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1
00:00:01,167 --> 00:00:02,733
[ INDISTINCT TALKING ON TV ]
2
00:00:02,733 --> 00:00:05,100
Female neighbor: I'LL ALWAYS
REMEMBER THAT JANUARY MORNING.
3
00:00:05,100 --> 00:00:07,167
IT'S JUST SO UNLIKE ROSEANN
TO MISS WORK.
4
00:00:07,167 --> 00:00:08,467
I REALLY
APPRECIATE THIS.
5
00:00:08,467 --> 00:00:10,600
IT'S ALL RIGHT.
[ KNOCK ON DOOR ]
6
00:00:10,600 --> 00:00:12,433
MISS QUINN?
7
00:00:12,433 --> 00:00:15,100
BACK IN MY 20s,
THE START OF A NEW YEAR
8
00:00:15,100 --> 00:00:17,500
ALWAYS MADE ME FEEL
SO OPTIMISTIC.
9
00:00:17,500 --> 00:00:20,433
I'D THINK,
MAYBE THIS WOULD BE THE YEAR
10
00:00:20,433 --> 00:00:23,933
I'D GET A NEW BOYFRIEND
OR FIND THAT PERFECT JOB.
11
00:00:23,933 --> 00:00:25,600
BUT AFTER THAT MORNING...
12
00:00:25,600 --> 00:00:26,867
MISS QUINN?
13
00:00:26,867 --> 00:00:28,367
ROSEANN?
14
00:00:28,367 --> 00:00:30,300
...I NEVER FELT THAT WAY AGAIN.
15
00:00:30,300 --> 00:00:32,267
[ SHOWER RUNNING ]
ROSEANN?
16
00:00:32,267 --> 00:00:35,933
NOW THE NEW YEAR MAKES ME
REMEMBER A GIRL I KNEW
17
00:00:35,933 --> 00:00:37,733
NAMED ROSEANN QUINN...
18
00:00:41,333 --> 00:00:42,833
OH, MY GOD!
19
00:00:42,833 --> 00:00:45,267
...NOT THE VERSION OF HER
THAT WOULD BE WRITTEN ABOUT
20
00:00:45,267 --> 00:00:48,367
AND BECOME FAMOUS...
21
00:00:48,367 --> 00:00:52,833
BUT THE STORY OF A REAL GIRL,
A GIRL A LOT LIKE ME,
22
00:00:52,833 --> 00:00:55,500
MAYBE LIKE YOU...
23
00:00:55,500 --> 00:00:57,367
AND HOW SHE ENDED UP DEAD.
24
00:00:59,700 --> 00:01:02,767
-- Captions by VITAC --
www.vitac.com
25
00:01:02,767 --> 00:01:05,800
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
26
00:01:12,500 --> 00:01:15,533
THE GIRL WHO DIED
WAS NAMED ROSEANN QUINN.
27
00:01:15,533 --> 00:01:17,067
DOESN'T RING A BELL?
28
00:01:17,067 --> 00:01:18,533
OF COURSE IT DOESN'T.
29
00:01:18,533 --> 00:01:20,900
NO ONE SEEMS
TO REMEMBER ANYTHING
30
00:01:20,900 --> 00:01:24,133
ABOUT WHO ROSEANN REALLY WAS,
INCLUDING HER NAME.
31
00:01:24,133 --> 00:01:27,533
BUT I BET YOU KNOW
THE GOODBAR MURDER.
32
00:01:27,533 --> 00:01:28,733
NOW YOU REMEMBER.
33
00:01:28,733 --> 00:01:30,400
"LOOKING FOR MR. GOODBAR,"
34
00:01:30,400 --> 00:01:33,233
THE BEST-SELLING NOVEL
ABOUT A YOUNG TEACHER
35
00:01:33,233 --> 00:01:36,067
WHO SPENT HER NIGHTS
HAUNTING SINGLES BARS,
36
00:01:36,067 --> 00:01:38,233
LOOKING FOR ONE-NIGHT STANDS.
37
00:01:38,233 --> 00:01:40,667
WELL, DIDN'T YOUR MOTHER
EVER TELL YOU,
38
00:01:40,667 --> 00:01:42,967
"DON'T BELIEVE
EVERYTHING YOU READ"?
39
00:01:42,967 --> 00:01:45,167
I KNEW THAT WASN'T
THE REAL STORY,
40
00:01:45,167 --> 00:01:47,333
BECAUSE TWO YEARS EARLIER...
41
00:01:49,300 --> 00:01:51,600
...I LIVED RIGHT DOWN THE HALL
FROM ROSEANN.
42
00:01:51,600 --> 00:01:53,733
[ CAMERA BULB FLASHES,
POLICE RADIO CHATTER ]
43
00:01:53,733 --> 00:01:57,867
McNamara: ON JANUARY 3, 1973,
THE POLICE ARRIVE
44
00:01:57,867 --> 00:02:02,200
AT AN APARTMENT BUILDING
ON WEST 72nd STREET.
45
00:02:02,200 --> 00:02:05,067
-WHEREABOUTS WAS IT?
-RIGHT ABOUT THERE.
46
00:02:05,067 --> 00:02:08,633
McNamara:
THEY FIND A YOUNG WHITE FEMALE
47
00:02:08,633 --> 00:02:10,667
SPLAYED OUT ON HER BED.
48
00:02:10,667 --> 00:02:12,767
SHE IS NUDE.
49
00:02:12,767 --> 00:02:17,700
A TURQUOISE ROBE
HAS BEEN PLACED ON HER BODY.
50
00:02:17,700 --> 00:02:20,200
ONE OF THE FIRST THINGS
THE POLICE NOTE
51
00:02:20,200 --> 00:02:21,967
IS THE NUMBER OF STAB WOUNDS.
52
00:02:21,967 --> 00:02:24,400
[ CAMERA BULB FLASHING ]
53
00:02:24,400 --> 00:02:27,700
I BELIEVE THE COUNT IS 18.
54
00:02:27,700 --> 00:02:30,133
McNamara:
IT'S JUST A TOTAL BLOODBATH.
55
00:02:31,667 --> 00:02:33,833
Fairstein: IN ADDITION
TO THE MULTIPLE STAB WOUNDS,
56
00:02:33,833 --> 00:02:36,967
THERE WERE ALSO BITE MARKS
ON HER UPPER TORSO.
57
00:02:45,733 --> 00:02:48,067
Jurgensen:
AND SHE'D BEEN MUTILATED.
58
00:02:48,067 --> 00:02:53,700
THE KILLER ACTUALLY INSERTED
A BROOM IN HER VAGINA.
59
00:02:53,700 --> 00:02:57,467
THAT WAS HARD TO --
YOU KNOW, TO SEE.
60
00:03:00,800 --> 00:03:02,800
Fairstein:
POLICE AND THE MEDICAL EXAMINER
61
00:03:02,800 --> 00:03:04,067
MAKE A DETERMINATION
62
00:03:04,067 --> 00:03:08,200
THAT SHE WAS KILLED
AT LEAST 24 HOURS EARLIER.
63
00:03:11,933 --> 00:03:13,933
[ DOOR OPENS, SHOWER RUNNING ]
64
00:03:23,533 --> 00:03:26,333
IN THE BATHROOM, THE SHOWER
HAD BEEN LEFT RUNNING
65
00:03:26,333 --> 00:03:28,933
FOR SOME PERIOD OF TIME.
66
00:03:28,933 --> 00:03:31,767
SEE IF YOU CAN GET A PRINT
OFF THESE SHOWER KNOBS.
67
00:03:31,767 --> 00:03:34,100
[ POLICE RADIO CHATTER ]
68
00:03:40,300 --> 00:03:42,133
HEY, I GOT SOMETHING.
69
00:03:46,067 --> 00:03:48,233
THIS IS WHAT "MAD AS HELL"
LOOKS LIKE.
70
00:03:49,067 --> 00:03:52,600
Fairstein: THE KNIFE WAS BENT AT
A 90-DEGREE ANGLE, PRACTICALLY,
71
00:03:52,600 --> 00:03:55,633
WHICH MIGHT SUGGEST
TO THE INVESTIGATORS
72
00:03:55,633 --> 00:03:59,067
THAT PERHAPS MIGHT ACTUALLY
HAVE STRUCK BONE.
73
00:04:01,667 --> 00:04:03,500
McNamara:
THE APARTMENT IS DIRTY.
74
00:04:03,500 --> 00:04:05,267
IT'S RANSACKED.
75
00:04:05,267 --> 00:04:07,833
**
76
00:04:16,667 --> 00:04:19,867
NO SIGN OF FORCED ENTRY.
THAT FRONT DOOR IS FINE.
77
00:04:19,867 --> 00:04:22,433
MAYBE SOMEONE FOLLOWED HER
UP TO HER APARTMENT.
78
00:04:22,433 --> 00:04:26,433
IT COULD VERY WELL HAVE BEEN
WHAT IS CALLED TODAY A PUSH-IN,
79
00:04:26,433 --> 00:04:30,433
WHERE SOMEONE OPENS THE DOOR
AND THE INTRUDER ENTERS.
80
00:04:30,433 --> 00:04:34,400
OR POSSIBLY IT WAS SOMEBODY
WHO KNEW HER.
81
00:04:36,633 --> 00:04:38,700
Detective: TELL US HOW YOU KNEW
THE YOUNG LADY.
82
00:04:41,333 --> 00:04:43,400
WE WORKED TOGETHER
UP AT ST. JOSEPH'S.
83
00:04:43,400 --> 00:04:46,600
I SUB FOR HER CLASS SOMETIMES
WHEN SHE'S OUT.
84
00:04:46,600 --> 00:04:48,900
**
85
00:04:56,067 --> 00:04:58,533
Fairstein:
SHE WAS A COLLEAGUE OF HIS
86
00:04:58,533 --> 00:05:01,067
AT A SCHOOL FOR THE DEAF
IN THE BRONX.
87
00:05:03,267 --> 00:05:05,133
[ CAMERA WHIRRING ]
88
00:05:07,667 --> 00:05:11,300
McNamara: DETECTIVES LEARN
THAT HER NAME IS ROSEANN QUINN,
89
00:05:11,300 --> 00:05:13,200
AND SHE'S 28.
90
00:05:15,900 --> 00:05:18,667
SEEN HER RECENTLY?
91
00:05:18,667 --> 00:05:20,067
[ CLEARS THROAT ]
NO.
92
00:05:21,333 --> 00:05:23,967
Fairstein:
THE DAY BEFORE, JANUARY 2nd,
93
00:05:23,967 --> 00:05:25,833
SHE HAD NOT SHOWN UP AT WORK.
94
00:05:25,833 --> 00:05:30,133
THE NEXT DAY, WHEN SHE DIDN'T
SHOW UP FOR THE SECOND TIME,
95
00:05:30,133 --> 00:05:32,700
THIS FELLOW TEACHER
WAS DISPATCHED
96
00:05:32,700 --> 00:05:35,167
TO SEE IF ROSEANN WAS ALL RIGHT.
97
00:05:35,167 --> 00:05:37,433
DID YOU AND MISS QUINN
EVER SEE EACH OTHER
98
00:05:37,433 --> 00:05:38,600
IN A SOCIAL CONTEXT?
99
00:05:40,300 --> 00:05:42,067
[ CAMERA WHIRRING ]
100
00:05:46,667 --> 00:05:48,233
Man: NO, NEVER.
101
00:05:50,633 --> 00:05:52,700
WE WERE FRIENDLY,
BUT JUST AT WORK.
102
00:05:55,433 --> 00:05:56,733
HEY, YOU GOT ANYTHING?
103
00:05:56,733 --> 00:06:00,067
STILL DUSTING.
NOTHING SO FAR.
104
00:06:04,467 --> 00:06:06,833
**
105
00:06:11,933 --> 00:06:14,333
HELLO. NYPD.
106
00:06:14,333 --> 00:06:17,733
Fairstein: THEY CANVASSED,
KNOCKING ON NEIGHBORS' DOORS.
107
00:06:20,067 --> 00:06:23,567
IT'S HARD TO IMAGINE
SOMEONE BEING KILLED THIS WAY
108
00:06:23,567 --> 00:06:26,167
WITHOUT THERE HAVING BEEN
A FIGHT.
109
00:06:28,100 --> 00:06:31,100
DID YOU HEAR ANYTHING
COMING FROM APARTMENT 715
110
00:06:31,100 --> 00:06:33,467
LATE MONDAY,
EARLY TUESDAY?
111
00:06:33,467 --> 00:06:35,967
THERE'S BEEN A HOMICIDE.
112
00:06:35,967 --> 00:06:38,100
Woman: ROSEANN?
YEAH, ROSEANN QUINN.
113
00:06:38,100 --> 00:06:40,967
THAT'S TERRIBLE. NO.
I'VE BEEN OUT OF TOWN.
114
00:06:40,967 --> 00:06:42,500
Fairstein:
IT'S THE HOLIDAY PERIOD.
115
00:06:42,500 --> 00:06:46,133
IT'S A HARD TIME
TO DO A CANVASS.
116
00:06:46,133 --> 00:06:47,700
Jurgensen:
THEY HAD NOTHING.
117
00:06:47,700 --> 00:06:51,233
WITH THIS CASE,
YOU STARTED FROM ZERO.
118
00:06:51,233 --> 00:06:54,600
[ HORNS HONKING,
INDISTINCT CONVERSATIONS ]
119
00:06:54,600 --> 00:06:56,467
Fairstein:
THE HOMICIDE DETECTIVES
120
00:06:56,467 --> 00:06:57,833
ARE POUNDING THE PAVEMENT.
121
00:07:01,400 --> 00:07:07,100
NEW YORK CITY IN 1973 IS HARD
FOR YOUNG PEOPLE TO IMAGINE NOW.
122
00:07:07,100 --> 00:07:08,800
Van Lindt:
THERE WERE PEEP SHOWS,
123
00:07:08,800 --> 00:07:12,367
XXX-RATED MOVIES, PROSTITUTES.
124
00:07:12,367 --> 00:07:15,833
Jurgensen:
THE DRUG PROBLEM WAS SO BAD.
125
00:07:15,833 --> 00:07:18,967
Fairstein:
THE DRUG OF CHOICE WAS HEROIN.
126
00:07:18,967 --> 00:07:23,133
ONE OF THE MOST NOTORIOUS PLACES
WAS NICKNAMED NEEDLE PARK
127
00:07:23,133 --> 00:07:24,433
BECAUSE OF THE HEROIN USE,
128
00:07:24,433 --> 00:07:26,900
BECAUSE OF THE FACT THAT ADDICTS
WOULD HANG OUT THERE.
129
00:07:26,900 --> 00:07:28,567
AND IT'S ON 72nd STREET.
130
00:07:28,567 --> 00:07:31,567
IT'S REALLY NOT MUCH MORE
THAN A BLOCK AWAY
131
00:07:31,567 --> 00:07:33,633
FROM WHERE ROSEANN QUINN LIVED.
132
00:07:33,633 --> 00:07:36,067
Van Lindt: ARMED ROBBERY
WAS A COMMON OCCURRENCE.
133
00:07:36,067 --> 00:07:37,633
Jurgensen:
IT WAS VERY DANGEROUS.
134
00:07:37,633 --> 00:07:40,500
Fairstein: AND THE MURDER RATE
IN NEW YORK IN 1973
135
00:07:40,500 --> 00:07:42,233
WAS SKY-HIGH.
136
00:07:43,800 --> 00:07:45,933
I REMEMBER HOW SCARED
MY MOTHER WAS
137
00:07:45,933 --> 00:07:48,367
ABOUT ME LIVING ALONE
IN THE CITY BACK THEN.
138
00:07:48,367 --> 00:07:52,700
AND BEFORE ROSEANN WAS KILLED,
I ALWAYS SAID, "COME ON, MOM.
139
00:07:52,700 --> 00:07:56,233
EVERYTHING IS FINE.
I'M PERFECTLY SAFE."
140
00:07:56,233 --> 00:07:58,667
BUT I GUESS SHE HAD A POINT.
141
00:07:58,667 --> 00:08:02,700
NEW YORK CITY WAS
A DANGEROUS PLACE IN 1973.
142
00:08:02,700 --> 00:08:05,100
AND FROM A SEA
OF POTENTIAL SUSPECTS,
143
00:08:05,100 --> 00:08:08,067
THE COPS CAN ONLY DO
WHAT THEY CAN DO, YOU KNOW?
144
00:08:08,067 --> 00:08:11,967
JUST START CLOSE
AND SLOWLY WIDEN THE SEARCH.
145
00:08:11,967 --> 00:08:17,300
THE CANVASS THEN EXTENDS
TO THE BUILDINGS ADJACENT.
146
00:08:19,367 --> 00:08:24,267
DRY-CLEANERS, FOOD STORES,
RESTAURANTS, BARS.
147
00:08:24,267 --> 00:08:27,167
THERE IS A BAR RIGHT NEAR
ROSEANN'S APARTMENT
148
00:08:27,167 --> 00:08:28,200
CALLED TWEEDS.
149
00:08:28,200 --> 00:08:29,533
AFTERNOON.
150
00:08:29,533 --> 00:08:33,333
McNamara: AND AT AROUND NOON,
THEY TALKED TO THE OWNER.
151
00:08:33,333 --> 00:08:34,900
WE'RE LOOKING
FOR SOME INFORMATION
152
00:08:34,900 --> 00:08:36,333
ON A GIRL
NAMED ROSEANN QUINN.
153
00:08:36,333 --> 00:08:37,633
YOU KNOW HER?
154
00:08:37,633 --> 00:08:39,867
SURE.
ROSIE'S IN HERE ALL THE TIME.
155
00:08:39,867 --> 00:08:41,167
YOU SEEN HER RECENTLY?
156
00:08:41,167 --> 00:08:43,567
NOT FOR A COUPLE
OF NIGHTS.
157
00:08:43,567 --> 00:08:45,933
SO, MONDAY NIGHT,
SHE WAS IN HERE?
158
00:08:45,933 --> 00:08:47,333
YEAH.
159
00:08:47,333 --> 00:08:50,267
SEE HER TALKING
WITH ANYBODY?
160
00:08:50,267 --> 00:08:51,533
I WASN'T AROUND MUCH.
161
00:08:51,533 --> 00:08:53,433
I WAS BOOKKEEPING
IN THE BACK.
162
00:08:53,433 --> 00:08:56,267
UH, WHAT'S GOING ON?
163
00:08:56,267 --> 00:08:59,333
A TEACHER FRIEND OF HERS
FOUND HER DEAD THIS MORNING.
164
00:08:59,333 --> 00:09:01,067
HOMICIDE.
165
00:09:01,067 --> 00:09:04,200
HAPPENED TUESDAY MORNING, MAYBE
LATE MONDAY NIGHT, THEREABOUTS.
166
00:09:04,200 --> 00:09:06,333
**
167
00:09:15,167 --> 00:09:16,467
McNamara: STEVEN RESNICK
168
00:09:16,467 --> 00:09:18,500
ACTUALLY KNOWS ROSEANN
REALLY WELL.
169
00:09:22,267 --> 00:09:24,700
HE'S KNOWN HER FOR EIGHT YEARS.
170
00:09:26,367 --> 00:09:27,700
THAT'S HER SEAT.
171
00:09:29,800 --> 00:09:32,467
[ INDISTINCT CONVERSATIONS ]
172
00:09:32,467 --> 00:09:37,233
SHE WOULD SOMETIMES JUST COME IN
WITH A BOOK AND READ BY HERSELF.
173
00:09:41,500 --> 00:09:43,633
THANK YOU.
174
00:09:43,633 --> 00:09:45,100
SHE LIKES TO WATCH.
175
00:09:45,100 --> 00:09:46,833
SHE COMES IN AND OUT WHEN SHE'S
NOT JUST READING BY HERSELF.
176
00:09:49,067 --> 00:09:50,333
[ INDISTINCT TALKING ]
177
00:09:50,333 --> 00:09:51,567
CHEERS.
178
00:09:51,567 --> 00:09:53,167
Woman: CHEERS.
179
00:09:53,167 --> 00:09:58,100
SHE WAS MUCH RESPECTED
AND ADMIRED, FUN.
180
00:10:05,467 --> 00:10:07,133
SHE'S A REALLY SWEET KID.
181
00:10:08,933 --> 00:10:11,467
SO, YOU WERE IN THE BACK
ON MONDAY NIGHT.
182
00:10:11,467 --> 00:10:13,767
YOU HAPPEN TO NOTICE
ANYBODY UNUSUAL?
183
00:10:13,767 --> 00:10:15,933
MOSTLY REGULARS.
184
00:10:15,933 --> 00:10:17,033
UH...
185
00:10:19,733 --> 00:10:21,633
HEY...
186
00:10:21,633 --> 00:10:25,067
I HAVE AN IDEA FOR SOMEONE
YOU SHOULD CHECK OUT.
187
00:10:25,067 --> 00:10:27,567
THIS REALLY ROUGH GUY.
188
00:10:27,567 --> 00:10:30,333
SOMEONE ROSIE WAS HANGING AROUND
LAST YEAR.
189
00:10:36,067 --> 00:10:38,500
I HEARD HE BEAT HER UP
PRETTY BAD.
190
00:10:38,500 --> 00:10:41,400
**
191
00:10:47,767 --> 00:10:50,300
**
192
00:10:50,300 --> 00:10:54,567
HEY, I HAVE AN IDEA FOR SOMEONE
YOU SHOULD CHECK OUT.
193
00:10:54,567 --> 00:10:57,433
SOMEONE ROSIE WAS HANGING AROUND
LAST YEAR.
194
00:10:59,800 --> 00:11:03,200
[ MID-TEMPO MUSIC PLAYS,
INDISTINCT CONVERSATIONS ]
195
00:11:03,200 --> 00:11:05,067
HEY, PRETTY LADY.
196
00:11:05,067 --> 00:11:06,800
CAN I BUY YOU A DRINK?
197
00:11:06,800 --> 00:11:08,433
NO, THANK YOU.
198
00:11:08,433 --> 00:11:09,900
WHAT?
199
00:11:09,900 --> 00:11:11,800
YOU DON'T WANT
TO TALK TO ME?
200
00:11:15,967 --> 00:11:19,500
Resnick:
THIS GUY FREDDIE WATSON.
201
00:11:19,500 --> 00:11:21,167
THIS REALLY ROUGH GUY.
202
00:11:23,300 --> 00:11:25,300
HEY, I'M A PHOTOGRAPHER,
YOU KNOW.
203
00:11:25,300 --> 00:11:26,900
I COULD TAKE
YOUR PICTURE.
204
00:11:26,900 --> 00:11:29,400
ONLY IF YOU'RE TOPLESS,
THOUGH.
205
00:11:32,767 --> 00:11:35,600
OH, COME ON, PRINCESS.
I'M ONLY PLAYING WITH YOU.
206
00:11:38,733 --> 00:11:42,767
HERE, COME ON.
MY SINCEREST APOLOGIES.
207
00:11:42,767 --> 00:11:45,733
LET ME MAKE IT UP TO YOU.
I'LL BUY YOU A DRINK.
208
00:11:45,733 --> 00:11:48,167
HEY, BARTENDER.
209
00:11:48,167 --> 00:11:52,133
ANOTHER BEER FOR ME,
AND THE LADY WILL HAVE...
210
00:11:54,167 --> 00:11:56,100
JOHNNY WALKER RED.
211
00:11:56,100 --> 00:11:58,067
JOHNNY WALKER RED.
212
00:11:58,067 --> 00:12:03,267
NEXT DAY, SHE SHOWS UP
WITH BRUISES AND A BLACK EYE.
213
00:12:03,267 --> 00:12:07,567
WAS FREDDIE WATSON HERE
ON MONDAY NIGHT?
214
00:12:07,567 --> 00:12:11,067
I -- LIKE I SAID,
I WASN'T HERE MUCH.
215
00:12:11,067 --> 00:12:13,567
YOU'LL HAVE TO TALK
TO MY NIGHT BARTENDER, KENNY.
216
00:12:13,567 --> 00:12:15,933
HE KNOWS EVERYBODY.
I'LL GIVE YOU HIS NUMBER.
217
00:12:18,933 --> 00:12:20,667
[ BELL JINGLES ]
218
00:12:20,667 --> 00:12:23,367
Female neighbor:
WELL, THEY WEREN'T GONNA WAIT AROUND FOR THE NIGHT SHIFT
219
00:12:23,367 --> 00:12:25,500
TO PURSUE
THEIR FIRST REAL LEAD.
220
00:12:25,500 --> 00:12:26,800
SO THE NEXT THING I KNEW,
221
00:12:26,800 --> 00:12:29,233
THE DETECTIVES WERE RIGHT BACK
AT OUR BUILDING,
222
00:12:29,233 --> 00:12:30,933
ASKING AROUND ABOUT ROSEANN.
223
00:12:30,933 --> 00:12:33,967
HAD SHE REALLY BEEN BEAT UP,
OR WAS THAT JUST A STORY,
224
00:12:33,967 --> 00:12:37,100
THE KIND OF RUMOR THAT GETS
PASSED FROM PERSON TO PERSON
225
00:12:37,100 --> 00:12:39,667
UNTIL EVERYONE BELIEVES
THAT IT'S A FACT?
226
00:12:39,667 --> 00:12:42,700
THEY CAUGHT ME AS I WAS
HEADING DOWN TO THE BODEGA
227
00:12:42,700 --> 00:12:44,233
FOR A PACK OF CIGARETTES.
228
00:12:44,233 --> 00:12:46,467
BUT THEY WERE ASKING
IF I KNEW ANYTHING
229
00:12:46,467 --> 00:12:48,900
ABOUT ROSEANN GETTING BEAT UP
A YEAR BEFORE.
230
00:12:48,900 --> 00:12:52,200
AND I HAD ONLY MOVED INTO
THE BUILDING SIX MONTHS AGO.
231
00:12:52,200 --> 00:12:54,367
THAT'LL BE ALL, MISS.
THANK YOU.
232
00:12:54,367 --> 00:12:57,700
OKAY, WELL, LET ME KNOW IF I CAN
HELP YOU WITH ANYTHING ELSE.
233
00:13:02,233 --> 00:13:03,633
FOR GOOD OR BAD,
234
00:13:03,633 --> 00:13:06,400
MOST OF US LIVING IN CROWDED
NEW YORK CITY APARTMENTS
235
00:13:06,400 --> 00:13:09,067
WERE JUST TRYING TO HAVE
A LITTLE PRIVACY OF OUR OWN.
236
00:13:09,067 --> 00:13:11,233
WE WORKED PRETTY HARD
NOT TO GET INVOLVED
237
00:13:11,233 --> 00:13:13,133
IN EACH OTHER'S
PERSONAL BUSINESS.
238
00:13:15,533 --> 00:13:17,100
EXCUSE ME, MISS?
239
00:13:17,100 --> 00:13:19,833
ANOTHER QUESTION
FOR YOU.
240
00:13:19,833 --> 00:13:22,967
BUT NOT EVERYONE
KEPT THEIR NOSE OUT OF IT.
241
00:13:22,967 --> 00:13:26,067
LAST YEAR, DID YOU HAPPEN
TO HEAR ANY KIND OF COMMOTION,
242
00:13:26,067 --> 00:13:28,600
SCREAMING, COMING FROM
MISS QUINN'S APARTMENT?
243
00:13:28,600 --> 00:13:30,567
SHE WAS BADLY BEATEN.
244
00:13:33,100 --> 00:13:35,167
CAN YOU GIVE US A DESCRIPTION
OF THE GUY?
245
00:13:35,167 --> 00:13:37,233
NEGRO.
246
00:13:37,233 --> 00:13:40,067
NOT OVERLY TALL.
STOCKY.
247
00:13:40,067 --> 00:13:42,500
I HEARD ALL THESE NOISES.
248
00:13:42,500 --> 00:13:44,133
WHY DID YOU DO THAT?!
249
00:13:44,133 --> 00:13:45,400
THIS IS CRAZY!
250
00:13:45,400 --> 00:13:46,900
WHAT IS WRONG
WITH YOU?!
251
00:13:46,900 --> 00:13:49,067
YOU WANTED ME TO TOUCH YOU.
YOU WANTED ME TO SLAP YOU.
252
00:13:49,067 --> 00:13:50,767
THAT'S WHAT I DID.
GET OUT!
253
00:13:50,767 --> 00:13:52,467
YOU'RE OUT OF YOUR MIND.
254
00:13:52,467 --> 00:13:53,700
[ SOBBING ]
255
00:13:53,700 --> 00:13:56,267
[ DOOR OPENS ]
256
00:13:56,267 --> 00:13:58,667
HE WAS RUNNING OUT
AS I CAME IN.
257
00:13:58,667 --> 00:14:01,633
[ SOBBING ]
258
00:14:01,633 --> 00:14:04,333
ARE YOU OKAY?
I'M FINE.
259
00:14:04,333 --> 00:14:07,933
McNamara: HER NEIGHBOR
ACTUALLY FOUND ROSEANN
260
00:14:07,933 --> 00:14:09,467
IN A CRYING HEAP ON THE FLOOR.
261
00:14:09,467 --> 00:14:11,300
WELL, ABOUT TWO WEEKS LATER,
262
00:14:11,300 --> 00:14:14,600
I HEARD THE SAME SOUNDS
COMING FROM HER APARTMENT.
263
00:14:17,200 --> 00:14:18,100
[ WOMAN MOANING ]
264
00:14:18,100 --> 00:14:20,200
McNamara:
SHE GOES ON TO TELL THEM
265
00:14:20,200 --> 00:14:22,433
THAT TWO WEEKS
AFTER THAT INCIDENT...
266
00:14:22,433 --> 00:14:23,500
[ THUDDING ]
267
00:14:23,500 --> 00:14:26,200
...SIMILAR NOISES,
SIMILAR STRUGGLES,
268
00:14:26,200 --> 00:14:30,567
WHAT SOUNDED LIKE ROUGH SEX,
ESSENTIALLY.
269
00:14:30,567 --> 00:14:34,600
PHYSICAL CONFRONTATIONS
THAT HAD A SEXUAL ELEMENT TO IT.
270
00:14:34,600 --> 00:14:39,267
SHE BELIEVED THAT EVERY TWO
WEEKS IT WAS DIFFERENT GUYS,
271
00:14:39,267 --> 00:14:42,200
AND THEY HAPPENED
WITH INCREASING FREQUENCY.
272
00:14:42,200 --> 00:14:43,500
TO THE NEIGHBOR,
273
00:14:43,500 --> 00:14:46,667
IT SEEMED LIKE ROSEANN
MAYBE WANTED TO GET BEAT UP.
274
00:14:46,667 --> 00:14:50,100
DID THE POLICE TAKE THE STORY
OF ONE NEIGHBOR SERIOUSLY
275
00:14:50,100 --> 00:14:52,900
AND LOOK AT ROSEANN DIFFERENTLY
AFTER THAT?
276
00:14:52,900 --> 00:14:54,067
HOW SHOULD I KNOW?
277
00:14:54,067 --> 00:14:55,900
BUT REMEMBER, THE GOODBAR STORY
278
00:14:55,900 --> 00:14:58,200
WAS ABOUT A WOMAN
WHO COURTED DANGER
279
00:14:58,200 --> 00:15:00,633
BY PICKING UP ROUGH STRANGERS
IN BARS
280
00:15:00,633 --> 00:15:03,267
AND BRINGING THEM
BACK TO HER APARTMENT.
281
00:15:03,267 --> 00:15:07,067
SO MAYBE THAT'S WHERE
THE IDEA CAME FROM.
282
00:15:07,067 --> 00:15:10,500
PERSONALLY,
I NEVER HEARD ANYTHING
283
00:15:10,500 --> 00:15:12,400
COMING FROM
ROSEANN'S APARTMENT.
284
00:15:14,500 --> 00:15:17,967
AND ON THE RARE OCCASION
THAT SHE INVITED ME INSIDE,
285
00:15:17,967 --> 00:15:21,833
I GOT THE IMPRESSION THAT SHE
MIGHT BE A LITTLE TOO FRAGILE
286
00:15:21,833 --> 00:15:23,567
FOR ANYTHING LIKE THAT.
287
00:15:23,567 --> 00:15:24,867
DOES THIS LOOK OKAY?
288
00:15:24,867 --> 00:15:26,700
YEAH.
I LIKE THAT ON YOU.
289
00:15:26,700 --> 00:15:28,967
IT LOOKS GREAT.
THANKS.
290
00:15:28,967 --> 00:15:30,633
HEY, I'M GLAD
YOU FINALLY DECIDED
291
00:15:30,633 --> 00:15:32,367
TO COME OUT WITH ME
AND MY FRIENDS.
292
00:15:32,367 --> 00:15:33,867
YEAH.
293
00:15:37,333 --> 00:15:39,300
IT'S KIND OF HARD TO MEET PEOPLE
IN NEW YORK.
294
00:15:39,300 --> 00:15:42,567
YEAH, IT'S A TOUGH PLACE
IF YOU DON'T KNOW ANYONE.
295
00:15:44,400 --> 00:15:45,733
McNamara: AT 13,
296
00:15:45,733 --> 00:15:48,700
SHE HAD TO HAVE A VERY SERIOUS
SURGERY ON HER SPINE,
297
00:15:48,700 --> 00:15:51,800
AND SHE WOULD WALK WITH A LIMP
FOR THE REST OF HER LIFE.
298
00:15:51,800 --> 00:15:54,533
HEY, HAVE YOU
SEEN "GREASE" YET?
299
00:15:54,533 --> 00:15:58,100
I REALLY WANT TO YOU,
YOU KNOW.
300
00:15:58,100 --> 00:16:00,333
I'M REALLY SORRY.
301
00:16:00,333 --> 00:16:03,700
I'M STARTING TO FEEL
A LITTLE SICK.
302
00:16:03,700 --> 00:16:04,733
OH.
303
00:16:04,733 --> 00:16:06,167
I THINK I'M JUST GONNA
STAY IN TONIGHT.
304
00:16:06,167 --> 00:16:07,767
OKAY.
305
00:16:07,767 --> 00:16:09,700
IF ROSEANN'S HANG-UPS
ABOUT HER BODY
306
00:16:09,700 --> 00:16:11,533
WERE DRIVING HER
TO A DARK PLACE,
307
00:16:11,533 --> 00:16:14,333
WELL, I KNEW
MORE THAN A FEW GIRLS
308
00:16:14,333 --> 00:16:17,600
WHO COULD RELATE TO THAT,
MYSELF INCLUDED.
309
00:16:17,600 --> 00:16:20,400
SO EVEN IF OUR NEIGHBOR'S STORY
WAS TRUE,
310
00:16:20,400 --> 00:16:24,067
I FIGURE WHATEVER A GROWN WOMAN
DOES BEHIND CLOSED DOORS
311
00:16:24,067 --> 00:16:25,900
IS NONE OF ANYONE'S BUSINESS.
312
00:16:29,133 --> 00:16:34,333
THE PROBLEM WAS, SHE HAD DIED
BEHIND THAT CLOSED DOOR.
313
00:16:37,833 --> 00:16:39,233
SO AFTER LOOKING FOR INFO
314
00:16:39,233 --> 00:16:41,633
ON THIS FREDDIE WATSON
CHARACTER ALL DAY,
315
00:16:41,633 --> 00:16:44,400
IT MADE SENSE TO SWING BACK
BY ROSEANN'S APARTMENT
316
00:16:44,400 --> 00:16:47,233
TO SEE WHAT THE FORENSICS TEAM
HAD DUG UP.
317
00:16:47,233 --> 00:16:49,567
-HEY, YOU GOT ANYTHING?
-THERE'S NO PRINTS.
318
00:16:49,567 --> 00:16:50,767
IF THE GUY TOUCHED ANYTHING,
319
00:16:50,767 --> 00:16:52,400
HE WIPED THE PLACE CLEAN
AFTERWARDS.
320
00:16:52,400 --> 00:16:55,300
OKAY, LET'S CALL CLEARY TO START
A SEARCH ON FREDDIE WATSON.
321
00:16:55,300 --> 00:16:58,133
[ TELEPHONE RINGING ]
322
00:17:05,233 --> 00:17:06,600
HELLO?
323
00:17:06,600 --> 00:17:09,700
MAN: Hello.
Is Roseann there?
324
00:17:09,700 --> 00:17:11,333
WHO'S CALLING?
A friend.
325
00:17:11,333 --> 00:17:13,800
I had heard that she
wasn't feeling well.
326
00:17:13,800 --> 00:17:16,267
YOU HEARD
SHE WASN'T FEELING WELL.
327
00:17:16,267 --> 00:17:18,900
[ SNAPPING FINGERS ]
Is she okay?
328
00:17:18,900 --> 00:17:20,933
SIR, WHAT IS YOUR NAME?
329
00:17:20,933 --> 00:17:23,067
**
330
00:17:30,367 --> 00:17:33,467
MAN: Hello.
Is Roseann there?
331
00:17:33,467 --> 00:17:35,100
WHO'S CALLING?
A friend.
332
00:17:35,100 --> 00:17:37,567
I had heard that she
wasn't feeling well.
333
00:17:37,567 --> 00:17:39,233
YOU HEARD
SHE WASN'T FEELING WELL.
334
00:17:39,233 --> 00:17:42,833
[ SNAPPING FINGERS ]
Is she okay?
335
00:17:42,833 --> 00:17:45,467
SIR, WHAT IS YOUR NAME?
336
00:17:48,533 --> 00:17:52,600
TELL ME YOUR NAME.
337
00:17:52,600 --> 00:17:54,800
[ CLICK, DIAL TONE ]
338
00:17:54,800 --> 00:17:56,967
Fairstein:
AND THE CALLER HANGS UP.
339
00:17:59,900 --> 00:18:03,267
WITH TODAY'S TECHNOLOGY,
WE COULD CALL HIM BACK.
340
00:18:03,267 --> 00:18:05,900
IN 1973,
THERE'S NOTHING THEY CAN DO
341
00:18:05,900 --> 00:18:08,467
TO DISCOVER WHO THE CALLER IS.
342
00:18:08,467 --> 00:18:11,067
Female neighbor: YOU'RE ALWAYS
GONNA BE NOSTALGIC
343
00:18:11,067 --> 00:18:12,267
FOR YOUR 20s.
344
00:18:12,267 --> 00:18:13,833
GOSH, YOU REMEMBER, RIGHT?
345
00:18:13,833 --> 00:18:15,933
YOU'RE YOUNG AND EXCITED.
346
00:18:15,933 --> 00:18:18,567
IT WAS AN AMAZING TIME
TO BE IN NEW YORK,
347
00:18:18,567 --> 00:18:21,400
WHETHER YOU WERE DOWNTOWN
CATCHING A DULL SET
348
00:18:21,400 --> 00:18:24,133
THAT DIDN'T EVEN START
UNTIL AFTER MIDNIGHT
349
00:18:24,133 --> 00:18:27,867
OR KEEPING A BAR STOOL WARM
UNTIL CLOSING TIME.
350
00:18:27,867 --> 00:18:30,933
YOU WERE HAVING FUN.
351
00:18:30,933 --> 00:18:35,267
AND THAT'S EXACTLY WHAT ROSEANN
WAS DOING THE NIGHT SHE DIED.
352
00:18:35,267 --> 00:18:38,567
AND THE POLICE HOPED THAT
THE NIGHT BARTENDER FROM TWEEDS
353
00:18:38,567 --> 00:18:41,167
MIGHT BE ABLE TO FILL IN SOME
OF THE DETAILS FOR THEM.
354
00:18:41,167 --> 00:18:43,900
SO, KENNY, WHEN YOU WERE WORKING
AT TWEEDS ON MONDAY NIGHT --
355
00:18:43,900 --> 00:18:45,533
NEW YEAR'S DAY
IN THE EVENING --
356
00:18:45,533 --> 00:18:47,400
DID YOU SEE FREDDIE WATSON
AT ANY TIME?
357
00:18:47,400 --> 00:18:49,133
NO.
358
00:18:49,133 --> 00:18:52,267
FREDDIE, NO.
HE STANDS OUT IN A CROWD.
359
00:18:52,267 --> 00:18:54,067
NO, I-I DIDN'T SEE HIM.
360
00:18:54,067 --> 00:18:55,800
ACCORDING TO
THE NIGHT BARTENDER,
361
00:18:55,800 --> 00:18:58,333
ON JANUARY 1st, FREDDIE WATSON
WAS NOT AT THE BAR.
362
00:18:58,333 --> 00:19:00,267
SO IT WAS MUCH LESS LIKELY
363
00:19:00,267 --> 00:19:03,233
THAT HE WAS THE KILLER
OF ROSEANN QUINN.
364
00:19:03,233 --> 00:19:04,900
BUT YOU SAW ROSEANN,
RIGHT?
365
00:19:04,900 --> 00:19:07,167
SURE. ROSEANN,
SHE WAS THERE ALL NIGHT.
366
00:19:08,900 --> 00:19:11,667
[ LIGHT ROCK MUSIC PLAYING,
LAUGHTER ]
367
00:19:13,533 --> 00:19:16,767
WHAT HE REPORTS IS IT WAS
A BUSY NIGHT, AS USUAL.
368
00:19:16,767 --> 00:19:19,167
ROSEANN WAS THERE
READING AT FIRST
369
00:19:19,167 --> 00:19:20,933
BUT THEN KIND OF
ENTERED THE CROWD
370
00:19:20,933 --> 00:19:23,633
AND BEGAN TALKING TO THE PEOPLE
SHE KNEW, THE REGULARS.
371
00:19:24,567 --> 00:19:30,367
BUT THERE WERE A COUPLE OF GUYS
THAT I DIDN'T RECOGNIZE.
372
00:19:32,300 --> 00:19:34,700
THEY WERE BOTH BLOND HAIR.
373
00:19:34,700 --> 00:19:38,367
ONE WAS A LITTLE OLDER
THAN THE OTHER.
374
00:19:38,367 --> 00:19:41,967
HIS GENERAL IMPRESSION WAS
THAT THIS MAY BE TWO BROTHERS.
375
00:19:43,767 --> 00:19:47,300
Fairstein: ACCORDING TO THE
BARTENDER, THE STRANGERS PART.
376
00:19:53,833 --> 00:19:58,267
AND ONE STAYS
TO TALK TO ROSEANN.
377
00:19:58,267 --> 00:20:00,600
WHICH ONE
WAS TALKING TO HER?
378
00:20:00,600 --> 00:20:01,900
THE YOUNGER ONE?
379
00:20:01,900 --> 00:20:04,167
I DON'T REALLY REMEMBER
THAT MUCH ABOUT THEM.
380
00:20:04,167 --> 00:20:05,400
WE WERE BUSY THAT NIGHT.
381
00:20:06,467 --> 00:20:09,333
TWEEDS WAS THE LAST PLACE
THIS GIRL WAS SEEN ALIVE.
382
00:20:09,333 --> 00:20:12,433
NOW, MOST OF YOUR REGULARS
WERE THERE THAT NIGHT, RIGHT?
383
00:20:12,433 --> 00:20:14,700
YEAH, SURE.
MOST OF THEM WERE THERE.
384
00:20:15,867 --> 00:20:17,367
ALL RIGHT, I'M LOOKING
FOR SOME INFORMATION
385
00:20:17,367 --> 00:20:19,367
ON A COUPLE OF GUYS THAT WERE
HERE AT THE BAR ON MONDAY NIGHT.
386
00:20:19,367 --> 00:20:20,700
NOW, I DON'T THINK
THEY'RE REGULARS,
387
00:20:20,700 --> 00:20:22,400
SO I'M HOPING THAT THEY
MIGHT HAVE STUCK OUT TO YOU.
388
00:20:22,400 --> 00:20:23,800
YEAH, I SAW TWO GUYS
WITH BLOND HAIR.
389
00:20:23,800 --> 00:20:25,233
I KNOW THEY BOTH
HAD BLOND HAIR.
390
00:20:25,233 --> 00:20:27,200
THE YOUNGER ONE
HAD DARKER HAIR.
391
00:20:27,200 --> 00:20:29,067
ONE WAS A BIT TALLER
THAN THE OTHER ONE.
392
00:20:29,067 --> 00:20:30,467
NEITHER GUY WAS TALLER
THAN THE OTHER.
393
00:20:30,467 --> 00:20:32,233
THEY WERE ABOUT
THE SAME HEIGHT.
394
00:20:32,233 --> 00:20:34,833
McNamara: POLICE INTERVIEW
PEOPLE AT THE BAR
395
00:20:34,833 --> 00:20:37,700
AND TRY TO DEVELOP A COMPOSITE.
396
00:20:37,700 --> 00:20:40,033
Detective: ALL RIGHT,
DID YOU HAPPEN TO SEE THE GUY
397
00:20:40,033 --> 00:20:41,300
SPEAKING WITH ROSEANN QUINN?
398
00:20:41,300 --> 00:20:42,600
Woman:
YEAH, THE OLDER ONE.
399
00:20:42,600 --> 00:20:44,533
BOTH OF THEM WERE TALKING
TO MISS QUINN.
400
00:20:44,533 --> 00:20:46,567
-BOTH TALKING TO ROSEANN?
-YES.
401
00:20:46,567 --> 00:20:49,200
IT'S NOT A SCIENCE.
IT'S AN ART.
402
00:20:49,200 --> 00:20:52,800
BUT OFTEN HELPFUL IN A WAY OF
A GENERAL PHYSICAL DESCRIPTION
403
00:20:52,800 --> 00:20:55,533
OF WHAT A POSSIBLE SUSPECT
MIGHT LOOK LIKE.
404
00:20:55,533 --> 00:20:57,467
Woman:
KIND OF HAD A ROUND FACE.
405
00:20:57,467 --> 00:20:59,467
HE HAD, LIKE,
A STRONG JAWLINE.
406
00:20:59,467 --> 00:21:02,767
Woman: HE HAD BLUE EYES.
DIRTY-BLOND HAIR.
407
00:21:02,767 --> 00:21:04,333
I DON'T REALLY KNOW
WHAT THEY LOOK LIKE.
408
00:21:04,333 --> 00:21:06,367
OKAY.
THANK YOU VERY MUCH.
409
00:21:10,167 --> 00:21:12,433
McNamara: THE COPS
ARE NOT EXTREMELY CONFIDENT
410
00:21:12,433 --> 00:21:13,433
IN THE COMPOSITE.
411
00:21:13,433 --> 00:21:14,867
IT MIGHT AS WELL BE ANYBODY.
412
00:21:20,100 --> 00:21:22,567
BUT NOT ALL OF ROSEANN'S
BARROOM FRIENDS
413
00:21:22,567 --> 00:21:24,900
WERE COMFORTABLE
SPEAKING TO THE COPS
414
00:21:24,900 --> 00:21:26,467
OUT IN THE OPEN LIKE THAT.
415
00:21:26,467 --> 00:21:28,500
AND THERE WAS ONE GUY
IN PARTICULAR
416
00:21:28,500 --> 00:21:30,700
WHO WANTED
A MORE PRIVATE CONVERSATION.
417
00:21:30,700 --> 00:21:35,133
I'D SEEN HIM A FEW TIMES AT
THE PARK WITH HIS SKETCH PAD,
418
00:21:35,133 --> 00:21:38,667
AND EVERYONE JUST KNEW HIM
AS "THE ARTIST."
419
00:21:38,667 --> 00:21:40,367
YOU THE COPS I SPOKE TO?
420
00:21:40,367 --> 00:21:42,067
YEAH, THANKS
FOR GIVING US A CALL.
421
00:21:42,067 --> 00:21:43,600
YEAH, WELL...
422
00:21:43,600 --> 00:21:46,067
NORMALLY,
I DON'T TALK TO COPS.
423
00:21:46,067 --> 00:21:47,867
BUT, UH...
424
00:21:47,867 --> 00:21:51,200
WHAT THEY DID TO THAT GIRL,
THAT WAS REALLY MESSED UP.
425
00:21:51,200 --> 00:21:53,633
WE'RE LOOKING FOR INFORMATION
ON A COUPLE OF GUYS
426
00:21:53,633 --> 00:21:55,533
THAT WERE AT TWEEDS
ON MONDAY NIGHT.
427
00:21:55,533 --> 00:21:58,333
THEY BOTH HAD BLOND HAIR.
428
00:21:58,333 --> 00:22:00,100
DO YOU REMEMBER
TALKING TO THIS GUY?
429
00:22:00,100 --> 00:22:02,833
**
430
00:22:08,533 --> 00:22:12,733
McNamara: THE ARTIST SAYS THAT,
IN FACT, HE DOES REMEMBER.
431
00:22:12,733 --> 00:22:15,967
THE MAN SAT,
AND THEY BEGAN A CONVERSATION.
432
00:22:15,967 --> 00:22:17,933
HIS NAME WAS CHARLIE SMITH.
433
00:22:17,933 --> 00:22:21,267
AND HE WAS FROM OUT OF TOWN,
AND HE WAS LOOKING FOR A JOB.
434
00:22:21,267 --> 00:22:23,467
CHARLIE SMITH ASKS HIM
WHAT HE DOES,
435
00:22:23,467 --> 00:22:25,133
AND HE SAYS, "I'M AN ARTIST."
436
00:22:25,133 --> 00:22:29,733
SO CHARLIE SMITH SAYS, YOU KNOW,
437
00:22:29,733 --> 00:22:34,600
"WELL, DRAW ME TWO PICTURES,
AND I'LL PAY YOU $6 EACH."
438
00:22:36,200 --> 00:22:38,800
WHAT'D YOU DRAW, THEN?
439
00:22:38,800 --> 00:22:41,767
IT WAS, UH...
440
00:22:41,767 --> 00:22:45,067
DONALD DUCK
AND MICKEY MOUSE.
441
00:22:45,067 --> 00:22:46,467
**
442
00:22:46,467 --> 00:22:47,200
WHAT?
443
00:22:47,200 --> 00:22:49,067
CARTOON CHARACTERS.
444
00:22:53,067 --> 00:22:55,267
McNamara: ROSEANN HAD
CHARLIE SMITH'S DRAWINGS
445
00:22:55,267 --> 00:22:56,300
IN HER APARTMENT.
446
00:22:59,267 --> 00:23:01,567
OKAY,
THANK YOU VERY MUCH.
447
00:23:01,567 --> 00:23:04,900
AND THAT CERTAINLY
PIQUES THEIR INTEREST.
448
00:23:04,900 --> 00:23:09,233
SO THE POLICE HAVE A SUSPECT
OR A WITNESS.
449
00:23:11,800 --> 00:23:13,067
IT WAS A REAL LEAD.
450
00:23:13,067 --> 00:23:15,400
BUT LET ME TELL YOU
FROM EXPERIENCE
451
00:23:15,400 --> 00:23:17,867
THAT MEN GIVING OUT FAKE NAMES
IN BARS
452
00:23:17,867 --> 00:23:19,533
DID NOT START YESTERDAY.
453
00:23:19,533 --> 00:23:22,600
AND BACK IN A TIME BEFORE
YOU COULD TRACE DEBIT CARDS
454
00:23:22,600 --> 00:23:23,867
OR TRACK CELLPHONES,
455
00:23:23,867 --> 00:23:26,100
LOCATING A CHARLIE SMITH
IN NEW YORK
456
00:23:26,100 --> 00:23:28,133
WAS LIKE TRYING
TO FIND A NEEDLE
457
00:23:28,133 --> 00:23:29,900
IN A HAYSTACK OF OTHER NEEDLES.
458
00:23:29,900 --> 00:23:33,767
IN 1973, IT COULD BE
IMPOSSIBLY DIFFICULT
459
00:23:33,767 --> 00:23:35,700
TO FIND SOMEONE
IN NEW YORK CITY.
460
00:23:35,700 --> 00:23:38,233
OKAY.
THANK YOU.
461
00:23:45,067 --> 00:23:48,200
McNamara: ON FRIDAY, TWO DAYS
AFTER THE BODY'S DISCOVERED,
462
00:23:48,200 --> 00:23:50,400
THE STORY FINALLY HITS
THE NEWSPAPERS.
463
00:23:50,400 --> 00:23:53,600
Fairstein: MEDIA COVERAGE
OF CRIMES OF SEXUAL VIOLENCE
464
00:23:53,600 --> 00:23:57,100
WAS VERY TABLOID.
465
00:23:57,100 --> 00:24:02,267
THERE WAS AN AWFUL LOT
OF OPINIONS ABOUT, YOU KNOW,
466
00:24:02,267 --> 00:24:07,700
HER LIFESTYLE, HOW SHE LED IT,
WHAT SHE DID.
467
00:24:07,700 --> 00:24:10,400
Gratz:
THE NEW YORK TIMES WROTE THAT,
468
00:24:10,400 --> 00:24:13,867
"THE ESSENTIAL FOCUS OF CONCERN
IN THE CASE
469
00:24:13,867 --> 00:24:17,367
IS THE GIRL'S LIFESTYLE.
470
00:24:17,367 --> 00:24:20,867
'IN A SENSE,'
CAPTAIN McMAHON SAID,
471
00:24:20,867 --> 00:24:24,433
'A DEATH LIKE HERS
SHOULD BE EXPECTED.'"
472
00:24:24,433 --> 00:24:27,467
EVEN THOUGH A KILLER
WAS STILL ON THE LOOSE,
473
00:24:27,467 --> 00:24:31,333
THE STORY WAS ALREADY MORPHING
INTO SOME KIND OF MORALITY TALE
474
00:24:31,333 --> 00:24:34,733
ABOUT HOW A SINGLE WOMAN
WHO DARES TO HAVE A SEX LIFE
475
00:24:34,733 --> 00:24:38,900
IS REALLY THE ONE TO BLAME
WHEN SOME LUNATIC KILLS HER.
476
00:24:38,900 --> 00:24:41,300
I DIDN'T THINK THE PAPERS
COULD SINK ANY LOWER
477
00:24:41,300 --> 00:24:44,233
IF THE RATS UNDER THE 6 TRAIN
HAD MADE A NEST OUT OF THEM.
478
00:24:45,767 --> 00:24:48,400
LUCKILY, THE POLICE HAD
A DIFFERENT POINT OF VIEW
479
00:24:48,400 --> 00:24:49,833
THAN I DID ABOUT THE PRESS,
480
00:24:49,833 --> 00:24:51,767
BECAUSE THEY KNEW
THAT THE PAPERS
481
00:24:51,767 --> 00:24:55,100
COULD ALSO BE A TOOL
IN THEIR INVESTIGATION.
482
00:24:55,100 --> 00:25:00,067
AND AS GENERIC AS THAT SKETCH
OF CHARLIE SMITH MAY HAVE BEEN,
483
00:25:00,067 --> 00:25:03,200
ALL IT WOULD TAKE
TO CHANGE EVERYTHING
484
00:25:03,200 --> 00:25:06,567
WOULD BE FOR ONE PERSON,
THE RIGHT PERSON,
485
00:25:06,567 --> 00:25:08,567
TO STUMBLE UPON IT.
486
00:25:08,567 --> 00:25:10,800
Fairstein: SIX DAYS AFTER
THE BODY IS DISCOVERED,
487
00:25:10,800 --> 00:25:11,967
THEY RELEASE THE SKETCH,
488
00:25:11,967 --> 00:25:14,367
AND IT'S IN THE NEWSPAPERS
SUNDAY MORNING.
489
00:25:14,367 --> 00:25:16,767
**
490
00:25:26,833 --> 00:25:29,167
THE RELEASE OF THE SKETCH
491
00:25:29,167 --> 00:25:32,600
RESULTS IN EXACTLY WHAT
THE POLICE WERE HOPING IT WOULD.
492
00:25:32,600 --> 00:25:34,933
**
493
00:25:42,067 --> 00:25:45,067
WHAT CAN YOU TELL US ABOUT
THE MURDER OF ROSEANN QUINN?
494
00:25:56,500 --> 00:25:59,733
Female neighbor: LOOKING BACK
ON IT NOW, I UNDERSTAND WHY,
495
00:25:59,733 --> 00:26:02,200
BUT AT THE TIME,
ALL I COULD THINK WAS,
496
00:26:02,200 --> 00:26:05,367
"IT'S BEEN ALMOST A WEEK
SINCE THEY FOUND ROSEANN.
497
00:26:05,367 --> 00:26:07,100
WHY ISN'T ANYTHING HAPPENING
498
00:26:07,100 --> 00:26:09,333
EXCEPT FOR
SOME GENERIC SKETCH?"
499
00:26:09,333 --> 00:26:12,833
BUT IF THE PAPERS HAD REPORTED
THAT SOME MYSTERY MAN
500
00:26:12,833 --> 00:26:16,067
HAD ARRANGED A SECRET MEETING
WITH THE POLICE,
501
00:26:16,067 --> 00:26:19,367
WELL, THEN IT WOULDN'T BE
VERY SECRET, WOULD IT?
502
00:26:19,367 --> 00:26:20,833
[ DOOR OPENS ]
503
00:26:20,833 --> 00:26:24,467
McNamara: HE TELLS DETECTIVES
THAT HIS NAME IS GEARY GUEST.
504
00:26:24,467 --> 00:26:28,067
AND THAT HE KNEW A GREAT DEAL
ABOUT ROSEANN QUINN'S MURDER.
505
00:26:32,067 --> 00:26:35,533
SO, MR. GUEST,
WHAT CAN YOU TELL US
506
00:26:35,533 --> 00:26:37,467
ABOUT THE MURDER
OF ROSEANN QUINN?
507
00:26:43,067 --> 00:26:45,467
WELL, I WAS AT TWEEDS
A WEEK AGO,
508
00:26:45,467 --> 00:26:47,433
LAST MONDAY NIGHT,
WITH A FRIEND.
509
00:26:50,067 --> 00:26:51,633
* TO THE OCEAN *
510
00:26:51,633 --> 00:26:55,700
ONE MORE PICK.
IT'S GOT TO BE JOHN LEE HOOKER.
511
00:26:55,700 --> 00:26:58,333
Fairstein: MR. GUEST SAYS
THAT HE AND A FRIEND
512
00:26:58,333 --> 00:27:01,533
WHO WAS STAYING AT HIS APARTMENT
NOT FAR FROM 72nd STREET
513
00:27:01,533 --> 00:27:02,933
DECIDED TO GO TO TWEEDS,
514
00:27:02,933 --> 00:27:05,367
ALTHOUGH IT WAS NOT A PLACE
EITHER OF THEM WERE KNOWN.
515
00:27:07,167 --> 00:27:09,200
McNamara:
THEY HAD A DRINK,
516
00:27:09,200 --> 00:27:12,600
AND GEARY DECIDED TO GO HOME
AND LEFT HIS FRIEND BEHIND.
517
00:27:16,067 --> 00:27:19,933
NOW, THIS FRIEND OF YOURS,
WAS HIS NAME CHARLIE SMITH?
518
00:27:19,933 --> 00:27:23,400
WHO DID HE TELL
THAT NAME TO?
519
00:27:23,400 --> 00:27:25,600
Detective: SO WHAT'S YOUR PAL'S
REAL NAME?
520
00:27:34,067 --> 00:27:36,867
JOHN WAYNE WILSON.
521
00:27:36,867 --> 00:27:39,133
HE'S 23 YEARS OLD.
522
00:27:39,133 --> 00:27:40,933
HE'S FROM INDIANA.
523
00:27:43,100 --> 00:27:46,567
HE HAD KIND OF
A ROUGH CHILDHOOD.
524
00:27:46,567 --> 00:27:48,667
HE NEVER FINISHED
HIGH SCHOOL.
525
00:27:48,667 --> 00:27:51,433
HE JUST PICKED UP
AND HITCHED TO NEW YORK.
526
00:27:52,967 --> 00:27:57,400
[ LAUGHS ]
YOU LOOK GOOD, JOHN.
527
00:27:57,400 --> 00:28:00,900
IT'S HARD TO GET WORK
WITHOUT A DEGREE.
528
00:28:00,900 --> 00:28:04,667
AT LEAST MAKING THE KIND
OF MONEY THAT HE NEEDED.
529
00:28:04,667 --> 00:28:06,067
SO...
530
00:28:09,600 --> 00:28:11,167
...HE HUSTLED.
531
00:28:14,400 --> 00:28:16,500
**
532
00:28:16,500 --> 00:28:19,667
McNamara: JOHN WAYNE AND GEARY
MEET IN 1970.
533
00:28:19,667 --> 00:28:22,900
Gratz: CLASSIC "I'M ON
THE STREET, AND HE SMILES AT ME,
534
00:28:22,900 --> 00:28:26,633
AND I SMILE AT HIM, AND THE NEXT
THING, WE'RE MAKING A CONTACT."
535
00:28:31,600 --> 00:28:33,900
McNamara: THEY GO HOME TOGETHER
THAT NIGHT.
536
00:28:39,967 --> 00:28:43,367
SO, YOU TWO HAD A "MIDNIGHT
COWBOY" KIND OF RELATIONSHIP?
537
00:28:48,400 --> 00:28:51,267
SEE, I WAS ALWAYS
A RUNNER.
538
00:28:51,267 --> 00:28:54,133
PROBABLY NOT HARD TO BELIEVE,
I IMAGINE.
539
00:28:55,833 --> 00:29:00,433
GEARY FALLS IN LOVE
WITH JOHN WAYNE.
540
00:29:00,433 --> 00:29:02,700
Gratz:
FOR JOHN WAYNE WILSON,
541
00:29:02,700 --> 00:29:06,400
HE'S DEPENDENT ON GEARY
FOR FINANCIAL SUPPORT.
542
00:29:08,067 --> 00:29:09,433
YOU KNOW WHAT?
543
00:29:09,433 --> 00:29:11,233
YOU'RE CUTE.
544
00:29:11,233 --> 00:29:15,200
THE WAY I SEE IT, ALL
RELATIONSHIPS ARE COMPLICATED,
545
00:29:15,200 --> 00:29:17,367
AND THEIRS WAS NO EXCEPTION.
546
00:29:17,367 --> 00:29:20,167
SO EVEN THOUGH JOHN WAYNE
HAD SEX WITH MEN FOR MONEY...
547
00:29:20,167 --> 00:29:21,433
I'LL SEE YOU SOON, OKAY?
548
00:29:21,433 --> 00:29:24,500
...HE ALSO HAD A YOUNG WIFE
DOWN IN FLORIDA.
549
00:29:24,500 --> 00:29:26,533
BUT GEARY STILL CARED FOR JOHN
550
00:29:26,533 --> 00:29:29,367
AND WAS HAPPY
TO SHARE HIS HOME WITH HIM
551
00:29:29,367 --> 00:29:32,067
IN EXCHANGE
FOR A LITTLE COMPANIONSHIP.
552
00:29:33,133 --> 00:29:35,600
L-LET'S GET BACK
TO MONDAY NIGHT.
553
00:29:35,600 --> 00:29:37,100
YOU LEFT THE BAR.
554
00:29:37,100 --> 00:29:38,733
WHAT HAPPENED NEXT?
555
00:29:38,733 --> 00:29:41,600
I LEFT JOHN AT THE BAR,
AND I WENT HOME.
556
00:29:41,600 --> 00:29:47,333
HE WENT TO SLEEP, AND HE SAYS
THAT HE WAKES UP LATER...
557
00:29:51,533 --> 00:29:54,967
...AND JOHN WAYNE WILSON
IS SITTING ON THE COUCH.
558
00:29:59,833 --> 00:30:02,367
REMEMBER THAT GIRL FROM THE BAR
LAST NIGHT?
559
00:30:06,433 --> 00:30:08,233
I KILLED HER.
560
00:30:10,733 --> 00:30:14,700
MR. GUEST DESCRIBED HIMSELF
AS BEING IN TOTAL DISBELIEF.
561
00:30:16,900 --> 00:30:18,667
Van Lindt:
HE SAID THE NEXT DAY,
562
00:30:18,667 --> 00:30:20,967
HE WENT DOWNSTAIRS
AND BOUGHT THE NEWSPAPERS,
563
00:30:20,967 --> 00:30:23,900
COULDN'T FIND ANY REPORT
OF ANY HOMICIDES.
564
00:30:25,633 --> 00:30:28,633
Fairstein: ONE OF THE THINGS
THAT MR. GUEST DECIDES TO DO
565
00:30:28,633 --> 00:30:33,300
TO TRY TO DETERMINE IF WILSON IS
MAKING THIS STORY UP OR NOT...
566
00:30:33,300 --> 00:30:35,933
[ Ringing ]
567
00:30:35,933 --> 00:30:37,933
DETECTIVE: Hello?
568
00:30:37,933 --> 00:30:40,700
HELLO.
IS ROSEANN THERE?
569
00:30:40,700 --> 00:30:43,133
WHO'S CALLING?
570
00:30:43,133 --> 00:30:45,067
Fairstein:
...IS TO CALL ROSEANN QUINN.
571
00:30:45,067 --> 00:30:46,067
IS SHE OKAY?
572
00:30:46,067 --> 00:30:48,767
I HAD HEARD
SHE WASN'T FEELING WELL.
573
00:30:48,767 --> 00:30:50,500
YOU HEARD
SHE WASN'T FEELING WELL.
574
00:30:50,500 --> 00:30:53,800
Sir, what is your name?
575
00:30:55,833 --> 00:30:58,700
TELL ME YOUR NAME.
576
00:31:02,533 --> 00:31:05,933
Fairstein: SO HE IS ACTUALLY THE
PERSON WHO PHONED THE APARTMENT
577
00:31:05,933 --> 00:31:08,833
THE DAY THE DETECTIVES ANSWERED.
578
00:31:08,833 --> 00:31:10,533
SO WHY DIDN'T YOU
GO TO THE POLICE?
579
00:31:10,533 --> 00:31:12,467
BECAUSE BY MY COUNT,
IT TOOK YOU SIX DAYS
580
00:31:12,467 --> 00:31:14,467
TO MAKE UP YOUR MIND
TO DO THE RIGHT THING.
581
00:31:14,467 --> 00:31:17,067
HE NEVER HURT ANYONE BEFORE
THAT I KNOW.
582
00:31:24,900 --> 00:31:27,267
THAT SKETCH
LOOKS LIKE ME.
583
00:31:27,267 --> 00:31:29,800
**
584
00:31:44,500 --> 00:31:47,867
McNamara: IT WAS ALMOST A WEEK
AFTER THE BODY IS DISCOVERED
585
00:31:47,867 --> 00:31:49,667
THAT HE DECIDED TO CONTACT THEM
586
00:31:49,667 --> 00:31:53,467
BECAUSE THE COMPOSITE WAS,
IN FACT, OF GEARY, NOT WILSON.
587
00:31:53,467 --> 00:31:55,133
I DON'T WANT
ANYONE THINKING
588
00:31:55,133 --> 00:31:57,933
THAT I HAD ANYTHING TO DO
WITH THAT GIRL'S MURDER.
589
00:31:57,933 --> 00:31:59,167
MM.
590
00:31:59,167 --> 00:32:02,067
THIS DOESN'T MAKE ANY SENSE
TO THE POLICE,
591
00:32:02,067 --> 00:32:03,500
SO THEY'RE SUSPICIOUS.
592
00:32:03,500 --> 00:32:06,233
SO, WHERE'S WILSON NOW?
593
00:32:06,233 --> 00:32:08,067
HE LEFT TOWN.
594
00:32:08,067 --> 00:32:09,667
YOU GUYS IN TOUCH
AT ALL?
595
00:32:12,633 --> 00:32:14,233
HE CALLS SOMETIMES.
596
00:32:16,500 --> 00:32:19,067
Van Lindt:
GUEST ALSO SAID THAT NIGHT
597
00:32:19,067 --> 00:32:24,400
THAT HE THOUGHT THAT MR. WILSON
HAD TRAVELED TO INDIANAPOLIS,
598
00:32:24,400 --> 00:32:26,300
WHICH WAS WHERE
HIS BROTHER LIVED.
599
00:32:27,900 --> 00:32:31,233
SO, THE DETECTIVES CAUGHT THE
FIRST FLIGHT THE NEXT MORNING
600
00:32:31,233 --> 00:32:32,300
TO INDIANAPOLIS.
601
00:32:33,400 --> 00:32:36,467
BUT WHEN WILSON CAME TO THE
DOOR AT HIS BROTHER'S HOUSE,
602
00:32:36,467 --> 00:32:39,700
HE DIDN'T SEEM TO THEM LIKE A
PERSON WITH SOMETHING TO HIDE.
603
00:32:39,700 --> 00:32:41,900
IN FACT, HE SAID
IT WAS NO TROUBLE AT ALL
604
00:32:41,900 --> 00:32:44,067
TO SPEAK WITH THEM
DOWN AT THE STATION.
605
00:32:45,833 --> 00:32:49,867
AND ALL THEY HAD AGAINST HIM
WERE SOME CRUMPLED CARTOONS
606
00:32:49,867 --> 00:32:52,067
AND THE WORD
OF HIS ABANDONED LOVER.
607
00:32:52,067 --> 00:32:53,800
I'M NOT TOO ANXIOUS TO SEE
608
00:32:53,800 --> 00:32:56,900
HOW THE D.A. LIKES
A "HE SAID, HE SAID" CASE.
609
00:32:56,900 --> 00:32:59,233
Detective: DO YOU BELIEVE
WHAT GUEST SAID?
610
00:32:59,233 --> 00:33:01,900
DO YOU THINK
THIS COULD BE A SETUP?
611
00:33:01,900 --> 00:33:03,767
I DON'T KNOW.
612
00:33:06,333 --> 00:33:08,333
YOU BEEN TO NEW YORK RECENTLY,
JOHN?
613
00:33:08,333 --> 00:33:09,967
SAY, JANUARY 1st?
614
00:33:09,967 --> 00:33:11,233
NO.
NOT SO MUCH.
615
00:33:11,233 --> 00:33:13,933
I'VE BEEN UP AND DOWN
FROM FLORIDA, ACTUALLY.
616
00:33:13,933 --> 00:33:16,367
MY OLD LADY,
SHE LIVES DOWN THERE.
617
00:33:16,367 --> 00:33:19,133
YOU WEREN'T AT A BAR
CALLED TWEEDS?
618
00:33:19,133 --> 00:33:20,567
NO, SIR, I WASN'T.
619
00:33:20,567 --> 00:33:23,867
YOU NEVER MET A GIRL
NAMED ROSEANN QUINN?
620
00:33:23,867 --> 00:33:26,067
NOT TO MY KNOWLEDGE,
DETECTIVE.
621
00:33:27,067 --> 00:33:29,267
YOUR FRIEND GEARY GUEST
SAYS OTHERWISE.
622
00:33:29,267 --> 00:33:31,667
**
623
00:33:37,500 --> 00:33:39,867
GEARY'S A GOOD GUY.
624
00:33:39,867 --> 00:33:41,667
YOUR FRIEND
GAVE YOU UP, JOHN.
625
00:33:41,667 --> 00:33:44,200
GUEST SAYS YOU MURDERED
MISS QUINN.
626
00:33:55,967 --> 00:33:57,700
I KILLED HER.
627
00:34:00,267 --> 00:34:03,900
AND THAT WAS ALL IT TOOK
FOR HIM TO CONFESS.
628
00:34:05,200 --> 00:34:07,833
GEARY MIGHT HAVE BEEN
THE PERSON WHO CARED FOR
629
00:34:07,833 --> 00:34:09,933
AND SUPPORTED JOHN WAYNE
THE MOST.
630
00:34:11,833 --> 00:34:13,533
AND WHEN GEARY GAVE HIM UP,
631
00:34:13,533 --> 00:34:17,633
I GUESS JOHN REALIZED THERE WAS
NOTHING LEFT TO FIGHT FOR.
632
00:34:17,633 --> 00:34:19,467
WHAT HAPPENED, JOHN?
633
00:34:23,100 --> 00:34:25,567
**
634
00:34:34,300 --> 00:34:37,100
SHE INVITED HIM
BACK TO HER APARTMENT.
635
00:34:39,333 --> 00:34:42,100
AND HE WENT BACK WITH HER.
636
00:34:42,100 --> 00:34:44,800
[ KEYS JINGLE ]
637
00:34:44,800 --> 00:34:46,333
WHAT?
638
00:34:46,333 --> 00:34:48,667
NOTHING.
639
00:34:48,667 --> 00:34:50,400
YOU'RE CUTE.
640
00:34:56,300 --> 00:34:59,200
BUT THAT WAS NOT THE END
OF THE MYSTERY.
641
00:35:01,200 --> 00:35:04,067
WHAT JOHN WAYNE WOULD TELL
THE POLICE THAT DAY
642
00:35:04,067 --> 00:35:06,733
ABOUT WHAT HAPPENED
BEHIND HER CLOSED DOOR
643
00:35:06,733 --> 00:35:10,100
WOULD RAISE QUESTIONS
THAT LINGER TO THIS DAY.
644
00:35:10,100 --> 00:35:12,333
**
645
00:35:18,667 --> 00:35:21,867
Female neighbor:
ROSEANN QUINN WAS A TEACHER
646
00:35:21,867 --> 00:35:24,267
WHO DEVOTED HER LIFE
TO DEAF CHILDREN
647
00:35:24,267 --> 00:35:26,500
AND WAS MURDERED
IN HER APARTMENT.
648
00:35:26,500 --> 00:35:29,800
WHEN YOU THINK ABOUT IT,
THOSE ARE THE FACTS, YOU KNOW?
649
00:35:29,800 --> 00:35:32,733
THAT'S WHAT WE KNOW ABOUT HER.
650
00:35:32,733 --> 00:35:36,633
I REMEMBER HER AS SWEET
AND A LITTLE TIMID.
651
00:35:36,633 --> 00:35:38,133
BUT MEMORIES ARE TRICKY.
652
00:35:38,133 --> 00:35:40,900
THEY'RE LITTLE FRAGMENTS
THAT WE PUT TOGETHER
653
00:35:40,900 --> 00:35:43,167
INTO OUR OWN STORY
ABOUT A PERSON.
654
00:35:46,067 --> 00:35:50,067
AND MAYBE NO ONE PERSON COLORED
HOW PEOPLE THINK ABOUT ROSEANN
655
00:35:50,067 --> 00:35:52,400
MORE THAN JOHN WAYNE WILSON
656
00:35:52,400 --> 00:35:54,833
WHEN HE TOLD THE POLICE
HIS STORY
657
00:35:54,833 --> 00:35:57,967
ABOUT WHAT HAPPENED
WHEN THEY LEFT TWEEDS BAR,
658
00:35:57,967 --> 00:36:01,367
WALKED ACROSS THE STREET...
659
00:36:01,367 --> 00:36:03,333
AND WENT INTO HER APARTMENT.
660
00:36:07,633 --> 00:36:09,233
JUST ONE SECOND,
OKAY?
661
00:36:09,233 --> 00:36:12,233
I JUST NEED TO CLEAR MY MIND
REAL QUICK, YOU KNOW?
662
00:36:12,233 --> 00:36:17,433
JOHN WAYNE WILSON STATED
HE COULDN'T PERFORM SEXUALLY.
663
00:36:17,433 --> 00:36:20,067
SHE WOULDN'T LAY OFF ME.
664
00:36:32,933 --> 00:36:35,967
WHY'D YOU COME UP HERE?
665
00:36:35,967 --> 00:36:38,700
HUH?
666
00:36:38,700 --> 00:36:41,167
WHAT'S THE MATTER?
CAN'T YOU DO IT?
667
00:36:44,200 --> 00:36:46,067
DON'T -- DON'T --
DON'T PUSH ME.
668
00:36:46,067 --> 00:36:47,067
WHAT?
669
00:36:47,067 --> 00:36:49,767
YOU DON'T LIKE IT
WHEN I DO THAT?
670
00:36:49,767 --> 00:36:51,233
COME ON.
WHAT ARE YOU GONNA DO?
671
00:36:52,233 --> 00:36:54,133
SHE KEPT BITCHING.
672
00:36:55,900 --> 00:37:01,300
HE TELLS POLICE THAT ROSEANN
SNEERED AT HIM, INSULTED HIM.
673
00:37:01,300 --> 00:37:02,833
Van Lindt:
SHE RIDICULED HIM.
674
00:37:02,833 --> 00:37:04,467
I DON'T THINK
THIS IS A GOOD IDEA.
675
00:37:04,467 --> 00:37:06,067
YOU GONNA SHOW ME
WHAT A MAN YOU ARE?
676
00:37:06,067 --> 00:37:07,133
PLEASE.
COME ON.
677
00:37:07,133 --> 00:37:09,467
DON'T TOUCH ME, ALL RIGHT?
WHAT ARE YOU GONNA DO?
678
00:37:09,467 --> 00:37:12,133
I TOLD YOU JUST TO BE QUIET.
SHOW ME WHAT A MAN YOU ARE!
679
00:37:12,133 --> 00:37:14,067
COME ON!
JUST BE QUIET FOR ONE SECOND!
680
00:37:14,067 --> 00:37:15,900
COME ON! COME ON!
JUST -- JUST --
681
00:37:15,900 --> 00:37:18,867
BE A MAN! COME ON!
COME ON!
682
00:37:20,200 --> 00:37:22,067
SHE WOULDN'T SHUT UP.
683
00:37:24,300 --> 00:37:25,700
COME ON!
684
00:37:25,700 --> 00:37:27,833
[ GAGGING ]
685
00:37:33,200 --> 00:37:35,400
[ SOBBING ]
686
00:37:42,133 --> 00:37:44,700
[ BREATHING HEAVILY ]
687
00:37:58,067 --> 00:37:59,600
SO...
688
00:38:02,833 --> 00:38:05,233
...I CLEANED UP...
689
00:38:05,233 --> 00:38:07,933
AND LEFT HER THERE.
690
00:38:07,933 --> 00:38:10,900
"SHE TAUNTED ME.
SHE PROVOKED ME.
691
00:38:10,900 --> 00:38:12,633
SHE PUSHED ME TOO FAR."
692
00:38:12,633 --> 00:38:15,767
JOHN WAYNE WILSON
DID EVERYTHING HE COULD
693
00:38:15,767 --> 00:38:19,300
TO SUGGEST THAT ROSEANN
WAS ULTIMATELY TO BLAME.
694
00:38:19,300 --> 00:38:21,100
AND WHEN YOU COMBINE HIS STORY
695
00:38:21,100 --> 00:38:23,867
WITH THE RUMORS SPREAD
BY ROSEANN'S NEIGHBOR,
696
00:38:23,867 --> 00:38:27,067
YOU GET A CHARACTER THAT
LOOKS SOMETHING LIKE THE ONE
697
00:38:27,067 --> 00:38:28,800
IN "LOOKING FOR MR. GOODBAR."
698
00:38:28,800 --> 00:38:30,200
BUT WHAT I READ LATER
699
00:38:30,200 --> 00:38:33,100
ABOUT ALL THE THINGS HE SAID
TO THE POLICE THAT DAY,
700
00:38:33,100 --> 00:38:36,233
WELL, SOME OF IT
REALLY GOT ME THINKING.
701
00:38:36,233 --> 00:38:38,933
DO YOU HAVE ANY KIDS?
702
00:38:38,933 --> 00:38:40,067
YEAH, I GOT KIDS.
703
00:38:40,067 --> 00:38:42,167
SO THEN YOU KNOW
HOW HARD IT IS, RIGHT?
704
00:38:42,167 --> 00:38:45,333
WHEN MY WIFE WAS PREGNANT,
THERE WAS A LOT OF PRESSURE,
705
00:38:45,333 --> 00:38:48,167
AND I WASN'T PREPARED.
706
00:38:48,167 --> 00:38:52,900
SO I TRIED TO GET OUT --
HUSTLING.
707
00:38:52,900 --> 00:38:54,900
YOU KNOW?
708
00:38:54,900 --> 00:38:56,933
MM-HMM.
JUST A R�SUM�?
709
00:38:56,933 --> 00:38:58,800
Gratz:
HE'S UNEMPLOYABLE.
710
00:38:58,800 --> 00:39:00,833
HE HAS NO RECORD OF EMPLOYMENT.
711
00:39:00,833 --> 00:39:05,467
AND HE HAS NO SKILL
OTHER THAN SEX.
712
00:39:07,667 --> 00:39:11,200
IF YOU WERE TO ASK ME,
AND NOBODY DID,
713
00:39:11,200 --> 00:39:14,633
I THINK THERE'S ANOTHER WAY
THINGS MIGHT HAVE HAPPENED.
714
00:39:17,233 --> 00:39:18,500
THIS DOESN'T NORMALLY
HAPPEN TO ME.
715
00:39:18,500 --> 00:39:20,900
IT'S OKAY.
[ CLEARS THROAT ]
716
00:39:20,900 --> 00:39:22,167
IT'S MY FAULT.
717
00:39:22,167 --> 00:39:23,667
NO, NO,
IT'S NOT YOUR FAULT.
718
00:39:23,667 --> 00:39:25,367
NO, IT IS.
IT'S OKAY.
719
00:39:25,367 --> 00:39:28,067
WELL, THE ROSEANN I KNEW
720
00:39:28,067 --> 00:39:31,700
SEEMED LIKE SHE MIGHT
TAKE REJECTION PRETTY HARD.
721
00:39:31,700 --> 00:39:34,433
McNamara: THE FACT THAT
HE COULDN'T GET AN ERECTION
722
00:39:34,433 --> 00:39:36,467
WAS JUST CONFIRMING
HER WORST FEAR,
723
00:39:36,467 --> 00:39:38,967
WHICH WAS THAT SHE WAS
NOT SEXUALLY DESIRABLE.
724
00:39:38,967 --> 00:39:42,633
WILSON COULDN'T SUPPORT
HIS WIFE AND UNBORN CHILD.
725
00:39:42,633 --> 00:39:45,300
THE ONLY THING
HE EVER EXCELLED AT
726
00:39:45,300 --> 00:39:47,467
WAS HAVING SEX WITH STRANGERS,
727
00:39:47,467 --> 00:39:50,800
AND NOW HE HAD FAILED
AT THAT, TOO.
728
00:39:54,333 --> 00:39:59,133
AND MAYBE SOMETHING INSIDE HIM
JUST SNAPPED.
729
00:39:59,133 --> 00:40:01,067
[ SOBBING ]
730
00:40:04,200 --> 00:40:06,067
[ GAGGING ]
731
00:40:17,433 --> 00:40:18,667
AND ON TOP OF THAT,
732
00:40:18,667 --> 00:40:21,167
THE EVIDENCE THEY FOUND
AT THE CRIME SCENE
733
00:40:21,167 --> 00:40:24,233
CHALLENGED WILSON'S STORY,
AS WELL.
734
00:40:24,233 --> 00:40:27,833
Gratz: JOHN WAYNE WILSON
SAID HE COULDN'T EVEN GET IT UP.
735
00:40:27,833 --> 00:40:30,467
Fairstein:
BUT THERE WAS SEMINAL FLUID
736
00:40:30,467 --> 00:40:32,433
IN THE BODY OF ROSEANN QUINN.
737
00:40:33,933 --> 00:40:36,800
SO, WILSON WAS LYING
738
00:40:36,800 --> 00:40:40,033
WHEN HE SAID HE'D NEVER
HAD SEX WITH ROSEANN.
739
00:40:40,033 --> 00:40:43,133
WHY WAS HE WILLING TO ADMIT
THAT HE HAD KILLED HER
740
00:40:43,133 --> 00:40:46,433
BUT TRYING TO HIDE THE FACT
THAT HE'D SLEPT WITH HER?
741
00:40:52,700 --> 00:40:56,867
PERHAPS AFTER HER DEATH,
HE SEXUALLY ASSAULTED HER.
742
00:40:59,333 --> 00:41:02,367
Jurgensen:
REMEMBER THAT SHE WAS FOUND
743
00:41:02,367 --> 00:41:04,400
WITH A BROOM IN HER VAGINA.
744
00:41:08,333 --> 00:41:11,733
Fairstein: THERE'S NOTHING
THAT COULD JUSTIFY
745
00:41:11,733 --> 00:41:15,200
WHAT ROSEANN QUINN
WAS SUBJECTED TO IN HER HOME.
746
00:41:22,800 --> 00:41:27,200
"LOOKING FOR MR. GOODBAR"
WAS A WORK OF FICTION,
747
00:41:27,200 --> 00:41:30,233
BUT IT WAS THE STORY
IN THOSE PAGES THAT STUCK.
748
00:41:30,233 --> 00:41:34,967
THE BAD-GIRL STORY
IS PERHAPS MORE TITILLATING.
749
00:41:34,967 --> 00:41:38,333
ROSEANN BECAME KNOWN AS A GIRL
WHO HUNG OUT AT BARS
750
00:41:38,333 --> 00:41:40,067
LOOKING TO BRING MEN HOME,
751
00:41:40,067 --> 00:41:43,367
WHO LIKED SEX AND WAS
AGGRESSIVE ABOUT GETTING IT.
752
00:41:43,367 --> 00:41:48,233
IN 1973, THERE'S NO DOUBT
THAT PEOPLE WOULD SAY,
753
00:41:48,233 --> 00:41:50,067
"WELL, WHAT THE HELL
WAS SHE DOING?
754
00:41:50,067 --> 00:41:51,333
SHE ASKED FOR IT."
755
00:41:51,333 --> 00:41:54,567
THE WORLD TURNED HER
INTO A CAUTIONARY TALE
756
00:41:54,567 --> 00:41:57,667
IN THE GRAND TRADITION
OF FICTIONAL WOMEN
757
00:41:57,667 --> 00:42:00,567
WHO NEED TO BE PUNISHED
FOR TAKING THEIR CLOTHES OFF.
758
00:42:00,567 --> 00:42:02,100
[ CAMERA WHIRRING ]
759
00:42:02,100 --> 00:42:04,467
BUT ROSEANN WAS A REAL PERSON,
760
00:42:04,467 --> 00:42:08,433
AND THERE WAS NO MORAL
TO BE TAKEN FROM HER DEATH.
761
00:42:08,433 --> 00:42:12,100
ONE THING WE KNOW FOR CERTAIN
IS THAT THIS IS NOT THE NIGHT
762
00:42:12,100 --> 00:42:15,233
NOR THE WAY ROSEANN QUINN
WANTED TO END HER LIFE.
763
00:42:15,233 --> 00:42:19,700
Gratz: WHAT KIND OF SEX
SHE LIKED IS IRRELEVANT.
764
00:42:19,700 --> 00:42:21,633
THE WOMAN WAS MURDERED.
765
00:42:21,633 --> 00:42:25,933
SO IF YOU'RE GONNA TELL ME
YOU THINK SHE ASKED FOR IT,
766
00:42:25,933 --> 00:42:30,300
THAT'S GONNA TELL ME MORE ABOUT
YOU THAN IT IS ABOUT ROSEANN.
767
00:42:30,300 --> 00:42:35,500
I THINK PEOPLE WERE TERRIFIED
BY WHAT HAPPENED TO ROSEANN.
768
00:42:35,500 --> 00:42:37,233
I KNOW I WAS.
769
00:42:39,067 --> 00:42:42,667
SO THEY WANTED TO BELIEVE
THAT SHE WAS A RISK-TAKER,
770
00:42:42,667 --> 00:42:45,400
BECAUSE IF SHE
BROUGHT IT ON HERSELF,
771
00:42:45,400 --> 00:42:50,167
THEN IT'S A SIMPLE THING
TO AVOID HER MISTAKES.
772
00:42:50,167 --> 00:42:51,967
AND YOU CAN REST EASY AT NIGHT,
773
00:42:51,967 --> 00:42:55,500
KNOWING THAT, UNLIKE HER,
YOU'LL BE SAFE.
774
00:42:55,500 --> 00:42:57,267
RIGHT?
775
00:43:02,467 --> 00:43:08,067
* IF I'LL GO TO CHURCH
ON SUNDAY *
776
00:43:08,067 --> 00:43:13,800
* SING THE SHIMMY DOWN
ON MONDAY *
777
00:43:13,800 --> 00:43:20,300
* AIN'T NOBODY'S BUSINESS
IF I DO *
778
00:43:20,300 --> 00:43:27,100
* IF I DO *
779
00:43:27,100 --> 00:43:29,900
**
780
00:43:29,950 --> 00:43:34,500
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