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1
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{\an8}Go on.
2
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{\an8}
3
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A curl?
4
00:01:12,291 --> 00:01:14,131
Didn't you get to bed last night, Glyn?
5
00:01:14,208 --> 00:01:16,918
{\an8}Sorry. You just look this morning
like you didn't go at all.
6
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{\an8}
7
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{\an8}- Have you heard the "Octopus" one?
- No.
8
00:01:25,333 --> 00:01:27,293
You learned A minor, then?
9
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That's all I've got.
10
00:01:53,166 --> 00:01:55,626
{\an8}After the two times, the second time…
11
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{\an8}
12
00:02:05,083 --> 00:02:08,213
Then to get to the G one, a bit, uh…
13
00:02:08,291 --> 00:02:10,461
Let's go from the beginning.
14
00:02:10,541 --> 00:02:11,831
- From the beginning.
- Right.
15
00:02:24,958 --> 00:02:26,418
{\an8}
16
00:02:30,416 --> 00:02:31,786
Then stay on F.
17
00:02:33,791 --> 00:02:35,291
Then that, then this, uh…
18
00:02:35,375 --> 00:02:36,375
What one's that?
19
00:02:37,916 --> 00:02:39,576
Uh--
20
00:02:59,166 --> 00:03:02,076
Just, I mean, something
to sort of get back to where you--
21
00:03:02,166 --> 00:03:03,166
Where we started.
22
00:03:12,416 --> 00:03:14,326
- It's a little bit--
23
00:03:35,625 --> 00:03:37,245
- So it resolves itself.
- Yeah.
24
00:03:37,958 --> 00:03:40,038
Well, I'll have to put words
in that bit, then.
25
00:04:02,958 --> 00:04:04,628
- Oh, drums, right.
26
00:04:04,708 --> 00:04:08,458
I think Paul would wanna do drums,
wouldn't he? With his strong left arm.
27
00:04:08,541 --> 00:04:10,631
I'm not getting on that kit
without a ciggy.
28
00:04:20,375 --> 00:04:22,035
I've never been up here before.
29
00:04:31,166 --> 00:04:32,626
Very strong one.
30
00:04:33,208 --> 00:04:34,748
- Okay!
31
00:04:37,041 --> 00:04:40,461
- I'm a tame tiger. Meow.
- I'm cool with that.
32
00:04:44,333 --> 00:04:46,333
{\an8}- Are you going to eat them?
- No!
33
00:04:46,416 --> 00:04:47,916
{\an8}Lots of people do, you know.
34
00:04:51,083 --> 00:04:52,333
On toast?
35
00:04:52,416 --> 00:04:54,826
You put pastry around them,
and you have cat pie.
36
00:04:57,416 --> 00:04:59,576
{\an8}You better wait a week or two
before you eat them.
37
00:05:00,708 --> 00:05:02,628
{\an8}- That's very good.
- We'll put on the meat.
38
00:05:06,916 --> 00:05:09,416
Oh, you don't eat them
if they have black spots.
39
00:05:11,958 --> 00:05:14,208
You don't eat them
if they're like tigers, either.
40
00:05:17,666 --> 00:05:22,076
And anyway,
I'm just a pussycat that was just born.
41
00:05:52,416 --> 00:05:57,036
{\an8}
42
00:06:10,416 --> 00:06:11,456
Kevin?
43
00:06:11,541 --> 00:06:14,421
What was the… Do that old gospel ending.
44
00:06:14,500 --> 00:06:17,330
- Sunday morning. Sunday morning. Church.
- Sunday morning. Definitely, yeah.
45
00:06:17,416 --> 00:06:20,746
- And we'll all kneel as we do it.
- We can do a gospel ending that Elvis did.
46
00:06:23,250 --> 00:06:24,250
Yeah.
47
00:06:24,333 --> 00:06:25,923
We all was gonna do it.
48
00:06:26,000 --> 00:06:28,170
- We did it just fine. It was just that…
- Yeah.
49
00:06:58,875 --> 00:06:59,995
I'll tell you one thing.
50
00:07:00,583 --> 00:07:02,463
Do it lighter. Don't do sort of--
51
00:07:04,666 --> 00:07:06,536
Do it more--
52
00:07:08,791 --> 00:07:10,921
And so a bit lighter offbeat, and maybe…
53
00:07:20,625 --> 00:07:23,455
Keep it light.
So it's not going heavy again.
54
00:07:32,541 --> 00:07:35,041
I don't know what you are saying.
55
00:07:36,000 --> 00:07:37,250
Uh…
56
00:07:37,333 --> 00:07:38,833
Hello.
57
00:07:38,916 --> 00:07:41,326
Is anybody…
58
00:07:41,416 --> 00:07:44,326
Let me sing. Hello. Is anybody home?
59
00:08:15,750 --> 00:08:18,080
{\an8}
60
00:08:23,166 --> 00:08:24,456
Hi.
61
00:08:24,541 --> 00:08:26,331
- Aah!
62
00:08:33,750 --> 00:08:34,830
Yoko!
63
00:09:09,916 --> 00:09:12,286
{\an8}
64
00:09:12,375 --> 00:09:14,375
{\an8}
65
00:09:57,125 --> 00:09:58,995
{\an8}
66
00:09:59,083 --> 00:10:01,213
{\an8}
67
00:10:02,083 --> 00:10:03,833
{\an8}
68
00:10:42,083 --> 00:10:43,583
Yeah!
69
00:10:48,291 --> 00:10:49,291
Oh, sorry.
70
00:10:51,250 --> 00:10:52,790
Come on, let it be.
71
00:10:59,750 --> 00:11:01,130
What ones haven't you done yet?
72
00:11:01,208 --> 00:11:03,078
A little thing that goes
something like this.
73
00:11:15,875 --> 00:11:20,285
{\an8}
74
00:11:51,125 --> 00:11:55,035
{\an8}
75
00:12:32,958 --> 00:12:35,378
{\an8}
76
00:12:39,791 --> 00:12:40,921
- No. No.
77
00:12:41,000 --> 00:12:43,130
No, see,
you've gotta wait a lot longer than that.
78
00:13:38,541 --> 00:13:40,711
- You done left me.
- You done left me.
79
00:14:07,458 --> 00:14:09,708
There wouldn't be much drumming,
would there?
80
00:14:11,125 --> 00:14:12,705
Go around a bit, you know?
81
00:14:12,791 --> 00:14:13,791
What?
82
00:14:14,333 --> 00:14:16,713
It sounds a bit like
a sort of dance orchestra.
83
00:14:17,625 --> 00:14:19,745
And the slow foxtrot…
84
00:14:19,833 --> 00:14:22,253
Like Rita and Thomas Williams.
85
00:14:23,750 --> 00:14:26,630
Rita is wearing a dark sombrero
and a beard.
86
00:14:26,708 --> 00:14:28,208
{\an8}The chord there. I mean--
87
00:14:30,750 --> 00:14:33,710
Her husband is wearing
a crinoline skirt which he made himself.
88
00:14:52,416 --> 00:14:53,916
Still no idea where I come in.
89
00:14:54,000 --> 00:14:56,790
- Off the top of your head.
- John, yours doesn't sound as much…
90
00:14:57,375 --> 00:14:59,035
It sounds like
you're doing too many notes.
91
00:14:59,125 --> 00:15:01,875
- Yeah, all right. Well, it just gets--
- It's too, sort of, regular.
92
00:15:07,291 --> 00:15:08,791
But you're doing…
93
00:15:11,375 --> 00:15:12,575
I've been going…
94
00:15:13,958 --> 00:15:15,748
- You just want the one?
- Don't do that.
95
00:15:15,833 --> 00:15:18,253
No, but I mean, don't do any note there.
Just go…
96
00:15:25,208 --> 00:15:27,128
That's what I'm really doing.
I've been going--
97
00:15:30,833 --> 00:15:31,833
Hello?
98
00:15:38,250 --> 00:15:39,250
Great!
99
00:15:53,041 --> 00:15:54,421
Amazing.
100
00:16:30,875 --> 00:16:31,875
Okay.
101
00:16:33,875 --> 00:16:35,035
One.
102
00:16:51,291 --> 00:16:55,291
{\an8}
103
00:17:17,750 --> 00:17:21,130
When it's mixed, as it is, I'm sure
with a mix on it, it'll be all right.
104
00:17:21,208 --> 00:17:22,328
I know what--
105
00:17:32,458 --> 00:17:34,418
Paul, are you gonna have strings?
106
00:17:41,833 --> 00:17:43,423
- Yeah.
- Well, it's like--
107
00:17:43,500 --> 00:17:44,500
Ooh!
108
00:17:44,583 --> 00:17:45,583
Yeah, there's parts--
109
00:17:45,666 --> 00:17:48,786
There's only parts where
you can hear the electric piano properly,
110
00:17:48,875 --> 00:17:50,575
- or the piano properly.
- Yes.
111
00:17:50,666 --> 00:17:53,456
{\an8}Most of the time, you know,
like, they mix together.
112
00:17:59,291 --> 00:18:01,921
Yeah. I think it needs,
like, a lot of, uh…
113
00:18:02,000 --> 00:18:03,880
- Cleaning.
- Cleaning, yeah.
114
00:18:05,250 --> 00:18:07,420
Actually,
the thing is, it's a nice feel to it,
115
00:18:07,500 --> 00:18:09,420
but it's rather like
everything else we've done.
116
00:18:09,500 --> 00:18:11,040
And this particular song
doesn't need that.
117
00:18:12,958 --> 00:18:16,248
See, the only way I've ever heard it is,
like, in my head,
118
00:18:16,333 --> 00:18:19,173
- is, like, Ray Charles's band.
- I'm supposed to marry you.
119
00:18:19,250 --> 00:18:21,290
And I don't--
I haven't really even listened to them.
120
00:18:21,375 --> 00:18:25,625
It would be nice with some brass
just doing the sustaining chord thing.
121
00:18:25,708 --> 00:18:27,708
- Yeah.
122
00:18:27,791 --> 00:18:31,381
- Yeah.
- Moving and just holding notes.
123
00:18:33,875 --> 00:18:35,915
- Yeah. We probably, yeah--
- If I pull yours up…
124
00:18:36,000 --> 00:18:38,790
We were planning to do it anyway
for a couple of numbers,
125
00:18:38,875 --> 00:18:41,035
just to have
a bit of brass and bit of strings.
126
00:18:41,125 --> 00:18:42,575
That's what George was saying before.
127
00:18:42,666 --> 00:18:44,536
That's the bit
where The Raelettes'd sing it.
128
00:18:44,625 --> 00:18:48,995
{\an8}
129
00:18:56,166 --> 00:18:59,036
Great. Sorry, man. Oh, that's nice.
130
00:18:59,541 --> 00:19:01,131
That's nice of what?
131
00:19:01,208 --> 00:19:02,378
It's nice of you.
132
00:19:03,125 --> 00:19:04,875
- For what?
- Very nice of you.
133
00:19:04,958 --> 00:19:06,958
- For what?
- Just to come here.
134
00:19:07,875 --> 00:19:08,875
We're going home.
135
00:19:08,958 --> 00:19:10,458
- When?
- Now.
136
00:19:11,000 --> 00:19:12,000
No.
137
00:19:13,458 --> 00:19:15,168
Am I gonna eat now? I'm going back.
138
00:19:15,250 --> 00:19:17,960
She's so worried now.
"I gotta eat for three hours,
139
00:19:18,541 --> 00:19:20,461
then maybe go to bed around 1:00."
140
00:19:21,833 --> 00:19:24,383
You're just going back in your box.
That's where you're going.
141
00:19:24,458 --> 00:19:26,668
- Don't tell. Don't tell.
142
00:19:26,750 --> 00:19:29,040
Aren't I gonna have anything to eat?
143
00:19:29,125 --> 00:19:31,035
Hey, I've got a present for you.
144
00:19:31,125 --> 00:19:33,375
- See you tomorrow.
- Bye.
145
00:19:33,458 --> 00:19:35,998
{\an8}- Aren't you going, George?
- I said yes, George.
146
00:19:36,083 --> 00:19:38,713
{\an8}
147
00:19:44,291 --> 00:19:48,751
{\an8}
148
00:20:22,000 --> 00:20:25,500
{\an8}
149
00:20:36,375 --> 00:20:38,625
{\an8}
150
00:20:39,333 --> 00:20:44,083
{\an8}
151
00:21:19,666 --> 00:21:21,326
I don't know.
You didn't get the other one?
152
00:21:21,416 --> 00:21:22,416
- No.
- No.
153
00:21:22,500 --> 00:21:24,670
- Well, we'll remember that another day.
- Yeah.
154
00:21:24,750 --> 00:21:27,000
I'm just so high when I get in at night.
155
00:21:28,458 --> 00:21:29,458
{\an8}I couldn't sleep.
156
00:21:38,875 --> 00:21:39,955
{\an8}Tea or toast.
157
00:22:00,250 --> 00:22:02,000
- Yeah.
158
00:22:02,083 --> 00:22:05,503
What's this chord, Billy? E with a C?
159
00:22:05,583 --> 00:22:07,503
Yeah. Just loading the E.
160
00:22:08,250 --> 00:22:09,630
- Yeah. That's like E7.
- Yeah.
161
00:22:09,708 --> 00:22:11,208
This one.
162
00:22:12,083 --> 00:22:14,423
- Yeah. Um, E with a raised…
163
00:22:15,958 --> 00:22:17,828
E with a C. E.
164
00:22:18,583 --> 00:22:21,383
- Yeah, E with a C.
- E with a C. What's that?
165
00:22:23,708 --> 00:22:26,208
I've had an E with an F,
which is pretty good.
166
00:22:41,916 --> 00:22:44,076
{\an8}
167
00:22:44,166 --> 00:22:47,576
{\an8}
168
00:23:05,750 --> 00:23:07,250
What's this chord then, Billy?
169
00:23:09,958 --> 00:23:14,248
- It's F, but raising the F to F sharp.
- Yeah. F sharp. Diminished.
170
00:23:14,333 --> 00:23:17,503
And then F with that, like the 7th.
171
00:23:18,708 --> 00:23:21,288
It's great on piano
'cause I don't know anything about it.
172
00:23:21,375 --> 00:23:22,205
Yeah.
173
00:23:22,291 --> 00:23:25,751
But it's great, because I wouldn't have
been able to do that on the guitar.
174
00:24:15,875 --> 00:24:19,165
- Yeah, sorry, that bit comes…
- It does work, the bit--
175
00:24:19,250 --> 00:24:20,880
- But it--
- In the bit before that bit.
176
00:24:20,958 --> 00:24:24,958
Yeah, but then it's, uh--
Then it stays too long on the other one.
177
00:24:25,041 --> 00:24:29,041
- But it's like a natural on there.
- Yeah. Well, you don't know…
178
00:25:02,166 --> 00:25:04,996
- Pianos are very difficult, aren't they?
179
00:25:16,125 --> 00:25:18,035
- Mal? Mal?
180
00:25:18,125 --> 00:25:19,745
The drums are on PA anyway.
181
00:25:19,833 --> 00:25:21,463
When we connect it, I could hear Ringo.
182
00:25:21,541 --> 00:25:23,041
The drums are on PA!
183
00:25:23,541 --> 00:25:26,171
- It's not my idea of a personal assistant.
- No.
184
00:25:50,791 --> 00:25:51,791
Hello? Hello?
185
00:25:54,583 --> 00:25:56,173
'Cause coming from the north of England,
186
00:25:56,250 --> 00:25:58,540
it doesn't come too easy, you know,
all the soul.
187
00:25:58,625 --> 00:26:00,165
- Let's take one now.
188
00:26:00,250 --> 00:26:01,330
Yeah, right.
189
00:26:04,250 --> 00:26:05,880
Ask 'em to put the mics on, will you?
190
00:26:05,958 --> 00:26:07,378
Hello.
191
00:26:07,458 --> 00:26:08,958
And get one for Billy too.
192
00:26:15,500 --> 00:26:17,540
- It's a bit ploddy.
- What?
193
00:26:18,500 --> 00:26:21,960
You know, just--
It sort of plods along a bit. A bit much.
194
00:26:22,041 --> 00:26:25,381
- It's just mourning and slow, slow.
- Mourning and…
195
00:26:25,458 --> 00:26:28,748
And a slow song.
It takes a long time to get out of it.
196
00:26:28,833 --> 00:26:31,383
Yeah.
That'll do for the time being.
197
00:26:31,458 --> 00:26:33,458
"The Wrong and Winding Box."
198
00:26:57,958 --> 00:27:00,418
All those little melodic things, you know?
199
00:27:00,500 --> 00:27:01,920
It's a-- It's a--
200
00:27:02,750 --> 00:27:05,830
It's like the other one, you know.
They're sort of slow, ballady,
201
00:27:05,916 --> 00:27:07,706
and they're plodding a bit.
202
00:27:16,375 --> 00:27:19,705
See, that's the kind of thing. Yeah.
It needs to go like that.
203
00:27:32,416 --> 00:27:33,536
Oh, just a second.
204
00:27:33,625 --> 00:27:36,415
When it goes, um-- On that bit, it goes…
205
00:27:38,125 --> 00:27:39,245
Hang on.
206
00:27:40,041 --> 00:27:42,171
Can we make the bridge…
207
00:27:43,333 --> 00:27:44,333
heavy?
208
00:27:45,833 --> 00:27:48,543
I can't sort of think how to do
this one at all, you know.
209
00:27:48,625 --> 00:27:50,455
Just, mind's a blank on it.
210
00:27:50,541 --> 00:27:51,671
I don't know.
211
00:27:52,833 --> 00:27:54,253
I don't know.
212
00:27:55,083 --> 00:27:56,083
Give up.
213
00:27:56,750 --> 00:27:58,290
It's nice though.
214
00:27:58,375 --> 00:28:00,535
- Have you turned me down?
- No.
215
00:28:06,125 --> 00:28:08,455
It's funny though.
You can't hear the piano either.
216
00:28:13,416 --> 00:28:15,076
{\an8}We only asked for the piano.
217
00:28:21,375 --> 00:28:23,165
No. I said, "Oh, Ringo is on PA."
218
00:28:25,291 --> 00:28:29,001
A great sound in here
will improve what we do.
219
00:28:29,708 --> 00:28:33,128
{\an8}No, but I mean, it's like
when we played in clubs in Hamburg.
220
00:28:34,416 --> 00:28:35,826
{\an8}We sounded great.
221
00:28:45,541 --> 00:28:46,541
{\an8}So you get…
222
00:28:53,583 --> 00:28:55,673
Let's do that.
It'll help you anyway to begin with.
223
00:28:55,750 --> 00:28:57,290
- Thank you, George.
- You're welcome.
224
00:28:57,833 --> 00:29:00,423
See, 'cause that'd be good
if we could get all that,
225
00:29:01,083 --> 00:29:03,083
get the sound in this room.
226
00:29:03,166 --> 00:29:06,166
It's, like, remember that night
we tried tape echo with George?
227
00:29:06,250 --> 00:29:07,500
On a bit of vocal.
228
00:29:28,250 --> 00:29:30,580
They have bloody big speakers
or something,
229
00:29:31,166 --> 00:29:32,376
to shout through.
230
00:29:33,083 --> 00:29:35,383
They should be
at least as big as a bass amp.
231
00:29:35,458 --> 00:29:36,458
- Yeah.
- Paul.
232
00:29:36,541 --> 00:29:37,711
Yeah.
233
00:29:41,250 --> 00:29:43,540
Thing is, they're both facing
each other for a kickoff.
234
00:29:43,625 --> 00:29:46,375
{\an8}They're all facing--
They're all right next to the amps.
235
00:29:53,000 --> 00:29:55,330
I mean, get them up there,
they come down to us.
236
00:29:55,416 --> 00:29:58,626
Nail 'em on them sticks up there
and shoot 'em down to us,
237
00:29:58,708 --> 00:30:02,128
{\an8}and we'll all face that way if you like.
We'll face any way.
238
00:30:02,958 --> 00:30:05,578
Well, then, let's--
I don't know who to tell to do that.
239
00:30:05,666 --> 00:30:07,376
Right, okay.
Yeah. I'll do something about it.
240
00:30:07,458 --> 00:30:09,878
Somehow if we can each hear
what the others are playing.
241
00:30:13,333 --> 00:30:15,673
{\an8}
242
00:30:15,750 --> 00:30:20,830
{\an8}
243
00:30:23,083 --> 00:30:25,883
{\an8}-
244
00:30:43,583 --> 00:30:44,583
- Uh…
- Ow!
245
00:30:45,166 --> 00:30:48,416
Just heard that Yoko's divorce
has just gone through.
246
00:30:49,916 --> 00:30:50,916
Free at last.
247
00:31:30,250 --> 00:31:31,500
Did we… "And if"?
248
00:31:31,583 --> 00:31:32,583
Start again.
249
00:31:38,208 --> 00:31:41,288
I've just got written down here,
"If somebody ever loved me."
250
00:31:41,375 --> 00:31:45,285
Oh, I've got, "If somebody
ever really loved me, like as she do me."
251
00:31:45,375 --> 00:31:46,375
Ah.
252
00:31:49,916 --> 00:31:53,036
Maybe we should have,
"I guess nobody ever loved me."
253
00:32:01,666 --> 00:32:03,166
{\an8}
254
00:32:04,750 --> 00:32:06,170
{\an8}
255
00:32:50,916 --> 00:32:52,876
George. George. George.
256
00:33:26,583 --> 00:33:29,423
The layout of the book's
really good, though, the way he's done it.
257
00:33:30,000 --> 00:33:31,540
{\an8}This is it. Is this the layout?
258
00:33:31,625 --> 00:33:33,285
{\an8}No, this is just the bit. That bit.
259
00:33:33,958 --> 00:33:38,708
"Beatle John Lennon hugged Japanese
actress Yoko Ono last night and said,
260
00:33:38,791 --> 00:33:41,421
'My marriage is over.
I am in love with Yoko.'"
261
00:33:41,500 --> 00:33:43,670
- Sinceriously.
262
00:33:43,750 --> 00:33:47,170
"How much does he love Yoko?
'Much more than I love the Queen.'"
263
00:34:17,791 --> 00:34:21,041
{\an8}
264
00:34:22,458 --> 00:34:25,668
{\an8}
265
00:34:27,375 --> 00:34:30,125
Let's record it all this afternoon, now.
266
00:34:31,291 --> 00:34:34,711
The show on Wednesday,
which is up on the roof, we can get, uh,
267
00:34:34,791 --> 00:34:37,671
{\an8}no worse than a 4-shot on the roof
out toward London,
268
00:34:38,291 --> 00:34:40,711
- which I think is worth it.
- Yes. How much does it cost?
269
00:34:42,500 --> 00:34:44,750
Well, just send the helicopter up.
No film.
270
00:34:44,833 --> 00:34:48,043
- It's too much, film and a…
- Helicopter.
271
00:34:48,125 --> 00:34:49,535
Uh, what do you say, lads?
272
00:34:49,625 --> 00:34:50,995
- Have it on Paul!
- Yeah.
273
00:34:51,083 --> 00:34:52,383
- Yeah.
- Yes.
274
00:34:53,250 --> 00:34:54,830
- Is that a yes?
- That's a no-no.
275
00:35:00,125 --> 00:35:02,325
One, two, three, four.
276
00:35:18,208 --> 00:35:21,208
Not too loud though.
It's nice, quiet. Oh, yeah.
277
00:35:21,291 --> 00:35:25,081
It settled into it, though, after where
we started in, but much, much faster.
278
00:35:25,166 --> 00:35:27,496
One, two, three, four.
279
00:35:36,958 --> 00:35:38,828
Bit faster, do you think? Bit faster now.
280
00:35:39,541 --> 00:35:41,381
One, two, three, four.
281
00:35:45,500 --> 00:35:46,500
Hello.
282
00:35:49,041 --> 00:35:52,331
{\an8}
283
00:35:52,416 --> 00:35:55,246
{\an8}
284
00:36:00,208 --> 00:36:02,538
- Little bit slower.
- It seems it's picking up speed, I think.
285
00:36:02,625 --> 00:36:03,625
Yeah.
286
00:36:03,708 --> 00:36:05,828
'Cause I find myself starting off, going…
287
00:36:05,916 --> 00:36:06,916
We get excited.
288
00:36:07,916 --> 00:36:09,076
And then ended up…
289
00:36:15,833 --> 00:36:18,713
Ah, this here's the story
about Sweet Loretta Martin
290
00:36:19,458 --> 00:36:20,958
and Jo Jo McCartney.
291
00:36:42,833 --> 00:36:45,253
All right, boy. All right, John.
I've gotta call order, John.
292
00:36:45,333 --> 00:36:47,173
- All right, Paul.
- You know, valuable time here, son.
293
00:36:48,125 --> 00:36:49,285
Cool down, son.
294
00:36:49,375 --> 00:36:50,915
Don't let me down, babe.
295
00:36:58,500 --> 00:37:03,250
{\an8}
296
00:37:10,208 --> 00:37:13,168
- They can afford it.
- Costing EMI. We're EMI artists, man, no?
297
00:37:31,916 --> 00:37:34,456
- …together at the beginning.
- You were very good, Bill.
298
00:37:39,583 --> 00:37:40,713
What are you gonna do?
299
00:37:40,791 --> 00:37:42,501
- Play it again.
- Sing a bit.
300
00:37:42,583 --> 00:37:44,963
- J?
- Just keep 'em. Keep 'em.
301
00:37:45,041 --> 00:37:46,581
- Do another one?
- Yeah.
302
00:37:46,666 --> 00:37:48,916
Well, tell us if you think
we've got it, you know?
303
00:37:49,000 --> 00:37:50,210
Well, yeah.
304
00:37:50,291 --> 00:37:52,001
Let's keep doing them then, you know?
305
00:37:52,083 --> 00:37:54,423
'Cause if we keep doing that
and going in and then saying, "Oh."
306
00:37:54,500 --> 00:37:57,000
I think you ought to do
something else, 'cause I think you might--
307
00:37:57,083 --> 00:37:58,793
If you keep doing it,
you'll go stale on it.
308
00:37:58,875 --> 00:38:00,705
- No, no. Let's do it.
- You can always go back to it.
309
00:38:00,791 --> 00:38:03,041
- Do you want your head kicked in?
- You know what I mean, though.
310
00:38:04,500 --> 00:38:06,880
- Do you wanna do it once more then?
- Yes, yes.
311
00:38:06,958 --> 00:38:10,128
At least once more.
We'll never get a chance to do it again.
312
00:38:10,208 --> 00:38:13,378
It is the final
performance. You've got an audience now.
313
00:38:13,458 --> 00:38:16,458
Okay, honeybunch.
Let's hit it one time, tutti-frutti.
314
00:38:17,041 --> 00:38:18,501
One, two…
315
00:38:27,250 --> 00:38:29,080
That last take was extremely good though.
316
00:38:29,166 --> 00:38:31,246
Okay. Keep it extremely good then.
We'll carry on.
317
00:38:41,666 --> 00:38:43,576
Why not go straight into
another number then?
318
00:38:43,666 --> 00:38:46,076
We were trying to go into
"Don't Let Me Down" if we made it,
319
00:38:46,166 --> 00:38:48,166
but we haven't made it once yet, you know?
320
00:38:48,250 --> 00:38:51,750
We think of everything and we're
even gonna go on to "I've Got a Fever."
321
00:38:51,833 --> 00:38:53,173
If we really know.
322
00:38:53,250 --> 00:38:55,040
In that case,
I'm gonna change tape.
323
00:38:55,125 --> 00:38:56,125
Are you? Okay.
324
00:39:10,458 --> 00:39:12,458
Was the other one before better than that?
325
00:39:13,708 --> 00:39:17,248
Yes. There was one better than that
earlier on. Hang on, we'll just…
326
00:39:17,333 --> 00:39:18,923
The one before this was better for me.
327
00:39:19,000 --> 00:39:21,330
Should we have another ciggy,
another cup of tea, or…
328
00:39:21,416 --> 00:39:23,076
- Okay, yeah after this.
- …ciggy after the wine.
329
00:39:23,166 --> 00:39:26,246
Oh, ready? One, two three, four.
330
00:39:37,500 --> 00:39:38,960
There's one where everything was right…
331
00:39:39,041 --> 00:39:41,171
- What's the next reel?
- …except the last bit of my guitar solo.
332
00:39:41,250 --> 00:39:43,670
Well, remember the one before that
that we all said was all right?
333
00:39:43,750 --> 00:39:45,210
- Yeah.
- That's Take 11.
334
00:39:45,291 --> 00:39:46,331
You can always edit.
335
00:39:46,416 --> 00:39:48,666
- Yeah, I'm just getting it.
- Edit?
336
00:39:48,750 --> 00:39:50,420
You're talking to the Bootles.
337
00:39:57,916 --> 00:40:01,076
{\an8}Yeah, right. Now, see the thing is,
we need another week to do it.
338
00:40:18,750 --> 00:40:22,460
{\an8}
339
00:40:22,541 --> 00:40:25,291
{\an8}
340
00:40:49,916 --> 00:40:51,416
Miles out, aren't we?
341
00:40:51,500 --> 00:40:52,920
- Tune.
- Yeah.
342
00:40:53,000 --> 00:40:54,040
It was A, Bill.
343
00:40:54,125 --> 00:41:00,125
Billy, instead of giving us,
like, one note, give us a riff like…
344
00:41:01,833 --> 00:41:03,673
That's easier to tune to.
345
00:41:28,500 --> 00:41:31,130
- Hold up. Hold up.
- Okay. Let me just--
346
00:41:35,250 --> 00:41:38,330
{\an8}Not giving 'em that!
347
00:41:38,416 --> 00:41:40,326
Oh, fucking right.
348
00:41:44,000 --> 00:41:46,460
Something happened.
I don't know what it was though.
349
00:41:47,083 --> 00:41:48,133
Something happened.
350
00:43:37,708 --> 00:43:40,168
Glyn? What does that sound like?
351
00:43:43,958 --> 00:43:44,998
- What?
- Yeah.
352
00:43:45,083 --> 00:43:46,133
- All right?
- Yeah.
353
00:44:02,083 --> 00:44:03,673
- Not bad.
- Got it.
354
00:44:05,000 --> 00:44:07,540
- Oh, the last two will do me.
- That's what I thought.
355
00:44:07,625 --> 00:44:10,075
- It was just about diabolical enough.
- You see, the thing is…
356
00:44:10,166 --> 00:44:13,496
I don't feel as though
I'm singing it any good.
357
00:44:13,583 --> 00:44:16,043
- The other day I was singing better.
- 'Cause you're standing up.
358
00:44:16,125 --> 00:44:18,075
- And you're trying to do a thing.
- Maybe.
359
00:44:18,166 --> 00:44:19,416
You should sit down.
360
00:44:19,500 --> 00:44:20,670
- Enjoy yourself.
- Yeah.
361
00:44:21,583 --> 00:44:25,083
Maybe. No, but even so today,
I just feel as though…
362
00:44:25,791 --> 00:44:26,921
Hobson's is a bit…
363
00:44:28,166 --> 00:44:29,166
That reel on?
364
00:44:29,250 --> 00:44:31,670
{\an8}We've still got a lot more songs
we haven't even rehearsed.
365
00:44:32,541 --> 00:44:37,001
{\an8}The two slow ones we're doing,
"Mother Mary" and… "Brother Jesus."
366
00:44:37,083 --> 00:44:38,713
- Have we recorded?
367
00:44:38,791 --> 00:44:40,581
Have we recorded the "Mother Mary" one?
368
00:44:40,666 --> 00:44:41,916
Haven't happened yet, have they?
369
00:44:42,000 --> 00:44:43,000
- No.
- Haven't they?
370
00:44:43,083 --> 00:44:44,583
- One has. One has.
- Well…
371
00:44:44,666 --> 00:44:46,376
- Which one?
- I can never get it.
372
00:44:46,458 --> 00:44:47,998
- "Long, Long, Winding"--
- "Long and Winding Road"?
373
00:44:48,083 --> 00:44:49,173
"Long and Winding Scrotum."
374
00:44:49,250 --> 00:44:51,420
- Really?
- I think it's very tasty.
375
00:44:51,500 --> 00:44:52,580
Très tasty, in fact.
376
00:44:52,666 --> 00:44:53,996
Oh, the little version we had--
377
00:44:54,083 --> 00:44:56,083
- He's so good for your morale, this boy.
- Yeah, yeah.
378
00:44:56,166 --> 00:44:57,576
- No, really.
379
00:44:57,666 --> 00:44:59,916
- We can do--
- I'm not saying you can't do it better.
380
00:45:00,000 --> 00:45:01,460
But, I mean, it's very together.
381
00:45:02,166 --> 00:45:04,826
See, that's a bit like the old "Get Back."
382
00:45:04,916 --> 00:45:07,166
It's together
until you think you can do it better.
383
00:45:08,041 --> 00:45:10,251
We should arrange what's happening
around lunchtime tomorrow.
384
00:45:10,333 --> 00:45:12,503
John's got something at 1:30,
and so have I.
385
00:45:12,583 --> 00:45:15,463
I'll take these tonight.
You can have a mix of these tomorrow.
386
00:45:16,208 --> 00:45:18,168
- I'm meeting a fella.
- Oh, right.
387
00:45:19,375 --> 00:45:23,245
No, uh, at 1:30 though.
We're both going at 1:30, so can you…
388
00:45:23,333 --> 00:45:26,833
We'll do something, all right.
I'll do Ringo at 1:30.
389
00:45:26,916 --> 00:45:29,326
- Let's say 12:00.
390
00:45:29,416 --> 00:45:31,916
We'll be coming in before 1:30?
391
00:45:32,000 --> 00:45:34,000
- Yeah. Coming in at 11:00.
- Okay.
392
00:45:34,083 --> 00:45:35,083
Then work till 1:30.
393
00:45:35,166 --> 00:45:36,876
Okay, honeybunch. Let's hit it one time.
394
00:45:36,958 --> 00:45:39,038
- What time are you starting?
- 11:00.
395
00:45:39,625 --> 00:45:41,205
- 11:00 to 1:30?
- 10:30, yeah.
396
00:45:41,291 --> 00:45:42,631
Dig, man.
397
00:45:42,708 --> 00:45:44,958
And then how long
are you having off from 1:30?
398
00:45:45,041 --> 00:45:47,291
Till 3:00. Good night, everybody.
399
00:45:47,375 --> 00:45:49,415
- Good night, Rich.
- Good night, Richie.
400
00:45:49,500 --> 00:45:51,380
- I think I'm gonna go.
- Will you?
401
00:45:51,458 --> 00:45:53,328
I think the one you said was best…
402
00:45:53,416 --> 00:45:54,666
- Nine?
- …is best.
403
00:45:54,750 --> 00:45:56,830
Yeah. But it still doesn't make it.
404
00:45:57,708 --> 00:45:59,708
- We'll keep it anyway.
- Keep it in.
405
00:46:03,291 --> 00:46:04,501
{\an8}- Good?
- Yeah.
406
00:46:04,583 --> 00:46:08,583
{\an8}- Right. New reel.
407
00:46:08,666 --> 00:46:10,536
{\an8}Well, the air-conditioning works.
408
00:46:11,541 --> 00:46:14,131
- God, feel like I'm in the army.
- It must be terrible.
409
00:46:14,208 --> 00:46:16,418
That was the only good thing
about being a girl.
410
00:46:16,500 --> 00:46:18,420
Can you imagine being drafted to Vietnam?
411
00:46:18,500 --> 00:46:20,580
{\an8}George,
of the ones they've done so far,
412
00:46:20,666 --> 00:46:22,786
{\an8}which do you think we can do on the roof?
413
00:46:22,875 --> 00:46:24,785
{\an8}- Anything without the grand piano.
- Oh!
414
00:46:25,791 --> 00:46:27,791
- Morning.
- You're embarrassing me.
415
00:46:31,583 --> 00:46:33,833
Should we write down
what we could do on the roof?
416
00:46:34,375 --> 00:46:36,745
You haven't got
a concise list of titles, have we, Alan?
417
00:46:36,833 --> 00:46:39,003
- No. I can make one.
- Well, I…
418
00:46:39,083 --> 00:46:41,003
One is "I Dig a Pony."
We can do that on the roof.
419
00:46:41,083 --> 00:46:42,083
"Let It Be."
420
00:46:42,666 --> 00:46:45,826
Which is "Let It Be"? Oh, no.
I think "Let It Be" should be down here.
421
00:46:46,708 --> 00:46:48,208
Yeah, with the piano on that.
422
00:46:50,166 --> 00:46:52,876
Is anyone sort of
thinking of this like making an album
423
00:46:52,958 --> 00:46:55,328
or more like sort of
doing a lot of numbers then
424
00:46:55,416 --> 00:46:59,076
to be able to play them all
one after the other?
425
00:46:59,166 --> 00:47:00,206
Let's pick the five--
426
00:47:06,125 --> 00:47:07,165
Uh…
427
00:47:08,250 --> 00:47:09,750
{\an8}I don't see much point in doing
428
00:47:09,833 --> 00:47:12,083
"Don't Let Me Down,"
"I've Got A Feeling" and that now.
429
00:47:13,083 --> 00:47:14,293
Yeah…
430
00:47:14,375 --> 00:47:16,075
'Cause you lose it.
431
00:47:16,166 --> 00:47:18,666
So let's pick up on the ones
that are all in pieces.
432
00:47:19,666 --> 00:47:22,666
I'm trying to get us to do
one of George's for the first batch.
433
00:47:22,750 --> 00:47:24,500
Oh, ah. Yeah.
434
00:47:34,166 --> 00:47:36,876
Then you can have the next one,
"Did you know, missed the show?"
435
00:47:53,625 --> 00:47:57,875
{\an8}
436
00:48:00,541 --> 00:48:04,461
{\an8}
437
00:48:12,291 --> 00:48:13,831
What could it be, Paul?
438
00:48:13,916 --> 00:48:15,746
- "Something in the way she moves."
- Hmm?
439
00:48:15,833 --> 00:48:17,253
What attracted me at all?
440
00:48:17,333 --> 00:48:19,543
Just say whatever comes
into your head each time.
441
00:48:19,625 --> 00:48:22,875
"Attracts me like a cauliflower,"
until you get the word, you know?
442
00:48:22,958 --> 00:48:26,288
Yeah, but I've been through this one,
like, for about six months.
443
00:48:31,750 --> 00:48:34,670
We could have that.
"Attracts me like a pomegranate."
444
00:48:46,208 --> 00:48:47,498
"Cauliflower" is better.
445
00:49:28,458 --> 00:49:30,168
- Okay.
- What was that?
446
00:49:30,250 --> 00:49:33,040
Yeah, but say we got
a really good one of "Love Me Do."
447
00:49:33,125 --> 00:49:36,035
- Well, yeah. That's true.
- Yeah. Okay.
448
00:49:47,166 --> 00:49:49,996
{\an8}
449
00:49:50,958 --> 00:49:55,708
{\an8}
450
00:49:58,791 --> 00:50:02,881
Is it 1:30? I've got this--
to go to this meeting.
451
00:50:02,958 --> 00:50:03,958
So, can you do it?
452
00:50:04,625 --> 00:50:07,285
Will you ring down for us?
And we'll keep going through this.
453
00:50:07,375 --> 00:50:09,035
Yeah. Okay.
454
00:50:25,416 --> 00:50:26,576
Shall we do it?
455
00:50:35,541 --> 00:50:37,711
- Glyn?
- Send an engineer.
456
00:50:37,791 --> 00:50:38,791
Glyn.
457
00:50:40,458 --> 00:50:43,668
Can you come and fix my microphone?
It keeps falling down.
458
00:50:58,416 --> 00:51:00,206
See, can I change from going…
459
00:51:02,708 --> 00:51:05,208
Because I can't do it.
I go into that folk bit.
460
00:51:05,291 --> 00:51:06,381
Have a ciggy, Billy.
461
00:51:24,541 --> 00:51:25,881
Two, three, four.
462
00:51:51,375 --> 00:51:54,325
I'll sing it a bit different than that.
I'll sing…
463
00:51:57,791 --> 00:51:58,791
- All that bit.
- Yeah.
464
00:51:58,875 --> 00:52:00,455
Okay.
Should we go from the last verse again?
465
00:52:00,541 --> 00:52:02,041
That's the bit still, isn't it?
466
00:52:02,125 --> 00:52:03,125
I still think that--
467
00:52:03,208 --> 00:52:05,788
I'm not sure about that syncopation bit,
but leave that to Paul.
468
00:52:05,875 --> 00:52:10,415
Well, that's okay if we just do it
in between, you know, where the riff…
469
00:52:10,500 --> 00:52:11,500
Uh…
470
00:52:12,333 --> 00:52:14,293
It seems to be going
through every verse now.
471
00:52:14,375 --> 00:52:16,375
Yeah, that's the riff. Goes…
472
00:52:17,000 --> 00:52:18,750
- I mean that…
- It should change.
473
00:52:18,833 --> 00:52:20,503
No, that just comes at the end.
474
00:52:21,583 --> 00:52:23,213
Oh, in the middle of every verse?
475
00:52:36,208 --> 00:52:40,878
But also we need somebody that's gonna
tune everything in here to one pitch.
476
00:52:40,958 --> 00:52:42,498
Uh, the piano people do that.
477
00:52:42,583 --> 00:52:44,793
Okay, well,
we'll play about for a bit then.
478
00:52:44,875 --> 00:52:47,165
- How do you tune an electric piano?
- I don't know.
479
00:52:49,083 --> 00:52:51,503
There's got to be a way though.
Probably here somewhere.
480
00:52:53,291 --> 00:52:54,711
What did you wanna talk about?
481
00:52:54,791 --> 00:52:56,921
Uh, well,
just that I saw Klein, and that.
482
00:52:57,000 --> 00:52:58,670
- Oh, Klein?
- Yeah, yeah. Klein.
483
00:52:58,750 --> 00:53:00,080
- Allen Klein.
- Oh, I see.
484
00:53:00,166 --> 00:53:02,166
Yeah. And it's--
You know, it's very interesting.
485
00:53:02,250 --> 00:53:03,250
Yeah.
486
00:53:03,333 --> 00:53:05,463
- You know, from a lot of angles.
- Hmm.
487
00:53:05,541 --> 00:53:09,381
And the-- But I want to tell you
all at once, you know, so as it's not…
488
00:53:10,666 --> 00:53:14,076
But just, um--
I just think he's fantastic.
489
00:53:14,166 --> 00:53:15,576
- Really?
- Yeah.
490
00:53:16,833 --> 00:53:19,833
A lot of interesting news
that we don't know half about,
491
00:53:19,916 --> 00:53:21,286
- just about--
- About us?
492
00:53:21,375 --> 00:53:24,705
Well, I'll tell-- You know,
he'll tell you all that, 'cause it's…
493
00:53:24,791 --> 00:53:26,791
You know,
he knows everything about everything.
494
00:53:26,875 --> 00:53:27,995
Very interesting guy.
495
00:53:28,083 --> 00:53:30,793
- I was there till 2:00 in the morning.
- Oh, you went last night?
496
00:53:30,875 --> 00:53:34,125
I went there thinking, "Well, I've got
to see him. I put it off last time."
497
00:53:34,208 --> 00:53:35,458
You know?
498
00:53:35,541 --> 00:53:37,421
I keep hearing about him all these years.
499
00:53:37,500 --> 00:53:40,380
Things that you just…
you can't believe, you know.
500
00:53:40,458 --> 00:53:44,128
Right down to where-- where it's gone,
501
00:53:45,500 --> 00:53:46,670
and how to get it.
502
00:53:47,958 --> 00:53:51,668
So, I, you know-- Well, I didn't
really wanna say it to sort of half o'ya.
503
00:53:51,750 --> 00:53:54,420
I thought,
"He's gonna look after me, whatever."
504
00:53:54,500 --> 00:53:56,040
That's… it's just like that.
505
00:53:58,083 --> 00:54:00,883
And he knows--
He even knows what we're like, you know?
506
00:54:00,958 --> 00:54:03,378
The way he described each one of us,
you know,
507
00:54:03,458 --> 00:54:05,828
and what we've done
and what we're gonna do and that.
508
00:54:05,916 --> 00:54:09,126
But just, like,
he knows me as much as you do.
509
00:54:10,791 --> 00:54:12,131
Incredible guy.
510
00:54:12,625 --> 00:54:14,875
{\an8}He's got a great idea for Biafra.
511
00:54:14,958 --> 00:54:16,828
He's like--
He says, "I'm a practical man."
512
00:54:16,916 --> 00:54:19,876
And his thing--
You know The Stones' Circus we did?
513
00:54:19,958 --> 00:54:21,828
- So he arranges those things for them.
- Yeah.
514
00:54:21,916 --> 00:54:27,036
All we heard about that
and the-- the-- the royalty from way back…
515
00:54:27,125 --> 00:54:28,875
- Yeah.
- …they get much more than us.
516
00:54:28,958 --> 00:54:31,378
However many we sell, they cop.
517
00:54:32,000 --> 00:54:35,830
You know, so, The Stones show,
he's gonna make an LP out of it.
518
00:54:35,916 --> 00:54:38,166
They're making a book of it
and everything, of course, you know?
519
00:54:38,250 --> 00:54:39,920
Like, everybody is into that.
520
00:54:40,000 --> 00:54:45,080
And he's gonna, uh, make an LP of it,
of everybody that was on…
521
00:54:45,791 --> 00:54:48,541
to buy food for Biafra.
522
00:54:48,625 --> 00:54:50,625
Yeah, I was telling him
about your idea for that film.
523
00:54:50,708 --> 00:54:51,958
- Oh, yeah.
- The thing is,
524
00:54:52,041 --> 00:54:55,881
I mean, if we took the food to that place,
with the money we've all earned--
525
00:54:55,958 --> 00:54:57,958
He'd do it completely himself,
arrange it all.
526
00:54:58,041 --> 00:55:01,461
I didn't mean to get into all this,
but he's so fascinating.
527
00:55:04,791 --> 00:55:06,791
Do you want to do this one more time?
528
00:55:06,875 --> 00:55:08,245
- Yeah.
- Eh?
529
00:55:08,916 --> 00:55:11,916
'Cause I'd like to learn
"On the Road to Marrakesh" or something.
530
00:55:14,625 --> 00:55:15,785
Or "Mr. Mustard."
531
00:55:16,333 --> 00:55:18,793
Must do another number, I've decided.
532
00:55:31,625 --> 00:55:34,745
Mal, what was the name of that
shoe shop somebody said is in Bond Street?
533
00:55:34,833 --> 00:55:37,463
The good one.
Do you know a good shoe shop near?
534
00:55:37,541 --> 00:55:39,541
There's a lot of shoe shops
in Bond Street.
535
00:55:39,625 --> 00:55:44,035
Yeah. But I just want, you know,
like ordinary black leather shoes.
536
00:55:44,625 --> 00:55:47,875
It's just that I never get any, you know,
'cause I'm never in shoe shops.
537
00:55:48,625 --> 00:55:50,455
Do you want me
to bring the bloke over?
538
00:55:50,541 --> 00:55:52,711
If you can con somebody into coming
539
00:55:52,791 --> 00:55:56,751
with, you know, a selection
of black slip-on size eights.
540
00:55:56,833 --> 00:55:57,883
Yeah, okay.
541
00:56:45,625 --> 00:56:47,875
- What?
542
00:56:47,958 --> 00:56:50,168
Where's it from? Who makes it?
543
00:56:50,250 --> 00:56:51,670
- Wow.
- Japanese?
544
00:56:51,750 --> 00:56:53,830
I saw it on the television.
545
00:56:56,166 --> 00:56:57,996
Too much! Whoo.
546
00:56:59,208 --> 00:57:00,208
Nice sound.
547
00:57:00,291 --> 00:57:02,541
- Could you transpose that to D?
- Yeah.
548
00:57:02,625 --> 00:57:05,915
- All on one note, huh?
- Yeah, you can change it.
549
00:57:10,000 --> 00:57:12,000
One at a time. It's a little organ.
550
00:57:15,541 --> 00:57:16,541
That's better.
551
00:57:17,083 --> 00:57:19,633
Yeah. It's too much, man.
552
00:57:53,916 --> 00:57:56,416
I love that song.
That's beautiful. I couldn't…
553
00:57:56,500 --> 00:57:57,500
You've won a prize.
554
00:57:57,583 --> 00:57:59,673
Couldn't have asked for
better. Can we have something else now?
555
00:57:59,750 --> 00:58:01,540
Another song, right. Okay, George?
556
00:58:02,208 --> 00:58:04,708
How about, uh…
What have you got up your sleeve, John?
557
00:58:05,916 --> 00:58:07,246
How about "Love Me Do" again?
558
00:58:07,333 --> 00:58:09,753
What about "Don't Let Me Down"?
That's a bloody good one, that.
559
00:58:09,833 --> 00:58:12,253
Very high though. But never mind.
We'll practice the backing.
560
00:58:12,333 --> 00:58:13,423
- What is it now?
- Just--
561
00:58:13,500 --> 00:58:16,080
"And if somebody ever loved me
like she does," that's all.
562
00:58:16,166 --> 00:58:17,416
Just the "really" out.
563
00:58:32,250 --> 00:58:33,250
Same guitar?
564
00:58:42,750 --> 00:58:44,170
Okay, George. Come on.
565
00:58:45,000 --> 00:58:46,380
One…
566
00:58:49,458 --> 00:58:50,958
The Krishna Christmas club.
567
00:58:53,583 --> 00:58:55,333
A little bit of a tune-up, I think.
568
00:58:55,416 --> 00:58:56,826
No, I don't think so, George.
569
00:58:56,916 --> 00:58:58,746
Yeah, John. Don't, John. Don't.
570
00:58:58,833 --> 00:59:01,213
I've had some wine, you know?
Remember Bob Wooler.
571
00:59:01,291 --> 00:59:03,001
Fucking right.
572
00:59:03,083 --> 00:59:04,173
Peace on Earth.
573
00:59:04,791 --> 00:59:07,581
"Don't Let Me Down the Road Again Blues."
574
00:59:07,666 --> 00:59:10,076
"Short, fat Fanny, you're my desire."
575
00:59:11,791 --> 00:59:14,041
One, two, three, four.
576
00:59:30,791 --> 00:59:34,131
{\an8}
577
00:59:56,458 --> 00:59:58,918
{\an8}
578
01:00:00,083 --> 01:00:01,333
{\an8}
579
01:00:16,416 --> 01:00:18,996
{\an8}
580
01:00:19,541 --> 01:00:21,581
{\an8}
581
01:01:26,291 --> 01:01:27,501
Allen Klein's here.
582
01:01:28,458 --> 01:01:29,918
Where's he gonna be?
583
01:01:30,708 --> 01:01:32,288
Should we go up to our room?
584
01:01:32,375 --> 01:01:34,455
- Yeah.
- Oh, fuck it.
585
01:01:46,125 --> 01:01:47,825
{\an8}- Morning, Michael.
- Morning, R.S.
586
01:01:47,916 --> 01:01:50,996
{\an8}How many numbers do you think
you'll have by tomorrow at 1:00
587
01:01:51,083 --> 01:01:52,753
{\an8}- before you go up on the roof?
- About six.
588
01:01:53,625 --> 01:01:54,785
{\an8}Yes, it's gonna be great.
589
01:01:56,500 --> 01:01:57,500
{\an8}
590
01:02:05,083 --> 01:02:06,083
{\an8}
591
01:02:27,625 --> 01:02:28,625
{\an8}Yeah.
592
01:02:37,250 --> 01:02:38,250
{\an8}Yes.
593
01:02:59,625 --> 01:03:00,625
{\an8}Mmm.
594
01:03:00,708 --> 01:03:03,958
Tomorrow, with the nine cameras,
if we do tomorrow,
595
01:03:04,041 --> 01:03:05,961
there is a kind of,
"Something will happen."
596
01:03:06,041 --> 01:03:08,001
No, it's the best bit of us,
597
01:03:08,083 --> 01:03:09,883
always has been and always will be,
598
01:03:09,958 --> 01:03:12,878
is when we've got--
when we're backs against the wall
599
01:03:12,958 --> 01:03:14,918
and we've been rehearsing,
rehearsing, rehearsing.
600
01:03:15,000 --> 01:03:17,580
And he knows it's a take on the dub.
And he does it great.
601
01:03:17,666 --> 01:03:20,786
No, the organization
has gotta come from either you
602
01:03:20,875 --> 01:03:21,995
or from you doing an audience.
603
01:03:22,083 --> 01:03:24,713
But that's not true, you see?
There is a difference.
604
01:03:24,791 --> 01:03:27,381
- Like when we came here from Twickenham.
- Mmm.
605
01:03:27,458 --> 01:03:29,078
It's a whole other thing, you know?
606
01:03:30,041 --> 01:03:34,461
If we went into a TV studio now,
in one of those big, bare TV studios
607
01:03:34,541 --> 01:03:36,831
and you sat us down,
just with our songs and amps,
608
01:03:36,916 --> 01:03:38,496
we'd do 'em and we'd do 'em great.
609
01:03:39,541 --> 01:03:41,501
I think what we need is
an audience of some sort.
610
01:03:41,583 --> 01:03:43,083
Either a surprise audience--
611
01:03:43,666 --> 01:03:45,996
{\an8}Tomorrow, or, uh… I'll light my cigar.
612
01:03:49,666 --> 01:03:50,666
{\an8}
613
01:03:52,791 --> 01:03:56,171
{\an8}If we've got like everything set for
tomorrow, we just go ahead and do it and--
614
01:03:56,250 --> 01:03:58,420
The roof is like too far out.
615
01:03:58,500 --> 01:03:59,830
If we do an open air thing…
616
01:04:00,583 --> 01:04:03,213
That's-- that's really all
I can say about this whole scene.
617
01:04:03,291 --> 01:04:05,921
We should learn all the numbers.
All of them.
618
01:04:06,000 --> 01:04:07,880
All the ones that are gonna be
on the album.
619
01:04:07,958 --> 01:04:09,788
I know it literally takes a bit more time.
620
01:04:09,875 --> 01:04:11,745
That's why I wanna
go through with you today, the ones--
621
01:04:11,833 --> 01:04:14,043
But we haven't got the end thing.
622
01:04:14,125 --> 01:04:16,995
I've got a feeling that
we're gonna just, sort of, go off…
623
01:04:19,166 --> 01:04:21,996
We're just gonna go off like we did
after the end of the last album.
624
01:04:22,625 --> 01:04:25,375
And just sort of think,
"Oh, not another fucking album."
625
01:04:25,458 --> 01:04:27,788
You know? Because this is--
this is what this is, you know.
626
01:04:27,875 --> 01:04:30,325
- I can't wait to work it, you know?
- Yeah.
627
01:04:30,416 --> 01:04:33,826
But it's like we got much better takes
after we moved from Twickenham to here.
628
01:04:33,916 --> 01:04:36,286
Oh, yeah,
but I mean here I like. It's like home.
629
01:04:36,375 --> 01:04:41,825
But, like, we still haven't got
any aim for it, except an album again.
630
01:04:41,916 --> 01:04:44,786
- Yeah.
- Our only aim ever is an album, you know?
631
01:04:44,875 --> 01:04:47,075
Which is like a very nonvisual thing.
632
01:04:47,166 --> 01:04:49,416
But albums is
what we're doing at the moment.
633
01:04:49,500 --> 01:04:51,210
I mean,
you gotta be sneaky with The Beatles,
634
01:04:51,291 --> 01:04:53,921
or else we'll just go on forever
in a circle, you know?
635
01:04:54,000 --> 01:04:56,750
Whenever we talk about it,
we have certain rules.
636
01:04:56,833 --> 01:05:00,293
Like George saying, "What do you
wanna do?" And he says, "No films."
637
01:05:00,375 --> 01:05:02,955
You know, but it's wrong, that.
It's very wrong, that.
638
01:05:03,041 --> 01:05:04,711
Because you don't know.
639
01:05:04,791 --> 01:05:07,831
He says-- What he means is,
no Help, Hard Day's Night.
640
01:05:07,916 --> 01:05:10,376
'Cause this is a film.
And he now he doesn't mind this.
641
01:05:10,458 --> 01:05:12,418
It's us going silly again.
642
01:05:14,375 --> 01:05:16,825
See, it's like when we came
back from Hamburg,
643
01:05:16,916 --> 01:05:20,666
and did Leicester, De Montfort Hall
and we had the worst first night thing,
644
01:05:20,750 --> 01:05:22,750
and we're all nervous,
and it was terrible.
645
01:05:22,833 --> 01:05:25,383
Then we played another the next night.
We just went right into it.
646
01:05:25,458 --> 01:05:27,998
We're good at that
once we get over the nervousness.
647
01:05:28,083 --> 01:05:31,633
But it's like there's the hurdle
of that nervousness is there now.
648
01:05:36,958 --> 01:05:40,128
{\an8}Yes, but for who is
tomorrow the day? Not for me.
649
01:05:40,208 --> 01:05:41,998
You know, it's like there's this thing
650
01:05:42,083 --> 01:05:45,713
where there is a show to be had
out of what we've got here,
651
01:05:45,791 --> 01:05:48,791
which is just so incredible.
That's unbelievable.
652
01:05:48,875 --> 01:05:51,665
And you don't have to go on the roof.
You don't have to go anywhere.
653
01:05:51,750 --> 01:05:53,880
- You really only have to sing 'em.
- Well, even if we stay here--
654
01:05:53,958 --> 01:05:56,378
This business of
a deadline though is up to you really,
655
01:05:56,458 --> 01:05:58,078
because we've given you deadlines already.
656
01:05:58,166 --> 01:06:01,246
Yeah, well, that's why
I'm talking to John, not you.
657
01:06:02,541 --> 01:06:07,461
The easiest way to finish the show,
is just to sit here for another few days
658
01:06:07,541 --> 01:06:10,961
and start rehearsing them one after
the other and do three numbers at a time.
659
01:06:11,041 --> 01:06:13,711
And like George said, get a program
of where we're gonna do 'em,
660
01:06:13,791 --> 01:06:15,631
what's gonna follow what.
661
01:06:15,708 --> 01:06:17,628
And just start playing them right through.
662
01:06:17,708 --> 01:06:19,418
And then just knock it off.
663
01:06:19,500 --> 01:06:22,380
Like you used to, and have
all your titles on your guitar, you know.
664
01:06:22,458 --> 01:06:24,788
Yes, yes. I mean,
I thought that's what we're doing.
665
01:06:24,875 --> 01:06:26,325
It's just that
you say you're not ready.
666
01:06:26,416 --> 01:06:27,786
We're not ready, yeah, sure.
667
01:06:27,875 --> 01:06:29,325
We're not ready to do 14.
668
01:06:29,416 --> 01:06:33,376
See, the only trouble is, we really have
to want to do a show at the end of it.
669
01:06:33,458 --> 01:06:35,248
That's the thing. That's the trouble.
670
01:06:35,333 --> 01:06:37,213
None of us have an aim.
671
01:06:37,291 --> 01:06:39,751
We don't have a thing
at the end of it that we wanna do.
672
01:06:39,833 --> 01:06:42,083
We could have had a De Montfort Hall show…
673
01:06:42,166 --> 01:06:43,706
This would have been De Montfort Hall
674
01:06:43,791 --> 01:06:46,671
if we'd have done
the dress rehearsal here.
675
01:06:46,750 --> 01:06:48,960
And get over the nervousness
of an audience,
676
01:06:49,041 --> 01:06:52,291
and stop, sort of, playing to show off
to them and--
677
01:06:53,000 --> 01:06:54,290
{\an8}Just play it.
678
01:06:55,083 --> 01:06:56,293
{\an8}Yeah. Yeah.
679
01:06:56,375 --> 01:06:59,245
The voices are going in my head,
which way we're gonna-- which way we are--
680
01:06:59,333 --> 01:07:04,173
What's your, sort of, practical answer
to the problem now, regarding tomorrow?
681
01:07:07,541 --> 01:07:09,961
I think we'd be daft just not to do it--
682
01:07:10,041 --> 01:07:12,211
- Well, try and do something tomorrow…
- Sorry I'm late.
683
01:07:12,291 --> 01:07:16,421
…even if it's a grand dress rehearsal,
and see how it went.
684
01:07:16,500 --> 01:07:18,750
- Morning, George.
- And then, you know…
685
01:07:19,708 --> 01:07:22,038
I mean, if we had another six weeks…
686
01:07:27,541 --> 01:07:29,461
Six weeks.
687
01:07:30,833 --> 01:07:33,833
I mean, you know,
if we had another month to play with
688
01:07:33,916 --> 01:07:39,496
to really, I think,
get 14 straight off, it'd be nice,
689
01:07:39,583 --> 01:07:41,633
you know, to still do the seven we've got.
690
01:07:42,541 --> 01:07:45,541
- Do you plan on playing the…
- What, what?
691
01:07:45,625 --> 01:07:48,745
I just don't-- You know, I think
it's gonna take months doing it like that.
692
01:07:49,916 --> 01:07:52,246
So how do you think we should do it then?
693
01:07:52,333 --> 01:07:54,633
You can film some
while we're recording them
694
01:07:54,708 --> 01:07:56,498
at the same time, okay, but--
695
01:07:56,583 --> 01:07:58,753
Yeah, see,
that's what I wanna get in me head.
696
01:07:58,833 --> 01:08:02,423
Is it a documentary of us
doing another album? Which it is.
697
01:08:02,500 --> 01:08:05,130
Except,
we're doing them one after the other.
698
01:08:05,208 --> 01:08:07,958
No, but, I mean, we're not doing a payoff.
699
01:08:08,041 --> 01:08:13,291
We're not doing the 11 numbers
straight off for an album.
700
01:08:13,375 --> 01:08:15,495
We're gonna have to, sort off, join 'em.
701
01:08:15,583 --> 01:08:18,213
I agree with that.
I think it's disappointing but, all right,
702
01:08:18,291 --> 01:08:20,671
we've only got to seven. Let's do seven.
703
01:08:23,416 --> 01:08:24,416
Yeah.
704
01:08:24,916 --> 01:08:27,376
'Cause otherwise--
We haven't enough time to do 14,
705
01:08:27,458 --> 01:08:29,458
'cause Ringo's gotta go, you know?
706
01:08:29,541 --> 01:08:32,831
But we might be able to get another seven
off by the end of two weeks.
707
01:08:33,500 --> 01:08:34,670
I mean, we will, but…
708
01:08:34,750 --> 01:08:37,250
The only trouble is that the only people,
709
01:08:37,333 --> 01:08:40,753
like, who need to agree on what it is
we're doing is the four of us,
710
01:08:40,833 --> 01:08:43,333
and we're the only ones
who haven't even talked about it.
711
01:08:43,416 --> 01:08:46,376
Because we had the meeting
before all this and said, "TV show."
712
01:08:46,458 --> 01:08:47,828
That's what I've gotta get in my head.
713
01:08:47,916 --> 01:08:49,206
It's an album.
714
01:08:49,291 --> 01:08:52,381
All that footage of film
which could make about half a dozen films.
715
01:08:52,458 --> 01:08:54,788
Yeah. It's a film of us making an album.
716
01:08:54,875 --> 01:08:56,455
Yeah, but that's visual.
717
01:08:56,541 --> 01:08:58,171
Yes. Yeah.
718
01:08:58,250 --> 01:09:01,580
Yeah. I've got no complaints about it.
But I just gotta get that in my head.
719
01:09:10,041 --> 01:09:13,331
This TV show was supposed
to be a TV show of the last album.
720
01:09:14,416 --> 01:09:15,706
- The last album?
- Yes.
721
01:09:15,791 --> 01:09:18,711
But when we came to do it we said,
"We'll write new songs."
722
01:09:18,791 --> 01:09:20,041
'Cause that's it, you see.
We always--
723
01:09:20,125 --> 01:09:22,285
We never--
We always get ahead of ourselves.
724
01:09:22,375 --> 01:09:26,125
The thing is that, like, yesterday,
which wasn't a particularly good day,
725
01:09:26,208 --> 01:09:28,038
and the day before, which wasn't
a particularly good day either.
726
01:09:28,125 --> 01:09:29,125
Mmm.
727
01:09:29,208 --> 01:09:31,208
The reason is obviously
the fact that you're playing
728
01:09:31,291 --> 01:09:34,711
the same three or four songs
for a week or whatever,
729
01:09:34,791 --> 01:09:36,081
you know,
and you're flogging them to death.
730
01:09:36,166 --> 01:09:37,706
Obviously you're getting bored
with them, you know, like,
731
01:09:37,791 --> 01:09:39,581
- it can't be any other way.
- Yeah.
732
01:09:39,666 --> 01:09:41,996
That was why George and I were trying
to get you yesterday
733
01:09:42,083 --> 01:09:45,543
to do three in one go,
straight through, so you had to think,
734
01:09:45,625 --> 01:09:47,995
"Oh, yeah, what's the key?
Why isn't it right?"
735
01:09:48,083 --> 01:09:50,333
How many have we
already recorded good enough?
736
01:09:50,416 --> 01:09:51,416
None.
737
01:09:51,500 --> 01:09:55,460
None? Well, what about all those
times we've done "Get Back"?
738
01:09:55,541 --> 01:09:57,421
Oh, well, I mean,
one of them's all right, isn't it?
739
01:09:57,500 --> 01:09:59,330
There's that one of yours we did.
740
01:10:00,000 --> 01:10:01,290
And "Get Back."
741
01:10:01,375 --> 01:10:04,285
But they're at a stage
where it's dress rehearsal stage,
742
01:10:04,375 --> 01:10:05,995
- Yes.
- Where if you did a performance,
743
01:10:06,083 --> 01:10:07,173
it probably would be it.
744
01:10:08,500 --> 01:10:10,830
- Yes.
- Yesterday you got terribly close to it
745
01:10:10,916 --> 01:10:13,036
on a couple of the numbers
you were trying to do.
746
01:10:13,125 --> 01:10:16,665
- One more take and you've had it.
- It's just physical tiredness on my part.
747
01:10:16,750 --> 01:10:18,080
You know, it took great strain
748
01:10:18,166 --> 01:10:20,746
to get through "Don't Let Me Down"
and the other one.
749
01:10:20,833 --> 01:10:23,633
Just physically singing at that pace,
I'm being so tired.
750
01:10:23,708 --> 01:10:25,918
Well, that's the thing,
if you're planning on working up
751
01:10:26,000 --> 01:10:29,290
till Ringo does the film,
doing it like this,
752
01:10:29,375 --> 01:10:31,035
you know, we're just gonna drop.
753
01:10:32,291 --> 01:10:34,291
{\an8}I think-- I think yesterday…
754
01:10:36,125 --> 01:10:39,035
- At least we could've recorded all those.
- Was the result of not having the weekend.
755
01:10:39,125 --> 01:10:41,995
If we hadn't had the weekend, we wouldn't
have been able to even attempt yesterday.
756
01:10:42,083 --> 01:10:43,333
That's the paradox.
757
01:10:43,416 --> 01:10:45,666
But if we had just
been recording them, you know…
758
01:10:45,750 --> 01:10:48,580
And at the moment
the documentary is really like No Exit.
759
01:10:48,666 --> 01:10:51,376
It's just going around and around
and around with no payoff.
760
01:10:51,458 --> 01:10:52,458
There's no story.
761
01:10:52,541 --> 01:10:54,881
There's a lot of good stuff
that we shot in the documentary,
762
01:10:54,958 --> 01:10:56,248
but there's no story yet.
763
01:10:56,333 --> 01:11:01,673
Now I know how to get
this TV show together in about a week.
764
01:11:01,750 --> 01:11:04,290
But I can't do it with you.
I can't produce you.
765
01:11:04,375 --> 01:11:06,375
- Neither can anybody else.
- No, right.
766
01:11:06,458 --> 01:11:08,078
'Cause we don't allow it, you know.
767
01:11:08,666 --> 01:11:10,956
We don't allow people
to come and say, "You do that."
768
01:11:11,041 --> 01:11:13,751
That's why I'm creating
artificial frameworks for us to do it--
769
01:11:13,833 --> 01:11:16,503
We've got a lot of good stuff,
like with some of the days at Twickenham.
770
01:11:16,583 --> 01:11:19,503
We've got great stuff, counterpoint thing.
But at the moment haven't got an ending.
771
01:11:19,583 --> 01:11:20,883
See, 'cause they've got the film,
you know.
772
01:11:20,958 --> 01:11:22,378
- I just wanna get out now.
- Yes.
773
01:11:22,458 --> 01:11:25,458
We've done the film.
We've done the numbers enough, you know?
774
01:11:25,541 --> 01:11:26,671
And we begin together--
775
01:11:26,750 --> 01:11:29,250
But, I mean, if George wants to think
while we're doing it
776
01:11:29,333 --> 01:11:30,503
that he's making a record.
777
01:11:30,583 --> 01:11:33,173
- Yes.
- And you wanna think we're rehearsing.
778
01:11:33,250 --> 01:11:34,460
It makes no odds, you know.
779
01:11:34,541 --> 01:11:35,751
So we've gotta decide
780
01:11:35,833 --> 01:11:38,173
that we mustn't then go on "Get Back"
for three hours.
781
01:11:42,458 --> 01:11:45,288
{\an8}Or else I really feel like
I'm trying to produce The Beatles,
782
01:11:45,375 --> 01:11:46,955
and I know it's hopeless.
783
01:11:47,041 --> 01:11:48,331
I just can't do it, you know.
784
01:11:48,416 --> 01:11:49,626
And no one can do it
785
01:11:49,708 --> 01:11:52,918
'cause the four individuals
are too strong individually.
786
01:11:53,000 --> 01:11:55,920
- Yes, we know.
- So you want us to record these songs?
787
01:11:56,000 --> 01:11:59,580
Yeah. Get it together now
instead of talking about the show.
788
01:11:59,666 --> 01:12:01,416
Get it, so that we've got 14 songs.
789
01:12:01,500 --> 01:12:04,170
We're talking about
this abstract thing we hope to get,
790
01:12:04,250 --> 01:12:05,830
and by talking about,
we're not getting it.
791
01:12:05,916 --> 01:12:06,996
Okay, let's do it.
792
01:12:07,083 --> 01:12:09,963
But, man, physically, yesterday
we tried to learn the next half.
793
01:12:10,041 --> 01:12:11,381
But physically we were too tired.
794
01:12:11,458 --> 01:12:12,998
- That's all it was.
- Yeah, that's right.
795
01:12:13,083 --> 01:12:14,543
And we're trying to do what you're saying,
796
01:12:14,625 --> 01:12:17,165
and we might have done
what he was saying at the same time,
797
01:12:17,250 --> 01:12:18,790
but we couldn't do it 'cause we're tired.
798
01:12:18,875 --> 01:12:19,875
- That's all.
- Yeah.
799
01:12:19,958 --> 01:12:22,078
So we had--
We might have had a bit more sleep--
800
01:12:22,166 --> 01:12:25,996
You mean you're still expecting us to be
on the chimney with a lot of people,
801
01:12:26,083 --> 01:12:27,333
or something like that?
802
01:12:27,416 --> 01:12:29,876
Well, anyway, we won't worry
about that. Don't give us that one.
803
01:12:29,958 --> 01:12:32,038
"Expecting" is not a word we use anymore.
804
01:12:32,125 --> 01:12:33,125
Uh, "thinking about."
805
01:12:33,208 --> 01:12:35,458
- "Praying"?
- "Praying. Hoping."
806
01:12:36,500 --> 01:12:38,380
Uh… well, now,
what about the roof tomorrow?
807
01:12:38,458 --> 01:12:40,248
- Do you wanna collectively do it or not?
- No, let's--
808
01:12:40,333 --> 01:12:43,633
Let's-- Let's decide on that,
sort of, a bit later.
809
01:12:43,708 --> 01:12:45,708
Let's us keep off that.
810
01:12:45,791 --> 01:12:47,331
- We'll do the numbers, you know?
811
01:12:47,416 --> 01:12:48,786
We're the band.
812
01:12:48,875 --> 01:12:51,415
- "You're fucking right."
813
01:12:51,500 --> 01:12:54,040
No, you know, I-- You know, whatever.
814
01:12:54,125 --> 01:12:56,165
I'll do it if we've got to go on the roof.
815
01:12:56,250 --> 01:12:57,630
- You're the band now…
- You know, I mean…
816
01:13:04,583 --> 01:13:05,753
You would like to?
817
01:13:06,666 --> 01:13:07,666
{\an8}
818
01:13:08,875 --> 01:13:10,705
Very diverse people.
819
01:13:10,791 --> 01:13:13,001
- One second.
- But, I mean if… See, I don't mind…
820
01:13:13,083 --> 01:13:16,003
- That's all right. We won't discuss it.
- …if anybody doesn't wanna go on it.
821
01:13:16,083 --> 01:13:18,133
- It wasn't that I--
- So what songs have we got?
822
01:13:18,208 --> 01:13:20,538
Have we got a sort of list
of what we've got, 'cause--
823
01:13:20,625 --> 01:13:23,285
A lot of them are…
I mean, there's too much of a list there.
824
01:13:23,375 --> 01:13:25,665
- But there's certainly everything here.
- Okay.
825
01:13:25,750 --> 01:13:28,710
"I've Got a Feeling,"
"Don't Let Me Down," "Get Back."
826
01:13:28,791 --> 01:13:31,581
- Don't know what that is.
- "I'd Like a Love That's Right."
827
01:13:34,166 --> 01:13:36,746
{\an8}"Long and Winding Road,"
"Let it Be," "For You Blue."
828
01:13:41,333 --> 01:13:44,503
- I love "Yer Blue."
- "Two of Us," "All I Want is You,"
829
01:13:44,583 --> 01:13:46,883
"Across The Universe,"
"Maxwell's Silver Hammer."
830
01:13:46,958 --> 01:13:49,248
- "Route 999."
- "One After 909."
831
01:13:49,333 --> 01:13:50,883
- "One After 909."
832
01:13:50,958 --> 01:13:52,918
Listen, there's no surprise numbers
even in this.
833
01:13:53,000 --> 01:13:54,000
Surprises?
834
01:13:54,083 --> 01:13:56,543
I mean, there's nothing that'd throw us
to do it straight.
835
01:13:56,625 --> 01:13:58,495
"Bathroom Window," "Teddy Boy."
836
01:13:58,583 --> 01:14:00,583
We haven't gone through
"Maxwell's" since Twickenham.
837
01:14:00,666 --> 01:14:03,496
No. "All Things Must Pass."
That's lucky 13.
838
01:14:03,583 --> 01:14:05,463
{\an8}There's "Dig It", as well,
which is very long.
839
01:14:06,875 --> 01:14:08,955
It's like all these new ones
we've gotta do
840
01:14:09,041 --> 01:14:11,381
to make up the number don't exist.
841
01:14:11,458 --> 01:14:12,458
- Right.
- Great.
842
01:14:12,541 --> 01:14:13,791
We've got 'em all.
843
01:14:13,875 --> 01:14:15,075
And you've got the live album.
844
01:14:15,166 --> 01:14:16,956
- Yeah.
- If you wanna do it, if we just find out--
845
01:14:17,041 --> 01:14:18,881
We should just collect
all the thoughts on these
846
01:14:18,958 --> 01:14:20,538
and just check through every song,
847
01:14:20,625 --> 01:14:24,415
like to know, say, make sure you know
all the chords, I know all the bass notes.
848
01:14:42,083 --> 01:14:44,213
{\an8}
849
01:14:44,291 --> 01:14:47,041
{\an8}
850
01:15:30,166 --> 01:15:31,376
{\an8}
851
01:15:31,458 --> 01:15:35,748
{\an8}
852
01:15:55,666 --> 01:15:56,876
Are we having lunch soon?
853
01:15:58,291 --> 01:16:00,381
- See you later.
- Ta-ra, girls.
854
01:16:00,458 --> 01:16:01,458
See ya.
855
01:16:07,916 --> 01:16:10,786
John, I'll tell you
what I'd like to do.
856
01:16:11,500 --> 01:16:12,630
Um…
857
01:16:12,708 --> 01:16:17,248
You know, I've got so many songs
that I've got me, like,
858
01:16:17,333 --> 01:16:22,673
my quota of tunes
for the next ten years or albums.
859
01:16:23,291 --> 01:16:29,631
I'd just like to maybe do
an album of songs.
860
01:16:30,541 --> 01:16:31,631
{\an8}- Yeah.
- Yeah.
861
01:16:31,708 --> 01:16:34,708
But, I mean,
I'd like it so that if, uh…
862
01:16:38,125 --> 01:16:41,785
'Cause it would be nice. It would be nice
to mainly get them all out the way.
863
01:16:41,875 --> 01:16:42,705
Yes.
864
01:16:44,166 --> 01:16:48,786
And secondly, just to hear
what all mine are like all together.
865
01:16:53,250 --> 01:16:58,880
Yeah, but it'd be nice if
any of us can do separate things as well.
866
01:16:58,958 --> 01:17:04,628
That way it also preserves this,
the Beatle bit of it, more.
867
01:17:04,708 --> 01:17:05,708
Because then--
868
01:17:05,791 --> 01:17:07,921
Have an outlet
for every little note you want.
869
01:17:08,000 --> 01:17:10,460
You know,
'cause all these songs of mine,
870
01:17:10,541 --> 01:17:12,921
I could give to people
who could do 'em good.
871
01:17:13,000 --> 01:17:15,630
But I suddenly realized,
"You know, fuck all that.
872
01:17:15,708 --> 01:17:18,708
I'm just gonna do me for a bit. You know?"
873
01:17:18,791 --> 01:17:21,001
- That's the real thing.
- It's great. That's a good idea.
874
01:17:21,083 --> 01:17:22,633
And, you know…
875
01:19:35,375 --> 01:19:36,375
This one.
876
01:20:22,291 --> 01:20:23,541
- Take it.
- Yes, sir.
877
01:21:15,625 --> 01:21:16,625
I'm going home.
878
01:21:23,833 --> 01:21:25,753
A, B, C, D, E, F, G,
879
01:21:25,833 --> 01:21:28,383
- H, I, J, K, L, M, N, O, P…
- Greta Garbo.
880
01:21:28,458 --> 01:21:31,208
- …Q, S, R, T.
- Greta Garbo. Greta Garbo.
881
01:21:31,291 --> 01:21:32,291
Greta Garbo.
882
01:21:33,750 --> 01:21:35,080
No, that's not.
883
01:21:37,708 --> 01:21:39,958
Put the ones we know in a hat.
884
01:21:40,041 --> 01:21:42,421
Shuffle them out
to see which order we do 'em in.
885
01:21:44,791 --> 01:21:46,671
We'll all be here bright and early.
886
01:21:46,750 --> 01:21:48,000
11:30.
887
01:21:48,083 --> 01:21:50,753
We're all sleeping at George's tonight.
Get in the mood.
888
01:21:50,833 --> 01:21:52,463
We're all ready for tomorrow.
889
01:21:52,541 --> 01:21:54,381
So you're doing the show
on the roof tomorrow?
890
01:21:57,000 --> 01:22:00,250
{\an8}Oh, sure, Albert Hall.
Sure. Five o'clock. See you there.
891
01:22:01,416 --> 01:22:02,326
Mm-hmm.
892
01:22:09,666 --> 01:22:11,456
- You'll go as well?
- Yeah.
893
01:22:11,541 --> 01:22:14,291
I think John and, uh, Ringo
are on the roof.
894
01:22:16,166 --> 01:22:18,126
In a green bag on the roof.
895
01:22:20,833 --> 01:22:22,213
Who knows, Yoko?
896
01:22:24,750 --> 01:22:26,790
Supposed to be, yeah. Yeah.
897
01:22:28,833 --> 01:22:30,753
- Okay.
- Oh, yeah. Let's do that.
898
01:22:30,833 --> 01:22:32,003
Go on the roof.
899
01:22:32,083 --> 01:22:34,333
- Good night, Mike.
900
01:22:34,416 --> 01:22:36,496
- Seven come 11. Good night.
- The others are from…
901
01:22:36,583 --> 01:22:37,713
- Good night.
- Good night.
902
01:22:37,791 --> 01:22:39,501
- Good night!
903
01:22:39,583 --> 01:22:40,583
From your show.
904
01:22:40,666 --> 01:22:42,416
- Night, George.
- Good night, George!
905
01:22:43,166 --> 01:22:44,666
Good night, Sir Richard.
906
01:22:44,750 --> 01:22:47,000
{\an8}I'll be here tomorrow
to film in the church.
907
01:22:59,958 --> 01:23:02,208
And then Tony and I
are gonna split downstairs.
908
01:23:04,083 --> 01:23:06,083
{\an8}
909
01:23:24,208 --> 01:23:25,208
{\an8}
910
01:23:40,208 --> 01:23:43,038
{\an8}-
- Yeah?
911
01:23:48,833 --> 01:23:50,833
Would you like to go up
when you're ready?
912
01:23:51,625 --> 01:23:54,205
- What time is he expecting you?
- You can give them to Debbie.
913
01:23:54,291 --> 01:23:57,331
You know, it's exclusive.
It's gotta work for whoever does it.
914
01:23:59,083 --> 01:24:00,213
{\an8}Thank you.
915
01:24:08,875 --> 01:24:11,205
Let's get a camera
down in the hall now too.
916
01:24:17,041 --> 01:24:18,461
{\an8}
917
01:24:19,958 --> 01:24:21,458
{\an8}Yeah, I heard about that.
918
01:24:27,083 --> 01:24:28,383
{\an8}
919
01:24:34,375 --> 01:24:36,205
{\an8}- Yes.
- Is that the same kind of…
920
01:24:37,041 --> 01:24:39,211
{\an8}
921
01:24:39,291 --> 01:24:40,461
Okay, hold it.
922
01:24:41,750 --> 01:24:44,330
Three, two, one. All right.
923
01:24:53,541 --> 01:24:54,791
{\an8}Hi. Can we come in?
924
01:24:55,708 --> 01:24:58,168
{\an8}- Who you here for?
- Tony Richmond. Is he--
925
01:25:06,500 --> 01:25:08,130
There's a special lead
that goes under.
926
01:25:10,291 --> 01:25:11,541
Tony's ready, isn't he?
927
01:25:13,166 --> 01:25:14,496
Uh, with cameras?
928
01:25:14,583 --> 01:25:16,293
- Yeah.
- Yeah.
929
01:25:24,833 --> 01:25:26,423
Okay. Let's go.
930
01:25:27,541 --> 01:25:29,131
- Is it running?
- Yes.
931
01:25:29,208 --> 01:25:30,668
- We're running.
- Running.
932
01:25:30,750 --> 01:25:32,080
- What's going on?
- All right.
933
01:25:33,041 --> 01:25:34,671
All cameras, take one!
934
01:25:36,208 --> 01:25:37,958
Where's the best way
out of the way?
935
01:25:38,041 --> 01:25:39,171
Over here, I think.
936
01:25:39,250 --> 01:25:41,250
- Yeah, you would think that.
- With Maureen.
937
01:25:42,250 --> 01:25:44,250
See, you can never tell
what he's doing.
938
01:25:45,458 --> 01:25:46,458
Sorry.
939
01:25:47,291 --> 01:25:49,001
- Hey.
- You know you're around back.
940
01:25:51,458 --> 01:25:52,708
Which is you here.
941
01:25:54,958 --> 01:25:56,458
- We may find--
- All right, yeah?
942
01:25:56,541 --> 01:25:58,461
- It's a bit cold, isn't it?
- What's going on?
943
01:25:58,541 --> 01:26:00,381
It's, uh, great.
944
01:26:05,041 --> 01:26:07,131
- You're all right playing there?
- I don't know.
945
01:26:10,875 --> 01:26:12,415
- Good shot there.
- Yeah.
946
01:26:13,000 --> 01:26:14,080
Where's the instruments?
947
01:26:15,166 --> 01:26:17,076
- Mal?
948
01:26:17,166 --> 01:26:18,916
Nailed me down in the wrong place.
949
01:26:19,458 --> 01:26:21,038
That's the last of it, yeah.
950
01:26:21,708 --> 01:26:23,958
The three-- First, second and third.
951
01:26:24,916 --> 01:26:27,416
- First of all, that seems to…
- I think if we have some…
952
01:26:28,250 --> 01:26:29,380
Are you sure?
953
01:26:29,458 --> 01:26:31,378
We've worked that out.
954
01:26:31,875 --> 01:26:33,375
- Let's set them up.
- Yeah.
955
01:26:39,041 --> 01:26:41,831
There's piping along there.
That's where you put them back in.
956
01:26:45,625 --> 01:26:46,785
Yeah, well that goes in here.
957
01:26:46,875 --> 01:26:48,415
- That should do it, really.
- Yeah.
958
01:26:50,416 --> 01:26:52,746
- What's that? A perfect fit.
- Yeah, man.
959
01:26:56,458 --> 01:26:57,538
What is it?
960
01:26:59,416 --> 01:27:00,916
Hands are getting the feel of it.
961
01:27:02,083 --> 01:27:03,463
It's gotta be like it is.
962
01:27:03,541 --> 01:27:05,211
Just record the song.
963
01:27:08,666 --> 01:27:10,416
Glyn, are you getting this down there?
964
01:27:12,583 --> 01:27:14,213
- Oh, it's right-handed.
- Is it?
965
01:27:14,291 --> 01:27:15,961
- Yeah.
- Kevin?
966
01:27:16,625 --> 01:27:19,455
- I missed the start. George--
967
01:27:19,541 --> 01:27:22,081
- Just look down. Must have had a few.
- Well, they're gonna hear it.
968
01:27:24,250 --> 01:27:26,540
- Final checks. Roll sound.
- Right.
969
01:27:26,625 --> 01:27:28,495
One, two, three, four…
970
01:27:57,708 --> 01:27:58,918
- Rolling.
971
01:27:59,875 --> 01:28:01,665
- Rolling. Is the door shut?
972
01:28:01,750 --> 01:28:03,000
- Come on.
- We're good to go.
973
01:28:03,083 --> 01:28:04,423
- Glyn, this one?
- No.
974
01:28:04,500 --> 01:28:06,250
The one at the bottom of the spirals.
975
01:28:06,333 --> 01:28:08,083
It's gotta be wedged.
976
01:28:08,166 --> 01:28:10,416
- Get the clapper.
- Come on, you idiot.
977
01:28:10,500 --> 01:28:11,880
Get the clapper here.
978
01:28:11,958 --> 01:28:13,288
- Okay?
- Okay.
979
01:28:18,416 --> 01:28:19,456
Okay.
980
01:28:19,541 --> 01:28:21,041
One, two, three, four…
981
01:28:22,791 --> 01:28:23,791
Yeah.
982
01:31:22,375 --> 01:31:23,875
Whoo-hoo!
983
01:31:26,916 --> 01:31:28,786
- Thank you very much.
- Thank you very much.
984
01:31:28,875 --> 01:31:31,415
It looks like
Ted Dexter has scored another.
985
01:31:31,500 --> 01:31:33,830
We've had a request
from Martin and Luther.
986
01:31:33,916 --> 01:31:35,956
We need more voice on the PA, yes, Glyn?
987
01:31:36,041 --> 01:31:39,711
- No, we don't need any more.
- That's all right. Hello? Hello?
988
01:31:39,791 --> 01:31:43,041
Glyn, any more voice on the Fenders?
989
01:31:44,208 --> 01:31:45,918
Do it there.
990
01:31:46,000 --> 01:31:48,170
- What?
- Do it from up there.
991
01:31:48,250 --> 01:31:50,000
No, they would have had
to turn off the whole roof.
992
01:31:50,083 --> 01:31:51,083
Okay, cut it.
993
01:31:52,291 --> 01:31:53,381
Mike, have you cut?
994
01:31:53,458 --> 01:31:55,078
- Yeah, we'll cut.
995
01:31:55,166 --> 01:31:56,706
Where's the noise coming from?
996
01:31:56,791 --> 01:31:58,331
It's coming from the roof.
997
01:31:58,416 --> 01:31:59,626
Do you know who it is?
998
01:31:59,708 --> 01:32:01,958
Yeah, The Beatles, ain't it?
Yeah.
999
01:32:02,041 --> 01:32:03,171
You like it?
1000
01:32:03,250 --> 01:32:04,330
Yeah, it's okay.
1001
01:32:04,416 --> 01:32:06,246
What do you think of it?
It's The Beatles.
1002
01:32:06,333 --> 01:32:08,043
Oh, I think jolly good.
1003
01:32:08,125 --> 01:32:09,125
Enjoying it?
1004
01:32:09,208 --> 01:32:12,628
Yeah, very much. Nice, bright thing
to see at the end of the day.
1005
01:32:12,708 --> 01:32:14,038
Do you like the idea?
1006
01:32:14,125 --> 01:32:15,995
I don't know
what they're supposed to be doing.
1007
01:32:16,083 --> 01:32:18,543
- Right, stop--
- All cameras, three!
1008
01:32:18,625 --> 01:32:20,075
Okay. When you're ready, guys.
1009
01:32:20,166 --> 01:32:21,166
All right, Billy.
1010
01:32:21,750 --> 01:32:23,460
One, two, three, four.
1011
01:33:00,625 --> 01:33:01,625
Get back, Jo Jo.
1012
01:33:08,125 --> 01:33:09,205
Go home.
1013
01:33:12,625 --> 01:33:13,625
Yeah.
1014
01:33:17,166 --> 01:33:18,746
{\an8}
1015
01:33:18,833 --> 01:33:20,883
You could say so, yes.
I think they're great.
1016
01:34:18,750 --> 01:34:20,130
Get back, Loretta.
1017
01:34:26,458 --> 01:34:27,708
Yeah, go home.
1018
01:34:30,458 --> 01:34:32,128
Your mommy's waiting.
1019
01:34:32,208 --> 01:34:34,208
In her high-heel shoes
and her low-neck sweater.
1020
01:34:34,291 --> 01:34:35,501
Get back, Loretta!
1021
01:34:37,666 --> 01:34:38,666
Whoo!
1022
01:34:46,291 --> 01:34:47,711
{\an8}
1023
01:34:47,791 --> 01:34:49,211
I think it's marvelous. Yes.
1024
01:34:49,291 --> 01:34:50,671
{\an8}
1025
01:34:50,750 --> 01:34:51,790
Beatles, I think.
1026
01:34:58,916 --> 01:35:01,576
Oh, get back home.
1027
01:35:04,083 --> 01:35:05,923
Never more to roam.
1028
01:35:08,041 --> 01:35:09,041
{\an8}
1029
01:35:09,125 --> 01:35:10,325
On the roof?
1030
01:35:18,416 --> 01:35:20,996
{\an8}
1031
01:35:21,083 --> 01:35:22,583
It's The Beatles, isn't it? Yeah.
1032
01:35:22,666 --> 01:35:25,626
It's Paul McCartney singing now.
Well, it was. Yeah.
1033
01:35:25,708 --> 01:35:28,378
Okay. Well, thank you,
ladies and gentlemen.
1034
01:35:28,458 --> 01:35:30,788
We've had a request
from Daisy, Morris and Tommy.
1035
01:35:37,166 --> 01:35:38,786
- "Don't Let Me Down."
- Okay.
1036
01:36:23,083 --> 01:36:25,503
This type of music
is all right in its place,
1037
01:36:25,583 --> 01:36:28,543
but I think it's a bit of an imposition.
First of all, it's too loud.
1038
01:36:51,875 --> 01:36:54,325
Absolutely disrupts all the business
in this area.
1039
01:36:54,416 --> 01:36:56,286
I think it's great!
Who is this? The Beatles?
1040
01:36:57,625 --> 01:36:58,825
I think it's fantastic.
1041
01:38:59,708 --> 01:39:00,878
Don't let me down.
1042
01:39:16,625 --> 01:39:17,785
That's right.
1043
01:39:19,625 --> 01:39:21,665
{\an8}
1044
01:40:13,541 --> 01:40:14,541
{\an8}
1045
01:41:45,041 --> 01:41:46,671
Whoo-hoo!
1046
01:42:01,041 --> 01:42:04,461
{\an8}
1047
01:42:29,291 --> 01:42:30,291
{\an8}
1048
01:42:33,000 --> 01:42:34,920
- That was so hard.
1049
01:42:35,000 --> 01:42:37,000
{\an8}Hey! All right!
1050
01:42:38,291 --> 01:42:40,291
{\an8}No, no, no, no.
1051
01:42:42,583 --> 01:42:44,213
Peace on Earth!
1052
01:42:54,500 --> 01:42:56,500
- Alan.
1053
01:42:58,750 --> 01:42:59,750
Ringo?
1054
01:42:59,833 --> 01:43:01,463
- Are the cameras still running?
- Yeah.
1055
01:43:01,541 --> 01:43:03,751
Just stick your snare drum micback over the snare drum.
1056
01:43:05,083 --> 01:43:08,173
Sir, we must have
your comment. What do you think of it?
1057
01:43:08,250 --> 01:43:09,250
What's going on?
1058
01:43:09,333 --> 01:43:11,833
- It's The Beatles.
- What gives? What's happening?
1059
01:43:11,916 --> 01:43:13,956
They decided to play
for the public for nothing.
1060
01:43:14,041 --> 01:43:15,251
Well, that's great.
1061
01:43:15,333 --> 01:43:17,213
It's a bloody stupid place
to have a concert.
1062
01:43:17,291 --> 01:43:19,831
Nice to have something for free
in this country at the moment, isn't it?
1063
01:43:19,916 --> 01:43:22,536
- Don't you like The Beatles?
- No.
1064
01:43:22,625 --> 01:43:24,165
- No?
- No.
1065
01:43:24,250 --> 01:43:25,580
Not at all?
1066
01:43:25,666 --> 01:43:28,036
Not now. They've changed completely.
1067
01:43:28,125 --> 01:43:30,535
The Beatles are doing
a free concert on the roof.
1068
01:43:30,625 --> 01:43:32,495
- Now?
- Yeah. What do you think of it?
1069
01:43:33,041 --> 01:43:35,081
I think it's very good.
Why aren't they doing it in the street?
1070
01:43:35,166 --> 01:43:36,826
They just thought you'd wanna hear it.
1071
01:43:36,916 --> 01:43:38,626
Yeah, well, we'd also like to see them.
1072
01:43:38,708 --> 01:43:41,168
I just can't see that it makes sense.
1073
01:43:41,791 --> 01:43:43,501
Well, I think it's a very good thing.
1074
01:43:43,583 --> 01:43:46,753
It woke me up from my sleep,
and I don't like it.
1075
01:43:51,750 --> 01:43:53,420
All cameras, four!
1076
01:43:54,666 --> 01:43:56,166
One, two, three.
1077
01:44:36,041 --> 01:44:38,671
{\an8}
1078
01:44:54,416 --> 01:44:56,496
{\an8}
1079
01:44:57,875 --> 01:44:58,995
{\an8}
1080
01:46:45,000 --> 01:46:46,500
Make sure you don't lean on that.
1081
01:46:49,166 --> 01:46:51,496
I can't see what to do.
1082
01:46:55,875 --> 01:46:57,165
- Oh.
- "Dig A Pony."
1083
01:46:57,250 --> 01:46:58,710
I'll have to get the words then.
1084
01:46:58,791 --> 01:47:00,381
- "Dig A Pony."
- "Dig A Pony."
1085
01:47:09,125 --> 01:47:12,245
- I don't know. It's just, uh--
- Just ask Mal to hold 'em.
1086
01:47:12,333 --> 01:47:13,333
Yeah.
1087
01:47:13,416 --> 01:47:14,826
- Kev.
- Kevin?
1088
01:47:15,416 --> 01:47:16,706
Come here.
1089
01:47:20,416 --> 01:47:22,826
Can you hang on?
Well, I'll ring you back later, all right?
1090
01:48:07,333 --> 01:48:08,333
{\an8}
1091
01:48:10,583 --> 01:48:13,833
{\an8}
1092
01:48:16,625 --> 01:48:17,825
Thank you very much.
1093
01:48:20,000 --> 01:48:21,460
We can't use City One Reserve.
1094
01:48:23,625 --> 01:48:25,245
Charming, innit?
1095
01:48:25,333 --> 01:48:26,423
- Jimmy?
- Hmm?
1096
01:48:26,500 --> 01:48:27,880
Have a Sweet Afton.
1097
01:48:29,000 --> 01:48:30,880
Thank you. Don't mind if I do.
1098
01:49:10,041 --> 01:49:11,041
Rolling.
1099
01:49:15,333 --> 01:49:16,673
Are you all ready?
1100
01:49:16,750 --> 01:49:18,540
Yeah? Okay. Are we rolling?
1101
01:49:18,625 --> 01:49:19,705
- Yeah.
- Okay.
1102
01:49:19,791 --> 01:49:21,461
- One, two, three!
- Hold it!
1103
01:49:25,500 --> 01:49:26,960
One, two, three…
1104
01:50:01,416 --> 01:50:05,326
{\an8}
1105
01:50:51,833 --> 01:50:54,833
Yeah, so why is it on the top of the roof?
1106
01:50:54,916 --> 01:50:57,746
{\an8}
1107
01:50:57,833 --> 01:51:00,543
All that money they've got?
1108
01:51:00,625 --> 01:51:03,245
{\an8}
1109
01:51:03,333 --> 01:51:05,543
No, I have no idea.
But it sounds really wonderful.
1110
01:51:06,541 --> 01:51:07,541
{\an8}Yes.
1111
01:51:12,333 --> 01:51:13,333
{\an8}Yes.
1112
01:51:14,583 --> 01:51:15,583
{\an8}Oh, yes.
1113
01:51:16,458 --> 01:51:19,878
{\an8}- Yes, I do. Yes.
- Yeah, I think it's a good idea.
1114
01:51:19,958 --> 01:51:22,208
{\an8}
1115
01:51:22,291 --> 01:51:23,501
Yes.
1116
01:53:01,125 --> 01:53:07,035
{\an8}
1117
01:53:10,583 --> 01:53:12,003
Thank you, brothers.
1118
01:53:12,791 --> 01:53:15,211
My hands are getting too cold
to play a chord now.
1119
01:53:15,291 --> 01:53:16,921
- Turn on the PA too.
- Okay.
1120
01:53:17,000 --> 01:53:18,710
- Shall we do "Can You Dig It"?
1121
01:53:18,791 --> 01:53:21,001
- "Can You Dig It"?
- I don't know.
1122
01:53:41,708 --> 01:53:43,128
{\an8}What's happening?
1123
01:53:43,208 --> 01:53:44,708
{\an8}
1124
01:53:49,666 --> 01:53:51,416
{\an8}
1125
01:53:52,041 --> 01:53:53,381
The Beatles, obviously.
1126
01:54:01,041 --> 01:54:04,211
{\an8}- Fabulous. Lovely.
- Definitely. Fantastic.
1127
01:54:04,291 --> 01:54:08,541
{\an8}
1128
01:54:08,625 --> 01:54:11,915
- They're all a few lads.
- Yeah. Get around, don't they?
1129
01:54:12,000 --> 01:54:13,000
{\an8}
1130
01:54:13,083 --> 01:54:14,713
- I said they get around.
1131
01:54:34,541 --> 01:54:36,711
"Misery."
That's the one, I think.
1132
01:54:38,041 --> 01:54:40,001
- That it?
- That's it. Lovely.
1133
01:54:40,083 --> 01:54:42,583
Anywhere where I could
have a listen to this?
1134
01:54:43,333 --> 01:54:44,883
{\an8}
1135
01:54:44,958 --> 01:54:46,248
{\an8}Yes. Very much. Yes.
1136
01:54:47,166 --> 01:54:48,166
{\an8}Yeah. It's great.
1137
01:54:48,250 --> 01:54:49,540
{\an8}
1138
01:54:49,625 --> 01:54:51,575
{\an8}Um, I think Ringo.
1139
01:54:52,416 --> 01:54:55,536
{\an8}
1140
01:54:55,625 --> 01:54:56,625
No.
1141
01:54:57,291 --> 01:54:58,291
{\an8}No.
1142
01:55:01,083 --> 01:55:02,673
{\an8}Yeah.
1143
01:55:02,750 --> 01:55:04,000
{\an8}Yeah. I think they're good.
1144
01:55:04,083 --> 01:55:05,673
{\an8}
1145
01:55:09,125 --> 01:55:10,995
{\an8}
1146
01:55:30,291 --> 01:55:32,541
Okay. Glynny.
Are you ready, Glyn?
1147
01:55:32,625 --> 01:55:33,955
- Running.
- Turnover, Mike.
1148
01:55:34,041 --> 01:55:35,541
Can we scratch that?
1149
01:55:35,625 --> 01:55:37,535
- Tuning.
- Running. Ready?
1150
01:55:40,291 --> 01:55:41,461
Okay, okay.
1151
01:56:10,625 --> 01:56:12,705
{\an8}
1152
01:56:12,791 --> 01:56:14,131
Not in the street, no.
1153
01:56:14,791 --> 01:56:16,751
{\an8}
1154
01:56:16,833 --> 01:56:19,253
{\an8}- Oh, yes. Yes. Very much.
- You do?
1155
01:56:19,333 --> 01:56:20,793
{\an8}
1156
01:56:20,875 --> 01:56:22,455
{\an8}No, my son does.
1157
01:56:22,541 --> 01:56:24,081
Oh, yes. My daughter does.
1158
01:56:24,791 --> 01:56:27,831
My son would.
He likes all that, but not me.
1159
01:57:34,208 --> 01:57:35,538
{\an8}Yeah, we'll come upstairs.
1160
01:59:20,833 --> 01:59:21,963
Yeah.
1161
01:59:22,041 --> 01:59:24,171
- One, two, three, four.
- "And For The First Time."
1162
01:59:24,250 --> 01:59:26,670
- Oh!
- No, no, "Don't Let Me Down." Sorry.
1163
01:59:30,708 --> 01:59:32,248
Rock and roll!
1164
01:59:32,333 --> 01:59:33,503
You too!
1165
01:59:34,666 --> 01:59:37,246
- Whoo!
1166
01:59:58,458 --> 01:59:59,458
Whoo!
1167
02:01:15,250 --> 02:01:16,250
Whoo!
1168
02:01:40,250 --> 02:01:44,580
{\an8}
1169
02:01:50,916 --> 02:01:52,076
Yeah, that's right.
1170
02:01:55,708 --> 02:01:57,128
{\an8}
1171
02:01:57,208 --> 02:01:58,208
{\an8}Yes.
1172
02:02:11,208 --> 02:02:12,498
{\an8}Yeah.
1173
02:02:12,583 --> 02:02:15,133
{\an8}
1174
02:03:23,041 --> 02:03:24,131
It's off.
1175
02:04:06,291 --> 02:04:07,381
Whoo!
1176
02:04:13,416 --> 02:04:14,416
Whoo!
1177
02:04:15,583 --> 02:04:16,583
Yeah!
1178
02:05:01,791 --> 02:05:04,461
{\an8}
1179
02:05:21,833 --> 02:05:23,083
{\an8}Whoo!
1180
02:05:23,166 --> 02:05:24,956
{\an8}
1181
02:05:25,041 --> 02:05:26,631
{\an8}
1182
02:05:54,083 --> 02:05:55,083
Get back.
1183
02:06:00,583 --> 02:06:02,253
- Thanks, Mo.
- I'd like to say thank you
1184
02:06:02,333 --> 02:06:04,133
on behalf of the group and ourselves.
1185
02:06:04,208 --> 02:06:05,828
I hope we passed the audition.
1186
02:06:08,541 --> 02:06:11,631
All right, boys.
Get in here. Step aside, there.
1187
02:06:14,583 --> 02:06:15,753
You all right?
1188
02:06:18,375 --> 02:06:20,415
Come. Get in there. Come on. In there.
1189
02:06:20,500 --> 02:06:22,170
What's the matter? Everything all right?
1190
02:06:23,041 --> 02:06:24,171
Hmm?
1191
02:06:25,791 --> 02:06:28,541
Get some more cover there.
Film through the office windows.
1192
02:06:28,625 --> 02:06:29,625
Okay.
1193
02:06:30,250 --> 02:06:31,750
People on the roof. Everything.
1194
02:06:31,833 --> 02:06:33,633
Stay there, girls. Stay there.
1195
02:06:43,541 --> 02:06:44,631
Thank you.
1196
02:06:44,708 --> 02:06:47,418
Okay. As soon as
you got the cover, that's a wrap.
1197
02:06:49,958 --> 02:06:52,498
Let's keep it moving please.
1198
02:06:52,583 --> 02:06:55,133
Step off the road, please.
Move along!
1199
02:06:56,791 --> 02:06:58,381
Move along, please.
1200
02:07:01,625 --> 02:07:02,875
Move along, please.
1201
02:07:08,208 --> 02:07:09,538
Off the road, please.
1202
02:07:11,083 --> 02:07:13,003
- Come on. Move along.
1203
02:07:13,083 --> 02:07:16,083
What's the law say that you--
why you can't do that?
1204
02:07:16,166 --> 02:07:18,666
- 'Cause of the PA speakers.
- Disturbing the peace.
1205
02:07:18,750 --> 02:07:22,330
{\an8}- Well, how-- "Disturbing the peace"?
- Peace means like noise.
1206
02:07:22,416 --> 02:07:23,666
As Mike was saying,
1207
02:07:23,750 --> 02:07:26,710
this is a very good dry run
for something else too.
1208
02:07:26,791 --> 02:07:29,081
Apart from the value of this as it stands.
1209
02:07:29,166 --> 02:07:30,166
Yeah.
1210
02:07:30,250 --> 02:07:32,880
- Yeah, for taking over London.
- Yeah.
1211
02:07:32,958 --> 02:07:35,168
- You see, because…
- Top of the Hilton tomorrow.
1212
02:07:35,250 --> 02:07:36,920
Blasting out the sound in their power.
1213
02:07:37,000 --> 02:07:39,210
- Fantastic.
- Every rock group in the world,
1214
02:07:39,291 --> 02:07:41,751
in London, all on the top of buildings.
1215
02:07:41,833 --> 02:07:44,383
- Playing the same tune.
- Also on a platform of loudspeakers.
1216
02:07:44,458 --> 02:07:47,958
So you're just sort of strapped in
to little boxes in this structure.
1217
02:10:02,375 --> 02:10:03,995
What are you feeling about today?
1218
02:10:04,083 --> 02:10:05,923
- You wanna work more today or not?
- Yeah.
1219
02:10:06,000 --> 02:10:07,920
We should record the others now.
1220
02:10:08,000 --> 02:10:10,080
Gotta get the stuff down first.
1221
02:10:10,166 --> 02:10:12,666
- Let's have a break for a bit.
- We'll have lunch and that.
1222
02:10:12,750 --> 02:10:15,330
And then we record the other stuff
that we didn't do.
1223
02:10:15,416 --> 02:10:17,576
- Right.
- Up there. The acoustic stuff.
1224
02:10:17,666 --> 02:10:19,496
- Up there?
- No, down here now.
1225
02:10:19,583 --> 02:10:21,253
- When I--
- There won't be more rooftops.
1226
02:10:21,333 --> 02:10:22,333
No. No more rooftop.
1227
02:10:22,416 --> 02:10:23,746
- That was the rooftop.
- It was really bad.
1228
02:10:23,833 --> 02:10:25,383
{\an8}- Oh, right.
- So, it's like--
1229
02:10:25,458 --> 02:10:27,418
{\an8}You know, you're doing this
and we're taking it--
1230
02:10:27,500 --> 02:10:29,750
{\an8}If we got the police,
we could pretend in the film
1231
02:10:29,833 --> 02:10:31,633
that we had to get down because of them.
1232
02:10:31,708 --> 02:10:33,878
{\an8}- And here we are…
- Just the way it happened then.
1233
02:10:33,958 --> 02:10:35,668
{\an8}That'll just be it, you know.
1234
02:10:35,750 --> 02:10:37,750
{\an8}
1235
02:10:45,208 --> 02:10:48,828
{\an8}This is B camera roll, 1,150.
1236
02:10:48,916 --> 02:10:53,286
Slate 500, take one. Slate 500, take one.
1237
02:10:53,375 --> 02:10:54,625
Roll mic.
1238
02:10:54,708 --> 02:10:58,248
It might have been-- You know.
I don't like to throw things away.
1239
02:10:58,333 --> 02:10:59,423
Okay. Ready?
1240
02:10:59,500 --> 02:11:01,210
- Okay, turnover cameras.
- Clap it.
1241
02:11:01,291 --> 02:11:02,581
Turnover cameras.
1242
02:12:00,833 --> 02:12:01,833
Okay.
1243
02:12:01,916 --> 02:12:03,536
- Running.
- Turn over.
1244
02:12:03,625 --> 02:12:06,035
- Did I ever tell you when I had the--
- Take-- Take ten.
1245
02:12:06,875 --> 02:12:08,575
I don't think
I wanna hear that, Dick.
1246
02:12:09,750 --> 02:12:11,080
Okay, Jim.
1247
02:12:12,750 --> 02:12:14,500
- Good night, Paul.
- Say good night, John.
1248
02:12:14,583 --> 02:12:16,383
- Good night, Paul.
- Good night.
1249
02:12:25,291 --> 02:12:28,541
{\an8}
1250
02:12:28,625 --> 02:12:33,535
{\an8}
1251
02:13:09,875 --> 02:13:12,705
{\an8}
1252
02:13:12,791 --> 02:13:15,631
{\an8}
1253
02:13:17,375 --> 02:13:19,875
{\an8}Take-- Take-- Take 17!
1254
02:13:33,416 --> 02:13:35,536
- Okay, start again.
1255
02:13:42,583 --> 02:13:43,753
F-stop.
1256
02:13:46,208 --> 02:13:47,878
We'll need one more, actually.
1257
02:13:49,708 --> 02:13:50,708
Take 18.
1258
02:13:54,083 --> 02:13:55,543
Now what's the chord you play…
1259
02:14:26,083 --> 02:14:28,383
- Running.
1260
02:14:28,458 --> 02:14:29,958
- Running, Col? Running, Mike?
- Yeah.
1261
02:14:30,041 --> 02:14:31,831
- Running, yeah.
- Nice and quiet. Mark it.
1262
02:14:31,916 --> 02:14:32,916
Take 25.
1263
02:15:18,083 --> 02:15:20,383
- What the shittin' hell is going on here?
1264
02:15:28,250 --> 02:15:30,960
Eins, zwei, viertel nach drei.
1265
02:15:39,958 --> 02:15:41,628
What the fuck's going on?
1266
02:15:41,708 --> 02:15:44,208
I'll never get "Maggie Mae" done
if we go on like this.
1267
02:15:49,500 --> 02:15:51,330
Are we supposed to giggle in the solo?
1268
02:15:51,416 --> 02:15:52,666
- Yeah.
- Okay.
1269
02:15:56,750 --> 02:15:59,210
- Get off, you bum!
1270
02:16:11,541 --> 02:16:14,001
- I lost a bass note somewhere.
- Oh.
1271
02:16:28,833 --> 02:16:32,173
{\an8}
1272
02:16:32,250 --> 02:16:35,250
{\an8}
1273
02:16:35,333 --> 02:16:37,043
{\an8}
1274
02:16:50,333 --> 02:16:51,503
Let it be.
1275
02:17:07,958 --> 02:17:11,128
{\an8}-
1276
02:17:12,166 --> 02:17:14,706
{\an8}
1277
02:17:14,791 --> 02:17:16,541
{\an8}
1278
02:17:30,125 --> 02:17:33,575
- Is that the best one?
- I think that was rather grand.
1279
02:17:34,083 --> 02:17:35,833
I'd take one home with me.
1280
02:17:37,625 --> 02:17:38,665
Yeah, that was fine.
1281
02:17:39,291 --> 02:17:41,211
Don't kid us, Glyn.
1282
02:17:42,083 --> 02:17:44,133
Give it to us straight.
1283
02:17:45,333 --> 02:17:47,423
- Get me off this bass.
- Was that good enough?
1284
02:17:47,500 --> 02:17:50,750
- Yes.
- We'll do one more to cover ourselves.
1285
02:17:50,833 --> 02:17:53,503
We'll just do one more
'cause we know we've got it now.
1286
02:17:54,208 --> 02:17:56,128
We've got so many of the bastards.
91237
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