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It's Music Week,
as our nine remaining potters
get to tackle
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00:00:09,567 --> 00:00:12,327
busts of some fabulous
music legends,
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00:00:12,400 --> 00:00:15,730
and, as always,
I'm here on hand to help.
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00:00:23,967 --> 00:00:26,867
[Texas accent] Welcome to
The Great Pottery Throw Down.
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00:00:26,934 --> 00:00:28,374
Yee-haw!
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00:00:28,433 --> 00:00:29,573
[McSweeney] Last week...
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00:00:29,633 --> 00:00:32,103
-[all] Whoo!
-...naked raku.
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00:00:32,166 --> 00:00:33,266
Look at it burn.
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00:00:33,333 --> 00:00:36,203
Seriously, like,
the adrenaline then.
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00:00:36,266 --> 00:00:40,366
Hannah's pair of vases
earned her her first
Potter of the Week.
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00:00:40,433 --> 00:00:42,103
[gasps]
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00:00:42,166 --> 00:00:43,566
And in a surprise twist...
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00:00:43,633 --> 00:00:46,033
The good news
doesn't end there.
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00:00:46,100 --> 00:00:47,570
...nobody was sent home.
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00:00:47,633 --> 00:00:50,503
We're expecting you all
back next week.
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00:00:52,367 --> 00:00:54,597
Now, Music Week...
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00:00:54,667 --> 00:00:57,497
-[laughs]
-...sculpting busts
of musical legends...
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00:00:57,567 --> 00:01:00,267
I'm only doing to there.
They feel ample.
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00:01:00,333 --> 00:01:02,833
...and tackling a miniature
instrument spot test.
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00:01:02,900 --> 00:01:04,130
[Peter] Just madness, isn't it?
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00:01:04,200 --> 00:01:06,100
...to decide
who'll top the charts...
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00:01:06,166 --> 00:01:07,796
Oh, my gosh,
that is wobbly.
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00:01:07,867 --> 00:01:10,097
...and who'll be forced
to face the music.
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00:01:10,166 --> 00:01:13,126
I think I've just broken that,
so I'll just give up.
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00:01:13,200 --> 00:01:14,500
Okay, I've had enough.
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00:01:45,600 --> 00:01:48,800
[McSweeney] It's Music Week,
and the potters
have been assigned
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00:01:48,867 --> 00:01:50,427
their very own musical legend
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00:01:50,500 --> 00:01:52,970
to sculpt into
a clay masterpiece.
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00:01:53,033 --> 00:01:56,073
I've got Dolly Parton.
Whoo-hoo!
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00:01:56,133 --> 00:02:00,933
I'll be singing
"9 to 5," you know,
lassoing a guy. [laughs]
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00:02:01,000 --> 00:02:06,200
I was really happy
to have Dame Shirley Bassey
because she's a Welsh girl.
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00:02:06,266 --> 00:02:08,596
She put Wales on the map,
and she's beautiful.
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00:02:08,667 --> 00:02:10,697
I was really, really lucky
to get given Ozzy
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00:02:10,767 --> 00:02:12,227
'cause I am
quite a big fan.
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00:02:12,300 --> 00:02:14,370
Um, me, my dad
and my brother
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00:02:14,433 --> 00:02:16,533
used to listen
to Black Sabbath
all of the time.
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00:02:16,600 --> 00:02:19,070
We had a cassette tape
in our car,
and it was called
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00:02:19,133 --> 00:02:20,833
"Songs that make
Mum's ears bleed."
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00:02:20,900 --> 00:02:22,230
I got Bruce Springsteen.
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00:02:22,300 --> 00:02:25,200
I've heard the name
but never heard
the music,
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00:02:25,266 --> 00:02:27,326
so I'm trying to channel
Bruce's energy,
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00:02:27,400 --> 00:02:30,530
uh, wearing
flannel,
bandana, yeah.
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00:02:30,600 --> 00:02:32,800
[chuckles] Hopefully
something will help.
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00:02:39,433 --> 00:02:42,703
So, the potters know
which music legends
they are sculpting,
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00:02:42,767 --> 00:02:45,197
but to get them in the mood
for the challenge,
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00:02:45,266 --> 00:02:47,126
last night
at their potters' abode,
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00:02:47,200 --> 00:02:50,570
a certain megastar of music
had a little surprise
for them.
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00:02:50,633 --> 00:02:54,373
-Hi, potters, it's Dolly here.
-[all gasping]
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00:02:54,433 --> 00:02:57,773
I wanted to say how wonderful
that your next challenge
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00:02:57,834 --> 00:02:59,974
is sculpting
a music legend,
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00:03:00,033 --> 00:03:04,973
and I'm just thrilled to know
that one of you is gonna be
making a bust of me.
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00:03:05,033 --> 00:03:07,633
Well, I've got big hair
and big--
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00:03:07,700 --> 00:03:09,430
Well, you're gonna need
a lot of clay.
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00:03:09,500 --> 00:03:12,000
[chuckles] Good luck.
Love, Dolly.
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00:03:12,066 --> 00:03:13,996
[all exclaiming]
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00:03:14,066 --> 00:03:15,896
[indistinct]
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00:03:15,967 --> 00:03:18,567
-Yeah.
-That's awesome,
though, innit?
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00:03:20,667 --> 00:03:25,297
[McSweeney] But will they be
able to deliver a sculpture
of legendary status?
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00:03:25,367 --> 00:03:29,697
Good morning, potters,
and welcome back
to the pottery.
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00:03:29,767 --> 00:03:33,597
This week, on Music Week,
the judges would like you
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00:03:33,667 --> 00:03:37,027
to sculpt a bust
of a musical legend.
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00:03:37,100 --> 00:03:41,730
Now, these don't want
to be characterisations
of your music legend.
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00:03:41,800 --> 00:03:44,770
These wanna be the real deal.
Think about those shoulders.
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00:03:44,834 --> 00:03:46,204
Think about
the whole structure.
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00:03:46,266 --> 00:03:48,496
They want to be lifelike.
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00:03:48,567 --> 00:03:50,727
We're gonna know
if they're not,
let's face it.
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00:03:50,800 --> 00:03:55,900
Okay, then, you have a
total
of six and a half hours,
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00:03:55,967 --> 00:03:59,027
and your session starts now.
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00:04:00,967 --> 00:04:04,027
[McSweeney]
The potters' sculpture skills
will be pushed to the limit
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00:04:04,100 --> 00:04:05,800
in transferring a 2D image
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00:04:05,867 --> 00:04:08,667
into a full bust of head,
neck and shoulders.
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00:04:08,734 --> 00:04:11,574
It's quite hard.
Normal photographs of
people
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00:04:11,633 --> 00:04:15,073
are normally from the front
or the side,
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00:04:15,133 --> 00:04:18,733
but they're
never from the top,
and they're not from the back,
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00:04:18,800 --> 00:04:21,630
so, uh, I've got limited
angles
to work off of.
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00:04:21,700 --> 00:04:25,930
[McSweeney] The potters can use
a former or armature
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00:04:26,000 --> 00:04:28,370
to help them
build their busts.
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00:04:28,433 --> 00:04:31,203
[Alon] So, it's basically
lots of newspaper
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00:04:31,266 --> 00:04:32,966
and a stick running through
the whole thing.
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00:04:33,033 --> 00:04:34,603
[Sal] There's some balloons
inside of here
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00:04:34,667 --> 00:04:37,397
so I can form the shape
but keep it hollow,
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00:04:37,467 --> 00:04:41,797
and later on,
pop the balloons
and dry the inside.
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00:04:41,867 --> 00:04:43,967
Can you guess
what they're gonna be?
[laughs]
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00:04:44,033 --> 00:04:47,803
I'm gonna fix them down
just so I can put my clay
over the top.
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00:04:47,867 --> 00:04:51,527
It's the longest
I've ever stared
at a pair of boobs. [laughs]
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00:04:51,600 --> 00:04:56,200
So, Rich, this is
a sculpting challenge:
music legends.
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00:04:56,266 --> 00:04:58,666
Yeah. Our potters
have got to build a
bust
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00:04:58,734 --> 00:05:01,334
-which is
40 to 50 centimetres high.
-Yeah.
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00:05:01,400 --> 00:05:03,870
And technically speaking,
that's no mean feat.
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00:05:03,934 --> 00:05:05,674
It's a big
piece
of sculpture.
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00:05:05,734 --> 00:05:06,934
If it were me doing this,
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00:05:07,000 --> 00:05:08,530
I'd wanna get them
up there quick,
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00:05:08,600 --> 00:05:10,770
get the basics--
the head, the shoulders--
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00:05:10,834 --> 00:05:13,974
and then just start paring down
on those observational skills.
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00:05:14,033 --> 00:05:18,103
I mean, Sir Tom Jones,
one of the most
recognisable people,
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00:05:18,166 --> 00:05:20,566
I would say, in the UK,
if not the world.
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00:05:20,633 --> 00:05:22,373
I mean,
that million-dollar smile,
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00:05:22,433 --> 00:05:24,433
the wonderful
beard,
the hair.
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00:05:24,500 --> 00:05:27,670
You know,
there are so many
attributes
that make him
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00:05:27,734 --> 00:05:30,834
[Jones] We want to be able to
walk into that judgment room
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and recognise
who they've made.
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00:05:33,000 --> 00:05:35,300
I don't wanna be looking
at an Ozzy Osbourne
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00:05:35,367 --> 00:05:38,067
-and someone telling me
it's Dolly Parton.
-[chuckles]
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00:05:38,133 --> 00:05:41,333
-That'd be really bad.
-It'd be tragic.
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00:05:44,233 --> 00:05:48,933
So I'm trying
to get a base coat on now
against the cardboard and
tape.
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00:05:49,000 --> 00:05:53,630
At the minute, just
trying
to get as much clay as I
can
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00:05:53,700 --> 00:05:56,430
and then once I've got it
roughed out,
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00:05:56,500 --> 00:05:59,670
I can really start to channel
my Prince of Darkness.
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00:05:59,734 --> 00:06:02,534
[McSweeney]
Only when the formers
are completely covered in clay
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00:06:02,600 --> 00:06:06,770
can the potters begin
to sculpt the facial details
of their music legends.
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00:06:06,834 --> 00:06:09,034
Completely different.
That's gonna be the
challenge--
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00:06:09,100 --> 00:06:12,200
actually capturing
the essence of the person
you're trying to do.
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00:06:12,266 --> 00:06:15,426
I'm doing Ed Sheeran.
These are my sketches of Ed.
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00:06:15,500 --> 00:06:20,030
Well, they're not sketches,
they're actually traced
'cause I can't draw. [laughs]
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00:06:20,100 --> 00:06:22,230
-Look at you.
-I know.
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00:06:22,300 --> 00:06:24,500
I'm glad somebody's making
an effort around here.
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00:06:24,567 --> 00:06:26,867
Ozzy Osbourne.
Absolutely brilliant, yeah.
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00:06:26,934 --> 00:06:28,434
-So, are you a fan?
-I am indeed.
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00:06:28,500 --> 00:06:30,200
-[gasps]
-I wanted to channel
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00:06:30,266 --> 00:06:33,566
-my inner Prince of Darkness.
-Down to the fingernails.
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00:06:33,633 --> 00:06:35,703
[McSweeney]
Even down to the piercing.
Was it already there?
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00:06:35,767 --> 00:06:38,267
Uh, no, it's a fake one,
and it keeps falling out,
so...
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00:06:38,333 --> 00:06:40,173
[mumbling] Is that why
you're talking like that?
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00:06:40,233 --> 00:06:42,233
-[mumbling] I'm gonna
talk like this...
-[laughs]
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00:06:42,300 --> 00:06:44,300
But I can rearrange it
and put it on the other side.
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00:06:44,367 --> 00:06:46,427
If it gets uncomfortable,
I can just swap it.
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00:06:46,500 --> 00:06:48,900
[Jones] What have you got
coming up through Ozzy?
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00:06:48,967 --> 00:06:52,227
Well, I've put
a wooden stick
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00:06:52,300 --> 00:06:54,700
straight the way up
with a little base on it,
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00:06:54,767 --> 00:06:57,167
and there's some newspaper
under his shoulders
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00:06:57,233 --> 00:06:59,173
-and newspaper under his head.
-Right.
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00:06:59,233 --> 00:07:02,573
But underneath everything,
there's a bit of thread
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00:07:02,633 --> 00:07:05,273
that runs, like, all
the way
around the armature.
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00:07:05,333 --> 00:07:07,403
-So I'm thinking
if I need to--
-I see.
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00:07:07,467 --> 00:07:09,867
If there's an absolute
disaster
and I can't get it out,
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00:07:09,934 --> 00:07:13,504
I can pull the thread up,
which will take
the piece in two.
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00:07:13,567 --> 00:07:15,927
-Then I can stick it
back together again.
-That's a really good idea.
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00:07:16,000 --> 00:07:18,500
[McSweeney] But Henry's not
the only Ozzy in the room.
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00:07:18,567 --> 00:07:21,497
His clay Prince of Darkness
has competition.
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00:07:21,567 --> 00:07:23,427
I'm really happy
to be doing Ozzy.
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00:07:23,500 --> 00:07:26,230
I quite like that he's got
marks of his life on him,
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00:07:26,300 --> 00:07:28,670
so I'm gonna try
and put those into it.
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00:07:28,734 --> 00:07:31,734
My plan is to make him solid,
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00:07:31,800 --> 00:07:34,300
so I think I'm the only potter
doing that today.
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00:07:34,367 --> 00:07:35,897
Everyone else
is using an armature.
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00:07:35,967 --> 00:07:37,627
I've not used
an armature before,
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00:07:37,700 --> 00:07:40,230
so I'm just gonna
do it solid, scoop it out.
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00:07:40,300 --> 00:07:42,100
Not really done that before
either,
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00:07:42,166 --> 00:07:45,566
but I feel like that's
the more likely thing to work.
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00:07:45,633 --> 00:07:49,033
[McSweeney]
While Adam slowly builds Ozzy
from the shoulders up,
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00:07:49,100 --> 00:07:50,830
Sal has a dame to tackle.
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00:07:50,900 --> 00:07:54,070
[Sal] It's just terrifying
that it's such an iconic
woman,
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00:07:54,133 --> 00:07:55,633
a very beautiful woman,
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00:07:55,700 --> 00:07:58,100
and I might make her look like
somebody stood on her head,
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00:07:58,166 --> 00:08:00,026
which is kind of
terrifying,
really.
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00:08:00,100 --> 00:08:03,030
[McSweeney]
The judges are expecting
a convincing likeness,
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00:08:03,100 --> 00:08:05,230
and if the potters
are to achieve this,
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00:08:05,300 --> 00:08:09,500
they must meticulously
map out the proportions
of their legends' faces.
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00:08:09,567 --> 00:08:11,227
So that is actually
Ozzy's profile,
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00:08:11,300 --> 00:08:15,030
so when I start
building in the face,
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00:08:15,100 --> 00:08:17,800
I'll be able to get
an exact silhouette.
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00:08:17,867 --> 00:08:19,467
I'm not concentrating
on the boobs.
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00:08:19,533 --> 00:08:21,273
I should respect them
and give them
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00:08:21,333 --> 00:08:22,803
as much attention
as they deserve,
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00:08:22,867 --> 00:08:26,367
but for now,
I'm just concentrating
on the face.
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00:08:26,433 --> 00:08:28,773
[Lee] It was important
to get some of the bust in.
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00:08:28,834 --> 00:08:30,474
It's part of Dolly, isn't it?
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00:08:30,533 --> 00:08:32,503
She said, "I hope you've got
enough clay." [laughs]
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00:08:32,567 --> 00:08:34,667
[McSweeney] What did you think
when you saw the message?
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00:08:34,734 --> 00:08:37,074
-I was amazed.
I couldn't believe it.
-Wasn't that so cool?
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00:08:37,133 --> 00:08:38,703
-Such a big megastar...
-I know.
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00:08:38,767 --> 00:08:40,867
-...sending us a message,
little potters.
-I know.
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00:08:40,934 --> 00:08:43,604
-All hail Dolly.
-She's the hostess
with the most-est.
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00:08:43,667 --> 00:08:45,467
How are you doing
with her "mostesses"?
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00:08:45,533 --> 00:08:48,533
-Uh... It's really difficult.
-[laughing]
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00:08:48,600 --> 00:08:50,230
I'm not happy with this,
actually.
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00:08:50,300 --> 00:08:52,330
I think the head's
just too big in proportion
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00:08:52,400 --> 00:08:54,170
to what her shoulders
are gonna be.
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00:08:54,233 --> 00:08:57,073
So I need to bring
the shoulders out more
180
00:08:57,133 --> 00:08:58,533
and just work
with what I've got
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00:08:58,600 --> 00:09:01,800
and just make
a larger-headed sculpture.
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00:09:01,867 --> 00:09:04,267
It'll be mostly hair,
but then I need to make sure
183
00:09:04,333 --> 00:09:05,833
this face is small enough
as well.
184
00:09:05,900 --> 00:09:09,200
I'm shaping the face right now
and adding the ears.
185
00:09:09,266 --> 00:09:12,426
[McSweeney] Attempting to
build the foundations
for facial features
186
00:09:12,500 --> 00:09:14,770
with wet,
heavy clay is risky.
187
00:09:14,834 --> 00:09:18,234
It adds weight. Each time
you add more clay on top,
it adds weight.
188
00:09:18,300 --> 00:09:20,530
Makes it more likely
to crack and break.
189
00:09:20,600 --> 00:09:22,670
[McSweeney] So it's crucial
the potters do this
190
00:09:22,734 --> 00:09:25,504
while their busts are still
supported by their former.
191
00:09:25,567 --> 00:09:29,167
So we're sort of getting there
with the nose and the chin.
192
00:09:29,233 --> 00:09:31,533
And I think
I'll move on to lips next.
193
00:09:33,400 --> 00:09:36,200
Man, I need to bring
his brow out, like, loads.
194
00:09:36,266 --> 00:09:38,196
[McSweeney] Only once
the former is removed
195
00:09:38,266 --> 00:09:41,196
can those characteristics
be refined.
196
00:09:41,266 --> 00:09:43,896
[Sal] The head shape's
about right now.
197
00:09:43,967 --> 00:09:46,997
I know where
her ears are gonna be.
I'll put those on next.
198
00:09:47,066 --> 00:09:49,026
I've got the nose.
It's only an approximation,
199
00:09:49,100 --> 00:09:51,070
but it's the right size
width-wise,
200
00:09:51,133 --> 00:09:56,703
so I just wanna concentrate
on getting the basics right
for now.
201
00:09:57,967 --> 00:10:00,597
And pray to God
I don't run out of
time.
202
00:10:00,667 --> 00:10:03,697
[McSweeney]
As Sal worries about time
to construct her Shirley,
203
00:10:03,767 --> 00:10:07,067
Alon is flying ahead with
his Bruce Springsteen bust.
204
00:10:07,133 --> 00:10:09,633
You've got that up
really, really quickly there,
haven't you?
205
00:10:09,700 --> 00:10:11,400
Yeah, a good former
goes a long way, so...
206
00:10:11,467 --> 00:10:13,867
Were you a fan of Bruce?
207
00:10:13,934 --> 00:10:15,604
I don't know who he is.
208
00:10:15,667 --> 00:10:16,927
[laughing]
209
00:10:17,000 --> 00:10:18,530
[Jones] That's sacrilege.
210
00:10:18,600 --> 00:10:20,630
I'm so sorry, Bruce.
211
00:10:20,700 --> 00:10:23,270
-Have you
practiced this before?
-[Alon] So I've done the face.
212
00:10:24,367 --> 00:10:26,867
Didn't quite get it
to the likeness that I wanted,
213
00:10:26,934 --> 00:10:31,404
'cause it's just
capturing that person
is so, so challenging.
214
00:10:31,467 --> 00:10:34,797
I would've liked
to put my own style on it,
like, sculpt it,
215
00:10:34,867 --> 00:10:38,267
chop it up into pieces
and then rearrange it
in a different configuration.
216
00:10:38,333 --> 00:10:41,133
-That could've been,
I think, really cool.
-No, don't.
217
00:10:41,200 --> 00:10:43,030
-Mushrooms out of his head. No?
-Really, don't.
218
00:10:43,100 --> 00:10:45,600
-All right,
we'll let you get on with it.
-Thank you.
219
00:10:45,667 --> 00:10:47,167
-And we'll see you later.
-See you later.
220
00:10:47,233 --> 00:10:50,633
Added about
five centimetres of height.
221
00:10:50,700 --> 00:10:53,870
When I did my measurements,
I forgot that the clay
obviously is gonna shrink.
222
00:10:53,934 --> 00:10:56,774
[McSweeney]
To fulfil the brief,
the potters' busts must be
223
00:10:56,834 --> 00:11:00,504
forty centimetres
from base to head,
including hair.
224
00:11:00,567 --> 00:11:03,367
[Sal] That is how big
her head is in real life.
225
00:11:03,433 --> 00:11:05,873
So, see,
I've got a way to go.
226
00:11:05,934 --> 00:11:08,604
The more clay they add,
the thicker their busts
become,
227
00:11:08,667 --> 00:11:11,367
and they risk them not drying
and cracking in the kiln.
228
00:11:11,433 --> 00:11:13,733
[Adam] He looks a bit
dishevelled at the moment,
229
00:11:13,800 --> 00:11:17,970
because I'm trying to approach
doing this in 3D
like I would do a drawing.
230
00:11:18,033 --> 00:11:23,573
So I've done lots of circles,
which is like
each muscle of the face.
231
00:11:23,633 --> 00:11:26,503
[Peter] Hopefully I can do
Tom Jones justice.
232
00:11:26,567 --> 00:11:28,897
It's getting
the characterisation, really.
233
00:11:28,967 --> 00:11:32,827
They don't want a caricature,
but they do want to be able
to identify.
234
00:11:32,900 --> 00:11:35,100
-Hi, Peter.
-[Peter] Hi, judges.
235
00:11:35,166 --> 00:11:37,196
Which musical legend
are you sculpting?
236
00:11:37,266 --> 00:11:38,396
Uh, Sir Tom Jones.
237
00:11:38,467 --> 00:11:40,267
-Yes.
-The boy from Pontypridd.
238
00:11:40,333 --> 00:11:43,433
-And can I ask
why, why, why...
-Why?
239
00:11:43,500 --> 00:11:45,330
...you're so happy
to be sculpting Tom Jones?
240
00:11:45,400 --> 00:11:47,170
Well, I love Tom Jones.
He's my era.
241
00:11:47,233 --> 00:11:48,603
And he's one of those legends
242
00:11:48,667 --> 00:11:50,797
that has continued
to be a legend.
243
00:11:50,867 --> 00:11:53,127
You're about to
put the nose on,
by the looks of it.
244
00:11:53,200 --> 00:11:55,270
I am, yes.
The nose is going in.
245
00:11:55,333 --> 00:11:57,703
So if I pop the nose on
and then I'll turn it round,
246
00:11:57,767 --> 00:11:59,967
'cause it must look
a bit strange
from where you are there.
247
00:12:00,033 --> 00:12:02,973
If I... It looks a bit bizarre
just with a nose on like that.
248
00:12:03,033 --> 00:12:05,033
[all laugh]
249
00:12:05,100 --> 00:12:07,070
Looks like Mr Potato Head.
250
00:12:07,133 --> 00:12:09,373
-Does at the moment, yeah.
-Looks like a Muppet.
251
00:12:09,433 --> 00:12:11,333
Siobhán, you fill me
full of confidence.
252
00:12:11,400 --> 00:12:14,000
-[laughter]
-You know, I don't know
what it is.
253
00:12:15,700 --> 00:12:19,570
-How long have we got?
-Potters,
that's two hours gone.
254
00:12:19,633 --> 00:12:23,633
There's obviously a lot to do,
but I'm not in panic mode yet.
255
00:12:23,700 --> 00:12:26,700
[Peter]
Little bit of panic going on.
Um, still loads to do.
256
00:12:26,767 --> 00:12:28,927
I'm just trying to get
all the elements in.
257
00:12:29,000 --> 00:12:31,530
When I look at what's going
on,
I'm cacking my pants here.
258
00:12:31,600 --> 00:12:33,300
[Alon] I'm pretty happy
with the progress.
259
00:12:33,367 --> 00:12:35,327
Don't think it looks
like him too much,
260
00:12:35,400 --> 00:12:39,400
but hopefully
with the hair and the eyes,
261
00:12:39,467 --> 00:12:41,027
it'll sort of
bring it together.
262
00:12:41,100 --> 00:12:43,130
Have you showed them
your little guitar strut?
263
00:12:43,200 --> 00:12:45,930
-No, I'm not doing that.
-Oh, come on.
264
00:12:46,000 --> 00:12:48,170
Go on.
He's been practising this.
265
00:12:48,233 --> 00:12:52,533
He has this, like,
guitar stance where he just...
266
00:12:52,600 --> 00:12:55,870
-[laughs]
-Just stands there,
like, legs apart.
267
00:12:55,934 --> 00:12:58,374
That was perfect.
He's gonna be so proud of
that.
268
00:12:58,433 --> 00:13:00,433
I saw Bruce in Cardiff,
actually.
269
00:13:00,500 --> 00:13:03,700
Three and a half hours.
Didn't go off
until the lights come on.
270
00:13:03,767 --> 00:13:06,327
Even then,
they were dragging him
off stage.
271
00:13:06,400 --> 00:13:07,370
Right.
272
00:13:07,433 --> 00:13:09,173
Aim of the game in this hour
273
00:13:09,233 --> 00:13:11,933
is to get as much detail
on his face as I can.
274
00:13:12,000 --> 00:13:17,030
This is the first time
that I'm doing anything
remotely related to my
country.
275
00:13:17,100 --> 00:13:18,400
[chuckles]
276
00:13:18,467 --> 00:13:20,227
And what a way to do it,
though, innit?
277
00:13:20,300 --> 00:13:22,270
Dame Shirley Bassey
I'm making.
278
00:13:22,333 --> 00:13:24,633
It's an absolute privilege
to sculpt her, actually.
279
00:13:24,700 --> 00:13:26,600
She's very glamorous.
Lovely big smile.
280
00:13:26,667 --> 00:13:30,367
Styled hair.
Nothing like me,
so... [laughs]
281
00:13:30,433 --> 00:13:35,033
[McSweeney] Sal's also
struggling to capture
the glamour of Dame Shirley.
282
00:13:35,100 --> 00:13:38,400
You've really captured
the pole out of
the top of her head
283
00:13:38,467 --> 00:13:40,567
she's just notorious for.
284
00:13:40,633 --> 00:13:43,633
-So what is this?
-This is part of the armature
285
00:13:43,700 --> 00:13:45,330
that's holding her out.
286
00:13:45,400 --> 00:13:49,400
So, yeah, there's two balloons
inside her head,
two small ones in her neck,
287
00:13:49,467 --> 00:13:50,997
and when I pop
all the balloons,
288
00:13:51,066 --> 00:13:53,426
I've got a hollow
that I can get in
with the hot air gun.
289
00:13:53,500 --> 00:13:56,100
-Are you ready
to pop the balloon?
-I am.
290
00:13:56,166 --> 00:13:59,196
Do you wanna pop?
I'm really curious about this.
291
00:13:59,266 --> 00:14:00,726
-[Sal] I think it'll just--
-Oh, my God.
292
00:14:00,800 --> 00:14:02,500
-[laughs]
-I think it might just
deflate.
293
00:14:03,000 --> 00:14:04,200
-[pop]
-[gasps]
294
00:14:04,266 --> 00:14:05,966
There you go.
295
00:14:06,033 --> 00:14:07,873
-[air hissing]
-Oh.
296
00:14:07,934 --> 00:14:10,004
-[laughing]
-Dame Shirley's balloons
have been popped.
297
00:14:10,066 --> 00:14:11,666
There's air
coming out of her ears.
298
00:14:11,734 --> 00:14:14,504
So, yeah, the balloons
are now deflated.
299
00:14:14,567 --> 00:14:17,897
-So she's hollow inside there?
-She is very hollow, yeah.
300
00:14:17,967 --> 00:14:19,697
-Great. Yeah.
-Well done. Good luck.
301
00:14:19,767 --> 00:14:22,197
-Thank you. Thank you.
-Looking good so far.
302
00:14:22,266 --> 00:14:24,226
[McSweeney]
As Shirley's balloons deflate,
303
00:14:24,300 --> 00:14:25,970
those with more solid formers
304
00:14:26,033 --> 00:14:28,333
now have the task
of getting them out.
305
00:14:28,400 --> 00:14:31,070
Gotta slice him
now.
Let's do it.
306
00:14:32,867 --> 00:14:35,797
I'm a little bit worried
about this section. [chuckles]
307
00:14:35,867 --> 00:14:39,697
But if I don't do it now,
it's never gonna be dry
enough.
308
00:14:39,767 --> 00:14:42,097
[McSweeney] Pulling the formers
out too quickly
309
00:14:42,166 --> 00:14:44,166
runs the risk
of their busts collapsing.
310
00:14:44,233 --> 00:14:46,933
-Oh, gosh,
I don't know what to do.
-[Lee] Oh, she looks great.
311
00:14:47,000 --> 00:14:48,830
-[Hannah] But I
don't...
She's solid.
-[Lee] Right.
312
00:14:48,900 --> 00:14:52,200
I'm leaving the head off mine
to let it dry properly.
313
00:14:52,266 --> 00:14:55,366
I need to have a little think
before I do something rash.
314
00:14:55,433 --> 00:14:59,073
[McSweeney] One potter, though,
is facing an entirely
different challenge.
315
00:14:59,133 --> 00:15:01,833
I'm gonna start digging out
all of the clay,
316
00:15:01,900 --> 00:15:03,330
'cause at the minute,
he's solid,
317
00:15:03,400 --> 00:15:06,070
and he needs to be hollow
to survive the kiln.
318
00:15:06,133 --> 00:15:10,203
So I'm opening it,
literally scooping out
the entire inner cavity.
319
00:15:10,266 --> 00:15:14,166
This is just so much easier
than trying to rip
great hunks of paper out.
320
00:15:14,233 --> 00:15:16,573
She's just done it.
321
00:15:16,633 --> 00:15:19,503
Yeah, it's happening.
So, all the rage,
everyone's doing it,
322
00:15:19,567 --> 00:15:21,497
so I just,
you know, panicked.
323
00:15:22,633 --> 00:15:23,833
[both exclaim]
324
00:15:23,900 --> 00:15:26,200
I could feel that.
325
00:15:28,400 --> 00:15:29,800
Oh, my God.
326
00:15:29,867 --> 00:15:31,027
[grunts]
327
00:15:31,100 --> 00:15:33,330
I'll hold her there.
328
00:15:33,400 --> 00:15:35,070
Can you see if you can...
329
00:15:35,133 --> 00:15:37,473
Is that coming out?
Do you wanna hold
her...
330
00:15:37,533 --> 00:15:39,403
[McSweeney]
We're gonna need...
331
00:15:39,467 --> 00:15:41,867
-[Hannah] A bigger... Ooh.
-[Henry] Is that moving now?
332
00:15:41,934 --> 00:15:44,304
Come on.
333
00:15:44,367 --> 00:15:45,827
[McSweeney]
I'm sorry, Dolly.
334
00:15:45,900 --> 00:15:47,770
Oh, should support the head.
335
00:15:47,834 --> 00:15:52,904
Oh, right. Oh, sh...
So stressful. [gasps]
336
00:15:52,967 --> 00:15:54,467
I'll just...
337
00:15:55,433 --> 00:15:56,503
Thank you.
338
00:15:56,567 --> 00:16:01,297
Freaking stressful, man.
Oh, man.
339
00:16:03,367 --> 00:16:05,297
[McSweeney] It's Music Week...
340
00:16:07,767 --> 00:16:10,567
and the potters
have been given
three hours to make
341
00:16:10,633 --> 00:16:14,033
and three hours to refine
a bust of a musical legend.
342
00:16:20,066 --> 00:16:21,866
Halfway through
the challenge...
343
00:16:21,934 --> 00:16:23,234
Just a mess.
344
00:16:23,300 --> 00:16:25,970
-...those musical legends...
-[gasps]
345
00:16:26,033 --> 00:16:29,733
...are being
delicately separated
from their support acts.
346
00:16:30,667 --> 00:16:32,627
Just got a bit of a wobble
going on.
347
00:16:32,700 --> 00:16:36,200
How to get it off. Oh! Ah!
348
00:16:36,266 --> 00:16:38,396
I don't like
big decisions like
this.
349
00:16:38,467 --> 00:16:40,427
[McSweeney] But once
reinforcements are removed,
350
00:16:40,500 --> 00:16:42,930
the potters are presented
with another problem.
351
00:16:43,000 --> 00:16:45,570
-Oh, stay.
-Gravity.
352
00:16:45,633 --> 00:16:48,203
[Peter] All the natural
support
that it had has all come out.
353
00:16:48,266 --> 00:16:50,326
So now it's got nothing
supporting it.
354
00:16:50,400 --> 00:16:52,770
So what I'm trying to do
is make it as light
as possible,
355
00:16:52,834 --> 00:16:55,974
because otherwise
it could crack and fall apart.
356
00:16:56,033 --> 00:16:58,503
Secret here is not to panic.
357
00:16:58,567 --> 00:17:00,897
[McSweeney]
Losing weight isn't easy.
358
00:17:00,967 --> 00:17:03,967
I want to do it in sections
'cause there's still
a lot of clay on here.
359
00:17:04,033 --> 00:17:06,833
This is the important bit
to do right now.
360
00:17:06,900 --> 00:17:11,200
[McSweeney] Make the walls
of the bust too thin,
and it won't support itself.
361
00:17:11,266 --> 00:17:14,866
You need the thickness
to support the weight.
362
00:17:14,934 --> 00:17:20,074
But too thick,
the clay won't dry
and will explode in the kiln.
363
00:17:20,133 --> 00:17:22,833
Oh, this feels weird.
Don't look at me when I...
364
00:17:22,900 --> 00:17:24,730
[laughs] Stop watch...
365
00:17:24,800 --> 00:17:28,770
And for Shenyue,
it's a chance to see
what's inside Ed's head.
366
00:17:28,834 --> 00:17:31,534
Ooh. Every single one
of his songs is in here.
367
00:17:31,600 --> 00:17:34,270
This is "Galway Girl,"
this is "Lego House."
368
00:17:34,333 --> 00:17:38,503
This one's "The A Team."
And this is "The Shape of Me."
369
00:17:41,333 --> 00:17:44,273
I'm gonna slip and score
around here and here
370
00:17:44,333 --> 00:17:46,103
and attach this back on.
371
00:17:46,166 --> 00:17:49,566
But it's really thin,
so when I put this on,
372
00:17:49,633 --> 00:17:53,373
if it starts to slump,
I'm in trouble.
373
00:17:53,433 --> 00:17:55,233
[McSweeney] While most
of the musical legends
374
00:17:55,300 --> 00:17:58,530
require a quick nip and tuck
to reseal their heads,
375
00:17:58,600 --> 00:18:01,570
one potter's hero
needs major surgery.
376
00:18:01,633 --> 00:18:04,203
-What are you doing?
-I just scooped him out.
377
00:18:04,266 --> 00:18:06,096
[McSweeney] Yeah. He's looking
a bit shook, actually.
378
00:18:06,166 --> 00:18:07,826
But that is
how he looks.
379
00:18:07,900 --> 00:18:09,830
So what else
do you have left to do
380
00:18:09,900 --> 00:18:11,800
apart from find
the rest of him?
381
00:18:11,867 --> 00:18:14,097
Uh, hair and glasses.
382
00:18:14,166 --> 00:18:16,196
I always know
how panicky you are
383
00:18:16,266 --> 00:18:19,196
the quieter you get
and the more calm you
sound.
384
00:18:19,266 --> 00:18:22,966
You must be screaming inside,
'cause you're really Zen
on the outside.
385
00:18:23,033 --> 00:18:26,173
-Really, so Zen. So Zen.
-You're gonna collapse,
aren't you?
386
00:18:26,233 --> 00:18:28,473
I'll just faint
in a minute. Boof!
387
00:18:28,533 --> 00:18:32,433
[McSweeney]
While Henry attempts
to make Ozzy whole again...
388
00:18:32,500 --> 00:18:36,070
Just do the thing,
put the thing on this thing.
389
00:18:36,133 --> 00:18:39,833
Squash it.
Whoa, you are not
lined up properly.
390
00:18:39,900 --> 00:18:43,530
...the rest
of the potters' attention
has turned to hair.
391
00:18:43,600 --> 00:18:47,670
I'm just making
Dame Shirley Bassey's hair,
392
00:18:47,734 --> 00:18:51,634
and I'm gonna
do it like that,
and I'm gonna build it up.
393
00:18:51,700 --> 00:18:56,170
And this way, I can get
quite a lot of structure
without too much weight.
394
00:18:56,233 --> 00:18:58,503
I don't know whether
I'm doing it right or
wrong.
395
00:18:58,567 --> 00:19:00,767
[McSweeney] As they won't be
decorating their busts,
396
00:19:00,834 --> 00:19:04,704
it's crucial that every strand
helps bring their legends
to life.
397
00:19:04,767 --> 00:19:09,597
He has very '80s,
sort of crazy-type hair,
which is nice.
398
00:19:09,667 --> 00:19:11,927
Uh, just really hard to
sculpt.
[chuckles]
399
00:19:12,000 --> 00:19:15,470
Now, Alon,
he's really managed to
capture something there.
400
00:19:15,533 --> 00:19:18,303
Yeah, he's got
all that lovely texture
that he's put on in the hair.
401
00:19:18,367 --> 00:19:20,267
There's life in the eyes,
isn't there?
402
00:19:20,333 --> 00:19:22,603
-And that's what
we want to see.
-Yeah, absolutely.
403
00:19:22,667 --> 00:19:25,397
I've just made some coils,
and I'm just gonna pop 'em on
404
00:19:25,467 --> 00:19:28,997
and see if I can get
a lifelike-enough shape.
405
00:19:29,066 --> 00:19:31,766
It's Dolly's "just got up
in the morning" look.
406
00:19:31,834 --> 00:19:35,474
This is not my best work.
[laughs]
407
00:19:35,533 --> 00:19:38,603
-That head is big.
-[Miller] I just hope
he can get the hair on.
408
00:19:38,667 --> 00:19:41,197
-He's gotta get the hair on.
-We don't want a bald Dolly.
409
00:19:41,266 --> 00:19:43,496
No, we don't want
a bald Dolly, no.
410
00:19:43,567 --> 00:19:46,227
[McSweeney] But more clay
means more weight.
411
00:19:46,300 --> 00:19:49,730
Her neck has just
smushed down,
412
00:19:49,800 --> 00:19:51,900
so she looks like this.
413
00:19:51,967 --> 00:19:55,597
Just noticed that the hair
that wasn't touching the board
414
00:19:55,667 --> 00:19:57,597
is now touching the board.
415
00:19:57,667 --> 00:20:00,627
That's 'cause he's sinking.
[sighs]
416
00:20:00,700 --> 00:20:03,030
-Have you seen Tom live?
-Yeah, a couple of times.
417
00:20:03,100 --> 00:20:04,530
-Have you?
-Yeah.
418
00:20:04,600 --> 00:20:07,030
-Did you throw
your knickers at him?
-[laughs]
419
00:20:07,100 --> 00:20:08,870
I'd have covered
him
with my knickers.
420
00:20:08,934 --> 00:20:10,334
-[laughs]
-Parachute.
421
00:20:10,400 --> 00:20:12,730
He'd have bloody
thrown them back,
wouldn't he?
422
00:20:14,100 --> 00:20:16,370
I need to try
and get this hair finished,
423
00:20:16,433 --> 00:20:19,233
and I've committed
to lots of strands.
424
00:20:19,300 --> 00:20:21,230
I'm just gonna
have to go with it.
425
00:20:21,300 --> 00:20:24,030
[McSweeney] While Lee races
to finish Dolly's do...
426
00:20:24,100 --> 00:20:27,370
Right. Got to start
fiddling with the hair
and do something else,
427
00:20:27,433 --> 00:20:29,203
or I'm gonna run out of time.
428
00:20:29,266 --> 00:20:31,526
...focus turns
to refining the features
429
00:20:31,600 --> 00:20:33,530
that will bring
their legends to life.
430
00:20:33,600 --> 00:20:36,330
What does the bottom
of a nose look like?
431
00:20:37,000 --> 00:20:40,270
Oh. Like that, eh?
432
00:20:40,333 --> 00:20:41,933
[Adam] He's got
a really nice mouth,
433
00:20:42,000 --> 00:20:44,530
and it's very interesting,
and it has to be realistic,
434
00:20:44,600 --> 00:20:48,530
so trying to get
the right details in
435
00:20:48,600 --> 00:20:52,070
without it looking
caricature-y
is quite tricky.
436
00:20:52,133 --> 00:20:54,903
[Peter] The nose is
a little bit too long.
Definitely.
437
00:20:54,967 --> 00:20:56,597
I've gotta cut a piece
off of that,
438
00:20:56,667 --> 00:20:59,027
'cause it looks a bit like
Shakespeare at the minute.
439
00:21:00,633 --> 00:21:02,903
Yeah, so I've just gotta whip
a little bit off the nose.
440
00:21:02,967 --> 00:21:06,227
Bit risky, but, you know,
we're running out of time
rapidly
441
00:21:06,300 --> 00:21:09,000
and I'm sort of doing
major bloomin' surgery,
you know.
442
00:21:09,066 --> 00:21:11,466
But if it's not right,
it's not right, is it?
443
00:21:12,867 --> 00:21:16,627
Potters,
you have one hour left.
444
00:21:16,700 --> 00:21:19,770
One hour left, Hannah.
Dolly, one hour left.
445
00:21:19,834 --> 00:21:21,704
[McSweeney] Even though
each crease in the clay
446
00:21:21,767 --> 00:21:24,327
will help capture a likeness
of their legend,
447
00:21:24,400 --> 00:21:27,900
the judges are also expecting
the potters to accessorise.
448
00:21:27,967 --> 00:21:32,267
[Jodie] So now I'm gonna start
with my feather boa,
449
00:21:32,333 --> 00:21:34,173
'cause that's
a really important bit.
450
00:21:34,233 --> 00:21:36,303
This picture, you know,
451
00:21:36,367 --> 00:21:38,167
that's pretty much
half the picture, isn't it?
452
00:21:38,233 --> 00:21:41,733
So if I don't do that,
I think they're gonna notice.
So I'm doing it.
453
00:21:41,800 --> 00:21:44,630
This is an extruder.
454
00:21:44,700 --> 00:21:48,530
And we just sort of
separate them out a bit,
and you have feathers.
455
00:21:48,600 --> 00:21:50,630
I can't think of another way
of doing it.
456
00:21:50,700 --> 00:21:53,630
[McSweeney]
While Battle for Best Boa
is in full swing,
457
00:21:53,700 --> 00:21:57,270
Scrap of the Sunglasses
is just getting started.
458
00:21:57,333 --> 00:22:00,703
[Adam] Ozzy Osbourne's glasses
are iconic.
459
00:22:00,767 --> 00:22:05,627
I used to manage
a little boutique, um,
optician's in Brighton,
460
00:22:05,700 --> 00:22:09,830
so should know my way
around a nice pair.
461
00:22:09,900 --> 00:22:11,930
But these are about
the right size.
462
00:22:13,233 --> 00:22:15,873
But they're just
really delicate,
and I'm really clumsy,
463
00:22:15,934 --> 00:22:19,334
so I'm gonna try and make them
just rims rather than solid,
464
00:22:19,400 --> 00:22:22,230
um, so that you can
see the eyes through
it.
465
00:22:22,300 --> 00:22:25,170
But I don't know
if that's a good idea
or not.
466
00:22:25,233 --> 00:22:27,533
In fact, I'm pretty
sure
it's a bad idea.
467
00:22:28,500 --> 00:22:30,330
But we're doing it anyway.
468
00:22:30,400 --> 00:22:32,970
-Potters...
-No.
469
00:22:33,033 --> 00:22:35,133
-Yes.
-No.
470
00:22:35,200 --> 00:22:37,500
-Yes.
-No.
471
00:22:37,567 --> 00:22:39,267
-Yes!
-No!
472
00:22:39,333 --> 00:22:41,473
[McSweeney]
You have half an hour left.
473
00:22:41,533 --> 00:22:46,973
Thirty minutes, 30 minutes
to finish your music legends.
474
00:22:49,734 --> 00:22:55,134
I'm kind of doing
very vague hair, to be honest.
475
00:22:55,200 --> 00:22:58,670
In the final throes,
I've not got the hair done.
I'm really worried.
476
00:22:58,734 --> 00:23:00,474
Oh, I'm losing things now.
477
00:23:00,533 --> 00:23:02,533
You know,
when you get a bit stressed,
478
00:23:02,600 --> 00:23:04,400
you're like,
"Where did I put that?
479
00:23:04,467 --> 00:23:07,067
Where's that gone?
I had it like a second ago."
480
00:23:07,133 --> 00:23:11,173
I think if I do any more,
it's just fiddling
for fiddling's sake,
481
00:23:11,233 --> 00:23:13,033
and then I'll end up
screwing something up.
482
00:23:13,100 --> 00:23:15,070
I'm really happy
that I've made a bit of chain.
483
00:23:15,133 --> 00:23:17,503
Even if I don't get
the whole chain done,
484
00:23:17,567 --> 00:23:19,367
I'll be able
to put something on him,
485
00:23:19,433 --> 00:23:22,033
'cause I don't think
I'll get one that goes
all the way round.
486
00:23:22,100 --> 00:23:26,670
[McSweeney] Okay,
we have Shirley on the move.
487
00:23:27,767 --> 00:23:29,127
[gasps]
488
00:23:29,200 --> 00:23:32,470
Oh, my days,
that's so good. [gasps]
489
00:23:32,533 --> 00:23:36,203
We have Dame Shirley
in the drying room.
490
00:23:36,266 --> 00:23:38,266
But I've been working
9:00 to 5:00.
491
00:23:38,333 --> 00:23:43,233
That's ten minutes left.
Potters, ten minutes left.
492
00:23:43,300 --> 00:23:44,970
What a pout. Oh, my God.
493
00:23:45,033 --> 00:23:47,033
[Alon] Just sort of
filling gaps now.
494
00:23:47,100 --> 00:23:48,900
Can't get any worse.
495
00:23:48,967 --> 00:23:51,227
Look at that. Oh, gosh.
496
00:23:51,300 --> 00:23:55,170
Still not 100%, but it is
what it is, isn't it?
497
00:23:55,233 --> 00:23:59,403
I refined his glasses.
Now I'm refining his nostrils.
498
00:23:59,467 --> 00:24:02,727
Tom is on the move, guys.
Tom is on the move.
499
00:24:02,800 --> 00:24:04,970
Come on, Tom. In we go.
500
00:24:05,033 --> 00:24:07,133
Great stuff. Well done.
501
00:24:07,200 --> 00:24:09,370
-Can we do down,
the lower one?
-Yeah.
502
00:24:09,433 --> 00:24:11,003
Just want it
to dry slower.
503
00:24:11,066 --> 00:24:13,626
-Five minutes remaining.
-Oh.
504
00:24:13,700 --> 00:24:15,330
Five minutes remaining.
505
00:24:15,400 --> 00:24:18,300
-Five minutes? No way.
-Go, Henry, go.
506
00:24:18,367 --> 00:24:21,167
-Do you want a hand? Okay.
-I've got it. It's all right.
507
00:24:22,667 --> 00:24:24,897
[McSweeney]
Back to your benches, please.
508
00:24:24,967 --> 00:24:26,267
[gasps]
509
00:24:27,667 --> 00:24:29,967
[McSweeney] Quick smart.
510
00:24:30,033 --> 00:24:32,333
-Congratulations.
-[all cheering]
511
00:24:33,834 --> 00:24:36,374
[woman] Well done.
512
00:24:36,433 --> 00:24:39,333
[McSweeney]
Studio technician Rose
will watch over the legends
513
00:24:39,400 --> 00:24:41,900
as they dry
for a further 48 hours
514
00:24:41,967 --> 00:24:44,997
before they face
their one and only trip
to the kiln.
515
00:24:45,066 --> 00:24:48,726
[Rose] So with these busts,
there's a lot of different
thicknesses of clay.
516
00:24:48,800 --> 00:24:51,870
So if there's
any moisture or air
still trapped in those walls,
517
00:24:51,934 --> 00:24:55,604
we fire it in the kiln,
the whole thing could explode
and come apart.
518
00:24:55,667 --> 00:24:59,367
[Lee] I just wish
it looked more like
her.
That's all.
519
00:24:59,433 --> 00:25:01,103
Maybe when it's fired,
I'll have another look
520
00:25:01,166 --> 00:25:03,766
and be like,
"Oh, I'm
surprised."
521
00:25:03,834 --> 00:25:08,004
Maybe I'll be like, "Ooh."
[laughs]
522
00:25:21,600 --> 00:25:24,770
[McSweeney] As their busts
dry,
one challenge remains
523
00:25:24,834 --> 00:25:28,204
and one last chance
to secure their place
in the pottery.
524
00:25:28,266 --> 00:25:29,896
Hello, potters.
525
00:25:29,967 --> 00:25:33,197
You must be wondering
what lies beneath
the hessian.
526
00:25:33,266 --> 00:25:34,766
Well, wonder no more,
527
00:25:34,834 --> 00:25:38,474
as this week's
second challenge
is a spot test.
528
00:25:38,533 --> 00:25:41,003
And the judges
would like you to make
529
00:25:41,066 --> 00:25:43,566
a small, but perfectly formed
530
00:25:43,633 --> 00:25:47,803
20-centimetre version
of a musical instrument.
531
00:25:48,600 --> 00:25:51,000
So, let's see
what we have.
532
00:25:52,100 --> 00:25:53,830
First of all...
533
00:25:54,600 --> 00:25:56,970
-A banjo.
-[mouthing] A banjo.
534
00:25:57,033 --> 00:25:59,133
-Violin.
-Ooh.
535
00:25:59,200 --> 00:26:02,500
A saxophone,
an acoustic guitar,
536
00:26:02,567 --> 00:26:05,927
-a lap harp,
an electric guitar...
-[whistles]
537
00:26:06,000 --> 00:26:07,830
...and a large horn.
538
00:26:07,900 --> 00:26:10,300
And finally we have
539
00:26:10,367 --> 00:26:14,027
a trumpet
and a drum and sticks.
540
00:26:14,100 --> 00:26:16,730
So you have nine instruments,
and on my word,
541
00:26:16,800 --> 00:26:20,570
you will come up,
take your instrument,
and go back to your bench.
542
00:26:20,633 --> 00:26:23,033
On your marks, get set,
543
00:26:24,266 --> 00:26:26,296
-go!
-[all shouting]
544
00:26:27,133 --> 00:26:29,003
[laughing]
545
00:26:34,100 --> 00:26:36,200
I guess I'm doing this one.
546
00:26:38,834 --> 00:26:42,134
I wasn't getting into
that melee.
I'm too old for that.
547
00:26:42,200 --> 00:26:46,400
You have 90 minutes to make
your 20-centimetre version
548
00:26:46,467 --> 00:26:51,467
of your instrument,
and your time starts now.
549
00:26:53,533 --> 00:26:57,633
I've got a banjo,
which is very exciting.
550
00:26:57,700 --> 00:27:00,670
I once listened to
way too much Mumford & Sons
551
00:27:00,734 --> 00:27:02,404
and bought myself
a five-string banjo
552
00:27:02,467 --> 00:27:04,327
and never learnt
how to play it.
553
00:27:04,400 --> 00:27:06,400
So I went for a guitar.
The violin
was the first choice,
554
00:27:06,467 --> 00:27:08,597
but I didn't realise
Hannah was so strong.
555
00:27:08,667 --> 00:27:10,427
She went "bosh"!
[laughs]
556
00:27:10,500 --> 00:27:14,100
What can I say?
I've got a flipping drum.
[laughs]
557
00:27:14,166 --> 00:27:17,166
I'm just trying to figure out
the proportions
of the different bits.
558
00:27:17,233 --> 00:27:18,803
Says 20 centimetres.
559
00:27:18,867 --> 00:27:20,597
Tiny.
It's absolutely tiny.
560
00:27:20,667 --> 00:27:23,567
I'm puzzled, 'cause
I'm not very good at maths.
561
00:27:23,633 --> 00:27:26,103
[laughs]
And I'm just trying
to scale it down.
562
00:27:26,166 --> 00:27:27,926
I don't know how to do it.
563
00:27:28,000 --> 00:27:31,000
I have no clue
where to start,
564
00:27:31,066 --> 00:27:33,526
so I'm doing
just rough general shapes,
565
00:27:33,600 --> 00:27:35,300
and then I'll refine them
a bit later.
566
00:27:35,367 --> 00:27:37,527
Something that resembles
a trumpet.
567
00:27:37,600 --> 00:27:40,170
[McSweeney]
With each instrument having
its own distinctive shape,
568
00:27:40,233 --> 00:27:43,573
the potters must work out
the best technique
for their build.
569
00:27:43,633 --> 00:27:48,203
I think I'm gonna slab it,
cut it out,
and then join it afterwards.
570
00:27:48,266 --> 00:27:50,496
Slab building
for the flat instruments...
571
00:27:50,567 --> 00:27:54,427
Bish-bash-bosh.
Put it together and then
add details afterwards.
572
00:27:54,500 --> 00:27:56,700
...and tubes
for the brass instruments.
573
00:27:56,767 --> 00:28:00,427
All of these tubes
will be really tricky.
574
00:28:00,500 --> 00:28:03,130
But I have fun doing it.
I think that's the--
575
00:28:03,200 --> 00:28:05,870
That's the answer, isn't it?
Don't stress out too much.
576
00:28:05,934 --> 00:28:08,104
Put it this way:
There are nine potters,
577
00:28:08,166 --> 00:28:10,196
and eight of them
didn't choose that.
578
00:28:10,266 --> 00:28:12,626
So what would that suggest?
579
00:28:12,700 --> 00:28:15,500
-Are you pleased with the drum?
-Uh-- [sputters]
580
00:28:15,567 --> 00:28:17,267
-It was a bit of a
scramble,
wasn't it?
-It was.
581
00:28:17,333 --> 00:28:18,633
Did you have
your eye on it?
582
00:28:18,700 --> 00:28:20,830
Wanted the one Jodie got.
She beat me to it.
583
00:28:20,900 --> 00:28:22,200
-Was it sharp elbows?
-Yeah.
584
00:28:22,266 --> 00:28:23,926
She's very competitive,
that girl.
585
00:28:24,000 --> 00:28:26,770
Now have you got
a mortal enemy in
Jodie?
586
00:28:26,834 --> 00:28:28,734
[Lee] Ah,
she's going down.
587
00:28:28,800 --> 00:28:31,500
Have an errant leg
slip out somewhere
as she's running round.
588
00:28:31,567 --> 00:28:34,867
-[both laughing]
-Okay, we need security.
589
00:28:34,934 --> 00:28:36,704
When we first came here,
we were like,
590
00:28:36,767 --> 00:28:40,527
"Hmm, does the second
challenge count?
Not really sure."
591
00:28:40,600 --> 00:28:43,570
But do you know what?
Looking at the people
who've gone home,
592
00:28:43,633 --> 00:28:46,573
they have been at the bottom
of the second challenge.
593
00:28:46,633 --> 00:28:49,173
Because I've not done
so well in the main challenge,
594
00:28:49,233 --> 00:28:51,573
I need to make sure
I do well in this one.
595
00:28:52,367 --> 00:28:55,127
Potters,
you are halfway through.
596
00:28:55,200 --> 00:28:57,870
-Halfway through
your challenge.
-No.
597
00:28:57,934 --> 00:29:00,704
-Yes.
-No, not good.
598
00:29:00,767 --> 00:29:03,227
[McSweeney] To have a chance
of coming top
in this challenge,
599
00:29:03,300 --> 00:29:05,230
the potters must add
realistic detail
600
00:29:05,300 --> 00:29:07,000
to their chosen instruments.
601
00:29:07,066 --> 00:29:09,426
[Henry] It's so difficult
to piece together
602
00:29:09,500 --> 00:29:13,130
as many bits as you can
in such a short amount of time
603
00:29:13,200 --> 00:29:15,400
to get a realistic instrument.
604
00:29:15,467 --> 00:29:18,867
[Adam] I'm just quite glad
that I don't have to
try and do strings,
605
00:29:18,934 --> 00:29:20,404
'cause that's gonna be
impossible. [laughs]
606
00:29:20,467 --> 00:29:22,727
Peter, how are you
doing
your strings?
607
00:29:22,800 --> 00:29:24,530
[Peter]
Nowhere near that yet.
608
00:29:24,600 --> 00:29:28,170
I might carve out patterns
to look like strings,
609
00:29:28,233 --> 00:29:32,573
'cause otherwise that string,
the real thickness would be
thinner than a hair.
610
00:29:32,633 --> 00:29:35,803
[Jodie] I've just tried
to do strings.
Strings are not happening.
611
00:29:35,867 --> 00:29:38,997
I'm gonna have
to do an indentation
instead of strings, I think.
612
00:29:39,066 --> 00:29:41,596
I'm trying
to get this on
here,
613
00:29:41,667 --> 00:29:43,997
but it's just hanging
in fresh air.
614
00:29:44,066 --> 00:29:46,866
Think, think.
615
00:29:46,934 --> 00:29:48,934
-Hi.
-Hello, lovely.
How are you?
616
00:29:49,000 --> 00:29:51,170
I'm fine.
Look at you being all warm.
617
00:29:51,233 --> 00:29:54,403
-But I know that
you have sharp elbows.
-Me?
618
00:29:54,467 --> 00:29:56,927
[McSweeney]
Did you know that Lee wanted
the electric guitar?
619
00:29:57,000 --> 00:29:59,300
[Jodie] No. The only thing
I heard was--
620
00:29:59,367 --> 00:30:02,067
[McSweeney]
The crunch of his bones
under your foot.
621
00:30:02,133 --> 00:30:05,603
Everybody's saying,
"Oh, I'm not competitive.
We'll all help each other."
622
00:30:05,667 --> 00:30:08,667
You put some
musical instruments
in front of us,
623
00:30:08,734 --> 00:30:11,774
-and our true colours
come out all of a sudden.
-Yeah, exactly.
624
00:30:11,834 --> 00:30:13,074
How much time have we got?
625
00:30:13,133 --> 00:30:16,103
Potters, you have
15 minutes left.
626
00:30:16,166 --> 00:30:20,826
-[groans]
-You are not a nice person.
I've changed my mind.
627
00:30:20,900 --> 00:30:23,930
-I don't like you
no more. [laughs]
-Sal!
628
00:30:24,000 --> 00:30:28,900
Fifteen minutes is not
long enough to do all of
the details that I need to do.
629
00:30:28,967 --> 00:30:33,197
At this rate, I'm just gonna
have an actual cylinder
630
00:30:33,266 --> 00:30:36,466
that looks nothing like a
drum,
so I'm panicking.
631
00:30:36,533 --> 00:30:39,573
Back to my usual state.
[laughs]
632
00:30:39,633 --> 00:30:43,703
[chuckling]
Mine's, like, that big.
It's gonna be a big trumpet.
633
00:30:43,767 --> 00:30:48,297
[Sal] This is too far down.
I'm tempted to cut that off
and put a bit in.
634
00:30:48,367 --> 00:30:51,927
It's not tall enough,
so I'm putting
a bit in quickly.
635
00:30:52,000 --> 00:30:53,700
[exclaims]
636
00:30:53,767 --> 00:30:57,067
Or not.
I think I've just broken that.
637
00:30:57,867 --> 00:30:59,967
[exclaims]
638
00:31:00,033 --> 00:31:02,833
I'm realising
there's a heck of a
lot
of stuff I haven't
639
00:31:02,900 --> 00:31:06,170
e.g., the bow.
Haven't done the bow.
640
00:31:06,233 --> 00:31:09,333
-You can't hold nothing
up to nothing, can you?
-You can't what, darling?
641
00:31:09,400 --> 00:31:11,030
If things are dangling
in the fresh air,
642
00:31:11,100 --> 00:31:12,930
how are you supposed
to hold 'em together?
643
00:31:13,000 --> 00:31:15,130
-I hate this.
-I hate this. I hate this.
644
00:31:15,200 --> 00:31:16,570
It's not even funny.
645
00:31:16,633 --> 00:31:18,003
[laughs]
646
00:31:18,066 --> 00:31:20,566
Look at Adam.
He's probably finished by now.
647
00:31:20,633 --> 00:31:22,473
He's ridiculous
with these kind of things.
648
00:31:22,533 --> 00:31:24,103
[Adam] 'Cause this is
irregular in shape,
649
00:31:24,166 --> 00:31:27,426
he'll probably notice
the slight imperfections
slightly less.
650
00:31:28,300 --> 00:31:30,470
Maybe. [chuckles] Hopefully.
651
00:31:30,533 --> 00:31:34,603
Oh. Okay. I give
up.
It won't stand up.
652
00:31:34,667 --> 00:31:37,467
So I just give up.
Okay, I've had enough.
653
00:31:37,533 --> 00:31:41,273
Potters, you have
five minutes left.
654
00:31:43,100 --> 00:31:47,230
Try and get some strings
on it now. [laughs]
655
00:31:49,300 --> 00:31:51,600
[Henry] Let's go.
I'm gonna get my lid on.
656
00:31:56,433 --> 00:31:59,173
[Hannah] Oh, my gosh,
it's so stressful.
657
00:32:01,133 --> 00:32:03,633
[exhales sharply]
658
00:32:03,700 --> 00:32:07,430
God, I can't believe it's
taken me an hour and a half
to make this. [seethes]
659
00:32:07,500 --> 00:32:11,900
Time to start putting
your little instruments
on the ware boards.
660
00:32:11,967 --> 00:32:13,467
Ooh.
661
00:32:13,533 --> 00:32:14,903
Thank you very much.
662
00:32:14,967 --> 00:32:17,027
Bring it up
to the top of the room.
663
00:32:18,066 --> 00:32:21,026
Ooh, high five, Henry. Boom!
664
00:32:25,433 --> 00:32:29,133
[McSweeney] The potters'
orchestra of clay instruments
are ready to be judged.
665
00:32:29,200 --> 00:32:31,570
[Jones] So just remind us:
Who was doing the guitar?
666
00:32:31,633 --> 00:32:34,103
-[Miller] Peter. It looks
like an acoustic guitar.
-[Jones] Absolutely.
667
00:32:34,166 --> 00:32:37,796
-The proportions feel right.
-[Jones] It's lovely to see
the detail in the fretboard,
668
00:32:37,867 --> 00:32:40,727
-and it's a really
nice shape, isn't it?
-Missing a few strings.
669
00:32:40,800 --> 00:32:43,070
I don't know
how well it would play.
But everything's there.
670
00:32:43,133 --> 00:32:47,033
And it's a good size.
It's bang on 20 centimetres.
Really, really nice.
671
00:32:47,100 --> 00:32:48,930
-Thank you.
-[Jones] Who did the saxophone?
672
00:32:49,033 --> 00:32:51,873
-That's me.
-[Miller] The level
of detail is exquisite.
673
00:32:51,934 --> 00:32:54,974
You've got all of the keys.
The proportions feel right.
674
00:32:55,033 --> 00:32:59,203
And the sizing's not bad.
It's just slightly over,
21 centimetres.
675
00:32:59,266 --> 00:33:01,496
-And look at the bell.
Great bell on the end.
-Yeah.
676
00:33:01,567 --> 00:33:03,427
-[Jones] Yeah, uh, and--
-[all laugh]
677
00:33:03,500 --> 00:33:06,330
Moving on.
Who did the harp?
678
00:33:06,400 --> 00:33:09,500
-[Miller] Shenyue.
-[Jones] That's bang on
20 centimetres.
679
00:33:09,567 --> 00:33:12,127
Just under, slightly.
The construction's really
nice.
680
00:33:12,200 --> 00:33:13,930
You've managed
to create that shape.
681
00:33:14,000 --> 00:33:16,330
You haven't gone for
each individual string.
682
00:33:16,400 --> 00:33:18,070
You tried to emulate that.
683
00:33:18,133 --> 00:33:21,003
We were probably looking
for a bit more
authenticity.
684
00:33:21,066 --> 00:33:22,996
So who had the banjo?
All right, Henry.
685
00:33:23,066 --> 00:33:25,466
Slightly under.
But only slightly.
686
00:33:25,533 --> 00:33:28,203
I'm liking
the proportion of neck
to the body of the banjo.
687
00:33:28,266 --> 00:33:30,196
That's very good.
I'm liking the scratchplate.
688
00:33:30,266 --> 00:33:32,826
That's a really nice shape
and really well observed.
689
00:33:32,900 --> 00:33:35,070
-Would've been nice to see
some strings, wouldn't it?
-Yeah.
690
00:33:35,133 --> 00:33:38,633
But I've got to say
the quality of the
construction
is bang on.
691
00:33:38,700 --> 00:33:42,330
This line along here
is just so pristine.
692
00:33:42,400 --> 00:33:45,830
-Yeah. Yeah, no, really,
really good. Excellent.
-[Miller] It's beautiful.
693
00:33:45,900 --> 00:33:48,400
-[Jones] Who was
the violin? Lovely.
-[Miller] Hannah.
694
00:33:48,467 --> 00:33:51,067
It's lovely that
you've incised and pierced
right the way through
695
00:33:51,133 --> 00:33:55,003
because you get a sense
of that kind of emptiness
and that cavity inside.
696
00:33:55,066 --> 00:33:57,796
[Jones] Let's just measure
that violin.
We're almost spot on.
697
00:33:57,867 --> 00:33:59,327
Slightly under. Pretty good.
698
00:33:59,400 --> 00:34:01,670
The bow as well.
Really nice detail
in there. Yeah.
699
00:34:01,734 --> 00:34:04,874
And it still feels
in proportion with
the main body of the
violin.
700
00:34:04,934 --> 00:34:06,974
-[Jones] Yeah, well done.
Brilliant.
-Thank you.
701
00:34:07,033 --> 00:34:10,203
So who did the drum?
It's slightly over.
702
00:34:10,266 --> 00:34:13,696
-It's about 23, 23 and a half.
It's quite simple. [chuckles]
-Yeah.
703
00:34:13,767 --> 00:34:16,997
[Miller] A drum presents
its own challenges
because of its sheer volume.
704
00:34:17,066 --> 00:34:20,526
Looks like you've spent
a lot of time
constructing this big piece,
705
00:34:20,600 --> 00:34:23,600
which you've done very
well,
but it's missing some
of the finer detail.
706
00:34:23,667 --> 00:34:25,767
-[Jones] So who had
the trumpet?
-Me.
707
00:34:25,834 --> 00:34:27,334
[Jones] Great.
Brilliant, Alon.
708
00:34:27,400 --> 00:34:29,670
The first thing you look at
is the attention to detail.
709
00:34:29,734 --> 00:34:32,104
All that tubing,
it's an incredible effort,
isn't it?
710
00:34:32,166 --> 00:34:34,326
[Miller] Yeah. I mean,
a fantastic construction.
711
00:34:34,400 --> 00:34:36,130
You've even got the valve caps,
712
00:34:36,200 --> 00:34:38,230
you've got the screws,
you've got everything.
713
00:34:38,300 --> 00:34:40,300
And the mouthpiece--
got a very specific shape,
714
00:34:40,367 --> 00:34:43,867
the way it curves back in,
and you've captured that
perfectly on there.
715
00:34:43,934 --> 00:34:46,534
-And how big is it, Keith?
-[Jones] Yeah,
it's 27 centimetres,
716
00:34:46,600 --> 00:34:48,170
so it's a bit
on the large side.
717
00:34:48,233 --> 00:34:50,603
Moving on.
Who got the electric
guitar?
718
00:34:50,667 --> 00:34:53,097
-[Miller] Jodie.
-[Jones] The proportions
are all really nice.
719
00:34:53,166 --> 00:34:54,966
Got the accent
on the machine heads,
720
00:34:55,033 --> 00:34:58,133
got the fretboard,
and I'm loving the detail
on the pickups.
721
00:34:58,200 --> 00:35:00,200
And the scratchplate
looks really nice.
722
00:35:00,266 --> 00:35:02,266
[Miller] And all of these
knobs and dials--
723
00:35:02,333 --> 00:35:05,603
Overall, there's
a really lovely quality
to the finish.
724
00:35:05,667 --> 00:35:08,327
[Jones] It's 20 centimetres
bang on. So that's perfect.
725
00:35:08,400 --> 00:35:10,000
-Really, really nice.
-Thank you.
726
00:35:10,066 --> 00:35:12,996
Last, but not least:
the large horn.
727
00:35:13,066 --> 00:35:16,326
-[Sal groans]
-[Jones] Yeah, I know. I saw
you struggling. [chuckles]
728
00:35:16,400 --> 00:35:19,470
'Cause I feel for you,
I... you know. [chuckles]
729
00:35:19,533 --> 00:35:21,503
Probably one of
the hardest to do
730
00:35:21,567 --> 00:35:23,427
because the horn
was standing up in there.
731
00:35:23,500 --> 00:35:25,300
-There was nothing
to hold it to.
-Okay.
732
00:35:25,367 --> 00:35:27,567
It is a pity
that it's come to
pieces
because actually,
733
00:35:27,633 --> 00:35:29,503
there are some
lovely elements
in here, Sal.
734
00:35:29,567 --> 00:35:32,727
[Jones] Yeah, it is a bit
tall.
It's 22 and a half, 23.
735
00:35:32,800 --> 00:35:34,900
And adding the two
is what made it fall apart.
736
00:35:34,967 --> 00:35:36,297
We'll put it back
together later.
737
00:35:36,367 --> 00:35:37,927
-All right. Okay.
-[Jones] Yeah.
738
00:35:38,000 --> 00:35:39,470
[McSweeney]
The judges will now rank
739
00:35:39,533 --> 00:35:42,073
the potters' instruments
from worst to first.
740
00:35:42,133 --> 00:35:46,603
In ninth place goes to Sal.
741
00:35:46,667 --> 00:35:49,197
-Yeah. [chuckles]
-[Jones] Yeah.
Basically, you know,
742
00:35:49,266 --> 00:35:52,366
-we can only judge
on what we see.
-Absolutely.
743
00:35:52,433 --> 00:35:55,933
In eighth place
is the drum. Lee.
744
00:35:56,000 --> 00:35:58,600
-Yeah.
-Yeah. A bit
on the large side,
745
00:35:58,667 --> 00:36:01,667
and we would've liked
a bit more attention
to detail.
746
00:36:01,734 --> 00:36:04,374
[McSweeney]
Shenyue and her harp
are seventh,
747
00:36:04,433 --> 00:36:07,973
Henry's banjo is sixth,
Peter's guitar fifth,
748
00:36:08,033 --> 00:36:09,973
Alon's trumpet fourth,
749
00:36:10,033 --> 00:36:13,233
and Jodie's electric guitar
wins her third,
750
00:36:13,300 --> 00:36:16,530
leaving top spot
between Adam and Hannah.
751
00:36:16,600 --> 00:36:18,370
In second place...
752
00:36:22,867 --> 00:36:24,227
is the violin.
753
00:36:24,300 --> 00:36:26,500
Really nice, Hannah.
We love the fact
754
00:36:26,567 --> 00:36:28,727
that you constructed
that box, and it was hollow.
755
00:36:28,800 --> 00:36:32,200
Nice detail
on the head of the violin.
Absolutely amazing.
756
00:36:32,266 --> 00:36:36,726
So last but not least,
in first place: Adam.
757
00:36:36,800 --> 00:36:39,400
You've shown us that level
of detail before.
758
00:36:39,467 --> 00:36:42,267
You didn't disappoint.
It's brilliant.
Absolutely amazing.
759
00:36:42,333 --> 00:36:44,103
-Thank you.
-Well done.
760
00:36:49,266 --> 00:36:52,796
Yay! I won something.
Very, very happy.
761
00:36:52,867 --> 00:36:55,967
To win that challenge
is a really nice validation
762
00:36:56,033 --> 00:36:57,533
that I am actually here
for a reason.
763
00:36:57,600 --> 00:37:01,170
I might actually
be able to do this.
764
00:37:01,233 --> 00:37:03,633
[Lee] So I came eighth
in this challenge,
765
00:37:03,700 --> 00:37:06,200
so it's all down to, like,
doing well with Dolly,
766
00:37:06,266 --> 00:37:08,266
which is gonna be
quite difficult,
767
00:37:08,333 --> 00:37:11,273
seeing as, you know,
one of her eyes
is working 9:00 to 5:00
768
00:37:11,333 --> 00:37:15,173
and the other one's working
10:00 till 6:00. [laughs]
769
00:37:15,233 --> 00:37:19,133
I'd hate for
a rookie stupid mistake
to send me home.
770
00:37:20,533 --> 00:37:23,403
Yeah. Can we stop?
771
00:37:32,467 --> 00:37:35,327
[McSweeney] It's judgment day
and time to find out
772
00:37:35,400 --> 00:37:39,400
if the potters' busts
of music legends
have survived the kiln.
773
00:37:39,467 --> 00:37:42,567
I'm terrified
of seeing Ozzy's face.
774
00:37:42,633 --> 00:37:45,103
[Sal] I'm feeling quite
anxious about Dame Shirley.
775
00:37:45,166 --> 00:37:48,826
Her feather boa
might look like, uh,
somebody's mowed the grass.
776
00:37:48,900 --> 00:37:50,530
I just hope
she's in one piece.
777
00:37:50,600 --> 00:37:53,070
[Lee] I threw the hair on
really quickly. [chuckles]
778
00:37:53,133 --> 00:37:54,973
So that might all fall to bits.
779
00:37:55,033 --> 00:37:58,003
But I did make
a very secure structure.
780
00:37:58,066 --> 00:37:59,766
[all gasping]
781
00:37:59,834 --> 00:38:02,134
[Lee] That's mine? Wow.
782
00:38:02,200 --> 00:38:03,870
[Rose]
I think this is your ear.
783
00:38:03,934 --> 00:38:05,534
Okay. Well...
784
00:38:05,600 --> 00:38:08,070
[Lee] I've never seen
something
explode like that.
785
00:38:09,767 --> 00:38:13,067
-[woman gasping]
-[Sal] Oh, that's-- that's...
Her head's intact.
786
00:38:13,133 --> 00:38:15,303
But her shoulders
have blown off.
787
00:38:17,734 --> 00:38:19,574
[Rose] Now Henry's.
788
00:38:19,633 --> 00:38:21,133
[exhales sharply]
789
00:38:22,100 --> 00:38:25,170
-[all exclaim]
-[woman] Oh, God!
790
00:38:25,233 --> 00:38:26,603
Oh, it doesn't look good,
does it?
791
00:38:26,667 --> 00:38:30,567
-[Rose] I think
this is his chin.
-Oh!
792
00:38:36,133 --> 00:38:37,603
[gasps]
793
00:38:37,667 --> 00:38:40,397
[Hannah] Oh, man alive.
794
00:38:43,300 --> 00:38:44,500
Uh-oh. [laughs]
795
00:38:45,700 --> 00:38:47,570
[Sal] So many bits,
I don't know where they go.
796
00:38:47,633 --> 00:38:50,133
That's a side
attachment
somewhere, isn't it?
797
00:38:50,200 --> 00:38:53,830
[McSweeney] The potters
have time to fix, if they can,
any broken legends.
798
00:38:53,900 --> 00:38:56,570
[Alon] I think
that's her cheek.
799
00:38:56,633 --> 00:39:00,703
[Hannah gasps] You found
her cheek. Oh, my gosh,
thank you, guys.
800
00:39:04,734 --> 00:39:08,104
[McSweeney]
Nine hand-sculpted
clay musical legends
801
00:39:08,166 --> 00:39:10,966
now face the judgment
of Keith and Richard.
802
00:39:14,166 --> 00:39:16,526
-Judges,
you ready to judge?
-Yeah.
803
00:39:21,100 --> 00:39:23,700
It's a fantastic construction.
804
00:39:23,767 --> 00:39:26,367
You've got a beautiful finish
to the surface.
805
00:39:26,433 --> 00:39:30,903
All of these kind of
indents
that you've put through
here
806
00:39:30,967 --> 00:39:34,267
The only thing
that lets it down slightly
is just the eyes.
807
00:39:34,333 --> 00:39:36,873
-Because she's got
such bright eyes.
-Right.
808
00:39:36,934 --> 00:39:39,004
[Jones sobs]
809
00:39:40,533 --> 00:39:44,473
The thing about you, Jodie,
is that you always
give us your best.
810
00:39:44,533 --> 00:39:46,833
And we can see that
in your makes,
811
00:39:46,900 --> 00:39:51,000
and, you know,
you've never done
anything like this before,
812
00:39:51,066 --> 00:39:53,266
and she's upright,
and it's fantastic.
813
00:39:53,333 --> 00:39:56,003
I don't know why
I'm crying so much,
but anyway. [laughs]
814
00:39:56,066 --> 00:40:00,166
It's not absolutely
exactly representative
of the photo.
815
00:40:00,233 --> 00:40:03,773
But it's fantastic.
Really, really, it's great.
816
00:40:03,834 --> 00:40:05,304
Aw, thanks, guys.
817
00:40:10,266 --> 00:40:12,496
I'm just sad
I didn't do her
justice.
I mean...
818
00:40:12,567 --> 00:40:14,897
I wouldn't be
so down on yourself.
819
00:40:14,967 --> 00:40:18,297
I mean, this feather boa--
Okay, it's now
several feather boas...
820
00:40:18,367 --> 00:40:21,827
-[Sal chuckles]
-...but actually the texture
on the surface is beautiful.
821
00:40:21,900 --> 00:40:24,700
[Jones] The hair is
fantastically well
constructed.
822
00:40:24,767 --> 00:40:27,967
We've seen you really capture
the right technique
823
00:40:28,033 --> 00:40:30,333
for the specific look
that you're going for.
824
00:40:30,400 --> 00:40:32,500
-I think it's really
nicely observed.
-Thank you.
825
00:40:36,300 --> 00:40:37,630
How are you feeling
about it?
826
00:40:37,700 --> 00:40:39,730
I've had the week from hell,
let's face it.
827
00:40:39,800 --> 00:40:41,500
[Jones] Right. Yeah.
828
00:40:41,567 --> 00:40:44,397
The issues you've had
with the blowing out
from the cheeks and ears
829
00:40:44,467 --> 00:40:47,097
makes it quite difficult
to sort of see the face.
830
00:40:47,166 --> 00:40:49,496
-Because it makes the whole
sort of central bit--
-[Lee] They're here.
831
00:40:49,567 --> 00:40:51,197
-Oh, right.
-Oh, that's nice.
832
00:40:51,266 --> 00:40:52,896
-Oh, now we-- Yeah.
-[Jones] Jolly good. Yeah.
833
00:40:52,967 --> 00:40:54,327
[Miller]
That makes more sense.
834
00:40:54,400 --> 00:40:55,770
It's a big construction,
835
00:40:55,834 --> 00:40:58,274
and it's a really difficult
thing to get right.
836
00:40:58,333 --> 00:41:00,873
The shoulders look fairly good.
837
00:41:00,934 --> 00:41:03,034
The neck up
is a bit of an issue.
838
00:41:03,100 --> 00:41:05,370
The eyes are very
sort of two-dimensional.
839
00:41:05,433 --> 00:41:07,333
You haven't really given us
too much detail.
840
00:41:07,400 --> 00:41:10,700
She looks a bit more like
a department store mannequin...
841
00:41:10,767 --> 00:41:13,267
-Yeah.
-...than Dolly Parton,
unfortunately.
842
00:41:18,066 --> 00:41:20,596
I think you've really,
really captured him.
843
00:41:20,667 --> 00:41:24,497
And I just like the texture
that you've managed to get
with his skin.
844
00:41:24,567 --> 00:41:27,767
Okay, there's obvious
structural problems here,
845
00:41:27,834 --> 00:41:30,374
and there's things where
the glasses haven't quite--
846
00:41:30,433 --> 00:41:33,503
That was quite brave to try
and do these glasses so thin.
847
00:41:33,567 --> 00:41:36,927
The proportions are
really, really wonderful.
848
00:41:37,000 --> 00:41:40,670
You know, the distance
you observe here
compared to the photograph
849
00:41:40,734 --> 00:41:42,904
and the way the hair falls
around the face.
850
00:41:43,000 --> 00:41:48,100
-And this chain-- I mean,
that is just unbelievable.
-[Jones] Brilliant.
851
00:41:52,467 --> 00:41:56,967
He looks a little bit more
like Darth Vader
than Ozzy Osbourne.
852
00:41:57,033 --> 00:41:59,403
[Jones] He does, doesn't he?
It's very, very hard to tell,
853
00:41:59,467 --> 00:42:01,297
'cause it's obviously
in pieces.
854
00:42:01,367 --> 00:42:03,067
[Miller] You can see
that it's definitely
855
00:42:03,133 --> 00:42:05,203
-a sticking-on issue.
-It is. Yeah.
856
00:42:05,266 --> 00:42:07,326
[Miller] It's about having
a well-thought-out plan
857
00:42:07,400 --> 00:42:09,470
as to how
that construction's
gonna happen
858
00:42:09,533 --> 00:42:11,873
in order to allow it
to survive being fired
859
00:42:11,934 --> 00:42:14,074
2,000 degrees
in a gas kiln.
860
00:42:19,066 --> 00:42:23,666
[Jones] The glasses
are really nicely made.
The hair really nicely done.
861
00:42:23,734 --> 00:42:26,574
-Obviously he's got a bit
of a scar down his face here.
-[Shenyue] Yeah.
862
00:42:26,633 --> 00:42:29,073
That's a structural issue.
It's not a bad look.
863
00:42:29,133 --> 00:42:32,373
Yeah, he's very recognisable.
It forces you to really
closely observe Ed,
864
00:42:32,433 --> 00:42:35,733
and I think you've got
a lot of the likeness.
865
00:42:35,800 --> 00:42:37,130
Well done, Shenyue.
866
00:42:40,266 --> 00:42:42,126
You can't fault
the construction,
867
00:42:42,200 --> 00:42:43,930
and I really like the way
868
00:42:44,000 --> 00:42:46,430
you've attempted
these facial features:
869
00:42:46,500 --> 00:42:49,200
this little kind of cheeky
Sir Tom smile.
870
00:42:49,266 --> 00:42:52,826
-The life that's been lived
gives him character.
-Mm.
871
00:42:52,900 --> 00:42:56,070
Yeah, the only issue
I would have
is his ears are a bit odd.
872
00:42:56,133 --> 00:42:59,703
-Maybe Tom's played
a bit too much rugby there.
-[chuckles]
873
00:43:03,200 --> 00:43:05,030
-It really looks like Dolly,
doesn't it?
-It does.
874
00:43:05,100 --> 00:43:07,670
It's just a shame
that the build itself
875
00:43:07,734 --> 00:43:09,534
wasn't really quite up to par.
876
00:43:09,600 --> 00:43:12,300
I really didn't think
it was gonna go this badly.
877
00:43:12,367 --> 00:43:14,997
The head
completely popped off.
878
00:43:15,066 --> 00:43:16,966
And no one wants
Dolly's head to fall off.
879
00:43:17,033 --> 00:43:18,773
Yeah. [laughs]
880
00:43:18,834 --> 00:43:21,004
[Miller] I'm really glad
that the face didn't blow off,
881
00:43:21,066 --> 00:43:23,366
because actually,
somehow you've brought out
882
00:43:23,433 --> 00:43:25,333
all of these
incredible features,
883
00:43:25,400 --> 00:43:28,130
and the sculpting
is completely on point.
884
00:43:28,200 --> 00:43:32,400
You're all the way there.
It's just the fundamentals
of the construction.
885
00:43:32,467 --> 00:43:34,597
-[Jones] Well done, Hannah.
-Thanks.
886
00:43:39,033 --> 00:43:40,933
There's so many things
that are endearing
887
00:43:41,000 --> 00:43:42,900
about your version
of Bruce Springsteen.
888
00:43:42,967 --> 00:43:46,667
The hair, for one,
is just incredible.
889
00:43:46,734 --> 00:43:49,974
There's even an elegance
and an energy to the shirt
that he's wearing.
890
00:43:50,033 --> 00:43:53,903
It's really sublime.
You've even managed
to create the teeth.
891
00:43:53,967 --> 00:43:58,127
It's that attention to detail
that's so wonderful
about this piece.
892
00:43:58,200 --> 00:44:01,230
-It's fantastic.
Really well done, Alon.
-Thanks.
893
00:44:03,300 --> 00:44:04,900
Pretty happy
with the judges' comments.
894
00:44:04,967 --> 00:44:07,427
They saw the amount of detail
I tried to put in here.
895
00:44:07,500 --> 00:44:11,100
Bloody hell. I've never
seen aught like it,
have you? [laughs]
896
00:44:11,166 --> 00:44:15,096
It went as badly
as it could possibly
go.
897
00:44:15,166 --> 00:44:19,296
The front fell off the bust,
so really risky spot,
898
00:44:19,367 --> 00:44:22,527
and it might be my time
to say goodbye
to everyone tonight.
899
00:44:32,834 --> 00:44:39,274
Well, we have had quite a lot
of musical drama this week.
900
00:44:39,333 --> 00:44:41,503
Now, the judges
have made their decisions,
901
00:44:41,567 --> 00:44:45,397
so the Potter of the Week
this week is...
902
00:44:47,800 --> 00:44:48,900
Alon.
903
00:44:48,967 --> 00:44:50,427
Congratulations.
904
00:44:50,500 --> 00:44:52,430
[all cheering]
905
00:44:52,500 --> 00:44:54,400
[indistinct]
906
00:44:54,467 --> 00:44:57,167
Now it's the really
horrible bit.
907
00:44:57,233 --> 00:45:01,833
I really hope you believe
me
when I say that this gets
harder and harder to do.
908
00:45:01,900 --> 00:45:04,100
And I'm sorry to say
909
00:45:04,166 --> 00:45:08,426
that the person
who is leaving this week is...
910
00:45:10,633 --> 00:45:12,173
Lee.
911
00:45:13,266 --> 00:45:15,026
-That's okay.
-I'm so sorry, love.
912
00:45:15,100 --> 00:45:17,400
It is, it's fine,
it's fine, it's fine.
913
00:45:18,066 --> 00:45:21,566
It's, uh... Sorry.
914
00:45:21,633 --> 00:45:25,803
We've got so close
as a group of friends,
915
00:45:25,867 --> 00:45:29,867
[voice breaking]
so that's the thing
I'm gonna miss the most.
916
00:45:29,934 --> 00:45:31,604
I'm all right. Don't worry.
917
00:45:31,667 --> 00:45:33,697
But I just feel like
moving on from here,
918
00:45:33,767 --> 00:45:36,927
I'm just gonna go
from strength to strength
'cause I've learnt so much,
919
00:45:37,033 --> 00:45:40,473
and I've got people
that I can talk to now
that are also potters,
920
00:45:40,533 --> 00:45:43,603
'cause I didn't have
many potters as friends
before.
921
00:45:43,667 --> 00:45:46,467
[McSweeney]
As Lee says goodbye
to the pottery,
922
00:45:46,533 --> 00:45:49,433
Alon's Bruce Springsteen bust
is his first
923
00:45:49,500 --> 00:45:52,170
to take pride of place
in the Throw Down gallery.
924
00:45:52,233 --> 00:45:55,273
So who knew
Alon could stick to a brief?
925
00:45:55,333 --> 00:45:57,033
Not push the envelope
too much?
926
00:45:57,100 --> 00:45:59,700
And lo and behold,
Potter of the Week.
927
00:45:59,767 --> 00:46:02,997
[Alon] Happy I won
Potter of the Week.
Feels good to do well.
928
00:46:03,066 --> 00:46:04,996
But back to normal next week,
929
00:46:05,066 --> 00:46:07,466
pushing boundaries
and stuff. Yeah.
930
00:46:08,700 --> 00:46:10,500
-[McSweeney] Next time...
-Oh, that's big.
931
00:46:10,567 --> 00:46:13,367
-...it's terra cotta
week.
-Ah.
932
00:46:13,433 --> 00:46:15,503
This is definitely
the biggest thing
I've ever thrown.
933
00:46:15,567 --> 00:46:19,167
-A trio
of family-sized pots...
-Handles, handles, handles.
934
00:46:19,233 --> 00:46:21,403
...make life difficult
at the wheel.
935
00:46:21,467 --> 00:46:24,367
Ah, ah, ah, ah.
Don't you love terra cotta?
936
00:46:24,433 --> 00:46:26,003
And even more drama...
937
00:46:26,066 --> 00:46:27,766
Oh, no.
938
00:46:27,834 --> 00:46:29,304
...in the kiln.
939
00:46:29,367 --> 00:46:31,867
-Well, that is a crack.
-Wow.
940
00:46:31,934 --> 00:46:33,704
[Miller] Yeah,
that's fairly conclusive.75608
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