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1
00:00:06,072 --> 00:00:07,972
[BIRDS CHIRPING]
2
00:00:08,041 --> 00:00:11,311
[RIFLE CLICKS]
3
00:00:15,315 --> 00:00:17,845
PARCO: OK, SHE'S SHOWING
YOU HER BROAD SIDE.
4
00:00:17,917 --> 00:00:20,547
HEART'S JUST BEHIND
THE NEAREST SHOULDER.
5
00:00:20,653 --> 00:00:22,923
THAT'S THE CLEANEST
KILL SHOT POSSIBLE,
6
00:00:23,023 --> 00:00:26,193
BUT YOU'RE AIMING TOO FAR LEFT.
7
00:00:26,259 --> 00:00:28,399
AIM RIGHT.
8
00:00:28,495 --> 00:00:33,395
THAT'S IT. A LITTLE
BIT FARTHER. STEADY.
9
00:00:35,702 --> 00:00:38,042
A LITTLE MORE.
10
00:00:43,543 --> 00:00:45,713
THERE.
11
00:00:48,615 --> 00:00:50,715
OK. DEEP BREATH.
12
00:00:53,686 --> 00:00:55,786
BRACE FOR THE RECOIL.
13
00:01:00,226 --> 00:01:02,356
AND...
14
00:01:04,564 --> 00:01:05,804
SQUEEZE.
15
00:01:05,899 --> 00:01:08,699
[SOUND OF GUNSHOT ECHOES]
16
00:01:26,753 --> 00:01:30,323
[MOANING]
17
00:01:49,576 --> 00:01:51,906
CARMEN: DAMN GOOD.
18
00:01:51,978 --> 00:01:53,778
LOOK AT US.
19
00:01:55,081 --> 00:01:59,291
THREE YEARS AGO, WE
STARTED WITH 4 BLOCKS,
20
00:01:59,352 --> 00:02:02,022
AND WE'D SHOOT ON
SIGHT TO GUARD IT.
21
00:02:02,122 --> 00:02:05,762
NOW WE GOT OPENED UP ROADS,
22
00:02:05,825 --> 00:02:08,355
CREW AFFILIATIONS,
23
00:02:08,461 --> 00:02:11,001
FREE TRADE.
24
00:02:11,097 --> 00:02:14,027
THAT STARTED WITH YOU.
25
00:02:14,134 --> 00:02:15,474
HA HA! OH, MY...
26
00:02:15,535 --> 00:02:18,035
PARCO: YOU TRYING TO
GET ME GOING HERE, HUH?
27
00:02:18,138 --> 00:02:19,368
HUH?
28
00:02:19,472 --> 00:02:21,342
[CARMEN CHUCKLING]
PARCO: IT'S WORKING.
29
00:02:21,441 --> 00:02:23,981
¿TÚ NO TE CANSAS?
30
00:02:24,043 --> 00:02:25,883
CARMEN: HMM?
31
00:02:25,979 --> 00:02:29,279
I'M TRYING TO TELL YOU
I'M PROUD OF YOU, FOOL.
32
00:02:34,053 --> 00:02:37,193
PARCO: I'M GONNA MAKE BREAKFAST.
33
00:02:38,525 --> 00:02:40,125
[STATIC ON RADIO]
34
00:02:40,193 --> 00:02:41,837
QUEEN DOPE ON RADIO:
TODAY IS THE DAY, FRIENDS.
35
00:02:41,861 --> 00:02:45,731
THE DMZ'S FIRST-EVER
DEBATE: PARCO AND WILSON,
36
00:02:45,832 --> 00:02:49,072
THE TWO ICONS, THE TWO
EGOS, AND THE TWO MEN
37
00:02:49,169 --> 00:02:51,699
WHO HAVE BEEN BEATING
THEIR CHESTS TO CONVINCE US
38
00:02:51,804 --> 00:02:53,344
THEY DESERVE OUR VOTE.
39
00:02:53,406 --> 00:02:54,906
AND THAT'S BIG, FOLKS...
40
00:02:55,008 --> 00:02:56,738
BIG FOR YOU, BIG FOR ME,
41
00:02:56,843 --> 00:02:59,683
AND BIG FOR ALL THE COZY-ASS
WHITE BOYS CHEWING THEIR NAILS
42
00:02:59,746 --> 00:03:01,506
ON THE OUTSIDE.
43
00:03:01,581 --> 00:03:03,351
SO SHOW UP TO CITY HALL TONIGHT.
44
00:03:03,416 --> 00:03:05,516
LISTEN AND MAKE YOUR CHOICE.
45
00:03:05,585 --> 00:03:08,555
AND NOW A LITTLE
SOMETHING TO BOUNCE TO.
46
00:03:08,655 --> 00:03:11,055
CARMEN: PANCAKES? HOW?
47
00:03:11,157 --> 00:03:13,087
PARCO: FARM CO-OP GAVE
ME A SACK OF FLOUR,
48
00:03:13,193 --> 00:03:14,563
SOME BUTTER AND EGGS,
49
00:03:14,661 --> 00:03:16,401
EARLY CONGRATULATIONS FOR TODAY.
50
00:03:16,496 --> 00:03:19,726
CARMEN: CAREFUL. I
MIGHT GET USED TO THIS.
51
00:03:19,832 --> 00:03:22,402
PARCO: BRING THAT COFFEE, GIRL.
52
00:03:22,502 --> 00:03:24,942
[MUSIC PLAYING ON SOUNDTRACK]
53
00:03:44,123 --> 00:03:45,901
PARCO: YOU GOT TO SWEETEN
THAT UP JUST A LITTLE BIT.
54
00:03:45,925 --> 00:03:47,255
CARMEN: YEAH, BUT YOU ADDED
55
00:03:47,360 --> 00:03:48,604
A LITTLE BIT TOO
MUCH SUGAR TO IT.
56
00:03:48,628 --> 00:03:50,298
PARCO: COME ON, NOW.
57
00:03:50,396 --> 00:03:51,926
DON'T FRONT LIKE YOU
AIN'T ENJOYING IT.
58
00:03:52,031 --> 00:03:54,031
I KNOW YOU LOVING IT.
59
00:03:57,370 --> 00:03:59,810
CARMEN: WHAT DO
YOU THINK OF THAT?
60
00:04:01,074 --> 00:04:02,714
PARCO: LITTLE NENE?
61
00:04:02,775 --> 00:04:05,545
WELL, THE KID WITH THE BAT
NEEDS TO CHOKE UP ON THE GRIP,
62
00:04:05,612 --> 00:04:07,089
AND THAT PITCHER NEEDS
TO LOSE HIS SIDEARM.
63
00:04:07,113 --> 00:04:09,483
CARMEN: HA HA. [PARCO CHUCKLES]
64
00:04:09,582 --> 00:04:10,982
CARMEN: YOU KNOW WHAT I MEAN.
65
00:04:11,084 --> 00:04:13,294
PARCO: COME ON, BABY. NOT NOW.
66
00:04:18,424 --> 00:04:21,094
CARMEN: WHY YOU GOT A
STUPID GRIN ON YOUR FACE?
67
00:04:23,263 --> 00:04:25,973
PARCO: I'M JUST
ENJOYING THE SUN IS ALL.
68
00:04:28,134 --> 00:04:30,174
I'M JUST THINKING ABOUT MY POPS.
69
00:04:31,671 --> 00:04:33,671
CARMEN: ABOUT WHAT?
PARCO: NAH, NOTHING.
70
00:04:33,773 --> 00:04:38,343
JUST HOW WHEN HE CAME HERE
WITH A POCKET FULL OF COINS,
71
00:04:38,444 --> 00:04:41,354
SET US UP IN A TINY,
LITTLE SHITHOLE ON 124th.
72
00:04:41,447 --> 00:04:44,177
HE'D SAY, "IN ALL OF THE WORLD,
73
00:04:44,284 --> 00:04:46,954
THE SUN SHINES A
LITTLE BRIGHTER HERE."
74
00:04:48,354 --> 00:04:49,994
CARMEN: THAT'S A NICE THOUGHT.
75
00:04:50,089 --> 00:04:51,689
PARCO: IT'S BULLSHIT.
76
00:04:51,791 --> 00:04:53,602
THAT MAN HAD TO CLIMB JUST A
LITTLE BIT HIGHER THAN MOST
77
00:04:53,626 --> 00:04:56,256
TO REALLY SEE IT.
78
00:04:56,329 --> 00:04:58,199
CARMEN: HE'D BE PROUD OF YOU.
79
00:04:58,298 --> 00:05:00,468
PARCO: NAH.
80
00:05:00,533 --> 00:05:02,943
HE'D BE LOADED.
81
00:05:05,772 --> 00:05:08,172
[LOUD KNOCK ON DOOR]
82
00:05:10,610 --> 00:05:13,610
[KNOCKING ON DOOR]
83
00:05:18,351 --> 00:05:21,851
ALMA: PARCO!
84
00:05:21,954 --> 00:05:24,324
PARCO: OH, FUCK.
85
00:05:26,492 --> 00:05:28,162
[KNOCK ON DOOR]
86
00:05:35,401 --> 00:05:38,041
AFTER 8 YEARS AND A CIVIL
WAR, WHAT DO YOU WANT,
87
00:05:38,137 --> 00:05:40,137
TO BORROW SOME SUGAR?
88
00:05:42,975 --> 00:05:44,575
HOW DID YOU FIND ME?
89
00:05:44,677 --> 00:05:46,977
ALMA: HOW MANY TIMES DID I
HAVE TO LISTEN TO YOU GO ON
90
00:05:47,046 --> 00:05:48,816
ABOUT HOW YOU WERE
GONNA OWN THIS BLOCK?
91
00:05:48,881 --> 00:05:51,481
WASN'T HARD. YOU
GONNA LET ME IN?
92
00:05:51,551 --> 00:05:53,021
I'M MAKING A SCENE OUT HERE.
93
00:05:53,086 --> 00:05:56,216
PARCO: AIN'T GONNA BE
MUCH BETTER IN HERE.
94
00:05:56,322 --> 00:05:58,832
ALMA: WHY?
95
00:05:58,891 --> 00:06:01,031
CARMEN: 'CAUSE I'M NOT
GONNA LET YOU IN, BITCH.
96
00:06:01,094 --> 00:06:02,371
WHAT THE FUCK ARE
YOU DOING HERE?
97
00:06:02,395 --> 00:06:03,825
ALMA: HI, CARMEN.
98
00:06:03,896 --> 00:06:05,726
CARMEN: WHO THE FUCK
DO YOU THINK YOU ARE,
99
00:06:05,832 --> 00:06:07,332
SHOWING UP TO THIS
HOME, TO MY HOME?
100
00:06:07,400 --> 00:06:09,270
ALMA: LOOK, I DON'T
WANT TO BOTHER YOU.
101
00:06:09,369 --> 00:06:10,939
CARMEN: BITCH, YOU
ARE BOTHERING ME,
102
00:06:11,037 --> 00:06:12,737
SO TURN YOUR ASS
AROUND AND LEAVE.
103
00:06:12,839 --> 00:06:14,083
ALMA: 8 YEARS AND
A CIVIL WAR LATER,
104
00:06:14,107 --> 00:06:15,707
AND THIS ONE'S STILL ALL BARK.
105
00:06:15,775 --> 00:06:17,775
CARMEN: BITCH, I AM RIGHT
HERE. SAY IT TO MY FACE.
106
00:06:17,877 --> 00:06:20,607
ALMA: YOU KNOW, YOU ALWAYS
WANTED TO BE LIKE ME.
107
00:06:20,713 --> 00:06:22,953
LOOKS LIKE YOU'RE STILL TRYING.
108
00:06:23,049 --> 00:06:26,849
BUT THIS IS IMPRESSIVE.
YEAH. I LIKE THE DECOR.
109
00:06:26,919 --> 00:06:29,119
CARMEN: WOW. AFTER
THE SHIT YOU PULLED,
110
00:06:29,222 --> 00:06:31,092
YOU WANT TO COME HERE
AND INSULT ME, TOO?
111
00:06:31,190 --> 00:06:32,360
[ALMA EXHALES]
112
00:06:32,425 --> 00:06:33,885
CARMEN: THE GROWNUPS
ARE TALKING.
113
00:06:33,960 --> 00:06:35,930
LISTEN, I JUST NEED
SOME INFORMATION,
114
00:06:36,028 --> 00:06:37,758
AND I'M MORE THAN
HAPPY TO LEAVE.
115
00:06:37,864 --> 00:06:39,274
PARCO: WHAT DO YOU WANT TO KNOW?
ALMA: I DON'T WANT TO INTERRUPT
116
00:06:39,298 --> 00:06:40,698
YOUR DAILY ROUTINE... PARCO: OH.
117
00:06:40,767 --> 00:06:42,937
[CARMEN YELLS, INDISTINCT]
118
00:06:43,035 --> 00:06:45,365
PARCO: OH, SHIT.
119
00:06:50,376 --> 00:06:52,276
CARMEN: STOP!
120
00:06:52,378 --> 00:06:54,556
CARMEN: YOU THINK YOU COULD RAT
PARCO OUT AND COME BACK HERE?
121
00:06:54,580 --> 00:06:56,358
YOU KNOW, THEY ARRESTED HIM
RIGHT BEFORE EVACUATION DAY.
122
00:06:56,382 --> 00:06:58,652
HE COULD'VE STARVED IN
HOLDING. COPS ALL RAN...
123
00:06:58,751 --> 00:07:00,421
ALMA: AND YOU DIDN'T
THINK TO SAVE HIM?
124
00:07:00,486 --> 00:07:04,086
CARMEN: NO! THEY ARRESTED
ME, TOO, YOU DUMB BITCH.
125
00:07:04,157 --> 00:07:06,987
PARCO: HEY, YO, YO, YO. HEY.
HEY, YO, YO. HEY, HEY, HEY. OK.
126
00:07:07,093 --> 00:07:08,937
CARMEN: I'M GONNA KILL THAT
RAT. PARCO: OK, I KNOW YOU ARE.
127
00:07:08,961 --> 00:07:11,161
HEY, I GOT THIS. I
GOT THIS, ALL RIGHT?
128
00:07:11,264 --> 00:07:13,674
PARCO: WHAT DO YOU WANT, WOMAN?
129
00:07:13,766 --> 00:07:15,836
ALMA: I NEED TO SEE CHRISTIAN.
130
00:07:15,935 --> 00:07:17,765
TELL ME WHERE HE
IS, AND I'll LEAVE.
131
00:07:17,837 --> 00:07:19,807
PARCO: FOR ONE, HE DON'T
GO BY THAT NAME NO MORE.
132
00:07:19,906 --> 00:07:21,666
AND HE LIKES HIS PRIVACY.
133
00:07:21,774 --> 00:07:23,944
UNLIKE YOU, I RESPECT THAT.
134
00:07:24,010 --> 00:07:25,280
[DOOR OPENS]
135
00:07:25,344 --> 00:07:27,284
CESAR: OONA ISN'T
COMING THROUGH FOR YOU.
136
00:07:29,582 --> 00:07:31,182
ALMA: LONG TIME, CESAR.
137
00:07:31,284 --> 00:07:33,694
PARCO: WHAT DO YOU MEAN,
"OONA ISN'T COMING THROUGH"?
138
00:07:33,786 --> 00:07:35,346
CESAR: SAME THING,
MAN. COULDN'T GET IN.
139
00:07:35,421 --> 00:07:36,961
THEY WOULDN'T TALK TO ME.
140
00:07:37,023 --> 00:07:38,623
BITCH OUT FRONT ALMOST
SHOT ME THIS TIME.
141
00:07:38,658 --> 00:07:40,588
PARCO: NO, WE NEED OONA.
142
00:07:40,660 --> 00:07:42,337
WE GET HER BUY-IN TONIGHT AT
THE DEBATE, IT'S GAME OVER.
143
00:07:42,361 --> 00:07:44,031
WHAT, YOU THINK
WILSON GOT TO HER?
144
00:07:44,130 --> 00:07:46,000
CESAR: NO. SHE'S AN ISLAND.
145
00:07:47,767 --> 00:07:50,267
CESAR: AND THIS ONE?
146
00:07:50,336 --> 00:07:52,206
PARCO: NAH, SHE
WAS JUST LEAVING.
147
00:07:52,305 --> 00:07:55,535
ALMA: TELL ME WHERE
HE IS. PARCO: BYE.
148
00:07:55,641 --> 00:07:58,441
ALMA: WHERE IS HE? FUCK YOU.
149
00:07:58,511 --> 00:07:59,881
[BALL BOUNCES]
150
00:08:02,615 --> 00:08:04,715
MAN: 1-6 THAT YOU WON'T MAKE IT.
151
00:08:04,817 --> 00:08:07,187
MAN 2: ALL RIGHT.
152
00:08:07,286 --> 00:08:11,116
[GUNSHOT, MAN SCREAMING]
153
00:08:11,190 --> 00:08:12,790
[GUNSHOT]
154
00:08:20,166 --> 00:08:21,396
[BONE CRACKS]
155
00:08:21,501 --> 00:08:23,141
[MEN GROANING]
156
00:08:31,477 --> 00:08:35,147
SKEL: YOUR NAME?
MAN 1: FUCK YOU.
157
00:08:37,016 --> 00:08:38,986
[YELLS]
158
00:08:39,051 --> 00:08:41,851
BODHI KANG. SKEL: SPELL IT.
159
00:08:41,921 --> 00:08:48,161
BODHI: B-O-D-H-I. SKEL: K-A-N-G?
160
00:08:48,227 --> 00:08:50,157
BODHI: YEAH. SKEL:
AND YOUR NAME?
161
00:08:50,229 --> 00:08:53,229
RICHARD: RICHARD HO.
SKEL: MUCH EASIER.
162
00:08:53,332 --> 00:08:57,502
[GROANING CONTINUES]
163
00:09:07,046 --> 00:09:09,076
[DULL-SOUNDING TAPS]
164
00:09:09,181 --> 00:09:11,351
[RESONANT-SOUNDING TAPS]
165
00:09:25,398 --> 00:09:27,268
[METAL BARS CLANK]
166
00:09:42,381 --> 00:09:49,061
MAN: WE COME INTO THIS WORLD
NAKED AND ALONE, RIGHT?
167
00:09:49,121 --> 00:09:52,591
AND WE LEAVE IT NAKED AND ALONE.
168
00:09:52,658 --> 00:09:56,158
YOU GOT TO GET YOU
AND YOURS SQUARED UP.
169
00:09:56,262 --> 00:09:59,002
TO HELL WITH ALL Y'ALL.
170
00:09:59,098 --> 00:10:01,828
YOU SEE, IN THE END...
171
00:10:01,934 --> 00:10:06,274
IT'S JUST YOU AND GOD.
172
00:10:06,339 --> 00:10:07,769
THAT'S IT.
173
00:10:07,840 --> 00:10:11,780
IT'S JUST YOU AND GOD.
174
00:10:11,844 --> 00:10:14,184
THAT'S IT.
175
00:10:17,950 --> 00:10:19,590
GRANDFATHER: THE
PREACHER AIN'T WRONG.
176
00:10:19,652 --> 00:10:21,852
YOU'RE LOOKING FOR HOME,
177
00:10:21,954 --> 00:10:25,794
BUT HOME TAKES TIME.
178
00:10:25,858 --> 00:10:27,828
MAKING PEACE WITH YOURSELF.
179
00:10:27,927 --> 00:10:29,927
THAT'S THE FIRST STEP
TO FINDING YOUR PLACE,
180
00:10:29,996 --> 00:10:34,326
AND THAT TAKES
REAL COURAGE, ODI.
181
00:10:34,433 --> 00:10:39,373
NICO: YO! WHY YOU LISTENING
TO THAT FUCKING IDIOT, MAN?
182
00:10:39,472 --> 00:10:41,942
DUDE'S NUTS.
183
00:10:44,644 --> 00:10:47,184
[NICO SIGHS]
184
00:10:47,279 --> 00:10:49,149
COME ON.
185
00:10:52,718 --> 00:10:55,858
COME ON. GOT
SOMETHING TO SHOW YOU.
186
00:10:55,955 --> 00:11:00,225
MAN: IT'S JUST YOU AND GOD.
187
00:11:00,326 --> 00:11:01,656
WILSON: I DON'T GET IT.
188
00:11:01,727 --> 00:11:03,857
WHAT DOES THIS HAVE
TO DO WITH MY PROBLEM?
189
00:11:03,963 --> 00:11:06,173
WOMAN: TELL ME ABOUT THE BOOK.
190
00:11:06,232 --> 00:11:08,502
[WILSON EXHALES]
191
00:11:08,567 --> 00:11:11,837
WILSON: A MAN IS SENT TO CUBA
TO BE A SPY FOR THE BRITISH.
192
00:11:11,904 --> 00:11:14,844
HE LIES ABOUT
EVERYTHING TO EVERYONE
193
00:11:14,907 --> 00:11:16,707
TO GET PROMOTED,
TO MAKE MORE MONEY.
194
00:11:16,809 --> 00:11:19,079
EVERYONE BELIEVES
HIS LIES ANYWAY.
195
00:11:19,178 --> 00:11:22,518
AND REAL CONSEQUENCES
PLAY OUT. WOMAN: AND?
196
00:11:22,581 --> 00:11:25,251
WILSON: AND PEOPLE START DYING,
197
00:11:25,351 --> 00:11:29,591
BUT HE DOUBLES DOWN ON HIS
LIES, AND THE WAY OTHERS REACT
198
00:11:29,689 --> 00:11:31,889
MAKE HIS LIES COME TRUE.
199
00:11:31,991 --> 00:11:34,531
WOMAN: WHAT DOES THAT
TELL YOU ABOUT TRUTH?
200
00:11:34,593 --> 00:11:37,503
WILSON: THAT IT'S IRRELEVANT.
201
00:11:39,231 --> 00:11:41,271
WOMAN: NOW YOUR GOLD
IS DISAPPEARING,
202
00:11:41,367 --> 00:11:43,697
AND ONLY 3 PEOPLE KNOW
WHERE IT'S HIDDEN,
203
00:11:43,769 --> 00:11:45,939
AND ONE OF THEM IS A RAT.
204
00:11:46,038 --> 00:11:48,608
HOW TO KNOW WHICH ONE?
205
00:11:48,708 --> 00:11:50,938
WILSON: IT DOESN'T MATTER.
206
00:11:51,043 --> 00:11:53,613
I CAN JUST CHOOSE.
207
00:11:53,713 --> 00:11:55,613
EITHER I'll BE RIGHT
OR I'll BE WRONG,
208
00:11:55,715 --> 00:11:59,945
IN WHICH CASE EITHER THE TRUTH
WILL BE WHATEVER I SAY IT IS,
209
00:12:00,052 --> 00:12:02,252
OR IT'LL EMERGE ON ITS OWN.
210
00:12:02,354 --> 00:12:03,894
IS THAT WHAT YOU'RE TELLING ME?
211
00:12:03,956 --> 00:12:06,926
WOMAN: I LEFT A NEW
BOOK ON YOUR DESK,
212
00:12:07,026 --> 00:12:09,196
ANOTHER TALE ABOUT
A FANTASTIC LIAR.
213
00:12:09,261 --> 00:12:11,201
WILSON: WHAT WOULD I
DO WITHOUT YOU, SUSIE?
214
00:12:11,263 --> 00:12:14,603
SUSIE: AND I TAKE NO CREDIT. I
SIMPLY SHARE MY BOOKS WITH YOU.
215
00:12:27,646 --> 00:12:29,376
WILSON: HO.
216
00:12:33,586 --> 00:12:36,286
[KIDS SPEAKING EXCITEDLY]
217
00:13:09,288 --> 00:13:13,258
WILSON: EVEN A KING
KNEELS TO THE FUTURE.
218
00:13:13,325 --> 00:13:15,525
GO. [CHILD CHUCKLES]
219
00:13:21,433 --> 00:13:23,203
WILSON: WE LEAVE FOR
CITY HALL IN 5 HOURS.
220
00:13:23,302 --> 00:13:25,872
I WANT EVERYONE
THERE. WE GO AS...
221
00:13:31,310 --> 00:13:33,180
YOU STAYED.
222
00:13:33,279 --> 00:13:36,479
ALMA: I DID.
223
00:13:36,549 --> 00:13:39,449
WILSON: COME HERE.
224
00:13:45,524 --> 00:13:47,834
ALMA: THEY ADORE YOU.
225
00:13:47,893 --> 00:13:51,063
WILSON: WELL, I
WORK HARD FOR IT.
226
00:13:51,163 --> 00:13:52,703
I'M SO SORRY.
227
00:13:52,798 --> 00:13:54,309
THERE'S JUST SOMETHING
QUICK I GOT TO TAKE CARE OF.
228
00:13:54,333 --> 00:13:55,843
WOULD YOU EXCUSE
ME FOR A MOMENT?
229
00:13:55,901 --> 00:13:57,571
ALMA: OH, OF COURSE.
WILSON: I'll BE BACK.
230
00:13:57,670 --> 00:14:00,740
WAIT WITH HER IN MY
OFFICE. IT WON'T TAKE LONG.
231
00:14:13,552 --> 00:14:16,222
GOOD MORNING, GENTLEMEN.
232
00:14:18,324 --> 00:14:19,994
HOW'S YOUR MOTHER?
MAN: SHE'S GOOD.
233
00:14:20,059 --> 00:14:23,359
WILSON: GOOD, GOOD. HEH.
234
00:14:29,535 --> 00:14:32,235
STRIP.
235
00:14:32,338 --> 00:14:34,108
[MEN CHUCKLE WEAKLY]
236
00:14:39,612 --> 00:14:41,882
[WILSON EXHALES]
237
00:14:59,565 --> 00:15:03,695
YOU ARE THE ONLY PEOPLE WHO
KNOW WHERE MY GOLD IS HIDDEN.
238
00:15:05,237 --> 00:15:07,937
I ENTRUSTED YOU...
239
00:15:09,408 --> 00:15:12,438
TO SECURE THOSE CACHES.
240
00:15:14,046 --> 00:15:18,816
AND NOW ANOTHER
ONE'S GONE MISSING.
241
00:15:22,922 --> 00:15:25,122
ONE OF YOU IS MY RAT.
242
00:15:31,597 --> 00:15:33,267
[SCREAMING]
243
00:15:42,074 --> 00:15:44,085
WILSON: I'll RETURN TOMORROW
WITH BOTH OF YOUR MOTHERS.
244
00:15:44,109 --> 00:15:46,109
IF I DON'T GET A FULL
CONFESSION FROM THIS GROUP,
245
00:15:46,178 --> 00:15:47,978
I'll KILL THEM IN FRONT OF YOU.
246
00:15:56,956 --> 00:15:58,686
[MAN SHUDDERING]
247
00:15:58,791 --> 00:16:01,761
WILSON: I'M SO SORRY.
248
00:16:03,095 --> 00:16:04,855
I KNEW YOU'D COME BACK.
249
00:16:06,932 --> 00:16:08,872
YOU KNOW, YOUR
TIMING IS PERFECT.
250
00:16:08,968 --> 00:16:10,698
I'VE GOT THIS DEBATE TODAY.
251
00:16:10,803 --> 00:16:12,673
ALMA: RIGHT. PARCO.
252
00:16:12,771 --> 00:16:14,816
WILSON: WOULD YOU EVER HAVE
THOUGHT THAT I'D BE THE ONE
253
00:16:14,840 --> 00:16:19,510
FIGHTING FOR A NEW REPUBLIC HERE
WITH TOTAL POLITICAL FREEDOM?
254
00:16:19,611 --> 00:16:21,681
ALMA: ACTUALLY, YEAH.
255
00:16:23,048 --> 00:16:26,048
SO THAT'S WHAT YOU'RE
PEDDLING, POLITICAL FREEDOM?
256
00:16:26,151 --> 00:16:29,391
WILSON: PEOPLE DON'T WANT
TO BE TOLD WHAT TO DO.
257
00:16:29,488 --> 00:16:32,518
THE ECOSYSTEM OF CREWS
HERE, IT'S DEVELOPED
258
00:16:32,624 --> 00:16:34,164
OUT OF TRULY FREE CHOICE.
259
00:16:34,226 --> 00:16:38,626
MY PEOPLE DON'T WANT WHAT
THE ARTIST COLLECTIVE WANTS,
260
00:16:38,697 --> 00:16:40,967
AND THOSE FOLKS DON'T
WANT THE SAME THING
261
00:16:41,033 --> 00:16:42,633
AS THE KINGS UPTOWN.
262
00:16:42,701 --> 00:16:47,871
WHAT WE ALL WANT IS THE
FREEDOM TO SELF-DETERMINE.
263
00:16:53,212 --> 00:16:57,222
AND I JUST WANT TO GUARANTEE IT.
264
00:16:59,418 --> 00:17:03,218
SO WHY DID YOU STAY?
265
00:17:04,390 --> 00:17:07,360
ALMA: I ASKED YOU
ABOUT MY SON CHRISTIAN.
266
00:17:07,426 --> 00:17:11,496
I DIDN'T KNOW HOW TO TELL
YOU THAT PARCO IS HIS FATHER.
267
00:17:15,401 --> 00:17:17,401
NOW DO YOU KNOW HIM?
268
00:17:26,111 --> 00:17:28,611
WILSON: I KNOW A LOT ABOUT SKEL.
269
00:17:28,714 --> 00:17:31,524
ALMA: CAN YOU TELL
ME WHERE HE LIVES?
270
00:17:31,583 --> 00:17:35,753
WILSON: YOU ARE STEPPING INTO
STRATOSPHERES OF CONSEQUENCE
271
00:17:35,854 --> 00:17:37,464
THAT CAN REALLY HURT YOU, ALMA.
272
00:17:37,556 --> 00:17:41,226
YOU NEED TO STOP AND ASK
YOURSELF IF THIS IS WORTH IT.
273
00:17:41,293 --> 00:17:43,563
SKEL'S THE CROWN PRINCE.
274
00:17:43,629 --> 00:17:47,029
IF I TOUCH HIM, THE DMZ
WILL HAVE ITS OWN CIVIL WAR.
275
00:17:47,099 --> 00:17:49,129
ALMA: DO YOU KNOW
WHERE HE LIVES?
276
00:17:49,234 --> 00:17:51,944
WILSON: NOT TODAY, HMM?
277
00:17:56,975 --> 00:17:59,105
I'M SORRY.
278
00:18:05,117 --> 00:18:06,717
ALMA: OK.
279
00:18:08,387 --> 00:18:10,617
I'M GONNA TRY OONA, THEN.
280
00:18:12,124 --> 00:18:15,334
WILSON: OONA? ALMA:
YEAH. MAYBE SHE KNOWS.
281
00:18:15,427 --> 00:18:16,897
WILSON: WHAT DO YOU
KNOW ABOUT OONA?
282
00:18:16,962 --> 00:18:19,832
ALMA: CLEARLY, A LOT
MORE THAN YOU THINK.
283
00:18:19,932 --> 00:18:22,942
I KNOW SHE'S HOLDING
OUT ON PARCO.
284
00:18:23,001 --> 00:18:26,001
WILSON: YEAH, NO SHIT. SHE'S
HOLDING OUT ON ME, TOO.
285
00:18:26,105 --> 00:18:28,665
THAT'S THE ONE THING YOUR BABY
DADDY AND I HAVE IN COMMON.
286
00:18:28,774 --> 00:18:30,814
ALMA: WELL, HE'S
PLAYING FOR HER HARD,
287
00:18:30,909 --> 00:18:32,509
AND SHE'S GOT HIM SWEATING.
288
00:18:32,611 --> 00:18:35,351
WILSON: BECAUSE HE'S TRYING
TO WIN HER WITH DEALS,
289
00:18:35,447 --> 00:18:37,177
LIKE HE DOES TO EVERYBODY.
290
00:18:37,282 --> 00:18:40,422
SEE, HE'S TOO ARROGANT TO
SEE YOU DON'T WIN OONA.
291
00:18:40,486 --> 00:18:44,816
SHE'S HOLED UP IN THE CLOISTERS
WITH ALL THE SWAY IN THE DMZ.
292
00:18:46,959 --> 00:18:49,089
ALMA: AND THAT SCARES YOU.
293
00:18:50,629 --> 00:18:55,029
WILSON: A WOMAN LIKE OONA
REQUIRES NUANCE AND PATIENCE,
294
00:18:55,134 --> 00:18:59,614
TWO IDEAS PARCO
KNOWS NOTHING ABOUT.
295
00:19:01,874 --> 00:19:03,544
ALMA: MAYBE.
296
00:19:03,642 --> 00:19:05,882
WILSON: YOU DISAGREE.
297
00:19:07,146 --> 00:19:10,116
ALMA: I THINK YOU ENGAGE A
WOMAN LIKE OONA WITH HUMANITY,
298
00:19:10,182 --> 00:19:13,122
BY GOING BEYOND
YOURSELF TO HELP OTHERS.
299
00:19:13,185 --> 00:19:15,545
IN TIME...
300
00:19:15,654 --> 00:19:18,524
YOU'LL HELP THE RIGHT PEOPLE...
301
00:19:19,892 --> 00:19:22,032
SHE'LL SEE YOU.
302
00:19:52,824 --> 00:19:55,064
WILSON: GO ALONG THE HUDSON.
303
00:19:55,160 --> 00:19:57,430
THE FSA WON'T FIRE AT YOU
FOR BEING NEAR THE WATER
304
00:19:57,529 --> 00:19:59,429
LIKE THE U.S.
305
00:20:05,037 --> 00:20:07,007
ALMA: THANK YOU.
306
00:20:10,209 --> 00:20:12,409
WILSON: AND, ALMA...
307
00:20:13,579 --> 00:20:16,049
GOOD LUCK.
308
00:21:03,061 --> 00:21:05,001
ALMA: CHRISTIAN?
309
00:21:16,341 --> 00:21:18,481
CHRISTIAN?
310
00:21:48,607 --> 00:21:50,507
[BREATHING HEAVILY]
311
00:21:53,211 --> 00:21:56,011
I'M SORRY.
312
00:22:02,854 --> 00:22:05,524
[SOBBING] I'M SO SORRY.
313
00:22:14,399 --> 00:22:18,339
YOU DIDN'T GET ANY MORE TATTOOS.
314
00:22:18,403 --> 00:22:21,813
SKEL: WHY DID YOU COME BACK?
315
00:22:24,176 --> 00:22:26,706
ALMA: FOR YOU.
316
00:22:26,812 --> 00:22:28,482
I CAME BACK FOR YOU.
317
00:22:28,547 --> 00:22:31,217
[GENERATOR POWERS UP]
318
00:23:08,553 --> 00:23:10,193
YOUR WORK IS INCREDIBLE.
319
00:23:10,255 --> 00:23:16,595
SKEL: DON'T SAY A
WORD ABOUT MY ART.
320
00:23:16,695 --> 00:23:19,225
YOU DON'T GET TO DO THAT.
321
00:23:20,565 --> 00:23:24,065
WHAT DO YOU WANT?
ALMA: CHRISTIAN, I...
322
00:23:24,136 --> 00:23:26,606
SKEL: STOP SAYING THAT NAME.
323
00:23:30,142 --> 00:23:35,282
ALMA: FOR THE PAST 7
YEARS, 11 MONTHS, 25 DAYS,
324
00:23:35,380 --> 00:23:39,380
I'VE BEEN THINKING
ONLY ABOUT THAT NAME...
325
00:23:40,986 --> 00:23:43,256
ABOUT YOU.
326
00:23:43,321 --> 00:23:45,591
I'VE BEEN LOOKING FOR YOU...
327
00:23:45,657 --> 00:23:49,057
DREAMING ABOUT THIS MOMENT.
328
00:23:55,934 --> 00:23:58,174
I LOST YOU...
329
00:23:58,270 --> 00:24:01,170
AND I'M SORRY.
330
00:24:01,273 --> 00:24:03,783
I LOVE YOU.
331
00:24:06,278 --> 00:24:10,178
I LOVE YOU FOREVER, AND I SWEAR,
I WILL NEVER LEAVE YOU AGAIN.
332
00:24:10,282 --> 00:24:13,292
SKEL: YOU DIDN'T LOSE ME.
333
00:24:16,655 --> 00:24:18,455
I RAN.
334
00:24:18,523 --> 00:24:22,593
ALMA: OK. FOLLOW
ME, OK? FOLLOW ME.
335
00:24:26,598 --> 00:24:28,528
WHAT?
336
00:24:28,633 --> 00:24:31,343
PLEASE. PLEASE.
JUST ME AND MY SON.
337
00:24:32,671 --> 00:24:35,511
CHRISTIAN?
338
00:24:35,607 --> 00:24:37,177
CHRISTIAN!
339
00:24:37,275 --> 00:24:41,975
SKEL: YOU SPENT MY WHOLE LIFE
LOOKING RIGHT THROUGH ME.
340
00:24:49,321 --> 00:24:51,161
WHATEVER.
341
00:24:51,223 --> 00:24:53,293
THE PAST DOESN'T MATTER.
342
00:24:53,358 --> 00:24:56,828
ALMA: I CAN HEAR YOUR FATHER.
343
00:24:59,464 --> 00:25:04,404
SKEL: YEAH? WELL, HE
SEES IT ALL CLEARLY.
344
00:25:04,503 --> 00:25:06,713
HE'S NOT LIVING IN SOME FANTASY.
345
00:25:08,240 --> 00:25:09,910
ALMA: RIGHT.
346
00:25:10,008 --> 00:25:17,578
SKEL: AND HE GAVE ME THE ONE
THING YOU ALWAYS TOOK FROM ME:
347
00:25:17,682 --> 00:25:21,392
POWER.
348
00:25:21,486 --> 00:25:22,846
[MOUTHS "POWER"?]
349
00:25:24,523 --> 00:25:26,663
SKEL: AND THAT'S ALL
THAT MATTERS NOW.
350
00:25:31,530 --> 00:25:33,430
I'M NOT YOUR SON ANYMORE,
351
00:25:33,532 --> 00:25:39,072
AND I DON'T FEEL ANGER OR
HATE FOR YOU RIGHT NOW.
352
00:25:42,374 --> 00:25:44,914
I FEEL NOTHING.
353
00:25:47,045 --> 00:25:51,715
SO GET THE FUCK OUT OF MY HOME.
354
00:25:51,783 --> 00:25:54,423
GO CRY FOR ME SOMEWHERE ELSE,
355
00:25:54,519 --> 00:25:58,289
AND DON'T YOU EVER
COME BACK HERE AGAIN.
356
00:25:58,390 --> 00:25:59,890
GO!
357
00:25:59,958 --> 00:26:01,269
ALMA: PLEASE, PLEASE,
PLEASE. PLEASE.
358
00:26:01,293 --> 00:26:03,803
[SKEL FIRES PISTOL] AAH!
359
00:26:03,895 --> 00:26:05,755
SKEL: GO!
360
00:26:05,864 --> 00:26:08,804
[ALMA SOBBING]
361
00:26:13,438 --> 00:26:15,638
[ALMA MOANING]
362
00:26:18,643 --> 00:26:20,583
[SCREAMS]
363
00:26:35,927 --> 00:26:41,097
[HIP-HOP MUSIC PLAYING]
364
00:26:41,166 --> 00:26:43,936
CESAR: YO, YOU ALL RIGHT?
365
00:26:44,002 --> 00:26:45,402
PARCO: TONIGHT, MAKE SURE
366
00:26:45,470 --> 00:26:47,340
THAT OUR FRIENDS ARE
SPREAD THROUGHOUT.
367
00:26:47,439 --> 00:26:49,669
I DON'T WANT ANY ROOM
FOR A SPLIT IN THE CROWD.
368
00:26:49,774 --> 00:26:51,144
SPEAKING OF, HOW'S THAT LOOKING?
369
00:26:51,242 --> 00:26:52,682
CESAR: THE CO-OP
AND THE KOLLECTIV,
370
00:26:52,777 --> 00:26:54,177
THEY ACCEPTED OUR GOLD.
371
00:26:54,279 --> 00:26:55,919
CONFIRMED THEY'LL BE
READY TO ENDORSE YOU.
372
00:26:55,947 --> 00:26:58,517
NOW, THE OTHER USUAL
SUSPECTS DID THE SAME.
373
00:26:58,617 --> 00:27:01,017
UNION SQUARE, MERCER.
374
00:27:01,119 --> 00:27:03,319
I EVEN STOPPED BY TO SEE JORDAN.
375
00:27:03,421 --> 00:27:04,991
TWO-FOUR'S IN LINE.
376
00:27:05,090 --> 00:27:08,660
PARCO: ALL RIGHT. WHAT
ABOUT THE ARTISTS?
377
00:27:08,760 --> 00:27:10,120
CESAR: LEANING
WILSON. PARCO: OONA?
378
00:27:10,161 --> 00:27:11,601
CESAR: CAN'T HOLD OUR BREATH.
379
00:27:11,663 --> 00:27:13,873
LOOK, WORST CASE,
SHE'S ON THE LINE.
380
00:27:19,471 --> 00:27:23,311
YOU READY FOR THIS?
PARCO: YEAH, TÚ SABES.
381
00:27:23,375 --> 00:27:26,175
I'M GONNA WHIP THIS
CROWD INTO A FINE LATHER.
382
00:27:26,277 --> 00:27:28,347
CESAR: NO, MAN. I MEAN GOVERNOR.
383
00:27:28,446 --> 00:27:31,546
NEITHER ARMY WANTS TO SEE
THE DMZ GETTING STRONG.
384
00:27:31,650 --> 00:27:34,190
I KNOW WE GOT OUR PLAN, BUT
THERE AIN'T NO GOING BACK.
385
00:27:34,285 --> 00:27:36,955
PARCO: LISTEN, BRO,
10, 15 YEARS FROM NOW,
386
00:27:37,022 --> 00:27:39,266
THIS RIGHT HERE IS WHAT THE
KIDS ARE GONNA BE TALKING ABOUT
387
00:27:39,290 --> 00:27:40,890
IN HISTORY CLASS, OK,
388
00:27:40,992 --> 00:27:43,132
IN OUR SCHOOLS, RIGHT
HERE IN MANHATTAN.
389
00:27:43,194 --> 00:27:46,904
HELL, YEAH, I'M READY. SHIT.
390
00:27:46,998 --> 00:27:48,798
HOW ABOUT YOU?
391
00:27:48,867 --> 00:27:52,067
CESAR: I'M AT YOUR
SIX, BROTHER, ALL DAY.
392
00:27:52,170 --> 00:27:53,970
PARCO: ALL RIGHT.
393
00:27:54,039 --> 00:27:57,479
CESAR: PSSH. YO, LOOK
WHO DECIDED TO SHOW UP.
394
00:27:57,542 --> 00:27:59,102
YOU KNOW, WE ALL BEEN
MISSING YOU ENOUGH
395
00:27:59,177 --> 00:28:00,647
TO START WONDERING.
396
00:28:00,712 --> 00:28:02,852
SKEL: GIVE ME AND
THE OLD MAN SOME AIR.
397
00:28:06,818 --> 00:28:09,588
PARCO: RELAX, BRO. GO
GET YOURSELF A PALETA.
398
00:28:09,688 --> 00:28:11,918
COME ON. LET'S TAKE A WALK.
399
00:28:14,559 --> 00:28:17,059
SKEL: SHE CAME, JUST
LIKE YOU WARNED.
400
00:28:17,162 --> 00:28:19,432
PARCO: ALREADY? DAMN.
401
00:28:19,531 --> 00:28:21,475
FIGURED IT WOULD'VE TAKEN
MORE THAN JUST A FEW HOURS
402
00:28:21,499 --> 00:28:23,069
TO FIND YOU.
403
00:28:23,168 --> 00:28:26,268
SKEL: WELL, I MADE MYSELF
CLEAR WHEN I TOLD HER TO LEAVE.
404
00:28:26,371 --> 00:28:29,941
MAYBE I GOT CARRIED
AWAY, BUT SHE HEARD ME.
405
00:28:30,041 --> 00:28:32,341
PARCO: HEY, REMEMBER THAT TIME
406
00:28:32,410 --> 00:28:34,050
WE WENT TO THE
GRAFFITI HALL OF FAME
407
00:28:34,112 --> 00:28:35,882
ABOUT A WEEK AFTER
EVACUATION DAY,
408
00:28:35,947 --> 00:28:39,017
WE HAD THAT PLACE
ALL TO OURSELVES?
409
00:28:39,084 --> 00:28:40,754
SKEL: YOU'RE TRYING
TO COOL ME OFF.
410
00:28:40,852 --> 00:28:42,852
PARCO: I MEAN, THE WAR WAS
GOING ON ALL AROUND US,
411
00:28:42,921 --> 00:28:44,891
BOMBS GOING OFF, GUNFIRE.
412
00:28:44,956 --> 00:28:48,086
BUT YOU, IT WAS LIKE
YOU GOT SWEPT AWAY
413
00:28:48,193 --> 00:28:50,133
INTO THIS WHOLE OTHER WORLD.
414
00:28:50,228 --> 00:28:52,898
THE WAY I REMEMBER
YOU FEELING, MAN,
415
00:28:52,964 --> 00:28:55,904
THAT'S HOW I'M FEELING TODAY.
416
00:28:57,469 --> 00:28:58,939
SKEL: PROUD OF YOU, POP.
417
00:28:59,037 --> 00:29:01,237
PARCO: AND THAT WOMAN
THAT DROPPED IN ON US,
418
00:29:01,306 --> 00:29:02,806
ESA BRUJA MADRE TUYA,
419
00:29:02,907 --> 00:29:04,018
AIN'T GONNA STEP
ON NONE OF THAT.
420
00:29:04,042 --> 00:29:05,582
SHE CHANGES NOTHING.
421
00:29:05,643 --> 00:29:08,083
I MEAN, SO WHAT, SHE SNUCK
IN HERE. AFTER 8 YEARS?
422
00:29:08,146 --> 00:29:11,976
I GIVE HER TWO DAYS BEFORE
THE DMZ EATS HER ALIVE.
423
00:29:12,083 --> 00:29:14,553
YO, LISTEN TO ME,
424
00:29:14,619 --> 00:29:17,319
5 DAYS FROM NOW AFTER THE
VOTE IS ALL SAID AND DONE,
425
00:29:17,422 --> 00:29:19,762
WE'RE GONNA BE FIXING UP
OUR OFFICES IN CITY HALL,
426
00:29:19,824 --> 00:29:22,064
ANNOUNCING MANHATTAN
AS OUR OWN STATE.
427
00:29:22,127 --> 00:29:26,457
AND I WANT YOU TO
LEAD SPANISH HARLEM.
428
00:29:29,267 --> 00:29:32,667
SKEL: YEAH, OK. PARCO:
"YEAH, OK"? THAT'S IT?
429
00:29:32,771 --> 00:29:34,671
THAT'S ALL YOU GOT FOR ME?
430
00:29:34,773 --> 00:29:36,573
BETTER BRING IT IN
HERE, MAN. LISTEN,
431
00:29:36,641 --> 00:29:39,081
NONE OF THIS SHIT WOULD HAVE
BEEN POSSIBLE WITHOUT YOU, MAN.
432
00:29:39,144 --> 00:29:40,654
THAT'S THE TRUTH.
433
00:29:40,745 --> 00:29:43,345
HEY, I'M PROUD OF YOU, MAN.
434
00:29:43,448 --> 00:29:45,078
WE'RE SO CLOSE NOW, YOU KNOW?
435
00:29:45,150 --> 00:29:47,150
SKEL: YES, SIR.
436
00:29:54,459 --> 00:29:57,529
NICO: MY BROTHER SAYS THAT
CANNIBALS HIDE GOLD IN THERE.
437
00:29:57,629 --> 00:30:00,999
YOU GONNA WUSS OUT
ABOUT IT? ODI: NO.
438
00:30:23,154 --> 00:30:24,594
NICO: FUCK IT. LET'S
GET OUT OF HERE.
439
00:30:24,656 --> 00:30:27,486
ODI: WAIT. COME
HERE. HOLD MY LEGS.
440
00:30:28,960 --> 00:30:30,460
COME ON.
441
00:30:33,464 --> 00:30:34,834
NICO: GO.
442
00:30:40,672 --> 00:30:44,012
ODI: WAIT. JUST A LITTLE MORE.
443
00:30:44,075 --> 00:30:47,405
[LOUD THUD IN DISTANCE]
NICO: ODI, WE GOT TO GO.
444
00:30:47,512 --> 00:30:49,852
ODI: OK. [GROANS]
445
00:30:53,651 --> 00:30:57,191
NICO: RUN! COME ON. IN HERE.
446
00:31:04,863 --> 00:31:06,703
HOLY SHIT.
447
00:31:06,764 --> 00:31:08,704
ODI: WAS THAT THEM?
NICO: I DON'T KNOW, MAN.
448
00:31:08,766 --> 00:31:11,766
BUT THAT WAS FUCKING AWESOME...
449
00:31:11,870 --> 00:31:15,510
EVEN IF IT WAS FOR
THAT DUMB SHIT.
450
00:31:16,708 --> 00:31:20,278
JUST YOU AND ME, GOD, RIGHT?
451
00:31:20,378 --> 00:31:24,078
ODI: I THINK IT'S
AMAZING. NICO: YEAH.
452
00:31:25,450 --> 00:31:27,250
[DOOR OPENS NEARBY]
453
00:31:27,352 --> 00:31:30,122
NICO: SHH, SHH, SHH.
454
00:31:31,689 --> 00:31:35,189
[FOOTSTEPS APPROACHING]
455
00:31:35,260 --> 00:31:39,130
NICO: HEY, YO, WHAT THE FUCK,
LADY? YOU WANT TO GET US KILLED?
456
00:31:39,230 --> 00:31:41,130
ALMA: ODI. ODI: HI, ZEE.
457
00:31:41,232 --> 00:31:44,472
NICO'S RIGHT. WE
ALL GOT TO BOUNCE.
458
00:31:44,569 --> 00:31:47,639
ALMA: WHAT ARE YOU DOING HERE?
ODI: WE WERE JUST LEAVING.
459
00:31:47,739 --> 00:31:49,309
ALMA: I'M GOING
TO THE CLOISTERS.
460
00:31:49,407 --> 00:31:50,737
NICO: NO, NO, NO, NO, NO.
461
00:31:50,808 --> 00:31:52,408
NICO: GET DOWN. ALMA: WHAT?
462
00:31:52,477 --> 00:31:54,707
ODI: YOU CANNOT GO
TO THE CITY OF DIS.
463
00:31:54,779 --> 00:31:57,149
THE WHOLE AREA IS
RUN BY CANNIBALS.
464
00:31:58,750 --> 00:32:00,250
THEY'RE FANATICS.
465
00:32:00,318 --> 00:32:02,358
THEY'LL HAVE YOU ON A SPIKE
BEFORE YOU'RE EVEN DEAD.
466
00:32:04,255 --> 00:32:06,385
ALMA: IS THERE A WAY AROUND 'EM?
467
00:32:06,457 --> 00:32:08,887
ODI: ALONG THE RIVER
OR THROUGH THE PARK.
468
00:32:08,960 --> 00:32:10,660
IF YOU LIKE, I CAN SHOW YOU.
469
00:32:10,762 --> 00:32:14,572
NICO: NO FUCKING WAY I'M GOING.
I'll SEE YOU AT CITY HALL.
470
00:32:14,632 --> 00:32:16,402
ODI: COME ON.
471
00:32:25,677 --> 00:32:28,177
[MUSIC PLAYING, MUFFLED]
472
00:32:34,519 --> 00:32:36,319
[INDISTINCT CHATTER]
473
00:32:58,710 --> 00:33:02,310
MAN: THAT KIND OF DAY, HUH?
474
00:33:02,380 --> 00:33:03,850
PUT IT ON YOUR TAB?
475
00:33:03,948 --> 00:33:05,378
SKEL: I'll SETTLE UP.
476
00:33:05,483 --> 00:33:07,693
[NEW SONG STARTS, APPLAUSE]
477
00:33:17,829 --> 00:33:22,899
WOMAN: ♪ I WANT TO HOLD
THE HAND INSIDE YOU ♪
478
00:33:26,571 --> 00:33:31,511
♪ I LOOK TO YOU,
AND I SEE NOTHING ♪
479
00:33:35,680 --> 00:33:40,850
♪ FADE INTO YOU ♪
480
00:33:44,055 --> 00:33:49,255
♪ I THINK IT'S STRANGE
YOU NEVER KNEW ♪
481
00:33:53,731 --> 00:33:56,771
HEY, I DID A FULL SONG.
I GET A FULL POUR.
482
00:33:56,868 --> 00:34:01,768
SKEL: I GOT YOU.
BARTENDER: ALL RIGHT.
483
00:34:01,873 --> 00:34:03,213
SINGER: MM-HMM.
484
00:34:06,010 --> 00:34:08,080
BARTENDER: JUST
FINISH UP, ALL RIGHT?
485
00:34:08,179 --> 00:34:11,019
WE'RE CLOSING EARLY
FOR THE DEBATE.
486
00:34:18,523 --> 00:34:21,363
SINGER: SO HE DOES SPEAK.
487
00:34:23,928 --> 00:34:25,928
I'VE SEEN YOU IN HERE 5 TIMES.
488
00:34:26,030 --> 00:34:29,200
NEVER ONCE SAW YOU
TALK TO ANYBODY.
489
00:34:29,267 --> 00:34:32,137
SKEL: WHO'S BEEN COUNTING?
490
00:34:34,138 --> 00:34:36,208
SINGER: I NOTICE MY AUDIENCE.
491
00:34:40,778 --> 00:34:44,218
I WANTED TO CHARGE YOU EXTRA FOR
THE WAY YOU LOOK AT ME, THOUGH.
492
00:34:45,550 --> 00:34:47,290
SKEL: I'M GOOD FOR IT.
493
00:34:53,891 --> 00:34:56,131
SINGER: WHAT'S YOUR NAME?
494
00:34:59,764 --> 00:35:01,974
SKEL: CHRISTIAN.
495
00:35:03,935 --> 00:35:05,795
TENNY: TENNY.
496
00:35:19,183 --> 00:35:22,023
ODI: THEY ONLY LET
GIRLS IN TO SEE OONA.
497
00:35:22,120 --> 00:35:25,090
I'll WAIT FOR YOU HERE.
498
00:35:27,458 --> 00:35:29,128
ALMA: THANKS.
499
00:35:36,334 --> 00:35:39,204
GUARD: YOU LOST? ALMA: I
NEED TO SPEAK WITH OONA.
500
00:35:39,303 --> 00:35:40,614
GUARD: COME ANY FURTHER,
JUST KNOW YOU GOT
501
00:35:40,638 --> 00:35:42,338
AT LEAST 3 RIFLES AIMED AT YOU.
502
00:35:42,440 --> 00:35:44,540
ALMA: WHAT'S YOUR NAME?
503
00:35:45,843 --> 00:35:50,383
WHATEVER YOUR NAME IS, I
OWE OONA EXACTLY ONE FAVOR.
504
00:35:50,481 --> 00:35:52,021
SHE CALLED, AND I CAME.
505
00:35:52,116 --> 00:35:53,676
GUARD: I'VE NEVER
SEEN YOU BEFORE.
506
00:35:53,784 --> 00:35:55,529
ALMA: IT'S ALL GOOD IF
YOU WANT TO SEND ME AWAY,
507
00:35:55,553 --> 00:35:57,223
BUT I'M NOT COMING BACK.
508
00:35:57,321 --> 00:35:59,861
YOU CAN TELL OONA SHE CAN
FIND A DOCTOR SOMEWHERE ELSE.
509
00:36:05,863 --> 00:36:07,703
GUARD: STAY HERE.
510
00:36:34,892 --> 00:36:37,232
ALMA: HI.
511
00:36:37,328 --> 00:36:41,428
[GROANING] HEY. OW! UH!
512
00:36:45,169 --> 00:36:47,939
OONA: A LIAR WHO COMES UNARMED.
513
00:36:49,674 --> 00:36:52,444
SNAKE IN THE GRASS
IF I EVER SAW ONE.
514
00:36:52,543 --> 00:36:54,753
IF YOU'RE HERE ABOUT
WATER, YOU'RE OUT OF LUCK.
515
00:36:54,845 --> 00:36:57,045
I DON'T CHANGE THE WATER FLOW
IN THIS CITY FOR ANYBODY.
516
00:36:57,114 --> 00:36:58,624
ALMA: I DIDN'T COME
HERE FOR WATER.
517
00:36:58,716 --> 00:37:01,616
OONA: THEN WHAT DO YOU
WANT, FOOD, SHELTER?
518
00:37:01,719 --> 00:37:03,219
ALMA: I NEED YOUR SUPPORT.
519
00:37:03,287 --> 00:37:05,617
OONA: PARCO SENT YOU
UP HERE TO BUY ME OFF?
520
00:37:05,723 --> 00:37:07,933
I DON'T GIVE A FUCK
ABOUT HIS GOLD.
521
00:37:08,025 --> 00:37:11,455
ALMA: I'M NOT HERE TO SHILL FOR
PARCO. I'M HERE TO DESTROY HIM.
522
00:37:11,562 --> 00:37:13,702
AND I'M NOT FROM THE DMZ.
523
00:37:13,764 --> 00:37:15,774
I'VE ONLY BEEN HERE TWO DAYS.
524
00:37:21,205 --> 00:37:24,935
LOOK, FOR THE PAST 8
YEARS, I'VE BEEN ALL OVER
525
00:37:25,042 --> 00:37:26,612
THE FREE STATES AND
THE UNITED STATES,
526
00:37:26,711 --> 00:37:28,311
AND THAT SHOULD MATTER TO YOU
527
00:37:28,412 --> 00:37:30,412
BECAUSE WHILE YOU'VE BUILT
YOUR WALLED GARDEN HERE,
528
00:37:30,448 --> 00:37:32,818
I KNOW THAT THE PEOPLE
IN CHARGE OUT THERE ARE
529
00:37:32,917 --> 00:37:35,117
JUST BIDING THEIR
TIME TO COME BACK HERE
530
00:37:35,219 --> 00:37:36,819
AND TAKE THIS ALL AWAY FROM YOU.
531
00:37:36,921 --> 00:37:41,461
BUT WE CAN CHANGE
THAT IF WE ACT NOW.
532
00:37:41,559 --> 00:37:43,759
OONA: WHAT'S YOUR NAME?
533
00:37:45,329 --> 00:37:53,329
ALMA: ZEE.
534
00:37:54,772 --> 00:37:56,812
SKEL: THE LIGHTS WILL
COME BACK IN A BIT.
535
00:38:00,845 --> 00:38:03,005
HERE. LET ME GET YOUR COAT.
536
00:38:07,685 --> 00:38:09,685
TENNY: YOU DID ALL THESE?
537
00:38:09,787 --> 00:38:11,657
SKEL: YEAH.
538
00:38:21,999 --> 00:38:23,869
TENNY: WHAT'S THAT ONE?
539
00:38:26,837 --> 00:38:32,207
SKEL: THAT IS THE
CITY DURING A STORM.
540
00:38:34,178 --> 00:38:36,278
YOU KNOW, IF THE LIGHTS WERE ON,
541
00:38:36,347 --> 00:38:40,647
YOU COULD SEE THE BLUE
GLOW ACROSS THE BOTTOM.
542
00:38:40,718 --> 00:38:44,688
THAT'S THE STEAM COMING
UP OFF THE PAVEMENT.
543
00:38:46,490 --> 00:38:49,330
AND THE DRIPS...
544
00:38:49,393 --> 00:38:52,133
TENNY: IS THAT THE RAIN?
545
00:39:02,340 --> 00:39:05,640
SKEL: THAT'S THE MOMENT RIGHT
BEFORE LIGHTNING STRIKES.
546
00:39:32,670 --> 00:39:34,610
TENNY: SOFTLY.
547
00:39:47,284 --> 00:39:49,194
OONA: WHEN THE FIRST BOMBS HIT,
548
00:39:49,253 --> 00:39:51,693
I WAS DOWN IN THE
MAIN VALVE CHAMBER,
549
00:39:51,756 --> 00:39:54,386
200 FEET BELOW CENTRAL PARK.
550
00:39:54,458 --> 00:39:56,228
ELEVATOR GOT KNOCKED OUT.
551
00:39:56,293 --> 00:39:57,863
I WAS STUCK DOWN
THERE FOR A WEEK.
552
00:39:57,928 --> 00:40:02,198
WHEN I FINALLY CAME UP,
THE FIRST THING I SAW WAS
553
00:40:02,266 --> 00:40:04,536
A TEENAGE GIRL
BEATING UP AN OLD MAN.
554
00:40:04,602 --> 00:40:07,142
IT LOOKED LIKE HE HAD
JUST ROBBED A BODEGA.
555
00:40:07,238 --> 00:40:09,208
BUT SHE DIDN'T TAKE HIS FOOD.
556
00:40:09,273 --> 00:40:11,083
SHE TOOK HIS GUN.
557
00:40:11,142 --> 00:40:13,582
AND THAT'S WHEN I REALIZED
WE WERE ALL IN A RACE
558
00:40:13,644 --> 00:40:16,614
TO STOCK UP ON CURRENCY.
559
00:40:16,714 --> 00:40:19,324
MOST PEOPLE WERE
CHASING GUNS AND GOLD,
560
00:40:19,417 --> 00:40:21,417
BUT THEY FORGOT ABOUT WATER,
561
00:40:21,485 --> 00:40:24,485
THE ONE THING EVERYONE
NEEDS TO SURVIVE.
562
00:40:24,588 --> 00:40:26,458
SO I TOOK IT.
563
00:40:26,557 --> 00:40:28,987
ALMA: TO LEVERAGE IT?
OONA: TO KEEP IT EQUAL...
564
00:40:29,093 --> 00:40:32,503
AND OUT OF THE HANDS
OF WARLORDS LIKE PARCO.
565
00:40:33,964 --> 00:40:36,674
ALMA: THAT'S WHY I
WANT TO TAKE HIM DOWN.
566
00:40:36,767 --> 00:40:38,667
OONA: HOW?
567
00:40:38,769 --> 00:40:42,169
ALMA: THROW YOUR WEIGHT BEHIND
WILSON AT THE DEBATE TONIGHT.
568
00:40:43,507 --> 00:40:47,777
ALMA: LOOK, I HAVE TO DO THIS.
569
00:40:47,845 --> 00:40:49,575
MY SON...
570
00:40:50,981 --> 00:40:53,181
I LOST HIM IN THE EVACUATION.
571
00:40:53,284 --> 00:40:55,824
I GOT KNOCKED OUT, AND
I WOKE UP IN THE U.S.,
572
00:40:55,920 --> 00:41:00,160
BUT MY BOY WAS TRAPPED HERE,
AND THEN HE FOUND HIS FATHER...
573
00:41:00,257 --> 00:41:01,627
PARCO.
574
00:41:01,692 --> 00:41:03,332
OONA: YOUR SON IS SKEL?
575
00:41:03,427 --> 00:41:06,997
ALMA: SKEL IS THE IDEA THAT
PARCO HAS TURNED HIM INTO.
576
00:41:07,097 --> 00:41:08,827
AND THE ONLY WAY TO
BREAK THAT SPELL IS
577
00:41:08,933 --> 00:41:10,333
TO BREAK PARCO HIMSELF.
578
00:41:10,434 --> 00:41:12,074
OONA: AND YOU THINK
THAT'S THROUGH WILSON?
579
00:41:12,102 --> 00:41:14,372
ALMA: I THINK
THAT'S THROUGH YOU.
580
00:41:14,472 --> 00:41:16,772
YOU HAVE A VOICE HERE.
THIS IS YOUR HOME.
581
00:41:16,841 --> 00:41:18,541
I'M NOT GONNA BE
STICKING AROUND.
582
00:41:18,642 --> 00:41:22,112
PARCO WILL RULE THIS PLACE THE
ONLY WAY THAT HE KNOWS HOW...
583
00:41:22,179 --> 00:41:23,779
BY FEAR.
584
00:41:23,848 --> 00:41:26,478
IT'S WHAT HE COMES FROM. HE'S
DRIVEN BY IT, BUT I'M NOT.
585
00:41:26,550 --> 00:41:31,660
OONA: PARCO, WILSON. IT'S ALL
KABUKI THEATER, SWEETHEART.
586
00:41:31,722 --> 00:41:34,062
ALMA: HEY. WELL, WHAT ABOUT YOU?
587
00:41:34,158 --> 00:41:36,628
YOU KNOW, YOU SAY
YOU'RE ABOUT EQUALITY,
588
00:41:36,694 --> 00:41:39,634
BUT YOU'VE GOT ENOUGH WATER
FOR THIS KIND OF IRRIGATION.
589
00:41:39,697 --> 00:41:43,397
PEOPLE COME TO THE CLINIC
FOR A SIP OF WATER,
590
00:41:43,501 --> 00:41:45,571
AND YOU'RE JUST WASHING
YOUR HANDS ON DEMAND.
591
00:41:45,669 --> 00:41:48,639
WE'RE ALL LOOKING
OUT FOR OUR OWN.
592
00:41:48,706 --> 00:41:52,876
THAT DOESN'T MEAN THAT WE
GET TO SIT ON THE SIDELINES.
593
00:41:56,080 --> 00:41:57,920
COME TO THE TABLE.
594
00:41:58,015 --> 00:42:00,715
OONA: THERE IS NO
TABLE IN THE DMZ.
595
00:42:02,019 --> 00:42:04,189
ALMA: THEN SOMEONE
SHOULD BUILD ONE.
596
00:42:09,593 --> 00:42:12,763
SKEL: THAT WASN'T THE
FIRST TIME I SAW YOU PLAY.
597
00:42:12,863 --> 00:42:14,903
THE FIRST TIME WAS
ABOUT A YEAR AGO.
598
00:42:14,999 --> 00:42:19,699
TENNY: OH, YEAH? WHAT'D I PLAY?
599
00:42:19,770 --> 00:42:21,370
SKEL: I CAN'T REMEMBER.
600
00:42:21,438 --> 00:42:23,608
[TENNY CHUCKLES]
601
00:42:23,707 --> 00:42:28,947
SKEL: I JUST REMEMBER
THE WAY YOU FELT...
602
00:42:29,046 --> 00:42:32,076
THE WAY YOU MADE ME
FEEL WHEN YOU SANG.
603
00:42:32,182 --> 00:42:34,952
TENNY: AND HOW WAS THAT?
604
00:42:35,052 --> 00:42:36,952
SKEL: WEIGHTLESS.
605
00:42:38,522 --> 00:42:42,762
I IMAGINED THAT THE WORLD
OUTSIDE WAS NORMAL AGAIN
606
00:42:44,895 --> 00:42:47,225
AND THAT AFTER...
607
00:42:47,298 --> 00:42:50,068
I'D TALK TO YOU...
608
00:42:50,134 --> 00:42:52,644
MAYBE ASK YOU OUT.
609
00:42:54,204 --> 00:42:56,244
TENNY: I USED TO DO THAT.
610
00:42:56,307 --> 00:42:58,637
[CHUCKLES]
611
00:42:58,742 --> 00:43:01,452
LIKE, PRETEND AND...
612
00:43:01,545 --> 00:43:05,115
LIVE IN DAYDREAMS.
613
00:43:06,917 --> 00:43:10,417
THEN AFTER A WHILE, IT
STARTED TO, UH, HURT
614
00:43:10,487 --> 00:43:12,917
MORE THAN IT HELPED.
615
00:43:16,260 --> 00:43:18,300
WHEN I SAW YOU TODAY...
616
00:43:19,330 --> 00:43:23,100
JUST FOR A SECOND, I FELT
MYSELF LOOKING FORWARD.
617
00:43:29,974 --> 00:43:33,584
SKEL: I'M PRETTY SURE I'M
LOOKING FORWARD RIGHT NOW.
618
00:43:49,093 --> 00:43:51,303
ODI: CAN I ASK YOU SOMETHING?
619
00:43:51,362 --> 00:43:54,202
ALMA: OF COURSE.
620
00:43:54,298 --> 00:43:55,828
ODI: DO YOU LIVE AT THE CLINIC?
621
00:43:55,933 --> 00:43:59,043
MAN: HEY! THIS IS MY DINNER.
622
00:43:59,136 --> 00:44:01,506
ALMA: OK. COME ON.
623
00:44:21,692 --> 00:44:25,302
ODI: I FOUND THIS.
I THOUGHT OF YOU.
624
00:44:31,635 --> 00:44:37,635
MAN: JUST YOU AND
ME, GOD, RIGHT?
625
00:44:50,254 --> 00:44:53,064
GOD BLESS YOU, KID.
626
00:45:02,499 --> 00:45:04,739
ALMA: THAT WAS
REALLY NICE OF YOU.
627
00:45:10,374 --> 00:45:12,444
ARE YOU OK?
628
00:45:14,344 --> 00:45:17,214
ODI: MY GRANDPA ALWAYS TOLD ME,
629
00:45:17,281 --> 00:45:20,551
THE BEST WAY TO GO ON
HERE IS TO KEEP MOVING,
630
00:45:20,617 --> 00:45:24,887
BUT... I'M TIRED.
631
00:45:26,256 --> 00:45:29,126
HEY, IT'S NOT THAT I'M
AFRAID OF THE DARK.
632
00:45:30,894 --> 00:45:33,764
JUST THE NIGHT.
633
00:45:33,864 --> 00:45:35,774
I KNOW ROSE DIED.
634
00:45:40,237 --> 00:45:42,307
ALMA: DO YOU HAVE
SOMEWHERE TO STAY?
635
00:45:42,406 --> 00:45:45,236
ODI: I WAS GONNA ASK ROSE.
636
00:45:49,747 --> 00:45:53,617
ALMA: DO YOU WANT TO STAY
WITH ME AT THE CLINIC?
637
00:45:59,923 --> 00:46:02,133
WE'LL BOTH STAY THERE.
638
00:46:04,094 --> 00:46:07,334
[HIT-BOY'S "SALUTE"
PLAYING OVER P.A.]
639
00:46:11,969 --> 00:46:14,269
MAN: GOT IT, BOSS.
640
00:46:14,338 --> 00:46:16,968
CARMEN: THE CROWD'S MOSTLY OURS.
641
00:46:19,610 --> 00:46:20,680
YOU LOOK GOOD.
642
00:46:20,778 --> 00:46:22,308
[CHEERING AND APPLAUSE]
643
00:46:47,004 --> 00:46:48,674
[EMCEE TRILLING TONGUE]
644
00:46:48,772 --> 00:46:53,182
EMCEE: LET ME HEAR YOU, DMZ!
645
00:46:53,277 --> 00:46:54,677
[LOUDER CHEERING]
646
00:47:04,521 --> 00:47:07,891
EMCEE: YOU ALL READY TO
THROW THIS SHIT DOWN?
647
00:47:07,991 --> 00:47:09,631
[CHEERING AND APPLAUSE]
648
00:47:09,693 --> 00:47:12,663
YEAH, YEAH, YEAH, YEAH,
YEAH. ALL RIGHT. ALL RIGHT.
649
00:47:12,729 --> 00:47:14,674
IT LOOKS LIKE WE ALREADY
GOT ONE FIGHTER TO THE RING.
650
00:47:14,698 --> 00:47:17,498
WE ALL KNOW HIM AS
THE MAVEN OF MULBERRY,
651
00:47:17,568 --> 00:47:19,298
THE KILLER BELOW CANAL
652
00:47:19,369 --> 00:47:27,369
THAT IS WILSON LIN HOLDING
IT DOWN FOR CHINATOWN, BABY!
653
00:47:28,545 --> 00:47:31,745
GIVE IT UP! GIVE IT UP!
654
00:47:31,849 --> 00:47:37,389
WILSON: THANK YOU FOR COMING.
YOUR FATHER WOULD BE PROUD.
655
00:47:37,487 --> 00:47:42,157
EMCEE: IT'S HAIL TO
THE MOTHERFUCKIN' CHIEF
656
00:47:42,226 --> 00:47:48,526
OF UPTOWN, PARCO DELGADO!
657
00:47:48,599 --> 00:47:55,509
[SUPPORTERS CHANTING
"PARCO! PARCO! PARCO..."]
658
00:47:55,572 --> 00:47:58,282
EMCEE: ALL RIGHT. ALL
RIGHT. LISTEN UP, LISTEN UP.
659
00:47:58,375 --> 00:48:02,505
EACH FIGHTER GETS ONE
MINUTE FOR OPENING MOVES.
660
00:48:02,579 --> 00:48:04,109
THEN WE HIT THE QUESTIONS.
661
00:48:04,214 --> 00:48:06,354
[CHANTS OF "PARCO" CONTINUE]
662
00:48:06,416 --> 00:48:08,386
EMCEE: LET'S GET IT.
663
00:48:09,686 --> 00:48:13,456
PARCO: DAMN. YOU
ALL CLEAN UP NICE.
664
00:48:13,557 --> 00:48:15,057
[CHEERING]
665
00:48:15,125 --> 00:48:16,755
HOW'S EVERYBODY FEELING TONIGHT?
666
00:48:16,860 --> 00:48:18,600
[CHEERING AND APPLAUSE]
667
00:48:18,695 --> 00:48:20,895
PARCO: NOW, LOOK, I'M GONNA
TRY TO KEEP THIS REAL BRIEF.
668
00:48:20,931 --> 00:48:22,571
IT'S TOO NICE A NIGHT TO WASTE
669
00:48:22,633 --> 00:48:25,143
ON SOME MOTHERFUCKERS
TALKING POLITICS. AM I RIGHT?
670
00:48:25,235 --> 00:48:28,105
[CHEERING AND APPLAUSE]
671
00:48:28,205 --> 00:48:32,035
NOW, YOU ALL KNOW ME,
RIGHT? SUPPORTERS: YEAH!
672
00:48:32,109 --> 00:48:33,539
PARCO: WHO THE FUCK AM I?
673
00:48:33,610 --> 00:48:35,310
SUPPORTERS: PARCO! PARCO...
674
00:48:35,412 --> 00:48:37,652
PARCO: WHEN YOU SEE ME
ON THE STREET, YOU SAY,
675
00:48:37,748 --> 00:48:40,648
"THAT'S MY O.G."
SUPPORTERS: PARCO!
676
00:48:40,751 --> 00:48:42,791
PARCO: YOU KNOW ME 'CAUSE
I COME FROM RIGHT HERE,
677
00:48:42,886 --> 00:48:45,086
BORN AND RAISED.
678
00:48:45,155 --> 00:48:49,325
YOU KNOW ME BECAUSE YOU
ARE ME, AND I AM YOU.
679
00:48:49,426 --> 00:48:51,656
[CHEERS AND APPLAUSE CONTINUE]
680
00:48:51,762 --> 00:48:56,502
PARCO: HOLD UP. LET ME TELL YOU
SOMETHING THAT MAKES ME MAD.
681
00:48:56,600 --> 00:49:02,670
OUR NAME, DMZ. THAT'S THE
NAME THAT THEY GAVE US.
682
00:49:02,773 --> 00:49:05,113
IT AIN'T OURS.
683
00:49:05,175 --> 00:49:09,175
BUT I'll TELL YOU WHAT
IS, THIS LAND IS OURS.
684
00:49:09,279 --> 00:49:12,579
SUPPORTERS: YEAH! [APPLAUSE]
685
00:49:12,649 --> 00:49:14,179
PARCO: AND FIRST THINGS FIRST,
686
00:49:14,284 --> 00:49:16,494
WE'RE GONNA MARCH OVER
TO THE LINCOLN TUNNEL,
687
00:49:16,586 --> 00:49:18,186
WHERE THE FSA'S
GOT THEIR SOLDIERS
688
00:49:18,288 --> 00:49:21,258
AND WE'RE GONNA KICK THEM
THE FUCK OFF OUR ISLAND.
689
00:49:21,325 --> 00:49:23,685
SUPPORTERS: YEAH!
[CHEERING AND APPLAUSE]
690
00:49:23,794 --> 00:49:26,534
WE'RE GONNA TAKE IT
ALL BACK TOGETHER...
691
00:49:26,630 --> 00:49:31,670
UPTOWN, DOWNTOWN, DO IT
AS ONE UNIFIED STATE.
692
00:49:31,768 --> 00:49:35,268
BUT TO DO THAT, WE GOT TO
DO IT SPEAKING IN ONE VOICE.
693
00:49:35,339 --> 00:49:38,039
WILSON: YOU MEAN
YOUR VOICE, RIGHT?
694
00:49:38,141 --> 00:49:40,841
PARCO: LEADERS LEAD.
CALL IT WHAT YOU WANT.
695
00:49:40,944 --> 00:49:42,884
[CHEERING AND APPLAUSE]
696
00:49:46,483 --> 00:49:51,293
WILSON: HE PUTS ON A GOOD
SHOW. I'll GIVE HIM THAT.
697
00:49:53,357 --> 00:49:56,057
BUT LET'S, LET'S GET REAL, HMM?
698
00:49:56,159 --> 00:50:02,629
PARCO'S TALKING ABOUT SOME
GRAND UNIFIED, UNITED STATE.
699
00:50:02,699 --> 00:50:06,669
I'M TALKING ABOUT
YOUR FREEDOM...
700
00:50:06,737 --> 00:50:08,507
[APPLAUSE]
701
00:50:08,572 --> 00:50:12,142
WHICH IS THE FIRST THING THIS
GUY'S GONNA TAKE FROM YOU.
702
00:50:12,209 --> 00:50:14,409
[SCATTERED APPLAUSE,
CROWD MURMURING]
703
00:50:16,580 --> 00:50:21,890
THE PAST 8 YEARS HAVE
BEEN HARD, NO DOUBT.
704
00:50:21,985 --> 00:50:25,985
BUT FOR THE FIRST TIME EVER,
705
00:50:26,056 --> 00:50:30,586
YOU HAVE BEEN COMPLETELY FREE
706
00:50:30,694 --> 00:50:33,364
WITH THE POWER TO
CALL YOUR OWN SHOTS...
707
00:50:33,430 --> 00:50:37,700
[CHEERING] MAKE YOUR OWN LIFE.
708
00:50:37,768 --> 00:50:43,068
BEFORE THE WAR, WE NEVER
KNEW FREEDOM LIKE THIS.
709
00:50:43,173 --> 00:50:47,613
WE WERE MARGINALIZED,
710
00:50:47,711 --> 00:50:52,081
UNSEEN, UNDERVALUED, SHUT OUT!
711
00:50:52,182 --> 00:50:53,622
WELL, GUESS WHAT.
712
00:50:53,717 --> 00:50:58,117
PARCO WANTS TO GO BACK
TO THOSE GOOD OLD DAYS.
713
00:50:58,221 --> 00:51:02,361
BUT IF YOU WANTED A DADDY
TO TELL YOU WHAT TO DO,
714
00:51:02,426 --> 00:51:05,956
TO SELL YOU EMPTY PROMISES
OF SOCIAL INFRASTRUCTURE,
715
00:51:06,063 --> 00:51:07,463
BLAH, BLAH, BLAH,
716
00:51:07,564 --> 00:51:10,304
YOU COULD'VE LEFT WHEN
THE SOLDIERS TOLD YOU TO.
717
00:51:10,400 --> 00:51:12,740
AM I RIGHT? [CHEERING
AND APPLAUSE]
718
00:51:12,803 --> 00:51:17,443
YOU COULD BE OUT THERE RIGHT
NOW PLEDGING YOUR ALLEGIANCE
719
00:51:17,541 --> 00:51:21,281
TO EITHER OF THESE TWO
AMERICAS, BUT YOU'RE NOT.
720
00:51:21,378 --> 00:51:23,478
YOU CHOSE HERE,
721
00:51:23,580 --> 00:51:28,150
WHERE YOU'RE FREE TO
BUILD YOUR OWN FUTURE.
722
00:51:28,251 --> 00:51:29,791
AND TONIGHT,
723
00:51:29,886 --> 00:51:33,886
IN THIS ELECTION, WE
CAN SECURE THAT LIBERTY,
724
00:51:33,957 --> 00:51:35,987
AND THAT'S WHAT I'M
GONNA DO, FRIENDS.
725
00:51:36,093 --> 00:51:39,803
I'M GONNA PROTECT YOUR FREEDOM.
726
00:51:39,896 --> 00:51:41,666
I'M GONNA DEFEND IT!
727
00:51:41,765 --> 00:51:44,165
[MIX OF CHEERING AND
ATTENDEES CHANTING "PARCO!"]
728
00:51:47,404 --> 00:51:49,004
WILSON: YOU DON'T NEED
THIS CLOWN'S VOICE
729
00:51:49,072 --> 00:51:50,472
DROWNING OUT YOUR OWN.
730
00:51:50,574 --> 00:51:52,014
YOU JUST NEED SOMEONE LIKE ME
731
00:51:52,109 --> 00:51:55,579
TO KEEP HIM AND HIS
CRONIES OFF YOUR BACK.
732
00:51:55,645 --> 00:52:00,175
PARCO: YO, YO, HOLD UP. HOLD UP.
WHO YOU CALLING A CLOWN, MAN?
733
00:52:00,283 --> 00:52:03,293
JUST BECAUSE YOUR
BALD-HEADED, HUMPTY DUMPTY ASS
734
00:52:03,353 --> 00:52:06,093
PUTS ON A SUIT DOESN'T
MAKE YOU GOVERNOR.
735
00:52:06,156 --> 00:52:11,256
COME ON, MAN. THE U.S., THE
FSA, THEY WANT US DIVIDED.
736
00:52:11,328 --> 00:52:15,198
WE WANT TO STAND
UP, WE GOT TO UNITE.
737
00:52:15,298 --> 00:52:16,968
[CHEERING AND APPLAUSE]
738
00:52:17,033 --> 00:52:19,973
THE ARMIES OUTSIDE AIN'T
GONNA LEAVE US ALONE, FOOL.
739
00:52:20,036 --> 00:52:21,536
CALL THE ROLL, LEN.
740
00:52:21,638 --> 00:52:23,108
LEN: WHAT ABOUT QUESTIONS?
741
00:52:23,173 --> 00:52:24,517
PARCO: WE'RE GONNA SKIP
RIGHT TO THE ANSWERS.
742
00:52:24,541 --> 00:52:25,881
YOU ALL WANT TO SEE WHO WE ARE?
743
00:52:25,976 --> 00:52:27,706
ATTENDEES: YEAH!
PARCO: THEN LET'S GO.
744
00:52:27,811 --> 00:52:31,151
LEN: OK. ROLL CALL FOR THIS
WEEK'S ELECTION. HERE WE GO.
745
00:52:31,214 --> 00:52:34,184
SPANISH HARLEM KINGS,
WHO YOU ENDORSE?
746
00:52:34,284 --> 00:52:37,894
CESAR: WE PLEDGE TO
PARCO. [CHEERING]
747
00:52:37,988 --> 00:52:39,718
LEN: STUYTOWN, WHERE YOU AT?
748
00:52:39,823 --> 00:52:41,893
WOMAN: STUYTOWN
STANDS WITH WILSON!
749
00:52:41,992 --> 00:52:44,832
[CHEERING AND APPLAUSE]
750
00:52:44,895 --> 00:52:47,225
LEN: EL CAMINO MUERTO, SPEAK UP.
751
00:52:47,330 --> 00:52:49,230
MAN: CAMINO MUERTO
STANDS WITH PARCO.
752
00:52:49,332 --> 00:52:50,702
[CHEERING AND APPLAUSE]
753
00:52:50,800 --> 00:52:52,740
LEN: TWO-FOUR CREW, WHAT IT DO?
754
00:52:52,836 --> 00:52:55,236
MAN: PARCO. [TWO-FOUR
CREW CHEERS]
755
00:52:55,338 --> 00:52:56,738
LEN: BOWERY PROTECTORATE?
756
00:52:56,840 --> 00:53:00,510
MAN: THE BOWERY
BACKS PARCO DELGADO.
757
00:53:00,577 --> 00:53:02,977
LET'S TAKE BACK OUR CITY.
758
00:53:03,046 --> 00:53:04,576
[CHEERING AND APPLAUSE]
759
00:53:04,681 --> 00:53:08,651
PARCO: THAT, TO ME,
SOUNDS LIKE A LANDSLIDE.
760
00:53:08,718 --> 00:53:10,588
HEY, HEY, HEY, HOLD UP.
761
00:53:10,687 --> 00:53:13,587
WE ALSO GOT THE
WESTSIDE KOLLECTIV,
762
00:53:13,690 --> 00:53:16,660
THE CO-OP, MERCER STREET,
UNION SQUARE EAST AND WEST,
763
00:53:16,726 --> 00:53:18,596
THE POWER GRID FOLKS
ON EAST 14th STREET.
764
00:53:18,695 --> 00:53:20,155
SHALL I GO ON?
765
00:53:20,230 --> 00:53:21,670
[CHEERING AND APPLAUSE]
766
00:53:21,731 --> 00:53:24,401
[CHANTS OF "PARCO!
PARCO! PARCO..."]
767
00:53:41,551 --> 00:53:44,521
[EXCITED CHATTER]
768
00:53:44,588 --> 00:53:48,428
MAN: IS THAT OONA?
DIFFERENT MAN: OONA?
769
00:53:48,525 --> 00:53:50,036
[ATTENDEE SHUSHING
CHATTERING SPECTATORS]
770
00:53:50,060 --> 00:53:52,630
SECOND MAN: QUIET,
MAN. OONA'S HERE...
771
00:54:01,238 --> 00:54:05,878
OONA: PARCO STANDS UP HERE
OFFERING YOU PROTECTION?
772
00:54:05,942 --> 00:54:09,052
WELL, I'M HEARING HIM
THREATENING TO TAKE IT AWAY.
773
00:54:09,112 --> 00:54:12,482
THIS ISN'T A POWERFUL
MAN OFFERING POWER.
774
00:54:12,582 --> 00:54:16,622
THIS IS A FEARFUL
MAN STOKING FEAR.
775
00:54:16,720 --> 00:54:18,660
I DON'T LIKE THIS.
776
00:54:18,755 --> 00:54:21,485
I STAY AWAY FROM ALL OF IT,
777
00:54:21,591 --> 00:54:23,131
AND I CAN BECAUSE I HAVE POWER
778
00:54:23,226 --> 00:54:26,226
THESE MEN COULDN'T
EVEN DREAM OF.
779
00:54:26,296 --> 00:54:27,956
I COULD RUN THIS CITY DRY,
780
00:54:28,064 --> 00:54:33,444
AND I COULD STAND HERE AND
DEMAND YOUR LOYALTY IN EXCHANGE.
781
00:54:33,503 --> 00:54:38,413
THAT'S WHAT PARCO WILL
DO, BUT THAT'S NOT ME.
782
00:54:38,475 --> 00:54:43,605
I DIDN'T COME HERE TO ENDORSE
EITHER ONE OF THESE MEN.
783
00:54:43,680 --> 00:54:48,320
THERE IS ONE PERSON
THAT I'M INSPIRED BY...
784
00:54:48,418 --> 00:54:53,188
SOMEONE WHO RECOGNIZES
WHAT IS BROKEN
785
00:54:53,290 --> 00:54:55,960
AND CHALLENGES US TO FIX IT.
786
00:54:56,026 --> 00:55:03,696
I CAME HERE TO THROW
MY SUPPORT BEHIND ZEE.
787
00:55:03,800 --> 00:55:06,370
WHERE SHE GOES, I GO.
788
00:55:06,469 --> 00:55:08,869
AND I URGE ALL OF
YOU TO DO THE SAME.
789
00:55:08,972 --> 00:55:14,442
[AUDIENCE MEMBERS
SPEAKING INDISTINCTLY]
790
00:55:22,285 --> 00:55:25,455
ALMA: YOU DON'T KNOW ME,
BUT YOU SHOULD LISTEN TO ME
791
00:55:25,522 --> 00:55:29,062
BECAUSE I'VE GOT 5,000 GALLONS
OF PURIFIED WATER FOR YOU
792
00:55:29,159 --> 00:55:30,729
UNDERNEATH MY FEET,
793
00:55:30,827 --> 00:55:32,997
AND BECAUSE I CAME
FROM THE OUTSIDE
794
00:55:33,063 --> 00:55:35,473
WITH A MESSAGE FOR YOU ALL.
795
00:55:35,532 --> 00:55:39,842
OUT THERE, THEY'RE FIGHTING FOR
WHAT YOU ALREADY HAVE HERE...
796
00:55:39,903 --> 00:55:45,013
A CHANCE TO START
OVER, GET IT RIGHT.
797
00:55:46,343 --> 00:55:50,713
THE FUTURE ISN'T ABOUT KINGS.
798
00:55:50,814 --> 00:55:53,484
IT'S ABOUT PARTNERS.
799
00:55:53,550 --> 00:55:56,590
SO I CAME HERE TODAY TO TELL YOU
THAT I AM A PARTNER TO WILSON.
800
00:55:56,686 --> 00:55:58,856
[APPLAUSE]
801
00:55:58,922 --> 00:56:03,932
ALMA: A VOTE FOR WILSON
IS A VOTE FOR YOU...
802
00:56:05,729 --> 00:56:10,729
SO WE CAN USE ALL OUR VOICES
TO BUILD A NEW KIND OF POWER.
803
00:56:10,834 --> 00:56:14,744
[CHEERING AND APPLAUSE]
804
00:56:14,838 --> 00:56:19,438
SO RAISE YOUR GLASS AND GET
YOUR FILL OF PURIFIED WATER.
805
00:56:19,542 --> 00:56:25,582
[CHEERING AND APPLAUSE]
806
00:56:28,251 --> 00:56:31,121
THIS WILL BE RUNNING
FOR THE NEXT 3 HOURS.
807
00:56:31,221 --> 00:56:33,521
[LOUD CHEERING AND APPLAUSE]
808
00:56:54,077 --> 00:56:56,077
[LAUGHING]
809
00:57:02,051 --> 00:57:07,921
[PEOPLE CHANTING "ZEE!
ZEE! ZEE! ZEE..."]
55278
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