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>> AH.
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>> GOOD MORNING, MR. HARDY.
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>> AH, GOOD MORNING, MR. KINSEY.
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I WOULD LIKE TO SEE MY GENERAL
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MANAGER, MR. LAUREL.
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>> ALL RIGHT, MR. HARDY.
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>>
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OOH! OOH!
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WHERE HAVE YOU BEEN?
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>> I WAS IN THE SAMPLE ROOM.
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>> SIT DOWN.
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TAKE DOWN MY ACCEPTANCE SPEECH.
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"FRIENDS, FELLOW CITIZENS, AND"
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UH...
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AND, UH...
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"COLLEGIANS.
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AND SO FORTH, AND SO FORTH, AND
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SO ON."
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UH, PUT THAT IN BRACKETS.
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"AND SO FORTH."
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>> LISTEN, KID, I CRAVE A LOT OF
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SERVICE.
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>> OH, I BEG YOUR PARDON.
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DID YOU WISH TO SEE SOMEONE?
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>> SAY, WHAT DO YOU THINK I CAME
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TO THIS JOINT FOR -- TO TEST OUT
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YOUR ACOUSTICS?
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I WANT TO SEE MR. HARDY, AND I
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WANT TO SEE HIM RIGHT AWAY, YOU
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GET ME?
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>> YES, MA'AM.
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>> SAY, WHAT ARE YOU LOOKING
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AT?!
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COME ON! GET BUSY!
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>> A LADY'S HERE TO SEE YOU,
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MR. HARDY.
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>> TUT, TUT, TUT, TUT!
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I'M TOO BUSY.
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IN THE MIDST OF MY CAMPAIGN, I
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CANNOT SEE ANYONE!
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>> YES, SIR.
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>> NOW READ WHAT YOU HAVE.
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>> SO, MR. HARDY'S TOO BUSY TO
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SEE ME, IS HE?
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HE'S IN CONFERENCE, IS HE? HA!
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DON'T MAKE ME LAUGH!
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HE'LL SEE ME!
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>> "NO, NO, NO," APOTHECARY.
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>> "IT IS MY AIM..."
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>> "MY AIM..."
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>> "...TO KEEP OUR CITY
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CLEAN..."
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>> "...CITY CLEAN..."
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>> "...OF ALL VICE."
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APPLAUSE.
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THAT'LL OPEN THEIR EYES.
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>>
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JUST THE SAME OLD APPLE-CHEEKED
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BOY.
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>> YES...
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CLOSE THE DOOR.
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>> SCRAM!
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>> AFTER ALL THESE YEARS.
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WHAT IS IT YOU WANT?
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>> LADIES MUST LIVE.
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>> NO, SIR.
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NOT ONE PENNY.
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NOT EVEN A NICKEL!
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NOT ONE KOPECK.
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AND FURTHERMORE...
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HA HA HA HA HA!
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GET OUT.
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GET OUT!
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>>
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>> OH!
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>> WELL? HOW ABOUT IT?
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>> YOU CAN'T BLUFF ME.
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THAT WAS IN MY GILDED YOUTH, MY
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PRIMROSE DAYS -- BEFORE I WAS
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MARRIED.
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>>
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DOESN'T MEAN A THING.
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YOU HAVEN'T CHANGED A BIT, BABY.
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>> WHY, THIS IS PREPOSTEROUS --
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AN OUTRAGE!
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YOU CAN'T GET AWAY WITH IT!
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>> OH, NO?
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OH, WOULDN'T THAT LOOK GRAND ON
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THE FRONT PAGE?
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>> OHH --
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>> OH, I CAN SEE THE HEADLINES
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NOW.
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"WRONGED WOMAN COMES OUT OF THE
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PAST TO ACCUSE LEADING CITIZEN."
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>> OH.
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>> AND WITH YOU RUNNING FOR
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MAYOR?
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PERFECT!
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>> OH, GABRIEL, BLOW YOUR HORN.
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YES, MR. HARDY?
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>>
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GET OUT OF HERE!
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GO ON, GET OUT OF HERE!
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IT'S A MISTAKE!
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GET BACK TO YOUR DESKS AND GO TO
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WORK!
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LISTEN.
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I'M A MAN OF DECISIONS, AND I'VE
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MADE ONE.
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I'LL MEET YOU TONIGHT AT 7:00
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AND MAKE A SETTLEMENT -- A FINAL
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SETTLEMENT.
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>> THE MAYOR IS HIMSELF AT LAST.
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NOW YOU'RE TALKING.
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>> WHY, GOOD MORNING,
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MRS. HARDY.
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>> HELLO, DEAR.
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BY THE WAY, HOW'S YOUR MOTHER?
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>> OH, SHE'S JUST FINE, THANK
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YOU.
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>> Hey! The wife!
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>> OH!
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>> THIS IS INSANE!
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WHAT'S THE BIG IDEA?!
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WHY ARE YOU THROWING ME AROUND
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FOR?!
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>> OH!
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>> WHAT'S THE BIG IDEA?!
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>> OH, I JUST LOVE...
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>> OLIVER, DARLING!
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OLIVER, DARLING.
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>> HELLO, HONEY.
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>> I JUST DROPPED IN, DEAR, TO
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TELL YOU I'M GIVING A DINNER
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PARTY TONIGHT AT 7:00.
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I INVITED THE JUDGE AND HIS WIFE
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AND ALL THOSE PEOPLE THAT'LL BE
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SO HELPFUL TO YOU IN YOUR
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CAMPAIGN.
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>> WELL, YOU WON'T BE ABLE TO
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GO.
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>> YOU WON'T BE ABLE TO GO?
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>> UH, HE MEANS, DEAR, THAT WE
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WERE WORKING LATE TONIGHT, AND,
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UH, W-WE -- WELL, I'LL BE RIGHT
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THERE.
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>> AND HOW IS MRS. LAUREL?
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>> OH, FINE, THANK YOU.
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>> I'D LOVE TO MEET HER
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SOMETIME.
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>> NEITHER DO I, TOO.
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>> U-UH, NOW, SWEETHEART, IF
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YOU'LL COME, I'LL OPEN THE DOOR
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FOR YOU.
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>> WHY, OLIVER.
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>> MERRY CHRISTMAS, SWEETHEART.
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>> CHRISTMAS?
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BUT, OLIVER, IT'S ONLY JULY.
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>> OH I-I KNOW.
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I-IT'S ONE OF THE PLANKS OF MY
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PLATFORM -- DO YOUR CHRISTMAS
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SHOPPING EARLY.
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>>
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JUST THE SAME LITTLE
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APPLE-CHEEKED BOY.
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OH, ISN'T THAT BEAUTIFUL?
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I MUST SEE HOW IT LOOKS.
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>> OHHHHHHHHH!
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OH!
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>> OH, IT'S LOCKED.
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>>
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>> WHERE'S THE KEY?
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>> YES, WHERE IS THE KEY?
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OHHHHH!
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>> OH, THERE IT IS.
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>> SO IT IS.
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>> OH, ISN'T IT BEAUTIFUL?
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>> Y-YES. IT IS LOVELY, DARLING.
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>> OH, OLIVER, YOU'RE SUCH A
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DARLING!
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OH, ISN'T THAT --
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>> NOW, IF YOU'LL JUST GO.
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IT'S PRETTY -- VERY PRETTY.
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>> OLIVER, DARLING.
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GOODBYE, DADDY, AND DON'T
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FORGET -- 7:00 SHARP.
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>> I WON'T, DEAR. GOODBYE.
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>> SAY! WHAT'S THE BIG IDEA?!
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>> I'M SORRY.
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I HAVE ANOTHER APPOINTMENT.
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WE'LL HAVE TO CALL THE WHOLE
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THING OFF.
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>> OH, IS THAT SO?
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WELL, THERE'S WHERE I LIVE.
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YOU BE THERE AT 7:00, OR ELSE!
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>> ALL RIGHT.
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>>
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>> WHAT ABOUT HER FUR?
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>> Shh!
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>> YES. WHAT ABOUT IT?
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>> WELL, WHAT ABOUT IT?
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>> OH, WELL.
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THAT'S JUST ANOTHER LITTLE ITEM
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WE'LL TAKE UP AT 7:00.
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GOODBYE.
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>> WELL...
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>> HERE'S ANOTHER NICE MESS I
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GOT YOU INTO.
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>> YES, AND YOU'RE GONNA GET ME
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OUT OF IT.
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HERE.
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GO OVER TO HER APARTMENT AND
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KEEP HER ENTERTAINED, AND I'LL
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TRY TO GET THERE LATER.
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>> WHAT ABOUT MY WIFE?
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>> CALL HER UP AND TELL HER
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YOU'RE WORKING.
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>> YOU DON'T KNOW MY WIFE.
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SHE WOULDN'T BELIEVE THAT.
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>> WELL, IF SHE WAS DUMB ENOUGH
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TO MARRY YOU, SHE'D BELIEVE
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ANYTHING.
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COME HERE.
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>> FAR BE IT FOR ME,
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MRS. LAUREL, TO TALK ABOUT
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ANYONE, BUT DON'T TRUST ANY MAN.
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I'VE HAD FIVE OF THEM, AND I
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KNOW.
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>> PARDON ME JUST A MOMENT.
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HELLO?
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OH, HELLO, STANLEY, DEAR.
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>> I WON'T BE HOME FOR DINNER,
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MAMA.
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>> WHO SAYS SO?!
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>> MR. HARDY.
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VERY IMPORTANT BUSINESS.
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YEAH.
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HE'S IN A JAM.
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YEAH --
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>> HELLO? MRS. LAUREL?
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THIS IS MR. HARDY.
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UH, I'M SORRY, BUT IT'S
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IMPERATIVE -- POSITIVELY
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IMPERATIVE THAT STANLEY WORKS
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TONIGHT.
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SOMETHING TO DO WITH MY
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CAMPAIGN.
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>> IS THAT SO?
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WELL, I DON'T CARE ANYTHING
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ABOUT YOUR CAMPAIGN.
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LISTEN.
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YOU TELL HIM FOR ME THAT IF HE
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ISN'T HOME FOR DINNER, I'LL
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BREAK HIS ARM!
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>> UH, THANK YOU SO MUCH FOR
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YOUR COOPERATION.
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GOODBYE.
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THERE YOU ARE. NOTHING TO IT.
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>> DID SHE SAY I COULD STAY OUT?
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>> WHY, CERTAINLY.
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AND FURTHERMORE, SHE SAID THAT
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AS LONG AS YOU WERE WITH ME, YOU
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COULD GO AS FAR AS YOU LIKED.
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00:14:09,582 --> 00:14:11,118
NOW, YOU GO OVER TO THE
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APARTMENT AND KEEP THIS
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TROUBLEMAKER IN A GOOD HUMOR
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UNTIL I CAN GET THERE.
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YOU KNOW -- GET ORGANIZED.
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WHAT ARE YOU GONNA DO?
270
00:14:21,594 --> 00:14:23,163
>> I'M GOING TO CALL AND THANK
271
00:14:23,163 --> 00:14:23,997
MAMA.
272
00:14:23,997 --> 00:14:25,632
>> OHHHHH!
273
00:14:25,632 --> 00:14:27,634
GET OUT.
274
00:14:36,276 --> 00:14:37,244
>> OH, MARIE?
275
00:14:37,244 --> 00:14:38,245
>> YES, MADAM?
276
00:14:38,245 --> 00:14:40,213
>> WHEN YOU LET HIM IN, BEAT IT.
277
00:14:40,213 --> 00:14:42,182
>> YES, MADAM.
278
00:14:49,189 --> 00:14:52,525
WON'T YOU STEP IN?
279
00:14:52,525 --> 00:14:54,962
>> AH, JOHNNY ON THE SPOT --
280
00:14:54,962 --> 00:14:57,064
PROMPTLY AT 7:00.
281
00:15:04,471 --> 00:15:06,039
WHAT ARE YOU DOING HERE?!
282
00:15:06,039 --> 00:15:07,640
>> MR. HARDY SENT ME OVER.
283
00:15:07,640 --> 00:15:11,211
HE TOLD ME TO GET ORGANIZED.
284
00:15:11,211 --> 00:15:12,179
>> HE WHAT?!
285
00:15:12,179 --> 00:15:14,147
>> HE TOLD ME TO KEEP YOU BUSY
286
00:15:14,147 --> 00:15:16,249
SO YOU WOULDN'T ANNOY HIM.
287
00:15:16,249 --> 00:15:17,284
>> OH.
288
00:15:17,284 --> 00:15:19,019
HE'S TRYING TO PUT ONE OVER ON
289
00:15:19,019 --> 00:15:21,188
ME, IS HE?
290
00:15:21,188 --> 00:15:22,089
WHERE IS HE?
291
00:15:22,089 --> 00:15:23,223
>> HE'S HOME.
292
00:15:23,223 --> 00:15:24,657
>> OH.
293
00:15:24,657 --> 00:15:26,193
WHAT'S HIS NUMBER?
294
00:15:26,193 --> 00:15:27,060
>> I WON'T TELL YOU.
295
00:15:27,060 --> 00:15:28,295
>> OH, YOU WON'T TELL ME, HUH?
296
00:15:28,295 --> 00:15:28,695
>> NO.
297
00:15:28,695 --> 00:15:29,596
>> OH, YES, YOU WILL.
298
00:15:29,596 --> 00:15:30,563
>> OH, NO, I WON'T.
299
00:15:30,563 --> 00:15:31,464
>> OH, YES, YOU WILL!
300
00:15:31,464 --> 00:15:32,432
>> YOU CAN'T BLUFF ME.
301
00:15:32,432 --> 00:15:33,500
>> YOU'LL TELL ME HIS NUMBER!
302
00:15:33,500 --> 00:15:34,067
>> I WON'T!
303
00:15:34,067 --> 00:15:35,335
>> YOU WILL TELL ME HIS NUMBER!
304
00:15:35,335 --> 00:15:35,735
>> NO!
305
00:15:35,735 --> 00:15:36,669
>> WHAT'S HIS NUMBER?!
306
00:15:36,669 --> 00:15:37,470
>> ABSOLUTELY NO!
307
00:15:37,470 --> 00:15:38,405
>> WHAT IS HIS NUMBER?!
308
00:15:38,405 --> 00:15:41,041
>> GRANITE 3648!
309
00:15:44,611 --> 00:15:47,080
>> THANK YOU.
310
00:15:47,080 --> 00:15:49,216
GIVE ME GRANITE 3648.
311
00:15:50,050 --> 00:15:51,084
>> OH, FRANK, DEAR, TELL THE
312
00:15:51,084 --> 00:15:52,319
FOLKS THE STORY ABOUT THE MAN
313
00:15:52,319 --> 00:15:53,020
WITH THE PAST.
314
00:15:54,121 --> 00:15:56,089
>> OH!
315
00:16:04,197 --> 00:16:05,398
>> YES, MA'AM.
316
00:16:05,398 --> 00:16:07,367
JUST HOLD THE WIRE.
317
00:16:11,538 --> 00:16:13,173
EXCUSE ME, MR. HARDY.
318
00:16:13,173 --> 00:16:15,142
YOU'RE WANTED ON THE TELEPHONE.
319
00:16:15,142 --> 00:16:16,309
>>
320
00:16:16,309 --> 00:16:17,744
TELL THEM I'M ENGAGED.
321
00:16:17,744 --> 00:16:19,679
>> SHE SAYS IT'S VERY IMPORTANT.
322
00:16:19,679 --> 00:16:21,181
>>
323
00:16:21,181 --> 00:16:22,215
PARDON ME, PLEASE.
324
00:16:22,215 --> 00:16:24,517
JUST A MOMENT.
325
00:16:24,517 --> 00:16:26,586
EXCUSE ME. I'LL BE RIGHT BACK.
326
00:16:32,025 --> 00:16:33,326
HELLO?
327
00:16:33,326 --> 00:16:35,062
>> WELL, YOU WALLEYED PIKE,
328
00:16:35,062 --> 00:16:36,563
WHAT'S THE BIG IDEA OF SENDING
329
00:16:36,563 --> 00:16:40,167
THIS DUMBBELL OVER TO ME?
330
00:16:40,167 --> 00:16:42,202
YES, YES, I KNOW, BUT GET THIS.
331
00:16:42,202 --> 00:16:43,736
IF YOU'RE NOT OVER HERE RIGHT
332
00:16:43,736 --> 00:16:45,472
AWAY, I'M COMING OVER TO THAT
333
00:16:45,472 --> 00:16:47,307
JOINT OF YOURS AND PULL OFF THE
334
00:16:47,307 --> 00:16:48,775
FRONT DOOR!
335
00:16:48,775 --> 00:16:51,544
>> Shh! I've got company.
336
00:16:51,544 --> 00:16:53,480
As soon as I can get away, I'll
337
00:16:53,480 --> 00:16:54,547
come right over.
338
00:16:54,547 --> 00:16:55,415
Don't worry.
339
00:16:55,415 --> 00:16:57,650
Everything's gonna be all right.
340
00:16:57,650 --> 00:16:59,586
>> WELL, IT BETTER BE ALL RIGHT!
341
00:16:59,586 --> 00:17:02,555
AND MAKE IT SNAPPY!
342
00:17:02,555 --> 00:17:04,557
SHUT UP!
343
00:17:09,796 --> 00:17:12,265
>>
344
00:17:32,385 --> 00:17:35,188
>> DO YOU MIND IF I SMOKE?
345
00:17:35,188 --> 00:17:38,125
>> I DON'T CARE IF YOU BURN UP!
346
00:18:25,772 --> 00:18:27,440
>> DOESN'T SHE PLAY BEAUTIFUL?
347
00:18:27,440 --> 00:18:28,575
>> OH, PERFECTLY BEAUTIFUL.
348
00:18:28,575 --> 00:18:30,177
>> WELL, JUDGE, WHAT ABOUT A
349
00:18:30,177 --> 00:18:30,643
NICE CIGAR?
350
00:18:30,643 --> 00:18:31,644
>> I WOULD LOVE IT.
351
00:18:31,644 --> 00:18:32,712
>> I KNEW YOU WOULD.
352
00:18:32,712 --> 00:18:34,714
JUST A MOMENT.
353
00:18:38,518 --> 00:18:42,422
NOW, WHERE ARE THOSE CIGARS?
354
00:18:42,422 --> 00:18:43,756
IF YOU'LL EXCUSE ME, I'LL RUN
355
00:18:43,756 --> 00:18:44,624
OUT AND GET SOME.
356
00:18:44,624 --> 00:18:46,793
>> OH, DON'T TROUBLE, MR. HARDY.
357
00:18:46,793 --> 00:18:49,396
>> WHY, IT'S NO TROUBLE AT ALL.
358
00:18:49,396 --> 00:18:50,730
IT'S A PLEASURE.
359
00:18:53,500 --> 00:18:54,601
IF YOU'LL EXCUSE ME, DARLING,
360
00:18:54,601 --> 00:18:55,768
I'M GOING OUT TO GET SOME
361
00:18:55,768 --> 00:18:56,436
CIGARS.
362
00:18:56,436 --> 00:18:57,604
>> DON'T BE LONG, DEAR.
363
00:18:57,604 --> 00:18:59,839
>> OH, I WON'T.
364
00:19:05,445 --> 00:19:06,679
>> OH!
365
00:19:06,679 --> 00:19:08,381
>>
366
00:19:13,753 --> 00:19:14,887
HERE YOU ARE, JUDGE -- MY OWN
367
00:19:14,887 --> 00:19:15,855
PRIVATE STOCK.
368
00:19:15,855 --> 00:19:16,823
>> THANK YOU, MR. HARDY.
369
00:19:16,823 --> 00:19:17,590
THANK YOU.
370
00:19:18,558 --> 00:19:20,693
>> OH, PARDON ME.
371
00:19:25,298 --> 00:19:26,233
>> HELLO?
372
00:19:26,233 --> 00:19:26,766
>> OH!
373
00:19:26,766 --> 00:19:29,269
OH, HOW DO YOU DO, MRS. HARDY?
374
00:19:29,269 --> 00:19:31,804
I WANT TO TALK TO YOUR HUSBAND.
375
00:19:31,804 --> 00:19:33,240
LIST-- GIVE ME THAT PHONE!
376
00:19:33,240 --> 00:19:34,507
>> UH, PARDON ME, DEAR.
377
00:19:34,507 --> 00:19:36,909
JUST A MOMENT. EXCUSE ME.
378
00:19:36,909 --> 00:19:38,578
HELLO?
379
00:19:38,578 --> 00:19:40,513
>> HEY, OLLIE!
380
00:19:40,513 --> 00:19:41,881
YOU'LL HAVE TO HURRY!
381
00:19:41,881 --> 00:19:44,784
I CAN'T GET ORGANIZED!
382
00:19:46,953 --> 00:19:49,656
>> OH! ALL RIGHT!
383
00:19:52,559 --> 00:19:55,862
>> WELL, WELL, WELL, WELL, WELL,
384
00:19:55,862 --> 00:19:56,363
WELL.
385
00:19:57,230 --> 00:19:58,531
GEE, IT'S GREAT TO HEAR FROM YOU
386
00:19:58,531 --> 00:19:59,999
AGAIN.
387
00:19:59,999 --> 00:20:00,467
YES.
388
00:20:00,467 --> 00:20:01,901
I'LL BE AROUND AND SEE YOU
389
00:20:01,901 --> 00:20:03,403
TOMORROW.
390
00:20:03,403 --> 00:20:04,637
GOODBYE.
391
00:20:09,509 --> 00:20:10,810
AN OLD SCHOOLMATE OF MINE.
392
00:20:10,810 --> 00:20:12,779
WE USED TO ROOM TOGETHER.
393
00:20:15,882 --> 00:20:18,318
U-UM, I THINK WE'D BETTER GO IN
394
00:20:18,318 --> 00:20:20,287
AND SEE THE GUESTS.
395
00:20:34,367 --> 00:20:35,702
>> HOW ABOUT SINGING ONE OF YOUR
396
00:20:35,702 --> 00:20:37,904
OLD SONGS, MR. HARDY?
397
00:20:37,904 --> 00:20:39,005
>>
398
00:20:39,005 --> 00:20:41,274
WELL, THE PIPES ARE NOT JUST
399
00:20:41,274 --> 00:20:42,575
WHAT THEY USED TO BE.
400
00:20:42,575 --> 00:20:44,043
>> OH, DO, MR. HARDY.
401
00:20:44,043 --> 00:20:45,978
YOU ARE SO IMPRESSIVE.
402
00:20:45,978 --> 00:20:48,281
>> YES. DO SING, OLIVER.
403
00:20:48,281 --> 00:20:51,017
YOU'RE SO IMPRESSIVE.
404
00:21:14,941 --> 00:21:16,743
>> OH!
405
00:21:16,743 --> 00:21:18,711
WELL!
406
00:21:27,387 --> 00:21:30,523
>>
407
00:21:32,425 --> 00:21:34,026
>> THAT'S LOVELY, MR. HARDY.
408
00:21:34,026 --> 00:21:35,328
HOW ABOUT ANOTHER?
409
00:21:42,402 --> 00:21:44,571
>>
410
00:21:44,571 --> 00:21:45,472
>> HELLO!
411
00:21:45,472 --> 00:21:46,506
>> OHHHHHH!
412
00:21:46,506 --> 00:21:47,640
>> HEY, OLLIE!
413
00:21:47,640 --> 00:21:49,041
>>
414
00:21:49,041 --> 00:21:52,379
>> THINK UP A STORY!
415
00:21:52,379 --> 00:21:53,646
SHE'S ON HER WAY OVER, AND I
416
00:21:53,646 --> 00:21:55,548
CAN'T -- CAN'T STOP HER!
417
00:21:56,583 --> 00:21:57,417
>> OH!
418
00:21:58,651 --> 00:22:01,354
WRONG NUMBER!
419
00:22:01,354 --> 00:22:02,855
ISN'T THAT ANNOYING?
420
00:22:03,990 --> 00:22:05,958
>>
421
00:22:09,596 --> 00:22:11,531
>>
422
00:22:11,531 --> 00:22:12,565
>> YOU CAN'T GET OUT OF HERE!
423
00:22:12,565 --> 00:22:13,633
>> WHAT DO MEAN I CAN'T GET OUT
424
00:22:13,633 --> 00:22:14,066
OF HERE?!
425
00:22:14,767 --> 00:22:15,568
OPEN THIS DOOR!
426
00:22:15,568 --> 00:22:16,769
>> I WON'T OPEN IT!
427
00:22:16,769 --> 00:22:17,704
>> YOU OPEN THIS DOOR!
428
00:22:17,704 --> 00:22:18,838
>> I WILL NOT OPEN THAT DOOR!
429
00:22:18,838 --> 00:22:21,040
>> YOU CERTAINLY WILL!
430
00:22:28,715 --> 00:22:31,618
>> SEE? YOU CAN'T GET OUT.
431
00:22:31,618 --> 00:22:32,885
>> ALL RIGHT.
432
00:22:32,885 --> 00:22:35,388
I'LL USE THE OTHER DOOR!
433
00:22:37,957 --> 00:22:40,627
WELL, YOU CERTAINLY CAN'T!
434
00:22:40,627 --> 00:22:41,661
NOT --
435
00:22:41,661 --> 00:22:43,630
GET AWAY FROM ME!
436
00:22:47,133 --> 00:22:48,801
>> YOU CAN'T GO, I TELL YOU!
437
00:22:48,801 --> 00:22:50,837
>> DON'T TELL ME I CAN'T GO!
438
00:22:50,837 --> 00:22:52,038
LET ME OUT OF HERE!
439
00:22:52,038 --> 00:22:53,105
LET ME OUT OF HERE!
440
00:22:53,105 --> 00:22:56,776
WHAT --
441
00:22:56,776 --> 00:22:57,510
LISTEN!
442
00:22:57,510 --> 00:22:58,911
I'M GOING OVER TO HARDY'S HOUSE
443
00:22:58,911 --> 00:23:01,648
IF IT'S THE LAST THING I DO!
444
00:23:01,648 --> 00:23:03,616
DOWN!
445
00:23:07,687 --> 00:23:09,722
>> MM-HMM.
446
00:23:09,722 --> 00:23:11,858
JUST AS I EXPECTED.
447
00:23:11,858 --> 00:23:13,760
SO, YOU'RE GOING OVER TO HARDY'S
448
00:23:13,760 --> 00:23:14,694
HOUSE, ARE YOU?
449
00:23:14,694 --> 00:23:15,962
YOU'RE GOING TO HAVE A WILD
450
00:23:15,962 --> 00:23:17,564
PARTY, ARE YOU?
451
00:23:17,564 --> 00:23:18,965
YOU LITTLE MONKEY!
452
00:23:18,965 --> 00:23:20,933
I'LL TELL YOUR WIFE!
453
00:23:29,809 --> 00:23:30,477
>> OH!
454
00:23:30,477 --> 00:23:32,144
YOU'RE GETTING DIRTY, HUH?
455
00:23:32,144 --> 00:23:33,913
TRYING TO BREAK MY NECK?
456
00:23:33,913 --> 00:23:35,448
WELL, YOU CAN'T STOP ME!
457
00:23:35,448 --> 00:23:37,850
I'M GOING TO HARDY'S!
458
00:23:43,623 --> 00:23:46,759
GIVE ME THAT KEY.
459
00:23:46,759 --> 00:23:48,895
GIVE ME THAT KEY.
460
00:23:48,895 --> 00:23:50,930
YOU GIVE ME THAT KEY!
461
00:23:50,930 --> 00:23:53,065
YOU GIVE ME THAT KEY!
462
00:23:53,065 --> 00:23:54,467
GIVE IT! GIVE IT TO ME!
463
00:23:54,467 --> 00:23:55,067
>> I WILL NOT!
464
00:23:55,067 --> 00:23:56,002
>> YOU WILL, TOO!
465
00:23:56,002 --> 00:23:57,236
YOU'LL GIVE ME THAT KEY!
466
00:23:57,236 --> 00:23:58,538
GIVE ME THAT KEY!
467
00:23:58,538 --> 00:23:59,606
>>
468
00:23:59,606 --> 00:24:02,174
>> COME HERE!
469
00:24:02,174 --> 00:24:06,012
GIVE ME THE KEY!
470
00:24:06,012 --> 00:24:08,214
GIVE ME THAT KEY!
471
00:24:15,922 --> 00:24:17,890
>> OH!
472
00:24:21,227 --> 00:24:23,462
>> YOU GIVE ME THAT K--
473
00:24:26,766 --> 00:24:29,001
UNGH! GIVE ME THAT KEY!
474
00:24:29,001 --> 00:24:31,137
WHY, YOU GIVE ME THAT KEY!
475
00:24:31,137 --> 00:24:33,172
AH! AH!
476
00:24:40,713 --> 00:24:42,281
>> I'LL TELL YOUR WIFE!
477
00:24:42,281 --> 00:24:43,883
>>
478
00:24:43,883 --> 00:24:45,084
>> DON'T TOUCH ME, YOU
479
00:24:45,084 --> 00:24:46,586
BLUEBEARD!
480
00:24:49,856 --> 00:24:51,824
OH! OH!
481
00:24:56,729 --> 00:25:00,199
>>
482
00:25:00,199 --> 00:25:02,168
>> I'LL FIX YOU!
483
00:25:03,235 --> 00:25:05,204
AAH!
484
00:25:11,310 --> 00:25:11,711
OH!
485
00:25:11,711 --> 00:25:12,545
>> WELL?
486
00:25:12,545 --> 00:25:14,080
>> I JUST SAW YOUR HUSBAND WITH
487
00:25:14,080 --> 00:25:14,947
A WILD WOMAN.
488
00:25:14,947 --> 00:25:15,281
>> OH!
489
00:25:15,281 --> 00:25:17,283
>> WENT OVER TO HARDY'S HOUSE TO
490
00:25:17,283 --> 00:25:18,551
MAKE WHOOPEE!
491
00:25:18,551 --> 00:25:20,052
>> OH, HE HAS, HAS HE?!
492
00:25:20,052 --> 00:25:24,691
>> I KNEW THIS WOULD HAPPEN.
493
00:25:24,691 --> 00:25:25,958
>> CHASING AROUND, IS HE?
494
00:25:25,958 --> 00:25:27,259
DO YOU KNOW WHERE HARDY LIVES?
495
00:25:27,259 --> 00:25:28,027
>> SURE.
496
00:25:28,027 --> 00:25:29,596
>> WELL, YOU STAY HERE AND PHONE
497
00:25:29,596 --> 00:25:31,564
FOR AN AMBULANCE!
498
00:25:57,189 --> 00:25:58,357
OH!
499
00:26:07,333 --> 00:26:09,335
I'M NOT HOME!
500
00:26:12,672 --> 00:26:13,906
>> I WANT TO SEE MR. HARDY.
501
00:26:13,906 --> 00:26:15,041
>> HE'S NOT HOME, MADAM.
502
00:26:15,041 --> 00:26:16,976
>> THANK YOU!
503
00:26:16,976 --> 00:26:19,345
>> D'OH!
504
00:26:23,349 --> 00:26:25,685
>> OOH!
505
00:26:25,685 --> 00:26:28,220
U-UH, MEET MR. AND MRS. LAUREL.
506
00:26:28,220 --> 00:26:30,256
HOW DO YOU DO?
507
00:26:30,256 --> 00:26:32,091
>> OH, MRS. LAUREL, I'M SO HAPPY
508
00:26:32,091 --> 00:26:32,892
TO MEET YOU.
509
00:26:32,892 --> 00:26:34,160
WON'T YOU STAY AWHILE?
510
00:26:34,160 --> 00:26:35,895
>> NOTHING WOULD GIVE ME GREATER
511
00:26:35,895 --> 00:26:36,863
PLEASURE.
512
00:26:36,863 --> 00:26:38,831
>> MAY I HAVE YOUR WRAP?
513
00:26:38,831 --> 00:26:40,800
>> CERTAINLY.
514
00:26:48,908 --> 00:26:51,811
>> OHHHHHHH!
515
00:26:51,811 --> 00:26:54,080
OOF!
516
00:26:54,080 --> 00:26:55,715
>> IF YOU'LL EXCUSE US,
517
00:26:55,715 --> 00:26:57,750
MRS. HARDY, WE'LL BE GOING.
518
00:26:57,750 --> 00:26:58,885
>> I THINK SO, TOO.
519
00:26:58,885 --> 00:27:00,720
>> OH, I'M SO SORRY, JUDGE.
520
00:27:00,720 --> 00:27:02,354
MUST YOU LEAVE SO SOON?
521
00:27:02,354 --> 00:27:04,390
EXCUSE ME, PLEASE.
522
00:27:04,390 --> 00:27:06,693
>> Oh!
523
00:27:06,693 --> 00:27:10,162
>> GOODBYE, MRS. HOLLIDAY.
524
00:27:10,162 --> 00:27:11,263
GOOD NIGHT, MR. HOLLIDAY.
525
00:27:11,263 --> 00:27:12,398
>> GOOD NIGHT, MR. HARDY.
526
00:27:12,398 --> 00:27:13,866
>> HOW LOVELY THAT YOU CAME WITH
527
00:27:13,866 --> 00:27:14,166
US.
528
00:27:14,166 --> 00:27:14,834
>> CERTAINLY.
529
00:27:14,834 --> 00:27:15,434
>> OH!
530
00:27:15,434 --> 00:27:16,869
GOOD NIGHT, DEAR.
531
00:27:16,869 --> 00:27:17,303
>> OH!
532
00:27:17,303 --> 00:27:18,304
>>
533
00:27:18,304 --> 00:27:19,205
>> GOODBYE, BOTH.
534
00:27:19,205 --> 00:27:20,673
>> GOOD NIGHT, MY DARLING.
535
00:27:20,673 --> 00:27:21,908
>> WE MUST GET TOGETHER
536
00:27:21,908 --> 00:27:22,341
SOMETIME.
537
00:27:22,341 --> 00:27:23,810
>> YOU LADIES CAN MAKE THE
538
00:27:23,810 --> 00:27:25,778
ARRANGEMENTS.
539
00:27:29,782 --> 00:27:30,416
>> WELL?
540
00:27:30,416 --> 00:27:31,884
>> LEAVE MY HOUSE!
541
00:27:31,884 --> 00:27:33,019
>>
542
00:27:33,019 --> 00:27:34,353
>> LEAVE MY HOUSE!
543
00:27:34,353 --> 00:27:36,689
>> NOT UNTIL I GET A SETTLEMENT.
544
00:27:36,689 --> 00:27:38,691
>> I'LL MAKE A SETTLEMENT WITH
545
00:27:38,691 --> 00:27:41,894
YOU, AND A FINAL SETTLEMENT!
546
00:27:43,329 --> 00:27:44,396
I'LL SHOW YOU!
547
00:27:44,396 --> 00:27:46,398
NOW YOU GET OUT OF MY HOUSE, OR
548
00:27:46,398 --> 00:27:48,400
I'LL SHOOT YOU AND KILL MYSELF!
549
00:27:48,400 --> 00:27:49,235
>> AAAAH!
550
00:27:49,235 --> 00:27:49,936
>> OH!
551
00:27:50,402 --> 00:27:52,939
>> OH! OH! OH!
552
00:27:52,939 --> 00:27:55,374
>> OH! WHY...
553
00:27:55,374 --> 00:27:56,275
WHAT'S HAPPENED?!
554
00:27:56,275 --> 00:27:57,844
>> MRS. LAUREL JUST FAINTED!
555
00:27:57,844 --> 00:27:58,978
>> WELL, DON'T STAND THERE!
556
00:27:58,978 --> 00:27:59,979
>> WHAT WILL I DO?!
557
00:27:59,979 --> 00:28:01,180
>> PUT HER ON THE COUCH!
558
00:28:01,180 --> 00:28:02,114
ON THE COUCH!
559
00:28:02,114 --> 00:28:02,982
OH, POOR THING.
560
00:28:02,982 --> 00:28:04,316
SHE'LL BE ALL RIGHT.
561
00:28:04,316 --> 00:28:08,120
I'M SURE OF IT.
562
00:28:08,120 --> 00:28:09,789
>> OHHHHHHHH!
563
00:28:16,395 --> 00:28:19,431
OHHHH!
564
00:28:19,431 --> 00:28:20,466
>> OH, THIS IS TERRIBLE!
565
00:28:20,466 --> 00:28:21,934
YOU AND MRS. LAUREL HAD BETTER
566
00:28:21,934 --> 00:28:22,869
SPEND THE NIGHT HERE.
567
00:28:22,869 --> 00:28:24,136
I'LL GO AND ARRANGE THE GUEST
568
00:28:24,136 --> 00:28:26,105
ROOM.
569
00:28:34,113 --> 00:28:35,081
>> WHAT'LL WE DO NOW?
570
00:28:35,081 --> 00:28:36,415
>> LET'S GET HER OUT OF HERE
571
00:28:36,415 --> 00:28:38,851
BEFORE MY WIFE COMES BACK!
572
00:28:48,795 --> 00:28:50,096
PUT HER ON MY BACK, AND I'LL
573
00:28:50,096 --> 00:28:52,131
CARRY HER OUT.
574
00:28:56,135 --> 00:28:57,336
>> OLIVER?
575
00:28:57,336 --> 00:28:59,271
>> OHHHHHHHH!
576
00:28:59,271 --> 00:29:03,142
>> WAIT A MINUTE!
577
00:29:03,142 --> 00:29:05,077
>> OLIVER!
578
00:29:18,557 --> 00:29:21,393
>> WE'VE DECIDED TO GO HOME.
579
00:29:24,163 --> 00:29:25,865
GOOD NIGHT.
580
00:29:35,041 --> 00:29:37,409
>> OH-HO-HO-HO-HO!
581
00:29:41,013 --> 00:29:43,215
>>
582
00:29:49,355 --> 00:29:50,890
>> WHERE'S MY HUSBAND?!
583
00:29:50,890 --> 00:29:52,124
>> WELL, WHO ARE YOU?
584
00:29:52,124 --> 00:29:53,092
>> I'M MRS. LAUREL.
585
00:29:53,092 --> 00:29:55,061
>> AHA!
586
00:30:14,446 --> 00:30:15,915
>>
587
00:30:16,515 --> 00:30:18,918
OH, YOU!
32065
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