All language subtitles for 52 Pick Up Roy Scheider 1986 DVDrip Oldies-English

-Hey, boss. You want in the basebaII pooI?
-Let's try this one.

-What inning? VaIenzueIa.
-The third.

Great. Good Iuck with it.

-Good morning.
-Good morning.

-HeIIo.
-HeIIo.

WeII? WiII you do it?

It's quite a surprise.

Good morning.

-Good morning.
-Good morning.

-You have a 10:00 with SoI RosenthaI.
-Thank you.

SECRETARY: Coffee's on its way
and, pIease, caII your wife.

Hi, Barb. How's it going?

WeII, teII me when you see me.

No, I'II probabIy be Iate again.
Preparing a demonstration for tomorrow.

If you need me for anything
and the nightIine is busy,

I'II be back in the shop.

So just Ieave a message,
and I'II get back to you. Okay?

I Iove you, too. Bye.

-Oh, heIIo there.
-Good morning.

Cini!

Cini!

Sit.

-Where's Cini?
-ALAN: No taIking during the show.

You've seen some of this before, Mitch,
stuff your girIfriend shot,

Las PaImas HoteI, PaIm Springs,
August 17 through 21st

whiIe your wife thought you were
in a convention in Miami. You rascaI.

Now here you are shooting a broad.

Nice IittIe body.

Great tits, what do you think?

Hot shit hoteI. Two biIIs a day.
It's a very jazzy outfit.

Oh, that's a jazzy outfit, too.

StiII with the beer.
That's your background showing, man.

What? EIeven years at DougIas, right?
And a few more at Lockheed?

I want you to know what we know
so your mind wiII be cIear. You dig?

What is this? Live nude modeIs?

Oh, there's your girIfriend again.
She toId you she was a modeI, right?

What, did you think it was for Vogue?

(LAUGHS )

There she is again.
In your very snappy car.

I must say, very snappy, indeed. Jag XKE?
You restored it yourseIf, didn't you?

Oh, I reaIIy Iike that car.

And as the sun sets sIowIy in the west,
we say goodbye to beautifuI PaIm Springs,

Oasis of Intrigue

and extracurricuIar games of
Hide the SaIami, and we return to reaI Iife.

Here comes some of the new stuff.
You recognize this?

Ranco SteeI.
Gross saIes Iast year, aImost 12 miI.

Huh? Oh, there goes one of your trucks,
probabIy taking a Ioad to the bank.

Eighty some empIoyees,
and you hoId some patent

that fuses fucking metaI together. Right?

They use it mostIy
on those spaceships, huh?

You get a smooth 120 grand on that aIone.

And there's your oId Iady.
Keeping herseIf in shape for you.

It's not bad, Mitch, huh?
Oh, you've got good taste in broads.

ChaIet Lodge MoteI. Oh, I Iike this one.

This one here. This expression, huh?
Mr. CasuaI.

It's not a bad pIace, 40 a night.

That's you going in to buy the room

whiIe the broad stands outside. Christ.

You know, you start chasing that
young pussy, you got to stay in shape.

I bet she drains you dry.

Too bad we hadn't had time to
score the shit, but we're working on it.

Jesus, Mitch,
you don't mind my saying so,

but for a guy
who was a major in the Air Force,

decorated in Korea,
and now a successfuI businessman,

you got fucking rocks in your head
to Iet yourseIf get put on fiIm Iike that.

I mean, as you can see,
it's just pIain fucking dumb.

-WeII, sport, here's the deaI.
-The girI in on this?

Let's just say she did what she was toId,
but back to the deaI.

You pay us 105 grand, that's not even
what you make in one year on that patent,

you get to buy this video
for your very own.

Nice coIor footage
of a very expensive piece of ass.

105 grand, and it's done.

You think I just waIk into a bank
and withdraw that kind of money?

It couId take some time. Sure.
105 grand's a Iot of money.

So, Iet's keep in touch.

And as a sign of good faith,
the first payment is,

shaII we say, 10 grand day after tomorrow.

We'II Iet you know where and when.

Oh, and, yeah,
you get the tape after the Iast payment.

So why don't you be a good boy
and stick around for another five minutes?

-Okay? So Iong, sport.
-LEO: Take care.

(BOBBY HUMMING)

(GRINDER WHIRRING)

(CAT MEOWING)

Come on, sweetheart.

We're getting too busy, you know,
the two of us.

You think perhaps I couId
book an evening with you?

Sure.

-Soon?
-Why not?

They want me to run with Arveson.

-You want to do it?
-I don't know yet.

-When do they have to know?
-I have to make up my mind pretty soon.

You see, if I do it,
it means spending even more time...

I know. I know.

Look, I gotta meet O'BoyIe this morning

because we're having that
speciaI demonstration for NASA.

Can we taIk about it tonight?

-CongratuIations.
-Thanks.

-They made a good choice.
-Say, ''HeIIo.''

Yeah. I wiII.

FOREMAN: We're gonna Iook at a series
of three expIosions, Mr. MitcheII.

I think we're set for the series.

So anytime you're ready
to conduct the demonstration,

just give me a signaI
and we're aII set to go.

HARRY: Okay. You'II teII
the guy in the crane?

Yeah, and I'II be over here
waiting for your instructions.

Okay, that's good.

AII right, aII right. Easy, easy.

This is it? You just bIow it up?
How does that fuse metaI?

You ram the Iayer of titanium down
on top of the Iayer of steeI

with such force that they fuse together.
It's very simpIe.

Yeah. So simpIe
you're the onIy one doing it.

How can a guy smart enough
to invent aII of this, patent it, even...

-How can...
-AII right. Don't say it.

Okay. You met her at a bar.
What? A few months ago?

Yeah. With a cIient.

What were you Iooking for? A IittIe action?

No. He was.
It was a Friday night after a convention.

I took him into HoIIywood.

-O'BOYLE: What kind of shape were you in?
-Fine. You know me. A coupIe of beers.

So, you sat down and started taIking.

Yeah, more or Iess.
She had this friend who danced there.

A bIack girI. A beautifuI bIack girI.
Anyway, I bought her a drink.

She teIIs me she's going to
secretariaI schooI at night

and working in this modeIing pIace
in the daytime with the bIack girI.

-Mr. MitcheII!
-Oh, excuse me.

How far apart wouId you Iike
these bIasting trays?

This is good. About 20 feet.

One, two, three, four, Iet her go.

I must have thought I was faIIing in Iove.
What an asshoIe.

And Barbara?

Oh, don't think she didn't know
that something was going on.

And the irony of the whoIe thing is,
that morning I went to see the girI,

I was going to caII it quits.
Quits, for Christ's sake.

And the video. The guy taIking,
you ever heard this guy's voice before?

Never.

EventuaIIy, we're gonna have to take it
to the poIice.

No.

Barbara toId me this morning
that she's running as a candidate

on Arveson's ticket.

Can you imagine
what the papers wouId do with that?

Look, Jim, she stuck with me
aII these years whiIe I buiIt this.

What am I going to do?

Am I going to destroy the one thing
that she's buiIt for herseIf?

I can't do that. I won't do it.

-Do I pay them and just forget it?
-That wouIdn't end it.

-You mean these guys don't forget.
-Yeah.

(SIREN BLARING)

BOB: How do you do?
HARRY: My Iawyer, Jim O'BoyIe.

My assistant, Bob Parker.

I'm reaIIy anxious to see this.
What about aII this wind? Is it...

No probIem. No probIem.
Just step right up here.

-About ready, Johnny?
-Whenever you're ready, Mr. MitcheII.

Okay. Count them out.

Fire in the hoIe! Fire in the hoIe!
Fire in the hoIe!

(PEOPLE CHATTERING)

Good evening.

Good evening and thank you for coming.

Let's get right with it.

It is my pIeasure to introduce
Barbara MitcheII,

senior member of the CIean-Air
Commission and, as of today,

candidate for counciIwoman
of the Thirteenth District. Barbara.

Thank you. Thank you very, very much.

I know that most of us who are Iiving here
in Los AngeIes are not used to

breathing air that we can't actuaIIy see.

But, tonight, I wouId Iike to
cIear the air about one thing.

This city needs a decent, taIented,
strong District Attorney.

A man who is on a first name basis
with the truth.

Now, Mark Arveson has demonstrated
his personaI integrity many, many times.

He knows that one smaII deceit, one head
turned the other way, is one too many.

Ladies and gentIemen, Los AngeIes
County's next District Attorney,

Mr. Mark Arveson.

(ALL CHEERING)

ARVESON.: Thank you.
Thank you very much.

I want to thank...

WeII, what did you think of Arveson?

You mean, what did I think of his chances?

Oh, the speech. Him. AII of it. Thanks.

I've been seeing someone.

I met her three,
three and a haIf months ago.

-I don't do this very weII.
-Try.

-Do I know her?
-No.

I wasn't Iooking. I didn't go Iooking.

How oId is she?

Twenty-two.

-What's her name?
-Cini.

-Cute.
-Cynthia.

-Why are you teIIing me?
-It's been bothering me.

-FeeI better?
-I'm not going to see her anymore.

I don't even know where she is.

She's young, 22.

Yes, she is young.

Maybe I've known for about a month.
I've known.

God, I wish you hadn't toId me.

Why aren't you going to see her anymore?

-Look, this just isn't what you think it is.
-Was the sex that good?

-Lots of kinky things. Is that it?
-It's not that simpIe.

No? Our marriage has Iasted for 23 years.

That's Ionger than she's been aIive.

-Is it the first time?
-Yes.

-She was just a kid.
-What does that mean?

-Did you pIay daddy? Is that it?
-Maybe. In part.

It was different.

Maybe I just got tired of the part
of our reIationship that...

-The married part.
-Not Iike that.

It's not that simpIe, Barbara.
You know that.

Do you have any idea how this hurts?

It's so easy to have someone
to Iook to you for answers for everything.

So easy to just coast aIong,
even when you...

You have no idea. No idea.

(ENGINE ROARING)

(PEOPLE CHATTERING)

(POPMUSIC PLA YING ON STEREO)

(INAUDIBLE)

(ALAN LAUGHING)

ALAN: Now, we're going. AII right.
Let's go. Right here.

Here we go. Hey, come on.
I'm Iosing you. Where are you going?

(ALAN LAUGHING)

Here we go. Hey, where are you going?
Come on back.

Enough is enough. We're Ieaving.

Baby, I'm going to find Cini now.
Okay? Give me a kiss.

You want to see my tinkies?
You want to see my tits?

-Oh, come on. Come on.
-Say, ''PIease.''

PIease.

(EX CLAIMS )

-Hi, Mom.
-Leo, now, get out of there. Come on.

(CHATTERING)

Hey, what it is?

We hit the fucking jackpot this time,
didn't we?

That fucking AIan's got
some weird friends, huh?

-That broad he's taking pictures of...
-Such a waste, Leo. Such a waste.

Yeah. Yeah. We'II caII you.
We'II caII you. Thank you.

He's got some weird friends.

That broad he's taking pictures of
is a big time porno star.

He said she won best actress
Iast year at these awards,

Iike the Academy Awards for fuck fiIms.
Last year was 69, huh?

Yeah.

DeaI went off okay, you think, huh?
Huh? MitcheII guy Iooked a IittIe sick.

Green around the giIIs, but his worId
done come apart on him, huh?

I don't know.
Seems kind of earIy to be ceIebrating.

Shit, Bobby, the whoIe deaI was perfect.
I mean fucking perfect.

You worry too much, man.

Jesus Christ.

(SCATTING)

-How you doing, Mark?
-How'd you know it was me?

You're so cute.

Yeah. Wait a minute.

Baby, Iisten to me, now.

The man was not going to
pay your rent forever. He's married.

But this way you're going to end up
with a Iot more.

I'm tired, Doreen.
I'm reaIIy tired of my Iife.

I know, but you're doing okay.

-Think about it, now.
-Fuck this schooI thing, too. You know?

I haven't been going. Doreen, you know?

But things are going to get
so much better, honey. I promise.

I want to go home.

-Okay. Give me this.
-No. I'm okay. Doreen, I'm okay.

Our IittIe girI not feeIing good?

Come on, sugar.
We're gonna take you home now. Okay?

Where?

We've got a nice IittIe pIace
back at the moteI for you.

And Bobby's gonna get
your things tomorrow.

Why? Because Bobby's such a terrific guy?

You got that right.

(ALL CLAMORING)

Oh, we're gonna have to get
some reaction shots around here.

Oh, Doreen.

-Look at that. And it's sexy Cini...
-DOREEN: ReIax.

Hey, where's CeciI B. going?

(GIGGLES )

-I'd Iike to speak to you.
-Me?

Hey, man, it's a great party.

I want Cini out of here. She's messed up.
She's pissing me off.

Come on. She's had a rough night.
You want some jerky?

Listen, sport, get Bobby.
I want her out of here. Now.

Okay. No big deaI. Jesus.

MAN 1 : Tomorrow, when you come in,
check on that, aII right?

MAN 2: Yeah, no probIem.

-Good night, boss.
-MAN 3: Good night, boss.

-Just came for you. SpeciaI deIivery.
-Thanks.

-It's not your birthday, is it?
-No.

-Good night.
-Good night.

ANNOUNCER ON PA.:
Number 12. BiII MadIock.

-So when are these guys going to show?
-I don't know. They didn't say.

It's a base hit!

(CROWD ROARING)

(CROWD CHEERING)

Peanuts. Get your red, hot peanuts.

ANNOUNCER ON PA.:
...stops, makes the catch.

So BiII Dorn hits it right on the screw.

(TIRES SCREECHING)

(LEO LAUGHS )

Is that it, man? Open it up, huh?

It's Iooking good,
just Iike we thought it wouId.

Something we can finaIIy
fucking cash in on.

You think so, too, huh?

ALAN: Shit!

(TIRES SCREECHING)

Honest to Christ,
I don't know what the worId is coming to.

You honestIy teII the guy how it is,
and the motherfucker doesn't beIieve you.

-DRIVER: Hey, asshoIe, move that wreck.
-Hey, sport, have a nice day.

SIim?

I'II teII you what I'm going to do.

I'm going to give you a personaIized
monthIy accounting service,

take care of aII your biIIs and expenditures
for a Iow 3.5% charge,

guaranteed accurate,
or we eat the difference.

Who are you?

SiIver Lining Accounting Service,
we satisfy or we eat it.

-How did you get in here?
-I waIked in, SIim.

I knocked. Nobody answered.
The door was unIocked, so I waIked in.

WeII, now you can waIk out.

You probabIy got aII the credit cards
ever invented

and you spend in excess of
5 grand a month on biIIs, right?

-WeII, Iet's say 5 for now.
-I'm caIIing the poIice.

What for?

You waIk into my home
and you refuse to Ieave.

I didn't refuse.
You didn't give me a chance.

WeII, now's your chance. Get out of here.

5200 times 3.5, in round figures.

Five, five. 25. Three fives are 15.

In the neighborhood of
150 to 180 a month,

and you never baIance another
bank account. How does that sound?

Give me your company's phone number.

That's okay. I'II get back to you
when it's more convenient.

We don't Iike
to inconvenience the customer.

Give me your number or your card.

I ran out of cards.

Don't worry, sIim. We'II be in touch.

I gave her a ''SiIver Lining Accounting
Service, we satisfy or we eat it.''

You Chow Hound, you.

I see her car puII in and I think,
''Christ, what's he gonna do now?''

I was upstairs.
You can't ever get caught upstairs.

They don't beIieve shit if they catch you
upstairs. She's not bad.

I wouIdn't mind hurting her a IittIe.
Get a Ieg over.

-Okay. You ready?
-Yeah.

Ta-dah.

Come on. Come on. Come on.

I got his sport coat.
I got his shirt underneath.

I got a tie, just in case.
And, ready for this?

The aII time Iuckiest fucking award
of aII time.

A genuine, no shit, P9 Automatic
and a box of sheIIs.

Huh? How's that grab you?

You're hoping for something Iike this
going in,

never in a miIIion years couId it happen.

CIean Iiving. It pays off every time.

BOBBY: Keep your cooI, Mitch.
We're going for a drive.

Sit down, sport.

Second feature about to start.

Is that too cIose?
We can move it back a IittIe if you Iike.

No?

Okay. Start the show.

ALAN: Now, here's the star of our picture.

LittIe Cynthia Frazier who hadn't the
foggiest idea what the fuck is going on.

This is where the credits wouId be.

SIick Entertainment Incorporated
presents Tit in the Wringer

or How Harry MitcheII Agreed To Pay
105 Thou A Year And Found Happiness.

Note, I said 105 a year.

Not just the first year, not just the second,
but every year for the rest of your Iife.

Some peopIe you've got to tie down
to convince them they can act.

ALAN ON SCREEN.: Come on, honey.
Come on. Cooperate.

This is gonna get you two back together.

ALAN: I wish we had some popcorn
or Iemonade or something for you,

but we're kind of a Iow-budget production.

Come on, honey, smiIe. You know
how pretty you Iook when you smiIe.

Come on.
Just give us a IittIe smiIe. Come on.

Come on. Not too rough.
We don't want to hurt her.

She's pretty, isn't she?

That's it. Sit up nice and straight.
Give us a IittIe smiIe. Come on.

Oh, Iook at those eyes.
She wouIdn't smiIe this day. No... See?

AImost one.
She aImost smiIed right there, but...

Come on, that's it.

This is to keep your interest,
or whatever, up. It's a IittIe skin.

Yeah, I toId Cini she was a naturaI, but
as you can see there, she's very modest.

Keep your eyes on the fiIm.

Come on. WaIk in and... Okay.

HoId up the wood. AII right. Other side.

Give us a side angIe so we can...

That's it. Not a trick board. That's it.
Tie it on her.

CarefuI. CarefuI now.
We don't want spIinters.

(LAUGHS ) It Iooks Iike she's sticking
her head out of a box. Doesn't it?

-Where's that smiIe? No hope.
-Did you feeI that, baby?

I'm so proud of my Iighting in this.
It's beautifuI, isn't it?

You're probabIy asking,
''What do we have here?'' Right?

Okay. Now, wait, wait, wait now.

What we're going to do is give you a...

Give us a smiIe. Come on, smiIe for Harry.

...a reverse angIe.
I used two cameras on this, too.

A reverse angIe to see just what she sees.

What is that? What is that hiding there?

It's a... It's a P9 Automatic, and it's yours.

(CRYING)

(LAUGHS )

Okay. Yeah. And that coat's yours, too.

It's kind of ratty Iooking,
if you want my opinion.

But what I Iike about it is that your name
is sewed right on the inside. You see?

Now then, heIIo, what is this?
What is that tied to the trigger there?

Oh, see, you can shoot the gun without
messing up any fingerprints that are on it.

We'II Iet you think about that for a whiIe.

-ALAN.: Baby.
-Oh, pIease. Oh, pIease.

ALAN.: PIease? PIease, what? PIease?
Pretty pIease? Pretty pIease?

Honey. Honey, honey.
You're gonna pIay the scene. Don't worry.

We wanted you to see the gun
and our IittIe star. Okay?

Okay. Suspense time is over.

Bang. Bang.

Bang.

Bang.

And bang.

Hey, hey. You stiII with us?

There's your coat again.

You know, the thing that makes Cini a star
is that she not onIy Iives her part,

she dies it, too.
You don't beIieve me, you just watch.

See? BuIIet hoIes go
aII the way through it.

ALAN.: Good, good. AII right.
Give him the other.

Okay. We don't need the board.

You mark my words, that's not ketchup.
Now, watch this. See, the eyes don't bIink.

No breath to fog it up.

You stiII with us, Mitch? Huh?

Okay. AImost ready to cover her up?
We ready aImost?

There's your coat again. What?
What's he gonna do with it.

Oh, God. AII right. CIose the eyes.

You remember those eyes,
they never bIinked, did they?

Never. You know why? You know why?

WeII, it's because they don't see.

Now, what we want you to see, sport,
is that your tit is tight in the wringer.

There ain't no way to puII it out.
The cops find the body with no cIothes on,

the gun, with your prints aII over it.
Nice fucking guy that Harry MitcheII!

Takes the broads cIothes off,
pumps five rounds into her.

He probabIy raped her after.
Jesus, that guy shouId be gassed.

You big cocksucker.

Or, as I said at the top of the show,

you pay us 105 grand a year

for the rest of your Iife
and no more fucking around!

That's 10 grand day after tomorrow,
10 grand next week.

30 Gs in good faith. You got it?

That'II give you time
to get the rest together.

That's it, sport. We'II be in touch.

Come on.

(BOBBY HUMMING)

(GASPS )

(SIRENS WAILING)

(THUNDER RUMBLING)

-You aII right, mister?
-Yeah, I'm fine.

Okay, then, why don't you
move out of here, then, aII right?

-Yeah. Okay.
-Let's go!

I have to pick up a few more things.

Why did you run off the other night?

Don't you think we can handIe this
Iike two aduIts?

-Has anyone, any man been here?
-What does that mean?

Mitch, what is going on here?

Has anybody been here recentIy?
Anybody we don't know?

Yes. Yes, there was someone here.

I came home one day
and there was a creep in the Iiving room

saying he was from
some accounting service.

I toId him to Ieave, and he did.

(CHUCKLES )

That prick. He found the gun.

He fucking came up here
and found the gun.

What gun?
WouId you pIease teII me what's going on?

These guys, three guys,

they're bIackmaiIing me.

I wouIdn't pay them.

They had pictures
of me and Cini in a hoteI.

Yesterday,

they showed me a videotape
of Cini strapped in a chair

being shot in the chest five times.

And this accountant,

he used my gun to kiII her.

Why didn't you teII me
about this fucking guy?

TeII you what?

Where the heII were you?
How can I teII you anything?

They got an airtight case against me.

I don't pay, they put me away.
And why not?

I mean, I can't go to the poIice.

It's my gun.

I'm caIIing Arveson,
teII him I'm out of the race.

Now wait a minute!

We've got a coupIe of days,
a coupIe of days.

Give me that much time.

Let's see what happens.

(SOBBING)

I aImost...

The other day,
I aImost threw out aII your cIothes.

Everything, just chuck it
out of the window, right?

Ten, 15 years ago, I wouId have.

I never fired that gun.

Not once since the day I bought it.

(ROCKMUSIC PLA YING ON STEREO)

-Hi.
-Bye.

You wanna take some pictures?

It's $25 for a haIf hour,
$50 for an hour, $10 for the camera...

What's this?

HoId on. Leo.

(WOMEN LAUGHING)

Hey, there. What can I heIp you with?

Now, Iet's see, it's 25 for a haIf,
10 for the camera...

What the fuck is this?

That's $10,000.

Yeah, we don't charge that much.
It's 25, and 10, and 5 for the fiIm.

You know anything about this, Leo?

-You know anything about this?
-What?

Now, you want the fiIm or not?
Come on, I'm a busy man.

-Yeah.
-Yeah?

-I want the fiIm.
-Here you go. Put that away.

The bIack girI that just Ieft?
What's her name?

-What bIack girI?
-You mean Doreen?

Yeah, Doreen.

You don't want Doreen.

Hey, Lori! Yeah. Come in here.

Lori's got some goodies.

I'm teIIing you, there's nice goodies here!

Doreen.

Doreen. Yeah. Okay. Go get Doreen. Okay?

Now, it's the first booth on the right.

And the ruIes say
don't get any cIoser than six feet, okay?

Okay.

You a cop?

You wanna Iook in my waIIet?

Pat me down?

You're the one
that seems to want to do the patting.

Have a seat.

Thanks.

-I've seen you dance.
-Is that right?

-At the cIub?
-Yeah.

A coupIe of times.

So teII me, are you a tit man?

Or you want the whoIe show?

(CAMERA CLICKS )

Oh, so you reaIIy do take pictures, huh?

We met about two, three months ago,
remember?

Yeah. How'd it come out?

-It's a IittIe dark.
-That's me, honey.

When we met,
you were with a girI named Cini.

-She was going to schooI.
-We're aII students.

Cini's a nice person.

You used to see her, didn't you?

Now you want to focus on me, huh?

-The Iast one was underexposed.
-Oh, yeah?

And I say wait untiI I get my pants off,
you want more exposure.

That's pretty good.

Or, as the dude says,
''What size is your aperture?''

A Iot of Iaughs in your business, huh?

You ever go up to Cini's pIace?

You said I used to see her,
that's where I used to see her.

Where exactIy?

An apartment on Crenshaw.

She said you had one in the same buiIding.

She moved though, you know?

So I heard.

This one's a IittIe better.

So how much did she used to charge you?

She never charged me anything.

Not even the first time?

Not any time.

Of course, you couId just be bragging.

Maybe teIIing me a IittIe story, no?

What's the difference?

WeII, Iove, I was entertaining the thought

maybe you and I couId
head on over to my pIace, you know?

Leave this shop here.

OnIy thing is, though, the management
doesn't accept any freebies,

not for nobody.

-How much?
-100.

You get tea, a smoke,
maybe a chance for seconds.

Maybe.

-Leo, give me my check, man.
-Oh, come on, I'm having Iunch.

Hey, excuse me.
I'm sorry, you can't come back here.

What do you think you're doing?
You can't... Hey!

Hey, hey, what the fuck
do you think you're doing?

You don't take pictures back here, buddy.

I need that print back.
No, I don't want that. I want the picture.

I need that picture back. I'm serious.

-I need that picture back.
-You Iook reaI good.

You don't take pictures in here.
I want that picture back now.

I want that picture back now,
God damn it!

AIan, we've got a probIem here.

We've got a probIem, AIan.

DOREEN: I've never seen Leo so uptight.

HARRY: Yeah.

Seemed a IittIe high-strung, didn't he?

Maybe aII them kind are Iike that.

(LAUGHS )

You aII ready?

You dancing at the cIub tonight?

Why? You want to catch the show?

Maybe.

You're after something, aren't you?

And it ain't my pussy, is it?

Leo has a coupIe of paIs,
a white one and a bIack one.

Honey, I ain't gonna say nothing.

That's a thick enveIope
he's got there, huh?

HARRY: The white guy, smooth taIker,
businessman.

You trust him, Doreen? What's his name?

For some reason
I'm not getting through to you.

I make that in five minutes
with the shoe cIerks.

-How much you got in there, Iover?
-That's it.

What's his name?

-I'm gonna ask you a question, okay?
-Okay.

This way nobody can say
that I toId you anything.

I'm onIy gonna ask you a question.

Go ahead.

-You own an umbreIIa?
-Yeah.

What kind of weather you use it in?

-Rainy?
-CIose, baby. CIose.

(JAZZ MUSIC PLA YING ON TV)

It's not him.

This guy was younger.

Longer hair, not so weird Iooking.

Ask Arveson if he couId...

If he can get us any information
on GoId Coast Enterprises, San Francisco.

They run the nude modeI pIace.

See if they have anybody
on the LA payroII, name of

Rainy, Raingy, Rainier.

Something Iike that.

ShouIdn't be hard.

(MUTES TV)

Won't Arveson wanna know
why you want this?

Yeah, but he won't ask.

What about the money?

Tomorrow we pay them $10,000.

We can afford it.
It buys us a coupIe of days.

What if you wanted to pay them?

Just suppose you wanted to.

How much couId you get?

Before next ApriI?

I'd say about 52,000.

I'd Iike to stay.

In the den.

HARRY ON PHONE.: HeIIo?
BARBARA ON PHONE.: It's me.

Arveson got the information you wanted
from GoId Coast Enterprises.

His name is AIan Raimy.

He manages a porno theater

at 14312 Western A venue. That's it.

Thanks, Barb. Take care of yourseIf.

I wiII. Bye.

-How's the show?
-What?

-The movie, is it any good?
-BeautifuI. 5 bucks.

Is Mr. Raimy around?

-AIan?
-Yeah.

Yeah. Who wants to see him?

TeII him a friend. A home-video fan.

He's upstairs. 5 bucks.

Thanks.

(PROJECTOR WHIRRING)

(MAN MOANING)

MAN.: (ON SCREEN) Oh, yeah!

That's it, baby. That's good.

(WOMAN BREA THING HEA VIL Y)

I Iike that.

There you go.

What's the probIem?

You don't Iike the fiIm?
You want a refund?

You want to pIay ''Let's Pretend''?
Or shouId I just give you the money?

What money is this?

You asked for $10,000, didn't you?

(LAUGHS ) Oh, this is weird.

Maybe I've got the wrong guy.

You wanna give me 10 Iarge ones,
that's okay with me.

WeII, maybe you'd rather go to another
baII game or something?

But my heart reaIIy isn't in it
since Carero got hurt.

I'II teII you what.

Why don't you get the fuck out of here?

MAN.: Oh, yeah.

You don't want it? Okay.

I'II take it home.

Hey, hey, hey. Wait up. Okay.

You want to give it to me, that's fine.

-Are you the guy or not?
-You seem sure.

Is this for you or isn't it?

I said if you want to give it to me,
that's fine, if you're sure.

I want to hear you say it.

AII right. Yeah, I'm the guy.
Give me the money.

Hey, hey, hey, hey, hey.

Hey, don't touch me!

Something about your face
makes me want to sIap the shit out of it.

Now I'm going to taIk to you.
I'm going to show you something.

-So show me.
-AII right.

You come to my pIant tonight at 12:45,
after the Iast shift.

I couId be waIking into something.

Buddy, you couId be waIking
into surgery right now.

12:45. Be there.

Hey!

The 10 grand?

Oh, you're pretty convincing, aII right.

But I'm stiII not sure I've got the right guy.

(WOMAN MOANING)

ARVESON: Now, this shows
how we're doing in every district,

and you can see we're not doing
that weII in North HoIIywood.

Barbara?

Okay. Now Iisten, we're gonna need...

(BELL RINGING)

(TRAIN HORN BLARING)

(JAZZ MUSIC PLA YING ON STEREO)

(EX CLAIMING)

Nifty car.

The radio sounds Iike shit.

-You need new speakers.
-Yeah.

Let's go inside.

This is it, huh?

So, Mr. MitcheII,
I understand you'd Iike me

to take a Iook at your books.

AII right, Raimy. Cut the shit.

You're not being bugged.

Now, I figure
if you know what you're doing,

this wiII take about two hours.
If you don't, we'II be here aII night.

I bet I can read this quicker
than your accountant.

I had a hunch you couId.

-What, a Biz-Ed major?
-Yeah, Northwestern.

But then I Iearned better ways
to make money.

Okay.

So, the government takes
haIf of your saIary.

-Yep.
-And you Iive on the rest.

Past royaIty is what?

Trust funds.

The baIance in municipaIs.

A few Iong term investments.

It's not what I wouId do exactIy, but, hey.

WeII, yes, sir, Iike a Iot of peopIe
who make a Iot of money,

you don't seem to have any.

The baIance sheets are in there.

There's a figure
you ought to take a Iook at.

-52,000?
-52,000.

That's aII I can get my hands on right now.

-Your fiscaI year ends when?
-ApriI.

You see, I don't intend to seII my factory

or my house
or change my Iife to deaI with you.

How soon can you get
your hands on the 52,000?

About five days.
You can pick it up right here.

Maybe. I'II Iet you know.

Of course, how you divide it up
is up to you guys.

One thing more,

I wanna deaI onIy with you.

Answer me something, wiII you?

Who was it toId you where to find me?

Your paI, Leo. Who'd you think?

Listen, I swear to God it wasn't me.

The deaI seemed cIean and simpIe.
Nobody was gonna get hurt.

AII of a sudden, it gets compIicated.

Yeah. Hey, you know,
the guy must have some dough.

He showed me 10 grand, huh?

I toId you the man has money,
but the government has him by the baIIs.

A guy makes that much,
how come he has nothing Ieft?

-You know that for sure?
-No! I'm making it up!

Oh, Leo, I'm sorry. Come here.

Come here, Leo, come here.
Come here to me.

-I didn't...
-I know.

-I didn't do anything.
-Leo, Leo, Iisten. Listen to me.

I saw the books.

I saw the correspondence
from the IRS on their stationery.

Then I asked the guy, I said,
''Who was it toId you where to find me?''

-Oh, he said it was you.
-I didn't teII him, Jesus Christ!

-Okay. Okay. Okay!
-I didn't even teII him your first name.

It couId have been somebody eIse.

AII right, what about Doreen, huh?
I mean, she went out with him.

-She wouIdn't taIk to him.
-How do you know that?

Because she's a friend of mine.

And she knows if I found out,
I'd throw her dead ass off a roof.

But he said it was you, Leo.

-I didn't... I didn't teII him. Jesus.
-Stop whimpering!

Okay. Okay. Okay.

So, gentIemen, we got a IittIe probIem.

We kiIIed somebody.

He saw it in the movie
and now he knows about us.

That's why one of us
is going to have to bIow him away.

Now, what do I get out of it?

Peace of mind.

I Iook nervous to you?

Bobby, you've been in the joint, if I recaII.

I don't beIieve you wanna
get doubIe biIIed.

The man wants me to cIean up his mess.

Aren't you the pro?
The cowboy in this group?

Now you're bIowing smoke up my ass.

Shit. You waIk up, ring his beII,
he opens the door, it's done.

That's the way you do it, huh?

We stick together.
I mean, we started something, okay?

It didn't pay off.
So we cooI it for a coupIe of weeks,

tie up Ioose ends,

then we Iook for something eIse.

(CLICKS )

(POPMUSIC PLA YING ON STEREO)

Hey, Doreen.

Doreen, I'm home.

(TURNS OFF STEREO)

Hey, baby?

Wakey, wakey, wakey.

Come on, baby. It's time to get up.

Wakey, wakey.

Hey, Doreen.

It's time to get up, baby.

Bobby? What time is it, honey?

It's about 3:00.

That man who come here,
his name MitcheII?

Friend of Cini's?

He didn't teII me his name.
Just a friend of Cini's, honey.

WeII, what you'II taIk about?

(MOANS )

Nothing.

I toId him to come back some time.

What eIse you teII him?

What do I... What do I know I can teII?
I don't know nothing.

(MUFFLED SCREAMING)

Yes.

What did you teII him?

(GASPS )

I don't know nothing to teII him.

You know me.
You know the peopIe I know.

He was onIy here for five minutes.

WeII, did he come to buy,
or did he come to taIk?

I toId... I toId him I was busy.

You're not answering my questions.

No, you're not answering my questions.

Yes.

Now what did he want, huh?

What?

(GASPS )

Now, one more time.

Did you teII him where
I or anybody I know Iives or works?

I didn't. PIease. I...

-Are you sure?
-Yes, Bobby.

PIease.

I didn't say nothing.

I beIieve you,

but I beIieve everybody.

I toId him I was busy. That's aII I said.

I want you to get some sIeep.

And when you sIeep,

I want you to say to yourseIf
over and over again,

''I ain't ever gonna taIk to that man again.''

No more.

(JAZZ MUSIC PLA YING ON RADIO)

(DOOR CLOSES )

You're Iate. Where's your car?

Mark brought me home.

What are you doing with this thing open?

Don't worry about Raimy.

He's off doing his homework.

I'm scared, Mitch.
I'm scared aII the time now.

What are you doing?

We are deaIing with murderers. Scum.

We shouId be at a poIice station
and here you are, changing your pIugs.

If you were doing that three months ago
instead of screwing around,

we wouIdn't be in this goddamn mess.

I hope you know what you can do
with those pIugs when you get them out.

(DOOR SLAMS )

(GLASS BREAKING)

(MEOWING)

(GASPS )

There's somebody in the house.
Come with me.

Get in here
and don't come out untiI I caII you.

(BOTH SCREAMING)

Come on!

(SCREAMS )

(BOTH GRUNTING)

(BARBARA SCREAMS )

Fuck!

(GRUNTS )

Shit. Motherfucker!

(YELLS )

(YELLING)

Get the camera.

Drink this.

Shit.

Motherfucker bust in your house,
you aIways serve him drinks?

SmiIe.

SmiIe.

Okay.

Now you've got pictures of me,
and I've got ones of you and Leo.

I don't have one of AIan yet,
but I'm working on it.

I got a question for you.

How come you come busting in here

when I'm gonna hand you $50,000 in cash?

-50,000?
-52.

That's the deaI I made with AIan.
Didn't he teII you?

He...

-He said about you owing the government.
-Everybody owes the government.

The payment was made for three guys,
however you spIit it.

Or how we don't spIit it up.

-When you gonna make this payment?
-In a coupIe of days.

Where?

-Why don't you taIk to AIan?
-Yeah.

Have a taIk.

You need a Band-Aid?

I'm fine.

I can go now?

Sure.

You forgot something.

What?

Guys take over your Iife just Iike that.

You never beIieve anybody can do that.

One dumb move
and these animaIs rush in.

I reaIIy fucked up, didn't I?

Good, Judy. Come on, GiIda,
what's wrong with you?

Oh, that's beautifuI.

Yes, that's very good.

-JUD Y: Do you Iike this?
-Oh, yes. Okay.

Oh, yes. Take those straps off, Judy.
Good, GiIda. Okay.

GiIda, you Iie down on your back.

Judy, you get up. That's it.

Turn around this way. Come on.

Here we go. That's good. That's good.

This is a good shot. This is reaI good.

Okay. Oh, Iook. Yes, sir.

Oh, you do that good, huh? What?

Hey, Iisten...

-Hey, Bobby.
-Get rid of the bitches.

GILDA: What'd he caII us?

-Okay, kids, that's a wrap.
-AIan, no!

-Here you go. Come on, come on.
-AIan, no, way.

Come on. Get your cIothes and get out.
Come on, come on, go on.

-You said we couId stay.
-Go on, go on. I know what I promised.

Go on, go on! Get out through the kitchen.

-Hey, hey, hey, Bobby, Bobby.
-JUD Y: You son-of-a-bitch.

What are you doing now?

So?

Hey, come on. What is this?
Don't be fooIing with guns in here.

You ready for the big question?

Oh, man, what are you on?

The question is, how much
did the man say he was going to give you?

Give me?

Give you. Give us. Just say it.

Yeah, you went out to see the guy,
didn't you?

What's the answer?

Before I can taIk to you, you go out
on your own and see the guy yourseIf,

is that it?

Hey, hey, now. You Iisten to me a minute.

When a man puIIs shit on me,
he's either very brave or very stoned.

-Which are you?
-Hey, now, my mind is cIear. You hip?

Hey, hey. Now, you... Fuck it.
Think about it a minute.

You just wait.

Now, how was I going to teII you anything
with Leo sitting right there?

I caIIed you Iater, you were gone.

(GUN FIRING)

Bobby.

Stop, stop, stop.

Now, now, I caIIed you, man!
You weren't...

What did the man say?

This is the Iast caII.

52,000.

Now, don't you feeI better?

The man made us an offer, 52,000.

That's aII he can afford.

You beIieve it?

Yeah.

I mean, Iet's take it
whiIe he stiII beIieves it'II save his ass.

But here's what we're taIking about.

What do we need Leo for?

I never saw how we needed him at aII.

-So it's me and you. Fifty-fifty.
-26 grand apiece.

-AII right, what about Leo?
-He'II be gone.

But he couId find out, now, couIdn't he?

I don't see no other way.

Do it soon.

Seeing how he's a friend of yours,

you want me to do it.

But you know, I mean,
don't Iet me know how you're gonna do it.

Let me read about it in the papers,
be surprised.

(SIRENS WAILING)

Hey, I'm reaIIy gIad to see you.
I was afraid you weren't gonna show up.

PIace must have a big 5:00 crowd, huh?

Yeah. Honey?

StrictIy a shot and beer joint,
don't you think?

You want some jerky? It's good.

Sit down, wiII you? Sit down.

Look it, I understand
that AIan taIked to you

and you taIked to him.
You guys taIked together, right?

I saw him.

Then he came to see me.

Right. That's what I understand.

Okay.

What I want to know is,

why did you teII him it was me
who said where you couId find him?

I didn't teII him that.

-WeII, he said you did.
-Somebody's mistaken.

What's on your mind, Leo? You caIIed me.

(MUMBLES )

The man's been bIaming me
for what you guys taIked about.

I mean, I was doing a favor.

It's not my fauIt the deaI feII through, is it?

I know that you and AIan
and the bIack guy...

-What's his name?
-Bobby. Right. Yeah. Two more.

Yeah, Bobby.

I know that you three kiIIed Cini.

Whoa. Whoa. Time.

It was AIan's idea.
I swear to God, it was AIan's idea.

(STAMMERS ) I saw that tape right before
you did and I threw up my Iunch.

Listen, I... I'm not...
I'm not as invoIved in this as you think.

-You were there, though, weren't you?
-No, not...

I was not there. I was not.

I voted against the whoIe thing.

I was going to give her my... She...

I... You were going to give me money,

I was going to give her money
to get out of... I...

There was no point in kiIIing her,
there was no point.

I'm just trying to settIe this thing,
and I've made a deaI with Bobby and AIan.

I'm going to pay them 52,000.

-What did you say?
-52,000.

AIan said you couIdn't pay.
He said that you owed the government.

-TaIk to AIan.
-Yeah, right, right.

TaIk to AIan, that son-of-a-bitch.

I knew that they were up to something.
I knew it.

They're pIotting something,
and they're pIotting me out.

They're... They're pIanning... They're...

Thanks.

Right.

Okay.

Okay.

(CHUCKLES )

You want it finished, huh?
You pay and it'II be settIed.

He sics Bobby on you,
or he'II do it himseIf.

And, I mean, for aII I know,
they're in this thing together.

I can't reach them.
I don't know where they are.

I can't reach them.

What if... What if you go to the cops
and you teII them your story?

What about that?

And I'II back you up.
I'II go with you and I'II back you up.

(STUTTERS ) Go to the cops
and I'II make a bargain or something,

and I'II take the stand

and say that they kiIIed the girI,
which they did.

And they'II...

They'II Iet me pIead to bIackmaiI or...

I didn't want the girI dead.

I'm sorry.

I'm so sorry. I didn't want her dead.

They'd stiII have a case
against me, though.

Yeah? What case?

The girI's body. My gun. The tapes.

Yeah? What body?

You wanna know something?

There's no body.

They dumped it in the river
and it's in the poIIution and shit.

Since they did it, you see,

they think that you think
she's on ice somepIace

'cause you can't afford to think
that she isn't. See?

You see her get kiIIed.

You're scared as shit
and you agree to pay.

OnIy you know that AIan and Bobby did it.

Where's the tapes?

They're... They're in the...

-They're in the river with the girI.
-And my gun?

He... He has it...
I don't know, he has it somepIace.

He Iikes guns. He's a gun nut.

-For the road.
-Hey, hey, hey.

Where are you going, huh?

I just toId you they couId kiII you.

You haven't toId me what
you're gonna do about it, you fuckhead.

I'II wait to see what happens to you.
Then I'II know if they're serious.

(GASPS )

You swim good.

Good strong Iegs. A terrific ass. Nice rack.

A IittIe chiIIy for taking a swim, isn't it?

You see this? Now you don't.

But you know it's there, don't you?

Now, come on out of the pooI, sIim.

Come on.

ALAN: You're chiIIy, aren't you, sIim?

What we're doing, we're gonna
get something to warm you up.

How you doing?

-Everything's everything.
-Huh?

You did say you wanted one spoon,
didn't you?

Present for a friend.

(FERRY HORN BLOWING)

HeIp!

HeIp!

HeIp me! HeIp me!

HeIp!

HeIp!

No! No!

No!

God, you're a strong IittIe bitch,
aren't you?

You know how you're turning me on?

No! No! No! No!

You wanna fight it? Okay, fight it.

(YELLING)

O'BOYLE: My God, they've got Barbara.

AII right, we go to the cops now. That's it.

No!

That's why I didn't show you the note.

You want Robert Lee Shy here?

I don't have it aII,
but when he was 13 in Los AngeIes,

he did three years in a juveniIe faciIity
for bIudgeoning his step-uncIe to death.

God damn it.

AIan Raimy was arrested twice
for rape and convicted.

On the phone,

you said you taIked to Leo Franks

and he said for his own protection

and for your protection, tough guy,

he was wiIIing to testify.

Yeah.

WeII, why don't we Iet him?

657-1333.

(RINGING)

LEO: Let it ring.

(WOMAN CHA TTERING ON TV)

$1 10? That's it? $1 10?

-It's been sIow.
-''It's been sIow.''

(PHONE CONTINUES RINGING)

Don't touch it!

Just Iet it ring.

We're getting out of here, Grady, tonight.

-Christ. How did you get in?
-I waIked in the back.

You know, I ain't seen you or AIan around.
I'm beginning to wonder.

If you'd pick up the motherfucking phone,
you wouIdn't have to wonder.

Yeah. Yeah.

How come you're cIosed, Leo?

No. No, no, no. We're counting the money.

(STUTTERS ) You know,
I'm opening up right now. Wait.

I mean, you know,
I ain't heard from you guys.

You know, 'cause of weird shit Iike
maybe you're cutting me out, huh?

Nobody's cutting you out, Leo.

You're part of the group.

Yeah.

Bobby, you don't think that
I toId that MitcheII guy anything, do you?

I wouIdn't do that.
I wouIdn't teII him AIan's name.

-I wouIdn't teII anybody anything.
-You're whimpering, Leo.

Now, AIan wants to see you at the cIub
at 1 1 :00.

I'II be there. Can you give me a Iift?

Leo, I think we ought
to get out of here right now.

No, we're fine.

(PHONE RINGING)

No!

(CAR HORN BLARING)

ALAN: Now this won't be hot.

Maybe a IittIe warm going in.

Lady, it's just scag.

It'II give you a nice sIow ride uptown,
see the Iights.

Oh, Jesus, I'm not hooking you.

I just... I wanna make you
quiet and easy to handIe.

Now put your Ieg out, either one.

No!

(GRUNTING)

There. There.
It'II make you warm and quiet.

(HEAVING)

That's okay. That happens.

That's okay. That's okay.

Just don't Iet it ruin your high, though.

Don't touch it.

(PHONE RINGING)

Yes?

ALAN.: Hey, sport, it's me.

-I know who it is.
-How're you doing?

I've got a friend of yours here.

-Put her on.
-Yeah, okay, here she is.

Say something. Go on.

-There you go. Up.
-BARBARA.: Honey...

Barbara, don't... Don't...

-That's it, sport.
-Hey, Raimy.

-See, I wouIdn't Iie to you?
-AIan.

-Listen to me.
-No, you Iisten to me. I want the money.

-You'II get the money.
-But no poIice.

-No. No. No poIice.
-You sure?

Look, Iet's quit the dancing.
I've got the money.

You know, I've been thinking about you
and I've been getting bad vibes.

WeII, if you're nervous, see a doctor.

(LAUGHS ) Look, I want you
to meet me tonight at 8.:00

at the oId TerminaI IsIand raiIroad bridge.
The Long Beach side.

-You know where that is?
-Yeah, I know where that is.

-AII right. Now, AIan, you Iisten to me.
-Yeah?

You Iike my car, huh?
Why don't I throw that in?

I've aIways wanted an E Jag.
Is it the 6 or the 12?

The 6. It's yours. AII yours.

That's reaI white of you, sport.

Yeah. But Barbara, one hair,

and I'II get you, you fucker.

You've got my word, sport.

Good.

8.:00 at the oId TerminaI IsIand
raiIroad bridge, the Long Beach side.

-Enjoy your Sunday, sport.
-I'II be there.

O'BOYLE: When?

Tonight.

-Did you taIk to Barbara?
-A second.

-Mitch...
-No. No poIice.

I'II do this. I know how.

ALAN: Bobby, I Iiked it.

(LAUGHS ) Yeah. You're a fucking cowboy.

Now Iisten, it's set for tonight. Yeah.

I want you to meet me at the warehouse
at 7:00.

But... No, we don't want two cars,

so get Doreen to drive you up,
drop you off.

Yeah. Okay. So I'II meet you at 7:00, sIick.

On the button. 7:00.

You know enough not to be stupid, right?

Hey, cowboy, how you doing?

I see. Hi, baby.

Come on.

Oh, I've got something to show you.

Something that's gonna knock you out.

(GASPS )

Come on, sport!

That's fine.

-You got it?
-Yeah.

Terrific.

Come on, baby, Iet's go.

Come on. Hey, come on. Move your ass.

That-a-girI. That-a-girI.

Let's see it.

Let's see it.

-You wanna count it?
-No, I trust you.

Put it back in the car, passenger side.

Come on!

You fix that shitty radio speaker?

Yeah. It's fixed.

If you're fixing to do anything to us,
you better think twice.

There's a Iawyer sitting in my office
Iooking at your fingerprints on my Iedgers.

If he doesn't hear from us within an hour,
he'II know what to do with them.

WeII, this is it, then.

Adi�s amigos, it's been fun. Beat it.

Beat it!

You got a fine bitch there.

There's a Iot of miIeage on her,
but she stiII cooks!

Hey, sport, hey!

This is so you don't do something stupid.

(ENGINE ROARS )

HARRY.: Hi, AIan.

This is the first and Iast 10 seconds
of the rest of your Iife.

(PA TRIOTIC MUSIC PLA YING)

No!

So Iong, sport.