Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 00:00 - 00:04 When you do good they go as well you have a album as 00:04 - 00:07 successful as Get Rich or Die Trying. They say yo you think 00:07 - 00:13 you can do it again? Actor, author, video game character, 00:13 - 00:17 and nutrition expert. You had this in case you forget to take 00:17 - 00:22 your multivitamin. 2005 seemed like the ultimate hustle for 50 00:22 - 00:26 Cent featuring refined mister Curtis Jackson flexing his 00:26 - 00:29 entrepreneurial muscle and legions of die hards marketing 00:29 - 00:35 his company's brand out loud. And everybody else in your 00:35 - 00:37 circle. I don't have a problem with putting all these **** out 00:37 - 00:44 of business. Tell me, what do you plan to massacre next? 01:19 - 01:24 Picture this, it's 2 thousand 3, you just dropped the biggest 01:24 - 01:30 debut hip hop album of all time. Yes, of all time, you are 01:30 - 01:34 the hottest topic in music and your label immediately wants 01:34 - 01:38 you to drop your sophomore album. This is a situation that 01:38 - 01:43 most artists aren't in but in two thousand three, 50 Cent 01:43 - 01:46 was. In the beginning of that year, he dropped his debut 01:46 - 01:50 album Get Richard I Trine and Broke Records no other. His 01:50 - 01:54 buzz at an ultimate high. So naturally the next question is 01:54 - 01:58 what's coming next. The label was asking at the fans were 01:58 - 02:01 asking that. The last few years I spent a lot of time working 02:01 - 02:06 on my future. Like my Loyal Banks project, Hunger For More 02:06 - 02:09 album was already double platinum. Young Bucks Fed Out 02:09 - 02:13 of Castro. So many copies of that worldwide. And then Bake 02:13 - 02:17 for Mercy writer. As us as a group I had to put them out 02:17 - 02:20 immediately after that albums and people start to view them 02:20 - 02:24 differently if you leave them around you long enough with you 02:24 - 02:26 being a focus and they're just there and you start to look 02:26 - 02:29 like they're just your homeboys you know what I mean instead of 02:29 - 02:32 actually having be an artist and having talent and the 02:32 - 02:35 pressure to deliver his sophomore album was officially 02:35 - 02:38 on but instead of immediately working on a sophomore album 02:38 - 02:42 for the next year and a half he would end up focusing his time 02:42 - 02:46 on building G Unit Records so in that year and a half he 02:46 - 02:49 ended up releasing four new projects from that label. The 02:49 - 02:53 first project would be the June debut album in November of 2003 02:53 - 02:57 called Beg for Mercy. Following that in two thousand four, 02:57 - 03:00 artist Lloyd Banks and Young Buck would release their debut 03:00 - 03:03 albums, The Hunger for More and Straight Out of Cashville then 03:03 - 03:06 finally, the game would release his debut album, The 03:06 - 03:09 Documentary. Throughout that year and a half though, 50 Cent 03:09 - 03:12 would remain in the public's eye and unknowingly, he would 03:12 - 03:16 increase the anticipation for his sophomore album. If you 03:16 - 03:20 were to ask most artist in their career at what point in 03:20 - 03:23 time did they feel the most pressure? Most of them would 03:23 - 03:26 say it would be at that time when they had to deliver their 03:26 - 03:30 sophomore album and the reason why is because usually their 03:30 - 03:34 first album is a major success and then they have to follow 03:34 - 03:39 that up and a lot of artists don't live up to that and 03:39 - 03:43 that's why there's the phrase One Hit Wonder but 50 Cents 03:43 - 03:47 situation was very unique. Imagine you're literally the 03:47 - 03:51 thing in music right now. You break the biggest debut hip hop 03:51 - 03:56 record of all time. So the pressure is immensely crazy. I 03:56 - 04:00 mean not many people ever experienced this type of 04:00 - 04:03 pressure. And Interscope Records was very weary of that. 04:03 - 04:08 They understood that 50 Cent had to deliver something crazy. 04:08 - 04:11 So they showed a lot of pushback when it came to 50 04:11 - 04:14 Cent and the second album. In that year and a half while 04:14 - 04:18 promoting Junior Records and all artists on there 50 were 04:18 - 04:22 secretly behind the scenes working on the sophomore album 04:22 - 04:27 and in late 2004, he ended up announcing the release date and 04:27 - 04:30 the title for the album the first official title for this 04:30 - 04:34 album was the Saint Valentine's Day Massacre and the release 04:34 - 04:39 date originally was February 15th, 2005 and that original 04:39 - 04:43 album title was inspired by the 1929 murder of seven members 04:43 - 04:48 and associates of Chicago's North gang the murder happened 04:48 - 04:53 on Valentine's Day of February 14th, 1929 and then if you 04:53 - 04:57 listen to the intro track on the massacre you'll hear the 04:57 - 05:01 lady say happy Valentine's Day so this was the original plan 05:01 - 05:08 450 sophomore album happy Valentine's Day and as we know 05:08 - 05:11 now it never panned out this way and the reason for that was 05:11 - 05:15 because Interscope Records was actually given 50 Cent Problems 05:15 - 05:18 on releasing his album they were worried that the album 05:18 - 05:22 wouldn't perform as well as his debut album and they wanted all 05:22 - 05:25 the attention to go to the game's documentary because that 05:25 - 05:29 album came out in January of 2005 and 50 immediately wanted 05:29 - 05:33 his album to come out on February 2005, so they said 05:33 - 05:36 give some breathing room to games album make people miss 05:36 - 05:39 you little bit more and then release her album when the time 05:39 - 05:43 is right but 50 did not want to do that and that's crazy when 05:43 - 05:46 you think about it because everything 50 Cent had released 05:46 - 05:48 at that time that was associated with him was 05:48 - 05:53 successful at that time 50 Cent was making up 80% of the 05:53 - 05:56 successful black music over at Interscope Record. I have a 05:56 - 06:02 hell of a year this year. Imma me myself Imma be about 70% of 06:02 - 06:05 Interscope Black Music. 50 Cent's initial approach to this 06:05 - 06:08 album was to make it a more personal one. In an interview 06:08 - 06:13 with XXL for the 10 year anniversary of the album 50 06:13 - 06:16 Cent revealed that he recorded twelve tracks over the weekend 06:16 - 06:19 for the album and he revealed that some of these tracks ended 06:19 - 06:22 up on the game's documentary album and as we know now they 06:22 - 06:26 ended up being Howie Do, Hater or Love It, Church for Thugs, 06:26 - 06:31 Special West Side Story and Higher which means that six 06:31 - 06:34 tracks out of those 14 that he initially recorded. With the 06:34 - 06:37 more personal approach fifty also revealed that the first 06:37 - 06:41 track he ever recorded for The Massacre was the track God Gave 06:41 - 06:45 Me Style which eventually ended up on the album and he recorded 06:45 - 06:48 this track for his grandmother. After getting ready to die 06:48 - 06:51 trying, the first song that I wrote for the massacre was God 06:51 - 06:53 Give Me Style, God Give Me Grace because if you ask me to 06:53 - 06:55 make one wish, I would've wished for that record to be a 06:55 - 07:00 success. And you know what happens? When I make the song, 07:00 - 07:03 I go to my grandmother, I play the record for her. And she's 07:03 - 07:07 like, wow, you got one for me. When she hears the to god give 07:07 - 07:09 me style god give me grace she said oh you made one for me and 07:09 - 07:13 I said yeah mama do a little different this time and she was 07:13 - 07:20 like okay just don't forget why they liked you in the first 07:20 - 07:29 place. Then 187 and all of the other ideas come out. Because 07:29 - 07:31 50 Cent decided to give him most of those personal tracks 07:31 - 07:35 to the game's album, he decided to take a more sexual approach 07:35 - 07:39 to his own album instead of personal. My second album The 07:39 - 07:44 Mascot approached it. I wrote 12 songs in three days. Two 07:44 - 07:48 verse songs and I was going to go back to refix the verses to 07:48 - 07:51 reevaluate what I said on those verses because I just wrote 07:51 - 07:55 what came to me first hand and 07:56 - 08:00 because I got a phone call from Jimmy I mean that record turned 08:00 - 08:03 into Games first album the documentary and went on to sell 08:03 - 08:08 5 million records you see what I'm saying and then after I did 08:08 - 08:11 that because I was really approaching my second album 08:11 - 08:14 saying I'm not going to do anything sexual on the record 08:14 - 08:20 so it's how we do love it you know it's more it was different 08:20 - 08:22 more personal but it was a different kind of record and 08:22 - 08:25 then after I did that I said okay Imma go stick to all 08:25 - 08:29 reliable I went back to candy shop in just a little bit and 08:29 - 08:32 the things that work with no problem for me like AO 08:32 - 08:38 technology that kind of energy but it those were all they were 08:38 - 08:41 all sexual records and they weren't the same and and it was 08:41 - 08:44 cool for those to come. I knew they would cut through while 08:44 - 08:47 that other music was playing. 50 Cent ended up recording well 08:47 - 08:52 over 60 tracks for this album. 50's approach to recording this 08:52 - 08:55 album was a lot different than Richard Itrine. What he did to 08:55 - 08:59 pick his producers was simply asked producers to submit beats 08:59 - 09:02 and then he would burn em on a blank disc not knowing who 09:02 - 09:05 produced what track. That way, he wouldn't be biased towards 09:05 - 09:10 the big name producers like Scott Storch or Doctor Dre. He 09:10 - 09:13 also didn't require the help of Eminem and Doctor Dre 09:13 - 09:16 throughout this album like his first one and the first album 09:16 - 09:20 Doctor Dre and Eminem were more hands on. On this album, 50 09:20 - 09:23 would complete the tracks, submit them to Doctor Dre and 09:23 - 09:26 Eminem, they would give their opinion and that's about it. I 09:26 - 09:28 pretty much A and R this project myself. You know, 09:28 - 09:32 because I write to what I want to write to and make the 09:32 - 09:36 records I want to make so it's like I I had them send me CDs 09:36 - 09:40 without the actual producer's name when it just got a number 09:40 - 09:45 on it. CD three, CD four, CD five, CD 6, and I sent through 09:45 - 09:48 the music till I find beat so turned out a lot of the 09:48 - 09:51 producers on this album with guys getting their first shot 09:51 - 09:55 in LA I recorded with Doctor Dre out there towards the end 09:55 - 10:00 of me working with him I begin to just do what I want to do 10:00 - 10:03 with him you know because it's almost like we've been you're 10:03 - 10:07 in a room with someone who has you know lifetime achievement 10:07 - 10:10 award status is this guy's legend so you you learn to 10:10 - 10:15 follow instructor I I prepared my 60 song preparation for 10:15 - 10:21 album that I released about seventeen. Like it's the best 10:21 - 10:25 of the best material I created over that time period once 50 10:25 - 10:28 Cent completed the album he of course had planned for it to be 10:28 - 10:32 released on February 15th, but like I said earlier Interscope 10:32 - 10:36 was showing pushback and did not want to release it at that 10:36 - 10:39 time Interscope wanted to set up a sure fire plan that 10:39 - 10:42 50-Cent would succeed with the second album they were also 10:42 - 10:45 worried about the public's perception of 50 because around 10:45 - 10:49 this time there was a lot of drama surrounding 50 Cent so 10:49 - 10:52 much so that people were actually calling for the ban of 10:52 - 10:56 50 and G unit as a label and of course his second album The 10:56 - 11:00 Massacre was going to fuel that even more if he released it. So 11:00 - 11:04 Interscope was facing a dilemma here and they were worried that 11:04 - 11:07 he was going to underperform if he came out too soon with all 11:07 - 11:10 this drama surrounding him. Fifty Cent didn't care what 11:10 - 11:13 Interscope wanted though. He took matters into his own hands 11:13 - 11:17 and started leaking his own music from the album. The first 11:17 - 11:20 track that he leaked from the album was Disco Inferno and he 11:20 - 11:24 ended up leaking this track on Thanksgiving Day of two 11:24 - 11:27 thousand and four. The track ended up getting a lot of buzz 11:27 - 11:30 for 50 Cents album but Interscope Records still didn't 11:30 - 11:33 want to release the album on February 15th, like 50 did so 11:33 - 11:37 they proposed that he releases the album on March 8 and 11:37 - 11:40 because of that date change it wouldn't make sense to name the 11:40 - 11:44 album the Saint Valentine's Day Massacre so 50 changed, it from 11:44 - 11:48 that to just the massacre then MTV asked him why he leaked his 11:48 - 11:51 own record and he said I was trying to force Interscope 11:51 - 11:55 Records to release my record on February 15th but Interscope 11:55 - 11:59 Records is reactive. I'm proactive. So I threw Disco 11:59 - 12:02 Inferno out and kind of got them to respond to me. But the 12:02 - 12:05 massacre probably wouldn't even be coming out on March 8th if I 12:05 - 12:08 didn't do that at that point because this project is a big 12:08 - 12:11 project to them. They want to have everything mapped out and 12:11 - 12:15 it's more mechanical this time. As Disco Inferno was catching 12:15 - 12:18 more buzz, Interscope decided to take the record and 12:18 - 12:21 officially push it to radio stations and release it as a 12:21 - 12:25 single on December 11th 2thousand and4. Fifty told MTV, 12:25 - 12:28 oh man, the record's done incredible. It's number four in 12:28 - 12:31 the country right now on Billboard's Hot Rap tracks 12:31 - 12:35 chart and it has zero support from Interscope Records. I went 12:35 - 12:38 out with or without them and they caught up to it. They 12:38 - 12:41 ended up sending out the official promos after I emptied 12:41 - 12:44 it across the country. I feel good about it and now I'm ready 12:44 - 12:48 to move into the candy shop. Ultimately, fifty's first 12:48 - 12:51 single Disco Inferno off the album ended up peaking at 12:51 - 12:54 number three on the Billboard Hot one hundred. Fifty 12:54 - 12:57 continued taking things into his own hands and instead of 12:57 - 13:00 waiting for Interscope Records, he decided to leak the second 13:00 - 13:04 single which would end up being Candy Shop. He leaked the song 13:04 - 13:08 The Best Way He Knew How To which was on mixtapes and on 13:08 - 13:12 January 11th 2 thousand and five, the June Radio Part 10 13:12 - 13:16 mixtape 2050 before the Massacre came out and the first 13:16 - 13:20 track on that mixtape was Candy Shop and this was the official 13:20 - 13:28 leak of the track. Yeah, yeah, yeah, yeah, 50 Cent. 50 Cent. 13:28 - 13:31 50 Cent. New album. New album. New album. Valentine's Day 13:31 - 13:37 massacre. Coming soon. Coming soon. Coming soon. 2 00five. 2 13:37 - 13:44 00five. But now. But now. It's $2050. 2050. 2050. Whoo. And of 13:44 - 13:47 course, the mixtape market never failed 50 Cent and 13:47 - 13:51 actually increased his buzz even more. When the song was 13:51 - 13:55 officially leaked, it debuted at number 53 on the Billboard 13:55 - 13:58 Hot 100 the second week, it jumped to number 30 and the 13:58 - 14:02 third week, it jumped to number eight. In the fourth week, it 14:02 - 14:06 charted at number two on the Billboard Hot 100 then finally, 14:06 - 14:09 Interscope picked up the record and pushed it to radio 14:09 - 14:13 stations. So, when you think about it, it was 50 leak in the 14:13 - 14:17 that made it go to number two and all Interscope had to do is 14:17 - 14:20 pick it up from number two and promote it and then the 14:20 - 14:23 following week after that it went to number one it took 14:23 - 14:26 Interscope one whole month to finally pick up Candy Shop and 14:26 - 14:30 they pushed it to radio stations on February 15th, 2005 14:30 - 14:34 as the official second single as the weeks were closing in 14:34 - 14:37 for 50 to finally release his sophomore album The Massacre a 14:37 - 14:41 lot of things surrounding him which start to go wrong G unit 14:41 - 14:44 member of the game ended up his album towards the end of 14:44 - 14:48 January in two thousand five. 50 was focused on promoting his 14:48 - 14:51 album and made sure that his album would perform very well 14:51 - 14:55 because he's obviously a unit artist and it reflects on 50 14:55 - 14:58 and the game decided he no longer wanted to be a G unit 14:58 - 15:02 artist and decided to attack fifty. Now, 50 in his own camp 15:02 - 15:05 had an artist attacking him which then caused Interscope 15:05 - 15:08 Records to get even more scared because people are already 15:08 - 15:12 protesting 50 Cent and saying that he's very vulgar and 15:12 - 15:16 violent in his music and now he has a beef with his own artist. 15:16 - 15:20 50 Cent ended up going on the road to promote his massacre 15:20 - 15:24 album and tell everybody that March 8th was the new and 15:24 - 15:28 official release date. While doing the promo run, he stopped 15:28 - 15:31 by Hot ninety-seven and while there he announced that the 15:31 - 15:34 game was no longer with G Unit, the game was in New York and 15:34 - 15:38 heard that he got kicked out of G Unit so he showed up at the 15:38 - 15:42 Hot ninety-seven studio that Fifty Cent was at, a shootout 15:42 - 15:45 happened but this didn't stop 50 from promoting his album he 15:45 - 15:48 kept doing radio interviews but another fork in the road 15:48 - 15:52 happened while promoting this album it turned out Bootlegers 15:52 - 15:56 got their hands on the album before the March eighth release 15:56 - 16:00 date so 50 and Interscope scrambled and decided to push 16:00 - 16:05 the date up to March 3rd 2005 and that's crazy you you got a 16:05 - 16:07 new record coming out The Massacre Massacre and as I 16:07 - 16:10 understand it was like March 8 but I think we had a little 16:10 - 16:14 leakage come out buster now March 3rd so does it make you 16:14 - 16:17 mad when your record leaks no no it doesn't like as long as 16:17 - 16:20 you know the response that I was received from it is 16:20 - 16:23 positive yeah everybody's excited and they're happy that 16:23 - 16:25 they got it already I'm I'm like because you know it seems 16:25 - 16:28 like some people they they really bug out but it's like 16:28 - 16:31 just because a record leaks on the internet and it's not like 16:31 - 16:33 you're not making money and you're not selling albums I 16:33 - 16:35 mean it sounds like it's good promotion my album been 16:35 - 16:39 downloaded 300, 000 times before it went on sale on my 16:39 - 16:42 last album that's a lot and I still did 872, 000 the first 16:42 - 16:46 week then I went on to do another 822, 000 what it does 16:46 - 16:49 is it confirms the people is safe to buy the actual record. 16:49 - 16:53 Normally back then music would come out on Tuesdays and March 16:53 - 16:57 8th, 2005 was a Tuesday. But when they pushed it up to March 16:57 - 17:01 third of 2005 that was a Thursday. Because of that it 17:01 - 17:05 only counted for 5 days of sales and not a full week 17:05 - 17:10 missing two days. Despite that and multiple mishaps 50 Cent 17:10 - 17:15 broke his own record from his debut album and broke several 17:15 - 17:19 records overall. The album ended up selling one million 17:19 - 17:24 150, 000 copies with those five days of sales and it became the 17:24 - 17:28 number three highest first week selling hip hop album of all 17:28 - 17:32 time only to lose to Eminem which is his own label mate 17:32 - 17:35 Eminem held the number one slot with the Marshall Mathers LP 17:35 - 17:39 and he held the numbertwo slot with the Eminem show at 1. 3 17:39 - 17:43 million copies I highly believe that if 50 Cent had a full 17:43 - 17:48 first week he at minimum would have sold 1. 3 million copies 17:48 - 17:51 tying Eminem for the number two slot. That wasn't the only 17:51 - 17:54 thing that he did that week though. In that week, he also 17:54 - 17:58 made Billboard chart history. He became the first solo artist 17:58 - 18:03 ever at that time to have three singles in the top five at the 18:03 - 18:07 Hot 100 at the same time. Candy Shop was number one, Disco 18:07 - 18:11 Inferno was number five, and then Howie Do with the game was 18:11 - 18:15 number four and with breaking all those records, of course, 18:15 - 18:19 came Con because right when the massacre was released track 18:19 - 18:22 number five also came out which was Piggy Bank and as we all 18:22 - 18:26 know now he was taking quite a few shots at a bunch of rappers 18:26 - 18:30 on that track this track would spark the beef between 50 Cent 18:30 - 18:34 and Jadakiss 50 Cent and Fat Joe 50 Cent and Nas 50 and 18:34 - 18:38 Shine and 50 and Cassidy all those people were on fifty's 18:38 - 18:41 neck after this track dropped and 50 said he had a bunch of 18:41 - 18:45 response tracks if they were to respond to him despite all 18:45 - 18:48 those battles and people trying to get at fifty. 50 Cent 18:48 - 18:52 clearly still held the throne in hip hop in two thousand five 18:52 - 18:55 by not only breaking all those records but he went on to do a 18:55 - 18:59 lot more in two thousand five. You got a record called Piggy 18:59 - 19:03 Bank. Yeah. And in this record, you diss Fat Joe, you diss 19:03 - 19:07 Jadakiss and you diss Nas. You know, I didn't diss anybody. I 19:07 - 19:11 made factual statements about it. And these guys take shots 19:11 - 19:13 at you. If anybody want to challenge you in in in your 19:13 - 19:17 career, your on your safety. It's cool. I'm from an 19:17 - 19:20 environment where the price of life is cheap. This is why I'm 19:20 - 19:23 used to em. It's actually a comfort zone for me to have 19:23 - 19:28 issues. The massacre finds fifty feeling real comfortable 19:28 - 19:32 and his swagger's definitely evident as he verbally attacks 19:32 - 19:36 foes, old and new. I hear everything, every little thing, 19:36 - 19:39 things that they would probably think didn't count because it 19:39 - 19:42 didn't do anything for their career. Mm hmm. I still heard 19:42 - 19:45 what you said. Now, they want to ooh peace treaty white 19:45 - 19:49 flag. Everybody, who please get a office. This kid is killing 19:49 - 19:52 him but when you let him get back up on their feet, they 19:52 - 19:56 want to fight again. That's why I say it says, for me, when you 19:56 - 19:59 begin to destroy, you should destroy completely. Opponents 19:59 - 20:02 released the album generally received positive reviews from 20:02 - 20:06 most critics. Los Angeles Times ended up giving three out of 20:06 - 20:10 four stars. Rolling Stone gave it four out of five stars. 20:10 - 20:14 Pitchfork gave it a seven out of ten. The only one that was 20:14 - 20:18 way off was a review from The Guardian, gave it one out of 20:18 - 20:21 five stars and that reviewer simply hated that 50 Cents 20:21 - 20:25 music was so violent he ended up saying in the review The 20:25 - 20:29 Massacre sounds like the work of someone from whom music is 20:29 - 20:33 merely a sideline a distraction from the serious business of 20:33 - 20:37 perpetrating a violent ghoulish sideshow other than that crazy 20:37 - 20:41 review most critics and fans actually really enjoyed the 20:41 - 20:45 album The Massacre ended up producing two more singles 20:45 - 20:48 after its release Interscope pushed the Just A Little Bit 20:48 - 20:52 Song as the third single on May seventeenth two thousand and 20:52 - 20:55 five and this song blew up as well and it peaked at number 20:55 - 20:58 three on the Billboard Hot one hundred. A couple months later 20:58 - 21:01 after its initial release on March third, 50 Cent and 21:01 - 21:05 Interscope Records decided to re release the album and call 21:05 - 21:09 it the Massacre Special Edition and in this version, 50 Cent 21:09 - 21:12 ended up shooting a music video for every single track off the 21:12 - 21:16 album and this was the first time this was ever done by any 21:16 - 21:19 artist. On top of that, he decided to use Out of Control 21:19 - 21:23 and remix it and feature Mob Deep on the track and used that 21:23 - 21:27 as the lead single for this re release. Unfortunately, because 21:27 - 21:30 the game ended up leaving G unit, they could not put the 21:30 - 21:34 hitter or love it remix on this version and it was rumored that 21:34 - 21:37 the game was supposed to be on the out of control remix 21:37 - 21:40 alongside Lloyd Banks, Mob Deep, Tony Ao and everybody 21:40 - 21:43 else in G unit but that never ended up happening. In the 21:43 - 21:47 first year of the Massacre's release, it ended up selling 4 21:47 - 21:50 million copies worldwide and as of today worldwide this album 21:50 - 21:56 has sold over 11 million copies and as of February 24th, 2020 21:56 - 22:00 RIAA announced that the album has gone six times platinum 22:00 - 22:04 which means it has sold 6 million copies in America with 22:04 - 22:08 the huge success of 50 Cents the Massacre in 2550 of course 22:08 - 22:13 was nominated for quite a few awards in 2006 the American 22:13 - 22:16 Music Awards now nominated him for the favorite rap hip hop 22:16 - 22:21 album The Massacre and he won Ascap Awards gave him the 22:21 - 22:26 songwriter of the year in 2006 for writing songs Candy Shop 22:26 - 22:30 Disco Inferno Hater Love It How We Do in just a little bit he 22:30 - 22:33 also won album of the year for the Massacre at the Billboard 22:33 - 22:36 Music Awards and that's it for the making of 50 Cents the 26241