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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,255 --> 00:00:07,633 [MUSIC PLAYING] - NARRATOR: CHRISTOPHER CANE PRESENTS 2 00:00:07,675 --> 00:00:10,552 AN EVENING WITH "VICTORIOUS." 3 00:00:10,594 --> 00:00:13,305 [IN BRITISH ACCENT] - GOOD EVENING AND WELCOME. 4 00:00:13,347 --> 00:00:15,349 MY NAME IS CHRISTOPHER CANE. 5 00:00:15,390 --> 00:00:17,601 I AM AN ACTOR. 6 00:00:17,643 --> 00:00:19,311 [APPLAUSE] 7 00:00:19,353 --> 00:00:22,356 - MOST OF YOU MORE LIKELY KNOW ME AS REX, 8 00:00:22,397 --> 00:00:24,107 THE SASSY SIDEKICK TO ROBBIE 9 00:00:24,149 --> 00:00:26,986 FROM THE TELEVISION PROGRAM "VICTORIOUS." 10 00:00:27,027 --> 00:00:29,321 TONIGHT, I WILL BE INTERVIEWING MY CAST MATES 11 00:00:29,363 --> 00:00:31,448 FROM "VICTORIOUS," INCLUDING THE TRULY 12 00:00:31,490 --> 00:00:36,077 MAGNIFICENT STAR OF THE SHOW, MS. VICTORIA JUSTICE HERSELF. 13 00:00:36,119 --> 00:00:38,205 YOU'LL ALSO BE SEEING SOME OF THEIR "HIGH-LARIOUS" 14 00:00:38,246 --> 00:00:42,417 BLOOPERS AND BEHIND THE SCENES SHENANIGANS. 15 00:00:42,459 --> 00:00:44,795 BUT FIRST, A SPECIAL TREAT. 16 00:00:44,837 --> 00:00:46,588 PLEASE HAVE A LOOK AT MY VERY FIRST 17 00:00:46,630 --> 00:00:49,299 AUDITION FOR "VICTORIOUS." 18 00:00:49,341 --> 00:00:51,343 - ACTRESS [OFFSCREEN]: CAN YOU TELL ME WHERE MR. SIKOWITZ'S CLASSROOM IS? 19 00:00:51,385 --> 00:00:54,137 - YOU WILL FIND MR. SIKOWITZ DOWN THE HALL. 20 00:00:54,179 --> 00:00:55,806 SIMPLY TAKE A LEFT AT THE WATER FOUNTAIN. 21 00:00:55,848 --> 00:00:57,641 - DIRECTOR [OFFSCREEN]: UM, HA-- HANG ON. 22 00:00:57,683 --> 00:00:59,601 HANG ON A SECOND. - YES? 23 00:00:59,643 --> 00:01:00,895 - DIRECTOR [OFFSCREEN]: COULD YOU TRY IT AGAIN, 24 00:01:00,936 --> 00:01:02,855 BUT LIKE WITH MORE ATTITUDE. 25 00:01:02,897 --> 00:01:07,985 AND, UM, CAN YOU DO A REALISTIC AMERICAN URBAN ACCENT? 26 00:01:08,027 --> 00:01:10,779 - HM... AMERICAN URBAN. 27 00:01:10,821 --> 00:01:14,282 ALL RIGHT, I'LL GIVE IT A GO. 28 00:01:14,324 --> 00:01:15,743 [CLEARS THROAT] 29 00:01:15,784 --> 00:01:17,452 [IN AMERICAN URBAN ACCENT] SIKOWITZ, DOWN THE HALL, 30 00:01:17,494 --> 00:01:19,454 SWING A LEFT AT THE WATER FOUNTAIN, 31 00:01:19,496 --> 00:01:21,289 SECOND DOOR ON YOUR RIGHT. 32 00:01:21,331 --> 00:01:23,166 [LAUGHTER] 33 00:01:23,208 --> 00:01:24,793 [IN BRITISH ACCENT] WAS THAT MORE IN THE ZONE? 34 00:01:24,835 --> 00:01:25,794 - DIRECTOR [OFFSCREEN]: OH YEAH. 35 00:01:25,836 --> 00:01:27,629 PERFECT, PERFECT. 36 00:01:27,671 --> 00:01:30,507 - THAT AFTERNOON, I WAS OFFERED THE ROLE OF REX, 37 00:01:30,549 --> 00:01:32,718 WHICH I GRACIOUSLY ACCEPTED. 38 00:01:32,760 --> 00:01:36,221 SOON THEREAFTER, I JOINED A FANTASTIC BEVY OF ACTORS, 39 00:01:36,263 --> 00:01:38,097 ONE OF WHOM YOU'RE ABOUT TO MEET. 40 00:01:38,139 --> 00:01:39,266 [CLEARS THROAT] 41 00:01:39,307 --> 00:01:40,684 HE FIRST CAME TO PROMINENCE 42 00:01:40,726 --> 00:01:42,310 AS YOUNG SIMBA 43 00:01:42,352 --> 00:01:45,064 IN THE BROADWAY VERSION OF "THE LION KING." 44 00:01:45,146 --> 00:01:47,274 HE FOLLOWED WITH A MEMORABLE GUEST APPEARANCE 45 00:01:47,315 --> 00:01:51,361 ON "ICARLY" AND OTHER TELEVISION SHOWS OF LESSER IMPORTANCE. 46 00:01:53,321 --> 00:01:56,742 TODAY, WE KNOW HIM BEST AS ANDRE HARRIS, 47 00:01:56,784 --> 00:02:01,080 THE SENSITIVE "MUSISEEAN" AND QUINTESSENTIAL BEST FRIEND 48 00:02:01,121 --> 00:02:04,165 TO TORI ON THE HIT SHOW "VICTORIOUS." 49 00:02:04,207 --> 00:02:06,501 A WARM WELCOME TO LEON THOMAS. 50 00:02:06,543 --> 00:02:08,253 [APPLAUSE] 51 00:02:10,756 --> 00:02:11,924 GOOD TO SEE YOU, LEON. 52 00:02:11,966 --> 00:02:13,300 - NICE TO SEE YOU, TOO. 53 00:02:13,341 --> 00:02:14,802 - TELL ME A SECRET. 54 00:02:14,843 --> 00:02:16,595 - A SECRET? - ANYTHING. 55 00:02:16,637 --> 00:02:17,679 - OK. 56 00:02:17,721 --> 00:02:19,347 WELL UH, AH. 57 00:02:19,389 --> 00:02:21,475 SOMETIMES I PUT MUSTARD ON MY PIZZA. 58 00:02:21,516 --> 00:02:23,393 - STOP IT. - IT'S TRUE. 59 00:02:23,435 --> 00:02:25,562 - YOU MANIAC. 60 00:02:25,604 --> 00:02:29,232 SO PLAYING ANDRE ON "VICTORIOUS," 61 00:02:29,274 --> 00:02:30,776 IS IT A CHALLENGE? 62 00:02:30,818 --> 00:02:32,611 - WELL, YOU KNOW, SOMETIMES IT CAN DEFINITELY BE-- 63 00:02:32,653 --> 00:02:34,780 - LET'S TAKE A LOOK AT SOME OF YOUR BLOOPERS. 64 00:02:34,822 --> 00:02:36,197 - I'M SORRY, UH-- 65 00:02:36,239 --> 00:02:38,575 - YOUR BLOOPERS, THE TIMES YOU WERE ACTING 66 00:02:38,617 --> 00:02:40,494 - BUT FAILED "HIGH-LARIOUSLY." 67 00:02:40,535 --> 00:02:41,829 - SURE, WE CAN DO THAT. 68 00:02:41,870 --> 00:02:44,539 - I WASN'T ASKING FOR YOUR "PERMISEEON." 69 00:02:44,581 --> 00:02:46,667 LET'S HAVE A LOOK. 70 00:02:46,708 --> 00:02:50,211 - OK, PEOPLE. FIND US AN S AND H. HOLD UP. 71 00:02:50,253 --> 00:02:52,422 IF WE FIND-- OK, PEOPLE. 72 00:02:52,464 --> 00:02:54,591 WE FOUND US AN S AND AN H AND WE GOT US 73 00:02:54,633 --> 00:02:57,678 A PRIVATE CON-- CASH-- CONCERT. 74 00:02:57,719 --> 00:02:59,178 MAN, I ALMOST HAD IT. 75 00:02:59,220 --> 00:03:01,473 OK, PEOPLE. WE FOUND US AN S AND H 76 00:03:01,515 --> 00:03:02,766 AND WE GOT US A PRIVATE-- NOW-- 77 00:03:02,808 --> 00:03:05,268 NOW SEE, THE PRESSURE'S ON. 78 00:03:05,310 --> 00:03:11,025 [SINGING] NEVER BEEN WITH A GIRL LIKE YOU-HOO. 79 00:03:12,484 --> 00:03:14,402 EVERY TREE-- WHOA, WHAT? 80 00:03:14,444 --> 00:03:17,156 UH, ONE MORE TIME. 81 00:03:17,196 --> 00:03:18,532 DIRECTOR [OFFSCREEN]: - CUT! 82 00:03:18,573 --> 00:03:20,575 - WE'RE ALL GOING TO COME DOWN TO SET 83 00:03:20,617 --> 00:03:23,244 AND WATCH IT LAND. 84 00:03:23,286 --> 00:03:24,830 DIRECTOR [OFFSCREEN]: - LET'S HOLD. 85 00:03:24,872 --> 00:03:28,458 - WE'RE ALL GOING TO COME DOWN TO SET, WATCH IT-- 86 00:03:28,500 --> 00:03:30,377 DIRECTOR [OFFSCREEN]: - START AGAIN, LEON. 87 00:03:30,418 --> 00:03:33,212 - OOH! ONE MORE TIME. 88 00:03:33,254 --> 00:03:36,424 ONE MORE TIME. I WASN'T EVEN READY FOR IT. 89 00:03:36,466 --> 00:03:37,509 SORRY, DOG. 90 00:03:37,551 --> 00:03:39,594 HEY. MM. 91 00:03:39,636 --> 00:03:41,180 DIRECTOR [OFFSCREEN]: - AND CUT. 92 00:03:41,221 --> 00:03:43,015 - I'M NOT SUPPOSED TO TALK THERE. 93 00:03:43,057 --> 00:03:44,599 OK. 94 00:03:44,641 --> 00:03:47,561 NICE VIDEO-- OH, NAH, REALLY? 95 00:03:47,602 --> 00:03:49,104 - DIRECTOR [OFFSCREEN]: [INAUDIBLE], PLEASE. - I KILLED YOU, DOG. 96 00:03:49,146 --> 00:03:50,689 I KILLED YOU. 97 00:03:50,731 --> 00:03:54,109 OH, I FEEL THAT IN MY SOUL. OH. 98 00:03:54,151 --> 00:03:55,485 [CHRISTOPHER LAUGHING] 99 00:03:55,527 --> 00:03:57,821 - MARVELOUS. 100 00:03:57,863 --> 00:04:00,490 APPLE JUICE? - NO THANKS. 101 00:04:00,532 --> 00:04:03,202 - YOU DON'T CARE FOR JUICED APPLES? 102 00:04:03,243 --> 00:04:05,453 - NOT RIGHT NOW. I'M GOOD. 103 00:04:05,495 --> 00:04:08,707 - SO TELL ME MORE ABOUT "VICTORIOUS." 104 00:04:08,749 --> 00:04:10,375 - I ACTUALLY REMEMBER THIS ONE TIME, 105 00:04:10,417 --> 00:04:12,211 I WAS DOING A SCENE WITH VICTORIA AND ARIANA, 106 00:04:12,252 --> 00:04:14,713 AND WE HAD JUST-- - YOU KNOW, I'M EVEN MORE EXCITED 107 00:04:14,755 --> 00:04:16,924 TO CHAT WITH OUR NEXT GUEST. 108 00:04:18,926 --> 00:04:23,764 SHE PLAYS A MOST UNIQUE TYPE OF NASTY GIRL ON "VICTORIOUS." 109 00:04:23,805 --> 00:04:26,725 I RECALL THE FIRST TIME I MET ELIZABETH. 110 00:04:26,767 --> 00:04:29,144 IT WAS AT OUR FINAL AUDITION, AND SHE 111 00:04:29,186 --> 00:04:33,565 ASKED ME IF I COULD POINT HER TOWARD THE LADIES' LOO. 112 00:04:33,607 --> 00:04:35,943 PRIOR TO THAT, I HAD THE GOOD FORTUNE 113 00:04:35,984 --> 00:04:40,697 OF SEEING HER PERFORM ON BROADWAY IN THE MUSICAL "13." 114 00:04:40,739 --> 00:04:43,992 NOW SHE PLAYS JADE WEST, A WICKED THORN IN 115 00:04:44,034 --> 00:04:46,787 THE SHAPELY RIBS OF TORI VEGA. 116 00:04:46,828 --> 00:04:51,041 I GIVE YOU ELIZABETH, OR DARE I SAY, LIZ GILLIES. 117 00:04:51,083 --> 00:04:52,709 [APPLAUSE] 118 00:04:54,544 --> 00:04:56,797 - THANK YOU FOR THAT SWEET INTRODUCTION. 119 00:04:56,838 --> 00:04:58,715 - IF YOU WERE A BOTTLE OF SHAMPOO, 120 00:04:58,757 --> 00:05:02,302 WHAT WOULD BE YOUR FRAGRANCE? 121 00:05:02,343 --> 00:05:04,012 - M-- M-- MY FRAGRANCE? 122 00:05:04,054 --> 00:05:07,224 - YES. IN A PERFECT WORLD, YOU SMELL LIKE WHAT? 123 00:05:07,266 --> 00:05:08,934 - UH, I DON'T KNOW. 124 00:05:08,976 --> 00:05:11,979 MAYBE A COMBO OF, LIKE, VANILLA AND MINT. 125 00:05:12,020 --> 00:05:14,189 - WRONG. 126 00:05:14,231 --> 00:05:15,565 - WRONG? 127 00:05:15,607 --> 00:05:19,820 - YOU WOULD SMELL OF LILAC AND ROASTED NUTS. 128 00:05:19,861 --> 00:05:23,448 - UH, OK. THAT SOUNDS PRETTY COOL TOO. 129 00:05:23,490 --> 00:05:26,326 - LET'S TALK ABOUT SOCKS. - SOCKS? 130 00:05:26,367 --> 00:05:28,996 - SHOULD SOCKS BE MORE LIKE GLOVES WITH SMALL SLEEVES 131 00:05:29,037 --> 00:05:31,165 INTO WHICH EACH TOE COULD BE INSERTED? 132 00:05:31,206 --> 00:05:32,916 - UH, NO, NOT REALLY. 133 00:05:32,958 --> 00:05:34,334 I THINK-- I THINK NORMAL SOCKS WORK PRETTY WELL. 134 00:05:34,375 --> 00:05:37,712 - SHALL WE VIEW YOUR BLOOPERS? - OH, OK. 135 00:05:37,754 --> 00:05:39,338 YEAH, SURE. 136 00:05:39,380 --> 00:05:40,924 DO YOU HAVE-- DO YOU HAVE THEM HERE, LIKE, QUEUED UP? 137 00:05:40,966 --> 00:05:42,926 - YES. VIEW THEM WITH ME BY GAZING 138 00:05:42,968 --> 00:05:45,512 AT THIS HIGH DEFINITION MONITOR. 139 00:05:45,553 --> 00:05:47,388 - SURE. 140 00:05:47,430 --> 00:05:50,142 MEAN GIRL: YOU KNOW - YOU CAN'T SING? 141 00:05:50,184 --> 00:05:52,060 [SIMULTANEOUSLY] - WHY WOULD WE WANT TO? 142 00:05:52,102 --> 00:05:54,729 - I FORGOT. I REMEMBER NOW. 143 00:05:54,771 --> 00:05:56,190 - I GOT TO TAKE CARE OF TRINA. 144 00:05:56,231 --> 00:05:57,691 - YOU WANT TO STAY HERE AND [GIBBERISH]? 145 00:05:59,693 --> 00:06:03,488 YOU WANT TO STAY HERE AND HELP "CATE TARE" OF-- I'M SO SORRY. 146 00:06:03,530 --> 00:06:05,115 YOU WANT TO STAY HERE AND HA-- OH MY GOSH. 147 00:06:05,157 --> 00:06:06,533 I'M REALLY-- CAN I JUST SEE THE LINE? 148 00:06:06,574 --> 00:06:08,243 I'M REALLY SORRY. I FEEL AWFUL RIGHT NOW. 149 00:06:08,285 --> 00:06:10,245 I'M REALLY-- I'M SO SORRY. 150 00:06:10,287 --> 00:06:12,664 WELL, NOW MAYBE YOU KNOW WHAT IT FEELS LIKE 151 00:06:12,706 --> 00:06:14,499 TO HAVE SOMEONE PLAN SOMETHING 152 00:06:14,541 --> 00:06:15,959 AND THEN YOU-- AND THEN SOMEONE RUINED IT TOO. 153 00:06:16,001 --> 00:06:18,003 - DIRECTOR [OFFSCREEN]: LET'S HOLD. - OK. 154 00:06:18,045 --> 00:06:19,754 [GRUFF VOICES] HOW MANY PEOPLE [INAUDIBLE]? 155 00:06:22,423 --> 00:06:24,301 IT'S A TONGUE TWISTER, I SWEAR. 156 00:06:24,343 --> 00:06:26,594 - THEY'RE BENT. THEY'VE LOST THEIR SCISS. 157 00:06:30,389 --> 00:06:31,558 OH MY GOD. 158 00:06:31,599 --> 00:06:33,560 - UH-- - WHAT ARE YOU DOING? 159 00:06:33,601 --> 00:06:35,896 - [YELLING] - WHAT? [INDISTINCT] 160 00:06:35,937 --> 00:06:37,272 - OH MY GOD. 161 00:06:40,150 --> 00:06:41,109 - HEY. 162 00:06:41,151 --> 00:06:43,111 [APPLAUSE] 163 00:06:44,654 --> 00:06:47,324 - WELL, LIZ, IT SEEMS THAT EVEN A PROFESSIONAL ACTRESS 164 00:06:47,366 --> 00:06:50,035 SUCH AS YOURSELF OCCASIONALLY FLUBS HER DIALOGUE. 165 00:06:50,077 --> 00:06:52,746 - UM, YOU KNOW, I THINK-- I THINK THE WHOLE CAST OF "VICTORIOUS" 166 00:06:52,787 --> 00:06:54,581 IS USUALLY PRETTY GOOD ABOUT KNOWING THEIR LINES, 167 00:06:54,622 --> 00:06:56,041 BUT SOMETIMES FOR WHATEVER REASON-- 168 00:06:56,083 --> 00:06:59,878 - NOW LET'S MEET SOMEONE REALLY INTERESTING. 169 00:06:59,920 --> 00:07:02,672 HE PLAYS THE DASHING YET BOYISHLY CHARMING 170 00:07:02,714 --> 00:07:04,465 YOUNG ACTOR ON "VICTORIOUS." 171 00:07:04,507 --> 00:07:09,804 HE WAS BORN IN CANADA BUT SOON ESCAPED AND CAME TO AMERICA, 172 00:07:09,846 --> 00:07:11,973 WHERE HE PURSUED HIS DREAM OF BECOMING A CHAMPION 173 00:07:12,015 --> 00:07:14,768 IN THE MIXED MARTIAL ARTS. 174 00:07:14,809 --> 00:07:18,897 BUT AFTER BEING BRUTALLY BEATEN DOZENS OF TIMES, 175 00:07:18,939 --> 00:07:20,690 HE DECIDED TO TRY HIS HAND AT ACTING 176 00:07:20,732 --> 00:07:24,861 AND PROMPTLY LANDED THE ROLE OF BECK OLIVER ON "VICTORIOUS." 177 00:07:24,903 --> 00:07:27,989 I WELCOME HIM, AVAN JOGIA. 178 00:07:28,031 --> 00:07:29,490 - IT'S GREAT TO BE HERE. 179 00:07:29,532 --> 00:07:31,492 - WELL, WELL, IN LIGHT OF YOUR GOOD LOOKS, 180 00:07:31,534 --> 00:07:34,579 I DARESAY I'M BEING OUT-HANDSOMED RIGHT ABOUT NOW. 181 00:07:34,621 --> 00:07:36,497 - [CHUCKLING] 182 00:07:36,539 --> 00:07:38,792 - I KID, I KID. 183 00:07:38,833 --> 00:07:42,670 SO AVAN, WHAT KIND OF LAST NAME IS JOGIA? 184 00:07:42,712 --> 00:07:45,173 - THAT'S ACTUALLY A REALLY INTERESTING STORY. 185 00:07:45,215 --> 00:07:46,883 - UM-- IT CERTAINLY WAS. 186 00:07:49,094 --> 00:07:52,347 TELL ME THIS, IF YOU COULD HAVE ONLY ONE SUPERPOWER, 187 00:07:52,389 --> 00:07:56,768 WOULD YOU CHOOSE THE ABILITY TO FLY OR TO RIDE A BICYCLE? 188 00:07:56,810 --> 00:08:00,605 - WELL, UM, I ALREADY KNOW HOW TO RIDE A BIKE. 189 00:08:00,647 --> 00:08:02,107 - THEN YOU'VE MADE YOUR CHOICE. 190 00:08:02,149 --> 00:08:04,025 - WELL, ACTUALLY, I DIDN'T CHOOSE, UH-- 191 00:08:04,067 --> 00:08:06,361 - I'M GOING TO SHOW THE AUDIENCE YOUR BLOOPERS. 192 00:08:06,403 --> 00:08:08,863 - WHAT? - YOUR BLOOPERS. 193 00:08:08,905 --> 00:08:10,907 - OH, FROM "VICTORIOUS." 194 00:08:10,949 --> 00:08:14,202 - WELL, I DON'T MEAN YOUR BLOOPERS FROM THE BATHTUB. 195 00:08:16,537 --> 00:08:19,040 PLEASE, JUST TRY NOT TO SPEAK. 196 00:08:19,082 --> 00:08:20,667 NOW LET'S HAVE A LOOK. 197 00:08:20,708 --> 00:08:23,211 [APPLAUSE] 198 00:08:23,253 --> 00:08:24,254 - GOOD EVENING. 199 00:08:24,296 --> 00:08:26,631 - WE'RE FROM HOLLYWOODS-- SORRY. 200 00:08:26,673 --> 00:08:28,175 - DIRECTOR [OFFSCREEN]: CUT IT! - SORRY. 201 00:08:28,216 --> 00:08:32,095 - SHE DIDN'T GET YOU ANYTHING FOR YOUR BIRTHDAY? 202 00:08:32,137 --> 00:08:34,139 - SHE GOT ME A GLASS OF LEMONADE, CANNED LEMONA-- 203 00:08:34,181 --> 00:08:35,515 - [LAUGHS] 204 00:08:37,476 --> 00:08:40,312 - I'M NOT FOLLOWING YOUR COOL GUY LOGIC. 205 00:08:40,354 --> 00:08:44,107 - GIRLS LIKE GUYS WHO RIDE CA-- WHAT'S MY LINE? 206 00:08:44,149 --> 00:08:46,193 SO, I HEAR SOME OF YOU GUYS ARE GOING TO CANCUN. 207 00:08:46,234 --> 00:08:47,527 NO? I HEAR SOME OF YOU GUYS ARE GOING-- 208 00:08:47,568 --> 00:08:48,528 -YERBA. -YERBA. 209 00:08:48,569 --> 00:08:49,904 YEAH. ONE MORE TIME. 210 00:08:49,946 --> 00:08:51,198 - WHERE'S THE ICE CREAM? - TORI: YEAH. 211 00:08:51,239 --> 00:08:52,657 DIDN'T YOU GET SOME MORE? - NOPE. 212 00:08:52,699 --> 00:08:55,202 CHECK OUT-- CHECK-- 213 00:08:55,243 --> 00:08:57,829 - WHERE'S THE ICE CREAM? - YEAH, DIDN'T YOU GET SOME MORE? 214 00:08:57,871 --> 00:09:00,999 - NOPE. CHECK OUT-- CAT'S LATEST UPDATES-- LAST UPDATE. 215 00:09:01,041 --> 00:09:02,083 I'M SO SORRY. 216 00:09:02,125 --> 00:09:04,211 IT'S OK. I GOT THIS. 217 00:09:04,252 --> 00:09:06,629 IF I CAN ONLY STAND STRAIGHT IN THESE HEELS. 218 00:09:06,671 --> 00:09:08,382 [GRUNT] 219 00:09:14,679 --> 00:09:19,851 - WELL, YOU CERTAINLY SCREW UP A LOT. 220 00:09:19,893 --> 00:09:22,145 APPLE JUICE. 221 00:09:22,187 --> 00:09:23,230 - NO THANKS. 222 00:09:23,271 --> 00:09:24,731 TALK TO ME ABOUT ACTING. 223 00:09:24,772 --> 00:09:26,858 - OH, UH, YOU KNOW AS AN ACTOR, 224 00:09:26,900 --> 00:09:28,609 NO MATTER HOW MUCH, UH, YOU PREPARE-- 225 00:09:28,651 --> 00:09:33,198 - WHO'S READY TO MEET SOMEONE TRULY SPECIAL, 226 00:09:33,240 --> 00:09:36,159 FOR THIS NEXT YOUNG LADY IS AS "HIGH-LARIOUS" 227 00:09:36,201 --> 00:09:38,370 AS SHE IS EFFERVESCENT. 228 00:09:38,412 --> 00:09:41,415 WITH HER SPARKLING RED HAIR, YOU CAN PRACTICALLY SPOT 229 00:09:41,456 --> 00:09:44,418 THIS GIRL FROM A "HELIOCOPTER." 230 00:09:44,459 --> 00:09:47,879 HER CHARACTER ON "VICTORIOUS" IS WHIMSICAL AND OFTEN-- 231 00:09:47,921 --> 00:09:51,550 [LAUGHS] --A BIT LACKING IN THE OLD NOGGIN. 232 00:09:51,591 --> 00:09:54,886 BUT IN REAL LIFE, SHE'S AS SHARP AS A SHITZU 233 00:09:54,928 --> 00:09:56,721 AND BURSTING WITH TALENT. 234 00:09:56,763 --> 00:10:01,142 I SPEAK OF THE DELIGHTFUL RED HEADED ARIANA GRANDE. 235 00:10:01,184 --> 00:10:02,977 EUGH. 236 00:10:04,938 --> 00:10:08,942 - UH, I'M SORRY I'M NOT ARIANA GRANDE. 237 00:10:08,983 --> 00:10:11,611 - CLEARLY. 238 00:10:11,652 --> 00:10:14,155 WOULD YOU PLEASE GET ARIANA? 239 00:10:14,197 --> 00:10:18,577 - UH, WELL, THEY-- THEY JUST TOLD ME THAT I WAS NEXT 240 00:10:18,618 --> 00:10:20,537 AND ARIANA'S STILL GETTING READY. 241 00:10:20,579 --> 00:10:24,374 - WELL THEN, I SUPPOSE WE'LL JUST WAIT FOR HER. 242 00:10:33,174 --> 00:10:39,097 - UH, WHILE WE'RE WAITING, MAYBE YOU'D LIKE TO INTERVIEW ME? 243 00:10:39,139 --> 00:10:40,474 - [HEAVY SIGH] 244 00:10:42,434 --> 00:10:44,227 ALL RIGHT. 245 00:10:44,269 --> 00:10:46,605 THIS IS VANILLA BONET. 246 00:10:46,646 --> 00:10:48,731 - DANIELLA MONET. - YES. 247 00:10:48,773 --> 00:10:51,192 SHE PORTRAYS TRINA ON "VICTORIOUS." 248 00:10:51,234 --> 00:10:52,819 - YEP. I PLAY TRINA, 249 00:10:52,860 --> 00:10:54,862 WHO'S TORI'S OLDER SISTER ON-- 250 00:10:54,904 --> 00:10:57,616 - TELL ME ABOUT ARIANA. 251 00:10:59,409 --> 00:11:01,953 - UH, WELL, ARIANA'S A LOT OF FUN TO WORK WITH 252 00:11:01,995 --> 00:11:03,163 'CAUSE SHE'S EITHER LIKE-- 253 00:11:03,204 --> 00:11:04,747 - QUESTION. 254 00:11:04,789 --> 00:11:06,166 - [SIGHS] OK. 255 00:11:06,207 --> 00:11:07,584 - DO YOU EVER SIT UP IN YOUR BEDROOM AT NIGHT 256 00:11:07,626 --> 00:11:10,044 AND THINK TO YOURSELF, WOULDN'T IT BE GRAND 257 00:11:10,086 --> 00:11:14,715 IF I, DANIELLA MONET, WERE ACTUALLY ARIANA GRANDE? 258 00:11:16,801 --> 00:11:18,052 - NO. 259 00:11:18,094 --> 00:11:20,514 I'M VERY HAPPY BEING ME. 260 00:11:20,555 --> 00:11:22,265 - REALLY? 261 00:11:22,307 --> 00:11:24,851 - YEAH, UH, LISTEN, MAYBE WE CAN JUST TAKE A LOOK AT MY BLOOPERS 262 00:11:24,892 --> 00:11:26,561 FROM "VICTORIOUS." 263 00:11:26,603 --> 00:11:31,608 - WELL, I SUPPOSE THAT'S AS GOOD A WAY TO KILL TIME AS ANY. 264 00:11:31,650 --> 00:11:34,611 OFF WE GO. 265 00:11:34,653 --> 00:11:40,033 - FROM NOW ON, I'M CALLING THIS CITY SHE-CAGO. 266 00:11:40,074 --> 00:11:41,576 I JUST SPIT. 267 00:11:44,037 --> 00:11:45,872 I KNOW. I SHOULD HAVE KEPT GOING. 268 00:11:45,913 --> 00:11:48,625 BUT IT WAS JUST DROOL, YOU KNOW. 269 00:11:48,667 --> 00:11:51,002 NO, NO, NO, SERIOUSLY. I'LL SING OR DANCE, 270 00:11:51,044 --> 00:11:54,422 OR I COULD JUST STAND ON FROAT-- [GIBBERISH]-- FLOAT, 271 00:11:54,464 --> 00:11:57,217 LIKE RIGHT IN FRONT AND JUST-- SORRY. 272 00:11:57,258 --> 00:11:59,886 I TRIED TO KEEP GOING. 273 00:11:59,927 --> 00:12:04,765 FUZZINI BOOTS, GOT 'EM AT SIMONE'S ON SALE! 274 00:12:04,807 --> 00:12:05,975 [SCREAM] 275 00:12:06,017 --> 00:12:07,435 - DIRECTOR [OFFSCREEN]: WHOA. - SORRY. 276 00:12:07,477 --> 00:12:09,479 I MEAN, I'M NOT GOING TO STOP. 277 00:12:12,357 --> 00:12:17,987 HI, UM, CAN I GET AT 5 O'CLOCK APPOINTMENT FOR A "FLIPFF." 278 00:12:18,029 --> 00:12:20,448 SO LISTEN, I'M TOTALLY GOING TO WIN TA-- [SINGING] DAH 279 00:12:20,490 --> 00:12:21,991 DAH DAH DAH DUH DUH DOO DOO. 280 00:12:22,033 --> 00:12:23,742 - DIRECTOR [OFFSCREEN]: CUT! - SORRY. 281 00:12:23,784 --> 00:12:25,870 I TRIED TO, BUT THEN HE CALLED THE FLIGHT ATTENDANT, 282 00:12:25,912 --> 00:12:28,998 WHO CALLED THE SKY MARSHAL, AND THEN THEY ESCORTED ME OUT OF CLASS. 283 00:12:30,875 --> 00:12:32,252 - OR IF YOU'RE DONE WITH IT, KEEP YOUR GARBAGE ON-- 284 00:12:32,293 --> 00:12:35,129 - HEY! HEY KID, STOP KICKING MY SEAT. 285 00:12:35,171 --> 00:12:36,631 - [SIGHS] 286 00:12:36,673 --> 00:12:38,883 - WAIT, I DON'T KNOW HOW I CAN STAY STILL TO THAT. 287 00:12:38,925 --> 00:12:42,512 - THAT, I'M-- MY TOTAL BAD. - OH! 288 00:12:44,305 --> 00:12:47,058 YOU JUST GOT CALLED OUT BY A NINE-YEAR-OLD. 289 00:12:50,895 --> 00:12:55,149 - WELL, WHY DON'T WE GO TO COMMERCIAL? 290 00:12:55,191 --> 00:12:57,360 BUT DON'T STRAY, FOR IN JUST A MOMENT, 291 00:12:57,402 --> 00:12:59,571 I'LL BE BACK WITH FAR MORE COMPELLING STARS 292 00:12:59,613 --> 00:13:02,449 FROM "VICTORIOUS," INCLUDING ARIANA GRANDE, 293 00:13:02,490 --> 00:13:06,411 MATT BENNETT, AND THE INCOMPARABLE VICTORIA JUSTICE. 294 00:13:06,453 --> 00:13:08,622 [APPLAUSE] 295 00:13:14,461 --> 00:13:16,254 AND WE'RE BACK. 296 00:13:16,296 --> 00:13:17,464 WE ARE BACK, ARE WE NOT? 297 00:13:17,505 --> 00:13:18,548 CREW MEMBER [OFFSCREEN]: - WE ARE, SIR. 298 00:13:18,590 --> 00:13:19,924 - EXCELLENT. 299 00:13:21,800 --> 00:13:24,095 SO FAR, WE'VE MET SEVERAL OF THE WONDERFUL ACTORS 300 00:13:24,137 --> 00:13:25,764 WHO BRING "VICTORIOUS" TO LIFE. 301 00:13:25,804 --> 00:13:29,142 AND NOW, THE TIME HAS COME TO MEET ONE OF MY FAVORITES, 302 00:13:29,183 --> 00:13:31,645 AND I'M SURE ONE OF YOURS, TOO. 303 00:13:31,686 --> 00:13:36,524 I GIVE YOU THE INCOMPARABLE, RED VELVETY ARIANA GRANDE. 304 00:13:36,566 --> 00:13:40,654 [APPLAUSE] 305 00:13:40,695 --> 00:13:41,904 - HI CHRISTOPHER. 306 00:13:41,946 --> 00:13:44,574 - HI INDEED. 307 00:13:44,616 --> 00:13:47,118 MY, WHAT A FETCHING DRESS. 308 00:13:47,160 --> 00:13:49,078 IS THAT AN ORIGINAL CHRIS DANGLE? 309 00:13:49,120 --> 00:13:50,497 - UH, YES IT IS. 310 00:13:50,538 --> 00:13:51,498 - HMM. 311 00:13:51,539 --> 00:13:52,831 AND HOW MUCH DID THAT COST? 312 00:13:52,873 --> 00:13:54,875 - I REALLY DON'T KNOW. 313 00:13:54,917 --> 00:13:56,628 - COME ON, LIKE $1,000? 314 00:13:56,670 --> 00:13:58,672 WAS IT $1,000? 315 00:13:58,713 --> 00:14:01,382 - I DON'T THINK IT COST NEARLY THAT MUCH. 316 00:14:01,424 --> 00:14:03,217 - YES, OF COURSE IT DID. 317 00:14:03,259 --> 00:14:05,011 APPLE JUICE? - NO THANKS. 318 00:14:05,052 --> 00:14:06,638 - SO STUPID. 319 00:14:06,680 --> 00:14:09,641 SO YOU ALSO COME FROM A BROADWAY THEATER BACKGROUND. 320 00:14:09,683 --> 00:14:12,393 - YES. I WAS IN THE ORIGINAL BROADWAY CAST 321 00:14:12,435 --> 00:14:14,729 OF "13" THE MUSICAL WITH LIZ GILLIES. 322 00:14:14,771 --> 00:14:15,730 [APPLAUSE] 323 00:14:15,772 --> 00:14:17,816 - CURLY FRIES OR STRAIGHT? 324 00:14:17,856 --> 00:14:20,109 - WELL, I REALLY LIKE WAFFLE FRIES. 325 00:14:20,151 --> 00:14:22,111 - DID I MENTION WAFFLE FRIES? 326 00:14:22,153 --> 00:14:23,363 - NO, BUT I THOUGHT THIS-- 327 00:14:23,404 --> 00:14:25,239 - I DIDN'T ASK YOU WHAT YOU THOUGHT. 328 00:14:25,281 --> 00:14:27,116 I ASKED IF YOU LIKE CURLY FRIES OR STRAIGHT 329 00:14:27,158 --> 00:14:28,743 AND THEN YOU RUINED MY EVENING. 330 00:14:32,205 --> 00:14:34,374 FORGIVE ME. 331 00:14:34,415 --> 00:14:35,709 - IT'S OK. 332 00:14:35,750 --> 00:14:38,252 - I'VE BEEN HAVING SOME PERSONAL ISSUES. 333 00:14:38,294 --> 00:14:40,129 - I TOTALLY UNDERSTAND. 334 00:14:40,171 --> 00:14:41,756 - [SIGH] 335 00:14:41,798 --> 00:14:45,677 SO, SHALL WE TAKE A LOOK AT YOUR "VICTORIOUS" BLOOPERS? 336 00:14:45,719 --> 00:14:47,554 - SURE. 337 00:14:47,595 --> 00:14:48,763 - HERE WE ARE. 338 00:14:48,805 --> 00:14:51,307 - [INAUDIBLE], TAKE ONE. 339 00:14:51,349 --> 00:14:52,933 - TORI: OH, THAT'S INTERESTING. - LOOK AT THE NEW COSTUME I MADE. 340 00:14:52,975 --> 00:14:54,728 I'M LOOK-- I MEAN, I WAS ABOUT TO SAY LITTLE BO PEEP. 341 00:14:54,769 --> 00:14:56,312 I ALMOST TOLD THEM. I'M SORRY. 342 00:14:56,354 --> 00:14:57,689 DIRECTOR [OFFSCREEN]: - BACK UP, PLEASE. BACK TO ONE. 343 00:14:57,731 --> 00:14:59,399 - [MIMICKING GUNSHOTS] 344 00:15:01,317 --> 00:15:02,943 WHAT? 345 00:15:02,985 --> 00:15:04,320 I JUST FORGOT EVERYTHING. - DIRECTOR [OFFSCREEN]: AND CUT. 346 00:15:04,362 --> 00:15:06,906 I WAS GOING TO SAY DON'T TELL ANYONE. 347 00:15:06,947 --> 00:15:08,908 ME, ANDRE, ROBBIE, BECK, AND CAT. 348 00:15:08,949 --> 00:15:11,578 WHOA, I'M CAT. 349 00:15:11,619 --> 00:15:14,789 OH YEAH. AND THEN JADE WOULD GET TO PLAY A ROLE. 350 00:15:14,831 --> 00:15:16,416 - YEAH, I-- - DIRECTOR [OFFSCREEN]: PART, PART, PART. 351 00:15:16,457 --> 00:15:18,042 - PART. OH. 352 00:15:18,084 --> 00:15:21,796 OH, YEAH. AND THEN JADE WOULD GET TO PLAY A ROLE. 353 00:15:21,838 --> 00:15:22,881 DIRECTOR [OFFSCREEN]: - PART. 354 00:15:22,922 --> 00:15:25,091 - OH MY GOD. 355 00:15:25,132 --> 00:15:27,886 OH YEAH. AND THEN JADE WILL GET TO PLAY A ROLE. 356 00:15:27,927 --> 00:15:29,095 DIRECTOR [OFFSCREEN]: - PART! 357 00:15:29,136 --> 00:15:31,264 - I'M GOING TO KICK MYSELF. OK. 358 00:15:32,766 --> 00:15:35,602 OH, AND THEN JADE WILL GET TO PLAY A ROLE. 359 00:15:35,643 --> 00:15:37,270 PART! 360 00:15:37,311 --> 00:15:39,773 CAN I DO IT AGAIN? - JADE [OFFSCREEN]: CAN'T DO BOTH. 361 00:15:39,814 --> 00:15:44,402 - [LAUGHING] 362 00:15:45,779 --> 00:15:48,740 DIRECTOR [OFFSCREEN]: - AND CUT IT. 363 00:15:48,782 --> 00:15:51,158 - IT SOAKS THROUGH. - OH MY. 364 00:15:55,455 --> 00:15:57,373 - CONTRARY TO WHAT MANY PEOPLE THINK, 365 00:15:57,415 --> 00:16:01,168 MY NEXT GUEST IS NOT ANDY SAMBERG. 366 00:16:01,210 --> 00:16:03,671 ONE CAN KNOW THAT SIMPLY BY LOOKING AT HIS PAYCHECK. 367 00:16:03,713 --> 00:16:07,091 [GIGGLES] 368 00:16:07,133 --> 00:16:09,260 NEVERTHELESS, THE ACTOR YOU'RE ABOUT TO MEET 369 00:16:09,302 --> 00:16:10,470 IS MULTI-TALENTED. 370 00:16:10,511 --> 00:16:12,806 HE'S NOT ONLY A MASTER AT COMEDY, 371 00:16:12,847 --> 00:16:14,766 BUT ALSO PLAYS GUITAR AND CAN GIVE 372 00:16:14,808 --> 00:16:18,436 ANY HARMONICA A FIERCE BLOW. 373 00:16:18,478 --> 00:16:23,608 NOW HERE HE IS, AN AWKWARD YOUNG MAN WHO CERTAINLY HAD A HAND 374 00:16:23,650 --> 00:16:28,154 IN MY SUCCESS--[CHUCKLES] --MATTHEW BENNETT. 375 00:16:28,195 --> 00:16:30,197 [APPLAUSE] 376 00:16:30,239 --> 00:16:32,700 - HOW YOU DOING? - QUITE WELL, QUITE WELL. 377 00:16:32,742 --> 00:16:35,077 SO I SUPPOSE THIS IS THE FIRST TIME 378 00:16:35,119 --> 00:16:37,747 THE AUDIENCE IS SEEING THE TWO OF US TOGETHER 379 00:16:37,789 --> 00:16:39,624 YET SEPARATE, AS IT WERE. 380 00:16:39,666 --> 00:16:40,875 - YUP-DEE-DO. 381 00:16:40,917 --> 00:16:42,209 - PLEASE DON'T SAY THAT. 382 00:16:42,251 --> 00:16:46,714 IT IRRITATES ME IN WAYS I CAN'T UNDERSTAND. 383 00:16:46,756 --> 00:16:48,758 - SORRY. - YES. 384 00:16:48,800 --> 00:16:51,761 NOW ON "VICTORIOUS," MY CHARACTER REX 385 00:16:51,803 --> 00:16:55,306 IS OFTEN RUDE AND INSULTING TO YOUR CHARACTER ROBBIE. 386 00:16:55,348 --> 00:16:56,933 - NO. YES, YEAH. 387 00:16:56,975 --> 00:17:00,019 - BUT IN REAL LIFE, MATTHEW AND I ARE FAST FRIENDS. 388 00:17:00,060 --> 00:17:01,228 - EH, NO. 389 00:17:01,270 --> 00:17:04,273 IN REAL LIFE YOU'RE ALSO VERY MEAN. 390 00:17:04,315 --> 00:17:06,985 - OH, STOP. - NO, YOU ARE. 391 00:17:07,026 --> 00:17:09,696 - WELL, IF I AM, IT'S ONLY BECAUSE YOU'RE AN IDIOT. 392 00:17:11,739 --> 00:17:12,907 - I SEE. 393 00:17:12,949 --> 00:17:16,035 - WHAT IS YOUR FAVORITE SNACK, IDIOT? 394 00:17:16,076 --> 00:17:18,329 - UH, UH, POPCORN. 395 00:17:18,371 --> 00:17:21,040 - [MOCKING] MOWR, POPCORN, DEH. 396 00:17:22,416 --> 00:17:23,543 - YOU DON'T HAVE TO MOCK ME. 397 00:17:23,584 --> 00:17:25,169 - DON'T I, MATTHEW? 398 00:17:25,211 --> 00:17:26,921 SERIOUSLY, DON'T I? 399 00:17:28,130 --> 00:17:30,800 - CAN WE JUST WATCH MY BLOOPERS? 400 00:17:30,842 --> 00:17:33,219 - LET'S GIVE IT A PEEK. 401 00:17:33,260 --> 00:17:35,722 - YOUR LIFE WILL BE A DISAPPOINTMENT. 402 00:17:35,763 --> 00:17:38,850 - DIRECTOR [OFFSCREEN]: CUT! - THAT'S NOT THE LINE, IS IT? 403 00:17:38,892 --> 00:17:42,812 BECK WILL BE PLAYING A GUY FROM ENGLAND WHOSE ACCENT-- 404 00:17:42,854 --> 00:17:45,272 [SPEAKING GIBBERISH] 405 00:17:45,314 --> 00:17:47,859 - THANK YOU FOR WELCOMING US INTO YOUR FINE HOME, 406 00:17:47,901 --> 00:17:49,986 BUT DON'T FORGET TO THANK YOURSELF 407 00:17:50,028 --> 00:17:53,531 BECAUSE WITHOUT YOU, NONE OF THIS WOULD BE POSSIBLE. 408 00:17:53,573 --> 00:17:58,077 WITHOUT YOU, SOMETHING, DREAMS, AMERICA. 409 00:17:58,118 --> 00:18:00,204 I NEED TO READ THAT LINE AGAIN. 410 00:18:00,246 --> 00:18:04,083 YES. THANKS FOR WELCOMING US INTO YOUR FINE HOME. 411 00:18:04,124 --> 00:18:06,460 BUT DON'T FORGET TO THANK YOURSELF, 412 00:18:06,502 --> 00:18:08,629 BECAUSE IF YOU JUST BELIEVE IN YOUR DREAMS, 413 00:18:08,671 --> 00:18:12,466 THEN YOU CAN MAKE THE WORLD COME TRUE. 414 00:18:12,508 --> 00:18:15,845 DIRECTOR [OFFSCREEN]: - [LAUGHING] CUT! 415 00:18:15,887 --> 00:18:17,931 - ALL RIGHT, IT'S STARTING TO GET IN HERE. 416 00:18:17,972 --> 00:18:21,017 - JUST SLAP THAT-- OH NO! 417 00:18:21,059 --> 00:18:23,519 NO. NO. 418 00:18:23,561 --> 00:18:27,189 NO. - DIRECTOR [OFFSCREEN]: LET'S HOLD. 419 00:18:27,231 --> 00:18:30,651 ROCK AND ROLL. I GOT SLIMED. 420 00:18:30,693 --> 00:18:33,362 - YOU FROM AROUND HERE, OR YOU [GIBBERISH]. 421 00:18:33,404 --> 00:18:35,114 WHOOPS. 422 00:18:35,155 --> 00:18:38,826 - WELL, YOU ARE A MESS. 423 00:18:38,868 --> 00:18:41,079 - UH, THAT LAST ONE WASN'T ME. 424 00:18:41,120 --> 00:18:42,204 - YES IT WAS. 425 00:18:42,246 --> 00:18:43,623 - UH, NO. THAT WAS MIKEY REID. 426 00:18:43,664 --> 00:18:44,582 HE PLAYS SINJIN. 427 00:18:44,624 --> 00:18:46,333 - OH, WHAT'S THE DIFFERENCE? 428 00:18:46,375 --> 00:18:48,920 - UH, HE'S NOT ME. 429 00:18:48,962 --> 00:18:50,421 - PLEASE GO. 430 00:18:55,468 --> 00:18:58,596 WELL, NOW, MY NEXT GUEST IS NO STRANGER TO ANYONE 431 00:18:58,638 --> 00:19:01,140 WITH EYES OR NOSTRILS. 432 00:19:01,181 --> 00:19:04,310 SHE CAN TURN THE WORLD ON WITH HER SMILE. 433 00:19:04,351 --> 00:19:07,814 SHE COULD TAKE A NOTHING DAY AND SUDDENLY MAKE IT SEEM 434 00:19:07,855 --> 00:19:10,817 LIKE A DELICIOUS CRAB SALAD. 435 00:19:10,858 --> 00:19:13,486 PEOPLE OF THE WORLD AND WISCONSIN, 436 00:19:13,527 --> 00:19:18,282 I GIVE YOU THE PUSILLANIMOUS MS. VICTORIA JUSTICE. 437 00:19:18,324 --> 00:19:19,951 [APPLAUSE] 438 00:19:21,410 --> 00:19:22,495 - HELLO. 439 00:19:22,536 --> 00:19:25,331 - GOOD HEAVENS, YOU'RE GORGEOUS. 440 00:19:25,372 --> 00:19:26,707 - COME ON, CHRISTOPHER. 441 00:19:26,749 --> 00:19:30,628 - LOOK AT THOSE GLORIOUS LITTLE CHEEKBONES. 442 00:19:30,670 --> 00:19:32,463 - STOP, YOU'RE EMBARRASSING ME. 443 00:19:32,505 --> 00:19:35,008 - YES. I'M A BAD BOY, AREN'T I? 444 00:19:36,884 --> 00:19:37,927 APPLE JUICE? 445 00:19:37,969 --> 00:19:39,512 - YEAH, THANKS. I'D LOVE SOME. 446 00:19:39,553 --> 00:19:43,016 - I'M SORRY. THIS IS THE LAST OF IT. 447 00:19:43,057 --> 00:19:45,143 - UM, OK. 448 00:19:45,184 --> 00:19:47,603 - YOU PLAYED LOLA ON "ZOEY 101." 449 00:19:47,645 --> 00:19:48,562 - I DID. 450 00:19:48,604 --> 00:19:50,606 - I NEVER WATCHED IT. 451 00:19:50,648 --> 00:19:53,359 - OH. WELL, IT WAS A GOOD SHOW. 452 00:19:53,400 --> 00:19:57,113 - IF YOU WERE A FRUIT, WOULD YOU WANT TO BE SLICED OR JUICED? 453 00:19:57,155 --> 00:19:58,823 - I DON'T KNOW. 454 00:19:58,865 --> 00:20:01,117 - JUICED. - OF COURSE. 455 00:20:01,159 --> 00:20:03,243 FINALLY, SOMEONE WHO GETS IT. 456 00:20:05,454 --> 00:20:06,873 NOW, I'M GOING TO SAY A WORD, 457 00:20:06,914 --> 00:20:09,000 THEN YOU SAY THE FIRST WORD THAT COMES INTO 458 00:20:09,042 --> 00:20:10,501 YOUR BEAUTIFUL FEMININE HEAD. 459 00:20:10,543 --> 00:20:11,752 - OK. 460 00:20:11,794 --> 00:20:14,047 SOUNDS FUN. 461 00:20:14,088 --> 00:20:15,548 - I'M IN LOVE WITH YOU. 462 00:20:17,884 --> 00:20:20,970 - UH, I THOUGHT YOU WERE GOING TO SAY A WORD AND THEN-- 463 00:20:21,012 --> 00:20:24,557 - I'M NOT JOKING. I'M DEADLY SERIOUS. 464 00:20:24,598 --> 00:20:27,852 I THINK ABOUT YOU DAY AND NIGHT. 465 00:20:27,894 --> 00:20:31,189 - LOOK, I'M NOT REALLY LOOKING TO DATE ANYONE RIGHT NOW. 466 00:20:31,230 --> 00:20:33,315 - I'M NOT SUGGESTING WE DATE. 467 00:20:33,357 --> 00:20:38,487 - I'M TALKING ABOUT THE TWO OF US SPENDING OUR LIVES TOGETHER. 468 00:20:38,529 --> 00:20:41,574 - WELL-- - DON'T TOY WITH MY AFFECTIONS. 469 00:20:42,742 --> 00:20:45,244 - AREN'T YOU MARRIED? - YES. 470 00:20:45,285 --> 00:20:48,288 SOMEONE CALL MY LAWYER. I'M DONE WITH MY WIFE. 471 00:20:48,330 --> 00:20:49,540 I'M TRADING UP. 472 00:20:49,582 --> 00:20:50,958 - HEY-- HEY. - YES. 473 00:20:51,000 --> 00:20:53,127 YES, MY SWEET. 474 00:20:53,169 --> 00:20:54,879 - FORGET IT. 475 00:20:54,921 --> 00:20:56,463 - OF COURSE. 476 00:20:56,505 --> 00:20:59,926 I'VE-- I'VE EMBARRASSED MYSELF. 477 00:20:59,967 --> 00:21:01,468 - YEAH, A LITTLE. . 478 00:21:01,510 --> 00:21:06,473 - I CAN'T BELIEVE I... DIDN'T EDIT THIS OUT. 479 00:21:06,515 --> 00:21:11,896 BUT I MIGHT FEEL BETTER IF YOU WERE TO KISS ME. 480 00:21:11,938 --> 00:21:13,272 - STOP. 481 00:21:13,313 --> 00:21:14,690 - YOU MEAN GO? 482 00:21:14,732 --> 00:21:15,733 - NO. 483 00:21:15,775 --> 00:21:17,026 - YOU MEAN YES? 484 00:21:17,068 --> 00:21:18,569 - I'M SERIOUS. 485 00:21:18,611 --> 00:21:19,612 - YOU'RE JOKING. 486 00:21:19,653 --> 00:21:20,696 - DUDE! 487 00:21:20,738 --> 00:21:22,073 - ALL RIGHT. 488 00:21:27,327 --> 00:21:29,496 SHALL WE TAKE A LOOK AT YOUR BLOOPERS? 489 00:21:29,538 --> 00:21:31,373 - UH, YEAH. 490 00:21:31,415 --> 00:21:33,751 - THEN LET US PIVOT OUR HEADS. 491 00:21:33,793 --> 00:21:35,795 [APPLAUSE] 492 00:21:39,882 --> 00:21:40,925 [GRUNTING] 493 00:21:40,967 --> 00:21:42,342 DIRECTOR [OFFSCREEN]: - HOLD! 494 00:21:42,384 --> 00:21:43,719 - SORRY, I ACTUALLY COULDN'T TURN AROUND. 495 00:21:43,761 --> 00:21:45,138 SORRY. 496 00:21:45,179 --> 00:21:47,056 - HIT IT, MUCHACHA. 497 00:21:47,098 --> 00:21:48,182 - [CLEARS THROAT] 498 00:21:48,224 --> 00:21:50,309 [PLAYS HORN BADLY] 499 00:21:53,271 --> 00:21:56,690 [SINGING GRUFFLY] SUDDENLY, MY CHOICE IS CLEAR. 500 00:21:56,732 --> 00:21:58,067 - [GRUFFLY] CLEAR. 501 00:21:58,109 --> 00:21:59,277 - [GRUFFLY] CLEAR. 502 00:21:59,318 --> 00:22:01,779 - [GRUFFLY] CLEAR. 503 00:22:01,821 --> 00:22:02,863 - NO. 504 00:22:02,905 --> 00:22:04,031 I CAN'T-- 505 00:22:04,073 --> 00:22:06,784 - [INDISTINCT] 506 00:22:06,826 --> 00:22:08,119 - TRINA HAS BEEN DYING FOR THESE. 507 00:22:08,161 --> 00:22:09,870 I HAD TO GET-- [SPEAKING GIBBERISH] 508 00:22:09,912 --> 00:22:11,831 LISTEN, IF I CAN-- [SPEAKING GIBBERISH] 509 00:22:13,540 --> 00:22:15,334 AND IF I DON'T CRAM-- MEH. 510 00:22:15,375 --> 00:22:16,961 [GIBBERISH] BLEGH. 511 00:22:17,003 --> 00:22:18,712 [SPEAKING GIBBERISH] 512 00:22:18,754 --> 00:22:22,967 FUNNY THING IS I'VE--- MEH. LET'S DO THAT AGAIN. 513 00:22:23,009 --> 00:22:24,426 I SPOKE A DIFFERENT LANGUAGE. 514 00:22:24,468 --> 00:22:26,095 AWESOME. 515 00:22:27,847 --> 00:22:29,389 DIRECTOR [OFFSCREEN]: - HOLD. 516 00:22:32,685 --> 00:22:34,770 - OK. SHOULD I WALK IN AGAIN? - DIRECTOR [OFFSCREEN]: YEAH. 517 00:22:34,812 --> 00:22:35,771 - OK. 518 00:22:35,813 --> 00:22:37,606 [APPLAUSE] 519 00:22:39,984 --> 00:22:42,402 - THIS SHOW IS OVER. 520 00:22:42,444 --> 00:22:44,738 I THANK YOU ALL FOR JOINING ME IN THIS BEHIND THE SCENES LOOK 521 00:22:44,780 --> 00:22:48,742 INTO THE INNER WORKINGS OF THE TELEVISION SHOW, "VICTORIOUS." 522 00:22:48,784 --> 00:22:52,621 AND NOW, AS YOU MIGHT HEAR MY ALTER EGO REX SAY ON THE SHOW, 523 00:22:52,663 --> 00:22:54,623 [IN AMERICAN ACCENT] I'M SPIKED OUT, AND I HANDLED MY BUSINESS. 524 00:22:57,001 --> 00:22:58,085 GOOD NIGHT. 525 00:22:58,127 --> 00:23:00,838 [APPLAUSE] 526 00:23:04,217 --> 00:23:07,220 MY HEART'S GOT A NICE BEAT GOING. [BEAT BOXING] 527 00:23:07,261 --> 00:23:09,680 DIRECTOR [OFFSCREEN]: - HOLD. HEY, LEON. LEON. 528 00:23:09,722 --> 00:23:13,309 - GO OFF BEAT. HA-HA! - DIRECTOR [OFFSCREEN]: WHY WON'T HE STOP? 529 00:23:13,351 --> 00:23:14,601 - CREW MEMBER [OFFSCREEN]: HE'S HAD THE THING IN HIS EARS. 530 00:23:14,643 --> 00:23:15,853 HE MIGHT NOT HAVE BEEN HEARING YOU. 531 00:23:15,895 --> 00:23:17,688 - WH-- OH, I CAN'T HEAR ANYTHING. 532 00:23:19,023 --> 00:23:20,774 - DIRECTOR [OFFSCREEN]: LEON. - YES, SIR? 533 00:23:20,816 --> 00:23:22,026 DIRECTOR [OFFSCREEN]: OK, FIRST OF ALL, WE STOPPED 534 00:23:22,068 --> 00:23:24,237 A HALF HOUR AGO. - OK, COOL, COOL. 535 00:23:24,278 --> 00:23:25,238 I WAS JAMMING. 536 00:23:25,279 --> 00:23:26,488 [DING] 537 00:23:26,530 --> 00:23:28,241 MAN [VOICEOVER]: MM. 538 00:23:29,533 --> 00:23:31,285 REX [VOICEOVER]: I'M A BAD BOY, AREN'T I? 539 00:23:31,327 --> 00:23:34,080 [MUSIC PLAYING] 38910

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