:10,067 --> 00:04:11,667 - YOU KNOW, AND HE GETS IN HIS OWN WAY. 110 00:04:11,667 --> 00:04:14,127 THAT MOVIE--IT SHOULD'VE BEEN A BIG BREAK FOR BOTH OF US. 111 00:04:14,133 --> 00:04:16,073 - IT LAUNCHED YOUR CAREER. - RIGHT. 112 00:04:16,067 --> 00:04:17,527 AND EVER SINCE THEN, 113 00:04:17,533 --> 00:04:19,433 HE'S BEEN LIKE THIS PROFESSIONAL BRIDGE BURNER. 114 00:04:19,433 --> 00:04:21,433 BUT IF YOU ASK HIM-- - OH, LET ME GUESS. 115 00:04:21,433 --> 00:04:23,073 IT'S NOT HIS FAULT. - RIGHT. 116 00:04:23,067 --> 00:04:24,597 - YEAH. - EVERYONE'S AFTER TYLER. 117 00:04:24,600 --> 00:04:25,900 ESPECIALLY ME AND JAKE 118 00:04:25,900 --> 00:04:27,800 EVER SINCE JAKE DROPPED HIM AS A CLIENT. 119 00:04:27,800 --> 00:04:30,630 - WELL, I AM STARTING TO FEEL NAUSEOUS. 120 00:04:30,633 --> 00:04:31,833 YOU'RE RIGHT. 121 00:04:31,833 --> 00:04:35,403 LET'S MAKE TONIGHT A TYLER-FREE ZONE. 122 00:04:35,400 --> 00:04:36,730 - ALL RIGHT. 123 00:04:36,733 --> 00:04:38,433 I NEVER WANNA SEE HIM AGAIN. 124 00:04:38,433 --> 00:04:42,203 - WOULDN'T THAT BE NICE? 125 00:04:47,200 --> 00:04:48,570 - WELL, EXCUSE ME, MA'AM, 126 00:04:48,567 --> 00:04:49,927 BUT I MUST BE AT THE WRONG HOUSE. 127 00:04:49,933 --> 00:04:52,203 - DON'T YOU EVEN THINK ABOUT WALKING OUT THAT DOOR. 128 00:04:52,200 --> 00:04:56,970 - I'D HAVE TO EXAMINE MY HEAD, BECAUSE YOU LOOK INCREDIBLE. 129 00:04:56,967 --> 00:04:58,867 BUT I THINK THIS IS WHAT MY CLIENTS WITH CHILDREN CALL 130 00:04:58,867 --> 00:05:00,327 "NEGATIVE CONDITIONING." 131 00:05:00,333 --> 00:05:02,273 - MM, HOW'S THAT? 132 00:05:02,267 --> 00:05:04,797 - WELL, I STAND YOU UP FOR MY WELCOME-BACK DINNER, 133 00:05:04,800 --> 00:05:06,630 AND THIS IS WHAT I GET IN RETURN-- 134 00:05:06,633 --> 00:05:09,573 A SEXY HAIRDO AND A HOT LITTLE DRESS. 135 00:05:09,567 --> 00:05:10,967 IT JUST DOESN'T SEEM RIGHT, 136 00:05:10,967 --> 00:05:12,267 UNLESS YOU'RE DOING THIS FOR SOMEBODY ELSE. 137 00:05:12,267 --> 00:05:15,527 - WELL, YOU'RE FORGIVEN FOR LAST NIGHT. 138 00:05:15,533 --> 00:05:17,073 BUT IN ORDER TO MAKE UP FOR IT, 139 00:05:17,067 --> 00:05:18,697 YOU HAVE TO DOUBLE YOUR EFFORTS. 140 00:05:18,700 --> 00:05:23,330 OKAY, I WANT TWO BACK MASSAGES, TWO TIMES THE SWEET TALK, 141 00:05:23,333 --> 00:05:24,533 AND TWO DESSERTS. 142 00:05:24,533 --> 00:05:25,933 - TWO DESSERTS? - MM-HMM. 143 00:05:25,933 --> 00:05:27,173 - OH, I CAN HANDLE THAT. 144 00:05:27,167 --> 00:05:30,267 - [laughing] - LET'S GO, I AM STARVING! 145 00:05:30,267 --> 00:05:31,627 YOU READY? - YEAH. 146 00:05:31,633 --> 00:05:34,773 [phone ringing] 147 00:05:34,767 --> 00:05:37,297 GO AHEAD. 148 00:05:37,300 --> 00:05:38,670 - THIS IS JAKE! 149 00:05:38,667 --> 00:05:40,297 HEY, TOM. 150 00:05:40,300 --> 00:05:42,830 YEAH, WE ANNOUNCED THE SONG CONTEST LAST NIGHT. 151 00:05:42,833 --> 00:05:46,203 WAIT, YOU NEED EDDIE WHEN? 152 00:05:54,367 --> 00:05:55,797 - YOU'RE HERE ALONE? 153 00:05:55,800 --> 00:05:57,270 - KELLY ASKED ME TO COVER FOR HER. 154 00:05:57,267 --> 00:05:59,097 SHE NEEDED TO PICK UP A PRESCRIPTION. 155 00:05:59,100 --> 00:06:01,130 - I HOPE IT'S NOT AN IMPOSITION FOR YOU TO STAY LATE. 156 00:06:01,133 --> 00:06:02,303 - NO, IT'S FINE. 157 00:06:02,300 --> 00:06:03,870 - I KNOW YOU HAVE A DAUGHTER AT HOME. 158 00:06:03,867 --> 00:06:05,427 - WELL, AS YOU. 159 00:06:05,433 --> 00:06:07,473 - ADRIANA'S ACTUALLY HAPPIER WHEN I'M NOT AROUND. 160 00:06:07,467 --> 00:06:09,067 - WELL, THEY'RE AT THAT AGE 161 00:06:09,067 --> 00:06:10,967 WHERE THEY NEED THEIR INDEPENDENCE. 162 00:06:10,967 --> 00:06:12,397 - YOU'RE VERY TACTFUL, NORA. 163 00:06:12,400 --> 00:06:14,900 - [laughing] I TRY. 164 00:06:20,800 --> 00:06:24,070 - WOULD YOU LIKE TO GRAB A DRINK AFTER WORK? 165 00:06:24,067 --> 00:06:25,867 - OH, UM-- - IT'S ALWAYS NICE 166 00:06:25,867 --> 00:06:27,367 TO COME DOWN FROM THE STRESS OF THE DAY 167 00:06:27,367 --> 00:06:29,497 BEFORE YOU GO HOME TO THE STRESS OF A TEENAGER. 168 00:06:29,500 --> 00:06:31,300 DON'T YOU THINK? - I KNOW WHAT YOU MEAN. 169 00:06:31,300 --> 00:06:32,630 - SO IS THAT A YES? 170 00:06:32,633 --> 00:06:35,333 - UM... 171 00:06:35,333 --> 00:06:36,933 YOU KNOW, I PROBABLY SHOULD GET HOME. 172 00:06:36,933 --> 00:06:39,373 - UNDERSTOOD. ANOTHER TIME? 173 00:06:39,367 --> 00:06:41,297 - UH, YEAH, MAYBE. 174 00:06:47,133 --> 00:06:49,573 - DID DON JUST ASK YOU OUT? 175 00:06:49,567 --> 00:06:51,767 - NO, IT WAS JUST A DRINK. 176 00:06:51,767 --> 00:06:54,667 - DID YOU...SAY...NO? 177 00:06:54,667 --> 00:06:58,167 - I DON'T KNOW. IT JUST DOESN'T... 178 00:06:58,167 --> 00:06:59,767 FEEL RIGHT. YOU KNOW, HE'S A PARTNER. 179 00:06:59,767 --> 00:07:02,727 I JUST...THINK IT'S A TRICKY PATH TO NAVIGATE. 180 00:07:11,567 --> 00:07:14,567 [phone ringing] 181 00:07:14,567 --> 00:07:16,127 - HELLO? - HEY, THERE, GORGEOUS. 182 00:07:16,133 --> 00:07:17,533 - I'M NOT READY YET. 183 00:07:17,533 --> 00:07:19,533 - COOL, 'CAUSE I'M GONNA BE A LITTLE BIT LATE. 184 00:07:19,533 --> 00:07:20,773 - WHERE ARE YOU? 185 00:07:20,767 --> 00:07:23,267 - UH, I'M JUST TAKING CARE OF SOME STUFF. 186 00:07:23,267 --> 00:07:25,527 - OH, SO SECRETIVE. 187 00:07:25,533 --> 00:07:26,873 THAT'S SO HOT. 188 00:07:26,867 --> 00:07:28,197 - IF SECRETS ARE HOT, 189 00:07:28,200 --> 00:07:30,170 YOU'RE GONNA GET BURNED HANGING WITH ME, SWEETIE. 190 00:07:30,167 --> 00:07:32,267 - CAN YOU AT LEAST TELL ME WHERE YOU'RE TAKING ME TONIGHT? 191 00:07:32,267 --> 00:07:34,767 - ONLY THE HOTTEST PLACE IN TOWN. 192 00:07:34,767 --> 00:07:36,597 WEAR SOMETHING SEXY. 193 00:07:36,600 --> 00:07:38,370 BUT NOT SEXY ENOUGH THAT I'M GONNA HAVE TO FIGHT SOME GUYS 194 00:07:38,367 --> 00:07:39,567 TO GET OUTTA THERE. 195 00:07:39,567 --> 00:07:41,667 BUT PRETTY SEXY. 196 00:07:41,667 --> 00:07:43,427 - I DON'T KNOW WHAT THAT MEANS. 197 00:07:43,433 --> 00:07:46,703 - I'LL SEE YOU SOON. - PHIL-- 198 00:08:01,567 --> 00:08:02,867 - ARE YOU KIDDING ME? 199 00:08:02,867 --> 00:08:04,797 THOSE DECKS ARE BLU-RAY. THE PHONE IS 4G. 200 00:08:04,800 --> 00:08:07,930 DO YOU EVEN KNOW WHAT THE MARKET VALUE IS? 201 00:08:07,933 --> 00:08:09,673 - I'M THE MARKET. 202 00:08:09,667 --> 00:08:13,067 AND THE VALUE IS WHAT I'M PAYING. 203 00:08:13,067 --> 00:08:15,097 LOOK, YOU WANT WHAT I'M GIVING, OR YOU GONNA WALK? 204 00:08:15,100 --> 00:08:18,130 - THIS ISN'T ENOUGH TO FILL MY TANK. 205 00:08:18,133 --> 00:08:19,933 - SEE, WHAT MY BOY PHIL HERE IS SAYING... 206 00:08:19,933 --> 00:08:21,473 IS THAT HE'S GOT A HOT PIECE OF TALENT 207 00:08:21,467 --> 00:08:23,497 WITH VERY EXPENSIVE TASTE. 208 00:08:23,500 --> 00:08:26,970 AND THIS WAD AIN'T GONNA KEEP HER IN TIGHT DESIGNER JEANS. 209 00:08:26,967 --> 00:08:30,167 - WE'RE TALKING BUSINESS HERE, RAY. 210 00:08:30,167 --> 00:08:33,797 YOU WANNA DO SOMETHING USEFUL? KEEP AN EYE OUT. 211 00:08:33,800 --> 00:08:37,100 - WHATEVER, MAN. 212 00:08:37,100 --> 00:08:38,600 - WE'LL TAKE IT, BUT THIS IS IT. 213 00:08:38,600 --> 00:08:40,770 IF THERE'S A NEXT TIME, WE NEED SOMETHING MORE SUBSTANTIAL. 214 00:08:40,767 --> 00:08:42,667 - IT'S A PLEASURE DOING BUSINESS WITH YOU. 215 00:08:47,133 --> 00:08:49,403 - DON'T MENTION ADRIANA IN FRONT OF THE CUSTOMERS. 216 00:08:49,400 --> 00:08:51,170 - [scoffs] REOW! - OH, THAT'S FUNNY, CHUCKLEHEAD! 217 00:08:51,167 --> 00:08:53,427 WHILE YOU WERE BUSY GOOFING OFF, WE JUST GOT TOTALLY SCREWED. 218 00:08:53,433 --> 00:08:55,233 - CONSIDERING THAT WE JACKED THE STUFF, BRO, 219 00:08:55,233 --> 00:08:56,303 IT'S A PRETTY GOOD PROFIT. 220 00:08:56,300 --> 00:08:59,400 IT'S LIKE, WHAT, 50%? 221 00:08:59,400 --> 00:09:00,970 - WE DIDN'T PAY A DIME FOR IT. 222 00:09:00,967 --> 00:09:04,297 SO IT'S MORE LIKE 100% PROFIT. 223 00:09:04,300 --> 00:09:05,930 I'M SICK OF THIS SMALL-TIME CRAP. 224 00:09:05,933 --> 00:09:08,103 WE NEED TO STEP IT UP IF WE'RE GONNA MAKE SOME REAL CHA-CHING. 225 00:09:08,100 --> 00:09:10,070 I WANNA BANK 6 FIGURES, AND IT'S NOT GONNA HAPPEN 226 00:09:10,067 --> 00:09:11,327 WITH THESE PENNY ANTE DEALS. 227 00:09:11,333 --> 00:09:12,833 - WHY DON'T WE GO ON THAT SHOW 228 00:09:12,833 --> 00:09:14,073 WHERE LIKE WE RACE AROUND THE WORLD? 229 00:09:14,067 --> 00:09:15,367 YOU CAN WIN LIKE A MILLION BUCKS. 230 00:09:15,367 --> 00:09:16,697 - YEAH, YOU DO THAT, RAY. 231 00:09:16,700 --> 00:09:18,700 YOU GO EAT DONKEY DUNG IN UGANDA. 232 00:09:18,700 --> 00:09:20,070 MAKE A QUICK BUCK. 233 00:09:20,067 --> 00:09:21,497 - I'M JUST THROWING OUT IDEAS HERE, MAN, ALL RIGHT? 234 00:09:21,500 --> 00:09:23,200 I'M PARTICIPATING. 235 00:09:23,200 --> 00:09:24,530 - WE NEED TO SEE COLORADO. 236 00:09:24,533 --> 00:09:26,803 - OH, MAN, I AIN'T GOING TO COLORADO, ALL RIGHT? 237 00:09:26,800 --> 00:09:29,170 I DON'T GO TO BURBANK IF I DON'T HAVE TO. 238 00:09:29,167 --> 00:09:31,697 - COLORADO'S A GUY. HE'S A FENCE. 239 00:09:31,700 --> 00:09:34,530 SELLS MERCHANDISE LIKE OURS, LARGE QUANTITIES. 240 00:09:34,533 --> 00:09:35,533 HE'S BIG TIME. 241 00:09:35,533 --> 00:09:38,073 - ARE WE, UH-- ARE WE BIG TIME? 242 00:09:38,067 --> 00:09:40,067 - WE'RE GONNA BE, RAY RAY. 243 00:09:40,067 --> 00:09:41,527 - MAYBE I CAN AFFORD TO GET MYSELF 244 00:09:41,533 --> 00:09:42,973 ONE OF THOSE DOCTOR'S GIRLS, HUH? 245 00:09:42,967 --> 00:09:45,067 ADRIANA'S GOTTA HAVE SOME SMOKING FRIENDS. 246 00:09:45,067 --> 00:09:47,527 - YEAH, THEY'RE ALWAYS ASKING ABOUT YOU. 247 00:09:47,533 --> 00:09:48,833 - REALLY? - NO. 248 00:09:48,833 --> 00:09:50,373 - GIRLS LIKE THAT ALWAYS SMELL GOOD. 249 00:09:50,367 --> 00:09:52,067 I LOVE THE WAY THEY SMELL. 250 00:09:52,067 --> 00:09:54,067 DOES ADRIANA SMELL GOOD? - SHUT UP, RAY. 251 00:09:54,067 --> 00:09:55,227 - WE'RE NOT SHOOTING 252 00:09:55,233 --> 00:09:56,773 THE AMAZING SPIDER-MAN HERE, MEL. 253 00:09:56,767 --> 00:09:58,167 - THAT'S ALL CGI ANYWAY. 254 00:09:58,167 --> 00:10:00,197 I'M GOING FOR CINEMA VERITE. 255 00:10:00,200 --> 00:10:01,530 - THAT'S GREAT. 256 00:10:01,533 --> 00:10:02,873 I'M GOING FOR CINEMA GETTING OUT OF HERE 257 00:10:02,867 --> 00:10:04,127 UNLESS YOU HURRY IT UP, OKAY? 258 00:10:04,133 --> 00:10:05,733 THIS WAITING'S MAKING ME NERVOUS. 259 00:10:05,733 --> 00:10:07,133 - SHEESH, IF YOU'RE THIS NERVOUS IN MY ROOM, 260 00:10:07,133 --> 00:10:08,573 THINK HOW YOU'LL BE IF YOU WIN. 261 00:10:08,567 --> 00:10:10,027 - THAT'S WHAT WE CALL A HIGH-CLASS PROBLEM. 262 00:10:10,033 --> 00:10:12,203 IT'D BE NICE IF IT HAPPENS, BUT IT'S NOT GOING TO. 263 00:10:12,200 --> 00:10:14,270 - DON'T BE A DEBBIE DOWNER. 264 00:10:14,267 --> 00:10:16,297 THIS IS A BIG OPPORTUNITY FOR YOU. 265 00:10:16,300 --> 00:10:17,700 AND FOR ME AS YOUR VIDEOGRAPHER. 266 00:10:17,700 --> 00:10:19,470 OKAY, READY WHEN YOU ARE. - HOLD ON! 267 00:10:19,467 --> 00:10:21,367 JUST...LET ME GO OVER IT A COUPLE TIMES AND WARM UP. 268 00:10:21,367 --> 00:10:22,767 - CHIRPING AT ME THIS WHOLE TIME 269 00:10:22,767 --> 00:10:24,127 DOESN'T COUNT AS WARMING UP YOUR VOICE? 270 00:10:24,133 --> 00:10:25,373 - JUST GIVE ME A MINUTE. 271 00:10:25,367 --> 00:10:26,927 - OKAY, FINE. BUT I'M ON THE CLOCK. 272 00:10:26,933 --> 00:10:28,333 THIS COULD GET EXPENSIVE. 273 00:10:28,333 --> 00:10:29,603 - [sigh] 274 00:10:33,600 --> 00:10:38,800 - * THEY TELL ME IT'S NICE THIS TIME OF YEAR * 275 00:10:38,800 --> 00:10:41,000 * DOWN-- NO, HOLD ON. 276 00:10:41,000 --> 00:10:42,230 - NO, NO, NO, IT SOUNDED GOOD. - IT WAS AWFUL. 277 00:10:42,233 --> 00:10:44,173 IT SOUNDED--NO, HOLD ON. [music stops] 278 00:10:44,167 --> 00:10:45,697 I NEED TO FEEL THE MUSIC, MEL. 279 00:10:45,700 --> 00:10:47,570 JUST GIVE ME A SECOND. 280 00:10:50,400 --> 00:10:52,000 [sighs] OKAY. 281 00:10:52,000 --> 00:10:57,170 [music starts] 282 00:10:57,167 --> 00:11:02,667 * THEY TELL ME IT'S NICE THIS TIME OF YEAR * 283 00:11:02,667 --> 00:11:07,927 * DOWN ON EARTH 284 00:11:07,933 --> 00:11:10,303 * BUT MY HEAD'S BEEN IN THE CLOUDS * 285 00:11:10,300 --> 00:11:13,700 * I'M ACTING WEIRD * 286 00:11:13,700 --> 00:11:17,870 * AT A LOSS FOR WORDS 287 00:11:17,867 --> 00:11:20,167 * FALLING LIKE THE STARS 288 00:11:20,167 --> 00:11:22,827 * I'M FALLING FAST ENOUGH * 289 00:11:22,833 --> 00:11:27,803 * FOR SOMETHING I CAN'T REACH * 290 00:11:27,800 --> 00:11:36,300 * 291 00:11:36,300 --> 00:11:40,600 * YOU MIGHT AS WELL BE MARS * 292 00:11:40,600 --> 00:11:42,800 - THAT WAS AMAZING. TOO BAD I DIDN'T RECORD IT. 293 00:11:42,800 --> 00:11:44,230 OH, WAIT, I DID! 294 00:11:44,233 --> 00:11:45,933 WHAT? - THAT'S AN OLD SCORSESE TRICK, 295 00:11:45,933 --> 00:11:48,303 RECORDING REHEARSAL-- YOU GET FRESH STUFF THAT WAY. 296 00:11:48,300 --> 00:11:50,630 - LET ME SEE THAT. - MM-HMM. 297 00:11:50,633 --> 00:11:52,703 [playback runs] 298 00:11:52,700 --> 00:11:54,900 - EWW, I LOOK STUPID. 299 00:11:54,900 --> 00:11:57,370 WHY AM I WRINKLING MY NOSE LIKE THAT? 300 00:11:57,367 --> 00:11:58,927 - I THOUGHT MAYBE YOU WERE CASTING A SPELL. 301 00:11:58,933 --> 00:12:02,573 - I WISH I COULD CAST A SPELL TO FORGET I EVER DID THAT. 302 00:12:02,567 --> 00:12:04,097 THERE'S NO WAY THAT THIS VIDEO 303 00:12:04,100 --> 00:12:06,070 IS EVER GETTING SEEN BY HUMANS, OKAY? 304 00:12:06,067 --> 00:12:07,867 THE THOUGHT OF EDDIE WATCHING IT MAKES ME WANT TO HURL. 305 00:12:07,867 --> 00:12:10,527 - AS YOUR BACKUP DANCER, I'M A LITTLE HURT. 306 00:12:10,533 --> 00:12:12,403 DELETE IT, BOOGIE QUEEN. 307 00:12:12,400 --> 00:12:14,070 - WELL, CAN'T WE JUST-- - NOW! 308 00:12:14,067 --> 00:12:17,767 - OKAY. FINE. 309 00:12:20,100 --> 00:12:21,930 OKAY, ALL GONE. HAPPY? 310 00:12:21,933 --> 00:12:23,873 - HAPPIER. 311 00:12:23,867 --> 00:12:25,567 - WELL, NOW LET'S RECORD ONE YOU ACTUALLY LIKE. 312 00:12:25,567 --> 00:12:27,897 - NO, I AM DONE, OKAY? NO MORE. 313 00:12:27,900 --> 00:12:29,700 ELVIS HAS LEFT THE BUILDING. GOOD NIGHT. 314 00:12:33,167 --> 00:12:34,427 [door shuts] 315 00:12:37,333 --> 00:12:39,133 [cell phone ringing] - YOUR PURSE IS RINGING. 316 00:12:39,133 --> 00:12:41,703 - MMM, FORGET IT. WHOEVER IT IS CAN WAIT 317 00:12:41,700 --> 00:12:43,430 UNTIL, LIKE, NEVER. 318 00:12:43,433 --> 00:12:44,933 - YOU SURE YOU DON'T WANT TO LOOK AT IT? 319 00:12:44,933 --> 00:12:48,073 - MMM, I JUST WANT TO CONCENTRATE ON YOU. 320 00:12:48,067 --> 00:12:49,097 [cell phone continues ringing] 321 00:12:49,100 --> 00:12:51,130 - WHAT IF IT HAS TO DO WITH WORK? 322 00:12:51,133 --> 00:12:55,173 - OKAY, I'LL CHECK. 323 00:12:55,167 --> 00:12:58,197 UM, CAN YOU GRAB ME A WATER? 324 00:12:58,200 --> 00:13:01,530 - YEAH. - THANKS. 325 00:13:12,700 --> 00:13:16,500 - I AM GOING TO CREATE AN APP FOR THOSE THINGS 326 00:13:16,500 --> 00:13:18,770 SO THERE'S NO PHONE CALLS, 327 00:13:18,767 --> 00:13:21,267 NO TEXTS, NO MESSAGES ALLOWED. 328 00:13:21,267 --> 00:13:22,497 - IT'S WEIRD. THEY HAVE THIS THING-- 329 00:13:22,500 --> 00:13:24,300 IT'S CALLED AN ON/OFF SWITCH. 330 00:13:24,300 --> 00:13:25,570 - LOOK AT YOU. 331 00:13:25,567 --> 00:13:27,267 I DON'T THINK I'VE EVER TURNED MY PHONE OFF. 332 00:13:27,267 --> 00:13:28,627 - WELL, WHEN WE'RE TOGETHER, 333 00:13:28,633 --> 00:13:30,603 I DON'T NEED ANYONE FROM THE OUTSIDE WORLD. 334 00:13:30,600 --> 00:13:32,200 - REALLY? - MM-HMM. 335 00:13:32,200 --> 00:13:34,270 - WELL, WHO FROM THE OUTSIDE WORLD WAS INTERRUPTING US? 336 00:13:34,267 --> 00:13:36,197 - HANNA. 337 00:13:36,200 --> 00:13:38,770 SHE JUST WANTED TO TELL ME HOW HAPPY THE CLIENT WAS 338 00:13:38,767 --> 00:13:40,267 WITH THE PHOTO SHOOT TODAY. 339 00:13:40,267 --> 00:13:41,397 - I COULD HAVE TOLD YOU THAT. 340 00:13:41,400 --> 00:13:43,830 - [laughs] YOU WEREN'T THERE. 341 00:13:43,833 --> 00:13:47,803 I MEAN, POSING AND POUTING, IT'S GREAT FOR RIGHT NOW. 342 00:13:47,800 --> 00:13:50,200 BUT I HAVE BIGGER AMBITIONS THAN JUST LANDING THE COVER 343 00:13:50,200 --> 00:13:52,830 OF SPORTS ILLUSTRATED'S SWIMSUIT EDITION. 344 00:13:52,833 --> 00:13:53,973 - THAT'S A HELL OF A COVER. 345 00:13:53,967 --> 00:13:55,927 - I'M SERIOUS. 346 00:13:55,933 --> 00:13:57,933 - THAT'S FUNNY BECAUSE TYLER TOLD ME 347 00:13:57,933 --> 00:13:59,273 HOW AMBITIOUS YOU ARE. 348 00:13:59,267 --> 00:14:03,527 - TYLER. MMM. NOW, THAT'S A MOOD KILL. 349 00:14:03,533 --> 00:14:07,073 YES, I DO WANT TO MOVE MY WAY INTO ACTING. 350 00:14:07,067 --> 00:14:11,497 BUT MY OTHER AMBITION IS TO MAKE YOU HAPPY. 351 00:14:11,500 --> 00:14:15,100 - AND THAT YOU DEFINITELY-- 352 00:14:15,100 --> 00:14:17,130 DEFINITELY DO. - MM. 353 00:14:17,133 --> 00:14:18,433 [cell phone ringing] - OH... 354 00:14:18,433 --> 00:14:20,133 I'M DEFINITELY CREATING THAT APP. 355 00:14:20,133 --> 00:14:24,273 - [chuckles] - [sighs] 356 00:14:24,267 --> 00:14:27,527 JAKE, WHAT'S UP? 357 00:14:27,533 --> 00:14:31,503 UH, TONIGHT. BUT I AM WITH CHLOE. 358 00:14:31,500 --> 00:14:34,970 - MM. IT'S FINE. 359 00:14:34,967 --> 00:14:36,767 - UH...OKAY. 360 00:14:36,767 --> 00:14:38,797 YEAH, NO, YOU CAN COME BY. 361 00:14:38,800 --> 00:14:42,770 I'LL LET YOU KNOW. 362 00:14:42,767 --> 00:14:44,497 ALL RIGHT. 363 00:14:44,500 --> 00:14:46,430 - NOW WHO'S THE ONE GETTING INTERRUPTED? 364 00:14:46,433 --> 00:14:47,973 - EHH, IT'S JUST THIS NEW VIDEO DIRECTOR 365 00:14:47,967 --> 00:14:49,327 THAT JAKE WANTS ME TO MEET WITH. 366 00:14:49,333 --> 00:14:51,373 HE HAS TO FLY TO TOKYO TOMORROW 367 00:14:51,367 --> 00:14:54,067 TO SHOOT A COMMERCIAL, SO HE'S GONNA COME OVER 368 00:14:54,067 --> 00:14:55,697 AND TALK ABOUT THE NEW VIDEO. 369 00:14:55,700 --> 00:14:57,770 BUT YOU DON'T HAVE TO GO. 370 00:14:57,767 --> 00:15:00,467 YOU SHOULD STAY. - THAT'S OKAY. 371 00:15:00,467 --> 00:15:03,927 I THINK WE SHOULD KEEP OUR BUSINESS INTERESTS SEPARATE. 372 00:15:03,933 --> 00:15:06,273 EXCEPT FOR IF YOU WANT TO MAKE ME THE LEAD 373 00:15:06,267 --> 00:15:09,967 IN YOUR MUSIC VIDEO. 374 00:15:09,967 --> 00:15:13,067 I'M GONNA GO. - [laughs] 375 00:15:13,067 --> 00:15:16,667 - HAVE A WONDERFUL MEETING, AND I'LL SEE YOU TOMORROW. 376 00:15:16,667 --> 00:15:19,167 - OKAY. 377 00:15:19,167 --> 00:15:21,727 - GOOD NIGHT. 378 00:15:28,700 --> 00:15:31,370 - CHLOE, IT'S ME. LISTEN, I'M IN A REAL JAM. 379 00:15:31,367 --> 00:15:33,797 I GOT POPPED FOR A DUI. 380 00:15:33,800 --> 00:15:35,370 I'M AT THE WEST HOLLYWOOD STATION, 381 00:15:35,367 --> 00:15:37,767 AND I REALLY NEED YOUR HELP, BABE. 382 00:15:37,767 --> 00:15:38,927 - YO, I AM SO SORRY, TRACI, 383 00:15:38,933 --> 00:15:40,503 BUT THIS EDITOR IS GOING BACK TO LONDON TONIGHT, 384 00:15:40,500 --> 00:15:42,770 AND HE WANTS TO PUT EDDIE ON THE COVER OF NEW MUSICAL EXPRESS, 385 00:15:42,767 --> 00:15:46,197 SO I GOTTA GO OVER THE DEAL. 386 00:15:46,200 --> 00:15:48,500 THANKS. DID I MENTION I'M SORRY? 387 00:15:48,500 --> 00:15:51,200 - IT'S NME. THAT'S HUGE. 388 00:15:51,200 --> 00:15:53,600 - YOU ARE THE BEST WIFE IN HISTORY. 389 00:15:53,600 --> 00:15:56,070 - I'LL CALL AND CANCEL THE RESERVATIONS. 390 00:15:56,067 --> 00:15:57,927 - NO, NO, NO, NO, DON'T. HE'S GOT A PLANE TO CATCH. 391 00:15:57,933 --> 00:16:00,803 ONE QUICK DRINK, I'LL MEET YOU AT THE RESTAURANT. 392 00:16:00,800 --> 00:16:02,570 - JAKE... 393 00:16:02,567 --> 00:16:05,067 - I SWEAR ON MY MOTHER'S BIBLE. - YOUR MOTHER'S AN ATHEIST. 394 00:16:05,067 --> 00:16:06,767 HOW MANY TIMES ARE YOU GONNA PULL THAT ONE? COME ON. 395 00:16:06,767 --> 00:16:08,067 - I PROMISE I'LL BE THERE, BABY. 396 00:16:08,067 --> 00:16:09,327 - IF YOU'RE NOT THERE BY 9:30, 397 00:16:09,333 --> 00:16:12,333 I'M ORDERING WITHOUT YOU AND EATING ALONE. 398 00:16:12,333 --> 00:16:14,803 DESSERT TOO. - I'LL BE THERE. 399 00:16:20,433 --> 00:16:21,773 - I COULD JUST SEND THE VIDEO I SHOT TONIGHT. 400 00:16:21,767 --> 00:16:24,697 LOREN HAS NO IDEA HOW GOOD IT IS. 401 00:16:24,700 --> 00:16:26,330 IT'S AS GOOD OR BETTER THAN ANY SONG 402 00:16:26,333 --> 00:16:27,903 EDDIE'LL GET IN THAT CONTEST. 403 00:16:27,900 --> 00:16:30,400 SO SHE'LL DEFINITELY THANK ME. 404 00:16:30,400 --> 00:16:32,670 OR SHE'LL HATE ME. 405 00:16:32,667 --> 00:16:34,797 IT'S ONE OR THE OTHER. NO MIDDLE GROUND HERE. 406 00:16:34,800 --> 00:16:36,970 [knock on door, door opens] 407 00:16:36,967 --> 00:16:38,667 FINISH YOUR HOMEWORK? - ALMOST. 408 00:16:38,667 --> 00:16:40,627 - GOOD. DID LOREN HELP YOU WITH MATH? 409 00:16:40,633 --> 00:16:42,233 - YEAH. I'M ALL SET FOR THE TEST. 410 00:16:42,233 --> 00:16:43,833 - WANT ME TO QUIZ YOU ONE LAST TIME? 411 00:16:43,833 --> 00:16:46,273 - MOM, I'M NOT 12. I'M GOING TO COLLEGE NEXT YEAR. 412 00:16:46,267 --> 00:16:48,397 I THINK I SHOULD TAKE RESPONSIBILITY FOR MY OWN WORK. 413 00:16:48,400 --> 00:16:49,830 - I WAS JUST TRYING TO HELP. 414 00:16:49,833 --> 00:16:52,473 - TRY PHIL. THAT BOY NEEDS ALL KINDS OF HELP. 415 00:16:52,467 --> 00:16:54,897 - OH, HE'S ON A DATE WITH ADRIANA. 416 00:16:54,900 --> 00:16:57,870 - OF COURSE. HE'LL NEED LOTS OF HELP AFTER THAT. 417 00:16:57,867 --> 00:17:00,897 THE ANTIBIOTIC KIND. - MELISSA, THAT'S AWFUL. 418 00:17:00,900 --> 00:17:03,300 SHE IS A BEAUTIFUL GIRL, AND HER FATHER IS ONE OF THE TOP-- 419 00:17:03,300 --> 00:17:05,170 - ORTHOPEDIC SURGEONS IN L.A. 420 00:17:05,167 --> 00:17:06,297 - YES. - BLAH, BLAH, BLAH. 421 00:17:06,300 --> 00:17:08,130 MAYBE HE CAN OPERATE ON HER PERSONALITY, 422 00:17:08,133 --> 00:17:11,133 BECAUSE SHE IS ONE OF THE MOST UNPLEASANT PEOPLE I'VE EVER MET. 423 00:17:11,133 --> 00:17:13,333 - I KNOW THAT YOU'RE LASHING OUT BECAUSE YOU'RE ANGRY, 424 00:17:13,333 --> 00:17:16,303 BUT ALL OF THE SNIDE LITTLE COMMENTS IN THE WORLD 425 00:17:16,300 --> 00:17:17,830 AREN'T GONNA COVER UP THE FACT 426 00:17:17,833 --> 00:17:20,303 THAT YOU'VE PROVEN YOU CAN'T BE TRUSTED. 427 00:17:20,300 --> 00:17:21,830 - YEAH, WELL, ALL THE ATTEMPTS AT HELPING ME 428 00:17:21,833 --> 00:17:23,873 WITH MY HOMEWORK, MOM, WON'T COVER UP THE FACT 429 00:17:23,867 --> 00:17:27,727 THE MOST OF THE TIME I FEEL LIKE YOU HATE ME. 430 00:17:30,767 --> 00:17:32,797 - I CAN'T BELIEVE YOU SCORED A RESERVATION HERE. 431 00:17:32,800 --> 00:17:34,470 HOW'D YOU DO IT? 432 00:17:34,467 --> 00:17:37,667 - IT'S ALL ABOUT THE HOOK-UPS, AND I GOT 'EM. 433 00:17:37,667 --> 00:17:39,967 - YEAH, I'LL SAY. 434 00:17:39,967 --> 00:17:42,067 I MEAN, FIRST YOU GET ME THOSE AMAZING SEATS 435 00:17:42,067 --> 00:17:43,267 AT EDDIE'S CONCERT, 436 00:17:43,267 --> 00:17:45,567 AND NOW THE HOTTEST PLACE IN L.A. 437 00:17:45,567 --> 00:17:48,097 YOU KNOW WHAT THE HOSTESS TOLD ME WHEN SHE SEATED US? 438 00:17:48,100 --> 00:17:49,670 - WHAT? - EDDIE DURAN 439 00:17:49,667 --> 00:17:51,127 AND HIS GIRLFRIEND CHLOE WERE HERE. 440 00:17:51,133 --> 00:17:53,973 THEY SAT RIGHT OVER THERE. 441 00:17:53,967 --> 00:17:55,597 - WELL, SOMEDAY SHE'S GONNA BE TELLING PEOPLE 442 00:17:55,600 --> 00:17:57,830 THAT ADRIANA AND PHIL SAT RIGHT HERE. 443 00:17:57,833 --> 00:17:59,433 - MAYBE ONE DAY. 444 00:17:59,433 --> 00:18:00,873 - WHY WAIT ONE DAY? 445 00:18:00,867 --> 00:18:04,097 NO REASON YOU CAN'T HAVE IT ALL RIGHT NOW. 446 00:18:04,100 --> 00:18:05,970 A LITTLE SOMETHING FOR YOU, SUNSHINE. 447 00:18:09,567 --> 00:18:13,767 - OH, MY GOD, PHIL... LOOK AT THESE! 448 00:18:13,767 --> 00:18:15,267 THEY'RE BEAUTIFUL. 449 00:18:15,267 --> 00:18:17,197 - THAT'S HOW I DO. 450 00:18:17,200 --> 00:18:19,070 - I HAVE TO TRY THEM ON IMMEDIATELY. 451 00:18:19,067 --> 00:18:21,567 I'LL BE RIGHT BACK. 452 00:18:27,100 --> 00:18:30,730 [cell phone chimes] 453 00:18:36,333 --> 00:18:39,533 - YOU...ARE WALKING. [chuckles] 454 00:18:39,533 --> 00:18:41,833 ALONE, IN A REMOTE, BARREN PLACE, 455 00:18:41,833 --> 00:18:44,273 BROODING ABOUT YOUR LOST LOVE, HUH? 456 00:18:44,267 --> 00:18:46,927 IT'S DARK, EDGY-- DID I SAY "BROODING" YET? 457 00:18:46,933 --> 00:18:51,133 - YEAH. UM, IS THERE FOG? IS IT FOGGY? 458 00:18:51,133 --> 00:18:53,403 - IT IS. [laughs] WE'RE ON THE SAME PAGE. 459 00:18:53,400 --> 00:18:56,770 - YEAH, RIGHT. UM, THAT'S INTERESTING, CHRIS. 460 00:18:56,767 --> 00:18:58,927 REALLY. BUT I THINK ON THIS ONE, 461 00:18:58,933 --> 00:19:02,203 I WANT SOMETHING MORE UPBEAT. 462 00:19:02,200 --> 00:19:05,300 LIKE AN UPBEAT VISUAL MOTIF. YOU KNOW? 463 00:19:05,300 --> 00:19:07,270 I LIKE THE GRAINY AND THE BLACK AND WHITE SHOTS 464 00:19:07,267 --> 00:19:09,797 FOR A SONG LIKE THIS, BUT... 465 00:19:09,800 --> 00:19:11,970 I DON'T KNOW, MAYBE LIKE AN IMAGE THAT VIBRATES 466 00:19:11,967 --> 00:19:15,927 WITH THE BASS--YOU KNOW, LIKE BOOM...BOOM...BOOM. 467 00:19:15,933 --> 00:19:17,333 - [chuckles] - YOU FEEL ME? 468 00:19:17,333 --> 00:19:19,533 - YOU KNOW, THAT'S ACTUALLY CLOSER 469 00:19:19,533 --> 00:19:20,903 TO WHAT I ORIGINALLY WANTED. 470 00:19:20,900 --> 00:19:22,200 NOW I KNOW WE'RE ON THE SAME PAGE. 471 00:19:22,200 --> 00:19:23,130 [chuckles] - RIGHT. 472 00:19:25,833 --> 00:19:27,773 - THANKS FOR BAILING ME OUT, CHLO. 473 00:19:27,767 --> 00:19:29,527 THE THOUGHT OF SPENDING THE NIGHT 474 00:19:29,533 --> 00:19:31,273 IN THAT DRUNK TANK WITH THOSE FREAKS 475 00:19:31,267 --> 00:19:33,967 WAS TOO HORRIFYING FOR WORDS. 476 00:19:33,967 --> 00:19:36,897 - WELL, IT'S A GOOD THING WE GOT OUT OF THERE QUICKLY. 477 00:19:36,900 --> 00:19:39,570 I MEAN, TMZ AND THE ENQUIRER HAVE SPIES POSTED 478 00:19:39,567 --> 00:19:40,697 ALL OVER THAT PLACE. 479 00:19:40,700 --> 00:19:43,100 AND NOTHING SELLS FASTER THAN A HIDEOUS PHOTO 480 00:19:43,100 --> 00:19:44,730 OF A CELEBRITY LEAVING JAIL. 481 00:19:44,733 --> 00:19:47,073 - YOU THINK THE PAPARAZZI WOULD RECOGNIZE ME? 482 00:19:47,067 --> 00:19:48,497 - I WAS TALKING ABOUT ME. 483 00:19:48,500 --> 00:19:49,970 - RIGHT, BUT STILL, I MEAN, SOMEBODY WOULD WANT 484 00:19:49,967 --> 00:19:51,127 A PICTURE OF ME. 485 00:19:51,133 --> 00:19:53,403 - WE CAN NEVER BE SEEN TOGETHER. 486 00:19:53,400 --> 00:19:56,470 - WELL, THAT'S GONNA PUT A DAMPER ON OUR RELATIONSHIP. 487 00:19:56,467 --> 00:19:57,467 - AND JUST WHAT WERE YOU TRYING TO PROVE 488 00:19:57,467 --> 00:19:58,967 WITH THAT STUNT YOU PULLED TONIGHT? 489 00:19:58,967 --> 00:20:01,397 - [sighs] I THOUGHT IT WAS TIME TO, UH, 490 00:20:01,400 --> 00:20:03,770 REALLY SCOPE OUT MY COMPETITION. 491 00:20:03,767 --> 00:20:07,227 - HUH. YOU ARE WAY OUT OF HIS LEAGUE. 492 00:20:07,233 --> 00:20:09,703 - OKAY, EDDIE MIGHT BE ON TOP OF THE MUSIC BUSINESS RIGHT NOW, 493 00:20:09,700 --> 00:20:11,300 BUT THAT BUBBLE'S GONNA BURST. 494 00:20:11,300 --> 00:20:13,300 - THAT'S NOT GONNA HAPPEN. 495 00:20:13,300 --> 00:20:15,130 - AND I'M SURE VANILLA ICE SAID THE SAME THING. 496 00:20:15,133 --> 00:20:16,873 - EDDIE'S SURROUNDED BY AMAZING PEOPLE. 497 00:20:16,867 --> 00:20:18,997 HE HAS HIS DAD, JAKE, ME. 498 00:20:19,000 --> 00:20:20,670 - OKAY. JAKE USED TO BE MY AGENT 499 00:20:20,667 --> 00:20:22,567 BEFORE HE BECAME BEFORE HE BECAME EDDIE'S MANAGER. 500 00:20:22,567 --> 00:20:24,727 - MM. ANOTHER SMART CAREER MOVE. 501 00:20:24,733 --> 00:20:26,933 - EDDIE'S JUST SO DAMN FULL OF HIMSELF. 502 00:20:26,933 --> 00:20:28,803 - HE HAS EVERY REASON TO BE. 503 00:20:28,800 --> 00:20:30,900 - YEAH, BUT HE DOESN'T HAVE TO SHOVE IT IN MY FACE. 504 00:20:30,900 --> 00:20:32,970 - OH, THAT'S HARDLY EDDIE'S STYLE. 505 00:20:32,967 --> 00:20:36,267 - HE HAS YOU FOOLED, BUT PEOPLE LIKE HIM 506 00:20:36,267 --> 00:20:37,767 DUMP ALL OVER GUYS LIKE US. 507 00:20:37,767 --> 00:20:40,967 - [chuckles] DON'T INCLUDE ME IN YOUR PARANOID DELUSIONS. 508 00:20:40,967 --> 00:20:42,727 - OKAY, YOU MIGHT HAVE HIM SUCKERED INTO THINKING 509 00:20:42,733 --> 00:20:44,233 YOU'RE THIS SOPHISTICATE 510 00:20:44,233 --> 00:20:46,033 FROM THE UPPER WEST SIDE OF MANHATTAN, 511 00:20:46,033 --> 00:20:47,633 BUT HE HAS NO CLUE WHO YOU ARE. 512 00:20:47,633 --> 00:20:50,933 - MM. HE KNOWS EXACTLY WHO I AM. 513 00:20:50,933 --> 00:20:52,133 I'M GONNA BE HIS WIFE. 514 00:20:52,133 --> 00:20:54,803 YOU SEE, EDDIE ASKED ME TO MARRY HIM. 515 00:20:54,800 --> 00:20:56,770 AND GUESS WHAT I SAID. 516 00:21:02,800 --> 00:21:05,270 - SO...HOW DO THEY LOOK? 517 00:21:05,267 --> 00:21:08,067 - YOU GOT A TEXT. 518 00:21:08,067 --> 00:21:11,467 - OH. 519 00:21:11,467 --> 00:21:13,867 - SINCE WHEN ARE YOU AND PATRICK SEXTING BUDDIES? 520 00:21:13,867 --> 00:21:16,067 - IT'S A JOKE, OKAY? HE TEXTED ME. 521 00:21:16,067 --> 00:21:18,067 I JUST WROTE BACK TO PLAY ALONG. 522 00:21:18,067 --> 00:21:20,067 - OH, SO YOU'RE PLAYING WITH YOUR EX-BOYFRIEND AGAIN, HUH? 523 00:21:20,067 --> 00:21:23,127 - NO, NO. I'M WITH YOU, PHIL. 524 00:21:23,133 --> 00:21:26,703 - [sighs] PATRICK IS A TOTAL JACK-HOLE. 525 00:21:26,700 --> 00:21:28,070 YOU KNOW THAT, RIGHT? 526 00:21:28,067 --> 00:21:30,867 - LOOK AT YOU, ALL JEALOUS. 527 00:21:30,867 --> 00:21:32,127 - WELL, I KIND OF HAVE A RIGHT TO BE, DON'T YOU THINK? 528 00:21:32,133 --> 00:21:34,473 I MEAN, CONSIDERING HOW I BUST MY HUMP FOR YOU. 529 00:21:34,467 --> 00:21:36,397 DO YOU KNOW HOW MUCH THESE LITTLE EARRINGS COST? 530 00:21:36,400 --> 00:21:40,430 I DON'T LIKE SHARING MY GIRLFRIEND WITH ANYONE, 531 00:21:40,433 --> 00:21:41,733 JOKE OR NOT. 532 00:21:41,733 --> 00:21:44,373 - PATRICK AND I HAVE BEEN OVER FOR A LONG TIME NOW. 533 00:21:44,367 --> 00:21:47,797 YOU HAVE NOTHING TO WORRY ABOUT. 534 00:21:47,800 --> 00:21:49,600 BUT IT'S KINDA HOT THAT YOU ARE. 535 00:21:49,600 --> 00:21:53,100 - I JUST DON'T WANT YOU DOING ANYTHING BEHIND MY BACK. 536 00:21:53,100 --> 00:21:56,230 - OKAY. AND SINCE WE'RE TALKING ABOUT SECRETS, 537 00:21:56,233 --> 00:21:59,103 HOW DID YOU AFFORD ALL THIS STUFF, PHIL? 538 00:21:59,100 --> 00:22:02,970 AND THOSE CONCERT TICKETS, NOT TO MENTION THIS DINNER. 539 00:22:02,967 --> 00:22:04,597 SO WHERE'S THE CASH COMING FROM? 540 00:22:04,600 --> 00:22:06,800 - I'VE GOT A JOB. 541 00:22:06,800 --> 00:22:08,100 - WHAT KIND OF JOB? 542 00:22:08,100 --> 00:22:10,670 - I'M CEO OF A MULTI-NATIONAL CONGLOMERATE. 543 00:22:10,667 --> 00:22:12,497 WHAT DO YOU MEAN WHAT KIND OF JOB? 544 00:22:12,500 --> 00:22:14,730 - I'M JUST TAKING AN INTEREST. 545 00:22:14,733 --> 00:22:17,173 I THOUGHT WE WERE HAVING A NICE CONVERSATION. 546 00:22:17,167 --> 00:22:19,527 - THERE'S SOME THINGS THAT I DON'T LIKE TO TALK ABOUT. 547 00:22:19,533 --> 00:22:23,173 - OKAY, WELL, I DIDN'T KNOW THAT IT WAS SUCH A BIG MYSTERY. 548 00:22:23,167 --> 00:22:25,467 - ISN'T IT ENOUGH TO KNOW THAT I CAN AFFORD IT? 549 00:22:25,467 --> 00:22:29,497 - FOR SOME GIRLS, MAYBE. 550 00:22:29,500 --> 00:22:33,870 BUT I KNOW HOW I CAN GET IT OUT OF YOU. 551 00:22:36,200 --> 00:22:38,530 - HE PROPOSED TO YOU TONIGHT? - IN THE MIDDLE OF DESSERT. 552 00:22:38,533 --> 00:22:41,073 - RIGHT. SINCE WHEN DO MODELS EAT DESSERT? 553 00:22:41,067 --> 00:22:42,667 - WE'RE DONE HERE. 554 00:22:42,667 --> 00:22:44,867 - SO WHERE'S THE RING? 555 00:22:44,867 --> 00:22:46,867 - IT'S COMING. 556 00:22:46,867 --> 00:22:48,367 UH, IT WAS HIS MOM'S RING, 557 00:22:48,367 --> 00:22:49,797 SO HE HAD TO GET IT RE-SIZED. 558 00:22:49,800 --> 00:22:52,870 - AN OLD RING? CHEAP, CHEAP, CHEAP. 559 00:22:52,867 --> 00:22:56,097 YOU DIDN'T SAY YES TO TIGHTWAD EDDIE, DID YOU? 560 00:22:56,100 --> 00:22:57,430 YOU DON'T WANT TO SELL YOURSELF SHORT. 561 00:22:57,433 --> 00:23:00,333 I MEAN, YOU GOT TALENT. YOU COULD SCORE A HUGE ROCK. 562 00:23:00,333 --> 00:23:03,203 A LEXUS... OR A HOUSE IN MALIBU. 563 00:23:03,200 --> 00:23:05,370 - YOU KNOW, THIS MAY BE HARD FOR YOUR EGO TO GRASP, 564 00:23:05,367 --> 00:23:07,127 BUT I ACTUALLY LOVE EDDIE. 565 00:23:07,133 --> 00:23:09,903 - OH, OKAY, THAT PERFORMANCE MIGHT WORK 566 00:23:09,900 --> 00:23:11,430 IN YOUR INTRO TO IMPROV CLASS, 567 00:23:11,433 --> 00:23:13,733 BUT THAT'S NOT GONNA GET YOU AN ACADEMY AWARD, SWEETHEART. 568 00:23:13,733 --> 00:23:16,533 AND THAT'S NOT GONNA GET EDDIE TO PUT A RING ON IT. 569 00:23:16,533 --> 00:23:17,833 - IT'S REAL, TY. 570 00:23:17,833 --> 00:23:19,873 - [pops top on can] NO. NO, IT'S NOT. 571 00:23:19,867 --> 00:23:21,327 JUST DROP IT, OKAY? 572 00:23:21,333 --> 00:23:22,873 YOU'RE NOT THAT GOOD OF AN ACTRESS. 573 00:23:22,867 --> 00:23:25,067 ALL THAT PRETENDING TO BE IN LOVE WITH THE GUY 574 00:23:25,067 --> 00:23:27,067 AND HAVING TO BE SO FAKE EVERYWHERE-- 575 00:23:27,067 --> 00:23:28,597 THAT'S GONNA TAKE TOO MUCH OUT OF YOU. 576 00:23:28,600 --> 00:23:32,070 - I CAN DO THIS. I WILL DO THIS. 577 00:23:32,067 --> 00:23:33,727 DON'T DOUBT ME. 578 00:23:33,733 --> 00:23:35,633 - OH, NO, EVEN IN THE BEDROOM? 579 00:23:35,633 --> 00:23:37,233 ARE YOU FAKING IT IN THERE TOO? 580 00:23:37,233 --> 00:23:39,073 LOOK, EDDIE'S SO DENSE, HE MIGHT NOT BE ABLE 581 00:23:39,067 --> 00:23:40,697 TO FIGURE IT OUT, BUT ARE YOU SURE 582 00:23:40,700 --> 00:23:42,070 YOU'RE PUTTING ON ENOUGH OF A SHOW 583 00:23:42,067 --> 00:23:43,927 TO GET THAT RING? 584 00:23:43,933 --> 00:23:46,433 - EDDIE'S GONNA PROPOSE TO ME. I KNOW IT. 585 00:23:46,433 --> 00:23:52,073 - WHO ARE YOU TRYING TO CONVINCE...ME OR YOU? 586 00:23:52,067 --> 00:23:54,227 - YO, JUST HAD A GREAT MEETING WITH THE EDITOR 587 00:23:54,233 --> 00:23:55,773 OF NEW MUSICAL EXPRESS. 588 00:23:55,767 --> 00:23:57,627 HE WANTS TO PUT YOUR FACE ON THE NEXT COVER 589 00:23:57,633 --> 00:23:59,903 AND A FOUR-PAGE COLOR SPREAD INSIDE. 590 00:23:59,900 --> 00:24:01,970 - WOW. COOL. THANKS, DUDE. 591 00:24:01,967 --> 00:24:03,367 - SO HOW'D IT GO WITH CHRIS? 592 00:24:03,367 --> 00:24:05,367 - IT WENT OKAY. [laughs] 593 00:24:05,367 --> 00:24:07,427 I MEAN, HE'S DEFINITELY GOT SOME INTERESTING IDEAS, 594 00:24:07,433 --> 00:24:08,673 BUT I FEEL LIKE WE SHOULD PROBABLY MEET 595 00:24:08,667 --> 00:24:09,867 WITH SOME OTHER DIRECTORS TOO. 596 00:24:09,867 --> 00:24:12,067 - OKAY, I'LL SET IT UP. - ALL RIGHT. 597 00:24:12,067 --> 00:24:14,097 SO WHAT'S UP TONIGHT? YOU HAVING DINNER WITH TRACI? 598 00:24:14,100 --> 00:24:15,530 - YEAH, I'M MEETING WITH HER A LITTLE LATER. 599 00:24:15,533 --> 00:24:17,073 - AH. WILL YOU GET OUT OF HERE AND STOP MAKING 600 00:24:17,067 --> 00:24:18,967 THAT GORGEOUS WOMAN WAIT ANY LONGER! 601 00:24:18,967 --> 00:24:21,967 - OKAY, I GUESS I'LL LEAVE YOU TO YOUR WRITING. 602 00:24:21,967 --> 00:24:25,597 - SUBTLE. - I MEAN, HOW'S IT GOING? 603 00:24:25,600 --> 00:24:27,570 - IT'S GOING, ALL RIGHT? 604 00:24:27,567 --> 00:24:29,767 IT'S TOUGH TO GET STARTED. 605 00:24:29,767 --> 00:24:34,497 SOMETIMES IT'S A MELODY, SOMETIMES IT'S A LYRIC. 606 00:24:34,500 --> 00:24:37,130 BUT YOU GOTTA KEEP AN OPEN MIND AND AN OPEN HEART, 607 00:24:37,133 --> 00:24:41,073 'CAUSE YOU NEVER KNOW WHERE THAT MOTIVATION'S GONNA COME FROM. 608 00:24:42,967 --> 00:24:45,627 [mellow melody] 609 00:24:45,633 --> 00:24:48,703 * 610 00:24:48,700 --> 00:24:51,300 - [singing indistinctly] 611 00:24:51,300 --> 00:24:52,830 [knock on door] 612 00:24:52,833 --> 00:24:55,333 - AM I DISTURBING ANYTHING? 613 00:24:55,333 --> 00:24:56,733 - WHAT WOULD YOU BE DISTURBING? 614 00:24:56,733 --> 00:24:58,103 - I DON'T KNOW. ONE OF THESE DAYS 615 00:24:58,100 --> 00:25:00,330 I'M GONNA COME IN HERE AND BE DISTURBING SOMETHING. 616 00:25:00,333 --> 00:25:01,833 YOU'LL BE MAKING OUT WITH SOME CUTE BOY, 617 00:25:01,833 --> 00:25:03,703 AND I'LL HAVE TO CHASE HIM OUT OF THE HOUSE. 618 00:25:03,700 --> 00:25:05,170 - YOU SOUND EXCITED ABOUT THAT. 619 00:25:05,167 --> 00:25:07,197 - IT'LL BE FUN. REAL MOM STUFF. 620 00:25:07,200 --> 00:25:09,500 - HOW WAS WORK, MOM? - IT WAS GOOD. 621 00:25:09,500 --> 00:25:11,530 IT WAS GOOD. YEAH, I'M GETTING THE HANG 622 00:25:11,533 --> 00:25:13,103 OF BEING IN THE OFFICE AGAIN. 623 00:25:13,100 --> 00:25:14,400 YOU KNOW, EVERYONE SEEMS REALLY NICE. 624 00:25:14,400 --> 00:25:16,900 NO POLITICS OR DRAMA. - OH, GOOD. I'M GLAD. 625 00:25:16,900 --> 00:25:20,400 - YEAH. SO... ANY NEWS? 626 00:25:20,400 --> 00:25:22,870 - ALL QUIET ON THE COLLEGE FRONT. 627 00:25:22,867 --> 00:25:24,367 - OH! AH, THESE SCHOOLS. 628 00:25:24,367 --> 00:25:25,927 THEY REALLY KNOW HOW TO TORTURE KIDS, DON'T THEY? 629 00:25:25,933 --> 00:25:28,533 - AND APPARENTLY MOMS TOO. - OH, I KNOW. 630 00:25:28,533 --> 00:25:30,073 - EVERYBODY AT SCHOOL IS A WRECK, 631 00:25:30,067 --> 00:25:33,067 BUT I'M JUST TRYING TO FOCUS ON MUSIC AND WORK 632 00:25:33,067 --> 00:25:38,067 AND WORK AND MUSIC AND-- DID I MENTION WORK AND MUSIC? 633 00:25:38,067 --> 00:25:39,327 - WELL, YOU'VE DONE EVERYTHING, YOU KNOW? 634 00:25:39,333 --> 00:25:41,073 THE ESSAYS, APPLICATIONS. 635 00:25:41,067 --> 00:25:44,227 NOW IT'S JUST OUT OF OUR HANDS. 636 00:25:44,233 --> 00:25:45,833 BEING THE CONTROL FREAK THAT I AM, 637 00:25:45,833 --> 00:25:47,173 I HATE THAT IT'S OUT OF OUR HANDS. 638 00:25:47,167 --> 00:25:48,597 I JUST WISH I COULD MAKE THAT ACCEPTANCE 639 00:25:48,600 --> 00:25:49,970 FROM BROWN COME TOMORROW. 640 00:25:49,967 --> 00:25:51,597 - WELL, EVEN IF IT DOESN'T, I'LL HAVE OPTIONS. 641 00:25:51,600 --> 00:25:54,070 I MEAN, EVERYBODY ENDS UP SOMEWHERE, RIGHT? 642 00:25:54,067 --> 00:25:56,397 - OH, HONEY, OF COURSE YOU HAVE PLENTY OF OPTIONS. 643 00:25:56,400 --> 00:25:58,230 WHAT COLLEGE WOULDN'T WANT YOU? 644 00:25:58,233 --> 00:26:00,303 - OKAY, I DON'T WANT TO TALK ABOUT IT ANYMORE. 645 00:26:00,300 --> 00:26:01,300 - OKAY, RIGHT, RIGHT, RIGHT. SORRY, I FORGOT. 646 00:26:01,300 --> 00:26:03,530 WORK, MUSIC. WORK, MUSIC. 647 00:26:03,533 --> 00:26:06,103 OH, DOES THIS MEAN THAT YOU'LL BE SENDING A SONG IN 648 00:26:06,100 --> 00:26:07,630 TO THE EDDIE DURAN CONTEST? 649 00:26:07,633 --> 00:26:08,703 - HOW DID YOU KNOW ABOUT THAT? 650 00:26:08,700 --> 00:26:10,400 - MELISSA TOLD ME. I'M ON HER BLOG. 651 00:26:10,400 --> 00:26:13,370 YOU KNOW WHAT, ARE YOU GONNA SEND THAT SONG 652 00:26:13,367 --> 00:26:15,067 THAT I HEARD YOU WORKING ON 653 00:26:15,067 --> 00:26:16,397 WHEN YOU WERE SUPPOSEDLY SLEEPING? 654 00:26:16,400 --> 00:26:17,930 - [sighs] I DON'T KNOW, MOM. 655 00:26:17,933 --> 00:26:20,903 YOU HAVE TO SEND IN A VIDEO OF YOU PERFORMING THE SONG. 656 00:26:20,900 --> 00:26:22,070 - WELL, THAT'D BE FUN. 657 00:26:22,067 --> 00:26:24,367 - YEAH, IF BY FUN YOU MEAN TORTUROUS. 658 00:26:24,367 --> 00:26:26,267 I CAN'T SING, MOM. 659 00:26:26,267 --> 00:26:28,797 - YOU'RE CRAZY. YOU HAVE A GREAT VOICE. 660 00:26:28,800 --> 00:26:30,700 - THANK YOU, BUT I DON'T THINK IT'S SAFE 661 00:26:30,700 --> 00:26:32,100 TO TAKE YOUR MOM'S OPINION ON THAT. 662 00:26:32,100 --> 00:26:35,870 UNLESS YOUR MOM'S SIMON COWELL. 663 00:26:35,867 --> 00:26:38,767 - WELL, THEY'RE LOOKING FOR A SONG, NOT A SINGER. 664 00:26:38,767 --> 00:26:40,727 - OKAY, BUT HOW ARE THEY SUPPOSED TO JUDGE THE SONG 665 00:26:40,733 --> 00:26:42,833 IF THEY HAVE TO LISTEN TO ME SCREECHING MY WAY THROUGH IT? 666 00:26:42,833 --> 00:26:44,673 - YOU ARE SO HARD ON YOURSELF. 667 00:26:44,667 --> 00:26:46,867 JUST TAKE A CHANCE ON THIS. 668 00:26:46,867 --> 00:26:49,167 WHAT DO YOU HAVE TO LOSE? 669 00:26:54,933 --> 00:26:56,533 - MEL? - I KNOW, I'M NOT ALLOWED 670 00:26:56,533 --> 00:26:57,873 OUT OF MY ROOM PAST 9:00. 671 00:26:57,867 --> 00:27:00,297 - CAN WE TALK FOR A MINUTE? - WHAT DID I DO NOW? 672 00:27:00,300 --> 00:27:02,070 - NOTHING. 673 00:27:02,067 --> 00:27:04,897 MELISSA, I THINK WHAT WE HAVE IS 674 00:27:04,900 --> 00:27:06,330 A FAILURE TO COMMUNICATE. 675 00:27:06,333 --> 00:27:07,933 - WOW, MOM, DID YOU JUST REFERENCE 676 00:27:07,933 --> 00:27:09,403 AN OLD PAUL NEWMAN MOVIE? 677 00:27:09,400 --> 00:27:11,930 - YOU'RE NOT THE ONLY FILM AFICIONADO IN THE FAMILY. 678 00:27:11,933 --> 00:27:13,503 - YEAH, YOU'RE A REGULAR TARANTINO. 679 00:27:13,500 --> 00:27:16,230 - I KNOW YOU HAVE THIS IDEA IN YOUR HEAD THAT I HATE YOU. 680 00:27:16,233 --> 00:27:18,603 - IT BEING IN MY HEAD WOULD MEAN IT WAS A FANTASY. 681 00:27:18,600 --> 00:27:20,530 I HAVE A VERY RICH FANTASY LIFE, 682 00:27:20,533 --> 00:27:22,973 BUT UNFORTUNATELY, I THINK THIS IS REALITY. 683 00:27:22,967 --> 00:27:25,797 - I DON'T HATE YOU. I LOVE YOU. 684 00:27:25,800 --> 00:27:27,370 I CAN'T EVEN TELL YOU HOW MUCH. 685 00:27:27,367 --> 00:27:28,727 - THEN WHY DO YOU TREAT ME LIKE A PRISONER? 686 00:27:28,733 --> 00:27:30,533 - I JUST DON'T WANT YOU TO TURN OUT-- 687 00:27:30,533 --> 00:27:32,373 - LIKE YOU? 688 00:27:32,367 --> 00:27:35,497 MOM, I CAN'T IMAGINE YOU DOING ANYTHING WRONG EVER. 689 00:27:35,500 --> 00:27:37,300 - WELL, I NEVER LIED ABOUT WHERE I WENT OR WHAT I DID. 690 00:27:37,300 --> 00:27:38,500 THAT'S TRUE. - I WOULDN'T LIE TO YOU 691 00:27:38,500 --> 00:27:40,200 IF YOU DIDN'T MICROMANAGE ME TO DEATH. 692 00:27:40,200 --> 00:27:42,430 YOU DON'T TRUST ME, AND YOU NEVER HAVE. 693 00:27:42,433 --> 00:27:45,433 IT'S BEEN THIS WAY MY WHOLE LIFE. 694 00:27:45,433 --> 00:27:47,703 - I DON'T NEED TO CONVINCE YOU OR ANYONE ELSE 695 00:27:47,700 --> 00:27:51,100 ABOUT THE STRENGTH OF MY RELATIONSHIP WITH EDDIE, OKAY? 696 00:27:51,100 --> 00:27:52,500 I KNOW WHAT WE HAVE. 697 00:27:52,500 --> 00:27:54,670 - THE GUY'S CRAZY ABOUT YOU. I DON'T DOUBT THAT. 698 00:27:54,667 --> 00:27:57,127 BUT MARRIAGE? THAT DOESN'T MAKE SENSE. 699 00:27:57,133 --> 00:27:58,373 HE'S NOT SETTLING DOWN. 700 00:27:58,367 --> 00:28:00,067 - NOT ALL MEN ARE LIKE YOU. 701 00:28:00,067 --> 00:28:02,297 - NO, THEY ARE LIKE ME. AND THEY ALL THINK LIKE ME. 702 00:28:02,300 --> 00:28:05,070 THEY JUST DON'T SAY THIS STUFF OUT LOUD. 703 00:28:05,067 --> 00:28:06,967 HE'S 21, CHLOE. 704 00:28:06,967 --> 00:28:08,767 HE COULD HAVE ANY WOMAN HE WANTS. 705 00:28:08,767 --> 00:28:10,327 HE COULD FLY TO ENGLAND TOMORROW, 706 00:28:10,333 --> 00:28:11,703 HE COULD CALL UP THAT PRINCESS KATE, 707 00:28:11,700 --> 00:28:13,830 AND SHE WOULD BE AT HIS HOTEL ROOM, GUARANTEED. 708 00:28:13,833 --> 00:28:16,173 YOU THINK HE'S GONNA GIVE ALL THAT UP 709 00:28:16,167 --> 00:28:17,497 TO PLAY HOUSE WITH YOU? 710 00:28:17,500 --> 00:28:19,700 - WHAT'S WRONG WITH ME? 711 00:28:19,700 --> 00:28:21,470 - NOTHING. THERE'S NOTHING WRONG WITH YOU. 712 00:28:21,467 --> 00:28:24,067 YOU'RE BEAUTIFUL AND YOU'RE AMAZING, 713 00:28:24,067 --> 00:28:28,267 BUT HE CAN HAVE 20 FLAVORS OF BEAUTIFUL/AMAZING EVERY WEEK. 714 00:28:28,267 --> 00:28:30,427 HE'S IN A DIFFERENT UNIVERSE. 715 00:28:30,433 --> 00:28:32,933 - HE--HE LOVES ME. I KNOW IT. 716 00:28:32,933 --> 00:28:34,273 - YEAH, BECAUSE YOU'LL ALWAYS BE THERE RIGHT? 717 00:28:34,267 --> 00:28:36,667 YOU'RE LOCKED DOWN. 718 00:28:36,667 --> 00:28:38,367 HE COULD GO ON TOUR AND PLOW THROUGH 719 00:28:38,367 --> 00:28:42,167 THE WHOLE FEMALE POPULATION OF THE WESTERN HEMISPHERE, 720 00:28:42,167 --> 00:28:43,827 AND HE KNOWS THAT YOU WON'T LEAVE HIM 721 00:28:43,833 --> 00:28:46,073 BECAUSE YOU WANT TO BE MRS. EDDIE DURAN. 722 00:28:46,067 --> 00:28:47,497 - IF YOU'RE TRYING TO MAKE ME MAD, THEN-- 723 00:28:47,500 --> 00:28:51,330 - NO, I'M TRYING TO GIVE YOU A REALITY CHECK, CHLO. 724 00:28:51,333 --> 00:28:52,573 MAYBE YOU DON'T WANT TO HEAR THIS, 725 00:28:52,567 --> 00:28:54,727 BUT DEEP DOWN YOU KNOW I'M RIGHT. 726 00:28:54,733 --> 00:28:57,133 - THIS ISN'T GONNA WORK. JUST GET OUT NOW 727 00:28:57,133 --> 00:28:59,073 WITH YOUR DIGNITY AND SOME NICE JEWELRY. 728 00:28:59,067 --> 00:29:01,327 - NO, I CAN DO THIS. 729 00:29:01,333 --> 00:29:02,873 AND I KNOW WHAT YOU'RE TRYING TO DO. 730 00:29:02,867 --> 00:29:04,627 YOU'RE--YOU'RE JUST TRYING TO GET ME TO COME BACK TO YOU 731 00:29:04,633 --> 00:29:07,233 SO YOU CAN CHALK ONE UP AS A VICTORY OVER EDDIE. 732 00:29:07,233 --> 00:29:09,203 - NO, I WANT YOU TO COME BACK TO ME 733 00:29:09,200 --> 00:29:10,670 BECAUSE WE BELONG TOGETHER. 734 00:29:10,667 --> 00:29:14,127 - I'M NOT LEAVING HIM, TY. 735 00:29:14,133 --> 00:29:17,273 - OKAY. I'LL TELL YOU WHAT, I'LL MAKE YOU A DEAL. 736 00:29:17,267 --> 00:29:21,197 THE DAY EDDIE PROPOSES, I WALK AWAY. 737 00:29:21,200 --> 00:29:23,830 BUT IN THE MEANTIME, LET ME JUST GIVE YOU WHAT YOU'RE MISSING 738 00:29:23,833 --> 00:29:25,173 IN YOUR LIFE. 739 00:29:25,167 --> 00:29:26,497 NO STRINGS, OKAY? 740 00:29:26,500 --> 00:29:31,670 JUST A PRIVATE ARRANGEMENT WITH BENEFITS. 741 00:29:31,667 --> 00:29:34,467 YOU KNOW THIS IS WHAT YOU WANT. 742 00:29:39,800 --> 00:29:43,930 - I LIKE IT, MAN. IT'S SOULFUL. 743 00:29:43,933 --> 00:29:46,633 - THANKS. IT'S FAR FROM A SONG, 744 00:29:46,633 --> 00:29:48,133 BUT IT COULD BE A NICE HOOK. 745 00:29:48,133 --> 00:29:51,073 - OKAY. I WILL LEAVE ALL THE CREATIVE DECISIONS TO YOU. 746 00:29:51,067 --> 00:29:53,797 - ALL RIGHT. AND I WILL LEAVE ALL THE, UH, 747 00:29:53,800 --> 00:29:55,770 BUSINESS DECISIONS TO YOU. 748 00:29:55,767 --> 00:29:57,527 AND THE LITTLE LEPRECHAUN UP IN YOUR EAR, 749 00:29:57,533 --> 00:29:59,173 BECAUSE I KNOW WE'VE BEEN GETTING SO LUCKY LATELY, 750 00:29:59,167 --> 00:30:00,727 I KNOW IT'S NOT JUST YOU. 751 00:30:00,733 --> 00:30:02,133 - TOO TRUE, MY FRIEND. 752 00:30:02,133 --> 00:30:05,233 - [sighs] GOD, YOU KNOW, I MISS THIS. 753 00:30:05,233 --> 00:30:06,873 JUST CHILLING. 754 00:30:06,867 --> 00:30:08,927 - OH, WE'LL STILL BE ABLE TO DO STUFF LIKE THAT AGAIN, MAN. 755 00:30:08,933 --> 00:30:10,303 WE JUST HAVE TO WORK REALLY HARD NOW 756 00:30:10,300 --> 00:30:11,530 SO WE CAN HAVE DOWN TIME LATER. 757 00:30:11,533 --> 00:30:14,603 - LATER. LIKE-- LIKE WHEN OUR KIDS GROW UP 758 00:30:14,600 --> 00:30:16,000 AND GO TO COLLEGE LATER? 759 00:30:16,000 --> 00:30:17,100 - DAMN RIGHT. 760 00:30:17,100 --> 00:30:18,870 YO, AND OUR KIDS WILL BE FRIENDS TOO. 761 00:30:18,867 --> 00:30:20,867 - I LIKE THAT. 762 00:30:20,867 --> 00:30:23,467 YOU AND TRACI AND ME AND CHLOE WITH LITTLE KIDS RUNNING AROUND. 763 00:30:23,467 --> 00:30:25,367 PERFECT. - WOW. 764 00:30:25,367 --> 00:30:27,427 THAT'S WHY YOU ARE WHO YOU ARE, EDDIE. 765 00:30:27,433 --> 00:30:28,973 WITH ALL THE STUFF THAT'S GOING ON, MAN, 766 00:30:28,967 --> 00:30:31,427 YOU STILL HAVE TIME TO THINK ABOUT FRIENDS AND FAMILY. 767 00:30:31,433 --> 00:30:34,673 WHICH IS WHY YOU NEED TO BE DONE WITH TYLER FOR GOOD NOW. 768 00:30:34,667 --> 00:30:35,967 - CHLOE WOULD HAVE MY HEAD IF I SAID 769 00:30:35,967 --> 00:30:37,967 TWO MORE WORDS TO THAT GUY. 770 00:30:37,967 --> 00:30:39,497 - I MEAN, I CAN MAKE IT SO HE NEVER BOTHERS YOU AGAIN. 771 00:30:39,500 --> 00:30:41,400 - YEAH, FORGET IT. 772 00:30:41,400 --> 00:30:43,430 I KNOW HE'S A LOUDMOUTH, BUT HE'S HARMLESS. 773 00:30:43,433 --> 00:30:45,503 - OKAY. 774 00:30:45,500 --> 00:30:46,500 - I'M HUNGRY. 775 00:30:46,500 --> 00:30:48,800 - OH, NO. OH, MY GOD. 776 00:30:48,800 --> 00:30:51,630 THE TIME HAS JUST GONE BY, MAN. TRACI'S AT THE RESTAURANT. 777 00:30:51,633 --> 00:30:53,203 - OOH, LOOK AT YOU. 778 00:30:53,200 --> 00:30:54,330 DUDE, YOU BETTER GET THERE 779 00:30:54,333 --> 00:30:56,633 BEFORE SOME OTHER MAN PICKS HER UP. 780 00:30:56,633 --> 00:30:58,103 [chuckles] 781 00:30:58,100 --> 00:31:00,270 [cell phone rings] 782 00:31:06,100 --> 00:31:07,430 - I DON'T EVEN WANT TO HEAR IT. 783 00:31:07,433 --> 00:31:08,873 - YOU DON'T EVEN KNOW WHAT I WAS GONNA SAY. 784 00:31:08,867 --> 00:31:11,067 - WHO IS THIS? - WHO'S THIS? 785 00:31:11,067 --> 00:31:12,867 IS THAT A NICE QUESTION 786 00:31:12,867 --> 00:31:14,427 FOR YOUR ONE AND ONLY TRUE SISTER? 787 00:31:14,433 --> 00:31:15,903 - KELLY? 788 00:31:15,900 --> 00:31:18,700 YOU ALREADY KNOW I ALREADY GOT A REAL SISTER, DON'T YOU? 789 00:31:18,700 --> 00:31:20,200 - YEAH, BUT YOU STILL KNEW IT WAS ME. 790 00:31:20,200 --> 00:31:21,430 - YEAH, THAT'S BECAUSE MY REAL SISTER 791 00:31:21,433 --> 00:31:22,933 WOULDN'T PLAY THAT GAME. 792 00:31:22,933 --> 00:31:24,373 - OH, WELL, IF I REMEMBER CORRECTLY, 793 00:31:24,367 --> 00:31:27,397 SHE DOESN'T PLAY ANY GAMES. - THAT'S HER. [chuckles] 794 00:31:27,400 --> 00:31:29,830 I'M SORRY, I THOUGHT YOU WERE JAKE. 795 00:31:29,833 --> 00:31:31,403 - OH. WHAT DID HE DO THIS TIME? 796 00:31:31,400 --> 00:31:34,330 - HMM, HE WAS SUPPOSED TO MEET ME HERE FOR DINNER. 797 00:31:34,333 --> 00:31:36,103 APPARENTLY, HE GOT SIDETRACKED. 798 00:31:36,100 --> 00:31:39,330 - IS THIS BECOMING THE STORY OF YOUR LIFE? 799 00:31:39,333 --> 00:31:40,833 - I HOPE NOT. 800 00:31:40,833 --> 00:31:43,503 THIS IS NOT WHAT I SIGNED UP FOR. 801 00:31:43,500 --> 00:31:46,130 ANYWAYS, HOW ARE YOU? 802 00:31:46,133 --> 00:31:48,733 GOD, I FEEL LIKE WE HAVEN'T TALKED IN MONTHS. 803 00:31:48,733 --> 00:31:50,403 - YEAH, I KNOW. 804 00:31:50,400 --> 00:31:53,830 THINGS--THINGS HAVE BEEN KINDA CRAZY. 805 00:31:53,833 --> 00:31:58,073 - I MISS YOU. KEL, I WISH YOU LIVED CLOSER. 806 00:31:58,067 --> 00:32:00,827 - WELL, YOU'RE IN LUCK BECAUSE I MIGHT BE COMING TO L.A. SOON. 807 00:32:00,833 --> 00:32:02,673 I HAVE SOME PROSPECTS OUT THERE 808 00:32:02,667 --> 00:32:04,567 THAT ARE STARTING TO LOOK KIND OF HOPEFUL. 809 00:32:04,567 --> 00:32:07,267 - THAT'S GREAT. YOU'RE STAYING WITH US, OF COURSE. 810 00:32:07,267 --> 00:32:08,897 - IF IT'S NOT AN INTRUSION. 811 00:32:08,900 --> 00:32:15,470 - KELLY, I AM SITTING IN A FANCY RESTAURANT ALONE. 812 00:32:15,467 --> 00:32:17,327 WHAT WOULD YOU BE INTRUDING ON? 813 00:32:17,333 --> 00:32:20,173 - ALL RIGHT, WELL, EITHER WAY, JUST ASK YOUR BALL AND CHAIN. 814 00:32:20,167 --> 00:32:22,127 - TRUST ME, IT'S FINE. 815 00:32:26,833 --> 00:32:30,903 - ADRIANA. - HI DAD. 816 00:32:30,900 --> 00:32:34,500 - YOU, GET OUT OF HERE. 817 00:32:34,500 --> 00:32:37,130 - GOOD TO SEE YOU AGAIN, DR. DON. 818 00:32:37,133 --> 00:32:39,773 LATER, GORGEOUS. - BYE, BABE. 819 00:32:39,767 --> 00:32:41,467 THANKS FOR DINNER AND THE EARRINGS. 820 00:32:43,833 --> 00:32:46,133 - DINNER AND EARRINGS? 821 00:32:46,133 --> 00:32:47,903 - YEAH. PHIL GAVE ME THESE TONIGHT. 822 00:32:47,900 --> 00:32:50,700 DO YOU LIKE 'EM? - NO, I DON'T. 823 00:32:50,700 --> 00:32:53,770 I DON'T LIKE THE IDEA OF MY HIGH-SCHOOL-AGE DAUGHTER 824 00:32:53,767 --> 00:32:55,967 ACCEPTING GIFTS FROM MEN... 825 00:32:55,967 --> 00:32:58,427 ESPECIALLY WHEN HE EXPECTS SOMETHING IN RETURN. 826 00:32:58,433 --> 00:33:00,633 - DAD, WHAT TYPE OF GIRL DO YOU THINK I AM? 827 00:33:00,633 --> 00:33:03,073 I AM NOT SOME TYPE OF CHEAP SLUT 828 00:33:03,067 --> 00:33:05,827 WHO PUTS OUT FOR THE FIRST GUY WHO BUYS HER SOMETHING SPARKLY. 829 00:33:05,833 --> 00:33:08,373 - WHERE DOES A KID LIKE PHIL GET MONEY FOR JEWELRY? 830 00:33:08,367 --> 00:33:09,897 - HE EARNS IT? - HE EARNS IT? 831 00:33:09,900 --> 00:33:11,570 DOING WHAT, SELLING DRUGS? - HARDLY. 832 00:33:11,567 --> 00:33:14,867 PHIL HAS A REAL JOB. - WHAT KIND OF JOB? 833 00:33:14,867 --> 00:33:16,467 HE CAN BARELY ADD TWO PLUS TWO. 834 00:33:16,467 --> 00:33:18,367 - HE GOT A 2,340 ON HIS SATs, DAD. 835 00:33:18,367 --> 00:33:19,967 - BY CHEATING, NO DOUBT. 836 00:33:19,967 --> 00:33:23,497 - CHEATING. THERE'S A TERRITORY YOU'RE FAMILIAR WITH. 837 00:33:23,500 --> 00:33:26,500 - OH, ADRIANA, ADRIANA. 838 00:33:26,500 --> 00:33:29,170 ONE DAY--ONE DAY YOU'RE GONNA PUSH ME TOO HARD. 839 00:33:29,167 --> 00:33:30,697 - YEAH, I CAN'T WAIT. 840 00:33:30,700 --> 00:33:32,370 MAYBE THEN I CAN GO LIVE WITH MOM. 841 00:33:32,367 --> 00:33:36,197 - SURE. CALL HER RIGHT NOW. SEE IF SHE'LL HAVE YOU. 842 00:33:44,633 --> 00:33:45,873 * 843 00:33:45,867 --> 00:33:51,397 - * NO, NO, NO, NO, NO, NO, NO * 844 00:33:54,667 --> 00:33:56,697 - [sighs] 845 00:33:56,700 --> 00:34:00,570 CLIMBING THE WALLS, FEELING THE HEAT, 846 00:34:00,567 --> 00:34:02,197 I'M RUNNING ON EMPTY... 847 00:34:02,200 --> 00:34:04,330 UGH, I CAN'T FIND THE BEAT. 848 00:35:14,500 --> 00:35:16,700 [phone line ringing] 849 00:35:16,700 --> 00:35:20,530 - HEY... CAN YOU COME OVER? 850 00:35:20,533 --> 00:35:21,703 NOW. 851 00:35:32,933 --> 00:35:37,703 - OH, MY GOD! OH...OH... 852 00:35:40,967 --> 00:35:42,097 - OH, MY GOD, OH, MY GOD, OH, MY GOD! 853 00:35:42,100 --> 00:35:43,870 EDDIE RE-TWEETED YOUR LYRICS! 854 00:35:43,867 --> 00:35:45,567 - I KNOW. 855 00:35:45,567 --> 00:35:46,797 HE SAID IT WAS A BEAUTIFUL POEM. 856 00:35:46,800 --> 00:35:49,970 - [gasps] YOU KNOW THIS IS A SIGN, RIGHT? 857 00:35:49,967 --> 00:35:52,727 YOU HAVE TO SEND HIM YOUR SONG. 858 00:36:04,600 --> 00:36:08,630 [mellow R&B playing] 859 00:36:08,633 --> 00:36:09,803 - YOU'RE HOME. 860 00:36:09,800 --> 00:36:12,530 - I AM SO SORRY I STOOD YOU UP, BABY. 861 00:36:15,100 --> 00:36:16,870 - YOU COOKED DINNER? 862 00:36:16,867 --> 00:36:18,267 - NOW, LET'S NOT GET CRAZY, ALL RIGHT? 863 00:36:18,267 --> 00:36:19,867 ELECTRIC LOTUS DELIVERS. 864 00:36:19,867 --> 00:36:21,067 [purse thunks] 865 00:36:21,067 --> 00:36:22,897 - YOU KNOW A COUPLE CARTONS OF CURRY 866 00:36:22,900 --> 00:36:25,400 AIN'T GONNA GET YOU OFF THE HOOK FOR TONIGHT'S EPIC FAIL, RIGHT? 867 00:36:25,400 --> 00:36:27,530 - I KNOW. I GOTTA LEARN HOW TO DELEGATE, BABY. 868 00:36:27,533 --> 00:36:29,873 I'M JUST SO DAMN OBSESSED. 869 00:36:29,867 --> 00:36:31,527 - AND COMPULSIVE. 870 00:36:33,567 --> 00:36:37,227 WHICH KINDA...ATTRACTED ME TO YOU IN THE FIRST PLACE. 871 00:36:37,233 --> 00:36:39,073 - WHAT, 'CAUSE OF MY OCD? 872 00:36:39,067 --> 00:36:41,067 - NO. 873 00:36:41,067 --> 00:36:42,697 'CAUSE OF YOUR... 874 00:36:42,700 --> 00:36:45,130 HTB... 875 00:36:45,133 --> 00:36:47,703 HOT, TIGHT BODY. 876 00:36:47,700 --> 00:36:49,600 - [laughs] - BABY, I'M REALLY GONNA 877 00:36:49,600 --> 00:36:51,430 HAVE TO START TAKING IT PERSONALLY 878 00:36:51,433 --> 00:36:53,073 IF YOUR FINE ATTENTION TO DETAIL 879 00:36:53,067 --> 00:36:54,627 AND YOUR LEGENDARY MEMORY 880 00:36:54,633 --> 00:36:56,803 DOESN'T APPLY TO DINNER WITH YOUR WIFE. 881 00:36:56,800 --> 00:36:58,870 - OH, I PROMISE I'LL WORK ON THAT. 882 00:36:58,867 --> 00:37:00,967 BUT NOT TONIGHT. 883 00:37:00,967 --> 00:37:02,527 MY SCHEDULE IS FULL. 884 00:37:02,533 --> 00:37:04,503 - MM. HA. 885 00:37:04,500 --> 00:37:07,070 - * WITHOUT YOUR SKIN I'M NAKED * 886 00:37:07,067 --> 00:37:10,197 * 887 00:37:10,200 --> 00:37:12,470 * WITHOUT YOUR SKIN 888 00:37:12,467 --> 00:37:14,697 * WITHOUT YOUR SKIN 889 00:37:14,700 --> 00:37:19,670 * OOH 890 00:37:19,667 --> 00:37:21,797 * WITHOUT YOUR SKIN, I'M NAKED * 891 00:37:21,800 --> 00:37:23,770 * 892 00:37:23,767 --> 00:37:25,097 *OOH * 893 00:37:25,100 --> 00:37:27,800 - ADRIANA, COME BACK HERE! 894 00:37:29,267 --> 00:37:31,127 - WHAT FOR? 895 00:37:31,133 --> 00:37:33,203 SO YOU CAN TRASH MY BOYFRIEND SOME MORE? 896 00:37:33,200 --> 00:37:35,470 - I THINK YOU CAN DO BETTER, THAT'S ALL. 897 00:37:35,467 --> 00:37:37,667 - WELL, DUH. YOU'RE MY DAD. 898 00:37:37,667 --> 00:37:40,327 YOU'RE SUPPOSED TO THINK THAT. 899 00:37:40,333 --> 00:37:42,973 BUT I'M NOT TAKING RELATIONSHIP ADVICE FROM YOU. 900 00:37:42,967 --> 00:37:44,397 - THERE WERE A LOT OF REASONS 901 00:37:44,400 --> 00:37:46,800 FOR YOUR MOM AND I SPLITTING UP, YOU KNOW? 902 00:37:46,800 --> 00:37:49,130 - YEAH, I KNOW-- SAMANTHA, AMBER, CHRISTY. 903 00:37:49,133 --> 00:37:51,533 OH, AND THAT LAKER GIRL. WHAT WAS HER NAME? 904 00:37:51,533 --> 00:37:53,133 TOOTSIE OR TOTSY? 905 00:37:53,133 --> 00:37:55,673 - IT WAS MORE COMPLICATED THAN THAT, KID. 906 00:37:55,667 --> 00:37:57,067 - YEAH, FOR MOM, IT WAS. 907 00:37:57,067 --> 00:37:58,327 SHE COULDN'T GO ANYWHERE 908 00:37:58,333 --> 00:38:00,633 WITHOUT RUNNING INTO ONE OF THEM. 909 00:38:00,633 --> 00:38:04,873 YOU KNOW, THAT'S WHY SHE MOVED SO FAR AWAY FROM L.A. 910 00:38:04,867 --> 00:38:07,067 I JUST WISH I COULD HAVE GONE WITH HER. 911 00:38:08,867 --> 00:38:11,367 - WELL, FOR NOW, YOU'RE STUCK WITH ME. 912 00:38:11,367 --> 00:38:13,667 MAYBE WE SHOULD MAKE THE MOST OF IT, YOU KNOW? 913 00:38:13,667 --> 00:38:15,697 WE USED TO HAVE FUN TOGETHER. 914 00:38:15,700 --> 00:38:16,900 - YEAH, WHEN I WAS SEVEN. WHAT... 915 00:38:16,900 --> 00:38:19,500 YOU WANNA GO TO THE ZOO, DAD, IS THAT WHAT IT IS? 916 00:38:19,500 --> 00:38:21,330 - YOU THINK OF ME AS SOME COMMANDANT. 917 00:38:21,333 --> 00:38:22,503 THAT'S NOT RIGHT. 918 00:38:22,500 --> 00:38:24,370 I HAVEN'T DISLIKED ALL YOUR BOYFRIENDS. 919 00:38:24,367 --> 00:38:26,197 PATRICK--I LIKED HIM. WHAT HAPPENED TO PATRICK? 920 00:38:26,200 --> 00:38:29,800 - PATRICK WENT TO COLLEGE. YALE. 921 00:38:29,800 --> 00:38:32,070 AND I THINK HE'S GAY. JUST DOESN'T KNOW IT. 922 00:38:32,067 --> 00:38:34,067 - STILL! YALE. HE'S IVY LEAGUE. 923 00:38:34,067 --> 00:38:36,127 AND NOW YOU GOT PHIL? - DAD, ARE YOU KIDDING ME? 924 00:38:36,133 --> 00:38:39,073 - AS YOUR FATHER, I'M ALLOWED TO HAVE AN OPINION, AREN'T I? 925 00:38:39,067 --> 00:38:42,067 - YEAH, AND AS YOUR DAUGHTER, I'M NOT GONNA LISTEN TO IT. 926 00:38:42,067 --> 00:38:44,597 OR ANYTHING ELSE YOU HAVE TO SAY. 927 00:38:49,567 --> 00:38:51,897 - COLORADO? 928 00:38:51,900 --> 00:38:54,170 MR. COLORADO? 929 00:38:54,167 --> 00:38:56,497 - WHAT CAN I DO FOR YOU BOYS? - MY MAN ISAAC SMITH 930 00:38:56,500 --> 00:38:58,600 SAID MAYBE WE SHOULD HOOK UP, DO SOME BUSINESS. 931 00:38:58,600 --> 00:39:00,130 - AM I SUPPOSED TO KNOW WHO THAT IS? 932 00:39:00,133 --> 00:39:02,433 - VICTOR'S BROTHER? - WELL, VICTOR I KNOW, 933 00:39:02,433 --> 00:39:04,303 BUT HE NEVER MENTIONED ANYTHING TO ME 934 00:39:04,300 --> 00:39:05,730 ABOUT ANY KIND OF REFERRAL. 935 00:39:05,733 --> 00:39:07,503 - I DON'T KNOW, THAT MUST HAVE BEEN... 936 00:39:07,500 --> 00:39:09,100 SOME KIND OF OVERSIGHT OR SOMETHING. 937 00:39:09,100 --> 00:39:10,830 - YEAH. SOMETHING. 938 00:39:10,833 --> 00:39:13,173 WHAT KIND OF WORK YOU LOOKING TO DO? 939 00:39:13,167 --> 00:39:15,727 YOU WANT US TO BUFF THE SCRATCHES OUT OF YOUR PAINT? 940 00:39:15,733 --> 00:39:18,073 - THIS KINDA WORK. 941 00:39:18,067 --> 00:39:21,267 4G, FACTORY SEALED. 942 00:39:21,267 --> 00:39:24,767 WE KNOW WHAT WE'RE DOING. WE CAN GET MORE. 943 00:39:24,767 --> 00:39:27,597 - THIS IS A BODY SHOP. NOT A BEST BUY. 944 00:39:27,600 --> 00:39:31,070 YOU KNOW, VICTOR OR YOUR MAN ISAAC-- 945 00:39:31,067 --> 00:39:33,067 I DON'T KNOW WHAT THEY SAID TO YOU, 946 00:39:33,067 --> 00:39:34,567 BUT I RUN A LEGIT BUSINESS HERE. 947 00:39:34,567 --> 00:39:36,467 9:00-9:00, SIX DAYS A WEEK. 948 00:39:36,467 --> 00:39:38,797 - I THOUGHT THAT-- - YOU THOUGHT THAT WHAT? 949 00:39:38,800 --> 00:39:40,230 THE OWNER OF A STRAIGHT SMALL BUSINESS 950 00:39:40,233 --> 00:39:41,603 WANTS TO BE SEEN HOLDING A BAG 951 00:39:41,600 --> 00:39:43,100 OF WHAT I ASSUME IS STOLEN GOODS? 952 00:39:43,100 --> 00:39:46,870 - I GET IT. - THERE'S NOTHING TO GET, KID. 953 00:39:46,867 --> 00:39:49,567 TAKE YOUR MUTE PAL... AND HIT THE ROAD. 954 00:39:49,567 --> 00:39:52,427 - WHAT ARE WE SUPPOSED TO DO WITH ALL THESE PHONES, MAN? 955 00:39:52,433 --> 00:39:54,203 - MAKE SOME CALLS. 956 00:39:54,200 --> 00:39:56,500 - [scoffs] GOOD JOB, LAMEBRAIN. 957 00:39:56,500 --> 00:39:58,570 I THOUGHT HE WAS GONNA CHOP US INTO SPARE PARTS. 958 00:39:58,567 --> 00:40:00,567 - YOU HOPELESS SKEEZ, 9:00 TO 9:00 IS CODE. 959 00:40:00,567 --> 00:40:02,767 HE TOLD US TO COME BACK AFTER HOURS. 960 00:40:02,767 --> 00:40:04,897 MADE AN IMPRESSION, BRO. 961 00:40:32,400 --> 00:40:34,970 - BETTER SURPRISE HER. 962 00:40:42,533 --> 00:40:43,903 - HI. 963 00:40:43,900 --> 00:40:45,400 - HI. 964 00:40:57,633 --> 00:40:59,633 - I AM NOT RECORDING THAT SONG AGAIN. 965 00:40:59,633 --> 00:41:01,933 - NO PROBLEM, I'LL JUST SEND THE ONE THAT-- 966 00:41:01,933 --> 00:41:03,173 - THE ONE WHAT? 967 00:41:03,167 --> 00:41:05,067 THE ONE WHERE I SOUND LIKE A SEAL GIVING BIRTH? 968 00:41:05,067 --> 00:41:07,067 - NO, NOT THAT ONE. 969 00:41:07,067 --> 00:41:09,067 - THEN...THE ONE THAT WE JUST RECORDED, 970 00:41:09,067 --> 00:41:11,097 THE ONE I JUST SAW YOU ERASE? 971 00:41:11,100 --> 00:41:14,200 - NOTHING'S EVER TRULY ERASED ANYMORE, LOREN. 972 00:41:14,200 --> 00:41:16,200 - MEL, I WANT THAT FOOTAGE BACK. 973 00:41:16,200 --> 00:41:17,700 - IT'S SO MUCH BETTER THAN YOU THINK. 974 00:41:17,700 --> 00:41:19,800 I EVEN BOOSTED THE AUDIO WITH MY EDITING SOFTWARE-- 975 00:41:19,800 --> 00:41:22,130 - I DON'T CARE. I'M NOT SENDING IT IN. 976 00:41:22,133 --> 00:41:24,073 - FINE. THEN I'LL DO IT. 977 00:41:24,067 --> 00:41:25,767 - NO--MEL--I--DON'T-- 978 00:41:25,767 --> 00:41:27,067 SEND--MEL-- - TOO LATE. 979 00:41:27,067 --> 00:41:28,597 IT'S ON ITS WAY. 980 00:41:28,600 --> 00:41:30,600 - MEL, TELL ME YOU'RE JOKING, OKAY? 981 00:41:30,600 --> 00:41:33,800 THAT THIS IS ONE OF YOUR WACKY PRANKS TO PLAY ON LOREN? 982 00:41:33,800 --> 00:41:36,070 - NOPE. YOUR VIDEO IS NOW OFFICIALLY ENTERED 983 00:41:36,067 --> 00:41:37,797 INTO THE EDDIE DURAN SONG WRITING CONTEST. 984 00:41:37,800 --> 00:41:39,470 ANYWAY, YOU'RE WELCOME. 985 00:41:39,520 --> 00:41:44,070 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 73655

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