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CAPTIONING MADE
POSSIBLE BY WARNER BROS.
2
00:00:12,880 --> 00:00:16,382
♪ WHATEVER HAPPENED
TO PREDICTABILITY ♪
3
00:00:16,450 --> 00:00:19,618
♪ THE MILKMAN, THE
PAPER BOY, EVENING TV ♪
4
00:00:19,686 --> 00:00:21,753
♪ HOW DID I GET DELIVERED HERE ♪
5
00:00:21,821 --> 00:00:23,655
♪ SOMEBODY TELL ME, PLEASE ♪
6
00:00:23,724 --> 00:00:29,061
♪ THIS OLD WORLD'S
CONFUSING ME ♪
7
00:00:29,129 --> 00:00:32,697
♪ CLOUDS AS MEAN
AS YOU'VE EVER SEEN ♪
8
00:00:32,766 --> 00:00:36,168
♪ THERE AIN'T A BIRD
WHO KNOWS YOUR TUNE ♪
9
00:00:36,236 --> 00:00:41,339
♪ THEN A LITTLE VOICE
INSIDE YOU WHISPERS ♪
10
00:00:41,408 --> 00:00:46,745
♪ KID, DON'T SELL YOUR
DREAMS SO SOON ♪
11
00:00:46,813 --> 00:00:49,982
♪ EVERYWHERE YOU LOOK,
EVERYWHERE YOU ARE ♪
12
00:00:50,050 --> 00:00:51,895
♪ THERE'S A HEART,
THERE'S A HEART ♪
13
00:00:51,919 --> 00:00:54,019
♪ A HAND TO HOLD ON TO ♪
14
00:00:54,088 --> 00:00:56,421
♪ EVERYWHERE YOU LOOK ♪
15
00:00:56,490 --> 00:00:57,567
♪ EVERYWHERE YOU LOOK ♪
16
00:00:57,591 --> 00:00:59,591
♪ THERE'S A FACE ♪
17
00:00:59,660 --> 00:01:01,459
♪ OF SOMEBODY WHO NEEDS YOU ♪
18
00:01:01,528 --> 00:01:04,862
♪ EVERYWHERE YOU LOOK ♪
19
00:01:04,931 --> 00:01:06,476
♪ WHEN YOU'RE LOST OUT THERE ♪
20
00:01:06,500 --> 00:01:08,333
♪ AND YOU'RE ALL ALONE ♪
21
00:01:08,402 --> 00:01:13,539
♪ A LIGHT IS WAITING
TO CARRY YOU HOME ♪
22
00:01:13,607 --> 00:01:15,907
♪ EVERYWHERE YOU LOOK ♪
23
00:01:17,611 --> 00:01:19,778
♪ EVERYWHERE YOU LOOK ♪
24
00:01:21,014 --> 00:01:23,482
♪ SHOOBY DOO BAH BAH DAH ♪
25
00:01:25,000 --> 00:01:31,074
Who are the real-world Illuminati ?
Find out @ saveanilluminati.com
26
00:01:34,361 --> 00:01:36,795
LADIES AND GENTLEMEN,
I'D LIKE TO INTRODUCE
27
00:01:36,863 --> 00:01:38,341
AMERICA'S NEWEST SUPERSTAR,
28
00:01:38,365 --> 00:01:40,299
OUR OWN MINI MERYL STREEP,
29
00:01:40,367 --> 00:01:42,000
MISS DONNA JO TANNER!
30
00:01:42,069 --> 00:01:43,001
BEAUTIFUL.
31
00:01:43,070 --> 00:01:45,670
THANK YOU, THANK YOU.
32
00:01:45,739 --> 00:01:48,039
WHAT AN AFTERNOON OF THEATER.
33
00:01:48,108 --> 00:01:49,586
D.J. AS THE BEAUTIFUL PRINCESS
34
00:01:49,610 --> 00:01:52,043
IN THE FROG PRINCE.
35
00:01:52,112 --> 00:01:55,881
I LAUGHED, I CRIED, I
LEARNED ABOUT LIFE.
36
00:01:55,949 --> 00:01:57,549
I WISH I WOULDN'T HAVE
MISSED THE ENDING.
37
00:01:57,618 --> 00:01:59,985
MICHELLE, WHY'D YOU
HAVE TO START CRYING, HUH?
38
00:02:00,053 --> 00:02:01,965
'CAUSE SHE WAS SO MOVED
BY D.J.'s PERFORMANCE...
39
00:02:01,989 --> 00:02:04,823
OR SHE HAD GAS.
40
00:02:04,892 --> 00:02:06,758
[BLOWS A RASPBERRY]
41
00:02:06,827 --> 00:02:09,194
D.J., DO IT AGAIN FOR JOEY.
42
00:02:09,263 --> 00:02:10,340
YEAH. COULD YOU PLEASE, DEEJ?
43
00:02:10,364 --> 00:02:13,097
I'D LOVE TO, BUT I NEED A FROG.
44
00:02:16,437 --> 00:02:19,604
WHAT, DO I LOOK LIKE A FROG?
45
00:02:19,672 --> 00:02:21,139
JUST CHECKING.
46
00:02:21,207 --> 00:02:23,408
OK, LET'S DO IT.
47
00:02:23,477 --> 00:02:25,288
YOU GUYS NEED A FRONT
ROW SEAT. FRONT ROW SEAT.
48
00:02:25,312 --> 00:02:26,990
OK, JESSE, GET ON THE FLOOR
49
00:02:27,014 --> 00:02:29,334
AND TRY TO ACT LIKE A FROG.
50
00:02:31,252 --> 00:02:32,550
HOW'S THIS?
51
00:02:34,788 --> 00:02:36,800
OOH, I JUST WANT
TO DIP YOUR LEGS
52
00:02:36,824 --> 00:02:37,989
IN GARLIC BUTTER.
53
00:02:41,495 --> 00:02:44,228
OH, FROG, WHY DOES
THE WORLD FORCE US
54
00:02:44,297 --> 00:02:45,964
TO MEET IN SECRET?
55
00:02:47,568 --> 00:02:48,967
[RIBBIT]
56
00:02:50,871 --> 00:02:53,171
DO NOT ALL OF GOD'S CREATURES
57
00:02:53,239 --> 00:02:55,707
SHARE THE HEART
THAT FEELS PAIN, LOVE,
58
00:02:55,776 --> 00:02:57,742
JOY AND SORROW?
59
00:02:57,811 --> 00:02:58,843
[SNIFFLES]
60
00:02:58,912 --> 00:02:59,912
[RIBBIT]
61
00:03:02,315 --> 00:03:05,984
IF MY TRUE LOVE IS A
FROG, THEN SO BE IT.
62
00:03:08,054 --> 00:03:09,454
[GASPS]
63
00:03:09,523 --> 00:03:10,722
MY PRINCESS!
64
00:03:10,791 --> 00:03:12,290
MY PRINCE!
65
00:03:13,627 --> 00:03:15,561
YAY! YAY!
66
00:03:15,629 --> 00:03:17,229
THANK YOU. THANK YOU.
67
00:03:17,298 --> 00:03:18,497
THANK YOU.
68
00:03:19,933 --> 00:03:24,769
SSSSSSS. OOH, THE GIRL IS HOT.
69
00:03:24,838 --> 00:03:28,440
THIS ACTING THING IS SO COOL.
70
00:03:28,509 --> 00:03:30,909
UH, HEY, DANIEL,
71
00:03:30,977 --> 00:03:32,511
YOU'VE GOT A MAJOR TALENT HERE.
72
00:03:32,579 --> 00:03:33,745
YOU KNOW PEOPLE IN SHOW BIZ.
73
00:03:33,814 --> 00:03:34,746
WHY DON'T YOU MAKE SOME CALLS?
74
00:03:34,815 --> 00:03:35,747
MAYBE SHE COULD
AUDITION FOR, LIKE,
75
00:03:35,816 --> 00:03:37,015
A COMMERCIAL OR SOMETHING.
76
00:03:37,083 --> 00:03:39,251
GREAT IDEA, UNCLE JESSE!
77
00:03:39,319 --> 00:03:41,600
OH, YEAH, GREAT
IDEA, UNCLE JESSE.
78
00:03:42,489 --> 00:03:45,090
UH, D.J., HONEY,
I'LL ASK AROUND,
79
00:03:45,159 --> 00:03:47,492
BUT DON'T GET YOUR
HOPES UP TOO HIGH, OK?
80
00:03:47,561 --> 00:03:48,493
I UNDERSTAND, DAD.
81
00:03:48,561 --> 00:03:50,428
WHATEVER HAPPENS HAPPENS.
82
00:03:50,497 --> 00:03:52,864
BUT I HOPE IT HAPPENS THIS WEEK.
83
00:03:56,570 --> 00:03:59,010
IF I KISS YOU, WILL YOU
TURN BACK INTO A FROG?
84
00:04:02,742 --> 00:04:04,382
ALL RIGHT, MICHELLE,
YOU'VE GOT TO BE SICK
85
00:04:04,444 --> 00:04:06,611
AND TIRED OF ALL THAT
STRAINED BABY GRUB
86
00:04:06,680 --> 00:04:07,720
THEY GIVE YOU AROUND HERE.
87
00:04:07,781 --> 00:04:09,358
HERE. HERE'S A CORNED
BEEF SANDWICH ON RYE
88
00:04:09,382 --> 00:04:10,982
WITH A BIG, FAT, KOSHER PICKLE.
89
00:04:12,585 --> 00:04:13,896
NOW, WHAT DO YOU
WANT ON THE SIDE?
90
00:04:13,920 --> 00:04:15,920
POTATO SALAD OR COLE SLAW?
91
00:04:15,989 --> 00:04:17,856
JUST THE PICKLE? OK.
92
00:04:17,924 --> 00:04:20,325
HEY, JESSE. HEY, MICHELLE.
93
00:04:22,996 --> 00:04:27,398
JESSE... WHY IS
MICHELLE EATING A PICKLE
94
00:04:27,467 --> 00:04:29,333
AND A CORNED BEEF SANDWICH?
95
00:04:29,402 --> 00:04:31,013
'CAUSE I DIDN'T HAVE TIME
96
00:04:31,037 --> 00:04:33,015
TO MAKE BUFFALO CHICKEN WINGS.
97
00:04:33,039 --> 00:04:34,739
I'LL TAKE THAT, THANK YOU.
98
00:04:34,808 --> 00:04:35,741
HEY, JESS, DANNY, MICHELLE.
99
00:04:35,809 --> 00:04:37,609
JOSEPH, YOU DID SOME SHOPPING.
100
00:04:37,678 --> 00:04:40,245
VERY NICE. HEY, YOU
WANT A SANDWICH?
101
00:04:40,313 --> 00:04:41,491
A CORNED BEEF SANDWICH ON RYE?
102
00:04:41,515 --> 00:04:43,248
NO, THANK YOU.
103
00:04:43,316 --> 00:04:46,818
YOU DON'T WANT A
CORNED BEEF ON RYE?
104
00:04:46,887 --> 00:04:50,121
IT'S EXTRA FATTY.
105
00:04:50,190 --> 00:04:51,689
NO, THANKS.
106
00:04:51,759 --> 00:04:53,091
WHY WOULD I WANT THAT
107
00:04:53,160 --> 00:04:56,928
WHEN I HAVE MEATLESS
VEGETABLE CUTLETS,
108
00:04:56,997 --> 00:04:59,831
MARINATED TOFU SQUARES,
109
00:04:59,900 --> 00:05:02,600
SALT-FREE RICE CRACKERS...
110
00:05:02,669 --> 00:05:04,748
WHAT DID YOU DO,
WIN A HARE KRISHNA
111
00:05:04,772 --> 00:05:07,338
FAMILY PUBLISHER SWEEPSTAKES?
112
00:05:07,407 --> 00:05:08,717
ISN'T THAT THE ONE
WITH ED McMAHON
113
00:05:08,741 --> 00:05:12,010
IN THE ORANGE ROBE
WITH A SHAVED HEAD?
114
00:05:12,079 --> 00:05:14,912
HEY, YOU GUYS CAN MAKE
FUN OF MY FOOD ALL YOU WANT.
115
00:05:14,981 --> 00:05:18,550
I GOT SOME TEST RESULTS
BACK FROM MY DOCTOR.
116
00:05:18,618 --> 00:05:20,752
HE SAID MY CHOLESTEROL
LEVEL'S A LITTLE HIGH,
117
00:05:20,820 --> 00:05:22,165
BUT THERE'S NOTHING
TO WORRY ABOUT.
118
00:05:22,189 --> 00:05:25,757
ALL I HAVE TO DO IS START
EXERCISING A LITTLE MORE.
119
00:05:25,825 --> 00:05:27,345
GOOD. EXERCISE IS
GOOD FOR YOU, JOSEPH.
120
00:05:27,394 --> 00:05:28,793
EAT LESS SATURATED FATS.
121
00:05:28,862 --> 00:05:30,382
NO FATS. KEEP YOU SLIM.
122
00:05:30,430 --> 00:05:32,196
AND I'VE DECIDED TO COMPLETELY
123
00:05:32,265 --> 00:05:33,665
GIVE UP JUNK FOOD.
124
00:05:37,070 --> 00:05:39,103
WHAT, YOU GUYS
DON'T THINK I CAN DO IT?
125
00:05:39,172 --> 00:05:41,139
GOOD SANDWICH.
MIGHTY GOOD SANDWICH.
126
00:05:41,208 --> 00:05:42,641
MMM.
127
00:05:42,709 --> 00:05:47,779
YOU ARE TALKING TO
MR. WILLPOWER, DUDES.
128
00:05:49,383 --> 00:05:52,984
IT JUST SO HAPPENS I
GAVE UP SMOKING LIKE THAT.
129
00:05:53,053 --> 00:05:56,487
JOEY, I'VE KNOWN YOU
FOREVER. WHEN DID YOU SMOKE?
130
00:05:56,556 --> 00:05:59,890
WHEN I WAS 12. I
SMOKED 4 CIGARETTES,
131
00:05:59,959 --> 00:06:02,427
MY DAD CAUGHT ME, AND
I STOPPED COLD TURKEY.
132
00:06:02,496 --> 00:06:04,930
OK. BACK TO MY LIFE.
133
00:06:04,998 --> 00:06:07,231
LOOK, GUYS, I CALLED
UP A CASTING DIRECTOR
134
00:06:07,300 --> 00:06:09,601
AS SOMEONE SO
THOUGHTFULLY SUGGESTED
135
00:06:09,670 --> 00:06:11,002
RIGHT IN FRONT OF D.J.
136
00:06:11,071 --> 00:06:12,270
THANKS, FROG-BOY.
137
00:06:12,339 --> 00:06:14,005
[RIBBIT]
138
00:06:14,073 --> 00:06:15,173
ANYWAY, IT TURNS OUT
139
00:06:15,242 --> 00:06:16,508
THERE'S AN AUDITION NEXT WEEK
140
00:06:16,576 --> 00:06:18,209
FOR SOME CEREAL COMMERCIAL.
141
00:06:18,278 --> 00:06:20,278
I DON'T EVEN KNOW IF I
SHOULD TELL D.J. ABOUT IT.
142
00:06:20,347 --> 00:06:24,081
DANIEL, IN LIFE, WHEN
SOMETHING COMES ALONG,
143
00:06:24,150 --> 00:06:27,218
YOU MUST GRAB IT.
D.J.'s GOING FOR IT.
144
00:06:27,287 --> 00:06:29,787
WRONG YET ONE MORE TIME.
145
00:06:29,857 --> 00:06:30,788
WHY?
146
00:06:30,858 --> 00:06:32,468
D.J.'s GONNA GET ALL EXCITED,
147
00:06:32,492 --> 00:06:33,636
SHE'S GONNA GET BEAT OUT BY
148
00:06:33,660 --> 00:06:34,870
SOME PROFESSIONAL KIDDIE ACTOR,
149
00:06:34,894 --> 00:06:36,372
AND SHE'S GONNA
FEEL LIKE A LOSER
150
00:06:36,396 --> 00:06:38,041
FOR NO REASON AT
ALL. DON'T PUT HER
151
00:06:38,065 --> 00:06:38,997
THROUGH IT. GO FOR IT.
152
00:06:39,066 --> 00:06:40,343
DON'T PUT HER THROUGH IT.
153
00:06:40,367 --> 00:06:42,011
THIS IS THE HARD PART
ABOUT BEING A PARENT.
154
00:06:42,035 --> 00:06:44,469
EVERY DECISION WE MAKE
COULD DRASTICALLY ALTER
155
00:06:44,538 --> 00:06:46,115
THE LIVES OF MY
CHILDREN FOREVER.
156
00:06:46,139 --> 00:06:47,839
JOEY'S RIGHT.
157
00:06:47,908 --> 00:06:48,908
DON'T PUT HER THROUGH IT.
158
00:06:48,942 --> 00:06:49,986
HEY, DON'T LISTEN TO ME.
159
00:06:50,010 --> 00:06:51,888
JESSE'S RIGHT. SHE
SHOULD GO FOR IT.
160
00:06:51,912 --> 00:06:53,122
HEY, PAL, I DON'T KNOW
WHAT I'M TALKING ABOUT,
161
00:06:53,146 --> 00:06:55,479
AND THERE'S NOT A MAN IN
THIS ROOM THAT CAN SAY I DO.
162
00:06:57,951 --> 00:06:59,684
MAYBE I SHOULD TALK
THIS OVER WITH D.J.
163
00:06:59,753 --> 00:07:01,686
INSTEAD OF GOMER AND GOOBER.
164
00:07:02,823 --> 00:07:04,389
IF YOU THINK THAT'S BEST.
165
00:07:04,458 --> 00:07:06,002
YOU'RE THE DAD. RIGHT.
166
00:07:06,026 --> 00:07:07,026
FEED MY KID, PLEASE.
167
00:07:07,060 --> 00:07:08,671
ALL RIGHT. FEED THE KID, GOMER.
168
00:07:08,695 --> 00:07:10,161
OK, GOOB.
169
00:07:11,831 --> 00:07:15,066
JESS, THINK ABOUT IT.
EVERY DECISION WE MAKE
170
00:07:15,135 --> 00:07:16,501
COULD POSSIBLY
AFFECT THESE GIRLS
171
00:07:16,570 --> 00:07:19,671
FOR THE REST OF THEIR LIVES.
172
00:07:19,740 --> 00:07:23,008
WHAT SHOULD WE FEED MICHELLE?
173
00:07:23,076 --> 00:07:25,876
STRAINED BROCCOLI
OR STRAINED PEAS?
174
00:07:25,945 --> 00:07:27,278
DON'T ASK ME.
175
00:07:29,349 --> 00:07:32,550
MICHELLE, IT'S UP TO YOU.
176
00:07:32,619 --> 00:07:35,520
NOW REMEMBER,
THAT'S YOUR DECISION.
177
00:07:35,589 --> 00:07:37,054
MM-HMM.
178
00:07:41,128 --> 00:07:43,461
HI, HONEY. HOMEWORK?
179
00:07:43,529 --> 00:07:45,141
YEAH. WE'RE LEARNING ABOUT
180
00:07:45,165 --> 00:07:46,430
THE BILL OF RIGHTS.
181
00:07:46,499 --> 00:07:48,144
DOES FREEDOM OF
SPEECH MEAN I CAN SAY
182
00:07:48,168 --> 00:07:50,101
ANYTHING I WANT
AROUND THE HOUSE?
183
00:07:50,170 --> 00:07:52,771
SURE, BUT DON'T FORGET.
I HAVE FREEDOM OF...
184
00:07:52,839 --> 00:07:55,206
"SAY THAT AGAIN, AND
YOU'RE GROUNDED."
185
00:07:56,409 --> 00:08:02,080
LOOK, D.J., THERE'S... D.J...
186
00:08:02,148 --> 00:08:04,850
D.J., THERE'S
SOMETHING I WANT YOU
187
00:08:04,918 --> 00:08:06,818
TO THINK ABOUT VERY CAREFULLY.
188
00:08:06,887 --> 00:08:08,753
I CALLED A CASTING DIRECTOR,
189
00:08:08,822 --> 00:08:10,099
AND THERE'S AN
AUDITION NEXT WEEK
190
00:08:10,123 --> 00:08:11,589
FOR A CEREAL COMMERCIAL.
191
00:08:11,658 --> 00:08:13,002
GREAT! I WANT TO DO IT.
192
00:08:13,026 --> 00:08:15,193
HONEY, YOU REALIZE THE
CHANCES OF GETTING THIS JOB
193
00:08:15,262 --> 00:08:17,928
ARE VERY, VERY
TINY. MICROSCOPIC.
194
00:08:17,997 --> 00:08:20,131
I WANT TO DO IT.
195
00:08:20,200 --> 00:08:22,767
IF YOU DO THIS, IT
SHOULD BE FOR FUN.
196
00:08:22,835 --> 00:08:24,180
I DON'T WANT YOU
TO FEEL DISAPPOINTED
197
00:08:24,204 --> 00:08:25,370
IF YOU DON'T GET IT.
198
00:08:25,439 --> 00:08:31,142
LISTEN TO ME, DAD.
I WANT TO DO IT.
199
00:08:31,211 --> 00:08:34,845
I UNDERSTAND YOU WANT TO DO IT.
200
00:08:34,914 --> 00:08:36,259
BUT WILL YOU CONSIDER ALL THIS
201
00:08:36,283 --> 00:08:37,693
BEFORE YOU MAKE YOUR DECISION?
202
00:08:37,717 --> 00:08:39,717
SURE, DAD.
203
00:08:39,786 --> 00:08:40,786
OK.
204
00:08:48,328 --> 00:08:49,727
I WANT TO DO IT.
205
00:08:53,400 --> 00:08:54,832
OK, THIS IS IT. GIRLS.
206
00:08:59,306 --> 00:09:02,473
[SIGHS] THEY ALL LOOK
SO PROFESSIONAL.
207
00:09:02,542 --> 00:09:04,502
VERY NICE AUDITION, KAREN.
208
00:09:04,544 --> 00:09:06,211
THANK YOU SO MUCH, VIVIAN.
209
00:09:06,279 --> 00:09:08,079
IT FELT GOOD FOR ME, TOO.
210
00:09:09,616 --> 00:09:11,583
WHY DON'T I LEAVE YOU MY
NEW PICTURE AND RESUME?
211
00:09:14,086 --> 00:09:16,521
WELL, I HOPE I'LL BE
HEARING FROM YOU SOON.
212
00:09:16,589 --> 00:09:18,356
CIAO. UH-HUH.
213
00:09:23,262 --> 00:09:27,898
WAS THAT A LITTLE KID
OR A TINY GROWNUP?
214
00:09:27,967 --> 00:09:29,178
STEPH, WHY DON'T
YOU GO OVER THERE
215
00:09:29,202 --> 00:09:31,836
AND DO SOME COLORING, OK?
216
00:09:31,905 --> 00:09:34,272
UNCLE JESSE, THIS WAS A MISTAKE.
217
00:09:34,341 --> 00:09:37,175
I DON'T HAVE A PICTURE.
I DON'T HAVE A RESUME.
218
00:09:37,243 --> 00:09:39,443
ALL I DID WAS KISS A FROG.
219
00:09:39,512 --> 00:09:41,457
ALL RIGHT. I'LL TAKE
CARE OF THIS FOR YOU,
220
00:09:41,481 --> 00:09:42,547
ALL RIGHT?
221
00:09:43,683 --> 00:09:46,450
MAY I CALL YOU
VIV? HI, VIV. LISTEN,
222
00:09:46,519 --> 00:09:47,799
I'D LIKE TO INTRODUCE TO YOU
223
00:09:47,854 --> 00:09:50,955
A VERY TALENTED ACTRESS,
MISS DONNA JO TANNER.
224
00:09:51,024 --> 00:09:54,225
LOOK AT THAT FACE.
225
00:09:54,294 --> 00:09:56,527
NICE FACE. JUST SIGN IN
226
00:09:56,596 --> 00:09:57,528
AND LEAVE YOUR
PICTURE AND RESUME
227
00:09:57,597 --> 00:09:58,529
AT THE DESK.
228
00:09:58,598 --> 00:09:59,775
BUT I DON'T HAVE A PICTURE.
229
00:09:59,799 --> 00:10:01,065
YES, YOU DO!
230
00:10:02,669 --> 00:10:04,802
SEE? RIGHT HERE.
231
00:10:06,439 --> 00:10:10,140
I DIDN'T HAVE TIME TO MAKE HAIR.
232
00:10:10,209 --> 00:10:14,712
HEY, MOMS AND DADS,
COME REAL CLOSE TO THE SET.
233
00:10:14,781 --> 00:10:16,559
SEND ALL THE KIDS
OUT OF THE ROOM.
234
00:10:16,583 --> 00:10:20,318
ARE THEY GONE?
GOOD. I'VE GOT A SECRET.
235
00:10:20,387 --> 00:10:23,555
OAT BOATS ARE CHOCKED
FULL OF VITAMINS AND MINERALS,
236
00:10:23,623 --> 00:10:25,390
BUT DON'T LET YOUR KIDS KNOW.
237
00:10:25,458 --> 00:10:27,818
THEY'LL EAT THEM ANYWAYS
'CAUSE THEY TASTE SO GREAT.
238
00:10:27,860 --> 00:10:29,627
YEAH, OAT BOATS!
239
00:10:29,695 --> 00:10:32,397
NOW REMEMBER, THIS
IS OUR LITTLE SECRET.
240
00:10:32,465 --> 00:10:35,466
IF THE WORD GETS OUT,
I'LL DENY EVERYTHING.
241
00:10:35,535 --> 00:10:37,846
OH, BEAUTIFUL! THAT WAS GREAT!
242
00:10:37,870 --> 00:10:38,948
THAT WAS SO...
243
00:10:38,972 --> 00:10:40,838
I'M SORRY. I WAS
TOUCHED. I WAS MOVED.
244
00:10:40,907 --> 00:10:43,508
KIDS WILL LOVE HER. I DO.
245
00:10:43,577 --> 00:10:44,509
AND SO DO I.
246
00:10:44,578 --> 00:10:45,621
I THOUGHT YOU WERE TERRIFIC.
247
00:10:45,645 --> 00:10:46,689
I WANT YOU TO STAY AND DO IT
248
00:10:46,713 --> 00:10:48,090
ONE MORE TIME FOR MR. BENTON.
249
00:10:48,114 --> 00:10:49,625
HE MAKES THE FINAL DECISION.
250
00:10:49,649 --> 00:10:51,416
YES!
251
00:10:52,886 --> 00:10:54,518
I MEAN, VERY WELL.
252
00:10:55,856 --> 00:10:57,455
[SQUEALS]
253
00:10:59,459 --> 00:11:02,327
UM, EXCUSE ME. DO I
HAVE TIME TO DO MY HAIR
254
00:11:02,395 --> 00:11:03,928
BEFORE MR. BENTON GETS HERE?
255
00:11:03,996 --> 00:11:05,229
SURE, NO PROBLEM.
256
00:11:05,298 --> 00:11:07,098
ALL RIGHT. I GOTTA GO
PUT CHANGE IN THE METER.
257
00:11:07,167 --> 00:11:09,067
STEPH, YOU STAY RIGHT
HERE AND BE GOOD, OK?
258
00:11:09,135 --> 00:11:10,201
ALL RIGHT.
259
00:11:10,270 --> 00:11:12,503
YES!
260
00:11:12,572 --> 00:11:13,605
MISS VIVIAN,
261
00:11:13,673 --> 00:11:15,640
CAN I PLEASE HAVE
A LITTLE CEREAL?
262
00:11:15,708 --> 00:11:17,208
D.J. WAS SO GOOD,
263
00:11:17,277 --> 00:11:19,844
SHE MADE ME WANT TO EAT SOME.
264
00:11:19,912 --> 00:11:21,980
KNOCK YOURSELF OUT. THANKS.
265
00:11:23,216 --> 00:11:25,483
I LOVE OAT BOAT RACES.
266
00:11:25,552 --> 00:11:27,351
IT'S THE STRAWBERRY
AGAINST THE BANANA!
267
00:11:27,420 --> 00:11:28,853
AND THEY'RE OFF!
268
00:11:28,922 --> 00:11:30,922
IT'S A BANANA! IT'S
A STRAWBERRY!
269
00:11:30,990 --> 00:11:32,590
AND THE BANANA WINS.
270
00:11:32,659 --> 00:11:36,360
FIRST PRIZE IS A
TRIP TO MY MOUTH.
271
00:11:36,429 --> 00:11:37,695
I LOVE IT!
272
00:11:37,764 --> 00:11:39,441
I DIDN'T THINK WE WERE
GONNA GO THIS YOUNG,
273
00:11:39,465 --> 00:11:41,833
BUT THIS LITTLE
GIRL IS ADORABLE.
274
00:11:41,901 --> 00:11:44,535
VIVIAN, YOU'VE DONE IT AGAIN.
275
00:11:44,603 --> 00:11:45,970
WELL, MR. BENTON,
276
00:11:46,039 --> 00:11:47,216
SOMETIMES YOU JUST HAVE TO GO
277
00:11:47,240 --> 00:11:48,806
WITH YOUR INSTINCTS.
278
00:11:48,875 --> 00:11:50,909
CONGRATULATIONS, YOUNG LADY,
279
00:11:50,977 --> 00:11:53,210
YOU'RE THE NEW OAT BOAT GIRL.
280
00:11:53,279 --> 00:11:54,279
WHAT?
281
00:11:54,313 --> 00:11:55,245
WHAT?
282
00:11:55,314 --> 00:11:56,681
WHAT?!
283
00:12:05,025 --> 00:12:07,958
WELL, HERE WE GO.
284
00:12:08,027 --> 00:12:11,962
SOME OF MY SPECIAL SEAWEED
PROTEIN WHEAT GERM TONIC.
285
00:12:20,139 --> 00:12:22,172
CHOLESTEROL FREE.
286
00:12:22,241 --> 00:12:24,875
D.J. DEEJ?
287
00:12:34,821 --> 00:12:37,221
SOMETHING TELLS ME
THINGS DIDN'T GO SO GREAT
288
00:12:37,290 --> 00:12:38,689
AT THE AUDITION, DID THEY?
289
00:12:38,758 --> 00:12:41,058
OH, NO.
290
00:12:41,127 --> 00:12:43,527
WE TALKED ABOUT
HOW THIS MIGHT HAPPEN.
291
00:12:43,596 --> 00:12:45,196
THEY PROBABLY JUST GAVE THE PART
292
00:12:45,264 --> 00:12:46,564
TO SOMEBODY'S RELATIVE.
293
00:12:46,632 --> 00:12:49,767
OH, YEAH.
294
00:12:49,836 --> 00:12:51,635
HELLO.
295
00:12:51,704 --> 00:12:54,338
I KNOW... D.J. DIDN'T
GET THE PART.
296
00:12:54,407 --> 00:12:55,751
HERE'S SOMETHING YOU DON'T KNOW.
297
00:12:55,775 --> 00:12:57,942
STEPH DID.
298
00:12:58,011 --> 00:13:00,078
STEPHANIE GOT THE PART?
299
00:13:00,146 --> 00:13:03,047
THAT'S WONDERFUL!
300
00:13:03,116 --> 00:13:05,183
I'M REALLY SORRY.
301
00:13:06,453 --> 00:13:08,653
BUT, THAT'S WONDERFUL!
302
00:13:08,721 --> 00:13:11,289
I'M REALLY SORRY.
303
00:13:11,358 --> 00:13:13,591
HOW DID THIS HAPPEN?
304
00:13:13,660 --> 00:13:15,926
IF I SAID, HEY, THAT'S
SHOW BIZ, BABE,
305
00:13:15,995 --> 00:13:17,206
THAT WOULDN'T GET ME
OFF THE HOOK, WOULD IT?
306
00:13:17,230 --> 00:13:18,274
NO. NO.
307
00:13:18,298 --> 00:13:20,464
HEY, CHEER UP.
THERE'S A BRIGHT SIDE.
308
00:13:20,533 --> 00:13:21,465
WHAT'S THAT?
309
00:13:21,534 --> 00:13:23,100
I HAD NOTHING TO DO WITH IT.
310
00:13:24,503 --> 00:13:27,705
D.J., ARE YOU MAD AT ME?
311
00:13:27,774 --> 00:13:30,274
WHY WOULD I BE MAD AT YOU?
312
00:13:30,343 --> 00:13:34,445
BECAUSE I... OH, NO REASON.
313
00:13:34,513 --> 00:13:37,148
I'M NOT MAD. I'M HAPPY FOR YOU.
314
00:13:37,217 --> 00:13:39,250
WAY TO GO, STEPH.
315
00:13:39,319 --> 00:13:42,453
NOW, IF YOU'LL EXCUSE
ME, I HAVE HOMEWORK TO DO.
316
00:13:45,091 --> 00:13:47,524
[STOMPING]
317
00:13:47,593 --> 00:13:48,693
[DOOR SLAMS]
318
00:13:48,762 --> 00:13:50,928
IS IT OK TO BE HAPPY?
319
00:13:50,997 --> 00:13:52,597
OF COURSE IT IS, SWEETHEART.
320
00:13:52,666 --> 00:13:54,799
I GOT IT! I GOT IT!
321
00:13:54,868 --> 00:13:56,668
STEPHANIE, FOR
YOUR SISTER'S SAKE,
322
00:13:56,736 --> 00:13:58,770
BE HAPPY A LITTLE QUIETER.
323
00:13:58,838 --> 00:14:01,205
I got it. I got it.
324
00:14:05,978 --> 00:14:10,014
MICHELLE, ARE YOU SURE
YOU DON'T WANT THIS?
325
00:14:13,152 --> 00:14:15,687
ARE YOU SURE?
326
00:14:15,755 --> 00:14:22,827
IT'S SO... JUICY... SO MEATY...
327
00:14:22,895 --> 00:14:24,995
SO SATURATED.
328
00:14:25,064 --> 00:14:26,764
SO WHAT!
329
00:14:28,401 --> 00:14:30,561
JOEY, ARE YOU IN THERE?
330
00:14:33,773 --> 00:14:36,607
JOEY, WE'VE BEEN LOOKING
FOR YOU. WHERE YOU BEEN?
331
00:14:36,676 --> 00:14:38,609
MMM, MMM, MMM, MMM.
332
00:14:39,812 --> 00:14:40,745
WHAT DID YOU SAY?
333
00:14:40,814 --> 00:14:42,213
BEAUTIFUL BABY.
334
00:14:44,150 --> 00:14:47,684
WHERE DID THE SMALL
FRY GET THE FRENCH FRY?
335
00:14:50,956 --> 00:14:53,257
MUST HAVE BEEN THERE FOR WEEKS.
336
00:14:56,095 --> 00:14:58,896
IT'S STILL WARM.
337
00:14:58,964 --> 00:15:01,632
AH... AND LOOK AT THIS.
338
00:15:01,701 --> 00:15:03,445
[GASPS] OH, MY GOODNESS,
339
00:15:03,469 --> 00:15:05,781
IT LOOKS AS THOUGH
MICHELLE HAS TODDLED UP
340
00:15:05,805 --> 00:15:08,906
TO THE DRIVE-THROUGH
WINDOW AGAIN.
341
00:15:08,975 --> 00:15:11,808
ALL RIGHT, I'M WEAK, I'M WEAK!
342
00:15:11,877 --> 00:15:15,712
I'M NOT MR. WILLPOWER,
I'M MR. CHOLESTEROL.
343
00:15:17,116 --> 00:15:21,719
JOEY, YOU WENT FROM
ALL JUNK FOOD TO ALL...
344
00:15:21,788 --> 00:15:24,255
I DON'T KNOW WHAT THE
HELL YOU'VE BEEN EATING.
345
00:15:24,323 --> 00:15:25,890
THERE'S ANOTHER CHOICE HERE.
346
00:15:25,959 --> 00:15:30,494
TRY MODERATION. MORE
FRUIT. MORE FIBER. LESS FAT.
347
00:15:30,563 --> 00:15:31,495
AND WE'LL HELP
OUT. I'LL START BY
348
00:15:31,564 --> 00:15:32,496
HELPING YOU EAT
349
00:15:32,565 --> 00:15:35,299
THIS BURGER AND
FRIES. THANK YOU.
350
00:15:35,368 --> 00:15:37,135
COME HERE, MICHELLE.
351
00:15:37,203 --> 00:15:40,204
GUYS, LOOK. I'VE GOT TO
GET BACK TO THE STATION, OK?
352
00:15:40,273 --> 00:15:42,640
LISTEN TO ME. THIS
IS REAL IMPORTANT.
353
00:15:42,708 --> 00:15:45,075
KEEP AN EYE ON
D.J. AND STEPHANIE.
354
00:15:45,145 --> 00:15:47,256
RIGHT NOW, THEY'RE
AVOIDING EACH OTHER,
355
00:15:47,280 --> 00:15:49,391
BUT I HAVE A FEELING
THAT'S ONLY TEMPORARY,
356
00:15:49,415 --> 00:15:51,449
CONSIDERING THEY
SHARE A BEDROOM.
357
00:15:51,518 --> 00:15:52,528
ALL RIGHT. WE'LL
TAKE CARE OF IT.
358
00:15:52,552 --> 00:15:53,484
WE GOT IT.
359
00:15:53,552 --> 00:15:56,186
BYE-BYE, MICHELLE.
360
00:15:56,255 --> 00:16:00,124
AND PLEASE, DON'T
EVER GO INTO ACTING.
361
00:16:00,192 --> 00:16:01,225
MWAH!
362
00:16:20,179 --> 00:16:23,213
"I LOVE OAT BOATS
BECAUSE STEPHANIE
363
00:16:23,282 --> 00:16:25,327
"TAKES HEAPING
SPOONFUL OF CEREAL.
364
00:16:25,351 --> 00:16:27,852
THEY TASTE GREAT.
SHE TAKES A BITE."
365
00:16:27,920 --> 00:16:29,220
[GIGGLES]
366
00:16:30,757 --> 00:16:32,356
OH, I'M SORRY. GO
AHEAD. REHEARSE.
367
00:16:32,425 --> 00:16:34,792
"I LOVE OAT BOATS
368
00:16:34,861 --> 00:16:37,295
BECAUSE STEPHANIE
TAKES HEAPING SPOON..."
369
00:16:37,364 --> 00:16:39,530
[GIGGLES]
370
00:16:39,599 --> 00:16:41,543
IF I'M DOING SOMETHING WRONG,
371
00:16:41,567 --> 00:16:42,800
WILL YOU HELP ME?
372
00:16:42,869 --> 00:16:45,669
YOU DIDN'T NEED ANY HELP
WHEN YOU STOLE MY PART.
373
00:16:45,738 --> 00:16:48,038
ARE YOU SURE
YOU'RE NOT MAD AT ME?
374
00:16:48,107 --> 00:16:50,875
DON'T BE SILLY. I'M
GLAD I DIDN'T GET IT.
375
00:16:50,943 --> 00:16:53,477
YOU'LL MISS A LOT OF SCHOOL
DOING THAT COMMERCIAL,
376
00:16:53,546 --> 00:16:56,080
AND THEY'LL PROBABLY
LEAVE YOU BACK.
377
00:16:56,148 --> 00:16:57,326
I THINK YOU'RE JEALOUS.
378
00:16:57,350 --> 00:16:59,817
ME, JEALOUS?
379
00:16:59,885 --> 00:17:02,286
BUT I AM HUNGRY.
380
00:17:02,355 --> 00:17:05,323
FINE. YOU CAN HAVE IT.
381
00:17:06,726 --> 00:17:08,893
GIVE ME THAT RIGHT NOW!
382
00:17:08,961 --> 00:17:09,894
GIVE ME IT!
383
00:17:09,962 --> 00:17:11,596
NO WAY, JOSE.
384
00:17:11,664 --> 00:17:14,298
GIVE ME IT! YOU'RE A THIEF!
385
00:17:14,366 --> 00:17:15,444
YOU'RE JEALOUS!
386
00:17:15,468 --> 00:17:16,867
THIEF! JEALOUS!
387
00:17:16,936 --> 00:17:18,769
GIVE ME THAT, STEPHANIE JUDITH!
388
00:17:18,838 --> 00:17:21,572
NO, DONNA JO MARGARET!
389
00:17:21,641 --> 00:17:22,641
AAH!
390
00:17:25,711 --> 00:17:27,845
WHY AM I CRAWLING?
391
00:17:29,748 --> 00:17:30,681
HEY, YOU GUYS.
392
00:17:30,749 --> 00:17:34,651
LADIES, LADIES, LADIES. WHOA!
393
00:17:34,720 --> 00:17:36,386
SHE STOLE MY CEREAL!
394
00:17:36,455 --> 00:17:38,222
SHE STOLE MY PART!
395
00:17:38,291 --> 00:17:39,468
JEALOUS! THIEF!
396
00:17:39,492 --> 00:17:43,427
WELL, WE GOT THAT ALL
OUT OF OUR SYSTEMS.
397
00:17:43,496 --> 00:17:45,829
WHY DON'T YOU TWO JUST
GIVE EACH OTHER A NICE KISS
398
00:17:45,898 --> 00:17:48,032
AND MAKE UP.
399
00:17:52,371 --> 00:17:54,739
ALL RIGHT. COME HERE, YOU. HERE.
400
00:17:54,808 --> 00:17:56,874
YOU TAKE YOUR OAT BOATS
401
00:17:56,943 --> 00:17:59,844
AND GO PRACTICE IN
THE LIVING ROOM, OK?
402
00:17:59,912 --> 00:18:01,278
STEPHANIE JUDITH.
403
00:18:01,347 --> 00:18:03,547
DONNA JO MARGARET.
404
00:18:04,784 --> 00:18:06,317
MARGARET?
405
00:18:07,854 --> 00:18:09,832
D.J., WHY DON'T YOU
WAIT DOWNSTAIRS,
406
00:18:09,856 --> 00:18:10,966
AND WE'LL BE DOWN IN A MINUTE.
407
00:18:10,990 --> 00:18:12,790
BUT YOU SAID... D.J.
408
00:18:12,859 --> 00:18:16,260
[OAT BOATS CRUNCH]
409
00:18:28,975 --> 00:18:30,952
D.J., WE NEED TO TALK.
410
00:18:30,976 --> 00:18:32,621
LET ME SAVE YOU
A LOT OF TROUBLE.
411
00:18:32,645 --> 00:18:35,546
YOU'RE RIGHT, I'M
WRONG, AND I DON'T CARE.
412
00:18:52,532 --> 00:18:56,968
LISTEN, D.J. JESSE
AND I STRIKE OUT
413
00:18:57,036 --> 00:18:58,547
ON AUDITIONS ALL THE TIME.
414
00:18:58,571 --> 00:18:59,504
BEING A PERFORMER
415
00:18:59,572 --> 00:19:01,650
IS BASICALLY A
SERIES OF REJECTIONS
416
00:19:01,674 --> 00:19:03,941
OCCASIONALLY
INTERRUPTED BY WORK.
417
00:19:04,010 --> 00:19:07,378
OH, YEAH? WELL, DID EITHER
OF YOU HAVE A PART STOLEN
418
00:19:07,446 --> 00:19:09,613
BY YOUR LITTLE SISTER?
419
00:19:11,784 --> 00:19:14,352
[SIGHS]
420
00:19:18,124 --> 00:19:20,958
YOU KNOW SOMETHING? SHE'S RIGHT.
421
00:19:21,027 --> 00:19:22,326
D.J., YOU'RE RIGHT.
422
00:19:22,395 --> 00:19:24,996
STEPHANIE STOLE THAT PART
RIGHT OUT FROM UNDER YOU.
423
00:19:25,064 --> 00:19:27,731
IN FACT, SHE PLANNED
THIS WHOLE THING.
424
00:19:27,800 --> 00:19:29,867
SHE TRICKED US INTO
BRINGING HER ALONG,
425
00:19:29,936 --> 00:19:33,570
PRETENDING THAT
SHE CARES ABOUT YOU.
426
00:19:33,639 --> 00:19:36,440
THE CONNIVING LITTLE SNEAK.
427
00:19:36,509 --> 00:19:37,875
AND THEN YOU FELL
428
00:19:37,944 --> 00:19:39,754
INTO STEPHANIE'S
FIENDISH LITTLE TRAP
429
00:19:39,778 --> 00:19:41,589
BY DOING A GREAT AUDITION.
430
00:19:41,613 --> 00:19:43,280
THE MONSTER.
431
00:19:43,349 --> 00:19:47,084
MEANWHILE, THE
SINISTER LITTLE STEPHANIE,
432
00:19:47,153 --> 00:19:49,153
SHE USED HER TELEKINETIC POWERS
433
00:19:49,222 --> 00:19:50,299
TO SEND US OUT OF THE ROOM
434
00:19:50,323 --> 00:19:53,890
SO SHE COULD STEAL
YOUR COMMERCIAL. OOH!
435
00:19:55,594 --> 00:19:57,361
I SAY WE LIGHT SOME TORCHES,
436
00:19:57,429 --> 00:19:58,829
FIND THE SHE-DEVIL,
437
00:19:58,898 --> 00:20:00,931
AND DRIVE HER INTO THE NIGHT!
438
00:20:03,803 --> 00:20:07,237
OK, YOU GUYS WERE RIGHT.
439
00:20:07,306 --> 00:20:09,173
SHE DIDN'T DO IT ON PURPOSE.
440
00:20:10,342 --> 00:20:11,787
BUT I'M STILL MAD AT HER.
441
00:20:11,811 --> 00:20:12,931
UHH!
442
00:20:14,446 --> 00:20:17,447
ALL RIGHT, ALL RIGHT, KIDDO.
443
00:20:17,517 --> 00:20:20,350
I WANT TO KNOW
WHAT'S EATING YOU.
444
00:20:20,419 --> 00:20:22,752
ALL RIGHT, PAL. COME ON.
445
00:20:22,821 --> 00:20:24,466
WHAT'S THE MATTER? TELL US.
446
00:20:24,490 --> 00:20:28,092
I DON'T KNOW. I'M
SO SICK OF SISTERS.
447
00:20:28,161 --> 00:20:31,895
EVERYTHING WAS JUST
FINE WHEN IT WAS JUST ME.
448
00:20:31,964 --> 00:20:34,231
THEN STEPHANIE CAME ALONG,
449
00:20:34,300 --> 00:20:37,535
AND EVERYONE SAID
SHE WAS SO-O-O CUTE.
450
00:20:37,603 --> 00:20:41,638
NOW EVERYONE SAYS
MICHELLE IS SO-O-O CUTE.
451
00:20:41,707 --> 00:20:44,875
IT'S SO-O-O DISGUSTING.
452
00:20:46,645 --> 00:20:48,112
WELL, WAS IT SO-O-O DISGUSTING
453
00:20:48,181 --> 00:20:49,181
WHEN YOU DID THE PLAY
454
00:20:49,215 --> 00:20:52,316
AND EVERYONE THOUGHT
YOU WERE SO-O-O CUTE?
455
00:20:52,384 --> 00:20:54,718
NO, THAT WAS FINE.
456
00:20:54,787 --> 00:20:57,220
UNTIL ONE OF THE
SO-O-O CUTE SISTERS
457
00:20:57,289 --> 00:20:59,857
RUINED EVERYTHING AGAIN.
458
00:21:01,227 --> 00:21:06,330
AW, BUDDY. IT'S TOUGH
BEING THE OLDEST,
459
00:21:06,399 --> 00:21:08,699
BUT YOU CAN'T
OVERLOOK THE BENEFITS.
460
00:21:08,767 --> 00:21:10,312
I MEAN, YOU GET EVERYTHING NEW.
461
00:21:10,336 --> 00:21:11,435
NO HAND-ME-DOWNS.
462
00:21:11,504 --> 00:21:13,236
AND YOU GET TO DO
EVERYTHING FIRST.
463
00:21:13,305 --> 00:21:14,605
THAT'S RIGHT... DATE.
464
00:21:14,674 --> 00:21:15,906
DRIVE.
465
00:21:15,975 --> 00:21:17,185
YOU'RE THE FIRST TO BE ADMITTED
466
00:21:17,209 --> 00:21:18,987
TO AN R-RATED PICTURE.
467
00:21:19,011 --> 00:21:22,279
WITHOUT A PARENT OR
A LEGAL GUARDIAN, HUH?
468
00:21:22,347 --> 00:21:25,181
BUT THE BEST PART IS...
469
00:21:25,250 --> 00:21:27,061
YOU GOT 2 LITTLE SISTERS...
470
00:21:27,085 --> 00:21:30,153
WHO NEED YOU AND
LOOK UP TO YOU...
471
00:21:30,222 --> 00:21:33,089
AND LOVE YOU VERY, VERY MUCH.
472
00:21:35,327 --> 00:21:37,260
SO, WHAT DO YOU THINK?
473
00:21:37,329 --> 00:21:39,663
SHOULD WE LIGHT THE
TORCHES, FIND THE BEAST,
474
00:21:39,732 --> 00:21:42,332
AND DRIVE HER INTO THE DARKNESS?
475
00:21:42,401 --> 00:21:44,969
I GUESS NOT.
476
00:21:45,037 --> 00:21:48,472
BUT IF WE DID, I'D STILL
HAVE ONE LITTLE SISTER LEFT.
477
00:21:48,540 --> 00:21:51,609
NOOGIE! AAH!
478
00:21:53,278 --> 00:21:55,212
HELLO, INFORMATION?
479
00:21:55,280 --> 00:21:57,514
I NEED TO TALK TO MR. BOAT.
480
00:22:00,786 --> 00:22:03,820
MR. OAT BOAT.
481
00:22:03,889 --> 00:22:05,199
I NEED TO TALK TO MR. BOAT.
482
00:22:05,223 --> 00:22:06,802
I CAN'T DO HIS COMMERCIAL.
483
00:22:06,826 --> 00:22:09,893
HIS CEREAL IS TEARING
MY FAMILY APART.
484
00:22:09,962 --> 00:22:12,062
STEPH, I NEED TO TALK TO YOU.
485
00:22:12,131 --> 00:22:15,599
MY SISTER'S HERE.
CAN I PUT YOU ON HOLD?
486
00:22:15,668 --> 00:22:18,035
HELLO?
487
00:22:18,104 --> 00:22:20,938
HELLO?
488
00:22:21,007 --> 00:22:22,206
HOW RUDE.
489
00:22:26,579 --> 00:22:29,212
I'M SORRY I STOLE YOUR PART.
490
00:22:29,281 --> 00:22:31,148
YOU DIDN'T STEAL IT ON PURPOSE.
491
00:22:31,217 --> 00:22:32,850
YOU DIDN'T KNOW
WHAT YOU WERE DOING.
492
00:22:32,918 --> 00:22:33,995
THAT'S TRUE.
493
00:22:34,019 --> 00:22:35,897
I NEVER KNOW WHAT I'M DOING.
494
00:22:35,921 --> 00:22:38,789
BUT YOU WERE RIGHT
ABOUT ONE THING.
495
00:22:38,858 --> 00:22:40,991
I WAS A LITTLE JEALOUS.
496
00:22:41,059 --> 00:22:44,128
THAT'S OK. I'M ALWAYS
JEALOUS OF YOU.
497
00:22:44,196 --> 00:22:45,829
REALLY? UH-HUH.
498
00:22:45,898 --> 00:22:48,877
THAT'S WHY I FOLLOW
YOU AROUND AND BUG YOU.
499
00:22:48,901 --> 00:22:50,278
I THINK YOU'RE THE SMARTEST,
500
00:22:50,302 --> 00:22:53,203
PRETTIEST, FUNNEST GIRL I KNOW.
501
00:22:53,272 --> 00:22:56,506
EXCEPT WHEN YOU HATE ME.
502
00:22:56,575 --> 00:23:00,344
I DON'T HATE YOU. I
WAS JUST MAD AT YOU,
503
00:23:00,412 --> 00:23:03,580
AND SOMEDAY I'LL PROBABLY
BE MAD AT YOU AGAIN.
504
00:23:03,649 --> 00:23:04,660
CAN YOU TELL ME WHEN
505
00:23:04,684 --> 00:23:07,251
SO I CAN GO VISIT GRANDMA?
506
00:23:08,588 --> 00:23:10,588
THAT WAS FUNNY, STEPH.
507
00:23:11,958 --> 00:23:14,191
WELL, I KNOW THE RULE IS
508
00:23:14,259 --> 00:23:16,237
YOU HAVE TO LOVE
YOUR LITTLE SISTER,
509
00:23:16,261 --> 00:23:18,696
BUT EVEN IF YOU WERE
SOME STRANGE LITTLE KID
510
00:23:18,764 --> 00:23:21,999
WHO LIVED IN MY ROOM,
I'D LOVE YOU ANYWAYS.
511
00:23:22,067 --> 00:23:24,234
YOU'RE MY BEST FRIEND.
512
00:23:24,303 --> 00:23:26,971
REALLY? I'M YOUR BEST FRIEND?
513
00:23:27,039 --> 00:23:28,305
YEP.
514
00:23:28,373 --> 00:23:31,475
WELL, THAT WORKS OUT
GREAT BECAUSE YOU'RE MINE.
515
00:23:37,583 --> 00:23:40,951
BUT DO WE REALLY NEED MICHELLE?
516
00:23:41,019 --> 00:23:42,664
YEAH. YOU'LL LIKE HER BETTER
517
00:23:42,688 --> 00:23:44,566
WHEN SHE'S OLD
ENOUGH TO PUSH AROUND.
518
00:23:44,590 --> 00:23:46,134
NOW LET'S WORK ON THAT SCRIPT.
519
00:23:46,158 --> 00:23:47,158
OK.
520
00:23:49,795 --> 00:23:52,162
NOW, WHERE IT SAYS HERE,
521
00:23:52,231 --> 00:23:54,309
"STEPHANIE TAKES
HEAPING SPOONFUL,"
522
00:23:54,333 --> 00:23:55,610
YOU DON'T NEED TO SAY THAT.
523
00:23:55,634 --> 00:23:59,670
YOU JUST DO IT. NO!
524
00:23:59,739 --> 00:24:00,670
YEAH.
525
00:24:00,739 --> 00:24:03,007
WOW. THIS ACTING IS TOUGH.
526
00:24:03,075 --> 00:24:06,843
I WONDER IF YOGI BEAR
HAD THIS KIND OF TROUBLE.
527
00:24:06,912 --> 00:24:09,847
CAPTIONING MADE
POSSIBLE BY WARNER BROS.
528
00:24:09,915 --> 00:24:13,035
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE... www.ncicap.org...
528
00:24:14,305 --> 00:25:14,459
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