All language subtitles for 40 - Tileset Creation Pt 4

So we are back and we have just finished baking out R&B at occlusion map

So the next step to finalise this piece is really to add the colour to it

So4

This I'm just going to temporarily disconnect a via and collusion because the colour

That we want to add means to be connected to this node so we can have anything else connected to it

I'm in Atlanta

Cell to add colour to this we are going to be using a process called at texture painting a witch

Is more or less exactly what it sounds like we are going to be using the texture paint tablet here

And this will allow us to

Put a dynamic paint directly onto a mesh the colours that we want to use for

Final piece

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Sell switch over to the texture paint Workspace if you have not done so already

And what we need to do just like we did with baking we need to add a texture to

Into

For this to work properly so

This is the texture paint work space we have our 3D right here in the right hand side

We have an image preview on the left-hand side and the

The thing that is very specific to texture paint here is all of these brush and colours

Things here in our properties panel

So I need to do to start painting on this is to add a base colour

Texture 2 days to paint into and well you certainly can do it the way that we did for baking

For the purposes of texts retaining there's a much faster way so within the texture paint tab

And within texts repeat mode which if you have accidentally gone into under tour to edit

You can quickly find a texture paint again by selecting in the drop down menu

Flats in here we can see that we are ready have a slot for the normal in for the inclusion cos they are included

Material so to add a texture for base colour all you need to do is click this

What's icon in select base colour

You can give it a name here I'm just going to call it please

Colour

For now

We can give it a size as well

Are we have bigger ramps at 4K so I'm going to do the same thing here

Confuse the sort of the starting fill colour here you can make it whatever you want I'm just going to leave it at the door

What is going to be painting over this entire thing anyway

Ok

And that will bring up our new base colour text you are here now because we are in

The Solid V port shading we're only viewing whenever

Texture we have selected

And who are match but if you want to view the whole thing as a composite that way we were for we

Switch back to our material preview here

We can just ensure that our base colour is connected to that it will appear correctly which it is if you add

Base colour channel

Via the texture paint mode it should just connect it

Automatically but if for whatever reason it does not you can always come into your shading tab here

And set it up like this just by connecting the colour to the base colour here

While we're here we may as well add in our ambient occlusion the way that I meant

In the previous video of cell

I'm just going to pull the base colour out to give us a little bit more room

And in order for the inclusion to be Incorporated obviously we need to plug it into something so the way I would say

Stop for a blender

Is the first shift in a

Coming to colour in at a mix RGB node

So

This is going to take two colour inputs and mix them together in whatever way you specify here

So let's connect this colour to the base colour just so we can see what this what is happening in real time as we

Connect ambient occlusion to colour to

In giving second update was the base colour to colour one

And keeping my other space colour is still Justice blank white so we should be seeing white right here

And I changed the next mode from mixed to multiply

For those of you who are unfamiliar x when used in digital art

Will add in the darker portions here so anything that is darker here

Will be added in and anything goes wider the slight areas will be ignored and will allow the base colours

Show trial

Is going to change the factor up to 1 so that this is using all of the opacity

We have available to ask in the inclusion app

So that is how I would set up Indian occlusion for previewing in blender

That is

Optional but I like to have it so I know what my final

Alpo is going to be like when we eventually bring this into unreal Engine

Ok so there's one more thing that we have to do in order to paint on this properly now normally when were

We can just jump in and start painting but in this specific case because this is a

Tiling pay if you want to be really careful about our edges here

Soap

If I religious jumping in start painting it would it would paint just fine but when I want to tile this

There would be scenes and you would notice

Like The Strokes here we're just and really you're probably so in order to get this to tile Pro

With our hands painting

I was using to preview

However instead of using 20m leaves 3

And I'll explain why in just a moment so increase the count of three duplicate the modifier and on

Duplicate

Set the X Factor 20 no wife after 21

Ok so what does effectively has done is tiled or

Match 3 X and Y Direction and the reason he was 3 is because now when I coming in hand pain if

Just the middle here we have a duplicate of our mash that is surround

On all sides

Buy another masha so when we come in pain on this area it should tile seamlessly

As long as we can tailor our painting to the centre

Sell an let's see what that looks like an action by returning to the texture paint Ham

Base colour here in here you can get a preview of just the base colours

You can also paint directly into it if you so choose but I'm going to be using the

Information from my normal map in my ambient occlusion math to better inform how I want to go about painting

Now whatever colours you choose are entirely up to you you can come in here and

Actually colour

I just using this colour we all that you want to paint so like if I wanted to paint a sort of a blue

We can come in here and we can start painting our match and you can see now because of the array modifier is going to tile

When we extend over the bounds of our original MASH

This is not the colour I'm going to use I am going

To a simple my colour from a reference image so

If you record at the time of this course I created a reference board and using

Programme called pure bath now you don't have to use pure per say this is just something I liked

But I have all these great reference images here and I want to be able to basically

The colours of one of these two using my hand painting

In order to do this the image needs to be in blender so to get any

These images into blender they have to be saved on our hard drive now if you have all

Freddy save your images on your hard drive like if you for instance or not using purified

You can skip this all apart but I'm just going to show you so I'm gonna use this image here as my colour symbol

Can I take these colours of straight from the image

And use them to paint on my wall here so I like this one I like the colours there saturated

And the Prix bright and that is the overall look that I want for my walls so put I'm going to do it

Going to right click on this image with it selected and highlighted in blue save and export

Images

That's going to bring up a file browser here are you just wanted to like where on your PC

Save and select folder

You can give it a name

Scarlett wall image

Or something to that effect and we can export here

Ok so once we have that saved on a hard drive need to bring into blender in order to Simple

Come up here until I get the crosshairs on wonder itself and I'm going to drag up to split this into

New window

And

For this we are still going to keep it as an image editor but we don't want the ability to paint on it we just one of you

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I'm just going to select this dropdown and change it to view and it's just going to get rid of the paint options

We have appear in our top window

So I want to bring in that image I just saved so to do that I'm going to hit the file browser for open

Change

Selecting in bring in

This will serve as a reference for me as well as he source from my colour St

Search to San felice colours all I have to do is open the colour select palette here

Quick on the eyedropper come over and choose an area to save the colour from soundtrack

Sort of midtown not too dark knees Shadows not to brighten his highlight right here on the image

And that will give me this colour

Now I have this image and I can keep saying playing from as many times as I need but if I wanted to save

This colour for quickest later I could add it to my colour palette so just under

Colorbars here we have an option for colour palette

Now I think yes by default blender does come with a pallet with B just ended

Colours but I want to save this to a new pallet I'm just gonna hit new

You can mean it whenever you want something to that effect

So once you have the power created we can now start adding colours to it and it's very straightforward the

Colours to your palette is have the colour selected as your foreground colour

And at what at right here on Manor green background colour

Cell you can save two colours for quick reference and memory in blender just like you can in Photoshop

Or rather image editing programs and switch between the me just hit the sky which is the same

As it is in Photoshop

Ok so I'm just going to move this to the side because I'm going to paint directly onto the 3D viewport

So I was strength of one I'm going to increase my radius a little bit

Because I just want to give the entire thing a sort of Base colour

So I'm just going to come in in the start painting

So it is a little bit laggy because of the tiling here

As far as I know there's not really a way around it you just have to be a little bit patient when it comes to

Making large Strokes

Sing with the sculpting when you make Strokes that affect a large number of vertices it takes a little bit longer

Load that information in

Ok so

Screaming painting contain to the sinner here to make sure tiles properly but I really quickly come with whole thing

Like beige colour so I want to do is just add a little bit of colour

Global scale so like a new colour here I'm going with

Lights

See right here

Save it

Your first don't have to save these colours in order to just use them but I like to save my clothes as a

Girl just in case I need to get that exact colour again later

I'm just going to come in in like with a really late

Touch just add a little bit of modelling to this

Because most things in it or not just like a single colour it looks very sore

Arrange to have a single uniform colour across your whole

Your hope he's so

That's pretty good let's add another layer of modelling to this

Scrap maybe more something a little bit more desaturated

In fact I might just desaturated myself so

You're fine I Photoshop or any other image editing you probably know what this is what the centre Hugh

Value of course Spain what colour is saturation meaning how strong the colour is

In value meaning how bright or dark it is The Separation down ever so slightly here

Put a little bit more grey and I'm going to do the same thing I was going to come in in a really lightly tap

Just add

Some natural too strong that controls heat and do that just add

Sam

Natural

Calibration we cannot determine the strength of this down to

3.5

And you can see this updating in Real-Time

Over here this is my base colour image at the moment so as whenever I ASDA I could get added to

Image of a on the left-hand side of the screen

This is also a Goodwill sanity check to have you to make sure that

Everything is like

Even so like there's a lot of the circle in the middle but not so much up towards the sides here so I just want to

Attention to that

And I've noticed that in the texture paint at least in version 3.2 of blender

Paint on the 3D mesh anyway

Vertical lines here

This appears to be a graphical bugs when you zoom in and out on the 2D image

Things go away so don't worry too much if you're not seeing if you're saying that as long as it's not showing up on your

Dreamers

So that's a pretty good jumping off point for

That's why I have Crush

Want to add more detail to it so we're hand paint textures a general

What rule to follow is anything that is supposed to be pushed in

I'm away from the viewer is going to be darker and everything that wants to be that is going to pop out as go

Meet later on in this is just true across all forms of visual art

Ways to do this I am just going to hand-painted because I find the results to be overall better

So I'm going to take my darker colour which I neglected to save Let's save it just now

Play take this darker colour

And I'm going to just start painting in

These for grout lines here to emphasise that these are indented in

Away from the viewer when you're looking at the wall

Hand painting can be a time-consuming process

I generally find especially when you're working with a more

Cartoon stylised

Style like art style that you just gonna get better results than if you do it

Procedurally there's a lot you can do procedurally

Bad I think in this particular case a some test before recording in

I just look better on a hand painted or getting it

And you can see that with the tiling and effect it really doesn't take too long

Again how much time you want to spend and how exactly you want to get

Totally up to you I'm going to keep this pretty brief because you know this is just for the sake of it

Tauriel if this were for a production

A I would spend more time on this

I'm coming in I'm not being too good acting with

Getting it within the lines of this crap here

Can I come over with a highlight and just make these I just popped out a little bit more

And I'm just using this as a reference to make sure I'm getting in all the lines that I mean to

Ok so already that

Makes the texture of the britpop a lot more than just having the

The best colour over it

So I'm going to come in with this later colour and going to push the value of even further

Down there on cos I want to

Slightly more subtle

I'm going to come in

And just highlight around these edges

So we haven't got a flat surface and I never will bit of an edge before it goes into the ground indentation

A highlight

Ok so I've gone around and highlighted all the edges

Yeah that was pretty good at as a lot more deaths than the normal in the ambient occlusion map

Little Lounge especially when working in a more or cartoon

Dial

This is a really effective way to add depth

Insta just go round and highlight the last thing I want to do is I feel like the Deep

All that I have soaking soaking me sculpted in and bacon to a normal map is getting a little bit lost

So I want to add a little bit more depth into my base colour map

Only in the areas of my

Scott select all this surface damage it's getting a little bit hard to see

Sell the way that I'm going to do that is in basically going to do a darker wash over this but

I'm going to use my ambient occlusion as a mask to do so so

What Soccer AM being inclusion so we have a grayscale value here and basically

Right now everywhere that is why it is fully let's and everywhere that is less than white is a little bit

Starting on the little bit in shadow now

We can use this as a mask for our colour painting

So I'm asked for those of you who are unfamiliar with the concept or just his black and

Images similar to alpha's that we talked about when we were sculpting this piece so

Just as an alpha can interpret a black area as being no change and a

Wait area is being full change

We can do this in painting as well as in sculpting

So

What's forgot how to do this in blender

Ok so

In our texture paint pain all over on the side here the scroll down in

Turn it on this colour stuff is a tab called masking so go ahead

Click that drop down in here we have you there a stencil NASCAR cavity mask use a stencil

Asking this case

If we explain these settings we have an option here to add an image as our stencil

The drop-down list select R&B and occlusion mask

So this has masked out all the areas

In which we want to see the change so I find that the black is

Makes a little hard to see what's going on so I'm just going to

Little bit

So now if I come in here with a darker colour and not even make it more dark

If I come in here paint on top of this

Remembering that I'm still painting

In my base colour image I'm just using the Indian inclusion as a mask now I do find out when we are using

Cancel masks you tend to get

I will deliver performance drop but that is ok you just have to be a little bit patient with it

So I'm going to increase my strength here

And what we should be seeing

In the face colour here as we should be seeing back

What are the areas that are mask out will be painting on me will not be affected in the areas that

Are darker in The Mask will

Be painted on

Ok so I apologise for the performance issues I am

I think be just because I have so many things open and I am recording every time I make a stroke

It takes a while to load in so I'm probably going to pause the recording and finish the

Ask camera but I just want to zoom in on the image here to show you what it's doing self

With the mask that I have selected I've gone over with a very dark colour here

And this is an area of my stroke so you'll see that all the areas that were supposed to be in

Shadow are now being painted darker so I'm going to pause the recording

Here in just finish this up off camera because it's taking a very long time to calculate all of this information

And I just I don't want to waste your time with a bunch of

Endless spinner loading so

Right here in we can back this will be completely painted out

Ok so we are back here I have painted out some of that stuff

Detail using my ambient occlusion map as my mask

Now I am because I had a positive health and Performance issues so just keep in mind that when your text your pain

Blender is always going to use your CPU and not your GPU

To make these calculations

Testers just no way around it so if your having some like freezes and Performance drops

Just keep in mind that painting a smaller area will sort of help with the performance

Because it is trying to calculate how many pixels per face you were painting it always when you use a CPU so if I

You know what I'm trying to do this whole thing it would it would freeze happen it will take several minutes to calculate that

And also if you're not very familiar with blender

For the most part

If you make a stroke like that and it doesn't it sorted freezes and it doesn't respond immediately

Even say not responding here

And just give it like a good few minutes because all these calculations that one

Transforming a very complex and just because it says it's not responding right here does it mean that you need to

Hard reset the programme manager work so

I will give it a good few minutes to try to calculate that all and you know if after like 10 minutes it's so

Going maybe you do need a hard puzzle out through the task manager but for the most part I found just leaving

Clown and letting it do it saying it will eventually catch up

So how much time in detail you on and this is entirely up to you for the purposes of this

Stration I'm satisfied with this as a result we have some highlights we have some natural colour variation in

I've gone in an added

And some detailed back into the Dark crevices and stuff

So we are done with our simple amounts so we can check this to return to our actual

Are actual view here

We may see the sort of area repeat itself that may be somewhat noticeable because it

You look in the texture itself

This ad in the central someone darker but for the purposes of time I'm just going to leave it there

And I think you get the idea so the last thing we need to do is to save the space colour image of

So we don't lose all at work so we're gonna come into image

I'm going to give it the name tea while underscore bc4 base colour

And Let's save our image

Ok so I'm that

Mortarless covers of the texture painting portion

For this section we come back we are going to look at

How to finalise this mash peas and then bring it into unreal

I will see you in the next video