All language subtitles for Module 23

And now let's talk about using morphs.

The seamless and invisible way of blending

two images together.

The question is how?

How to how to know how to know
when you can morph

and when when not more.

You know, it's
it really is very subjective.

It's really based on your eye.

What what seems noticeable.

The face invites us to look at details.

In a way, it's the least forgiving thing.

It's not to say
we can't get away with things.

We do get away with things.

But it's very funny when when I found

when I've sometimes when I have flopped

the screen direction of shots,
I've done that and you do that on a face.

There's some actors where

you can kind of flop the screen direction,

switch it,
and you don't really notice anything.

Other actors, they look completely
grotesque when you flop it around.

I think sometimes
when we flop Ryan's face, he looks

completely weird when we've done it,
so we would have to be careful.

And that's
because the face is such a specific thing.

When you see a closeup,

it invites you to look at all
the details, to look at the eyes.

So in the case of the morph,
if you have a close up,

you're really already
looking deeply at all these details.

So it doesn't mean it won't work.

It just means you have to be extra careful
about about trying it.

It's helpful to really communicate

with the VFX artists, the visual
effects artists who are working on it.

It's good
to really tell them why you're doing it

and what you need to accomplish,

because sometimes they can't
do what you want them to do,

but they can do something else
that will solve the problem.