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These are the user uploaded subtitles that are being translated: 1 00:00:03,133 --> 00:00:06,533 Woman: THE SOUTH IS FULL OF LEGENDS OF THE EVILS 2 00:00:06,533 --> 00:00:10,733 THAT LURK AT TWILIGHT ON THE BACK ROADS: 3 00:00:10,733 --> 00:00:16,233 SPOOKS AND SPECTERS THAT HAUNT THE HALLOWS, 4 00:00:16,233 --> 00:00:20,767 BLACK CATS WHO STEAL YOUR BREATH, 5 00:00:20,767 --> 00:00:23,533 AND THE DEMON WHO HIDES IN THE HONEYSUCKLE LOOKIN' 6 00:00:23,533 --> 00:00:25,400 TO STEAL YOUR SOUL. 7 00:00:30,600 --> 00:00:31,900 BUT AS A YOUNG GIRL, 8 00:00:31,900 --> 00:00:36,733 I LEARNED THAT WHAT WE TRULY NEED TO FEAR 9 00:00:36,733 --> 00:00:39,133 ARE NOT THE MONSTERS FROM THE MOONLIT WOODS... 10 00:00:42,633 --> 00:00:45,767 BUT THE DEVIL WHO LIVES NEXT DOOR. 11 00:00:55,967 --> 00:00:58,967 -- Captions by VITAC -- www.vitac.com 12 00:00:58,967 --> 00:01:02,067 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 13 00:01:04,300 --> 00:01:08,367 Woman: GAFFNEY, SOUTH CAROLINA, WAS KIND OF A SMALL TOWN 14 00:01:08,367 --> 00:01:10,767 WHERE EVERYBODY KNEW EVERYBODY, 15 00:01:10,767 --> 00:01:13,900 IF NOT BY NAME, THEN BY SIGHT. 16 00:01:13,900 --> 00:01:17,900 OF COURSE IN 1968, 17 00:01:17,900 --> 00:01:19,700 WE WERE HAUNTED BY THE SAME TROUBLES 18 00:01:19,700 --> 00:01:23,100 AS ANYWHERE ELSE SOUTH OF THE MASON-DIXON LINE. 19 00:01:23,100 --> 00:01:25,500 AND I CAN'T SAY IT WAS EASY. 20 00:01:25,500 --> 00:01:28,633 SOUTH CAROLINA, GEORGIA, THE WHOLE BIBLE BELT: 21 00:01:28,633 --> 00:01:32,233 THE INTEGRATION ARGUMENT WAS HAPPENING. 22 00:01:32,233 --> 00:01:34,533 Man: GAFFNEY SCHOOLS WERE JUST GOIN' THROUGH 23 00:01:34,533 --> 00:01:37,633 INTEGRATION FOR THE FIRST TIME. 24 00:01:37,633 --> 00:01:40,500 I WAITED IN LINE FOR 4 HOURS THAT MORNIN' 25 00:01:40,500 --> 00:01:42,267 TO REGISTER FOR SCHOOL. 26 00:01:42,267 --> 00:01:46,167 FOUR HOURS ON THOSE TOWN HALL STEPS, 27 00:01:46,167 --> 00:01:49,800 WHICH IS WHY I REMEMBER SO CLEARLY... 28 00:01:49,800 --> 00:01:52,200 HEY, BILL. WHEN MR. BILL GIBBONS, 29 00:01:52,200 --> 00:01:54,900 WHO EDITED THE PAPER, ARRIVED. 30 00:01:54,900 --> 00:01:57,500 I ASSUMED HE WAS THERE TO WRITE ABOUT US, 31 00:01:57,500 --> 00:02:00,067 BUT I WAS DEAD WRONG. HEY, BILL. 32 00:02:00,067 --> 00:02:02,733 BILL GIBBONS DIDN'T HAVE A STORY TO WRITE. 33 00:02:02,733 --> 00:02:08,600 HE HAD A STORY TO TELL. 34 00:02:08,600 --> 00:02:11,700 Man: BILL GIBBONS WAS THE EDITOR OF THE GAFFNEY LEDGER. 35 00:02:11,700 --> 00:02:12,933 BILL'S IMMEDIATE DUTIES 36 00:02:12,933 --> 00:02:15,067 WERE NOT TO HANG OUT AT THE SHERIFF'S OFFICE, 37 00:02:15,067 --> 00:02:17,700 BUT HE WAS NO STRANGER TO 'EM. 38 00:02:17,700 --> 00:02:19,367 SHERIFF... 39 00:02:19,367 --> 00:02:20,633 HEY, BILL, HOW ARE YA? 40 00:02:20,633 --> 00:02:24,867 I GOT A STRANGE CALL DOWN AT THE LEDGER JUST NOW. 41 00:02:24,867 --> 00:02:28,867 NOW, THIS FELLA CALLS, TELLS ME HE HAS THREE STORIES. 42 00:02:28,867 --> 00:02:32,200 AND TO TAKE NOTES ON 'EM ON THREE SHEETS OF PAPER. 43 00:02:32,200 --> 00:02:34,433 DID YOU RECOGNIZE HIM? NO, NO. 44 00:02:34,433 --> 00:02:37,933 IT COULDA BEEN ANYONE, MALE, MIGHT BE WHITE. 45 00:02:37,933 --> 00:02:39,900 HE TOLD YOU TO NUMBER 'EM? 46 00:02:39,900 --> 00:02:42,700 YES, SIR: ONE, TWO, THREE. 47 00:02:42,700 --> 00:02:48,700 HE SAID, UH, "NANCY CHRISTINE," AND THEN, UH, SOME DIRECTIONS, 48 00:02:48,700 --> 00:02:50,667 UH, SOUNDS LIKE CHAIN GANG ROAD. 49 00:02:50,667 --> 00:02:51,867 AND THEN... 50 00:02:51,867 --> 00:02:53,533 PILE OF BRUSH? 51 00:02:53,533 --> 00:02:57,933 NEXT ONE, HE TELLS ME NANCY CAROL PARRIS DOWNSTREAM 52 00:02:57,933 --> 00:02:59,633 FROM THE, UH, FORD ROAD BRIDGE. 53 00:02:59,633 --> 00:03:03,233 IN THE WATER, ON THE DOWNHILL SIDE, 54 00:03:03,233 --> 00:03:04,667 YOU'LL FIND THE BODY. 55 00:03:04,667 --> 00:03:05,700 THE BODY? 56 00:03:05,700 --> 00:03:07,567 YEAH. 57 00:03:07,567 --> 00:03:08,867 THIS ONE IS DIFFERENT. 58 00:03:08,867 --> 00:03:10,833 HE JUST TOLD ME ANNIE LOUISE DEDMOND, 59 00:03:10,833 --> 00:03:13,467 JERUSALEM ROAD, MARCH 1967. 60 00:03:13,467 --> 00:03:14,567 JERUSALEM ROAD? 61 00:03:14,567 --> 00:03:16,467 UNION COUNTY, YEAH. 62 00:03:16,467 --> 00:03:19,667 I MEAN, IT JUST DOESN'T SOUND LIKE A PRANK AFTER A WHILE. 63 00:03:19,667 --> 00:03:21,400 UH-HUH, HAS TO BE. 64 00:03:21,400 --> 00:03:23,100 BUT HE TOLD YOU BODIES? 65 00:03:23,100 --> 00:03:24,300 YES, SIR. 66 00:03:24,300 --> 00:03:27,633 WE GET PRANK CALLS IN NEWSPAPER ALL THE TIME, 67 00:03:27,633 --> 00:03:31,667 BUT GIBBONS SAYS THE CALLER TOLD HIM, "DON'T GO ALONE. 68 00:03:31,667 --> 00:03:32,700 BE SURE AND GET THE SHERIFF." 69 00:03:32,700 --> 00:03:35,633 THE SHERIFF AND BILL 70 00:03:35,633 --> 00:03:39,067 AND A DEPUTY GET IN A PATROL CAR 71 00:03:39,067 --> 00:03:42,167 AND HEAD OFF FOR THE BRIDGE ON FORD ROAD. 72 00:03:44,867 --> 00:03:47,967 THAT WAS THE MOST ACCESSIBLE OF THE THREE PLACES. 73 00:03:52,867 --> 00:03:56,500 OH, THE WIFE SAYS SHE LIKES THE BEACH BETTER IN THE OFF-SEASON. 74 00:03:56,500 --> 00:03:58,500 OF COURSE, SHE AIN'T PRONE TO GIRL WATCHIN'. 75 00:03:58,500 --> 00:04:02,300 WELL, I'LL TAKE ANYWHERE WARM. 76 00:04:02,300 --> 00:04:04,967 IN GAFFNEY, LIKE IN MOST SMALL TOWNS, 77 00:04:04,967 --> 00:04:07,233 MURDERS AREN'T THAT COMMON. 78 00:04:07,233 --> 00:04:09,700 THE IDEA THAT IT WAS SOME KIND OF A PRACTICAL JOKE 79 00:04:09,700 --> 00:04:12,100 MADE MUCH MORE SENSE. 80 00:04:21,500 --> 00:04:24,467 Martin: SHE'S NUDE, AND HER HAIR IS IN HER FACE. 81 00:04:24,467 --> 00:04:27,300 HER LEGS ARE SLIGHTLY SPLIT. 82 00:04:41,667 --> 00:04:46,967 THERE IS A VERY DISTINCTIVE BLUISH MARK AROUND HER NECK. 83 00:04:46,967 --> 00:04:48,667 Woman: THE MEDICAL EXAMINER 84 00:04:48,667 --> 00:04:55,200 LATER CONFIRMS THAT THE MARKS ARE FROM STRANGULATION. 85 00:04:55,200 --> 00:04:58,067 SHE'D BEEN DEAD NO MORE THAN A DAY 86 00:04:58,067 --> 00:05:00,900 BEFORE BILL GIBBONS GOT THAT CALL. 87 00:05:00,900 --> 00:05:04,500 Woman: THE BODY IS NANCY CAROL PARRIS. 88 00:05:04,500 --> 00:05:07,500 Man: THE SAME NAME THAT THE CALLER HAD SAID TO HIM. 89 00:05:12,500 --> 00:05:15,900 MISS PARRIS USED TO COME BY MY DADDY'S SHOP NOW AND THEN. 90 00:05:15,900 --> 00:05:17,967 YOU CAN GET TO KNOW PEOPLE THAT WAY, 91 00:05:17,967 --> 00:05:24,667 SEEIN' IF THEY HAVE TIME FOR A SMILE AND A KIND WAVE, 92 00:05:24,667 --> 00:05:27,067 EVEN WHEN SHE WAS WITH HER HUSBAND MONROE. 93 00:05:44,233 --> 00:05:47,500 SHERIFF! 94 00:05:47,500 --> 00:05:49,500 LOOK I -- 95 00:05:49,500 --> 00:05:50,967 I -- I'M JUST AS SHOCKED AS YOU ARE ABOUT THIS. 96 00:05:50,967 --> 00:05:53,100 I -- I THOUGHT THIS WAS SOME KINDA PRANK, 97 00:05:53,100 --> 00:05:55,467 AND CLEARLY IT'S NOT. IT'S A... WELL... 98 00:05:55,467 --> 00:05:57,367 I HOPE THAT'S THE ONLY BODY WE FIND, 99 00:05:57,367 --> 00:06:00,300 'CAUSE IF THERE'RE TWO OTHER WOMEN OUT THERE... 100 00:06:00,300 --> 00:06:03,867 THEY'RE CALLING YOU TO TELL US ABOUT IT? 101 00:06:03,867 --> 00:06:08,300 I DON'T KNOW WHAT THIS IS. 102 00:06:08,300 --> 00:06:12,933 THE ZODIAC KILLER WAS STILL 10, 11 MONTHS IN THE FUTURE, 103 00:06:12,933 --> 00:06:16,267 WHICH WAS THE MOST FAMOUS CASE, IN AMERICAN HISTORY, 104 00:06:16,267 --> 00:06:19,400 OF A KILLER CONTACTING THE MEDIA SAYING, 105 00:06:19,400 --> 00:06:22,133 "HEY, THIS IS WHERE THE BODIES ARE. 106 00:06:22,133 --> 00:06:24,733 THIS IS WHERE YOU'LL FIND THEM." 107 00:06:24,733 --> 00:06:27,200 SO THEY GO TO THE NEXT LOCATION, 108 00:06:27,200 --> 00:06:29,400 CHAIN GANG ROAD. 109 00:06:29,400 --> 00:06:32,500 THE CHAIN GANG ROAD WAS A FEW MILES OUTSIDE OF TOWN, 110 00:06:32,500 --> 00:06:35,800 FULL UP WITH KUDZU AND SPANISH MOSS. 111 00:06:35,800 --> 00:06:38,833 KIDS USED TO GO OUT THERE TO PARK WITH THEIR STEADIES. 112 00:06:38,833 --> 00:06:41,300 THE MAN ON THE PHONE SAID THIS IS WHERE THEY'D FIND 113 00:06:41,300 --> 00:06:43,433 THE GIRL CALLED NANCY CHRISTINE. 114 00:06:47,333 --> 00:06:50,967 REMEMBER NOW, WE'RE LOOKING FOR A BRUSH PILE, 115 00:06:50,967 --> 00:06:55,067 NO MORE THAN A QUARTER MILE FROM THE CARS. 116 00:06:55,067 --> 00:06:58,867 Jones: IT IS THICK UNDERBRUSH, DENSE FOREST, 117 00:06:58,867 --> 00:07:03,700 SO THEY SPREAD OUT 20, 30 FEET APART. 118 00:07:06,367 --> 00:07:09,367 MORE PEOPLE HAVE ARRIVED, MORE SHERIFF'S DEPUTIES. 119 00:07:09,367 --> 00:07:12,167 MORE PEOPLE FROM THE NEWSPAPER HAVE SHOWED UP. 120 00:07:12,167 --> 00:07:16,400 Martin: BILL GIBBONS CALLED ME TO BRING MY CAMERA. 121 00:07:16,400 --> 00:07:21,433 YOU JUST HEAR YOUR FOOTSTEPS ON THE FLOOR OF THE FOREST. 122 00:07:21,433 --> 00:07:23,300 ALL OF US GOT A LITTLE EERIE FEELING. 123 00:07:25,667 --> 00:07:29,233 I FOUND HER, OVER HERE! 124 00:07:36,967 --> 00:07:38,600 Woman: A WOMAN'S FOOT IS STICKING OUT 125 00:07:38,600 --> 00:07:40,800 FROM THE UNDERGROWTH. 126 00:07:43,767 --> 00:07:46,067 Martin: THE SHERIFF'S DEPARTMENT DOESN'T EVEN HAVE A CAMERA. 127 00:07:51,733 --> 00:07:54,833 SO I WAS TAKING PICTURES. 128 00:07:57,333 --> 00:07:58,900 MY GOD. 129 00:07:58,900 --> 00:08:03,067 LIKE THE FIRST BODY, THE MARKS ARE FROM STRANGULATION. 130 00:08:03,067 --> 00:08:06,067 SHE'D BEEN DEAD AT LEAST A WEEK AND HIDDEN IN THE BRUSH 131 00:08:06,067 --> 00:08:10,067 LIKE SHE WAS SOMEONE OR SOMETHING'S SECRET. 132 00:08:10,067 --> 00:08:12,733 THE OTHER GIRL HAD BEEN KILLED JUST YESTERDAY 133 00:08:12,733 --> 00:08:15,267 AND WAS LEFT OUT FOR THE WORLD TO SEE. 134 00:08:15,267 --> 00:08:19,067 IT SEEMED LIKE THE DEVIL WAS MOVING CLOSER TO GAFFNEY 135 00:08:19,067 --> 00:08:21,500 AND GETTING BOLDER. 136 00:08:21,500 --> 00:08:24,767 SHE'S JUST A TEENAGER. 137 00:08:24,767 --> 00:08:25,967 THE RHINEHART GIRL? 138 00:08:25,967 --> 00:08:27,267 YEAH, I THINK SO. 139 00:08:27,267 --> 00:08:28,467 DAMN IT. 140 00:08:28,467 --> 00:08:31,300 THE VICTIM IS NANCY CHRISTINA RHINEHART. 141 00:08:31,300 --> 00:08:33,767 TINA, SHE'S 14. 142 00:08:38,133 --> 00:08:40,733 THE RHINEHART GIRL WAS TINA RHINEHART. 143 00:08:40,733 --> 00:08:43,933 HER MOTHER HAD REPORTED HER MISSING A WEEK AGO, 144 00:08:43,933 --> 00:08:46,933 BUT THE SHERIFF JUST THOUGHT SHE WAS A RUNAWAY. 145 00:08:46,933 --> 00:08:48,833 WHAT THE SHERIFF DIDN'T KNOW 146 00:08:48,833 --> 00:08:52,233 WAS THAT HER CHRISTIAN NAME WAS NANCY CHRISTINE. 147 00:08:52,233 --> 00:08:55,467 SO WHEN THEY SAW BILL GIBBON'S NOTE WITH THAT NAME ON IT, 148 00:08:55,467 --> 00:08:57,400 THEY NEVER PUT IT TOGETHER. 149 00:09:06,133 --> 00:09:07,967 BILL AND TOMMY DOWN AT THE LEDGER. 150 00:09:07,967 --> 00:09:11,167 Martin: THE CALLER SAID THE THIRD VICTIM 151 00:09:11,167 --> 00:09:13,300 WAS OUT NEAR JERUSALEM ROAD, 152 00:09:13,300 --> 00:09:17,800 WHICH IS A ROAD IN UNION COUNTY, WHICH IS A NEIGHBORING COUNTY. 153 00:09:17,800 --> 00:09:19,233 ANN DEDMOND. 154 00:09:19,233 --> 00:09:21,267 SO THEY CALLED, UH, 155 00:09:21,267 --> 00:09:24,067 THE SHERIFF IN THE POLICE DEPARTMENT OVER THERE. 156 00:09:24,067 --> 00:09:27,833 AND HE SAYS, "WELL, THAT'S WHERE MISS DEDMOND WAS FOUND." 157 00:09:31,833 --> 00:09:33,333 A LADY NAMED ANNIE DEDMOND 158 00:09:33,333 --> 00:09:37,300 WAS FOUND OVER IN UNION COUNTY 6 MONTHS EARLIER. 159 00:09:37,300 --> 00:09:39,567 THEY FOUND HER JUST LIKE OUR TWO GIRLS, 160 00:09:39,567 --> 00:09:42,700 UNDRESSED AND STRANGLED. 161 00:09:42,700 --> 00:09:47,067 WE GOT A PAIR OF LOCAL GIRLS WITH THE SAME THING... 162 00:09:47,067 --> 00:09:51,433 NO, NOT LAST YEAR, TODAY. 163 00:09:51,433 --> 00:09:53,267 YOU KNOW THAT SINKING FEELING YOU GET 164 00:09:53,267 --> 00:09:55,800 IN THE PIT OF YOUR STOMACH WHEN YOU GET BAD NEWS? 165 00:09:55,800 --> 00:09:57,467 THANKS, TOM. 166 00:09:57,467 --> 00:09:59,267 WELL, I IMAGINE THAT'S WHAT THE POLICE 167 00:09:59,267 --> 00:10:02,167 FELT WHEN THEY HEARD SOMEONE WAS ALREADY SITTING IN JAIL 168 00:10:02,167 --> 00:10:05,633 FOR ANNIE DEDMOND'S MURDER. 169 00:10:05,633 --> 00:10:08,467 HER HUSBAND IS SERVING TIME FOR THAT NOW. 170 00:10:08,467 --> 00:10:13,433 HE'S BEEN CONVICTED FOR 9 MONTHS. 171 00:10:13,433 --> 00:10:16,567 IS THE WRONG MAN IN JAIL FOR THIS MURDER? 172 00:10:16,567 --> 00:10:18,133 DID WE ARREST THE WRONG GUY, 173 00:10:18,133 --> 00:10:20,667 AND LEAVE THE MURDERER OUT TO KILL THESE TWO WOMEN 174 00:10:20,667 --> 00:10:22,333 WE JUST FOUND? 175 00:10:22,333 --> 00:10:25,833 Reporter: IN VIETNAM, KHE SANH CONTINUES TO BE UNDER SIEGE. 176 00:10:25,833 --> 00:10:28,833 THERE, THE FIRST... 177 00:10:28,833 --> 00:10:31,033 Woman: IT SEEMED LIKE BILL GIBBONS HAD FOUND HIMSELF 178 00:10:31,033 --> 00:10:33,400 SMACK IN THE MIDDLE OF A REAL-LIVE NEWS EVENT. 179 00:10:37,767 --> 00:10:39,933 A MONSTER WAS LEAVING A TRAIL OF WOMEN 180 00:10:39,933 --> 00:10:45,233 AS HE MARCHED FROM UNION COUNTY INTO THE HEART OF GAFFNEY. 181 00:10:45,233 --> 00:10:47,733 AND HE WANTED US TO KNOW HE WAS COMIN'. 182 00:10:53,500 --> 00:10:56,133 Woman: WHO IS THIS CALLER? IS HE TOYING WITH THE POLICE? 183 00:10:56,133 --> 00:10:58,800 ARE THERE MORE VICTIMS OUT THERE? 184 00:10:58,800 --> 00:11:01,100 IS THERE GOIN' TO BE MORE? 185 00:11:01,100 --> 00:11:03,833 IN A SMALL SOUTHERN TOWN, FOLKS CAN FOOL THEMSELVES 186 00:11:03,833 --> 00:11:06,100 INTO THINKING THAT THEY KNOW THEIR NEIGHBORS. 187 00:11:06,100 --> 00:11:07,400 BUT WHO ARE THEY, REALLY, 188 00:11:07,400 --> 00:11:11,667 BEHIND CLOSED DOORS OR ALONE IN THE WOODS? 189 00:11:11,667 --> 00:11:13,533 WE WOULD ALL COME TO LEARN 190 00:11:13,533 --> 00:11:16,100 THAT PUTTING YOUR TRUST IN THE WRONG PERSON 191 00:11:16,100 --> 00:11:19,067 MIGHT JUST BE THE LAST THING YOU EVER DO. 192 00:11:27,333 --> 00:11:30,467 ...IT GIVES COMFORT TO ALL WHO MOURN... 193 00:11:30,467 --> 00:11:32,567 Woman: THREE GIRLS MURDERED -- 194 00:11:32,567 --> 00:11:34,733 IT WAS THE MOST TERRIFYING THING 195 00:11:34,733 --> 00:11:36,800 ANYONE GAFFNEY COULD REMEMBER. 196 00:11:36,800 --> 00:11:39,833 FOLKS FROM ALL OVER TURNED UP FOR TINA'S FUNERAL. 197 00:11:39,833 --> 00:11:43,833 SHE WAS JUST 14, AFTER ALL. 198 00:11:43,833 --> 00:11:46,733 Man: IT WAS A BONDING FOR THE WHOLE COMMUNITY. 199 00:11:46,733 --> 00:11:49,300 Man: LOOK NOT ON IT AS GOING TO ASHES, 200 00:11:49,300 --> 00:11:51,600 BUT INSTEAD TO A FREEDOM. 201 00:11:54,400 --> 00:11:55,633 SORRY FOR THIS. 202 00:11:55,633 --> 00:11:57,067 MY CONDOLENCES. 203 00:11:57,067 --> 00:11:59,100 SHE WAS SUCH A PRETTY LITTLE GIRL. 204 00:11:59,100 --> 00:12:00,633 WE'RE HERE FOR YOU. 205 00:12:00,633 --> 00:12:02,900 Jones: PEOPLE SHE DIDN'T EVEN KNOW, 206 00:12:02,900 --> 00:12:04,300 NEVER MET IN HER LIFE, 207 00:12:04,300 --> 00:12:05,667 SAID HOW BEAUTIFUL TINA WAS. 208 00:12:05,667 --> 00:12:07,067 AND, "WE'RE SO SORRY. 209 00:12:07,067 --> 00:12:09,600 ANYTHING WE CAN DO FOR YOU, JUST LET US KNOW." 210 00:12:09,600 --> 00:12:11,667 SHE'S IN GOD'S HANDS NOW. 211 00:12:14,533 --> 00:12:16,067 GAFFNEY POLICE. 212 00:12:16,067 --> 00:12:17,700 UP UNTIL THEN, 213 00:12:17,700 --> 00:12:19,500 THE MOST THE SHERIFF WAS USED TO DEALING WITH 214 00:12:19,500 --> 00:12:22,333 WAS EXPIRED FISHIN' PERMITS. 215 00:12:22,333 --> 00:12:25,233 BUT NOW THE POND HAD GOTTEN A WHOLE LOT BIGGER. 216 00:12:25,233 --> 00:12:29,233 IT WAS TIME TO CALL IN THE BIG FISH, STATE POLICE. 217 00:12:29,233 --> 00:12:32,733 I TRULY APPRECIATE YOU COMIN' DOWN HERE AGAIN, MRS. RHINEHART. 218 00:12:32,733 --> 00:12:35,500 I KNOW YOU BEEN THROUGH A LOT. 219 00:12:35,500 --> 00:12:37,933 EVEN THOUGH IT SEEMED AWFUL TO MAKE TINA'S MOTHER 220 00:12:37,933 --> 00:12:41,133 GO THROUGH HER STORY AGAIN AND AGAIN, 221 00:12:41,133 --> 00:12:43,467 THE STATE POLICE HAD A JOB TO DO. 222 00:12:43,467 --> 00:12:48,400 THEY BELIEVED THAT IT WOULD BE SOMEONE THAT THE VICTIM KNEW. 223 00:12:48,400 --> 00:12:51,600 MRS. RHINEHART, DOES SHE HAVE A -- A BOYFRIEND, OR SOMETHIN', 224 00:12:51,600 --> 00:12:53,067 SOMEBODY SHE'S SEEIN'? 225 00:12:53,067 --> 00:12:54,133 NO. 226 00:12:54,133 --> 00:12:56,100 SHE TOLD HER SISTER SHE WAS COMING OVER 227 00:12:56,100 --> 00:13:00,467 TO SEE ME AT WORK, LEFT AROUND 5:30 IN THE MORNING, 228 00:13:00,467 --> 00:13:02,333 AND THEN SHE JUST NEVER SHOWED UP. 229 00:13:07,867 --> 00:13:10,767 O'Toole: EACH OF THESE WOMEN WERE KILLED FROM 230 00:13:10,767 --> 00:13:12,333 LIGATURE STRANGULATION. 231 00:13:12,333 --> 00:13:16,667 SOME KIND OF A INSTRUMENT WAS USED, NOT THE OFFENDER'S HANDS. 232 00:13:16,667 --> 00:13:19,967 Martin: ALSO, BOTH VICTIMS, BOTH TINA RHINEHART 233 00:13:19,967 --> 00:13:22,733 AND MISS PARRIS, HAD BEEN RAPED. 234 00:13:26,367 --> 00:13:28,600 YOU TALK TO HER HUSBAND YET? 235 00:13:28,600 --> 00:13:30,233 MONROE? NO. 236 00:13:30,233 --> 00:13:34,800 WE, UH, WE AIN'T TALKED TO HIM YET. 237 00:13:34,800 --> 00:13:36,300 NANCY PARRIS, 238 00:13:36,300 --> 00:13:39,233 THE LADY THEY FOUND IN THE WATER BELOW FORD BRIDGE, 239 00:13:39,233 --> 00:13:41,133 WAS A YOUNG HOUSEWIFE. 240 00:13:41,133 --> 00:13:43,267 AND YOU KNOW HOW PEOPLE GET TO GOSSIPIN'. 241 00:13:43,267 --> 00:13:44,967 WORD WAS THAT SHE AND HER HUSBAND, MONROE, 242 00:13:44,967 --> 00:13:48,867 WERE KNOWN TO GET INTO IT FROM TIME TO TIME. 243 00:13:48,867 --> 00:13:50,900 MONROE PARRIS? 244 00:13:50,900 --> 00:13:53,933 DETECTIVE JAMES, DETECTIVE RILEY. 245 00:13:59,167 --> 00:14:04,967 NEED TO ASK YOU A FEW QUESTIONS ABOUT NANCY. 246 00:14:04,967 --> 00:14:07,367 WHAT Y'ALL WANNA KNOW? 247 00:14:07,367 --> 00:14:09,567 WELL... 248 00:14:09,567 --> 00:14:14,733 I NEED YOU TO WALK ME THROUGH THE DAY NANCY DISAPPEARED. 249 00:14:14,733 --> 00:14:16,600 WELL... 250 00:14:21,500 --> 00:14:27,167 YOU KNOW, WE -- WE FOUGHT LIKE A NORMAL MARRIED COUPLE. 251 00:14:27,167 --> 00:14:29,167 WHAT'D Y'ALL QUARREL ABOUT? 252 00:14:32,933 --> 00:14:34,467 NANCE, HONEY, 253 00:14:34,467 --> 00:14:36,233 WHY DON'T YOU COME BACK INSIDE? WE'LL TALK ABOUT IT. 254 00:14:36,233 --> 00:14:40,700 NO, MONROE, I'M TAKING JUNIPER FOR A WALK, A LONG ONE. 255 00:14:42,167 --> 00:14:44,100 Monroe: OUR MARRIAGE HAS ITS PROBLEMS. 256 00:14:44,100 --> 00:14:47,167 SHE TOOK JUNIPER AND WENT ON DOWN THE STREET. 257 00:14:50,867 --> 00:14:53,767 AND, UH... 258 00:14:53,767 --> 00:14:56,600 THAT WAS THE LAST TIME THAT I SAW HER. 259 00:15:00,200 --> 00:15:02,067 THEN I SAW HER ON THE -- 260 00:15:02,067 --> 00:15:03,900 ON THAT TABLE. 261 00:15:07,567 --> 00:15:09,200 O'Toole: THEY TALKED TO THEIR NEIGHBORS. 262 00:15:09,200 --> 00:15:11,567 Martin: AND THEY GAVE HIM A PRETTY GOOD ALIBI, 263 00:15:11,567 --> 00:15:14,633 SO HE WAS DISCOUNTED PRETTY QUICK. 264 00:15:14,633 --> 00:15:19,667 CAN YOU THINK OF ANYBODY ELSE WHO WOULD WANNA HARM NANCY? 265 00:15:19,667 --> 00:15:23,367 NO. 266 00:15:23,367 --> 00:15:25,400 LIFE WAS SIMPLE IN GAFFNEY, 267 00:15:25,400 --> 00:15:28,233 SO I THINK WE ALL WERE HOPING IT'D BE A SIMPLE ANSWER -- 268 00:15:28,233 --> 00:15:31,600 JEALOUS HUSBAND, MAYBE THE JILTED BOYFRIEND. 269 00:15:31,600 --> 00:15:33,633 BUT THE ONLY THING THESE GIRLS HAD IN COMMON 270 00:15:33,633 --> 00:15:37,267 WAS THAT THEY HAD ALL GONE OUT FOR A WALK AND NEVER COME HOME. 271 00:15:43,767 --> 00:15:45,333 CHANCES ARE BETTER THAN EVEN 272 00:15:45,333 --> 00:15:48,533 THAT YOU'VE NEVER HEARD OF GAFFNEY, SOUTH CAROLINA. 273 00:15:48,533 --> 00:15:50,267 BUT A BIZARRE MURDER CASE 274 00:15:50,267 --> 00:15:53,067 IS IN THE PROCESS OF CHANGING ALL THAT. 275 00:15:53,067 --> 00:15:54,600 YOU'VE LIVED HERE 65 YEARS, 276 00:15:54,600 --> 00:15:57,267 YOU PROBABLY KNOW EVERYONE IN TOWN ABOUT AS WELL AS ANYONE. 277 00:15:57,267 --> 00:15:58,967 YOU THINK THE TOWN'S RUNNING SCARED? 278 00:15:58,967 --> 00:16:00,300 YEAH, THEY'RE SCARED. 279 00:16:00,300 --> 00:16:01,600 THEY'RE SCARED. 280 00:16:01,600 --> 00:16:03,533 THEY DON'T KNOW WHERE HE GONNA STRIKE NEXT, 281 00:16:03,533 --> 00:16:05,600 AND, Y'KNOW, HE SAID HE WOULD. 282 00:16:05,600 --> 00:16:07,367 [ TELEPHONE RINGING ] 283 00:16:07,367 --> 00:16:09,233 GAFFNEY POLICE. 284 00:16:09,233 --> 00:16:11,133 HELLO, MRS. WATERSON. 285 00:16:11,133 --> 00:16:13,100 YOU SAW SOMETHING SUSPICIOUS? 286 00:16:13,100 --> 00:16:15,067 AFTER THAT, YOU COULDN'T TIE YOUR LACES 287 00:16:15,067 --> 00:16:17,800 TWICE WITHOUT SOMEONE REPORTING IT TO THE SHERIFF. 288 00:16:17,800 --> 00:16:19,700 POLICE BEGIN FIELDING CALLS -- 289 00:16:19,700 --> 00:16:22,233 GIRLFRIENDS SUSPECTING THEIR BOYFRIENDS, 290 00:16:22,233 --> 00:16:26,933 NEIGHBORS CASTING SUSPICION ON THEIR NEIGHBORS. 291 00:16:26,933 --> 00:16:28,433 JAMES. Man: YEAH, HELLO. 292 00:16:28,433 --> 00:16:32,933 UM, I THINK I SAW THE STRANGLER. 293 00:16:32,933 --> 00:16:35,867 Jones: COUPLE OF DAYS AFTER THE BODIES WERE FOUND, 294 00:16:35,867 --> 00:16:38,967 THE POLICE GET CONTACTED BY A LOCAL MAN. 295 00:16:38,967 --> 00:16:41,900 Man: THE OTHER NIGHT OUT ON THE BRIDGE ON FORD ROAD. 296 00:16:50,700 --> 00:16:53,067 Martin: HE WAS PARKED NEAR THE BRIDGE 297 00:16:53,067 --> 00:16:56,067 WHERE MISS PARRIS WAS THROWN OFF. 298 00:16:56,067 --> 00:16:58,833 Jones: HIS DESCRIPTION WAS A TALL, SKINNY, WHITE MAN. 299 00:16:58,833 --> 00:17:01,067 W -- WHAT ABOUT THE CAR? 300 00:17:01,067 --> 00:17:03,133 Jones: HE WAS PRETTY SURE IT WAS A SEDAN 301 00:17:03,133 --> 00:17:06,067 BUT COULDN'T TELL THE COLOR, OR THE MAKE, OR THE YEAR. 302 00:17:06,067 --> 00:17:07,367 THE POLICE ARE GOIN', 303 00:17:07,367 --> 00:17:10,300 "WHY'S IT TAKE 2 DAYS FOR YOU TO COME FORWARD?" 304 00:17:10,300 --> 00:17:12,900 IS THIS ACTUALLY THE KILLER CALLIN' THEM UP? 305 00:17:17,867 --> 00:17:21,267 THE MAN HEMMED AND HAWED AND FINALLY SAID, 306 00:17:21,267 --> 00:17:22,533 "WELL, I'M MARRIED. 307 00:17:22,533 --> 00:17:25,933 AND I WAS PARKED OUT THERE WITH A MARRIED WOMAN." 308 00:17:25,933 --> 00:17:28,300 SO HE WAS PROTECTING HIMSELF, 309 00:17:28,300 --> 00:17:31,067 BUT HIS CONSCIENCE MADE HIM TELL THE POLICE WHAT HE KNEW. 310 00:17:34,433 --> 00:17:36,900 THE LAST FEW YEARS THINGS BETWEEN FOLKS IN GAFFNEY 311 00:17:36,900 --> 00:17:38,867 HAD BEEN STRAINED. 312 00:17:38,867 --> 00:17:40,367 BUT ADD A KILLER INTO THE MIX, 313 00:17:40,367 --> 00:17:45,200 AND IT WAS LIKE THROWING HOT SAUCE ON A FRYING PAN. 314 00:17:45,200 --> 00:17:49,067 EVERYONE WAS ON EDGE, 315 00:17:49,067 --> 00:17:50,733 BUT THERE WAS ONE MAN IN PARTICULAR 316 00:17:50,733 --> 00:17:53,067 WHO WAS FEELING THE HEAT MORE THAN ANY OTHER... 317 00:17:57,133 --> 00:17:59,067 MR. BILL GIBBONS. 318 00:18:09,367 --> 00:18:11,467 Jones: WITHOUT BILL GIBBONS TELLING THE POLICE ABOUT 319 00:18:11,467 --> 00:18:15,200 THIS PHONE CALL, THERE WAS NO STORY. 320 00:18:15,200 --> 00:18:17,467 THE BODIES MAY BE THERE, BUT NOBODY HAD FOUND 'EM YET. 321 00:18:22,333 --> 00:18:25,700 MR. GIBBONS, SHERIFF CALL YOU UP? 322 00:18:25,700 --> 00:18:27,067 UH, YEAH, HE DID. HE DID. 323 00:18:27,067 --> 00:18:28,500 UH, YOU'LL BE LISTENIN' IN FROM HERE? 324 00:18:28,500 --> 00:18:29,833 YOU GET ANOTHER ONE OF THESE CALLS, 325 00:18:29,833 --> 00:18:33,267 WE'LL BE RECORDING IT ON THIS THING RIGHT HERE. 326 00:18:33,267 --> 00:18:36,200 INVESTIGATORS DECIDE THAT THEY'LL PUT A TRAP 327 00:18:36,200 --> 00:18:39,300 ON BILL GIBBON'S, OFFICE PHONE. 328 00:18:39,300 --> 00:18:40,700 IT'S IMPORTANT THAT YOU KEEP HIM ON THE LINE 329 00:18:40,700 --> 00:18:42,100 AS LONG AS YOU CAN, THOUGH. 330 00:18:42,100 --> 00:18:43,500 FOR THE TRACE TO WORK? 331 00:18:43,500 --> 00:18:47,300 AND FOR US TO HEAR WHO'S TALKIN' 'BOUT WHAT. 332 00:18:47,300 --> 00:18:49,400 McNamara: DETECTIVES INFER EITHER HE HAD 333 00:18:49,400 --> 00:18:50,933 THIS CONNECTION TO THE KILLER, 334 00:18:50,933 --> 00:18:54,133 OR HE HAD INFORMATION THAT ONLY THE KILLER WOULD KNOW. 335 00:18:54,133 --> 00:18:55,267 UH, I'D BE PERFECTLY HAPPY 336 00:18:55,267 --> 00:18:57,767 IF HE, UH, IF HE NEVER CALLED AGAIN. 337 00:18:57,767 --> 00:18:59,433 I'M NOT SURE THAT WOULD BE THE BEST THING FOR YOU, 338 00:18:59,433 --> 00:19:01,167 MR. GIBBONS. 339 00:19:06,067 --> 00:19:08,367 EXCUSE ME. 340 00:19:11,300 --> 00:19:13,133 McNamara: THEY'RE WAITING. THEY'RE WAITING. 341 00:19:19,767 --> 00:19:22,600 GIBBONS GOT THE CALL. 342 00:19:22,600 --> 00:19:23,933 WELL, IT CAN'T BE. 343 00:19:23,933 --> 00:19:25,567 WE HADN'T HEARD ANYTHING HERE FOR HOURS. 344 00:19:25,567 --> 00:19:27,933 NO, NOT THAT PHONE, HIS PHONE AT HOME. 345 00:19:27,933 --> 00:19:30,800 AT HIS HOME? 346 00:19:30,800 --> 00:19:32,467 McNamara: GIBBONS CALLS THE SHERIFF 347 00:19:32,467 --> 00:19:34,633 AND SAYS, "I HEARD FROM THE KILLER AGAIN. 348 00:19:34,633 --> 00:19:35,767 HE CALLED ME AT HOME." 349 00:19:35,767 --> 00:19:36,967 Bill: IT -- IT WAS DEFINITELY HIM. 350 00:19:36,967 --> 00:19:40,067 THERE'S NO MISTAKING HIS VOICE. 351 00:19:40,067 --> 00:19:42,433 HE SAID, "WE HAVE TO DO SOMETHING ABOUT THE MAN 352 00:19:42,433 --> 00:19:43,733 DOWN THERE SERVING MY SENTENCE." 353 00:19:43,733 --> 00:19:46,700 I TOOK NOTES ON A PAPER BAG. 354 00:19:46,700 --> 00:19:48,133 O'Toole: BILL GIBBONS SAYS, 355 00:19:48,133 --> 00:19:49,533 "THE UNIDENTIFIED CALLER 356 00:19:49,533 --> 00:19:52,433 SAID THERE'S BEEN A WRONGFULLY CONVICTED MAN IN PRISON 357 00:19:52,433 --> 00:19:54,300 FOR THE MURDER OF ANNIE DEDMOND, 358 00:19:54,300 --> 00:19:57,967 AND I DID IT." 359 00:19:57,967 --> 00:20:00,400 WHY WOULD ROGER DEDMOND MATTER TO HIM? 360 00:20:00,400 --> 00:20:03,933 I DON'T KNOW, BALANCIN' THE SCALES OF JUSTICE MAYBE? 361 00:20:03,933 --> 00:20:07,233 AND HE GAVE ME A WHOLE SLEW OF PHYSICAL DETAILS. 362 00:20:07,233 --> 00:20:09,000 IT'S ALL RIGHT HERE: BLUE SHOES, RED FORD FALCON 363 00:20:09,000 --> 00:20:11,933 WITH THE LEFT TAILLIGHT OUT. 364 00:20:11,933 --> 00:20:14,700 HOW DO YOU SUPPOSE HE KNOWS TO CALL YOU HERE AT HOME? 365 00:20:14,700 --> 00:20:19,200 EH, WE'RE IN THE BOOK, SAME AS ANYBODY. 366 00:20:19,200 --> 00:20:21,400 BUT HOW WOULD HE KNOW? 367 00:20:21,400 --> 00:20:23,600 HOW WOULD HE KNOW THAT WE'RE LISTENIN' ON THE PHONE 368 00:20:23,600 --> 00:20:25,367 HE ALREADY CALLED? 369 00:20:35,900 --> 00:20:38,267 Bill: IT WAS DEFINITELY HIM. THERE'S NO MISTAKIN' HIS VOICE. 370 00:20:38,267 --> 00:20:41,000 Woman: BILL GIBBONS WAS THE MOST TRUSTED MAN IN TOWN 371 00:20:41,000 --> 00:20:42,567 UNTIL HE STARTED CLAIMING 372 00:20:42,567 --> 00:20:44,833 THAT A MURDERER WAS CALLING HIM ON THE PHONE 373 00:20:44,833 --> 00:20:47,900 TO TELL HIM WHERE BODIES COULD BE FOUND. 374 00:20:47,900 --> 00:20:49,900 THING WAS, NO ONE BUT BILL GIBBONS 375 00:20:49,900 --> 00:20:52,900 HAD ACTUALLY SPOKEN TO HIM. 376 00:20:52,900 --> 00:20:55,667 HOW DO YOU SUPPOSE HE KNOWS TO CALL YOU HERE AT HOME? 377 00:20:55,667 --> 00:20:57,867 HOW WOULD HE KNOW THAT WE'RE LISTENIN' ON THE PHONE 378 00:20:57,867 --> 00:21:02,933 HE ALREADY CALLED? 379 00:21:02,933 --> 00:21:04,700 JOHN, YOU REALLY BELIEVE WHAT YOU'RE SAYING? 380 00:21:04,700 --> 00:21:07,333 YOU THINK I COULD DO THIS? 381 00:21:07,333 --> 00:21:11,400 [ TELEPHONE RINGING ] 382 00:21:11,400 --> 00:21:12,900 HELLO? 383 00:21:12,900 --> 00:21:15,400 Man: THERE'S SOMETHING I FORGOT TO TELL YOU 384 00:21:15,400 --> 00:21:16,867 ABOUT THAT DEDMOND GAL. 385 00:21:16,867 --> 00:21:20,233 SHE HAD TRADIN' STAMPS IN HER POCKET BOOK. 386 00:21:20,233 --> 00:21:25,167 SHE WORE A -- AN OPEN-BOTTOM DRESS WITH FRILLS, NO COAT. 387 00:21:25,167 --> 00:21:28,367 OKAY, I -- I -- I GOT THAT. 388 00:21:28,367 --> 00:21:31,067 SIR, UH... 389 00:21:31,067 --> 00:21:33,667 WHY DON'T WE MEET, FACE-TO-FACE? 390 00:21:33,667 --> 00:21:34,800 YOU COULD -- 391 00:21:34,800 --> 00:21:36,733 YOU COULD GIVE YOURSELF UP TO -- 392 00:21:36,733 --> 00:21:39,400 TO ME OR TO -- TO ANYONE YOU LIKE. 393 00:21:39,400 --> 00:21:41,933 I'M PSYCHO, MR. GIBBONS. 394 00:21:41,933 --> 00:21:43,133 IT'S NOT GONNA HAPPEN. 395 00:21:43,133 --> 00:21:45,133 NO, YOU -- YOU NEED HELP. 396 00:21:45,133 --> 00:21:48,133 NOW, PLEASE, LET ME HELP YOU. 397 00:21:48,133 --> 00:21:50,633 I'LL GET YOU HELP -- LISTEN... 398 00:21:50,633 --> 00:21:53,600 THE POLICE JUST AREN'T SMART ENOUGH TO CATCH ME. 399 00:21:53,600 --> 00:21:58,300 I'LL TELL YOU WHAT, IF THEY DON'T, 400 00:21:58,300 --> 00:22:02,800 THERE'S GONNA BE MORE AND MORE DEATHS. 401 00:22:02,800 --> 00:22:04,867 COUNT ON IT. 402 00:22:04,867 --> 00:22:07,267 [ DIAL TONE ] 403 00:22:07,267 --> 00:22:10,533 O'Toole: A KILLER REACHING OUT THROUGH A REPORTER, 404 00:22:10,533 --> 00:22:12,567 TAUNTING THE POLICE. 405 00:22:12,567 --> 00:22:15,267 THEY HAVE NO POINT OF REFERENCE FOR THIS. 406 00:22:15,267 --> 00:22:18,067 THEY'RE OUTSIDE OF THEIR AREA OF EXPERTISE. 407 00:22:18,067 --> 00:22:20,333 BILL, 408 00:22:20,333 --> 00:22:21,867 THE NEXT LEDGER COMES OUT... 409 00:22:21,867 --> 00:22:24,767 TOMORROW. 410 00:22:24,767 --> 00:22:29,133 YOU NEED TO KEEP THESE CALLS TODAY OUT OF IT. 411 00:22:29,133 --> 00:22:30,267 I CAN'T DO THAT, JOHN. 412 00:22:30,267 --> 00:22:33,067 WE NEED HIM TO KEEP CALLIN' BACK. 413 00:22:33,067 --> 00:22:35,833 I RECOGNIZE, BILL, THAT I'M ASKING FOR A HELL OF A LOT HERE. 414 00:22:39,533 --> 00:22:41,167 YOU KNOW, MY FAMILY COULD BE IN DANGER? 415 00:22:41,167 --> 00:22:44,867 IF HE CALLS AGAIN, WE'LL BE READY ON BOTH PHONES. 416 00:22:44,867 --> 00:22:49,133 YOU'LL HAVE YOUR STORY ONCE WE CATCH HIM. 417 00:22:49,133 --> 00:22:51,167 Woman: IT WASN'T ABOUT THE STORY. 418 00:22:51,167 --> 00:22:53,133 SCHOOLYARD BULLIES AND CRANK CALLERS 419 00:22:53,133 --> 00:22:55,900 WERE TORMENTIN' GIBBONS AND HIS FAMILY. 420 00:22:55,900 --> 00:22:58,067 BUT HE SHOOK HIS SHOULDERS STRAIGHT, 421 00:22:58,067 --> 00:23:01,667 AND PROMISED TO KEEP THE CALLS SECRET IF IT WOULD HELP. 422 00:23:01,667 --> 00:23:03,500 IF ONLY IT HAD. 423 00:23:07,333 --> 00:23:11,867 THE VERY NEXT MORNING, THE STRANGLER KEPT HIS PROMISE. 424 00:23:12,667 --> 00:23:14,067 MR. BUCKSON. 425 00:23:14,067 --> 00:23:16,067 SIR. 426 00:23:16,067 --> 00:23:19,067 CAN YOU TELL ME SOMETHIN' ABOUT WHAT HE LOOKS LIKE? 427 00:23:19,067 --> 00:23:22,367 HE WAS WHITE. 428 00:23:22,367 --> 00:23:26,700 OPAL BUCKSON'S SISTER, GRACIE, TELLS THE POLICE THE STORY. 429 00:23:29,833 --> 00:23:31,667 Jones: OPAL WAS ON HER WAY TO SCHOOL. 430 00:23:31,667 --> 00:23:35,200 SHE AND HER SIBLINGS HAVE A HALF A MILE WALK TO THE MAIN ROAD 431 00:23:35,200 --> 00:23:36,867 WHERE THE BUS STOP WAS. 432 00:23:36,867 --> 00:23:41,967 HER SISTER IS ABOUT 50 YARDS BEHIND. 433 00:23:41,967 --> 00:23:44,733 HER SISTER SEES A MAN GRAB OPAL, 434 00:23:44,733 --> 00:23:48,700 TOSS HER INTO THE TRUNK OF THE CAR, 435 00:23:48,700 --> 00:23:51,533 SLAM THE TRUNK AND SPEED OFF. 436 00:24:04,333 --> 00:24:07,067 GRACIE, TELL ME 'BOUT THE CAR. 437 00:24:07,067 --> 00:24:09,967 DARK -- DARK-COLORED... 438 00:24:09,967 --> 00:24:12,500 CHEVROLET, I THINK. 439 00:24:15,800 --> 00:24:17,667 WHEN I SAID GAFFNEY WAS A SMALL TOWN, 440 00:24:17,667 --> 00:24:21,833 I SHOULD'VE SAID GAFFNEY WAS TWO SMALL TOWNS -- 441 00:24:21,833 --> 00:24:25,067 BLACKS AND WHITES LIVED IN SEPARATE WORLDS. 442 00:24:25,067 --> 00:24:26,500 AND I HATE TO SAY IT NOW, 443 00:24:26,500 --> 00:24:28,867 BUT SINCE HE ONLY PREYED ON WHITE GIRLS, 444 00:24:28,867 --> 00:24:32,733 HE DIDN'T FEEL LIKE MUCH OF A THREAT TO ME. 445 00:24:32,733 --> 00:24:35,433 BUT WHEN OPAL WAS KIDNAPPED? 446 00:24:35,433 --> 00:24:37,200 WE KNEW WE WERE ALL IN DANGER. 447 00:24:41,833 --> 00:24:44,267 BUT THE FEAR THAT COULD'VE TORN THE COMMUNITY APART 448 00:24:44,267 --> 00:24:46,967 LED TO SOMETHING ALMOST UNIMAGINABLE. 449 00:24:46,967 --> 00:24:50,333 I WANNA REMIND EVERY CITIZEN THAT WHOEVER TOOK OPAL BUCKSON 450 00:24:50,333 --> 00:24:52,767 IS STILL HOLDING HER AGAINST HER WILL. 451 00:24:52,767 --> 00:24:54,200 Jones: THIS HAD JUST HAPPENED. 452 00:24:54,200 --> 00:24:57,767 SO THE URGENCY IS SHE MAY STILL BE ALIVE. 453 00:24:57,767 --> 00:25:00,767 THIS MAN IS A MALE CAUCASIAN, EARLY 30s, 454 00:25:00,767 --> 00:25:02,433 SLENDER BUILD, MEDIUM HEIGHT. 455 00:25:02,433 --> 00:25:05,500 HE IS BELIEVED TO BE DRIVING A LATE-'50s 456 00:25:05,500 --> 00:25:08,867 FOUR-DOOR CHEVROLET SEDAN, DARK IN COLOR. 457 00:25:08,867 --> 00:25:11,700 IT WASN'T BLACK AND WHITE THING IN ANY WAY. 458 00:25:11,700 --> 00:25:14,467 WE WERE ALL IN THAT TOGETHER IN GAFFNEY. 459 00:25:14,467 --> 00:25:17,467 WE APPRECIATE THE COOPERATION OF EACH AND EVERY ONE OF YOU. 460 00:25:17,467 --> 00:25:19,867 TOGETHER, WE'RE GONNA FIND OPAL. 461 00:25:19,867 --> 00:25:23,133 LET'S GO GET HIM. 462 00:25:23,133 --> 00:25:26,933 I REMEMBER MY MAMA SAYIN' SHE'D NEVER SEEN THE LIKE -- 463 00:25:26,933 --> 00:25:29,400 ALL OF GAFFNEY WORKING TOGETHER, 464 00:25:29,400 --> 00:25:32,133 AND TO SAVE THE LIFE OF A LITTLE BLACK GIRL? 465 00:25:32,133 --> 00:25:34,667 Jones: EVERYBODY WHO LIVES IN TOWN VOLUNTEERS TO HELP. 466 00:25:34,667 --> 00:25:38,400 SO THEY HAVE MEN IN CARS DRIVING THE BACK ROADS. 467 00:25:38,400 --> 00:25:42,767 POLICEMEN DRIVING THE BACK ROADS, LOOKING FOR THAT SEDAN. 468 00:25:42,767 --> 00:25:44,167 McNamara: IT'S A TICKING CLOCK, 469 00:25:44,167 --> 00:25:48,067 AND THEY WANT TO SEE IF THEY CAN CATCH HIM AND SAVE HER LIFE. 470 00:25:48,067 --> 00:25:50,233 I'M GONNA JUST KEEP ON A WHILE LONGER, OKAY? 471 00:25:50,233 --> 00:25:52,967 Jones: LESTER SKINNER AND HENRY TRANSOU 472 00:25:52,967 --> 00:25:55,133 WERE LOCAL GUYS, ONE'S A GAME WARDEN, 473 00:25:55,133 --> 00:25:57,933 ONE WAS A GOLF PRO. 474 00:25:57,933 --> 00:26:01,067 Martin: THEY TURN RIGHT OFF A DIRT ROAD, 475 00:26:01,067 --> 00:26:04,267 AND, UM, AS THEY GET DOWN INTO THE WOODS... 476 00:26:12,567 --> 00:26:15,333 JESUS, IS THAT HIM?! 477 00:26:15,333 --> 00:26:17,200 McNamara: HE FITS THE PHYSICAL DESCRIPTION. 478 00:26:17,200 --> 00:26:20,700 AND HIS CAR FITS THE DESCRIPTION. 479 00:26:20,700 --> 00:26:24,100 Martin: THEY GET TO A POINT WHERE THEY CAN TURN AROUND, 480 00:26:24,100 --> 00:26:28,333 AND AS THEY TURN AROUND... 481 00:26:28,333 --> 00:26:29,633 HE PULLS OUT. 482 00:26:29,633 --> 00:26:31,200 THE HELL WAS HE DOING IN THE WOODS LIKE THAT? 483 00:26:31,200 --> 00:26:32,967 SEE IF YOU CAN WRITE DOWN HIS LICENSE PLATE. 484 00:26:32,967 --> 00:26:35,067 YEP. 485 00:26:35,067 --> 00:26:36,900 HE'S GOING FASTER. 486 00:26:36,900 --> 00:26:40,567 THINK HE KNOWS WE'RE FOLLOWING? 487 00:26:40,567 --> 00:26:42,267 McNamara: IT'S 1968. 488 00:26:42,267 --> 00:26:43,700 THEY'RE IN THE WOODS. 489 00:26:43,700 --> 00:26:45,733 THERE'S NO PAY PHONE AROUND. 490 00:26:45,733 --> 00:26:46,967 Jones: "WHAT'RE WE GONNA DO?" 491 00:26:46,967 --> 00:26:49,700 DO WE TRY TO RUN HIM OFF THE ROAD TO BE HEROES? 492 00:26:49,700 --> 00:26:51,067 McNamara: IF HE'S THE KILLER, 493 00:26:51,067 --> 00:26:53,900 HE'S KILLED THREE WOMEN AND ABDUCTED A GIRL. 494 00:26:53,900 --> 00:26:55,533 HE MIGHT DO ANYTHING. 495 00:27:11,200 --> 00:27:13,767 THEY TAKE DOWN HIS LICENSE PLATE. 496 00:27:13,767 --> 00:27:16,167 Jones: SKINNER AND TRANSOU GO TO THE SHERIFF'S DEPARTMENT 497 00:27:16,167 --> 00:27:19,100 AND TELL HIM, "THIS IS THE CAR. THIS IS WHERE HE LIVES." 498 00:27:22,100 --> 00:27:24,667 AND THE POLICE GO BACK TO THAT HOUSE IMMEDIATELY. 499 00:27:30,100 --> 00:27:31,733 RIGHT HERE, COULDN'T HAVE BEEN 15 MINUTES. 500 00:27:31,733 --> 00:27:33,767 ALL RIGHT. 501 00:27:33,767 --> 00:27:36,800 STAY BACK, STAY BACK. 502 00:27:36,800 --> 00:27:39,667 GAFFNEY POLICE, COME OUT OF THAT DOOR! 503 00:27:47,733 --> 00:27:50,667 WHAT? 504 00:27:50,667 --> 00:27:53,467 OKAY. 505 00:27:53,467 --> 00:27:54,867 THAT THE MAN YOU SAW? 506 00:27:54,867 --> 00:27:59,367 DON'T THINK SO, NO. 507 00:27:59,367 --> 00:28:02,567 THERE A MAN PULLED IN THIS DRIVEWAY ABOUT 15 MINUTES AGO? 508 00:28:02,567 --> 00:28:04,367 YES, SIR. 509 00:28:04,367 --> 00:28:07,567 NEVER SEEN HIM BEFORE. 510 00:28:07,567 --> 00:28:09,533 CAN YOU GET US TO THE PLACE WHERE YOU FIRST SPOTTED THE CAR? 511 00:28:09,533 --> 00:28:10,933 YEAH, BUT YOU'RE GONNA NEED TO FOLLOW US. 512 00:28:10,933 --> 00:28:13,067 YEAH. 513 00:28:13,067 --> 00:28:14,967 Martin: SKINNER AND TRANSOU 514 00:28:14,967 --> 00:28:18,200 SHOWED WHERE THEY SAW THE CAR BACKED INTO THE WOODS. 515 00:28:23,733 --> 00:28:27,167 OPAL, ARE YOU HERE? 516 00:28:28,767 --> 00:28:30,233 IT WAS ALWAYS SO SPOOKY 517 00:28:30,233 --> 00:28:32,433 BACK IN THOSE WOODS WHERE THE CAR WAS SPOTTED. 518 00:28:36,967 --> 00:28:40,900 Martin: IT WAS VERY HEAVY BRUSH, ISOLATED. 519 00:28:40,900 --> 00:28:42,733 OPAL! 520 00:28:48,667 --> 00:28:51,133 McNamara: THERE'S NO SIGN OF OPAL BUCKSON. 521 00:28:51,133 --> 00:28:54,133 THEY DON'T FIND ANYTHING. 522 00:28:54,133 --> 00:28:58,400 Martin: SO THE POLICE RAN THE TAG NUMBER. 523 00:28:58,400 --> 00:29:01,200 ALL RIGHT. E G SIX NINE ONE ONE. 524 00:29:05,567 --> 00:29:08,500 LEE ROY MARTIN. 525 00:29:08,500 --> 00:29:13,300 I KNOW LEE ROY. 526 00:29:13,300 --> 00:29:15,667 LEE ROY MARTIN WAS HIS NAME. 527 00:29:15,667 --> 00:29:17,500 Man: GO, GO, GO, GO, GO, GO, GO. 528 00:29:17,500 --> 00:29:21,500 [ CHILDREN SCREAMING, SHOUTING ] 529 00:29:21,500 --> 00:29:24,500 Jones: WORKS IN THE MILL, LOT OF PEOPLE KNOW HIM. 530 00:29:24,500 --> 00:29:28,133 HE HAD BEEN ARRESTED FOR ASSAULTING A TEENAGE GIRL, 531 00:29:28,133 --> 00:29:30,100 BUT THAT WAS 10 YEARS AGO. 532 00:29:30,100 --> 00:29:31,367 HE FINISHED THAT SENTENCE, 533 00:29:31,367 --> 00:29:33,800 CAME BACK HOME, MARRIED, HAD CHILDREN. 534 00:29:39,667 --> 00:29:43,533 IF HE STILL HAD OPAL ALIVE, HE WAS NOT HIDING HER AT THE HOUSE. 535 00:29:43,533 --> 00:29:45,767 THERE'S NO HIDING PLACE IN A HOUSE THAT SMALL, 536 00:29:45,767 --> 00:29:47,700 PARTICULARLY WITH A WIFE AND THREE CHILDREN IN THE HOUSE 537 00:29:47,700 --> 00:29:49,500 WITH HIM. 538 00:29:52,733 --> 00:29:57,533 LEE ROY MARTIN WAS A REGULAR PERSON, A FAMILY MAN. 539 00:29:57,533 --> 00:30:00,233 SHOOT, HE EVEN USED TO DRIVE US TO THE TRAIN STATION BACK 540 00:30:00,233 --> 00:30:03,433 WHEN HE WAS DRIVING TAXIS. 541 00:30:03,433 --> 00:30:06,100 IT SEEMED IMPOSSIBLE. 542 00:30:06,100 --> 00:30:10,600 COULD LEE ROY REALLY HOLD THE KEY TO IT ALL? 543 00:30:10,600 --> 00:30:13,100 DID HE KNOW WHERE OUR OPAL WAS? 544 00:30:28,000 --> 00:30:31,433 Woman: THE GAFFNEY STRANGLER CLAIMED THREE VICTIMS SO FAR, 545 00:30:31,433 --> 00:30:33,333 AND PROMISED A FOURTH. 546 00:30:33,333 --> 00:30:36,433 OPAL BUCKSON HAD BEEN SNATCHED JUST YESTERDAY. 547 00:30:36,433 --> 00:30:39,000 POLICE IN GAFFNEY WERE HOPIN' SHE WAS STILL ALIVE, 548 00:30:39,000 --> 00:30:42,500 AND THAT LEE ROY MARTIN MIGHT LEAD THEM TO HER. 549 00:30:44,200 --> 00:30:47,167 HE HAD A NUMBER OF LAW ENFORCEMENT PEOPLE 550 00:30:47,167 --> 00:30:48,633 THAT WERE WATCHING HIM 551 00:30:48,633 --> 00:30:50,500 AND THAT WERE FOCUSED EXACTLY ON HIM 552 00:30:50,500 --> 00:30:55,467 AND WATCHING EVERY MOVE HE MADE. 553 00:30:55,467 --> 00:30:58,967 Martin: ONE CAR WOULD GO ABOUT TWO BLOCKS AND TURN OFF. 554 00:30:58,967 --> 00:31:00,633 AND ANOTHER CAR WOULD PICK HIM UP 555 00:31:00,633 --> 00:31:02,700 AND GO ABOUT TWO OR THREE BLOCKS. 556 00:31:02,700 --> 00:31:05,933 O'Toole: THERE IS THIS CAREFULLY CHOREOGRAPHED 557 00:31:05,933 --> 00:31:07,533 BALLET OF SURVEILLANCE. 558 00:31:07,533 --> 00:31:08,633 HEY, LEE ROY. 559 00:31:08,633 --> 00:31:10,067 MORNIN'. HOW YOU DOIN'? 560 00:31:10,067 --> 00:31:13,067 JONES: HE STOPS IN THE CAFE. LEE ROY PICKS UP THE PAPER. 561 00:31:13,067 --> 00:31:15,267 'COURSE, THE PAPER IS THE GAFFNEY NEWSPAPER TALKIN' 'BOUT 562 00:31:15,267 --> 00:31:18,367 THE MURDERS, TALKIN' 'BOUT THE STRANGLER. 563 00:31:18,367 --> 00:31:19,767 AND LEE ROY SAYS... 564 00:31:19,767 --> 00:31:21,300 SO WHAT'S NEW, LEROY? 565 00:31:21,300 --> 00:31:23,067 WELL, SOMETIMES THERE AIN'T NO NEWS, 566 00:31:23,067 --> 00:31:26,633 AND THEN SOMETIMES PEOPLE GO AND DO THINGS TO MAKE NEWS. 567 00:31:26,633 --> 00:31:28,367 THAT SURE IS SOME DEAL, HUH? 568 00:31:32,067 --> 00:31:35,767 LOOKS LIKE HE WAS UNACCOUNTED FOR. 569 00:31:35,767 --> 00:31:37,167 WHEN? 570 00:31:37,167 --> 00:31:39,100 EVERY TIME. 571 00:31:39,100 --> 00:31:41,333 EVERY TIME ONE OF THEM WENT MISSING, 572 00:31:41,333 --> 00:31:43,467 LEE ROY MARTIN WAS NOT AT WORK: 573 00:31:43,467 --> 00:31:46,500 SICK CALLS, SHIFT CHANGES, 574 00:31:46,500 --> 00:31:50,400 NO-SHOWS. 575 00:31:50,400 --> 00:31:53,067 LEE ROY WAS LOOKING MORE AND MORE SUSPICIOUS. 576 00:31:53,067 --> 00:31:54,900 BUT WHAT COULD THE POLICE DO? 577 00:31:54,900 --> 00:31:56,400 IF THEY ARRESTED HIM NOW, 578 00:31:56,400 --> 00:31:59,567 HE MIGHT NEVER LEAD THEM TO OPAL. 579 00:31:59,567 --> 00:32:03,633 ALL THEY COULD DO WAS WAIT. 580 00:32:03,633 --> 00:32:07,233 AND NOW, HE DOES A VERY ODD THING FOR A FEBRUARY 581 00:32:07,233 --> 00:32:09,433 IN GAFFNEY, SOUTH CAROLINA. 582 00:32:16,067 --> 00:32:18,633 HE WASHES HIS CAR. 583 00:32:18,633 --> 00:32:21,067 Officer: WHAT THE HELL IS HE DOIN'? 584 00:32:21,067 --> 00:32:23,167 GETTIN' RID OF EVIDENCE. 585 00:32:33,067 --> 00:32:35,533 Jones: HE'S WASHIN' FINGERPRINTS, 586 00:32:35,533 --> 00:32:37,500 HANDPRINTS, OFF HIS WINDOWS. 587 00:32:37,500 --> 00:32:38,667 AND THEY'RE THINKING, 588 00:32:38,667 --> 00:32:40,300 "DID HE HAVE HER IN THE BACK OF THE CAR? 589 00:32:40,300 --> 00:32:42,800 IS THAT WHERE THE HANDPRINTS COME FROM?" 590 00:32:42,800 --> 00:32:45,100 IT HAD BEEN 5 DAYS. 591 00:32:45,100 --> 00:32:47,867 THEY HAD TO ADMIT 592 00:32:47,867 --> 00:32:52,267 THAT OPAL WAS ALMOST CERTAINLY DEAD. 593 00:32:52,267 --> 00:32:54,167 AND NOW WHAT MIGHT BE EVIDENCE 594 00:32:54,167 --> 00:32:56,400 WAS VANISHING BEFORE THEIR EYES. 595 00:33:02,133 --> 00:33:06,333 Jones: SO POLICE GO OUT THERE WHERE SKINNER AND TRANSOU 596 00:33:06,333 --> 00:33:11,500 SAW LEE ROY MARTIN STANDING OUT BY THE CAR IN THE WOODS 597 00:33:11,500 --> 00:33:14,267 'CAUSE THAT'S AT LEAST ONE SPOT WE KNOW HE WAS. 598 00:33:14,267 --> 00:33:16,667 IF POOR OPAL WAS OUT THERE, 599 00:33:16,667 --> 00:33:18,800 IT WOULD STAND TO REASON THAT LEE ROY MARTIN 600 00:33:18,800 --> 00:33:22,333 HAD PUT HER THERE. 601 00:33:22,333 --> 00:33:23,833 THE STRANGLER SOUGHT TO TERRORIZE 602 00:33:23,833 --> 00:33:27,167 THE WHITE AND BLACK FOLKS OF GAFFNEY, 603 00:33:27,167 --> 00:33:30,567 TO MAKE US HUDDLE IN OUR HOMES IN FEAR. 604 00:33:30,567 --> 00:33:33,100 BUT WHAT HE DID WAS UNITE US, 605 00:33:33,100 --> 00:33:35,633 EVEN IF JUST FOR A MOMENT. 606 00:33:35,633 --> 00:33:39,133 Martin: WE START DOWN THROUGH THE WOODS. 607 00:33:39,133 --> 00:33:42,067 IT'S A PRETTY VAST AREA. 608 00:33:56,500 --> 00:33:57,867 I FOUND HER! 609 00:34:04,400 --> 00:34:08,633 THEY FIND THE BODY OF OPAL. 610 00:34:18,667 --> 00:34:22,833 Woman [screaming, sobbing]: NO! NO! 611 00:34:22,833 --> 00:34:25,067 NO! 612 00:34:41,533 --> 00:34:43,667 WE FOUND HER. IT'S HIM. 613 00:34:43,667 --> 00:34:45,067 LET'S GO GET HIM. 614 00:34:45,067 --> 00:34:48,800 THERE WAS NO REASON TO WAIT ANY LONGER. 615 00:34:48,800 --> 00:34:50,200 OH, IT'S NO PROBLEM AT ALL. 616 00:34:50,200 --> 00:34:51,867 I'M HEADIN' OUT THAT WAY, ANYWAY. 617 00:34:51,867 --> 00:34:53,433 AREN'T YOU SWEET, LEE ROY? 618 00:34:53,433 --> 00:34:54,600 OH, NOW, IT'S NO TROUBLE AT ALL. 619 00:34:54,600 --> 00:34:57,100 JUST WANT YOU TO BE SAFE. 620 00:34:57,100 --> 00:34:58,333 NOW, THEY JUST HAD TO HOPE 621 00:34:58,333 --> 00:35:01,767 THEY COULD GET HIM BEFORE HE KILLED AGAIN. 622 00:35:15,267 --> 00:35:16,767 Woman: FOLKS WHO WERE DOWN AT THE MILL 623 00:35:16,767 --> 00:35:20,600 THAT DAY SAID IT WAS THE STRANGEST THING, 624 00:35:20,600 --> 00:35:22,467 THEM COMIN' TO ARREST LEE ROY MARTIN 625 00:35:22,467 --> 00:35:24,333 FOR THE STRANGLINGS. 626 00:35:27,533 --> 00:35:29,533 AND ONE OF THE POOR GIRLS WHO WORKED THERE 627 00:35:29,533 --> 00:35:32,633 JUST ABOUT FELL OVER DEAD WHEN SHE REMEMBERED HER CONVERSATION 628 00:35:32,633 --> 00:35:36,267 WITH LEE ROY THE NIGHT BEFORE. 629 00:35:36,267 --> 00:35:38,800 I'M HEADIN' OUT THAT WAY, ANYWAY. 630 00:35:38,800 --> 00:35:40,367 AREN'T YOU SWEET, LEE ROY? 631 00:35:40,367 --> 00:35:45,067 OH, NOW, IT'S NO TROUBLE AT ALL. JUST WANT YOU TO BE SAFE. 632 00:35:45,067 --> 00:35:46,733 YOU SURE IT'S NO TROUBLE? OF COURSE, YEAH. 633 00:35:46,733 --> 00:35:49,267 COME ON. 634 00:35:49,267 --> 00:35:51,467 YOU KNOW, THAT'S ALL RIGHT, LEE ROY. 635 00:35:51,467 --> 00:35:53,833 MY BROTHER-IN-LAW SAID HE'D BE HERE ANY SECOND NOW. 636 00:35:53,833 --> 00:35:56,067 YOU SURE? YES, THANK YOU. I'M FINE. 637 00:35:56,067 --> 00:35:59,367 Jones: ONE OF HIS COWORKERS TELLS THEM THAT HE HAD TRIED 638 00:35:59,367 --> 00:36:03,267 TO GET HER TO TAKE A RIDE WITH HIM AFTER WORK YESTERDAY. 639 00:36:03,267 --> 00:36:06,600 SO, SHE WAS PROBABLY HIS NEXT VICTIM. 640 00:36:20,467 --> 00:36:22,500 I'M TELLIN' YOU BOYS, YOU GOT THE WRONG MAN HERE. 641 00:36:27,600 --> 00:36:30,233 I AIN'T KILLED NOBODY, YOU HEAR ME? 642 00:36:30,233 --> 00:36:31,967 NOW, REMEMBER, THE POLICE 643 00:36:31,967 --> 00:36:33,667 BELIEVED MARTIN WAS THE STRANGLER. 644 00:36:33,667 --> 00:36:36,300 BUT THEY DIDN'T HAVE ANY ACTUAL PROOF. 645 00:36:36,300 --> 00:36:38,467 IF THEY WERE GOING TO PUT HIM AWAY FOR GOOD, 646 00:36:38,467 --> 00:36:40,633 THEY WANTED A CONFESSION. 647 00:36:50,600 --> 00:36:52,300 AND IF THERE'S ONE THING THEY'D LEARNED 648 00:36:52,300 --> 00:36:53,867 FROM THOSE PHONE CALLS... 649 00:36:56,833 --> 00:36:59,500 IT'S THAT THE STRANGLER WANTED ATTENTION. 650 00:36:59,500 --> 00:37:01,900 HEY, WHERE'RE WE GOIN'? 651 00:37:01,900 --> 00:37:03,967 THIS AIN'T THE WAY TO THE COURT HOUSE. 652 00:37:03,967 --> 00:37:06,400 AND THE THING ABOUT SOMEONE WHO WANTS ATTENTION 653 00:37:06,400 --> 00:37:09,500 IS IF YOU REFUSED TO GIVE IT TO HIM, 654 00:37:09,500 --> 00:37:11,900 HE'LL DO ANYTHING TO GET IT. 655 00:37:11,900 --> 00:37:14,167 OH, YOU'RE TAKING ME TO STATE CAPITAL, AIN'T YOU? 656 00:37:17,133 --> 00:37:18,800 Y'ALL MUST'VE THOUGHT I DID SOME AWFUL THINGS 657 00:37:18,800 --> 00:37:22,100 TO THOSE WOMEN. 658 00:37:22,100 --> 00:37:23,900 SOME AWFUL THINGS. 659 00:37:27,333 --> 00:37:29,733 WHATCHA THINK HAPPENED TO THOSE WOMEN? 660 00:37:42,400 --> 00:37:45,233 I'LL TELL YOU WHAT, 661 00:37:45,233 --> 00:37:49,867 THAT FIRST ONE WAS THE EASIEST... 662 00:37:49,867 --> 00:37:51,833 AND THE HARDEST. 663 00:37:51,833 --> 00:37:55,500 THEN HE SEEMED KINDA PROUD. 664 00:37:55,500 --> 00:37:59,633 I'VE DONE 'EM ALL THE SAME WAY, WITH MY BELT. 665 00:38:02,967 --> 00:38:04,467 HE JUST OPENED UP 666 00:38:04,467 --> 00:38:07,367 AND STARTED FREELY TALKING ABOUT THE MURDERS. 667 00:38:07,367 --> 00:38:08,900 WHAT ABOUT THAT DOG? 668 00:38:08,900 --> 00:38:10,867 OH, THAT DOG RAN AWAY. 669 00:38:10,867 --> 00:38:12,600 I TOLD HER, I SAID, "DON'T WORRY, DON'T WORRY. 670 00:38:12,600 --> 00:38:16,300 I'LL GO GET HIM." I FOUND HIM. 671 00:38:16,300 --> 00:38:18,933 I CHOKED HIM. 672 00:38:18,933 --> 00:38:22,067 I CAME BACK AND TOLD HER HE GOT AWAY. 673 00:38:22,067 --> 00:38:24,233 O'Toole: MARTIN LOVES ATTENTION. 674 00:38:24,233 --> 00:38:27,667 HE WANTED TO TAKE CREDIT FOR THESE MURDERS. 675 00:38:27,667 --> 00:38:29,600 I JUST GO DRIVING AROUND LOOKIN' FOR WOMEN 676 00:38:29,600 --> 00:38:32,800 WHO'S OFF BY THEMSELVES, 677 00:38:32,800 --> 00:38:34,733 LIKE THAT RHINEHART GIRL. 678 00:38:41,933 --> 00:38:44,267 KILLIN' THOSE GIRLS WAS BAD ENOUGH. 679 00:38:48,900 --> 00:38:51,867 BUT WHAT HE TOLD THE POLICE ABOUT WHAT HE DID 680 00:38:51,867 --> 00:38:54,467 AFTER HE STRANGLED THEM MADE ME WONDER 681 00:38:54,467 --> 00:38:58,967 IF HE WASN'T JUST SOME KIND OF A DEMON AFTER ALL. 682 00:38:58,967 --> 00:39:00,767 O'Toole: MARTIN, BY HIS OWN ADMISSION, 683 00:39:00,767 --> 00:39:05,467 HAD GONE BACK TO THE BODY OF TINA RHINEHART. 684 00:39:05,467 --> 00:39:08,200 AND OVER THE COURSE OF 7 OR 8 DAYS 685 00:39:08,200 --> 00:39:10,100 HE HAD SEXUALLY MOLESTED THE CORPSE. 686 00:39:15,700 --> 00:39:19,700 Martin: THE OTHER VICTIMS HAD BEEN VISITED FOR SEX, ALSO. 687 00:39:25,433 --> 00:39:27,533 O'Toole: AND IT'S LIKELY THE STRANGULATION PART 688 00:39:27,533 --> 00:39:29,667 OF HIS CRIME 689 00:39:29,667 --> 00:39:31,867 WAS WHEN HE WAS SEXUALLY AROUSED. 690 00:39:35,567 --> 00:39:37,533 WITH ITS SUFFERINGS... 691 00:39:37,533 --> 00:39:39,933 HIS DEPRAVITY KNEW NO BOUNDS. 692 00:39:44,133 --> 00:39:47,400 I THINK HE WOULD'VE DRUNK OUR TEARS IF HE COULD HAVE. 693 00:39:47,400 --> 00:39:51,500 LEE ROY MARTIN HAD ACTUALLY COME TO TINA'S FUNERAL. 694 00:39:51,500 --> 00:39:53,733 SHE WAS SUCH A PRETTY LITTLE GIRL. 695 00:39:53,733 --> 00:39:56,067 THAT'S SO KIND OF YOU TO SAY. 696 00:39:56,067 --> 00:39:58,767 Martin: TINA'S SISTER TOLD ME 697 00:39:58,767 --> 00:40:02,833 THAT LEE ROY MARTIN HAD COME BY 698 00:40:02,833 --> 00:40:06,167 AND STAYED A LENGTHY PERIOD OF TIME. 699 00:40:06,167 --> 00:40:07,800 ANYTHING YOU NEED, ANYTHING AT ALL, PLEASE 700 00:40:07,800 --> 00:40:09,100 DON'T HESITATE TO ASK, ALL RIGHT? 701 00:40:09,100 --> 00:40:11,333 THANK YOU, LEROY. 702 00:40:11,333 --> 00:40:14,600 O'Toole: FROM HIS PERSPECTIVE, THIS WAS EXHILARATING. 703 00:40:14,600 --> 00:40:17,067 "LOOK HOW SMART I AM BECAUSE NONE OF YOU 704 00:40:17,067 --> 00:40:20,367 KNOW THAT I'M THE ONE THAT PUT HER THERE." 705 00:40:26,600 --> 00:40:29,833 BEFORE HIS ONE BRUSH WITH THE LAW 10 YEARS EARLIER, 706 00:40:29,833 --> 00:40:32,733 THERE AIN'T MUCH TO KNOW ABOUT LEE ROY MARTIN. 707 00:40:32,733 --> 00:40:35,167 BORN AND RAISED IN GAFFNEY, 708 00:40:35,167 --> 00:40:38,333 HIS TROUBLES WEREN'T WORSE THAN ANYONE ELSE FROM AROUND HERE. 709 00:40:38,333 --> 00:40:39,833 HIS DADDY DIED YOUNG, 710 00:40:39,833 --> 00:40:42,733 AND HIS STEP-DADDY HAD A TEMPER. 711 00:40:42,733 --> 00:40:46,700 BUT HE CLOCKED IN ON TIME AND ALWAYS PAID HIS DEBT. 712 00:40:46,700 --> 00:40:51,167 HOW COULD ANYONE HAVE KNOWN? 713 00:40:51,167 --> 00:40:55,533 O'Toole; LEE ROY MARTIN HAS THESE EXTERIOR, UM, 714 00:40:55,533 --> 00:40:57,333 TRAPPINGS OF NORMALCY. 715 00:40:57,333 --> 00:41:01,533 HE'S A NICE GUY, HE'S QUIET, DOESN'T DRINK. 716 00:41:01,533 --> 00:41:05,800 BUT UNDERNEATH THE SURFACE, THIS WAS AN INDIVIDUAL 717 00:41:05,800 --> 00:41:09,700 WHO WAS DEVELOPING INTO A VERY DANGEROUS, 718 00:41:09,700 --> 00:41:12,233 SEXUALLY DEVIANT SERIAL KILLER. 719 00:41:12,233 --> 00:41:14,533 BUT HIS DEVELOPMENT WAS SUBTLE, 720 00:41:14,533 --> 00:41:18,467 AND IT OCCURRED OVER A PERIOD OF TIME. 721 00:41:18,467 --> 00:41:19,867 JUST LIKE THE BOGEYMAN 722 00:41:19,867 --> 00:41:23,067 FROM THE STORIES MY BROTHER USED TO TELL, 723 00:41:23,067 --> 00:41:28,567 LEE ROY MARTIN HAD STARTED TAP, TAP, TAPPIN' ON THE WINDOWPANE. 724 00:41:29,900 --> 00:41:32,733 AND AS HIS BLOODLUST GREW, 725 00:41:32,733 --> 00:41:38,433 THE TAPPING GOT LOUDER, CLOSER TO OUR HOMES. 726 00:41:38,433 --> 00:41:42,400 AND THAT MIGHT BE THE SCARIEST THING ABOUT LEE ROY MARTIN. 727 00:41:42,400 --> 00:41:45,467 HE WAS SO ORDINARY THAT EVEN WHEN THE MONSTER 728 00:41:45,467 --> 00:41:48,900 WAS BANGIN' ON OUR FRONT DOOR, DEMANDIN' TO BE HEARD, 729 00:41:48,900 --> 00:41:51,967 NO ONE COULD EVER'VE IMAGINED IT WAS HIM. 730 00:42:00,433 --> 00:42:03,667 Jones: LEE ROY MARTIN WAS CONVICTED OF FOUR MURDERS, 731 00:42:03,667 --> 00:42:08,267 FOUR LIFE SENTENCES WITHOUT PAROLE. 732 00:42:08,267 --> 00:42:09,833 THE ULTIMATE LEGACY 733 00:42:09,833 --> 00:42:13,633 IS THE STORIES THAT STILL PERMEATE THROUGH SOUTH CAROLINA. 734 00:42:13,633 --> 00:42:17,400 THE BRIDGE IS A SPOT THAT PEOPLE GO TO A LOT. 735 00:42:17,400 --> 00:42:22,367 THERE'S ALWAYS THESE STORIES THAT THERE'S SCREAMS OF GIRLS. 736 00:42:22,367 --> 00:42:23,733 Martin: IT'S REALLY STRANGE. 737 00:42:23,733 --> 00:42:28,267 I CAN JUST BE WALKIN' AROUND TREES OR NEAR A WOOD, 738 00:42:28,267 --> 00:42:30,933 AND I -- I THINK ABOUT IT. 739 00:42:30,933 --> 00:42:32,533 IT WON'T EVER LEAVE ME, 740 00:42:32,533 --> 00:42:35,067 AND I'M -- I'M SURE THERE'S A LOT OF PEOPLE IN GAFFNEY. 741 00:42:35,067 --> 00:42:36,500 ALL THE FAMILIES, 742 00:42:36,500 --> 00:42:39,067 EVEN LEE ROY'S FAMILIES HAVE BEEN VICTIMS 743 00:42:39,067 --> 00:42:41,833 AND THAT TOUCHES A LOT OF PEOPLE. 744 00:42:41,833 --> 00:42:45,133 Jones: THOSE TYPES OF THINGS IN SMALL TOWNS 745 00:42:45,133 --> 00:42:47,733 TAKE A LONG TIME TO DISAPPEAR. 746 00:43:03,533 --> 00:43:06,900 * WENT OUT ONE NIGHT TO MAKE A LITTLE ROUND * 747 00:43:06,900 --> 00:43:09,433 * MET LITTLE SADIE AND I SHOT HER DOWN * 748 00:43:09,433 --> 00:43:12,067 * WENT BACK HOME GOT INTO BED * 749 00:43:12,067 --> 00:43:16,267 * FORTY-FOUR PISTOL UNDER MY HEAD * 750 00:43:16,267 --> 00:43:19,067 * JURY SAYS "MURDER IN THE FIRST DEGREE" * 751 00:43:19,067 --> 00:43:21,867 * I SAYS, OH, LORD, HAVE MERCY ON ME * 752 00:43:21,867 --> 00:43:24,233 * OLD JUDGE BLACK PICKS UP HIS PEN * 753 00:43:24,233 --> 00:43:27,633 * SAYS YOU'LL NEVER KILL NO WOMAN AGAIN * 754 00:43:27,683 --> 00:43:32,233 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 57100

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