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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,710 --> 00:00:02,830 PREVIOUSLY ON "WICKED CITY"... [ SCREAMING ] 2 00:00:02,830 --> 00:00:04,170 THIS KILLER WANTS FAME AND RECOGNITION. 3 00:00:04,170 --> 00:00:05,580 THAT'S WHY HE DUMPED THE BODY 4 00:00:05,580 --> 00:00:07,540 AT THE HILLSIDE STRANGLER'S LOCATION. 5 00:00:07,540 --> 00:00:08,790 I SAW EMILY THE NIGHT SHE WAS MURDERED. 6 00:00:08,790 --> 00:00:11,000 MAYBE SOMETHING YOU SAW COULD LEAD US TO THE KILLER. 7 00:00:11,000 --> 00:00:12,710 I MET A MUSIC GUY AT THE WHISKY THAT NIGHT. 8 00:00:12,710 --> 00:00:13,750 I LIKE YOU, BETTY. 9 00:00:13,750 --> 00:00:15,620 WE HAVE A REAL CONNECTION. 10 00:00:15,620 --> 00:00:16,830 AND THIS IS JUST THE BEGINNING. 11 00:00:16,830 --> 00:00:19,120 I GOT YOU SOMETHING. THE V.I.P. LIST FROM THE STRIP. 12 00:00:19,120 --> 00:00:20,210 YOU'RE A COP. 13 00:00:20,210 --> 00:00:22,000 WE NEED TO FIND YOUR MUSIC GUY. 14 00:00:22,000 --> 00:00:23,000 I THINK HE IS THE KILLER. 15 00:00:25,750 --> 00:00:29,380 ♪ IN OLDEN DAYS, A GLIMPSE OF STOCKING ♪ 16 00:00:29,380 --> 00:00:32,920 ♪ WAS LOOKED ON AS SOMETHING SHOCKING ♪ 17 00:00:32,920 --> 00:00:36,620 ♪ NOW HEAVEN KNOWS ♪ 18 00:00:36,620 --> 00:00:39,620 ♪ ANYTHING GOES ♪ 19 00:00:41,080 --> 00:00:45,750 ♪ GOOD AUTHORS, TOO, WHO ONCE KNEW BETTER WORDS ♪ 20 00:00:45,750 --> 00:00:48,620 ♪ NOW ONLY USE FOUR-LETTER WORDS ♪ 21 00:00:48,620 --> 00:00:51,380 ♪ WRITING PROSE... ♪ 22 00:00:51,380 --> 00:00:53,750 DJ Kevin: AND NOW MOTLEY CRUE'S "SHOUT AT THE DEVIL." 23 00:00:53,750 --> 00:00:56,460 THIS IS DEDICATED TO MALLORY K. FROM HER SECRET ADMIRER. 24 00:00:56,460 --> 00:00:57,670 [ ENGINE TURNS OVER ] 25 00:00:57,670 --> 00:00:59,000 ♪ SHOUT ♪ 26 00:00:59,000 --> 00:01:00,170 ♪ SHOUT ♪ 27 00:01:00,170 --> 00:01:01,290 ♪ SHOUT ♪ 28 00:01:01,290 --> 00:01:02,920 ♪ SHOUT AT THE DEVIL ♪ 29 00:01:02,920 --> 00:01:05,620 ♪♪ 30 00:01:09,580 --> 00:01:11,540 [ SIREN WAILING ] 31 00:01:11,540 --> 00:01:13,000 WE GOT A SERIAL KILLER WHO LEFT THE WHISKY 32 00:01:13,000 --> 00:01:14,420 WITHIN THE LAST FIVE MINUTES 33 00:01:14,420 --> 00:01:16,670 AND PROBABLY GRABBED A YOUNG WOMAN NAMED KAREN McCLAREN -- 34 00:01:16,670 --> 00:01:18,380 BROWN HAIR, BROWN EYES, WHITE FEMALE. 35 00:01:18,380 --> 00:01:19,420 SHE WAS LAST SEEN WEARING 36 00:01:19,420 --> 00:01:21,420 AN ORANGE TANK TOP AND A BROWN SKIRT. 37 00:01:21,420 --> 00:01:22,620 GO, GO. 38 00:01:22,620 --> 00:01:23,750 KAREN McCLAREN. 39 00:01:23,750 --> 00:01:24,750 WOMAN: Roth, Contreras, are you there? 40 00:01:24,750 --> 00:01:25,670 GO FOR ROTH. 41 00:01:25,670 --> 00:01:26,920 So, get this. 42 00:01:26,920 --> 00:01:28,540 The radio station calls again. 43 00:01:28,540 --> 00:01:33,080 The dedication was just changed from Karen M. to Mallory K. 44 00:01:33,080 --> 00:01:35,120 ANYTHING? NOTHING, MAN. 45 00:01:35,120 --> 00:01:36,380 IT'S LIKE SHE JUST DISAPPEARED. 46 00:01:36,380 --> 00:01:37,920 HE CALLED IN A DEDICATION TO KAREN, 47 00:01:37,920 --> 00:01:39,710 AND NOW HE JUST CALLED IN ANOTHER DEDICATION 48 00:01:39,710 --> 00:01:41,080 TO A MALLORY K. 49 00:01:41,080 --> 00:01:43,250 MAYBE HE SPOTTED US INSIDE WITH KAREN AND SWITCHED GEARS. 50 00:01:43,250 --> 00:01:44,460 YEAH, AND GIRLS. 51 00:01:44,460 --> 00:01:46,380 YOU NEED TO HIT THE STREETS FOR LEADS ON A MALLORY K. 52 00:01:46,380 --> 00:01:48,210 I'M GONNA CALL IN AN A.P.B. ON KAREN. 53 00:01:48,210 --> 00:01:49,500 THIS IS DETECTIVE JACK ROTH. 54 00:01:49,500 --> 00:01:51,710 I NEED TO CALL IN AN A.P.B. ON A KAREN McCLAREN, 55 00:01:51,710 --> 00:01:53,290 LAST SEEN AT THE WHISKY A GO GO ON SUNSET. 56 00:01:53,290 --> 00:01:56,710 21 YEARS OLD, BROWN HAIR, BROWN EYES, WHITE FEMALE, 57 00:01:56,710 --> 00:02:00,040 LAST SEEN WEARING AN ORANGE TANK TOP AND A BROWN SKIRT. 58 00:02:01,540 --> 00:02:02,880 [ BREATHING HEAVILY ] 59 00:02:02,880 --> 00:02:04,380 THANKS FOR GETTING ME OUT OF THERE. 60 00:02:04,380 --> 00:02:06,790 I-I COULDN'T BREATHE. 61 00:02:06,790 --> 00:02:08,040 [ EXHALES SHARPLY ] 62 00:02:08,040 --> 00:02:10,170 YOU REALLY THINK THAT GUY YOU MET WAS THE KILLER? 63 00:02:10,170 --> 00:02:11,620 YEAH. 64 00:02:11,620 --> 00:02:13,580 AND W-- AND WHEN I GOT IN THAT BATHROOM, 65 00:02:13,580 --> 00:02:15,670 MY -- MY MIND JUST STARTED RACING. 66 00:02:15,670 --> 00:02:17,710 I REMEMBERED SEEING THAT EMILY GIRL JUST -- 67 00:02:17,710 --> 00:02:20,380 JUST TALKING ABOUT APARTMENTS AND SOME HOT GUY, AND... 68 00:02:20,380 --> 00:02:23,710 THEN SHE WAS DEAD. 69 00:02:23,710 --> 00:02:27,120 [ SIGHS ] 70 00:02:27,120 --> 00:02:28,670 DO YOU THINK SHE KNEW? 71 00:02:28,670 --> 00:02:29,920 KNEW WHAT? 72 00:02:29,920 --> 00:02:32,250 BEFORE SHE DIED. 73 00:02:32,250 --> 00:02:35,710 DID SHE KNOW HE WAS GONNA KILL HER? 74 00:02:35,710 --> 00:02:38,040 I HOPE SHE DIDN'T. 75 00:02:38,040 --> 00:02:39,670 YEAH, USE THAT. 76 00:02:39,670 --> 00:02:42,830 SEE, MOST PEOPLE ALWAYS THINK ABOUT THE END, THE DEATH. 77 00:02:42,830 --> 00:02:44,830 [ EXHALES SHARPLY ] 78 00:02:44,830 --> 00:02:46,170 AAH. 79 00:02:46,170 --> 00:02:48,920 I F-- I FEEL SO -- SO JACKED UP! 80 00:02:48,920 --> 00:02:51,420 YES, THAT'S THE FEAR. THAT'S THE FEAR. 81 00:02:51,420 --> 00:02:52,920 IT'S FIGHT OR FLIGHT. 82 00:02:52,920 --> 00:02:55,500 AND IN YOUR CASE, IT'S WRITE. 83 00:02:57,830 --> 00:03:01,960 PUT IT ALL DOWN ON PAPER. ALL OF IT. 84 00:03:09,120 --> 00:03:10,830 [ ENGINE SHUTS OFF ] 85 00:03:13,330 --> 00:03:15,880 I DON'T FEEL GOOD ABOUT THIS. 86 00:03:15,880 --> 00:03:18,210 IT'S OKAY. YOU'LL SEE. 87 00:03:18,210 --> 00:03:20,500 I-I DIDN'T THINK IT THROUGH. 88 00:03:20,500 --> 00:03:22,380 I THINK YOU DID. 89 00:03:26,960 --> 00:03:29,000 [ CAR DOOR CLOSES ] 90 00:03:34,500 --> 00:03:36,540 WHAT ARE YOU FEELING RIGHT NOW? 91 00:03:36,540 --> 00:03:38,290 [ SIGHS ] 92 00:03:38,290 --> 00:03:40,040 TERRIFIED. 93 00:03:40,040 --> 00:03:41,960 IT'S NOT FEAR BUBBLING UP INSIDE YOU. 94 00:03:41,960 --> 00:03:42,880 IT'S ADRENALINE. 95 00:03:42,880 --> 00:03:46,000 ADMIT IT. 96 00:03:46,000 --> 00:03:47,080 YOU FEEL MORE ALIVE 97 00:03:47,080 --> 00:03:48,880 THAN YOU HAVE IN YOUR ENTIRE LIFE, RIGHT? 98 00:03:48,880 --> 00:03:50,750 [ SIGHS ] 99 00:03:50,750 --> 00:03:52,250 [ CHUCKLES ] 100 00:03:52,250 --> 00:03:54,620 COME ON. 101 00:04:02,920 --> 00:04:05,120 [ BREATHING HEAVILY ] 102 00:04:05,120 --> 00:04:06,880 THERE'S NO TURNING BACK NOW. 103 00:04:08,080 --> 00:04:12,000 [ MUFFLED SCREAMING, CRYING ] 104 00:04:22,620 --> 00:04:24,750 [ MUFFLED SCREAMS ] 105 00:04:28,420 --> 00:04:29,420 [ HEAD THUDS ] 106 00:04:29,420 --> 00:04:30,620 OH. OH, MY GOSH. ARE YOU OKAY? 107 00:04:30,620 --> 00:04:32,710 [ PANTING ] 108 00:04:34,380 --> 00:04:37,040 I SHOULD'VE WAITED UNTIL YOU HAD ME ALL THE WAY OUT 109 00:04:37,040 --> 00:04:38,080 BEFORE I STRUGGLED. 110 00:04:38,080 --> 00:04:40,000 [ CHUCKLES ] I FEEL LIKE AN IDIOT. 111 00:04:40,000 --> 00:04:42,540 NOT AT ALL. IT'S NO BIG DEAL. 112 00:04:42,540 --> 00:04:44,880 I RUINED THE MOMENT. 113 00:04:44,880 --> 00:04:49,880 IT WAS SO HOT, ME ALL TIED UP AND YOU MY CAPTORS. 114 00:04:49,880 --> 00:04:51,790 I WAS REALLY INTO THE ROLE. 115 00:04:51,790 --> 00:04:53,250 COULD YOU TELL? I MEAN, YOU'RE A PRODUCER. 116 00:04:53,250 --> 00:04:55,540 YOU KNOW WHEN IT FEELS REAL, RIGHT? 117 00:04:55,540 --> 00:04:56,830 YOU'RE BLEEDING. 118 00:04:56,830 --> 00:04:58,790 I AM? IS IT BAD? 119 00:04:58,790 --> 00:05:00,710 UM...WELL... 120 00:05:00,710 --> 00:05:03,460 IT IS GONNA NEED A COUPLE STITCHES. 121 00:05:03,460 --> 00:05:04,880 I'M AN ACTRESS. I CAN'T HAVE A SCAR. 122 00:05:04,880 --> 00:05:06,670 I'LL NEVER MAKE IT IF MY FACE IS ALL MESSED UP. 123 00:05:06,670 --> 00:05:07,710 OH, NO, NO, HERE. 124 00:05:07,710 --> 00:05:09,710 I-I'LL STITCH YOU UP IN TWO SECS. 125 00:05:09,710 --> 00:05:11,120 MM. YOU'LL BE FINE. 126 00:05:11,120 --> 00:05:13,960 ♪♪ 127 00:05:18,620 --> 00:05:21,290 EITHER I'M STILL REALLY HIGH AND CAN BARELY FEEL THIS 128 00:05:21,290 --> 00:05:22,500 OR YOU KNOW WHAT YOU'RE DOING. 129 00:05:22,500 --> 00:05:24,250 BOTH. 130 00:05:24,250 --> 00:05:26,540 I AM A NURSE, AND THAT VALIUM I GAVE YOU 131 00:05:26,540 --> 00:05:28,580 IS PROBABLY HELPING WITH THE PAIN. 132 00:05:35,330 --> 00:05:36,830 YOU'RE VERY GENTLE. 133 00:05:36,830 --> 00:05:38,670 I LOVE WATCHING YOU WORK. 134 00:05:38,670 --> 00:05:40,080 IT'S SO SEXY. 135 00:05:42,420 --> 00:05:43,460 AND HOW'S OUR PATIENT? 136 00:05:43,460 --> 00:05:45,580 PERFECT. 137 00:05:47,330 --> 00:05:49,330 THERE WON'T EVEN BE A SCAR. 138 00:05:58,830 --> 00:06:01,250 THANK YOU. 139 00:06:10,920 --> 00:06:12,790 EMBRACE IT. 140 00:06:44,000 --> 00:06:46,000 WHOO! 141 00:06:47,540 --> 00:06:49,420 I LOVE YOUR ANGLE. 142 00:06:49,420 --> 00:06:51,710 "THE SUNSET STRIP CREATES KILLERS." 143 00:06:51,710 --> 00:06:53,880 PEOPLE COMING TO THE STRIP FOR FORTUNE AND FAME, 144 00:06:53,880 --> 00:06:55,290 EVEN IF THEY HAVE TO KILL FOR IT. 145 00:06:55,290 --> 00:06:57,920 IT'S GOOD. GLAD YOU LIKE IT. 146 00:06:57,920 --> 00:06:59,830 I WANT TO LEAVE ON A POSITIVE NOTE. 147 00:06:59,830 --> 00:07:02,000 WHAT DOES THAT MEAN? 148 00:07:02,000 --> 00:07:03,790 IT MEANS THIS MIGHT BE MY LAST PIECE FOR YOU. 149 00:07:03,790 --> 00:07:05,250 I'M THINKING ABOUT MOVING BACK HOME. 150 00:07:05,250 --> 00:07:08,750 WHY? WHY WOULD YOU DO THAT? 151 00:07:08,750 --> 00:07:11,620 [ SIGHS ] I'M NOT RISKING MY LIFE FOR A STORY. 152 00:07:11,620 --> 00:07:13,040 IT'S NOT A STORY. 153 00:07:13,040 --> 00:07:15,000 IT'S THE STORY. IT'S A HUGE STORY. 154 00:07:15,000 --> 00:07:16,880 [ SCOFFS ] WAY TO THINK ONLY OF YOURSELF. 155 00:07:16,880 --> 00:07:18,620 NO, NO, I'M THINKING ABOUT YOU. 156 00:07:18,620 --> 00:07:19,710 THIS IS YOUR DREAM. 157 00:07:19,710 --> 00:07:21,290 I MEAN, THIS IS YOUR CHANCE. 158 00:07:21,290 --> 00:07:23,830 THAT'S TRUE, BUT -- BUT THERE'S A KILLER OUT THERE 159 00:07:23,830 --> 00:07:26,080 AND HE KNOWS WHERE TO FIND ME -- RIGHT HERE. 160 00:07:26,080 --> 00:07:28,040 I'LL PROTECT YOU. 161 00:07:28,040 --> 00:07:30,750 [ SCOFFS ] WITH WHAT? THE FIRST AMENDMENT? 162 00:07:30,750 --> 00:07:34,080 [ BANGING ON DOOR ] 163 00:07:34,080 --> 00:07:36,750 [ BANGING CONTINUES ] 164 00:07:36,750 --> 00:07:39,380 Jack: IT'S DETECTIVE JACK ROTH. LET US IN. 165 00:07:39,380 --> 00:07:42,080 No, no, no. Don't -- Don't answer it. 166 00:07:42,080 --> 00:07:43,750 WE CAN HEAR YOU. 167 00:07:48,750 --> 00:07:50,330 HOW DID YOU KNOW I WAS HERE? 168 00:07:50,330 --> 00:07:51,620 WE KNOW WHERE YOU WORK. 169 00:07:51,620 --> 00:07:54,040 AND SO DOES THE KILLER, SO THIS WAS A STUPID MOVE. 170 00:07:54,040 --> 00:07:56,670 I'M SORRY. I RAN. I W-- I WAS TOTALLY FREAKED. 171 00:07:56,670 --> 00:07:57,710 I JUST PANICKED. 172 00:07:57,710 --> 00:07:59,040 AND YOU FELT SAFER WITH DIVER 173 00:07:59,040 --> 00:08:00,210 THAN WITH TWO DETECTIVES? 174 00:08:00,210 --> 00:08:02,040 OKAY, YOU KNOW WHAT? IT DOESN'T MATTER. 175 00:08:02,040 --> 00:08:04,290 WE FOUND YOU. LISTEN TO ME. WE NEED YOUR HELP. 176 00:08:04,290 --> 00:08:06,750 THE KILLER GRABBED ANOTHER GIRL FROM THE CLUB. 177 00:08:06,750 --> 00:08:09,580 WE NEED TO FIND THIS GUY. 178 00:08:09,580 --> 00:08:11,250 SHE'S GONE. 179 00:08:11,250 --> 00:08:13,750 GOD ONLY KNOWS WHAT HE'S DOING TO HER. 180 00:08:13,750 --> 00:08:16,960 ♪♪ 181 00:08:33,040 --> 00:08:34,500 [ INHALES SHARPLY ] 182 00:08:34,500 --> 00:08:36,830 [ CHUCKLES ] THAT KIND OF HURTS. 183 00:08:36,830 --> 00:08:39,620 THEN DON'T MOVE. 184 00:08:54,290 --> 00:08:56,290 OH, MY GOD. 185 00:08:56,290 --> 00:08:58,750 NO, DON'T SAY A WORD. 186 00:09:02,830 --> 00:09:04,750 DON'T EVEN BREATHE. 187 00:10:00,000 --> 00:10:02,080 [ MOANS ] 188 00:10:02,080 --> 00:10:03,880 Shh! 189 00:10:05,040 --> 00:10:07,170 QUIET. 190 00:10:33,250 --> 00:10:35,250 [ PANTING ] 191 00:10:37,670 --> 00:10:39,920 OKAY, THAT WAS FREAKY. 192 00:10:41,380 --> 00:10:44,380 INCREDIBLE, BUT FREAKY. 193 00:11:19,500 --> 00:11:22,000 [ WHIMPERING ] 194 00:11:26,790 --> 00:11:29,120 [ CRYING ] 195 00:11:38,880 --> 00:11:41,290 [ GASPS ] 196 00:11:46,830 --> 00:11:48,250 [ BREATHING HEAVILY ] 197 00:11:52,080 --> 00:11:54,620 YOU TWO ARE TOO MUCH. 198 00:12:03,170 --> 00:12:05,620 WHERE ARE YOU GOING? 199 00:12:05,620 --> 00:12:07,960 I SHOULD RUN MALLORY HOME. 200 00:12:07,960 --> 00:12:10,620 I DON'T WANT THAT LITTLE KITTY CAT TO STAY HERE. 201 00:12:10,620 --> 00:12:13,710 LET'S CALL HER A CAB. 202 00:12:13,710 --> 00:12:15,420 I'LL TAKE HER. 203 00:12:17,380 --> 00:12:20,500 JUST LIE WITH ME FOR A MINUTE. 204 00:12:24,000 --> 00:12:26,380 ALL RIGHT. 205 00:12:26,380 --> 00:12:28,210 BUT ONLY FOR A MINUTE. 206 00:12:37,420 --> 00:12:38,500 [ SIGHS ] 207 00:12:44,420 --> 00:12:46,080 [ BIRDS CHIRPING ] 208 00:12:52,040 --> 00:12:55,460 WHERE THE HELL IS MALLORY? 209 00:12:55,460 --> 00:12:58,580 ♪♪ 210 00:13:03,290 --> 00:13:04,540 [ CLEARS THROAT ] 211 00:13:07,620 --> 00:13:09,580 IS SOMETHING WRONG? 212 00:13:09,580 --> 00:13:12,670 NO, I JUST HAVE TO GET GOING. 213 00:13:12,670 --> 00:13:14,210 I, UH... 214 00:13:14,210 --> 00:13:15,460 HAVE SOMEPLACE TO BE? 215 00:13:15,460 --> 00:13:17,040 YOU KNOW, I REALLY DO. 216 00:13:17,040 --> 00:13:20,040 I FORGOT I HAVE THIS EARLY...MORNING THING. 217 00:13:20,040 --> 00:13:22,120 IS IT SOMETHING I DID? 218 00:13:22,120 --> 00:13:26,040 DON'T BE SILLY. I JUST, UH -- I HAVE A BIG DAY. 219 00:13:30,040 --> 00:13:32,580 I CAN'T FIND MY KEYS. 220 00:13:39,830 --> 00:13:41,830 THIS IS ABOUT MALLORY, ISN'T IT? 221 00:13:44,500 --> 00:13:46,000 WHAT DO YOU MEAN? 222 00:13:46,000 --> 00:13:48,670 I MEAN... 223 00:13:48,670 --> 00:13:51,250 I'VE NEVER DONE ANYTHING LIKE THIS. 224 00:13:51,250 --> 00:13:53,880 MAYBE AFTER LAST NIGHT, YOU DON'T RESPECT ME, 225 00:13:53,880 --> 00:13:55,500 OR MAYBE MALLORY IS MORE YOUR TYPE. 226 00:13:55,500 --> 00:13:58,000 SHE'S SO YOUNG AND FREE AND -- 227 00:14:10,960 --> 00:14:12,830 DOES THAT ANSWER YOUR QUESTION 228 00:14:12,830 --> 00:14:15,420 ABOUT HOW I FEEL ABOUT MALLORY? 229 00:14:17,540 --> 00:14:20,920 I WANTED TO DROP HER OFF. IT WAS THE RIGHT THING TO DO. 230 00:14:20,920 --> 00:14:22,620 THAT'S ALL, OKAY? 231 00:14:24,750 --> 00:14:26,500 I'M SORRY TO RUSH OUT. 232 00:14:31,080 --> 00:14:32,790 KENT. 233 00:14:32,790 --> 00:14:34,170 HERE THEY ARE. 234 00:14:40,790 --> 00:14:42,210 [ DOOR CLOSES ] 235 00:14:48,170 --> 00:14:50,790 [ SIGHS ] 236 00:14:50,790 --> 00:14:53,330 Jack: WE'RE GONNA NEED TO GET YOU TO SIT DOWN WITH A SKETCH ARTIST. 237 00:14:53,330 --> 00:14:55,580 WE GOT A PATROL CAR WAITING. 238 00:14:55,580 --> 00:14:57,420 OH, WERE YOU LOCKED OUT? 239 00:14:57,420 --> 00:14:58,920 WE HADN'T REALIZED. 240 00:14:58,920 --> 00:15:01,080 YEAH, JOKE ALL YOU WANT. AT LEAST I CARE ABOUT KAREN. 241 00:15:01,080 --> 00:15:02,710 YOU GUYS ARE JUST USING HER FOR BAIT. 242 00:15:02,710 --> 00:15:05,960 HEY, UH, LET ME TALK TO HIM. 243 00:15:05,960 --> 00:15:09,420 HAVE AT IT. YOU TWO ARE MADE FOR EACH OTHER. 244 00:15:14,000 --> 00:15:16,460 CARE SO MUCH ABOUT KAREN... 245 00:15:16,460 --> 00:15:18,880 WHY DON'T YOU HELP ME OUT? 246 00:15:18,880 --> 00:15:22,460 ALL RIGHT, LOOK, WHAT DO YOU KNOW ABOUT THIS COCAINE? 247 00:15:22,460 --> 00:15:24,790 [ CHUCKLES ] IT'S THAT FLY BRAND. 248 00:15:24,790 --> 00:15:26,250 BEST BLOW ON THE STRIP. 249 00:15:26,250 --> 00:15:27,210 GOT A NAME? 250 00:15:27,210 --> 00:15:29,000 COME ON, MAN. YOU KNOW THE DEAL. 251 00:15:29,000 --> 00:15:30,580 YOU HELP ME, I HELP YOU. 252 00:15:30,580 --> 00:15:32,710 HOW ABOUT I GIVE YOU SOMETHING WORTH MORE THAN MONEY? 253 00:15:32,710 --> 00:15:34,620 OKAY. 254 00:15:34,620 --> 00:15:37,170 FLY BRAND COKE WAS LEFT ON THE VICTIM. 255 00:15:37,170 --> 00:15:39,210 ONLY THE L.A.P.D. KNOWS THAT. 256 00:15:39,210 --> 00:15:41,080 NOW SO DO YOU. [ CHUCKLES ] 257 00:15:41,080 --> 00:15:43,540 AND WHY ARE YOU TRUSTING ME WITH THIS? 258 00:15:43,540 --> 00:15:45,040 BECAUSE YOU'RE SMART. 259 00:15:46,540 --> 00:15:48,330 I KNOW YOU'LL GET INTO IT. 260 00:15:48,330 --> 00:15:50,620 MAYBE YOU FIND SOMETHING NEW FOR US. 261 00:15:50,620 --> 00:15:52,580 [ CHUCKLES ] US? "US" AS IN ME-AND-YOU US? 262 00:15:52,580 --> 00:15:54,040 SURE. 263 00:15:54,040 --> 00:15:55,500 WHAT ABOUT YOUR LITTLE PARTNER? HE'S NOT GONNA GET JEALOUS? 264 00:15:55,500 --> 00:15:56,710 NAH. 265 00:15:56,710 --> 00:15:59,420 LET ME WORRY ABOUT HIM. OKAY. 266 00:15:59,420 --> 00:16:03,210 SO, THIS FLY BRAND COKE DEALER, WHAT'S HIS NAME? 267 00:16:06,540 --> 00:16:08,380 Jack: THIS GUY'S NAME IS BUCKET? 268 00:16:08,380 --> 00:16:09,710 YOU SURE DIVER ISN'T PLAYING YOU? 269 00:16:09,710 --> 00:16:11,080 THIS WILL PLAY OUT. 270 00:16:11,080 --> 00:16:13,120 YOU DIDN'T TELL HIM ANYTHING ABOUT OUR CASE, DID YOU? NO. 271 00:16:13,120 --> 00:16:15,670 OF COURSE NOT. JUST USED MY CHARM. 272 00:16:15,670 --> 00:16:17,420 YOU LIE WORSE THAN NIXON. 273 00:16:17,420 --> 00:16:18,500 AND I WANT THE CORRECT AMOUNT. 274 00:16:18,500 --> 00:16:20,540 Paco: I BELIEVE THAT IS OUR GUY. 275 00:16:20,540 --> 00:16:21,540 CERTAINLY LOOKS THE PART. 276 00:16:21,540 --> 00:16:24,620 NO LIGHT THIS WEEK. 277 00:16:24,620 --> 00:16:25,670 NO PARTIES, NO NOTHING. 278 00:16:25,670 --> 00:16:27,210 JUST MOVE IT AND MOVE IT, ALL RIGHT? 279 00:16:27,210 --> 00:16:29,830 AND THAT'S 35 FOR THESE LEMONS, ALL RIGHT? 280 00:16:29,830 --> 00:16:31,500 HOW DO YOU WANT TO PLAY THIS? 281 00:16:31,500 --> 00:16:32,460 TAKE HIM DOWN. 282 00:16:32,460 --> 00:16:33,620 BUCKET! 283 00:16:33,620 --> 00:16:35,040 REALLY? 284 00:16:35,040 --> 00:16:37,750 IS THAT JUST DRUGS SITTING THERE OUT IN THE OPEN? 285 00:16:37,750 --> 00:16:40,420 LET'S SEE -- COKE, QUAALUDES. ANYTHING I'M MISSING HERE? 286 00:16:40,420 --> 00:16:43,420 SUCH AN EGREGIOUS DISPLAY OF NARCOTICS IS FLAGRANTLY ILLEGAL. 287 00:16:43,420 --> 00:16:46,420 WOW. FANCY WORDS FOR A DUMB PIG. 288 00:16:46,420 --> 00:16:48,380 WELL, YOU'RE UNDER ARREST. 289 00:16:48,380 --> 00:16:49,830 ARE THOSE FANCY ENOUGH FOR YOU? 290 00:16:49,830 --> 00:16:51,710 FOR WHAT? FOR TELLING THE TRUTH? 291 00:16:51,710 --> 00:16:53,920 FOR POSSESSION WITH INTENT TO DISTRIBUTE, ACTUALLY. 292 00:16:53,920 --> 00:16:55,250 TAKE HER AWAY. 293 00:16:55,250 --> 00:16:56,750 HANDS BEHIND YOUR BACK. LET'S GO. 294 00:16:56,750 --> 00:16:57,960 HEY, EASY. THAT'S A LADY, MAN. 295 00:16:57,960 --> 00:17:00,380 YOU LOSE SOMETHING? 296 00:17:00,380 --> 00:17:02,460 WHAT? THAT'S HERS, MAN. 297 00:17:02,460 --> 00:17:04,250 [ SIGHS ] FRISK ME. 298 00:17:04,250 --> 00:17:05,540 I GOT NOTHING, MAN. COME ON. 299 00:17:05,540 --> 00:17:07,580 LISTEN UP. I GOT TWO NAMES FOR YOU. 300 00:17:07,580 --> 00:17:10,290 EMILY FUENTES... AND MALLORY K. 301 00:17:10,290 --> 00:17:12,170 EITHER OF THOSE RING A BELL? 302 00:17:12,170 --> 00:17:14,420 HMM. WHO ARE THEY? 303 00:17:14,420 --> 00:17:15,830 ONE OF THEM'S DEAD, THE OTHER ONE MIGHT BE, 304 00:17:15,830 --> 00:17:16,960 AND THAT COULD BE BECAUSE OF YOU. 305 00:17:16,960 --> 00:17:18,120 [ SCOFFS ] LOOK, MAN, 306 00:17:18,120 --> 00:17:19,960 I MIGHT MOVE A LITTLE BIT OF MEDICINE, 307 00:17:19,960 --> 00:17:21,960 BUT I DON'T KILL PEOPLE. OKAY, THAT'S FINE. 308 00:17:21,960 --> 00:17:23,710 I DON'T CARE ABOUT YOUR LITTLE BUSINESS HERE. 309 00:17:23,710 --> 00:17:25,120 THESE GIRLS WERE BETWEEN 18 AND 25, 310 00:17:25,120 --> 00:17:26,790 THEY HUNG ON THE STRIP WITH GUYS LIKE YOU 311 00:17:26,790 --> 00:17:28,580 WHO FEED THEM COKE AND PROMISE THEM THE WORLD. 312 00:17:28,580 --> 00:17:30,290 YEAH, YEAH, YEAH, YEAH, YEAH, YEAH, YEAH. I GOT IT. 313 00:17:30,290 --> 00:17:31,790 YES. YEAH? 314 00:17:31,790 --> 00:17:35,460 THAT IS EVERY GIRL I'VE EVER MET ON SUNSET STRIP, MAN. 315 00:17:35,460 --> 00:17:36,670 NO! HEY! YOU'RE GONNA WASTE MY TIME? 316 00:17:36,670 --> 00:17:37,750 YOU'RE UNDER ARREST. EASY. 317 00:17:37,750 --> 00:17:38,790 YOU HAVE THE RIGHT TO REMAIN SILENT. 318 00:17:38,790 --> 00:17:39,960 WHOA, WHOA! LIGHT BULB MOMENT. 319 00:17:39,960 --> 00:17:41,080 I GOT IT, I GOT IT. 320 00:17:41,080 --> 00:17:42,920 ANGIE. ALL RIGHT? 321 00:17:42,920 --> 00:17:44,750 SHE'S QUEEN OF THE SUNSET STRIP. 322 00:17:44,750 --> 00:17:46,710 SHE KNOWS ALL THESE CHICKS OUT HERE, MAN. 323 00:17:46,710 --> 00:17:49,210 LOOK, IF YOUR GIRLS ARE OUT HERE, ANGIE WILL KNOW THEM. 324 00:17:49,210 --> 00:17:50,380 HOW DO I FIND HER? 325 00:17:50,380 --> 00:17:52,960 SHE'S A DANCER FOR MTV, MAN. 326 00:17:52,960 --> 00:17:55,080 LOOK, SHE'S SHOOTING SOME VIDEO DOWNTOWN. 327 00:17:55,080 --> 00:17:56,580 JUST -- THAT'S WHERE SHE IS. 328 00:17:56,580 --> 00:17:59,920 [ DEF LEPPARD'S "PHOTOGRAPH" PLAYS ] 329 00:18:03,670 --> 00:18:05,580 ♪ I'M OUTTA LUCK ♪ 330 00:18:05,580 --> 00:18:07,420 ♪ OUTTA LOVE ♪ 331 00:18:07,420 --> 00:18:09,500 ♪ GOT A PHOTOGRAPH ♪ 332 00:18:09,500 --> 00:18:11,580 ♪ PICTURE OF ♪ LEFT, UPPER LEVEL. 333 00:18:11,580 --> 00:18:13,380 ♪ PASSION KILLER ♪ 334 00:18:13,380 --> 00:18:15,290 ♪ YOU'RE TOO MUCH ♪ 335 00:18:15,290 --> 00:18:17,420 ♪ YOU'RE THE ONLY ONE... ♪ 336 00:18:17,420 --> 00:18:18,620 MTV. 337 00:18:18,620 --> 00:18:20,540 STATION THAT ONLY PLAYS MUSIC VIDEOS. 338 00:18:20,540 --> 00:18:21,920 [ Scoffing ] YEAH. 339 00:18:21,920 --> 00:18:23,420 NO ONE'S GONNA WATCH THAT. 340 00:18:23,420 --> 00:18:25,460 ALTHOUGH I COULD WATCH THEM ALL DAY. 341 00:18:25,460 --> 00:18:26,750 ♪ PHOTOGRAPH ♪ 342 00:18:26,750 --> 00:18:32,380 ♪ ALL I'VE GOT IS A PHOTOGRAPH ♪ 343 00:18:32,380 --> 00:18:35,380 ♪ BUT IT'S NOT ENOUGH ♪ 344 00:18:35,380 --> 00:18:36,750 YOU'RE DYNAMITE. 345 00:18:36,750 --> 00:18:38,170 EXCUSE ME. BUDDY? OKAY, HEY, YOU GUYS. RIGHT HERE. 346 00:18:38,170 --> 00:18:39,750 EXCUSE ME. HI. L.A.P.D. 347 00:18:39,750 --> 00:18:42,080 I'M LOOKING FOR A DANCER NAMED ANGIE. 348 00:18:42,080 --> 00:18:43,750 I'M IN THE MIDDLE OF A PERFORMANCE HERE. 349 00:18:43,750 --> 00:18:45,880 HANG ON. OKAY. 350 00:18:45,880 --> 00:18:47,710 SWING OVER. CUT! 351 00:18:47,710 --> 00:18:50,170 ♪ YOU MAKE EVERY... ♪ STOP THE PLAYBACK! 352 00:18:50,170 --> 00:18:51,620 CUT! [ MUSIC STOPS ] 353 00:18:51,620 --> 00:18:52,830 THIS IS MY SET. 354 00:18:52,830 --> 00:18:55,710 NOBODY MAKES A MOVE WITHOUT MY SAY SO. 355 00:18:55,710 --> 00:18:57,210 OKAY, UH, HOW ABOUT THIS? 356 00:18:57,210 --> 00:18:59,540 I COULD MAKE A MOVE TO KICK YOUR ASS, 357 00:18:59,540 --> 00:19:02,620 OR YOU COULD TELL ME WHERE THE DANCER NAMED ANGIE IS. 358 00:19:02,620 --> 00:19:04,920 ALL RIGHT. 359 00:19:04,920 --> 00:19:06,120 ANGIE! 360 00:19:06,120 --> 00:19:08,670 THIS GENTLEMAN WANTS TO SPEAK WITH YOU! 361 00:19:08,670 --> 00:19:10,880 WE'RE LOOKING FOR A GIRL. WE HEARD YOU MIGHT KNOW HER. 362 00:19:10,880 --> 00:19:12,960 MALLORY K. MALLORY KHARCHENKO. 363 00:19:12,960 --> 00:19:13,960 SHE IN TROUBLE? 364 00:19:13,960 --> 00:19:15,670 NO, WE JUST NEED TO TALK TO HER. 365 00:19:15,670 --> 00:19:17,540 DO YOU KNOW WHERE WE MIGHT FIND HER? 366 00:19:17,540 --> 00:19:18,710 YOU JUST MISSED HER. 367 00:19:18,710 --> 00:19:19,790 SHE WAS HERE? 368 00:19:19,790 --> 00:19:20,960 ABOUT AN HOUR AGO. 369 00:19:20,960 --> 00:19:22,830 SHE WAS SUPPOSED TO BE IN THIS VIDEO, 370 00:19:22,830 --> 00:19:24,460 BUT SHE SHOWED UP WITH STITCHES. 371 00:19:24,460 --> 00:19:26,710 YOU CAN'T EXACTLY BE GORGEOUS GIRL NUMBER SEVEN 372 00:19:26,710 --> 00:19:28,290 WITH A GIANT GASH ON YOUR FOREHEAD. 373 00:19:28,290 --> 00:19:30,290 DO YOU HAVE AN ADDRESS FOR HER? 374 00:19:37,500 --> 00:19:39,880 IS MALLORY KHARCHENKO HOME? 375 00:19:43,210 --> 00:19:45,580 DETECTIVE COSTELLO. WHEN WILL MALLORY BE BACK? 376 00:19:45,580 --> 00:19:47,460 UM...BEATS ME. 377 00:19:47,460 --> 00:19:48,830 I DON'T KNOW. SHE'S JUST BEEN CRASHING HERE. 378 00:19:48,830 --> 00:19:49,920 I HAVEN'T SEEN HER IN A FEW DAYS. 379 00:19:49,920 --> 00:19:51,670 IT'S IMPORTANT THAT WE FIND HER. 380 00:19:51,670 --> 00:19:53,120 I UNDERSTAND. I REALLY DO. 381 00:19:53,120 --> 00:19:54,620 BUT I'M LATE FOR AN AUDITION, 382 00:19:54,620 --> 00:19:56,120 SO IF I HEAR FROM HER, I CAN JUST -- 383 00:19:56,120 --> 00:19:57,540 WAIT. 384 00:19:57,540 --> 00:19:59,290 I THOUGHT YOU LOOKED LIKE AN ACTOR. 385 00:19:59,290 --> 00:20:01,210 [ CHUCKLES ] OR A MODEL. 386 00:20:01,210 --> 00:20:02,880 WHAT'S THE SHOW? 387 00:20:02,880 --> 00:20:04,330 "REMINGTON STEELE." 388 00:20:04,330 --> 00:20:06,880 I LOVE THAT SHOW. 389 00:20:06,880 --> 00:20:09,580 THAT LEAD GUY IS... 390 00:20:09,580 --> 00:20:10,670 SO CHARMING. 391 00:20:10,670 --> 00:20:12,880 YEAH, HE IS. 392 00:20:12,880 --> 00:20:14,670 HMM. 393 00:20:14,670 --> 00:20:16,830 WELL, LIKE I SAID, 394 00:20:16,830 --> 00:20:18,330 IF I HEAR FROM MALLORY OR IF I TALK TO HER, 395 00:20:18,330 --> 00:20:19,380 I'LL DEFINITELY CALL YOU. 396 00:20:19,380 --> 00:20:21,330 DO YOU HAVE A CARD? 397 00:20:21,330 --> 00:20:23,620 GIVE ME YOUR NUMBER INSTEAD. 398 00:20:23,620 --> 00:20:25,500 I LIKE TO BE IN CONTROL. 399 00:20:33,790 --> 00:20:35,460 [ PAPER TEARS ] 400 00:20:35,460 --> 00:20:36,790 CALL ME. 401 00:20:36,790 --> 00:20:38,170 FOR SURE. 402 00:20:42,080 --> 00:20:43,830 Kent: [ British accent ] I'M TRAVIS COLEMAN. 403 00:20:43,830 --> 00:20:45,420 I'M PRODUCING A NEW CHUCK NORRIS MOVIE, 404 00:20:45,420 --> 00:20:47,960 AND I WAS WATCHING "THE LOVE BOAT" THE OTHER NIGHT. 405 00:20:47,960 --> 00:20:50,040 GREAT JOB CASTING, BY THE WAY. 406 00:20:50,040 --> 00:20:52,960 I COULDN'T TAKE MY EYES OFF THIS FIERY REDHEAD, 407 00:20:52,960 --> 00:20:56,420 MALLORY...KHARCHENKO. 408 00:20:56,420 --> 00:20:59,420 THAT'S THE ONE. DO YOU HAVE A NUMBER FOR HER? 409 00:20:59,420 --> 00:21:02,790 PERFECT. I'LL TAKE HER MANAGER'S NUMBER. 410 00:21:04,420 --> 00:21:05,880 [ Normal voice ] MISS CARTAZZO. 411 00:21:05,880 --> 00:21:08,580 TOLD YOU YOUR CAR WOULDN'T BE READY UNTIL NEXT WEEK. 412 00:21:08,580 --> 00:21:10,880 Bridget: OH. 413 00:21:10,880 --> 00:21:13,040 I HAVE A CHECK. 414 00:21:13,040 --> 00:21:14,420 FIGURED I'D PAY IN ADVANCE. 415 00:21:14,420 --> 00:21:16,210 OH. 416 00:21:16,210 --> 00:21:20,540 HAS MY PHONE NUMBER ON IT, IF YOU NEED ME. 417 00:21:20,540 --> 00:21:22,500 OR... 418 00:21:22,500 --> 00:21:23,500 FOR WHATEVER. 419 00:21:23,500 --> 00:21:24,710 [ CHUCKLES ] 420 00:21:24,710 --> 00:21:28,880 I'LL, UH, CALL YOU WHEN YOUR CAR'S READY. 421 00:21:36,710 --> 00:21:39,380 HOW DO YOU DO IT, MAN? 422 00:21:39,380 --> 00:21:41,170 YOU ALWAYS KILL IT WITH THE LADIES. 423 00:21:41,170 --> 00:21:43,120 I MAKE THEIR DREAMS COME TRUE. 424 00:21:43,120 --> 00:21:45,380 YOU REUPHOLSTER CARS, JUST LIKE US. 425 00:21:45,380 --> 00:21:46,620 EXACTLY. 426 00:21:46,620 --> 00:21:48,500 [ ENGINE TURNS OVER ] 427 00:21:51,750 --> 00:21:54,120 Jack: I SENT THE NEAREST UNIT TO THE APARTMENT 428 00:21:54,120 --> 00:21:55,710 WHERE MALLORY'S BEEN STAYING. 429 00:21:55,710 --> 00:21:57,250 I LOCATED THE PARENTS, BUT THAT WAS A BUST. 430 00:21:57,250 --> 00:21:58,250 THEY LIVE IN BROOKLYN. 431 00:21:58,250 --> 00:21:59,500 HAVEN'T HEARD FROM HER IN SIX MONTHS. 432 00:21:59,500 --> 00:22:01,040 I TRACKED DOWN THE OWNER OF THE BUILDING. 433 00:22:01,040 --> 00:22:02,670 HE SAID ANOTHER DETECTIVE WAS THERE EARLIER 434 00:22:02,670 --> 00:22:03,620 AND TALKED TO HER ROOMMATE. 435 00:22:03,620 --> 00:22:04,670 REALLY? 436 00:22:04,670 --> 00:22:06,460 WE DIDN'T SEND ANYONE THERE EARLIER. 437 00:22:06,460 --> 00:22:09,170 THE ONLY DETECTIVE THAT FORCES HIMSELF ON CASES IS THIS GUY. 438 00:22:09,170 --> 00:22:11,040 IS THAT REALLY NECESSARY? 439 00:22:14,670 --> 00:22:17,120 HE WASN'T A DETECTIVE. 440 00:22:17,120 --> 00:22:20,420 IT WAS OUR KILLER. HE'S LOOKING FOR MALLORY, TOO. 441 00:22:20,420 --> 00:22:21,920 WELL, THAT'S GOOD. 442 00:22:21,920 --> 00:22:23,580 MEANS HE DOESN'T KNOW WHERE SHE IS, EITHER. 443 00:22:23,580 --> 00:22:25,080 YEAH, BUT HE'S GOT A FEW HOURS ON US, 444 00:22:25,080 --> 00:22:26,250 SO WE HIT THE HOSPITAL. 445 00:22:26,250 --> 00:22:27,790 MALLORY HAD TO GET HER STITCHES SOMEWHERE. 446 00:22:27,790 --> 00:22:29,120 I CALLED THE SOCIAL SECURITY OFFICE, 447 00:22:29,120 --> 00:22:30,080 GAVE THEM MALLORY'S NUMBER. 448 00:22:30,080 --> 00:22:31,120 HOPEFULLY WE CAN GET A HIT 449 00:22:31,120 --> 00:22:32,290 ON ONE OF HER JOBS, FIND HER THERE. 450 00:22:32,290 --> 00:22:33,420 THAT'LL TAKE FOREVER. 451 00:22:33,420 --> 00:22:35,420 SOCIAL SECURITY IS WORSE THAN THE DMV. 452 00:22:35,420 --> 00:22:37,120 YOU ALWAYS GOT YOUR HEAD UP SOME FEDERAL ASS. 453 00:22:37,120 --> 00:22:39,460 YOU KNOW ANYONE AT SOCIAL SECURITY? 454 00:22:39,460 --> 00:22:41,580 WAS THAT YOUR WAY OF ASKING ME FOR MY HELP? 455 00:22:41,580 --> 00:22:42,540 YEAH. 456 00:22:42,540 --> 00:22:45,830 OKAY. I'LL REACH OUT. 457 00:22:46,830 --> 00:22:48,290 KAREN'S HERE WITH THE SKETCH ARTIST. 458 00:22:48,290 --> 00:22:51,330 Jack: HOW'S IT LOOKING? 459 00:22:51,330 --> 00:22:53,920 OKAY, I GUESS. 460 00:22:53,920 --> 00:22:56,120 YOU KNOW, KAREN, YOU SEEM LIKE A GOOD KID, 461 00:22:56,120 --> 00:22:58,790 SO I GOT TO ASK, WHY ARE YOU HANGING OUT WITH DIVER? 462 00:22:58,790 --> 00:23:00,960 THAT GUY FEEDS ON THE DARKEST PART OF THE STRIP. 463 00:23:00,960 --> 00:23:02,120 DIVER'S JUST EXPOSING IT. 464 00:23:02,120 --> 00:23:03,750 IF HE DIDN'T REVEAL IT, WHO WOULD? 465 00:23:03,750 --> 00:23:06,290 SO, I SPOKE TO MY GUY DOWN AT SOCIAL SECURITY. 466 00:23:06,290 --> 00:23:07,620 WE SHOULD HEAR BACK SOON. 467 00:23:07,620 --> 00:23:09,290 READY TO HIT THE HOSPITALS? 468 00:23:09,290 --> 00:23:10,710 YEAH, YOU TAKE THE CITY. I'LL HIT THE VALLEY. 469 00:23:12,040 --> 00:23:14,290 JUST SHOW HER. WHAT DO YOU THINK? 470 00:23:16,920 --> 00:23:18,920 I DON'T KNOW. KIND OF LOOKS LIKE HIM. 471 00:23:18,920 --> 00:23:20,960 MAYBE IN THE EYES. 472 00:23:23,250 --> 00:23:25,420 THE L.A.P.D. IS LOOKING FOR THIS MAN. 473 00:23:25,420 --> 00:23:28,120 IF YOU'VE SEEN HIM, PLEASE CALL US IMMEDIATELY. 474 00:23:28,120 --> 00:23:29,580 HERE YOU GO. 475 00:23:29,580 --> 00:23:32,120 PASS THESE AROUND TO THE REST OF THE STAFF, IF YOU WOULD. 476 00:23:32,120 --> 00:23:34,420 NOW, THIS MAN MIGHT HAVE BEEN SEEN WITH THIS WOMAN. 477 00:23:34,420 --> 00:23:37,710 SHE'S A 19-YEAR-OLD FEMALE. HER NAME IS MALLORY KHARCHENKO. 478 00:23:37,710 --> 00:23:39,830 I'LL LEAVE A STACK OF HER PHOTOS OVER ON THE TABLE. 479 00:23:39,830 --> 00:23:41,250 HERE YOU GO. 480 00:23:41,250 --> 00:23:42,750 YEAH, THEY'RE BOTH PERSONS OF INTEREST, 481 00:23:42,750 --> 00:23:45,080 AND THE WOMAN MIGHT'VE COME IN LATE LAST NIGHT 482 00:23:45,080 --> 00:23:47,210 WITH A HEAD INJURY THAT REQUIRED STITCHES. 483 00:23:47,210 --> 00:23:48,710 SO, IF YOU SEE EITHER OF THEM, 484 00:23:48,710 --> 00:23:51,120 ALERT SECURITY AND THEN CALL US IMMEDIATELY, ALL RIGHT? 485 00:23:51,120 --> 00:23:52,790 I'LL LEAVE THE REST OF THESE OVER HERE. 486 00:23:52,790 --> 00:23:54,330 THANK YOU FOR YOUR TIME. 487 00:23:56,380 --> 00:24:00,000 ♪♪ 488 00:24:28,000 --> 00:24:29,920 [ GASPS ] 489 00:24:29,920 --> 00:24:31,880 HEY. 490 00:24:31,880 --> 00:24:33,210 WHAT THE HELL ARE YOU DOING HERE? 491 00:24:33,210 --> 00:24:35,290 I PAGED YOU. I CALLED YOU. YOU DIDN'T ANSWER. 492 00:24:35,290 --> 00:24:36,670 YEAH, HOW ABOUT NEXT TIME YOU PAGE ME 493 00:24:36,670 --> 00:24:37,830 BEFORE YOU HAVE ME ARRESTED? 494 00:24:37,830 --> 00:24:40,000 SORRY ABOUT THAT. 495 00:24:40,000 --> 00:24:41,380 I DIDN'T KNOW YOU WERE GONNA BE THERE. 496 00:24:41,380 --> 00:24:43,040 I'VE BEEN GROOMING BUCKET FOR A YEAR. I KNOW. 497 00:24:43,040 --> 00:24:44,960 AND I'M THIS CLOSE TO GETTING TO HIS BOSS. 498 00:24:44,960 --> 00:24:46,710 YOU COULD'VE JEOPARDIZED MY WHOLE CASE. 499 00:24:46,710 --> 00:24:47,830 BUT I-I DIDN'T. 500 00:24:47,830 --> 00:24:49,380 I DIDN'T JEOPAR-- HE DIDN'T MAKE YOU. 501 00:24:49,380 --> 00:24:50,380 THAT ISN'T THE POINT! 502 00:24:50,380 --> 00:24:52,040 THE POINT IS, IS THAT YOU DON'T CARE 503 00:24:52,040 --> 00:24:53,080 THAT YOU COULD HAVE. 504 00:24:53,080 --> 00:24:54,710 YOU KNOW WHAT? MAYBE IF I HAVE TO BURN 505 00:24:54,710 --> 00:24:56,500 A DRUG DEALER TO CATCH A SERIAL KILLER, 506 00:24:56,500 --> 00:24:59,080 MAYBE THAT'S A FAIR TRADE TO ME, YOU KNOW? NO, IT ISN'T. 507 00:24:59,080 --> 00:25:01,620 THE SUNSET STRIP AND ITS VICES KILL MORE PEOPLE IN A WEEK 508 00:25:01,620 --> 00:25:03,710 THAN YOUR SERIAL KILLER WILL ALL YEAR. 509 00:25:03,710 --> 00:25:05,830 SO DON'T TELL ME THAT WHAT YOU'RE DOING 510 00:25:05,830 --> 00:25:06,960 IS MORE IMPORTANT 511 00:25:06,960 --> 00:25:08,250 THAN WHAT I'M WORKING ON. 512 00:25:08,250 --> 00:25:09,460 YOUR VICTIMS AT LEAST HAVE A CHOICE IN THE MATTER. 513 00:25:09,460 --> 00:25:10,670 COME ON! DIANNE, STOP! 514 00:25:10,670 --> 00:25:13,830 LOOK! WE HAVE A REAL CHANCE HERE TO FIND THIS -- 515 00:25:13,830 --> 00:25:16,040 THIS GIRL BEFORE HE KILLS HER. 516 00:25:16,040 --> 00:25:19,460 I'M GLAD YOU GOT WHAT YOU WANTED. 517 00:25:19,460 --> 00:25:22,000 BUT I'M TIRED OF BEING COLLATERAL DAMAGE. 518 00:25:23,500 --> 00:25:24,880 GO HOME. 519 00:25:24,880 --> 00:25:27,880 DEAL WITH YOUR REAL LIFE WHILE YOU STILL HAVE ONE. 520 00:25:32,120 --> 00:25:34,420 Man: VICTIM IS DECAPITATED. 521 00:25:34,420 --> 00:25:38,420 11 LACERATIONS LOCATED IN THE LEFT AND RIGHT TRAPEZIUS. 522 00:25:38,420 --> 00:25:40,250 [ SIZZLING ] 523 00:25:40,250 --> 00:25:43,250 SMALL PARTICLES OF WHAT LOOKS LIKE UPHOLSTERY FOAM 524 00:25:43,250 --> 00:25:45,960 IN LAYERS OF INNER SUBCUTANEOUS FAT. 525 00:25:45,960 --> 00:25:50,750 ADDITIONAL LACERATIONS ON THE POSTERIOR DELTOID 526 00:25:50,750 --> 00:25:52,880 AS WELL AS THE NECK. 527 00:25:52,880 --> 00:25:54,500 ANAL CONTUSIONS... 528 00:25:54,500 --> 00:25:57,040 WELL, NOTHING GOES WITH CHOCOLATE CHIP PANCAKES 529 00:25:57,040 --> 00:25:59,210 LIKE ANAL CONTUSIONS. 530 00:25:59,210 --> 00:26:01,210 [ CHUCKLES ] YEAH, I THOUGHT IT WOULD SPICE 531 00:26:01,210 --> 00:26:02,250 THE MORNING UP A LITTLE. 532 00:26:02,250 --> 00:26:03,750 YEAH, IT CERTAINLY ADDS SOMETHING. 533 00:26:03,750 --> 00:26:05,210 LOOKING FOR THIS GIRL MALLORY, 534 00:26:05,210 --> 00:26:06,960 AND I WAS HOPING THE CORONER'S REPORT 535 00:26:06,960 --> 00:26:09,170 ON THE LAST VICTIM WOULD GIVE ME SOME NEW LEADS. 536 00:26:09,170 --> 00:26:10,210 IS SHE DEAD? 537 00:26:10,210 --> 00:26:12,380 I HOPE NOT. 538 00:26:12,380 --> 00:26:14,080 BUT SORRY. I KNOW I SHOULDN'T BE LISTENING TO THAT. 539 00:26:14,080 --> 00:26:15,210 OH, NO, PLEASE. [ CHUCKLES ] 540 00:26:15,210 --> 00:26:17,250 I'VE HEARD THE WORD "ANAL" BEFORE. 541 00:26:17,250 --> 00:26:19,420 MOSTLY FROM VICKI. 542 00:26:19,420 --> 00:26:22,250 APPARENTLY I'M VERY ANAL-RETENTIVE 543 00:26:22,250 --> 00:26:24,330 BECAUSE I INSIST THAT SHE MAKE HER BED. 544 00:26:24,330 --> 00:26:25,620 [ CHUCKLES ] 545 00:26:26,790 --> 00:26:27,920 YOU OKAY? 546 00:26:27,920 --> 00:26:30,080 YEAH, YEAH. 547 00:26:30,080 --> 00:26:33,420 I JUST -- I WANT TO SAY, UH, YOU KNOW, 548 00:26:33,420 --> 00:26:35,710 ABOUT THE CASE... 549 00:26:35,710 --> 00:26:38,960 IT'S NOT GONNA BE LIKE THE HILLSIDE STRANGLER SITUATION. 550 00:26:38,960 --> 00:26:41,170 I MADE A PROMISE TO YOU AND VICKI, 551 00:26:41,170 --> 00:26:42,670 AND I INTEND TO KEEP IT. 552 00:26:42,670 --> 00:26:44,380 LOOK, JACK, I'VE SEEN THE NEWS, YOU KNOW? 553 00:26:44,380 --> 00:26:46,040 THIS IS A HUGE CASE, AND WITHOUT VINCE -- 554 00:26:46,040 --> 00:26:49,040 YEAH, IT'S -- IT'S DEFINITELY GONNA BE MORE DIFFICULT 555 00:26:49,040 --> 00:26:50,330 WITH A NEW PARTNER, BUT... 556 00:26:50,330 --> 00:26:53,330 YOU AND VICKI ARE MY PRIORITIES. 557 00:26:53,330 --> 00:26:54,670 OKAY. 558 00:26:54,670 --> 00:26:56,120 WELL, LET'S START WITH BREAKFAST, 559 00:26:56,120 --> 00:26:57,710 SEE HOW THAT GOES FIRST. 560 00:26:57,710 --> 00:26:58,880 THINK IT'S GONNA GO QUITE WELL. 561 00:26:58,880 --> 00:27:00,380 LOOKING GOOD. 562 00:27:00,380 --> 00:27:03,040 OH, WHO IS THIS STRANGE MAN IN OUR KITCHEN? 563 00:27:03,040 --> 00:27:04,250 [ CHUCKLES ] 564 00:27:04,250 --> 00:27:06,290 [ As Darth Vader ] I AM YOUR FATHER, LUKE SKYWALKER. 565 00:27:06,290 --> 00:27:08,210 MARK HAMILL IS SO CUTE. 566 00:27:08,210 --> 00:27:10,290 OH, SEE? ALL ROADS LEAD BACK TO BOYS. 567 00:27:10,290 --> 00:27:12,620 YEAH, AS LONG AS THEY STAY UP ON THE, UH -- 568 00:27:12,620 --> 00:27:14,420 THE MOVIE SCREEN, I'LL BE FINE. 569 00:27:14,420 --> 00:27:15,880 DADDY, I'M 15. THERE WILL BE BOYS. 570 00:27:15,880 --> 00:27:17,210 YEAH? YEAH. 571 00:27:17,210 --> 00:27:18,790 WELL, AS LONG AS THEY KNOW I HAVE GUNS. 572 00:27:18,790 --> 00:27:20,920 HEY. I'M DOOMED. 573 00:27:20,920 --> 00:27:22,210 [ PAGER BEEPING ] 574 00:27:25,000 --> 00:27:26,830 DUTY CALLS, HUH? 575 00:27:28,460 --> 00:27:30,170 GO, JACK. 576 00:27:34,540 --> 00:27:35,750 HEY. LOVE YOU. 577 00:27:35,750 --> 00:27:36,670 LOVE YOU. 578 00:27:36,670 --> 00:27:38,170 DINNER TONIGHT. I PROMISE. 579 00:27:44,330 --> 00:27:47,250 HEY, DOUG. THIS IS DETECTIVE COSTELLO. 580 00:27:47,250 --> 00:27:49,710 How did the "Remington Steele" audition go? 581 00:27:49,710 --> 00:27:51,290 I DIDN'T GET IT. 582 00:27:51,290 --> 00:27:54,210 THEIR LOSS. SO, ANY WORD FROM MALLORY? 583 00:27:54,210 --> 00:27:55,380 Just checking in. 584 00:27:55,380 --> 00:27:57,120 ACTUALLY, SHE'S HERE. 585 00:27:57,120 --> 00:27:59,330 CAN I SPEAK WITH HER? 586 00:27:59,330 --> 00:28:01,210 UH, SHE'S IN THE SHOWER. 587 00:28:01,210 --> 00:28:03,120 Should I call back? 588 00:28:03,120 --> 00:28:04,290 OR WE COULD TALK. 589 00:28:04,290 --> 00:28:06,080 SURE. 590 00:28:06,080 --> 00:28:08,460 Maybe drinks later. 591 00:28:08,460 --> 00:28:10,040 Hello? 592 00:28:10,040 --> 00:28:11,080 UH, YEAH, SORRY. 593 00:28:11,080 --> 00:28:13,120 UM, I CAN'T MEET FOR DRINKS LATER. 594 00:28:13,120 --> 00:28:15,210 I HAVE A THING WITH SOME FRIENDS. 595 00:28:18,080 --> 00:28:21,500 [ TRAIN WHISTLE BLOWS ] 596 00:28:23,880 --> 00:28:24,960 SOME OTHER TIME. 597 00:28:24,960 --> 00:28:26,420 Let's meet up again. 598 00:28:26,420 --> 00:28:28,210 So, what's it like being a cop? 599 00:28:29,790 --> 00:28:32,960 SO, THAT'S IT? HE'S JUST STILL OUT THERE? 600 00:28:32,960 --> 00:28:34,330 DON'T WORRY. 601 00:28:34,330 --> 00:28:36,460 WHETHER HE KNOWS IT OR NOT, HE JUST GAVE US SOMETHING. 602 00:28:36,460 --> 00:28:38,120 WE NEED YOU TO COME DOWN TO THE STATION 603 00:28:38,120 --> 00:28:39,120 AND GIVE US A COMPOSITE. 604 00:28:39,120 --> 00:28:41,170 JACK, IT'S ME. 605 00:28:41,170 --> 00:28:43,670 THINK I KNOW HOW WE CAN FIND OUR KILLER. 606 00:28:46,790 --> 00:28:47,790 KENT IS A REAL GENTLEMAN. 607 00:28:47,790 --> 00:28:48,880 OH, REALLY? TOTALLY. 608 00:28:48,880 --> 00:28:50,500 HE BABYSITS ME ALL THE TIME. 609 00:28:50,500 --> 00:28:52,670 HE HELPS ME WITH MY READING AND WRITING. 610 00:28:52,670 --> 00:28:53,880 I WRITE MY R's BACKWARDS, 611 00:28:53,880 --> 00:28:55,830 AND HE NEVER MAKES ME FEEL BAD ABOUT IT. 612 00:28:55,830 --> 00:28:57,750 WOMAN TO WOMAN, HE'S AWESOME. 613 00:28:57,750 --> 00:29:00,080 [ MOTORCYCLE APPROACHES ] 614 00:29:06,420 --> 00:29:08,080 [ ENGINE SHUTS OFF ] 615 00:29:13,580 --> 00:29:15,920 TOTALLY JUST TALKED YOU UP TO YOUR NEW GIRLFRIEND. 616 00:29:15,920 --> 00:29:17,290 YOU DID, HUH? 617 00:29:17,290 --> 00:29:19,080 I'LL COME BY LATER AND YOU CAN TELL ME ALL ABOUT IT. 618 00:29:20,670 --> 00:29:22,790 BYE. SEE YA. 619 00:29:22,790 --> 00:29:24,880 UM, I TRIED CALLING. 620 00:29:24,880 --> 00:29:27,670 HOW LONG HAVE YOU BEEN HERE TALKING TO MARY? 621 00:29:27,670 --> 00:29:29,580 OH, NOT LONG. 622 00:29:29,580 --> 00:29:31,540 YOU DON'T JUST SHOW UP AT SOMEONE'S HOUSE. 623 00:29:31,540 --> 00:29:34,290 WHY ARE YOU BEING SO COLD TO ME? 624 00:29:34,290 --> 00:29:36,040 HOW DID YOU FIND OUT WHERE I LIVE? 625 00:29:36,040 --> 00:29:37,920 KENT, I-I NEED TO TALK TO YOU. 626 00:29:37,920 --> 00:29:40,830 SWEETHEART, YOU RUN BACK HOME, I'LL CALL YOU LATER. 627 00:29:40,830 --> 00:29:42,710 WE'LL GO TO LE DOME TONIGHT OR TOMORROW. 628 00:29:42,710 --> 00:29:44,380 HOW DOES THAT SOUND? 629 00:29:45,580 --> 00:29:46,830 I DROVE ALL THE WAY OVER HERE, 630 00:29:46,830 --> 00:29:48,460 AND YOU'RE NOT EVEN GONNA INVITE ME INSIDE? 631 00:29:48,460 --> 00:29:50,250 MY PLACE IS A MESS, AND I -- 632 00:29:50,250 --> 00:29:51,460 WHAT ARE YOU HIDING? 633 00:29:51,460 --> 00:29:53,000 ABSOLUTELY NOTHING. 634 00:29:58,580 --> 00:29:59,790 WHAT IS THIS? 635 00:29:59,790 --> 00:30:01,120 I DON'T KNOW. WHO IS THIS? 636 00:30:01,120 --> 00:30:03,330 IT'S YOU! 637 00:30:03,330 --> 00:30:05,580 KENT, LOOK AT IT. LOOK AT THE EYES. 638 00:30:05,580 --> 00:30:07,380 THAT'S YOU. 639 00:30:07,380 --> 00:30:08,500 [ CHUCKLES ] 640 00:30:08,500 --> 00:30:10,460 THE POLICE CAME TO THE HOSPITAL. 641 00:30:10,460 --> 00:30:12,830 THEY'RE LOOKING FOR YOU AND FOR MALLORY. 642 00:30:12,830 --> 00:30:14,670 WHY? THEY WERE LOOKING FOR MALLORY? 643 00:30:14,670 --> 00:30:17,420 WHO CARES ABOUT HER? KENT... 644 00:30:17,420 --> 00:30:19,040 I'VE DONE THINGS... 645 00:30:19,040 --> 00:30:23,040 YOU KNOW, STUFF I NEVER IMAGINED BECAUSE OF YOU. 646 00:30:23,040 --> 00:30:25,540 JUST LET ME IN. 647 00:30:25,540 --> 00:30:27,960 BETTY, IF ONLY YOU KNEW. 648 00:30:27,960 --> 00:30:30,500 I'VE LET YOU IN IN WAYS I NEVER IMAGINED, 649 00:30:30,500 --> 00:30:32,330 NEVER DONE BEFORE. 650 00:30:32,330 --> 00:30:33,540 FOR ANYBODY. 651 00:30:36,750 --> 00:30:40,330 THEN ENOUGH ABOUT MALLORY [Chuckling] OKAY? 652 00:30:40,330 --> 00:30:42,250 WHAT DID THE POLICE SAY ABOUT HER? 653 00:30:42,250 --> 00:30:44,000 OH, MY GOD! 654 00:30:44,000 --> 00:30:47,080 WHAT -- WHAT IS WITH THIS GIRL? 655 00:30:47,080 --> 00:30:49,040 I PUT MYSELF THROUGH NURSING SCHOOL, 656 00:30:49,040 --> 00:30:50,790 AND I RAISED TWO KIDS ON MY OWN. 657 00:30:50,790 --> 00:30:52,040 AND WHAT HAS SHE DONE? 658 00:30:52,040 --> 00:30:53,960 SHE'S TAKEN YOUR ORDER AT HAMBURGER HEAVEN? 659 00:30:53,960 --> 00:30:55,960 HOW DO YOU KNOW SHE WORKS AT HAMBURGER HEAVEN? 660 00:30:55,960 --> 00:30:57,830 SHE TOLD ME WHEN YOU WERE OUT OF THE ROOM. 661 00:30:57,830 --> 00:30:59,880 WHY AM I EVEN TELLING YOU THIS? 662 00:30:59,880 --> 00:31:01,120 [ SIGHS ] 663 00:31:01,120 --> 00:31:03,710 KENT, CLEARLY YOU CARE MORE ABOUT HER 664 00:31:03,710 --> 00:31:05,210 THAN YOU DO ABOUT ME. 665 00:31:09,170 --> 00:31:10,790 LOSE MY NUMBER. 666 00:31:19,580 --> 00:31:21,540 [ CAR DOOR CLOSES, ENGINE TURNS OVER ] 667 00:31:21,540 --> 00:31:23,960 I'M NOT GONNA LIE. I'M MAD YOU'RE LEAVING. 668 00:31:25,210 --> 00:31:26,420 AND I'M NOT GONNA LIE 669 00:31:26,420 --> 00:31:28,170 ABOUT HOW MUCH I WANT TO GET IT ON WITH YOU. 670 00:31:28,170 --> 00:31:30,080 SUBTLE. 671 00:31:30,080 --> 00:31:33,330 I'M SPEAKING TRUTH TO POWER. 672 00:31:33,330 --> 00:31:38,000 LOOK, YOU KNOW I THINK IT'S STUPID YOU'RE LEAVING. 673 00:31:38,000 --> 00:31:39,620 AND I'M NOT GONNA STOP YOU, 674 00:31:39,620 --> 00:31:41,830 BUT, McCLAREN...HEY. 675 00:31:41,830 --> 00:31:44,250 YEAH? 676 00:31:44,250 --> 00:31:46,920 DON'T STOP WRITING. 677 00:31:46,920 --> 00:31:49,540 'CAUSE YOU GOT SOMETHING. YOU... 678 00:31:51,250 --> 00:31:54,250 YOU GOT SOMETHING REAL. 679 00:31:56,750 --> 00:31:58,210 YOU THINK SO? 680 00:32:00,960 --> 00:32:02,750 I KNOW SO. 681 00:32:10,330 --> 00:32:12,250 WHAT ARE YOU WAITING FOR? 682 00:32:12,250 --> 00:32:14,000 YOU. 683 00:32:17,170 --> 00:32:18,080 [ NOTEBOOK CLATTERS ] 684 00:32:21,540 --> 00:32:23,290 ALL I SEE ARE BOOBS. 685 00:32:23,290 --> 00:32:25,170 THAT'S 'CAUSE THE ONLY BREASTS YOU'VE EVER SEEN 686 00:32:25,170 --> 00:32:26,330 ARE ON STICK FIGURES. 687 00:32:26,330 --> 00:32:28,710 YOU KNOW WHAT? HA, HA, HA. VERY FUNNY, OKAY? 688 00:32:28,710 --> 00:32:30,170 LOOK, YOU GUYS JOKE, 689 00:32:30,170 --> 00:32:32,540 BUT THIS IS THE MOST CUTTING-EDGE TECHNOLOGY ON EARTH. 690 00:32:32,540 --> 00:32:34,080 THAT'S AN IBM 5150. 691 00:32:34,080 --> 00:32:37,710 256 KILOBYTES OF MEMORY, FOR YOUR INFORMATION. 692 00:32:37,710 --> 00:32:38,920 STILL LOOK LIKE BOOBS. 693 00:32:38,920 --> 00:32:40,960 SO, THE KILLER CALLS FROM A PAYPHONE, 694 00:32:40,960 --> 00:32:43,420 AND YOU HEARD A TRAIN IN THE BACKGROUND, RIGHT? 695 00:32:43,420 --> 00:32:45,080 YEAH, AND BASED ON THE TIME OF DAY, 696 00:32:45,080 --> 00:32:46,920 THE COMPUTER NARROWED DOWN THE LOCATION 697 00:32:46,920 --> 00:32:48,670 OF THAT PAYPHONE TO THESE TWO AREAS. 698 00:32:48,670 --> 00:32:50,120 I WONDER IF HE KNOWS WE'D BE ABLE 699 00:32:50,120 --> 00:32:51,710 TO ZERO IN ON A LOCATION LIKE THAT. 700 00:32:51,710 --> 00:32:53,330 WELL, THE PAYPHONE LEAD'S ALL WE GOT. 701 00:32:53,330 --> 00:32:55,380 I MEAN, WE HAVE TO ASSUME THAT HE KNOWS WE HAVE IT, TOO. 702 00:32:55,380 --> 00:32:56,920 ALL RIGHT, SO WHAT DO WE GOT HERE? 703 00:32:56,920 --> 00:32:59,620 WE GOT A RESTAURANT, SOME OTHER RESTAURANT. 704 00:32:59,620 --> 00:33:01,540 THIS IS AN OLD PEOPLE'S HOME. 705 00:33:01,540 --> 00:33:02,620 [ TAPS DESK ] 706 00:33:02,620 --> 00:33:03,580 HOLD ON. 707 00:33:05,420 --> 00:33:07,500 IT'S AN UPHOLSTERY SHOP. 708 00:33:07,500 --> 00:33:08,830 YEAH, SO? 709 00:33:08,830 --> 00:33:10,290 SO THE CORONER'S REPORT SAID 710 00:33:10,290 --> 00:33:12,380 THEY FOUND UPHOLSTERY FOAM IN THE LAST VICTIM. 711 00:33:12,380 --> 00:33:14,170 WE GOT TO CHECK IT OUT. LET'S GO. 712 00:33:17,080 --> 00:33:19,750 HEY, UH, CONTRERAS. YOUR CONTACT'S PAID OFF. 713 00:33:19,750 --> 00:33:22,460 SOCIAL SECURITY GOT A HIT ON MALLORY'S NUMBER. 714 00:33:22,460 --> 00:33:24,960 SHE'S A WAITRESS AT THE HAMBURGER HEAVEN ON SUNSET. 715 00:33:24,960 --> 00:33:27,170 WELL, HE MAY KNOW WE HAVE OUR SIGHTS ON HIM, 716 00:33:27,170 --> 00:33:29,170 BUT WE MIGHT JUST BE AHEAD OF HIM NOW. 717 00:33:29,170 --> 00:33:30,420 I'LL CHECK OUT THE UPHOLSTERY PLACE. 718 00:33:30,420 --> 00:33:32,750 YOU CHECK OUT THE HAMBURGER HEAVEN. 719 00:33:32,750 --> 00:33:34,960 NOT EVEN A THANK YOU. 720 00:33:34,960 --> 00:33:38,000 YOU KNOW, I DON'T REMEMBER YOU BEING THIS NEEDY. 721 00:33:39,960 --> 00:33:42,210 I'M DETECTIVE CONTRERAS, L.A.P.D. 722 00:33:42,210 --> 00:33:43,460 I'M LOOKING FOR MALLORY KHARCHENKO. 723 00:33:43,460 --> 00:33:44,620 IS SHE HERE? 724 00:33:44,620 --> 00:33:45,710 YOU JUST MISSED HER. 725 00:33:45,710 --> 00:33:47,620 SHE LEFT ABOUT, UH, 30 MINUTES AGO. 726 00:33:47,620 --> 00:33:48,790 DID YOU SEE WHO WITH? 727 00:33:48,790 --> 00:33:50,120 NOPE. 728 00:33:50,120 --> 00:33:52,750 SHE JUST SAID SHE'S GOING TO BECOME A MOVIE STAR. 729 00:33:52,750 --> 00:33:54,960 DELUSIONAL. 730 00:33:54,960 --> 00:33:58,620 ♪♪ 731 00:33:58,620 --> 00:34:01,120 ♪ I AM A PASSENGER ♪ 732 00:34:01,120 --> 00:34:03,580 I CAN'T BELIEVE YOU WERE LOOKING FOR ME THIS WHOLE TIME. 733 00:34:03,580 --> 00:34:05,830 I'M TOTALLY FIRING MY MANAGER. 734 00:34:05,830 --> 00:34:07,120 CALM DOWN. 735 00:34:07,120 --> 00:34:09,710 CAN'T HAVE YOU ALL RILED UP MEETING THIS DIRECTOR. 736 00:34:09,710 --> 00:34:12,290 I DON'T WANT TO BLOW THIS AUDITION BECAUSE I'M SO UPSET. 737 00:34:12,290 --> 00:34:14,120 POP ONE OF THESE. 738 00:34:14,120 --> 00:34:15,880 IT'LL EVEN YOU RIGHT OUT. 739 00:34:15,880 --> 00:34:19,250 ♪ YOU KNOW, IT LOOKS SO GOOD TONIGHT ♪ 740 00:34:19,250 --> 00:34:22,000 HOPE YOU'RE READY TO BE A STAR. 741 00:34:22,000 --> 00:34:24,120 HOW CRAZY IS THIS? 742 00:34:24,120 --> 00:34:26,620 ONE MINUTE, I'M SLINGING BURGERS, 743 00:34:26,620 --> 00:34:29,420 THE NEXT, I'M IN A MERCEDES WITH A PRODUCER. 744 00:34:29,420 --> 00:34:31,330 WHERE DOES THIS STUFF HAPPEN? 745 00:34:31,330 --> 00:34:33,460 ONLY IN HOLLYWOOD. 746 00:34:33,460 --> 00:34:36,420 ♪ I LOOK THROUGH MY WINDOW SO BRIGHT ♪ 747 00:34:38,750 --> 00:34:41,290 HELLO? 748 00:34:41,290 --> 00:34:43,330 POLICE! 749 00:34:43,330 --> 00:34:45,040 ANYBODY HERE? 750 00:34:51,170 --> 00:34:54,000 ♪♪ 751 00:35:49,830 --> 00:35:52,380 ♪♪ 752 00:36:13,120 --> 00:36:14,500 Paco: "DETECTIVE ROTH. 753 00:36:14,500 --> 00:36:16,080 I'M SORRY TO HAVE MISSED YOU. 754 00:36:16,080 --> 00:36:19,620 FROM YOUR SECRET ADMIRER AND MALLORY K." 755 00:36:19,620 --> 00:36:21,710 HE LURED US HERE. 756 00:36:21,710 --> 00:36:24,000 KNEW WE WERE ONTO HIM. 757 00:36:25,290 --> 00:36:28,000 HE'S BEEN FIVE STEPS AHEAD OF US. 758 00:36:35,000 --> 00:36:36,790 GOOD NIGHT, BETTY. 759 00:36:36,790 --> 00:36:40,170 ♪♪ 760 00:37:12,330 --> 00:37:14,670 WHAT ARE YOU DOING HERE? 761 00:37:16,500 --> 00:37:20,420 I'M NOT GONNA LET GO OF THE THING I NEED. 762 00:37:20,420 --> 00:37:23,460 I FEEL LIKE... 763 00:37:23,460 --> 00:37:26,250 DEEP DOWN, YOU'VE KNOWN ME FOREVER. 764 00:37:28,080 --> 00:37:30,250 DO YOU FEEL THAT? 765 00:37:32,790 --> 00:37:34,120 YEAH, I DO. 766 00:37:34,120 --> 00:37:39,710 AND WHEN ONE OF THEM MEETS THE OTHER HALF, 767 00:37:39,710 --> 00:37:44,880 THE ACTUAL HALF OF HIMSELF, THE PAIR, 768 00:37:44,880 --> 00:37:48,880 LOST IN AN AMAZEMENT OF LOVE AND INTIMACY, 769 00:37:48,880 --> 00:37:52,380 WILL NOT LEAVE THE OTHER SIDE EVEN FOR A MOMENT. 770 00:37:56,750 --> 00:37:58,710 IT'S PLATO. 771 00:37:58,710 --> 00:38:00,880 [ CHUCKLES ] 772 00:38:02,830 --> 00:38:06,080 SO, COME WITH ME. 773 00:38:06,080 --> 00:38:08,920 LET ME SHOW YOU. 774 00:38:08,920 --> 00:38:11,040 SHOW ME WHAT? ALL OF IT, ALL OF ME. 775 00:38:13,540 --> 00:38:17,670 AND IF YOU DON'T LIKE IT AFTER ALL YOU'VE SEEN... 776 00:38:17,670 --> 00:38:20,120 I'LL DISAPPEAR. 777 00:38:32,250 --> 00:38:34,330 ♪♪ 778 00:38:39,620 --> 00:38:40,830 [ CHUCKLES ] 779 00:38:40,830 --> 00:38:43,080 THAT WAS A PRETTY GOOD GOODBYE TO L.A. 780 00:38:43,080 --> 00:38:46,000 I MEAN, I THINK WE SHOULD SAY GOODBYE ONE MORE TIME. 781 00:38:46,000 --> 00:38:49,670 [ CHUCKLES ] WE ALREADY SAID GOODBYE TWICE. 782 00:38:49,670 --> 00:38:51,000 [ CHUCKLES ] 783 00:38:52,620 --> 00:38:55,170 YOU BETTER GET USED TO BRINGING THE MAIL NOW THAT I'M LEAVING. 784 00:38:55,170 --> 00:38:56,080 REALLY? 785 00:38:56,080 --> 00:38:58,380 YEAH. YOU SHOULD GO GET IT. 786 00:39:00,790 --> 00:39:02,750 [ CLEARS THROAT ] 787 00:39:06,170 --> 00:39:08,000 [ SIGHS ] 788 00:39:11,120 --> 00:39:13,710 IT'S FOR YOU. 789 00:39:13,710 --> 00:39:16,170 YOU GOT A 7-YEAR-OLD PEN PAL YOU DIDN'T TELL ME ABOUT? 790 00:39:16,170 --> 00:39:17,290 WHAT? 791 00:39:24,380 --> 00:39:25,710 [ SIGHS ] 792 00:39:25,710 --> 00:39:27,500 "KAREN, I FEEL LIKE WE HAVE A CONNECTION. 793 00:39:27,500 --> 00:39:28,920 SOMETHING REAL. 794 00:39:28,920 --> 00:39:31,120 SOMETHING THAT CAN GIVE US BOTH WHAT WE WANT, 795 00:39:31,120 --> 00:39:34,960 TO MAKE A NAME FOR OURSELVES, TO MAKE A DIFFERENCE. 796 00:39:34,960 --> 00:39:37,620 DO YOU WANT TO PLAY? PROVE YOUR WORTH?" 797 00:39:37,620 --> 00:39:41,420 OH, MY GOD. I THINK THIS IS FROM THE KILLER. 798 00:39:47,040 --> 00:39:49,250 [ BRAKES SQUEAL ] 799 00:39:49,250 --> 00:39:51,040 [ ENGINE SHUTS OFF ] 800 00:39:56,620 --> 00:39:58,080 [ SIGHS ] 801 00:40:12,290 --> 00:40:13,920 TRUST ME. 802 00:40:13,920 --> 00:40:15,420 I PROMISE, FROM THIS MOMENT ON, 803 00:40:15,420 --> 00:40:18,750 THERE WON'T BE ANY SECRETS BETWEEN US. 804 00:40:18,750 --> 00:40:20,380 I'M SCARED. 805 00:40:20,380 --> 00:40:21,920 DON'T BE. 806 00:40:21,920 --> 00:40:25,080 FEEL LIKE MY WHOLE LIFE HAS BEEN LEADING UP TO THIS MOMENT. 807 00:40:25,080 --> 00:40:25,920 TO US... 808 00:40:25,920 --> 00:40:27,750 BEING HERE. 809 00:40:35,210 --> 00:40:37,620 [ MUFFLED SCREAMING, CRYING ] 810 00:40:42,960 --> 00:40:44,460 [ POLICE RADIO CHATTER ] 811 00:40:45,830 --> 00:40:48,380 [ INDISTINCT TALKING ] 812 00:40:52,710 --> 00:40:56,000 SO, UH, WE'RE CANVASSING THE NEIGHBORHOOD, 813 00:40:56,000 --> 00:40:58,670 SEE IF ANYONE SAW HIM WITH MALLORY. 814 00:40:59,880 --> 00:41:02,580 AND THEY'RE WORKING ON I.D.ing THE BODY. 815 00:41:02,580 --> 00:41:07,000 LOOK, JACK, IT'S NOT YOUR FAULT WE DIDN'T FIND MALLORY IN TIME. 816 00:41:08,710 --> 00:41:10,460 YOU NEED ANYTHING? 817 00:41:10,460 --> 00:41:12,380 I CAN STAY IF -- 818 00:41:12,380 --> 00:41:13,960 NO, YOU GO. 819 00:41:13,960 --> 00:41:16,380 GET SOME SLEEP. 820 00:41:16,380 --> 00:41:18,040 ALL RIGHT. 821 00:41:30,170 --> 00:41:31,330 IT'S THE ONLY WAY. 822 00:41:31,330 --> 00:41:33,580 SHE'S SEEN ME! 823 00:41:33,580 --> 00:41:36,500 SHE KNOWS YOUR NAME, KNOWS WHERE YOU LIVE. 824 00:41:36,500 --> 00:41:38,380 YOU KNOW IT'S TRUE. 825 00:41:38,380 --> 00:41:41,000 SHE MUST DIE FOR US TO LIVE. 826 00:41:41,000 --> 00:41:43,880 [ WHIMPERING ] 827 00:41:47,500 --> 00:41:49,170 [ SIGHS ] 828 00:42:02,250 --> 00:42:04,170 AAH! 829 00:42:04,170 --> 00:42:06,620 [ KNIFE RENDING ] 830 00:42:06,620 --> 00:42:10,620 [ PANTING ] 831 00:42:14,380 --> 00:42:17,670 ♪♪ 53937

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