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This is a picture of the American dream.
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This is a picture of what
the dream once was.
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This is a picture of what
the dream has become.
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At the center of prime-time television
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has been the selling of the dream.
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And at the heart of the dream,
the mythic American family.
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Once an outsider,
the African American is now
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part of this family,
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part of the myth.
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Through television, if nowhere else,
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we are now watched and welcome
in the majority of American homes.
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But what was the key to the households
of prime-time America,
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the key to our inclusion
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00:01:54,182 --> 00:01:56,951
in the myth of the American dream?
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As Blacks returned
from a war that they fought
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to give other peoples freedoms
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that were not allowed to them
in their own country,
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00:02:39,093 --> 00:02:41,896
Blacks became more determined to...
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get some of what I gave my life for.
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I think the mood
in Black America after World War II
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was cautious optimism.
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The military had just been integrated,
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you know, as a result of that war,
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00:03:03,551 --> 00:03:05,086
and allowed Black soldiers in.
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00:03:05,186 --> 00:03:09,490
On the other hand, I think there was still
this caution about racial hostility.
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00:03:12,293 --> 00:03:15,997
There was a great deal
of anticipation on the part,
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not only of the soldiers
returning from World War II,
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but as well on the women and men
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who worked in the defense industry
during the war.
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They had had opportunities
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that had been unavailable to them
prior to the war
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because of the demand for their labor.
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00:03:38,219 --> 00:03:42,891
So that you had
a highly trained ex-military class...
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00:03:44,025 --> 00:03:48,696
and then you had people
who were formerly domestics, often,
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who had experienced industrial life,
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00:03:52,200 --> 00:03:57,972
so that they were poised for life
fully in the 20th century,
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00:03:58,072 --> 00:04:00,942
a life that had been experienced
by other Americans
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00:04:01,042 --> 00:04:03,544
but which, of course,
had been denied to Black people.
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00:04:24,232 --> 00:04:26,234
Our optimism after the war
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00:04:26,334 --> 00:04:31,706
coincided with the celebration
of a new, infant technology in America.
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After ten years of experiments,
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the public at last gets
a preview of television.
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Race relations and television
formed a critical link.
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And so a new industry
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steps out of the laboratory
into the limelight,
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as television makes its bow
to the American public.
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Where it will go from here
is any man's guess.
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00:05:04,205 --> 00:05:06,507
The white man, the Negro, the Oriental,
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00:05:06,607 --> 00:05:08,609
the Protestant, the Catholic, the Jew,
52
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they've all shared the spotlight
on this stage.
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Well, Danny, if I may inject,
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that's the way show business operates.
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Danny, there's no room for prejudice
in our profession.
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We entertainers...
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00:05:20,655 --> 00:05:23,725
Television in the early days
was a medium trying to find itself.
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It was a medium that was perched
to really make a difference,
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00:05:27,195 --> 00:05:30,431
but the kind of difference that it
could make was really to be proven.
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00:05:30,531 --> 00:05:33,468
The format of radio at that time
was you had,
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you know, the evening programs,
dramatic shows,
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westerns, comedies.
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So television was a natural extension.
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They just took those ideas and
brought them to pictures instead of sound.
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And to that extent, then, I think
Black folks' representations in television
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were very much inherited from radio.
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And, of course, that gets us into
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the old Amos 'n Andy sorts
of situation comedies.
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00:06:01,562 --> 00:06:04,365
You know, of course,
that there's a shortage of women.
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00:06:04,465 --> 00:06:07,602
I'll say. The one I took out
last night only come up to my belt buckle!
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00:06:09,437 --> 00:06:12,373
And, of course, in radio,
it was two white characters
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who came up with the idea
and who impersonated Blacks.
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Who's scared? Me?
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Ha ha ha!
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And by the time
it came over to television,
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00:06:21,315 --> 00:06:24,585
of course, they had to assemble
an entire Black cast.
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If you don't give me my money back,
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I'm gonna punch you in each eye!
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Then I'm going to punch you in the mouth.
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Then I'm going to take a stick
and crack your head!
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In other words, I'm gonna open
everything that's closed,
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and close everything that's open!
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Take it easy, Andy!
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Well, to say that
The Amos 'n Andy Show
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was popular in its day
is a shocking understatement.
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It was enormously, indescribably popular,
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and also, indescribably primitive
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in its use of stereotypes and clichés.
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00:06:53,347 --> 00:06:55,583
It's about time you met some decent people
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00:06:55,683 --> 00:06:58,119
instead of that horrible, uncouth group
you associate with.
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00:06:58,219 --> 00:07:01,422
Well, I done met all
the accomplished people I wanna know.
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00:07:01,522 --> 00:07:03,191
Like Andrew Brown, for instance.
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Yeah, like Andrew Brown.
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00:07:05,326 --> 00:07:08,729
Well, what, may I ask,
has he ever accomplished?
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00:07:08,830 --> 00:07:10,498
Well, he, uh...
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Just yesterday, he had a run
of 13 balls in the side pocket
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without once leaning on the pool table.
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That's exactly what I'm talking about.
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Andrew hanging over a pool table.
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You'd never find him in a public library.
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No, they ain't got no pool tables
in there.
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A composite of all the clichés
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about lazy Black men
and about opportunistic Black men.
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In those days, it was taken for granted
that the portrayal of characters,
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as they chose to portray them,
was audience-pleasing.
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00:07:43,531 --> 00:07:47,101
And we're in the business
of pleasing audiences, so we did it.
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At home, it was very important
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00:07:51,172 --> 00:07:54,442
that we not watch Amos 'n Andy.
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It was very important to my mother
that I should not see
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something that was so racist.
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00:08:01,249 --> 00:08:05,253
Why, you ain't got sense enough
to come in out of the rain!
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00:08:05,353 --> 00:08:07,722
I is too. I's done it lots of times.
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00:08:09,390 --> 00:08:11,292
It was years later
that I realized
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that Amos 'n Andy are brilliant.
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They were really funny.
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Andy!
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00:08:16,764 --> 00:08:18,466
Now, ya see, Andy, first,
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00:08:18,566 --> 00:08:21,602
the atom splits
into what they call the monocle.
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00:08:21,702 --> 00:08:24,305
And then the monocle busts and breaks down
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00:08:24,405 --> 00:08:27,608
into what they call neutrons, "po-trons,"
Fig Newtons and morons.
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00:08:57,538 --> 00:09:00,541
The struggle
to end Jim Crow segregation
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00:09:00,641 --> 00:09:04,111
and the portrayal of Blacks
as second-class citizens
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00:09:04,212 --> 00:09:07,215
inevitably took television to task.
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00:09:07,315 --> 00:09:09,984
Hi, partner! Here, Andy. Hold this.
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00:09:10,084 --> 00:09:13,187
When we think of this group of people
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00:09:13,287 --> 00:09:17,191
whose historical experience
had been transformed by the war,
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00:09:17,291 --> 00:09:20,962
poised for full integration
into the American society,
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00:09:21,062 --> 00:09:23,598
and then we think about
what they were greeted with
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00:09:23,698 --> 00:09:26,767
as television made its debut,
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00:09:28,102 --> 00:09:32,673
they were greeted with
images of a fully autonomous,
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00:09:32,773 --> 00:09:35,376
segregated, separate Black community,
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00:09:35,476 --> 00:09:38,980
which was the community
in which Amos 'n Andy thrived.
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00:09:39,947 --> 00:09:41,148
Quiet, please!
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00:09:41,249 --> 00:09:45,453
The first prime time
television show to feature a Black cast,
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00:09:45,553 --> 00:09:48,823
Amos 'n Andy played on a familiar theme.
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00:09:48,923 --> 00:09:52,493
Blacks might aspire
to the American dream of success,
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00:09:52,593 --> 00:09:56,631
but we were continually,
comically ill-equipped to achieve it.
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00:09:57,865 --> 00:10:00,268
Why couldn't I have been a doctor
like you two guys?
139
00:10:00,368 --> 00:10:02,103
Because there ain't
no uniforms that fit you.
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00:10:02,203 --> 00:10:04,238
Just shut your big mouth and come on!
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00:10:05,239 --> 00:10:08,809
Even before its premiere,
the show was sued by the NAACP
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00:10:08,909 --> 00:10:10,678
to block its broadcast.
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00:10:10,778 --> 00:10:15,816
The suit charged, "Every character
is either a clown or a crook.
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00:10:15,916 --> 00:10:19,387
Millions of white Americans see
this Amos 'n Andy picture
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00:10:19,487 --> 00:10:21,822
and think the entire race is the same."
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00:10:21,922 --> 00:10:23,724
Oh, no, no, Andy, I don't think you —
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00:10:23,824 --> 00:10:27,361
So that the interests
of the Black community
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00:10:27,461 --> 00:10:29,897
and the images fed
to that Black community,
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00:10:29,997 --> 00:10:33,768
and to the larger American society
in the early 1950s,
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00:10:33,868 --> 00:10:35,770
were diametrically opposed to each other.
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00:10:37,471 --> 00:10:39,840
Two seasons after its debut,
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00:10:39,940 --> 00:10:42,109
Amos 'n Andy was canceled.
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00:10:43,944 --> 00:10:46,781
The nation was heading toward a new era.
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00:10:48,282 --> 00:10:53,521
Yet television for the most part,
throughout the '50s, failed to adjust.
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00:10:57,325 --> 00:11:00,861
In the cultural landscape
of prime-time America,
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00:11:00,961 --> 00:11:04,231
Negroes remained in their place.
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00:11:05,166 --> 00:11:07,435
Biaku, Wanaba.
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00:11:07,535 --> 00:11:09,403
Jambo, jambo, bwana.
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00:11:12,573 --> 00:11:15,643
Hold it, Mr. Erwin.
Something's gone wrong!
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00:11:15,743 --> 00:11:18,312
Watch it! Watch it, Willie!
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00:11:19,613 --> 00:11:21,115
Oh!
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00:11:21,182 --> 00:11:22,249
Whoa!
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00:11:22,350 --> 00:11:24,085
- Whoa!
- Oh, Willie!
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00:11:28,289 --> 00:11:31,592
I don't think that
the sponsor or the network,
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00:11:31,692 --> 00:11:34,195
and certainly not the writers,
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00:11:34,295 --> 00:11:38,666
ever considered
the questions of race relations,
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00:11:38,766 --> 00:11:41,302
of stereotyping, et cetera.
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00:11:41,402 --> 00:11:44,705
That was the farthest from our minds.
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00:11:44,805 --> 00:11:47,775
Uh, again, what we were trying to do
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00:11:47,875 --> 00:11:52,646
was to present
an amusing set of characters
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00:11:52,747 --> 00:11:58,552
in as amusing a background
as we possibly could,
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00:11:58,652 --> 00:12:00,287
doing amusing things
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00:12:00,388 --> 00:12:03,491
to entice that audience
to come back next week.
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00:12:07,428 --> 00:12:09,063
The Beulah Show,
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00:12:09,163 --> 00:12:13,667
brought to you by new milder Dreft,
for dishes and fine washables,
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00:12:13,768 --> 00:12:16,837
and deep-cleaning Oxydol
for the family wash.
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00:12:17,705 --> 00:12:20,107
Starring Louise Beavers as —
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00:12:20,174 --> 00:12:21,475
Beulah.
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00:12:21,575 --> 00:12:23,711
If marriages are made in heaven,
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00:12:23,811 --> 00:12:27,915
my guardian angel
has sure been loafing on the job.
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00:12:31,085 --> 00:12:36,590
I think Beulah was popular
because she almost idealized
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00:12:36,690 --> 00:12:40,861
what every person
would love to have in a housekeeper.
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00:12:40,961 --> 00:12:44,498
They thought, "God, if we could get
a Beulah to run our house,
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00:12:44,598 --> 00:12:48,302
this house would be much better off
than it was."
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00:12:50,237 --> 00:12:51,806
The Hendersons' residence.
186
00:12:51,906 --> 00:12:53,174
This is Mrs. Harrington...
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00:12:53,274 --> 00:12:57,178
But in this idealized dream
of the American family,
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00:12:57,278 --> 00:12:58,979
what of Beulah herself?
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00:12:59,079 --> 00:13:00,981
Would she be better off?
190
00:13:01,081 --> 00:13:03,984
Gosh, Beulah, I'm gonna have to dance
191
00:13:04,084 --> 00:13:07,087
in front of Mom and Dad and everyone.
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00:13:07,188 --> 00:13:08,856
That's easy. What's bothering you?
193
00:13:08,956 --> 00:13:10,591
I just can't dance!
194
00:13:10,691 --> 00:13:13,294
Well, that's easy to fix. I'll teach you.
195
00:13:13,394 --> 00:13:15,729
Jeepers, Beulah, can you dance?
196
00:13:15,830 --> 00:13:17,198
Can I dance?
197
00:13:17,298 --> 00:13:21,168
Donnie, when the beat's right,
I just take off!
198
00:13:28,509 --> 00:13:31,479
You make her so happy in it...
199
00:13:33,080 --> 00:13:37,885
and you made her
so unaware of her own children
200
00:13:37,985 --> 00:13:41,522
and so aware of somebody else's children.
201
00:13:41,622 --> 00:13:43,724
That is a Hollywood maid.
202
00:13:44,692 --> 00:13:48,395
I knew a lot of people
who worked as domestics...
203
00:13:49,396 --> 00:13:53,501
and I know people who had
to educate their children
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00:13:54,502 --> 00:13:57,371
from their earnings as a domestic,
205
00:13:57,471 --> 00:13:59,974
and they did it because
they didn't want their children
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00:14:00,074 --> 00:14:02,743
to go through what they
were going through.
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00:14:02,810 --> 00:14:04,578
Noble.
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00:14:04,678 --> 00:14:06,747
That's nobility.
209
00:14:30,604 --> 00:14:33,440
The nobility
of our historic dream of freedom
210
00:14:33,541 --> 00:14:36,644
and the dream of race relations
in early television
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00:14:36,744 --> 00:14:38,546
continued to clash.
212
00:14:41,916 --> 00:14:45,986
But most of '50s television
retreated from the conflict.
213
00:14:52,059 --> 00:14:53,394
My partner's Frank Smith.
214
00:14:53,494 --> 00:14:56,196
The boss is Captain Norman.
My name's Friday.
215
00:14:56,297 --> 00:14:59,500
♪ I married Joan ♪
216
00:14:59,600 --> 00:15:01,368
♪ What a girl, what a world ♪
217
00:15:01,468 --> 00:15:02,803
♪ What a light ♪
218
00:15:02,903 --> 00:15:05,940
♪ Oh, I married Joan ♪
219
00:15:23,524 --> 00:15:29,697
There was something
always good and wholesome
220
00:15:29,797 --> 00:15:31,732
about white culture.
221
00:15:32,466 --> 00:15:35,536
It was so powerful, you kind of believed
222
00:15:35,636 --> 00:15:40,107
that there was this life that whites led
223
00:15:40,207 --> 00:15:44,612
that was very kind of wholesome
and almost trouble free,
224
00:15:44,712 --> 00:15:51,585
or that's where the beauty was
and the good things and the pleasure.
225
00:15:52,252 --> 00:15:56,323
Mama, Mom! Look, Mom, no cavities!
226
00:15:56,423 --> 00:15:58,492
Sis and Ted are off to school.
227
00:15:58,592 --> 00:16:00,427
Dad heads for his office, as a rule.
228
00:16:00,527 --> 00:16:03,631
♪ So keep on the Sunbeam
Go out and get Sunbeam ♪
229
00:16:03,731 --> 00:16:05,666
♪ Batter Whipped Sunbeam Bread ♪
230
00:16:05,766 --> 00:16:07,301
Through the '50s,
231
00:16:07,401 --> 00:16:11,372
nightly television viewing
became a family ritual.
232
00:16:11,472 --> 00:16:14,742
And the family, not surprisingly,
became the centerpiece
233
00:16:14,842 --> 00:16:18,412
in this 7:00-to-10:00 p.m.
prime-time programming.
234
00:16:18,512 --> 00:16:20,881
George and Martha Washington!
235
00:16:20,981 --> 00:16:23,283
An explosion of new baby boom families
236
00:16:23,384 --> 00:16:26,553
found, in television,
neatly packaged images
237
00:16:26,654 --> 00:16:30,257
of what the ideal
American family should be,
238
00:16:30,357 --> 00:16:32,960
what the dream household should have.
239
00:16:33,060 --> 00:16:34,762
And a freezing system all its own.
240
00:16:34,862 --> 00:16:38,732
We were rarely part
of this mythic picture.
241
00:16:39,266 --> 00:16:44,405
Through the late '40s and '50s
on television,
242
00:16:44,505 --> 00:16:46,473
it's as though Black people didn't exist.
243
00:16:46,573 --> 00:16:49,743
You know, night after night,
there were programs,
244
00:16:49,843 --> 00:16:54,715
and occasionally
we'd have a superstar as a guest.
245
00:16:54,815 --> 00:16:58,252
Ladies and gentlemen,
Miss Diahann Carroll.
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00:17:10,297 --> 00:17:15,069
♪ When a bee lies sleeping ♪
247
00:17:15,169 --> 00:17:19,873
♪ In the palm of your hand ♪
248
00:17:20,574 --> 00:17:22,710
♪ You're bewitched... ♪
249
00:17:22,810 --> 00:17:25,312
Somebody would yell
or we would know through the grapevine
250
00:17:25,412 --> 00:17:28,649
that some Black person was going to be on
television that night, and we watched it.
251
00:17:28,749 --> 00:17:29,983
The rest of it we didn't watch.
252
00:17:30,084 --> 00:17:32,953
There was nothing that related to us
or we could relate to,
253
00:17:33,053 --> 00:17:34,655
so we didn't watch it.
254
00:17:34,755 --> 00:17:39,593
I can remember my mother
and my aunts and my neighbors,
255
00:17:39,693 --> 00:17:42,629
if they heard that a Black person
was going to be on television,
256
00:17:42,730 --> 00:17:45,065
or if they saw one come on the screen,
257
00:17:45,165 --> 00:17:48,402
they would dash to the phone
and start calling each other,
258
00:17:48,502 --> 00:17:52,539
so that the neighbors
and the aunts wouldn't miss it.
259
00:17:52,639 --> 00:17:56,143
My mother wouldn't call
long distance on the phone
260
00:17:56,243 --> 00:17:57,945
if there was a death in the family,
261
00:17:58,045 --> 00:18:02,049
but she would call my sister far away
to tell her that she'd heard
262
00:18:02,149 --> 00:18:06,019
that Cicely Tyson was going to be
on a program, for example,
263
00:18:06,120 --> 00:18:08,789
because it was such
a source of pride for them,
264
00:18:08,889 --> 00:18:11,892
for that generation,
for my mother's generation,
265
00:18:11,992 --> 00:18:14,394
somebody who'd grown up
in the '30s and '40s.
266
00:18:14,495 --> 00:18:18,699
There was such a void
in the magazines and on the radio,
267
00:18:18,799 --> 00:18:23,737
so rare to see African American people
depicted anywhere,
268
00:18:23,837 --> 00:18:25,339
that it was a treat for them.
269
00:18:28,142 --> 00:18:34,014
♪ In the evenings
May I come and sing to you ♪
270
00:18:36,216 --> 00:18:41,922
♪ All the songs that I would like
To bring to you? ♪
271
00:18:43,624 --> 00:18:45,993
Ladies and gentlemen,
The Nat King Cole Show,
272
00:18:46,093 --> 00:18:48,162
with tonight's special guest
Frankie Laine.
273
00:18:48,262 --> 00:18:51,298
And now here is
the incomparable Nat King Cole!
274
00:18:56,670 --> 00:19:02,075
He was a smooth, classy guy
and he loved ballads and love songs.
275
00:19:02,176 --> 00:19:05,045
What a velvet voice he had.
276
00:19:05,145 --> 00:19:08,315
Um, it was wonderful to see,
in prime-time television,
277
00:19:08,415 --> 00:19:09,650
The Nat King Cole Show.
278
00:19:09,750 --> 00:19:14,988
♪ When I fall in love ♪
279
00:19:15,088 --> 00:19:19,059
♪ It will be forever ♪
280
00:19:20,727 --> 00:19:24,498
♪ Or I'll never fall ♪
281
00:19:25,399 --> 00:19:28,769
♪ In love ♪
282
00:19:28,869 --> 00:19:30,904
I love Nat King Cole.
I loved his music.
283
00:19:31,004 --> 00:19:35,075
I loved his voice as a kid growing up...
284
00:19:36,710 --> 00:19:39,213
and coming of age, as it were, you know.
285
00:19:39,313 --> 00:19:43,650
He was a very romantic sound
286
00:19:43,750 --> 00:19:45,886
in my adolescence.
287
00:19:45,986 --> 00:19:48,422
♪ And too many moonlight kisses ♪
288
00:19:49,690 --> 00:19:55,796
♪ Seem to cool in the warmth of the sun ♪
289
00:19:56,830 --> 00:19:59,800
I loved the way he sang,
I loved his ease, I loved his grace.
290
00:19:59,900 --> 00:20:02,970
Um, uh, he was a wonderful —
291
00:20:03,070 --> 00:20:04,905
a wonderful musician,
wonderful piano player.
292
00:20:05,806 --> 00:20:07,908
Um, he looked great.
293
00:20:08,008 --> 00:20:09,776
Had a wonderful smile.
294
00:20:09,877 --> 00:20:11,612
I loved Nat King Cole.
295
00:20:12,646 --> 00:20:16,617
♪ Give my heart ♪
296
00:20:19,219 --> 00:20:21,788
♪ And the moment ♪
297
00:20:21,889 --> 00:20:24,791
♪ I can feel that... ♪
298
00:20:24,892 --> 00:20:27,527
I was very proud to see
that elegant man on television.
299
00:20:27,628 --> 00:20:30,397
I didn't realize how proud
I was going to be.
300
00:20:30,497 --> 00:20:35,936
I didn't realize that
I had no images, really,
301
00:20:36,036 --> 00:20:38,438
that had that kind of sophistication.
302
00:20:38,538 --> 00:20:42,743
♪ With you ♪
303
00:20:46,680 --> 00:20:49,716
King Cole was
a major breakthrough in the sense that
304
00:20:49,816 --> 00:20:53,420
Black people were
in charge of representing
305
00:20:53,520 --> 00:20:57,257
the culture and music
and talk and so forth,
306
00:20:57,357 --> 00:21:00,260
um, in a way that wasn't
so much rooted in humor.
307
00:21:00,360 --> 00:21:02,462
It wasn't so much rooted in comedy.
308
00:21:02,562 --> 00:21:04,097
Well, the composer of that song,
309
00:21:04,197 --> 00:21:07,768
who was so widely unknown
14 years ago, is our guest tonight.
310
00:21:07,868 --> 00:21:11,138
And here he is,
my good friend Frankie Laine!
311
00:21:13,507 --> 00:21:17,544
Nat King Cole, I think,
appealed to a broad spectrum of people
312
00:21:17,644 --> 00:21:19,513
because he didn't seem threatening.
313
00:21:19,613 --> 00:21:21,181
He didn't, um...
314
00:21:22,115 --> 00:21:25,118
He didn't seem forceful
315
00:21:25,218 --> 00:21:28,322
or belligerent or anything
that would make, say,
316
00:21:28,422 --> 00:21:30,290
white people uncomfortable.
317
00:21:39,599 --> 00:21:42,002
I think that many...
318
00:21:42,703 --> 00:21:45,906
um, of the minorities involved
319
00:21:46,006 --> 00:21:49,409
in this profession during that period
320
00:21:49,509 --> 00:21:51,678
are guilty of something
321
00:21:51,778 --> 00:21:56,016
that, um, we had to do for survival,
322
00:21:56,116 --> 00:21:58,352
and that's called adjustments.
323
00:21:58,452 --> 00:22:01,688
We had to make adjustments
in our mind constantly
324
00:22:01,788 --> 00:22:05,926
in order to stay away
from the area of anger
325
00:22:06,026 --> 00:22:09,062
and, uh, "What's wrong with me?"
326
00:22:14,234 --> 00:22:17,871
As a man who wrote, produced
and directed this television show,
327
00:22:17,971 --> 00:22:21,241
the feedback I would get occasionally
328
00:22:21,341 --> 00:22:26,113
was that he had wide acceptance
in the white area
329
00:22:26,213 --> 00:22:29,449
because he was a gentleman.
330
00:22:29,549 --> 00:22:30,951
I'd hear that a lot.
331
00:22:31,051 --> 00:22:35,689
They said he was the kind of guy
that you could welcome into your home.
332
00:22:35,789 --> 00:22:37,824
He was just a gentleman.
333
00:22:38,692 --> 00:22:41,461
If any one Black performer of the time
334
00:22:41,561 --> 00:22:44,865
held the key to prime time's
family of entertainers,
335
00:22:44,965 --> 00:22:48,068
the key to inclusion
within the American dream,
336
00:22:48,168 --> 00:22:51,838
it was Cole, the model of assimilation.
337
00:22:52,039 --> 00:22:55,375
♪ I ♪
338
00:22:55,475 --> 00:23:00,280
♪ Got a home in that rock... ♪
339
00:23:00,380 --> 00:23:03,617
But was this enough
to pay the price of the ticket?
340
00:23:03,717 --> 00:23:07,988
Would prime-time America
open the door and welcome him in?
341
00:23:08,088 --> 00:23:11,058
Two, four, six, eight,
we don't want to integrate!
342
00:23:11,158 --> 00:23:15,829
Two, four, six, eight,
we don't want to integrate!
343
00:23:16,596 --> 00:23:19,599
Why don't you
tell the niggers to go home?
344
00:23:23,804 --> 00:23:28,642
In 1957, the same time
Nat King Cole was on television,
345
00:23:28,742 --> 00:23:31,611
Black children in Little Rock, Arkansas
are trying to go to school
346
00:23:31,711 --> 00:23:34,014
and meeting with
a great deal of resistance
347
00:23:34,114 --> 00:23:36,750
on the part of
the white political structure
348
00:23:36,850 --> 00:23:39,786
that is supposed to enforce their rights.
349
00:23:52,466 --> 00:23:56,236
Don't stop! Just keep coming!
Don't allow them to teach the niggers!
350
00:24:01,208 --> 00:24:03,009
King Cole was very threatening.
351
00:24:03,110 --> 00:24:07,147
"How dare you bring
a Black man into our homes
352
00:24:07,247 --> 00:24:09,916
and into our communities
with white guests, no less,
353
00:24:10,016 --> 00:24:12,719
with white women, no less,
with white men, no less."
354
00:24:12,819 --> 00:24:14,721
"They're trying to go to our schools.
355
00:24:14,821 --> 00:24:17,124
Now look. They have a television show?"
356
00:24:17,891 --> 00:24:20,827
So it became impossible
357
00:24:20,927 --> 00:24:24,731
for the producers
of The Nat King Cole Show
358
00:24:24,831 --> 00:24:28,335
to find a sponsor
willing to underwrite that program.
359
00:24:28,435 --> 00:24:33,006
They did not want to alienate
their Southern constituency.
360
00:24:35,375 --> 00:24:36,843
- You're beautiful.
- You too!
361
00:24:36,943 --> 00:24:38,044
I had fun!
362
00:24:38,145 --> 00:24:42,282
The reality of race relations
had reframed television,
363
00:24:42,382 --> 00:24:46,353
making an otherwise
acceptable image taboo.
364
00:24:47,154 --> 00:24:49,456
Unable to find a national sponsor,
365
00:24:49,556 --> 00:24:53,226
The Nat King Cole Show
ended after one season.
366
00:25:06,773 --> 00:25:09,776
I think it was Sam Goldwyn who once said,
367
00:25:09,876 --> 00:25:12,145
when he was criticized about some of the —
368
00:25:12,245 --> 00:25:16,550
why he didn't do shows
of a more sociological import, he said...
369
00:25:17,651 --> 00:25:20,320
"If I want to send a message,
I'll call Western Union."
370
00:25:21,254 --> 00:25:24,758
Uh, the networks, the sponsors,
371
00:25:24,858 --> 00:25:28,428
they just want to get
good ratings, high ratings.
372
00:25:28,528 --> 00:25:32,666
High ratings — good for NBC
and it sells product.
373
00:25:32,766 --> 00:25:36,703
'Cause ultimately, let's face it,
television is a commercial industry.
374
00:25:36,803 --> 00:25:38,171
The society moves like this
375
00:25:38,271 --> 00:25:40,473
and television moves
a little behind it all the time.
376
00:25:40,574 --> 00:25:44,110
It's never gonna lead it.
It's always gonna follow it.
377
00:25:44,211 --> 00:25:48,014
Because it's a sponsored, uh, medium.
378
00:25:48,114 --> 00:25:50,483
Just out and just wonderful,
379
00:25:50,584 --> 00:25:53,386
the 1957 Chevrolet.
380
00:25:53,486 --> 00:25:56,423
The theory is
when a sponsor advertised a show,
381
00:25:56,523 --> 00:25:59,025
it's to sell the product, period.
382
00:25:59,125 --> 00:26:02,162
He doesn't care what —
You can put a test pattern on.
383
00:26:02,262 --> 00:26:05,298
If a lot of people will watch it,
he'll put his commercials in it.
384
00:26:05,398 --> 00:26:09,069
So that if somebody feels,
385
00:26:09,169 --> 00:26:11,571
by putting a commercial
on a television program
386
00:26:11,671 --> 00:26:13,473
that has some controversy to it —
387
00:26:13,573 --> 00:26:16,142
this is early on in television —
it may affect their product.
388
00:26:16,243 --> 00:26:18,044
They didn't buy anything with controversy.
389
00:26:18,645 --> 00:26:22,082
Broadcasting cannot continue
to live by the numbers.
390
00:26:23,483 --> 00:26:27,053
Ratings ought to be the slave
of the broadcaster, not his master.
391
00:26:27,687 --> 00:26:32,559
You must provide a wider range of choices,
more diversity, more alternatives.
392
00:26:33,593 --> 00:26:38,798
It is not enough
to cater to the nation's whims.
393
00:26:38,898 --> 00:26:42,335
You must also serve the nation's needs.
394
00:26:45,005 --> 00:26:47,140
The networks were predictably slow
395
00:26:47,240 --> 00:26:49,976
to take up this challenge
in television entertainment,
396
00:26:50,076 --> 00:26:52,979
but in the prime time arena
of public affairs,
397
00:26:53,079 --> 00:26:57,117
the civil rights movement
provided a golden opportunity.
398
00:26:57,784 --> 00:27:03,957
♪ Wade in the water ♪
399
00:27:04,891 --> 00:27:11,665
♪ Wade in the water, children ♪
400
00:27:11,765 --> 00:27:15,902
♪ Wade in the water ♪
401
00:27:16,002 --> 00:27:17,570
Precisely in this period,
402
00:27:17,671 --> 00:27:20,073
the images of Black people
dominated the news,
403
00:27:20,173 --> 00:27:24,110
and they were images of,
404
00:27:24,210 --> 00:27:30,116
on the one hand, Black men and women
being tortured and beaten and abused
405
00:27:30,216 --> 00:27:33,186
and whose rights
were being systematically violated.
406
00:27:33,887 --> 00:27:38,658
On the other hand,
there was a certain nobility of spirit,
407
00:27:38,758 --> 00:27:42,329
and no one knew
what to do with Black people
408
00:27:42,429 --> 00:27:46,599
in terms of representing them
in a TV series.
409
00:27:49,502 --> 00:27:52,005
So this afternoon, I have a dream.
410
00:27:52,105 --> 00:27:54,908
It is a dream deeply rooted
in the American dream.
411
00:27:55,008 --> 00:27:56,843
I have a dream that one day...
412
00:27:56,943 --> 00:27:59,813
There was so much possible.
413
00:28:00,980 --> 00:28:05,218
And there was, at the same time,
so much fear and so much violence.
414
00:28:06,052 --> 00:28:09,989
And out of this pressure
that was brought to bear
415
00:28:10,090 --> 00:28:14,461
by the civil rights movement on
the structures of the South particularly,
416
00:28:14,561 --> 00:28:17,364
um, there was the potential for a new day,
417
00:28:17,464 --> 00:28:21,067
and everybody knew it
because it was on television.
418
00:28:21,167 --> 00:28:24,738
♪ Let my people go ♪
419
00:28:24,838 --> 00:28:28,475
♪ Go tell it on the mountain ♪
420
00:28:28,575 --> 00:28:32,312
♪ Over the hills and everywhere ♪
421
00:28:32,412 --> 00:28:35,515
♪ Go tell it on the mountain ♪
422
00:28:35,615 --> 00:28:39,586
♪ To let my people go ♪
423
00:28:39,686 --> 00:28:43,289
♪ Who's that yonder dressed in white ♪
424
00:28:43,390 --> 00:28:46,926
♪ Let my people go ♪
425
00:28:47,026 --> 00:28:50,096
♪ Just like the children
Of the Israelites ♪
426
00:28:50,196 --> 00:28:54,167
♪ Oh, let my people go ♪
427
00:28:54,267 --> 00:28:57,837
♪ Go tell it on the mountain ♪
428
00:28:57,937 --> 00:29:01,508
♪ Over the hills and everywhere ♪
429
00:29:01,608 --> 00:29:04,677
♪ Go tell it on the mountain ♪
430
00:29:04,778 --> 00:29:09,649
♪ To let my people go ♪
431
00:29:09,749 --> 00:29:12,552
That was a turning point,
an important turning point
432
00:29:12,652 --> 00:29:15,522
to mobilize and get
the sympathies of whites
433
00:29:15,622 --> 00:29:17,824
who started to see the brutality,
434
00:29:17,924 --> 00:29:21,761
who started to actually see
the deep resistance
435
00:29:21,861 --> 00:29:26,099
to essentially Black enfranchisement
into the society.
436
00:29:26,199 --> 00:29:29,269
And I think the spillover that it had was
437
00:29:29,369 --> 00:29:33,706
to at least raise the question of absence
438
00:29:33,807 --> 00:29:36,409
of Black representations on television,
439
00:29:36,509 --> 00:29:40,180
or at least raise the question of
to what extent did television
440
00:29:40,280 --> 00:29:43,883
have some responsibility
to try to participate
441
00:29:43,983 --> 00:29:45,752
in this opening up of the society.
442
00:29:51,157 --> 00:29:52,292
Chuck?
443
00:29:54,127 --> 00:29:56,463
Chuck, we've got some new neighbors.
444
00:30:11,211 --> 00:30:14,481
One of the most provocative
series of the early '60s
445
00:30:14,581 --> 00:30:16,716
was East Side/West Side.
446
00:30:16,816 --> 00:30:19,552
Stories were set
in a variety of communities,
447
00:30:19,652 --> 00:30:22,489
each dramatizing not America's dream,
448
00:30:22,589 --> 00:30:24,991
but her nightmare realities.
449
00:30:28,962 --> 00:30:31,531
I told you, there's no jobs!
450
00:30:34,033 --> 00:30:35,034
You hear something?
451
00:30:36,135 --> 00:30:39,038
It's just the baby
crying herself to sleep.
452
00:30:47,914 --> 00:30:50,550
Ruth!
453
00:31:05,398 --> 00:31:07,000
Taxi, stop!
454
00:31:08,601 --> 00:31:11,037
Hey, you! Hey, hey, cab!
455
00:31:11,137 --> 00:31:14,908
Hey, stop, will ya?
Come on, stop, man! Hey!
456
00:31:15,608 --> 00:31:18,745
Hey, cab! Man, will you stop over here?
457
00:31:19,479 --> 00:31:22,682
There were no
neat resolutions in the show,
458
00:31:22,782 --> 00:31:27,220
no happy endings, no sentimental songs
or canned laughter.
459
00:31:27,320 --> 00:31:28,521
What do you mean?
460
00:31:28,621 --> 00:31:31,491
In one episode, the show even challenged
461
00:31:31,591 --> 00:31:35,028
the unspoken assumptions
behind American integration.
462
00:31:35,128 --> 00:31:38,131
Oh, come on, now,
he's a perfectly nice old man, but —
463
00:31:38,231 --> 00:31:41,768
But you wanted a white Negro
and you got a Black one.
464
00:31:41,868 --> 00:31:45,038
The Negroes have a right
to move in under the Constitution.
465
00:31:45,138 --> 00:31:47,807
The only thing is, what kind of a Negro?
466
00:31:47,907 --> 00:31:51,311
I'm telling you,
he isn't the type for this community.
467
00:31:52,245 --> 00:31:54,914
What if he were white? Come on.
468
00:31:56,149 --> 00:31:58,751
A rough, uneducated, decent sort of a guy
who made it the hard way.
469
00:31:58,851 --> 00:32:00,687
A guy who could
never be your particular friend.
470
00:32:00,787 --> 00:32:02,922
Is that any reason
for keeping him out of here?
471
00:32:05,124 --> 00:32:08,227
We have a different yardstick
for measuring a Negro, don't we?
472
00:32:09,896 --> 00:32:11,598
If he went to Harvard...
473
00:32:12,599 --> 00:32:14,100
if he plays golf...
474
00:32:16,102 --> 00:32:19,038
if he looks like a Boston gentleman
and talks like a Philadelphia lawyer,
475
00:32:19,138 --> 00:32:21,240
why, fine, let him be brown.
476
00:32:21,341 --> 00:32:22,709
Only not too brown.
477
00:32:22,809 --> 00:32:24,944
Yeah, your husband believes in equality...
478
00:32:25,845 --> 00:32:27,447
but —
479
00:32:27,547 --> 00:32:29,749
Mr. Adams is the "but."
480
00:32:29,816 --> 00:32:30,917
Neil, I —
481
00:32:30,984 --> 00:32:31,985
No, no.
482
00:32:35,254 --> 00:32:36,756
I'll see you around.
483
00:32:37,857 --> 00:32:41,227
Boldly bucking
prime-time convention,
484
00:32:41,327 --> 00:32:45,832
the show repeatedly undercut
the myth of American progress.
485
00:32:46,866 --> 00:32:50,603
East Side/West Side
was canceled after one season.
486
00:32:55,642 --> 00:33:00,713
Still, prime time was faced with adjusting
to the continuing civil rights struggle.
487
00:33:02,749 --> 00:33:07,020
Could TV entertainment
address Black life in America,
488
00:33:07,120 --> 00:33:10,890
yet still sell success, the good life,
489
00:33:10,990 --> 00:33:12,625
the American dream?
490
00:33:12,725 --> 00:33:14,961
The look of success,
the feel of success,
491
00:33:15,061 --> 00:33:16,896
the power of success.
492
00:33:16,996 --> 00:33:22,635
A luncheon I attended
in which Mr. Roy Wilkins spoke,
493
00:33:22,735 --> 00:33:27,573
and he spoke to a large group
494
00:33:27,674 --> 00:33:29,909
of Hollywood writers
495
00:33:30,009 --> 00:33:33,613
and producers and directors
496
00:33:34,113 --> 00:33:36,182
and made a pitch
497
00:33:36,282 --> 00:33:40,787
for gentler treatment
and more aware treatment
498
00:33:40,887 --> 00:33:42,689
of Blacks in all media.
499
00:33:42,789 --> 00:33:44,824
The end was always to be the inclusion
of the Negro American
500
00:33:44,924 --> 00:33:46,359
without racial discrimination...
501
00:33:46,459 --> 00:33:48,828
And he really
shook up that audience.
502
00:33:48,928 --> 00:33:51,264
...equal in all phases
of American citizenship.
503
00:33:51,364 --> 00:33:56,235
And I left there saying,
"There must be something I can do."
504
00:34:15,455 --> 00:34:21,594
I thought that I really owed
to my Black colleagues
505
00:34:21,694 --> 00:34:24,997
some sort of an apology
for a lot of the things
506
00:34:25,098 --> 00:34:27,667
that we had done on Amos 'n Andy.
507
00:34:27,767 --> 00:34:31,037
Too bad you didn't get back earlier.
You really missed it!
508
00:34:31,137 --> 00:34:33,406
- Missed what?
- Dr. Chegley has finally...
509
00:34:33,506 --> 00:34:38,044
Hal Kanter created
an environment that was new.
510
00:34:38,144 --> 00:34:40,780
So he created this young lady
who was a nurse,
511
00:34:40,880 --> 00:34:44,784
who had a family and an education...
512
00:34:45,618 --> 00:34:48,254
and she lived
in an integrated environment.
513
00:34:50,323 --> 00:34:52,458
- Well, how'd it go?
- It didn't.
514
00:34:52,558 --> 00:34:55,962
I tried, Marie. But with Brenda,
you have to turn her off first.
515
00:34:56,062 --> 00:34:58,698
However, if there's anything you'd like
to know about flamenco...
516
00:34:58,798 --> 00:35:00,700
...just ask.
517
00:35:00,800 --> 00:35:05,438
She didn't present a picture
of being either overly grateful
518
00:35:05,538 --> 00:35:08,574
or overly subservient.
519
00:35:08,674 --> 00:35:10,209
She felt she belonged there.
520
00:35:10,309 --> 00:35:12,945
We'll just have to figure out
some way for me to tell her.
521
00:35:13,045 --> 00:35:16,516
It felt like a step above
522
00:35:16,616 --> 00:35:20,920
the, uh, grinnin' domestic...
523
00:35:23,189 --> 00:35:27,426
who had to be very stout,
524
00:35:27,493 --> 00:35:29,495
very dark,
525
00:35:29,595 --> 00:35:32,431
preferably with large eyes
526
00:35:32,532 --> 00:35:34,734
and a wide grin.
527
00:35:38,171 --> 00:35:40,106
And I guess we were...
528
00:35:42,742 --> 00:35:47,013
tired of being so inundated
with that imagery
529
00:35:47,113 --> 00:35:50,917
that we accepted Julia...
530
00:35:51,918 --> 00:35:54,187
as a breath of fresh air.
531
00:35:55,254 --> 00:36:00,092
I think that we were
very one-dimensional in many areas.
532
00:36:00,193 --> 00:36:02,695
She was —
Listen, she was the perfect mother.
533
00:36:02,795 --> 00:36:04,964
- Did you brush your teeth?
- Yes, ma'am.
534
00:36:05,064 --> 00:36:08,935
Good. Brushing your teeth
wakes up your mouth.
535
00:36:09,035 --> 00:36:12,572
- And now you can eat breakfast.
- Mama, why are...
536
00:36:12,672 --> 00:36:16,409
What we had to do, I think, was to...
537
00:36:18,377 --> 00:36:23,783
find a kind of acceptable area
538
00:36:23,883 --> 00:36:25,551
that broke down some barriers
539
00:36:25,651 --> 00:36:28,120
and then we were able
to move on from there.
540
00:36:28,187 --> 00:36:29,722
- Hi!
- Hi.
541
00:36:49,175 --> 00:36:51,577
"Man who hath no music in himself..."
542
00:36:51,677 --> 00:36:55,481
"...is fit for treasons,
stratagems, and spoils."
543
00:36:57,850 --> 00:36:58,951
Greetings.
544
00:37:02,755 --> 00:37:04,457
That's your assignment.
545
00:37:05,358 --> 00:37:06,359
That man.
546
00:37:22,608 --> 00:37:25,778
We all watched I Spy.
I was 15 at the time.
547
00:37:25,878 --> 00:37:28,681
I couldn't wait to watch it.
He was my hero.
548
00:37:28,781 --> 00:37:33,185
He was a Rhodes scholar.
He was so articulate.
549
00:37:33,286 --> 00:37:34,954
I mean, so much more articulate
550
00:37:35,054 --> 00:37:38,357
than his sidekick, Robert Culp.
551
00:37:39,025 --> 00:37:41,027
Race was not a factor. These were two men.
552
00:37:41,127 --> 00:37:43,429
There was male bonding occurring there,
553
00:37:43,529 --> 00:37:46,399
loyalty, friendship, love between the two.
554
00:37:47,066 --> 00:37:50,469
And it had nothing to do with whether
one was Black or the other was white.
555
00:37:50,569 --> 00:37:52,438
Listen, we've been through a lot together.
556
00:37:52,538 --> 00:37:54,273
- Haven't we?
- I guess.
557
00:37:54,373 --> 00:37:57,343
I pulled you out of a lot
of close shaves, haven't I?
558
00:37:57,410 --> 00:37:58,811
Yeah.
559
00:37:58,911 --> 00:38:02,281
Well, I know you'd do the same thing
for me if I needed it, wouldn't ya?
560
00:38:02,381 --> 00:38:05,518
I would hold white hot steel
in my hand to save you.
561
00:38:05,618 --> 00:38:07,119
Are you kidding?
562
00:38:07,219 --> 00:38:10,523
Cosby's acceptance
was immediate and overwhelming,
563
00:38:11,290 --> 00:38:15,161
and this encouraged the medium,
the television medium, to say,
564
00:38:15,261 --> 00:38:17,229
"Hey, look what we discovered.
565
00:38:17,330 --> 00:38:21,434
Black people are not only acceptable,
but they're good box office.
566
00:38:21,534 --> 00:38:23,169
People like to watch 'em."
567
00:38:23,269 --> 00:38:26,906
Look, Kelly, you did what you could.
568
00:38:27,006 --> 00:38:29,608
- You phoned it into the police.
- Yeah.
569
00:38:29,709 --> 00:38:33,512
There's nothing else you could do.
Nothing.
570
00:38:34,380 --> 00:38:37,917
Alexander Scott, from I Spy,
and Julia were designed
571
00:38:38,017 --> 00:38:42,355
to overcome the received images
of Black people
572
00:38:42,455 --> 00:38:44,657
from all forms of media,
573
00:38:44,757 --> 00:38:46,759
whether it was minstrelsy and vaudeville,
574
00:38:46,859 --> 00:38:50,363
or whether it was television's
own early history itself.
575
00:38:54,767 --> 00:38:57,236
Hey! Whoo!
576
00:38:57,336 --> 00:38:58,604
Hey! Stop it!
577
00:39:03,209 --> 00:39:05,177
- Who's taking me today, you or Hannah?
- Me!
578
00:39:05,277 --> 00:39:08,381
These were fully assimilable
Black people.
579
00:39:08,481 --> 00:39:11,217
These were people who could
move into your neighborhood
580
00:39:11,317 --> 00:39:12,818
and not disturb you at all.
581
00:39:24,263 --> 00:39:26,665
- Thank you, Mrs. Waggedorn.
- Sure.
582
00:39:26,766 --> 00:39:28,667
I'll come back and get Corey...
583
00:39:28,768 --> 00:39:30,970
- That's your mother?
- Yeah.
584
00:39:31,070 --> 00:39:33,105
- You're what?
- Black.
585
00:39:33,205 --> 00:39:34,540
Your mother's colored.
586
00:39:34,640 --> 00:39:36,475
Of course. I'm colored too.
587
00:39:36,542 --> 00:39:37,643
You are?
588
00:39:37,743 --> 00:39:40,012
- Yeah!
- Oh, boy!
589
00:39:46,052 --> 00:39:48,487
The political climate of the 1960s
590
00:39:48,587 --> 00:39:52,191
sort of forbade liberal-thinking producers
591
00:39:52,291 --> 00:39:55,027
from putting any other kind of image
on television,
592
00:39:55,127 --> 00:39:58,864
and part of their mission,
if they perceived it as such,
593
00:39:58,964 --> 00:40:01,434
to amplify the civil rights movement
594
00:40:01,534 --> 00:40:04,437
rested in telling America
595
00:40:04,537 --> 00:40:07,940
that Black people were just like
white Americans,
596
00:40:08,040 --> 00:40:09,408
um, if not better.
597
00:40:09,508 --> 00:40:12,144
You should be proud to have
an Einstein in the family.
598
00:40:12,244 --> 00:40:17,016
I don't need a seven-year-old prodigy.
I want a normal child.
599
00:40:17,116 --> 00:40:18,717
But if I don't do something fast,
600
00:40:18,818 --> 00:40:21,921
Corey's going to wind up either
in the institute for advanced study
601
00:40:22,021 --> 00:40:23,355
or the funny kindergarten.
602
00:40:29,028 --> 00:40:31,230
You almost have
to over-endow the character
603
00:40:31,330 --> 00:40:35,334
with attributes that comfort
white, middle-class sensibilities
604
00:40:35,434 --> 00:40:37,903
and strip him or her of anything else,
605
00:40:38,003 --> 00:40:41,440
so that the sense of the white Negro
606
00:40:41,540 --> 00:40:44,110
becomes what it takes
to make them acceptable.
607
00:40:47,613 --> 00:40:50,716
In the Black community,
it caused a great deal of anger
608
00:40:50,816 --> 00:40:54,720
that said, "She's a sellout.
She's an Oreo cookie.
609
00:40:54,820 --> 00:40:57,790
Why doesn't this show represent the street
610
00:40:57,890 --> 00:41:01,393
where I spend my life, I spend my time?
611
00:41:01,494 --> 00:41:03,529
I don't wanna have to think about a woman
612
00:41:03,629 --> 00:41:05,998
that has pushed herself
into the middle class."
613
00:41:06,098 --> 00:41:07,766
We're all so proud of you!
614
00:41:07,867 --> 00:41:10,669
The controversy around Julia
was typical of Black shows,
615
00:41:10,769 --> 00:41:13,739
not just in the '60s,
but before and since.
616
00:41:13,839 --> 00:41:17,409
Because prime-time images
of us were so rare,
617
00:41:17,510 --> 00:41:20,479
each image became precious,
618
00:41:20,579 --> 00:41:24,683
involuntarily bore the burden
of representing the race.
619
00:41:26,285 --> 00:41:29,455
But since such images
were typically one-dimensional,
620
00:41:29,555 --> 00:41:31,090
like most of television,
621
00:41:31,190 --> 00:41:34,293
they often came under attack,
despite high ratings,
622
00:41:34,393 --> 00:41:37,029
for what they failed to reflect.
623
00:41:37,129 --> 00:41:38,797
Anybody who thinks they can intimidate...
624
00:41:38,898 --> 00:41:41,400
And so where Amos 'n Andy
was faulted for featuring
625
00:41:41,500 --> 00:41:44,003
bumbling Black men in a segregated world...
626
00:41:44,103 --> 00:41:46,438
Uh, don't get excited, Andy.
627
00:41:46,539 --> 00:41:48,874
This is Miss Yarby and Dr. Chegley.
628
00:41:48,974 --> 00:41:51,410
...Julia was rebuked for much the opposite —
629
00:41:51,510 --> 00:41:54,980
an integrated world
with a successful Black family,
630
00:41:55,080 --> 00:41:56,615
minus Black men.
631
00:41:56,715 --> 00:42:00,419
The father had been conveniently killed
in military duty.
632
00:42:00,519 --> 00:42:05,824
A Black family severed from
African American culture and society.
633
00:42:05,925 --> 00:42:09,461
Tonight, I think all of us
have everything we —
634
00:42:11,063 --> 00:42:13,232
We interrupt this program.
635
00:42:15,000 --> 00:42:16,902
The worst race riot since Watts
erupted today.
636
00:42:17,002 --> 00:42:18,837
... more than two dozen fires...
637
00:42:18,938 --> 00:42:21,874
A massive show of force
by Miami police forces...
638
00:42:21,974 --> 00:42:25,211
In Mississippi, two more
Black students were shot and killed...
639
00:42:25,311 --> 00:42:28,047
- ... 200 arrested...
- ... shot and killed.
640
00:42:28,147 --> 00:42:30,683
It's almost as if there
were two Black Americas.
641
00:42:30,783 --> 00:42:32,985
There was the Black America
that you saw on the news,
642
00:42:33,085 --> 00:42:37,256
which confronted racial issues head on.
643
00:42:37,356 --> 00:42:38,757
Can we get a doctor?
644
00:42:40,492 --> 00:42:42,795
And then there was
the Black America that you saw
645
00:42:42,895 --> 00:42:45,965
the rest of the evening
on prime-time television,
646
00:42:46,065 --> 00:42:49,935
where racial hostility
was virtually absent,
647
00:42:50,035 --> 00:42:53,405
where harmony dictated the neighborhood,
648
00:42:53,505 --> 00:42:55,741
where there were no signs
649
00:42:55,841 --> 00:42:58,310
of any kinds of struggles
with segregation.
650
00:42:58,410 --> 00:43:00,379
Arrests continue...
651
00:43:00,479 --> 00:43:04,316
So you get on screen
this idealized view
652
00:43:04,416 --> 00:43:06,819
of how Blacks and whites work together
653
00:43:06,919 --> 00:43:12,791
that most people knew
were inaccurately depicting the reality.
654
00:43:20,599 --> 00:43:23,002
What I said at the time
655
00:43:23,102 --> 00:43:25,671
was that the audience
656
00:43:25,771 --> 00:43:28,073
gets enough of the confrontation
657
00:43:28,173 --> 00:43:30,576
and the incendiary actions
658
00:43:30,676 --> 00:43:33,812
of people in the ghettos
659
00:43:33,912 --> 00:43:36,448
and people in Watts, for instance.
660
00:43:36,548 --> 00:43:39,918
Uh, they see enough of that on the news.
661
00:43:40,019 --> 00:43:42,221
They read enough of that in the newspaper.
662
00:43:42,321 --> 00:43:47,226
When they turn on television
to have a half an hour of pleasantry,
663
00:43:47,326 --> 00:43:48,894
let's ignore all of that.
664
00:43:55,467 --> 00:44:00,606
In those days, our mandate
was to amuse an audience,
665
00:44:00,706 --> 00:44:02,241
not to excite them,
666
00:44:02,341 --> 00:44:04,843
and I stuck to that mandate
667
00:44:04,943 --> 00:44:08,814
to try and amuse as many people
as I possibly could.
668
00:44:12,718 --> 00:44:16,221
The point is that there is
this universe of experience
669
00:44:16,322 --> 00:44:17,956
that is held up as the norm,
670
00:44:18,057 --> 00:44:20,759
and once people enter it,
including whites,
671
00:44:20,859 --> 00:44:25,130
then everybody has to sort of work hard
to participate in that universe.
672
00:44:25,230 --> 00:44:27,766
America's favorite family, the Nelsons...
673
00:44:27,866 --> 00:44:30,469
The entertainment function
of television is predicated
674
00:44:30,569 --> 00:44:33,105
on the assumption that this world
675
00:44:33,205 --> 00:44:36,275
is a comforting world
that we all aspire to —
676
00:44:36,375 --> 00:44:40,079
Black, white, Latino,
Chinese, Japanese, it doesn't matter.
677
00:44:43,248 --> 00:44:46,618
That's where I think
television's ideological function,
678
00:44:46,719 --> 00:44:48,454
to use that language,
679
00:44:48,554 --> 00:44:50,789
really starts to show up.
680
00:44:50,889 --> 00:44:54,927
But it's hidden behind this notion that
television is only there to entertain.
681
00:44:55,027 --> 00:44:57,396
Well, in its entertainment,
what it's doing
682
00:44:57,496 --> 00:45:01,100
is reinforcing, legitimating, normalizing
683
00:45:01,200 --> 00:45:02,735
that particular universe.
684
00:45:09,775 --> 00:45:11,276
By the late '60s,
685
00:45:11,377 --> 00:45:14,213
the myth of America
as one big happy family
686
00:45:14,313 --> 00:45:15,948
was under concerted assault.
687
00:45:16,048 --> 00:45:19,418
♪ All we are saying... ♪
688
00:45:25,991 --> 00:45:29,061
Power to the people!
689
00:45:29,161 --> 00:45:32,631
- What was that you said?
- Said "Power to the people!"
690
00:45:32,731 --> 00:45:34,566
- Soul power!
- Soul power!
691
00:45:34,666 --> 00:45:35,634
Soul power!
692
00:45:35,734 --> 00:45:38,036
Soul power! Soul power! Soul power!
693
00:45:38,137 --> 00:45:42,141
No longer must we
be ashamed of being Black.
694
00:45:42,241 --> 00:45:44,109
No! Tell it!
695
00:45:44,209 --> 00:45:45,778
Black is beautiful!
696
00:45:47,012 --> 00:45:50,315
The only politics in this country
that's relevant to Black people today
697
00:45:50,416 --> 00:45:53,719
is the politics of revolution, none other!
698
00:45:58,090 --> 00:45:59,825
Hell no, we won't go!
699
00:45:59,925 --> 00:46:03,028
This is a nation of laws
and we're going to enforce the laws!
700
00:46:18,811 --> 00:46:20,946
Senator Kennedy has been shot.
701
00:46:22,714 --> 00:46:25,083
Oh, hi, honey. How was your day?
702
00:46:25,184 --> 00:46:27,786
Hi, Marie. Diapers again?
703
00:46:39,798 --> 00:46:41,633
I was in World War II, fella,
704
00:46:41,733 --> 00:46:43,836
and I served for years,
I know what it's about!
705
00:46:43,936 --> 00:46:45,637
Listen to me! It's in the Bill of Rights!
706
00:46:45,737 --> 00:46:48,307
- From the mountains, to the prairies...
- Why do you think we broke away
707
00:46:48,407 --> 00:46:49,641
from England to begin with, huh?
708
00:46:49,741 --> 00:46:52,110
- Because we demanded freedom!
- ...to the oceans white with foam!
709
00:46:52,211 --> 00:46:55,047
Because I have a son
that's gonna go into the army!
710
00:46:55,147 --> 00:46:59,751
- You don't listen to reason!
- God bless America, you dumb Polack!
711
00:46:59,852 --> 00:47:04,289
They got the nerve to walk around here
with peace flowers on —
712
00:47:04,389 --> 00:47:05,791
Not anymore! I'm leaving!
713
00:47:05,891 --> 00:47:07,826
- ♪ God bless ♪
- You're prejudiced!
714
00:47:07,893 --> 00:47:09,528
♪ America ♪
715
00:47:09,628 --> 00:47:11,129
- Archie!
- Get away from me.
716
00:47:11,230 --> 00:47:13,799
♪ My home ♪
717
00:47:13,866 --> 00:47:15,701
♪ Sweet ♪
718
00:47:15,767 --> 00:47:18,203
♪ Home ♪
719
00:47:21,974 --> 00:47:26,345
All in the Family
absolutely blew the lid off
720
00:47:26,445 --> 00:47:29,414
of these conventions of families,
721
00:47:29,515 --> 00:47:31,917
like the ones you would see
on The Donna Reed Show
722
00:47:32,017 --> 00:47:35,888
or The Brady Bunch or Father Knows Best.
723
00:47:35,988 --> 00:47:38,490
You'd never hear
those white male head of households
724
00:47:38,590 --> 00:47:40,926
say anything disparaging
about Black people,
725
00:47:41,026 --> 00:47:42,794
but you certainly heard it
from Archie Bunker.
726
00:47:42,895 --> 00:47:44,563
Now, listen, little girl.
727
00:47:44,663 --> 00:47:46,598
I've been around a lot of places.
I've done a lot of things.
728
00:47:46,698 --> 00:47:48,600
But there's one thing Archie Bunker
ain't never gonna do
729
00:47:48,700 --> 00:47:50,869
and that's break bread
with no jungle bunnies.
730
00:47:52,905 --> 00:47:57,809
When I started All in the Family,
one of the early accusations was,
731
00:47:57,910 --> 00:48:00,279
"What is this guy doing sending messages?"
732
00:48:00,379 --> 00:48:04,483
Or, "How dare he talk about these subjects
733
00:48:04,583 --> 00:48:08,086
or address these subjects?"
734
00:48:08,186 --> 00:48:12,824
Uh, and I remember very early thinking,
735
00:48:12,925 --> 00:48:15,460
"My God, they're talking
about sending messages."
736
00:48:15,561 --> 00:48:19,965
What was the message
in all of the television shows,
737
00:48:20,065 --> 00:48:23,502
especially the situation comedies
of the '60s?
738
00:48:23,602 --> 00:48:26,605
The message was louder and clearer
than anything I could do.
739
00:48:26,705 --> 00:48:30,943
It was, there were no race problems
in America.
740
00:48:31,043 --> 00:48:32,644
There was no Vietnam.
741
00:48:32,744 --> 00:48:35,881
So I thought,
"Well, we're not saying that much at all."
742
00:48:35,981 --> 00:48:38,317
You're the one that needs
an American history lesson.
743
00:48:38,417 --> 00:48:40,352
You don't know nothing about Lady Liberty,
744
00:48:40,452 --> 00:48:43,155
standing there in the harbor
with her torch held high,
745
00:48:43,255 --> 00:48:45,290
screaming out
to all the nations in the world,
746
00:48:45,390 --> 00:48:47,993
"Send me your poor,
your deadbeats, your filthy."
747
00:48:50,028 --> 00:48:51,830
And all the nations sent them in here.
748
00:48:51,930 --> 00:48:53,966
They'd come swarming in like ants —
749
00:48:54,066 --> 00:48:58,070
your Spanish PRs
from the Cariboo in there,
750
00:48:58,170 --> 00:49:01,306
your Japs, your Chinamen,
your Krauts and your Hebes
751
00:49:01,406 --> 00:49:03,208
and your English fags!
752
00:49:04,443 --> 00:49:07,646
All of 'em come in here
and they're all free to live
753
00:49:07,746 --> 00:49:09,648
in their own separate sections...
754
00:49:11,583 --> 00:49:13,085
...where they feel safe.
755
00:49:13,185 --> 00:49:15,854
And they'll bust your head
if you go in there.
756
00:49:15,954 --> 00:49:18,790
That's what makes America great, buddy!
757
00:49:18,890 --> 00:49:21,460
I think that Norman Lear's programming
758
00:49:21,560 --> 00:49:26,031
represented the first steps
towards reality
759
00:49:26,131 --> 00:49:28,934
in depicting American households,
760
00:49:29,034 --> 00:49:31,269
and I think it's because the public
761
00:49:31,370 --> 00:49:34,106
was growing intolerant across the board
762
00:49:34,206 --> 00:49:37,142
of these perfect families they were seeing
on prime-time television.
763
00:49:41,780 --> 00:49:43,682
Throughout television's history,
764
00:49:43,782 --> 00:49:48,720
the prime-time family had been
a sanctuary against social crisis.
765
00:49:48,820 --> 00:49:51,289
Lear readjusted this picture.
766
00:49:51,390 --> 00:49:56,695
The TV family, as in real life,
became a political battleground.
767
00:49:59,765 --> 00:50:02,401
Cincinnati busing leaders
were onstage with the governor...
768
00:50:02,501 --> 00:50:04,803
Bikers across the city
are organizing a mass...
769
00:50:04,903 --> 00:50:06,738
... 400 extra policemen tomorrow...
770
00:50:06,838 --> 00:50:09,174
The president says he, too,
is opposed to forced busing.
771
00:50:09,274 --> 00:50:11,143
♪ My home sweet home ♪
772
00:50:19,284 --> 00:50:22,287
Our world is coming crumbling down.
773
00:50:22,387 --> 00:50:24,790
The coons are coming!
774
00:50:30,762 --> 00:50:32,464
Well, let's see how wonderful it is
775
00:50:32,564 --> 00:50:35,267
when the watermelon rinds
come flying out the window!
776
00:50:37,636 --> 00:50:41,673
My father was as racist
as Archie Bunker, in his own way,
777
00:50:41,773 --> 00:50:45,077
and I used to fight with him all the time,
778
00:50:45,177 --> 00:50:48,180
and I never thought anybody in America
would have a problem
779
00:50:48,280 --> 00:50:50,315
with the kind of thing
they lived with all the time.
780
00:50:50,415 --> 00:50:54,352
I think that if God had meant us to be
together, he'd have put us together.
781
00:50:54,453 --> 00:50:56,955
But look what he done.
He put you over in Africa.
782
00:50:57,055 --> 00:50:59,291
He put the rest of us
in all the white countries.
783
00:51:05,864 --> 00:51:07,866
Well, you must have told him
where we were,
784
00:51:07,966 --> 00:51:09,868
'cause somebody came and got us.
785
00:51:13,538 --> 00:51:18,477
Ironically, this show broke
one mold while reinforcing another.
786
00:51:18,577 --> 00:51:22,581
Though social change and conflict
were now shown to affect family life,
787
00:51:22,681 --> 00:51:25,984
through it all,
family bonds remained intact.
788
00:51:26,084 --> 00:51:29,521
With love, flexibility,
and not least humor,
789
00:51:29,621 --> 00:51:31,757
our troubles could be contained,
790
00:51:31,857 --> 00:51:35,327
even resolved, all in the family.
791
00:51:35,927 --> 00:51:37,062
♪ Good Times ♪
792
00:51:37,162 --> 00:51:39,231
♪ Any time you need a payment ♪
793
00:51:39,331 --> 00:51:40,365
♪ Good Times ♪
794
00:51:40,465 --> 00:51:42,634
♪ Any time you need a friend ♪
795
00:51:42,734 --> 00:51:43,769
♪ Good Times ♪
796
00:51:43,869 --> 00:51:45,904
♪ Any time you're out from under ♪
797
00:51:46,004 --> 00:51:50,175
When Good Times debuted,
I was happy to do it.
798
00:51:50,275 --> 00:51:52,210
♪ Keepin' your head above water ♪
799
00:51:52,310 --> 00:51:56,681
Because I had long wished
to redeem the image
800
00:51:57,716 --> 00:52:00,552
of the domestic worker.
801
00:52:00,652 --> 00:52:02,154
♪ Good Times ♪
802
00:52:02,254 --> 00:52:04,389
♪ Scratchin' and survivin' ♪
803
00:52:04,489 --> 00:52:08,693
♪ Good Times ♪
804
00:52:08,760 --> 00:52:10,829
♪ Yeah ♪
805
00:52:11,930 --> 00:52:13,431
I...
806
00:52:15,500 --> 00:52:18,737
looked at the first script.
807
00:52:18,837 --> 00:52:21,973
I said, "Where is these children's father?
Where's my husband?
808
00:52:23,141 --> 00:52:24,876
There is none."
809
00:52:25,977 --> 00:52:27,679
"Oh, no, it wasn't written for that.
810
00:52:27,779 --> 00:52:30,115
It was written for you
and your three children."
811
00:52:30,215 --> 00:52:33,318
I said, "Then you find
the actress who can do it.
812
00:52:33,418 --> 00:52:36,855
I'm sure there are some
who can do it. I can't."
813
00:52:36,955 --> 00:52:42,727
Because I insisted, I got a husband.
814
00:52:43,261 --> 00:52:47,032
James, how long we been married?
815
00:52:47,132 --> 00:52:50,135
- Getting on towards 21 years now.
- That's right.
816
00:52:50,235 --> 00:52:53,805
And we had a lot of arguments
in them 21 years, right?
817
00:52:53,905 --> 00:52:55,774
Yeah, we're having
a pretty good one right now.
818
00:52:55,874 --> 00:52:57,609
Yeah.
819
00:52:57,709 --> 00:53:00,011
Good Times
was the first prime-time series
820
00:53:00,111 --> 00:53:03,882
to feature a Black family
with both mother and father.
821
00:53:03,982 --> 00:53:07,552
In contrast to
the integrationist shows of the '60s,
822
00:53:07,652 --> 00:53:11,489
Good Times was set in the heart
of Chicago's Black South Side community.
823
00:53:11,590 --> 00:53:13,258
I mean, we are poor.
824
00:53:13,358 --> 00:53:16,294
If you was to make a list of
all the things that people want to be,
825
00:53:16,394 --> 00:53:18,563
"poor" would be right down
at the bottom of the list,
826
00:53:18,663 --> 00:53:20,365
just above sick and dead!
827
00:53:24,870 --> 00:53:27,606
I think with Good Times,
you get the attempt
828
00:53:27,706 --> 00:53:30,075
to basically replicate
what you have in All in the Family,
829
00:53:30,175 --> 00:53:33,912
but make it more relevant
to what was going on
830
00:53:34,012 --> 00:53:35,680
in Black communities across the country.
831
00:53:35,780 --> 00:53:38,283
♪ Living just enough ♪
832
00:53:38,383 --> 00:53:40,518
♪ Just enough ♪
833
00:53:40,619 --> 00:53:45,290
♪ For the city ♪
834
00:53:45,390 --> 00:53:47,559
Unemployment figures were released today.
835
00:53:47,659 --> 00:53:49,694
More than seven million Americans
remain out of work.
836
00:53:49,794 --> 00:53:52,530
Blacks and inner-city
residents are bearing the brunt...
837
00:53:52,631 --> 00:53:54,599
The president has vetoed legislation
838
00:53:54,699 --> 00:53:56,134
authorizing over $50 million...
839
00:53:56,234 --> 00:53:59,838
Another steep rise in
Black unemployment. Among young Blacks...
840
00:53:59,938 --> 00:54:03,108
- How much money we got in that shoe box?
- About $32.
841
00:54:03,875 --> 00:54:06,344
That's about some $72 short.
842
00:54:06,444 --> 00:54:08,346
I got a hundred ways I can get $70.
843
00:54:08,446 --> 00:54:10,982
And I got a hundred ways
to warm your butt if you do!
844
00:54:13,018 --> 00:54:15,186
I don't want you stealing, James Jr.
845
00:54:15,287 --> 00:54:19,791
I wouldn't do that, Mama.
I may just find $70.
846
00:54:19,891 --> 00:54:23,828
Yeah, but I don't want you finding it
before it gets lost.
847
00:54:25,263 --> 00:54:26,932
I hope I'm coming through to you, boy.
848
00:54:27,032 --> 00:54:30,068
Mama, "boy" is a white, racist word!
849
00:54:30,168 --> 00:54:32,270
Michael, this ain't no time to be Black.
850
00:54:34,039 --> 00:54:35,206
Mama...
851
00:54:35,307 --> 00:54:37,776
Good Times represented
the greatest potential
852
00:54:37,876 --> 00:54:40,045
and also, in my opinion,
the greatest failure.
853
00:54:40,145 --> 00:54:43,415
It had the greatest potential
because it was an inner-city family
854
00:54:43,515 --> 00:54:45,717
that was nuclear, that was solid.
855
00:54:45,817 --> 00:54:47,519
What is it, another eviction notice?
856
00:54:47,619 --> 00:54:50,355
Well, it ain't no valentine card.
857
00:54:50,455 --> 00:54:53,358
Oh, baby, we got two of those
while you was in the hospital.
858
00:54:53,458 --> 00:54:55,527
But my friend Monte,
who works down at the projects,
859
00:54:55,627 --> 00:54:56,995
he said, "Don't worry about it."
860
00:54:57,095 --> 00:54:58,730
That's the same Monte that said,
861
00:54:58,830 --> 00:55:01,199
"Nixon was gonna be
poor folks' best friend."
862
00:55:02,400 --> 00:55:03,835
Oh, James, I'm so sorry.
863
00:55:03,935 --> 00:55:06,404
They would talk about real-world issues
864
00:55:06,504 --> 00:55:10,742
and how an actual Black family
deals with those real-world issues
865
00:55:10,842 --> 00:55:13,678
of racism and economic discrimination.
866
00:55:13,778 --> 00:55:14,779
But what happened?
867
00:55:14,846 --> 00:55:16,348
Dynamite!
868
00:55:19,517 --> 00:55:21,619
They elevated J.J.'s role,
869
00:55:21,720 --> 00:55:25,357
which had been one of amusing
and sometimes sophisticated comedy,
870
00:55:25,457 --> 00:55:27,459
to that of a buffoon.
871
00:55:32,797 --> 00:55:35,000
His humor was tied
872
00:55:35,100 --> 00:55:39,971
to a long tradition
of the kind of minstrel character.
873
00:55:52,283 --> 00:55:55,153
J.J.'s function in it
was essentially to deflate,
874
00:55:55,253 --> 00:55:58,823
to let off a lot of the buildup
875
00:55:58,923 --> 00:56:03,595
in the particular issues
that the show tried to address.
876
00:56:03,695 --> 00:56:05,363
I mean, I thought it was a very—
877
00:56:05,463 --> 00:56:09,667
in retrospect, particularly,
a very clever use of a character
878
00:56:09,768 --> 00:56:14,706
to rob the show of the kind
of political bite that it might have.
879
00:56:14,806 --> 00:56:17,742
No! Oh-oh-oh!
880
00:56:17,842 --> 00:56:19,344
By the mid '70s,
881
00:56:19,444 --> 00:56:23,048
so-called "ghetto sitcoms"
populated prime time,
882
00:56:23,148 --> 00:56:24,382
eagerly watched by us all.
883
00:56:24,482 --> 00:56:26,918
Ticket! How about
that lucky number for today?
884
00:56:31,056 --> 00:56:34,059
Ooh-wee!
885
00:56:34,159 --> 00:56:37,862
If it was what it was,
886
00:56:37,962 --> 00:56:40,231
then it was at the Y!
887
00:56:41,266 --> 00:56:45,336
On the one hand,
many of us applauded these TV programs
888
00:56:45,437 --> 00:56:48,807
because at last,
the "reality" of the Black experience —
889
00:56:48,907 --> 00:56:51,609
that is, inner-city life —
was being represented.
890
00:56:51,709 --> 00:56:54,646
On the other hand,
these programs were problematic
891
00:56:54,746 --> 00:56:58,450
because they represented
the hellholes of the ghetto
892
00:56:58,550 --> 00:57:01,486
as places where human beings
could survive.
893
00:57:01,586 --> 00:57:03,721
Ha-ha! Dyn-o-mite!
894
00:57:04,656 --> 00:57:09,060
Any of the impetus
for changing the American society
895
00:57:09,160 --> 00:57:13,565
that could have come from showing
these real-world situations
896
00:57:13,665 --> 00:57:17,969
as abominable and unacceptable
and intolerable
897
00:57:18,069 --> 00:57:19,237
was completely lost.
898
00:57:19,337 --> 00:57:21,239
I wish they were long enough
to cover up my eyes
899
00:57:21,339 --> 00:57:23,274
so I wouldn't have to look
at your ugly face!
900
00:57:23,374 --> 00:57:25,643
Why, you old heathen you!
901
00:57:26,678 --> 00:57:28,847
Ow!
902
00:57:28,947 --> 00:57:31,382
I don't think there's any question
903
00:57:31,483 --> 00:57:35,753
that white America
is uncomfortable with victimization
904
00:57:35,854 --> 00:57:38,423
or however you wanna term
the Black experience.
905
00:57:38,523 --> 00:57:41,893
That which makes you feel guilty,
makes you uncomfortable.
906
00:57:41,993 --> 00:57:45,630
Could prime time
break the mold of comedy
907
00:57:45,730 --> 00:57:48,433
and still comfort white America?
908
00:57:48,533 --> 00:57:50,969
By what formula, what alchemy,
909
00:57:51,069 --> 00:57:55,874
could television transform
racial oppression and racial guilt
910
00:57:55,974 --> 00:57:59,077
into a drama of the American dream?
911
00:58:13,691 --> 00:58:17,428
I felt that Roots
didn't sound like a good idea
912
00:58:17,529 --> 00:58:20,865
with 90% of the country white,
10% of the country Black.
913
00:58:20,965 --> 00:58:23,668
I'm gonna do a 12-hour show
where the whites are the villains
914
00:58:23,768 --> 00:58:25,136
and the Blacks are the heroes.
915
00:58:25,236 --> 00:58:28,039
Does not sound like a very good idea
when you first say it.
916
00:58:28,907 --> 00:58:30,842
But the thing that attracted me
917
00:58:30,942 --> 00:58:34,579
was it showed two things.
918
00:58:34,679 --> 00:58:37,682
Number one,
it showed the power of an underdog
919
00:58:37,782 --> 00:58:40,652
overcoming enormous odds to succeed.
920
00:58:40,752 --> 00:58:43,121
Number two, it showed the power of family.
921
00:58:44,923 --> 00:58:48,793
I know that whites are going to be
very uncomfortable seeing this program.
922
00:58:48,893 --> 00:58:50,995
Look at this baby.
923
00:58:51,095 --> 00:58:54,899
I said I'm gonna have to cast
my Blacks... actors
924
00:58:54,999 --> 00:58:59,204
as comfortable as I can
for the audience watching.
925
00:58:59,304 --> 00:59:02,373
I did not want to scare away
my white audience
926
00:59:02,473 --> 00:59:04,542
before they got to see the program.
927
00:59:04,642 --> 00:59:07,145
I wanted to get them in to see the show.
928
00:59:07,245 --> 00:59:09,414
And if they thought
they were gonna see a show
929
00:59:09,514 --> 00:59:12,083
where they were going to be, um,
930
00:59:12,183 --> 00:59:14,152
overpowered by the actor —
931
00:59:14,252 --> 00:59:18,389
you know, overpowering them
in some social message —
932
00:59:18,489 --> 00:59:20,325
they may not watch the show.
933
00:59:20,425 --> 00:59:22,894
Never had so many white viewers
934
00:59:22,994 --> 00:59:25,997
watched anything Black
in the history of television.
935
00:59:26,097 --> 00:59:27,599
That was amazing.
936
00:59:28,266 --> 00:59:32,503
Oh, God, no. No, massa.
You can't sell Kizzy too!
937
00:59:32,604 --> 00:59:35,540
No, massa, not my baby. Not my child!
938
00:59:35,640 --> 00:59:39,244
Oh, massa, no! Not my child, not my baby!
939
00:59:40,211 --> 00:59:42,146
- Massa. Massa.
- Bell.
940
00:59:42,247 --> 00:59:44,749
Massa, beat her.
Do anything you want to her!
941
00:59:44,849 --> 00:59:48,987
Anything, massa.
Tear the skin off her worthless hide!
942
00:59:49,087 --> 00:59:51,189
She a awful nigger
to do such a thing, massa!
943
00:59:51,289 --> 00:59:56,194
Please, massa,
in the name of Jesus, have mercy!
944
00:59:56,294 --> 00:59:59,497
Me and Toby, we give you our lives, massa.
945
00:59:59,564 --> 01:00:00,798
Massa —
946
01:00:02,867 --> 01:00:04,435
Forty years, massa!
947
01:00:04,535 --> 01:00:06,204
Forty years I served you.
948
01:00:06,304 --> 01:00:08,973
- Don't that count for something?
- Well, you're doing your job.
949
01:00:09,073 --> 01:00:11,743
She disobeyed the rules.
She has to suffer the consequences.
950
01:00:11,843 --> 01:00:12,977
That's all there is to it.
951
01:00:13,077 --> 01:00:16,047
Massa, please, please, massa, I beg you!
952
01:00:16,147 --> 01:00:19,684
Please don't sell her! Please, massa!
953
01:00:20,285 --> 01:00:21,853
She's already been sold.
954
01:00:24,422 --> 01:00:27,091
Oh, then, massa,
please sell me and Bell with her.
955
01:00:27,825 --> 01:00:29,727
But don't split up the family, massa.
956
01:00:29,827 --> 01:00:31,996
You ain't never been that kind of man.
Please, massa!
957
01:00:32,096 --> 01:00:34,565
Mr. Tom Moore owns Kizzy now.
958
01:00:35,566 --> 01:00:37,368
Mr. Odell will take her away then.
959
01:00:37,468 --> 01:00:39,971
- Massa.
- No, no, I don't wanna go!
960
01:00:40,071 --> 01:00:41,306
Oh, God, my baby!
961
01:00:41,406 --> 01:00:44,909
No, no! Mama!
962
01:00:45,009 --> 01:00:46,744
Kizzy! Kizzy!
963
01:00:50,081 --> 01:00:52,383
Missy Anne, please, please!
964
01:00:52,483 --> 01:00:55,186
- Missy Anne, please!
- My baby!
965
01:00:55,286 --> 01:00:57,055
- My baby!
- Missy Anne, please!
966
01:00:57,155 --> 01:00:58,690
Help me! Help me!
967
01:00:58,790 --> 01:01:01,159
Mama! Mama!
968
01:01:01,225 --> 01:01:03,194
Mama, no!
969
01:01:03,294 --> 01:01:04,862
Mama, help me!
970
01:01:04,962 --> 01:01:08,933
Missy Anne, please don't! No, no, no...
971
01:01:09,000 --> 01:01:10,535
Mama!
972
01:01:10,635 --> 01:01:13,404
Oh, Lord, holy — Oh!
973
01:01:13,504 --> 01:01:18,576
Lots of people, I think,
can tell you about the aftermath of Roots
974
01:01:18,676 --> 01:01:20,545
in the workplace or in the school,
975
01:01:20,645 --> 01:01:24,682
about going to work or going to school
after each night and the episodes,
976
01:01:24,782 --> 01:01:28,119
and the kinds of conversations
and dialogues that were opening up
977
01:01:28,219 --> 01:01:30,755
between Black and white Americans
for the first time,
978
01:01:30,855 --> 01:01:33,991
in the aftermath
of those episodes of the program.
979
01:01:34,092 --> 01:01:35,660
It's a very profound experience.
980
01:01:35,760 --> 01:01:40,431
There was something that gripped America
about this story that Alex Haley wrote
981
01:01:40,531 --> 01:01:43,301
about a current Black person
982
01:01:43,401 --> 01:01:46,170
tracing his history
983
01:01:46,270 --> 01:01:49,741
all the way over into Africa
and going there and finding relatives.
984
01:01:49,841 --> 01:01:51,943
I think that part of
the popularity of Roots
985
01:01:52,043 --> 01:01:54,445
was for just that reason —
986
01:01:54,545 --> 01:01:56,180
it showed Black people
987
01:01:56,280 --> 01:01:59,917
being just like every other
American immigrant group
988
01:02:00,017 --> 01:02:03,121
for the first time
to such a large audience.
989
01:02:03,221 --> 01:02:05,690
Roots was a Horatio Alger story,
that's correct,
990
01:02:05,790 --> 01:02:08,493
about starting up a family here
and ending up here.
991
01:02:08,593 --> 01:02:10,628
And that's a good story.
992
01:02:11,462 --> 01:02:16,300
Positive stories are much more
acceptable to audiences
993
01:02:16,401 --> 01:02:17,869
than negative stories are.
994
01:02:17,969 --> 01:02:21,506
There ain't nothing hard
about being happy.
995
01:02:21,606 --> 01:02:22,907
Go on then, mule!
996
01:02:25,009 --> 01:02:27,412
- Ain't nothing gonna stop us now!
- Let's move on!
997
01:02:27,512 --> 01:02:29,380
Roots was still an assimilation story.
998
01:02:29,480 --> 01:02:32,150
The way in which it was made palatable
999
01:02:32,250 --> 01:02:34,352
and the way in which it was made
a powerful story
1000
01:02:34,452 --> 01:02:40,391
was to make it a family saga
about movement into America.
1001
01:02:44,562 --> 01:02:49,600
It didn't indict the American society.
1002
01:02:50,535 --> 01:02:53,070
It was an indictment of bad people.
1003
01:02:53,171 --> 01:02:57,975
It was an indictment
of certain forms of brutality,
1004
01:02:58,075 --> 01:03:00,711
but in terms of the whole edifice
1005
01:03:00,812 --> 01:03:06,083
of American political,
social, cultural structure,
1006
01:03:06,184 --> 01:03:09,086
it came away pretty unscathed.
1007
01:03:09,187 --> 01:03:13,591
We's here! This here our land!
1008
01:03:16,360 --> 01:03:20,231
We had finally found a place
in mainstream America,
1009
01:03:20,331 --> 01:03:22,533
less by changing society
1010
01:03:22,633 --> 01:03:25,036
as by patiently adapting to it.
1011
01:03:27,071 --> 01:03:31,476
Television's profoundly conservative bias
was again underscored.
1012
01:03:31,576 --> 01:03:35,646
Prime time has selectively
reframed American history,
1013
01:03:35,746 --> 01:03:38,349
transforming a national disgrace
1014
01:03:38,449 --> 01:03:43,454
into an epic triumph
of the family and the American dream.
1015
01:03:45,389 --> 01:03:48,759
Still, it seemed for many of us that Roots
1016
01:03:48,860 --> 01:03:54,765
had at last delivered the positive image
of Black success we'd long dreamed of.
1017
01:03:56,367 --> 01:03:59,270
But had we reached the promised land?
1018
01:04:15,553 --> 01:04:18,956
If you took the argument implicit
in Black history about our images
1019
01:04:19,056 --> 01:04:21,158
to its logical conclusion,
1020
01:04:22,093 --> 01:04:26,063
the millennium would come
when a refined Afro-American doctor...
1021
01:04:27,064 --> 01:04:29,000
and his wife,
1022
01:04:29,100 --> 01:04:33,437
who, let's say, hypothetically
was a partner in a Wall Street law firm,
1023
01:04:34,238 --> 01:04:40,278
and who would be obviously
comfortable, very elegant, well educated,
1024
01:04:40,378 --> 01:04:44,549
who would have lovely, perfect children
who would, of course, go off to college.
1025
01:04:44,649 --> 01:04:47,218
If an image such as that
could be projected,
1026
01:04:47,318 --> 01:04:50,388
let's say, into virtually
every American home,
1027
01:04:50,488 --> 01:04:52,323
the argument went, historically,
1028
01:04:52,423 --> 01:04:53,958
we as a people would be free.
1029
01:04:59,297 --> 01:05:01,666
Hey, back from shopping. How was it?
1030
01:05:01,766 --> 01:05:03,234
Great. We only had one fight.
1031
01:05:03,334 --> 01:05:05,770
It started the moment we left
and it hasn't finished yet.
1032
01:05:05,870 --> 01:05:07,572
- Now, what happened?
- I took him to Bookmans.
1033
01:05:07,672 --> 01:05:09,073
He told me I couldn't go in.
1034
01:05:09,173 --> 01:05:12,109
Dad, Bookmans is a menswear store.
1035
01:05:12,209 --> 01:05:16,480
Menswear store.
No mothers allowed.
1036
01:05:16,581 --> 01:05:19,850
Before The Cosby Show came on,
1037
01:05:19,951 --> 01:05:24,722
the American public had been bombarded
with negative images of the Black family.
1038
01:05:24,822 --> 01:05:29,193
When The Cosby Show came on,
and I know even in Cosby's thinking,
1039
01:05:29,293 --> 01:05:34,365
that it was seen that
the Huxtables, the family,
1040
01:05:34,465 --> 01:05:39,103
would be a good opportunity to project
new images of Black people in America
1041
01:05:39,203 --> 01:05:42,740
that ultimately might diminish...
1042
01:05:43,507 --> 01:05:46,477
um, uh, attitudes of racism
1043
01:05:46,577 --> 01:05:48,012
rather than to support them.
1044
01:05:48,112 --> 01:05:50,581
From its premiere,
The Cosby Show
1045
01:05:50,681 --> 01:05:53,851
catapulted into America's top ten shows.
1046
01:05:53,951 --> 01:05:58,255
The triumphant saga of Roots
continued in the Huxtables.
1047
01:05:58,356 --> 01:06:00,257
Dad!
1048
01:06:00,358 --> 01:06:03,361
No 14-year-old boy
1049
01:06:03,461 --> 01:06:06,097
should have a $95 shirt
1050
01:06:06,197 --> 01:06:09,333
unless he is onstage
with his four brothers.
1051
01:06:12,136 --> 01:06:15,539
In part, the show's success
was its image of success,
1052
01:06:15,640 --> 01:06:21,045
an image perfectly attuned to the politics
of post-civil rights America.
1053
01:06:23,748 --> 01:06:26,717
Economic recovery,
rededication to values,
1054
01:06:26,817 --> 01:06:30,121
all show the spirit of renewal
gaining the upper hand,
1055
01:06:30,221 --> 01:06:33,257
and all will improve
family life in the '80s.
1056
01:06:36,827 --> 01:06:39,830
We need to replace a welfare system
1057
01:06:39,930 --> 01:06:43,734
that destroys economic independence
in the family
1058
01:06:43,834 --> 01:06:46,470
with one that creates
incentives for recipients
1059
01:06:46,570 --> 01:06:49,440
to move up and out of dependency.
1060
01:06:51,008 --> 01:06:53,044
The Reagan ideology was predominantly
1061
01:06:53,144 --> 01:06:56,881
that if you open up access
to corporations to make money,
1062
01:06:56,981 --> 01:06:58,849
then the opportunity structure opens up.
1063
01:06:58,949 --> 01:07:00,284
Well, we see that didn't happen.
1064
01:07:00,384 --> 01:07:03,521
There will be record
numbers of the homeless this winter...
1065
01:07:03,621 --> 01:07:06,090
Business failures
recently hit a 40-year high.
1066
01:07:06,190 --> 01:07:08,893
Among Blacks,
the unemployment rate was almost double...
1067
01:07:08,993 --> 01:07:12,663
We've got this incredible
polarization of rich and poor,
1068
01:07:12,763 --> 01:07:19,070
and Black people converged
around the poverty end of that.
1069
01:07:19,170 --> 01:07:21,739
And I think that to have, then,
1070
01:07:21,839 --> 01:07:27,311
a show that mediates
between that polarization,
1071
01:07:27,411 --> 01:07:30,081
we come away with a sense in which,
well, the society's fine.
1072
01:07:30,181 --> 01:07:31,348
I mean, there's no problem.
1073
01:07:31,449 --> 01:07:35,720
You just have to work hard,
you just have to have the right values,
1074
01:07:35,820 --> 01:07:39,190
have the right kinds
of desires and aspirations,
1075
01:07:39,290 --> 01:07:41,092
and it'll be all right.
1076
01:07:41,192 --> 01:07:43,694
None of this would have happened
if we weren't so rich.
1077
01:07:49,800 --> 01:07:52,303
Let me get something straight. Okay?
1078
01:07:52,870 --> 01:07:55,573
Your mother and I are rich.
1079
01:07:56,207 --> 01:07:58,209
You have nothing.
1080
01:08:01,145 --> 01:08:03,414
Your father and I are not rich.
1081
01:08:03,514 --> 01:08:06,150
- We're not?
- No, honey, we're not rich.
1082
01:08:06,250 --> 01:08:08,052
Rich is when your money works for you,
1083
01:08:08,152 --> 01:08:10,721
not when you work for the money,
and we work hard for the money.
1084
01:08:10,788 --> 01:08:11,822
Ah, yes.
1085
01:08:11,922 --> 01:08:14,458
In many ways,
the Huxtable household
1086
01:08:14,558 --> 01:08:17,161
favored prime-time families of old.
1087
01:08:17,261 --> 01:08:20,564
The TV family was, again,
a mythic sanctuary,
1088
01:08:20,664 --> 01:08:23,334
a shield against social crisis.
1089
01:08:25,636 --> 01:08:29,807
Within the worsening polarization
of 1980s America,
1090
01:08:29,907 --> 01:08:34,845
this dream of the happy, harmonious,
successful Black family
1091
01:08:34,945 --> 01:08:37,114
held a powerful seduction.
1092
01:08:37,214 --> 01:08:39,683
Dad, I have to go to school
with these girls.
1093
01:08:39,784 --> 01:08:43,287
Cosby represents everyone's fantasy.
1094
01:08:43,387 --> 01:08:44,855
Everyone wants to live that way.
1095
01:08:44,955 --> 01:08:47,291
Uh, did you lose the case, dear?
1096
01:08:47,391 --> 01:08:51,428
Oh, I wish I had lost it.
At least the thing would be over with.
1097
01:08:51,529 --> 01:08:54,999
The most successful shows
1098
01:08:55,099 --> 01:08:59,436
depicting the African American experience
in America
1099
01:08:59,537 --> 01:09:01,238
are shows like Cosby
1100
01:09:01,338 --> 01:09:06,177
that reaffirmed the American dream
and hard-core middle class values,
1101
01:09:06,277 --> 01:09:09,046
where you work hard,
1102
01:09:09,146 --> 01:09:12,149
you are rewarded
with good-looking children,
1103
01:09:12,249 --> 01:09:15,686
good-looking wives,
nice cars, nice households.
1104
01:09:15,786 --> 01:09:18,756
And that image is the one
that's perpetuated.
1105
01:09:19,623 --> 01:09:25,496
Anything that —
that digresses from that norm
1106
01:09:25,563 --> 01:09:27,231
is suspect
1107
01:09:27,331 --> 01:09:32,903
and will probably not be granted tenure
on prime-time television...
1108
01:09:33,003 --> 01:09:35,005
- ♪ Do you know what it means ♪
- ...as is evidenced
1109
01:09:35,105 --> 01:09:36,607
by a program like Frank's Place.
1110
01:09:36,707 --> 01:09:38,375
♪ To miss New Orleans ♪
1111
01:09:38,475 --> 01:09:42,713
♪ Where mockingbirds used to sing ♪
1112
01:09:43,781 --> 01:09:46,517
For many people, Frank's Place
1113
01:09:46,617 --> 01:09:49,787
was the best television program
involving Black people
1114
01:09:49,887 --> 01:09:51,322
that there's ever been.
1115
01:09:52,556 --> 01:09:55,659
Frank's Place showed
a broader range of types
1116
01:09:55,759 --> 01:09:59,496
than any other Black television program
that I can remember,
1117
01:09:59,597 --> 01:10:01,866
but it was killed by the ratings.
1118
01:10:02,933 --> 01:10:07,137
♪ I dream of oleanders in June ♪
1119
01:10:07,238 --> 01:10:08,973
They didn't know how to handle it
1120
01:10:09,073 --> 01:10:12,343
and they supposedly couldn't
schedule it with anything.
1121
01:10:12,443 --> 01:10:15,112
Whatever they scheduled it with,
there was a problem.
1122
01:10:15,212 --> 01:10:17,748
It didn't relate to anything else
they had on the schedule,
1123
01:10:17,848 --> 01:10:19,683
so they moved it six times.
1124
01:10:19,783 --> 01:10:21,418
The audience couldn't find the show.
1125
01:10:21,518 --> 01:10:23,554
My mother couldn't find the show
half the time.
1126
01:10:23,654 --> 01:10:25,789
♪ And there's something more ♪
1127
01:10:25,890 --> 01:10:28,259
♪ I miss the one I care for ♪
1128
01:10:28,359 --> 01:10:33,097
♪ More than I miss New Orleans ♪
1129
01:10:33,197 --> 01:10:36,300
We looked for the unusual
whenever we did the show,
1130
01:10:36,400 --> 01:10:38,068
but we caught constant flak.
1131
01:10:38,168 --> 01:10:39,703
They didn't want us to do it.
1132
01:10:39,803 --> 01:10:41,672
They kept wanting us to be funny.
1133
01:10:41,772 --> 01:10:45,576
Now if we had been funnier,
we'd probably still be on the air.
1134
01:10:45,676 --> 01:10:48,145
They really want you to be colorless.
1135
01:10:48,245 --> 01:10:52,182
They want you not to bring
your race with you.
1136
01:10:52,283 --> 01:10:54,718
He shouldn't be off gallivanting
with a bunch of snobs
1137
01:10:54,818 --> 01:10:57,288
who are laughing at him behind his back
'cause he's colored.
1138
01:10:58,689 --> 01:11:01,425
He oughta be just here letting us —
1139
01:11:01,492 --> 01:11:02,993
I'm colored?
1140
01:11:03,794 --> 01:11:06,463
What do you mean, I'm colored?
I haven't heard that word in 20 years.
1141
01:11:07,798 --> 01:11:09,600
- It's nothing, Frank.
- No, I wanna know.
1142
01:11:17,975 --> 01:11:20,344
- See this bag?
- Yeah.
1143
01:11:20,444 --> 01:11:22,713
Which is darker, me or the bag?
1144
01:11:22,780 --> 01:11:23,847
You.
1145
01:11:25,950 --> 01:11:29,386
- Which is darker, you or the bag?
- What are you talking about?
1146
01:11:29,486 --> 01:11:31,422
The capital "C" club?
1147
01:11:31,522 --> 01:11:34,458
In the old days, Frank,
if you were a light-skinned Black,
1148
01:11:34,558 --> 01:11:38,595
you were a Creole,
and they spell Creole with a capital "C."
1149
01:11:39,630 --> 01:11:43,434
If you were dark-skinned,
it was creole with a little "C,"
1150
01:11:43,534 --> 01:11:46,770
and there was a big difference
between the two.
1151
01:11:49,340 --> 01:11:52,543
Skin color used to be the big separator
in New Orleans, Frank.
1152
01:11:52,609 --> 01:11:54,445
Still is.
1153
01:11:54,545 --> 01:11:58,315
They just ain't
as out in the open about it.
1154
01:11:58,415 --> 01:12:00,718
Why would Ozell Dryer have me there?
1155
01:12:05,789 --> 01:12:09,493
So, what was I going to be,
the first darkie in the capital "C" club?
1156
01:12:11,228 --> 01:12:13,630
Oh, man, look, I am sorry.
1157
01:12:13,731 --> 01:12:16,033
I should have been
more up-front with you about this.
1158
01:12:16,133 --> 01:12:19,303
But there's a group of us in the club
that are trying to change things.
1159
01:12:19,403 --> 01:12:21,271
- And I'm the guinea pig?
- Well, sort of.
1160
01:12:22,272 --> 01:12:26,910
See, you've got all the credentials
to put an end to this whole color thing.
1161
01:12:27,011 --> 01:12:29,213
Ozell, let me cut to the chase here, okay?
1162
01:12:30,347 --> 01:12:33,183
All my life, I've been "the only Black."
1163
01:12:33,283 --> 01:12:34,885
I was the only Black in this class.
1164
01:12:34,985 --> 01:12:36,587
I was the only Black in that organization.
1165
01:12:36,687 --> 01:12:38,856
I was the only Black on this team.
1166
01:12:38,956 --> 01:12:42,092
Look, man, I'm not about to become
the only Black in a Black club.
1167
01:12:42,192 --> 01:12:44,228
I think that's going a little too far.
Don't you think?
1168
01:12:44,328 --> 01:12:46,764
Frank's Place was too real for Americans.
1169
01:12:46,864 --> 01:12:49,800
I mean, it was the closest thing
to the reality
1170
01:12:49,900 --> 01:12:53,404
that I experienced growing up
and that I experience now
1171
01:12:53,504 --> 01:12:55,672
as a person of color in American society
1172
01:12:55,773 --> 01:12:57,574
that I have encountered on television.
1173
01:12:57,674 --> 01:13:01,512
And I don't think that, um,
the average white American
1174
01:13:01,612 --> 01:13:05,215
is prepared to encounter
the full complexity of that reality.
1175
01:13:05,315 --> 01:13:09,119
They want to encounter
fictions of that reality
1176
01:13:09,219 --> 01:13:11,789
which are palatable to them.
1177
01:13:13,490 --> 01:13:16,060
They are comfortable with that,
with that kind of fantasy.
1178
01:13:16,160 --> 01:13:19,063
They are very uncomfortable
with Frank's Place.
1179
01:13:21,832 --> 01:13:22,966
And I understand that.
1180
01:13:23,067 --> 01:13:26,403
And I'm not saying that that's
the worst thing in the world.
1181
01:13:26,503 --> 01:13:29,640
It's just that I'm comfortable
with my people.
1182
01:13:29,740 --> 01:13:31,308
I'm comfortable with my background.
1183
01:13:31,408 --> 01:13:33,644
I wanna see my story told.
1184
01:13:36,046 --> 01:13:38,415
By the end of the 1980s,
1185
01:13:38,515 --> 01:13:42,953
television had been in American homes
just over 40 years.
1186
01:13:43,053 --> 01:13:47,925
The status of Black Americans
had remarkably improved.
1187
01:13:48,025 --> 01:13:50,928
You never told us how you feel
about Black people.
1188
01:13:52,329 --> 01:13:55,265
Well, you sure gotta hand it to 'em.
1189
01:13:55,365 --> 01:14:00,771
I mean, two years ago, they was nothing
but servants and janitors.
1190
01:14:00,871 --> 01:14:05,242
Now they're teachers
and doctors and lawyers.
1191
01:14:05,342 --> 01:14:07,711
They've come a long way on TV.
1192
01:14:11,748 --> 01:14:16,753
African Americans
continued to succeed, in prime time.
1193
01:14:16,854 --> 01:14:21,291
But what of the historic dream
that new positive images
1194
01:14:21,391 --> 01:14:24,962
would help improve
America's race relations?
1195
01:14:25,062 --> 01:14:31,301
I don't think that you can change
300 years of history,
1196
01:14:31,401 --> 01:14:36,773
300 years of the exploitation of
Black people by white people in the West,
1197
01:14:36,874 --> 01:14:39,109
that you can change hundreds of years
1198
01:14:39,209 --> 01:14:42,279
of the representation of Black people
in stereotypical roles
1199
01:14:42,379 --> 01:14:47,584
just by having a prominent Black man
in a situation comedy.
1200
01:14:47,684 --> 01:14:49,653
It's not gonna work that way.
1201
01:14:49,753 --> 01:14:52,556
Images are one part
1202
01:14:52,656 --> 01:14:56,393
of a larger formula of social behavior,
1203
01:14:56,493 --> 01:15:00,697
and you can't give to them
all of this importance,
1204
01:15:00,797 --> 01:15:04,334
that they will free us
if only we can control them.
1205
01:15:04,434 --> 01:15:08,105
They do not have
enough autonomy to liberate us.
1206
01:15:09,706 --> 01:15:13,310
Still, if TV alone
cannot liberate us,
1207
01:15:13,410 --> 01:15:17,281
it continues to mold
how we are seen and defined.
1208
01:15:17,381 --> 01:15:21,051
One while, they said
we could only sing and dance.
1209
01:15:22,753 --> 01:15:26,156
Then when we left singing and dancing,
we could only be comics.
1210
01:15:28,392 --> 01:15:30,260
But there is room for the comic.
1211
01:15:30,360 --> 01:15:33,497
There's room for the dancer.
There's room for the singer.
1212
01:15:33,597 --> 01:15:38,035
There's room
for the serious dramatic actor.
1213
01:15:39,703 --> 01:15:40,671
There is room —
1214
01:15:40,771 --> 01:15:44,675
What makes you think a whole people...
1215
01:15:46,543 --> 01:15:48,545
have to be alike?
1216
01:15:50,214 --> 01:15:53,717
And how dull and uninteresting
we would be.
1217
01:15:53,817 --> 01:15:58,255
What we get is the continuing press
towards an imaginary middle.
1218
01:15:58,355 --> 01:16:02,125
And part of my critique is
of that imaginary middle,
1219
01:16:02,226 --> 01:16:05,896
uh, whether it's a class middle,
whether it's a racial norm,
1220
01:16:05,996 --> 01:16:10,801
um, whether it's some idealized aspiration
about what a good life is.
1221
01:16:10,901 --> 01:16:15,138
I think that what we need
are more complicated ways
1222
01:16:15,239 --> 01:16:19,109
of imagining ourselves in the world
1223
01:16:19,209 --> 01:16:24,348
that are truer to what people know
and what people's imaginations are about,
1224
01:16:24,448 --> 01:16:28,485
and that those things
are inflected by difference,
1225
01:16:28,585 --> 01:16:32,789
and that what we need to do
is begin to illuminate that difference,
1226
01:16:32,889 --> 01:16:37,294
not so that people are divided
and can't have access to each other,
1227
01:16:37,394 --> 01:16:40,631
but so that we understand
the ways in which inequality
1228
01:16:40,731 --> 01:16:42,532
gets perpetuated and operates.
1229
01:16:42,633 --> 01:16:47,104
But also so that we learn more about
each other and more about ourselves.
1230
01:16:47,204 --> 01:16:49,806
And I think that television
simply hasn't done that.
1231
01:16:53,610 --> 01:16:54,544
♪ Such a taste ♪
1232
01:16:54,645 --> 01:16:56,980
♪ That never gets too heavy ♪
1233
01:16:57,080 --> 01:17:01,418
♪ It's gossamer
It never holds you down ♪
1234
01:17:02,152 --> 01:17:05,422
African Americans
have claimed a high profile
1235
01:17:05,522 --> 01:17:08,058
in this commerce of pop culture.
1236
01:17:10,927 --> 01:17:14,698
But what have we bought
and what have we traded?
1237
01:17:17,367 --> 01:17:21,038
Have we exchanged the myths
of pre-television America
1238
01:17:21,138 --> 01:17:24,408
for new fictions, just as confining,
1239
01:17:24,508 --> 01:17:29,379
for impossibly rigid,
homogenized fictions of the family
1240
01:17:29,479 --> 01:17:32,282
and the American dream?
1241
01:17:36,553 --> 01:17:40,590
And if this is the price
of the ticket to acceptance,
1242
01:17:40,691 --> 01:17:42,926
is it worth paying?
1243
01:17:43,026 --> 01:17:47,464
Is this dream worth keeping alive?
97958
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