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♪ I BET WE'VE BEEN TOGETHER ♪
2
00:00:15,316 --> 00:00:17,882
♪ FOR A MILLION YEARS ♪
3
00:00:17,952 --> 00:00:20,752
♪ AND I BET WE'LL BE TOGETHER ♪
4
00:00:20,821 --> 00:00:23,322
♪ FOR A MILLION MORE ♪
5
00:00:23,390 --> 00:00:26,091
♪ OH, IT'S LIKE I
STARTED BREATHING ♪
6
00:00:26,160 --> 00:00:28,360
♪ ON THE NIGHT WE KISSED ♪
7
00:00:28,428 --> 00:00:30,362
♪ AND I CAN'T REMEMBER ♪
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00:00:30,431 --> 00:00:34,132
♪ WHAT I EVER DID BEFORE ♪
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00:00:34,201 --> 00:00:37,102
♪ WHAT WOULD WE DO, BABY ♪
10
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♪ WITHOUT US ♪
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♪ WHAT WOULD WE DO, BABY ♪
12
00:00:42,576 --> 00:00:45,777
♪ WITHOUT US ♪
13
00:00:45,846 --> 00:00:47,779
♪ AND THERE AIN'T NO NOTHING ♪
14
00:00:47,848 --> 00:00:51,283
♪ WE CAN'T LOVE EACH OTHER
THROUGH ♪ ♪ OOH, OHH ♪
15
00:00:51,352 --> 00:00:54,119
♪ WHAT WOULD WE DO, BABY ♪
16
00:00:54,187 --> 00:00:56,655
♪ WITHOUT US ♪
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00:00:56,723 --> 00:01:00,292
♪ SHA LA LA LA ♪♪
18
00:01:11,071 --> 00:01:12,704
WELL, HI THERE, ALEX.
19
00:01:12,772 --> 00:01:14,852
WELL, HEY THERE, MOM.
20
00:01:14,909 --> 00:01:16,375
HOW'S IT GOING, SON?
21
00:01:16,443 --> 00:01:20,145
OH, JUST FINE, DAD.
TOP OF THE WORLD.
22
00:01:20,214 --> 00:01:21,524
WHO ARE YOU KIDDING, ALEX?
23
00:01:21,548 --> 00:01:22,958
WE'VE BEEN OUT FOR OVER AN HOUR,
24
00:01:22,982 --> 00:01:24,628
AND YOU HAVEN'T
MOVED FROM THIS TABLE.
25
00:01:24,652 --> 00:01:26,730
I MOVED. I MOVED
WHILE YOU WERE OUT.
26
00:01:26,754 --> 00:01:29,020
YOU DIDN'T SEE ME.
27
00:01:29,090 --> 00:01:32,023
ALEX, I CANNOT STAND WATCHING
YOU PINE AWAY LIKE THIS.
28
00:01:32,093 --> 00:01:34,460
YOU HAVE HAD MORE
THAN ENOUGH TIME
29
00:01:34,528 --> 00:01:36,728
TO ABSORB THE FACT
THAT ELLEN IS GONE.
30
00:01:36,797 --> 00:01:38,830
AND YOU SHOULD BE HAPPY FOR HER.
31
00:01:38,899 --> 00:01:41,133
SHE WON A DANCE
SCHOLARSHIP! GOOD!
32
00:01:41,202 --> 00:01:44,202
SHE'S GONE TO PARIS. GREAT!
33
00:01:44,271 --> 00:01:48,974
NOW IS THE TIME FOR ALEX
KEATON TO GET ON WITH HIS LIFE.
34
00:01:49,043 --> 00:01:51,809
LOOK, I AM GETTING
ON WITH MY LIFE.
35
00:01:51,878 --> 00:01:54,679
I'M DOING A FINE JOB OF
GETTING ON WITH MY LIFE.
36
00:01:54,748 --> 00:01:57,661
HONEY, YOU HAVEN'T LEFT
THE HOUSE IN ALMOST A MONTH.
37
00:01:57,685 --> 00:01:59,617
I LIKE IT HERE.
38
00:02:01,488 --> 00:02:03,421
IT'S COZY.
39
00:02:03,490 --> 00:02:07,426
YOU'RE NOT SLEEPING, AND YOU
LOOK SO THIN. YOU'RE NOT EATING.
40
00:02:07,494 --> 00:02:10,429
OK, OK. I HAVEN'T BEEN SLEEPING,
41
00:02:10,497 --> 00:02:12,965
BUT I HAVE BEEN EATING.
42
00:02:13,033 --> 00:02:15,968
I JUST HAD A CORN FLAKE.
43
00:02:16,036 --> 00:02:19,015
ALEX, I... I JUST WANT TO
TAKE YOU AND SHAKE YOU.
44
00:02:19,039 --> 00:02:21,440
PLEASE DON'T. I JUST ATE.
45
00:02:24,244 --> 00:02:27,223
OH, ALEX, IT'S GOOD TO SEE
YOU FINALLY OUT OF YOUR ROOM.
46
00:02:27,247 --> 00:02:28,714
GOOD FOR YOU.
47
00:02:29,950 --> 00:02:31,983
ALL RIGHT. ALL RIGHT. OK, LOOK.
48
00:02:32,052 --> 00:02:36,021
WILL EVERYBODY STOP TALKING
TO ME LIKE I'M A FLOOD VICTIM?
49
00:02:36,090 --> 00:02:37,622
NOW, I AM FINE.
50
00:02:37,691 --> 00:02:40,192
ELLEN'S... GONE. THAT'S TRUE.
51
00:02:40,260 --> 00:02:42,394
AND IT'S OVER. AND
THAT'S TRUE, TOO.
52
00:02:42,462 --> 00:02:45,175
BUT, UH, WHEN I'M GOOD
AND READY, I'M GONNA GET UP,
53
00:02:45,199 --> 00:02:47,610
I'M GONNA PICK ANOTHER
ELLEN OFF THE GIRL TREE
54
00:02:47,634 --> 00:02:49,568
AND LIVE HAPPILY EVER AFTER.
55
00:02:49,637 --> 00:02:51,103
GIRL TREE?
56
00:02:52,606 --> 00:02:54,139
SORRY, MOM.
57
00:02:54,208 --> 00:02:55,740
THE WOMAN TREE.
58
00:02:58,712 --> 00:03:01,145
WHERE DOES HE GET THESE IDEAS?
59
00:03:01,215 --> 00:03:04,535
DON'T LOOK AT ME. I TOLD
HIM WE MET UNDER A TREE.
60
00:03:04,585 --> 00:03:06,418
HE MUST HAVE...
61
00:03:06,486 --> 00:03:09,021
HE MISUNDERSTOOD. I...
62
00:03:09,089 --> 00:03:11,122
YOU KNOW, I COULD
FIX YOU UP, ALEX.
63
00:03:11,191 --> 00:03:14,559
THERE'S ONE OF MY FRIENDS I DON'T LIKE
VERY MUCH. SHE'D BE PERFECT FOR YOU.
64
00:03:14,628 --> 00:03:16,561
THANKS, MAL. THAT'S SWEET.
65
00:03:16,630 --> 00:03:21,132
BUT ANY GIRL I DATE HAS TO BE ABLE
TO SPEAK IN COMPLETE SENTENCES.
66
00:03:21,201 --> 00:03:24,402
OH. THEN SHE'S WRONG FOR YOU.
67
00:03:32,746 --> 00:03:34,346
OHH.
68
00:03:34,415 --> 00:03:37,516
HEY, HEY, ALEX.
ALEX. HEY, COME HERE.
69
00:03:37,584 --> 00:03:39,350
HE-HEY. COME OVER HERE.
70
00:03:39,420 --> 00:03:41,230
BOY. WHERE HAVE YOU BEEN HIDING?
71
00:03:41,254 --> 00:03:44,033
YOU KNOW, I HAVEN'T SEEN
YOU SINCE ELLEN DUMPED YOU...
72
00:03:44,057 --> 00:03:46,725
UH, I MEAN... I MEAN,
SINCE SHE LEFT.
73
00:03:46,794 --> 00:03:49,427
YEAH. WELL, I HAVEN'T HAD A
WHOLE LOT OF FREE TIME, YOU KNOW?
74
00:03:49,496 --> 00:03:52,163
I'VE BEEN BUSY...
SCHOOL, WORK, CLUBS.
75
00:03:52,233 --> 00:03:55,412
MALLORY SAID YOU WERE LOCKED IN
YOUR ROOM CRYING YOUR EYES OUT.
76
00:03:55,436 --> 00:03:59,237
YEAH. THAT HAD NOTHING
TO DO WITH ELLEN.
77
00:03:59,306 --> 00:04:03,709
THE STOCK MARKET DROPPED
TWO POINTS... WENT TO PIECES.
78
00:04:03,777 --> 00:04:06,690
COME ON, ALEX. WE'VE
KNOWN YOU FOR A LONG TIME.
79
00:04:06,714 --> 00:04:09,058
YOU CAN BE OPEN WITH
US. WE'RE YOUR FRIENDS.
80
00:04:09,082 --> 00:04:10,848
WE'RE HERE FOR YOU.
81
00:04:12,152 --> 00:04:14,919
AND WE'RE GOING
TO BE HERE FOR YOU.
82
00:04:17,157 --> 00:04:18,923
ALL RIGHT. ALL RIGHT.
83
00:04:18,992 --> 00:04:23,194
I MEAN, I GUESS IT'S ABOUT TIME I
TALKED TO SOMEBODY ABOUT THIS.
84
00:04:23,263 --> 00:04:26,031
SEE, THE TRUTH IS, I
NEVER LOVED ANYBODY
85
00:04:26,099 --> 00:04:27,932
AS MUCH AS I LOVED ELLEN.
86
00:04:28,001 --> 00:04:30,768
SORRY, ALEX. WE GOT TO GO.
87
00:04:33,840 --> 00:04:37,509
WELL, THANKS FOR LETTING ME
GET THAT OFF MY CHEST, GUYS.
88
00:04:37,577 --> 00:04:40,512
HAVEN'T OPENED UP
LIKE THAT IN A LONG TIME.
89
00:04:40,581 --> 00:04:42,781
GIRLS, YOU KNOW ALEX KEATON.
90
00:04:42,849 --> 00:04:44,583
ALEX KEATON... YOU'RE THE ONE
91
00:04:44,651 --> 00:04:47,151
WHOSE GIRLFRIEND
DUMPED YOU, RIGHT?
92
00:04:47,221 --> 00:04:49,020
I'M SORRY. HAVE WE MET?
93
00:04:49,089 --> 00:04:51,634
I'M REENIE CRAWFORD,
AND THIS IS MARGIE HANLEY.
94
00:04:51,658 --> 00:04:54,226
HI. WE HAVEN'T BEEN
FORMALLY INTRODUCED,
95
00:04:54,294 --> 00:04:57,061
BUT I HEARD ABOUT THE DUMPING.
96
00:04:58,565 --> 00:05:00,699
WE'LL SEE YOU, ALEX. BYE.
97
00:05:22,388 --> 00:05:25,090
♪ WHAT DID YOU THINK ♪
98
00:05:26,326 --> 00:05:29,527
♪ I WOULD DO AT
THIS MOMENT... ♪♪
99
00:05:30,964 --> 00:05:33,876
HI, ALEX. WHAT'S IT GOING TO BE?
100
00:05:33,900 --> 00:05:35,734
OH. HI, SHARON.
101
00:05:35,802 --> 00:05:37,736
UH, NOTHING. THANKS.
102
00:05:37,804 --> 00:05:41,206
I'M... AHEM. JUST GONNA
LEAN HERE, IF THAT'S OK.
103
00:05:41,275 --> 00:05:43,019
HAVEN'T SEEN YOU
AROUND HERE IN A WHILE.
104
00:05:43,043 --> 00:05:45,977
OH, THAT'S BECAUSE I'VE BEEN
TOO BUSY GETTING DUMPED.
105
00:05:46,045 --> 00:05:47,757
YEAH, I HEARD ABOUT THAT.
106
00:05:47,781 --> 00:05:49,247
WHO HASN'T?
107
00:05:49,316 --> 00:05:50,915
ATTENTION, ALL LELAND STUDENTS.
108
00:05:50,984 --> 00:05:53,184
ALEX P. KEATON HAS
BEEN OFFICIALLY DUMPED.
109
00:05:53,253 --> 00:05:55,973
WE KNOW. WE KNOW. WE KNOW.
110
00:05:57,624 --> 00:06:00,035
YOU KNOW, ELLEN AND I WERE IN
A COUPLE OF CLASSES TOGETHER.
111
00:06:00,059 --> 00:06:03,039
I USED TO WATCH YOU TWO IN
HERE. YOU WERE A GREAT COUPLE.
112
00:06:03,063 --> 00:06:06,497
YEAH. WELL, I'M NOT THE KIND
OF GUY TO DWELL ON THE PAST.
113
00:06:06,567 --> 00:06:10,669
NO, SIR. NO. I GOT MY
WHOLE LIFE AHEAD OF ME.
114
00:06:10,737 --> 00:06:14,305
MY WHOLE... LONELY,
MISERABLE LIFE.
115
00:06:14,375 --> 00:06:18,009
ALEX, YOU KNOW WHAT I DO
WHEN I'M REALLY DEPRESSED?
116
00:06:18,078 --> 00:06:21,846
I PUT ON MY PAJAMAS, I TURN ON
SOME REALLY HEAD-BANGING MUSIC,
117
00:06:21,915 --> 00:06:25,650
AND I SCREAM AT THE TOP OF MY LUNGS
TILL THE COPS BREAK DOWN THE DOOR.
118
00:06:25,719 --> 00:06:27,585
NO KIDDING?
119
00:06:29,022 --> 00:06:32,289
THAT'S EXACTLY WHAT I DO.
120
00:06:32,359 --> 00:06:33,925
NO. YOU?
121
00:06:33,994 --> 00:06:38,029
I NEVER PICTURED YOU AS A
HEAD-BANGING KIND OF A GUY.
122
00:06:38,098 --> 00:06:39,531
AW, COME ON.
123
00:06:42,869 --> 00:06:45,036
CONSTANT HEADACHE.
124
00:06:45,105 --> 00:06:46,871
I WOULD'VE PEGGED YOU
125
00:06:46,940 --> 00:06:50,041
AS MORE A BIG LOVER
OF ELEVATOR MUSIC.
126
00:06:51,578 --> 00:06:53,044
I LIKE IT.
127
00:06:56,850 --> 00:06:59,450
WELL, I KNOW AROUND
HERE, I MIGHT APPEAR LIKE,
128
00:06:59,519 --> 00:07:01,419
YOU KNOW, A PRETTY
CLEAN-CUT GUY.
129
00:07:01,487 --> 00:07:05,156
BUT AT HOME, FORGET
ABOUT IT... COMPLETE LUNATIC.
130
00:07:05,225 --> 00:07:06,524
HEH HEH HEH!
131
00:07:06,593 --> 00:07:09,460
YOU'RE A KICK, ALEX.
YOU'RE REALLY FUNNY.
132
00:07:09,529 --> 00:07:12,308
I GUESS I ALWAYS JUST
THOUGHT OF YOU AS A CUSTOMER...
133
00:07:12,332 --> 00:07:14,310
YOU KNOW, BURGER, FRIES, SHAKE,
134
00:07:14,334 --> 00:07:16,901
RECEIPT FOR TAX PURPOSES.
135
00:07:16,970 --> 00:07:20,204
YOU KNOW, I GUESS I ALWAYS
THOUGHT OF YOU AS JUST A WAITRESS...
136
00:07:20,273 --> 00:07:22,173
TAKE THE ORDER, BRING IT OUT,
137
00:07:22,242 --> 00:07:24,842
SMILE IN HOPES OF
GETTING A BIG TIP.
138
00:07:24,912 --> 00:07:28,024
IT NEVER QUITE WORKED
WITH YOU, THOUGH, DID IT?
139
00:07:28,048 --> 00:07:30,649
I DON'T KNOW, SHARON.
I'M ALWAYS UP THERE...
140
00:07:30,717 --> 00:07:32,283
4, 5%.
141
00:07:34,688 --> 00:07:37,355
YOU KNOW, YOU'RE A
REALLY INTERESTING GIRL.
142
00:07:37,423 --> 00:07:39,357
AND... AND YOU'RE VERY HIP.
143
00:07:39,426 --> 00:07:43,461
YOU'RE ALMOST, UH,
ALMOST AS HIP AS I AM.
144
00:07:43,530 --> 00:07:47,031
HOW COME WE'VE NEVER HAD
THIS CONVERSATION BEFORE?
145
00:07:47,100 --> 00:07:48,778
YOU WERE ALWAYS
IN HERE WITH ELLEN.
146
00:07:48,802 --> 00:07:52,771
WELL, WE GOT RID
OF HER, DIDN'T WE?
147
00:07:58,545 --> 00:08:02,380
OH. THIS IS A
GREAT-LOOKING ROOM.
148
00:08:02,449 --> 00:08:05,650
WELL, THANKS. I, UH,
DECORATED IT MYSELF.
149
00:08:05,719 --> 00:08:09,154
THIS IS WHERE I LIKE TO
DO ALL MY HEAD-BANGING
150
00:08:09,222 --> 00:08:12,757
AND, UH, DANCING AND SCREAMING.
151
00:08:12,825 --> 00:08:14,803
WHY DON'T YOU GET SOME OF
THOSE RECORDS YOU PROMISED?
152
00:08:14,827 --> 00:08:17,128
WE CAN DO SOME HEAD-BANGING
AND SCREAMING RIGHT NOW.
153
00:08:17,196 --> 00:08:19,008
YOU'RE ON, LITTLE GIRL.
154
00:08:19,032 --> 00:08:21,132
I'M HEP TO YOUR JIVE.
155
00:08:33,846 --> 00:08:35,780
OH, HELLO.
156
00:08:35,848 --> 00:08:37,581
I'M, UH, STEVEN KEATON.
157
00:08:37,650 --> 00:08:40,730
HI, I'M SHARON McELROY,
A FRIEND OF ALEX'S.
158
00:08:41,588 --> 00:08:43,788
WELL, ISN'T THAT NICE?
159
00:08:45,258 --> 00:08:47,459
I'M VERY PLEASED TO MEET YOU.
160
00:08:47,528 --> 00:08:51,162
OH, ELYSE, UH, THIS
IS SHARON McELROY,
161
00:08:51,231 --> 00:08:53,164
A FRIEND OF ALEX'S.
162
00:08:53,233 --> 00:08:54,733
AND A GIRL.
163
00:08:54,801 --> 00:08:56,100
HI.
164
00:08:57,538 --> 00:09:01,006
HELLO. I'M... I'M VERY
PLEASED TO MEET YOU.
165
00:09:04,344 --> 00:09:06,610
YOU'RE RIGHT,
STEVEN. SHE'S A GIRL.
166
00:09:06,679 --> 00:09:08,746
YAY!
167
00:09:10,350 --> 00:09:12,250
WELL, I SEE WE MET.
168
00:09:12,319 --> 00:09:13,818
YES, WE HAVE.
169
00:09:13,886 --> 00:09:16,621
AND NOW YOUR MOTHER AND I ARE
GOING TO LEAVE YOU TWO ALONE,
170
00:09:16,690 --> 00:09:19,657
AND, WE'RE GOING TO GO INTO THAT
KITCHEN AND MAKE OURSELVES SOME, UH...
171
00:09:19,726 --> 00:09:20,991
SOUP!
172
00:09:21,060 --> 00:09:22,360
SOUP!
173
00:09:22,429 --> 00:09:24,395
RIGHT YOU ARE, MADAME.
174
00:09:24,464 --> 00:09:26,264
SOUP IT IS.
175
00:09:26,333 --> 00:09:29,367
GIVE THIS WOMAN THE
LADLE OF HER CHOICE.
176
00:09:29,436 --> 00:09:30,735
HA HA HA!
177
00:09:30,803 --> 00:09:32,570
YEAH. OK.
178
00:09:40,113 --> 00:09:42,747
THEY SEEM VERY HAPPY.
179
00:09:42,815 --> 00:09:46,095
THEY MIGHT QUITE
POSSIBLY BE SENILE.
180
00:09:47,954 --> 00:09:49,887
BUT I LOVE THEM,
181
00:09:49,956 --> 00:09:53,791
AND I'LL NEVER
PUT THEM IN A HOME.
182
00:09:53,860 --> 00:09:55,738
LISTEN. MY SISTER'S
ROOM WAS LOCKED,
183
00:09:55,762 --> 00:09:58,274
SO I COULDN'T GET ANY OF MY
FAVORITE HEAVY METAL PLATTERS,
184
00:09:58,298 --> 00:10:01,332
BUT, UH, THESE SHOULD
PUT US IN THE MOOD.
185
00:10:01,401 --> 00:10:05,703
ALEX, THESE ARE
LEARN-TO-TYPE RECORDS.
186
00:10:05,772 --> 00:10:09,608
WHAT DO WE CARE? WE'LL
BE SO BUSY SCREAMING.
187
00:10:09,676 --> 00:10:12,810
YOU'RE RIGHT, DAD. SHE'S A GIRL.
188
00:10:20,020 --> 00:10:23,988
DOES YOUR FAMILY GET OUT MUCH?
189
00:10:24,057 --> 00:10:25,990
NOT ENOUGH.
190
00:10:27,127 --> 00:10:29,038
LISTEN, UH, SHARON,
I WAS WONDERING
191
00:10:29,062 --> 00:10:32,897
IF, UM, YOU'D LIKE TO GO OUT
WITH ME TOMORROW NIGHT?
192
00:10:32,966 --> 00:10:34,699
SOUNDS LIKE FUN.
193
00:10:34,768 --> 00:10:36,779
HOW DOES, UH, TOMORROW
NIGHT AT 7:00 SOUND?
194
00:10:36,803 --> 00:10:38,970
PERFECT. LISTEN,
I'VE GOT TO GET GOING.
195
00:10:39,039 --> 00:10:40,883
OH. OH. YEAH. GREAT. SEE
YOU TOMORROW NIGHT?
196
00:10:40,907 --> 00:10:43,174
UM, TILL THEN.
197
00:10:46,446 --> 00:10:48,380
OK! ALL RIGHT!
198
00:10:48,448 --> 00:10:50,915
THE DREAM LIVES ON.
199
00:10:50,983 --> 00:10:53,251
SHE'S VERY NICE! OH, YEAH!
200
00:10:53,320 --> 00:10:55,453
HA HA! WHOA!
201
00:10:55,522 --> 00:10:58,066
YOU WON'T BELIEVE
IT. I ASKED HER OUT,
202
00:10:58,090 --> 00:11:00,658
SHE SAID YES. WHOA!
203
00:11:00,727 --> 00:11:04,295
I CAN'T BELIEVE IT.
I AM IN LOVE AGAIN.
204
00:11:04,364 --> 00:11:06,865
THAT DIDN'T TAKE LONG AT ALL.
205
00:11:06,933 --> 00:11:09,033
THIS IS IT! THIS IS IT.
I KNOW THE FEELING.
206
00:11:09,101 --> 00:11:11,670
I'VE BEEN HERE BEFORE.
SHE'S EXACTLY LIKE ELLEN.
207
00:11:11,738 --> 00:11:14,739
ELLEN LIKED ART, THIS ONE LIKES
MUSIC. WHAT'S THE DIFFERENCE?
208
00:11:16,643 --> 00:11:18,676
I'M IN LOVE AGAIN! WHOO!
209
00:11:18,745 --> 00:11:22,013
WHAT... WHAT WAS I
SO WORRIED ABOUT?
210
00:11:22,081 --> 00:11:25,249
THIS IS A SNAP. I COULD
TEACH A COURSE IN THIS.
211
00:11:25,318 --> 00:11:27,218
I'M HAPPY FOR YOU, TOO, HONEY.
212
00:11:27,287 --> 00:11:32,590
HEY, MOM, WHAT DID I TELL
YOU ABOUT THE GIRL TREE?
213
00:11:32,658 --> 00:11:36,160
COME ON, MOM. THE
GIRL TREE IS IN BLOOM.
214
00:11:36,229 --> 00:11:40,131
AND IT'S FULL OF RIPE,
BEAUTIFUL, SHINY GIRLS.
215
00:11:40,200 --> 00:11:42,233
IN FACT, GIRL TREE
IS A MISNOMER.
216
00:11:42,302 --> 00:11:44,535
MOM, THERE'S A GIRL
ORCHARD OUT THERE.
217
00:11:46,973 --> 00:11:50,074
AND, MOM, IT'S HARVEST TIME.
218
00:11:56,716 --> 00:11:58,883
HEY, HONEY. SWEETHEART.
HI, SWEETHEART.
219
00:11:58,952 --> 00:12:00,785
WHERE IS EVERYBODY?
220
00:12:00,854 --> 00:12:03,065
WELL, ANDY WAS TIRED,
SO I PUT HIM TO BED EARLY.
221
00:12:03,089 --> 00:12:04,729
AND THE GIRLS ARE UPSTAIRS
222
00:12:04,758 --> 00:12:07,603
HELPING ALEX GET READY
FOR HIS BIG DATE WITH SHARON.
223
00:12:07,627 --> 00:12:12,196
YES! TONIGHT'S THE NIGHT!
OUR BOY GOES OUT AGAIN.
224
00:12:12,265 --> 00:12:15,625
I TELL YOU, IT'S NICE TO
SEE HIM SO EXCITED AGAIN.
225
00:12:15,668 --> 00:12:17,601
HE HAS THAT WARM GLOW
226
00:12:17,670 --> 00:12:20,830
LIKE HE GETS AFTER A
REAGAN PRESS CONFERENCE.
227
00:12:22,742 --> 00:12:25,610
OOH. SOUNDS SERIOUS. MM-HMM.
228
00:12:25,679 --> 00:12:28,758
THEY SAID IT COULDN'T BE
DONE... NOT IN OUR LIFETIME.
229
00:12:28,782 --> 00:12:31,683
BUT LADIES AND GENTLEMEN,
THE KEATON SISTERS PRODUCTIONS
230
00:12:31,751 --> 00:12:34,351
PROUDLY PRESENTS THE
KING OF HIPNESS HIMSELF,
231
00:12:34,420 --> 00:12:36,921
ALEX P. KEATON! ALEX P. KEATON!
232
00:12:50,704 --> 00:12:52,970
WHAT IT IS.
233
00:12:54,273 --> 00:12:55,940
CHECK IT OUT.
234
00:12:56,009 --> 00:12:58,943
I'VE LOST MY MIND.
235
00:12:59,012 --> 00:13:01,679
WHY, ALEX, THIS IS FABULOUS!
236
00:13:01,748 --> 00:13:03,848
IT'S... IT'S RAD...
237
00:13:03,917 --> 00:13:06,117
OR SCHMAD...
238
00:13:06,185 --> 00:13:09,487
OR... JUST PLAIN BAD.
239
00:13:09,556 --> 00:13:12,089
WHATEVER MEANS
GROOVY THESE DAYS.
240
00:13:12,158 --> 00:13:14,759
BUT WHY THE DRASTIC
CHANGE IN STYLE?
241
00:13:14,828 --> 00:13:16,472
WELL, IT'S SIMPLE,
DAD. I MEAN, UH,
242
00:13:16,496 --> 00:13:17,974
SHARON IS A VERY HIP GIRL.
243
00:13:17,998 --> 00:13:19,308
I GOT TO GET OUT THERE
244
00:13:19,332 --> 00:13:21,043
AND BE HIP, TOO. RIGHT.
245
00:13:21,067 --> 00:13:23,067
ALEX, SHOW THEM THE WALK.
246
00:13:31,812 --> 00:13:34,445
GOD, I LOOK GOOD.
247
00:13:34,514 --> 00:13:36,681
YEAH!
248
00:13:36,750 --> 00:13:38,649
I... I THINK IT LOOKS GREAT.
249
00:13:38,718 --> 00:13:42,754
IT'S GOOD TO SEE YOU SO
ENTHUSIASTIC AND SO HIP.
250
00:13:42,822 --> 00:13:45,122
WE'VE BEEN WORRIED
ABOUT YOU, ALEX.
251
00:13:45,192 --> 00:13:46,832
YOU HAVEN'T BEEN YOURSELF.
252
00:13:46,893 --> 00:13:48,393
OH, THOSE, UH...
253
00:13:50,163 --> 00:13:51,974
THOSE DAYS ARE OVER, DAD.
254
00:13:51,998 --> 00:13:53,809
I'M THROUGH FEELING
SORRY FOR MYSELF.
255
00:13:53,833 --> 00:13:55,478
I AM READY TO ROCK AND ROLL.
256
00:13:55,502 --> 00:13:57,001
THAT'S MY BOY!
257
00:13:57,069 --> 00:13:58,848
HEY, DAD, DAD, HAVE YOU, UH,
258
00:13:58,872 --> 00:14:00,683
HAVE YOU SEEN THE
BODY ON SHARON?
259
00:14:00,707 --> 00:14:02,139
OH, YES!
260
00:14:02,208 --> 00:14:03,407
NO!
261
00:14:07,013 --> 00:14:08,646
NO.
262
00:14:08,715 --> 00:14:11,181
NO, I... I MUST HAVE MISSED IT.
263
00:14:11,250 --> 00:14:13,918
UH, DID... DID SHE HAVE A BODY?
264
00:14:21,027 --> 00:14:23,438
YOU KNOW, IT'S AMAZING
WHEN YOU THINK ABOUT IT.
265
00:14:23,462 --> 00:14:25,875
SHE'S BEEN UNDER MY
NOSE THIS WHOLE TIME...
266
00:14:25,899 --> 00:14:27,910
MY PERFECT FEMALE,
MY IDEAL MATCH.
267
00:14:27,934 --> 00:14:31,201
SHE, UH, SHE'S
HIP. I'M, UH, HIP.
268
00:14:31,270 --> 00:14:32,937
IT'S UNBELIEVABLE.
269
00:14:33,006 --> 00:14:34,839
UNBELIEVABLE.
270
00:14:34,908 --> 00:14:37,375
AND TO TOP IT OFF, WE BOTH
LOVE HEAVY METAL MUSIC.
271
00:14:37,444 --> 00:14:39,322
YOU DON'T LOVE
HEAVY METAL MUSIC.
272
00:14:39,346 --> 00:14:42,279
FOR HER... I LOVE IT FOR HER.
273
00:14:42,349 --> 00:14:46,317
WELL, PERSONALLY, I HATE IT, BUT
SHE DOESN'T HAVE TO KNOW THAT.
274
00:14:46,386 --> 00:14:48,586
THE OLD ALEX IS BACK.
275
00:14:48,655 --> 00:14:50,788
I'M HIP, I'M COOL,
276
00:14:50,857 --> 00:14:52,923
I'M A HAPPENIN' FOOL.
277
00:14:59,298 --> 00:15:03,334
YOU, UH, YOU LOOK VERY
BEAUTIFUL TONIGHT, SHARON.
278
00:15:04,937 --> 00:15:06,370
THANK YOU.
279
00:15:06,439 --> 00:15:09,218
WHEN... WHEN YOU SMILE
LIKE THAT, I GET GOOSE BUMPS
280
00:15:09,242 --> 00:15:11,442
UP AND DOWN THE BACK OF MY NECK.
281
00:15:12,545 --> 00:15:14,478
I'M GLAD.
282
00:15:14,547 --> 00:15:17,126
THANKS. UH, SHARON,
DO ME A FAVOR.
283
00:15:17,150 --> 00:15:19,583
UH, LET YOUR HAIR DOWN.
284
00:15:19,652 --> 00:15:22,753
I'M TRYING TO BE AS OPEN
WITH YOU AS I CAN, ALEX.
285
00:15:22,822 --> 00:15:25,656
NO. I MEAN YOUR ACTUAL HAIR.
286
00:15:27,827 --> 00:15:30,907
LET... LET IT KIND OF FALL
DOWN OVER YOUR SHOULDERS.
287
00:15:30,931 --> 00:15:32,130
OK.
288
00:15:32,198 --> 00:15:33,764
IF YOU LIKE.
289
00:15:36,469 --> 00:15:40,137
GREAT. GREAT. GOOD. YOUR
HAIR LOOKS GREAT LIKE THAT.
290
00:15:40,206 --> 00:15:41,438
THANK YOU.
291
00:15:41,508 --> 00:15:43,608
SHARON, UH, LISTEN.
292
00:15:43,676 --> 00:15:47,116
WOULD YOU MIND PUTTING
ON THESE GLASSES?
293
00:15:49,015 --> 00:15:50,882
ALEX, PLEASE.
294
00:15:50,950 --> 00:15:53,617
STOP. I KNOW WHAT YOU'RE DOING.
295
00:15:53,687 --> 00:15:55,586
WHAT? WHAT AM I DOING?
296
00:15:55,655 --> 00:15:57,821
YOU'RE TRYING TO MAKE
ME LOOK LIKE ELLEN.
297
00:15:57,891 --> 00:16:01,692
OH, NOTHING COULD BE
FURTHER FROM THE TRUTH.
298
00:16:01,761 --> 00:16:04,740
I JUST WANTED TO SEE HOW
YOU LOOKED IN THOSE GLASSES.
299
00:16:04,764 --> 00:16:07,231
WELL, I DON'T NEED GLASSES.
I HAVE PERFECT VISION.
300
00:16:07,300 --> 00:16:11,468
SURE, NOW. BUT AS YOU GET
OLDER, YOUR EYESIGHT FAILS.
301
00:16:11,537 --> 00:16:14,516
AND I WANTED YOU TO
HAVE THESE GLASSES READY.
302
00:16:14,540 --> 00:16:19,043
IT WAS A SURPRISE, BUT
NOW YOU'VE RUINED IT.
303
00:16:19,112 --> 00:16:20,711
HEY, ALEX, ELLEN.
304
00:16:20,779 --> 00:16:22,846
YOU'RE NOT ELLEN.
305
00:16:22,916 --> 00:16:25,194
NO, SHE'S BETTER THAN
ELLEN. SHE'S SHARON.
306
00:16:25,218 --> 00:16:27,818
OH. YOU KNOW, IF YOU
PUT THOSE GLASSES ON,
307
00:16:27,887 --> 00:16:30,387
YOU COULD BE ELLEN.
308
00:16:30,457 --> 00:16:34,525
LEAVE HER ALONE. SHE'S
GOT A THING ABOUT IT.
309
00:16:36,729 --> 00:16:39,441
I'LL HAVE THE CHICKEN PIZZAIOLA,
310
00:16:39,465 --> 00:16:41,978
AND THE VEAL
FLORENTINE FOR THE LADY.
311
00:16:42,002 --> 00:16:43,934
UM, I DON'T REALLY LIKE VEAL.
312
00:16:44,004 --> 00:16:46,837
I THINK I'LL HAVE THE
CHICKEN PIZZAIOLA, TOO.
313
00:16:52,178 --> 00:16:53,978
IS SOMETHING WRONG?
314
00:16:55,147 --> 00:16:58,549
WE'RE BOTH HAVING CHICKEN.
315
00:16:58,618 --> 00:17:01,085
IS THAT SO TERRIBLE?
316
00:17:01,154 --> 00:17:03,933
WELL, WE JUST... WE WON'T
BE ABLE TO SHARE, THAT'S ALL.
317
00:17:03,957 --> 00:17:06,601
I MEAN, THAT WAS ALWAYS MY,
UH, FAVORITE PART OF THE MEAL.
318
00:17:06,625 --> 00:17:09,805
SEE, I'D ORDER THE CHICKEN,
AND ELLEN WOULD ORDER THE VEAL.
319
00:17:09,829 --> 00:17:13,564
AND THEN HALFWAY THROUGH,
WE'D SHOUT OUT, "CHANGE PLATES."
320
00:17:17,370 --> 00:17:19,970
AND WE'D SWITCH.
321
00:17:20,039 --> 00:17:21,672
WE COULD STILL DO THAT.
322
00:17:21,741 --> 00:17:25,109
WHAT WOULD BE THE POINT?
WE'RE BOTH HAVING CHICKEN.
323
00:17:26,579 --> 00:17:30,381
GOD. I FEEL LIKE THE GRINCH
WHO STOLE CHRISTMAS.
324
00:17:30,450 --> 00:17:33,150
I'M SORRY. I'M SORRY.
325
00:17:33,218 --> 00:17:35,798
LOOK, LET'S JUST FORGET
ABOUT ALL THAT, OK?
326
00:17:35,822 --> 00:17:37,633
WE'RE HERE TO HAVE A GOOD TIME.
327
00:17:37,657 --> 00:17:39,256
I'M FOR THAT.
328
00:17:41,694 --> 00:17:43,806
WHAT'S THAT YOU'RE WEARING?
329
00:17:43,830 --> 00:17:46,997
OH, IT'S JUST SOME PERFUME.
IT'S NOTHING SPECIAL.
330
00:17:49,068 --> 00:17:50,768
TRY THIS.
331
00:17:50,837 --> 00:17:53,437
OOH, ALEX! I KNOW
WHAT YOU'RE DOING.
332
00:17:53,505 --> 00:17:56,174
YOU'RE TRYING TO MAKE
ME SMELL LIKE ELLEN.
333
00:17:57,610 --> 00:18:01,011
JEEZ, SHARON, ARE YOU
ALWAYS THIS SENSITIVE?
334
00:18:02,548 --> 00:18:05,983
YOU KNOW, WITH THAT
SMELL, YOU COULD BE ELLEN.
335
00:18:07,987 --> 00:18:09,821
DON'T YOU SEE WHAT'S
GOING ON HERE, ALEX?
336
00:18:09,889 --> 00:18:12,256
YOU'VE JUST COME OFF
A VERY SUCCESSFUL,
337
00:18:12,325 --> 00:18:14,358
LONGSTANDING
RELATIONSHIP WITH A WOMAN.
338
00:18:14,427 --> 00:18:16,593
AND YOU'RE LOOKING FOR
SOMEONE TO REPLACE HER...
339
00:18:16,662 --> 00:18:20,197
SOMEONE TO TALK LIKE HER
AND DRESS LIKE HER AND BE HER.
340
00:18:21,534 --> 00:18:24,669
YOU'RE RIGHT. YOU'RE RIGHT.
341
00:18:26,973 --> 00:18:29,073
SO, ARE YOU UP FOR IT?
342
00:18:31,977 --> 00:18:34,645
WHEN YOU'RE INTERESTED
IN ME, GIVE ME A CALL.
343
00:18:42,222 --> 00:18:43,787
YOU'RE HOME EARLY.
344
00:18:43,857 --> 00:18:46,023
BOY, WAS I WRONG ABOUT SHARON.
345
00:18:46,092 --> 00:18:48,625
SHE IS NOT AT ALL WHO
I THOUGHT SHE WAS.
346
00:18:48,695 --> 00:18:50,928
OH, NO. WE WERE DOING SO WELL.
347
00:18:50,997 --> 00:18:53,931
SHE SEEMED SO RIGHT FOR US.
348
00:18:54,000 --> 00:18:56,033
SHE DIDN'T LOOK RIGHT.
SHE DIDN'T ACT RIGHT.
349
00:18:56,102 --> 00:18:58,268
SHE DIDN'T ORDER RIGHT.
IT WAS NOTHING AT ALL
350
00:18:58,337 --> 00:19:00,204
LIKE THE DATES I USED
TO HAVE WITH ELLEN.
351
00:19:00,273 --> 00:19:03,074
WELL, LET'S FACE IT, ALEX.
UH, SHARON IS NOT ELLEN.
352
00:19:03,143 --> 00:19:07,311
WHY DIDN'T SHE TELL
ME THAT BEFORE?
353
00:19:07,380 --> 00:19:11,649
HOW COULD SHE
LEAD US ON LIKE THAT?
354
00:19:11,718 --> 00:19:13,662
MAYBE SOME OF THIS
IS OUR FAULT, ALEX.
355
00:19:13,686 --> 00:19:16,765
MAYBE WE WERE PUSHING YOU INTO
DATING BEFORE YOU WERE REALLY READY.
356
00:19:16,789 --> 00:19:18,933
WE JUST WANTED YOU
TO BE HAPPY... YOU KNOW,
357
00:19:18,957 --> 00:19:21,325
OR AT LEAST GET UP FROM
THE BREAKFAST TABLE.
358
00:19:21,394 --> 00:19:25,129
THERE OUGHT TO BE A STORE...
359
00:19:25,198 --> 00:19:27,798
A STORE YOU CAN JUST WALK IN,
360
00:19:27,867 --> 00:19:30,935
AND THEY GOT WOMEN
IN DIFFERENT CATEGORIES,
361
00:19:31,004 --> 00:19:33,938
AND YOU CAN JUST
PICK THE ONE YOU WANT.
362
00:19:34,007 --> 00:19:35,906
WELL, THERE ARE SUCH PLACES,
363
00:19:35,975 --> 00:19:38,976
BUT THEY'RE
ILLEGAL IN THIS STATE.
364
00:19:42,782 --> 00:19:44,948
HOW COULD SHE LEAVE ME?
365
00:19:45,017 --> 00:19:47,685
I MEAN, WE REALLY
LOVED EACH OTHER.
366
00:19:49,289 --> 00:19:51,255
WE WERE A TEAM.
367
00:19:51,324 --> 00:19:54,525
I SAT THROUGH
FOREIGN FILMS FOR HER.
368
00:19:54,594 --> 00:19:56,527
I WENT TO POETRY
READINGS FOR HER.
369
00:19:56,596 --> 00:20:00,097
I SAT THROUGH FOREIGN FILMS
ABOUT POETRY READINGS FOR HER.
370
00:20:02,502 --> 00:20:06,269
NOBODY KNEW ME
LIKE SHE DID. NOBODY.
371
00:20:07,874 --> 00:20:10,107
HONEY...
372
00:20:10,176 --> 00:20:14,711
FINDING SOMEONE AND HAVING
A TRUE, LOVING RELATIONSHIP
373
00:20:14,780 --> 00:20:16,981
IS SO RARE.
374
00:20:17,049 --> 00:20:19,995
IT'S JUST SOMETHING TO
BE LOOKED AT WITH AWE,
375
00:20:20,019 --> 00:20:23,453
BECAUSE SO FEW PEOPLE
FIND IT. DO YOU UNDERSTAND?
376
00:20:23,522 --> 00:20:27,425
IT DOESN'T HAPPEN AS
CONVENIENTLY AS YOU'D LIKE IT TO.
377
00:20:29,462 --> 00:20:31,962
SO, DON'T RUSH, OK?
378
00:20:32,031 --> 00:20:34,131
TAKE YOUR TIME,
379
00:20:34,199 --> 00:20:38,135
AND FEEL GOOD ABOUT THE
GOOD THINGS ABOUT YOURSELF.
380
00:20:38,203 --> 00:20:41,505
BECAUSE YOU ARE
REALLY SOMETHING.
381
00:20:44,711 --> 00:20:46,143
I AM.
382
00:20:48,214 --> 00:20:49,980
I REALLY AM.
383
00:20:55,121 --> 00:20:57,032
WELL, COME ON. LET'S, UH,
384
00:20:57,056 --> 00:20:58,922
LET'S GO UP, HUH?
385
00:20:58,991 --> 00:21:01,658
YEAH, I'LL BE UP IN
A MINUTE. ALL RIGHT.
386
00:21:01,727 --> 00:21:03,593
THANKS.
387
00:21:11,570 --> 00:21:15,105
♪ WHAT DID YOU THINK ♪
388
00:21:15,174 --> 00:21:18,943
♪ I WOULD DO AT THIS MOMENT ♪
389
00:21:20,679 --> 00:21:23,814
♪ WHEN YOU'RE
STANDIN' BEFORE ME ♪
390
00:21:25,184 --> 00:21:28,785
♪ WITH TEARS IN YOUR EYES ♪
391
00:21:28,854 --> 00:21:31,621
♪ TRYIN' TO TELL ME THAT YOU ♪
392
00:21:33,192 --> 00:21:35,993
♪ FOUND YOU ANOTHER ♪
393
00:21:37,563 --> 00:21:42,232
♪ AND YOU JUST DON'T
LOVE ME NO MORE ♪♪
394
00:21:47,039 --> 00:21:50,307
DEAR ELLEN, HOW WAS EUROPE?
395
00:21:50,376 --> 00:21:53,377
ACTUALLY, I DON'T WANT TO KNOW.
396
00:21:53,446 --> 00:21:55,980
I'M NOT TALKING TO EUROPE.
397
00:21:56,048 --> 00:22:00,484
WHAT I WANT YOU TO
KNOW IS THAT I LOVED YOU
398
00:22:00,552 --> 00:22:03,820
AS MUCH AS I COULD LOVE ANYONE
399
00:22:03,889 --> 00:22:06,623
AND THAT I WAS LYING WHEN I SAID
400
00:22:06,692 --> 00:22:10,927
IT WAS FINE WITH ME FOR
US TO SEE OTHER PEOPLE.
401
00:22:10,997 --> 00:22:16,000
BUT I REALIZE NOW
IT WAS FOR THE BEST.
402
00:22:16,068 --> 00:22:18,268
I CAN'T LIVE IN THE PAST,
403
00:22:18,337 --> 00:22:21,605
AND SO I'VE STARTED
DATING AGAIN,
404
00:22:21,673 --> 00:22:24,475
AND IT'S GONE INCREDIBLY WELL.
405
00:22:27,013 --> 00:22:28,945
I'M MOVING ON, ELLEN,
406
00:22:29,015 --> 00:22:33,283
BUT I KNOW I CAME OUT
OF OUR RELATIONSHIP
407
00:22:33,352 --> 00:22:35,452
RICHER FOR THE EXPERIENCE.
408
00:22:37,023 --> 00:22:40,790
WHEN I SAY "RICHER," I
DON'T MEAN FINANCIALLY.
409
00:22:42,528 --> 00:22:45,629
I HOPE IT WAS THE SAME FOR YOU.
410
00:22:45,697 --> 00:22:47,964
I WISH YOU WELL.
411
00:22:48,034 --> 00:22:50,634
DON'T EAT TOO MANY CROISSANTS.
412
00:22:50,702 --> 00:22:52,469
I HOPE YOU BECOME
413
00:22:52,538 --> 00:22:55,972
THE GREATEST
DANCER IN THE WORLD.
414
00:22:56,042 --> 00:22:57,974
YOUR PAL...
415
00:22:58,044 --> 00:22:59,976
NO.
416
00:23:00,046 --> 00:23:01,978
YOUR SON.
417
00:23:03,582 --> 00:23:05,815
NO.
418
00:23:05,884 --> 00:23:08,785
LOVE, ALEX.
419
00:23:08,854 --> 00:23:14,425
♪ I'D FALL DOWN ON MY KNEES ♪
420
00:23:14,493 --> 00:23:19,129
♪ AND I WOULD KISS THE GROUND
THAT YOU WALK ON, BABY ♪
421
00:23:19,198 --> 00:23:24,968
♪ IF I COULD JUST
HOLD YOU AGAIN ♪♪
422
00:23:55,134 --> 00:23:56,566
SIT, UBU, SIT.
423
00:23:56,636 --> 00:23:58,002
GOOD DOG.
31073
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