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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,167 --> 00:00:02,733 [ INDISTINCT TALKING ON TV ] 2 00:00:02,733 --> 00:00:05,100 Female neighbor: I'LL ALWAYS REMEMBER THAT JANUARY MORNING. 3 00:00:05,100 --> 00:00:07,167 IT'S JUST SO UNLIKE ROSEANN TO MISS WORK. 4 00:00:07,167 --> 00:00:08,467 I REALLY APPRECIATE THIS. 5 00:00:08,467 --> 00:00:10,600 IT'S ALL RIGHT. [ KNOCK ON DOOR ] 6 00:00:10,600 --> 00:00:12,433 MISS QUINN? 7 00:00:12,433 --> 00:00:15,100 BACK IN MY 20s, THE START OF A NEW YEAR 8 00:00:15,100 --> 00:00:17,500 ALWAYS MADE ME FEEL SO OPTIMISTIC. 9 00:00:17,500 --> 00:00:20,433 I'D THINK, MAYBE THIS WOULD BE THE YEAR 10 00:00:20,433 --> 00:00:23,933 I'D GET A NEW BOYFRIEND OR FIND THAT PERFECT JOB. 11 00:00:23,933 --> 00:00:25,600 BUT AFTER THAT MORNING... 12 00:00:25,600 --> 00:00:26,867 MISS QUINN? 13 00:00:26,867 --> 00:00:28,367 ROSEANN? 14 00:00:28,367 --> 00:00:30,300 ...I NEVER FELT THAT WAY AGAIN. 15 00:00:30,300 --> 00:00:32,267 [ SHOWER RUNNING ] ROSEANN? 16 00:00:32,267 --> 00:00:35,933 NOW THE NEW YEAR MAKES ME REMEMBER A GIRL I KNEW 17 00:00:35,933 --> 00:00:37,733 NAMED ROSEANN QUINN... 18 00:00:41,333 --> 00:00:42,833 OH, MY GOD! 19 00:00:42,833 --> 00:00:45,267 ...NOT THE VERSION OF HER THAT WOULD BE WRITTEN ABOUT 20 00:00:45,267 --> 00:00:48,367 AND BECOME FAMOUS... 21 00:00:48,367 --> 00:00:52,833 BUT THE STORY OF A REAL GIRL, A GIRL A LOT LIKE ME, 22 00:00:52,833 --> 00:00:55,500 MAYBE LIKE YOU... 23 00:00:55,500 --> 00:00:57,367 AND HOW SHE ENDED UP DEAD. 24 00:00:59,700 --> 00:01:02,767 -- Captions by VITAC -- www.vitac.com 25 00:01:02,767 --> 00:01:05,800 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 26 00:01:12,500 --> 00:01:15,533 THE GIRL WHO DIED WAS NAMED ROSEANN QUINN. 27 00:01:15,533 --> 00:01:17,067 DOESN'T RING A BELL? 28 00:01:17,067 --> 00:01:18,533 OF COURSE IT DOESN'T. 29 00:01:18,533 --> 00:01:20,900 NO ONE SEEMS TO REMEMBER ANYTHING 30 00:01:20,900 --> 00:01:24,133 ABOUT WHO ROSEANN REALLY WAS, INCLUDING HER NAME. 31 00:01:24,133 --> 00:01:27,533 BUT I BET YOU KNOW THE GOODBAR MURDER. 32 00:01:27,533 --> 00:01:28,733 NOW YOU REMEMBER. 33 00:01:28,733 --> 00:01:30,400 "LOOKING FOR MR. GOODBAR," 34 00:01:30,400 --> 00:01:33,233 THE BEST-SELLING NOVEL ABOUT A YOUNG TEACHER 35 00:01:33,233 --> 00:01:36,067 WHO SPENT HER NIGHTS HAUNTING SINGLES BARS, 36 00:01:36,067 --> 00:01:38,233 LOOKING FOR ONE-NIGHT STANDS. 37 00:01:38,233 --> 00:01:40,667 WELL, DIDN'T YOUR MOTHER EVER TELL YOU, 38 00:01:40,667 --> 00:01:42,967 "DON'T BELIEVE EVERYTHING YOU READ"? 39 00:01:42,967 --> 00:01:45,167 I KNEW THAT WASN'T THE REAL STORY, 40 00:01:45,167 --> 00:01:47,333 BECAUSE TWO YEARS EARLIER... 41 00:01:49,300 --> 00:01:51,600 ...I LIVED RIGHT DOWN THE HALL FROM ROSEANN. 42 00:01:51,600 --> 00:01:53,733 [ CAMERA BULB FLASHES, POLICE RADIO CHATTER ] 43 00:01:53,733 --> 00:01:57,867 McNamara: ON JANUARY 3, 1973, THE POLICE ARRIVE 44 00:01:57,867 --> 00:02:02,200 AT AN APARTMENT BUILDING ON WEST 72nd STREET. 45 00:02:02,200 --> 00:02:05,067 -WHEREABOUTS WAS IT? -RIGHT ABOUT THERE. 46 00:02:05,067 --> 00:02:08,633 McNamara: THEY FIND A YOUNG WHITE FEMALE 47 00:02:08,633 --> 00:02:10,667 SPLAYED OUT ON HER BED. 48 00:02:10,667 --> 00:02:12,767 SHE IS NUDE. 49 00:02:12,767 --> 00:02:17,700 A TURQUOISE ROBE HAS BEEN PLACED ON HER BODY. 50 00:02:17,700 --> 00:02:20,200 ONE OF THE FIRST THINGS THE POLICE NOTE 51 00:02:20,200 --> 00:02:21,967 IS THE NUMBER OF STAB WOUNDS. 52 00:02:21,967 --> 00:02:24,400 [ CAMERA BULB FLASHING ] 53 00:02:24,400 --> 00:02:27,700 I BELIEVE THE COUNT IS 18. 54 00:02:27,700 --> 00:02:30,133 McNamara: IT'S JUST A TOTAL BLOODBATH. 55 00:02:31,667 --> 00:02:33,833 Fairstein: IN ADDITION TO THE MULTIPLE STAB WOUNDS, 56 00:02:33,833 --> 00:02:36,967 THERE WERE ALSO BITE MARKS ON HER UPPER TORSO. 57 00:02:45,733 --> 00:02:48,067 Jurgensen: AND SHE'D BEEN MUTILATED. 58 00:02:48,067 --> 00:02:53,700 THE KILLER ACTUALLY INSERTED A BROOM IN HER VAGINA. 59 00:02:53,700 --> 00:02:57,467 THAT WAS HARD TO -- YOU KNOW, TO SEE. 60 00:03:00,800 --> 00:03:02,800 Fairstein: POLICE AND THE MEDICAL EXAMINER 61 00:03:02,800 --> 00:03:04,067 MAKE A DETERMINATION 62 00:03:04,067 --> 00:03:08,200 THAT SHE WAS KILLED AT LEAST 24 HOURS EARLIER. 63 00:03:11,933 --> 00:03:13,933 [ DOOR OPENS, SHOWER RUNNING ] 64 00:03:23,533 --> 00:03:26,333 IN THE BATHROOM, THE SHOWER HAD BEEN LEFT RUNNING 65 00:03:26,333 --> 00:03:28,933 FOR SOME PERIOD OF TIME. 66 00:03:28,933 --> 00:03:31,767 SEE IF YOU CAN GET A PRINT OFF THESE SHOWER KNOBS. 67 00:03:31,767 --> 00:03:34,100 [ POLICE RADIO CHATTER ] 68 00:03:40,300 --> 00:03:42,133 HEY, I GOT SOMETHING. 69 00:03:46,067 --> 00:03:48,233 THIS IS WHAT "MAD AS HELL" LOOKS LIKE. 70 00:03:49,067 --> 00:03:52,600 Fairstein: THE KNIFE WAS BENT AT A 90-DEGREE ANGLE, PRACTICALLY, 71 00:03:52,600 --> 00:03:55,633 WHICH MIGHT SUGGEST TO THE INVESTIGATORS 72 00:03:55,633 --> 00:03:59,067 THAT PERHAPS MIGHT ACTUALLY HAVE STRUCK BONE. 73 00:04:01,667 --> 00:04:03,500 McNamara: THE APARTMENT IS DIRTY. 74 00:04:03,500 --> 00:04:05,267 IT'S RANSACKED. 75 00:04:05,267 --> 00:04:07,833 ** 76 00:04:16,667 --> 00:04:19,867 NO SIGN OF FORCED ENTRY. THAT FRONT DOOR IS FINE. 77 00:04:19,867 --> 00:04:22,433 MAYBE SOMEONE FOLLOWED HER UP TO HER APARTMENT. 78 00:04:22,433 --> 00:04:26,433 IT COULD VERY WELL HAVE BEEN WHAT IS CALLED TODAY A PUSH-IN, 79 00:04:26,433 --> 00:04:30,433 WHERE SOMEONE OPENS THE DOOR AND THE INTRUDER ENTERS. 80 00:04:30,433 --> 00:04:34,400 OR POSSIBLY IT WAS SOMEBODY WHO KNEW HER. 81 00:04:36,633 --> 00:04:38,700 Detective: TELL US HOW YOU KNEW THE YOUNG LADY. 82 00:04:41,333 --> 00:04:43,400 WE WORKED TOGETHER UP AT ST. JOSEPH'S. 83 00:04:43,400 --> 00:04:46,600 I SUB FOR HER CLASS SOMETIMES WHEN SHE'S OUT. 84 00:04:46,600 --> 00:04:48,900 ** 85 00:04:56,067 --> 00:04:58,533 Fairstein: SHE WAS A COLLEAGUE OF HIS 86 00:04:58,533 --> 00:05:01,067 AT A SCHOOL FOR THE DEAF IN THE BRONX. 87 00:05:03,267 --> 00:05:05,133 [ CAMERA WHIRRING ] 88 00:05:07,667 --> 00:05:11,300 McNamara: DETECTIVES LEARN THAT HER NAME IS ROSEANN QUINN, 89 00:05:11,300 --> 00:05:13,200 AND SHE'S 28. 90 00:05:15,900 --> 00:05:18,667 SEEN HER RECENTLY? 91 00:05:18,667 --> 00:05:20,067 [ CLEARS THROAT ] NO. 92 00:05:21,333 --> 00:05:23,967 Fairstein: THE DAY BEFORE, JANUARY 2nd, 93 00:05:23,967 --> 00:05:25,833 SHE HAD NOT SHOWN UP AT WORK. 94 00:05:25,833 --> 00:05:30,133 THE NEXT DAY, WHEN SHE DIDN'T SHOW UP FOR THE SECOND TIME, 95 00:05:30,133 --> 00:05:32,700 THIS FELLOW TEACHER WAS DISPATCHED 96 00:05:32,700 --> 00:05:35,167 TO SEE IF ROSEANN WAS ALL RIGHT. 97 00:05:35,167 --> 00:05:37,433 DID YOU AND MISS QUINN EVER SEE EACH OTHER 98 00:05:37,433 --> 00:05:38,600 IN A SOCIAL CONTEXT? 99 00:05:40,300 --> 00:05:42,067 [ CAMERA WHIRRING ] 100 00:05:46,667 --> 00:05:48,233 Man: NO, NEVER. 101 00:05:50,633 --> 00:05:52,700 WE WERE FRIENDLY, BUT JUST AT WORK. 102 00:05:55,433 --> 00:05:56,733 HEY, YOU GOT ANYTHING? 103 00:05:56,733 --> 00:06:00,067 STILL DUSTING. NOTHING SO FAR. 104 00:06:04,467 --> 00:06:06,833 ** 105 00:06:11,933 --> 00:06:14,333 HELLO. NYPD. 106 00:06:14,333 --> 00:06:17,733 Fairstein: THEY CANVASSED, KNOCKING ON NEIGHBORS' DOORS. 107 00:06:20,067 --> 00:06:23,567 IT'S HARD TO IMAGINE SOMEONE BEING KILLED THIS WAY 108 00:06:23,567 --> 00:06:26,167 WITHOUT THERE HAVING BEEN A FIGHT. 109 00:06:28,100 --> 00:06:31,100 DID YOU HEAR ANYTHING COMING FROM APARTMENT 715 110 00:06:31,100 --> 00:06:33,467 LATE MONDAY, EARLY TUESDAY? 111 00:06:33,467 --> 00:06:35,967 THERE'S BEEN A HOMICIDE. 112 00:06:35,967 --> 00:06:38,100 Woman: ROSEANN? YEAH, ROSEANN QUINN. 113 00:06:38,100 --> 00:06:40,967 THAT'S TERRIBLE. NO. I'VE BEEN OUT OF TOWN. 114 00:06:40,967 --> 00:06:42,500 Fairstein: IT'S THE HOLIDAY PERIOD. 115 00:06:42,500 --> 00:06:46,133 IT'S A HARD TIME TO DO A CANVASS. 116 00:06:46,133 --> 00:06:47,700 Jurgensen: THEY HAD NOTHING. 117 00:06:47,700 --> 00:06:51,233 WITH THIS CASE, YOU STARTED FROM ZERO. 118 00:06:51,233 --> 00:06:54,600 [ HORNS HONKING, INDISTINCT CONVERSATIONS ] 119 00:06:54,600 --> 00:06:56,467 Fairstein: THE HOMICIDE DETECTIVES 120 00:06:56,467 --> 00:06:57,833 ARE POUNDING THE PAVEMENT. 121 00:07:01,400 --> 00:07:07,100 NEW YORK CITY IN 1973 IS HARD FOR YOUNG PEOPLE TO IMAGINE NOW. 122 00:07:07,100 --> 00:07:08,800 Van Lindt: THERE WERE PEEP SHOWS, 123 00:07:08,800 --> 00:07:12,367 XXX-RATED MOVIES, PROSTITUTES. 124 00:07:12,367 --> 00:07:15,833 Jurgensen: THE DRUG PROBLEM WAS SO BAD. 125 00:07:15,833 --> 00:07:18,967 Fairstein: THE DRUG OF CHOICE WAS HEROIN. 126 00:07:18,967 --> 00:07:23,133 ONE OF THE MOST NOTORIOUS PLACES WAS NICKNAMED NEEDLE PARK 127 00:07:23,133 --> 00:07:24,433 BECAUSE OF THE HEROIN USE, 128 00:07:24,433 --> 00:07:26,900 BECAUSE OF THE FACT THAT ADDICTS WOULD HANG OUT THERE. 129 00:07:26,900 --> 00:07:28,567 AND IT'S ON 72nd STREET. 130 00:07:28,567 --> 00:07:31,567 IT'S REALLY NOT MUCH MORE THAN A BLOCK AWAY 131 00:07:31,567 --> 00:07:33,633 FROM WHERE ROSEANN QUINN LIVED. 132 00:07:33,633 --> 00:07:36,067 Van Lindt: ARMED ROBBERY WAS A COMMON OCCURRENCE. 133 00:07:36,067 --> 00:07:37,633 Jurgensen: IT WAS VERY DANGEROUS. 134 00:07:37,633 --> 00:07:40,500 Fairstein: AND THE MURDER RATE IN NEW YORK IN 1973 135 00:07:40,500 --> 00:07:42,233 WAS SKY-HIGH. 136 00:07:43,800 --> 00:07:45,933 I REMEMBER HOW SCARED MY MOTHER WAS 137 00:07:45,933 --> 00:07:48,367 ABOUT ME LIVING ALONE IN THE CITY BACK THEN. 138 00:07:48,367 --> 00:07:52,700 AND BEFORE ROSEANN WAS KILLED, I ALWAYS SAID, "COME ON, MOM. 139 00:07:52,700 --> 00:07:56,233 EVERYTHING IS FINE. I'M PERFECTLY SAFE." 140 00:07:56,233 --> 00:07:58,667 BUT I GUESS SHE HAD A POINT. 141 00:07:58,667 --> 00:08:02,700 NEW YORK CITY WAS A DANGEROUS PLACE IN 1973. 142 00:08:02,700 --> 00:08:05,100 AND FROM A SEA OF POTENTIAL SUSPECTS, 143 00:08:05,100 --> 00:08:08,067 THE COPS CAN ONLY DO WHAT THEY CAN DO, YOU KNOW? 144 00:08:08,067 --> 00:08:11,967 JUST START CLOSE AND SLOWLY WIDEN THE SEARCH. 145 00:08:11,967 --> 00:08:17,300 THE CANVASS THEN EXTENDS TO THE BUILDINGS ADJACENT. 146 00:08:19,367 --> 00:08:24,267 DRY-CLEANERS, FOOD STORES, RESTAURANTS, BARS. 147 00:08:24,267 --> 00:08:27,167 THERE IS A BAR RIGHT NEAR ROSEANN'S APARTMENT 148 00:08:27,167 --> 00:08:28,200 CALLED TWEEDS. 149 00:08:28,200 --> 00:08:29,533 AFTERNOON. 150 00:08:29,533 --> 00:08:33,333 McNamara: AND AT AROUND NOON, THEY TALKED TO THE OWNER. 151 00:08:33,333 --> 00:08:34,900 WE'RE LOOKING FOR SOME INFORMATION 152 00:08:34,900 --> 00:08:36,333 ON A GIRL NAMED ROSEANN QUINN. 153 00:08:36,333 --> 00:08:37,633 YOU KNOW HER? 154 00:08:37,633 --> 00:08:39,867 SURE. ROSIE'S IN HERE ALL THE TIME. 155 00:08:39,867 --> 00:08:41,167 YOU SEEN HER RECENTLY? 156 00:08:41,167 --> 00:08:43,567 NOT FOR A COUPLE OF NIGHTS. 157 00:08:43,567 --> 00:08:45,933 SO, MONDAY NIGHT, SHE WAS IN HERE? 158 00:08:45,933 --> 00:08:47,333 YEAH. 159 00:08:47,333 --> 00:08:50,267 SEE HER TALKING WITH ANYBODY? 160 00:08:50,267 --> 00:08:51,533 I WASN'T AROUND MUCH. 161 00:08:51,533 --> 00:08:53,433 I WAS BOOKKEEPING IN THE BACK. 162 00:08:53,433 --> 00:08:56,267 UH, WHAT'S GOING ON? 163 00:08:56,267 --> 00:08:59,333 A TEACHER FRIEND OF HERS FOUND HER DEAD THIS MORNING. 164 00:08:59,333 --> 00:09:01,067 HOMICIDE. 165 00:09:01,067 --> 00:09:04,200 HAPPENED TUESDAY MORNING, MAYBE LATE MONDAY NIGHT, THEREABOUTS. 166 00:09:04,200 --> 00:09:06,333 ** 167 00:09:15,167 --> 00:09:16,467 McNamara: STEVEN RESNICK 168 00:09:16,467 --> 00:09:18,500 ACTUALLY KNOWS ROSEANN REALLY WELL. 169 00:09:22,267 --> 00:09:24,700 HE'S KNOWN HER FOR EIGHT YEARS. 170 00:09:26,367 --> 00:09:27,700 THAT'S HER SEAT. 171 00:09:29,800 --> 00:09:32,467 [ INDISTINCT CONVERSATIONS ] 172 00:09:32,467 --> 00:09:37,233 SHE WOULD SOMETIMES JUST COME IN WITH A BOOK AND READ BY HERSELF. 173 00:09:41,500 --> 00:09:43,633 THANK YOU. 174 00:09:43,633 --> 00:09:45,100 SHE LIKES TO WATCH. 175 00:09:45,100 --> 00:09:46,833 SHE COMES IN AND OUT WHEN SHE'S NOT JUST READING BY HERSELF. 176 00:09:49,067 --> 00:09:50,333 [ INDISTINCT TALKING ] 177 00:09:50,333 --> 00:09:51,567 CHEERS. 178 00:09:51,567 --> 00:09:53,167 Woman: CHEERS. 179 00:09:53,167 --> 00:09:58,100 SHE WAS MUCH RESPECTED AND ADMIRED, FUN. 180 00:10:05,467 --> 00:10:07,133 SHE'S A REALLY SWEET KID. 181 00:10:08,933 --> 00:10:11,467 SO, YOU WERE IN THE BACK ON MONDAY NIGHT. 182 00:10:11,467 --> 00:10:13,767 YOU HAPPEN TO NOTICE ANYBODY UNUSUAL? 183 00:10:13,767 --> 00:10:15,933 MOSTLY REGULARS. 184 00:10:15,933 --> 00:10:17,033 UH... 185 00:10:19,733 --> 00:10:21,633 HEY... 186 00:10:21,633 --> 00:10:25,067 I HAVE AN IDEA FOR SOMEONE YOU SHOULD CHECK OUT. 187 00:10:25,067 --> 00:10:27,567 THIS REALLY ROUGH GUY. 188 00:10:27,567 --> 00:10:30,333 SOMEONE ROSIE WAS HANGING AROUND LAST YEAR. 189 00:10:36,067 --> 00:10:38,500 I HEARD HE BEAT HER UP PRETTY BAD. 190 00:10:38,500 --> 00:10:41,400 ** 191 00:10:47,767 --> 00:10:50,300 ** 192 00:10:50,300 --> 00:10:54,567 HEY, I HAVE AN IDEA FOR SOMEONE YOU SHOULD CHECK OUT. 193 00:10:54,567 --> 00:10:57,433 SOMEONE ROSIE WAS HANGING AROUND LAST YEAR. 194 00:10:59,800 --> 00:11:03,200 [ MID-TEMPO MUSIC PLAYS, INDISTINCT CONVERSATIONS ] 195 00:11:03,200 --> 00:11:05,067 HEY, PRETTY LADY. 196 00:11:05,067 --> 00:11:06,800 CAN I BUY YOU A DRINK? 197 00:11:06,800 --> 00:11:08,433 NO, THANK YOU. 198 00:11:08,433 --> 00:11:09,900 WHAT? 199 00:11:09,900 --> 00:11:11,800 YOU DON'T WANT TO TALK TO ME? 200 00:11:15,967 --> 00:11:19,500 Resnick: THIS GUY FREDDIE WATSON. 201 00:11:19,500 --> 00:11:21,167 THIS REALLY ROUGH GUY. 202 00:11:23,300 --> 00:11:25,300 HEY, I'M A PHOTOGRAPHER, YOU KNOW. 203 00:11:25,300 --> 00:11:26,900 I COULD TAKE YOUR PICTURE. 204 00:11:26,900 --> 00:11:29,400 ONLY IF YOU'RE TOPLESS, THOUGH. 205 00:11:32,767 --> 00:11:35,600 OH, COME ON, PRINCESS. I'M ONLY PLAYING WITH YOU. 206 00:11:38,733 --> 00:11:42,767 HERE, COME ON. MY SINCEREST APOLOGIES. 207 00:11:42,767 --> 00:11:45,733 LET ME MAKE IT UP TO YOU. I'LL BUY YOU A DRINK. 208 00:11:45,733 --> 00:11:48,167 HEY, BARTENDER. 209 00:11:48,167 --> 00:11:52,133 ANOTHER BEER FOR ME, AND THE LADY WILL HAVE... 210 00:11:54,167 --> 00:11:56,100 JOHNNY WALKER RED. 211 00:11:56,100 --> 00:11:58,067 JOHNNY WALKER RED. 212 00:11:58,067 --> 00:12:03,267 NEXT DAY, SHE SHOWS UP WITH BRUISES AND A BLACK EYE. 213 00:12:03,267 --> 00:12:07,567 WAS FREDDIE WATSON HERE ON MONDAY NIGHT? 214 00:12:07,567 --> 00:12:11,067 I -- LIKE I SAID, I WASN'T HERE MUCH. 215 00:12:11,067 --> 00:12:13,567 YOU'LL HAVE TO TALK TO MY NIGHT BARTENDER, KENNY. 216 00:12:13,567 --> 00:12:15,933 HE KNOWS EVERYBODY. I'LL GIVE YOU HIS NUMBER. 217 00:12:18,933 --> 00:12:20,667 [ BELL JINGLES ] 218 00:12:20,667 --> 00:12:23,367 Female neighbor: WELL, THEY WEREN'T GONNA WAIT AROUND FOR THE NIGHT SHIFT 219 00:12:23,367 --> 00:12:25,500 TO PURSUE THEIR FIRST REAL LEAD. 220 00:12:25,500 --> 00:12:26,800 SO THE NEXT THING I KNEW, 221 00:12:26,800 --> 00:12:29,233 THE DETECTIVES WERE RIGHT BACK AT OUR BUILDING, 222 00:12:29,233 --> 00:12:30,933 ASKING AROUND ABOUT ROSEANN. 223 00:12:30,933 --> 00:12:33,967 HAD SHE REALLY BEEN BEAT UP, OR WAS THAT JUST A STORY, 224 00:12:33,967 --> 00:12:37,100 THE KIND OF RUMOR THAT GETS PASSED FROM PERSON TO PERSON 225 00:12:37,100 --> 00:12:39,667 UNTIL EVERYONE BELIEVES THAT IT'S A FACT? 226 00:12:39,667 --> 00:12:42,700 THEY CAUGHT ME AS I WAS HEADING DOWN TO THE BODEGA 227 00:12:42,700 --> 00:12:44,233 FOR A PACK OF CIGARETTES. 228 00:12:44,233 --> 00:12:46,467 BUT THEY WERE ASKING IF I KNEW ANYTHING 229 00:12:46,467 --> 00:12:48,900 ABOUT ROSEANN GETTING BEAT UP A YEAR BEFORE. 230 00:12:48,900 --> 00:12:52,200 AND I HAD ONLY MOVED INTO THE BUILDING SIX MONTHS AGO. 231 00:12:52,200 --> 00:12:54,367 THAT'LL BE ALL, MISS. THANK YOU. 232 00:12:54,367 --> 00:12:57,700 OKAY, WELL, LET ME KNOW IF I CAN HELP YOU WITH ANYTHING ELSE. 233 00:13:02,233 --> 00:13:03,633 FOR GOOD OR BAD, 234 00:13:03,633 --> 00:13:06,400 MOST OF US LIVING IN CROWDED NEW YORK CITY APARTMENTS 235 00:13:06,400 --> 00:13:09,067 WERE JUST TRYING TO HAVE A LITTLE PRIVACY OF OUR OWN. 236 00:13:09,067 --> 00:13:11,233 WE WORKED PRETTY HARD NOT TO GET INVOLVED 237 00:13:11,233 --> 00:13:13,133 IN EACH OTHER'S PERSONAL BUSINESS. 238 00:13:15,533 --> 00:13:17,100 EXCUSE ME, MISS? 239 00:13:17,100 --> 00:13:19,833 ANOTHER QUESTION FOR YOU. 240 00:13:19,833 --> 00:13:22,967 BUT NOT EVERYONE KEPT THEIR NOSE OUT OF IT. 241 00:13:22,967 --> 00:13:26,067 LAST YEAR, DID YOU HAPPEN TO HEAR ANY KIND OF COMMOTION, 242 00:13:26,067 --> 00:13:28,600 SCREAMING, COMING FROM MISS QUINN'S APARTMENT? 243 00:13:28,600 --> 00:13:30,567 SHE WAS BADLY BEATEN. 244 00:13:33,100 --> 00:13:35,167 CAN YOU GIVE US A DESCRIPTION OF THE GUY? 245 00:13:35,167 --> 00:13:37,233 NEGRO. 246 00:13:37,233 --> 00:13:40,067 NOT OVERLY TALL. STOCKY. 247 00:13:40,067 --> 00:13:42,500 I HEARD ALL THESE NOISES. 248 00:13:42,500 --> 00:13:44,133 WHY DID YOU DO THAT?! 249 00:13:44,133 --> 00:13:45,400 THIS IS CRAZY! 250 00:13:45,400 --> 00:13:46,900 WHAT IS WRONG WITH YOU?! 251 00:13:46,900 --> 00:13:49,067 YOU WANTED ME TO TOUCH YOU. YOU WANTED ME TO SLAP YOU. 252 00:13:49,067 --> 00:13:50,767 THAT'S WHAT I DID. GET OUT! 253 00:13:50,767 --> 00:13:52,467 YOU'RE OUT OF YOUR MIND. 254 00:13:52,467 --> 00:13:53,700 [ SOBBING ] 255 00:13:53,700 --> 00:13:56,267 [ DOOR OPENS ] 256 00:13:56,267 --> 00:13:58,667 HE WAS RUNNING OUT AS I CAME IN. 257 00:13:58,667 --> 00:14:01,633 [ SOBBING ] 258 00:14:01,633 --> 00:14:04,333 ARE YOU OKAY? I'M FINE. 259 00:14:04,333 --> 00:14:07,933 McNamara: HER NEIGHBOR ACTUALLY FOUND ROSEANN 260 00:14:07,933 --> 00:14:09,467 IN A CRYING HEAP ON THE FLOOR. 261 00:14:09,467 --> 00:14:11,300 WELL, ABOUT TWO WEEKS LATER, 262 00:14:11,300 --> 00:14:14,600 I HEARD THE SAME SOUNDS COMING FROM HER APARTMENT. 263 00:14:17,200 --> 00:14:18,100 [ WOMAN MOANING ] 264 00:14:18,100 --> 00:14:20,200 McNamara: SHE GOES ON TO TELL THEM 265 00:14:20,200 --> 00:14:22,433 THAT TWO WEEKS AFTER THAT INCIDENT... 266 00:14:22,433 --> 00:14:23,500 [ THUDDING ] 267 00:14:23,500 --> 00:14:26,200 ...SIMILAR NOISES, SIMILAR STRUGGLES, 268 00:14:26,200 --> 00:14:30,567 WHAT SOUNDED LIKE ROUGH SEX, ESSENTIALLY. 269 00:14:30,567 --> 00:14:34,600 PHYSICAL CONFRONTATIONS THAT HAD A SEXUAL ELEMENT TO IT. 270 00:14:34,600 --> 00:14:39,267 SHE BELIEVED THAT EVERY TWO WEEKS IT WAS DIFFERENT GUYS, 271 00:14:39,267 --> 00:14:42,200 AND THEY HAPPENED WITH INCREASING FREQUENCY. 272 00:14:42,200 --> 00:14:43,500 TO THE NEIGHBOR, 273 00:14:43,500 --> 00:14:46,667 IT SEEMED LIKE ROSEANN MAYBE WANTED TO GET BEAT UP. 274 00:14:46,667 --> 00:14:50,100 DID THE POLICE TAKE THE STORY OF ONE NEIGHBOR SERIOUSLY 275 00:14:50,100 --> 00:14:52,900 AND LOOK AT ROSEANN DIFFERENTLY AFTER THAT? 276 00:14:52,900 --> 00:14:54,067 HOW SHOULD I KNOW? 277 00:14:54,067 --> 00:14:55,900 BUT REMEMBER, THE GOODBAR STORY 278 00:14:55,900 --> 00:14:58,200 WAS ABOUT A WOMAN WHO COURTED DANGER 279 00:14:58,200 --> 00:15:00,633 BY PICKING UP ROUGH STRANGERS IN BARS 280 00:15:00,633 --> 00:15:03,267 AND BRINGING THEM BACK TO HER APARTMENT. 281 00:15:03,267 --> 00:15:07,067 SO MAYBE THAT'S WHERE THE IDEA CAME FROM. 282 00:15:07,067 --> 00:15:10,500 PERSONALLY, I NEVER HEARD ANYTHING 283 00:15:10,500 --> 00:15:12,400 COMING FROM ROSEANN'S APARTMENT. 284 00:15:14,500 --> 00:15:17,967 AND ON THE RARE OCCASION THAT SHE INVITED ME INSIDE, 285 00:15:17,967 --> 00:15:21,833 I GOT THE IMPRESSION THAT SHE MIGHT BE A LITTLE TOO FRAGILE 286 00:15:21,833 --> 00:15:23,567 FOR ANYTHING LIKE THAT. 287 00:15:23,567 --> 00:15:24,867 DOES THIS LOOK OKAY? 288 00:15:24,867 --> 00:15:26,700 YEAH. I LIKE THAT ON YOU. 289 00:15:26,700 --> 00:15:28,967 IT LOOKS GREAT. THANKS. 290 00:15:28,967 --> 00:15:30,633 HEY, I'M GLAD YOU FINALLY DECIDED 291 00:15:30,633 --> 00:15:32,367 TO COME OUT WITH ME AND MY FRIENDS. 292 00:15:32,367 --> 00:15:33,867 YEAH. 293 00:15:37,333 --> 00:15:39,300 IT'S KIND OF HARD TO MEET PEOPLE IN NEW YORK. 294 00:15:39,300 --> 00:15:42,567 YEAH, IT'S A TOUGH PLACE IF YOU DON'T KNOW ANYONE. 295 00:15:44,400 --> 00:15:45,733 McNamara: AT 13, 296 00:15:45,733 --> 00:15:48,700 SHE HAD TO HAVE A VERY SERIOUS SURGERY ON HER SPINE, 297 00:15:48,700 --> 00:15:51,800 AND SHE WOULD WALK WITH A LIMP FOR THE REST OF HER LIFE. 298 00:15:51,800 --> 00:15:54,533 HEY, HAVE YOU SEEN "GREASE" YET? 299 00:15:54,533 --> 00:15:58,100 I REALLY WANT TO YOU, YOU KNOW. 300 00:15:58,100 --> 00:16:00,333 I'M REALLY SORRY. 301 00:16:00,333 --> 00:16:03,700 I'M STARTING TO FEEL A LITTLE SICK. 302 00:16:03,700 --> 00:16:04,733 OH. 303 00:16:04,733 --> 00:16:06,167 I THINK I'M JUST GONNA STAY IN TONIGHT. 304 00:16:06,167 --> 00:16:07,767 OKAY. 305 00:16:07,767 --> 00:16:09,700 IF ROSEANN'S HANG-UPS ABOUT HER BODY 306 00:16:09,700 --> 00:16:11,533 WERE DRIVING HER TO A DARK PLACE, 307 00:16:11,533 --> 00:16:14,333 WELL, I KNEW MORE THAN A FEW GIRLS 308 00:16:14,333 --> 00:16:17,600 WHO COULD RELATE TO THAT, MYSELF INCLUDED. 309 00:16:17,600 --> 00:16:20,400 SO EVEN IF OUR NEIGHBOR'S STORY WAS TRUE, 310 00:16:20,400 --> 00:16:24,067 I FIGURE WHATEVER A GROWN WOMAN DOES BEHIND CLOSED DOORS 311 00:16:24,067 --> 00:16:25,900 IS NONE OF ANYONE'S BUSINESS. 312 00:16:29,133 --> 00:16:34,333 THE PROBLEM WAS, SHE HAD DIED BEHIND THAT CLOSED DOOR. 313 00:16:37,833 --> 00:16:39,233 SO AFTER LOOKING FOR INFO 314 00:16:39,233 --> 00:16:41,633 ON THIS FREDDIE WATSON CHARACTER ALL DAY, 315 00:16:41,633 --> 00:16:44,400 IT MADE SENSE TO SWING BACK BY ROSEANN'S APARTMENT 316 00:16:44,400 --> 00:16:47,233 TO SEE WHAT THE FORENSICS TEAM HAD DUG UP. 317 00:16:47,233 --> 00:16:49,567 -HEY, YOU GOT ANYTHING? -THERE'S NO PRINTS. 318 00:16:49,567 --> 00:16:50,767 IF THE GUY TOUCHED ANYTHING, 319 00:16:50,767 --> 00:16:52,400 HE WIPED THE PLACE CLEAN AFTERWARDS. 320 00:16:52,400 --> 00:16:55,300 OKAY, LET'S CALL CLEARY TO START A SEARCH ON FREDDIE WATSON. 321 00:16:55,300 --> 00:16:58,133 [ TELEPHONE RINGING ] 322 00:17:05,233 --> 00:17:06,600 HELLO? 323 00:17:06,600 --> 00:17:09,700 MAN: Hello. Is Roseann there? 324 00:17:09,700 --> 00:17:11,333 WHO'S CALLING? A friend. 325 00:17:11,333 --> 00:17:13,800 I had heard that she wasn't feeling well. 326 00:17:13,800 --> 00:17:16,267 YOU HEARD SHE WASN'T FEELING WELL. 327 00:17:16,267 --> 00:17:18,900 [ SNAPPING FINGERS ] Is she okay? 328 00:17:18,900 --> 00:17:20,933 SIR, WHAT IS YOUR NAME? 329 00:17:20,933 --> 00:17:23,067 ** 330 00:17:30,367 --> 00:17:33,467 MAN: Hello. Is Roseann there? 331 00:17:33,467 --> 00:17:35,100 WHO'S CALLING? A friend. 332 00:17:35,100 --> 00:17:37,567 I had heard that she wasn't feeling well. 333 00:17:37,567 --> 00:17:39,233 YOU HEARD SHE WASN'T FEELING WELL. 334 00:17:39,233 --> 00:17:42,833 [ SNAPPING FINGERS ] Is she okay? 335 00:17:42,833 --> 00:17:45,467 SIR, WHAT IS YOUR NAME? 336 00:17:48,533 --> 00:17:52,600 TELL ME YOUR NAME. 337 00:17:52,600 --> 00:17:54,800 [ CLICK, DIAL TONE ] 338 00:17:54,800 --> 00:17:56,967 Fairstein: AND THE CALLER HANGS UP. 339 00:17:59,900 --> 00:18:03,267 WITH TODAY'S TECHNOLOGY, WE COULD CALL HIM BACK. 340 00:18:03,267 --> 00:18:05,900 IN 1973, THERE'S NOTHING THEY CAN DO 341 00:18:05,900 --> 00:18:08,467 TO DISCOVER WHO THE CALLER IS. 342 00:18:08,467 --> 00:18:11,067 Female neighbor: YOU'RE ALWAYS GONNA BE NOSTALGIC 343 00:18:11,067 --> 00:18:12,267 FOR YOUR 20s. 344 00:18:12,267 --> 00:18:13,833 GOSH, YOU REMEMBER, RIGHT? 345 00:18:13,833 --> 00:18:15,933 YOU'RE YOUNG AND EXCITED. 346 00:18:15,933 --> 00:18:18,567 IT WAS AN AMAZING TIME TO BE IN NEW YORK, 347 00:18:18,567 --> 00:18:21,400 WHETHER YOU WERE DOWNTOWN CATCHING A DULL SET 348 00:18:21,400 --> 00:18:24,133 THAT DIDN'T EVEN START UNTIL AFTER MIDNIGHT 349 00:18:24,133 --> 00:18:27,867 OR KEEPING A BAR STOOL WARM UNTIL CLOSING TIME. 350 00:18:27,867 --> 00:18:30,933 YOU WERE HAVING FUN. 351 00:18:30,933 --> 00:18:35,267 AND THAT'S EXACTLY WHAT ROSEANN WAS DOING THE NIGHT SHE DIED. 352 00:18:35,267 --> 00:18:38,567 AND THE POLICE HOPED THAT THE NIGHT BARTENDER FROM TWEEDS 353 00:18:38,567 --> 00:18:41,167 MIGHT BE ABLE TO FILL IN SOME OF THE DETAILS FOR THEM. 354 00:18:41,167 --> 00:18:43,900 SO, KENNY, WHEN YOU WERE WORKING AT TWEEDS ON MONDAY NIGHT -- 355 00:18:43,900 --> 00:18:45,533 NEW YEAR'S DAY IN THE EVENING -- 356 00:18:45,533 --> 00:18:47,400 DID YOU SEE FREDDIE WATSON AT ANY TIME? 357 00:18:47,400 --> 00:18:49,133 NO. 358 00:18:49,133 --> 00:18:52,267 FREDDIE, NO. HE STANDS OUT IN A CROWD. 359 00:18:52,267 --> 00:18:54,067 NO, I-I DIDN'T SEE HIM. 360 00:18:54,067 --> 00:18:55,800 ACCORDING TO THE NIGHT BARTENDER, 361 00:18:55,800 --> 00:18:58,333 ON JANUARY 1st, FREDDIE WATSON WAS NOT AT THE BAR. 362 00:18:58,333 --> 00:19:00,267 SO IT WAS MUCH LESS LIKELY 363 00:19:00,267 --> 00:19:03,233 THAT HE WAS THE KILLER OF ROSEANN QUINN. 364 00:19:03,233 --> 00:19:04,900 BUT YOU SAW ROSEANN, RIGHT? 365 00:19:04,900 --> 00:19:07,167 SURE. ROSEANN, SHE WAS THERE ALL NIGHT. 366 00:19:08,900 --> 00:19:11,667 [ LIGHT ROCK MUSIC PLAYING, LAUGHTER ] 367 00:19:13,533 --> 00:19:16,767 WHAT HE REPORTS IS IT WAS A BUSY NIGHT, AS USUAL. 368 00:19:16,767 --> 00:19:19,167 ROSEANN WAS THERE READING AT FIRST 369 00:19:19,167 --> 00:19:20,933 BUT THEN KIND OF ENTERED THE CROWD 370 00:19:20,933 --> 00:19:23,633 AND BEGAN TALKING TO THE PEOPLE SHE KNEW, THE REGULARS. 371 00:19:24,567 --> 00:19:30,367 BUT THERE WERE A COUPLE OF GUYS THAT I DIDN'T RECOGNIZE. 372 00:19:32,300 --> 00:19:34,700 THEY WERE BOTH BLOND HAIR. 373 00:19:34,700 --> 00:19:38,367 ONE WAS A LITTLE OLDER THAN THE OTHER. 374 00:19:38,367 --> 00:19:41,967 HIS GENERAL IMPRESSION WAS THAT THIS MAY BE TWO BROTHERS. 375 00:19:43,767 --> 00:19:47,300 Fairstein: ACCORDING TO THE BARTENDER, THE STRANGERS PART. 376 00:19:53,833 --> 00:19:58,267 AND ONE STAYS TO TALK TO ROSEANN. 377 00:19:58,267 --> 00:20:00,600 WHICH ONE WAS TALKING TO HER? 378 00:20:00,600 --> 00:20:01,900 THE YOUNGER ONE? 379 00:20:01,900 --> 00:20:04,167 I DON'T REALLY REMEMBER THAT MUCH ABOUT THEM. 380 00:20:04,167 --> 00:20:05,400 WE WERE BUSY THAT NIGHT. 381 00:20:06,467 --> 00:20:09,333 TWEEDS WAS THE LAST PLACE THIS GIRL WAS SEEN ALIVE. 382 00:20:09,333 --> 00:20:12,433 NOW, MOST OF YOUR REGULARS WERE THERE THAT NIGHT, RIGHT? 383 00:20:12,433 --> 00:20:14,700 YEAH, SURE. MOST OF THEM WERE THERE. 384 00:20:15,867 --> 00:20:17,367 ALL RIGHT, I'M LOOKING FOR SOME INFORMATION 385 00:20:17,367 --> 00:20:19,367 ON A COUPLE OF GUYS THAT WERE HERE AT THE BAR ON MONDAY NIGHT. 386 00:20:19,367 --> 00:20:20,700 NOW, I DON'T THINK THEY'RE REGULARS, 387 00:20:20,700 --> 00:20:22,400 SO I'M HOPING THAT THEY MIGHT HAVE STUCK OUT TO YOU. 388 00:20:22,400 --> 00:20:23,800 YEAH, I SAW TWO GUYS WITH BLOND HAIR. 389 00:20:23,800 --> 00:20:25,233 I KNOW THEY BOTH HAD BLOND HAIR. 390 00:20:25,233 --> 00:20:27,200 THE YOUNGER ONE HAD DARKER HAIR. 391 00:20:27,200 --> 00:20:29,067 ONE WAS A BIT TALLER THAN THE OTHER ONE. 392 00:20:29,067 --> 00:20:30,467 NEITHER GUY WAS TALLER THAN THE OTHER. 393 00:20:30,467 --> 00:20:32,233 THEY WERE ABOUT THE SAME HEIGHT. 394 00:20:32,233 --> 00:20:34,833 McNamara: POLICE INTERVIEW PEOPLE AT THE BAR 395 00:20:34,833 --> 00:20:37,700 AND TRY TO DEVELOP A COMPOSITE. 396 00:20:37,700 --> 00:20:40,033 Detective: ALL RIGHT, DID YOU HAPPEN TO SEE THE GUY 397 00:20:40,033 --> 00:20:41,300 SPEAKING WITH ROSEANN QUINN? 398 00:20:41,300 --> 00:20:42,600 Woman: YEAH, THE OLDER ONE. 399 00:20:42,600 --> 00:20:44,533 BOTH OF THEM WERE TALKING TO MISS QUINN. 400 00:20:44,533 --> 00:20:46,567 -BOTH TALKING TO ROSEANN? -YES. 401 00:20:46,567 --> 00:20:49,200 IT'S NOT A SCIENCE. IT'S AN ART. 402 00:20:49,200 --> 00:20:52,800 BUT OFTEN HELPFUL IN A WAY OF A GENERAL PHYSICAL DESCRIPTION 403 00:20:52,800 --> 00:20:55,533 OF WHAT A POSSIBLE SUSPECT MIGHT LOOK LIKE. 404 00:20:55,533 --> 00:20:57,467 Woman: KIND OF HAD A ROUND FACE. 405 00:20:57,467 --> 00:20:59,467 HE HAD, LIKE, A STRONG JAWLINE. 406 00:20:59,467 --> 00:21:02,767 Woman: HE HAD BLUE EYES. DIRTY-BLOND HAIR. 407 00:21:02,767 --> 00:21:04,333 I DON'T REALLY KNOW WHAT THEY LOOK LIKE. 408 00:21:04,333 --> 00:21:06,367 OKAY. THANK YOU VERY MUCH. 409 00:21:10,167 --> 00:21:12,433 McNamara: THE COPS ARE NOT EXTREMELY CONFIDENT 410 00:21:12,433 --> 00:21:13,433 IN THE COMPOSITE. 411 00:21:13,433 --> 00:21:14,867 IT MIGHT AS WELL BE ANYBODY. 412 00:21:20,100 --> 00:21:22,567 BUT NOT ALL OF ROSEANN'S BARROOM FRIENDS 413 00:21:22,567 --> 00:21:24,900 WERE COMFORTABLE SPEAKING TO THE COPS 414 00:21:24,900 --> 00:21:26,467 OUT IN THE OPEN LIKE THAT. 415 00:21:26,467 --> 00:21:28,500 AND THERE WAS ONE GUY IN PARTICULAR 416 00:21:28,500 --> 00:21:30,700 WHO WANTED A MORE PRIVATE CONVERSATION. 417 00:21:30,700 --> 00:21:35,133 I'D SEEN HIM A FEW TIMES AT THE PARK WITH HIS SKETCH PAD, 418 00:21:35,133 --> 00:21:38,667 AND EVERYONE JUST KNEW HIM AS "THE ARTIST." 419 00:21:38,667 --> 00:21:40,367 YOU THE COPS I SPOKE TO? 420 00:21:40,367 --> 00:21:42,067 YEAH, THANKS FOR GIVING US A CALL. 421 00:21:42,067 --> 00:21:43,600 YEAH, WELL... 422 00:21:43,600 --> 00:21:46,067 NORMALLY, I DON'T TALK TO COPS. 423 00:21:46,067 --> 00:21:47,867 BUT, UH... 424 00:21:47,867 --> 00:21:51,200 WHAT THEY DID TO THAT GIRL, THAT WAS REALLY MESSED UP. 425 00:21:51,200 --> 00:21:53,633 WE'RE LOOKING FOR INFORMATION ON A COUPLE OF GUYS 426 00:21:53,633 --> 00:21:55,533 THAT WERE AT TWEEDS ON MONDAY NIGHT. 427 00:21:55,533 --> 00:21:58,333 THEY BOTH HAD BLOND HAIR. 428 00:21:58,333 --> 00:22:00,100 DO YOU REMEMBER TALKING TO THIS GUY? 429 00:22:00,100 --> 00:22:02,833 ** 430 00:22:08,533 --> 00:22:12,733 McNamara: THE ARTIST SAYS THAT, IN FACT, HE DOES REMEMBER. 431 00:22:12,733 --> 00:22:15,967 THE MAN SAT, AND THEY BEGAN A CONVERSATION. 432 00:22:15,967 --> 00:22:17,933 HIS NAME WAS CHARLIE SMITH. 433 00:22:17,933 --> 00:22:21,267 AND HE WAS FROM OUT OF TOWN, AND HE WAS LOOKING FOR A JOB. 434 00:22:21,267 --> 00:22:23,467 CHARLIE SMITH ASKS HIM WHAT HE DOES, 435 00:22:23,467 --> 00:22:25,133 AND HE SAYS, "I'M AN ARTIST." 436 00:22:25,133 --> 00:22:29,733 SO CHARLIE SMITH SAYS, YOU KNOW, 437 00:22:29,733 --> 00:22:34,600 "WELL, DRAW ME TWO PICTURES, AND I'LL PAY YOU $6 EACH." 438 00:22:36,200 --> 00:22:38,800 WHAT'D YOU DRAW, THEN? 439 00:22:38,800 --> 00:22:41,767 IT WAS, UH... 440 00:22:41,767 --> 00:22:45,067 DONALD DUCK AND MICKEY MOUSE. 441 00:22:45,067 --> 00:22:46,467 ** 442 00:22:46,467 --> 00:22:47,200 WHAT? 443 00:22:47,200 --> 00:22:49,067 CARTOON CHARACTERS. 444 00:22:53,067 --> 00:22:55,267 McNamara: ROSEANN HAD CHARLIE SMITH'S DRAWINGS 445 00:22:55,267 --> 00:22:56,300 IN HER APARTMENT. 446 00:22:59,267 --> 00:23:01,567 OKAY, THANK YOU VERY MUCH. 447 00:23:01,567 --> 00:23:04,900 AND THAT CERTAINLY PIQUES THEIR INTEREST. 448 00:23:04,900 --> 00:23:09,233 SO THE POLICE HAVE A SUSPECT OR A WITNESS. 449 00:23:11,800 --> 00:23:13,067 IT WAS A REAL LEAD. 450 00:23:13,067 --> 00:23:15,400 BUT LET ME TELL YOU FROM EXPERIENCE 451 00:23:15,400 --> 00:23:17,867 THAT MEN GIVING OUT FAKE NAMES IN BARS 452 00:23:17,867 --> 00:23:19,533 DID NOT START YESTERDAY. 453 00:23:19,533 --> 00:23:22,600 AND BACK IN A TIME BEFORE YOU COULD TRACE DEBIT CARDS 454 00:23:22,600 --> 00:23:23,867 OR TRACK CELLPHONES, 455 00:23:23,867 --> 00:23:26,100 LOCATING A CHARLIE SMITH IN NEW YORK 456 00:23:26,100 --> 00:23:28,133 WAS LIKE TRYING TO FIND A NEEDLE 457 00:23:28,133 --> 00:23:29,900 IN A HAYSTACK OF OTHER NEEDLES. 458 00:23:29,900 --> 00:23:33,767 IN 1973, IT COULD BE IMPOSSIBLY DIFFICULT 459 00:23:33,767 --> 00:23:35,700 TO FIND SOMEONE IN NEW YORK CITY. 460 00:23:35,700 --> 00:23:38,233 OKAY. THANK YOU. 461 00:23:45,067 --> 00:23:48,200 McNamara: ON FRIDAY, TWO DAYS AFTER THE BODY'S DISCOVERED, 462 00:23:48,200 --> 00:23:50,400 THE STORY FINALLY HITS THE NEWSPAPERS. 463 00:23:50,400 --> 00:23:53,600 Fairstein: MEDIA COVERAGE OF CRIMES OF SEXUAL VIOLENCE 464 00:23:53,600 --> 00:23:57,100 WAS VERY TABLOID. 465 00:23:57,100 --> 00:24:02,267 THERE WAS AN AWFUL LOT OF OPINIONS ABOUT, YOU KNOW, 466 00:24:02,267 --> 00:24:07,700 HER LIFESTYLE, HOW SHE LED IT, WHAT SHE DID. 467 00:24:07,700 --> 00:24:10,400 Gratz: THE NEW YORK TIMES WROTE THAT, 468 00:24:10,400 --> 00:24:13,867 "THE ESSENTIAL FOCUS OF CONCERN IN THE CASE 469 00:24:13,867 --> 00:24:17,367 IS THE GIRL'S LIFESTYLE. 470 00:24:17,367 --> 00:24:20,867 'IN A SENSE,' CAPTAIN McMAHON SAID, 471 00:24:20,867 --> 00:24:24,433 'A DEATH LIKE HERS SHOULD BE EXPECTED.'" 472 00:24:24,433 --> 00:24:27,467 EVEN THOUGH A KILLER WAS STILL ON THE LOOSE, 473 00:24:27,467 --> 00:24:31,333 THE STORY WAS ALREADY MORPHING INTO SOME KIND OF MORALITY TALE 474 00:24:31,333 --> 00:24:34,733 ABOUT HOW A SINGLE WOMAN WHO DARES TO HAVE A SEX LIFE 475 00:24:34,733 --> 00:24:38,900 IS REALLY THE ONE TO BLAME WHEN SOME LUNATIC KILLS HER. 476 00:24:38,900 --> 00:24:41,300 I DIDN'T THINK THE PAPERS COULD SINK ANY LOWER 477 00:24:41,300 --> 00:24:44,233 IF THE RATS UNDER THE 6 TRAIN HAD MADE A NEST OUT OF THEM. 478 00:24:45,767 --> 00:24:48,400 LUCKILY, THE POLICE HAD A DIFFERENT POINT OF VIEW 479 00:24:48,400 --> 00:24:49,833 THAN I DID ABOUT THE PRESS, 480 00:24:49,833 --> 00:24:51,767 BECAUSE THEY KNEW THAT THE PAPERS 481 00:24:51,767 --> 00:24:55,100 COULD ALSO BE A TOOL IN THEIR INVESTIGATION. 482 00:24:55,100 --> 00:25:00,067 AND AS GENERIC AS THAT SKETCH OF CHARLIE SMITH MAY HAVE BEEN, 483 00:25:00,067 --> 00:25:03,200 ALL IT WOULD TAKE TO CHANGE EVERYTHING 484 00:25:03,200 --> 00:25:06,567 WOULD BE FOR ONE PERSON, THE RIGHT PERSON, 485 00:25:06,567 --> 00:25:08,567 TO STUMBLE UPON IT. 486 00:25:08,567 --> 00:25:10,800 Fairstein: SIX DAYS AFTER THE BODY IS DISCOVERED, 487 00:25:10,800 --> 00:25:11,967 THEY RELEASE THE SKETCH, 488 00:25:11,967 --> 00:25:14,367 AND IT'S IN THE NEWSPAPERS SUNDAY MORNING. 489 00:25:14,367 --> 00:25:16,767 ** 490 00:25:26,833 --> 00:25:29,167 THE RELEASE OF THE SKETCH 491 00:25:29,167 --> 00:25:32,600 RESULTS IN EXACTLY WHAT THE POLICE WERE HOPING IT WOULD. 492 00:25:32,600 --> 00:25:34,933 ** 493 00:25:42,067 --> 00:25:45,067 WHAT CAN YOU TELL US ABOUT THE MURDER OF ROSEANN QUINN? 494 00:25:56,500 --> 00:25:59,733 Female neighbor: LOOKING BACK ON IT NOW, I UNDERSTAND WHY, 495 00:25:59,733 --> 00:26:02,200 BUT AT THE TIME, ALL I COULD THINK WAS, 496 00:26:02,200 --> 00:26:05,367 "IT'S BEEN ALMOST A WEEK SINCE THEY FOUND ROSEANN. 497 00:26:05,367 --> 00:26:07,100 WHY ISN'T ANYTHING HAPPENING 498 00:26:07,100 --> 00:26:09,333 EXCEPT FOR SOME GENERIC SKETCH?" 499 00:26:09,333 --> 00:26:12,833 BUT IF THE PAPERS HAD REPORTED THAT SOME MYSTERY MAN 500 00:26:12,833 --> 00:26:16,067 HAD ARRANGED A SECRET MEETING WITH THE POLICE, 501 00:26:16,067 --> 00:26:19,367 WELL, THEN IT WOULDN'T BE VERY SECRET, WOULD IT? 502 00:26:19,367 --> 00:26:20,833 [ DOOR OPENS ] 503 00:26:20,833 --> 00:26:24,467 McNamara: HE TELLS DETECTIVES THAT HIS NAME IS GEARY GUEST. 504 00:26:24,467 --> 00:26:28,067 AND THAT HE KNEW A GREAT DEAL ABOUT ROSEANN QUINN'S MURDER. 505 00:26:32,067 --> 00:26:35,533 SO, MR. GUEST, WHAT CAN YOU TELL US 506 00:26:35,533 --> 00:26:37,467 ABOUT THE MURDER OF ROSEANN QUINN? 507 00:26:43,067 --> 00:26:45,467 WELL, I WAS AT TWEEDS A WEEK AGO, 508 00:26:45,467 --> 00:26:47,433 LAST MONDAY NIGHT, WITH A FRIEND. 509 00:26:50,067 --> 00:26:51,633 * TO THE OCEAN * 510 00:26:51,633 --> 00:26:55,700 ONE MORE PICK. IT'S GOT TO BE JOHN LEE HOOKER. 511 00:26:55,700 --> 00:26:58,333 Fairstein: MR. GUEST SAYS THAT HE AND A FRIEND 512 00:26:58,333 --> 00:27:01,533 WHO WAS STAYING AT HIS APARTMENT NOT FAR FROM 72nd STREET 513 00:27:01,533 --> 00:27:02,933 DECIDED TO GO TO TWEEDS, 514 00:27:02,933 --> 00:27:05,367 ALTHOUGH IT WAS NOT A PLACE EITHER OF THEM WERE KNOWN. 515 00:27:07,167 --> 00:27:09,200 McNamara: THEY HAD A DRINK, 516 00:27:09,200 --> 00:27:12,600 AND GEARY DECIDED TO GO HOME AND LEFT HIS FRIEND BEHIND. 517 00:27:16,067 --> 00:27:19,933 NOW, THIS FRIEND OF YOURS, WAS HIS NAME CHARLIE SMITH? 518 00:27:19,933 --> 00:27:23,400 WHO DID HE TELL THAT NAME TO? 519 00:27:23,400 --> 00:27:25,600 Detective: SO WHAT'S YOUR PAL'S REAL NAME? 520 00:27:34,067 --> 00:27:36,867 JOHN WAYNE WILSON. 521 00:27:36,867 --> 00:27:39,133 HE'S 23 YEARS OLD. 522 00:27:39,133 --> 00:27:40,933 HE'S FROM INDIANA. 523 00:27:43,100 --> 00:27:46,567 HE HAD KIND OF A ROUGH CHILDHOOD. 524 00:27:46,567 --> 00:27:48,667 HE NEVER FINISHED HIGH SCHOOL. 525 00:27:48,667 --> 00:27:51,433 HE JUST PICKED UP AND HITCHED TO NEW YORK. 526 00:27:52,967 --> 00:27:57,400 [ LAUGHS ] YOU LOOK GOOD, JOHN. 527 00:27:57,400 --> 00:28:00,900 IT'S HARD TO GET WORK WITHOUT A DEGREE. 528 00:28:00,900 --> 00:28:04,667 AT LEAST MAKING THE KIND OF MONEY THAT HE NEEDED. 529 00:28:04,667 --> 00:28:06,067 SO... 530 00:28:09,600 --> 00:28:11,167 ...HE HUSTLED. 531 00:28:14,400 --> 00:28:16,500 ** 532 00:28:16,500 --> 00:28:19,667 McNamara: JOHN WAYNE AND GEARY MEET IN 1970. 533 00:28:19,667 --> 00:28:22,900 Gratz: CLASSIC "I'M ON THE STREET, AND HE SMILES AT ME, 534 00:28:22,900 --> 00:28:26,633 AND I SMILE AT HIM, AND THE NEXT THING, WE'RE MAKING A CONTACT." 535 00:28:31,600 --> 00:28:33,900 McNamara: THEY GO HOME TOGETHER THAT NIGHT. 536 00:28:39,967 --> 00:28:43,367 SO, YOU TWO HAD A "MIDNIGHT COWBOY" KIND OF RELATIONSHIP? 537 00:28:48,400 --> 00:28:51,267 SEE, I WAS ALWAYS A RUNNER. 538 00:28:51,267 --> 00:28:54,133 PROBABLY NOT HARD TO BELIEVE, I IMAGINE. 539 00:28:55,833 --> 00:29:00,433 GEARY FALLS IN LOVE WITH JOHN WAYNE. 540 00:29:00,433 --> 00:29:02,700 Gratz: FOR JOHN WAYNE WILSON, 541 00:29:02,700 --> 00:29:06,400 HE'S DEPENDENT ON GEARY FOR FINANCIAL SUPPORT. 542 00:29:08,067 --> 00:29:09,433 YOU KNOW WHAT? 543 00:29:09,433 --> 00:29:11,233 YOU'RE CUTE. 544 00:29:11,233 --> 00:29:15,200 THE WAY I SEE IT, ALL RELATIONSHIPS ARE COMPLICATED, 545 00:29:15,200 --> 00:29:17,367 AND THEIRS WAS NO EXCEPTION. 546 00:29:17,367 --> 00:29:20,167 SO EVEN THOUGH JOHN WAYNE HAD SEX WITH MEN FOR MONEY... 547 00:29:20,167 --> 00:29:21,433 I'LL SEE YOU SOON, OKAY? 548 00:29:21,433 --> 00:29:24,500 ...HE ALSO HAD A YOUNG WIFE DOWN IN FLORIDA. 549 00:29:24,500 --> 00:29:26,533 BUT GEARY STILL CARED FOR JOHN 550 00:29:26,533 --> 00:29:29,367 AND WAS HAPPY TO SHARE HIS HOME WITH HIM 551 00:29:29,367 --> 00:29:32,067 IN EXCHANGE FOR A LITTLE COMPANIONSHIP. 552 00:29:33,133 --> 00:29:35,600 L-LET'S GET BACK TO MONDAY NIGHT. 553 00:29:35,600 --> 00:29:37,100 YOU LEFT THE BAR. 554 00:29:37,100 --> 00:29:38,733 WHAT HAPPENED NEXT? 555 00:29:38,733 --> 00:29:41,600 I LEFT JOHN AT THE BAR, AND I WENT HOME. 556 00:29:41,600 --> 00:29:47,333 HE WENT TO SLEEP, AND HE SAYS THAT HE WAKES UP LATER... 557 00:29:51,533 --> 00:29:54,967 ...AND JOHN WAYNE WILSON IS SITTING ON THE COUCH. 558 00:29:59,833 --> 00:30:02,367 REMEMBER THAT GIRL FROM THE BAR LAST NIGHT? 559 00:30:06,433 --> 00:30:08,233 I KILLED HER. 560 00:30:10,733 --> 00:30:14,700 MR. GUEST DESCRIBED HIMSELF AS BEING IN TOTAL DISBELIEF. 561 00:30:16,900 --> 00:30:18,667 Van Lindt: HE SAID THE NEXT DAY, 562 00:30:18,667 --> 00:30:20,967 HE WENT DOWNSTAIRS AND BOUGHT THE NEWSPAPERS, 563 00:30:20,967 --> 00:30:23,900 COULDN'T FIND ANY REPORT OF ANY HOMICIDES. 564 00:30:25,633 --> 00:30:28,633 Fairstein: ONE OF THE THINGS THAT MR. GUEST DECIDES TO DO 565 00:30:28,633 --> 00:30:33,300 TO TRY TO DETERMINE IF WILSON IS MAKING THIS STORY UP OR NOT... 566 00:30:33,300 --> 00:30:35,933 [ Ringing ] 567 00:30:35,933 --> 00:30:37,933 DETECTIVE: Hello? 568 00:30:37,933 --> 00:30:40,700 HELLO. IS ROSEANN THERE? 569 00:30:40,700 --> 00:30:43,133 WHO'S CALLING? 570 00:30:43,133 --> 00:30:45,067 Fairstein: ...IS TO CALL ROSEANN QUINN. 571 00:30:45,067 --> 00:30:46,067 IS SHE OKAY? 572 00:30:46,067 --> 00:30:48,767 I HAD HEARD SHE WASN'T FEELING WELL. 573 00:30:48,767 --> 00:30:50,500 YOU HEARD SHE WASN'T FEELING WELL. 574 00:30:50,500 --> 00:30:53,800 Sir, what is your name? 575 00:30:55,833 --> 00:30:58,700 TELL ME YOUR NAME. 576 00:31:02,533 --> 00:31:05,933 Fairstein: SO HE IS ACTUALLY THE PERSON WHO PHONED THE APARTMENT 577 00:31:05,933 --> 00:31:08,833 THE DAY THE DETECTIVES ANSWERED. 578 00:31:08,833 --> 00:31:10,533 SO WHY DIDN'T YOU GO TO THE POLICE? 579 00:31:10,533 --> 00:31:12,467 BECAUSE BY MY COUNT, IT TOOK YOU SIX DAYS 580 00:31:12,467 --> 00:31:14,467 TO MAKE UP YOUR MIND TO DO THE RIGHT THING. 581 00:31:14,467 --> 00:31:17,067 HE NEVER HURT ANYONE BEFORE THAT I KNOW. 582 00:31:24,900 --> 00:31:27,267 THAT SKETCH LOOKS LIKE ME. 583 00:31:27,267 --> 00:31:29,800 ** 584 00:31:44,500 --> 00:31:47,867 McNamara: IT WAS ALMOST A WEEK AFTER THE BODY IS DISCOVERED 585 00:31:47,867 --> 00:31:49,667 THAT HE DECIDED TO CONTACT THEM 586 00:31:49,667 --> 00:31:53,467 BECAUSE THE COMPOSITE WAS, IN FACT, OF GEARY, NOT WILSON. 587 00:31:53,467 --> 00:31:55,133 I DON'T WANT ANYONE THINKING 588 00:31:55,133 --> 00:31:57,933 THAT I HAD ANYTHING TO DO WITH THAT GIRL'S MURDER. 589 00:31:57,933 --> 00:31:59,167 MM. 590 00:31:59,167 --> 00:32:02,067 THIS DOESN'T MAKE ANY SENSE TO THE POLICE, 591 00:32:02,067 --> 00:32:03,500 SO THEY'RE SUSPICIOUS. 592 00:32:03,500 --> 00:32:06,233 SO, WHERE'S WILSON NOW? 593 00:32:06,233 --> 00:32:08,067 HE LEFT TOWN. 594 00:32:08,067 --> 00:32:09,667 YOU GUYS IN TOUCH AT ALL? 595 00:32:12,633 --> 00:32:14,233 HE CALLS SOMETIMES. 596 00:32:16,500 --> 00:32:19,067 Van Lindt: GUEST ALSO SAID THAT NIGHT 597 00:32:19,067 --> 00:32:24,400 THAT HE THOUGHT THAT MR. WILSON HAD TRAVELED TO INDIANAPOLIS, 598 00:32:24,400 --> 00:32:26,300 WHICH WAS WHERE HIS BROTHER LIVED. 599 00:32:27,900 --> 00:32:31,233 SO, THE DETECTIVES CAUGHT THE FIRST FLIGHT THE NEXT MORNING 600 00:32:31,233 --> 00:32:32,300 TO INDIANAPOLIS. 601 00:32:33,400 --> 00:32:36,467 BUT WHEN WILSON CAME TO THE DOOR AT HIS BROTHER'S HOUSE, 602 00:32:36,467 --> 00:32:39,700 HE DIDN'T SEEM TO THEM LIKE A PERSON WITH SOMETHING TO HIDE. 603 00:32:39,700 --> 00:32:41,900 IN FACT, HE SAID IT WAS NO TROUBLE AT ALL 604 00:32:41,900 --> 00:32:44,067 TO SPEAK WITH THEM DOWN AT THE STATION. 605 00:32:45,833 --> 00:32:49,867 AND ALL THEY HAD AGAINST HIM WERE SOME CRUMPLED CARTOONS 606 00:32:49,867 --> 00:32:52,067 AND THE WORD OF HIS ABANDONED LOVER. 607 00:32:52,067 --> 00:32:53,800 I'M NOT TOO ANXIOUS TO SEE 608 00:32:53,800 --> 00:32:56,900 HOW THE D.A. LIKES A "HE SAID, HE SAID" CASE. 609 00:32:56,900 --> 00:32:59,233 Detective: DO YOU BELIEVE WHAT GUEST SAID? 610 00:32:59,233 --> 00:33:01,900 DO YOU THINK THIS COULD BE A SETUP? 611 00:33:01,900 --> 00:33:03,767 I DON'T KNOW. 612 00:33:06,333 --> 00:33:08,333 YOU BEEN TO NEW YORK RECENTLY, JOHN? 613 00:33:08,333 --> 00:33:09,967 SAY, JANUARY 1st? 614 00:33:09,967 --> 00:33:11,233 NO. NOT SO MUCH. 615 00:33:11,233 --> 00:33:13,933 I'VE BEEN UP AND DOWN FROM FLORIDA, ACTUALLY. 616 00:33:13,933 --> 00:33:16,367 MY OLD LADY, SHE LIVES DOWN THERE. 617 00:33:16,367 --> 00:33:19,133 YOU WEREN'T AT A BAR CALLED TWEEDS? 618 00:33:19,133 --> 00:33:20,567 NO, SIR, I WASN'T. 619 00:33:20,567 --> 00:33:23,867 YOU NEVER MET A GIRL NAMED ROSEANN QUINN? 620 00:33:23,867 --> 00:33:26,067 NOT TO MY KNOWLEDGE, DETECTIVE. 621 00:33:27,067 --> 00:33:29,267 YOUR FRIEND GEARY GUEST SAYS OTHERWISE. 622 00:33:29,267 --> 00:33:31,667 ** 623 00:33:37,500 --> 00:33:39,867 GEARY'S A GOOD GUY. 624 00:33:39,867 --> 00:33:41,667 YOUR FRIEND GAVE YOU UP, JOHN. 625 00:33:41,667 --> 00:33:44,200 GUEST SAYS YOU MURDERED MISS QUINN. 626 00:33:55,967 --> 00:33:57,700 I KILLED HER. 627 00:34:00,267 --> 00:34:03,900 AND THAT WAS ALL IT TOOK FOR HIM TO CONFESS. 628 00:34:05,200 --> 00:34:07,833 GEARY MIGHT HAVE BEEN THE PERSON WHO CARED FOR 629 00:34:07,833 --> 00:34:09,933 AND SUPPORTED JOHN WAYNE THE MOST. 630 00:34:11,833 --> 00:34:13,533 AND WHEN GEARY GAVE HIM UP, 631 00:34:13,533 --> 00:34:17,633 I GUESS JOHN REALIZED THERE WAS NOTHING LEFT TO FIGHT FOR. 632 00:34:17,633 --> 00:34:19,467 WHAT HAPPENED, JOHN? 633 00:34:23,100 --> 00:34:25,567 ** 634 00:34:34,300 --> 00:34:37,100 SHE INVITED HIM BACK TO HER APARTMENT. 635 00:34:39,333 --> 00:34:42,100 AND HE WENT BACK WITH HER. 636 00:34:42,100 --> 00:34:44,800 [ KEYS JINGLE ] 637 00:34:44,800 --> 00:34:46,333 WHAT? 638 00:34:46,333 --> 00:34:48,667 NOTHING. 639 00:34:48,667 --> 00:34:50,400 YOU'RE CUTE. 640 00:34:56,300 --> 00:34:59,200 BUT THAT WAS NOT THE END OF THE MYSTERY. 641 00:35:01,200 --> 00:35:04,067 WHAT JOHN WAYNE WOULD TELL THE POLICE THAT DAY 642 00:35:04,067 --> 00:35:06,733 ABOUT WHAT HAPPENED BEHIND HER CLOSED DOOR 643 00:35:06,733 --> 00:35:10,100 WOULD RAISE QUESTIONS THAT LINGER TO THIS DAY. 644 00:35:10,100 --> 00:35:12,333 ** 645 00:35:18,667 --> 00:35:21,867 Female neighbor: ROSEANN QUINN WAS A TEACHER 646 00:35:21,867 --> 00:35:24,267 WHO DEVOTED HER LIFE TO DEAF CHILDREN 647 00:35:24,267 --> 00:35:26,500 AND WAS MURDERED IN HER APARTMENT. 648 00:35:26,500 --> 00:35:29,800 WHEN YOU THINK ABOUT IT, THOSE ARE THE FACTS, YOU KNOW? 649 00:35:29,800 --> 00:35:32,733 THAT'S WHAT WE KNOW ABOUT HER. 650 00:35:32,733 --> 00:35:36,633 I REMEMBER HER AS SWEET AND A LITTLE TIMID. 651 00:35:36,633 --> 00:35:38,133 BUT MEMORIES ARE TRICKY. 652 00:35:38,133 --> 00:35:40,900 THEY'RE LITTLE FRAGMENTS THAT WE PUT TOGETHER 653 00:35:40,900 --> 00:35:43,167 INTO OUR OWN STORY ABOUT A PERSON. 654 00:35:46,067 --> 00:35:50,067 AND MAYBE NO ONE PERSON COLORED HOW PEOPLE THINK ABOUT ROSEANN 655 00:35:50,067 --> 00:35:52,400 MORE THAN JOHN WAYNE WILSON 656 00:35:52,400 --> 00:35:54,833 WHEN HE TOLD THE POLICE HIS STORY 657 00:35:54,833 --> 00:35:57,967 ABOUT WHAT HAPPENED WHEN THEY LEFT TWEEDS BAR, 658 00:35:57,967 --> 00:36:01,367 WALKED ACROSS THE STREET... 659 00:36:01,367 --> 00:36:03,333 AND WENT INTO HER APARTMENT. 660 00:36:07,633 --> 00:36:09,233 JUST ONE SECOND, OKAY? 661 00:36:09,233 --> 00:36:12,233 I JUST NEED TO CLEAR MY MIND REAL QUICK, YOU KNOW? 662 00:36:12,233 --> 00:36:17,433 JOHN WAYNE WILSON STATED HE COULDN'T PERFORM SEXUALLY. 663 00:36:17,433 --> 00:36:20,067 SHE WOULDN'T LAY OFF ME. 664 00:36:32,933 --> 00:36:35,967 WHY'D YOU COME UP HERE? 665 00:36:35,967 --> 00:36:38,700 HUH? 666 00:36:38,700 --> 00:36:41,167 WHAT'S THE MATTER? CAN'T YOU DO IT? 667 00:36:44,200 --> 00:36:46,067 DON'T -- DON'T -- DON'T PUSH ME. 668 00:36:46,067 --> 00:36:47,067 WHAT? 669 00:36:47,067 --> 00:36:49,767 YOU DON'T LIKE IT WHEN I DO THAT? 670 00:36:49,767 --> 00:36:51,233 COME ON. WHAT ARE YOU GONNA DO? 671 00:36:52,233 --> 00:36:54,133 SHE KEPT BITCHING. 672 00:36:55,900 --> 00:37:01,300 HE TELLS POLICE THAT ROSEANN SNEERED AT HIM, INSULTED HIM. 673 00:37:01,300 --> 00:37:02,833 Van Lindt: SHE RIDICULED HIM. 674 00:37:02,833 --> 00:37:04,467 I DON'T THINK THIS IS A GOOD IDEA. 675 00:37:04,467 --> 00:37:06,067 YOU GONNA SHOW ME WHAT A MAN YOU ARE? 676 00:37:06,067 --> 00:37:07,133 PLEASE. COME ON. 677 00:37:07,133 --> 00:37:09,467 DON'T TOUCH ME, ALL RIGHT? WHAT ARE YOU GONNA DO? 678 00:37:09,467 --> 00:37:12,133 I TOLD YOU JUST TO BE QUIET. SHOW ME WHAT A MAN YOU ARE! 679 00:37:12,133 --> 00:37:14,067 COME ON! JUST BE QUIET FOR ONE SECOND! 680 00:37:14,067 --> 00:37:15,900 COME ON! COME ON! JUST -- JUST -- 681 00:37:15,900 --> 00:37:18,867 BE A MAN! COME ON! COME ON! 682 00:37:20,200 --> 00:37:22,067 SHE WOULDN'T SHUT UP. 683 00:37:24,300 --> 00:37:25,700 COME ON! 684 00:37:25,700 --> 00:37:27,833 [ GAGGING ] 685 00:37:33,200 --> 00:37:35,400 [ SOBBING ] 686 00:37:42,133 --> 00:37:44,700 [ BREATHING HEAVILY ] 687 00:37:58,067 --> 00:37:59,600 SO... 688 00:38:02,833 --> 00:38:05,233 ...I CLEANED UP... 689 00:38:05,233 --> 00:38:07,933 AND LEFT HER THERE. 690 00:38:07,933 --> 00:38:10,900 "SHE TAUNTED ME. SHE PROVOKED ME. 691 00:38:10,900 --> 00:38:12,633 SHE PUSHED ME TOO FAR." 692 00:38:12,633 --> 00:38:15,767 JOHN WAYNE WILSON DID EVERYTHING HE COULD 693 00:38:15,767 --> 00:38:19,300 TO SUGGEST THAT ROSEANN WAS ULTIMATELY TO BLAME. 694 00:38:19,300 --> 00:38:21,100 AND WHEN YOU COMBINE HIS STORY 695 00:38:21,100 --> 00:38:23,867 WITH THE RUMORS SPREAD BY ROSEANN'S NEIGHBOR, 696 00:38:23,867 --> 00:38:27,067 YOU GET A CHARACTER THAT LOOKS SOMETHING LIKE THE ONE 697 00:38:27,067 --> 00:38:28,800 IN "LOOKING FOR MR. GOODBAR." 698 00:38:28,800 --> 00:38:30,200 BUT WHAT I READ LATER 699 00:38:30,200 --> 00:38:33,100 ABOUT ALL THE THINGS HE SAID TO THE POLICE THAT DAY, 700 00:38:33,100 --> 00:38:36,233 WELL, SOME OF IT REALLY GOT ME THINKING. 701 00:38:36,233 --> 00:38:38,933 DO YOU HAVE ANY KIDS? 702 00:38:38,933 --> 00:38:40,067 YEAH, I GOT KIDS. 703 00:38:40,067 --> 00:38:42,167 SO THEN YOU KNOW HOW HARD IT IS, RIGHT? 704 00:38:42,167 --> 00:38:45,333 WHEN MY WIFE WAS PREGNANT, THERE WAS A LOT OF PRESSURE, 705 00:38:45,333 --> 00:38:48,167 AND I WASN'T PREPARED. 706 00:38:48,167 --> 00:38:52,900 SO I TRIED TO GET OUT -- HUSTLING. 707 00:38:52,900 --> 00:38:54,900 YOU KNOW? 708 00:38:54,900 --> 00:38:56,933 MM-HMM. JUST A R�SUM�? 709 00:38:56,933 --> 00:38:58,800 Gratz: HE'S UNEMPLOYABLE. 710 00:38:58,800 --> 00:39:00,833 HE HAS NO RECORD OF EMPLOYMENT. 711 00:39:00,833 --> 00:39:05,467 AND HE HAS NO SKILL OTHER THAN SEX. 712 00:39:07,667 --> 00:39:11,200 IF YOU WERE TO ASK ME, AND NOBODY DID, 713 00:39:11,200 --> 00:39:14,633 I THINK THERE'S ANOTHER WAY THINGS MIGHT HAVE HAPPENED. 714 00:39:17,233 --> 00:39:18,500 THIS DOESN'T NORMALLY HAPPEN TO ME. 715 00:39:18,500 --> 00:39:20,900 IT'S OKAY. [ CLEARS THROAT ] 716 00:39:20,900 --> 00:39:22,167 IT'S MY FAULT. 717 00:39:22,167 --> 00:39:23,667 NO, NO, IT'S NOT YOUR FAULT. 718 00:39:23,667 --> 00:39:25,367 NO, IT IS. IT'S OKAY. 719 00:39:25,367 --> 00:39:28,067 WELL, THE ROSEANN I KNEW 720 00:39:28,067 --> 00:39:31,700 SEEMED LIKE SHE MIGHT TAKE REJECTION PRETTY HARD. 721 00:39:31,700 --> 00:39:34,433 McNamara: THE FACT THAT HE COULDN'T GET AN ERECTION 722 00:39:34,433 --> 00:39:36,467 WAS JUST CONFIRMING HER WORST FEAR, 723 00:39:36,467 --> 00:39:38,967 WHICH WAS THAT SHE WAS NOT SEXUALLY DESIRABLE. 724 00:39:38,967 --> 00:39:42,633 WILSON COULDN'T SUPPORT HIS WIFE AND UNBORN CHILD. 725 00:39:42,633 --> 00:39:45,300 THE ONLY THING HE EVER EXCELLED AT 726 00:39:45,300 --> 00:39:47,467 WAS HAVING SEX WITH STRANGERS, 727 00:39:47,467 --> 00:39:50,800 AND NOW HE HAD FAILED AT THAT, TOO. 728 00:39:54,333 --> 00:39:59,133 AND MAYBE SOMETHING INSIDE HIM JUST SNAPPED. 729 00:39:59,133 --> 00:40:01,067 [ SOBBING ] 730 00:40:04,200 --> 00:40:06,067 [ GAGGING ] 731 00:40:17,433 --> 00:40:18,667 AND ON TOP OF THAT, 732 00:40:18,667 --> 00:40:21,167 THE EVIDENCE THEY FOUND AT THE CRIME SCENE 733 00:40:21,167 --> 00:40:24,233 CHALLENGED WILSON'S STORY, AS WELL. 734 00:40:24,233 --> 00:40:27,833 Gratz: JOHN WAYNE WILSON SAID HE COULDN'T EVEN GET IT UP. 735 00:40:27,833 --> 00:40:30,467 Fairstein: BUT THERE WAS SEMINAL FLUID 736 00:40:30,467 --> 00:40:32,433 IN THE BODY OF ROSEANN QUINN. 737 00:40:33,933 --> 00:40:36,800 SO, WILSON WAS LYING 738 00:40:36,800 --> 00:40:40,033 WHEN HE SAID HE'D NEVER HAD SEX WITH ROSEANN. 739 00:40:40,033 --> 00:40:43,133 WHY WAS HE WILLING TO ADMIT THAT HE HAD KILLED HER 740 00:40:43,133 --> 00:40:46,433 BUT TRYING TO HIDE THE FACT THAT HE'D SLEPT WITH HER? 741 00:40:52,700 --> 00:40:56,867 PERHAPS AFTER HER DEATH, HE SEXUALLY ASSAULTED HER. 742 00:40:59,333 --> 00:41:02,367 Jurgensen: REMEMBER THAT SHE WAS FOUND 743 00:41:02,367 --> 00:41:04,400 WITH A BROOM IN HER VAGINA. 744 00:41:08,333 --> 00:41:11,733 Fairstein: THERE'S NOTHING THAT COULD JUSTIFY 745 00:41:11,733 --> 00:41:15,200 WHAT ROSEANN QUINN WAS SUBJECTED TO IN HER HOME. 746 00:41:22,800 --> 00:41:27,200 "LOOKING FOR MR. GOODBAR" WAS A WORK OF FICTION, 747 00:41:27,200 --> 00:41:30,233 BUT IT WAS THE STORY IN THOSE PAGES THAT STUCK. 748 00:41:30,233 --> 00:41:34,967 THE BAD-GIRL STORY IS PERHAPS MORE TITILLATING. 749 00:41:34,967 --> 00:41:38,333 ROSEANN BECAME KNOWN AS A GIRL WHO HUNG OUT AT BARS 750 00:41:38,333 --> 00:41:40,067 LOOKING TO BRING MEN HOME, 751 00:41:40,067 --> 00:41:43,367 WHO LIKED SEX AND WAS AGGRESSIVE ABOUT GETTING IT. 752 00:41:43,367 --> 00:41:48,233 IN 1973, THERE'S NO DOUBT THAT PEOPLE WOULD SAY, 753 00:41:48,233 --> 00:41:50,067 "WELL, WHAT THE HELL WAS SHE DOING? 754 00:41:50,067 --> 00:41:51,333 SHE ASKED FOR IT." 755 00:41:51,333 --> 00:41:54,567 THE WORLD TURNED HER INTO A CAUTIONARY TALE 756 00:41:54,567 --> 00:41:57,667 IN THE GRAND TRADITION OF FICTIONAL WOMEN 757 00:41:57,667 --> 00:42:00,567 WHO NEED TO BE PUNISHED FOR TAKING THEIR CLOTHES OFF. 758 00:42:00,567 --> 00:42:02,100 [ CAMERA WHIRRING ] 759 00:42:02,100 --> 00:42:04,467 BUT ROSEANN WAS A REAL PERSON, 760 00:42:04,467 --> 00:42:08,433 AND THERE WAS NO MORAL TO BE TAKEN FROM HER DEATH. 761 00:42:08,433 --> 00:42:12,100 ONE THING WE KNOW FOR CERTAIN IS THAT THIS IS NOT THE NIGHT 762 00:42:12,100 --> 00:42:15,233 NOR THE WAY ROSEANN QUINN WANTED TO END HER LIFE. 763 00:42:15,233 --> 00:42:19,700 Gratz: WHAT KIND OF SEX SHE LIKED IS IRRELEVANT. 764 00:42:19,700 --> 00:42:21,633 THE WOMAN WAS MURDERED. 765 00:42:21,633 --> 00:42:25,933 SO IF YOU'RE GONNA TELL ME YOU THINK SHE ASKED FOR IT, 766 00:42:25,933 --> 00:42:30,300 THAT'S GONNA TELL ME MORE ABOUT YOU THAN IT IS ABOUT ROSEANN. 767 00:42:30,300 --> 00:42:35,500 I THINK PEOPLE WERE TERRIFIED BY WHAT HAPPENED TO ROSEANN. 768 00:42:35,500 --> 00:42:37,233 I KNOW I WAS. 769 00:42:39,067 --> 00:42:42,667 SO THEY WANTED TO BELIEVE THAT SHE WAS A RISK-TAKER, 770 00:42:42,667 --> 00:42:45,400 BECAUSE IF SHE BROUGHT IT ON HERSELF, 771 00:42:45,400 --> 00:42:50,167 THEN IT'S A SIMPLE THING TO AVOID HER MISTAKES. 772 00:42:50,167 --> 00:42:51,967 AND YOU CAN REST EASY AT NIGHT, 773 00:42:51,967 --> 00:42:55,500 KNOWING THAT, UNLIKE HER, YOU'LL BE SAFE. 774 00:42:55,500 --> 00:42:57,267 RIGHT? 775 00:43:02,467 --> 00:43:08,067 * IF I'LL GO TO CHURCH ON SUNDAY * 776 00:43:08,067 --> 00:43:13,800 * SING THE SHIMMY DOWN ON MONDAY * 777 00:43:13,800 --> 00:43:20,300 * AIN'T NOBODY'S BUSINESS IF I DO * 778 00:43:20,300 --> 00:43:27,100 * IF I DO * 779 00:43:27,100 --> 00:43:29,900 ** 780 00:43:29,950 --> 00:43:34,500 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 58508

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