subtitlecat.com

All language subtitles for Star!.1968.BluRay.1080p.AC3.x264.eng

Afrikaans

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bengali

Bosnian

Bulgarian

Catalan

Cebuano

Chichewa

Chinese (Simplified) Download

Chinese (Traditional)

Corsican

Croatian Download

Czech

Danish

Dutch

English

Esperanto

Estonian

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Khmer

Korean

Kurdish (Kurmanji)

Kyrgyz

Lao

Latin

Latvian

Lithuanian

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mongolian

Myanmar (Burmese)

Nepali

Norwegian

Pashto

Persian

Polish

Portuguese Download

Punjabi

Romanian

Russian

Samoan

Scots Gaelic

Serbian

Sesotho

Shona

Sindhi

Sinhala

Slovak

Slovenian

Somali

Spanish

Sundanese

Swahili

Swedish

Tajik

Tamil

Telugu

Thai

Turkish

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Xhosa

Yiddish

Yoruba

Zulu

Odia (Oriya)

Kinyarwanda

Turkmen

Tatar

Uyghur

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,821 --> 00:00:06,455 [AUDIENCE MURMURING] 2 00:00:09,960 --> 00:00:12,561 [ORCHESTRA WARMING UP] 3 00:00:47,164 --> 00:00:50,399 [ORCHESTRA TUNING UP] 4 00:00:57,775 --> 00:01:00,709 [APPLAUSE] 5 00:01:09,420 --> 00:01:11,787 ♪♪ [STAR! OVERTURE] 6 00:04:10,601 --> 00:04:13,335 [APPLAUSE] 7 00:04:32,623 --> 00:04:34,957 ♪ IF THE LADY'S NAUGHTY BUT PROPER ♪ 8 00:04:35,059 --> 00:04:37,726 ♪ IF THE LADY'S CHICER THAN CHIC ♪ 9 00:04:37,828 --> 00:04:40,195 ♪ IF HER ESCORTS MUST WEAR A TOPPER ♪ 10 00:04:40,297 --> 00:04:42,898 ♪ AND EACH MAN'S THE MAN OF THE WEEK ♪ 11 00:04:43,000 --> 00:04:48,036 ♪ IF SHE RIDES AROUND IN A BRAND-NEW FOREIGN CAR ♪ 12 00:04:48,138 --> 00:04:50,305 ♪ THE CHANCES ARE ♪ 13 00:04:50,407 --> 00:04:53,542 ♪ THE LADY'S A STAR ♪ 14 00:04:53,644 --> 00:04:55,944 ♪ IF THE LADY'S BRILLIANTLY WITTY ♪ 15 00:04:56,046 --> 00:04:58,647 ♪ IF SHE MAKES THE DIALOGUE FLASH ♪ 16 00:04:58,749 --> 00:05:01,049 ♪ IF THE LADY'S WAY WITH A DITTY ♪ 17 00:05:01,151 --> 00:05:03,919 ♪ MAKES THE DITTY SEEM LIKE A SMASH ♪ 18 00:05:04,021 --> 00:05:05,420 ♪ IF HER SONGS ADD UP ♪ 19 00:05:05,522 --> 00:05:08,957 ♪ TO A FANCY REPERTOIRE ♪ 20 00:05:09,059 --> 00:05:11,226 ♪ THE CHANCES ARE ♪ 21 00:05:11,328 --> 00:05:13,962 ♪ THE LADY'S A STAR ♪ 22 00:05:14,064 --> 00:05:19,101 ♪ IF HER SMALLEST PARTY IS REALLY EXTENSIVE ♪ 23 00:05:19,203 --> 00:05:24,306 ♪ WITH TONS OF EXPENSIVE CAVIAR ♪ 24 00:05:24,408 --> 00:05:26,408 ♪ IF THE LADY'S SOMEONE ♪ 25 00:05:26,510 --> 00:05:28,276 ♪ WITH THE SAME CREDENTIALS ♪ 26 00:05:28,379 --> 00:05:30,946 ♪ SOMEONE WITH THE SAME ESSENTIALS ♪ 27 00:05:31,048 --> 00:05:35,350 ♪ SOMEONE WHO IS WORSHIPPED FROM AFAR ♪ 28 00:05:35,452 --> 00:05:37,619 ♪ SHE'S A GENUINE ♪ 29 00:05:37,721 --> 00:05:38,653 ♪ POSITIVE ♪ 30 00:05:38,756 --> 00:05:41,156 ♪ TOTALLY MARVELOUS ♪ 31 00:05:41,258 --> 00:05:44,493 ♪ PERFECTLY WONDERFUL ♪ 32 00:05:44,595 --> 00:05:46,728 ♪ STAR ♪♪ 33 00:05:49,700 --> 00:05:50,999 [NARRATOR] LONDON, 34 00:05:51,101 --> 00:05:53,268 AT THE BEGINNING OF THE PRESENT CENTURY. 35 00:06:02,112 --> 00:06:03,745 THE DISTRICT OF CLAPHAM. 36 00:06:05,115 --> 00:06:06,615 IN THIS STREET, 37 00:06:06,717 --> 00:06:07,682 THIS HOUSE, 38 00:06:07,785 --> 00:06:09,451 A LEGEND WAS BORN. 39 00:06:09,553 --> 00:06:10,886 HER NAME-- 40 00:06:10,988 --> 00:06:15,257 GERTRUDE ALEXANDRA DAGMAR LAWRENCE KLASEN. 41 00:06:15,359 --> 00:06:17,559 WE KNOW AND LOVE HER AS GERTRUDE LAWRENCE: 42 00:06:17,661 --> 00:06:19,828 STAR. 43 00:06:19,930 --> 00:06:21,897 THESE STREETS WERE HER PLAYGROUND, 44 00:06:21,999 --> 00:06:22,898 HER WORLD, 45 00:06:23,000 --> 00:06:26,201 AND HER VERY FIRST STAGE. 46 00:06:26,303 --> 00:06:29,571 ON THEM, SHE PLAYED MANY PARTS, 47 00:06:29,673 --> 00:06:31,573 ALWAYS BEGINNING, OF COURSE, 48 00:06:31,675 --> 00:06:33,075 WITH AN ENTRANCE. 49 00:06:33,177 --> 00:06:35,811 ♪ COME, COME, COME AND MAKE EYES AT ME ♪ 50 00:06:35,913 --> 00:06:38,547 ♪ DOWN AT THE OLD BULL AND BUSH ♪ 51 00:06:38,649 --> 00:06:39,981 ♪ DA DA DA DA DA ♪ 52 00:06:40,084 --> 00:06:41,650 ♪ COME, COME ♪ 53 00:06:41,752 --> 00:06:43,885 ♪ DRINK SOME PORT WINE WITH ME ♪ 54 00:06:43,987 --> 00:06:46,888 ♪ DOWN AT THE OLD BULL AND BUSH ♪ 55 00:06:46,990 --> 00:06:48,390 ♪ BUSH, BUSH ♪♪ 56 00:06:48,492 --> 00:06:50,459 SHE MADE MANY SUCH ENTRANCES, 57 00:06:50,561 --> 00:06:52,561 BUT SINCE HER FAMILY WAS POOR 58 00:06:52,663 --> 00:06:55,263 AND COULDN'T ALWAYS MEET THE RENT, 59 00:06:55,365 --> 00:06:57,432 SHE ALSO HAD HER EXITS. 60 00:07:05,342 --> 00:07:08,643 THIS WAS JUST ONE OF MANY MOONLIGHT FLITS. 61 00:07:11,682 --> 00:07:14,483 THE LAWRENCE FAMILY MOVED AND KEPT ON MOVING, 62 00:07:14,585 --> 00:07:16,084 AND ONE NIGHT, 63 00:07:16,186 --> 00:07:18,587 GERTIE'S FATHER TOOK A DIFFERENT TURNING 64 00:07:18,689 --> 00:07:19,788 AND DIDN'T COME BACK, 65 00:07:19,890 --> 00:07:21,623 WHICH AT LEAST SAVED HER MOTHER 66 00:07:21,725 --> 00:07:24,392 HAVING TO PAY FOR HIS BEER. 67 00:07:24,495 --> 00:07:26,528 INSTEAD, SHE PAID FOR GERTIE 68 00:07:26,630 --> 00:07:28,630 TO GO TO ITALIA CONTI'S STAGE SCHOOL 69 00:07:28,732 --> 00:07:31,133 IN A STUDIO NEAR GREAT PORTLAND STREET. 70 00:07:36,473 --> 00:07:38,373 HERE GERTRUDE LAWRENCE MET SOMEONE 71 00:07:38,475 --> 00:07:41,109 WHO WAS TO BECOME PART OF HER LIFE. 72 00:07:41,211 --> 00:07:43,111 MY NAME IS NOEL COWARD, AND I'M THE ONLY ONE 73 00:07:43,213 --> 00:07:44,913 WHO CAN PLAY THE PIANO PROPERLY. 74 00:07:45,015 --> 00:07:46,414 WHY DO YOU WANT TO ACT? 75 00:07:46,517 --> 00:07:49,484 I WANT TO BE LOTS OF DIFFERENT PEOPLE. 76 00:07:49,586 --> 00:07:51,386 VERY EGOTISTICAL. 77 00:07:51,488 --> 00:07:53,889 DON'T YOU SWEAR AT ME! 78 00:07:53,991 --> 00:07:56,057 UNDER MISS CONTI'S SUPERVISION, 79 00:07:56,160 --> 00:07:58,026 THEY WENT ON TOUR TOGETHER, 80 00:07:58,128 --> 00:08:00,228 THIRD-CLASS, OF COURSE. 81 00:08:03,500 --> 00:08:05,033 WHAT ARE YOU DOING? 82 00:08:05,135 --> 00:08:07,869 WHY GO THIRD-CLASS WHEN WE CAN GO FIRST? 83 00:08:07,971 --> 00:08:10,372 BUT THE INSPECTOR WILL WANT TO SEE OUR TICKETS. 84 00:08:10,474 --> 00:08:13,041 THAT'S WHEN WE HIDE IN THE LAVATORY, STUPID! 85 00:08:13,143 --> 00:08:15,210 EVEN THEN, GERTIE COULDN'T WAIT 86 00:08:15,312 --> 00:08:16,545 FOR WHAT SHE WANTED. 87 00:08:16,647 --> 00:08:18,547 EVENTUALLY, SHE OUTGREW CHILDREN'S SHOWS. 88 00:08:18,649 --> 00:08:21,216 SHE LONGED FOR THE PROFESSIONAL THEATRE, 89 00:08:21,318 --> 00:08:24,052 BUT SHE ONLY KNEW ONE PERSON IN IT. 90 00:08:24,154 --> 00:08:26,054 AND TO RE-ENTER HIS LIFE, 91 00:08:26,156 --> 00:08:28,557 SHE HAD TO MAKE YET ANOTHER EXIT. 92 00:08:28,659 --> 00:08:30,659 SHE FOUND HER FATHER PERFORMING HIS ACT 93 00:08:30,761 --> 00:08:32,561 AT THE OLD BRIXTON MUSIC HALL. 94 00:08:32,663 --> 00:08:35,263 THE 16-YEAR-OLD GIRL AND THE OLD TROUPER, 95 00:08:35,365 --> 00:08:37,699 SHARING BETWEEN THEM THEIR LOVE OF THE THEATRE, 96 00:08:37,801 --> 00:08:39,301 MET ONCE AGAIN. 97 00:08:39,403 --> 00:08:42,404 ONE CAN IMAGINE THE POIGNANCY OF THIS REUNION. 98 00:08:42,506 --> 00:08:46,808 POIGNANCY? OH, GOOD LORD, DARLING! 99 00:08:46,910 --> 00:08:49,611 DO YOU KNOW THE FIRST THING HE SAID? 100 00:08:49,713 --> 00:08:51,046 HE TURNED TO ROSE-- 101 00:08:51,148 --> 00:08:53,215 HE WAS LIVING WITH HER AT THE TIME-- 102 00:08:53,317 --> 00:08:54,616 AND HE SAID, "OH, MY GOD, LUV. 103 00:08:54,718 --> 00:08:57,619 "NOW WE'LL HAVE TO TURN THE DOUBLE ACT INTO A TRIO. 104 00:08:57,721 --> 00:09:01,590 CANCEL THE BEER AND SEND FOR A BOTTLE OF SCOTCH." 105 00:09:01,692 --> 00:09:03,425 I WISH I'D KNOWN HIM. 106 00:09:03,527 --> 00:09:05,093 OH, SO DO I. 107 00:09:05,195 --> 00:09:06,261 WHAT? 108 00:09:06,363 --> 00:09:08,863 IF YOU SAY I KNEW HIM, I KNEW HIM. 109 00:09:08,966 --> 00:09:11,800 MISS LAWRENCE, I NEED YOUR OKAY TO SHOW THIS PICTURE. 110 00:09:11,902 --> 00:09:13,568 YOU NEED IT TO USE THAT TITLE SONG, TOO, DARLING. 111 00:09:13,670 --> 00:09:15,303 NOW, DON'T BE AWKWARD-- 112 00:09:15,405 --> 00:09:16,304 I AM NEVER AWKWARD! 113 00:09:16,406 --> 00:09:19,474 I JUST HATE BEING RUSHED INTO DECISIONS! 114 00:09:19,576 --> 00:09:21,476 WELL, ARE WE RIGHT? 115 00:09:21,578 --> 00:09:24,246 DID YOU WANT TO BE LOTS OF DIFFERENT PEOPLE? 116 00:09:24,348 --> 00:09:26,248 AS AN ACTRESS, I DID, YES. 117 00:09:26,350 --> 00:09:27,582 AS A PERSON? 118 00:09:27,684 --> 00:09:30,151 I GET ANALYZED EVERY NIGHT IN LADY IN THE DARK. 119 00:09:30,254 --> 00:09:32,320 DON'T YOU GO PROBING MY PSYCHE. 120 00:09:32,422 --> 00:09:35,056 I'LL SAY YOUR FILM'S LOUSY, AND YOU'LL DIE BROKE. 121 00:09:35,158 --> 00:09:37,726 DON'T BE AFRAID TO TELL ME WHAT YOU REALLY THINK. 122 00:09:37,828 --> 00:09:40,362 OH, DARLING! I'VE NEVER BEEN AFRAID 123 00:09:40,464 --> 00:09:43,131 TO TELL A MAN THAT IN ALL MY LIFE! 124 00:09:43,233 --> 00:09:46,134 OF THAT ACT THEY DID TOGETHER IN 1915, 125 00:09:46,236 --> 00:09:48,470 ONLY A FEW OLD POSTCARDS REMAIN. 126 00:09:48,572 --> 00:09:52,274 THERE IS NO REAL RECORD, UNFORTUNATELY. 127 00:09:52,376 --> 00:09:53,541 UNFORTUNATELY? 128 00:09:53,644 --> 00:09:56,444 OH, CRIPES, LUV. YOU SHOULD'VE SEEN IT. 129 00:09:56,546 --> 00:10:01,583 ROSE ON THE GIN AND DAD ON HIS DIGNITY. 130 00:10:01,685 --> 00:10:04,252 [ORCHESTRA PLAYING] 131 00:10:12,996 --> 00:10:14,296 ♪ PICCADILLY ♪ 132 00:10:14,398 --> 00:10:15,930 ♪ PICCADILLY ♪ 133 00:10:16,033 --> 00:10:19,134 ♪ THE PLAYGROUND OF THE GAY ♪ 134 00:10:19,236 --> 00:10:20,935 ♪ PICCADILLY ♪ 135 00:10:21,038 --> 00:10:22,604 ♪ PICCADILLY ♪ 136 00:10:22,706 --> 00:10:25,740 ♪ WHERE THE TRAFFIC GOES ONE WAY ♪ 137 00:10:25,842 --> 00:10:29,044 ♪ IN THE DAYTIME, THERE'S LOTS OF LIFE ♪ 138 00:10:29,146 --> 00:10:30,545 ♪ BUT AT NIGHTTIME ♪ 139 00:10:30,647 --> 00:10:32,447 ♪ WELL, YOU'RE APT TO LOSE YOUR WIFE ♪ 140 00:10:32,549 --> 00:10:33,615 ♪ IN PICCADILLY ♪ 141 00:10:33,717 --> 00:10:35,450 ♪ PICCADILLY ♪ COME OFF IT. 142 00:10:35,552 --> 00:10:36,451 ♪ DEAR OLD LONDON'S... ♪ 143 00:10:36,553 --> 00:10:38,920 YOU CALL THAT SINGING? 144 00:10:45,495 --> 00:10:47,028 BOO! BOO! 145 00:10:47,130 --> 00:10:49,097 THAT'S GOT BLOOMIN' WHISKERS ON IT! 146 00:10:50,500 --> 00:10:52,100 WHY DON'T YOU GO 'OME? 147 00:11:06,350 --> 00:11:08,416 FRUITY! 148 00:11:10,220 --> 00:11:13,121 ♪ THE SOLDIER UP IN POONA ♪ 149 00:11:13,223 --> 00:11:15,023 ♪ THE SAILOR ON THE SEA ♪ 150 00:11:15,125 --> 00:11:16,024 GIVE HIM THE 'OOK! 151 00:11:16,126 --> 00:11:18,460 ♪ IS A PIONEER ♪ 152 00:11:18,562 --> 00:11:20,595 ♪ AND THE ENGINEER ♪ 153 00:11:20,697 --> 00:11:22,497 FRUITY! AIN'T THEY 'ORRIBLE? 154 00:11:22,599 --> 00:11:24,866 ♪ THE CAPTAIN OF THE SCHOONER ♪ 155 00:11:24,968 --> 00:11:27,802 ♪ THE FIGHTERS OF THE AIR ♪ 156 00:11:27,904 --> 00:11:34,309 ♪ SING OF YOU AND LEICESTER SQUARE ♪ 157 00:11:34,411 --> 00:11:36,411 UH! 158 00:11:36,513 --> 00:11:38,279 WICKET! 159 00:11:38,382 --> 00:11:39,748 ♪ PICCADILLY... ♪ 160 00:11:39,850 --> 00:11:41,583 COME BACK HERE! 161 00:11:41,685 --> 00:11:44,452 HERE, PEARLIE, LET ME FEEL YOUR BUTTONS! 162 00:11:44,554 --> 00:11:45,487 OW! 163 00:11:45,589 --> 00:11:46,755 ♪ PICCADILLY ♪ 164 00:11:46,857 --> 00:11:48,490 ♪ PICCADILLY ♪ 165 00:11:48,592 --> 00:11:50,558 ♪ WHERE THE TRAFFIC GOES ONE WAY ♪ 166 00:11:50,660 --> 00:11:51,726 HAVE A BEER, DUCKS. 167 00:11:51,828 --> 00:11:53,395 ♪ IN THE DAYTIME ♪ 168 00:11:53,497 --> 00:11:55,230 ♪ THEY PARADE DOWN THE STREET ♪ 169 00:11:55,332 --> 00:11:56,431 ♪ BUT AT NIGHTTIME ♪ 170 00:11:56,533 --> 00:11:58,099 ♪ THEY NEED SOMEONE ELSE'S FEET ♪ 171 00:11:58,201 --> 00:11:59,868 ♪ IN PICCADILLY ♪ 172 00:11:59,970 --> 00:12:00,935 ♪ PICCADILLY ♪ 173 00:12:01,037 --> 00:12:02,437 GET OUT OF IT! 174 00:12:02,539 --> 00:12:04,839 ♪ DEAR OLD LONDON'S BROAD HIGHWAY... ♪ 175 00:12:08,478 --> 00:12:10,145 HELLO, LUV. YOU ENJOYING YOURSELF? 176 00:12:10,247 --> 00:12:11,146 OH, I AM. 177 00:12:11,248 --> 00:12:12,147 YES, COME ON. 178 00:12:12,249 --> 00:12:13,148 ♪ PICCADILLY ♪ 179 00:12:13,250 --> 00:12:14,416 ♪ PICCADILLY ♪ 180 00:12:14,518 --> 00:12:17,485 ♪ DEAR OLD LONDON'S BROAD HIGHWAY ♪ 181 00:12:17,587 --> 00:12:20,021 HA HA HA! 182 00:12:21,391 --> 00:12:22,957 'ERE I AM, LUV. 183 00:12:32,335 --> 00:12:33,435 UHH. 184 00:12:45,682 --> 00:12:47,215 BELT UP! 185 00:12:47,317 --> 00:12:48,249 BELT UP! 186 00:12:48,351 --> 00:12:49,951 NOW, CUT IT OUT! 187 00:12:50,053 --> 00:12:51,352 QUIET! 188 00:12:52,556 --> 00:12:54,122 ALL RIGHT, LUV. 189 00:12:54,224 --> 00:12:55,590 CARRY ON. 190 00:13:04,334 --> 00:13:08,570 ♪ PIC-CA-DILLY ♪ 191 00:13:08,672 --> 00:13:10,872 ♪ PICCADILLY ♪ 192 00:13:10,974 --> 00:13:13,041 ♪ THE PLAYGROUND OF THE-- ♪ 193 00:13:13,143 --> 00:13:14,108 SING! 194 00:13:14,211 --> 00:13:15,109 SING! 195 00:13:15,212 --> 00:13:16,578 ♪ GAY! ♪ 196 00:13:16,680 --> 00:13:17,579 ♪ PICCADILLY ♪ 197 00:13:17,681 --> 00:13:19,147 ♪ PICCADILLY ♪ 198 00:13:19,249 --> 00:13:22,150 ♪ WHERE THE TRAFFIC GOES ONE WAY ♪ 199 00:13:22,252 --> 00:13:24,285 ♪ IN THE DAYTIME ♪ 200 00:13:24,387 --> 00:13:26,054 ♪ THEY PARADE DOWN THE STREET ♪ 201 00:13:26,156 --> 00:13:27,455 ♪ BUT AT NIGHTTIME ♪ 202 00:13:27,557 --> 00:13:29,457 ♪ THEY NEED SOMEONE ELSE'S FEET ♪ 203 00:13:29,559 --> 00:13:30,458 ♪ IN PICCADILLY ♪ 204 00:13:30,560 --> 00:13:31,626 ♪ PICCADILLY ♪ 205 00:13:31,728 --> 00:13:32,794 COME ON! 206 00:13:32,896 --> 00:13:35,930 ♪ DEAR OLD LONDON'S BROAD HIGHWAY ♪ 207 00:13:36,032 --> 00:13:37,532 ♪ IN THE DAYTIME ♪ 208 00:13:37,634 --> 00:13:39,200 ♪ YOU'LL MEET LOVELY BRUNETTES ♪ 209 00:13:39,302 --> 00:13:40,602 ♪ BUT AT NIGHTTIME ♪ 210 00:13:40,704 --> 00:13:42,470 ♪ OH, GOD SAVE THE KING, THEY'RE WRECKS ♪ 211 00:13:42,572 --> 00:13:44,072 ♪ PICCADILLY ♪ 212 00:13:44,174 --> 00:13:45,607 ♪ PICCADILLY ♪ 213 00:13:45,709 --> 00:13:48,776 ♪ DEAR OLD LONDON'S BROAD HIGHWAY ♪ 214 00:13:48,879 --> 00:13:55,283 ♪ DEAR OLD LONDON'S BROAD HIGHWAY ♪♪ 215 00:13:58,655 --> 00:14:01,489 WHAT THE HELL WAS ALL THAT ABOUT, MAY I ASK? 216 00:14:01,591 --> 00:14:03,057 PRANCIN' DOWN IN THE AUDIENCE, 217 00:14:03,159 --> 00:14:04,459 MUCKIN' ABOUT WITH MY MATERIAL-- 218 00:14:04,561 --> 00:14:06,461 WHAT'RE YOU TRYIN' TO DO, RUIN ME? 219 00:14:06,563 --> 00:14:08,096 THEY LIKED IT, ARTHUR. 220 00:14:08,198 --> 00:14:09,931 YOU'VE ONLY BEEN IN THE PROFESSION 221 00:14:10,033 --> 00:14:11,533 TWO SHAKES OF A DONKEY'S TAIL. 222 00:14:11,635 --> 00:14:14,102 WHO DO YOU THINK YOU ARE, SARAH BERNHARDT? 223 00:14:14,204 --> 00:14:16,437 IT'S A LONG TIME SINCE THEY ENJOYED OUR ACT THAT MUCH. 224 00:14:16,540 --> 00:14:19,107 OUR ACT? MY ACT, AND NOT ONE WORD'S BEEN CHANGED 225 00:14:19,209 --> 00:14:20,542 IN THE PAST 10 YEARS! 226 00:14:20,644 --> 00:14:22,110 WELL, IT'S CHANGED NOW. 227 00:14:22,212 --> 00:14:23,111 NOW LISTEN TO ME, MY GIRL, 228 00:14:23,213 --> 00:14:24,546 YOU MIGHT BE MY DAUGHTER-- 229 00:14:24,648 --> 00:14:26,114 AND YOU'RE GOING TO SOUTH AFRICA 230 00:14:26,216 --> 00:14:28,149 AND LEAVING ME FLAT, SO TA FOR NOTHING. 231 00:14:28,251 --> 00:14:30,151 SORRY, ARTHUR. NO HOT WATER IN MY ROOM. 232 00:14:30,253 --> 00:14:31,586 YOU KNOW RUDDY WELL I GOT A BOOKING THERE, 233 00:14:31,688 --> 00:14:33,588 AND THE BOAT SAILS ON FRIDAY! 234 00:14:33,690 --> 00:14:35,590 I HOPE THE GERMANS SINK IT. 235 00:14:35,692 --> 00:14:37,158 WOULD YOU BELIEVE IT? 236 00:14:37,260 --> 00:14:38,660 ME OWN FLESH AND BLOOD! 237 00:14:38,762 --> 00:14:40,528 THAT'S NOT MY FAULT. 238 00:14:43,166 --> 00:14:44,799 HULLO, HULLO, HULLO. 239 00:14:44,901 --> 00:14:46,935 WHAT'S ALL THIS, THEN? 240 00:14:47,037 --> 00:14:48,570 YOU AND ME GET MARRIED OR SOMETHING? 241 00:14:48,672 --> 00:14:50,204 IT WOULDN'T BE A BAD IDEA IF YOU DID. 242 00:14:50,307 --> 00:14:52,607 DON'T BE COARSE, DEAR. I'M MARRIED TO YOUR MUM. 243 00:14:52,709 --> 00:14:54,609 IT'S NOT FROM HER, IS IT? 244 00:14:54,711 --> 00:14:56,611 SHE HASN'T CAUGHT UP WITH ME, HAS SHE? 245 00:14:56,713 --> 00:14:59,280 IT'S FROM GERTIE TO WISH US BON VOYAGE. 246 00:14:59,382 --> 00:15:01,416 AHH... 247 00:15:01,518 --> 00:15:03,051 ME OWN LITTLE GIRL. 248 00:15:03,153 --> 00:15:04,586 OH, COME ON. 249 00:15:04,688 --> 00:15:06,054 EXCUSE ME, HAROLD. 250 00:15:06,156 --> 00:15:07,455 ONE BOTTLE OF BOOZE, 251 00:15:07,557 --> 00:15:09,791 AND IT'S ALL HEARTS AND FLOWERS AGAIN. 252 00:15:09,893 --> 00:15:12,160 FAT LOT HE CARES IF HIS LITTLE GIRL'S GOT A JOB. 253 00:15:12,262 --> 00:15:13,728 DID YOU LAND IT, THEN? 254 00:15:13,830 --> 00:15:15,263 SWANSEA MUSIC HALL, MONDAY. 255 00:15:15,365 --> 00:15:17,932 YOU GOT TO LEND ME 10 BOB FOR THE FARE, THOUGH. 256 00:15:18,034 --> 00:15:19,734 COURSE. HERE. TA. 257 00:15:19,836 --> 00:15:21,436 [CORK POPS] 258 00:15:21,538 --> 00:15:23,037 NOW THEN, A TOAST. 259 00:15:23,139 --> 00:15:26,140 I KNOW THAT WHEREVER MY LITTLE GERTIE GOES, 260 00:15:26,242 --> 00:15:28,977 SHE'LL ALWAYS FIND HERSELF. 261 00:15:30,614 --> 00:15:32,480 OHH. 262 00:15:33,683 --> 00:15:37,619 [APPLAUSE] 263 00:15:40,557 --> 00:15:42,123 ♪ OH, OH, OH ♪ 264 00:15:42,225 --> 00:15:43,725 ♪ IT'S A LOVELY WAR! ♪ 265 00:15:43,827 --> 00:15:45,727 ♪ WHO WOULDN'T BE A SOLDIER, EH? ♪ 266 00:15:45,829 --> 00:15:47,795 ♪ OH, IT'S A SHAME TO TAKE THE PAY ♪ 267 00:15:47,897 --> 00:15:49,297 ♪ AS SOON AS RE-VEIL-LE HAS GONE ♪ 268 00:15:49,399 --> 00:15:50,765 ♪ WE FEEL JUST AS HEAVY AS LEAD ♪ 269 00:15:50,867 --> 00:15:52,200 ♪ BUT WE NEVER GET UP ♪ 270 00:15:52,302 --> 00:15:53,434 ♪ TILL THE SERGEANT BRINGS OUR BREAKFAST ♪ 271 00:15:53,536 --> 00:15:54,736 ♪ UP TO BED ♪ 272 00:15:54,838 --> 00:15:57,805 ♪ OH, OH, OH, IT'S A LOVELY WAR! ♪ 273 00:15:57,907 --> 00:15:59,574 ♪ WHAT DO WE WANT WITH EGGS AND HAM ♪ 274 00:15:59,676 --> 00:16:01,776 ♪ WHEN WE GOT PLUM AND APPLE JAM? ♪ 275 00:16:01,878 --> 00:16:03,411 ♪ FORM FOURS, RIGHT TURN ♪ 276 00:16:03,513 --> 00:16:05,580 ♪ HOW SHALL WE SPEND THE MONEY WE EARN? ♪ 277 00:16:05,682 --> 00:16:08,583 ♪ OH, OH, OH, IT'S A LOVELY WAR! ♪ 278 00:16:08,685 --> 00:16:09,684 ♪ OH! OH! ♪ 279 00:16:09,786 --> 00:16:10,752 [LAUGHTER] 280 00:16:10,854 --> 00:16:11,953 OH. 281 00:16:15,492 --> 00:16:16,391 OOH! 282 00:16:16,493 --> 00:16:19,560 [LAUGHTER] 283 00:16:19,663 --> 00:16:20,962 OW! OH. 284 00:16:21,064 --> 00:16:21,963 OOH! 285 00:16:22,065 --> 00:16:22,964 YOU STUPID TWIT! 286 00:16:23,066 --> 00:16:24,232 I'M SORRY. 287 00:16:24,334 --> 00:16:25,466 WHAT ARE YOU DOING, YOU SILLY THING? 288 00:16:25,568 --> 00:16:26,768 OH. 289 00:16:26,870 --> 00:16:28,236 [LAUGHTER] 290 00:16:29,506 --> 00:16:30,605 TURN AROUND! 291 00:16:32,509 --> 00:16:34,642 AAH! 292 00:16:37,814 --> 00:16:39,313 OH! 293 00:16:45,522 --> 00:16:46,688 WAIT! 294 00:16:57,267 --> 00:16:58,566 HA! 295 00:16:58,668 --> 00:17:00,501 [LAUGHTER] 296 00:17:03,740 --> 00:17:04,706 OH! 297 00:17:04,808 --> 00:17:06,074 MY-- 298 00:17:06,176 --> 00:17:08,409 SORRY! 299 00:17:08,511 --> 00:17:10,411 ♪ OH, OH, OH, IT'S A LOVELY ♪ 300 00:17:10,513 --> 00:17:12,213 ♪ OH, OH, OH, IT'S A LOVELY ♪ 301 00:17:12,315 --> 00:17:15,450 ♪ OH, OH, OH, IT'S A LOVELY WAR! ♪♪ 302 00:17:15,552 --> 00:17:16,551 OH! 303 00:17:16,653 --> 00:17:19,253 [LOUD APPLAUSE] 304 00:17:25,495 --> 00:17:26,627 OH, SORRY. 305 00:17:30,033 --> 00:17:31,232 WAIT! 306 00:17:31,334 --> 00:17:32,233 WAIT! 307 00:17:32,335 --> 00:17:33,234 WAIT! 308 00:17:33,336 --> 00:17:34,569 OH! 309 00:17:34,671 --> 00:17:35,570 I'M SORRY. 310 00:17:35,672 --> 00:17:37,305 OH! SORRY. 311 00:17:37,407 --> 00:17:39,307 WE'RE FOOT, SLOG, SLOG, SLOG, 312 00:17:39,409 --> 00:17:41,909 SLOGGING OVER AFRICA. 313 00:17:42,011 --> 00:17:43,411 WAIT. WAIT A MINUTE! 314 00:17:43,513 --> 00:17:45,913 IT'S A DIABOLICAL LIBERTY, THAT'S WHAT IT IS! 315 00:17:46,015 --> 00:17:47,915 DON'T WORRY. I'LL FIX HER. 316 00:17:48,017 --> 00:17:49,584 HEY, YOU! GET THE MANAGER. 317 00:17:49,686 --> 00:17:51,552 OH, I'M EVER SO SORRY! 318 00:17:51,654 --> 00:17:52,954 HOO, SORRY, SHE SAYS! 319 00:17:53,056 --> 00:17:54,956 YOU DON'T KNOW THE ROUTINE. 320 00:17:55,058 --> 00:17:56,958 YOU SHOULDN'T BE ALLOWED ONSTAGE! 321 00:17:57,060 --> 00:17:58,726 I DID MY BEST. HONEST, I DID. 322 00:17:58,828 --> 00:18:01,162 IF THAT'S YOUR BEST, YOU OUGHT TO BE WORKING 323 00:18:01,264 --> 00:18:02,597 IN A DEMOLITION FIRM! 324 00:18:02,699 --> 00:18:03,965 YOU RUINED THE WHOLE ACT! 325 00:18:04,067 --> 00:18:05,399 OH, I DID, DID I? 326 00:18:05,502 --> 00:18:07,535 YOU KNOW YOU BLOODY DID! 327 00:18:07,637 --> 00:18:09,537 I ALSO BLOODY KNOW IT'S QUITE BLOODY IMPOSSIBLE 328 00:18:09,639 --> 00:18:12,473 TO SPOIL ANYTHING WHICH IS ALREADY BLOODY AWFUL! 329 00:18:12,575 --> 00:18:13,474 AAH! OHH! 330 00:18:13,543 --> 00:18:15,910 WHY, YOU HIT HER! I SAW YOU! 331 00:18:16,012 --> 00:18:18,546 PLEASE, A FELLOW ARTIST IS TRYING TO PERFORM. 332 00:18:18,648 --> 00:18:19,981 I'VE GOT A NOSEBLEED-- 333 00:18:20,083 --> 00:18:21,415 IT'S ALL OVER ME FACE! 334 00:18:21,518 --> 00:18:22,984 THAT COULD ONLY BE AN IMPROVEMENT. 335 00:18:23,086 --> 00:18:25,119 PIPE DOWN. THE AUDIENCE CAN'T HEAR HIM! 336 00:18:25,221 --> 00:18:26,554 JUST WHAT I WAS SAYING. 337 00:18:26,656 --> 00:18:28,790 TELL GERTIE SHE CAN'T DO THE NEXT NUMBER. 338 00:18:28,892 --> 00:18:31,125 SHE'S A FLAMING AMATEUR! 339 00:18:31,227 --> 00:18:33,561 IF SHE DOES IT, WE DON'T! 340 00:18:33,663 --> 00:18:35,429 THAT'S ENOUGH OF THAT. 341 00:18:35,532 --> 00:18:37,665 YOU'RE ON IN THREE MINUTES. GET DRESSED! 342 00:18:37,767 --> 00:18:39,233 YOU COME BACK HERE, RON JAMES! 343 00:18:39,335 --> 00:18:41,636 I'M NOT MOVING TILL YOU DO! 344 00:18:43,773 --> 00:18:45,907 HEY, THIS ISN'T MY COSTUME. 345 00:18:46,009 --> 00:18:47,575 OH, MY GOD! 346 00:18:47,677 --> 00:18:48,810 NOW WHAT? 347 00:18:48,912 --> 00:18:51,813 YOU TORE MY COSTUME, YOU SILLY COW! 348 00:18:51,915 --> 00:18:53,414 WHO'S A COW? 349 00:18:53,516 --> 00:18:55,616 YOU ARE. I CAN'T GO ONSTAGE IN THAT! 350 00:18:55,718 --> 00:18:57,218 PLEASE, DEARS, YOU ARE PROS. 351 00:18:57,320 --> 00:18:58,486 BELT UP! 352 00:18:58,588 --> 00:19:00,421 IT'S NO GOOD, RON. WE MEAN IT. 353 00:19:00,523 --> 00:19:01,989 COULD I SAY SOMETHING, MR. JAMES? 354 00:19:02,091 --> 00:19:04,225 YES. GO AND PLAY ON A BUSY CROSSING. 355 00:19:04,327 --> 00:19:06,460 OH, SHUT UP! 356 00:19:06,563 --> 00:19:08,429 I COULD TAKE MOO'S PLACE. 357 00:19:08,531 --> 00:19:10,331 SHE ONLY SCATTERS THE PETALS. 358 00:19:10,433 --> 00:19:11,432 WELL-- 359 00:19:11,534 --> 00:19:13,301 IN THE BACKGROUND, OF COURSE. 360 00:19:13,403 --> 00:19:14,735 WELL, I... 361 00:19:33,089 --> 00:19:37,925 ♪ ROSES MEAN LOVE ME FOREVER ♪ 362 00:19:39,596 --> 00:19:44,632 ♪ LOVE THAT WILL ALWAYS BE TRUE ♪ 363 00:19:44,734 --> 00:19:47,635 ♪ VIOLETS MEAN MODESTY ♪ 364 00:19:48,805 --> 00:19:51,772 ♪ LILACS, HUMILITY ♪ 365 00:19:52,876 --> 00:19:55,109 ♪ DAFFS CAN BE CHEERING ♪ 366 00:19:55,211 --> 00:19:57,879 ♪ WHEN YOU'RE FEELING BLUE ♪ 367 00:19:57,981 --> 00:19:59,413 OHH. 368 00:20:02,652 --> 00:20:06,420 ♪ LILIES FOR BRIDES YOUNG AND WINSOME ♪ 369 00:20:06,522 --> 00:20:07,555 [AUDIENCE LAUGHS] 370 00:20:07,657 --> 00:20:09,790 ♪ ROSEBUDS FOR BRIDESMAIDS SO COY ♪ 371 00:20:09,893 --> 00:20:11,359 [WHISTLING] 372 00:20:11,461 --> 00:20:14,795 ♪ I LOVE EACH FLOWER SO ♪ 373 00:20:14,898 --> 00:20:18,399 ♪ WATCHING THEM AS THEY GROW ♪ 374 00:20:18,501 --> 00:20:22,703 ♪ IN MY GARDEN OF JOY ♪ 375 00:20:27,010 --> 00:20:28,142 [LAUGHTER] 376 00:20:37,453 --> 00:20:39,387 UNH. ARRRGH. 377 00:20:55,138 --> 00:20:56,404 OOH! 378 00:21:04,714 --> 00:21:08,416 [APPLAUSE] 379 00:21:20,163 --> 00:21:21,429 1916. 380 00:21:21,531 --> 00:21:22,897 CONSCRIPTION. 381 00:21:22,999 --> 00:21:24,966 ENGLAND, FIGHTING FOR HER LIFE, 382 00:21:25,068 --> 00:21:27,835 BECAME AN ARMED CAMP. 383 00:21:27,937 --> 00:21:29,704 WHO COULD SPARE THE TIME 384 00:21:29,806 --> 00:21:31,372 IN THOSE GRIM, DISCOURAGING DAYS 385 00:21:31,474 --> 00:21:33,040 TO HELP A YOUNG ACTRESS 386 00:21:33,142 --> 00:21:36,010 WORKING HER WAY TOWARDS LONDON AND A CAREER? 387 00:21:36,112 --> 00:21:38,079 HOW DID YOU GET THERE? 388 00:21:38,181 --> 00:21:39,513 WORKED EVERY INCH OF THE WAY. 389 00:21:39,615 --> 00:21:40,681 SOMETIMES I EVEN GOT PAID. 390 00:21:40,783 --> 00:21:41,782 AS AN ACTRESS? 391 00:21:41,884 --> 00:21:43,718 OH! AS MY DAD WOULD SAY, 392 00:21:43,820 --> 00:21:46,120 "GAWD 'ELPS THOSE WHAT 'ELPS THEMSELVES, 393 00:21:46,222 --> 00:21:48,522 "AND WHEREVER MY LITTLE GERTIE MAY GO, 394 00:21:48,624 --> 00:21:51,592 I KNOW SHE WILL ALWAYS FIND HERSELF." 395 00:22:24,660 --> 00:22:25,559 MORNING. 396 00:22:25,661 --> 00:22:27,595 FIRST DOOR. 397 00:22:27,697 --> 00:22:28,629 NAME? 398 00:22:28,731 --> 00:22:29,630 KATHLEEN ENGEL. 399 00:22:29,732 --> 00:22:30,631 KATHLEEN... 400 00:22:30,733 --> 00:22:32,133 MORNING. 401 00:22:32,235 --> 00:22:34,435 IF HE OFFERS LESS THAN 15 A WEEK, 402 00:22:34,537 --> 00:22:35,503 THAT'S HIS LOSS, RIGHT? 403 00:22:35,605 --> 00:22:36,670 NAME? 404 00:22:36,773 --> 00:22:38,172 URGENT PERSONAL MESSAGE FOR MR. CHARLOT. 405 00:22:38,307 --> 00:22:39,573 WHO FROM? UM... 406 00:22:39,675 --> 00:22:40,641 ME! 407 00:22:40,743 --> 00:22:42,276 HEY! HEY! STOP! 408 00:22:42,378 --> 00:22:43,544 COME BACK HERE! 409 00:22:45,014 --> 00:22:48,115 [PIANO PLAYING] 410 00:22:55,458 --> 00:22:56,290 GORBLIMEY! 411 00:22:56,392 --> 00:22:57,491 IT'S NOEL COWARD! 412 00:22:57,593 --> 00:22:58,692 WHO ARE YOU? 413 00:22:58,795 --> 00:23:00,261 HE'S COME A LONG WAY, HASN'T HE? 414 00:23:00,363 --> 00:23:01,562 YOU'LL GO A DAMNED SIGHT FARTHER 415 00:23:01,664 --> 00:23:03,097 IF YOU DON'T GET BACK WITH THE OTHERS! 416 00:23:03,199 --> 00:23:04,532 THE DRAPES ARE TOO HIGH. 417 00:23:04,634 --> 00:23:06,734 BRING THEM DOWN A BIT. THEY'RE TOO DARK-- 418 00:23:06,836 --> 00:23:09,203 MR. CHARLOT, I HAVE THE SKETCH-- 419 00:23:09,305 --> 00:23:12,173 LATER. LATER, PLEASE. AND THE GIRLS... 420 00:23:12,275 --> 00:23:13,541 COME ON, OUT! 421 00:23:13,643 --> 00:23:14,542 SHH! 422 00:23:14,644 --> 00:23:17,445 DON'T YOU SHUSH ME, YOUNG LADY. OUT! 423 00:23:22,952 --> 00:23:24,051 I'll see it later. 424 00:23:24,153 --> 00:23:25,886 ALL RIGHT, MR. COWARD, 425 00:23:25,988 --> 00:23:27,755 WE'RE READY WHENEVER YOU ARE. 426 00:23:31,194 --> 00:23:32,693 ♪ ORDINARY MAN ♪ 427 00:23:32,795 --> 00:23:34,528 ♪ INVARIABLY SIGHS ♪ 428 00:23:34,630 --> 00:23:38,199 ♪ VAINLY FOR WHAT CANNOT BE ♪ 429 00:23:38,301 --> 00:23:40,034 ♪ IF HE'S IN AN ORCHARD ♪ 430 00:23:40,136 --> 00:23:42,103 ♪ HE WILL CAST HIS EYES ♪ 431 00:23:42,205 --> 00:23:46,841 ♪ UP INTO THE HIGHEST TREE ♪ 432 00:23:46,943 --> 00:23:49,677 ♪ THERE MAY BE A LOT OF WINDFALLS ♪ 433 00:23:49,779 --> 00:23:52,213 ♪ LYING ALL AROUND ♪ 434 00:23:52,315 --> 00:23:55,216 ♪ BUT YOU'LL NEVER SEE A MAN ENJOY ♪ 435 00:23:55,318 --> 00:24:00,454 ♪ THE FRUIT THAT'S ON THE GROUND ♪ 436 00:24:00,556 --> 00:24:05,392 ♪ EVERY PEACH OUT OF REACH IS ATTRACTIVE ♪ 437 00:24:05,495 --> 00:24:08,963 ♪ 'CAUSE IT'S JUST A LITTLE BIT TOO HIGH ♪ 438 00:24:09,065 --> 00:24:11,132 ♪ AND YOU'LL FIND THAT EVERY MAN ♪ 439 00:24:11,234 --> 00:24:13,367 ♪ WILL TRY TO PLUCK IT IF HE CAN ♪ 440 00:24:13,469 --> 00:24:17,037 ♪ AS HE PASSES BY ♪ 441 00:24:17,140 --> 00:24:20,508 ♪ FOR A BRUTE LOVES THE FRUIT THAT'S FORBIDDEN ♪ 442 00:24:20,610 --> 00:24:24,345 ♪ AND I'LL BET YOU HALF A CROWN ♪ 443 00:24:24,447 --> 00:24:26,747 ♪ HE'LL APPRECIATE THE FLAVOR OF IT ♪ 444 00:24:26,849 --> 00:24:29,183 ♪ MUCH, MUCH MORE ♪ 445 00:24:29,285 --> 00:24:32,786 ♪ IF HE HAS TO CLIMB A BIT TO SHAKE IT DOWN ♪ 446 00:24:32,889 --> 00:24:36,590 ♪ EVERY PEACH OUT OF REACH IS ATTRACTIVE ♪ 447 00:24:36,692 --> 00:24:39,860 ♪ 'CAUSE IT'S JUST A LITTLE BIT TOO HIGH ♪ 448 00:24:39,962 --> 00:24:41,862 ♪ THOUGH IT ISN'T VERY SANE ♪ 449 00:24:41,964 --> 00:24:43,430 ♪ TO MAKE THE THINGS YOU CAN'T ATTAIN ♪ 450 00:24:43,533 --> 00:24:47,368 ♪ STILL, YOU ALWAYS TRY ♪ 451 00:24:47,470 --> 00:24:49,570 ♪ IF YOU FIND THAT YOU'RE BLIND ♪ 452 00:24:49,672 --> 00:24:51,305 ♪ WITH DEVOTION ♪ 453 00:24:51,407 --> 00:24:55,009 ♪ FOR DELIGHTFUL MRS. BROWN ♪ 454 00:24:55,111 --> 00:24:58,112 ♪ YOU'LL APPRECIATE ELOPING WITH HER ♪ 455 00:24:58,214 --> 00:25:01,048 ♪ MUCH, MUCH MORE ♪ 456 00:25:01,150 --> 00:25:05,452 ♪ IF HER HUSBAND COMES ALONG AND KNOCKS YOU DOWN ♪♪ 457 00:25:07,089 --> 00:25:08,756 THANK YOU VERY MUCH, MR. COWARD. 458 00:25:08,858 --> 00:25:09,890 WE'LL LET YOU KNOW. 459 00:25:09,992 --> 00:25:11,392 THANK YOU. 460 00:25:15,298 --> 00:25:18,566 UH, LET ME SEE THE NEW BACKDROP, MR. ROPER. 461 00:25:18,668 --> 00:25:19,967 AND TRY CUE SIX. 462 00:25:20,069 --> 00:25:21,335 I'LL SEE THOSE SKETCHES NOW. 463 00:25:21,437 --> 00:25:22,937 GET THAT PIANO OFFSTAGE. 464 00:25:23,039 --> 00:25:25,506 LET IN THAT NEW BACKDROP, WILL YOU? 465 00:25:25,608 --> 00:25:27,241 STAND BY, CUE SIX. 466 00:25:27,343 --> 00:25:29,743 MR. CHARLOT, I'M GERTRUDE LAWRENCE, 467 00:25:29,845 --> 00:25:31,946 AND I--MMMPH--OH! 468 00:25:32,048 --> 00:25:33,514 DID SOMEONE CALL ME? 469 00:25:33,616 --> 00:25:34,715 OH! OW! 470 00:25:34,817 --> 00:25:35,716 AAH! 471 00:25:35,818 --> 00:25:38,519 OH! 472 00:25:38,621 --> 00:25:39,887 OH, FOR CRIPES-- 473 00:25:41,557 --> 00:25:44,158 UH...MR. CHARLOT, I'M GERTRUDE LAWRENCE. 474 00:25:44,260 --> 00:25:46,460 AND I'VE COME ALL THE WAY FROM--WHAAH! 475 00:25:46,562 --> 00:25:47,962 [BOING] 476 00:25:50,499 --> 00:25:53,467 A REMARKABLY ORIGINAL ENTRANCE. 477 00:25:53,569 --> 00:25:56,537 WHY, IF IT ISN'T LITTLE GERTIE LAWRENCE. 478 00:25:56,639 --> 00:25:58,539 HELLO, DARLING. IT'S NOEL COWARD. 479 00:25:58,641 --> 00:26:00,774 I DON'T CARE IF YOU'RE THE ARCHBISHOP OF CANTERBURY. 480 00:26:00,876 --> 00:26:02,243 FETCH A BLOODY DOCTOR! 481 00:26:02,345 --> 00:26:05,546 I'VE GOT A SPRING STUCK IN ME BACKSIDE! OOH! 482 00:26:05,648 --> 00:26:07,781 ANDRÉ CHARLOT, STARMAKER, 483 00:26:07,883 --> 00:26:09,583 WAS ALWAYS QUICK TO RECOGNIZE 484 00:26:09,685 --> 00:26:11,352 A TRUE COMEDY TALENT. 485 00:26:11,454 --> 00:26:14,421 ALONG WITH VIVACIOUS REVUE ARTIST BILLIE CARLETON, 486 00:26:14,523 --> 00:26:16,423 HE SIGNED THE NEW DANCING SENSATION 487 00:26:16,525 --> 00:26:18,525 JACK BUCHANAN. 488 00:26:18,628 --> 00:26:20,094 IN A FEW SHORT YEARS, 489 00:26:20,196 --> 00:26:22,963 BUCHANAN HAD BECOME LONDON'S FOREMOST HEARTTHROB. 490 00:26:45,121 --> 00:26:48,589 GERTRUDE LAWRENCE ALSO FOUND HERSELF IN THE CAST. 491 00:26:48,691 --> 00:26:50,491 IN THE CHORUS, THAT IS. 492 00:26:52,561 --> 00:26:55,262 OH, NOEL, THIS IS WONDERFUL! 493 00:26:55,364 --> 00:26:57,264 AT MOMENTS OF DEPRESSION OR EXHILARATION, 494 00:26:57,400 --> 00:26:59,300 THERE'S NOTHING LIKE A GOOD LONG LUNCH. 495 00:26:59,402 --> 00:27:01,302 IT HELPS TO KEEP A SENSE OF PERSPECTIVE. 496 00:27:01,404 --> 00:27:03,304 MARIO, TWO SPANKING CHAMPAGNE COCKTAILS. 497 00:27:03,406 --> 00:27:04,505 OHH. 498 00:27:04,607 --> 00:27:06,240 WHEN IN ROME, DO AS THE ROMANS DO. 499 00:27:07,943 --> 00:27:09,643 OF COURSE, ANDRÉ CHARLOT KNOWS NOTHING WHATSOEVER 500 00:27:09,745 --> 00:27:10,811 ABOUT TALENT. 501 00:27:10,913 --> 00:27:13,113 THANK YOU! 502 00:27:13,215 --> 00:27:15,249 I WAS REFERRING TO THE FACT 503 00:27:15,351 --> 00:27:17,985 THAT HE WAS TOTALLY UNIMPRESSED BY MY AUDITION. 504 00:27:18,087 --> 00:27:19,987 HE'LL LEARN. GIVE HIM TIME. 505 00:27:20,089 --> 00:27:22,923 MEANWHILE, CONGRATULATIONS ON A PASSABLE FIRST NIGHT. 506 00:27:23,025 --> 00:27:25,726 JUST WAIT TILL THE NEXT ONE. I'LL SHOW HIM. 507 00:27:25,828 --> 00:27:27,795 YOU'RE IN THE CHORUS, AND CHARLOT'S A DISCIPLINARIAN, 508 00:27:27,897 --> 00:27:29,630 SO DON'T YOU TRY ANY TRICKS. 509 00:27:29,732 --> 00:27:31,765 ALL I'VE DONE IS FALL THROUGH THAT DAMNED HOLE 510 00:27:31,867 --> 00:27:33,000 ON MY BACKSIDE! 511 00:27:33,102 --> 00:27:35,102 BUT I KNOW YOU, GERTIE. 512 00:27:35,204 --> 00:27:36,470 GIVEN A STEP, 513 00:27:36,572 --> 00:27:38,439 YOU'RE APT TO IMAGINE IT'S A LONG JUMP, 514 00:27:38,541 --> 00:27:41,542 AND YOU MIGHT FALL FLAT ON THAT VERY ATTRACTIVE NOSE. 515 00:27:41,644 --> 00:27:44,044 THERE'S ANTHONY SPENCER LOOKING VERY SMART. 516 00:27:44,146 --> 00:27:45,112 HELLO, NOEL. 517 00:27:45,214 --> 00:27:48,148 OH, UH, MAY I JOIN YOU FOR A MOMENT? 518 00:27:48,250 --> 00:27:49,183 PLEASE DO. 519 00:27:49,285 --> 00:27:50,250 I'M WAITING FOR JULIAN, 520 00:27:50,353 --> 00:27:51,585 AND HE APPEARS TO BE LATE. 521 00:27:51,687 --> 00:27:53,787 YOU CAN'T EXPECT COUTURIERS TO BE AS PROMPT AS SOLDIERS. 522 00:27:53,889 --> 00:27:55,222 MISS GERTRUDE LAWRENCE, 523 00:27:55,324 --> 00:27:56,623 SIR ANTHONY SPENCER. 524 00:27:56,726 --> 00:27:57,558 HOW DO YOU DO? 525 00:27:57,660 --> 00:27:59,259 HOW DO YOU DO? 526 00:27:59,362 --> 00:28:01,495 WELL NOW, TELL ME, WHAT DID YOU THINK 527 00:28:01,597 --> 00:28:02,996 OF CHARLOT'S EFFORT LAST NIGHT? 528 00:28:03,099 --> 00:28:04,932 WE MUST ALL SUFFER OCCASIONALLY. 529 00:28:05,034 --> 00:28:07,434 WHAT DID YOU THINK OF IT? 530 00:28:07,536 --> 00:28:08,602 OH, SPLENDID. 531 00:28:08,704 --> 00:28:09,603 OH. 532 00:28:09,705 --> 00:28:11,638 DID YOU SEE THE SHOW? 533 00:28:11,741 --> 00:28:12,773 [SNICKERS] 534 00:28:12,875 --> 00:28:15,476 OH, MY GOD! 535 00:28:15,578 --> 00:28:18,445 I HAPPEN TO BE IN IT, MR. SPENCER. 536 00:28:20,549 --> 00:28:22,783 HE'S A KNIGHT. NOT THAT IT MATTERS. 537 00:28:22,885 --> 00:28:25,219 I DON'T CARE IF HE'S A BELTED EARL. 538 00:28:25,321 --> 00:28:27,254 HE'S AS BLIND AS A BLOODY BAT! 539 00:28:31,227 --> 00:28:32,426 EXTRAORDINARY GIRL. 540 00:28:32,528 --> 00:28:33,594 INDEED. 541 00:28:33,696 --> 00:28:35,129 VERY ATTRACTIVE. 542 00:28:35,231 --> 00:28:36,263 UNDOUBTEDLY. 543 00:28:36,365 --> 00:28:37,398 MARRIED? 544 00:28:37,500 --> 00:28:38,465 DEFINITELY. 545 00:28:38,567 --> 00:28:39,500 HMM. 546 00:28:39,602 --> 00:28:40,601 TO HER CAREER. 547 00:29:02,925 --> 00:29:04,591 ♪ SHE'S GOT A PAIR OF EYES ♪ 548 00:29:04,693 --> 00:29:06,326 ♪ THAT SPEAK OF LOVE ♪ 549 00:29:06,429 --> 00:29:07,694 ♪ 'N' EVERYTHING ♪ 550 00:29:09,532 --> 00:29:12,933 ♪ SHE'S GOT A SMILE LIKE ANGELS UP ABOVE ♪ 551 00:29:13,035 --> 00:29:14,134 ♪ 'N' EVERYTHING ♪ 552 00:29:15,838 --> 00:29:18,972 ♪ THE LITTLE BIRDIES START TO SING ♪ 553 00:29:19,074 --> 00:29:22,242 ♪ WHEN THEY SEE HER, THEY THINK IT'S SPRING ♪ 554 00:29:22,344 --> 00:29:23,644 ♪ LIKE APRIL SHOWERS ♪ 555 00:29:23,746 --> 00:29:25,412 ♪ SHE MAKES THE FLOWERS ♪ 556 00:29:25,514 --> 00:29:28,749 ♪ JUST SEEM TO GROW AND EVERYTHING ♪ 557 00:29:28,851 --> 00:29:32,619 ♪ SHE'S GOT THE CUTEST LITTLE DIMPLED HAND ♪ 558 00:29:32,721 --> 00:29:34,087 ♪ 'N' EVERYTHING ♪ 559 00:29:35,591 --> 00:29:39,293 ♪ A PRETTY FINGER FOR A WEDDING BAND ♪ 560 00:29:39,395 --> 00:29:41,495 ♪ 'N' EVERYTHING ♪ 561 00:29:41,597 --> 00:29:45,466 ♪ AND IF SHE'LL BE MY LITTLE WIFE ♪ 562 00:29:45,568 --> 00:29:48,469 ♪ WE'LL LEAD THE SIMPLE LIFE ♪ 563 00:29:48,571 --> 00:29:50,471 ♪ AND WE'LL RAISE A LOT OF DUCKS ♪ 564 00:29:50,573 --> 00:29:52,172 ♪ 'N' COWS 'N' GEESE ♪ 565 00:29:52,274 --> 00:29:54,274 ♪ 'N' EVERYTHING ♪ 566 00:30:32,548 --> 00:30:37,050 ♪ AND IF SHE'LL BE MY LITTLE WIFE ♪ 567 00:30:37,152 --> 00:30:40,087 ♪ WE'LL LEAD THE SIMPLE LIFE ♪ 568 00:30:40,189 --> 00:30:41,555 ♪ AND WE'LL RAISE A LOT OF DUCKS ♪ 569 00:30:41,657 --> 00:30:43,290 ♪ 'N' COWS 'N' GEESE ♪ 570 00:30:43,392 --> 00:30:44,992 ♪ 'N' EVERYTHING ♪ 571 00:30:45,094 --> 00:30:46,927 ♪ 'N' EVERYTHING ♪ 572 00:30:47,029 --> 00:30:49,997 ♪ LOTS OF DUCKS 'N' COWS 'N' GEESE ♪ 573 00:30:50,099 --> 00:30:55,869 ♪ 'N' EVERYTHING ♪♪ 574 00:31:01,544 --> 00:31:04,011 NO DOUBT YOU THOUGHT THAT WAS FUNNY. 575 00:31:04,113 --> 00:31:06,179 I'M SORRY. I JUST FELT LIKE IT. 576 00:31:06,282 --> 00:31:08,615 WHEN I WISH YOU TO BE AMUSING, MISS LAWRENCE, 577 00:31:08,717 --> 00:31:10,117 I WILL PAY YOU TO BE AMUSING. 578 00:31:10,219 --> 00:31:11,618 SO YOU GOT IT FOR FREE-- 579 00:31:11,720 --> 00:31:14,354 RELAX, UNCLE, IT'S NOT THE END OF THE WORLD. 580 00:31:14,456 --> 00:31:16,757 I DO NOT EMPLOY UNDISCIPLINED AMATEURS. 581 00:31:16,859 --> 00:31:17,824 I AM NOTHING OF THE-- 582 00:31:17,927 --> 00:31:19,059 DON'T INTERRUPT ME! 583 00:31:19,161 --> 00:31:21,295 THIS IS THE VAUDEVILLE THEATRE, 584 00:31:21,397 --> 00:31:23,063 NOT MARGATE PIER. 585 00:31:23,165 --> 00:31:24,665 NAUGHTY, NAUGHTY GIRL. 586 00:31:24,767 --> 00:31:26,700 AND I SHOULD LIKE TO MAKE IT QUITE CLEAR 587 00:31:26,802 --> 00:31:29,636 THAT IF ANYTHING LIKE THIS OCCURS AGAIN, 588 00:31:29,738 --> 00:31:32,372 I SHALL SACK YOU IMMEDIATELY! 589 00:31:34,476 --> 00:31:35,676 AH-AH-AH-AH! 590 00:31:37,913 --> 00:31:39,913 WHO DOES HE THINK HE IS? 591 00:31:40,015 --> 00:31:42,049 HE DOESN'T HAVE TO THINK, LUV. HE KNOWS. 592 00:31:42,151 --> 00:31:43,450 HE'S ANDRÉ CHARLOT. 593 00:31:43,552 --> 00:31:44,885 HE'S A TIN-POT GOD. 594 00:31:44,987 --> 00:31:46,420 GOLD-PLATED, LUV. 595 00:31:46,522 --> 00:31:49,289 BOTTOMS UP, AS THE ACTRESS SAID TO THE AUSTRALIAN. 596 00:31:54,229 --> 00:31:57,064 DON'T YOU WORRY YOURSELF, LUV. 597 00:31:57,166 --> 00:31:59,232 HIS BARK'S WORSE THAN 'IS BITE. 598 00:31:59,335 --> 00:32:01,468 YOU'RE NICE, JACK. 599 00:32:01,570 --> 00:32:03,470 RECOGNITION AT LAST! 600 00:32:03,572 --> 00:32:05,272 AND VERY SWEET. 601 00:32:06,609 --> 00:32:08,141 YOU KNOW, I'VE JUST THOUGHT OF SOMETHING. 602 00:32:08,243 --> 00:32:10,143 WE NEED A NEW GENERAL UNDERSTUDY 603 00:32:10,245 --> 00:32:12,579 FOR OUR NEXT REVUE. 604 00:32:12,681 --> 00:32:13,580 YEAH. 605 00:32:13,682 --> 00:32:15,515 JUST GIVE ME TIME, THAT'S ALL. 606 00:32:15,618 --> 00:32:18,652 JUST YOU RELAX AND LEAVE IT ALL TO JACKIE ROPER. 607 00:32:20,589 --> 00:32:22,489 YOU REALLY ARE NICE, JACK. 608 00:32:24,393 --> 00:32:27,894 ROMANCE ENTERED GERTIE'S LIFE FOR THE FIRST TIME 609 00:32:27,997 --> 00:32:29,429 WHEN SHE MARRIED JACK ROPER. 610 00:32:29,531 --> 00:32:31,264 ALL THEIR FRIENDS WERE THERE 611 00:32:31,367 --> 00:32:32,499 TO WISH THEM LUCK AND HAPPINESS, 612 00:32:32,601 --> 00:32:34,301 AND WHY NOT? 613 00:32:34,403 --> 00:32:36,670 THEY WERE YOUNG, AND THEY WERE IN LOVE. 614 00:32:36,772 --> 00:32:37,671 BYE. 615 00:32:37,773 --> 00:32:39,773 BYE. 616 00:32:39,875 --> 00:32:41,541 WHOO! 617 00:32:43,979 --> 00:32:45,412 JACK. HMM? 618 00:32:45,514 --> 00:32:47,681 I SHOULDN'T HAVE DONE IT. 619 00:32:49,852 --> 00:32:52,386 HO-HO. THAT'S A RIPE ONE, THAT IS. 620 00:32:52,488 --> 00:32:54,421 YOU NEVER MISS A CHANCE, YOU DON'T. 621 00:32:54,523 --> 00:32:56,790 A JOKE A MINUTE, SAID THE OLD COCK LINNET, 622 00:32:56,892 --> 00:32:57,791 AND DIED LAUGHING. 623 00:32:57,893 --> 00:32:58,792 I'M SERIOUS. 624 00:32:58,894 --> 00:32:59,793 ALL RIGHT, THEN. 625 00:32:59,895 --> 00:33:01,795 I SHALL GO TO THE REGISTRAR 626 00:33:01,897 --> 00:33:03,797 AND ASK FOR MY MONEY BACK. 627 00:33:03,899 --> 00:33:05,899 IT ISN'T THAT I SHOULDN'T HAVE... 628 00:33:06,001 --> 00:33:07,567 JUST WHY I'VE DONE IT. 629 00:33:07,670 --> 00:33:09,803 THIS IS SUPPOSED TO BE A HONEYMOON, 630 00:33:09,905 --> 00:33:11,838 NOT A SHERLOCK HOLMES MYSTERY. 631 00:33:13,542 --> 00:33:14,841 HERE. STOP TALKING NONSENSE 632 00:33:14,943 --> 00:33:17,411 AND HAVE A DRINK. GO ON. 633 00:33:17,513 --> 00:33:19,479 IT OUGHT TO BE CHAMPAGNE. 634 00:33:19,581 --> 00:33:22,716 WE CAN'T AFFORD IT, "MRS.ROPER." 635 00:33:24,253 --> 00:33:27,020 GAWD! 636 00:33:27,122 --> 00:33:28,121 [CORK POPS] 637 00:33:28,223 --> 00:33:29,256 OH! HA HA HA HA! 638 00:33:29,358 --> 00:33:31,324 YOU SHOULDN'T HAVE DONE IT. 639 00:33:31,427 --> 00:33:32,693 WHEN I SAID THAT, YOU LAUGHED. 640 00:33:32,795 --> 00:33:33,994 THE BUBBLY. 641 00:33:34,096 --> 00:33:35,729 WHY NOT? IT'S OUR WEDDING DAY. 642 00:33:35,831 --> 00:33:37,898 YES, I KNOW, BUT 12 BOTTLES? 643 00:33:38,000 --> 00:33:40,567 THE MAN SAID IT WAS CHEAPER THAN JUST GETTING ONE. 644 00:33:40,669 --> 00:33:44,471 BESIDES, YOU ACTUALLY SAVE MONEY, SO THERE. 645 00:33:44,573 --> 00:33:47,407 YOU'RE CRAZY. 646 00:33:47,509 --> 00:33:49,776 ANYWAY, I WANT IT TO LAST. 647 00:33:49,878 --> 00:33:51,812 I WANT IT ALL TO LAST, 648 00:33:51,914 --> 00:33:54,481 ALL THE EXCITEMENT AND ALL THE GOOD THINGS. 649 00:33:54,583 --> 00:33:57,617 YOU'RE PLAIN, PLAIN, BARMY! 650 00:34:00,756 --> 00:34:03,657 OH, JACK, I WISH I KNEW WHY I MARRIED YOU. 651 00:34:03,759 --> 00:34:06,793 OH, NO, NOT AGAIN. 652 00:34:06,895 --> 00:34:08,929 I DON'T KNOW IF IT'S 'CAUSE I LOVE YOU 653 00:34:09,031 --> 00:34:10,831 OR BECAUSE OF ALL YOU'VE DONE FOR ME. 654 00:34:10,933 --> 00:34:11,932 OH, GIVE IT A CHANCE. 655 00:34:12,034 --> 00:34:14,501 WE'VE ONLY BEEN AT IT A COUPLE OF HOURS. 656 00:34:14,603 --> 00:34:16,470 THERE'S A LOT MORE TO MARRIAGE, YOU KNOW, 657 00:34:16,572 --> 00:34:18,805 THAN JUST SAYING "I DO." 658 00:34:18,907 --> 00:34:21,174 WELL, WHAT MORE IS THERE? 659 00:34:22,511 --> 00:34:25,512 WELL, I MEAN, UM... 660 00:34:25,614 --> 00:34:26,847 WELL, YOU KNOW... 661 00:34:26,949 --> 00:34:28,081 CHILDREN. 662 00:34:29,618 --> 00:34:31,451 CHILDREN? 663 00:34:31,553 --> 00:34:34,588 ALL RIGHT, LET'S HAVE YOU, ME OLD DEMON. 664 00:34:34,690 --> 00:34:37,691 'ERE WE GO, DUCKS. 665 00:34:37,793 --> 00:34:39,926 OH, THAT'S BLOODY MARVELOUS, THAT IS. 666 00:34:40,028 --> 00:34:41,361 IF YOU HADN'T HAVE MOVED ME, 667 00:34:41,463 --> 00:34:43,230 IT WOULD'VE GONE DOWN MY RUDDY THROAT. 668 00:34:43,332 --> 00:34:45,966 WITH A MOUTH LIKE YOURS, PITY. 669 00:34:46,068 --> 00:34:48,535 IF THAT WAS A GOOGLEY, I'M A CHINAMAN. 670 00:34:48,637 --> 00:34:50,537 STEADY, LUV, IF YOU DON'T WANT 'IM BORN 671 00:34:50,639 --> 00:34:52,572 WEARIN' A PAIR OF BATTING GLOVES! 672 00:34:52,674 --> 00:34:54,074 GUS, MR. ROPER WANTS YOU. 673 00:34:54,176 --> 00:34:56,409 IF IT'S ABOUT THAT W.C. IN HIS OFFICE, 674 00:34:56,512 --> 00:34:58,078 TELL HIM IT AIN'T NO USE-- 675 00:34:58,180 --> 00:34:59,546 NO. IT'S NOT THAT. 676 00:34:59,648 --> 00:35:02,582 THEY'VE--THEY'VE CHANGED THE RUNNING ORDER. 677 00:35:02,684 --> 00:35:05,185 MISS CARLETON'S BEEN TAKEN TO HOSPITAL. 678 00:35:05,287 --> 00:35:06,386 WHAT'S THAT? 679 00:35:06,488 --> 00:35:07,387 NOW, GERTIE-- 680 00:35:07,489 --> 00:35:09,422 REMEMBER WHAT YOUR OLD MAN SAID! 681 00:35:09,525 --> 00:35:11,491 NO, GERTIE. 682 00:35:11,593 --> 00:35:12,692 OUT OF MY WAY, JACK. 683 00:35:12,795 --> 00:35:13,927 YOU CAN'T DO IT. 684 00:35:14,029 --> 00:35:15,695 OH, YES, I CAN. GERTIE! 685 00:35:15,798 --> 00:35:17,297 I'M ALL RIGHT. 686 00:35:17,399 --> 00:35:19,232 I'M ALL RIGHT. 687 00:35:19,334 --> 00:35:20,767 BE CAREFUL, LUV. 688 00:35:20,869 --> 00:35:21,768 SHH! 689 00:35:21,870 --> 00:35:23,770 "...Plates of fresh air..." 690 00:35:23,872 --> 00:35:26,339 I'VE GOT TO REMEMBER THOSE WORDS. 691 00:35:28,043 --> 00:35:29,509 GOOD LUCK, GERTIE. 692 00:36:00,509 --> 00:36:02,642 ♪ I'M BERT ♪ 693 00:36:02,744 --> 00:36:05,779 ♪ PERHAPS YOU'VE HEARD OF ME--BERT ♪ 694 00:36:05,881 --> 00:36:07,447 ♪ YOU'VE HAD WORD OF ME ♪ 695 00:36:07,549 --> 00:36:09,049 ♪ JOGGING ALONG ♪ 696 00:36:09,151 --> 00:36:10,884 ♪ HEARTY AND STRONG ♪ 697 00:36:10,986 --> 00:36:14,187 ♪ LIVING ON PLATES OF FRESH AIR ♪ 698 00:36:14,289 --> 00:36:16,356 ♪ I DRESS... ♪ 699 00:36:16,458 --> 00:36:17,524 ♪ UP IN FASHION ♪ 700 00:36:17,626 --> 00:36:20,527 ♪ AND WHEN I AM FEELING DEPRESSED ♪ 701 00:36:20,629 --> 00:36:23,864 ♪ I SHAVE FROM MY CUFF ALL THE WHISKERS AND FLUFF ♪ 702 00:36:23,966 --> 00:36:27,200 ♪ STICK MY HAT ON AND TODDLE UP WEST ♪ 703 00:36:27,302 --> 00:36:29,436 ♪ I'M BURLINGTON BERTIE ♪ 704 00:36:29,538 --> 00:36:30,937 ♪ I RISE AT 10:30 ♪ 705 00:36:31,039 --> 00:36:34,541 ♪ AND SAUNTER ALONG LIKE A TOFF ♪ 706 00:36:34,643 --> 00:36:36,209 ♪ I WALK DOWN THE STRAND ♪ 707 00:36:36,311 --> 00:36:37,777 ♪ WITH MY GLOVES ON MY HAND ♪ 708 00:36:37,880 --> 00:36:40,780 ♪ THEN I WALK DOWN AGAIN WITH 'EM OFF ♪ 709 00:36:40,883 --> 00:36:42,716 ♪ I'M ALL AIRS AND GRACES ♪ 710 00:36:42,818 --> 00:36:44,451 ♪ CORRECT EASY PACES ♪ 711 00:36:44,553 --> 00:36:46,052 ♪ WITHOUT FOOD SO LONG ♪ 712 00:36:46,154 --> 00:36:47,954 ♪ I FORGOT WHERE MY FACE IS ♪ 713 00:36:48,056 --> 00:36:49,723 ♪ I'M BERT, BERT ♪ 714 00:36:49,825 --> 00:36:51,391 ♪ I HAVEN'T A SHIRT ♪ 715 00:36:51,493 --> 00:36:53,293 ♪ BUT MY PEOPLE ARE WELL-OFF ♪ 716 00:36:53,395 --> 00:36:54,561 ♪ YOU KNOW ♪ 717 00:36:54,663 --> 00:36:55,962 ♪ NEARLY EVERYONE KNOWS ME ♪ 718 00:36:56,064 --> 00:36:58,231 ♪ FROM SMITH TO LORD ROSEB'RY ♪ 719 00:36:58,333 --> 00:37:01,268 ♪ I'M BURLINGTON BERTIE FROM BOW ♪ 720 00:37:12,481 --> 00:37:14,247 [AUDIENCE CHUCKLES] 721 00:37:17,119 --> 00:37:18,418 ♪ I'M BURLINGTON BERTIE ♪ 722 00:37:18,520 --> 00:37:20,587 ♪ I RISE AT 10:30 ♪ 723 00:37:20,689 --> 00:37:23,890 ♪ THEN SAUNTER ALONG TEMPLE BAR ♪ 724 00:37:23,992 --> 00:37:25,458 ♪ AS 'ROUND THERE I SKIP ♪ 725 00:37:25,560 --> 00:37:27,227 ♪ I KEEP SHOUTING "PIP, PIP" ♪ 726 00:37:27,329 --> 00:37:30,630 ♪ AND THE DARN FOOLS THINK I'M IN MY CAR ♪ 727 00:37:38,240 --> 00:37:39,572 [YAWN] 728 00:37:44,546 --> 00:37:46,413 ♪ AT ROTHSCHILD'S I SWANK IT ♪ 729 00:37:46,515 --> 00:37:47,847 ♪ MY BODY, I PLANK IT ♪ 730 00:37:47,950 --> 00:37:49,349 ♪ ON HIS FRONT DOORSTEP ♪ 731 00:37:49,451 --> 00:37:51,418 ♪ WITH THE MAIL FOR A BLANKET ♪ 732 00:37:51,520 --> 00:37:52,852 ♪ I'M BERT, BERT ♪ 733 00:37:52,955 --> 00:37:54,421 ♪ AND ROTHSCHILD WAS HURT ♪ 734 00:37:54,523 --> 00:37:56,189 ♪ HE SAID, "YOU CAN'T SLEEP THERE" ♪ 735 00:37:56,291 --> 00:37:57,857 ♪ I SAID, "OH?" ♪ 736 00:37:57,960 --> 00:37:59,359 ♪ HE SAID, "I'M ROTHSCHILD, SONNY" ♪ 737 00:37:59,461 --> 00:38:01,361 ♪ I SAID, "THAT'S DAMN FUNNY ♪ 738 00:38:01,463 --> 00:38:04,898 ♪ I'M BURLINGTON BERTIE FROM BOW" ♪ 739 00:38:08,403 --> 00:38:09,903 ♪ OOOHH ♪ 740 00:38:15,177 --> 00:38:16,776 ♪ I'M BURLINGTON BERTIE ♪ 741 00:38:16,878 --> 00:38:18,578 ♪ I RISE AT 10:30 ♪ 742 00:38:18,680 --> 00:38:21,548 ♪ THEN BUCKINGHAM PALACE, I VIEW ♪ 743 00:38:21,650 --> 00:38:23,450 ♪ I STAND IN THE YARD ♪ 744 00:38:23,552 --> 00:38:25,051 ♪ WHILE THEY'RE CHANGING THE GUARD ♪ 745 00:38:25,153 --> 00:38:28,488 ♪ AND THE KING SHOUTS ACROSS "TOODLE-OO!" ♪ 746 00:38:28,590 --> 00:38:30,423 ♪ THE PRINCE OF WALES' BROTHER ♪ 747 00:38:30,525 --> 00:38:31,758 ♪ ALONG WITH SOME OTHER ♪ 748 00:38:31,860 --> 00:38:33,593 ♪ SLAPS ME ON THE BACK ♪ 749 00:38:33,695 --> 00:38:35,362 ♪ AND SAYS, "COME AND SEE MOTHER" ♪ 750 00:38:35,464 --> 00:38:36,863 ♪ I'M BERT, BERT ♪ 751 00:38:36,965 --> 00:38:38,431 ♪ AND ROYALTY'S HURT ♪ 752 00:38:38,533 --> 00:38:42,535 ♪ WHEN THEY ASK ME TO DINE, I SAY NO... ♪ 753 00:38:42,637 --> 00:38:44,604 ♪ "I JUST HAD A BANANA ♪ 754 00:38:44,706 --> 00:38:46,606 ♪ WITH LADY DIANA" ♪ 755 00:38:46,708 --> 00:38:48,842 ♪ I'M BURLINGTON BERTIE ♪ 756 00:38:50,379 --> 00:38:52,245 ♪ BURLINGTON BERTIE ♪ 757 00:38:53,382 --> 00:38:56,549 ♪ I'M BURLINGTON BERTIE ♪ 758 00:38:56,651 --> 00:39:04,424 ♪ I'M BURLINGTON BERTIE FROM BOW ♪♪ 759 00:39:06,128 --> 00:39:07,761 YOU ALL RIGHT, LUV? 760 00:39:07,863 --> 00:39:10,764 OH, IT WAS LOVELY. 761 00:39:10,866 --> 00:39:13,600 [APPLAUSE] 762 00:39:17,873 --> 00:39:19,606 BRAVO! BRAVO! 763 00:39:25,814 --> 00:39:27,147 THANK YOU. 764 00:39:37,292 --> 00:39:39,426 NOVEMBER 11, 1918. 765 00:39:50,439 --> 00:39:52,338 ON THE DAY THE WAR ENDED 766 00:39:52,441 --> 00:39:54,407 AND PEACE RETURNED TO LONDON, 767 00:39:54,543 --> 00:39:56,376 BILLIE CARLETON ALSO CAME BACK, 768 00:39:56,478 --> 00:39:59,446 AND GERTRUDE LAWRENCE ONCE AGAIN FOUND HERSELF-- 769 00:39:59,548 --> 00:40:01,581 BACK IN THE CHORUS. 770 00:40:03,485 --> 00:40:10,056 ♪ BRITANNIA RULE THE WAVES! ♪ 771 00:40:10,158 --> 00:40:19,799 ♪ BRITAIN NEVER, NEVER, NEVER WILL BE SLAVES! ♪ 772 00:40:19,901 --> 00:40:20,800 HEY! 773 00:40:20,902 --> 00:40:23,436 I'M ALL RIGHT. 774 00:40:23,538 --> 00:40:24,437 ♪ RULE BRITANNIA! ♪♪ 775 00:40:24,539 --> 00:40:25,438 GENTLEMEN! 776 00:40:25,540 --> 00:40:26,539 GENTLEMEN! 777 00:40:26,641 --> 00:40:28,108 GENTLEMEN OF ENGLAND... 778 00:40:28,210 --> 00:40:29,776 I SALUTE YOU. 779 00:40:29,878 --> 00:40:31,544 GOOD NIGHT. 780 00:40:31,646 --> 00:40:32,779 PEACE! 781 00:40:32,881 --> 00:40:35,849 BEAUTIFUL PEACE! 782 00:40:35,951 --> 00:40:38,685 BEAUTIFUL PEACE! 783 00:40:38,787 --> 00:40:41,087 PEEEEEACE! 784 00:40:41,189 --> 00:40:43,590 HELLO, GERTIE, LUV. HERE'S YOUR LITTLE PAMELA. 785 00:40:43,692 --> 00:40:45,125 SHE'S HAD A LOVELY-- 786 00:40:45,227 --> 00:40:46,559 [PAMELA CRYING] 787 00:40:46,661 --> 00:40:47,560 [BURP] 788 00:40:47,662 --> 00:40:49,562 OH, THERE, THERE. 789 00:40:49,664 --> 00:40:51,631 GERTIE. 790 00:40:51,733 --> 00:40:54,234 OH, MY LITTLE LOVE. 791 00:40:54,336 --> 00:40:55,235 COME ON. 792 00:40:55,337 --> 00:40:57,570 YOU STRUCK YOUR LAWFULLY WEDDED HUSBAND 793 00:40:57,672 --> 00:40:59,205 ON ARMISTICE-TIS DAY. 794 00:40:59,307 --> 00:41:01,274 I'LL STRIKE YOU AGAIN WITH A POKER IN A MINUTE. 795 00:41:01,376 --> 00:41:02,475 GERTIE, LUV... 796 00:41:02,577 --> 00:41:05,678 TAKING A 6-MONTH-OLD BABY ON A PUB CRAWL. 797 00:41:05,780 --> 00:41:07,680 POOR LITTLE PAMELA. 798 00:41:07,782 --> 00:41:10,550 YOU DON'T DESERVE TO HAVE CHILDREN! YOU'RE AN ANIMAL! 799 00:41:10,652 --> 00:41:13,987 A STUPID, DIMWITTED, BOOZY, BOWLEGGED BABOON! 800 00:41:14,089 --> 00:41:16,456 THERE'S A SPECIAL WORD FOR YOUR KIND, JACK ROPER. 801 00:41:16,558 --> 00:41:19,425 IF IT WASN'T THAT I DIDN'T WANT MY BABY TO HEAR IT, I'D USE IT! 802 00:41:19,528 --> 00:41:22,228 NOW, GET OUT OF HERE BEFORE I REALLY LOSE MY TEMPER! 803 00:41:22,330 --> 00:41:24,497 [PAMELA CRYING] 804 00:41:26,468 --> 00:41:28,067 SH-SHE'S WET. 805 00:41:30,338 --> 00:41:31,571 AAH... 806 00:41:31,673 --> 00:41:34,140 EVER SINCE THEY PUT YOU BACK IN THE CHORUS, 807 00:41:34,242 --> 00:41:36,809 THERE'S BEEN NOTHING BUT BELLYACHING! 808 00:41:36,912 --> 00:41:39,579 I'LL GIVE YOU BELLYACHING! NOW, YOU LISTEN TO ME! 809 00:41:39,681 --> 00:41:41,781 I PUT UP WITH YOUR DRINKING AND YOUR MOANING, 810 00:41:41,883 --> 00:41:43,883 BUT I WILL NOT PUT UP WITH YOUR TAKING MY BABY 811 00:41:43,985 --> 00:41:45,451 'ROUND THE BOOZERS. 812 00:41:45,554 --> 00:41:47,453 SHE COULD'VE CAUGHT HER DEATH AND YOU'D NEVER HAVE NOTICED 813 00:41:47,556 --> 00:41:49,756 'CAUSE YOU HAD YOUR HEAD STUCK IN A DOUBLE WHISKEY! 814 00:41:49,858 --> 00:41:52,625 YOU SHOULD BE ASHAMED. I'LL NEVER FORGIVE YOU. 815 00:41:52,727 --> 00:41:53,626 WELL, GERTRUDE-- 816 00:41:53,728 --> 00:41:56,095 NOW, DON'T YOU SAY ONE MORE WORD, 817 00:41:56,198 --> 00:41:57,864 NOT ONE MORE RUDDY WORD! 818 00:41:57,966 --> 00:42:00,500 I HAVE NOTHING TO SAY, MY LORD. 819 00:42:00,602 --> 00:42:01,601 VERY WELL. 820 00:42:01,703 --> 00:42:04,537 I, THEREFORE, PRONOUNCE THE DIVORCE GRANTED. 821 00:42:04,639 --> 00:42:06,539 DECREE NISI. 822 00:42:06,641 --> 00:42:09,676 MRS. ROPER TO HAVE CUSTODY OF THE CHILD, 823 00:42:09,778 --> 00:42:12,779 MR. ROPER TO HAVE REASONABLE ACCESS. 824 00:42:26,561 --> 00:42:28,928 WHEW. GOOD EVENING, DAN. 825 00:42:29,030 --> 00:42:30,230 GOOD EVENING, SIR. 826 00:42:30,332 --> 00:42:31,631 MISS LAWRENCE, PLEASE. 827 00:42:31,733 --> 00:42:34,067 OH, I'M SORRY, SIR ANTHONY, 828 00:42:34,169 --> 00:42:36,769 BUT NOBODY'S ALLOWED BACKSTAGE DURING THE INTERVAL. 829 00:42:36,871 --> 00:42:39,138 DAN, I'VE BEEN STATIONED IN GERMANY FOR THE LAST YEAR, 830 00:42:39,241 --> 00:42:41,207 AND NOW I INTEND TO ENJOY MYSELF, 831 00:42:41,309 --> 00:42:43,443 SO WHERE IS MISS LAWRENCE'S DRESSING ROOM? 832 00:42:43,545 --> 00:42:45,545 ON YOUR OWN HEAD BE IT, SIR. 833 00:42:45,647 --> 00:42:48,114 IT'S THE SECOND DOOR ON YOUR RIGHT. 834 00:42:48,216 --> 00:42:49,382 THANK YOU. 835 00:42:51,853 --> 00:42:53,720 GOOD HUNTING, SIR. 836 00:43:00,562 --> 00:43:02,629 COME IN. 837 00:43:02,731 --> 00:43:04,097 MISS LAWRENCE-- 838 00:43:05,634 --> 00:43:07,667 OH, NO. 839 00:43:07,769 --> 00:43:09,836 WE'RE QUITE TAME, DEAR, 840 00:43:09,938 --> 00:43:11,804 BUT HAVE A GOOD BUTCHER'S. 841 00:43:11,906 --> 00:43:13,239 I BEG YOUR PARDON? 842 00:43:13,341 --> 00:43:15,308 "BUTCHER'S HOOK"--LOOK. 843 00:43:15,410 --> 00:43:16,542 [CHUCKLING] 844 00:43:16,645 --> 00:43:17,644 OH. 845 00:43:17,746 --> 00:43:21,147 I-I'M SO SORRY. 846 00:43:21,249 --> 00:43:23,082 THREE MINUTES, LADIES... 847 00:43:23,184 --> 00:43:24,350 AND GENTS. 848 00:43:24,452 --> 00:43:27,487 [LAUGHING] 849 00:43:27,589 --> 00:43:31,524 I, UH, I THOUGHT THIS WAS MISS LAWRENCE'S DRESSING ROOM. 850 00:43:31,626 --> 00:43:33,860 WELL, IT'S NOT THE QUEEN'S BOUDOIR, LUV. 851 00:43:36,331 --> 00:43:38,097 OH, IT'S YOU. 852 00:43:38,199 --> 00:43:39,465 WHAT? 853 00:43:39,567 --> 00:43:41,601 IT IS HARD TO TELL ONE FOX FROM ANOTHER, ISN'T IT? 854 00:43:41,703 --> 00:43:45,171 YES. I THOUGHT YOU'D HAVE A ROOM TO YOURSELF. 855 00:43:45,273 --> 00:43:47,273 OH, IN THE CHORUS, WE SHARE EVERYTHING. 856 00:43:47,375 --> 00:43:48,708 OH. WELL, I-- 857 00:43:48,810 --> 00:43:49,909 ALSO THE FLOWERS. 858 00:43:50,011 --> 00:43:51,244 [WHISTLES] 859 00:43:51,346 --> 00:43:52,445 THANK YOU. 860 00:43:52,547 --> 00:43:54,580 I MEANT TO COME AND SEE YOU AGES AGO, 861 00:43:54,683 --> 00:43:56,983 BUT I'VE BEEN OCCUPYING GERMANY FOR THE LAST YEAR. 862 00:43:57,085 --> 00:43:59,018 OH, HOW VERY UNCOMFY. 863 00:43:59,120 --> 00:44:00,053 PARDON. 864 00:44:00,155 --> 00:44:01,954 MAKE HIM BUY YOU CHAMPAGNE, GERTIE. 865 00:44:02,057 --> 00:44:04,557 I SAW THE REVUE AGAIN BEFORE I LEFT. 866 00:44:04,659 --> 00:44:05,558 OH, YES? 867 00:44:05,660 --> 00:44:06,559 YES. 868 00:44:06,661 --> 00:44:07,593 SORRY. 869 00:44:07,696 --> 00:44:09,162 PARDON. 870 00:44:09,264 --> 00:44:10,763 WHEN YOU SANG BURLINGTON BERTIE, 871 00:44:10,865 --> 00:44:13,700 I'VE NEVER ENJOYED MYSELF IN THE THEATRE SO MUCH. 872 00:44:13,835 --> 00:44:16,536 YOU SAW IT THEN? YOU SAW ME? YES. 873 00:44:16,638 --> 00:44:19,372 NO ONE'S GONNA SEE YOU TONIGHT IF YOU DON'T GET A WRIGGLE ON. 874 00:44:19,474 --> 00:44:21,407 WELL, THEN... 875 00:44:21,509 --> 00:44:23,643 I'D LIKE TO APOLOGIZE FOR WHAT I SAID THAT FIRST TIME-- 876 00:44:23,745 --> 00:44:25,311 OH, THINK NOTHING OF IT. 877 00:44:25,413 --> 00:44:27,113 BEG PARDON, YOUR LORDSHIP. 878 00:44:27,215 --> 00:44:28,448 I WONDERED IF YOU'D CARE 879 00:44:28,550 --> 00:44:31,117 TO HAVE DINNER WITH ME ONE EVENING. 880 00:44:31,219 --> 00:44:33,286 JUST TO APOLOGIZE? MIND MY RUDDY TAIL! 881 00:44:33,388 --> 00:44:34,754 SORRY, YOUR LADYSHIP. 882 00:44:34,856 --> 00:44:37,457 WELL, I DON'T KNOW IF I CAN MANAGE IT. 883 00:44:37,559 --> 00:44:39,926 I DON'T USUALLY GO OUT ALONE WITH STRANGERS. 884 00:44:40,028 --> 00:44:42,795 OH, DON'T BE COY. IT REALLY DOESN'T SUIT YOU. 885 00:44:42,897 --> 00:44:45,898 HEY, GET MOVING, GERTIE. YOU HAVEN'T GOT ALL NIGHT. 886 00:44:46,000 --> 00:44:48,901 ANY MORE OF THAT AND YOU'LL GET A BELT 'ROUND THE LUG 'OLE! 887 00:44:49,003 --> 00:44:51,971 WHEN I NEED YOU TO TEACH ME HOW TO BEHAVE, I'LL LET YOU KNOW. 888 00:44:52,073 --> 00:44:53,906 IT'S IMPOSSIBLE TO TEACH ANYTHING 889 00:44:54,008 --> 00:44:56,476 TO SOMEONE WHO ALREADY POSSESSES ALL THE GIFTS, 890 00:44:56,578 --> 00:44:58,945 EXCEPT, PERHAPS, HOW TO MAKE THE BEST OF THEM. 891 00:45:01,516 --> 00:45:02,782 WELL, SHALL WE SAY SUNDAY? 892 00:45:02,884 --> 00:45:05,385 AND, OF COURSE, NOT ALONE. 893 00:45:07,989 --> 00:45:09,088 MISS LAWRENCE. 894 00:45:09,190 --> 00:45:10,423 WHAT? 895 00:45:10,525 --> 00:45:12,358 HAVE A BUTCHER'S. 896 00:45:12,460 --> 00:45:13,426 OOH. 897 00:45:13,528 --> 00:45:15,428 YOUR "RUDDY" TAIL! 898 00:45:21,669 --> 00:45:23,970 THERE WAS THE MOST GOD-AWFUL SILENCE 899 00:45:24,072 --> 00:45:25,705 'CAUSE THE CURTAIN GOT STUCK, YOU SEE? 900 00:45:25,807 --> 00:45:28,174 IT WORKED LIKE THIS. AS SOON AS I GOT ONSTAGE, 901 00:45:28,276 --> 00:45:29,675 MY SKIRT USED TO FALL OFF 902 00:45:29,778 --> 00:45:31,210 SO THE AUDIENCE COULD SEE MY KNICKERS. 903 00:45:31,312 --> 00:45:34,580 AND I WOULD SAY, "ALAS, I AM UNDONE!" 904 00:45:34,682 --> 00:45:36,249 HA HA HA HA! 905 00:45:36,351 --> 00:45:38,084 WASN'T IT SILLY? 906 00:45:38,186 --> 00:45:40,787 I HATE TO DRAG YOU AWAY FROM THE MEN, MISS LAWRENCE, 907 00:45:40,889 --> 00:45:42,789 BUT I'M SURE YOU'D LIKE 908 00:45:42,891 --> 00:45:45,792 TO COME UPSTAIRS WITH THE LADIES. 909 00:45:45,894 --> 00:45:48,795 NO, THANKS, DUCKS. I DID IT BEFORE I COME OUT. 910 00:46:10,485 --> 00:46:12,618 GIVE HER SOME WARM MILK IF SHE WAKES UP. 911 00:46:12,720 --> 00:46:14,020 I SHAN'T BE LATE. 912 00:46:14,122 --> 00:46:15,321 YES, MA'AM. HERE YOU ARE, LUV. 913 00:46:15,423 --> 00:46:18,224 STEADY ON, DARLING. IT'S ME BEST DRESS. 914 00:46:18,326 --> 00:46:19,225 [CRYING] 915 00:46:19,327 --> 00:46:20,960 OH, SWEETHEART. 916 00:46:21,062 --> 00:46:22,895 GOOD NIGHT, DARLING. 917 00:46:26,201 --> 00:46:28,267 SHE'LL BE ALL RIGHT IN A MINUTE. 918 00:46:28,369 --> 00:46:31,137 I SHOULDN'T GO GALLIVANTIN' ANYWHERE TONIGHT. 919 00:46:31,239 --> 00:46:32,405 WHY NOT? 920 00:46:32,507 --> 00:46:34,807 I HAVE THIS COLD, AND CHARLOT SAID 921 00:46:34,909 --> 00:46:37,243 I NEEDN'T APPEAR AT THE THEATRE THIS WEEK, BUT-- 922 00:46:37,345 --> 00:46:38,911 THAT DRESS. 923 00:46:39,013 --> 00:46:40,580 WHAT ABOUT IT? 924 00:46:40,682 --> 00:46:42,882 YOU'RE GOING TO TAKE IT OFF AND NEVER PUT IT ON AGAIN. 925 00:46:42,984 --> 00:46:44,484 LOOK HERE, I'M NOT GONNA DO NO STRIPPIN'. 926 00:46:44,586 --> 00:46:46,519 I'M NOT GOING TO DO ANY STRIPPING. 927 00:46:46,621 --> 00:46:48,521 I SHOULD BLOODY WELL HOPE NOT. 928 00:46:48,623 --> 00:46:51,057 THE TIME HAS COME TO VISIT JULIAN BROOKE-TAYLOR. 929 00:46:51,159 --> 00:46:52,458 YOU HAVING ME ON? 930 00:46:52,560 --> 00:46:53,893 NO, THERE'S NOT ANOTHER MOMENT TO BE LOST. 931 00:46:53,995 --> 00:46:55,461 [GASP] 932 00:47:07,041 --> 00:47:08,541 GOOD EVENING, SIR ANTHONY. 933 00:47:08,643 --> 00:47:09,942 WELCOME TO CESARE'S. 934 00:47:10,044 --> 00:47:11,611 THANK YOU, CESARE. 935 00:47:11,713 --> 00:47:13,546 THIS IS MISS GERTRUDE LAWRENCE. 936 00:47:13,648 --> 00:47:15,281 SHE'S IN THE CHARLOT REVUE. 937 00:47:15,383 --> 00:47:17,316 PRIVILEGED TO MEET YOU, MISS LAWRENCE. 938 00:47:17,418 --> 00:47:20,019 MAY I SAY, WHAT A VERY BEAUTIFUL GOWN. 939 00:47:20,121 --> 00:47:21,487 OH, IT IS RATHER NICE-- 940 00:47:21,589 --> 00:47:23,422 UH, DIVINE, ISN'T IT? THANK YOU. 941 00:47:23,525 --> 00:47:26,092 I ENJOYED YOUR SHOW VERY MUCH, MISS LAWRENCE. 942 00:47:26,194 --> 00:47:28,427 IT IS A PITY YOU HAVE LEFT IT. 943 00:47:28,530 --> 00:47:31,063 WELL, I'M JUST RESTING FOR A FEW DAYS. 944 00:47:31,165 --> 00:47:32,498 A SLIGHT COLD, YOU KNOW. 945 00:47:32,600 --> 00:47:35,101 PERHAPS ONE DAY, YOU WILL DO ME THE HONOR 946 00:47:35,203 --> 00:47:36,269 OF SINGING IN MY CLUB. 947 00:47:36,371 --> 00:47:37,637 I'D SIMPLY LOVE TO, 948 00:47:37,739 --> 00:47:39,739 BUT IT'S QUITE IMPOSSIBLE AT THE MOMENT. 949 00:47:39,841 --> 00:47:41,574 HOWEVER, I PROMISE TO LET YOU KNOW 950 00:47:41,676 --> 00:47:43,409 IF I EVER HAVE ANY FREE TIME. 951 00:47:47,782 --> 00:47:50,783 WHICH MAY BE MUCH SOONER THAN I THOUGHT. 952 00:47:52,654 --> 00:47:54,287 I'M SORRY, MISS. 953 00:47:54,389 --> 00:47:56,188 I CAN'T LET YOU IN. MR. CHARLOT'S ORDERS. 954 00:47:56,291 --> 00:47:58,591 "IF YOU ARE WELL ENOUGH TO GO OUT TO DINNER, 955 00:47:58,693 --> 00:48:00,593 YOU ARE WELL ENOUGH TO APPEAR AT MY THEATRE." 956 00:48:00,695 --> 00:48:03,195 HOW DARE HE! HE CAN'T FIRE ME! 957 00:48:03,298 --> 00:48:05,031 HE CAN AND HE HAS, MISS LAWRENCE. 958 00:48:05,133 --> 00:48:07,900 THAT PUFFED-UP FRENCHMAN! 959 00:48:08,002 --> 00:48:11,370 I'LL SHOW HIM AND HIS CRUMMY CHORUS! 960 00:48:11,472 --> 00:48:13,773 SO YOU SEE, CESARE, YOU'RE A VERY LUCKY MAN. 961 00:48:13,875 --> 00:48:15,074 YES, MISS LAWRENCE. 962 00:48:15,176 --> 00:48:17,076 I MUST INSIST ON SOLO STAR BILLING, 963 00:48:17,178 --> 00:48:19,579 AN EXTRA DRESSING ROOM FOR ENTERTAINING MY FRIENDS. 964 00:48:19,681 --> 00:48:22,181 YOU'LL PAY ALL EXPENSES. THAT'S NO PROBLEM, IS IT? 965 00:48:22,283 --> 00:48:23,683 NO, MISS LAWRENCE. 966 00:48:23,785 --> 00:48:26,252 I WOULD LIKE A WEEK'S REST AND A FEW DAYS' REHEARSAL. 967 00:48:26,354 --> 00:48:28,588 I SUPPOSE I COULD START IN ABOUT A FORTNIGHT. 968 00:48:28,690 --> 00:48:30,022 BUT, MISS LAWRENCE-- 969 00:48:30,124 --> 00:48:31,591 NOT A DAY SOONER. 970 00:48:31,693 --> 00:48:33,659 MISS LAWRENCE... YES? 971 00:48:33,761 --> 00:48:36,429 UNFORTUNATELY, IT WILL BE MUCH LATER. 972 00:48:36,531 --> 00:48:37,930 WHAT DO YOU MEAN? 973 00:48:38,032 --> 00:48:40,600 MY PRESENT SHOW IS BOOKED FOR THREE MONTHS. 974 00:48:41,836 --> 00:48:43,636 OH, CRIPES! 975 00:48:43,738 --> 00:48:45,771 WHAT THE 'ELL AM I GONNA DO? 976 00:48:50,912 --> 00:48:53,646 AND NOW WINGS OF NIGHT... 977 00:48:53,748 --> 00:48:57,583 AN ALLURING GOWN OF GLISTENING FEATHERS, 978 00:48:57,685 --> 00:49:01,287 APPLIQUÉD ON SWEEPING GRAY TULLE. 979 00:49:01,389 --> 00:49:03,689 A TRAILING SCARF OF LACQUER RED 980 00:49:03,791 --> 00:49:08,194 COMPLETES THIS OH-SO-DRAMATIC ATTENTION-GETTER. 981 00:49:09,998 --> 00:49:11,897 CHINOISERIE... 982 00:49:12,000 --> 00:49:13,566 AN IMPERIAL LAVENDER 983 00:49:13,668 --> 00:49:16,736 AND IVORY TAPESTRY BROCADE COAT, 984 00:49:16,838 --> 00:49:21,607 INSPIRED BY THE ORIENT AND BORDERED IN SABLE, 985 00:49:21,709 --> 00:49:25,277 WORN OVER A PLEATED TIERED GOWN 986 00:49:25,380 --> 00:49:28,948 IN TONES OF LAVENDER AND MAUVE. 987 00:49:29,050 --> 00:49:31,817 PAGODA... 988 00:49:31,919 --> 00:49:36,055 ANOTHER GOWN OF FAR-EASTERN INSPIRATION. 989 00:49:37,158 --> 00:49:38,758 VIOLET SATIN 990 00:49:38,860 --> 00:49:41,794 HEAVILY ENCRUSTED WITH EMBROIDERY OF GOLD, 991 00:49:41,896 --> 00:49:44,730 AMETHYST, AND TOPAZ. 992 00:49:46,868 --> 00:49:48,801 ARABIAN FIRE... 993 00:49:48,903 --> 00:49:52,638 A RAVISHING GOLD AND BLUE BROCADE 994 00:49:52,740 --> 00:49:56,509 BORDERED IN GOLD-SEQUINED FLAMES. 995 00:49:56,611 --> 00:49:59,745 FOR THE MOST FORMAL OF EMBASSY BALLS. 996 00:49:59,847 --> 00:50:03,015 NATURALLY, THE SCARF MAY BE REMOVED FOR DANCING. 997 00:50:05,053 --> 00:50:08,754 UNDER AN EVENING COAT OF BRONZE MOIRE, 998 00:50:08,856 --> 00:50:11,624 A BOIS DE ROSE VELVET GOWN 999 00:50:11,726 --> 00:50:15,528 MR. BROOKE-TAYLOR NAMED HARLEM. 1000 00:50:15,630 --> 00:50:18,330 BORDERED IN A TULIP EMBROIDERY 1001 00:50:18,433 --> 00:50:23,102 OF BAROQUE PEARLS AND CRYSTAL. 1002 00:50:23,204 --> 00:50:25,771 AND NOW THE FINALE OF THE COLLECTION-- 1003 00:50:25,873 --> 00:50:27,840 STARLIT NIGHT. 1004 00:50:30,411 --> 00:50:33,846 THIS LOVELY LUXURIOUS SINGLE-SLEEVE VELVET CAPE 1005 00:50:33,948 --> 00:50:37,083 IS PAVED WITH SPIRALING STARS. 1006 00:50:37,185 --> 00:50:41,654 THE BOBBED HAIR--SO NEW. ANOTHER INNOVATION. 1007 00:50:45,860 --> 00:50:48,327 BROOKE-TAYLOR NOW INTRODUCES TO US 1008 00:50:48,429 --> 00:50:52,331 GLISTENING, SHIMMERING, OH-SO-FORMAL 1009 00:50:52,433 --> 00:50:54,934 EVENING PAJAMAS. 1010 00:51:07,415 --> 00:51:09,115 GERTRUDE LAWRENCE WAS INTRODUCED 1011 00:51:09,217 --> 00:51:11,717 TO THE FADS AND FASHIONS OF CRAZY POST-WAR ENGLAND 1012 00:51:11,819 --> 00:51:14,453 OF THE EARLY '20s BY SIR ANTHONY SPENCER. 1013 00:51:14,555 --> 00:51:16,455 SHE PROVED TO BE AN APT PUPIL. 1014 00:51:16,557 --> 00:51:18,924 SHE DEFIED CONVENTION 1015 00:51:19,026 --> 00:51:22,328 AND OCCASIONALLY EVEN THE LAWS OF GRAVITY. 1016 00:51:22,430 --> 00:51:24,797 CHAMPAGNE, OF COURSE, ALWAYS DOES TASTE BETTER 1017 00:51:24,899 --> 00:51:26,599 AT HIGH ALTITUDES. 1018 00:51:28,302 --> 00:51:30,336 SHE MOVED FASTER THAN MOST 1019 00:51:30,438 --> 00:51:31,937 AND ENJOYED TO THE FULL 1020 00:51:32,039 --> 00:51:33,773 THE FRUITS OF EACH AND EVERY CONQUEST, 1021 00:51:33,875 --> 00:51:36,475 WHETHER IT WAS AT BROOKLAND'S RACE TRACK 1022 00:51:36,577 --> 00:51:38,144 OR AT A GARDEN PARTY 1023 00:51:38,246 --> 00:51:40,412 ON THE LAWNS OF BUCKINGHAM PALACE. 1024 00:51:45,052 --> 00:51:46,585 SQUIRED BY SIR ANTHONY, 1025 00:51:46,687 --> 00:51:49,288 THE GIRL FROM CLAPHAM MET THE HIGHEST IN THE LAND 1026 00:51:49,390 --> 00:51:52,391 AND LEARNED TO WALK WITH PRINCES. 1027 00:51:57,965 --> 00:52:00,599 SHE GRADUALLY ACQUIRED AN ELEGANCE AND DIGNITY 1028 00:52:00,701 --> 00:52:02,535 THAT BROUGHT NEW LIFE TO STATE OCCASIONS 1029 00:52:02,637 --> 00:52:04,036 AND STAID PALACES. 1030 00:52:04,138 --> 00:52:07,306 ST. JAMES, SCENE OF SO MANY ROYAL PROCLAMATIONS, 1031 00:52:07,408 --> 00:52:09,308 WELCOMED ONE OF THE UNCROWNED QUEENS 1032 00:52:09,410 --> 00:52:11,977 OF LONDON SOCIETY. 1033 00:52:15,483 --> 00:52:16,782 WHAT'S THE MATTER? 1034 00:52:16,884 --> 00:52:18,017 NOTHING. 1035 00:52:18,119 --> 00:52:20,419 YOU HAVEN'T SPOKEN FOR 2 1/2 MINUTES. 1036 00:52:20,521 --> 00:52:22,688 SOMETHING MUST BE SERIOUSLY WRONG. 1037 00:52:22,790 --> 00:52:24,757 IT SOUNDS RIDICULOUS. 1038 00:52:24,859 --> 00:52:26,926 I SEEM TO BE RUNNING ALL THE TIME 1039 00:52:27,028 --> 00:52:28,561 AND NOT GETTING ANYWHERE. 1040 00:52:28,663 --> 00:52:29,695 ENJOY IT. 1041 00:52:29,797 --> 00:52:32,231 YOU'RE THE GLITTERING DARLING OF SOCIETY. 1042 00:52:32,333 --> 00:52:34,867 NONE OF IT MEANS A DAMN THING. 1043 00:52:34,969 --> 00:52:36,769 I'M IN SUCH A MUDDLE. 1044 00:52:36,871 --> 00:52:38,204 MEA CULPA. 1045 00:52:38,306 --> 00:52:39,405 WHO? 1046 00:52:39,507 --> 00:52:40,940 LATIN FOR "MY FAULT." 1047 00:52:41,042 --> 00:52:42,741 NO, IT'S NOT. 1048 00:52:42,844 --> 00:52:46,345 YOU'RE PATIENT, KIND, AND WONDERFUL. 1049 00:52:46,414 --> 00:52:48,347 NO, IT'S ME. I FEEL... 1050 00:52:48,449 --> 00:52:50,382 I DON'T KNOW. SORT OF UNREAL. 1051 00:52:50,484 --> 00:52:52,785 THE GENERAL OPINION IS THAT YOU GAVE THE PALACE 1052 00:52:52,887 --> 00:52:55,454 ITS HEALTHIEST WHIFF OF REALITY SINCE NELL GWYN. 1053 00:52:55,556 --> 00:52:57,223 IT'S THAT BLOODY CHARLOT. 1054 00:52:57,325 --> 00:52:59,925 HE'S KEEPING ME OUT OF THE THEATRE. 1055 00:53:00,027 --> 00:53:02,561 I SEE. DO YOU? 1056 00:53:02,663 --> 00:53:05,397 ONE PERSON ISN'T ENOUGH OF A CHALLENGE. 1057 00:53:05,499 --> 00:53:10,102 YOU NEED TO CONQUER ABOUT 1,500 AT A TIME. 1058 00:53:10,204 --> 00:53:12,571 YOU KNOW ME FAR TOO WELL. DON'T LAUGH AT ME. 1059 00:53:12,673 --> 00:53:14,707 MAY I COME IN? 1060 00:53:14,809 --> 00:53:16,876 NO, LUV. IT'S LATE AND I'M TIRED. 1061 00:53:22,149 --> 00:53:23,249 COME HERE. 1062 00:53:26,153 --> 00:53:28,921 I'M SORRY TO BE SUCH AN UNGRATEFUL BORE. 1063 00:53:30,992 --> 00:53:33,592 IT'S JUST THAT I'M AN ACTRESS WITHOUT A JOB. 1064 00:53:34,695 --> 00:53:36,061 GOOD NIGHT, LUV. 1065 00:53:36,163 --> 00:53:37,363 GOOD NIGHT. 1066 00:53:44,572 --> 00:53:46,538 [PIANO PLAYING] 1067 00:53:46,641 --> 00:53:49,141 "UNDERSTAND NOEL COWARD STARRING IN YOUR NEW SHOW 1068 00:53:49,243 --> 00:53:50,743 "LONDON CALLING. 1069 00:53:50,845 --> 00:53:54,213 "CONGRATULATIONS ON SEEING THE LIGHT AT LAST. 1070 00:53:54,315 --> 00:53:57,283 SINCERELY, ARCHBISHOP OF CANTERBURY." 1071 00:53:57,385 --> 00:53:59,485 OHH. 1072 00:53:59,587 --> 00:54:02,554 "NOEL COWARD IS A MUSICAL GENIUS." 1073 00:54:03,824 --> 00:54:04,924 "I SHOULD KNOW. 1074 00:54:05,026 --> 00:54:08,460 SINCERELY, SERGEI RACHMANINOFF." 1075 00:54:10,364 --> 00:54:11,997 MY DEAR NOEL, 1076 00:54:12,099 --> 00:54:15,000 IF YOU ARE GOING TO SEND SUCH TELEGRAMS, 1077 00:54:15,102 --> 00:54:17,803 YOU REALLY SHOULD LEARN HOW TO SPELL "RACHMANINOFF." 1078 00:54:17,905 --> 00:54:19,405 [CHUCKLES] 1079 00:54:19,507 --> 00:54:20,773 MY DEAR MR. CHARLOT, 1080 00:54:20,875 --> 00:54:23,309 YOU WILL REDECORATE THE STAR DRESSING ROOM, WON'T YOU? 1081 00:54:23,411 --> 00:54:25,744 I DO SO ABOMINATE BEIGE. 1082 00:54:25,846 --> 00:54:28,514 MOST CORDIALLY, NOEL COWARD. 1083 00:54:34,221 --> 00:54:37,790 ♪ PARISIAN PIERROT ♪ 1084 00:54:37,892 --> 00:54:40,993 ♪ SOCIETY'S HERO ♪ 1085 00:54:41,095 --> 00:54:42,695 ♪ THE LORD OF A DAY ♪ 1086 00:54:42,797 --> 00:54:44,697 ♪ THE RUE DE LA PAIX ♪ 1087 00:54:44,799 --> 00:54:48,600 ♪ IS UNDER YOUR SWAY ♪ 1088 00:54:50,204 --> 00:54:52,404 I WROTE IT FOR GERTIE, YOU KNOW. 1089 00:54:52,506 --> 00:54:53,872 PAH. 1090 00:54:53,975 --> 00:54:55,107 YOU COULD GET HER BACK. 1091 00:54:55,209 --> 00:54:56,575 SHE DESERVED TO BE SACKED. 1092 00:54:56,677 --> 00:54:58,043 SHE NEEDED TO BE TAUGHT A LESSON. 1093 00:55:01,849 --> 00:55:03,415 WHERE IS SHE? 1094 00:55:42,590 --> 00:55:45,190 ♪ HA HA HA ♪ 1095 00:56:06,781 --> 00:56:10,749 ♪ PARISIAN PIERROT ♪ 1096 00:56:10,851 --> 00:56:14,119 ♪ SOCIETY'S HERO ♪ 1097 00:56:14,221 --> 00:56:16,321 ♪ THE LORD OF A DAY ♪ 1098 00:56:16,424 --> 00:56:18,157 ♪ THE RUE DE LA PAIX ♪ 1099 00:56:18,259 --> 00:56:21,660 ♪ IS UNDER YOUR SWAY ♪ 1100 00:56:21,762 --> 00:56:25,431 ♪ THE WORLD MAY FLATTER ♪ 1101 00:56:25,533 --> 00:56:28,834 ♪ BUT WHAT DOES THAT MATTER? ♪ 1102 00:56:28,936 --> 00:56:32,671 ♪ THEY'LL NEVER SHATTER ♪ 1103 00:56:32,773 --> 00:56:36,642 ♪ YOUR GLOOM PROFOUND ♪ 1104 00:56:36,744 --> 00:56:40,212 ♪ PARISIAN PIERROT ♪ 1105 00:56:40,314 --> 00:56:43,882 ♪ YOUR SPIRIT'S AT ZERO ♪ 1106 00:56:43,984 --> 00:56:45,951 ♪ DIVINELY FORLORN ♪ 1107 00:56:46,053 --> 00:56:47,886 ♪ WITH EXQUISITE SCORN ♪ 1108 00:56:47,988 --> 00:56:51,623 ♪ FROM SUNSET TO DAWN ♪ 1109 00:56:51,725 --> 00:56:55,561 ♪ THE LIMBO IS CALLING ♪ 1110 00:56:55,663 --> 00:56:59,131 ♪ YOUR STAR WILL BE FALLING ♪ 1111 00:56:59,233 --> 00:57:02,568 ♪ AS SOON AS THE CLOCK ♪ 1112 00:57:02,670 --> 00:57:06,472 ♪ GOES ROUND ♪ 1113 00:57:20,254 --> 00:57:24,456 ♪ PARISIAN PIERROT ♪ 1114 00:57:24,558 --> 00:57:28,560 ♪ YOUR SPIRIT'S AT ZERO ♪ 1115 00:57:28,662 --> 00:57:30,629 ♪ DIVINELY FORLORN ♪ 1116 00:57:30,731 --> 00:57:32,898 ♪ WITH EXQUISITE SCORN ♪ 1117 00:57:33,000 --> 00:57:37,169 ♪ FROM SUNSET TO DAWN ♪ 1118 00:57:37,271 --> 00:57:41,306 ♪ THE LIMBO IS CALLING ♪ 1119 00:57:41,408 --> 00:57:45,911 ♪ YOUR STAR WILL BE FALLING ♪ 1120 00:57:46,013 --> 00:57:50,382 ♪ AS SOON AS THE CLOCK ♪ 1121 00:57:50,484 --> 00:57:57,656 ♪ GOES ROUND ♪♪ 1122 00:58:16,043 --> 00:58:19,811 [APPLAUSE] 1123 00:58:27,788 --> 00:58:29,788 IS THE PARTY OVER, MR. CHARLOT? 1124 00:58:29,890 --> 00:58:32,758 2:00. QUITE LATE ENOUGH FOR ME. 1125 00:58:32,860 --> 00:58:34,760 OH, GOODY. IT'S ON TIME! 1126 00:58:34,862 --> 00:58:36,195 EVERYBODY ON BOARD! 1127 00:58:36,297 --> 00:58:38,063 YOU'VE HIRED THAT EXTRAORDINARY VEHICLE? 1128 00:58:38,165 --> 00:58:40,365 HOW ELSE COULD I GET EVERYONE TO MAIDENHEAD? 1129 00:58:40,467 --> 00:58:41,366 MAIDENHEAD? 1130 00:58:41,468 --> 00:58:44,303 COME ON. COME ON. IT'LL BE FUN! 1131 00:58:44,405 --> 00:58:46,305 IF THIS IS YOUR IDEA OF A JOKE, 1132 00:58:46,407 --> 00:58:48,106 IT'S NOT VERY FUNNY. 1133 00:58:48,209 --> 00:58:51,176 [HORN BLOWING] 1134 00:58:57,851 --> 00:59:01,453 TALLY-HO! 1135 00:59:01,555 --> 00:59:05,324 IS THIS WHAT THE POOR PEOPLE RIDE? 1136 00:59:05,426 --> 00:59:08,193 OH, I'M BRILLIANT, JUST BLOODY BRILLIANT! 1137 00:59:08,295 --> 00:59:10,495 WHOO! 1138 00:59:10,598 --> 00:59:13,131 GERTIE HAS THE JOLLIEST IDEAS. 1139 00:59:13,234 --> 00:59:14,166 WAITER, I'M THIRSTY. 1140 00:59:14,268 --> 00:59:16,602 ANDRÉ DOESN'T LOOK TOO HAPPY. 1141 00:59:16,704 --> 00:59:18,470 GIVE MY FRIEND A DRINK. 1142 00:59:18,572 --> 00:59:19,838 ANDRÉ, IT'S A PARTY. 1143 00:59:19,940 --> 00:59:22,474 I'M HAVING A WONDERFUL TIME. 1144 00:59:25,846 --> 00:59:28,080 ALL RIGHT. OPEN YOUR PRESENTS, EVERYONE. 1145 00:59:28,182 --> 00:59:30,816 OPEN YOUR PRESENTS! 1146 00:59:30,918 --> 00:59:33,118 ALL RIGHT. HERE THEY ARE. 1147 00:59:41,795 --> 00:59:43,629 OH, THEY'RE BATHING COSTUMES. 1148 00:59:43,731 --> 00:59:45,631 HOW CLEVER OF GERTIE. 1149 00:59:45,733 --> 00:59:47,766 OH! MON DIEU! 1150 00:59:49,103 --> 00:59:50,569 ALL CHANGE PLACES, EVERYONE. 1151 00:59:50,671 --> 00:59:53,872 LADIES ON THE LOWER DECK, GENTLEMEN UP ON THE TOP. 1152 01:00:00,447 --> 01:00:01,346 HANG ON. 1153 01:00:01,448 --> 01:00:03,649 UNDRESSING ON A BUS. DIVINE! 1154 01:00:11,058 --> 01:00:12,224 FETCH, DEAR. 1155 01:00:12,326 --> 01:00:14,226 I FEEL LIKE EVE WITH ADAM! 1156 01:00:14,328 --> 01:00:16,862 HOW CAN I CHANGE WITHOUT MY MAID? 1157 01:00:24,471 --> 01:00:26,371 DID YOU SEE THAT, GEORGE? 1158 01:00:26,473 --> 01:00:27,439 YES. 1159 01:00:27,541 --> 01:00:28,774 A LONDON BUS. 1160 01:00:28,876 --> 01:00:30,108 YES. 1161 01:00:30,210 --> 01:00:32,477 THERE WAS NAKED MEN UP TOP. 1162 01:00:32,579 --> 01:00:34,246 YES. 1163 01:00:34,348 --> 01:00:36,315 NAKED WOMEN DOWN BELOW. 1164 01:00:36,417 --> 01:00:38,417 YES. 1165 01:00:38,519 --> 01:00:39,785 YES. 1166 01:00:53,534 --> 01:00:56,068 I WILL NOT PUT ON ONE OF THOSE DAMN THINGS 1167 01:00:56,170 --> 01:00:58,470 AS I HAVE NO INTENTION OF SWIMMING. 1168 01:00:58,572 --> 01:01:01,473 NOR HAS ANYONE ELSE, DARLING. IT'S FAR TOO COLD. 1169 01:01:01,575 --> 01:01:04,810 THEN WE'LL DANCE INSTEAD. BACK TO THE SHORE, FRED. 1170 01:01:04,912 --> 01:01:06,311 RIGHT, MISS LAWRENCE. GEORGE? 1171 01:01:06,413 --> 01:01:07,412 YES? 1172 01:01:07,514 --> 01:01:09,281 WE'RE GOING IN. RIGHT. 1173 01:01:09,383 --> 01:01:11,083 [NOEL] AND ABOUT TIME, TOO, GERTIE. 1174 01:01:11,185 --> 01:01:14,152 TO SHORE, GEORGES. TO SHORE! 1175 01:01:14,254 --> 01:01:16,388 AAH! 1176 01:01:16,490 --> 01:01:18,256 WHOO! MAN OVERBOARD! 1177 01:01:18,359 --> 01:01:20,392 I CAN'T SWIM! 1178 01:01:20,494 --> 01:01:22,961 OOH, MY GAWD, IF HE DROWNS, I DON'T GET PAID! 1179 01:01:23,063 --> 01:01:25,764 IN YOU GO, LUV. GO ON. 1180 01:01:25,866 --> 01:01:28,333 I CAN'T SWIM! 1181 01:01:35,909 --> 01:01:37,709 [SNEEZES] 1182 01:01:44,651 --> 01:01:46,985 TROOP, HALT! 1183 01:02:08,242 --> 01:02:09,674 [SNEEZES] 1184 01:02:12,513 --> 01:02:13,979 OH. 1185 01:02:14,081 --> 01:02:16,948 IT'S ME. 1186 01:02:17,050 --> 01:02:19,017 MY GOD, I THOUGHT IT WAS A MARTIAN. 1187 01:02:19,119 --> 01:02:20,652 WHAT TIME IS IT? 1188 01:02:20,754 --> 01:02:21,953 12:00. 1189 01:02:22,055 --> 01:02:23,822 12:00? OH, GOD. 1190 01:02:23,924 --> 01:02:26,124 I'M DUE AT THE BERKELEY AT HALF PAST. 1191 01:02:26,226 --> 01:02:30,829 I DIDN'T HAVE A CHANCE TO TALK TO YOU LAST NIGHT. 1192 01:02:30,931 --> 01:02:32,898 OH, WASN'T IT A SUPER PARTY? 1193 01:02:33,000 --> 01:02:35,400 MARVELOUS. I WANT TO-- 1194 01:02:35,502 --> 01:02:37,335 PARADE'S A BIT LATE TODAY. 1195 01:02:37,438 --> 01:02:39,738 I STOPPED TO DO SOME SHOPPING. 1196 01:02:39,840 --> 01:02:40,739 [LAUGHING] 1197 01:02:40,841 --> 01:02:42,240 POOR OLD CHARLOT. 1198 01:02:42,342 --> 01:02:43,942 [SNEEZES] 1199 01:02:44,044 --> 01:02:46,645 I SAY, DARLING, THAT'S A VERY NASTY COLD. 1200 01:02:46,747 --> 01:02:48,780 WHERE DID YOU CATCH IT? 1201 01:02:48,882 --> 01:02:50,348 [SNEEZES] 1202 01:02:51,685 --> 01:02:53,652 GESUNDHEIT! 1203 01:02:53,754 --> 01:02:56,321 G... 1204 01:02:56,423 --> 01:02:57,789 MM-HMM. I'M JUST COMING, LUV. 1205 01:02:57,891 --> 01:03:02,727 I, UH...I HAVE SOMETHING TO SAY TO YOU. 1206 01:03:02,830 --> 01:03:03,762 OH... 1207 01:03:03,864 --> 01:03:05,230 COULDN'T IT WAIT? 1208 01:03:05,332 --> 01:03:08,033 I'M IN A BIT OF A RUSH, MY SWEET. 1209 01:03:16,643 --> 01:03:17,809 DARLING. 1210 01:03:17,911 --> 01:03:19,344 PUT IT ON. 1211 01:03:22,549 --> 01:03:25,884 OH, DARLING! 1212 01:03:25,986 --> 01:03:27,319 OOH! 1213 01:03:28,689 --> 01:03:29,754 DO YOU LIKE IT? 1214 01:03:29,857 --> 01:03:31,656 IT'S BEAUTIFUL. 1215 01:03:31,758 --> 01:03:33,658 PERFECT. 1216 01:03:35,863 --> 01:03:39,397 THANK YOU. 1217 01:03:39,500 --> 01:03:41,633 BUT YOU SHOULDN'T HAVE DONE IT. 1218 01:03:41,735 --> 01:03:43,635 I SHALL WEAR IT ALWAYS. 1219 01:03:43,737 --> 01:03:46,037 THAT WAS THE GENERAL IDEA. 1220 01:03:46,139 --> 01:03:48,740 MMM. WILDLY EXTRAVAGANT. 1221 01:03:48,842 --> 01:03:50,408 G... 1222 01:03:50,511 --> 01:03:51,810 WHAT? 1223 01:03:51,912 --> 01:03:53,645 I'M... 1224 01:03:53,747 --> 01:03:56,047 I'M ASKING YOU TO MARRY ME. 1225 01:04:02,322 --> 01:04:04,489 WELL? 1226 01:04:09,897 --> 01:04:11,229 COULD YOU, UH, 1227 01:04:11,331 --> 01:04:13,598 COULD YOU DO ME UP AT THE BACK, PLEASE? 1228 01:04:16,570 --> 01:04:18,937 I'D BE LADY SPENCER, WOULDN'T I? 1229 01:04:19,039 --> 01:04:20,839 YOU'D BE MY WIFE. 1230 01:04:22,509 --> 01:04:25,377 WHY DON'T YOU JUST CHUCK ME OUT THE WINDOW? 1231 01:04:25,479 --> 01:04:27,279 GROUND FLOOR. YOU'D JUST WALK BACK. 1232 01:04:27,381 --> 01:04:29,714 AT LEAST IT WOULD BE A DEFINITE DECISION. 1233 01:04:29,816 --> 01:04:32,651 BESIDES, I LOVE YOU. 1234 01:04:32,753 --> 01:04:34,319 AND I LOVE YOU. 1235 01:04:34,421 --> 01:04:35,787 DEFINITE STATEMENT. 1236 01:04:35,889 --> 01:04:38,023 SO WHAT ARE YOU GOING TO DO ABOUT IT? 1237 01:04:40,494 --> 01:04:42,727 TRAPPED, AS THEY SAY IN THE MOVIES. 1238 01:04:42,829 --> 01:04:44,796 WHERE ARE THE MARINES? 1239 01:04:44,898 --> 01:04:45,797 [TELEPHONE RINGS] 1240 01:04:45,899 --> 01:04:47,899 OH, ANSWER IT, WILL YOU, DARLING? 1241 01:04:48,001 --> 01:04:49,868 GOT TO DO MY FACE. 1242 01:04:49,970 --> 01:04:52,070 [RING] 1243 01:04:53,874 --> 01:04:56,708 INCIDENTALLY, I'M GIVING UP THE ARMY. 1244 01:04:56,810 --> 01:04:57,776 OH! 1245 01:04:57,878 --> 01:04:59,110 HELLO? 1246 01:04:59,212 --> 01:05:01,079 [SNEEZES] HELLO. 1247 01:05:01,181 --> 01:05:02,447 [SNEEZES] 1248 01:05:04,351 --> 01:05:06,351 HELLO. THIS IS ANDRÉ CHARLOT. 1249 01:05:06,453 --> 01:05:08,420 I'VE GOT A COLD. 1250 01:05:08,522 --> 01:05:11,489 THIS IS TONY SPENCER. SO HAVE I. 1251 01:05:11,592 --> 01:05:13,291 IS GERTIE THERE? 1252 01:05:13,393 --> 01:05:14,893 YES. 1253 01:05:14,995 --> 01:05:18,463 TELL HER I WANT HER TO GO TO ABERICA 1254 01:05:18,565 --> 01:05:20,131 IN A DEW REVUE. 1255 01:05:20,233 --> 01:05:23,101 CHARLOT WANTS YOU TO GO TO ABERICA 1256 01:05:23,203 --> 01:05:24,336 IN A DEW REVUE. 1257 01:05:25,472 --> 01:05:27,772 "ABERICA"? 1258 01:05:27,874 --> 01:05:29,774 AMERICA! 1259 01:06:27,300 --> 01:06:28,600 CAN I SEE? 1260 01:06:28,702 --> 01:06:29,734 OF COURSE, G. 1261 01:06:36,810 --> 01:06:38,410 WHO IS THAT? 1262 01:06:38,512 --> 01:06:39,577 ALEXANDER WOOLLCOTT, 1263 01:06:39,680 --> 01:06:41,980 ONE OF THE NEW YORK CRITICS, DEAR, 1264 01:06:42,082 --> 01:06:44,983 SOMETIMES KNOWN AS THE BUTCHERS OF BROADWAY. 1265 01:06:45,085 --> 01:06:46,618 HELP. 1266 01:06:46,720 --> 01:06:48,787 [WHISTLING] 1267 01:07:01,768 --> 01:07:06,938 [CHORUS] ♪ IN LIMEHOUSE ♪ 1268 01:07:07,040 --> 01:07:15,880 ♪ WHERE ORIENTALS LOVE TO PLAY ♪ 1269 01:07:15,982 --> 01:07:20,985 ♪ IN LIMEHOUSE ♪ 1270 01:07:21,088 --> 01:07:29,461 ♪ WHERE YOU CAN HEAR THOSE BLUES ALL DAY ♪ 1271 01:08:45,806 --> 01:08:50,508 ♪ AND THOSE WEIRD CHINA BLUES ♪ 1272 01:08:50,610 --> 01:08:54,546 ♪ NEVER GO AWAY ♪ 1273 01:08:54,648 --> 01:08:59,684 ♪ SAD, MAD BLUES ♪ 1274 01:08:59,786 --> 01:09:04,689 ♪ FOR ALL THE WHILE THEY SEEM TO SAY ♪ 1275 01:09:04,791 --> 01:09:06,758 ♪ OH, LIMEHOUSE KID ♪ 1276 01:09:06,860 --> 01:09:08,092 ♪ OHH OH OH ♪ 1277 01:09:08,195 --> 01:09:10,261 ♪ LIMEHOUSE KID ♪ 1278 01:09:10,363 --> 01:09:12,197 ♪ GOIN' THE WAY ♪ 1279 01:09:12,299 --> 01:09:15,700 ♪ THAT THE REST OF THEM DID ♪ 1280 01:09:15,802 --> 01:09:18,069 ♪ POOR BROKEN BLOSSOM ♪ 1281 01:09:18,171 --> 01:09:21,139 ♪ AND NOBODY'S CHILD ♪ 1282 01:09:21,241 --> 01:09:23,508 ♪ HAUNTING AND TAUNTING ♪ 1283 01:09:23,610 --> 01:09:25,677 ♪ YOU'RE JUST KINDA WILD ♪ 1284 01:09:25,779 --> 01:09:28,513 ♪ OH, LIMEHOUSE BLUES ♪ 1285 01:09:28,615 --> 01:09:32,050 ♪ I'VE THE REAL LIMEHOUSE BLUES ♪ 1286 01:09:32,152 --> 01:09:34,352 ♪ CAN'T SEEM TO SHAKE OFF ♪ 1287 01:09:34,454 --> 01:09:37,455 ♪ THOSE SAD CHINA BLUES ♪ 1288 01:09:37,557 --> 01:09:40,191 ♪ RINGS ON YOUR FINGERS ♪ 1289 01:09:40,293 --> 01:09:43,061 ♪ AND TEARS FOR YOUR CROWN ♪ 1290 01:09:43,163 --> 01:09:45,697 ♪ THAT IS THE STORY ♪ 1291 01:09:45,799 --> 01:09:51,669 ♪ OF OLD CHINATOWN ♪ 1292 01:14:26,813 --> 01:14:31,582 ♪ RINGS ON YOUR FINGERS ♪ 1293 01:14:31,684 --> 01:14:38,089 ♪ AND TEARS FOR YOUR CROWN ♪ 1294 01:14:38,191 --> 01:14:43,628 ♪ THAT IS THE STORY ♪ 1295 01:14:43,730 --> 01:14:47,265 ♪ OF OLD ♪ 1296 01:14:47,367 --> 01:14:53,804 ♪ CHINATOWN ♪♪ 1297 01:15:06,119 --> 01:15:09,754 [APPLAUSE] 1298 01:15:09,856 --> 01:15:12,690 [HORNS HONK] 1299 01:15:23,436 --> 01:15:26,304 THE CONDEMNED ATE A HEARTY DINNER. 1300 01:15:26,406 --> 01:15:28,472 ONLY A FEW MORE MINUTES. 1301 01:15:28,575 --> 01:15:29,874 HOW DO YOU KNOW? 1302 01:15:29,976 --> 01:15:31,642 I'LL THANK YOU TO REMEMBER 1303 01:15:31,744 --> 01:15:34,645 I'VE BEEN ATTENDING OPENING NIGHTS FOR A VERY LONG TIME. 1304 01:15:34,747 --> 01:15:38,216 I'VE A NASTY FEELING YOU'RE NOW PRESENT AT A CLOSING ONE. 1305 01:15:38,318 --> 01:15:40,051 PAPERS! PAPERS! 1306 01:15:40,153 --> 01:15:41,619 THE PAPERS ARE HERE. 1307 01:15:41,721 --> 01:15:43,688 OH, CRIPES! 1308 01:15:46,259 --> 01:15:48,359 WHERE DO THEY PUT IT IN AMERICAN PAPERS? 1309 01:15:48,461 --> 01:15:49,660 I DON'T KNOW. 1310 01:15:50,930 --> 01:15:51,896 GERTIE. 1311 01:15:51,998 --> 01:15:53,097 OH, TA. 1312 01:15:56,102 --> 01:15:57,268 OHH! 1313 01:16:01,007 --> 01:16:01,939 "GERTRUDE LAWRENCE-- 1314 01:16:02,041 --> 01:16:05,376 INCANDESCENT STAR OF THE FIRST MAGNITUDE." 1315 01:16:05,478 --> 01:16:07,278 WHAT? 1316 01:16:07,380 --> 01:16:08,779 MANY CONGRATULATIONS. 1317 01:16:08,881 --> 01:16:10,815 I HAVEN'T READ THAT YET. 1318 01:16:10,917 --> 01:16:12,550 "JACK BUCHANAN, A YOUNG ENGLISHMAN 1319 01:16:12,652 --> 01:16:14,685 OF ASTONISHING GRACE AND CHARM." 1320 01:16:14,787 --> 01:16:15,586 GREAT TASTE! 1321 01:16:15,688 --> 01:16:17,021 NO TASTE AT ALL. 1322 01:16:17,123 --> 01:16:18,022 OH! 1323 01:16:18,124 --> 01:16:19,590 WHAT PRICE CLAPHAM NOW? 1324 01:16:19,692 --> 01:16:20,925 OH, DARLING! 1325 01:16:21,027 --> 01:16:22,693 OH, JACK! 1326 01:16:22,795 --> 01:16:24,328 YOU'RE MARVELOUS. 1327 01:16:24,430 --> 01:16:26,063 "ENGLISH CONQUER NEW YORK." 1328 01:16:26,165 --> 01:16:27,098 OH! 1329 01:16:28,935 --> 01:16:30,568 ALSO ME. 1330 01:16:30,670 --> 01:16:32,703 WHO ARE YOU? 1331 01:16:32,805 --> 01:16:33,704 [DOORBELL BUZZING] 1332 01:16:33,806 --> 01:16:35,239 OH, SHUT UP! 1333 01:16:37,410 --> 01:16:38,709 GOOD MORNING. I'M CHARLES FRASER. 1334 01:16:38,811 --> 01:16:41,712 I'VE COME TO SHOW YOU THE CITY YOU HOLD IN THRALL. 1335 01:16:41,814 --> 01:16:43,714 CENTRAL PARK, ST. REGIS LUNCH, 1336 01:16:43,816 --> 01:16:45,149 STATUE OF LIBERTY, AND SUPPER. 1337 01:16:45,251 --> 01:16:47,351 WHO ARE YOU-- A GUIDE OR SOMETHING? 1338 01:16:47,453 --> 01:16:49,353 I, DEAR LADY, AM AN ACTOR. 1339 01:16:49,455 --> 01:16:50,755 ALSO YOUR DEVOTED SLAVE, 1340 01:16:50,857 --> 01:16:54,692 AND YOU HAVE 10 MINUTES. 1341 01:16:54,794 --> 01:16:55,993 HOW DARE YOU! 1342 01:16:56,095 --> 01:16:57,695 YOU KISSED ME LAST NIGHT. 1343 01:16:57,797 --> 01:16:59,664 THIS A COUNTRY OF EQUAL OPPORTUNITY FOR ALL. 1344 01:16:59,766 --> 01:17:00,998 TEN MINUTES. 1345 01:17:06,339 --> 01:17:08,639 ♪ OH, RULE, MISS LAWRENCE ♪ 1346 01:17:08,741 --> 01:17:10,541 ♪ MISS LAWRENCE RULE THE YANKS ♪ 1347 01:17:10,643 --> 01:17:12,143 ♪ NOW AND EVER, EVERMORE ♪ 1348 01:17:12,245 --> 01:17:14,211 ♪ WE GIVE THANKS ♪♪ 1349 01:17:14,314 --> 01:17:16,180 [LAUGHING] 1350 01:17:16,282 --> 01:17:17,415 YOU'RE CRAZY! 1351 01:17:17,517 --> 01:17:19,317 OH, I'M THE SANEST MAN IN AMERICA. 1352 01:17:19,419 --> 01:17:22,320 THE OTHER 100 MILLION ONLY LOVE YOU FROM A DISTANCE. 1353 01:17:22,422 --> 01:17:23,621 CHARLES, WE SHOULD GET SOMETHING STRAIGHT. 1354 01:17:23,723 --> 01:17:25,656 YOUR HUSBAND'S ARRIVING ON THE NEXT BOAT. 1355 01:17:25,758 --> 01:17:27,325 NEVER MIND. IT MAY SINK. 1356 01:17:27,427 --> 01:17:29,360 I HAVEN'T GOT A HUSBAND. 1357 01:17:29,462 --> 01:17:31,362 UH-HUH. WHAT IS THIS? 1358 01:17:31,464 --> 01:17:32,430 A RING. 1359 01:17:32,532 --> 01:17:34,432 YES. I CAN SEE THAT. 1360 01:17:34,534 --> 01:17:36,100 MAN GO WITH IT? 1361 01:17:37,770 --> 01:17:39,103 ALL RIGHT. 1362 01:17:39,205 --> 01:17:42,506 I'M NOT OFFICIALLY ENGAGED TO BE MARRIED. 1363 01:17:42,608 --> 01:17:44,442 GET UP AT ONCE! 1364 01:17:44,544 --> 01:17:47,478 MADEMOISELLE G, I CRAVE THE FAVOR OF YOUR HAND. 1365 01:17:47,580 --> 01:17:49,513 YOU'LL GET IT WHERE THE MONKEY GOT THE NUT! 1366 01:17:49,615 --> 01:17:51,582 DON'T SHOUT. PEOPLE ARE WATCHING. 1367 01:17:51,684 --> 01:17:52,717 I'M GOING HOME! 1368 01:17:52,819 --> 01:17:54,218 A VOTRE SERVICE, MADAME! 1369 01:17:54,320 --> 01:17:55,219 ALONE! 1370 01:17:55,321 --> 01:17:58,356 ♪ LA LA LA LA LA ♪♪ 1371 01:17:59,592 --> 01:18:01,726 YOU'RE GRAND FUN, CHARLES, DARLING, 1372 01:18:01,828 --> 01:18:04,161 AND I LIKE YOU VERY MUCH, 1373 01:18:04,263 --> 01:18:06,530 BUT THIS IS THE END OF THE EVENING. 1374 01:18:06,632 --> 01:18:08,366 GIVE ME ONE GOOD REASON. 1375 01:18:08,468 --> 01:18:11,569 I ALREADY HAVE. I GO HOME ALONE. 1376 01:18:13,139 --> 01:18:14,905 YOU DON'T WANT TO. 1377 01:18:15,007 --> 01:18:17,208 THAT HAS NOTHING TO DO WITH IT. 1378 01:18:17,310 --> 01:18:19,577 I DON'T WANT YOU TO, EITHER. 1379 01:18:19,679 --> 01:18:21,912 MR. FRASER, WE HARDLY KNOW EACH OTHER. 1380 01:18:22,014 --> 01:18:23,581 WE COULD GIVE IT TIME-- 1381 01:18:23,683 --> 01:18:26,584 I COULD RETURN AND SEDUCE YOU IN THE MORNING. 1382 01:18:26,686 --> 01:18:28,919 I SHALL BE BUSY IN THE MORNING. 1383 01:18:29,021 --> 01:18:32,556 ANYWAY, YOU KNOW, WE'VE KNOWN EACH OTHER FOR CENTURIES. 1384 01:18:32,658 --> 01:18:34,492 OH, YES. YES, IT'S TRUE. 1385 01:18:34,594 --> 01:18:36,694 ACTOR. ACTRESS. 1386 01:18:36,796 --> 01:18:38,529 "BORN FOR EACH OTHER." 1387 01:18:40,933 --> 01:18:43,768 OHH... 1388 01:18:43,870 --> 01:18:45,469 CRIPES. 1389 01:18:48,975 --> 01:18:50,608 THIS WAS 1925-- 1390 01:18:50,710 --> 01:18:54,044 THE SWIRLING VORTEX OF THE CRAZY '20s, 1391 01:18:54,147 --> 01:18:56,714 THE ERA OF FUN AND THRILLS AND THE DEVIL TAKE TOMORROW. 1392 01:18:56,816 --> 01:18:58,516 FASTER, MADDER, HIGHER, 1393 01:18:58,618 --> 01:19:00,584 THE SKY'S THE LIMIT! 1394 01:19:00,686 --> 01:19:03,921 EVERYONE WAS RICH, OR ABOUT TO GET RICH QUICK. 1395 01:19:04,023 --> 01:19:05,356 THEY WANTED TO LAUGH. 1396 01:19:05,458 --> 01:19:07,625 GERTRUDE LAWRENCE HELPED THEM DO IT. 1397 01:19:11,097 --> 01:19:13,330 IT WAS ALSO THE ERA OF PROHIBITION. 1398 01:19:13,433 --> 01:19:15,599 WHILE SOME APPROVED, 1399 01:19:15,701 --> 01:19:18,602 OTHERS WERE MORE DOUBTFUL... 1400 01:19:19,672 --> 01:19:22,039 OR EVEN DOWNRIGHT SHOCKED! 1401 01:19:25,311 --> 01:19:28,045 BUT THE ONLY THING PROHIBITED TO GERTRUDE LAWRENCE 1402 01:19:28,147 --> 01:19:29,647 WAS A MOMENT TO HERSELF. 1403 01:19:29,749 --> 01:19:31,749 EVERYONE, FROM ALL WALKS OF LIFE, 1404 01:19:31,851 --> 01:19:33,784 WANTED TO MEET HER, 1405 01:19:33,886 --> 01:19:35,853 AND MANY ACTUALLY DID. 1406 01:19:48,901 --> 01:19:52,269 AS SHE HAD DONE IN LONDON SEVERAL YEARS BEFORE, 1407 01:19:52,371 --> 01:19:54,205 SHE WAS ESTABLISHING HERSELF 1408 01:19:54,307 --> 01:19:56,574 AS ONE OF THE LEADERS OF NEW YORK SOCIETY. 1409 01:19:56,676 --> 01:19:58,309 SHE WAS WILDLY EXTRAVAGANT 1410 01:19:58,411 --> 01:20:00,578 AND ENJOYED EVERY MOMENT OF IT. 1411 01:20:00,680 --> 01:20:03,347 WHEREVER SHE WENT, USUALLY WITH CHARLES FRASER, 1412 01:20:03,449 --> 01:20:05,015 PEOPLE THRONGED TO SEE HER. 1413 01:20:05,117 --> 01:20:07,751 THEY LOVED HER, AND SHE REVELED IN IT. 1414 01:20:11,958 --> 01:20:14,158 THERE WAS FRESH EXCITEMENT 'ROUND EVERY CORNER, 1415 01:20:14,260 --> 01:20:16,160 EVEN THAT OF WALL STREET. 1416 01:20:28,674 --> 01:20:30,908 [APPLAUSE] 1417 01:20:31,010 --> 01:20:34,545 I DO KNOW SOME FAR MORE INTERESTING PLACES. 1418 01:20:36,949 --> 01:20:39,383 OHH...CRIPES. 1419 01:20:40,953 --> 01:20:43,420 JUST TELL ME ONE THING. WHAT? 1420 01:20:43,523 --> 01:20:44,822 WHY DO WE DO THIS? 1421 01:20:44,924 --> 01:20:46,524 IT'S EXTREMELY SIMPLE. 1422 01:20:46,626 --> 01:20:48,926 YOU DO THEM TO BUY ROLLS-ROYCES AND DIAMOND BRACELETS, 1423 01:20:49,028 --> 01:20:50,861 AND I DO THEM BECAUSE I ADORE YOU. 1424 01:20:50,963 --> 01:20:54,798 NONSENSE! IT'S EGO! ACTOR'S EGO. 1425 01:20:54,901 --> 01:20:56,800 WE MUSTN'T LET THE PUBLIC FORGET US. 1426 01:20:56,903 --> 01:20:58,469 IF THEY CAN'T SEE US IN THE THEATRE, 1427 01:20:58,571 --> 01:21:00,704 WE MUST TELL THEM WHAT TO BUY. 1428 01:21:00,806 --> 01:21:04,008 BESIDES, BEING OUT OF WORK SCARES ME. 1429 01:21:04,110 --> 01:21:05,976 I FEEL LOST AND OUT OF TOUCH. 1430 01:21:06,078 --> 01:21:07,978 DARLING, THE REVUE HAS ONLY BEEN CLOSED A MONTH, 1431 01:21:08,080 --> 01:21:10,414 AND YOU'RE REHEARSING FOR OH, KAY! 1432 01:21:10,516 --> 01:21:11,916 ALL RIGHT. IT'S THE MONEY, TOO. 1433 01:21:12,018 --> 01:21:13,417 THEY SHOULD PAY US FOR REHEARSALS. 1434 01:21:13,519 --> 01:21:16,353 WITH BEN MITCHELL IN YOUR LIFE, YOU'RE STUCK FOR MONEY? 1435 01:21:16,455 --> 01:21:18,422 READY, PLEASE. 1436 01:21:19,492 --> 01:21:20,858 THANK YOU. 1437 01:21:20,960 --> 01:21:22,927 NEXT ONE, PLEASE. 1438 01:21:23,029 --> 01:21:24,061 [GLASS THUMPS] 1439 01:21:24,163 --> 01:21:26,063 [GLASS THUMPS] 1440 01:21:29,735 --> 01:21:31,669 WHAT ARE WE DOING AFTER LUNCH? 1441 01:21:31,771 --> 01:21:34,338 I AM GOING SHOPPING WITH BEN. 1442 01:21:34,440 --> 01:21:36,040 WHAT FOR, YACHTS? 1443 01:21:36,142 --> 01:21:37,441 HOLD IT, PLEASE. 1444 01:21:38,911 --> 01:21:41,078 IT JUST SO HAPPENS IT'S MY DAUGHTER'S BIRTHDAY. 1445 01:21:41,180 --> 01:21:42,680 SHE WANTS A DOLL. 1446 01:21:44,750 --> 01:21:46,317 THANK YOU VERY MUCH. 1447 01:21:46,419 --> 01:21:47,685 AND THE NEXT, PLEASE. 1448 01:21:55,361 --> 01:21:56,260 AAH! 1449 01:21:56,362 --> 01:21:58,429 OH, SO SORRY, DEAR. 1450 01:21:58,531 --> 01:22:00,164 READY? 1451 01:22:00,266 --> 01:22:02,433 YOU OUGHT TO TRY DRINKING THAT STUFF SOMETIME. 1452 01:22:02,535 --> 01:22:03,767 UGH. DON'T BE RIDICULOUS. 1453 01:22:03,869 --> 01:22:05,736 YES, IT MIGHT POISON YOU. 1454 01:22:05,838 --> 01:22:06,971 NOW. 1455 01:22:14,647 --> 01:22:16,146 ♪ THERE'S A SAYING OLD ♪ 1456 01:22:16,248 --> 01:22:18,382 ♪ SAYS THAT LOVE IS BLIND ♪ 1457 01:22:18,484 --> 01:22:19,883 ♪ STILL WE'RE OFTEN TOLD ♪ 1458 01:22:19,986 --> 01:22:23,287 ♪ SEEK AND YE SHALL FIND ♪ 1459 01:22:23,389 --> 01:22:25,923 ♪ SO I'M GOING TO SEEK A CERTAIN-- ♪ 1460 01:22:26,025 --> 01:22:27,558 [CLEARING THROAT] 1461 01:22:31,397 --> 01:22:32,796 ♪ LOOKING EVERYWHERE ♪ 1462 01:22:32,898 --> 01:22:35,099 ♪ HAVEN'T FOUND HIM YET ♪ 1463 01:22:35,201 --> 01:22:36,700 ♪ HE'S THE BIG AFFAIR ♪ 1464 01:22:36,802 --> 01:22:39,770 ♪ I CANNOT FORGET ♪ 1465 01:22:39,872 --> 01:22:42,606 ♪ ONLY MAN I EVER THINK OF ♪ 1466 01:22:42,708 --> 01:22:46,043 ♪ WITH REGRET ♪ 1467 01:22:49,148 --> 01:22:52,116 ♪ I'D LIKE TO ADD HIS INITIAL ♪ 1468 01:22:52,218 --> 01:22:56,020 ♪ TO MY MONOGRAM ♪ 1469 01:22:56,122 --> 01:22:58,789 ♪ TELL ME ♪ 1470 01:22:58,891 --> 01:23:01,825 ♪ WHERE IS THE SHEPHERD ♪ 1471 01:23:01,927 --> 01:23:09,533 ♪ FOR THIS LOST LAMB? ♪ 1472 01:23:11,804 --> 01:23:18,375 ♪ THERE'S A SOMEBODY I'M LONGING TO SEE ♪ 1473 01:23:18,477 --> 01:23:21,378 ♪ I HOPE THAT HE ♪ 1474 01:23:21,480 --> 01:23:25,983 ♪ TURNS OUT TO BE ♪ 1475 01:23:27,720 --> 01:23:32,322 ♪ SOMEONE TO WATCH ♪ 1476 01:23:32,425 --> 01:23:38,228 ♪ OVER ME ♪ 1477 01:23:42,635 --> 01:23:48,605 ♪ I'M A LITTLE LAMB WHO'S LOST IN THE WOOD ♪ 1478 01:23:48,708 --> 01:23:51,241 ♪ I KNOW I COULD ♪ 1479 01:23:51,343 --> 01:23:55,679 ♪ ALWAYS BE GOOD ♪ 1480 01:23:55,781 --> 01:23:59,783 ♪ TO ONE WHO'LL WATCH ♪ 1481 01:23:59,885 --> 01:24:05,222 ♪ OVER ME ♪ 1482 01:24:05,324 --> 01:24:10,060 ♪ ALTHOUGH HE MAY NOT BE THE MAN ♪ 1483 01:24:10,162 --> 01:24:17,201 ♪ SOME GIRLS THINK OF AS HANDSOME ♪ 1484 01:24:17,303 --> 01:24:19,870 ♪ TO MY HEART ♪ 1485 01:24:19,972 --> 01:24:22,639 ♪ HE CARRIES ♪ 1486 01:24:22,742 --> 01:24:27,511 ♪ THE KEY ♪ 1487 01:24:30,583 --> 01:24:32,850 ♪ WON'T YOU TELL HIM, PLEASE ♪ 1488 01:24:32,952 --> 01:24:36,954 ♪ TO PUT ON SOME SPEED ♪ 1489 01:24:37,056 --> 01:24:40,991 ♪ FOLLOW MY LEAD ♪ 1490 01:24:41,093 --> 01:24:47,731 ♪ OH, HOW I NEED ♪ 1491 01:24:47,833 --> 01:24:52,536 ♪ SOMEONE TO WATCH ♪ 1492 01:24:52,638 --> 01:25:01,311 ♪ OVER ME ♪ 1493 01:25:01,413 --> 01:25:08,285 ♪ SOMEONE TO WATCH ♪ 1494 01:25:08,387 --> 01:25:19,029 ♪ OVER ME ♪♪ 1495 01:25:23,803 --> 01:25:26,637 [APPLAUSE] 1496 01:25:45,391 --> 01:25:48,659 OHH! 1497 01:25:48,761 --> 01:25:50,594 I HAVE NO IDEA WHATSOEVER 1498 01:25:50,696 --> 01:25:52,429 OF YOUR IDENTITY, DEAR LADY, 1499 01:25:52,531 --> 01:25:55,432 BUT WOULD YOU KINDLY FETCH ME A DRINK 1500 01:25:55,534 --> 01:25:57,267 BEFORE I DIE OF EXHAUSTION? 1501 01:25:57,369 --> 01:25:59,603 FOR YOU, MR. WOOLLCOTT, ANYTHING. 1502 01:26:02,308 --> 01:26:03,707 ISN'T IT DIVINE? 1503 01:26:03,809 --> 01:26:04,942 YOU LOOK ABSOLUTELY BREATHTAKING, DARLING, 1504 01:26:05,044 --> 01:26:07,711 BUT DOES THE POMPADOUR BELONG IN IMPERIAL ROME? 1505 01:26:07,813 --> 01:26:09,713 IT'S TO CELEBRATE MY LEARNING FRENCH. 1506 01:26:09,815 --> 01:26:12,716 I THOUGHT IT WAS YOUR CHOICE OF THE APPROPRIATE ATTIRE 1507 01:26:12,818 --> 01:26:15,052 FOR ENTERTAINING TWO LOVERS AT THE SAME TIME. 1508 01:26:15,154 --> 01:26:18,121 WHAT? OH. QUEL JOKE, DARLING. 1509 01:26:18,224 --> 01:26:21,825 THEY DO LOOK RATHER SWEET, THOUGH, DON'T THEY? 1510 01:26:21,927 --> 01:26:23,894 AND OBVIOUSLY SHARE THE SAME DRESSMAKER. 1511 01:26:23,996 --> 01:26:25,062 [GERTRUDE LAUGHING] 1512 01:26:25,164 --> 01:26:26,930 TWEEDLE DUM AND TWEEDLE DEE. 1513 01:26:27,032 --> 01:26:29,166 WHICH, IF EITHER, IS IT GOING TO BE? 1514 01:26:29,268 --> 01:26:31,835 CHERIE, GET ME ANOTHER DRINK, S'IL VOUS PLAÎT? 1515 01:26:31,937 --> 01:26:32,936 TOUT DE SUITE. 1516 01:26:33,038 --> 01:26:34,905 OH, I KNOW YOU, MR. COWARD, 1517 01:26:35,007 --> 01:26:36,740 BUT YOU DON'T KNOW ME. 1518 01:26:36,842 --> 01:26:39,243 A REGRETTABLE BUT INCREASINGLY FREQUENT STATE OF AFFAIRS. 1519 01:26:39,345 --> 01:26:41,645 THIS IS MY DIVINE FRENCH TEACHER JEANNIE BANKS. 1520 01:26:41,747 --> 01:26:44,147 SHE'S GOING TO STAY WITH ME FOREVER 1521 01:26:44,250 --> 01:26:45,716 AND BE MY SECRÉTAIRE. 1522 01:26:45,818 --> 01:26:47,050 HOW EXTREMELY COURAGEOUS OF YOU. 1523 01:26:47,152 --> 01:26:49,419 DON'T BE HORRID. SHE'S TRÈS GENTILLE 1524 01:26:49,521 --> 01:26:50,854 AND ALSO VERY NICE. 1525 01:26:50,956 --> 01:26:51,955 DARLING. 1526 01:26:52,057 --> 01:26:53,357 DARLING. 1527 01:26:53,459 --> 01:26:56,093 I TRUST SHE ALSO HAS THE DISCRETION OF A EUNUCH. 1528 01:26:56,195 --> 01:26:57,294 HMM. 1529 01:27:00,165 --> 01:27:02,733 OH, DARLING! 1530 01:27:02,835 --> 01:27:04,968 OH, TONY! 1531 01:27:05,070 --> 01:27:06,303 OH! 1532 01:27:06,405 --> 01:27:07,638 NOW, GENTLEMEN, 1533 01:27:07,740 --> 01:27:09,740 DON'T FIRE UNTIL YOU SEE THE WHITES OF HIS EYES. 1534 01:27:09,842 --> 01:27:11,541 WHY DIDN'T YOU TELL ME? 1535 01:27:11,644 --> 01:27:13,510 I MEANT TO GET HERE FOR THE SHOW, 1536 01:27:13,612 --> 01:27:15,412 BUT THE TIDE WAS AGAINST ME. 1537 01:27:15,514 --> 01:27:17,347 TONY, IT'S WONDERFUL TO SEE YOU. 1538 01:27:17,449 --> 01:27:19,249 HELLO, NOEL. WELL, HOW ARE YOU? 1539 01:27:19,318 --> 01:27:21,151 OH, I'M FINE. I'M SO THRILLED! 1540 01:27:21,253 --> 01:27:22,519 WHAT'S ALL THIS? 1541 01:27:22,621 --> 01:27:24,755 I'M LEARNING FRENCH. YOU MUST MEET EVERYONE. 1542 01:27:24,857 --> 01:27:26,556 WELCOME TO ROME, MY SAXON LORD. 1543 01:27:26,659 --> 01:27:27,557 HELLO, JACK. 1544 01:27:27,660 --> 01:27:28,892 THE TIDE WAS AGAINST HIM. 1545 01:27:28,994 --> 01:27:30,294 IT WON'T BE FOR LONG. 1546 01:27:30,396 --> 01:27:31,929 MR. BEN MITCHELL, MR. CHARLES FRASER, 1547 01:27:32,031 --> 01:27:33,730 THIS IS SIR ANTHONY SPENCER. 1548 01:27:33,832 --> 01:27:37,100 HE JUST GOT IN FROM EUROPE, AND I LOVE HIM. 1549 01:27:37,202 --> 01:27:38,368 HI. 1550 01:27:38,470 --> 01:27:39,836 GLAD TO KNOW YOU. 1551 01:27:39,939 --> 01:27:41,438 HOW DO YOU DO? 1552 01:27:41,540 --> 01:27:43,240 HOW LONG CAN YOU STAY? 1553 01:27:43,342 --> 01:27:45,776 OH, ONLY A WEEK OR SO-- JUST A BUSINESS TRIP. 1554 01:27:45,878 --> 01:27:48,078 OH. ISN'T THAT TOO BAD? 1555 01:27:48,180 --> 01:27:50,580 IT'S TOUGH YOU MISSED G'S FIRST NIGHT. 1556 01:27:50,683 --> 01:27:52,015 SHE WAS SWELL. 1557 01:27:52,117 --> 01:27:53,750 I'LL SEE IT TOMORROW. 1558 01:27:53,852 --> 01:27:55,085 YOU MOST CERTAINLY WILL! 1559 01:27:55,187 --> 01:27:56,486 WHY WAIT, DEAR BOY? 1560 01:27:56,588 --> 01:27:59,156 TONY IS A VERY OLD FRIEND. 1561 01:28:00,893 --> 01:28:04,695 FOR HIM, THE MOUNTAIN COMES TO MUHAMMAD. 1562 01:28:04,797 --> 01:28:07,264 C'EST VRAI, C'EST TRULY VRAI. 1563 01:28:07,366 --> 01:28:08,498 COME ON. 1564 01:28:17,710 --> 01:28:21,311 ♪ IT'S GOOD TO SEE FAMILIAR FACES ♪ 1565 01:28:21,413 --> 01:28:23,547 ♪ ROSIE, POSIE, JOSIE ♪ 1566 01:28:23,649 --> 01:28:26,416 ♪ POLLY, MOLLY, MAY ♪ 1567 01:28:26,518 --> 01:28:29,519 ♪ I'VE THOUGHT OF YOU IN FAR-OFF PLACES ♪ 1568 01:28:29,621 --> 01:28:32,356 ♪ HILDA, GILDA, TILDA ♪ 1569 01:28:32,458 --> 01:28:35,559 ♪ BILLY, LILLY, FAY ♪ 1570 01:28:35,661 --> 01:28:39,129 ♪ WITHOUT YOU, DEAR OLD PALS ♪ 1571 01:28:39,231 --> 01:28:42,599 ♪ I'VE KNOWN SOME ♪ 1572 01:28:42,701 --> 01:28:49,272 ♪ DAYS THAT WERE AWFULLY LONESOME ♪ 1573 01:28:49,375 --> 01:28:52,442 ♪ I HOPE YOU'VE MISSED ME ♪ 1574 01:28:52,544 --> 01:28:56,313 ♪ AS I MISSED YOU ♪ 1575 01:28:56,415 --> 01:28:59,683 ♪ DEAR LITTLE BOY ♪ 1576 01:28:59,785 --> 01:29:02,085 ♪ I WAS LONESOME ♪ 1577 01:29:02,187 --> 01:29:06,690 ♪ WERE YOU LONESOME, TOO? ♪ 1578 01:29:06,792 --> 01:29:10,093 ♪ DEAR LITTLE BOY ♪ 1579 01:29:10,195 --> 01:29:15,399 ♪ NOW THAT YOU ARE HERE AGAIN ♪ 1580 01:29:15,501 --> 01:29:20,203 ♪ MY HEAD'S IN A WHIRL ♪ 1581 01:29:20,305 --> 01:29:23,173 ♪ DEAR OLD PAL ♪ 1582 01:29:23,275 --> 01:29:25,108 ♪ IT'S CLEAR AGAIN ♪ 1583 01:29:25,210 --> 01:29:32,115 ♪ I'M A LUCKY GIRL ♪ 1584 01:29:32,217 --> 01:29:34,751 ♪ MAKE ME HAPPY ♪ 1585 01:29:34,853 --> 01:29:39,723 ♪ TELL ME THIS IS TRUE ♪ 1586 01:29:39,825 --> 01:29:44,294 ♪ DEAR LITTLE BOY ♪ 1587 01:29:44,396 --> 01:29:47,831 ♪ SAY YOU MISSED ME ♪ 1588 01:29:47,933 --> 01:29:56,807 ♪ MUCH AS I MISSED YOU ♪ 1589 01:29:56,909 --> 01:30:03,947 ♪ DEAR LITTLE BOY ♪♪ 1590 01:30:11,657 --> 01:30:15,959 ♪ AFTER THE BALL IS OVER ♪ 1591 01:30:16,061 --> 01:30:20,397 ♪ AFTER THE BREAK OF DAWN ♪ 1592 01:30:20,499 --> 01:30:24,868 ♪ AFTER THE DANCERS' LEAVING ♪ 1593 01:30:24,970 --> 01:30:29,806 ♪ AFTER THE STARS ARE GONE ♪♪ 1594 01:30:37,015 --> 01:30:38,648 TONY? 1595 01:30:42,754 --> 01:30:44,387 YOU LET HIM GO. 1596 01:30:47,192 --> 01:30:49,693 CALL HIS HOTEL. HE'LL COME BACK. 1597 01:30:55,134 --> 01:30:57,834 THE NASTY PART ABOUT THE REALLY GOOD PARTIES 1598 01:30:57,936 --> 01:30:59,603 IS WHEN THEY END. 1599 01:31:02,841 --> 01:31:04,641 [SIGHING] I'M NOT SURE. 1600 01:31:04,743 --> 01:31:06,076 YOU USED TO BE. 1601 01:31:06,178 --> 01:31:08,612 YOU SAID SO. 1602 01:31:08,714 --> 01:31:12,048 "WHY GO THIRD-CLASS WHEN YOU CAN GO FIRST?" 1603 01:31:12,151 --> 01:31:16,119 "I WANT TO BE LOTS OF DIFFERENT PEOPLE." 1604 01:31:16,221 --> 01:31:19,122 "BEWARE OF WISHING FOR ANYTHING IN YOUTH 1605 01:31:19,224 --> 01:31:21,691 BECAUSE YOU WILL GET IT IN MIDDLE AGE." 1606 01:31:21,793 --> 01:31:24,394 SO SAID JOHANN WOLFGANG VON GOETHE. 1607 01:31:26,298 --> 01:31:29,566 WHOEVER HE WAS, HE WASN'T BORN IN CLAPHAM. 1608 01:31:33,138 --> 01:31:35,372 YOU'LL NEVER DECIDE WHAT YOU WANT 1609 01:31:35,474 --> 01:31:38,675 UNTIL YOU'VE DECIDED WHO YOU ARE. 1610 01:31:38,777 --> 01:31:40,343 SO SAYS NOEL COWARD. 1611 01:31:40,445 --> 01:31:41,578 BETTER? 1612 01:31:44,917 --> 01:31:46,716 I'M AN ACTRESS. 1613 01:31:46,818 --> 01:31:48,318 UNFORTUNATELY, MY DARLING, 1614 01:31:48,420 --> 01:31:50,120 YOU CAN'T TAKE A WHOLE AUDIENCE HOME TO BED 1615 01:31:50,222 --> 01:31:51,755 WITHOUT BEING ACCUSED OF IMMORALITY 1616 01:31:51,857 --> 01:31:53,623 ON RATHER A GRAND SCALE. 1617 01:31:56,195 --> 01:31:58,962 SO WHY NOT MARRY TONY INSTEAD? 1618 01:32:02,801 --> 01:32:04,601 CLOSE, PERSONAL RELATIONSHIPS 1619 01:32:04,703 --> 01:32:05,936 ARE BLOODY DIFFICULT, MY DARLING, 1620 01:32:06,038 --> 01:32:09,706 BUT THEY DO GET EASIER WITH TIME. 1621 01:32:09,808 --> 01:32:11,741 LONELINESS GETS HARDER. 1622 01:32:19,785 --> 01:32:22,052 YOU'RE GOING TO WRITE A PLAY FOR US, 1623 01:32:22,154 --> 01:32:25,121 AND I SHALL BE VERY, VERY GOOD IN IT. 1624 01:32:25,224 --> 01:32:27,724 THE MOMENT OF DECISION, AS THE NOVELIST SAYS, 1625 01:32:27,826 --> 01:32:30,126 HAS BEEN THROWN FIRMLY OUT OF THE WINDOW. 1626 01:32:30,229 --> 01:32:33,363 ALSO, I NEED A HOLIDAY. 1627 01:32:33,465 --> 01:32:34,531 IT'S A SMALL POINT, 1628 01:32:34,633 --> 01:32:36,032 BUT YOU'VE JUST OPENED IN A SHOW. 1629 01:32:36,134 --> 01:32:38,535 IT'LL CLOSE EVENTUALLY, 1630 01:32:38,637 --> 01:32:40,937 AND I SHALL GO... 1631 01:32:44,109 --> 01:32:45,909 TO THE SOUTH OF FRANCE. 1632 01:32:46,011 --> 01:32:48,612 MAY ONE BE SO BOLD AS TO ASK WITH WHOM? 1633 01:32:50,682 --> 01:32:52,916 PAMELA. PAMELA? 1634 01:32:53,018 --> 01:32:55,452 IT'LL MAKE A LOVELY CHANGE FROM THAT HORRID SCHOOL, 1635 01:32:55,554 --> 01:32:57,520 AND IT'S HIGH TIME WE GOT TO KNOW EACH OTHER BETTER. 1636 01:32:57,623 --> 01:32:58,822 [SNICKERS] 1637 01:33:00,125 --> 01:33:01,424 WELL, I'M HER MOTHER. 1638 01:33:01,526 --> 01:33:02,859 NO DOUBT THE REMINDER WILL COME 1639 01:33:02,961 --> 01:33:04,527 AS A VERY PLEASANT SURPRISE TO HER, MY SWEET. 1640 01:33:35,994 --> 01:33:37,127 OOF! OH, DAMN! 1641 01:33:37,229 --> 01:33:38,695 I'M SORRY, MOTHER. 1642 01:33:38,797 --> 01:33:40,196 NO, DARLING. I'M SORRY. 1643 01:33:40,299 --> 01:33:42,299 I'VE NEVER DONE ONE LIKE THAT BEFORE. 1644 01:33:42,401 --> 01:33:43,667 MY FAULT. I SHOULD'VE GOT IT. 1645 01:33:43,769 --> 01:33:45,702 IT WAS A FLUKE. HONEST. 1646 01:33:45,804 --> 01:33:46,936 UH-HUH. 1647 01:33:47,039 --> 01:33:49,339 WELL, SHALL I SERVE AGAIN? 1648 01:33:49,441 --> 01:33:50,373 UH...UH... 1649 01:33:50,475 --> 01:33:52,309 WHY DON'T WE SWIM INSTEAD? 1650 01:33:52,411 --> 01:33:53,410 OH, YES! 1651 01:33:53,512 --> 01:33:56,246 I MEAN, IF YOU'D LIKE TO. 1652 01:33:56,348 --> 01:33:58,448 I WOULD IF YOU WOULD. 1653 01:33:58,550 --> 01:34:00,684 GERTRUDE! HMM? 1654 01:34:00,786 --> 01:34:03,420 THE CHEF WANTS TO KNOW WHAT YOU'D LIKE FOR DINNER. 1655 01:34:03,522 --> 01:34:05,422 OH, DON'T BOTHER ME WITH BORING DETAILS! 1656 01:34:05,524 --> 01:34:07,424 WE'RE HAVING FAR TOO MUCH FUN. 1657 01:34:07,526 --> 01:34:09,426 AND YOU SHOULD ANSWER NOEL'S LETTER 1658 01:34:09,528 --> 01:34:10,927 ABOUT PRIVATE LIVES. 1659 01:34:11,029 --> 01:34:12,929 YOU RUN ALONG AND CHANGE, DARLING. 1660 01:34:13,031 --> 01:34:15,365 I'LL BE WITH YOU IN A MINUTE. 1661 01:34:15,467 --> 01:34:16,766 SCRAMBLED EGGS AND BACON. 1662 01:34:16,868 --> 01:34:17,934 FOR DINNER? 1663 01:34:18,036 --> 01:34:20,870 UH-HUH. PAMELA ADORES THEM, AND SO DO I. 1664 01:34:20,972 --> 01:34:22,906 WHAT SHALL I TELL NOEL? 1665 01:34:23,008 --> 01:34:24,574 CABLE HIM THE PLAY'S DELIGHTFUL 1666 01:34:24,676 --> 01:34:26,576 AND THERE'S NOTHING THAT CAN'T BE FIXED. 1667 01:34:26,678 --> 01:34:27,911 HE WON'T LIKE THAT! 1668 01:34:28,013 --> 01:34:29,913 I MEAN ABOUT MY COMMITMENT TO CHARLOT. 1669 01:34:30,015 --> 01:34:31,381 WHOOPS! HA HA HA. 1670 01:34:31,483 --> 01:34:33,683 UH, DARLING... 1671 01:34:33,785 --> 01:34:35,685 OH, YOU'RE NOT CHANGING, DARLING? 1672 01:34:35,787 --> 01:34:37,087 I'VE JUST REMEMBERED-- 1673 01:34:37,189 --> 01:34:39,689 IT'S LESS THAN AN HOUR SINCE LUNCH. 1674 01:34:39,791 --> 01:34:40,757 HMM? 1675 01:34:40,859 --> 01:34:42,192 I'M SORRY, THE SCHOOL INSISTS. 1676 01:34:42,294 --> 01:34:45,962 OF COURSE, DARLING. YOU'RE ABSOLUTELY RIGHT. 1677 01:34:46,064 --> 01:34:48,565 MY MUM ALWAYS USED TO SAY 1678 01:34:48,667 --> 01:34:51,301 THAT THE COUPLE OF MINUTES WE HAD BEFORE LIGHTS OUT 1679 01:34:51,403 --> 01:34:53,737 WERE THE BEST PART OF ANY DAY. 1680 01:34:53,839 --> 01:34:56,840 SHE USED TO COME AND SIT ON MY BED JUST LIKE THIS. 1681 01:34:58,510 --> 01:35:01,544 MOTHER, MAY I ASK YOU SOMETHING? 1682 01:35:01,646 --> 01:35:03,313 WELL, OF COURSE, DARLING. 1683 01:35:03,415 --> 01:35:05,782 IT'S--WELL, I HOPE YOU WON'T MIND. 1684 01:35:05,884 --> 01:35:07,384 IT'S SOMETHING I WANT TO KNOW. 1685 01:35:07,486 --> 01:35:09,052 YES? 1686 01:35:09,154 --> 01:35:10,520 DID DADDY LEAVE YOU? 1687 01:35:10,622 --> 01:35:11,988 WHAT? 1688 01:35:12,090 --> 01:35:13,690 OR DID YOU LEAVE HIM? 1689 01:35:15,060 --> 01:35:16,393 WELL, WE... 1690 01:35:16,495 --> 01:35:18,294 WE LEFT EACH OTHER, DARLING. 1691 01:35:18,397 --> 01:35:19,596 WE AGREED IT WOULD BE BETTER. 1692 01:35:19,698 --> 01:35:21,498 I SEE. 1693 01:35:21,600 --> 01:35:23,366 DO YOU REALLY? 1694 01:35:23,468 --> 01:35:26,136 YES, REALLY. 1695 01:35:29,741 --> 01:35:31,975 IT'S GOOD THAT WE'RE SO CLOSE. 1696 01:35:37,249 --> 01:35:38,548 GOOD NIGHT, DARLING. 1697 01:35:38,650 --> 01:35:40,517 GOOD NIGHT, MOTHER. 1698 01:36:08,814 --> 01:36:10,180 GOOD MORNING, DEAR. 1699 01:36:10,282 --> 01:36:11,714 [PAMELA] GOOD MORNING. 1700 01:36:11,817 --> 01:36:13,616 THE MASTER HAS REPLIED. 1701 01:36:15,520 --> 01:36:17,921 "THE ONLY THING WHICH REQUIRES FIXING 1702 01:36:18,023 --> 01:36:19,589 "IS YOUR ACTING. 1703 01:36:19,691 --> 01:36:21,524 LOVE, NOEL." 1704 01:36:21,626 --> 01:36:22,525 VERY FUNNY. 1705 01:36:22,627 --> 01:36:24,093 IS THE CAR READY? 1706 01:36:24,196 --> 01:36:25,528 IT ALWAYS IS. WHY? 1707 01:36:25,630 --> 01:36:28,531 PAMELA AND I ARE MOTORING UP TO MONTE CARLO. 1708 01:36:28,633 --> 01:36:30,433 READY, DARLING? 1709 01:36:30,535 --> 01:36:31,468 MOTHER-- 1710 01:36:31,570 --> 01:36:32,502 YES? 1711 01:36:32,604 --> 01:36:34,137 WOULD IT-- 1712 01:36:34,239 --> 01:36:38,141 WOULD YOU MIND VERY MUCH IF I WENT BACK TO ENGLAND 1713 01:36:38,243 --> 01:36:41,077 A WEEK EARLIER THAN WE PLANNED? 1714 01:36:41,179 --> 01:36:43,346 IT'S JUST THE GIRLS IN MY FORM 1715 01:36:43,448 --> 01:36:46,549 ARE HAVING A PONY-TREKKING EXPEDITION, AND I-- 1716 01:36:46,651 --> 01:36:48,852 WELL, I SORT OF PROMISED TO GO ALONG. 1717 01:36:52,491 --> 01:36:53,823 WELL, OF COURSE, DARLING. 1718 01:36:53,925 --> 01:36:55,024 YOU MUSTN'T LET THEM DOWN. 1719 01:36:56,461 --> 01:36:57,927 ARE YOU SURE? 1720 01:36:58,029 --> 01:37:00,597 WELL, I'LL MISS YOU, BUT, UH... 1721 01:37:00,699 --> 01:37:03,166 THERE WILL ALWAYS BE OTHER HOLIDAYS. 1722 01:37:03,268 --> 01:37:04,400 MOTHER. 1723 01:37:05,971 --> 01:37:08,271 IT'S ALL RIGHT, DARLING. I UNDERSTAND. 1724 01:37:19,651 --> 01:37:23,720 ALL CHILDREN ARE A BIT UNPREDICTABLE AT HER AGE. 1725 01:37:23,822 --> 01:37:25,555 IT'S MY FAULT. 1726 01:37:25,657 --> 01:37:27,991 SHE NEEDS MORE THAN A GLAMOROUS MUM 1727 01:37:28,093 --> 01:37:30,560 FLOATING IN AND OUT OF HER LIFE 1728 01:37:30,662 --> 01:37:32,328 LIKE A FEMALE FATHER CHRISTMAS. 1729 01:37:32,430 --> 01:37:35,665 SHE NEEDS A FATHER, A HOME, CONSTANCY. 1730 01:37:35,767 --> 01:37:38,067 COME TO THAT, SO DO I. 1731 01:37:38,169 --> 01:37:39,502 TODAY YOU DO. 1732 01:37:39,604 --> 01:37:41,538 TOMORROW YOU WON'T. 1733 01:37:41,640 --> 01:37:44,340 IF YOU CAN'T SAY ANYTHING MORE ORIGINAL THAN THAT, 1734 01:37:44,442 --> 01:37:46,509 I SUGGEST YOU KEEP QUIET. 1735 01:37:50,115 --> 01:37:52,415 I'M SORRY. 1736 01:37:52,517 --> 01:37:55,385 I FEEL BLOODY. 1737 01:37:55,487 --> 01:37:56,519 LET'S FACE IT, LUV. 1738 01:37:56,621 --> 01:37:58,855 THIS WHOLE HOLIDAY WAS A MISTAKE. 1739 01:37:58,957 --> 01:38:01,090 LIFE'S A MESS. 1740 01:38:01,192 --> 01:38:04,527 I DON'T KNOW. I SUPPOSE I OUGHT TO GET MARRIED. 1741 01:38:04,629 --> 01:38:06,329 BEN MITCHELL'S IN PARIS. 1742 01:38:06,431 --> 01:38:08,898 ONE PHONE CALL, AND HE'LL COME RUNNING. 1743 01:38:09,000 --> 01:38:12,235 CHARLES FRASER WOULD EVEN FLY ACROSS THE ATLANTIC. 1744 01:38:16,408 --> 01:38:18,241 I'D LIKE YOU TO GO BACK TO LONDON WITH PAMELA-- 1745 01:38:18,343 --> 01:38:19,375 KEEP HER COMPANY. 1746 01:38:19,477 --> 01:38:21,110 BUT YOU'LL BE ALL ALONE. 1747 01:38:21,212 --> 01:38:23,580 WELL, I'LL JUST HAVE TO ASK NOEL 1748 01:38:23,682 --> 01:38:25,114 TO COME DOWN A BIT EARLIER. 1749 01:38:26,518 --> 01:38:27,750 AS THE SAYING GOES, 1750 01:38:27,852 --> 01:38:29,919 WHEN YOU'VE FLOPPED IN ONE PART, 1751 01:38:30,021 --> 01:38:32,088 ALWAYS START IN ANOTHER AS SOON AS POSSIBLE. 1752 01:38:36,294 --> 01:38:38,194 OH, I'M IN SUCH A RAGE! SO AM I. 1753 01:38:38,296 --> 01:38:39,529 WHAT ARE WE TO DO? 1754 01:38:39,631 --> 01:38:40,697 I DON'T KNOW. 1755 01:38:42,133 --> 01:38:43,433 WHOSE YACHT IS THAT? 1756 01:38:43,535 --> 01:38:46,436 THE DUKE OF WESTMINSTER'S, I EXPECT. IT ALWAYS IS. 1757 01:38:46,538 --> 01:38:47,670 I WISH I WERE ON IT. 1758 01:38:47,772 --> 01:38:49,238 I WISH YOU WERE, TOO. 1759 01:38:49,341 --> 01:38:50,673 THERE'S NO NEED TO BE NASTY. 1760 01:38:50,775 --> 01:38:52,508 YES, THERE IS. EVERY NEED. 1761 01:38:52,611 --> 01:38:53,643 I'VE NEVER FELT A GREATER URGE TO BE NASTY. 1762 01:38:53,745 --> 01:38:55,311 AND YOU CAN BE, CAN'T YOU? 1763 01:38:55,413 --> 01:38:56,713 WHAT ABOUT THAT DAMN TELEGRAM? 1764 01:38:56,815 --> 01:38:59,315 THAT LINE IS NOT IN THE SCRIPT OF PRIVATE LIVES. 1765 01:38:59,417 --> 01:39:01,718 THE ONLY THING THAT NEEDS FIXING IS MY ACTING, INDEED! 1766 01:39:01,820 --> 01:39:03,820 THERE ARE TIMES WHEN IT MOST DEFINITELY DOES. 1767 01:39:03,922 --> 01:39:06,389 THAT'S WHY I AGREED TO START REHEARSALS SO EARLY. 1768 01:39:06,491 --> 01:39:07,724 OH, GO TO HELL! 1769 01:39:07,826 --> 01:39:09,392 TCH, TCH, TCH. 1770 01:39:09,494 --> 01:39:11,194 NEVER SIT DOWN ON A LINE LIKE THAT. 1771 01:39:11,296 --> 01:39:12,595 IT KILLS IT STONE DEAD. 1772 01:39:12,697 --> 01:39:14,263 I'LL KILL YOU IN A MINUTE. 1773 01:39:17,636 --> 01:39:19,702 WHEN DOES TONY ARRIVE? 1774 01:39:19,804 --> 01:39:21,404 NEXT WEDNESDAY. WHY? 1775 01:39:21,506 --> 01:39:23,506 THE LORD CHAMBERLAIN HAS QUESTIONED 1776 01:39:23,608 --> 01:39:25,108 VARIOUS PASSAGES IN PRIVATE LIVES. 1777 01:39:25,210 --> 01:39:27,977 I MUST GO TO LONDON TO CONVINCE HIM HE'S MISTAKEN. 1778 01:39:28,079 --> 01:39:31,781 SO YOU AND TONY WILL HAVE THE HOUSE TO YOURSELVES. 1779 01:39:34,419 --> 01:39:37,320 WELL, I MIGHT JUST GO WITH YOU. 1780 01:39:37,422 --> 01:39:38,354 OH. 1781 01:39:38,456 --> 01:39:40,089 WELL, IF YOU DO, 1782 01:39:40,191 --> 01:39:42,325 IT'LL BE THE FIRST TIME A THEATRICAL CENSOR 1783 01:39:42,427 --> 01:39:45,328 HAS HELPED A WOMAN AVOID QUESTIONS FROM HER LOVER. 1784 01:39:45,430 --> 01:39:47,463 WHY DON'T YOU JUST GO-- 1785 01:39:47,565 --> 01:39:48,731 TROOP, STEADY! 1786 01:39:48,833 --> 01:39:51,501 TROOP, 'SHUN! 1787 01:39:51,603 --> 01:39:55,271 TROOP CARRY SWORDS! 1788 01:39:55,373 --> 01:39:59,042 FROM THE RIGHT, FORM HALF-SECTIONS! 1789 01:39:59,144 --> 01:40:01,411 WALK, MARCH! 1790 01:40:07,252 --> 01:40:09,352 [NOEL] "I HOPE FOR A GLORIOUS OBLIVION, LIKE BEING UNDER GAS." 1791 01:40:09,454 --> 01:40:12,121 [GERTRUDE] "I ALWAYS DREAM THE MOST PECULIAR THINGS UNDER GAS." 1792 01:40:12,223 --> 01:40:13,923 "WOULD YOU BE YOUNG ALWAYS IF YOU COULD CHOOSE?" 1793 01:40:14,025 --> 01:40:15,925 "NOT IF IT MEANT HAVING THOSE AWFUL BULL'S GLANDS 1794 01:40:15,994 --> 01:40:17,627 POPPED INTO ME." 1795 01:40:17,729 --> 01:40:20,029 "COWS FOR YOU, DEAR. BULLS FOR ME." 1796 01:40:20,131 --> 01:40:21,397 HA HA HA HA. 1797 01:40:21,533 --> 01:40:23,433 THANK YOU BOTH SO MUCH. 1798 01:40:23,535 --> 01:40:26,402 NOW, ON PAGE 50, THE DIRECTIONS READ-- 1799 01:40:26,504 --> 01:40:29,839 "HE PUSHES HER BACK ONTO THE SOFA." 1800 01:40:29,941 --> 01:40:31,574 PRECISELY. 1801 01:40:31,676 --> 01:40:33,409 PRECISELY! 1802 01:40:35,980 --> 01:40:38,481 I WONDER, WOULD YOU TWO GENTLEMEN MIND MOVING? 1803 01:40:38,583 --> 01:40:40,583 I DON'T WANT YOU TO BE IN ANY DOUBT. 1804 01:40:40,685 --> 01:40:43,186 WE'LL SHOW YOU, BUT WE'LL NEED THE SOFA AS A PROP. 1805 01:40:43,288 --> 01:40:45,021 WHY DON'T YOU STAND OVER THERE? 1806 01:40:45,123 --> 01:40:46,756 WITH PLEASURE, OF COURSE. 1807 01:40:50,328 --> 01:40:51,661 Come and kiss me, darling. 1808 01:40:51,763 --> 01:40:53,096 I BEG YOUR PARDON? 1809 01:40:53,198 --> 01:40:54,430 THAT'S YOUR LINE. 1810 01:40:54,532 --> 01:40:56,265 OH, THANK YOU VERY MUCH. 1811 01:40:56,367 --> 01:40:58,367 COME ON, NOEL. COME ON! 1812 01:40:58,470 --> 01:41:00,703 IN FOR A PENNY, IN FOR A POUND. 1813 01:41:02,674 --> 01:41:04,006 COMFY? 1814 01:41:04,109 --> 01:41:05,241 MM-HMM. 1815 01:41:05,343 --> 01:41:07,510 "YOU REMEMBER THE ROW WE HAD IN CANNES 1816 01:41:07,612 --> 01:41:10,179 WHEN YOUR CURLING IRON BURNED MY NEW DRESSING GOWN?" 1817 01:41:10,281 --> 01:41:11,981 "IT BURNED MY COMB, TOO, AND ALL THE TOWELS IN THE BATHROOM." 1818 01:41:12,083 --> 01:41:14,417 "THAT WAS A ROUSER, WASN'T IT?" 1819 01:41:14,519 --> 01:41:15,818 HAVE A LOOK IN THERE. 1820 01:41:15,920 --> 01:41:18,521 "I SHALL NEVER FORGET HIS FACE, MY DARLING." 1821 01:41:18,623 --> 01:41:19,422 [LAUGHTER] 1822 01:41:19,524 --> 01:41:21,557 [GUARD] WOW-EE! 1823 01:41:23,461 --> 01:41:25,862 [CLEARING THROAT] 1824 01:41:25,964 --> 01:41:28,598 [GERTRUDE] OH, STOP IT. STOP IT! 1825 01:41:28,700 --> 01:41:31,768 [LAUGHTER] 1826 01:41:31,870 --> 01:41:34,270 LES ANGLAIS-- 1827 01:41:34,372 --> 01:41:36,806 NEVER UNDERRATE THEM. 1828 01:41:38,476 --> 01:41:39,709 UH, THANK YOU. 1829 01:41:39,811 --> 01:41:42,211 THE ONLY OTHER SCENE THAT WORRIES ME 1830 01:41:42,313 --> 01:41:44,413 IS THE ARGUMENT AT THE END OF ACT II. 1831 01:41:44,516 --> 01:41:46,082 THAT INVOLVES THE OTHER TWO CHARACTERS. 1832 01:41:46,184 --> 01:41:48,217 THE WHOLE POINT IS THEIR ENTRANCE. 1833 01:41:48,319 --> 01:41:49,519 I WONDER, SIR, 1834 01:41:49,621 --> 01:41:51,487 UH, WOULD YOU BE VICTOR 1835 01:41:51,589 --> 01:41:53,156 AND YOU BE SIBYL? 1836 01:41:53,258 --> 01:41:57,059 YES! LOOK, YOU COME IN THROUGH THIS DOOR OVER... 1837 01:41:57,162 --> 01:41:58,060 HERE. 1838 01:41:58,163 --> 01:42:00,062 BUT THERE ISN'T A DOOR HERE. 1839 01:42:00,165 --> 01:42:01,397 WELL, I'LL SHOW YOU. 1840 01:42:01,499 --> 01:42:02,398 ALL RIGHT? 1841 01:42:02,500 --> 01:42:04,901 HMM. 1842 01:42:05,003 --> 01:42:06,536 FROM "THIS IS THE END." 1843 01:42:06,638 --> 01:42:07,537 ALL RIGHT. 1844 01:42:07,639 --> 01:42:08,938 ARE YOU READY? 1845 01:42:09,040 --> 01:42:10,439 EVERYTHING YOU'VE GOT. 1846 01:42:10,542 --> 01:42:12,909 THIS IS THE END, DO YOU UNDERSTAND? 1847 01:42:13,011 --> 01:42:14,110 FINALLY AND FOREVER! 1848 01:42:14,212 --> 01:42:15,545 YOU'RE NOT GOING! 1849 01:42:15,647 --> 01:42:18,114 OH, YES, I AM! LET GO OF ME. 1850 01:42:18,216 --> 01:42:21,517 YOU'RE A CRUEL FIEND, AND I HATE AND I LOATHE YOU! 1851 01:42:21,619 --> 01:42:22,852 You're on! 1852 01:42:22,954 --> 01:42:26,289 THANK GOD I FOUND OUT IN TIME WHAT YOU'RE REALLY LIKE. 1853 01:42:26,391 --> 01:42:27,657 MARRY YOU AGAIN? NEVER! NEVER! NEVER! 1854 01:42:27,759 --> 01:42:29,659 I'D RATHER DIE IN TORMENT! 1855 01:42:29,761 --> 01:42:31,227 SHUT UP! SHUT UP! 1856 01:42:31,329 --> 01:42:34,263 OH, I WOULDN'T MARRY YOU AGAIN 1857 01:42:34,365 --> 01:42:36,399 EVEN IF YOU CAME CRAWLING ON BENDED KNEE. 1858 01:42:36,501 --> 01:42:38,100 I'D RATHER DIE IN TORMENT! 1859 01:42:38,203 --> 01:42:40,970 [NOEL SHOUTING] 1860 01:42:41,072 --> 01:42:41,904 AND FURTHERMORE... 1861 01:42:42,006 --> 01:42:43,940 AAH! AAH! 1862 01:42:44,042 --> 01:42:45,508 GOOD GOD! 1863 01:42:45,610 --> 01:42:47,777 [NOEL] I WOULDN'T MARRY YOU AGAIN! 1864 01:42:49,280 --> 01:42:50,913 GET OFF ME! 1865 01:42:51,015 --> 01:42:53,249 YOU'RE A VILE LITTLE-- 1866 01:42:53,351 --> 01:42:56,385 YOU'RE NOT SUPPOSED TO BE LAUGHING, SIR. 1867 01:42:56,487 --> 01:42:57,720 WE'RE VICTOR AND SIBYL, 1868 01:42:57,822 --> 01:43:00,389 AND WE'RE ON OUR HONEYMOONS--WITH THEM. 1869 01:43:01,826 --> 01:43:05,361 [AUDIENCE LAUGHING] 1870 01:43:05,463 --> 01:43:07,363 WHAT ARE YOU DOING HERE? 1871 01:43:07,465 --> 01:43:08,831 I'M ON HONEYMOON. 1872 01:43:08,933 --> 01:43:10,533 HOW INTERESTING. SO AM I. 1873 01:43:10,635 --> 01:43:11,834 I HOPE YOU'RE ENJOYING IT. 1874 01:43:11,936 --> 01:43:13,269 IT HASN'T STARTED YET. 1875 01:43:13,371 --> 01:43:14,537 NEITHER HAS MINE. 1876 01:43:14,639 --> 01:43:17,373 [AUDIENCE LAUGHING] 1877 01:43:17,475 --> 01:43:18,441 ARE YOU... 1878 01:43:18,543 --> 01:43:19,408 HAPPY? 1879 01:43:19,510 --> 01:43:21,410 PERFECTLY. ARE YOU? 1880 01:43:21,512 --> 01:43:22,912 ECSTATICALLY. 1881 01:43:23,014 --> 01:43:25,248 WHAT'S HER NAME? 1882 01:43:25,350 --> 01:43:26,716 SIBYL. 1883 01:43:26,818 --> 01:43:28,885 SSSIBYL. HAVE YOU KNOWN HER LONG? 1884 01:43:28,987 --> 01:43:31,153 ABOUT FOUR MONTHS. WE MET AT A HOUSE PARTY IN NORFOLK. 1885 01:43:31,256 --> 01:43:32,355 VERY FLAT, NORFOLK. 1886 01:43:32,457 --> 01:43:33,789 THERE'S NO NEED TO BE UNPLEASANT. 1887 01:43:33,892 --> 01:43:36,559 IT'S NO REFLECTION ON HER, UNLESS SHE MADE IT FLATTER. 1888 01:43:36,661 --> 01:43:38,094 YOUR VOICE TAKES ON AN ACID QUALITY 1889 01:43:38,196 --> 01:43:39,495 WHENEVER YOU MENTION HER NAME. 1890 01:43:39,597 --> 01:43:41,297 I'LL NEVER MENTION IT AGAIN, I SWEAR. 1891 01:43:41,399 --> 01:43:43,132 GOOD. THEN I'LL KEEP OFF YOURS. 1892 01:43:43,234 --> 01:43:44,467 THANK YOU. NOT AT ALL. 1893 01:43:49,540 --> 01:43:52,942 THAT ORCHESTRA HAS A REMARKABLY SMALL REPERTOIRE. 1894 01:43:53,044 --> 01:43:57,380 STRANGE HOW POTENT CHEAP MUSIC IS. 1895 01:44:00,685 --> 01:44:04,654 ♪ SOMEDAY I'LL FIND YOU ♪ 1896 01:44:04,756 --> 01:44:08,057 ♪ MOONLIGHT BEHIND YOU ♪ 1897 01:44:08,159 --> 01:44:11,127 ♪ TRUE TO THE DREAM ♪ 1898 01:44:11,229 --> 01:44:15,564 ♪ I AM DREAMING ♪ 1899 01:44:15,667 --> 01:44:19,635 ♪ AS I DRAW NEAR YOU ♪ 1900 01:44:19,737 --> 01:44:24,473 ♪ YOU'LL SMILE A LITTLE SMILE ♪ 1901 01:44:24,575 --> 01:44:29,345 ♪ FOR A LITTLE WHILE ♪ 1902 01:44:29,447 --> 01:44:32,548 ♪ WE SHALL STAND ♪ 1903 01:44:32,650 --> 01:44:37,720 ♪ HAND IN HAND ♪ 1904 01:44:37,822 --> 01:44:40,690 ♪ I'LL LEAVE YOU NEVER ♪ 1905 01:44:40,825 --> 01:44:44,994 ♪ LOVE YOU FOREVER ♪ 1906 01:44:45,096 --> 01:44:49,165 ♪ ALL OUR PAST SORROW ♪ 1907 01:44:49,267 --> 01:44:53,235 ♪ REDEEMING ♪ 1908 01:44:53,338 --> 01:44:58,341 ♪ MAKE IT ALL COME TRUE ♪ 1909 01:44:58,443 --> 01:45:05,047 ♪ SAY YOU LOVE ME, TOO ♪ 1910 01:45:05,149 --> 01:45:11,687 ♪ SOMEDAY I'LL FIND YOU ♪ 1911 01:45:11,789 --> 01:45:16,592 ♪ AGAIN ♪♪ 1912 01:45:24,168 --> 01:45:26,435 YOU ALWAYS HAD A SWEET VOICE, AMANDA. 1913 01:45:29,273 --> 01:45:31,407 HERE WE ARE, STARTING AFRESH 1914 01:45:31,509 --> 01:45:33,042 WITH TWO QUITE DIFFERENT PEOPLE 1915 01:45:33,144 --> 01:45:35,478 IN LOVE ALL OVER AGAIN, AREN'T WE? 1916 01:45:35,580 --> 01:45:37,013 AREN'T WE? 1917 01:45:37,115 --> 01:45:39,515 NO. WE'RE NOT IN LOVE ALL OVER AGAIN, 1918 01:45:39,617 --> 01:45:41,283 AND YOU KNOW IT. GOOD NIGHT, AMANDA. 1919 01:45:41,386 --> 01:45:43,185 ELYOT, DON'T BE SILLY. COME BACK. 1920 01:45:43,287 --> 01:45:44,954 WE WON'T TALK ABOUT OURSELVES ANYMORE. 1921 01:45:45,056 --> 01:45:47,189 WE'LL TALK ABOUT OUTSIDE THINGS, ANYTHING YOU LIKE, ONLY-- 1922 01:45:47,291 --> 01:45:49,558 JUST DON'T LEAVE ME UNTIL I'VE PULLED MYSELF TOGETHER. 1923 01:45:49,660 --> 01:45:50,893 VERY WELL. 1924 01:45:52,296 --> 01:45:53,763 OH. 1925 01:45:53,865 --> 01:45:55,998 WHAT HAVE YOU BEEN DOING LATELY DURING THESE PAST YEARS? 1926 01:45:56,100 --> 01:45:57,566 TRAVELING. I WENT 'ROUND THE WORLD, AFTER-- 1927 01:45:57,668 --> 01:45:59,201 YES. YES, HOW WAS IT? 1928 01:45:59,303 --> 01:46:00,903 THE WORLD? HIGHLY ENJOYABLE. 1929 01:46:01,005 --> 01:46:02,338 CHINA MUST BE VERY INTERESTING. 1930 01:46:02,440 --> 01:46:03,339 VERY BIG, CHINA. 1931 01:46:03,441 --> 01:46:04,573 AND JAPAN? VERY SMALL. 1932 01:46:04,675 --> 01:46:06,542 DID YOU EAT SHARKS' FINS, TAKE YOUR SHOES OFF, 1933 01:46:06,644 --> 01:46:07,376 USE CHOPSTICKS, AND EVERYTHING? 1934 01:46:07,478 --> 01:46:08,878 PRACTICALLY EVERYTHING. 1935 01:46:08,980 --> 01:46:11,914 AND INDIA, THE BURNING GHARS OR GHATS OR WHATEVER. 1936 01:46:12,016 --> 01:46:14,216 AND THE TAJ MAHAL! HOW WAS THE TAJ MAHAL? 1937 01:46:14,318 --> 01:46:15,551 UNBELIEVABLE. 1938 01:46:15,653 --> 01:46:17,253 A SORT OF DREAM. 1939 01:46:17,355 --> 01:46:18,621 THAT WAS THE MOONLIGHT, I EXPECT. 1940 01:46:18,723 --> 01:46:20,222 YOU MUST HAVE SEEN IT IN THE MOONLIGHT. 1941 01:46:20,324 --> 01:46:21,323 YES. 1942 01:46:21,426 --> 01:46:23,692 MOONLIGHT CAN BE CRUELLY DECEPTIVE. 1943 01:46:23,795 --> 01:46:25,461 IT DIDN'T LOOK LIKE A BISCUIT BOX, DID IT? 1944 01:46:25,563 --> 01:46:26,629 I'VE ALWAYS FELT THAT IT MIGHT. 1945 01:46:26,731 --> 01:46:28,497 DARLING, I DO LOVE YOU SO. 1946 01:46:28,599 --> 01:46:31,200 I DO HOPE YOU MET A SACRED ELEPHANT THERE. 1947 01:46:31,302 --> 01:46:33,469 LINT WHITE, I BELIEVE, AND VERY, VERY SWEET. 1948 01:46:33,571 --> 01:46:36,138 I'VE NEVER LOVED ANYONE ELSE FOR AN INSTANT. 1949 01:46:36,240 --> 01:46:39,141 AND YOU LOVE ME, TOO, DON'T YOU? 1950 01:46:39,243 --> 01:46:42,545 THERE ISN'T ANY DOUBT ABOUT IT ANYWHERE. 1951 01:46:42,647 --> 01:46:43,579 IS THERE? 1952 01:46:45,316 --> 01:46:47,316 NO. 1953 01:46:47,418 --> 01:46:49,218 NO DOUBT. 1954 01:46:49,320 --> 01:46:50,820 ANYWHERE. 1955 01:46:57,161 --> 01:46:58,394 CONGRATULATIONS! 1956 01:46:58,496 --> 01:46:59,795 THANK YOU. 1957 01:47:04,402 --> 01:47:05,434 DOROTHY! 1958 01:47:05,536 --> 01:47:07,470 BE SURE EVERYBODY IN THE COMPANY 1959 01:47:07,572 --> 01:47:09,438 GETS THEIR PRESENTS BEFORE THEY LEAVE. 1960 01:47:09,540 --> 01:47:10,573 THANK YOU, DEAR. 1961 01:47:10,675 --> 01:47:12,708 GERTIE, YOUR AMANDA WILL LIVE FOREVER! 1962 01:47:12,810 --> 01:47:13,709 GODDESS! 1963 01:47:13,811 --> 01:47:16,011 DESCEND FROM MOUNT OLYMPUS! 1964 01:47:16,114 --> 01:47:17,012 ALEC! 1965 01:47:17,115 --> 01:47:18,147 OH! 1966 01:47:19,784 --> 01:47:20,716 WELL... 1967 01:47:20,818 --> 01:47:24,353 MY COURAGE FAILED ME AT THE STICKING POINT. 1968 01:47:24,455 --> 01:47:28,190 MAY I INTRODUCE MR. RICHARD ALDRICH. 1969 01:47:28,292 --> 01:47:30,526 HE IS A BANKER FROM NEW ENGLAND. 1970 01:47:30,628 --> 01:47:32,261 LET ME GIVE YOU A HAND. 1971 01:47:32,363 --> 01:47:33,696 I'M TERRIBLY SORRY! 1972 01:47:33,798 --> 01:47:34,663 AWFULLY SORRY. 1973 01:47:34,765 --> 01:47:37,333 UH, MR. RICHARD ALDRICH, 1974 01:47:37,435 --> 01:47:39,368 THIS IS SIR ANTHONY SPENCER, 1975 01:47:39,470 --> 01:47:40,703 MR. BEN MITCHELL. 1976 01:47:40,805 --> 01:47:42,304 OH, GOD, THERE ARE TOO MANY OF YOU. 1977 01:47:42,406 --> 01:47:43,806 YOU'LL HAVE TO INTRODUCE YOURSELVES. 1978 01:47:43,908 --> 01:47:45,641 NOEL! 1979 01:47:45,743 --> 01:47:47,510 DARLING! 1980 01:47:47,612 --> 01:47:49,211 SO CLEVER, NOEL. 1981 01:47:49,313 --> 01:47:51,580 A DIVINE PLAY. 1982 01:47:55,453 --> 01:47:57,820 ONE OF THE MORE RIDICULOUS CLICHÉS 1983 01:47:57,922 --> 01:47:59,788 IS THAT THERE'S SAFETY IN NUMBERS. 1984 01:47:59,891 --> 01:48:00,789 HMM? 1985 01:48:00,892 --> 01:48:02,691 OH, BOO. 1986 01:48:04,562 --> 01:48:06,595 THE '30s BROUGHT THE DEPRESSION 1987 01:48:06,697 --> 01:48:08,297 AND THE PROBLEM 1988 01:48:08,399 --> 01:48:11,634 OF EVER-INCREASING UNEMPLOYMENT TO ENGLAND. 1989 01:48:11,736 --> 01:48:15,104 MANY PEOPLE SUGGESTED MANY SOLUTIONS. 1990 01:48:15,206 --> 01:48:19,275 ♪ ONWARD, CHRISTIAN SOLDIERS ♪ 1991 01:48:19,377 --> 01:48:22,845 ♪ MARCHING AS TO WAR ♪ 1992 01:48:22,947 --> 01:48:25,648 ♪ WITH THE CROSS OF JESUS ♪♪ 1993 01:48:25,750 --> 01:48:28,717 WE HAVE LOST THE WAY, MY FRIENDS. 1994 01:48:28,819 --> 01:48:30,719 WE MUST TURN FROM THE BROAD, 1995 01:48:30,821 --> 01:48:33,055 EASY HIGH ROAD OF SIN. 1996 01:48:33,157 --> 01:48:35,558 CAST OFF THE CHAINS OF CAPITALISM! 1997 01:48:35,660 --> 01:48:37,960 WORKERS UNITE! 1998 01:48:38,062 --> 01:48:39,495 DOWN WITH THE EMPLOYERS! 1999 01:48:39,597 --> 01:48:40,663 TO BUILD, 2000 01:48:40,765 --> 01:48:42,565 WE MUST FIRST DESTROY! 2001 01:48:42,667 --> 01:48:45,100 OH, RUBBISH! 2002 01:48:45,203 --> 01:48:46,168 ABSOLUTE RUBBISH! 2003 01:48:46,270 --> 01:48:47,670 BALDERDASH AND POPPYCOCK! 2004 01:48:47,772 --> 01:48:52,274 OH, I DO BEG HER LADYSHIP'S PARDON, I'M SURE. 2005 01:48:52,376 --> 01:48:54,543 TAKE A GOOD LOOK, COMRADES. 2006 01:48:54,612 --> 01:48:57,279 A LOVELY EXAMPLE OF THE MONEYED CLASSES. 2007 01:48:57,381 --> 01:48:59,915 'ERE, 'ERE! 'ERE! THIS IS MY PLATFORM! 2008 01:49:00,051 --> 01:49:02,551 DO AS HE SAYS, COMRADES. TAKE A GOOD LOOK! 2009 01:49:02,653 --> 01:49:04,453 GET THIS! GET IN CLOSER! 2010 01:49:04,555 --> 01:49:06,488 JUST 'CAUSE YOU'VE GOT A BLOODY OCELOT COAT ON 2011 01:49:06,591 --> 01:49:08,824 DON'T MEAN YOU CAN TAKE MY BLOODY PLATFORM. 2012 01:49:08,926 --> 01:49:10,859 AND JUST 'CAUSE YOU'S BORN IN BLOODY MAYFAIR-- 2013 01:49:10,962 --> 01:49:12,995 LISTEN, DUCKS, I WAS BORN IN BLOODY CLAPHAM. 2014 01:49:13,097 --> 01:49:15,664 THIS IS A BLOODY MINK, AND I PAID FOR IT MY BLOODY SELF! 2015 01:49:15,766 --> 01:49:17,066 IT'S GERTRUDE LAWRENCE! 2016 01:49:17,168 --> 01:49:18,567 HELLO, GERTIE! 2017 01:49:18,669 --> 01:49:20,336 WHERE'S YOUR ROLLS-ROYCE, GERTIE? 2018 01:49:20,438 --> 01:49:22,271 GIVE THE GIRL A CHANCE! 2019 01:49:22,373 --> 01:49:23,872 ALL RIGHT, YOU CAPITALIST LACKEY. 2020 01:49:23,975 --> 01:49:24,873 GET OFF! 2021 01:49:24,976 --> 01:49:26,909 OH, BELT UP! 2022 01:49:27,011 --> 01:49:28,510 LISTEN TO ME, COMRADES. 2023 01:49:28,613 --> 01:49:32,781 I KNOW WHAT IT'S LIKE TO BE HUNGRY AND OUT OF A JOB. 2024 01:49:32,883 --> 01:49:34,783 BUT IT'S NO USE MOANING AND WAILING! 2025 01:49:34,885 --> 01:49:38,387 WHAT YOU GOTTA DO IS CHEER YOURSELVES UP. 2026 01:49:38,489 --> 01:49:40,522 WHO WANTS TO COME TO THE THEATRE TONIGHT? 2027 01:49:40,625 --> 01:49:42,391 15 BOB A BLEEDIN' TICKET 2028 01:49:42,493 --> 01:49:44,193 AND 'IRE YOUR OWN DINNER JACKET! 2029 01:49:44,295 --> 01:49:45,661 ON THE HOUSE, WITH A COUPLE OF DRINKS APIECE 2030 01:49:45,763 --> 01:49:47,229 AND FREE SANDWICHES! 2031 01:49:47,331 --> 01:49:48,697 SHE'S SEDUCING YOU, MATES! 2032 01:49:48,799 --> 01:49:50,199 NOW, I'M WARNING YOU, SHE'S SEDUCING YOU. 2033 01:49:50,301 --> 01:49:52,167 IT'S MY MONEY, AND IF I WANT TO SPEND IT, 2034 01:49:52,270 --> 01:49:53,769 IT'S NONE OF YOUR BLEEDIN' BUSINESS! 2035 01:49:53,871 --> 01:49:55,804 ALL RIGHT, THEN-- WHO WANTS TO COME? 2036 01:49:55,906 --> 01:49:59,775 ME! ME! 2037 01:50:08,552 --> 01:50:10,019 MISS GERTRUDE LAWRENCE? 2038 01:50:10,121 --> 01:50:12,821 UH, YES? 2039 01:50:12,923 --> 01:50:14,923 OH, SO SORRY. NO HANDS. 2040 01:50:15,026 --> 01:50:16,425 OH. ALLOW ME. 2041 01:50:16,527 --> 01:50:20,095 MAY I SAY HOW MUCH I ENJOYED PRIVATE LIVES? 2042 01:50:20,197 --> 01:50:21,497 OH, HOW SWEET OF YOU. 2043 01:50:21,599 --> 01:50:23,132 UH, WHAT IS THIS? 2044 01:50:23,234 --> 01:50:24,800 A WRIT, MISS LAWRENCE. 2045 01:50:24,902 --> 01:50:27,503 IT'S BEEN SUCH A PLEASURE TO MEET YOU. 2046 01:50:29,740 --> 01:50:31,974 [WHISTLES SOMEDAY I'LL FIND YOU] 2047 01:50:35,546 --> 01:50:36,845 A WRIT, MISS LAWRENCE, 2048 01:50:36,947 --> 01:50:39,848 IS A MEANS BY WHICH SOMEONE TO WHOM MONEY IS OWED 2049 01:50:39,950 --> 01:50:42,418 CAN OBTAIN IT WITHOUT RECOURSE TO MORE DRASTIC ACTION. 2050 01:50:42,520 --> 01:50:45,354 IT IS PRECISELY TO AVOID SUCH FURTHER ACTION 2051 01:50:45,456 --> 01:50:46,689 BEING TAKEN AGAINST YOU. 2052 01:50:46,791 --> 01:50:48,857 WHOOPS! OH. 2053 01:50:48,959 --> 01:50:50,192 MISS LAWRENCE. 2054 01:50:50,294 --> 01:50:52,027 I'M SO SORRY, MR. HOLTZMANN. 2055 01:50:52,129 --> 01:50:55,698 DARLING, I THINK YOU'D BE A LOT SAFER ON THE SWINGS. 2056 01:50:55,800 --> 01:50:57,266 NOW, YOU WERE SAYING? 2057 01:50:57,368 --> 01:50:58,667 IT IS SIMPLY-- 2058 01:50:58,769 --> 01:51:00,669 THE NICE BLOKE WITH THE "SIR" TO HIS NAME 2059 01:51:00,771 --> 01:51:02,671 SAYS HE'S GOT TO GO NOW. 2060 01:51:02,773 --> 01:51:04,473 PLEASE EXCUSE ME, MR. HOLTZMANN. 2061 01:51:04,575 --> 01:51:05,841 I SHAN'T BE LONG. 2062 01:51:05,943 --> 01:51:08,010 GERTIE, DAVID HOLTZMANN IS A VERY BUSY MAN. 2063 01:51:08,112 --> 01:51:10,012 WHEN I MADE THIS APPOINTMENT FOR YOU, 2064 01:51:10,114 --> 01:51:12,114 YOU PROMISED ME YOU WERE FREE. 2065 01:51:12,216 --> 01:51:14,450 I WAS, DARLING, BUT HOW WAS I TO KNOW 2066 01:51:14,552 --> 01:51:16,618 THAT TONY WAS GOING TO BE MADE GOVERNOR 2067 01:51:16,721 --> 01:51:18,454 OF SOME WRETCHED INDIAN PROVINCE? 2068 01:51:18,556 --> 01:51:19,455 I'M NOT PSYCHIC! 2069 01:51:19,557 --> 01:51:21,190 JEANNIE, GIVE MR. HOLTZMANN 2070 01:51:21,292 --> 01:51:23,192 AN ENORMOUS GLASS OF CHAMPAGNE. 2071 01:51:23,294 --> 01:51:25,194 I'LL BE BACK IN A JIFFY. 2072 01:51:25,296 --> 01:51:26,628 I'M COMPLETELY FASCINATED 2073 01:51:26,731 --> 01:51:28,197 BY EVERYTHING YOU'RE TELLING ME. 2074 01:51:28,299 --> 01:51:29,865 COME ALONG, DARLING. 2075 01:51:30,968 --> 01:51:32,534 FASCINATED. 2076 01:51:32,636 --> 01:51:34,870 I MAY BE A LITTLE SLOW ON THE UPTAKE, 2077 01:51:34,972 --> 01:51:36,805 BUT WHAT HAVE ALL THESE STRANGE-LOOKING CHILDREN 2078 01:51:36,907 --> 01:51:39,441 GOT TO DO WITH SIR ANTHONY'S DEPARTURE FOR INDIA? 2079 01:51:39,543 --> 01:51:40,976 MY DEAR DAVID, DON'T EXPECT LOGIC FROM GERTIE. 2080 01:51:41,078 --> 01:51:42,578 THEIR FATHERS ARE UNEMPLOYED, 2081 01:51:42,680 --> 01:51:44,446 AND SHE'S GIVING A PARTY FOR THEM. 2082 01:51:44,548 --> 01:51:45,748 SHEER COINCIDENCE. 2083 01:51:45,850 --> 01:51:47,916 MISS LAWRENCE IS VERY AWARE OF SOCIAL PROBLEMS. 2084 01:51:48,018 --> 01:51:50,419 IT'S A GREAT PITY SHE ISN'T EQUALLY AWARE 2085 01:51:50,521 --> 01:51:52,421 OF FINANCIAL ONES. 2086 01:51:52,523 --> 01:51:54,790 I'VE PERSUADED TONY TO WAIT A LITTLE LONGER. 2087 01:51:54,892 --> 01:51:56,458 NOW, MR. HOLTZMANN, 2088 01:51:56,560 --> 01:51:58,594 I CAN GIVE YOU FIVE UNINTERRUPTED MINUTES. 2089 01:51:58,696 --> 01:52:01,497 YOU ARE NOT GIVING ME FIVE MINUTES, MISS LAWRENCE. 2090 01:52:01,599 --> 01:52:03,632 I AM NOT A THEATRICAL AUDIENCE. 2091 01:52:03,734 --> 01:52:05,634 MY TIME IS EXTREMELY VALUABLE, 2092 01:52:05,736 --> 01:52:07,102 AND YOU ARE PAYING FOR IT. 2093 01:52:07,204 --> 01:52:10,839 WHAT A DELICIOUS EXTRAVAGANCE! 2094 01:52:10,941 --> 01:52:12,941 HAS IT EVER OCCURRED TO YOU 2095 01:52:13,043 --> 01:52:16,011 THAT YOU'RE LIVING ENTIRELY BEYOND YOUR MEANS? 2096 01:52:16,113 --> 01:52:19,448 JEANNIE TAKES CARE OF ALL MY FINANCIAL AFFAIRS. 2097 01:52:19,550 --> 01:52:22,151 THEN PERHAPS YOU'LL BE GOOD ENOUGH TO EXPLAIN 2098 01:52:22,253 --> 01:52:24,086 WHY MISS LAWRENCE HAS BEEN SERVED 2099 01:52:24,188 --> 01:52:26,121 WITH FIVE WRITS FOR UNPAID ACCOUNTS. 2100 01:52:26,223 --> 01:52:27,623 WELL, I-- 2101 01:52:27,725 --> 01:52:30,392 I DON'T LIKE TO WORRY HER WITH THINGS LIKE BILLS, 2102 01:52:30,494 --> 01:52:34,596 SO--WELL, I DON'T SHOW THEM TO HER. 2103 01:52:34,698 --> 01:52:37,099 WHAT DO YOU DO WITH THEM? 2104 01:52:37,201 --> 01:52:38,901 WELL... 2105 01:52:39,003 --> 01:52:40,135 WHAT? 2106 01:52:43,707 --> 01:52:46,041 I TEAR THEM UP. 2107 01:52:46,143 --> 01:52:48,644 YOU SHOULD BE ASHAMED OF YOURSELF! 2108 01:52:48,746 --> 01:52:50,078 PLEASE DON'T BE OFFENSIVE TO JEANNIE! 2109 01:52:50,181 --> 01:52:51,647 SO SHOULD YOU, MISS LAWRENCE. 2110 01:52:51,749 --> 01:52:54,016 THIS COUNTRY'S IN THE MIDDLE OF A SERIOUS RECESSION, 2111 01:52:54,118 --> 01:52:55,651 AND YOU PERSIST IN LIVING 2112 01:52:55,753 --> 01:52:57,786 IN A TOTALLY UNREALISTIC AND SPENDTHRIFT MANNER. 2113 01:52:57,888 --> 01:52:59,455 IT'S DISGRACEFUL. 2114 01:52:59,557 --> 01:53:01,924 IT'S MY MONEY. I'VE EARNED IT! I'VE A RIGHT TO SPEND IT! 2115 01:53:02,026 --> 01:53:04,259 FURTHERMORE, IF YOU INSIST ON DISREGARDING MY ADVICE, 2116 01:53:04,361 --> 01:53:05,627 YOU'LL FIND YOURSELF 2117 01:53:05,729 --> 01:53:07,796 IN WELL-DESERVED AND VERY SERIOUS TROUBLE. 2118 01:53:07,898 --> 01:53:09,498 I WON'T LISTEN TO THIS! 2119 01:53:09,600 --> 01:53:11,500 ON THE DAY THAT TONY'S LEAVING, TOO. 2120 01:53:11,602 --> 01:53:13,502 IT'S CRUEL! I CAN'T STAND IT. I WON'T. 2121 01:53:13,571 --> 01:53:15,771 I REFUSE TO BE SUBJECTED TO THIS KIND OF... 2122 01:53:15,873 --> 01:53:17,639 DRINK DEEP, DAVID. 2123 01:53:17,741 --> 01:53:19,341 YOU'LL NEED IT. 2124 01:53:19,443 --> 01:53:22,277 I THINK PERHAPS YOU'D BETTER RETAIN SOME OTHER ATTORNEY. 2125 01:53:22,379 --> 01:53:23,245 I KNOW. 2126 01:53:23,347 --> 01:53:24,913 SHE'S MADDENING AND INFURIATING. 2127 01:53:25,015 --> 01:53:25,914 OH, NOEL... 2128 01:53:26,016 --> 01:53:26,915 SHUT UP! 2129 01:53:27,017 --> 01:53:28,584 BUT SHE'S ALSO PROBABLY 2130 01:53:28,686 --> 01:53:30,586 THE MOST BEAUTIFUL AND ENTRANCING CREATURE 2131 01:53:30,688 --> 01:53:32,754 EVER TO WALK ONTO A STAGE. 2132 01:53:32,857 --> 01:53:35,591 GLAMOUR IS A VERY OVERWORKED AND QUITE INDEFINABLE WORD, 2133 01:53:35,693 --> 01:53:37,926 BUT I THINK THE WORLD COULD DO WITH A LITTLE MORE 2134 01:53:38,028 --> 01:53:39,728 OF HER BRAND OF IT AT THE MOMENT. 2135 01:53:39,830 --> 01:53:41,730 PLEASE, DON'T DESERT HER, DAVID. 2136 01:53:44,869 --> 01:53:48,036 SAY GOOD-BYE TO PAMELA FOR ME, WILL YOU? 2137 01:53:48,138 --> 01:53:50,339 SHE SHOULD HAVE BEEN HERE TODAY, BUT, OH-- 2138 01:53:50,441 --> 01:53:51,840 SHE HAD SOMETHING TO DO. 2139 01:53:51,942 --> 01:53:54,443 I WISH YOU DIDN'T HAVE TO GO. 2140 01:53:54,545 --> 01:53:56,578 I'M SORRY, DARLING, BUT TIME'S UP. 2141 01:53:56,680 --> 01:53:57,980 BUT I SHAN'T SEE YOU AGAIN. 2142 01:53:58,082 --> 01:54:00,015 WHY NOT? ALL YOU HAVE TO DO IS COME TO INDIA. 2143 01:54:00,117 --> 01:54:02,084 OH, HOW THRILLING-- I COULD LIVE IN YOUR PALACE. 2144 01:54:02,186 --> 01:54:03,986 I'LL ONLY BE GOVERNING A SMALL PROVINCE, 2145 01:54:04,088 --> 01:54:06,054 NOT THE WHOLE BRITISH RAJ. 2146 01:54:06,156 --> 01:54:08,457 IT'S SO FAR AWAY-- IT'S HALFWAY 'ROUND THE WORLD. 2147 01:54:12,229 --> 01:54:15,564 IT'S UP TO YOU, G. ALWAYS HAS BEEN. 2148 01:54:16,767 --> 01:54:18,166 YES. 2149 01:54:18,269 --> 01:54:20,569 I LOVE YOU. YOU KNOW THAT. 2150 01:54:25,576 --> 01:54:28,343 SOMETIMES I THINK I EVEN UNDERSTAND YOU. 2151 01:54:28,445 --> 01:54:31,113 DARLING, DARLING TONY. 2152 01:54:32,182 --> 01:54:33,582 LET'S FACE IT, LUV. 2153 01:54:33,684 --> 01:54:35,751 I'D NEVER MAKE A GUVNOR'S LADY. 2154 01:54:42,259 --> 01:54:43,759 BYE. 2155 01:54:43,861 --> 01:54:44,826 BYE. 2156 01:54:55,539 --> 01:54:57,506 THAT'S A ROLLS, AIN'T IT? 2157 01:54:57,608 --> 01:54:59,174 YES. 2158 01:54:59,276 --> 01:55:02,511 COR, SOME PEOPLE 'AVE A LOT, DON' THEY? 2159 01:55:17,561 --> 01:55:19,328 STOP HERE, PLEASE. 2160 01:55:19,430 --> 01:55:21,430 YES, SIR. WHAT FOR? 2161 01:55:21,532 --> 01:55:22,798 IT WOULD BE A LITTLE TACTLESS 2162 01:55:22,900 --> 01:55:24,266 FOR A POTENTIAL BANKRUPT 2163 01:55:24,368 --> 01:55:26,635 TO PARK HER ROLLS-ROYCE RIGHT OUTSIDE THE COURT. 2164 01:55:26,737 --> 01:55:28,837 BUT I WANT TO TELL THEM ABOUT IT. 2165 01:55:28,939 --> 01:55:30,472 IT'S MY CAR. 2166 01:55:30,574 --> 01:55:31,907 IT'S AN ASSET, ISN'T IT, MR. HOLTZMANN? 2167 01:55:32,009 --> 01:55:34,509 MISS LAWRENCE, PLEASE, ALLOW ME TO HANDLE THE CASE. 2168 01:55:34,612 --> 01:55:36,078 GERTRUDE. 2169 01:55:36,180 --> 01:55:37,646 DON'T OVERPLAY THE GESTURES, GERTIE. 2170 01:55:37,748 --> 01:55:39,514 HANDS ROOTED TO THE SIDES. 2171 01:55:39,617 --> 01:55:41,483 THAT'S WHAT HE ALWAYS TELLS ME AT REHEARSALS. 2172 01:55:41,585 --> 01:55:43,118 HE'S SUCH A BRILLIANT DIRECTOR. 2173 01:55:43,220 --> 01:55:44,720 ONE LAST WORD, MISS LAWRENCE. 2174 01:55:44,822 --> 01:55:47,122 HOW MACABRE! I FEEL LIKE MARY, QUEEN OF SCOTS. 2175 01:55:47,224 --> 01:55:48,557 DO NOT, I BEG OF YOU, 2176 01:55:48,659 --> 01:55:50,726 UNDER ANY CIRCUMSTANCES WHATEVER, OPEN YOUR MOUTH. 2177 01:55:50,828 --> 01:55:53,328 EVEN IF THE JUDGE INVITES YOU TO SPEAK, 2178 01:55:53,430 --> 01:55:56,431 PLEASE, PLEASE, SAY ABSOLUTELY NOTHING. 2179 01:55:57,534 --> 01:55:58,600 MMMPH. 2180 01:56:06,543 --> 01:56:21,223 IS THERE ANYTHING THE DEFENDANT WISHES TO SAY? 2181 01:56:21,325 --> 01:56:22,391 VERY WELL. 2182 01:56:31,535 --> 01:56:32,668 MY LORD! 2183 01:56:34,238 --> 01:56:35,671 YES? 2184 01:56:38,709 --> 01:56:40,842 I HAVE LISTENED TO THE WISDOM 2185 01:56:40,944 --> 01:56:42,511 OF THESE LEARNED GENTLEMEN, 2186 01:56:42,613 --> 01:56:44,179 AND I CAN NO LONGER REMAIN SILENT. 2187 01:56:46,216 --> 01:56:48,583 I SPEAK WITH DIGNITY, I HOPE, 2188 01:56:48,686 --> 01:56:51,553 WITH REGRET, I ASSURE YOU, 2189 01:56:51,655 --> 01:56:55,290 AND WITH REMORSE FROM MY INNERMOST HEART. 2190 01:56:55,392 --> 01:56:57,793 Oh, my God. 2191 01:56:57,895 --> 01:57:00,629 I HAVE LIVED 2192 01:57:00,731 --> 01:57:02,330 ONLY FOR TODAY 2193 01:57:02,433 --> 01:57:05,000 WITH NO THOUGHT OF TOMORROW. 2194 01:57:05,102 --> 01:57:07,669 I HAVE ENJOYED THE FLESHPOTS OF LIFE 2195 01:57:07,771 --> 01:57:10,238 AND DENIED ITS REALITIES. 2196 01:57:10,340 --> 01:57:13,642 MY CUP HAS BEEN FULL, 2197 01:57:13,744 --> 01:57:16,378 BUT ITS DREGS ARE BITTER. 2198 01:57:16,480 --> 01:57:18,780 IT HAS BEEN SAID THAT MY DEAR FRIEND JEANNIE BANKS 2199 01:57:18,882 --> 01:57:20,315 MAY HAVE BEEN CARELESS 2200 01:57:20,417 --> 01:57:22,984 IN HER HANDLING OF MY FINANCIAL AFFAIRS. 2201 01:57:23,087 --> 01:57:25,520 NOT SO, MY LORD! 2202 01:57:28,225 --> 01:57:31,426 THE BLAME IS MINE AND MINE ALONE! 2203 01:57:34,465 --> 01:57:37,099 I SHALL LEAVE THIS COURT A POORER WOMAN, 2204 01:57:37,201 --> 01:57:39,468 BUT, I TRUST, A WISER ONE. 2205 01:57:41,138 --> 01:57:45,540 POVERTY WILL BE BOTH A CHALLENGE 2206 01:57:45,642 --> 01:57:47,109 AND A PURIFICATION. 2207 01:57:49,012 --> 01:57:51,413 I PRAY THAT I MAY RISE TO THE ONE 2208 01:57:51,515 --> 01:57:53,582 AND BE WORTHY OF THE OTHER. 2209 01:57:55,519 --> 01:57:56,752 UH... 2210 01:57:56,854 --> 01:57:58,587 [CLEARING THROAT] 2211 01:57:58,689 --> 01:57:59,621 SHH! 2212 01:57:59,723 --> 01:58:02,124 AS BEN JONSON WROTE, MY LORD, 2213 01:58:02,226 --> 01:58:05,127 MY ENDEAVORS HAVE EVER COME TOO SHORT OF MY DESIRES. 2214 01:58:05,229 --> 01:58:07,062 Shakespeare. 2215 01:58:07,164 --> 01:58:08,096 AND YET... 2216 01:58:08,198 --> 01:58:09,564 AND YET... 2217 01:58:09,666 --> 01:58:10,932 UH, M'LORD. 2218 01:58:11,034 --> 01:58:13,034 SSSHHHH! 2219 01:58:13,137 --> 01:58:16,471 "THE QUALITY OF MERCY IS NOT STRAINED... 2220 01:58:16,573 --> 01:58:19,908 "IT DROPPETH AS THE GENTLE RAIN FROM HEAVEN 2221 01:58:20,010 --> 01:58:22,077 "UPON THE PLACE BENEATH. 2222 01:58:22,179 --> 01:58:24,212 "IT IS TWICE BLESSED. 2223 01:58:24,314 --> 01:58:25,447 IT..." 2224 01:58:27,718 --> 01:58:30,619 "IT..." 2225 01:58:30,721 --> 01:58:32,320 [SNICKERS] 2226 01:58:33,924 --> 01:58:37,392 "IT BLESSES HIM THAT GIVES 2227 01:58:37,494 --> 01:58:41,129 AND HIM THAT TAKES," MISS LAWRENCE. 2228 01:58:42,499 --> 01:58:43,965 OH. 2229 01:58:45,502 --> 01:58:48,170 HOWEVER, I SHAN'T TAKE TOO MUCH. 2230 01:58:48,272 --> 01:58:50,172 I SHALL ALLOW YOU 2231 01:58:50,274 --> 01:58:52,841 £10 PER WEEK SPENDING MONEY. 2232 01:58:52,943 --> 01:58:55,110 BUT THEY'RE GOING TO PAY ME 2233 01:58:55,212 --> 01:58:57,245 £400 A WEEK TO STAR IN NYMPH ERRANT. 2234 01:58:57,347 --> 01:58:58,547 SPEAKING AS A THEATREGOER, 2235 01:58:58,649 --> 01:59:01,449 I'M SURE YOU'LL EARN EVERY PENNY OF IT. 2236 01:59:01,552 --> 01:59:04,085 WHY, THANK YOU, MY LORD. 2237 01:59:04,188 --> 01:59:05,187 HOWEVER... 2238 01:59:05,289 --> 01:59:07,055 YOU DO OWE... 2239 01:59:07,157 --> 01:59:09,925 £24,000! 2240 01:59:10,027 --> 01:59:12,260 GOOD CRIPES! 2241 01:59:12,362 --> 01:59:14,462 I COULDN'T HAVE PUT IT BETTER MYSELF, MISS LAWRENCE. 2242 01:59:14,565 --> 01:59:16,264 FOR ALL OUR SAKES, 2243 01:59:16,366 --> 01:59:19,534 MAY I WISH YOU EVERY SUCCESS WITH YOUR NEW SHOW? 2244 01:59:19,636 --> 01:59:22,070 WHY, THANK YOU, MY LORD. 2245 01:59:36,220 --> 01:59:37,485 MEN. 2246 01:59:40,657 --> 01:59:42,591 MEN. 2247 01:59:42,693 --> 01:59:43,992 MEN. 2248 01:59:45,629 --> 01:59:47,362 MEN. 2249 01:59:47,464 --> 01:59:48,930 MEN. MEN. 2250 01:59:49,032 --> 01:59:50,498 [FEMININE VOICES] MEN. 2251 01:59:50,601 --> 01:59:54,970 ♪ MEN ♪ 2252 01:59:55,072 --> 01:59:56,638 ♪ THEY'RE NO GOOD ♪ 2253 01:59:58,675 --> 02:00:00,709 ♪ THEY NEVER TREAT A WOMAN ♪ 2254 02:00:00,811 --> 02:00:03,078 ♪ LIKE ♪ 2255 02:00:03,180 --> 02:00:04,846 ♪ LIKE THEY SHOULD ♪ 2256 02:00:10,520 --> 02:00:15,457 ♪ I'VE KNOWN THEM FROM BOMBAY TO SENEGAL ♪ 2257 02:00:15,559 --> 02:00:18,894 ♪ BUT THERE'S ONE IN PARTICULAR ♪ 2258 02:00:18,996 --> 02:00:27,302 ♪ THAT I RECALL ♪ 2259 02:00:32,809 --> 02:00:36,811 ♪ ONCE I LOVED SUCH A SHATTERING PHYSICIAN ♪ 2260 02:00:36,914 --> 02:00:40,615 ♪ QUITE THE BEST-LOOKING DOCTOR IN THE STATE ♪ 2261 02:00:40,717 --> 02:00:45,587 ♪ HE LOOKED AFTER MY PHYSICAL CONDITION ♪ 2262 02:00:45,689 --> 02:00:51,293 ♪ AND HIS BEDSIDE MANNER WAS GREAT ♪ 2263 02:00:56,166 --> 02:00:57,565 ♪ HE SAID MY BRONCHIAL TUBES ♪ 2264 02:00:57,668 --> 02:00:58,934 ♪ WERE ENTRANCING ♪ 2265 02:00:59,036 --> 02:01:02,370 ♪ MY EPIGLOTTIS FILLED HIM WITH GLEE ♪ 2266 02:01:02,472 --> 02:01:04,372 ♪ HE SIMPLY LOVED MY LARYNX ♪ 2267 02:01:04,474 --> 02:01:06,007 ♪ AND WENT WILD ABOUT MY PHARYNX ♪ 2268 02:01:06,109 --> 02:01:09,277 ♪ BUT HE NEVER SAID HE LOVED ME ♪ 2269 02:01:09,379 --> 02:01:12,514 ♪ HE SAID MY EPIDERMIS WAS DARLING ♪ 2270 02:01:12,616 --> 02:01:15,850 ♪ AND FOUND MY BLOOD AS BLUE AS COULD BE ♪ 2271 02:01:15,953 --> 02:01:17,619 ♪ HE WENT THROUGH WILD ECSTATICS ♪ 2272 02:01:17,721 --> 02:01:19,621 ♪ WHEN I SHOWED HIM MY LYMPHATICS ♪ 2273 02:01:19,723 --> 02:01:22,624 ♪ BUT HE NEVER SAID HE LOVED ME ♪ 2274 02:01:22,726 --> 02:01:24,492 ♪ AND THOUGH NO DOUBT ♪ 2275 02:01:24,594 --> 02:01:27,762 ♪ IT WAS NOT VERY SMART OF ME ♪ 2276 02:01:27,864 --> 02:01:31,132 ♪ I KEPT ON WRACKING MY SOUL ♪ 2277 02:01:31,234 --> 02:01:33,201 ♪ TO FIGURE OUT ♪ 2278 02:01:33,303 --> 02:01:36,838 ♪ WHY HE LOVED EVERY PART OF ME ♪ 2279 02:01:38,008 --> 02:01:41,276 ♪ AND YET NOT ME AS A WHOLE ♪ 2280 02:01:41,378 --> 02:01:44,713 ♪ WITH MY ESOPHAGUS, HE WAS RAVISHED ♪ 2281 02:01:44,815 --> 02:01:48,116 ♪ ENTHUSIASTIC TO A DEGREE ♪ 2282 02:01:48,218 --> 02:01:50,452 ♪ HE SAID 'TWAS JUST ENORMOUS ♪ 2283 02:01:50,554 --> 02:01:52,020 ♪ MY APPENDIX VERMIFORMIS ♪ 2284 02:01:52,089 --> 02:01:55,256 ♪ BUT HE NEVER SAID HE LOVED ME ♪ 2285 02:02:11,975 --> 02:02:15,276 ♪ HE SAID MY VERTEBRAE WERE SEHR SCHOEN ♪ 2286 02:02:15,379 --> 02:02:18,747 ♪ HE CALLED MY COCCYX PLUS QUE GENTIL ♪ 2287 02:02:18,849 --> 02:02:20,849 ♪ HE MURMURED, "MOLTO BELLA" ♪ 2288 02:02:20,951 --> 02:02:22,517 ♪ WHEN I SAT ON HIS PATELLA ♪ 2289 02:02:22,619 --> 02:02:25,453 ♪ BUT HE NEVER SAID HE LOVED ME ♪ 2290 02:02:25,555 --> 02:02:28,923 ♪ HE TOOK A FLEETING LOOK AT MY THORAX ♪ 2291 02:02:29,026 --> 02:02:32,460 ♪ AND STARTED SINGING SLIGHTLY OFF-KEY ♪ 2292 02:02:32,562 --> 02:02:34,329 ♪ HE CRIED, "MAY HEAVEN STRIKE US!" ♪ 2293 02:02:34,431 --> 02:02:36,064 ♪ WHEN I PLAYED MY UMBILICUS ♪ 2294 02:02:36,166 --> 02:02:39,434 ♪ BUT HE NEVER SAID HE LOVED ME ♪ 2295 02:02:39,536 --> 02:02:41,369 ♪ HE SEEMED AMUSED ♪ 2296 02:02:41,471 --> 02:02:44,406 ♪ WHEN HE FIRST MADE A TEST OF ME ♪ 2297 02:02:44,508 --> 02:02:47,842 ♪ TO FURTHER HIS MEDICAL ART ♪ 2298 02:02:47,944 --> 02:02:49,944 YES? YES? ♪ YET HE REFUSED ♪ 2299 02:02:50,047 --> 02:02:53,648 ♪ WHEN HE'D FIXED UP THE REST OF ME ♪ 2300 02:02:53,750 --> 02:02:57,419 ♪ TO CURE THAT ACHE IN MY HEART ♪ 2301 02:02:57,521 --> 02:03:01,322 ♪ AND SO HE LINGERED ON UNTIL MORNING ♪ 2302 02:03:01,425 --> 02:03:05,593 ♪ YET WHEN I TRIED TO PAY HIM HIS FEE ♪ 2303 02:03:05,695 --> 02:03:07,429 ♪ HE SAID, "WHY, DON'T BE FUNNY ♪ 2304 02:03:07,531 --> 02:03:09,898 ♪ IT IS I WHO OWE YOU MONEY" ♪ 2305 02:03:10,000 --> 02:03:11,399 ♪ BUT HE NEVER SAID ♪ 2306 02:03:11,501 --> 02:03:13,168 ♪ HE SAID HE REALLY THOUGHT A LOT OF ♪ 2307 02:03:13,270 --> 02:03:14,602 ♪ MY MEDULLA OBLONGATA ♪ 2308 02:03:14,704 --> 02:03:16,104 ♪ AND MY PANCREAS AND STERNUM ♪ 2309 02:03:16,206 --> 02:03:17,439 ♪ MADE HIM SING A WILD CANTATA ♪ 2310 02:03:17,541 --> 02:03:19,207 ♪ WHEN I SHOOK MY PELVIC GIRDLE ♪ 2311 02:03:19,309 --> 02:03:20,942 ♪ WELL, HE DID A DOUBLE HURDLE ♪ 2312 02:03:21,044 --> 02:03:22,444 ♪ YOUR APPENDIX? ♪ ♪ JUST TREMENDIX ♪ 2313 02:03:22,546 --> 02:03:24,179 ♪ CEREBELLUM? ♪ ♪ SIMPLY SWELLUM ♪ 2314 02:03:24,281 --> 02:03:25,313 ♪ BUT HE NEVER SAID ♪ 2315 02:03:25,415 --> 02:03:26,815 ♪ HE LOVED MY SINUSES AND SPLEEN ♪ 2316 02:03:26,917 --> 02:03:28,183 ♪ AND EVERY ORGAN IN BETWEEN ♪ 2317 02:03:28,285 --> 02:03:30,085 ♪ AND YET HE NEVER SAID ♪ 2318 02:03:30,187 --> 02:03:31,953 ♪ HE LOVED ME ♪ 2319 02:03:32,055 --> 02:03:35,123 ♪♪ [VOCALIZING] 2320 02:03:40,363 --> 02:03:41,329 [GONG] 2321 02:03:41,431 --> 02:03:43,531 [APPLAUSE] 2322 02:03:45,535 --> 02:03:46,568 HELLO, DARLINGS! 2323 02:03:46,670 --> 02:03:49,037 WONDERFUL PERFORMANCE, DARLING! 2324 02:03:49,139 --> 02:03:50,305 THANK YOU, DARLING. 2325 02:03:50,407 --> 02:03:51,573 WHAT A DIVINE COAT! 2326 02:03:51,675 --> 02:03:52,607 ISN'T IT GORGEOUS? 2327 02:03:52,709 --> 02:03:54,876 ABSOLUTELY TERRIFIC. LOVED THE SHOW. 2328 02:03:54,978 --> 02:03:56,544 THANK YOU, DARLING. 2329 02:03:56,646 --> 02:03:57,879 MY DEAR, YOU WERE ABSOLUTELY MARVELOUS. 2330 02:03:57,981 --> 02:03:59,481 OH, YOU ANGEL. 2331 02:03:59,583 --> 02:04:00,882 THANK YOU, DOROTHY. THANK YOU. 2332 02:04:00,984 --> 02:04:03,051 HELLO. WHAT DID YOU THINK OF IT? 2333 02:04:03,153 --> 02:04:04,819 IT WAS A WONDERFUL OPENING. 2334 02:04:04,921 --> 02:04:06,821 PITY YOU HAD TO SPOIL IT. 2335 02:04:06,923 --> 02:04:09,457 WHAT DO YOU MEAN? ALL THIS. 2336 02:04:09,559 --> 02:04:10,792 OH, STOP CRITICIZING, DARLING. 2337 02:04:10,894 --> 02:04:12,494 THE JUDGE DIDN'T SAY 2338 02:04:12,596 --> 02:04:14,796 I HAD TO ACT LIKE A PENITENT NUN. 2339 02:04:14,898 --> 02:04:17,799 BUT HE DID SAY YOU HAD TO PAY OFF YOUR DEBTS. 2340 02:04:17,901 --> 02:04:20,168 DRESSING LIKE THE QUEEN OF SHEBA, 2341 02:04:20,270 --> 02:04:21,603 BUYING DRINKS YOU CAN'T AFFORD 2342 02:04:21,705 --> 02:04:23,671 FOR SYCOPHANTIC PEOPLE YOU DON'T LIKE 2343 02:04:23,773 --> 02:04:25,073 ISN'T GOING TO DO IT, IS IT? 2344 02:04:25,175 --> 02:04:26,741 NOT NOW, NOEL! YES, NOW. 2345 02:04:26,843 --> 02:04:28,543 THIS ISN'T A PRETTY LITTLE PART YOU'RE PLAYING. 2346 02:04:28,645 --> 02:04:29,911 IT'S DEADLY EARNEST! 2347 02:04:30,013 --> 02:04:31,913 IF YOU DON'T FACE UP TO THIS RESPONSIBILITY, 2348 02:04:32,015 --> 02:04:33,515 YOU WILL GO TO JAIL! 2349 02:04:37,053 --> 02:04:38,920 ALL RIGHT. 2350 02:04:39,022 --> 02:04:40,922 ALL RIGHT! I'LL SHOW YOU 2351 02:04:41,024 --> 02:04:42,957 AND DAVID HOLTZMANN AND THE JUDGE 2352 02:04:43,059 --> 02:04:44,559 AND THE WHOLE DAMN COURT! 2353 02:04:44,661 --> 02:04:45,894 YOU'LL SEE WHAT WORK IS! 2354 02:04:45,996 --> 02:04:49,297 JUST YOU BLOODY WELL WAIT! 2355 02:04:49,399 --> 02:04:50,331 [DOOR SLAMS] 2356 02:04:53,570 --> 02:04:55,436 ♪ OH, DO, DO, DO WHAT YOU DONE, DONE, DONE ♪ 2357 02:04:55,539 --> 02:04:58,173 ♪ BEFORE, BABY ♪ 2358 02:04:58,275 --> 02:04:59,240 ♪ DO, DO, DO ♪ 2359 02:04:59,342 --> 02:05:00,275 ♪ WHAT I DO, DO, DO ♪ 2360 02:05:00,377 --> 02:05:01,476 ♪ ADORE ♪ 2361 02:05:01,578 --> 02:05:02,577 ♪ BABY ♪ 2362 02:05:02,679 --> 02:05:03,811 ♪ LET'S TRY AGAIN ♪ 2363 02:05:03,914 --> 02:05:05,113 ♪ SIGH AGAIN ♪ 2364 02:05:05,215 --> 02:05:07,615 ♪ FLY AGAIN TO HEAVEN ♪ 2365 02:05:07,717 --> 02:05:08,616 ♪ BABY, SEE ♪ 2366 02:05:08,718 --> 02:05:09,717 ♪ IT'S A-B-C ♪ 2367 02:05:09,819 --> 02:05:10,752 ♪ I LOVE YOU ♪ 2368 02:05:10,854 --> 02:05:12,153 ♪ AND YOU LOVE ME ♪ 2369 02:05:12,255 --> 02:05:13,388 ♪ I KNOW, KNOW, KNOW ♪ 2370 02:05:13,490 --> 02:05:14,522 ♪ WHAT A BEAU, BEAU, BEAU ♪ 2371 02:05:14,624 --> 02:05:16,524 ♪ SHOULD DO, BABY ♪ 2372 02:05:16,626 --> 02:05:17,992 ♪ SO DON'T, DON'T, DON'T ♪ 2373 02:05:18,094 --> 02:05:19,260 ♪ SAY IT WON'T, WON'T, WON'T ♪ 2374 02:05:19,362 --> 02:05:21,563 ♪ COME TRUE, BABY ♪ 2375 02:05:21,665 --> 02:05:24,098 ♪ MY HEART BEGINS TO HUM ♪ 2376 02:05:24,201 --> 02:05:26,301 ♪ DUM DE DUM DE DUM DUM DUM ♪ 2377 02:05:26,403 --> 02:05:28,736 ♪ SO DO, DO, DO WHAT YOU DONE, DONE, DONE ♪ 2378 02:05:28,838 --> 02:05:31,206 ♪ YOU DONE, DONE, DONE, YOU DONE, DONE, DONE ♪ 2379 02:05:31,308 --> 02:05:33,274 ♪ DO, DO, DO WHAT YOU DONE, DONE, DONE ♪ 2380 02:05:33,376 --> 02:05:36,010 ♪ BEFORE ♪♪ 2381 02:05:42,953 --> 02:05:44,953 ♪ LET US TRY AGAIN, SIGH AGAIN, FLY AGAIN ♪ 2382 02:05:45,055 --> 02:05:47,622 ♪ TO HEAVEN ♪ 2383 02:05:47,724 --> 02:05:49,557 ♪ BABY, CAN'T YOU SEE THAT IT'S A-B-C? ♪ 2384 02:05:49,659 --> 02:05:50,992 ♪ DON'T YOU KNOW THAT I LOVE YOU ♪ 2385 02:05:51,094 --> 02:05:52,994 ♪ AND YOU LOVE ME? ♪♪ 2386 02:06:03,506 --> 02:06:04,772 QUIET. 2387 02:06:09,412 --> 02:06:10,812 ♪ DO, DO, DO ♪ 2388 02:06:10,880 --> 02:06:12,513 ♪ WHAT YOU'VE DONE, DONE, DONE ♪ 2389 02:06:12,616 --> 02:06:15,016 ♪ BEFORE ♪ 2390 02:06:15,118 --> 02:06:16,551 ♪ BABY ♪ 2391 02:06:16,653 --> 02:06:18,286 ♪ DO, DO, DO ♪ 2392 02:06:18,388 --> 02:06:20,321 ♪ WHAT I DO, DO, DO ♪ 2393 02:06:20,423 --> 02:06:22,590 ♪ ADORE ♪ 2394 02:06:22,692 --> 02:06:24,359 ♪ BABY ♪♪ 2395 02:06:33,570 --> 02:06:35,236 ♪ DO, DO, DO ♪ 2396 02:06:35,338 --> 02:06:37,505 ♪ WHAT I DO, DO, DO ♪ 2397 02:06:37,607 --> 02:06:40,508 ♪ ADORE ♪ 2398 02:06:40,610 --> 02:06:42,510 ♪ BABY ♪ 2399 02:06:42,612 --> 02:06:44,545 ♪ LET'S TRY AGAIN ♪ 2400 02:06:44,648 --> 02:06:47,815 ♪ SIGH AGAIN ♪ 2401 02:06:47,917 --> 02:06:51,552 ♪ FLY AGAIN TO HEAVEN ♪ 2402 02:06:51,655 --> 02:06:53,755 ♪ BABY, SEE ♪ 2403 02:06:53,857 --> 02:06:56,424 ♪ IT'S A-B-C ♪ 2404 02:06:56,526 --> 02:06:58,726 ♪ ...BABY ♪ 2405 02:06:58,828 --> 02:07:01,129 ♪ SO DON'T, DON'T, DON'T ♪ 2406 02:07:01,231 --> 02:07:03,464 ♪ SAY IT WON'T, WON'T, WON'T ♪ 2407 02:07:03,566 --> 02:07:05,633 ♪ COME TRUE ♪ 2408 02:07:09,005 --> 02:07:14,509 ♪ MY HEART BEGINS TO HUM ♪ 2409 02:07:14,611 --> 02:07:16,477 ♪ DUM DE DUM ♪ 2410 02:07:16,579 --> 02:07:18,346 ♪ DE DUM ♪ 2411 02:07:20,417 --> 02:07:22,016 ♪ DO, DO, DO ♪ 2412 02:07:22,118 --> 02:07:25,086 ♪ WHAT YOU'VE DONE, DONE, DONE ♪ 2413 02:07:25,188 --> 02:07:27,955 ♪ YOU'VE DONE, DONE ♪ 2414 02:07:28,058 --> 02:07:29,190 ♪ YOU'VE DONE... ♪♪ 2415 02:07:50,613 --> 02:07:53,514 [SIREN BELL CLANGING] 2416 02:07:59,422 --> 02:08:02,090 [EDWARD VII ON RADIO] BUT I WANT YOU TO UNDERSTAND 2417 02:08:02,192 --> 02:08:04,892 THAT IN MAKING UP MY MIND, 2418 02:08:04,994 --> 02:08:07,061 I DID NOT FORGET 2419 02:08:07,163 --> 02:08:08,796 THE COUNTRY 2420 02:08:08,898 --> 02:08:10,798 OR THE EMPIRE, 2421 02:08:10,900 --> 02:08:14,135 WHICH, AS PRINCE OF WALES 2422 02:08:14,237 --> 02:08:16,471 AND LATELY AS KING, 2423 02:08:16,573 --> 02:08:19,607 I HAVE FOR 25 YEARS 2424 02:08:19,709 --> 02:08:21,509 TRIED TO SERVE... 2425 02:08:23,413 --> 02:08:25,446 BUT YOU MUST BELIEVE ME 2426 02:08:25,548 --> 02:08:26,948 WHEN I TELL YOU 2427 02:08:27,050 --> 02:08:29,951 THAT I HAVE FOUND IT IMPOSSIBLE 2428 02:08:30,053 --> 02:08:33,654 TO CARRY THE HEAVY BURDEN OF RESPONSIBILITY 2429 02:08:33,757 --> 02:08:37,258 AND TO DISCHARGE MY DUTIES AS KING 2430 02:08:37,360 --> 02:08:40,161 AS I WOULD WISH TO DO 2431 02:08:40,263 --> 02:08:43,297 WITHOUT THE HELP AND SUPPORT 2432 02:08:43,400 --> 02:08:46,467 OF THE WOMAN I LOVE. 2433 02:08:46,569 --> 02:08:48,603 [ANNOUNCER] THE KING WENT ON TO SAY 2434 02:08:48,705 --> 02:08:50,638 THE DECISION WAS HIS ALONE. 2435 02:08:50,740 --> 02:08:52,907 WE UNDERSTAND HE IS NOW CROSSING THE CHANNEL 2436 02:08:53,009 --> 02:08:56,144 ON HIS WAY TO FRANCE IN THE DESTROYER FURY. 2437 02:08:56,246 --> 02:08:58,646 [KNOCK ON DOOR] 2438 02:08:58,748 --> 02:09:00,114 COME IN. 2439 02:09:04,754 --> 02:09:07,288 BOO! YOU PRETTY CREATURE. 2440 02:09:07,390 --> 02:09:09,290 CONGRATULATIONS, MY DARLING. 2441 02:09:09,392 --> 02:09:11,659 THE NURSE SAID YOU COULD HAVE A GLASS OF THIS 2442 02:09:11,761 --> 02:09:14,495 TO CELEBRATE THE FACT THAT YOU ARE NO LONGER A BANKRUPT. 2443 02:09:14,597 --> 02:09:16,497 THANK YOU FOR YOUR KIND THOUGHTS, 2444 02:09:16,599 --> 02:09:18,499 AS THE CORPSE SAID TO THE MOURNERS. 2445 02:09:18,601 --> 02:09:21,102 IN A FEW WEEKS, YOU'LL BE BOUNCING ALL OVER THE PLACE. 2446 02:09:21,204 --> 02:09:23,070 I'VE BEEN EXTREMELY ILL. I KNOW. 2447 02:09:23,173 --> 02:09:25,640 IT'S THE ONLY TIME I'VE EVER BEEN QUITE CERTAIN 2448 02:09:25,742 --> 02:09:28,576 THAT YOU WEREN'T ACTING--WHEN YOU WERE TOTALLY UNCONSCIOUS. 2449 02:09:28,678 --> 02:09:30,011 [CORK POPS] 2450 02:09:30,113 --> 02:09:32,013 SO WHY NOT TAKE A HOLIDAY? 2451 02:09:32,115 --> 02:09:33,314 WHAT, AGAIN? 2452 02:09:33,416 --> 02:09:36,317 WELL, THE LAST ONE WAS FIVE YEARS AGO. 2453 02:09:36,419 --> 02:09:38,286 I'VE NOWHERE TO GO, 2454 02:09:38,388 --> 02:09:40,154 NO ONE I WANT TO SEE. 2455 02:09:40,256 --> 02:09:42,423 CHARMING. THANK YOU. 2456 02:09:42,525 --> 02:09:44,425 EXCEPT FOR YOU, OF COURSE. 2457 02:09:44,527 --> 02:09:46,427 EXCEPT FOR YOU, I'M ALONE. 2458 02:09:46,529 --> 02:09:48,596 NONSENSE. THIS HOSPITAL IS CONSTANTLY BESIEGED 2459 02:09:48,698 --> 02:09:50,631 BY THRONGS OF FEVERISH ADMIRERS. 2460 02:09:50,733 --> 02:09:53,334 WELL, I DON'T WANT THEM. 2461 02:09:55,505 --> 02:09:57,171 WHAT DO YOU WANT? 2462 02:10:01,611 --> 02:10:03,678 TO BE LOVED, I SUPPOSE. 2463 02:10:03,780 --> 02:10:06,581 YOU ARE, MY DARLING... 2464 02:10:06,683 --> 02:10:08,182 AND TO LOVE? 2465 02:10:09,552 --> 02:10:11,552 OH, I DON'T KNOW. 2466 02:10:13,089 --> 02:10:15,423 PERHAPS I'M JUST GROWING OLD. 2467 02:10:15,525 --> 02:10:16,557 NEVER. 2468 02:10:16,659 --> 02:10:18,259 PERHAPS YOU'RE JUST GROWING UP. 2469 02:10:18,361 --> 02:10:20,528 OOH, THAT SOUNDS FRIGHTENING. 2470 02:10:25,768 --> 02:10:27,335 THAT MAN WHO SAID, 2471 02:10:27,437 --> 02:10:29,737 "DON'T WISH FOR ANYTHING AS A KID 2472 02:10:29,806 --> 02:10:31,706 BECAUSE IT MIGHT COME TRUE LATER," 2473 02:10:31,808 --> 02:10:33,374 HE WAS WRONG. 2474 02:10:33,476 --> 02:10:34,408 WAS HE? 2475 02:10:34,511 --> 02:10:36,677 DO YOU SUPPOSE THE KING WISHED 2476 02:10:36,779 --> 02:10:38,179 FOR WHAT'S HAPPENED TO HIM? 2477 02:10:38,281 --> 02:10:39,680 PERHAPS HE JUST WISHED TO BE HAPPY. 2478 02:10:41,584 --> 02:10:42,683 YES! 2479 02:10:44,254 --> 02:10:46,187 YES. 2480 02:10:46,289 --> 02:10:48,322 EVERYONE DOES. 2481 02:10:52,262 --> 02:10:53,694 AND AS SOON AS WE CAN GET YOU OUT OF THAT BED, 2482 02:10:53,796 --> 02:10:55,196 YOU AND I ARE GOING TO HELP THEM. 2483 02:11:03,406 --> 02:11:04,639 [SHIP'S BELL CLANGS] 2484 02:11:08,745 --> 02:11:11,479 [APPLAUSE] 2485 02:11:15,418 --> 02:11:16,484 WAIT A MINUTE. 2486 02:11:16,586 --> 02:11:17,818 THIS WAY. 2487 02:11:33,036 --> 02:11:34,769 OOH HA HA! 2488 02:11:34,871 --> 02:11:36,370 AHH! 2489 02:11:37,674 --> 02:11:40,007 ♪ WHAT SHALL WE DO WITH A DRUNKEN SAILOR? ♪ 2490 02:11:40,109 --> 02:11:42,443 ♪ SO THE SAYING GOES ♪ 2491 02:11:42,545 --> 02:11:44,245 ♪ WE'RE NOT TIGHT, BUT WE'RE NONE TOO BRIGHT ♪ 2492 02:11:44,347 --> 02:11:46,480 ♪ GREAT SCOTT, I DON'T SUPPOSE ♪ 2493 02:11:46,583 --> 02:11:47,648 ♪ WE'VE LOST OUR WAY ♪ 2494 02:11:47,750 --> 02:11:48,983 ♪ AND WE'VE LOST OUR PAY ♪ 2495 02:11:49,085 --> 02:11:51,619 ♪ AND TO MAKE THE THING COMPLETE ♪ 2496 02:11:51,721 --> 02:11:52,954 ♪ WE'VE BEEN AND GONE ♪ 2497 02:11:53,056 --> 02:11:55,089 ♪ AND LOST THE BLOOMIN' FLEET ♪ 2498 02:11:56,392 --> 02:11:58,459 ♪ HAS ANYBODY SEEN OUR SHIP? ♪ 2499 02:11:58,561 --> 02:12:00,494 ♪ THE H.M.S. PECULIAR ♪ 2500 02:12:00,597 --> 02:12:02,630 ♪ WE'VE BEEN ON SHORE FOR A MONTH OR MORE ♪ 2501 02:12:02,732 --> 02:12:03,631 ♪ AND WHEN WE SEE THE CAPTAIN ♪ 2502 02:12:03,733 --> 02:12:04,732 ♪ WE SHALL GET WHAT FOR ♪ 2503 02:12:04,834 --> 02:12:06,734 ♪ HEAVE HO, ME HEARTIES ♪ 2504 02:12:06,836 --> 02:12:09,503 ♪ SING GLORY HALLELUJAH ♪ 2505 02:12:09,606 --> 02:12:12,840 ♪ A LADY BOLD AS SHE COULD BE ♪ 2506 02:12:12,942 --> 02:12:16,477 ♪ PINCHED OUR WHISTLES AT THE GOLDEN KEY ♪ 2507 02:12:16,579 --> 02:12:17,979 ♪ NOW WE'RE IN BETWEEN THE DEVIL ♪ 2508 02:12:18,081 --> 02:12:19,313 ♪ AND THE DEEP BLUE SEA ♪ 2509 02:12:19,415 --> 02:12:21,515 ♪ HAS ANYBODY SEEN OUR SHIP? ♪ 2510 02:12:38,601 --> 02:12:40,468 ♪ LA DA DA DA ♪ 2511 02:12:40,570 --> 02:12:42,937 ♪ DA DA DA DA ♪ 2512 02:12:43,039 --> 02:12:44,271 GO AHEAD. 2513 02:12:44,374 --> 02:12:46,440 HELLO, HELLO, HELLO. 2514 02:12:46,542 --> 02:12:47,775 HELLO, HELLO, HELLO, YES? 2515 02:12:47,877 --> 02:12:49,810 WOULD YOU TELL ME SOMETHING, PLEASE? 2516 02:12:49,912 --> 02:12:51,412 WHAT IS IT? 2517 02:12:51,514 --> 02:12:52,813 WHO WALKS LIKE THIS? 2518 02:12:52,915 --> 02:12:54,415 I'M FASCINATED TO KNOW-- 2519 02:12:54,517 --> 02:12:56,450 TELL ME. WHO WALKS LIKE THAT? 2520 02:12:56,552 --> 02:12:58,452 I DO! 2521 02:12:59,756 --> 02:13:01,622 ♪ OH AHH AHH AHH ♪ 2522 02:13:01,724 --> 02:13:03,658 ♪ OOH OOH OOH ♪ 2523 02:13:08,097 --> 02:13:09,964 ♪ HAS ANYBODY SEEN OUR SHIP? ♪ 2524 02:13:10,066 --> 02:13:11,932 ♪ THE H.M.S. SUGGESTIVE ♪ 2525 02:13:12,035 --> 02:13:14,168 ♪ SHE SAILED AWAY ACROSS THE BAY ♪ 2526 02:13:14,270 --> 02:13:15,302 ♪ AND WE HAVEN'T HAD A SMELL OF HER ♪ 2527 02:13:15,405 --> 02:13:16,303 ♪ SINCE NEW YEAR'S DAY ♪ 2528 02:13:16,406 --> 02:13:18,172 ♪ HEAVE HO, ME HEARTIES ♪ 2529 02:13:18,274 --> 02:13:20,307 ♪ WE'RE GETTING RATHER RESTIVE ♪ 2530 02:13:20,410 --> 02:13:22,276 ♪ WE POOLED OUR MONEY ♪ 2531 02:13:22,378 --> 02:13:23,911 ♪ SPENT THE LOT ♪ 2532 02:13:24,013 --> 02:13:28,249 ♪ THE WORLD FORGETTING BY THE WORLD FORGOT ♪ 2533 02:13:28,351 --> 02:13:31,185 ♪ NOW WE HAVEN'T GOT A PENNY FOR THE YOU-KNOW-WHAT ♪ 2534 02:13:31,287 --> 02:13:32,620 ♪ HAS ANYBODY SEEN, HAS ANYBODY SEEN ♪ 2535 02:13:32,722 --> 02:13:34,689 ♪ HAS ANYBODY SEEN, HAS ANYBODY SEEN ♪ 2536 02:13:34,791 --> 02:13:36,190 ♪ HAS ANYBODY ♪ ♪ ANYBODY ♪ 2537 02:13:36,292 --> 02:13:37,324 ♪ ANYBODY ♪ ♪ ANYBODY ♪ 2538 02:13:37,427 --> 02:13:38,659 ♪ ANYBODY SEEN ♪ 2539 02:13:38,761 --> 02:13:39,860 ♪ OUR SHIP? ♪♪ 2540 02:13:42,932 --> 02:13:44,498 UH--AHA HA! 2541 02:13:46,469 --> 02:13:48,469 [APPLAUSE] 2542 02:13:57,547 --> 02:13:59,447 NOW, THEN. NOW THEN WHAT? 2543 02:13:59,549 --> 02:14:02,249 I SUPPOSE YOU DON'T KNOW YOU MUCKED UP THE 'OLE EXIT? 2544 02:14:02,351 --> 02:14:03,651 IT WASN'T MY FAULT. 2545 02:14:03,753 --> 02:14:05,252 WHOSE FAULT WAS IT, MUSSOLINI'S? 2546 02:14:05,354 --> 02:14:06,620 FUNNY, HEY? 2547 02:14:06,723 --> 02:14:09,256 I SUPPOSE YOU DIDN'T DROP YOUR PROP, DID YOU? 2548 02:14:09,358 --> 02:14:11,258 AND HAVING DROPPED IT, DIDN'T HAVE TO GO BACK FOR IT, 2549 02:14:11,360 --> 02:14:13,260 LEAVING ME TO PRANCE OFF ALL BY MESELF. 2550 02:14:13,362 --> 02:14:14,628 THE EXIT'S TOO QUICK. 2551 02:14:14,731 --> 02:14:16,597 IT'S THE SAME AS IT'S ALWAYS BEEN. 2552 02:14:16,699 --> 02:14:18,599 IT'S TOO QUICK. IT HAS BEEN ALL WEEK. 2553 02:14:18,701 --> 02:14:20,301 BERT BENTLEY TAKES IT 2554 02:14:20,403 --> 02:14:22,303 AT THE SAME TEMPO HE'S ALWAYS DONE. 2555 02:14:22,405 --> 02:14:24,905 JUST BECAUSE HE SENDS YOU A WELSH RAREBIT AT THE QUEEN'S, 2556 02:14:25,007 --> 02:14:27,074 YOU THINK HE'S GOD ALMIGHTY! 2557 02:14:27,176 --> 02:14:28,509 BERT BENTLEY'S THE BEST CONDUCTOR 2558 02:14:28,611 --> 02:14:30,211 IN THE NORTH OF ENGLAND. 2559 02:14:30,313 --> 02:14:32,146 BEST CONDUCTOR, MY FOOT! I SUPPOSE HE THINKS IT'S FUNNY 2560 02:14:32,248 --> 02:14:34,148 TO SEE US LEAPING UP AND DOWN ONSTAGE 2561 02:14:34,250 --> 02:14:35,483 LIKE GREYHOUNDS. 2562 02:14:35,585 --> 02:14:37,485 IF YOU'RE A GREYHOUND, I'M FRED ASTAIRE. 2563 02:14:37,587 --> 02:14:39,487 OHH--YOU'RE FRED ASTAIRE, ALL RIGHT, 2564 02:14:39,589 --> 02:14:41,622 WITH A BIT OF PAVLOVA THROWN IN. 2565 02:14:41,724 --> 02:14:44,258 THERE'S NOTHING YOU CAN'T DO EXCEPT BEHAVE LIKE A GENTLEMAN. 2566 02:14:44,360 --> 02:14:46,460 YOU EXPECT ME TO BEHAVE LIKE A GENTLEMAN, DO YOU? 2567 02:14:46,562 --> 02:14:48,462 THAT'S A GOOD ONE COMING FROM YOU! 2568 02:14:48,564 --> 02:14:49,563 YOU MAKE ME TIRED. 2569 02:14:49,665 --> 02:14:51,065 I MAKE YOU TIRED? 2570 02:14:51,167 --> 02:14:52,533 I SUPPOSE IT WAS ME THAT MUCKED UP THE EXIT 2571 02:14:52,635 --> 02:14:54,001 AND DROPPED ME BLOODY TELESCOPE-- 2572 02:14:54,103 --> 02:14:55,803 NOW, LOOK HERE, GEORGE PEPPER-- 2573 02:14:55,905 --> 02:14:57,471 STOP GEORGE PEPPERING ME. 2574 02:14:57,573 --> 02:14:59,140 WHY CAN'T YOU ADMIT IT WHEN YOU'RE WRONG? 2575 02:14:59,242 --> 02:15:00,574 YOU MUCKED UP THE EXIT. 2576 02:15:00,676 --> 02:15:02,243 NOBODY ELSE DID. YOU DID. 2577 02:15:02,345 --> 02:15:04,612 IT WAS AN ACCIDENT, WASN'T IT? I DIDN'T DO IT ON PURPOSE. 2578 02:15:04,714 --> 02:15:07,248 LILLY, IT DOESN'T MATTER HOW YOU DID IT OR WHY. 2579 02:15:07,350 --> 02:15:08,616 YOU DID IT! 2580 02:15:08,718 --> 02:15:10,651 ALL RIGHT, I DID IT! 2581 02:15:10,753 --> 02:15:12,453 WELL, DON'T DO IT AGAIN! 2582 02:15:12,555 --> 02:15:14,622 [WOMAN] RED PEPPERS ONSTAGE! 2583 02:15:14,724 --> 02:15:16,157 GOOD GOD, WE'RE OFF! 2584 02:15:20,930 --> 02:15:23,330 HERE, WAIT FOR ME. WAIT FOR ME. 2585 02:15:29,539 --> 02:15:32,439 NEW YORK LAUGHED AS LONDON HAD DONE. 2586 02:15:32,542 --> 02:15:34,074 BUT HERE, TOO, 2587 02:15:34,177 --> 02:15:36,744 THE DEEPER MOOD OF THE CITY HAD CHANGED. 2588 02:15:36,846 --> 02:15:37,978 MISS LAWRENCE! 2589 02:15:38,080 --> 02:15:39,980 OH, THERE SHE IS. ALL ABOARD, EVERYBODY! 2590 02:15:40,082 --> 02:15:42,283 DO YOU HAVE ANOTHER PLAY COMING UP? 2591 02:15:42,385 --> 02:15:43,851 OH, YES, IT'S VERY EXCITING. 2592 02:15:43,953 --> 02:15:46,987 DON'T YOU THINK THIS SORT OF THING IS A BIT OUT-OF-DATE? 2593 02:15:47,089 --> 02:15:48,656 OH, WHAT'S DATED ABOUT ENJOYING LIFE? 2594 02:15:48,758 --> 02:15:51,025 SURELY, TAKING BUSLOADS OF PEOPLE TO ATLANTIC CITY 2595 02:15:51,127 --> 02:15:54,028 BELONGS TO THE EARLY '20s RATHER THAN THE LATE '30s. 2596 02:15:54,130 --> 02:15:55,496 DIDN'T YOUR MOTHER EVER TELL YOU 2597 02:15:55,598 --> 02:15:57,531 NEVER TO REFER TO A LADY'S AGE? 'SCUSE ME. 2598 02:15:57,633 --> 02:16:00,100 WOULD YOU SAY I WAS IN THE LATE 30s? 2599 02:16:00,203 --> 02:16:02,069 DEFINITELY NOT. EARLY 20s. 2600 02:16:02,171 --> 02:16:05,105 I'M REFERRING TO THE YEAR, MISS LAWRENCE--1937. 2601 02:16:05,208 --> 02:16:07,474 THE WORLD'S A PRETTY SERIOUS PLACE. 2602 02:16:07,577 --> 02:16:10,644 SWEETIE, YOU SIMPLY MUST SEE MY NEXT SHOW. 2603 02:16:10,746 --> 02:16:12,413 DEAD STRAIGHT. VERY GRIM. 2604 02:16:12,515 --> 02:16:14,448 NOT A SONG TO BE HEARD. 2605 02:16:16,419 --> 02:16:17,718 SHE DIDN'T NEED SONGS. 2606 02:16:17,820 --> 02:16:19,687 SUSAN AND GOD WAS A TRIUMPH. 2607 02:16:19,789 --> 02:16:21,288 IT RAN FOR TWO SEASONS, 2608 02:16:21,390 --> 02:16:23,357 AND PEOPLE WAITING TO BUY TICKETS 2609 02:16:23,459 --> 02:16:26,427 OFTEN SAW THE STAR BEFORE THEY SAW THE SHOW. 2610 02:16:26,529 --> 02:16:29,630 ON OPENING NIGHT, NOEL COWARD SENT HER A TELEGRAM. 2611 02:16:29,732 --> 02:16:33,234 [NOEL] "LEGITIMATE AT LAST. WON'T MOTHER BE PLEASED?" 2612 02:16:34,971 --> 02:16:37,304 DOROTHY! DOROTHY! 2613 02:16:37,406 --> 02:16:39,106 OH, THERE YOU ARE, DEAR. HAS THE CALL COME THROUGH YET? 2614 02:16:39,208 --> 02:16:40,441 NOT YET, MISS LAWRENCE. 2615 02:16:40,543 --> 02:16:41,976 WHOO! I THOUGHT I'D MISSED IT. 2616 02:16:42,078 --> 02:16:44,612 I JUST HAD TO PICK THAT UP. IT'S FOR PAMELA. 2617 02:16:44,714 --> 02:16:47,514 IT'S THE MOST DIVINE THING. OPEN IT, DEAR. 2618 02:16:47,617 --> 02:16:49,650 HELLO? 2619 02:16:49,752 --> 02:16:52,419 I BOOKED A CALL TO LONDON, ENGLAND, FOR 8:00. 2620 02:16:52,521 --> 02:16:55,389 IT'S FIVE MINUTES PAST, AND I HAVEN'T HEARD A THING. 2621 02:16:58,194 --> 02:17:00,361 I SEE. THANK YOU SO MUCH. 2622 02:17:00,463 --> 02:17:02,129 "IF YOU BOOKED IT, 2623 02:17:02,231 --> 02:17:04,465 "IT'LL COME THROUGH SOON AS IT'S READY. 2624 02:17:04,567 --> 02:17:06,467 LONDON, ENGLAND, AIN'T NEW JOISEY, HONEY." 2625 02:17:06,569 --> 02:17:08,302 IT'LL BE HOT IN NASSAU. 2626 02:17:08,404 --> 02:17:10,137 I DON'T WANT PAMELA GETTING BURNED. 2627 02:17:10,239 --> 02:17:11,939 IT'LL CERTAINLY KEEP THE SUN OUT OF HER EYES. 2628 02:17:12,041 --> 02:17:13,173 WHAT IF SHE'S OUT SOMEWHERE? 2629 02:17:13,276 --> 02:17:15,442 IT'S 1 A.M. IN ENGLAND. 2630 02:17:15,544 --> 02:17:17,511 WHAT? OH, GOD. IT'LL WAKE HER UP! 2631 02:17:17,613 --> 02:17:21,348 [TELEPHONE RINGS] 2632 02:17:21,450 --> 02:17:23,284 HELLO? 2633 02:17:23,386 --> 02:17:24,685 OH, NOEL. 2634 02:17:24,787 --> 02:17:26,921 I CAN'T, DARLING. I'D LOVE TO, BUT I CAN'T. 2635 02:17:27,023 --> 02:17:28,689 WELL, IT'S ONLY 10 DAYS BEFORE WE GO, 2636 02:17:28,791 --> 02:17:30,624 AND I'VE GOT SO MUCH TO DO. 2637 02:17:30,726 --> 02:17:32,793 OH, BUT, SWEETIE, THIS IS MY FIRST EVENING HOME 2638 02:17:32,895 --> 02:17:34,628 SINCE THE SHOW CLOSED, 2639 02:17:34,730 --> 02:17:36,196 AND DOROTHY'S PREPARING DINNER AND EVERYTHING. 2640 02:17:36,299 --> 02:17:38,198 WHY CAN'T WE DO IT TOMORROW? 2641 02:17:38,301 --> 02:17:40,834 HELLO--WHAT? NOEL, YOU'LL HAVE TO GET OFF THE PHONE. 2642 02:17:40,937 --> 02:17:42,469 IT'S MY CALL TO ENGLAND. 2643 02:17:42,571 --> 02:17:44,638 GET OFF! 2644 02:17:44,740 --> 02:17:46,840 IT'S COMING THROUGH. 2645 02:17:46,943 --> 02:17:49,310 SHH! SHH! 2646 02:17:49,412 --> 02:17:50,477 [SHOUTING] HELLO! 2647 02:17:50,579 --> 02:17:51,645 PAMELA? 2648 02:17:51,747 --> 02:17:53,314 CAN YOU HEAR ME, DARLING? 2649 02:17:53,416 --> 02:17:55,649 I CAN'T HEAR YOU VERY WELL. 2650 02:17:55,751 --> 02:17:57,351 THAT'S BETTER. 2651 02:17:57,453 --> 02:17:59,353 OH, I DIDN'T. 2652 02:17:59,455 --> 02:18:01,422 OH, ANGEL, HOW THOUGHTLESS OF ME. 2653 02:18:01,524 --> 02:18:02,823 I CAN NEVER UNDERSTAND 2654 02:18:02,925 --> 02:18:04,858 HOW IT'S DAY HERE AND NIGHT THERE. 2655 02:18:04,961 --> 02:18:07,027 NEVER MIND. LISTEN, DARLING, I JUST WANTED TO MAKE SURE 2656 02:18:07,129 --> 02:18:09,129 YOU GOT THE TICKETS AND EVERYTHING. GOOD. 2657 02:18:09,231 --> 02:18:11,632 THE BOAT LEAVES SOUTHAMPTON AT MIDDAY ON WEDNESDAY. 2658 02:18:11,734 --> 02:18:13,767 BE SURE YOU'RE THERE BY 10:00. 2659 02:18:13,869 --> 02:18:15,669 BRING PLENTY OF SUMMER CLOTHES. 2660 02:18:15,771 --> 02:18:18,038 WE'LL BE AWAY AT LEAST SIX WEEKS, DARLING. 2661 02:18:18,140 --> 02:18:20,007 WE'LL BUY LOTS OF LOVELY THINGS THERE. 2662 02:18:20,109 --> 02:18:22,009 WHAT? YES, DARLING, YOU SHALL SPEAK, 2663 02:18:22,111 --> 02:18:23,744 BUT LET ME FINISH FIRST. 2664 02:18:23,846 --> 02:18:27,147 I'LL MEET YOU IN NEW YORK ON PIER 52 ON THE 14th. OKAY? 2665 02:18:27,249 --> 02:18:29,583 I'M SO EXCITED, I CAN HARDLY WAIT. 2666 02:18:29,685 --> 02:18:31,552 ALL RIGHT. GO AHEAD. YOUR TURN. 2667 02:18:39,562 --> 02:18:42,496 OH, BUT--BUT--BUT-- 2668 02:18:42,598 --> 02:18:44,631 YES, BUT SURELY-- 2669 02:18:46,135 --> 02:18:48,769 OH. I SEE. 2670 02:18:48,871 --> 02:18:51,672 WELL, THAT'S THAT THEN, ISN'T IT? 2671 02:18:51,774 --> 02:18:54,341 NO, DARLING, OF COURSE NOT. 2672 02:18:54,443 --> 02:18:57,444 YES, DARLING, PLENTY OF OTHER TIMES. 2673 02:18:57,546 --> 02:19:00,814 OH, PAMELA, OF COURSE I UNDERSTAND. 2674 02:19:00,916 --> 02:19:02,416 YES, DARLING. 2675 02:19:02,518 --> 02:19:05,185 LOOK, I'LL CALL YOU IN ABOUT A WEEK, THEN. 2676 02:19:09,558 --> 02:19:11,625 YES, LET ME KNOW HOW IT ALL GOES. 2677 02:19:11,727 --> 02:19:12,960 ALL RIGHT, DARLING. 2678 02:19:13,062 --> 02:19:14,595 BYE-BYE, MY LOVE. 2679 02:19:14,697 --> 02:19:16,597 GOD BLESS. I LOVE YOU. 2680 02:19:16,699 --> 02:19:17,664 YES. 2681 02:19:17,767 --> 02:19:19,033 BYE, DARLING. 2682 02:19:19,135 --> 02:19:20,300 BYE. 2683 02:19:25,041 --> 02:19:26,507 MISS PAMELA'S NOT COMING? 2684 02:19:26,609 --> 02:19:28,175 NO, SHE'S NOT. 2685 02:19:30,446 --> 02:19:32,346 I'M SURE SHE DIDN'T MEAN TO-- 2686 02:19:32,448 --> 02:19:34,348 PLEASE DON'T BE UPSET, MISS LAWRENCE. 2687 02:19:34,450 --> 02:19:35,749 I'M NOT, DOROTHY. 2688 02:19:35,851 --> 02:19:37,151 NOW, RUN ALONG, WILL YOU, DEAR? 2689 02:19:37,253 --> 02:19:38,185 I'M FINE. 2690 02:20:08,484 --> 02:20:10,717 HELLO, NOEL? 2691 02:20:10,820 --> 02:20:13,520 I'VE CHANGED MY MIND. I'M COMING OVER. 2692 02:20:15,291 --> 02:20:17,791 OH, AS SOON AS I'VE FINISHED WHAT I'M DOING. 2693 02:20:19,028 --> 02:20:20,160 MM-HMM. 2694 02:20:29,305 --> 02:20:30,604 DRINK THIS. 2695 02:20:30,706 --> 02:20:33,073 BUT I-- DRINK. 2696 02:20:33,175 --> 02:20:35,075 HAPPY BIRTHDAY, MY DARLING. 2697 02:20:35,177 --> 02:20:36,710 IT'S NOT MY BIRTHDAY. 2698 02:20:36,812 --> 02:20:39,113 I KNOW, BUT YOU'LL BE AWAY PLAYING MOTHER WHEN IT IS, 2699 02:20:39,215 --> 02:20:41,115 SO WE DECIDED TO CELEBRATE IN ADVANCE. 2700 02:20:41,217 --> 02:20:42,316 WE? 2701 02:20:42,418 --> 02:20:44,084 G! HEY, HAPPY BIRTHDAY! 2702 02:20:44,186 --> 02:20:46,253 HAPPY BIRTHDAY, G! GOOD TO SEE YOU! 2703 02:20:46,355 --> 02:20:47,688 SURPRISE! SURPRISE! 2704 02:20:55,264 --> 02:20:57,164 WELL, SAY SOMETHING, MY DARLING, 2705 02:20:57,266 --> 02:21:00,134 EVEN IF IT'S ONLY GOOD-BYE. 2706 02:21:00,236 --> 02:21:03,303 GOOD-BYE. G-- 2707 02:21:03,405 --> 02:21:05,439 ALWAYS THE GREAT ENTRANCE LINE? 2708 02:21:07,409 --> 02:21:09,042 [SIGHS] 2709 02:21:11,347 --> 02:21:13,413 I COULD KILL YOU. 2710 02:21:13,516 --> 02:21:14,481 CHARLES. 2711 02:21:14,583 --> 02:21:15,482 HELLO, LUV. 2712 02:21:15,584 --> 02:21:17,584 DARLING, HOW ARE YOU? 2713 02:21:17,686 --> 02:21:19,453 FINE. UH, MY WIFE. 2714 02:21:21,924 --> 02:21:25,926 OH. YOU HAVE MY UNQUALIFIED ADMIRATION, MRS. FRASER. 2715 02:21:26,028 --> 02:21:28,795 I'VE HEARD SO MUCH ABOUT YOU, MISS LAWRENCE. 2716 02:21:28,898 --> 02:21:31,064 AND ALSO MY DEEPEST SYMPATHY. 2717 02:21:31,167 --> 02:21:32,299 YOU'RE TIGHT! 2718 02:21:32,401 --> 02:21:34,468 HELLO. I'M FURIOUS. 2719 02:21:34,570 --> 02:21:37,104 AH! THANK YOU. 2720 02:21:37,206 --> 02:21:39,640 GOOD TO SEE YOU AGAIN, MISS LAWRENCE. 2721 02:21:39,742 --> 02:21:40,607 HMM? 2722 02:21:40,709 --> 02:21:42,543 RICHARD ALDRICH. 2723 02:21:42,645 --> 02:21:44,211 OH, YES. 2724 02:21:44,313 --> 02:21:46,446 YES, YOU'RE A STOCKBROKER, 2725 02:21:46,549 --> 02:21:48,448 AND WE MET IN PHILADELPHIA. 2726 02:21:48,551 --> 02:21:50,884 I'M A BANKER, AND WE MET IN LONDON. 2727 02:21:50,986 --> 02:21:52,186 OH, DON'T ARGUE! 2728 02:21:52,288 --> 02:21:54,188 I CAN'T STAND PEOPLE WHO ARGUE. 2729 02:21:54,290 --> 02:21:55,822 WHO LET HIM IN? 2730 02:21:55,925 --> 02:21:57,224 ALEC WOOLLCOTT BROUGHT HIM. 2731 02:21:57,326 --> 02:21:58,892 ALEC? WHERE IS HE? 2732 02:21:58,994 --> 02:22:01,562 GERTIE, YOU DON'T LOOK A DAY OLDER. 2733 02:22:01,664 --> 02:22:03,564 NOR DO YOU, MY PET. 2734 02:22:03,666 --> 02:22:04,898 HE LOOKS 100. 2735 02:22:05,000 --> 02:22:06,533 HE ALWAYS HAS. 2736 02:22:06,635 --> 02:22:07,634 ANGEL! 2737 02:22:07,736 --> 02:22:10,003 OOH, ANGEL! 2738 02:22:10,105 --> 02:22:11,505 TEN YEARS! 2739 02:22:11,607 --> 02:22:12,906 IS IT REALLY? 2740 02:22:13,008 --> 02:22:14,508 I CAN'T BELIEVE IT. 2741 02:22:14,610 --> 02:22:15,842 NEITHER CAN I. 2742 02:22:15,945 --> 02:22:17,477 WHO THE HELL WAS THAT? 2743 02:22:17,580 --> 02:22:19,479 OH, ALEC! 2744 02:22:19,582 --> 02:22:20,480 OH, GODDESS. 2745 02:22:20,583 --> 02:22:22,482 A RATHER INEBRIATED ONE. 2746 02:22:22,585 --> 02:22:24,851 HUH? THANK YOU. 2747 02:22:27,923 --> 02:22:31,725 DEAR MARRIED CHARLES. 2748 02:22:33,495 --> 02:22:35,696 WHY DIDN'T YOU ASK BEN, TOO? 2749 02:22:35,798 --> 02:22:38,332 BECAUSE DEAR MARRIED BEN IS ON HIS HONEYMOON. 2750 02:22:38,434 --> 02:22:39,733 NOW, LISTEN. BEHAVE YOURSELF. 2751 02:22:39,835 --> 02:22:42,402 I HAVE NO INTENTION OF BEHAVING MYSELF. 2752 02:22:42,504 --> 02:22:45,272 YOU GOT ME HERE UNDER FALSE PRETENSES. 2753 02:22:45,374 --> 02:22:47,007 I HAPPEN TO BE SUFFERING 2754 02:22:47,109 --> 02:22:49,676 FROM A CERTAIN EMOTIONAL STRAIN. 2755 02:22:56,752 --> 02:22:58,652 I WISH TO BE ALONE. 2756 02:23:00,089 --> 02:23:01,655 GOOD NIGHT, MY DARLINGS. 2757 02:23:04,760 --> 02:23:08,662 I'M GOING HOME. 2758 02:23:08,764 --> 02:23:10,897 [LOUD SQUEAKY KISS] 2759 02:23:11,000 --> 02:23:11,999 G-- 2760 02:23:12,101 --> 02:23:14,668 GOD HELP ANYONE WHO TRIES TO STOP ME. 2761 02:23:16,572 --> 02:23:17,838 OH, MISS LAWRENCE-- 2762 02:23:17,940 --> 02:23:19,840 I'VE BEEN WANTING TO TALK TO YOU. 2763 02:23:19,942 --> 02:23:21,842 I OWN THE PLAYHOUSE THEATRE ON CAPE COD. 2764 02:23:21,944 --> 02:23:23,410 MR... 2765 02:23:23,512 --> 02:23:24,411 ALDRICH. 2766 02:23:24,513 --> 02:23:25,545 RIGHT. 2767 02:23:25,648 --> 02:23:27,648 YOU MAY, FOR ALL I CARE, 2768 02:23:27,716 --> 02:23:29,116 BE THE PRESIDING GENIUS 2769 02:23:29,218 --> 02:23:31,652 OF CARNEGIE HALL AND DRURY LANE. 2770 02:23:31,754 --> 02:23:33,153 YOU ARE ALSO-- 2771 02:23:33,255 --> 02:23:35,856 I NOW RECALL-- A BANKER. 2772 02:23:35,958 --> 02:23:38,058 STRONG, SILENT, 2773 02:23:38,160 --> 02:23:39,459 RESPONSIBLE, 2774 02:23:39,561 --> 02:23:40,627 RESPECTABLE. 2775 02:23:40,729 --> 02:23:42,195 YOU, THEREFORE, 2776 02:23:42,298 --> 02:23:44,398 HAVE NOTHING IN COMMON WITH ACTRESSES, 2777 02:23:44,500 --> 02:23:47,167 AND I AM AN ACTRESS. 2778 02:23:47,269 --> 02:23:49,736 AND, FURTHERMORE... 2779 02:23:49,838 --> 02:23:52,172 I'M GOING HOME. 2780 02:23:52,274 --> 02:23:53,740 MISS LAWRENCE, I MERELY WANTED-- 2781 02:23:53,842 --> 02:23:56,176 I KNOW WHAT YOU WANTED, MR. ALDRICH. 2782 02:23:56,278 --> 02:23:57,577 YOU WANT ME TO APPEAR 2783 02:23:57,680 --> 02:23:59,413 AT YOUR LITTLE CAPE COD PLAYHOUSE. 2784 02:23:59,515 --> 02:24:00,914 NOW, TO BE FAIR, 2785 02:24:01,016 --> 02:24:03,183 I DO OCCASIONALLY DO STRICTLY CHARITABLE WORK, 2786 02:24:03,285 --> 02:24:05,252 BUT IT DOES NOT EXTEND 2787 02:24:05,354 --> 02:24:09,189 TO ACTING IN COUNTRY BARNS IN INACCESSIBLE PLACES. 2788 02:24:09,291 --> 02:24:10,691 MISS LAWRENCE, I ASSURE YOU... 2789 02:24:10,793 --> 02:24:13,026 OH, NO, MR. ALDRICH, I ASSURE YOU-- 2790 02:24:13,128 --> 02:24:15,829 I ASSURE YOU ABSOLUTELY! 2791 02:24:15,931 --> 02:24:18,699 AND NOW I SHOULD LIKE TO ASK YOU A CIVIL QUESTION. 2792 02:24:18,801 --> 02:24:21,201 WHAT THE HELL IS A BLOODY BANKER 2793 02:24:21,303 --> 02:24:23,270 DOING IN THE THEATRE ANYWAY? 2794 02:24:27,142 --> 02:24:30,444 I WISH YOU GOOD NIGHT, MR. ALDRICH. 2795 02:24:35,851 --> 02:24:36,750 [CRASH] 2796 02:24:36,852 --> 02:24:38,251 [THUD] 2797 02:24:38,354 --> 02:24:40,120 OH! OH! 2798 02:24:43,959 --> 02:24:44,858 HMM. 2799 02:24:44,960 --> 02:24:46,293 FAULTLESS TIMING. 2800 02:25:01,143 --> 02:25:02,743 MMM. 2801 02:25:02,845 --> 02:25:04,811 MMM. 2802 02:25:04,913 --> 02:25:07,214 IT WAS A GREAT PERFORMANCE, MY DARLING. 2803 02:25:07,316 --> 02:25:10,717 I MUST THROW ANOTHER PARTY FOR YOU INSTANTLY. 2804 02:25:10,819 --> 02:25:13,653 OHH, GOD. 2805 02:25:13,756 --> 02:25:17,157 HOW MANY DID I ACTUALLY INSULT? 2806 02:25:17,259 --> 02:25:20,127 WELL, NATURE INTERVENED BEFORE THE WAR BECAME TOTAL. 2807 02:25:23,399 --> 02:25:25,632 [KNOCK ON DOOR] 2808 02:25:25,734 --> 02:25:26,767 COME IN. 2809 02:25:30,472 --> 02:25:31,838 SURPRISE. SURPRISE. 2810 02:25:31,940 --> 02:25:33,740 I, UH... 2811 02:25:33,842 --> 02:25:35,342 WAITED. 2812 02:25:35,444 --> 02:25:36,676 COME IN. 2813 02:25:36,779 --> 02:25:39,546 COME IN. I'LL FIX YOU A DRINK. 2814 02:25:48,490 --> 02:25:50,424 HOW DO YOU FEEL, MISS LAWRENCE? 2815 02:25:51,927 --> 02:25:53,393 BLOODY. 2816 02:25:53,495 --> 02:25:55,695 I STAYED SO THAT I COULD ESCORT YOU HOME. 2817 02:25:56,765 --> 02:25:58,031 HMM? 2818 02:26:00,135 --> 02:26:02,803 OH. 2819 02:26:02,905 --> 02:26:05,639 THANK YOU, BUT I CAN MANAGE BY MYSELF. 2820 02:26:05,741 --> 02:26:07,474 HMM... 2821 02:26:07,576 --> 02:26:09,876 WELL, I DON'T THINK YOU SHOULD DRIVE. 2822 02:26:11,814 --> 02:26:13,980 THEN I'LL GET A TAXI. 2823 02:26:14,082 --> 02:26:16,516 DIFFICULT AT THIS HOUR. 2824 02:26:18,487 --> 02:26:19,486 [SIGHS] 2825 02:26:19,588 --> 02:26:21,688 THEN I'LL WALK. 2826 02:26:21,790 --> 02:26:23,023 OHH. 2827 02:26:24,526 --> 02:26:27,894 THAT IS A QUITE RIDICULOUS SUGGESTION. 2828 02:26:30,532 --> 02:26:31,865 MR. ALDRICH, 2829 02:26:31,967 --> 02:26:34,568 IF I WAS RUDE TO YOU BEFORE, 2830 02:26:34,670 --> 02:26:36,570 I DO APOLOGIZE. 2831 02:26:36,672 --> 02:26:38,872 BUT IF YOU DON'T SHUT UP THIS INSTANT, 2832 02:26:38,974 --> 02:26:40,874 I SHALL BE EVEN RUDER. 2833 02:26:40,976 --> 02:26:43,543 PLEASE GO AWAY. 2834 02:26:43,645 --> 02:26:45,712 CERTAINLY, BUT FIRST I'D LIKE TO MAKE IT CLEAR 2835 02:26:45,814 --> 02:26:47,714 THAT I HAD NO INTENTION 2836 02:26:47,816 --> 02:26:49,716 OF ASKING YOU TO APPEAR AT MY THEATRE. 2837 02:26:49,818 --> 02:26:51,718 I SIMPLY COULDN'T AFFORD YOU. 2838 02:26:51,820 --> 02:26:54,354 WHY DID YOU MENTION THE DAMN PLACE? 2839 02:26:54,456 --> 02:26:56,356 I JUST WANTED TO ASK YOUR ADVICE 2840 02:26:56,458 --> 02:26:57,724 ABOUT A PLAY WE'RE DOING. 2841 02:26:57,826 --> 02:26:59,359 IT'S CALLED SKYLARK. 2842 02:26:59,461 --> 02:27:00,727 I'M NOT INTERESTED 2843 02:27:00,829 --> 02:27:02,562 IN YOUR AMATEUR THEATRICALS. 2844 02:27:02,664 --> 02:27:05,699 I SHOULD ALSO LIKE TO, UH... 2845 02:27:05,801 --> 02:27:08,301 APOLOGIZE FOR UPSETTING YOU. 2846 02:27:09,671 --> 02:27:11,071 YOU DIDN'T. 2847 02:27:11,173 --> 02:27:12,672 CLEARLY, MISS LAWRENCE, 2848 02:27:12,774 --> 02:27:15,375 FOR ONE REASON OR ANOTHER, I DID. 2849 02:27:15,477 --> 02:27:17,177 PERHAPS IT'S BECAUSE I MADE THE MISTAKE 2850 02:27:17,279 --> 02:27:19,312 OF TALKING ABOUT MYSELF FIRST. 2851 02:27:22,985 --> 02:27:24,784 WHAT DO YOU MEAN? 2852 02:27:24,887 --> 02:27:26,386 THAT YOU'RE A STAR. 2853 02:27:26,488 --> 02:27:28,455 YOU EXPECT TO BE TREATED AS ONE. 2854 02:27:28,557 --> 02:27:30,824 OH, MR. ALDRICH, 2855 02:27:30,926 --> 02:27:33,793 THAT KIND OF REMARK WENT OUT WITH IRVING. 2856 02:27:33,896 --> 02:27:35,529 HOWEVER, I THINK IT DOES STILL APPLY 2857 02:27:35,631 --> 02:27:37,664 TO SOMEONE AS UNSURE OF HERSELF AS YOU ARE. 2858 02:27:37,766 --> 02:27:39,733 OH, I LOVE PLAYING TRUTH GAMES 2859 02:27:39,835 --> 02:27:41,234 BUT ONLY WITH MY FRIENDS. 2860 02:27:41,336 --> 02:27:42,836 ON THE CONTRARY, MISS LAWRENCE. 2861 02:27:42,938 --> 02:27:45,839 I THINK THE TRUTH WOULD ABSOLUTELY TERRIFY YOU. 2862 02:27:45,941 --> 02:27:46,773 THAT'S ENOUGH! 2863 02:27:46,842 --> 02:27:48,275 WHO ARE YOU TO TALK TO ME LIKE THIS? 2864 02:27:48,377 --> 02:27:50,844 ODDLY ENOUGH, SOMEONE WHO ADMIRES AND RESPECTS YOU. 2865 02:27:50,946 --> 02:27:52,279 GET OUT! 2866 02:27:56,585 --> 02:28:00,053 YOU KNOW, I SHOULD LIKE TO HAVE DRIVEN YOU HOME. 2867 02:28:00,155 --> 02:28:02,822 I HATE SEEING ANYONE... 2868 02:28:02,925 --> 02:28:04,824 I HATE, UH... 2869 02:28:04,927 --> 02:28:07,260 LEAVING ANYONE SO COMPLETELY ALONE. 2870 02:28:07,362 --> 02:28:08,562 GET OUT! 2871 02:28:16,505 --> 02:28:19,406 I WISH YOU GOOD NIGHT, MISS LAWRENCE. 2872 02:28:29,651 --> 02:28:30,850 NOEL! 2873 02:28:39,328 --> 02:28:40,527 OH. 2874 02:28:42,464 --> 02:28:44,397 [SOBBING] 2875 02:28:53,241 --> 02:28:54,507 [SIGHS] 2876 02:28:54,610 --> 02:28:56,443 COMPLETELY ALONE, HUH? 2877 02:28:56,545 --> 02:28:58,745 GOOD MORNING, MISS LAWRENCE. 2878 02:29:00,649 --> 02:29:02,215 MISS LAWRENCE. 2879 02:29:09,224 --> 02:29:12,859 HE IS ABSOLUTELY AND UTTERLY IMPOSSIBLE... 2880 02:29:18,100 --> 02:29:21,768 WHEREAS I AM COMPLETELY REASONABLE AND LOGICAL. 2881 02:29:21,870 --> 02:29:23,536 MISS LAWRENCE. 2882 02:29:25,507 --> 02:29:27,007 UPSET ME, INDEED. 2883 02:29:27,109 --> 02:29:28,208 POPPYCOCK. 2884 02:29:28,310 --> 02:29:29,743 OF COURSE. 2885 02:29:29,845 --> 02:29:31,244 [SIGHS] 2886 02:29:38,620 --> 02:29:41,087 I AM NOT UNSURE OF MYSELF. 2887 02:29:41,189 --> 02:29:43,289 I KNOW EXACTLY WHAT I WANT. 2888 02:29:45,360 --> 02:29:47,494 HOW DO I GET TO CAPE COD? 2889 02:30:08,216 --> 02:30:11,084 "IN REPLY TO YOUR LETTER OF THE 16th-- 2890 02:30:11,186 --> 02:30:13,753 "I CERTAINLY DO WANT TO INVEST 2891 02:30:13,855 --> 02:30:15,755 "IN THE LONDON PRODUCTION. 2892 02:30:15,857 --> 02:30:17,891 "THE POLITICAL SITUATION MAY LOOK BAD, 2893 02:30:17,993 --> 02:30:20,493 "BUT ENGLAND ISN'T GOING TO STOP BEING ENGLAND 2894 02:30:20,595 --> 02:30:21,661 JUST BECAUSE--" 2895 02:30:21,763 --> 02:30:23,863 BRAVO! GOD SAVE THE KING! 2896 02:30:25,634 --> 02:30:26,633 WELL, MISS LAWRENCE. 2897 02:30:28,103 --> 02:30:30,003 THIS IS A MOST UNEXPECTED PLEASURE. 2898 02:30:30,105 --> 02:30:32,605 I NEVER DID PLAY BRITANNIA, BUT I COULD ALWAYS HAVE A GO. 2899 02:30:32,708 --> 02:30:34,407 I'M SORRY IF THAT SOUNDED POMPOUS, 2900 02:30:34,509 --> 02:30:37,410 BUT IT LOOKS LIKE THERE'S GOING TO BE A WAR IN EUROPE. 2901 02:30:37,512 --> 02:30:39,779 WELL, WHAT CAN I DO FOR YOU? 2902 02:30:39,881 --> 02:30:41,781 WELL, I DON'T KNOW, REALLY. 2903 02:30:41,883 --> 02:30:43,783 I'D LIKE TO SEE YOUR THEATRE. 2904 02:30:43,885 --> 02:30:45,785 WHY, OF COURSE, IF YOU DON'T MIND WAITING. 2905 02:30:45,887 --> 02:30:46,786 WAITING? 2906 02:30:46,888 --> 02:30:48,788 I SHOULDN'T BE MORE THAN 15 MINUTES. 2907 02:30:48,890 --> 02:30:50,824 THIS IS THE MOST COMFORTABLE CHAIR. 2908 02:30:53,729 --> 02:30:55,428 OHH! 2909 02:30:55,530 --> 02:30:58,031 SEPTEMBER 1939, 2910 02:30:58,133 --> 02:31:00,934 THE START OF WORLD WAR II. 2911 02:31:01,036 --> 02:31:02,535 GERTRUDE LAWRENCE LONGED TO RETURN 2912 02:31:02,637 --> 02:31:04,604 TO HER OWN COUNTRY AT ONCE, 2913 02:31:04,706 --> 02:31:05,939 BUT PREVIOUSLY-AGREED-TO COMMITMENTS 2914 02:31:06,041 --> 02:31:07,607 PREVENTED HER FROM DOING SO, 2915 02:31:07,709 --> 02:31:11,010 BUT NOT FROM RALLYING TO THE CAUSE OF FREEDOM. 2916 02:31:11,113 --> 02:31:13,046 YOU'RE A VERY GENEROUS LADY, MADAM. 2917 02:31:13,148 --> 02:31:15,849 THANK YOU SO MUCH. GOOD HEAVENS, A SUITCASE! 2918 02:31:15,951 --> 02:31:17,450 YOU'RE VERY KIND. 2919 02:31:17,552 --> 02:31:19,452 EXTRAORDINARY GENEROSITY. THANK YOU SO MUCH. 2920 02:31:19,554 --> 02:31:22,055 I ACTUALLY SAT DOWN AND WAITED FOR HIM. 2921 02:31:22,157 --> 02:31:23,790 FANTASTIC! 2922 02:31:23,892 --> 02:31:25,125 MR. COWARD, SUCH A PLEASURE. 2923 02:31:25,227 --> 02:31:27,460 THANK YOU SO MUCH, MADAM. WE'RE VERY GRATEFUL. 2924 02:31:27,562 --> 02:31:29,028 I MUST BE MAD. OF COURSE. 2925 02:31:29,131 --> 02:31:31,898 I'D ALREADY RUN AFTER HIM ALL THE WAY TO CAPE COD. 2926 02:31:32,000 --> 02:31:33,833 INCREDIBLE! DO ANSWER ME PROPERLY. 2927 02:31:33,935 --> 02:31:35,435 YOU HAVEN'T ASKED ME ANY QUESTIONS YET. 2928 02:31:35,537 --> 02:31:38,404 THANK YOU SO MUCH, MADAM. WE'RE VERY, VERY GRATEFUL. 2929 02:31:38,507 --> 02:31:40,507 I EVEN SAID I'D DO A PLAY FOR HIM 2930 02:31:40,609 --> 02:31:42,609 BEFORE I START REHEARSING LADY IN THE DARK. 2931 02:31:42,711 --> 02:31:43,777 IT'S CALLED SKYLARK. 2932 02:31:43,879 --> 02:31:46,412 HIGHLY DESCRIPTIVE. HOW DID HE MANAGE TO LURE YOU? 2933 02:31:46,515 --> 02:31:47,881 OH, HE DIDN'T. 2934 02:31:47,983 --> 02:31:50,116 I, UH... I SUGGESTED IT MYSELF. 2935 02:31:50,218 --> 02:31:52,385 GOD HELP HIM! 2936 02:31:52,487 --> 02:31:54,788 [GERTRUDE] OH, DAMN IT, I DON'T KNOW WHAT TO DO! 2937 02:31:54,890 --> 02:31:58,224 YOU BETTER GO INTO THE THEATRE AT ONCE, MR. ALDRICH. 2938 02:31:58,326 --> 02:32:00,827 IS IT, UH-- YES. 2939 02:32:04,499 --> 02:32:06,666 I'M TRYING TO TELL THIS MAN I'M LEAVING HIM. 2940 02:32:06,768 --> 02:32:09,669 HOW CAN I SAY THAT WHEN HE INSISTS ON TREATING ME 2941 02:32:09,771 --> 02:32:12,071 LIKE A CROSS BETWEEN A DRESDEN SHEPHERDESS 2942 02:32:12,174 --> 02:32:13,706 AND A VESTAL VIRGIN? 2943 02:32:13,809 --> 02:32:15,875 WE SEEM TO HAVE A SLIGHT AREA OF CONFUSION. 2944 02:32:15,977 --> 02:32:17,677 YOU'RE DAMN RIGHT WE HAVE. 2945 02:32:17,779 --> 02:32:19,946 MR. ALDRICH, I APPEAL TO YOU. 2946 02:32:20,048 --> 02:32:22,882 WE ARE MARRIED. I AM DETERMINED TO LEAVE YOU. 2947 02:32:22,984 --> 02:32:25,518 YOU ARE DETERMINED TO STOP ME. NOW, WHAT WOULD YOU DO? 2948 02:32:25,620 --> 02:32:27,754 AS I'M NOT DIRECTING THE PLAY, MISS LAWRENCE, 2949 02:32:27,856 --> 02:32:29,455 I CAN'T HELP YOU. 2950 02:32:29,558 --> 02:32:32,525 I AM GOING OUT OF THAT DOOR, OUT OF YOUR LIFE FOREVER. 2951 02:32:32,627 --> 02:32:35,495 I AM LEAVING YOU AND I'M LEAVING NOW. 2952 02:32:47,542 --> 02:32:48,842 YOU SEE WHAT I MEAN? 2953 02:32:48,944 --> 02:32:51,110 I'D SIMPLY HAVE TO STAY WITH A MAN LIKE THAT, WOULDN'T I? 2954 02:32:51,213 --> 02:32:53,580 I SUGGEST YOU GET ON WITH THE REHEARSAL 2955 02:32:53,682 --> 02:32:55,348 AND STOP WASTING EVERYONE'S TIME 2956 02:32:55,450 --> 02:32:57,317 WITH CHEAP JOKES, MISS LAWRENCE. 2957 02:33:01,790 --> 02:33:04,190 You bastard. 2958 02:33:08,763 --> 02:33:11,264 I HAVE NEVER BEEN SO INSULTED IN MY WHOLE LIFE! NEVER! 2959 02:33:11,366 --> 02:33:13,199 NOW STOP OVERACTING, CALM DOWN, 2960 02:33:13,301 --> 02:33:15,068 AND TELL ME ALL ABOUT IT. 2961 02:33:15,170 --> 02:33:16,703 ANYBODY ELSE WOULD'VE LAUGHED! 2962 02:33:16,805 --> 02:33:18,905 HE'S GOT NO SENSE OF HUMOR, AND WORSE, HE'S A COWARD! 2963 02:33:19,007 --> 02:33:21,741 HE'S LEFT ME ALONE IN THIS DAMN COTTAGE ALL AFTERNOON 2964 02:33:21,843 --> 02:33:23,910 AND HASN'T EVEN DARED COME NEAR THE PLACE. 2965 02:33:24,012 --> 02:33:25,511 HE'S A STUFFED SHIRT. 2966 02:33:25,614 --> 02:33:27,513 HE'S RUDE, OVERBEARING, POMPOUS, COMPLETELY IMPOSSIBLE! 2967 02:33:27,616 --> 02:33:29,949 I CAN'T WAIT TO FINISH THIS DAMN PLAY AND GET OUT OF HERE! 2968 02:33:30,051 --> 02:33:31,551 [KNOCK ON DOOR] 2969 02:33:31,653 --> 02:33:33,553 HOLD ON, I THINK MY DINNER'S ARRIVED. 2970 02:33:33,655 --> 02:33:34,687 THEY SEND IT OVER ON A TRAY. 2971 02:33:34,789 --> 02:33:36,589 IT'S LIKE FEEDING ANIMALS AT A BLOODY ZOO! 2972 02:33:40,061 --> 02:33:42,495 I WONDERED IF YOU'D CARE TO HAVE DINNER WITH ME. 2973 02:33:42,597 --> 02:33:44,664 FRANKLY, I'D RATHER STARVE. 2974 02:33:44,766 --> 02:33:45,832 MISS LAWRENCE-- 2975 02:33:45,934 --> 02:33:46,966 MY NAME IS GERTRUDE. 2976 02:33:47,068 --> 02:33:48,935 IT'S A GOOD, COMMON, STRAIGHTFORWARD ONE, 2977 02:33:49,037 --> 02:33:49,969 LIKE MY JOKES. 2978 02:33:50,071 --> 02:33:51,437 WITH REGARD TO WHAT HAPPENED-- 2979 02:33:51,539 --> 02:33:53,072 STOP TALKING LIKE A CONTRACT. 2980 02:33:53,174 --> 02:33:55,074 IT'S NOT THAT I'M AFRAID OF BEING LAUGHED AT. 2981 02:33:55,176 --> 02:33:57,477 THERE IS NOTHING YOU COULD SAY OR DO AT THIS MOMENT 2982 02:33:57,579 --> 02:33:59,212 WHICH WOULD MAKE ME LAUGH. 2983 02:33:59,314 --> 02:34:00,847 MARRY ME. 2984 02:34:01,950 --> 02:34:03,116 WHAT? 2985 02:34:03,218 --> 02:34:05,451 I MEAN IT. I WANT YOU TO MARRY ME. 2986 02:34:07,889 --> 02:34:11,391 OH--HA HA HA HA HA! 2987 02:34:11,493 --> 02:34:13,393 THROUGH THE GALES OF HYSTERICAL LAUGHTER, 2988 02:34:13,495 --> 02:34:15,094 DID I HEAR HIM PROPOSE TO YOU? 2989 02:34:15,196 --> 02:34:17,130 A-HA HA HA--YES! 2990 02:34:17,232 --> 02:34:18,798 THEN HE'S CERTAINLY NOT A COWARD. 2991 02:34:18,900 --> 02:34:20,700 EITHER HE'S THE BRAVEST MAN EVER BORN, 2992 02:34:20,802 --> 02:34:22,869 OR HE HAS THE MOST SUPERB SENSE OF HUMOR. 2993 02:34:22,971 --> 02:34:24,537 FOR HIS SAKE, I HOPE IT'S BOTH. 2994 02:34:24,639 --> 02:34:26,406 AND WHAT'S MORE, I SHALL BE LEAVING 2995 02:34:26,508 --> 02:34:29,175 EXACTLY ONE MINUTE AFTER THE CURTAIN FALLS ON SATURDAY! 2996 02:34:41,323 --> 02:34:42,855 MISS LAWRENCE, LOOK THIS WAY, PLEASE. 2997 02:34:42,958 --> 02:34:45,525 IS IT TRUE YOU'RE HAVING TROUBLE WITH THE SHOW? 2998 02:34:45,627 --> 02:34:48,561 IT'S A LONG TIME SINCE YOU'VE DONE A MUSICAL. 2999 02:34:48,663 --> 02:34:50,163 ARE YOU SCARED? 3000 02:34:50,265 --> 02:34:52,031 OH, LOOK AT ME. I'M SHAKING ALL OVER. 3001 02:34:52,133 --> 02:34:54,033 WHAT'S YOUR IDEA OF A PERFECT WEDDING? 3002 02:34:54,135 --> 02:34:55,668 A PERFECT MAN, DEAR. 3003 02:34:55,770 --> 02:34:56,903 HAVE YOU FOUND HIM? 3004 02:34:57,005 --> 02:34:58,137 IF I HAD, MY LAMB, 3005 02:34:58,239 --> 02:34:59,939 I'D BE DOING SOMETHING FAR MORE INTERESTING 3006 02:35:00,041 --> 02:35:01,307 THAN SLAVING MY HEAD OFF IN PLACES LIKE THIS. 3007 02:35:01,409 --> 02:35:02,642 GOOD-BYE, DARLINGS. 3008 02:35:02,744 --> 02:35:04,377 I'VE GOT TO GO BACK TO WORK NOW. 3009 02:35:04,479 --> 02:35:06,079 THAT'S ALL, FELLAS. 3010 02:35:09,084 --> 02:35:10,249 GERTRUDE... 3011 02:35:10,352 --> 02:35:11,651 WHAT ARE YOU DOING HERE? 3012 02:35:11,753 --> 02:35:13,052 I MUST TALK TO YOU. 3013 02:35:13,154 --> 02:35:14,954 THIS IS A THEATRE. A REAL THEATRE. 3014 02:35:15,056 --> 02:35:16,489 IT'S WHERE I WORK. 3015 02:35:16,591 --> 02:35:17,757 THAT CAN WAIT. 3016 02:35:22,697 --> 02:35:23,963 IT CAN'T, RICHARD. 3017 02:35:24,065 --> 02:35:25,832 I'M SORRY, BUT IT CAN'T. 3018 02:35:29,871 --> 02:35:31,137 IT NEVER COULD WAIT. 3019 02:35:31,239 --> 02:35:33,139 THAT'S ALWAYS BEEN THE TROUBLE. 3020 02:35:33,241 --> 02:35:34,774 FOR A MOMENT THERE, 3021 02:35:34,876 --> 02:35:37,043 I THOUGHT YOU'D BROKEN THE PATTERN. PITY. 3022 02:35:37,145 --> 02:35:39,112 MY SHIP? 3023 02:35:39,214 --> 02:35:42,115 OKAY, LET'S TAKE THAT ONE FIRST. 3024 02:35:42,217 --> 02:35:44,250 FROM THE TOP, JACK, OKAY? 3025 02:35:45,820 --> 02:35:47,720 [CLEARS THROAT] 3026 02:35:47,822 --> 02:35:49,255 [PIANO PLAYING] 3027 02:36:08,710 --> 02:36:09,976 OKAY. 3028 02:36:11,713 --> 02:36:16,049 ♪ MY SHIP HAS SAILS THAT ARE MADE OF SILK ♪ 3029 02:36:16,151 --> 02:36:20,219 ♪ THE DECKS ARE TRIMMED WITH GOLD ♪ 3030 02:36:20,321 --> 02:36:23,122 ♪ AND OF JAM AND SPICE ♪ 3031 02:36:23,224 --> 02:36:25,758 ♪ THERE'S A PARADISE ♪ 3032 02:36:25,860 --> 02:36:28,761 ♪ IN THE HOLD ♪ 3033 02:36:30,532 --> 02:36:35,201 ♪ MY SHIP'S AGLOW WITH A MILLION PEARLS ♪ 3034 02:36:35,303 --> 02:36:40,206 ♪ AND RUBIES FILL EACH BIN ♪ 3035 02:36:40,308 --> 02:36:46,612 ♪ THE SUN SITS HIGH IN A SAPPHIRE SKY ♪ 3036 02:36:46,714 --> 02:36:53,753 ♪ WHEN MY SHIP COMES IN ♪ 3037 02:36:53,855 --> 02:36:57,390 ♪ I CAN WAIT THE YEARS ♪ 3038 02:36:57,492 --> 02:36:59,792 ♪ TILL IT APPEARS ♪ 3039 02:36:59,894 --> 02:37:03,096 ♪ ONE FINE DAY ♪ 3040 02:37:03,198 --> 02:37:06,399 ♪ ONE SPRING ♪ 3041 02:37:06,501 --> 02:37:09,335 ♪ BUT THE PEARLS AND SUCH ♪ 3042 02:37:09,437 --> 02:37:13,840 ♪ THEY WON'T MEAN MUCH ♪ 3043 02:37:13,942 --> 02:37:21,214 ♪ IF THERE'S MISSING JUST ONE THING ♪ 3044 02:37:21,316 --> 02:37:24,584 ♪ I DO NOT CARE ♪ 3045 02:37:24,686 --> 02:37:27,420 ♪ IF THAT DAY ARRIVES ♪ 3046 02:37:27,522 --> 02:37:33,292 ♪ THAT DREAM NEED NEVER BE ♪ 3047 02:37:33,394 --> 02:37:36,829 ♪ IF THE SHIP I SING ♪ 3048 02:37:36,931 --> 02:37:39,866 ♪ DOESN'T ALSO BRING ♪ 3049 02:37:39,968 --> 02:37:46,105 ♪ MY OWN TRUE LOVE TO ME ♪ 3050 02:37:46,207 --> 02:37:52,111 ♪ IF THE SHIP I SING ♪ 3051 02:37:52,213 --> 02:37:57,950 ♪ DOESN'T ALSO BRING ♪ 3052 02:37:58,052 --> 02:38:08,628 ♪ MY OWN TRUE LOVE ♪ 3053 02:38:08,730 --> 02:38:13,699 ♪ TO ♪ 3054 02:38:13,801 --> 02:38:22,808 ♪ ME ♪♪ 3055 02:38:28,349 --> 02:38:30,716 THAT'S FINE, DARLING. THAT'S JUST FINE. 3056 02:38:30,818 --> 02:38:32,952 NOW, LET'S TRY JENNY, PLEASE. 3057 02:38:33,054 --> 02:38:35,421 I'D RATHER NOT. 3058 02:38:35,523 --> 02:38:37,890 HAVEN'T WE DONE IT ENOUGH FOR ONE DAY? 3059 02:38:37,992 --> 02:38:40,159 WE SHOULD DO IT JUST ONCE MORE. 3060 02:38:40,261 --> 02:38:42,328 LET'S SKIP RIGHT TO THE CHORUS, OKAY? 3061 02:38:44,699 --> 02:38:45,665 ALL RIGHT. 3062 02:38:45,767 --> 02:38:46,866 OKAY. 3063 02:38:51,039 --> 02:38:53,306 THOSE OF US WHO WISH TO LIVE IN PEACE 3064 02:38:53,408 --> 02:38:54,807 SHOULD NOW LEAVE. 3065 02:38:56,010 --> 02:38:58,778 [PIANO PLAYING] 3066 02:38:58,880 --> 02:38:59,812 [CLEARS THROAT] 3067 02:39:03,218 --> 02:39:05,952 ♪ POOR JENNY ♪ 3068 02:39:06,054 --> 02:39:08,754 ♪ BRIGHT AS A PENNY ♪ 3069 02:39:08,856 --> 02:39:13,092 ♪ HER EQUAL WOULD BE HARD TO FIND ♪ 3070 02:39:13,194 --> 02:39:15,428 ♪ SHE LOST ONE DAD AND MOTHER ♪ 3071 02:39:15,530 --> 02:39:17,897 ♪ A SISTER AND A BROTHER ♪ 3072 02:39:17,999 --> 02:39:20,933 ♪ BUT SHE WOULD MAKE-- ♪ 3073 02:39:21,035 --> 02:39:22,802 OH, GOD. 3074 02:39:25,940 --> 02:39:27,840 IT'S NO GOOD. THE LYRICS ARE TERRIBLE, 3075 02:39:27,942 --> 02:39:29,942 THE MUSIC'S LOUSY, THE PRODUCTION'S HOPELESS, 3076 02:39:30,044 --> 02:39:31,944 AND THAT SWING'S A BLOODY ABOMINATION. 3077 02:39:32,046 --> 02:39:33,946 G, PLEASE. OH, GO TO HELL! 3078 02:39:35,216 --> 02:39:36,082 NOEL! 3079 02:39:36,184 --> 02:39:37,650 NOEL, YOU'VE GOT TO HELP ME. 3080 02:39:37,752 --> 02:39:38,651 GERTRUDE! 3081 02:39:38,753 --> 02:39:39,819 I CAN'T DO IT! 3082 02:39:39,921 --> 02:39:40,753 GERTRUDE! 3083 02:39:40,855 --> 02:39:42,421 I JUST CAN'T DO IT. 3084 02:39:42,523 --> 02:39:43,990 STOP IT! 3085 02:39:44,092 --> 02:39:45,758 STOP ACTING. 3086 02:39:45,860 --> 02:39:47,893 WHAT? 3087 02:39:47,996 --> 02:39:49,895 STOP ACTING. 3088 02:39:49,998 --> 02:39:52,732 I'M SORRY, RICHARD. 3089 02:39:52,834 --> 02:39:54,467 I-I'M JUST SO-- 3090 02:39:54,569 --> 02:39:55,835 FRIGHTENED. 3091 02:39:55,937 --> 02:39:56,969 YES. 3092 02:39:58,373 --> 02:40:00,239 WE'RE ALL GOING OUT TO DINNER. 3093 02:40:00,341 --> 02:40:02,608 I DON'T WANT TO GO TO DINNER! I WANT TO GO HOME! 3094 02:40:02,710 --> 02:40:03,743 COME ALONG. 3095 02:40:03,845 --> 02:40:05,311 YOU DON'T BEGIN TO UNDERSTAND. 3096 02:40:05,413 --> 02:40:08,180 I'VE GOT TO DO JENNY, AND I DON'T KNOW HOW. 3097 02:40:08,283 --> 02:40:09,815 GET IN. I REFUSE. 3098 02:40:09,917 --> 02:40:11,784 YOU'LL DO EXACTLY AS I TELL YOU. GET IN. 3099 02:40:11,886 --> 02:40:13,452 ADMIRABLE. 3100 02:40:13,554 --> 02:40:15,655 THIS ISN'T YOUR MISERABLE CAPE COD. IT'S BROADWAY! 3101 02:40:15,757 --> 02:40:17,790 SHUT UP, GERTIE! GET IN. 3102 02:40:17,892 --> 02:40:18,958 OHH. 3103 02:40:19,060 --> 02:40:21,260 YOU DON'T UNDERSTAND. NONE OF YOU UNDERSTANDS. 3104 02:40:21,362 --> 02:40:23,262 NOW, IS THIS A MYSTERY TOUR, 3105 02:40:23,364 --> 02:40:25,264 OR MAY ONE INQUIRE ONE'S DESTINATION? 3106 02:40:25,366 --> 02:40:26,465 THE COTTON CLUB. 3107 02:40:26,567 --> 02:40:29,302 OH, MY GOD. HE'S INSANE. 3108 02:40:29,404 --> 02:40:32,772 THIS IS RIDICULOUS. IT'S A COMPLETE WASTE OF TIME. 3109 02:40:32,874 --> 02:40:35,441 WHAT ON EARTH ARE WE DOING HERE? 3110 02:40:35,543 --> 02:40:37,943 I SHOULD BE WORKING ON THAT DAMN SONG. 3111 02:40:38,046 --> 02:40:39,845 NOEL, WHY DON'T YOU SAY SOMETHING? 3112 02:40:39,947 --> 02:40:42,014 YOU HAVEN'T DRAWN BREATH, MY SWEET. 3113 02:40:43,851 --> 02:40:46,752 I KNOW YOU'RE TRYING TO TAKE MY MIND OFF IT, 3114 02:40:46,854 --> 02:40:49,755 BUT IT'S NO USE. IT WON'T WORK. 3115 02:40:49,857 --> 02:40:52,091 OH, YOU DON'T BEGIN TO UNDERSTAND. 3116 02:40:52,193 --> 02:40:53,759 NEITHER OF YOU UNDERSTANDS. 3117 02:40:53,861 --> 02:40:57,330 I'M THE ONE THAT'S GOT TO BE UP ON THAT STAGE--ME! 3118 02:40:57,432 --> 02:40:59,899 I'VE GOT TO FACE AN AUDIENCE AND SING A SONG, 3119 02:41:00,001 --> 02:41:04,470 AND I JUST DON'T KNOW...HOW. 3120 02:41:04,572 --> 02:41:07,773 ♪♪ [JAZZ BAND PLAYING HONKY TONK MUSIC] 3121 02:41:15,783 --> 02:41:17,717 YOU'RE A VERY CLEVER MAN. 3122 02:41:26,394 --> 02:41:30,796 OH, YOU BASTARD! 3123 02:41:30,898 --> 02:41:33,799 THE OPENING NIGHT OF LADY IN THE DARK-- 3124 02:41:33,901 --> 02:41:36,135 GERTRUDE LAWRENCE'S RETURN TO THE MUSICAL THEATRE. 3125 02:41:36,237 --> 02:41:38,804 THE SHOW GOT OFF TO A GREAT START, 3126 02:41:38,906 --> 02:41:41,907 BUT THE BIG QUESTION MARK WAS THE FINAL DREAM SEQUENCE. 3127 02:41:42,009 --> 02:41:44,510 THERE HAD BEEN RUMORS OF DIFFICULTIES AND TROUBLE. 3128 02:41:44,612 --> 02:41:46,946 NO ONE KNEW WHAT TO EXPECT. 3129 02:41:49,617 --> 02:41:51,617 CAN YOU GIVE US ANY REASON 3130 02:41:51,719 --> 02:41:54,220 WHY YOU REFUSE TO MAKE UP YOUR MIND? 3131 02:41:54,322 --> 02:41:57,957 YES, I CAN. 3132 02:41:58,059 --> 02:42:01,694 ♪ THERE ONCE WAS A GIRL NAMED JENNY ♪ 3133 02:42:01,796 --> 02:42:05,431 ♪ WHOSE VIRTUES WERE VARIED AND MANY ♪ 3134 02:42:05,533 --> 02:42:10,002 ♪ EXCEPTING THAT SHE WAS INCLINED ♪ 3135 02:42:10,104 --> 02:42:15,207 ♪ ALWAYS TO MAKE UP HER MIND ♪ 3136 02:42:15,309 --> 02:42:18,177 ♪ AND JENNY POINTS A MORAL ♪ 3137 02:42:18,279 --> 02:42:21,247 ♪ WITH WHICH YOU CANNOT QUARREL ♪ 3138 02:42:21,349 --> 02:42:28,854 ♪ AS YOU WILL FIND ♪ 3139 02:42:39,934 --> 02:42:41,834 ♪ JENNY ♪ 3140 02:42:41,936 --> 02:42:43,436 ♪ JENNY ♪ 3141 02:42:43,538 --> 02:42:46,872 ♪ WHO'S JENNY? ♪ 3142 02:42:50,945 --> 02:42:52,645 ♪ NEVER HEARD OF JENNY ♪ 3143 02:43:16,037 --> 02:43:18,804 [APPLAUSE] 3144 02:43:33,921 --> 02:43:35,654 ♪ JENNY MADE HER MIND UP ♪ 3145 02:43:35,756 --> 02:43:37,323 ♪ WHEN SHE WAS THREE ♪ 3146 02:43:37,425 --> 02:43:40,359 ♪ SHE HERSELF WAS GOING TO TRIM THE CHRISTMAS TREE ♪ 3147 02:43:40,461 --> 02:43:42,294 ♪ CHRISTMAS EVE, SHE LIT THE CANDLES ♪ 3148 02:43:42,396 --> 02:43:43,963 ♪ TOSSED THE TAPERS AWAY ♪ 3149 02:43:44,065 --> 02:43:47,967 ♪ LITTLE JENNY WAS AN ORPHAN ON CHRISTMAS DAY ♪ 3150 02:43:48,069 --> 02:43:49,969 ♪ POOR JENNY ♪ 3151 02:43:50,071 --> 02:43:51,470 ♪ BRIGHT AS A PENNY ♪ 3152 02:43:51,572 --> 02:43:54,940 ♪ HER EQUAL WOULD BE HARD TO FIND ♪ 3153 02:43:55,042 --> 02:43:56,909 ♪ SHE LOST ONE DAD AND MOTHER ♪ 3154 02:43:57,011 --> 02:43:58,477 ♪ A SISTER AND A BROTHER ♪ 3155 02:43:58,579 --> 02:44:01,881 ♪ BUT SHE WOULD MAKE UP HER MIND ♪ 3156 02:44:04,418 --> 02:44:06,185 C'EST MAGNIFIQUE! 3157 02:44:06,287 --> 02:44:08,487 KRASOTKA! 3158 02:44:08,589 --> 02:44:10,256 TOYOTA! 3159 02:44:10,358 --> 02:44:12,391 ¡QUÉ BONITA! 3160 02:44:24,939 --> 02:44:26,839 ♪ JENNY MADE HER MIND UP ♪ 3161 02:44:26,941 --> 02:44:28,507 ♪ WHEN SHE WAS 12 ♪ 3162 02:44:28,609 --> 02:44:30,509 ♪ THAT INTO FOREIGN LANGUAGES ♪ 3163 02:44:30,611 --> 02:44:31,677 ♪ SHE WOULD DELVE ♪ 3164 02:44:31,779 --> 02:44:33,746 ♪ BUT AT 17 TO VASSAR ♪ 3165 02:44:33,848 --> 02:44:35,414 ♪ IT WAS QUITE A BLOW ♪ 3166 02:44:35,516 --> 02:44:37,449 ♪ THAT IN 27 LANGUAGES ♪ 3167 02:44:37,552 --> 02:44:39,318 ♪ SHE COULDN'T SAY NO ♪ 3168 02:44:39,420 --> 02:44:40,986 ♪ POOR JENNY ♪ 3169 02:44:41,088 --> 02:44:42,655 ♪ BRIGHT AS A PENNY ♪ 3170 02:44:42,757 --> 02:44:46,191 ♪ HER EQUAL WOULD BE HARD TO FIND ♪ 3171 02:44:46,294 --> 02:44:48,027 ♪ TO JENNY I'M BEHOLDEN ♪ 3172 02:44:48,129 --> 02:44:49,595 ♪ HER HEART WAS BIG AND GOLDEN ♪ 3173 02:44:49,697 --> 02:44:53,065 ♪ BUT SHE WOULD MAKE UP HER MIND ♪ 3174 02:45:01,976 --> 02:45:05,311 ♪ JENNY MADE HER MIND UP AT 22 ♪ 3175 02:45:05,413 --> 02:45:06,912 ♪ TO GET HERSELF A HUSBAND ♪ 3176 02:45:07,014 --> 02:45:08,781 ♪ WAS THE THING TO DO ♪ 3177 02:45:08,883 --> 02:45:10,583 ♪ SO SHE GOT HERSELF ALL DOLLED UP ♪ 3178 02:45:10,685 --> 02:45:11,917 ♪ IN HER SATINS AND FURS ♪ 3179 02:45:12,019 --> 02:45:14,086 ♪ AND SHE GOT HERSELF A HUSBAND ♪ 3180 02:45:14,188 --> 02:45:16,555 ♪ BUT HE WASN'T HERS ♪ 3181 02:45:19,860 --> 02:45:21,660 ♪ POOR JENNY ♪ 3182 02:45:21,762 --> 02:45:23,329 ♪ BRIGHT AS A PENNY ♪ 3183 02:45:23,431 --> 02:45:26,865 ♪ HER EQUAL WOULD BE HARD TO FIND ♪ 3184 02:45:26,968 --> 02:45:28,801 ♪ DESERVED A BED OF ROSES ♪ 3185 02:45:28,903 --> 02:45:30,402 ♪ BUT HISTORY DISCLOSES ♪ 3186 02:45:30,504 --> 02:45:33,739 ♪ THAT SHE WOULD MAKE UP HER MIND ♪ 3187 02:45:47,021 --> 02:45:50,255 ♪ JENNY MADE HER MIND UP AT 51 ♪ 3188 02:45:50,358 --> 02:45:52,257 ♪ THAT SHE WOULD WRITE HER MEMOIRS ♪ 3189 02:45:52,360 --> 02:45:53,826 ♪ BEFORE SHE WAS DONE ♪ 3190 02:45:53,928 --> 02:45:57,062 ♪ THE VERY DAY HER BOOK WAS PUBLISHED, HISTORY RELATES ♪ 3191 02:45:57,164 --> 02:45:58,931 ♪ THERE WERE WIVES WHO SHOT THEIR HUSBANDS ♪ 3192 02:45:59,033 --> 02:46:00,566 ♪ IN SOME 33 STATES ♪ 3193 02:46:00,668 --> 02:46:02,935 ♪ POOR JENNY ♪ 3194 02:46:03,037 --> 02:46:04,637 ♪ BRIGHT AS A PENNY ♪ 3195 02:46:04,739 --> 02:46:07,006 ♪ SHE'S GOT NO EQUAL ♪ 3196 02:46:07,108 --> 02:46:09,942 ♪ IT'S TRUE SHE COULD GIVE CARDS IN SPADIES ♪ 3197 02:46:10,044 --> 02:46:11,543 ♪ TO MANY OTHER LADIES ♪ 3198 02:46:11,646 --> 02:46:14,847 ♪ BUT SHE WOULD MAKE UP HER MIND ♪ 3199 02:46:20,888 --> 02:46:22,021 OH. 3200 02:46:22,123 --> 02:46:24,423 UH. MMM--UH! 3201 02:46:24,525 --> 02:46:28,193 ♪ JENNY MADE HER MIND UP AT 75 ♪ 3202 02:46:28,295 --> 02:46:29,461 ♪ THAT SHE WOULD LIVE TO BE ♪ 3203 02:46:29,563 --> 02:46:31,764 ♪ THE OLDEST WOMAN ALIVE ♪ 3204 02:46:31,866 --> 02:46:33,666 ♪ BUT GIN AND RUM AND DESTINY ♪ 3205 02:46:33,768 --> 02:46:34,933 ♪ THEY PLAY FUNNY TRICKS ♪ 3206 02:46:35,036 --> 02:46:36,869 ♪ AND POOR JENNY KICKED THE BUCKET ♪ 3207 02:46:36,971 --> 02:46:39,271 ♪ AT 76 ♪ 3208 02:46:42,777 --> 02:46:44,677 ♪ POOR JENNY ♪ 3209 02:46:44,779 --> 02:46:46,645 ♪ BRIGHT AS A PENNY ♪ 3210 02:46:46,747 --> 02:46:50,949 ♪ HER EQUAL WOULD BE HARD TO FIND ♪ 3211 02:46:51,052 --> 02:46:53,052 ♪ POOR JENNY ♪ 3212 02:46:53,154 --> 02:46:55,020 ♪ BRIGHT AS A PENNY ♪ 3213 02:46:55,122 --> 02:46:58,891 ♪ HER EQUAL WOULD BE HARD TO FIND ♪ 3214 02:47:08,202 --> 02:47:09,134 [BANG] 3215 02:47:15,743 --> 02:47:17,042 ♪ JENNY ♪ 3216 02:47:17,144 --> 02:47:19,478 ♪ JENNY! JENNY! JENNY! ♪ 3217 02:47:19,580 --> 02:47:21,313 ♪ JENNY POINTS A MORAL ♪ 3218 02:47:21,415 --> 02:47:23,315 ♪ WITH WHICH YOU CANNOT QUARREL ♪ 3219 02:47:23,417 --> 02:47:26,318 ♪ MAKES A LOT OF COMMON SENSE ♪ 3220 02:47:27,455 --> 02:47:29,455 ♪ JENNY AND HER SAGA ♪ 3221 02:47:29,557 --> 02:47:31,356 ♪ PROVE THAT YOU ARE GAGA ♪ 3222 02:47:31,459 --> 02:47:33,625 ♪ IF YOU DON'T KEEP SITTING ON THE FENCE ♪ 3223 02:47:33,728 --> 02:47:35,127 ♪ YOU KNOW THAT ♪ 3224 02:47:35,229 --> 02:47:36,962 ♪ JENNY AND HER STORY ♪ 3225 02:47:37,064 --> 02:47:39,098 ♪ POINT THE WAY TO GLORY ♪ 3226 02:47:39,200 --> 02:47:42,768 ♪ FOR ALL MAN AND WOMANKIND ♪ 3227 02:47:42,870 --> 02:47:44,837 ♪ ANYONE WITH VISION ♪ 3228 02:47:44,939 --> 02:47:46,338 ♪ COMES TO THIS DECISION ♪ 3229 02:47:46,440 --> 02:47:48,807 ♪ YOU MUSTN'T MAKE UP ♪ 3230 02:47:48,909 --> 02:47:50,442 ♪ YOU MUSTN'T MAKE UP ♪ 3231 02:47:50,544 --> 02:47:51,877 ♪ YOU SHOULDN'T MAKE UP ♪ 3232 02:47:51,979 --> 02:47:53,312 ♪ SHOULDN'T MAKE UP ♪ 3233 02:47:53,414 --> 02:47:55,714 ♪ NEVER, EVER, NEVER ♪ 3234 02:47:55,816 --> 02:47:57,316 ♪ MAKE UP ♪ 3235 02:47:57,418 --> 02:47:58,884 ♪ NEVER MAKE UP ♪ 3236 02:47:58,986 --> 02:48:06,992 ♪ YOUR ♪ 3237 02:48:07,094 --> 02:48:13,832 ♪ YOUR MIND ♪♪ 3238 02:48:14,969 --> 02:48:18,070 [APPLAUSE] 3239 02:48:27,314 --> 02:48:28,847 THAT NIGHT, THIS AUDIENCE, 3240 02:48:28,949 --> 02:48:31,884 LIKE SO MANY BEFORE THEM AND SO MANY STILL TO COME, 3241 02:48:31,986 --> 02:48:33,485 WITNESSED A THEATRICAL MIRACLE. 3242 02:48:33,587 --> 02:48:37,156 THEY SAW GERTRUDE LAWRENCE--STAR! 3243 02:48:37,258 --> 02:48:38,791 A FEW DAYS LATER, 3244 02:48:38,893 --> 02:48:41,059 AT A QUIET PRIVATE CEREMONY AT CAPE COD, 3245 02:48:41,162 --> 02:48:42,995 SHE MARRIED RICHARD ALDRICH, 3246 02:48:43,097 --> 02:48:46,231 AND NOEL COWARD SENT ONE MORE TELEGRAM. 3247 02:48:46,333 --> 02:48:48,834 [NOEL] "DEAR MRS. A-- HOORAY, HOORAY! 3248 02:48:48,936 --> 02:48:50,836 "AT LAST, YOU ARE DEFLOWERED. 3249 02:48:50,938 --> 02:48:53,605 "ON THIS, AS EVERY OTHER DAY, I LOVE YOU. 3250 02:48:53,707 --> 02:48:54,973 NOEL COWARD." 3251 02:49:06,420 --> 02:49:07,319 WELL? 3252 02:49:07,421 --> 02:49:08,654 MMM. 3253 02:49:08,756 --> 02:49:10,789 THE TELEGRAM WAS TRUE. 3254 02:49:10,891 --> 02:49:12,157 IS THAT ALL? 3255 02:49:12,259 --> 02:49:14,560 WHATEVER ELSE I'VE SAID, FORGET IT. 3256 02:49:14,662 --> 02:49:16,161 DON'T CHANGE A THING. 3257 02:49:16,263 --> 02:49:19,832 LEAVE IT JUST THE WAY IT IS... 3258 02:49:19,934 --> 02:49:21,967 JUST THE WAY IT WAS. 3259 02:49:35,950 --> 02:49:37,149 WHOO. 3260 02:49:46,627 --> 02:49:47,960 RICHARD. 3261 02:49:48,062 --> 02:49:49,995 I SHOULDN'T HAVE DONE IT. 3262 02:49:50,097 --> 02:49:52,865 WHAT? MARRIED YOU. 3263 02:49:52,967 --> 02:49:56,501 DON'T WORRY. DIVORCE IS QUITE SIMPLE IN AMERICA. 3264 02:49:56,604 --> 02:49:57,836 OH, CRIPES! 3265 02:50:04,011 --> 02:50:06,979 YOU DON'T MEAN THAT, DO YOU, ABOUT DIVORCE? 3266 02:50:08,082 --> 02:50:09,648 I MEAN EVERYTHING I SAY. 3267 02:50:11,218 --> 02:50:12,985 WELL, I DON'T. 3268 02:50:13,087 --> 02:50:15,787 I JUST THINK I DO AT THE TIME. 3269 02:50:15,890 --> 02:50:16,989 GOOD. 3270 02:50:21,362 --> 02:50:24,196 YOUR TROUBLE IS YOU'VE GOT NO SENSE OF... 3271 02:50:24,298 --> 02:50:25,530 HUMOR? 3272 02:50:26,934 --> 02:50:28,967 WORSE--NO SENSE OF OCCASION. 3273 02:50:33,440 --> 02:50:36,408 YOU SHOULD KNOW THAT WHEN A LADY'S JUST BEEN MARRIED, 3274 02:50:36,510 --> 02:50:38,410 SHE'S IN A HIGHLY EMOTIONAL STATE 3275 02:50:38,512 --> 02:50:40,012 AND TREAT HER ACCORDINGLY. 3276 02:50:40,114 --> 02:50:42,080 ACCORDINGLY? 3277 02:50:42,182 --> 02:50:43,215 YES. 3278 02:50:57,598 --> 02:50:59,464 DON'T IMAGINE YOU CAN GET ROUND ME 3279 02:50:59,566 --> 02:51:00,899 BY JUST BEING NICE. 3280 02:51:01,001 --> 02:51:03,402 I MAY NOT BE AS CLEVER AS YOU, 3281 02:51:03,504 --> 02:51:05,804 BUT I HAVEN'T BEEN AN ACTRESS FOR NOTHING. 3282 02:51:05,906 --> 02:51:07,806 I KNOW AN AWFUL LOT MORE 3283 02:51:07,908 --> 02:51:10,409 ABOUT LIFE AND MEN THAN MOST PEOPLE, 3284 02:51:10,511 --> 02:51:13,011 AND I KNOW THE ONLY THINGS THAT MATTER ARE 3285 02:51:13,113 --> 02:51:15,347 UNDERSTANDING AND HAPPINESS 3286 02:51:15,449 --> 02:51:19,284 AND BEING ABSOLUTELY GENUINE ALL THE BLOODY TIME!240491