All language subtitles for fear.the.walking.dead.s07e09.720p.web.h264-cakes

Someplace safe from all this,
with plans to rebuild.

She's the one
we've been waiting for.

And that's gonna lead us
to our new beginning.

I didn't amputate my arm
in time.

The infection is
still inside me.

And it's only
a matter of time.

I am taking the one thing
that matters to you the most.

I am taking that tower.

I'll protect it
if I must.

Then we're going to war.

Padre...

Follow me.

Who said that?

Hey!

Hey, I'm talking to you!

Hey!

What is that?!

Hey!

Hey!

Padre...

Padre...

Hey.

Padre, follow me.

Padre.

What did you say?

Padre.

Follow me.

Follow me.

Follow me.

Follow me.

Hello?

Is someone here?

Hey.

Turn it off!

Behind you!

What did you do?!

Oh, no.

No, no, no!

What did you do?!

Damn it.

Hey.

Hello?

How did I get here?

Hey, I'm talking to you.

Hey.

Easy.

Didn't you hear me?

No. I didn't.

I haven't heard a goddamn thing
in months.

What's going on?
How did I get here?

You're gonna have to speak
a lot slower

if you expect me
to read your lips.

Oh.

How long
have I been out?

Two days.

How did I get here?

I brought you here.

I was coming back
from a food run.

Found you passed out in a barn
about two miles north.

Good thing I came along
when I did.

I-I-I checked on you,
saw your arm --

or what's left of your arm.

That's quite a statement.

I got bit.

I wasn't gonna let him
take it from me.

I figured if it had come
from a bite,

you would've turned
by now.

What's left of it
didn't look infected.

Still,
you were burning up

no matter how much medicine
I gave you.

So why are you idling
so hot?

You sick?

No.
That's not it.

Then what is it?

I wasn't in a barn.

I was on my way back...

to the people
I was staying with.

I...

I must've passed out.

But I wasn't in a barn.

A girl saved me.

I didn't see a girl.

Maybe she got you
to the barn.

What is it exactly
you were running from

in the first place?

Um...

I-I appreciate
your help.

I, um...

I really have to go.

There are people
that are counting on me.

Your dad?

You kept saying "Padre"
over and over in your sleep.

I-I must've
been confused.

Hold on a second.

Youbroke my stereo.

After what I did
for you,

the least you can do
is help me fix it.

I'm really sorry,
but I-I have to go.

Whoa, whoa, whoa, whoa.

Hey, back off!

You're in no shape
to go anywhere.

I'm Paul, by the way.

You never answered
my question before.

About your fever.

It's a long story.

You're gonna have to do a lot
better than that.

The reason you're still
breathing is 'cause of me.

Look,
I returned the favor.

That music you're blasting
was drawing walkers here.

Because the lock
on the damn door gave.

I got the house
soundproofed.

I can play my music
as loud as I want.

I thought you said you hadn't
heard anything in months.

When Beethoven
first started going deaf...

he destroyed every piano
they put in front of him,

just smashed the keys

like his fingers
were sledgehammers.

Why?

Just 'cause
you can't hearmusic

don't mean
you can't feelit.

Is that why all your instruments
are broken?

Out of tune.

What about that one?

I don't play those.

Why not?
I just don't.

Damn it.

Hide me.
Hide me.

He can't know I'm here.Why?

Please.
Okay.

Okay.

Hey, there.

Something I can
help you boys with.

We're looking
for somebody.

I can't hear shit.

So, if you got
something to say,

you're gonna have
to show your face.
Hmm.

Wind hasn't kicked up anything
dangerous in weeks.

How's that?

I'm looking
for somebody.

A woman.

You're out of luck.

Ain't nobody here but me.Hmm.

What are you carting
around there?

Oh. That. Yeah.

Um...

Hey!

I say you could come in,
asshole?

You sick?

You got a fever?

Get out of my house.

Hmm.
The reason I'm asking is,

the girl I'm looking for,
she gets fevers.

She was bit by the dead.

Lost her arm because of it,
but didn't turn her.

Hmm.

And yet, she's still
walking around.

I told you,
I ain't seen her.

Doesn't seem like
a very considerate thing to do,

if you ask me, but...

ah, then again,

she has a habit
of getting people hurt.

What do you want
with her?

Ah, that's between
me and her.

Piano's broken.

Just out of tune's all.

You sure?

I'm sure.

Alright, then.

You see her,
you give me a call.

I'll do that.

Deaf musician.

Ain't that a bitch?

Appreciate your time.

What did
he want with you?

Is it true
what he said?

About you
getting folks hurt?

We lived
at the same place,

and things went bad,
and he blames me.

Is he right to?

He doesn't like
where I led everyone.

We had to abandon
where we were living

because the blast
compromised the structure.

Where was that?

Well, you seem
nice enough to me.

Then again...

I may just be grateful
for the company.

Bon appétit.

I -- I take it you've
never had haggis.

Mnh-mnh.

Rowan was Scottish.

Always kept cans of this stuff
in the pantry,

and if I'm being honest,

I had the same reaction
as you did

when I first tried it.

But I, um...

I grew to like it.

And when
you're scavenging,

you'd be surprised
how easy it is to find.

Whole grocery stores
picked clean,

save for that stuff.

Rowan, is she your...

Was.

My wife.

What happened?

The bombs did.

Lost her

and what's left of my hearing
on that same day.

I'm sorry.

So am I.

I'm going to turn in.
We leave at dawn.

Find us a new stereo.

Uh, look, um...

I appreciate everything
you've done,

but I-I really do
have to go.

You can't leave.
No.

I'm not the person
you think I am.

Well,
you're gonna have to be.

Why won't you
let me go?

Why are you in
such a hurry to?

Because what Arno said about me
is true.

Look, a lot of people got hurt
because of me,

and I don't want that
to happen again.

What happened in that place
you were at before?

Why is the guy
really after you?

It doesn't matter.

Then what does?

Getting back
to my friends.

Their lives
are at stake.

So is mine.

You leave me here

without helping me
find that stereo,

I'm as good as dead.

You help me get
what I want,

I'll make sure you get back
to your people in one piece.

Look, I don't even know
where to find...

what you're looking for.

I do.

You never told me.

How'd you wind up bit?

Same way
most people do.

Trying to get out
of a bad situation.

Does it have something
to with PADRE?

I told you --

you was talking about it
in your dreams.

Must have meant
something to you.

It's a place.

Somewhere I thought
I could take everyone.

Somewhere I thought
they'd be safe.

And people died
along the way.

That's why
Arno's after you?

So...

...what's the new plan?

There's a new place.

Or there will be.

The person
who's running it

is doing everything they can
to keep people out,

and I was trying
to get Arno and his people

to fight for it
with us.

Doesn't sound
like you convinced them.

He wasn't happy
to see me.

He said I shouldn't
be leading anyone anywhere.

And...honestly,
he's probably right.

So it didn't work out
with PADRE.

Big deal.
You tried.

And people died.

Did you put a gun
to their head

and force them
to follow you over there?

There must've
been a reason

for you to think
this is the way to go.

Yeah, I did.

Then why
beat yourself up?

Beethoven's ninth.

Last concert
we ever had here.

Back when
it first premiered,

Beethoven insisted
that he conduct it himself.

When it ended...

the house went nuts.

Standing ovation.

Of course,
he couldn't hear it.

Story goes

that some
young contralto

spun him around
so he could see

how they loved
what they heard.

What instrument
did you play?

I was piano.

Rowan -- violin.

Played a lot of instruments,
actually.

Bagpipes?

Sorry.
It's not my business.

They were hers.

I got them
for her 40th birthday.

Even learned how
to play them myself.

Part of my, uh,
Scottish education.

She had an arrangement
of "Ode to Joy"

all figured out
for those pipes.

That was her dream.

But she never
got to play it.

When my hearing
started going,

she thought maybe

I just might be able
to hear that.

Bagpipes --

so damn loud.

Why didn't she play
the arrangement?

I told her that's not how
it was meant to be played,

but really, I --
I...

I was just so damn mad

at my world going quiet

that I took it out
on her.

You don't have to go back
to that house, you know?

You don't have to
live all alone like this.

What else would I do?

Come with me.

My friends --
the more people we have,

the sooner
we can take that place

I was talking to you about.

Hmm.

What's wrong?

Wait here.

Shit.

Figured I might
find you here.

I'm not alone.I figured that, too.

Come on out.

Oh, right. Yeah.

He can't hear us.

You never learn,
do you, Alicia?

Did you promise him
somewhere you could go,

somewhere safe
you could take him?

I thought PADRE
was gonna work.

Tell it to them.

You're insane.

I'minsane?

You're the one
who asked them to find

the late, great
Senator Vazquez

so he could lead us
to the promised land.

How'd that go,
by the way?

You should put them
to rest.

Yeah.

Yeah, I should.

You know,
I was going to...

but then I thought
it'd be way more fun

to let them punish you
for what you did.

Wait, wait. Stop.

Wait! Wait!

Wait!

No! Wait. Please!

They're dead
because of you.

They're dead because you said
you knew the way!

Seems only fair
that you join them, Alicia.

You're halfway there,
anyway.

No.

Get down!

Aah!

Paul!

What are you doing?

I can fix it.
Get in!

I have to get it back.

Stop, stop.
It's just a stereo.

No, it's not!

It's the only thing
that could drown it out.

Drown what out?

Her voice!

She was on her way back
when it happened.

She was so...

scared.

I tried to calm her,

told her everything
was gonna be okay.

I told her to stay on the radio
with me.

Then it happened.

That warhead
came crashing down

with this horrible,
high-pitched whine.

Then she screamed.

Then everything
just went...

quiet.

That was the last thing
I ever heard.

Her scream!

My Rowan.

I couldn't go on hearing it,
Alicia.

I just can't.

You --

You couldn't possibly
understand.

I can.

How?

Because I have a voice
I can't get rid of, either.

What voice?

The one
from my dream.

What dream?

The dream I've been having
for months,

the dream
I keep having.

You asked me
why I thought PADRE

was the place
I had to take everyone.

That's why.

That must have
been some dream.

First time I had it
was after I got bit.

I didn't know...

whether I'd cut my arm off
in time

or whether I was gonna bleed out
or turn.

But you didn't.

I don't know how long I was out.
Days, maybe.

My fever was spiking,
and I had this dream.

It was the most vivid dream
I've ever had.

About what?

A walker.

And I was following it.

But it wasn't just me.

It was...
all of them, too.

And I finally caught up
to the walker, and he --

he turned around.

And it was that same walker
that bit me.

And he --
he talked to me.

Padre.

But it wasn't
his voice.

It was --
It didn't belong to him.

It was this static.

But it -- it told me

to follow him to PADRE.

And so I did,

or that's what
I've been trying to do.

And I made all these people
believe in me.

I-I told them I knew
what I was doing,

where I was going,
and I didn't.

You know,
it was just a dream.

You must've heard that voice
for a reason.

No. Whatever it was,

all these people died
because of me.

And now that voice
is all Ican hear.

Every time
I close my eyes.

Every time I manage
to fall asleep.

Were you...

serious about what
you said before?

About me coming with you
to that place

you were trying
to take over?

I'd like
to take you up on that.

Why?

Because something tells me
there's a reason

I came across you
in that barn.

I think maybe we can
help each other

drown out what
we don't want to hear.

Paul, I couldn't even
get you a stereo.

We got one right here.

Look, you got lucky.

You need to stay
away from me.

I can't let you get hurt
because of me.
I won't.

Look, Arno will not stop
until I'm dead,

and even if he doesn't
find us here,

he will go to your house,
and he will hurt you.

Which is why
we need to be ready for him.

How?

You trust me?

If you're listening...

if you can hear me,

I'm sorry about the mishap
back there.

She turned on me, too.

That problem you got?

I'm ready
to help you solve it.

My house after dark.

You don't have
to do this.

The sooner I help you
take him out...

the sooner you can get back
to your people,

so you can do
what you need to do next,

and stop
punishing yourself

for something
that's not your fault.

Look,
even if Arno's gone,

this voice is not
gonna go away.

Maybe it's not meant
to be silenced.

But you said --I-I said we could
drown out the voices

that we don'twant
to hear.

Maybe you should keep listening
to the voice from your dream.

Why?

My old man...
he was one hell of a pianist.

People used to call him
the Texas Gershwin.

My older brother -- whew --
damn near just as good.

So, when I started
taking lessons,

I thought I could play
like them.

But every time
my teacher would catch me,

he would just smash my hands
with a yard stick.

Made him so mad.

Why?

Because...

nobody ever
makes great music

imitating others.

It's gotta come
from you.

Maybe that's why
it didn't work out before.

Because you thought
somebody else

was trying
to tell youwhat to do.

That voice,
maybe it's you.

So, listen to it.

'Cause if you don't...

you might regret it.

You owe it to yourself
and to anyone you want to help.

Where are you?

I know you're in there.

They're here.

Here.

Put these in.

It's gonna get loud.

We know you're in there,
Alicia!

Where are you?

Come on out.

Come on out, Alicia.

Before you get
someone else hurt.

Make sure she doesn't
sneak out the back.

Fall back!

Fall back!

Shit. Shit.

He's coming in
through the back!

There are too many!

Paul.

Let me see.

It's gonna be okay.

Hold this.

Where we're going,
there are medical supplies.

It's too late.

It's not.
We'll get out of here.

Youwill.

I'm not
leaving you here.

You don't have a choice.

You got here because of me.
Okay?

Because I said I'd take you
somewhere safe.

I would have followed you
wherever that may have been.

So will they.

Who?

Ah, your friends.

Your people.

That's what your dream
was trying to tell you.

They're the ones
you're meant to lead.

Come on, Paul.

Come on.
We have to go.

You just need

to believe
in what you're capable of.

I doubted someone
I cared about.

I won't make that same mistake
again with you.

Go, Alicia.

I won't make it
past him.

You will...

if they can't hear you.

Open up!

You know you can't stay
in there forever.

Open up!

You again?

Are you okay?

Masked
I will be.

If you can help me...

...maybe I can help you.

Hey!

Padre...

Hey!

Woman's voice: Padre.

Follow me.

Hey.

Padre.

Follow me.

Alicia.

Alicia.

Wake up.

Morgan.

It's okay.

Hey, hey.

You're alright.

Hey.

How long have
I been out?

You showed up here
last night,

but you collapsed
before we could get you inside.

Here.

Gotta keep
your fever down.

Where is she?

Who?

The girl.
What girl?

The one who
brought me here.

You were alone
when we found you.

What is it?

Alicia...
are you alright?

How did it go
with Arno?

You convince him
to come and join us?

I'm sorry.

I know we don't
have enough people

to take on Strand
without them.

Then we find
another way.

I think
I already have one.

Just tell me
what this is about.

There might be a way
to get the army we need.

How?

Promise me
you won't try to stop me.

Hey, you have yet to tell me
why you thought

that walker
was gonna lead us to PADRE.

Even after
I followed along.

So I don't think
it's too much to expect

a straight answer
to a straight question.

What is this
all about?

I had a dream.

When I was in the bunker,
after I cut it off.

You had a dream.

When my fever was at its worst,
there was this voice,

and I thought
it was telling me

the walker would
lead us there.

Thought it was coming
from PADRE.

But it was coming
from where?

Me.

Look,
my mom had her dream.

Nick had his.
You have yours.

I've always had such
strong voices around me.

I've never stopped
to really listen to mine.

But I am now.

So, where will you go?

The bunker.

There's a working transmitter
down there

and I need it
to reach people.

'Cause that walker,

I thought it would
lead us to PADRE,

but I was wrong, because
I don't think PADRE even exists.

But there are a lot of people
out there like me

who are looking for it,

or looking
for a place like it.

Hey, you can't lead people
to a place that doesn't exist.

I know.
But I can lead them to us.

To us? Like...

...you're gonna
become PADRE?

I'm going to give them
what they want.

A safe place to live,

and that's how
we get our army.

That's how we take the Tower
from Strand.

I should come
with you.

No, I need you
to stay here.

Because when I come back,
that's when we make our move.

Then we will be ready
for when you get back.

But you should
rest first.

I can't.

Just be ready.

Whoa!

Sage, why are we stopping?
Look at me.

My hand -- it could kill me
if we don't treat it.

We don't have time.

Arno?

Look!

Herd musta fell in.

Probably been stewing down there
for months.

How many do you
think there are?

Too many.

If one of them gets out,
none of us are going anywhere.

We're gonna take the Tower
for ourselves.

One of Morgan's.

If today proved anything,

it's that we need to
protect this place.

There are other ways.

I got ya.

Do you really think you're
ready to be a ranger?

I'll go with you.

You're a monster.No!

Ali, what are you doing?
Ali?!

This is a story about Alicia

coming into her own
as a leader.

Follow me.

It goes from a story

where she thought she had

to follow someone else

and now it's about other people
needing to follow her.

Alicia is still not
physically well.

She's got fevers.

You can tell
that she's disoriented.

We really wanted that feeling
of disorientation

to filter down to the audience

and understand what it was like
to suddenly wake up

in this strange house
with music blasting

and a walker that's wandered
in the front door

and just wondering,
"Is this real?

Is this a nightmare?
Is this something in between?"

Ah!

Alicia broke Paul's stereo

and he wants her help
restoring that.

We see that's a very
significant thing for him.

What did you do?!

It was critically important
that we find an actor who's deaf

that could really bring a sense
of authenticity.

Easy.
Didn't you hear me?

I haven't heard a goddamn
thing in months.

Warren is a singer
and a musician himself.

You're going to have
to speak a lot slower

if you expect me
to read your lips.

We found him
and what he brought

to the performance
incredibly inspiring

and we -- we think
it turned out really well.

Just 'cause
you can't hearmusic

don't mean you can't
feelit.

Hide me.

Paul gets a pretty good read
on Arno

when he comes to the door
with a cart full of walkers.

Paul knows that Alicia is just
someone who's in some trouble.

She has a habit
of getting people hurt.

What do you want
with her?

He's a good person.Appreciate your time.

He's not going to hand her
over to someone

who clearly doesn't have
good intentions for her.

It is true, what he said,

about you
getting folks hurt?

Alicia absolutely believes
what Arno's saying.

He's articulating the voice
that's in her mind.

He wants Alicia to be confronted
because of what he believes

are bad decisions she made,

which were based on this dream
that she had

following the Senator walker,

and it had really dire
consequences.

PADRE.

He wants Alicia to see just

what a poor leadership
decision that was.

You should put them
to rest.

It'd be way more fun

to let them punish you
for what you did.

Wait!

No! Wait.

Aah!

Get down!

Paul has lost his hearing,

but is still able
to help Alicia.

Alicia's lost her arm,
lost her faith in herself,

but it's still using
those disadvantages,

finding a way to work together
to make something incredible.

Beethoven, probably

the most famous deaf musician
that ever lived.

"Ode to Joy" is just this
incredible piece of music

that Beethoven composed entirely
after he'd lost his hearing.

The sooner I help you
take them out,

the sooner you can get
back to your people.

There's a lot going on
in the sequence,

but, really, at the heart of it,
it's about Alicia and Paul,

these two wounded characters,

helping each other navigate
this incredible gauntlet

of Arno and his groupCome on out!

by using Beethoven,

which was kind of the thing
that brought

Alicia and Paul together
in the first place.

While Arno and the guys

are being consumed
by this blaring music,

that gives Alicia the window
she needs to escape.

Paul grabbing the bagpipes
is the fulfillment

of the thing that his wife,
Rowan, didn't get to do

and it's also his final
good deed for Alicia,

so that she can escape.

Paul knows,

when he takes that action,

it's probably going to mean

the end of his own life.

The reason Alicia's dream
has changed

is because Paul has helped
her see it in a new way.

Paul has forced Alicia
to listen to her own voice

in a way that she hasn't before.

What that is, is she needs to be
the person who's followed.

You're alright.

Morgan has goals,

when it comes to Alicia.

He sees her as a leader
and they're going

to need each other
to take Strand's tower.

How did it go
with Arno?

You convince him
to come and join us?

I'm sorry.

I know we don't have
enough people

to take on Strand
without them.

Then we find
another way.

I think I already
have one.

Even though Alicia's instincts
didn't bear out,

Morgan realizes he's going
to have to trust her.

I don't think PADRE
even exists.

But there are a lot
of people out there like me

who are looking
for a place like it.

Going to give them
what they want --

a safe place to live.

And that's how
we get our army,

that's how we take
the tower from Strand.

When I come back,

that's when we make
our move.

The crater was a very
important idea to us.

We sort of thought of it
as the ground zero

for the most dangerous walkers
that were created

out of the bomb that went off
at the end of Season 6.

We know that these walkers
are going

to factor in very heavily
into the story going forward.

You'll have to keep watching
to see how,

but this is a particularly
dangerous breed of walker

and there's a lot of them.