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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,233 --> 00:00:04,567 [ BIRDS CHIRPING ] 2 00:00:04,600 --> 00:00:08,200 Young Woman: COME SPRING, THE AIR CAN STILL CATCH A CHILL 3 00:00:08,233 --> 00:00:11,500 OUT IN THE FLAT STRETCHES OF WEST TEXAS. 4 00:00:11,533 --> 00:00:13,500 ** 5 00:00:13,533 --> 00:00:15,467 BETTY! 6 00:00:15,500 --> 00:00:18,033 YOU'RE GONNA BE LATE AGAIN. COME ON, HONEY. 7 00:00:18,067 --> 00:00:20,833 SO MRS. WILLIAMS WAS USED TO THE MORNING BATTLE... 8 00:00:20,867 --> 00:00:22,367 BETTY? 9 00:00:22,400 --> 00:00:26,833 ...OF PRYING HER DAUGHTER BETTY OUT OF A COZY BED. 10 00:00:26,867 --> 00:00:29,400 BETTY? 11 00:00:29,433 --> 00:00:31,767 YOU'RE GONNA BE LATE. COME ON, HONEY. 12 00:00:33,233 --> 00:00:34,867 [ DOORKNOB RATTLES ] 13 00:00:34,900 --> 00:00:38,933 BUT WHEN THE DOOR TO BETTY'S ROOM WAS LOCKED, 14 00:00:38,967 --> 00:00:41,767 AND THERE WAS NO ANSWER AT ALL, 15 00:00:41,800 --> 00:00:45,233 A TINGE OF FEAR RAN THROUGH MRS. WILLIAMS. 16 00:00:45,267 --> 00:00:47,500 IT LED HER OUT OF HER KITCHEN 17 00:00:47,533 --> 00:00:49,433 AND THROUGH THE BACKYARD 18 00:00:49,467 --> 00:00:53,133 TO TRY THE OTHER DOOR THAT OPENED INTO BETTY'S BEDROOM. 19 00:00:55,567 --> 00:00:58,133 BUT EVEN SHE COULDN'T HAVE IMAGINED... 20 00:00:58,167 --> 00:01:00,067 [ KNOCKING ] BETTY? 21 00:01:03,700 --> 00:01:06,067 ...THAT WITHIN JUST A FEW SHORT HOURS, 22 00:01:06,067 --> 00:01:07,567 BETTY'S EMPTY BED 23 00:01:07,600 --> 00:01:13,433 WAS GOING TO TEAR THE SOUL OF ODESSA, TEXAS, CLEAN APART. 24 00:01:16,800 --> 00:01:19,767 ** 25 00:01:19,800 --> 00:01:22,767 -- Captions by VITAC -- www.vitac.com 26 00:01:22,800 --> 00:01:25,833 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 27 00:01:27,767 --> 00:01:30,833 [ PROJECTOR RUNS ] 28 00:01:30,867 --> 00:01:36,400 ODESSA, TEXAS, IN THE 1960s WAS THE ULTIMATE OIL BOOM TOWN, 29 00:01:36,433 --> 00:01:39,400 AND IT WAS BEDROCK CONSERVATIVE. 30 00:01:39,433 --> 00:01:44,067 JOHN BIRCH SOCIETY, REPUBLICAN, AND DEEPLY CHRISTIAN. 31 00:01:44,100 --> 00:01:45,900 BUT IF THERE WAS ONE THING 32 00:01:45,933 --> 00:01:49,067 THAT ODESSANS MIGHT HAVE LOVED MORE THAN GOD, 33 00:01:49,100 --> 00:01:51,533 IT COULD'VE BEEN THEIR HIGH SCHOOL FOOTBALL TEAMS. 34 00:01:51,567 --> 00:01:55,967 AS MANY AS 15,000 PEOPLE WOULD COME OUT TO SEE 35 00:01:56,067 --> 00:01:58,900 THOSE FRIDAY NIGHT LIGHTS AT ODESSA HIGH SCHOOL... 36 00:02:02,567 --> 00:02:05,767 ...WHERE BETTY SHOULD'VE BEEN THAT MORNING. 37 00:02:05,800 --> 00:02:07,267 I'VE CALLED AROUND TO ALL HER FRIENDS, 38 00:02:07,300 --> 00:02:08,533 AND NO ONE KNOWS WHERE SHE IS. 39 00:02:08,567 --> 00:02:10,467 SO, SHE'S BEEN MISSING HOW LONG NOW? 40 00:02:10,500 --> 00:02:14,800 IT'S BEEN ALMOST TWO HOURS SINCE I CHECKED HER ROOM. 41 00:02:14,833 --> 00:02:16,867 JUST A COUPLE HOURS? 42 00:02:16,900 --> 00:02:21,567 BETTY WILLIAMS' PARENTS TOLD THE POLICE 43 00:02:21,600 --> 00:02:24,667 THAT THEIR 17-YEAR-OLD DAUGHTER IS MISSING. 44 00:02:24,700 --> 00:02:25,967 I UNDERSTAND. 45 00:02:26,067 --> 00:02:30,333 IT'S JUST THAT WITH TEENAGERS -- SHE'S 17, YOU SAID? -- 46 00:02:30,367 --> 00:02:32,133 THERE'S A GOOD CHANCE SHE'LL TURN UP BACK AT HOME SOON. 47 00:02:32,167 --> 00:02:34,767 Y-YOU DON'T UNDERSTAND. SOMETHING IS WRONG. 48 00:02:34,800 --> 00:02:37,700 WHEN WAS THE LAST TIME YOU SAW HER? 49 00:02:37,733 --> 00:02:39,100 LAST NIGHT. 50 00:02:43,267 --> 00:02:45,300 SHE CAME HOME AFTER HER PLAY REHEARSAL. 51 00:02:45,333 --> 00:02:48,333 HI, HONEY. 52 00:02:48,367 --> 00:02:49,600 DIDN'T HEAR YOU COME IN. 53 00:02:49,633 --> 00:02:50,767 SORRY IT'S LATE, MOM. 54 00:02:50,800 --> 00:02:52,467 IT'S OKAY. HOW WAS REHEARSAL? 55 00:02:52,500 --> 00:02:53,467 LONG. 56 00:02:53,500 --> 00:02:55,767 [ LAUGHS ] 57 00:02:55,800 --> 00:02:56,867 DAD GO TO SLEEP? 58 00:02:56,900 --> 00:02:59,067 YEAH, HE DID, COUPLE HOURS AGO. 59 00:03:01,700 --> 00:03:03,433 NIGHT, MOM. 60 00:03:10,133 --> 00:03:12,600 SHE WOULDN'T GO OFF WITHOUT A WORD. 61 00:03:12,633 --> 00:03:14,700 OUR BETTY IS A GOOD CHRISTIAN GIRL. 62 00:03:18,367 --> 00:03:21,433 Guffey Ross: THE WILLIAMS FAMILY WAS EXTREMELY RELIGIOUS. 63 00:03:21,467 --> 00:03:23,733 Shelton: BETTY WAS A VERY GOOD CHRISTIAN GIRL. 64 00:03:23,767 --> 00:03:25,767 SHE LOVED TO TEACH CHILDREN. 65 00:03:25,800 --> 00:03:27,500 SHE WORKED WITH THE YOUTH GROUP 66 00:03:27,533 --> 00:03:29,567 AT THE FRIENDSHIP BAPTIST CHURCH. 67 00:03:31,600 --> 00:03:34,267 [ INDISTINCT CONVERSATIONS ] 68 00:03:34,300 --> 00:03:38,833 McNamara: WHEN THE POLICE HEAR ABOUT A MISSING TEENAGE GIRL, 69 00:03:38,867 --> 00:03:42,267 USUALLY YOU WAIT IT OUT 24 HOURS. 70 00:03:42,300 --> 00:03:44,833 BETTY HADN'T BEEN MISSING FOR VERY LONG, 71 00:03:44,867 --> 00:03:47,167 BUT THE WILLIAMSES WERE HEART-SICK, 72 00:03:47,200 --> 00:03:49,567 AND MAYBE IT WAS THE PITCH OF DESPERATION 73 00:03:49,600 --> 00:03:50,933 COMING OFF BETTY'S MOTHER 74 00:03:50,967 --> 00:03:52,900 THAT FINALLY MOVED THE DETECTIVES 75 00:03:52,933 --> 00:03:57,200 TO JUST GO OUT AND ASK A FEW QUESTIONS. 76 00:03:57,233 --> 00:03:58,733 [ CAR DOORS CLOSE ] 77 00:03:58,767 --> 00:04:01,533 THEY WENT TO SPEND A COUPLE HOURS AT THE HIGH SCHOOL, 78 00:04:01,567 --> 00:04:05,600 WHERE BETTY'S FRIENDS MIGHT KNOW THINGS HER PARENTS DIDN'T. 79 00:04:05,633 --> 00:04:07,067 [ SCHOOL BELL RINGS ] 80 00:04:07,100 --> 00:04:10,567 I WAS SITTING IN FIRST PERIOD, GEOMETRY. 81 00:04:12,667 --> 00:04:14,500 AND THE TEACHER SAID, 82 00:04:14,533 --> 00:04:17,833 "GAYLE, THEY WANT TO SEE YOU IN THE PRINCIPAL'S OFFICE." 83 00:04:17,867 --> 00:04:19,367 WHEN I ARRIVED AT SCHOOL, 84 00:04:19,400 --> 00:04:21,767 RUMORS WERE SPREADING LIKE WILDFIRE 85 00:04:21,800 --> 00:04:25,333 THAT BETTY WAS MISSING. 86 00:04:25,367 --> 00:04:27,400 [ STUDENTS MURMURING ] 87 00:04:30,133 --> 00:04:33,400 WHEN I GOT CALLED IN TO TALK TO THE POLICE THAT MORNING, 88 00:04:33,433 --> 00:04:36,667 AS FAR AS I KNEW, BETTY JUST HADN'T SHOWN UP FOR SCHOOL, 89 00:04:36,700 --> 00:04:39,333 SO IT WAS MORE LIKE CRAZY GOSSIP. 90 00:04:39,367 --> 00:04:42,667 WE NEVER COULD'VE IMAGINED THAT WITHIN A FEW HOURS, 91 00:04:42,700 --> 00:04:46,067 WE'D ALL BE LED DOWN A TRAIL INTO A NIGHTMARE. 92 00:04:46,100 --> 00:04:51,067 SO...YOU'RE ALL IN DRAMA CLUB WITH BETTY WILLIAMS? 93 00:04:51,100 --> 00:04:52,100 YES, WE ARE. 94 00:04:52,133 --> 00:04:54,567 ANYONE HEARD FROM BETTY THIS MORNING? 95 00:04:54,600 --> 00:04:55,500 SEEN HER ANYWHERE? 96 00:04:55,533 --> 00:04:57,067 Young Man: NO, I MEAN... 97 00:04:57,067 --> 00:04:58,067 NO. 98 00:04:58,067 --> 00:04:59,267 IS IT LIKE HER TO MISS SCHOOL? 99 00:04:59,300 --> 00:05:00,167 Gayle: NO. 100 00:05:00,200 --> 00:05:01,133 NO. 101 00:05:01,167 --> 00:05:02,867 AND GAYLE IS...? 102 00:05:02,900 --> 00:05:06,433 AND YOU'RE BETTY'S BEST FRIEND? 103 00:05:06,467 --> 00:05:07,667 YES, SIR. 104 00:05:07,700 --> 00:05:09,233 WHAT CAN YOU TELL ME ABOUT BETTY? 105 00:05:11,867 --> 00:05:13,633 [ LAUGHS ] 106 00:05:13,667 --> 00:05:16,333 Guffey Ross: SHE WAS A SENIOR AND I WAS A SOPHOMORE, 107 00:05:16,367 --> 00:05:22,500 AND, OH, I JUST THOUGHT SHE WAS SUCH A WISE, WORLDLY PERSON. 108 00:05:24,333 --> 00:05:28,100 Shelton: BETTY LOVED THEATER, DRAMA. 109 00:05:28,133 --> 00:05:30,167 AND SHE HAD ALL THE MAGAZINES AND ALL OF THAT. 110 00:05:30,200 --> 00:05:33,633 "OUR BEAUTIFUL GROUNDS ARE SOME OF THE BEST IN THE WORLD. 111 00:05:33,667 --> 00:05:36,433 NOWHERE WILL YOU FIND SUCH IMMACULATE KEEPING." 112 00:05:36,467 --> 00:05:38,400 AND AFTER HIGH SCHOOL, 113 00:05:38,433 --> 00:05:42,733 SHE IS PLANNING TO GO TO THEATER SCHOOL 114 00:05:42,767 --> 00:05:45,167 AT INDIANA UNIVERSITY. 115 00:05:47,600 --> 00:05:49,067 Man: [ Over television ] IN LUNCH COUNTERS 116 00:05:49,067 --> 00:05:51,167 AND BUS TERMINALS ALL OVER THE SOUTH, 117 00:05:51,200 --> 00:05:52,900 THE BATTLE IS JOINED. 118 00:05:52,933 --> 00:05:54,533 WE SHOULD DO SOMETHING LIKE THAT. 119 00:05:54,567 --> 00:05:57,533 WE COULD GET THE WHOLE DRAMA CLUB TO DO IT. 120 00:05:57,567 --> 00:05:59,800 SOMEONE JUST NEEDS TO STAND UP AND TELL THE TRUTH. 121 00:05:59,833 --> 00:06:01,133 YOU KNOW, IF SOMEBODY DID THAT, 122 00:06:01,167 --> 00:06:04,067 I BET EVERYONE WOULD LISTEN TO THEM. 123 00:06:04,067 --> 00:06:06,767 Guffey Ross: BETTY WAS VERY BRAVE. 124 00:06:06,800 --> 00:06:12,567 I LOVED HER STREAK OF INDEPENDENCE AND HER DEFIANCE. 125 00:06:12,600 --> 00:06:19,067 Shelton: BETTY WILLIAMS SAW HERSELF AS A BEATNIK. 126 00:06:19,100 --> 00:06:20,600 IN ODESSA, TEXAS, 127 00:06:20,633 --> 00:06:22,167 TRADITIONAL, CONSERVATIVE, 128 00:06:22,200 --> 00:06:25,067 EVANGELICAL CHRISTIANITY DOMINATED. 129 00:06:25,100 --> 00:06:32,767 Guffey Ross: COMPARED TO THE AVERAGE ODESSA YOUNG LADY, BETTY WAS A REBEL. 130 00:06:36,800 --> 00:06:37,767 OKAY. 131 00:06:37,800 --> 00:06:39,533 WHAT ABOUT BOYS? 132 00:06:39,567 --> 00:06:43,100 IS THERE A BOY BETTY'S SPENDING TIME WITH? 133 00:06:44,167 --> 00:06:48,300 WELL...IT ISN'T A BOY. 134 00:06:48,333 --> 00:06:50,067 WHAT DOES THAT MEAN? 135 00:06:50,067 --> 00:06:54,767 THERE WERE A BUNCH OF DIFFERENT BOYS. 136 00:06:54,800 --> 00:06:57,367 Young Man: SHE WOULD MEET UP WITH GUYS AT TOMMY'S, 137 00:06:57,400 --> 00:06:59,800 UH, AFTER CURFEW FOR MOST OF US. 138 00:06:59,833 --> 00:07:02,433 ** 139 00:07:11,600 --> 00:07:13,600 [ LOCK CLICKS ] 140 00:07:13,633 --> 00:07:18,833 Guffey Ross: BETTY HAD A ROOM IN THE HOUSE THAT HAD A BACK DOOR. 141 00:07:18,867 --> 00:07:20,900 [ DOOR CREAKS ] 142 00:07:28,067 --> 00:07:31,167 [ DOOR CLOSES ] 143 00:07:31,200 --> 00:07:35,500 SHE COULD LEAVE UNSEEN, AND SHE DID ALL THE TIME. 144 00:07:35,533 --> 00:07:38,333 [ LAUGHTER, INDISTINCT CONVERSATIONS ] 145 00:07:38,367 --> 00:07:40,833 ** 146 00:07:40,867 --> 00:07:43,600 BETTY BELIEVED THAT IT WAS OKAY 147 00:07:43,633 --> 00:07:47,767 TO GO OUT AND EXPRESS YOURSELF SEXUALLY. 148 00:07:47,800 --> 00:07:50,867 BUT BETTY WAS ONLY 17 YEARS OLD. 149 00:07:50,900 --> 00:07:53,933 ** 150 00:08:00,133 --> 00:08:03,267 Shelton: BETTY HAD SEX, AND SHE LIKED SEX, 151 00:08:03,300 --> 00:08:06,767 AND SHE USED THAT TO HER ADVANTAGE. 152 00:08:06,800 --> 00:08:08,267 SHE WAS EXPLICIT ABOUT THE FACT 153 00:08:08,300 --> 00:08:10,533 THAT, "YOU'RE THINKING ABOUT SEX, AREN'T YOU? 154 00:08:10,567 --> 00:08:14,467 WELL, I'M THINKING ABOUT SEX, TOO." 155 00:08:14,500 --> 00:08:17,667 AND SHE LOVED SEEING THE REACTION. 156 00:08:17,700 --> 00:08:22,467 I CANNOT TELL YOU HOW SHOCKING THAT WAS IN 1960. 157 00:08:24,667 --> 00:08:28,733 * JESUS 158 00:08:28,767 --> 00:08:32,067 SO SHE WOULD JUST GET IN CARS WITH BOYS 159 00:08:32,100 --> 00:08:33,233 AND JUST GO OFF WITH THEM? 160 00:08:33,267 --> 00:08:36,100 YEAH, ALL THE TIME. 161 00:08:38,067 --> 00:08:39,767 Young Woman: AND THAT RIGHT THERE, 162 00:08:39,800 --> 00:08:41,967 I THINK THAT'S WHEN THE POLICE 163 00:08:42,067 --> 00:08:44,867 STARTED TO GET A RING OF BAD FEELING. 164 00:08:44,900 --> 00:08:50,533 MAYBE THIS WASN'T JUST A CASE OF OVER-ANXIOUS PARENTS. 165 00:08:50,567 --> 00:08:52,900 MAYBE BETTY WENT OFF INTO THE DARK... 166 00:08:52,933 --> 00:08:54,400 [ DOOR OPENS ] 167 00:08:54,433 --> 00:08:57,067 ...WITH GOD KNOWS WHO, 168 00:08:57,100 --> 00:08:59,367 AND NEVER CAME HOME AGAIN. 169 00:09:07,067 --> 00:09:08,600 [ PROJECTOR RUNS ] 170 00:09:08,633 --> 00:09:10,167 Young Woman: IF BETTY WILLIAMS 171 00:09:10,200 --> 00:09:12,800 HAD BEEN A HIGH SCHOOL SENIOR IN THE LATE 1960s, 172 00:09:12,833 --> 00:09:15,600 PEOPLE LIKELY WOULD'VE JUST THOUGHT OF HER AS A HIPPIE 173 00:09:15,633 --> 00:09:18,533 OR PART OF THE FREE LOVE GENERATION. 174 00:09:18,567 --> 00:09:22,233 BUT IN ODESSA, TEXAS, IN 1961, 175 00:09:22,267 --> 00:09:25,700 SHE WAS A FEW YEARS AHEAD OF HER TIME. 176 00:09:25,733 --> 00:09:30,233 AND I HAD CERTAINLY HEARD TALK ABOUT BETTY'S REPUTATION. 177 00:09:30,267 --> 00:09:31,900 THAT'S WHAT YOU GOT BACK THEN 178 00:09:31,933 --> 00:09:35,233 FOR BREAKING THE CODE OF GOOD-GIRL BEHAVIOR. 179 00:09:35,267 --> 00:09:37,167 Detective: WELL, WE KNOW SHE GOT HOME 180 00:09:37,200 --> 00:09:40,300 AFTER PLAY PRACTICE WITH Y'ALL LAST NIGHT. 181 00:09:40,333 --> 00:09:42,400 BUT YOU'RE SAYING SHE WOULD SNEAK OUT, 182 00:09:42,433 --> 00:09:44,600 GO OFF WITH ALL DIFFERENT KINDS OF BOYS. 183 00:09:44,633 --> 00:09:47,800 ANYBODY SEE HER AT TOMMY'S LATE LAST NIGHT? 184 00:09:47,833 --> 00:09:49,067 MNH. 185 00:09:49,067 --> 00:09:50,667 Young Man: NO. Gayle: NO. 186 00:09:50,700 --> 00:09:52,633 Detective #2: ANY BOYFRIENDS? 187 00:09:52,667 --> 00:09:54,500 SOMEONE SHE'D GET MORE SERIOUS WITH, 188 00:09:54,533 --> 00:09:55,733 MAKE PLANS WITH? 189 00:09:55,767 --> 00:10:00,067 WELL, BACK LAST SUMMER, UM, SEVEN MONTHS AGO, 190 00:10:00,067 --> 00:10:02,367 BETTY DID HAVE A REAL BOYFRIEND THEN. 191 00:10:02,400 --> 00:10:04,100 SHE WAS DATING MACK HERRING. 192 00:10:04,133 --> 00:10:05,967 HE'S WHAT, A JUNIOR? 193 00:10:07,900 --> 00:10:10,900 ** 194 00:10:12,100 --> 00:10:13,733 McNamara: POLICE FIND OUT THAT THE PREVIOUS SUMMER, 195 00:10:13,767 --> 00:10:15,833 SHE ACTUALLY HAD A REAL BOYFRIEND... 196 00:10:15,867 --> 00:10:18,367 [ PROJECTOR RUNS ] 197 00:10:18,400 --> 00:10:22,267 ...A POPULAR FOOTBALL PLAYER NAMED MACK HERRING. 198 00:10:25,667 --> 00:10:30,467 Guffey Ross: MACK HERRING WAS A REALLY NICE-LOOKING GUY, 199 00:10:30,500 --> 00:10:33,567 AND HE WAS A BIG MAN ON CAMPUS. 200 00:10:33,600 --> 00:10:38,033 McNamara: EVEN THOUGH SHE WAS THIS NONCONFORMIST REBEL, 201 00:10:38,067 --> 00:10:43,000 SHE WAS VERY ATTRACTED TO MACK. 202 00:10:43,033 --> 00:10:46,500 Shelton: IN ODESSA, FOOTBALL PLAYERS RULE THE ROOST. 203 00:10:46,533 --> 00:10:48,300 THEY WIN THE MOST POPULAR, 204 00:10:48,333 --> 00:10:50,967 THEY WIN THE STUDENT-COUNCIL ELECTION. 205 00:10:51,000 --> 00:10:57,033 Guffey Ross: MACK COULD BE A REALLY SUBDUED, QUIET GUY. 206 00:10:57,067 --> 00:11:00,133 HE WAS A MUCH MORE RESERVED PERSON. 207 00:11:02,067 --> 00:11:05,800 AND IT WAS ALL OUT THERE WITH BETTY. 208 00:11:07,967 --> 00:11:10,833 AND I THINK THAT GAVE HIM SOME FREEDOM, 209 00:11:10,867 --> 00:11:14,600 AND HE WAS MORE EXPRESSIVE WHEN HE WAS WITH HER. 210 00:11:14,633 --> 00:11:17,667 ** 211 00:11:24,200 --> 00:11:27,433 I NEVER SAW THEM OUT TOGETHER. 212 00:11:27,467 --> 00:11:34,167 BUT THE LOOK IN BETTY'S EYES WHEN SHE TALKED ABOUT MACK... 213 00:11:34,200 --> 00:11:36,267 THAT WAS PLAIN AS DAY. 214 00:11:36,300 --> 00:11:39,333 ** 215 00:12:00,867 --> 00:12:05,267 THE THING WAS, BEFORE SCHOOL STARTED AGAIN, 216 00:12:05,300 --> 00:12:10,100 MACK WAS DATING ANOTHER, MORE POPULAR GIRL, 217 00:12:10,133 --> 00:12:15,267 AND IT SEEMED PRETTY CLEAR THAT HE SAW BETTY AS A SUMMER FLING. 218 00:12:18,300 --> 00:12:19,633 IT MUST'VE HURT BETTY A TON 219 00:12:19,667 --> 00:12:21,433 WHEN MACK WOULD LOOK THROUGH HER 220 00:12:21,467 --> 00:12:23,833 LIKE SHE WASN'T EVEN THERE. 221 00:12:29,067 --> 00:12:31,500 SO THEY BROKE UP? 222 00:12:31,533 --> 00:12:32,867 THAT WAS ALL THE WAY BACK LAST SUMMER. 223 00:12:32,900 --> 00:12:33,867 THEY'RE FRIENDS NOW. 224 00:12:33,900 --> 00:12:35,200 IS THAT RIGHT? 225 00:12:35,233 --> 00:12:37,167 YEAH, WE'RE JUST TRYING TO FIND OUT 226 00:12:37,200 --> 00:12:38,600 WHERE BETTY WILLIAMS MIGHT BE. 227 00:12:38,633 --> 00:12:42,767 SO, ANYBODY HEARD FROM MACK THIS MORNING? 228 00:12:42,800 --> 00:12:43,900 Gayle: YES. HE'S HERE. 229 00:12:43,933 --> 00:12:45,100 Young Man: MACK'S BEEN AT SCHOOL ALL DAY. 230 00:12:45,133 --> 00:12:46,600 GREAT. OKAY. 231 00:12:46,633 --> 00:12:49,300 DON'T MAKE US WASTE OUR TIME HERE. 232 00:12:49,333 --> 00:12:52,467 IF YOU HAVE ANY IDEA WHERE BETTY MIGHT BE, 233 00:12:52,500 --> 00:12:53,767 YOU BETTER COME OUT WITH IT. 234 00:12:56,067 --> 00:12:58,433 W-WOULD YOU HAVE TO TELL HER PARENTS? 235 00:12:58,467 --> 00:13:01,167 IF YOU HAVE SOMETHING WEIGHING ON YOUR MIND, 236 00:13:01,200 --> 00:13:03,400 THAT MEANS WE NEED TO KNOW ABOUT IT. 237 00:13:03,433 --> 00:13:06,067 THERE'S AN OLDER GUY. 238 00:13:12,067 --> 00:13:14,733 [ SLOW MUSIC PLAYING ] 239 00:13:14,767 --> 00:13:17,833 BETTY WAS INVOLVED WITH A DEEJAY AT A RADIO STATION. 240 00:13:20,367 --> 00:13:21,867 HE WAS OLDER. 241 00:13:21,900 --> 00:13:24,500 HE WAS LIKE A MAN WITH A 17 YEAR OLD. 242 00:13:27,933 --> 00:13:31,367 Guffey Ross: IN THE BACK OF MY MIND, I WAS THINKING, 243 00:13:31,400 --> 00:13:34,133 "BETTY, YOU'RE GONNA BE IN A LOT OF TROUBLE 244 00:13:34,167 --> 00:13:35,800 WHEN YOUR PARENTS FIND OUT." 245 00:13:41,400 --> 00:13:45,700 SOMETIMES SHE'D SPEND THE WHOLE NIGHT OVER AT HIS PLACE. 246 00:13:45,733 --> 00:13:50,833 SO I TOLD THE POLICE SHE MAY BE AT THIS GUY'S HOUSE. 247 00:13:53,733 --> 00:13:55,200 OKAY, THAT'S ALL WE NEED. TELL THEM. 248 00:13:55,233 --> 00:13:56,600 NO. LET'S JUST -- THANKS, KIDS. 249 00:13:56,633 --> 00:13:57,567 HAVE A GOOD DAY, OKAY? 250 00:13:57,600 --> 00:13:59,067 YOU SAID "ANYTHING AT ALL"? 251 00:13:59,067 --> 00:14:03,467 TELL YOU ANYTHING AT ALL ABOUT BETTY? 252 00:14:03,500 --> 00:14:08,900 WELL, BETTY STARTED ASKING PEOPLE IF THEY WOULD KILL HER. 253 00:14:12,333 --> 00:14:13,667 SHE DID WHAT? 254 00:14:13,700 --> 00:14:17,067 SHE STRAIGHT-OUT ASKED ME TO KILL HER. 255 00:14:17,067 --> 00:14:18,667 SHE ASKED ME, TOO. 256 00:14:18,700 --> 00:14:22,067 SHE ASKED A FEW OF US WHO WERE WORKING ON THE PLAY. 257 00:14:31,500 --> 00:14:34,667 SHE STRAIGHT-OUT ASKED ME TO KILL HER. 258 00:14:34,700 --> 00:14:36,500 SHE ASKED ME, TOO. 259 00:14:36,533 --> 00:14:38,733 SHE ASKED A FEW OF US WHO WERE WORKING ON THE PLAY. 260 00:14:38,767 --> 00:14:41,133 WHAT DO YOU MEAN, ASKING PEOPLE TO KILL HER? 261 00:14:41,167 --> 00:14:42,333 WHY WOULD SHE DO THAT? 262 00:14:42,367 --> 00:14:45,133 SHE TOOK THE WAY PEOPLE TALKED ABOUT HER 263 00:14:45,167 --> 00:14:47,300 AFTER BILL ROSE PRETTY HARD. 264 00:14:50,467 --> 00:14:53,800 ** 265 00:14:55,800 --> 00:15:01,400 BILL ROSE WAS GORGEOUS, 266 00:15:01,433 --> 00:15:04,800 AND HE WAS ON THE FOOTBALL TEAM. [ COIN RATTLES ] 267 00:15:04,833 --> 00:15:06,133 [ MUSIC PLAYS THROUGH JUKEBOX ] 268 00:15:06,167 --> 00:15:09,367 Shelton: THE MOST POPULAR GUY AT ODESSA HIGH SCHOOL. 269 00:15:09,400 --> 00:15:12,400 ** 270 00:15:25,667 --> 00:15:29,067 McNamara: BETTY WAS PROUDLY PROMISCUOUS. 271 00:15:35,933 --> 00:15:41,100 AND SHE RECOUNTED MANY OF HER SEXUAL EXPERIENCES IN HER DIARY. 272 00:15:42,333 --> 00:15:46,767 ONE NIGHT, THE PHONE RANG, AND BETTY SAID, "HEY, SHEL? 273 00:15:46,800 --> 00:15:48,500 GUESS WHO I SCREWED TONIGHT?" 274 00:15:48,533 --> 00:15:50,400 AND I SAID, "WHAT? WHO?" 275 00:15:50,433 --> 00:15:52,567 AND SHE SAID, "BILL ROSE." 276 00:15:57,500 --> 00:16:03,100 Young Woman: BUT WHEN WORD GOT AROUND, AND IT ALWAYS DOES, 277 00:16:03,133 --> 00:16:07,200 THAT'S WHEN THINGS GOT REALLY BAD FOR BETTY. 278 00:16:07,233 --> 00:16:10,933 Guffey Ross: BILL ROSE AND MACK WERE REALLY CLOSE FRIENDS. 279 00:16:10,967 --> 00:16:13,833 THERE WERE VERY CAREFULLY PRESCRIBED RULES, 280 00:16:13,867 --> 00:16:17,833 AND THERE WERE FAR MORE RULES FOR GIRLS. 281 00:16:17,867 --> 00:16:23,200 McNamara: TO HAVE PEOPLE TALKING ABOUT HER BEING A WHORE AND SLUTTY, 282 00:16:23,233 --> 00:16:25,767 SHE FELT THE CONTEMPT. 283 00:16:25,800 --> 00:16:28,600 Shelton: FOR BETTY, IT WAS ABSOLUTE HELL. 284 00:16:28,633 --> 00:16:30,967 White: ANY TIME ANYBODY'S DISCUSSING SUICIDE TALK, 285 00:16:31,067 --> 00:16:32,433 ABOUT DEATH AND KILLING THEMSELVES, 286 00:16:32,467 --> 00:16:33,900 IT'S AN IMPORTANT RED FLAG, 287 00:16:33,933 --> 00:16:35,767 AND IT'S CERTAINLY SOMETHING THAT SHOULD BE TAKEN SERIOUSLY, 288 00:16:35,800 --> 00:16:36,667 NO MATTER WHAT. 289 00:16:36,700 --> 00:16:37,867 WAS THERE ANYTHING ELSE AT ALL 290 00:16:37,900 --> 00:16:38,967 YOU CAN TELL US 291 00:16:39,067 --> 00:16:42,067 ABOUT WHAT'S GOING ON IN BETTY'S LIFE? 292 00:16:42,100 --> 00:16:45,467 WELL, SHE DIDN'T GET CAST IN THE PLAY. 293 00:16:45,500 --> 00:16:47,567 GAYLE GOT THE LEAD. 294 00:16:47,600 --> 00:16:50,900 I WAS CAST AS THE LEAD IN "WINTERSET." 295 00:16:50,933 --> 00:16:53,400 I THOUGHT SHE WAS AT REHEARSAL WORKING ON THE PLAY 296 00:16:53,433 --> 00:16:54,633 WITH ALL OF YOU. 297 00:16:54,667 --> 00:16:58,367 SHE WAS, BUT BETTY GOT MADE THE STAGE MANAGER. 298 00:17:01,367 --> 00:17:02,933 Mack: ALL RIGHT, TAKE IT EASY. 299 00:17:02,967 --> 00:17:04,900 Shelton: THERE WAS A NEW DRAMA TEACHER, 300 00:17:04,933 --> 00:17:07,833 AND BETTY WAS NOT PICKED, 301 00:17:07,867 --> 00:17:11,367 AND THIS DEVASTATED HER. 302 00:17:11,400 --> 00:17:14,067 ** 303 00:17:14,067 --> 00:17:18,267 Guffey Ross: MACK HERRING WAS ALSO IN THE PLAY. 304 00:17:18,300 --> 00:17:20,933 McNamara: SHE HAD TO WATCH GAYLE AND MACK, 305 00:17:20,967 --> 00:17:24,133 HER FRIEND AND HER EX-BOYFRIEND, PERFORMING ONSTAGE, 306 00:17:24,167 --> 00:17:28,967 AND SHE WAS IN THE BACKGROUND. 307 00:17:29,067 --> 00:17:33,367 THE SENIOR PLAY, FOR A DRAMA MAJOR, IS EVERYTHING. 308 00:17:33,400 --> 00:17:36,433 W-WE WROTE OFF APPLICATIONS TO COLLEGE. 309 00:17:36,467 --> 00:17:40,200 WE WERE GONNA STUDY THEATER AT INDIANA UNIVERSITY TOGETHER, 310 00:17:40,233 --> 00:17:42,433 UNTIL THE THING WITH HER FATHER HAPPENED. 311 00:17:44,100 --> 00:17:46,067 WHAT HAPPENED WITH HER FATHER? 312 00:17:53,733 --> 00:17:58,467 WE ALL KNEW HOW SERIOUSLY MR. WILLIAMS TOOK THEIR FAITH. 313 00:18:04,200 --> 00:18:08,067 AND BETTY WAS WILLFUL, INDEPENDENT, 314 00:18:08,100 --> 00:18:11,600 SO HE WAS ALWAYS WONDERING WHAT SHE MIGHT BE GETTING UP TO 315 00:18:11,633 --> 00:18:15,067 OUTSIDE THE CONTROL OF HIS WATCHFUL EYE. 316 00:18:17,567 --> 00:18:24,133 McNamara: HER FATHER, WHO WAS EXTREMELY STRICT, 317 00:18:24,167 --> 00:18:28,400 DISCOVERED BETTY'S DIARY WITH HER SEXUAL HISTORY. 318 00:18:39,067 --> 00:18:40,067 [ SIGHS ] 319 00:18:51,767 --> 00:18:53,500 WHAT IS THIS? 320 00:18:53,533 --> 00:18:55,767 UH... WHAT ARE YOU WRITING IN HERE? 321 00:18:55,800 --> 00:18:57,833 SIT DOWN. SIT DOWN. 322 00:18:57,867 --> 00:18:59,667 SIT. 323 00:18:59,700 --> 00:19:02,600 TELL ME YOU'RE NOT DOING THIS. 324 00:19:03,800 --> 00:19:06,067 OH, MY GOD. 325 00:19:06,067 --> 00:19:07,667 I CAN'T BELIEVE YOU. 326 00:19:07,700 --> 00:19:10,633 THAT IS SINFUL, AND YOU KNOW IT. 327 00:19:10,667 --> 00:19:11,733 I'M SORRY. 328 00:19:11,767 --> 00:19:12,833 DON'T "SORRY" ME. 329 00:19:12,867 --> 00:19:15,067 YOU'RE DISHONORING ME AND THIS FAMILY. 330 00:19:15,067 --> 00:19:16,067 AND YOUR MOTHER. 331 00:19:16,100 --> 00:19:18,333 HAVE YOU THOUGHT ABOUT YOUR MOTHER? 332 00:19:18,367 --> 00:19:20,167 HAVE YOU READ THAT? 333 00:19:20,200 --> 00:19:22,567 I TOLD YOU. I TOLD YOU ABOUT HER. 334 00:19:22,600 --> 00:19:24,133 JOHN, COME ON, PLEASE. 335 00:19:24,167 --> 00:19:25,267 YOU BE QUIET. 336 00:19:29,067 --> 00:19:32,333 THIS CAME FOR YOU. 337 00:19:32,367 --> 00:19:34,867 YOU THOUGHT YOU WERE GONNA GO AWAY? 338 00:19:34,900 --> 00:19:37,067 WELL, YOU'RE NOT GOING AWAY. 339 00:19:37,067 --> 00:19:40,200 YOU'RE GONNA STAY HERE AND YOU'RE GONNA GET A JOB. 340 00:19:40,233 --> 00:19:42,400 AND YOU'RE GONNA STAY IN CHURCH. 341 00:19:42,433 --> 00:19:45,433 THAT HURTS ME. 342 00:19:45,467 --> 00:19:49,433 YOU'RE A RUINED GIRL. 343 00:19:49,467 --> 00:19:50,567 YOU'VE KILLED ME. 344 00:19:50,600 --> 00:19:52,767 SORRY. 345 00:19:52,800 --> 00:19:53,900 [ SNIFFLES ] 346 00:19:53,933 --> 00:19:56,633 YOU NEED TO GET DOWN ON YOUR KNEES AND PRAY. 347 00:20:07,733 --> 00:20:09,500 [ DOOR SLAMS ] 348 00:20:09,533 --> 00:20:12,567 [ CRYING ] 349 00:20:25,500 --> 00:20:28,833 SO SHE ACTUALLY WAS TALKING ABOUT SUICIDE, 350 00:20:28,867 --> 00:20:31,367 OR WANTING SOMEONE TO KILL HER? 351 00:20:31,400 --> 00:20:32,300 [ INDISTINCT CHATTER ] YEAH. 352 00:20:32,333 --> 00:20:33,167 SHE DIDN'T MEAN IT. 353 00:20:33,200 --> 00:20:34,167 [ CHATTER CONTINUES ] 354 00:20:34,200 --> 00:20:35,533 WAIT. 355 00:20:35,567 --> 00:20:38,733 THAT WAS JUST TYPICAL BETTY. SHE DIDN'T REALLY MEAN IT. 356 00:20:40,200 --> 00:20:41,767 Mack: ALL RIGHT, TAKE IT EASY. 357 00:20:41,800 --> 00:20:45,067 MAYBE YOU'RE LYING TO ME AND MAYBE YOU'RE NOT. 358 00:20:45,100 --> 00:20:47,400 MIKE, WOULD YOU KILL ME? 359 00:20:47,433 --> 00:20:49,900 WHAT? 360 00:20:49,933 --> 00:20:51,733 WHAT ARE YOU TALKING ABOUT, BETTY? 361 00:20:51,767 --> 00:20:53,300 I WON'T EVER BE HAPPY, 362 00:20:53,333 --> 00:20:57,100 SO IT'S PROBABLY JUST BEST IF I JUST DIE. 363 00:20:57,133 --> 00:20:59,500 WOULD YOU DO IT? 364 00:20:59,533 --> 00:21:02,533 WELL, I COULD DO IT, 365 00:21:02,567 --> 00:21:05,133 BUT I DON'T THINK YOU CAN AFFORD MY FEE. 366 00:21:08,067 --> 00:21:10,400 WAIT. WHY...? 367 00:21:10,433 --> 00:21:12,167 SHE CAN BE OVERLY DRAMATIC. 368 00:21:12,200 --> 00:21:14,833 RIGHT. 369 00:21:14,867 --> 00:21:18,533 HER PARENTS ARE WORRIED. YOU NEED TO TAKE THIS SERIOUSLY. 370 00:21:23,233 --> 00:21:25,400 TELL US AGAIN ABOUT THE LAST TIME YOU SAW BETTY 371 00:21:25,433 --> 00:21:28,467 AT PLAY REHEARSAL LAST NIGHT. 372 00:21:28,500 --> 00:21:30,700 TAKE US THROUGH IT STEP BY STEP. 373 00:21:30,733 --> 00:21:32,233 WAS SHE ACTING STRANGELY? 374 00:21:32,267 --> 00:21:33,867 SHE SEEMED NORMAL. 375 00:21:33,900 --> 00:21:37,367 RE-REHEARSAL ENDED A LITTLE BEFORE 10:00, 376 00:21:37,400 --> 00:21:40,433 AND WE ALL WENT HOME. 377 00:21:40,467 --> 00:21:44,867 I LEFT WITH MACK HERRING. HE WAS GIVING ME A RIDE HOME. 378 00:21:44,900 --> 00:21:47,933 ** 379 00:21:54,633 --> 00:21:58,567 AND I SAW BETTY LEAVE WITH IKE NAIL. 380 00:21:58,600 --> 00:22:00,433 SO, WHO'S IKE NAIL? 381 00:22:00,467 --> 00:22:01,967 HE'S A FOOTBALL PLAYER, TOO. 382 00:22:02,067 --> 00:22:03,967 HE'S BEEN WORKING ON THE PLAY WITH US. 383 00:22:06,967 --> 00:22:10,067 SO, POLICE QUESTION IKE BECAUSE HE DROVE HER HOME. 384 00:22:10,067 --> 00:22:11,567 HE WAS THE LAST PERSON TO SEE HER 385 00:22:11,600 --> 00:22:13,200 BEFORE HER PARENTS SAW HER. 386 00:22:16,967 --> 00:22:21,733 Detective: SO, WE HEAR YOU DROVE BETTY WILLIAMS HOME LAST NIGHT. 387 00:22:21,767 --> 00:22:22,967 MM-HMM. 388 00:22:23,067 --> 00:22:25,367 Detective #2: WHAT TIME DID YOU DROP HER OFF? 389 00:22:25,400 --> 00:22:30,067 I DROPPED HER OFF ABOUT 10:00, I THINK. 390 00:22:30,067 --> 00:22:31,767 AND THAT WAS THE LAST YOU SAW HER? 391 00:22:33,600 --> 00:22:35,433 [ CLOCK TICKING ] 392 00:22:35,467 --> 00:22:38,700 WELL, NO. 393 00:22:38,733 --> 00:22:40,200 SHE ASKED ME TO COME BACK, 394 00:22:40,233 --> 00:22:43,900 DRIVE AROUND TO THE ALLEY BEHIND HER HOUSE. 395 00:22:43,933 --> 00:22:46,067 AND? DID YOU? 396 00:22:46,067 --> 00:22:48,533 YEAH. 397 00:22:51,100 --> 00:22:53,367 NIGHT, MOM. 398 00:22:53,400 --> 00:22:56,400 Shelton: AFTER BETTY SAID GOODNIGHT, 399 00:22:56,433 --> 00:23:03,067 SHE CHANGED INTO BABYDOLL PINK PAJAMAS. 400 00:23:07,067 --> 00:23:11,800 SHE CAME OUT FROM HER ROOM. 401 00:23:11,833 --> 00:23:13,633 WE JUST TALKED FOR AWHILE. 402 00:23:13,667 --> 00:23:15,867 SO YOU WERE THE LAST PERSON TO SEE HER 403 00:23:15,900 --> 00:23:18,200 AFTER HER PARENTS THOUGHT SHE WAS IN BED? 404 00:23:21,800 --> 00:23:24,767 ** 405 00:23:37,133 --> 00:23:39,867 Young Woman: WHERE IS BETTY WILLIAMS? 406 00:23:39,900 --> 00:23:43,333 THAT'S THE QUESTION THE WHOLE SCHOOL WAS ASKING 407 00:23:43,367 --> 00:23:45,133 BY THE AFTERNOON. 408 00:23:45,167 --> 00:23:51,400 AND OUR CLASSMATE IKE NAIL SEEMED LIKE HE MIGHT KNOW 409 00:23:51,433 --> 00:23:53,200 WHEN HE ADMITTED TO THE POLICE 410 00:23:53,233 --> 00:23:57,633 THAT BETTY HAD SNUCK OUT TO SEE HIM THE NIGHT BEFORE. 411 00:23:57,667 --> 00:24:01,867 SO YOU WERE THE LAST PERSON TO SEE HER. 412 00:24:05,467 --> 00:24:07,133 NO. 413 00:24:10,333 --> 00:24:14,667 WHEN WE WERE THERE... 414 00:24:14,700 --> 00:24:20,800 ANOTHER CAR DROVE INTO THE ALLEY RIGHT BEHIND US. 415 00:24:24,333 --> 00:24:26,967 Betty: OH, MY GOSH. 416 00:24:27,067 --> 00:24:30,133 I DIDN'T THINK HE'D ACTUALLY COME. 417 00:24:30,167 --> 00:24:33,800 COULD YOU TELL WHO IT WAS? 418 00:24:33,833 --> 00:24:36,267 WELL, YEAH. 419 00:24:36,300 --> 00:24:40,133 I RECOGNIZED THE CAR. 420 00:24:44,400 --> 00:24:46,367 IT WAS MACK HERRING. 421 00:24:46,400 --> 00:24:49,300 BETTY GOT IN THE CAR WITH HIM? 422 00:24:49,333 --> 00:24:52,367 ** 423 00:24:56,733 --> 00:24:59,533 YES, SIR. 424 00:24:59,567 --> 00:25:01,733 THAT'S THE LAST TIME I SAW HER. 425 00:25:06,633 --> 00:25:11,067 ALL RIGHT, IKE. JUST WAIT OUTSIDE NOW. 426 00:25:11,067 --> 00:25:15,067 BUT MACK AND BETTY BROKE UP SEVEN MONTHS AGO, 427 00:25:15,067 --> 00:25:17,733 SO WHEN WE SAW MACK WALKING DOWN THE HALL, 428 00:25:17,767 --> 00:25:20,133 IT DIDN'T MAKE ANY SENSE. 429 00:25:23,233 --> 00:25:24,433 WE'RE JUST TRYING TO FIND OUT 430 00:25:24,467 --> 00:25:26,567 ABOUT WHERE BETTY WILLIAMS MIGHT BE. 431 00:25:26,600 --> 00:25:28,667 WHEN WAS THE LAST TIME YOU SAW HER? 432 00:25:28,700 --> 00:25:31,200 UH, I GUESS IT WAS AT REHEARSAL LAST NIGHT. 433 00:25:31,233 --> 00:25:33,867 WE WERE ALL THERE TOGETHER WORKING ON THE PLAY, 434 00:25:33,900 --> 00:25:35,433 AND THEN EVERYONE WENT HOME. 435 00:25:35,467 --> 00:25:37,367 ARE YOU SURE? 436 00:25:37,400 --> 00:25:39,067 YES, SIR. 437 00:25:39,100 --> 00:25:42,900 WE HAVE IT THAT YOU PICKED UP BETTY AT HER HOUSE, 438 00:25:42,933 --> 00:25:46,800 OH, ABOUT 11:00 LAST NIGHT, AND BETTY GOT IN YOUR CAR, 439 00:25:46,833 --> 00:25:48,667 AND THE TWO OF YOU DROVE OFF TOGETHER. 440 00:25:48,700 --> 00:25:52,200 [ CLOCK TICKING ] 441 00:25:52,233 --> 00:25:54,067 WELL, I GUESS THAT'S RIGHT. [ SIGHS ] 442 00:25:54,100 --> 00:25:57,600 IT WAS LATE, AND I DON'T WANT TO GET HER INTO TROUBLE. 443 00:25:57,633 --> 00:25:59,733 WE DROVE AROUND A LITTLE AND TALKED, 444 00:25:59,767 --> 00:26:02,700 BUT THEN I DROPPED HER OFF BACK HOME AROUND MIDNIGHT, 445 00:26:02,733 --> 00:26:04,300 AND I HAVEN'T SEEN HER AFTER THAT. 446 00:26:04,333 --> 00:26:07,167 DID YOU SEE HER ACTUALLY GO INSIDE THE HOUSE? 447 00:26:07,200 --> 00:26:10,067 NO, I -- I GUESS I DIDN'T. 448 00:26:10,067 --> 00:26:12,767 I PULLED UP IN FRONT AND I LET HER OUT. 449 00:26:12,800 --> 00:26:18,633 McNamara: BETTY HAS A DOOR IN HER BEDROOM THAT OPENS TO THE OUTSIDE. 450 00:26:18,667 --> 00:26:20,133 IF SHE'S GOING THROUGH THE FRONT, 451 00:26:20,167 --> 00:26:22,667 SHE RISKS WAKING UP HER PARENTS. 452 00:26:22,700 --> 00:26:24,933 IT DOESN'T MAKE ANY SENSE TO THE POLICE. 453 00:26:24,967 --> 00:26:26,667 AND THEN I LEFT. 454 00:26:26,700 --> 00:26:29,733 UH, I -- I DON'T KNOW IF SHE ACTUALLY WENT INSIDE. 455 00:26:29,767 --> 00:26:31,933 YEAH, THAT STORY'S NOT GONNA FLY. 456 00:26:31,967 --> 00:26:33,733 SO THINK REAL HARD HERE. 457 00:26:35,733 --> 00:26:38,133 NEXT STEP IS TAKING YOU DOWN TO THE STATION. 458 00:26:38,167 --> 00:26:40,067 CALL YOUR PARENTS. 459 00:26:40,067 --> 00:26:44,300 IF YOU HELPED HER RUN AWAY, WHATEVER IT IS, 460 00:26:44,333 --> 00:26:45,800 IF YOU KNOW WHERE THIS GIRL IS, 461 00:26:45,833 --> 00:26:49,067 YOU'RE GOING TO TELL US ABOUT IT RIGHT NOW. 462 00:26:49,100 --> 00:26:51,567 DO YOU KNOW WHERE BETTY WILLIAMS IS? 463 00:26:51,600 --> 00:26:53,700 [ SIGHS ] 464 00:26:53,733 --> 00:26:55,067 [ SNIFFLES ] 465 00:26:55,067 --> 00:26:57,600 I DROVE HER OUT TO MY DAD'S HUNTING LEASE. 466 00:26:59,100 --> 00:27:02,200 I CAN -- I CAN TAKE YOU OUT THERE. 467 00:27:02,233 --> 00:27:05,267 ** 468 00:27:13,833 --> 00:27:17,633 McNamara: THE POLICE HAVE NO IDEA WHERE THEY'RE GOING. 469 00:27:17,667 --> 00:27:20,633 THEY END UP DRIVING 26 MILES OUT OF TOWN. 470 00:27:24,833 --> 00:27:31,233 Shelton: AT A CERTAIN POINT, MACK TOLD THEM TO TURN IN... 471 00:27:31,267 --> 00:27:32,300 [ DOOR OPENS ] 472 00:27:34,733 --> 00:27:38,567 ...WHICH TOOK THEM TO A STOCK POND. 473 00:27:38,600 --> 00:27:40,567 SO, WE PARKED JUST OVER THERE. 474 00:27:47,467 --> 00:27:51,933 AND THEN WE WALKED DOWN JUST TO HERE. 475 00:27:51,967 --> 00:27:55,300 SO? WHERE IS SHE? 476 00:28:03,400 --> 00:28:06,300 HAVE YOU EVER FELT TIME SLOW DOWN, 477 00:28:06,333 --> 00:28:10,300 WHEN WHAT IS HAPPENING IS SO BEYOND BELIEF? 478 00:28:10,333 --> 00:28:13,800 YOUR MIND CAN'T CATCH UP WITH WHAT YOU'RE SEEING? 479 00:28:15,833 --> 00:28:21,867 EVEN AS MACK STRIPPED DOWN AND WADED OUT IN THE WATER, 480 00:28:21,900 --> 00:28:24,067 THEY HAD TO BE WONDERING, 481 00:28:24,100 --> 00:28:27,433 WHAT COULD THIS POSSIBLY HAVE TO DO 482 00:28:27,467 --> 00:28:30,600 WITH BETTY WILLIAMS MISSING SCHOOL? 483 00:28:30,633 --> 00:28:33,667 ** 484 00:28:57,767 --> 00:29:00,200 OH, GOD. 485 00:29:07,700 --> 00:29:11,067 [ INDISTINCT CONVERSATIONS ] 486 00:29:11,067 --> 00:29:12,200 [ CAMERA SHUTTER CLICKING ] 487 00:29:12,233 --> 00:29:15,200 ** 488 00:29:15,233 --> 00:29:20,767 Shelton: THE POLICE AND REPORTERS DRIVE TO THE STOCK POND, 489 00:29:20,800 --> 00:29:24,167 AND THEY'RE JUST APPALLED AND SHOCKED. 490 00:29:24,200 --> 00:29:31,067 BETTY WAS STILL IN HER BABYDOLL PINK PAJAMAS. 491 00:29:31,067 --> 00:29:34,367 THE BACK OF HER HEAD HAD BEEN BLOWN OFF 492 00:29:34,400 --> 00:29:36,667 BY A 12-GAUGE SHOTGUN. 493 00:29:38,300 --> 00:29:41,933 McNamara: SHE'S WEIGHTED DOWN WITH TWO LEAD WEIGHTS. 494 00:29:41,967 --> 00:29:44,100 MY GOD, SON, WHY DID YOU DO IT? 495 00:29:47,900 --> 00:29:49,567 SHE ASKED ME TO. 496 00:29:57,067 --> 00:29:58,400 UH, HEY, MACK? 497 00:29:58,433 --> 00:29:59,667 HEY, WHAT'S GOING ON? 498 00:29:59,700 --> 00:30:03,500 UM, I'VE GOT AN IMPORTANT QUESTION I WANTED TO ASK YOU. 499 00:30:03,533 --> 00:30:05,733 OKAY. WHAT IS IT? 500 00:30:05,767 --> 00:30:11,000 UM...WOULD YOU KILL ME? 501 00:30:13,133 --> 00:30:15,600 [ BOTH LAUGHING ] 502 00:30:15,633 --> 00:30:18,167 [ CHUCKLES ] GEEZ, BETTY. UM... 503 00:30:18,200 --> 00:30:19,733 SILLY. [ LAUGHS ] 504 00:30:19,767 --> 00:30:22,567 HE TELLS POLICE THAT WHEN SHE FIRST ASKED HIM, 505 00:30:22,600 --> 00:30:23,833 THEY LAUGHED IT OFF. 506 00:30:23,867 --> 00:30:26,200 BUT SHE WOULDN'T STOP. 507 00:30:26,233 --> 00:30:28,567 SHE KEPT COMING BACK AGAIN AND AGAIN. 508 00:30:30,600 --> 00:30:33,033 [ CAMERA SHUTTER CLICKS ] COME ON. GET OUT OF HERE. 509 00:30:33,067 --> 00:30:35,033 THIS WAS SEVEN MONTHS SINCE THEY BROKE UP. 510 00:30:35,067 --> 00:30:38,233 AND DURING THE SCHOOL PLAY, 511 00:30:38,267 --> 00:30:40,700 MACK AND BETTY RENEWED THEIR FRIENDSHIP A BIT. 512 00:30:40,733 --> 00:30:43,067 HE HAD NEVER DONE IT BEFORE, 513 00:30:43,100 --> 00:30:47,233 SO SHE GAVE HIM TIPS AND HELPED HIM RUN LINES. 514 00:30:47,267 --> 00:30:49,367 ...BE SEEING YOU. 515 00:30:49,400 --> 00:30:50,833 HEY, MACK? 516 00:30:50,867 --> 00:30:52,167 YEAH? 517 00:30:52,200 --> 00:30:54,033 I KNOW I ASKED YOU LAST NIGHT, 518 00:30:54,067 --> 00:30:57,500 BUT, YOU KNOW, I'M NOT GONNA GET ANY HAPPIER. 519 00:30:57,533 --> 00:30:58,833 Mack: SHE BEGGED ME. 520 00:30:58,867 --> 00:31:01,767 SAID SHE COULDN'T KEEP LIVING THE WAY SHE WAS. 521 00:31:01,800 --> 00:31:03,300 SAID SHE WANTED TO DIE. 522 00:31:09,100 --> 00:31:13,500 SO FINALLY I SAID YES. 523 00:31:13,533 --> 00:31:16,633 AND AT THAT POINT, THEY BEGAN MAKING PLANS. 524 00:31:19,467 --> 00:31:22,733 MACK GOT THE WIRE, WENT TO THE THEATER, 525 00:31:22,767 --> 00:31:25,067 AND GOT WEIGHTS FROM THE THEATER. 526 00:31:25,100 --> 00:31:29,967 HE HAD BETTY COME OVER AND PICK OUT A SHOTGUN. 527 00:31:34,600 --> 00:31:38,733 Shelton: MACK WENT TO HER HOUSE. 528 00:31:38,767 --> 00:31:42,067 BUT SHE WAS WITH IKE NAIL. 529 00:31:42,067 --> 00:31:45,633 I DIDN'T THINK HE'D ACTUALLY COME. 530 00:31:45,667 --> 00:31:49,367 WELL, I GUESS I'D BETTER CALL HIS BLUFF... 531 00:31:49,400 --> 00:31:50,933 EVEN IF IT KILLS ME. 532 00:31:53,600 --> 00:31:55,867 Shelton: IKE TOLD THE POLICE 533 00:31:55,900 --> 00:31:59,200 THAT SHE WAS SURPRISED THAT MACK HAD COME. 534 00:32:04,600 --> 00:32:07,200 AND THEN THEY TOOK THIS LONG TRIP 535 00:32:07,233 --> 00:32:10,067 UNDER THE TEXAS SKY. 536 00:32:14,467 --> 00:32:17,067 Man: WAS SHE UPSET? 537 00:32:17,067 --> 00:32:19,433 SHE WASN'T SAD, SHE WAS HAPPY. 538 00:32:19,467 --> 00:32:22,233 WE TALKED ABOUT ALL SORTS OF THINGS. 539 00:32:22,267 --> 00:32:24,800 SHE KEPT SAYING WHAT IT WAS GONNA BE LIKE IN HEAVEN. 540 00:32:24,833 --> 00:32:27,167 HOW EXACTLY DID YOU SHOOT HER? 541 00:32:37,067 --> 00:32:39,067 [ GUN COCKS ] 542 00:32:40,600 --> 00:32:42,167 READY? 543 00:32:52,333 --> 00:32:53,533 THIS HERE IS GOOD? 544 00:32:53,567 --> 00:32:56,933 YEAH. IT'S FINE. 545 00:32:56,967 --> 00:32:58,500 ALL RIGHT. 546 00:33:04,133 --> 00:33:07,067 WAIT. 547 00:33:07,067 --> 00:33:08,367 I'M COLD. 548 00:33:08,400 --> 00:33:11,300 I'M JUST GONNA GO BACK AND GRAB MY DUSTER REALLY FAST. 549 00:33:11,333 --> 00:33:13,733 OKAY. I'LL -- I'LL STAY HERE. 550 00:33:29,600 --> 00:33:31,300 RIGHT HERE OKAY? 551 00:33:31,333 --> 00:33:34,800 YEAH, THAT'S PERFECT. 552 00:33:39,067 --> 00:33:42,300 CAN I GET A KISS TO REMEMBER YOU BY? 553 00:33:45,200 --> 00:33:46,667 OF COURSE. 554 00:33:54,133 --> 00:33:57,867 THANKS, MACK. 555 00:33:57,900 --> 00:34:00,467 I'LL ALWAYS REMEMBER YOU FOR THAT. 556 00:34:02,500 --> 00:34:04,433 I THINK IT'D BE BEST IF YOU KNELT. 557 00:34:20,767 --> 00:34:22,133 HERE? 558 00:34:22,167 --> 00:34:24,867 YEAH, THAT'S PERFECT. 559 00:34:24,900 --> 00:34:28,533 OKAY. 560 00:34:35,300 --> 00:34:36,433 NOW. 561 00:34:38,067 --> 00:34:39,633 [ GUNSHOT ] 562 00:34:43,733 --> 00:34:46,767 ** 563 00:34:54,533 --> 00:34:57,133 Man: WASN'T BETTY YOUR FRIEND? 564 00:34:57,167 --> 00:35:01,067 DIDN'T YOU FEEL SOMETHING ABOUT ENDING HER LIFE? 565 00:35:01,067 --> 00:35:04,100 I FELT SORRY FOR HER. 566 00:35:04,133 --> 00:35:07,233 I FELT TOWARD HER LIKE I WOULD A CAT 567 00:35:07,267 --> 00:35:09,767 LYING IN A MUDDY STREET IN THE RAIN. 568 00:35:09,800 --> 00:35:15,367 McNamara: POLICE OBSERVE THAT HE'S FRIGHTENINGLY CALM AND LUCID. 569 00:35:15,400 --> 00:35:18,767 SHE WAS DEAD, LIKE THAT. 570 00:35:18,800 --> 00:35:20,667 THEY HAVE A CONFESSION, 571 00:35:20,700 --> 00:35:22,767 SO THEY CHARGE HIM WITH FIRST-DEGREE MURDER. 572 00:35:22,800 --> 00:35:26,367 Young Woman: UNDER THE POPULAR FOOTBALL-PLAYER FACE 573 00:35:26,400 --> 00:35:27,767 THAT WE ALL SAW, 574 00:35:27,800 --> 00:35:31,300 THERE WAS SOMETHING STRANGE INSIDE MACK HERRING 575 00:35:31,333 --> 00:35:33,433 THAT ALLOWED HIM TO PULL THE TRIGGER. 576 00:35:33,467 --> 00:35:36,167 Shelton: IT WAS A TOTAL SHOCK, 577 00:35:36,200 --> 00:35:38,933 AND IT WAS TERMED THE "KISS AND KILL MURDER." 578 00:35:42,967 --> 00:35:46,067 I REMEMBER CRYING FOR HOURS. 579 00:35:46,067 --> 00:35:48,167 FOR ME, IT WAS IMPOSSIBLE TO UNDERSTAND, 580 00:35:48,200 --> 00:35:49,933 BECAUSE I KNEW THEM BOTH. 581 00:35:49,967 --> 00:35:52,200 [ PROJECTOR RUNS ] 582 00:35:52,233 --> 00:35:54,333 WHAT WAS GOING THROUGH HER MIND? 583 00:35:54,367 --> 00:35:57,867 WHAT WAS GOING THROUGH HIS MIND? 584 00:35:57,900 --> 00:36:00,133 HOW COULD THEY HAVE DONE THIS? 585 00:36:00,167 --> 00:36:03,433 White: THE BREAKUP HAD BEEN A LONG TIME AGO. 586 00:36:03,467 --> 00:36:07,067 THERE HADN'T BEEN ANY KIND OF INDICATION OF FIGHTS 587 00:36:07,067 --> 00:36:11,267 THAT WOULD SUGGEST, LIKE, AN ESCALATING CONFLICT. 588 00:36:11,300 --> 00:36:14,067 Guffey Ross: RUMORS WERE SPREADING LIKE WILDFIRE 589 00:36:14,100 --> 00:36:16,233 THAT BETTY WAS PREGNANT, 590 00:36:16,267 --> 00:36:18,300 AND THAT MACK SHOT HER 591 00:36:18,333 --> 00:36:22,067 SO THAT HE WOULDN'T HAVE TO MARRY HER. 592 00:36:22,100 --> 00:36:25,433 BUT THAT WAS RULED OUT BY THE MEDICAL EXAMINER. 593 00:36:29,100 --> 00:36:31,800 AND IN SOME PARTS OF THE SCHOOL, 594 00:36:31,833 --> 00:36:34,733 THE WHISPER CAMPAIGN QUICKLY TURNED 595 00:36:34,767 --> 00:36:36,867 FROM BEING ABOUT POOR BETTY 596 00:36:36,900 --> 00:36:38,067 TO SPECULATING ABOUT 597 00:36:38,100 --> 00:36:41,933 HOW THIS COULDN'T REALLY BE MACK'S FAULT. 598 00:36:41,967 --> 00:36:47,467 Guffey Ross: MACK AND HIS FAMILY HAD A VERY GOOD, CLEAN-CUT IMAGE, 599 00:36:47,500 --> 00:36:54,800 SO PEOPLE BELIEVED THAT SOMEHOW SHE RUINED THAT BOY'S LIFE. 600 00:36:54,833 --> 00:36:57,867 [ INDISTINCT CONVERSATIONS ] 601 00:36:58,967 --> 00:37:00,767 HIS FAMILY HIRED WARREN BURNETT. 602 00:37:00,800 --> 00:37:03,233 AND AS SOON AS WARREN BURNETT WAS ON THE CASE... 603 00:37:03,267 --> 00:37:04,533 [ CAMERA SHUTTER CLICKS ] 604 00:37:04,567 --> 00:37:08,500 ...THEY WENT STRAIGHT TO A NEVER-BEFORE TYPE OF HEARING 605 00:37:08,533 --> 00:37:10,900 IN THE STATE OF TEXAS -- A SANITY HEARING -- 606 00:37:10,933 --> 00:37:12,367 TO DECIDE WHETHER OR NOT 607 00:37:12,400 --> 00:37:15,533 THEY WERE INDEED GOING TO HAVE A MURDER TRIAL. 608 00:37:15,567 --> 00:37:20,067 THE SIDE BEHIND THE DISTRICT ATTORNEY WAS EMPTY, 609 00:37:20,100 --> 00:37:21,700 EXCEPT FOR BETTY'S PARENTS. 610 00:37:27,900 --> 00:37:31,400 THE KEY WITNESS WAS DR. MARVIN GRICE OF ODESSA. 611 00:37:31,433 --> 00:37:35,167 I EXAMINED MACK HERRING THREE DAYS AFTER THE SHOOTING, 612 00:37:35,200 --> 00:37:38,167 AND AT THAT MOMENT, HE WAS SANE. 613 00:37:38,200 --> 00:37:43,500 BUT THE GIRL ASKED MR. HERRING OVER AND OVER TO KILL HER. 614 00:37:43,533 --> 00:37:44,800 White: EVEN THOUGH THERE'D ONLY BEEN 615 00:37:44,833 --> 00:37:46,200 ABOUT 10 OR 15 MINUTES OF CONVERSATION 616 00:37:46,233 --> 00:37:49,167 BETWEEN BETTY AND MACK SPREAD OUT OVER A COUPLE OF DAYS, 617 00:37:49,200 --> 00:37:54,067 DR. GRICE CLAIMED THAT BETTY'S PUSHING ON MACK HERRING 618 00:37:54,100 --> 00:37:56,333 TO HELP WITH HER SUICIDE 619 00:37:56,367 --> 00:38:00,100 HAD WORN DOWN MACK'S LOGICAL FACULTIES, 620 00:38:00,133 --> 00:38:02,100 AND THAT HE WAS TEMPORARILY INSANE. 621 00:38:02,133 --> 00:38:05,367 MR. HERRING, WOULD YOU PLEASE TAKE THE STAND? 622 00:38:05,400 --> 00:38:09,267 BUT THE DEFENSE STILL HAD A KEY WITNESS TO CALL, 623 00:38:09,300 --> 00:38:10,967 AND IT WASN'T MACK'S FATHER, 624 00:38:11,067 --> 00:38:14,300 EVEN THOUGH HE WAS THE ONE TAKING THE STAND. 625 00:38:14,333 --> 00:38:15,367 I'D LIKE YOU TO READ THE LETTER 626 00:38:15,400 --> 00:38:17,300 GIVEN TO YOU BY YOUR SON MACK. 627 00:38:17,333 --> 00:38:19,067 IT'S BEEN EXAMINED BY EXPERTS, 628 00:38:19,100 --> 00:38:22,800 AND DETERMINED THAT IT IS BETTY WILLIAMS' OWN HANDWRITING. 629 00:38:22,833 --> 00:38:27,967 IT TURNED OUT IT WAS BETTY HERSELF. 630 00:38:28,067 --> 00:38:30,867 YOU'D REALLY BE HELPING ME OUT. 631 00:38:30,900 --> 00:38:34,067 LOOK, WHAT IF I WROTE A LETTER? 632 00:38:34,100 --> 00:38:35,567 WHAT DO YOU MEAN, YOU'RE GONNA WRITE A LETTER? 633 00:38:35,600 --> 00:38:37,467 LOOK, I'LL SHOW YOU. 634 00:38:37,500 --> 00:38:39,933 "TO WHOM IT MAY CONCERN, 635 00:38:39,967 --> 00:38:43,533 I WANT EVERYONE TO KNOW THAT WHAT I'M ABOUT TO DO 636 00:38:43,567 --> 00:38:47,400 IN NO WAY IMPLICATES ANYONE ELSE. 637 00:38:50,067 --> 00:38:54,200 I'M WAGING A WAR WITHIN MYSELF, SO RATHER THAN ADMIT DEFEAT, 638 00:38:54,233 --> 00:38:55,967 I'M GOING TO BEAT A QUICK RETREAT 639 00:38:56,067 --> 00:38:58,400 INTO THE NO MAN'S LAND OF DEATH." 640 00:38:58,433 --> 00:39:00,833 IT WAS AS IF BETTY WAS TESTIFYING 641 00:39:00,867 --> 00:39:02,733 IN DEFENSE OF HER OWN KILLER. 642 00:39:02,767 --> 00:39:06,600 Mr. Herring: "A FRIEND OF MINE HAS GRACIOUSLY CONSENTED 643 00:39:06,633 --> 00:39:08,833 TO LOOK AFTER THE DETAILS. 644 00:39:08,867 --> 00:39:10,667 HIS NAME IS MACK HERRING, 645 00:39:10,700 --> 00:39:12,933 AND I PRAY THAT HE WILL NOT HAVE TO SUFFER 646 00:39:12,967 --> 00:39:16,067 FOR WHAT HE IS DOING FOR MY SAKE." 647 00:39:16,067 --> 00:39:20,800 Shelton: HER STRANGENESS IS PUT ON DISPLAY. 648 00:39:20,833 --> 00:39:22,867 [ COURT MURMURING ] 649 00:39:25,233 --> 00:39:27,333 I THINK BETTY WAS SERIOUSLY UPSET, 650 00:39:27,367 --> 00:39:30,533 AND I THINK THAT SHE WAS REALLY TRYING TO GET ATTENTION. 651 00:39:30,567 --> 00:39:34,400 Guffey Ross: BETTY AND MACK HAD BEEN IN A RELATIONSHIP, 652 00:39:34,433 --> 00:39:36,633 AND I THINK THAT IT WAS CLEAR 653 00:39:36,667 --> 00:39:42,100 THAT SHE WOULD VERY MUCH LIKE TO REKINDLE THAT RELATIONSHIP. 654 00:39:42,133 --> 00:39:45,500 Shelton: THIS IS JUST MY OPINION, BUT... 655 00:39:45,533 --> 00:39:47,533 I DIDN'T THINK HE'D ACTUALLY COME. 656 00:39:47,567 --> 00:39:50,800 ...I THINK SHE WAS PLAYING A GAME OF CHICKEN. 657 00:39:50,833 --> 00:39:53,500 White: KEEPING THIS WHOLE THING GOING 658 00:39:53,533 --> 00:39:57,567 MAY VERY WELL HAVE BEEN A WAY OF KEEPING MACK'S ATTENTION ON HER. 659 00:40:00,800 --> 00:40:02,833 Guffey Ross: "I HAVE GOT TO CALL HIS BLUFF. 660 00:40:02,867 --> 00:40:04,700 I'VE MADE SUCH A BIG DEAL OUT OF THIS. 661 00:40:04,733 --> 00:40:09,100 I CAN'T NOW TELL HIM, 'NO, NO, I DIDN'T REALLY MEAN IT.'" 662 00:40:09,133 --> 00:40:10,933 McNamara: THERE MAY HAVE BEEN A PART OF HIM 663 00:40:10,967 --> 00:40:13,100 THAT THOUGHT FOR SURE SHE WAS GONNA SAY, "OH, MY GOD. 664 00:40:13,133 --> 00:40:15,167 NO, DON'T DO IT, DON'T DO IT." 665 00:40:17,400 --> 00:40:21,567 Guffey Ross: THE MESSAGE WASN'T "I WANT TO DIE," 666 00:40:21,600 --> 00:40:23,300 THE MESSAGE WAS 667 00:40:23,333 --> 00:40:30,100 "I WANT MACK TO CARE ENOUGH ABOUT ME TO SAVE ME." 668 00:40:35,800 --> 00:40:37,767 [ GAVEL POUNDS ] 669 00:40:37,800 --> 00:40:39,100 [ COURT MURMURING ] 670 00:40:39,133 --> 00:40:42,733 DO YOU FIND THAT AT THE TIME OF THE ACT CHARGED IN THIS CASE, 671 00:40:42,767 --> 00:40:44,833 THE DEFENDANT, JOHN MACK HERRING, 672 00:40:44,867 --> 00:40:47,200 WAS TEMPORARILY INSANE? 673 00:40:47,233 --> 00:40:49,700 YES, WE DO. 674 00:40:49,733 --> 00:40:52,767 [ INDISTINCT CONVERSATIONS ] [ MAN CLAPS ] 675 00:40:52,800 --> 00:40:58,067 THEY FOUND THAT MACK HERRING WAS INSANE FOR THE LENGTH OF TIME 676 00:40:58,100 --> 00:40:59,467 THAT IT TOOK HIM TO PULL THE TRIGGER, 677 00:40:59,500 --> 00:41:01,067 AND NOT BEFORE OR AFTER. 678 00:41:02,767 --> 00:41:05,833 Guffey Ross: THAT RINGS SO FALSE TO ME. 679 00:41:07,867 --> 00:41:11,900 White: MACK HERRING HAD BROUGHT TOOLS WITH HIM. 680 00:41:11,933 --> 00:41:17,100 HE HID THE BODY, AND THEN ATTEMPTED TO LIE TO THE POLICE. 681 00:41:17,133 --> 00:41:20,300 HE MAY HAVE BEEN STILL SECRETLY ANGRY AT HER 682 00:41:20,333 --> 00:41:23,067 BECAUSE OF BILL ROSE. 683 00:41:23,067 --> 00:41:25,433 HE MAY HAVE BEEN SOMEBODY 684 00:41:25,467 --> 00:41:27,900 WHO DOESN'T KNOW THE DIFFERENCE BETWEEN RIGHT AND WRONG. 685 00:41:27,933 --> 00:41:32,433 Guffey Ross: SHE DIDN'T COME FROM A RICH, PROMINENT FAMILY, 686 00:41:32,467 --> 00:41:38,767 AND THE ANSWER THAT MOST PEOPLE IN ODESSA CAME UP WITH IS, 687 00:41:38,800 --> 00:41:42,967 SHE WAS LOOSE, SHE WAS EASY, SHE WAS CHEAP, SHE WAS A SLUT. 688 00:41:43,067 --> 00:41:48,567 SHE HAD NO VALUE, AND THEREFORE, HER DEATH WAS OF NO CONSEQUENCE. 689 00:41:48,600 --> 00:41:53,933 BETTY DESERVED A LOT BETTER. 690 00:41:53,967 --> 00:41:56,700 IT'S AS MUCH A TRAGEDY AS IT IS A MURDER. 691 00:41:56,733 --> 00:42:00,133 WHY DID THIS HAPPEN? 692 00:42:00,167 --> 00:42:03,333 EVEN NOW, I DON'T KNOW. 693 00:42:03,367 --> 00:42:07,333 BETTY AND MACK WERE BOTH JUST KIDS. 694 00:42:07,367 --> 00:42:09,067 BETTY WAS DEPRESSED, 695 00:42:09,100 --> 00:42:12,867 AND DID THINGS THAT WERE DRAMATIC AND SEEMED STRANGE. 696 00:42:12,900 --> 00:42:15,333 BUT I DON'T BELIEVE SHE WANTED TO DIE. 697 00:42:15,367 --> 00:42:18,067 I THINK SHE WAS JUST SEARCHING 698 00:42:18,067 --> 00:42:21,200 FOR SOMEONE TO TELL HER THAT THEY SAW HER, 699 00:42:21,233 --> 00:42:23,267 AND REALLY LOVED HER. 700 00:42:23,300 --> 00:42:25,367 AND SHE COULDN'T HAVE KNOWN 701 00:42:25,400 --> 00:42:28,467 ABOUT THE COLD THING INSIDE THE BOY 702 00:42:28,500 --> 00:42:31,733 SHE REACHED OUT TO FOR THAT. 703 00:42:31,767 --> 00:42:33,233 [ PROJECTOR RUNS ] 704 00:42:33,267 --> 00:42:36,833 Guffey Ross: SHE HAD A WONDERFUL CAPACITY FOR HAPPINESS 705 00:42:36,867 --> 00:42:40,967 THAT SHE WOULD HAVE FULFILLED 706 00:42:41,067 --> 00:42:44,367 HAD SHE BEEN ABLE TO LIVE LONG ENOUGH TO DO SO. 707 00:43:02,833 --> 00:43:10,400 * YOU TOLD ME THINGS YOU NEVER MEANT * 708 00:43:10,433 --> 00:43:15,867 * FOOLED ME RIGHT FROM THE START * 709 00:43:15,900 --> 00:43:24,300 * AND THOUGH YOU'RE NOT TRUE, MAY GOD BLESS YOU * 710 00:43:24,333 --> 00:43:29,433 * THAT'S THE CURSE OF AN ACHING HEART * 711 00:43:29,483 --> 00:43:34,033 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 52310

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