Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:12,413 --> 00:00:15,247
♪ I BET WE'VE BEEN TOGETHER ♪
2
00:00:15,316 --> 00:00:17,882
♪ FOR A MILLION YEARS ♪
3
00:00:17,952 --> 00:00:20,752
♪ AND I BET WE'LL BE TOGETHER ♪
4
00:00:20,821 --> 00:00:23,322
♪ FOR A MILLION MORE ♪
5
00:00:23,390 --> 00:00:26,091
♪ OH, IT'S LIKE I
STARTED BREATHING ♪
6
00:00:26,160 --> 00:00:28,360
♪ ON THE NIGHT WE KISSED ♪
7
00:00:28,428 --> 00:00:30,362
♪ AND I CAN'T REMEMBER ♪
8
00:00:30,431 --> 00:00:34,132
♪ WHAT I EVER DID BEFORE ♪
9
00:00:34,201 --> 00:00:37,102
♪ WHAT WOULD WE DO, BABY ♪
10
00:00:37,170 --> 00:00:39,871
♪ WITHOUT US ♪
11
00:00:39,940 --> 00:00:42,507
♪ WHAT WOULD WE DO, BABY ♪
12
00:00:42,576 --> 00:00:45,777
♪ WITHOUT US ♪
13
00:00:45,846 --> 00:00:47,779
♪ AND THERE AIN'T NO NOTHING ♪
14
00:00:47,848 --> 00:00:51,283
♪ WE CAN'T LOVE EACH OTHER
THROUGH ♪ ♪ OOH, OHH ♪
15
00:00:51,352 --> 00:00:54,119
♪ WHAT WOULD WE DO, BABY ♪
16
00:00:54,187 --> 00:00:56,655
♪ WITHOUT US ♪
17
00:00:56,723 --> 00:01:00,292
♪ SHA LA LA LA ♪♪
18
00:01:03,797 --> 00:01:05,942
AND THE PRINCE TOOK
CINDERELLA TO BE HIS BRIDE,
19
00:01:05,966 --> 00:01:09,112
AND THEY LIVED HAPPILY EVER
AFTER IN THE PRINCE'S CASTLE.
20
00:01:09,136 --> 00:01:10,902
WASN'T THAT A NICE STORY?
21
00:01:10,971 --> 00:01:13,572
ALEX SAYS THE
PRINCE WAS SILLY. WHY?
22
00:01:13,641 --> 00:01:16,908
CINDERELLA HAD NO MONEY.
23
00:01:16,977 --> 00:01:20,879
WELL, ALEX SAYS A LOT OF
THINGS THAT DON'T MAKE SENSE.
24
00:01:20,947 --> 00:01:24,949
REMEMBER WHAT I TOLD YOU TO
DO WHEN ALEX STARTS TO TALK?
25
00:01:26,387 --> 00:01:27,853
GOOD BOY.
26
00:01:27,922 --> 00:01:30,022
OH, ELYSE, UH, WHAT DO YOU THINK
27
00:01:30,090 --> 00:01:32,224
LOOKS BETTER WITH
WHAT I'M WEARING?
28
00:01:32,293 --> 00:01:33,858
THIS OR, UH...
29
00:01:33,928 --> 00:01:35,027
THIS?
30
00:01:36,230 --> 00:01:38,663
I THINK I'D HAVE TO SEE THEM ON.
31
00:01:38,732 --> 00:01:41,010
DAD, PLEASE BE CAREFUL
WITH THAT. I'M USING THAT
32
00:01:41,034 --> 00:01:43,547
FOR A FASHION PROJECT FOR
MY SALES AND MARKETING CLASS.
33
00:01:43,571 --> 00:01:45,671
WELL, I'M SORRY, MAL. I
FOUND THEM IN MY CLOSET,
34
00:01:45,739 --> 00:01:47,605
SO I JUST ASSUMED
THEY WERE MINE.
35
00:01:47,675 --> 00:01:50,020
I NEED EXTRA CLOSET
SPACE FOR THIS PROJECT,
36
00:01:50,044 --> 00:01:52,077
AND I FIGURED YOURS
WAS THE PERFECT CHOICE.
37
00:01:52,146 --> 00:01:54,713
UH, I HOPE YOU DON'T MIND IF I
MOVED SOME OF YOUR STUFF AROUND.
38
00:01:54,782 --> 00:01:57,148
HEH. WHY ME?
39
00:01:57,218 --> 00:02:00,419
WELL, IT WOULDN'T BE FAIR TO USE MOM
OR JEN'S CLOSET, 'CAUSE THEY'RE GIRLS.
40
00:02:00,487 --> 00:02:03,255
AND ANDY'S STILL IN HIS
FORMATIVE WARDROBE YEARS.
41
00:02:03,324 --> 00:02:07,792
UM, ALEX CHARGES TOO
MUCH RENT FOR HIS CLOSET.
42
00:02:07,861 --> 00:02:09,794
AND, WELL, THAT LEFT YOU.
43
00:02:09,863 --> 00:02:13,998
AND, WELL, YOU'RE THE PERFECT
CHOICE, BECAUSE IT DOESN'T MATTER.
44
00:02:14,067 --> 00:02:16,268
I MEAN, YOU DON'T REALLY
NEED TO LOOK GOOD.
45
00:02:16,337 --> 00:02:18,270
YOU KNOW, YOU'VE
REACHED THAT AGE.
46
00:02:20,407 --> 00:02:22,486
WHAT ABOUT YOUR CLOSET, MALLORY?
47
00:02:22,510 --> 00:02:25,477
MY CLOSET, DAD? HA HA!
48
00:02:25,546 --> 00:02:27,813
DAD, YOU'RE SO FUNNY! HA HA!
49
00:02:30,151 --> 00:02:32,083
OH, COME ON, ELYSE.
WE ALWAYS SAY
50
00:02:32,153 --> 00:02:35,387
WE SHOULD SUPPORT MALLORY IN
SCHOOL. THIS IS A SCHOOL PROJECT.
51
00:02:35,456 --> 00:02:37,822
AND IT'S REALLY JUST A
MINOR INCONVENIENCE.
52
00:02:37,891 --> 00:02:41,193
ANYWAY, IT'LL BE GOOD FOR
ME TO EXPERIENCE NEW CLOSETS.
53
00:02:42,596 --> 00:02:44,306
HEY, MOM. SORRY I MISSED DINNER.
54
00:02:44,330 --> 00:02:46,143
MY COMMITTEE MEETING RAN LATE.
55
00:02:46,167 --> 00:02:47,766
WELL, WHAT COMMITTEE WAS THAT?
56
00:02:47,834 --> 00:02:50,502
UH, STUDENTS FOR
WEAPONS IN SPACE? MM-MMM.
57
00:02:50,571 --> 00:02:52,348
NO, IT'S THE
ENTERTAINMENT COMMITTEE
58
00:02:52,372 --> 00:02:54,417
FOR HOMECOMING WEEKEND.
THIS WHOLE THING IS UNRAVELING.
59
00:02:54,441 --> 00:02:55,740
WHAT'S THE MATTER?
60
00:02:55,809 --> 00:02:58,087
WELL, WE GOT A LOT OF
GOOD ACTIVITIES PLANNED.
61
00:02:58,111 --> 00:03:00,679
WE GOT BOBBING FOR MONEY.
62
00:03:00,747 --> 00:03:04,783
WE GOT THE, UH, "GUESS YOUR
CLASSMATE'S INCOME" BOOTH.
63
00:03:04,852 --> 00:03:06,551
SOMETHING FOR EVERYONE.
64
00:03:06,619 --> 00:03:07,752
YEAH.
65
00:03:07,821 --> 00:03:09,632
BUT... BUT THE BAND WE BOOKED
66
00:03:09,656 --> 00:03:11,967
BACKED OUT AT THE LAST MINUTE,
SO NOW WE'RE SCRAMBLING.
67
00:03:11,991 --> 00:03:14,170
ELYSE... HEY, DOES ANYBODY
REMEMBER THE GROUP
68
00:03:14,194 --> 00:03:15,972
THAT SANG AT ANDY'S
BIRTHDAY PARTY?
69
00:03:15,996 --> 00:03:18,696
UH, HUMPTY AND THE DUMPTIES?
70
00:03:18,766 --> 00:03:20,599
ELYSE, UH, WE... WE HAVE TO GO.
71
00:03:20,668 --> 00:03:22,500
WE'RE GOING TO
BE LATE. OH. YEAH.
72
00:03:22,570 --> 00:03:24,236
SEE YOU LATER.
73
00:03:26,774 --> 00:03:29,674
REALLY LOOKING FOR A BAND, HUH?
74
00:03:29,743 --> 00:03:31,943
YEAH. YOU GOT ANY SUGGESTIONS?
75
00:03:32,012 --> 00:03:35,252
WELL, WHAT ABOUT THE BAND I'M
IN NOW... THE PERMANENT WAVES?
76
00:03:35,282 --> 00:03:36,347
HA HA!
77
00:03:36,416 --> 00:03:37,783
NO. NO, THANKS.
78
00:03:37,851 --> 00:03:39,629
COME ON, ALEX. WHY NOT?
79
00:03:39,653 --> 00:03:42,053
UH, LOOK, JEN. I'M SURE IT
FALLS IN THE FINE TRADITION
80
00:03:42,122 --> 00:03:44,723
OF THE OTHER ABSURD MUSICAL
GROUPS YOU'VE BEEN INVOLVED WITH...
81
00:03:44,791 --> 00:03:46,725
KEATON AND THE KAZOOS,
82
00:03:46,793 --> 00:03:49,427
THE NEW KEATON MINSTRELS,
83
00:03:49,496 --> 00:03:51,629
KEATON AND GARFUNKEL.
84
00:03:51,699 --> 00:03:53,509
THE PERMANENT WAVES
ARE DIFFERENT, ALEX.
85
00:03:53,533 --> 00:03:55,099
YEAH. I'LL BET.
86
00:03:55,169 --> 00:03:57,013
COME ON, ALEX. WHAT
DO YOU HAVE TO LOSE?
87
00:03:57,037 --> 00:03:59,382
IF YOU DON'T LIKE US,
DON'T USE US... THAT SIMPLE.
88
00:03:59,406 --> 00:04:01,840
ALL RIGHT. JEN, EVEN IF
I DO LET YOU AUDITION,
89
00:04:01,909 --> 00:04:03,809
YOU'RE GONNA BE TREATED
LIKE EVERYBODY ELSE.
90
00:04:03,877 --> 00:04:07,746
I MEAN, BEING MY SISTER IS GONNA BE
OF ABSOLUTELY NO ADVANTAGE TO YOU.
91
00:04:07,815 --> 00:04:11,116
OH, AND WHAT A
PLUS IT'S BEEN SO FAR.
92
00:04:24,331 --> 00:04:25,763
HEY! HEY, HEY!
93
00:04:25,833 --> 00:04:28,666
LET'S HEAR IT FOR MITCH
ZIAUKUS AND THE POLKA BOYS!
94
00:04:28,735 --> 00:04:30,201
GOOD JOB, GUYS!
95
00:04:30,270 --> 00:04:31,736
GREAT! THANKS A LOT.
96
00:04:31,805 --> 00:04:34,506
WELL, HEY. WE GOT OUR BAND.
THANKS A LOT, EVERYBODY.
97
00:04:34,575 --> 00:04:36,185
WAIT A MINUTE, ALEX. YOU SAID...
98
00:04:36,209 --> 00:04:37,887
WE'VE BEEN WAITING ALL DAY.
99
00:04:37,911 --> 00:04:39,744
UH, ALL RIGHT, ALL
RIGHT, ALL RIGHT.
100
00:04:39,813 --> 00:04:41,412
JUST MAKE IT QUICK, OK?
101
00:04:41,481 --> 00:04:42,948
COME ON, GUYS.
102
00:04:43,016 --> 00:04:45,917
UH, THAT'S MY KID SISTER.
I'M SORRY. I PROMISED.
103
00:04:48,655 --> 00:04:50,588
OH, HEY, HEY. SKIPPY,
WHAT ARE YOU DOING HERE?
104
00:04:50,657 --> 00:04:52,168
WELL, I'M WITH THE BAND.
105
00:04:52,192 --> 00:04:53,959
UH, WHAT INSTRUMENT DO YOU PLAY?
106
00:04:54,027 --> 00:04:55,638
HEH. I DON'T PLAY AN INSTRUMENT.
107
00:04:55,662 --> 00:04:58,441
I HAVE A MORE IMPORTANT ROLE
THAN THAT. I'M THE BAND'S ADVISOR.
108
00:04:58,465 --> 00:05:01,866
SKIPPY, IF YOU DON'T GET THAT
THING UP HERE, YOU'RE FIRED.
109
00:05:01,935 --> 00:05:04,069
THERE YOU ARE.
110
00:05:14,315 --> 00:05:17,616
♪ THE FIRST TIME
I LOOKED AT YOU ♪
111
00:05:17,685 --> 00:05:19,518
♪ I COULD SEE YOU SEARCHING ♪
112
00:05:19,586 --> 00:05:22,053
♪ FOR SOMEBODY SPECIAL ♪
113
00:05:22,122 --> 00:05:23,788
♪ SPELLBOUND ♪
114
00:05:23,856 --> 00:05:26,991
♪ I DIDN'T MIND YOU
TAKING MY HEART ♪
115
00:05:27,060 --> 00:05:28,893
♪ OH, NO ♪
116
00:05:28,962 --> 00:05:30,728
♪ I WAS JUST A LITTLE SHY ♪
117
00:05:30,797 --> 00:05:32,730
♪ WAITING FOR THE RIGHT TIME ♪
118
00:05:32,799 --> 00:05:34,265
♪ TO TAKE YOUR HAND ♪
119
00:05:34,334 --> 00:05:37,168
♪ AND WHISPER IN YOUR EAR ♪
120
00:05:37,237 --> 00:05:38,536
♪ HOLD ME ♪
121
00:05:38,605 --> 00:05:41,539
♪ I'M YOUR DREAM COME TRUE ♪
122
00:05:41,608 --> 00:05:43,909
♪ YOUR PERFECT GIRL ♪
123
00:05:43,977 --> 00:05:46,211
♪ I KNOW YOU WANT TO HOLD ♪
124
00:05:46,279 --> 00:05:49,080
♪ THIS DREAM COME TRUE ♪
125
00:05:49,149 --> 00:05:51,115
♪ YOUR PERFECT GIRL ♪
126
00:05:52,720 --> 00:05:53,819
♪ HOLD ME ♪
127
00:05:53,887 --> 00:05:56,388
♪ I'M YOUR DREAM COME TRUE ♪
128
00:05:56,457 --> 00:05:59,123
♪ YOUR PERFECT GIRL ♪
129
00:05:59,192 --> 00:06:01,170
♪ I KNOW YOU
WANT TO HOLD ME... ♪
130
00:06:05,065 --> 00:06:07,732
YEAH. ALL RIGHT! WHOO!
131
00:06:10,571 --> 00:06:13,105
OH, ALEX. THEY ARE FANTASTIC.
132
00:06:13,173 --> 00:06:15,373
OH, YEAH. ALL RIGHT, I
ADMIT THEY GOT TALENT.
133
00:06:15,442 --> 00:06:17,842
I MEAN, TAKE IT EASY.
THEY'RE NOT THE POLKA BOYS.
134
00:06:17,911 --> 00:06:19,744
WHAT, ARE YOU KIDDING? COME ON.
135
00:06:19,813 --> 00:06:21,691
THEY'RE JUST WHAT WE
NEED. THEY'RE GREAT!
136
00:06:21,715 --> 00:06:23,915
SO, ALEX, WHAT DID YOU THINK?
137
00:06:23,984 --> 00:06:26,329
OH. UH, WELL, YOU KNOW,
YOU'RE RAW, YOU'RE GREEN.
138
00:06:26,353 --> 00:06:28,832
BUT, UH, THERE WAS A GLIMMER
OF SOMETHING UNDER THERE.
139
00:06:28,856 --> 00:06:30,855
I MEAN, YOU'VE GOT TALENT.
140
00:06:30,924 --> 00:06:33,224
YOU REALLY THINK
SO? UH, YEAH, JEN.
141
00:06:33,293 --> 00:06:36,394
I THINK THAT WITH
THE PROPER GUIDANCE,
142
00:06:36,463 --> 00:06:38,963
CAREER MANAGEMENT, PROMOTION...
143
00:06:39,032 --> 00:06:40,431
PLEASE DON'T, ALEX.
144
00:06:40,500 --> 00:06:43,401
WE'RE JUST TEENAGERS TRYING
TO GET THROUGH PUBERTY.
145
00:06:44,671 --> 00:06:47,049
HEY, GIRLS, NICE.
NICE. SOUNDS GREAT.
146
00:06:47,073 --> 00:06:48,918
THANKS A LOT. GOOD
STAGE PRESENCE, TOO.
147
00:06:48,942 --> 00:06:50,241
THANKS. THANKS.
148
00:06:50,310 --> 00:06:52,188
IN FACT, THERE'S ONLY
ONE THING MISSING,
149
00:06:52,212 --> 00:06:53,722
ONE PIECE LACKING
FROM THE PUZZLE,
150
00:06:53,746 --> 00:06:56,514
ONE STEP BETWEEN YOU
AND A HUGE SUCCESS.
151
00:06:56,583 --> 00:06:59,184
DON'T ASK HIM WHAT THAT IS.
152
00:06:59,252 --> 00:07:00,518
WHAT IS IT?
153
00:07:00,587 --> 00:07:02,087
UH... ME.
154
00:07:06,527 --> 00:07:08,426
HEY, MAL, WE BETTER
BE LEAVING SOON
155
00:07:08,495 --> 00:07:11,095
IF WE WANT TO GET TO THE ZOO
BEFORE IT GETS TOO CROWDED.
156
00:07:11,164 --> 00:07:12,731
WHERE'S YOUR FATHER?
157
00:07:12,799 --> 00:07:14,800
UH, HE'S NOT READY YET.
158
00:07:14,868 --> 00:07:18,636
LET'S GO NOW AND TAKE
DADDY TO THE ZOO TOMORROW.
159
00:07:20,707 --> 00:07:22,518
I MOVED HIS CLOTHES AROUND,
160
00:07:22,542 --> 00:07:25,588
SO HE'S KIND OF HAVING A
HARD TIME FINDING THEM.
161
00:07:25,612 --> 00:07:28,646
I HAD TO DRAW HIM A MAP.
162
00:07:31,818 --> 00:07:34,185
MALLORY, I WANT TO
HELP YOU OUT HERE.
163
00:07:34,254 --> 00:07:37,255
I WANT TO BE A
GOOD FATHER. I, UH...
164
00:07:40,326 --> 00:07:43,194
I KNOW IT'S FOR SCHOOL
AND IT'S IMPORTANT FOR YOU,
165
00:07:43,263 --> 00:07:45,764
BUT IT'S ALSO WINTER IN OHIO,
166
00:07:45,832 --> 00:07:49,033
AND I'D LIKE A LITTLE
MORE INSULATION.
167
00:07:49,102 --> 00:07:50,868
DAD, WE WENT OVER THIS.
168
00:07:50,937 --> 00:07:53,248
IT SAYS RIGHT HERE, ALL
CLOTHES WORN ABOVE THE WAIST
169
00:07:53,272 --> 00:07:55,006
ARE HERE IN THE HALL CLOSET.
170
00:07:55,075 --> 00:07:57,308
OK. THAT'S CONVENIENT. UM...
171
00:07:57,377 --> 00:08:00,678
WHAT ABOUT CLOTHES
WORN BELOW THE BELT?
172
00:08:00,747 --> 00:08:02,559
I HAVEN'T FOUND A
PLACE FOR THEM YET.
173
00:08:02,583 --> 00:08:05,851
DO YOU HAVE A
TARGET DATE ON THAT?
174
00:08:05,919 --> 00:08:08,964
WELL, TEMPORARILY, THEY'RE
IN, UH, ANDY'S TOY CHEST,
175
00:08:08,988 --> 00:08:12,056
BUT... I'M NOT HAPPY WITH THAT.
176
00:08:13,460 --> 00:08:15,393
THOSE WERE DADDY'S PANTS?
177
00:08:15,462 --> 00:08:16,761
YES.
178
00:08:16,830 --> 00:08:18,296
EXCUSE ME.
179
00:08:22,202 --> 00:08:23,534
ANDY!
180
00:08:23,604 --> 00:08:25,937
HEY, HEY. JENNIFER
AND THE BAND DOWN YET?
181
00:08:26,006 --> 00:08:28,038
NO. THEY'RE STILL UPSTAIRS. WHY?
182
00:08:28,108 --> 00:08:30,186
WELL, MOM, AS MANAGER
OF THIS BAND, I HAVE TO KNOW
183
00:08:30,210 --> 00:08:32,143
WHERE THEY ARE EVERY
MOMENT OF THE DAY.
184
00:08:32,212 --> 00:08:34,924
I STILL CAN'T BELIEVE THEY AGREED
TO USE YOU AS THEIR MANAGER.
185
00:08:34,948 --> 00:08:37,709
YEAH, WELL, THEY DID, MAL. AND
I HAVE THEIR CAREERS PLANNED
186
00:08:37,751 --> 00:08:39,951
FROM NOW UNTIL SOCIAL SECURITY.
187
00:08:40,020 --> 00:08:41,998
WHEN THEY SIGNED
ON THE DOTTED LINE
188
00:08:42,022 --> 00:08:43,833
TO HIRE ALEX P. KEATON
AS THEIR MANAGER,
189
00:08:43,857 --> 00:08:45,668
THEY KNEW WHAT THEY
WERE GETTING INTO.
190
00:08:45,692 --> 00:08:48,259
AND STILL THEY SIGNED.
191
00:08:48,328 --> 00:08:50,507
YES, THEY DID, MOM. TAKE A LOOK.
192
00:08:50,531 --> 00:08:52,330
WELL, ALEX, IT LOOKS LIKE
193
00:08:52,399 --> 00:08:55,066
YOU'RE THE ONLY ONE WHO'S
MAKING ANY MONEY HERE.
194
00:08:55,135 --> 00:08:57,802
YOU WOULD SAY THAT
ABOUT YOUR SON?
195
00:08:59,339 --> 00:09:01,172
WHAT'S THIS ON LINE FIVE?
196
00:09:01,241 --> 00:09:03,607
THAT'S MY AGENT'S FEE.
197
00:09:03,677 --> 00:09:05,710
LINES SIX, SEVEN, AND EIGHT?
198
00:09:05,779 --> 00:09:09,247
THAT'S MY, UH, MY MANAGER'S FEE,
199
00:09:09,316 --> 00:09:11,716
FINDER'S FEE, AND KEEPER'S FEE.
200
00:09:17,157 --> 00:09:19,090
LINE 10?
201
00:09:19,159 --> 00:09:21,392
THAT'S MY FEE FEE.
202
00:09:23,830 --> 00:09:24,929
ALEX?
203
00:09:24,998 --> 00:09:27,998
HEY! HEY, YOU LOOK TERRIFIC!
204
00:09:28,068 --> 00:09:30,735
WE LOOK LIKE A BRIDAL PARTY.
205
00:09:30,804 --> 00:09:32,771
ALEX, WHAT IS THIS?
206
00:09:32,839 --> 00:09:36,508
THIS... THIS IS PART OF THE
BOLD, NEW COMMERCIAL IMAGE
207
00:09:36,576 --> 00:09:38,743
I'M CREATING FOR THE BAND.
208
00:09:38,812 --> 00:09:42,280
OH, LOOK. IT'S THE
ANDREWS SISTERS.
209
00:09:42,349 --> 00:09:45,094
THAT REMINDS ME. YOU KNOW, I'VE BEEN
THINKING. THE BAND NEEDS A NEW NAME.
210
00:09:45,118 --> 00:09:47,285
PERMANENT WAVES JUST
DOESN'T STICK IN THE BRAIN.
211
00:09:47,354 --> 00:09:50,387
WE NEED SOMETHING CATCHIER,
SOMETHING A LITTLE MORE CONTEMPORARY.
212
00:09:50,457 --> 00:09:52,290
THE LEG WARMERS.
213
00:09:52,359 --> 00:09:55,860
HERE. HUH? WHAT DO YOU THINK?
214
00:09:55,928 --> 00:09:58,296
THE SWINGING CORPORATE RAIDERS.
215
00:09:58,364 --> 00:10:00,064
OH, ALEX!
216
00:10:00,133 --> 00:10:02,767
W-WASN'T THAT THE ORIGINAL
NAME OF THE SUPREMES?
217
00:10:02,836 --> 00:10:04,235
COME ON. HEH!
218
00:10:04,303 --> 00:10:05,548
OH!
219
00:10:05,572 --> 00:10:08,072
I GOT IT! I GOT IT.
I GOT IT. I GOT IT.
220
00:10:08,141 --> 00:10:11,075
HEY, SKIPPY. COME ON IN.
HELLO THERE, ALEX. OH, BOY.
221
00:10:13,479 --> 00:10:15,347
SO, YOU GOT EVERYTHING?
222
00:10:15,415 --> 00:10:19,417
I'VE GOT THE GUITARS, THE AMPS,
THE SOUND EQUIPMENT, AND A HERNIA.
223
00:10:19,486 --> 00:10:20,863
YEAH. THAT'S EVERYTHING. OK.
224
00:10:20,887 --> 00:10:23,666
OK, GIRLS, COME ON. WE GOT
A LOT OF WORK TO DO HERE.
225
00:10:23,690 --> 00:10:27,325
WE GOTTA GO OVER THE NEW STAGE
SHOW, THE NEW DANCE STEPS, THE NEW MUSIC.
226
00:10:27,394 --> 00:10:30,139
THAT'S ANOTHER THING. WE
DON'T LIKE THE NEW MUSIC.
227
00:10:30,163 --> 00:10:32,308
THESE ARE ALL SHOW TUNES, ALEX.
228
00:10:32,332 --> 00:10:34,432
HEY, JEN, JEN, JEN, COME ON.
WHEN YOU'RE OUT ON TOUR,
229
00:10:34,501 --> 00:10:37,068
THERE ARE GONNA BE SOME VERY
IMPORTANT PEOPLE IN THAT AUDIENCE.
230
00:10:37,137 --> 00:10:38,569
I MEAN, OLDER PEOPLE...
231
00:10:38,638 --> 00:10:41,172
PEOPLE WHO WANT A LITTLE
ENTERTAINMENT FOR THEIR DOLLAR.
232
00:10:41,241 --> 00:10:43,219
I DON'T CARE. I'M NOT SINGING
233
00:10:43,243 --> 00:10:46,744
WHY CAN'T A WOMAN
BE MORE LIKE A MAN?
234
00:10:49,182 --> 00:10:51,116
ALL RIGHT. ALL RIGHT, OK.
235
00:10:51,184 --> 00:10:53,162
WELL, THEN, LET'S... LET'S GO
OVER ONE OF THE OTHER TUNES.
236
00:10:53,186 --> 00:10:55,498
LET'S DO THE ONE WE DID LAST
NIGHT. ON YOUR FEET, LADIES.
237
00:10:55,522 --> 00:10:58,356
OK, LET'S GO. COME
ON. IN THE KEY OF "C."
238
00:10:58,425 --> 00:11:00,291
WHERE IS IT?
239
00:11:00,360 --> 00:11:02,494
OK, WITH THE HEAD BOBS.
240
00:11:04,264 --> 00:11:06,197
♪ BOM BOM BOM BOM
BOM BOM BOM BOM ♪
241
00:11:06,266 --> 00:11:07,732
♪ BOM BOM BOM BOM BOM ♪
242
00:11:07,800 --> 00:11:09,233
♪ MR. SANDMAN ♪
243
00:11:09,302 --> 00:11:10,234
YES?
244
00:11:10,303 --> 00:11:12,503
♪ BRING ME A DREAM ♪
245
00:11:12,572 --> 00:11:14,672
♪ MAKE HIM THE CUTEST
THAT I'VE EVER SEEN ♪
246
00:11:14,740 --> 00:11:16,552
COME ON. LET'S SEE
THAT POUT, ASHLEY.
247
00:11:16,576 --> 00:11:18,054
♪ GIVE HIM THE WORD ♪
GOOD. OK.
248
00:11:18,078 --> 00:11:19,555
♪ THAT I'M NOT A ROVER ♪
COME ON! TEETH,
249
00:11:19,579 --> 00:11:20,889
BROOKE, TEETH! THERE YOU GO!
250
00:11:20,913 --> 00:11:22,425
♪ AND TELL HIM THAT
MY LONESOME NIGHTS HEY,
251
00:11:22,449 --> 00:11:23,926
♪ ARE OVER ♪ JENNIFER,
I DON'T BELIEVE YOU!
252
00:11:23,950 --> 00:11:25,383
I DON'T BELIEVE
YOU EITHER, ALEX.
253
00:11:25,452 --> 00:11:26,695
♪ SANDMAN ♪
KITTEN'S GOT IT!
254
00:11:26,719 --> 00:11:27,996
KITTEN'S GOT IT!
♪ I'M SO ALONE ♪
255
00:11:28,020 --> 00:11:29,331
OK! THE REST OF YOU, WATCH ME!
256
00:11:29,355 --> 00:11:30,732
♪ DON'T HAVE NOBODY ♪
OK! KITTEN,
257
00:11:30,756 --> 00:11:32,567
♪ TO CALL MY OWN ♪
HANDS! OK!
258
00:11:32,591 --> 00:11:34,231
♪ PLEASE TURN ON
YOUR MAGIC BEAM ♪
259
00:11:34,294 --> 00:11:35,938
ALL RIGHT! BEDDY-BYE!
260
00:11:35,962 --> 00:11:37,439
♪ MR. SANDMAN ♪
OK. NOW,
261
00:11:37,463 --> 00:11:39,703
♪ BRING ME A DREAM ♪♪
COME ON, GIRLS!
262
00:11:41,835 --> 00:11:43,478
I'D LIKE TO WEAR
MY BLUE SUIT TODAY.
263
00:11:43,502 --> 00:11:45,622
DOES ANYBODY KNOW WHERE IT IS?
264
00:11:45,671 --> 00:11:49,007
UH, CHECK THE
FRONT PORCH, HONEY.
265
00:11:49,075 --> 00:11:51,175
OH.
266
00:11:56,883 --> 00:11:58,249
JUST...
267
00:12:01,321 --> 00:12:03,421
HE'S REALLY A WONDERFUL MAN.
268
00:12:04,657 --> 00:12:06,591
GIRLS, COME ON.
YOU TOOK FOREVER.
269
00:12:06,659 --> 00:12:08,659
OUR TRAIN LEAVES
IN A HALF AN HOUR.
270
00:12:08,729 --> 00:12:10,528
THOSE DRESSES AREN'T
EASY TO PACK, YOU KNOW.
271
00:12:10,597 --> 00:12:12,530
OK, THESE ARE
YOUR TRAIN TICKETS.
272
00:12:12,599 --> 00:12:15,166
THERE YOU GO. OH, NOT THAT ONE.
273
00:12:15,234 --> 00:12:18,994
HOW COME YOURS SAID
FIRST CLASS AND OURS DIDN'T?
274
00:12:20,106 --> 00:12:22,206
WELL, JEN, YOU KNOW,
IT'S IMPORTANT FOR ME
275
00:12:22,275 --> 00:12:24,542
TO MAINTAIN A CERTAIN IMAGE.
276
00:12:24,611 --> 00:12:26,377
YOU KNOW, PEOPLE SEE THE...
277
00:12:28,915 --> 00:12:32,116
PEOPLE SEE THE MANAGER,
YOU KNOW, RIDING IN FIRST CLASS,
278
00:12:32,185 --> 00:12:34,252
THEY FIGURE THAT IT'S
A FIRST-CLASS BAND.
279
00:12:34,321 --> 00:12:37,755
OH, AND WHAT DO THEY THINK
WHEN THEY SEE THE BAND IN COACH?
280
00:12:39,125 --> 00:12:41,125
THEY THINK YOU'RE REAL PEOPLE.
281
00:12:43,263 --> 00:12:45,763
YOU SAID HE WAS SMOOTH.
282
00:12:45,832 --> 00:12:47,565
OK, LADIES. LADIES, COME HERE.
283
00:12:47,634 --> 00:12:49,567
COME HERE. HUDDLE. HUDDLE.
284
00:12:49,636 --> 00:12:51,569
THIS IS AN HISTORIC MOMENT.
285
00:12:51,638 --> 00:12:53,971
WE'RE ABOUT TO LEAVE
FOR OUR FIRST GIG.
286
00:12:54,040 --> 00:12:55,840
THE SWINGING CORPORATE RAIDERS,
287
00:12:55,908 --> 00:12:58,576
WHICH BEGAN AS A
GLIMMER IN MY EYE,
288
00:12:58,645 --> 00:13:00,077
IS NOW A REALITY.
289
00:13:01,648 --> 00:13:03,080
TONIGHT, TOLEDO.
290
00:13:03,149 --> 00:13:06,083
TOMORROW... TOLEDO.
291
00:13:08,020 --> 00:13:10,521
MONDAY, BACK TO
SCHOOL. LET'S GO.
292
00:13:16,563 --> 00:13:18,796
♪ BOM BOM BOM BOM
BOM BOM BOM BOM ♪
293
00:13:18,865 --> 00:13:20,531
♪ BOM BOM BOM BOM BOM ♪
294
00:13:20,600 --> 00:13:23,401
♪ MR. SANDMAN ♪
295
00:13:23,470 --> 00:13:25,870
♪ BRING ME A DREAM ♪
296
00:13:25,938 --> 00:13:27,705
♪ MAKE HIM THE CUTEST ♪
297
00:13:27,774 --> 00:13:30,675
THAT I'VE EVER SEEN ♪
298
00:13:30,744 --> 00:13:35,246
♪ GIVE HIM THE WORD
THAT I'M NOT A ROVER ♪
299
00:13:35,314 --> 00:13:39,517
♪ AND TELL HIM THAT MY
LONESOME NIGHTS ARE OVER ♪
300
00:13:39,586 --> 00:13:41,952
♪ SANDMAN ♪
301
00:13:42,021 --> 00:13:44,589
♪ I'M SO ALONE ♪
302
00:13:44,657 --> 00:13:48,760
♪ DON'T HAVE NOBODY
TO CALL MY OWN ♪
303
00:13:48,828 --> 00:13:52,963
♪ PLEASE, TURN ON
YOUR MAGIC BEAM ♪
304
00:13:53,032 --> 00:13:57,201
♪ MR. SANDMAN,
BRING ME A DREAM ♪♪
305
00:14:06,379 --> 00:14:08,657
I CAN'T BELIEVE THIS!
306
00:14:08,681 --> 00:14:10,493
JENNIFER IS STILL NOT READY.
307
00:14:10,517 --> 00:14:12,661
CALM DOWN, HONEY. SHE'S STILL
UPSTAIRS WITH THE OTHER GIRLS.
308
00:14:12,685 --> 00:14:16,353
YOU KNOW, NOBODY KNOWS
WHAT US MANAGERS GO THROUGH.
309
00:14:16,423 --> 00:14:19,857
TONIGHT IS THE BIGGEST
NIGHT OF OUR CAREERS.
310
00:14:19,926 --> 00:14:22,905
I WAS THINKING OF MY BLUE
BLAZER FOR THE DANCE TONIGHT.
311
00:14:22,929 --> 00:14:24,695
THAT'S A GOOD IDEA.
312
00:14:26,999 --> 00:14:29,099
DAD, COME IN AFTER
YOU GET DRESSED.
313
00:14:29,168 --> 00:14:31,936
I'VE GOT SOME EXCITING
NEWS FOR YOU. OK.
314
00:14:32,004 --> 00:14:34,972
WHAT'S THE BIG NEWS?
YOU FOUND MY SOCKS?
315
00:14:35,041 --> 00:14:38,642
NO. DAD, I GOT AN "A"
ON MY FASHION PROJECT.
316
00:14:38,711 --> 00:14:41,779
OH, THAT'S TERRIFIC!
THAT'S WONDERFUL, HONEY.
317
00:14:41,848 --> 00:14:44,360
DAD, YOU'VE BEEN SUCH A GOOD SPORT. I
COULD NOT HAVE DONE THIS WITHOUT YOU.
318
00:14:44,384 --> 00:14:46,095
WELL, I'M VERY HAPPY FOR YOU.
319
00:14:46,119 --> 00:14:48,430
AND I GUESS I GET MY
CLOSETS BACK NOW.
320
00:14:48,454 --> 00:14:50,732
OH, NOT REALLY, DAD. I MEAN,
I'M TAKING THE ADVANCED CLASS.
321
00:14:50,756 --> 00:14:53,024
I'M JUST KIDDING! YOU'LL
HAVE THEM BACK IN NO TIME.
322
00:14:53,092 --> 00:14:55,692
OH, GOD. WHAT? HEH HEH HEH!
323
00:14:55,761 --> 00:14:58,695
WELL, COME ON, STEVEN. I GUESS
THIS CALLS FOR A CELEBRATION.
324
00:14:58,764 --> 00:15:00,742
WELL, MALLORY GOT AN "A."
WHAT DO YOU THINK OF THAT?
325
00:15:00,766 --> 00:15:02,744
WELL, AND YOU REALLY HELPED
HER, TOO. AREN'T YOU PROUD?
326
00:15:02,768 --> 00:15:04,746
WELL, I WAS REALLY GETTING
USED TO DRESSING OUT THERE
327
00:15:04,770 --> 00:15:06,482
CLOSE TO NATURE AND ALL.
328
00:15:06,506 --> 00:15:09,240
WELL, WITH THE
WEATHER WARMING UP...
329
00:15:09,309 --> 00:15:12,009
ALEX, THERE ARE
PROBLEMS DEVELOPING.
330
00:15:12,077 --> 00:15:14,612
WHA-WHAT PROBLEMS?
WE'RE ARE A HIT.
331
00:15:14,680 --> 00:15:17,048
WE'RE ON OUR WAY TO THE
BIGGEST GIG OF OUR LIVES.
332
00:15:17,117 --> 00:15:19,484
ALEX, WE WANT TO
PLAY OUR OWN MUSIC.
333
00:15:19,552 --> 00:15:21,319
WE'RE TIRED OF LOOKING LIKE
334
00:15:21,387 --> 00:15:24,522
WE'RE TRYING TO RAISE
MONEY FOR WAR BONDS.
335
00:15:26,426 --> 00:15:27,758
I SEE.
336
00:15:27,827 --> 00:15:29,994
WE'RE NOT HAVING ANY FUN.
337
00:15:30,063 --> 00:15:32,596
YOU'RE NOT SUPPOSED
TO HAVE FUN. YOU'RE KIDS.
338
00:15:32,665 --> 00:15:34,910
YOU'RE SUPPOSED TO BE
THINKING ABOUT THE FUTURE.
339
00:15:34,934 --> 00:15:37,701
YOU'RE GONNA HAVE
FUN WHEN YOU RETIRE.
340
00:15:37,770 --> 00:15:41,205
ALEX, WE APPRECIATE EVERYTHING
YOU'VE TRIED TO DO FOR US,
341
00:15:41,274 --> 00:15:42,706
BUT IT'S ENOUGH.
342
00:15:44,243 --> 00:15:47,545
FINE. GOOD. HEY.
I SEE. I GOT IT.
343
00:15:47,614 --> 00:15:49,880
FINE. FINE.
344
00:15:53,853 --> 00:15:55,786
DON'T POUT, ALEX.
345
00:15:57,023 --> 00:15:59,189
I WORK. I SWEAT.
346
00:15:59,258 --> 00:16:00,892
I LABOR FOR HOURS.
347
00:16:00,960 --> 00:16:02,771
I... I WORRY ABOUT THIS BAND.
348
00:16:02,795 --> 00:16:04,272
I MAKE ALL THE ARRANGEMENTS.
349
00:16:04,296 --> 00:16:05,774
I WORK MYSELF TO THE BONE.
350
00:16:05,798 --> 00:16:07,443
AND WHAT DO I GET IN RETURN?
351
00:16:07,467 --> 00:16:08,899
80%.
352
00:16:11,471 --> 00:16:13,104
85%.
353
00:16:13,173 --> 00:16:15,306
READ YOUR CONTRACT.
354
00:16:16,409 --> 00:16:17,674
IT'S NOT WORKING, ALEX.
355
00:16:17,743 --> 00:16:19,221
NOT WORKING? NOT WORKING?
356
00:16:19,245 --> 00:16:21,345
YOU KIDDING ME? YOU
GUYS ARE A SMASH.
357
00:16:21,414 --> 00:16:25,382
DIDN'T THEY LOVE YOU AT THE
CLEVELAND STATE PENITENTIARY?
358
00:16:25,452 --> 00:16:28,619
ALEX, THOSE GUYS HADN'T
BEEN OUT IN 30 YEARS.
359
00:16:28,688 --> 00:16:32,523
THEY THOUGHT WE WERE
THE ANDREWS SISTERS.
360
00:16:32,592 --> 00:16:35,293
JEN, COME ON. LOOK, THERE ARE
BOUND TO BE BUMPS AND BRUISES.
361
00:16:35,361 --> 00:16:36,961
YOU'RE JUST STARTING OUT.
362
00:16:37,029 --> 00:16:38,796
EVERYTHING IS GONNA WORK OUT.
363
00:16:38,864 --> 00:16:40,998
OK? TRUST ME. YOU
WON'T BE SORRY.
364
00:16:41,067 --> 00:16:42,967
I'M ALREADY SORRY.
365
00:16:43,036 --> 00:16:46,270
NOW IT'S JUST A
QUESTION OF HOW MUCH.
366
00:16:48,942 --> 00:16:51,442
ENJOYING YOURSELF?
367
00:16:51,510 --> 00:16:56,480
OH, IT'S A WONDERFUL AFFAIR. WE
HAVEN'T POLKAED IN YEARS, STEVEN.
368
00:16:56,549 --> 00:16:59,850
THE POLKA BOYS REALLY KNOW HOW TO
WHIP A CROWD INTO A FRENZY, DON'T THEY?
369
00:16:59,919 --> 00:17:01,452
YEAH, YEAH.
370
00:17:01,520 --> 00:17:03,699
YEAH, I HEARD SEVERAL PEOPLE
WERE TRAMPLED TO DEATH
371
00:17:03,723 --> 00:17:05,489
AT THEIR LAST CONCERT. YEAH.
372
00:17:09,429 --> 00:17:12,362
MAY I HAVE THIS DANCE?
373
00:17:12,432 --> 00:17:13,909
WITH PLEASURE. IT WILL BE NICE
374
00:17:13,933 --> 00:17:16,044
NOT TO HAVE YOUR FATHER
DANCING ON MY FEET.
375
00:17:16,068 --> 00:17:18,402
OHH! THERE WE GO.
376
00:17:21,241 --> 00:17:23,385
WELL, GIRLS, THIS IS IT.
377
00:17:23,409 --> 00:17:25,221
LELAND SYMPHONY AUDITORIUM,
378
00:17:25,245 --> 00:17:27,778
OUR BIGGEST GIG YET. GOOD LUCK.
379
00:17:32,084 --> 00:17:34,051
CAN'T BLAME THEM,
ALEX. THEY KIND OF FEEL
380
00:17:34,120 --> 00:17:36,053
LIKE YOU'RE FORCING
THEM INTO THIS.
381
00:17:36,122 --> 00:17:38,601
LOOK, JEN. I'VE EXPLAINED
THIS TO YOU A MILLION TIMES.
382
00:17:38,625 --> 00:17:40,836
YOU GOTTA HAVE A GIMMICK
TO MAKE IT IN THIS BUSINESS...
383
00:17:40,860 --> 00:17:43,672
YOU KNOW, SOMETHING SPECIAL FOR
THE AUDIENCE TO REMEMBER YOU BY.
384
00:17:43,696 --> 00:17:46,764
NOW, WHAT'S YOUR GIMMICK? WHAT
DO YOU HAVE THAT NOBODY ELSE HAS...
385
00:17:46,833 --> 00:17:48,666
THAT CANNOT BE DUPLICATED?
386
00:17:48,735 --> 00:17:50,167
MY BROTHER.
387
00:17:51,337 --> 00:17:53,670
MWAH! OK.
388
00:17:55,108 --> 00:17:58,776
HEY. TANK YOU,
TANK YOU, TANK YOU.
389
00:17:58,845 --> 00:18:01,512
OK. THIS NEXT ACT...
390
00:18:01,581 --> 00:18:04,621
THIS NEXT ACT IS REALLY GOING
TO KNOCK YOUR SOCKS OFF.
391
00:18:04,651 --> 00:18:07,251
LADIES AND GENTLEMEN,
PLEASE WELCOME
392
00:18:07,320 --> 00:18:10,354
THE SWINGING CORPORATE RAIDERS.
393
00:18:15,695 --> 00:18:17,995
♪ BOM BOM BOM BOM
BOM BOM BOM BOM ♪
394
00:18:18,064 --> 00:18:19,730
♪ BOM BOM BOM BOM BOM ♪
395
00:18:19,799 --> 00:18:21,565
♪ MR. SANDMAN ♪
396
00:18:21,634 --> 00:18:22,766
YES?
397
00:18:22,836 --> 00:18:25,303
♪ BRING ME A DREAM ♪
398
00:18:25,371 --> 00:18:29,807
♪ MAKE HIM THE CUTEST
THAT I'VE EVER SEEN ♪
399
00:18:29,876 --> 00:18:34,378
♪ GIVE HIM THE WORD
THAT I'M NOT A ROVER ♪
400
00:18:34,446 --> 00:18:38,549
♪ AND TELL HIM THAT MY
LONESOME NIGHTS ARE OVER ♪
401
00:18:38,618 --> 00:18:39,717
♪ SANDMAN... ♪
402
00:18:41,220 --> 00:18:42,986
♪ I'M SO ALONE... ♪
403
00:18:43,055 --> 00:18:46,023
I CAN'T GO THROUGH
WITH THIS, ALEX.
404
00:18:46,092 --> 00:18:48,025
NO...
405
00:18:53,666 --> 00:18:55,065
UM...
406
00:18:55,134 --> 00:18:58,636
♪ MR. SANDMAN, MAKE ME A DREAM ♪
407
00:18:58,704 --> 00:19:01,205
♪ MAKE HIM CUTEST
I'VE EVER SEEN ♪♪
408
00:19:03,176 --> 00:19:04,653
JENNIFER, WHAT ARE YOU DOING?
409
00:19:04,677 --> 00:19:06,655
I CAN'T GO THROUGH WITH
THIS, ALEX. I'M NOT SINGING.
410
00:19:06,679 --> 00:19:08,290
IT'S OVER. IT'S NO
USE. OH, FINE. OK.
411
00:19:08,314 --> 00:19:10,225
OH, SO THAT'S
THE WAY IT IS, HUH?
412
00:19:10,249 --> 00:19:11,615
FINE.
413
00:19:14,687 --> 00:19:17,054
I SHOULD HAVE
SEEN IT COMING, ALEX.
414
00:19:17,122 --> 00:19:19,601
WHENEVER YOU DECIDE TO
GET INVOLVED WITH MY LIFE,
415
00:19:19,625 --> 00:19:21,603
A VOICE SAYS INSIDE MY HEAD,
416
00:19:21,627 --> 00:19:24,205
"DON'T LISTEN TO THIS
MAN. HE'S DANGEROUS."
417
00:19:24,229 --> 00:19:28,231
HOW MANY TIMES HAVE I TOLD YOU
NOT TO LISTEN TO STRANGE VOICES?
418
00:19:28,300 --> 00:19:30,568
AND THEN SOMETIMES
LATE AT NIGHT,
419
00:19:30,636 --> 00:19:32,603
ANOTHER VOICE SAYS,
"DO WHATEVER HE SAYS.
420
00:19:32,672 --> 00:19:34,905
HE'S YOUR BROTHER.
HE'S A GOOD GUY."
421
00:19:34,974 --> 00:19:37,174
I LIKE THAT VOICE.
422
00:19:37,243 --> 00:19:39,110
THAT'S BECAUSE IT'S YOURS.
423
00:19:39,178 --> 00:19:41,846
YOU LEFT A TAPE
RECORDER UNDER MY BED.
424
00:19:47,186 --> 00:19:49,253
ALL RIGHT, JEN. LOOK.
425
00:19:49,321 --> 00:19:52,256
ALL RIGHT, MAYBE I GOT
A LITTLE CARRIED AWAY.
426
00:19:52,324 --> 00:19:54,258
IT'S JUST...
427
00:19:54,326 --> 00:19:57,094
WHEN I HEARD YOU SING,
428
00:19:57,163 --> 00:19:59,596
WHEN I SAW HOW
TALENTED YOU WERE,
429
00:19:59,665 --> 00:20:02,233
I COULDN'T HELP IT, YOU
KNOW. I... I GOT EXCITED.
430
00:20:02,301 --> 00:20:04,201
AND WHEN YOU GET EXCITED,
431
00:20:04,270 --> 00:20:05,736
I GET EXCITED.
432
00:20:05,804 --> 00:20:09,117
I START TO BELIEVE ANYTHING CAN
HAPPEN. THE NEXT THING I KNOW,
433
00:20:09,141 --> 00:20:12,543
I'M IN AN EVENING GOWN
SINGING MR. SANDMAN.
434
00:20:12,612 --> 00:20:15,045
WHY DO I LISTEN TO YOUR ADVICE?
435
00:20:17,183 --> 00:20:21,118
OH, JEN, WHO... WHO ELSE'S
ADVICE ARE YOU GONNA LISTEN TO?
436
00:20:21,187 --> 00:20:24,388
I MEAN, ARE YOU GONNA
LISTEN TO MOM AND DAD'S?
437
00:20:24,457 --> 00:20:28,559
I MEAN, THE ONLY ADVICE THEY EVER
GIVE IS, YOU KNOW, UH, BE FAIR TO PEOPLE.
438
00:20:30,196 --> 00:20:32,964
RESPECT OTHER PEOPLE'S IDEAS.
439
00:20:33,032 --> 00:20:36,166
NOW WHEN ARE YOU
GOING TO USE THAT IN LIFE?
440
00:20:36,236 --> 00:20:38,202
I DO LISTEN TO YOU.
441
00:20:38,271 --> 00:20:40,905
YOU'RE MY BROTHER. I LOVE YOU.
442
00:20:42,809 --> 00:20:46,310
I THINK I SHOULD MAKE
THE DECISIONS BY MYSELF.
443
00:20:46,378 --> 00:20:50,180
I THINK WE SHOULD MANAGE
THE BAND ON OUR OWN.
444
00:20:50,250 --> 00:20:52,416
YOU'RE RIGHT. IT'S YOUR BAND.
445
00:20:54,220 --> 00:20:57,888
SO, UH... CAN I STILL
COME SEE YOU PLAY?
446
00:20:57,957 --> 00:20:59,523
SURE.
447
00:20:59,592 --> 00:21:02,471
AND IF WE EVER HIT
IT REALLY BIG ONE DAY,
448
00:21:02,495 --> 00:21:05,529
YOU CAN BE THE
BAND'S ACCOUNTANT.
449
00:21:05,598 --> 00:21:10,101
AND, UH, IF I EVER HIT
IT REALLY BIG ONE DAY...
450
00:21:10,169 --> 00:21:12,936
YOU CAN PLAY AT
THE INAUGURATION.
451
00:21:14,707 --> 00:21:16,273
IT'S A DEAL.
452
00:21:17,877 --> 00:21:20,477
UHH. NO MORE MR. SANDMAN?
453
00:21:20,546 --> 00:21:22,112
HEH.
454
00:21:22,181 --> 00:21:24,281
NO MORE.
455
00:21:24,349 --> 00:21:25,782
COME ON, GUYS.
456
00:21:25,852 --> 00:21:27,830
WE'RE GONNA DO
OUR STUFF. LET'S GO!
457
00:21:27,854 --> 00:21:30,120
ALL RIGHT! ALL RIGHT! WE ARE?
458
00:21:46,806 --> 00:21:50,141
♪ OVER AND OVER ♪
459
00:21:50,209 --> 00:21:52,977
♪ AND OVER AGAIN ♪
460
00:21:53,046 --> 00:21:56,813
♪ I'VE SEEN LOVE HAPPEN ♪
461
00:21:56,882 --> 00:21:59,917
♪ AND I'VE SEEN IT END ♪
462
00:21:59,986 --> 00:22:03,621
♪ I'VE BEEN HURT SO
MANY TIMES BEFORE ♪
463
00:22:03,689 --> 00:22:06,824
♪ AND MAYBE TOO OFTEN ♪
464
00:22:06,893 --> 00:22:10,427
♪ I SHOULDN'T TRUST
MY HEART ANYMORE ♪
465
00:22:10,496 --> 00:22:13,363
♪ BUT I KNOW IT'S
DIFFERENT NOW ♪
466
00:22:13,433 --> 00:22:16,467
♪ BABY, I'M BACK IN LOVE AGAIN ♪
467
00:22:16,536 --> 00:22:18,468
♪ IN LOVE AGAIN ♪
468
00:22:18,538 --> 00:22:20,237
♪ OOH OOH, OOH OOH ♪
469
00:22:20,306 --> 00:22:23,240
♪ BABY, I'M BACK IN LOVE AGAIN ♪
470
00:22:23,309 --> 00:22:25,509
♪ IN LOVE AGAIN ♪
471
00:22:25,577 --> 00:22:27,678
♪ I'M IN LOVE WITH YOU ♪
472
00:22:27,746 --> 00:22:29,613
♪ YOU YOU YOU ♪
473
00:22:29,682 --> 00:22:32,850
♪ I NEVER THOUGHT THAT ♪
474
00:22:32,919 --> 00:22:35,753
♪ THERE'D BE A TIME ♪
475
00:22:35,822 --> 00:22:39,323
♪ WHEN I COULD REACH OUT ♪
476
00:22:39,391 --> 00:22:42,259
♪ AND CALL YOU MINE, NO ♪
477
00:22:42,328 --> 00:22:43,760
♪ I WAS ALONE ♪
478
00:22:43,830 --> 00:22:45,963
♪ YOU CAME ALONG
TO SET ME FREE ♪
479
00:22:46,032 --> 00:22:49,666
♪ AND LIKE A VISION
FROM A DREAM ♪
480
00:22:49,735 --> 00:22:53,570
♪ MY HAPPINESS IS
CALLING OUT TO ME ♪
481
00:22:53,639 --> 00:22:56,206
♪ AND I WON'T LET IT GO ♪
482
00:22:56,275 --> 00:22:59,376
♪ BABY, I'M BACK IN LOVE AGAIN ♪
483
00:22:59,445 --> 00:23:01,478
♪ IN LOVE AGAIN ♪
484
00:23:01,547 --> 00:23:02,980
♪ OOH OOH, OOH OOH ♪
485
00:23:03,049 --> 00:23:06,149
♪ BABY, I'M BACK IN LOVE AGAIN ♪
486
00:23:06,219 --> 00:23:08,219
♪ IN LOVE AGAIN ♪
487
00:23:08,287 --> 00:23:10,487
♪ I'M IN LOVE WITH YOU ♪
488
00:23:10,556 --> 00:23:12,022
♪ YOU YOU YOU ♪♪
489
00:23:52,698 --> 00:23:54,130
SIT, UBU, SIT.
490
00:23:54,200 --> 00:23:55,599
GOOD DOG.
36203
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.