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{\an8}
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{\an8}
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{\an8}I was immediately struck by their music,
their beat
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{\an8}and their sense of humor,
actually, onstage.
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And it was there that, really,
it all started.
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The Beatles--George Harrison, Ringo Starr,
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John Lennon, Paul McCartney.
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{\an8}-
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{\an8}-
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{\an8}-
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{\an8}
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George, you think all this
success is just a one-night stand?
20
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I mean,
it can't go on the way it has been going.
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{\an8}
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{\an8}
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{\an8}
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This is no ordinary departurefrom London Airport.
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The Beatles are on their way to America.
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Paul McCartney may have been wonderinghow the songs he and John write
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will go over in the States.
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This rock and roll group has taken over
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as the kingpins of musical appreciation.
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- Do you hope to get a haircut at all--
- No!
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- No, thanks.
- I had one yesterday.
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Ladies and gentlemen, The Beatles!
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The Beatles, who originatedas a small-time act out of Liverpool,
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now have no rivalsas the kingpins of the teenage set.
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- Did you enjoy it?
- Yeah, it was marvelous.
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I just loved all of it.
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The Beatles are the toppop music phenomenon of the century.
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Did you have a chance to get
away from anybody at anytime on the trip?
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- Yeah.
- He got away from me twice.
40
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And here with The Beatles wasBrian Epstein, their famous manager.
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{\an8}Hey, pardon me for asking,
but who's that little old man?
42
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Oh, that's my grandfather.
He's very clean.
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{\an8}
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Has any of you any ambitions left at all?
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Yeah. I want to be an astronaut.
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Says Paul, "We've had so much success,
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we don't care if it fades tomorrow.
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We've reached the pointwhere we don't have worries anymore."
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With Manila, some of the fanshave broken off diplomatic relations.
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John,
what exactly happened at Manila Airport?
51
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You're treated like an ordinary passenger.
Ordinary passenger!
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An ordinary passenger,
he doesn't get kicked, does he?
53
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- Would you go to Manila again, George?
- No. I didn't even want to go that time.
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Do you consider that this religious issue
is answered once and for all?
55
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The quote which John Lennon made has
been represented entirely out of context.
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But I'm not saying
that we're better or greater
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or comparing us
with Jesus Christ as a person.
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You tell me what you think I meant,
and I'll tell you whether I agree.
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What difference has all
this row made to this tour, do you think?
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It's made it more hectic.
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Well, I've clarified it about 800 times,
you know.
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People said to us last time we came
all our answers were a bit flippant.
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They said, "Why isn't it this time?"
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And the thing is, the questions
are a bit more serious this time.
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The Ku Klux Klan
is going to stop this performance.
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Apart from that, it's great.
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Having a swinging tour.
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{\an8}
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{\an8}
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Everything's all right.
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{\an8}
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Yes, Mr. Bloodvessel.
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Far from the noise and pace of city life
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in the cool, clear airof Rishikesh, North India,
75
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the world-famous quartet stroll quietlyin the lovely meditation retreat
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of Maharishi Mahesh Yogi.
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Flower-loving Yogi told reportersthat his brand of peace of mind
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could only be truly appreciatedby intelligent men of the world.
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{\an8}
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{\an8}
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{\an8}- We don't get on at all.
- There are so many father figures.
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Oh, I see.
83
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What is Apple, John?
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{\an8}It's a company we're setting up
which involves records,
85
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{\an8}films, electronics,
which make records and films work,
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- and, what's it called? Manufacturing?
- Yeah, it does a few things, you know?
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{\an8}
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{\an8}
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{\an8}-
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{\an8}
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{\an8}
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{\an8}
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{\an8}
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{\an8}
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{\an8}
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{\an8}
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{\an8}
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{\an8}
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{\an8}
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{\an8}
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{\an8}
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Two, take one. Silent turn over.
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Running.
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{\an8}
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{\an8}- Where's the what?
- The mixer and the 8-tracks and all them.
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- Hi, Ringo.
- Hi, George.
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00:12:08,666 --> 00:12:10,786
- Happy New Year.
- Happy New Year.
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00:13:11,458 --> 00:13:14,668
I don't think this is
a very acoustically good place.
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Who's that little old man?
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{\an8}Oh, is he one of the Hare Krishnas
or something?
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{\an8}'Cause they won't be rehearsing
shots for three weeks.
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{\an8}As I was saying to Mal,
keep all the audience out, you know…
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{\an8}If you can think of a--
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One of those Binson Echorec things.
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Have a little one of them.
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{\an8}Oh, are you recording our conversation?
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00:14:00,958 --> 00:14:02,578
We should have a bass--
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a bass and guitar all in one.
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- Yeah.
- Be great, wouldn't it?
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Well, two people
should have bass and guitar.
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Maybe we should learn
a few songs first.
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Great.
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One, two, three.
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{\an8}-
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Then it goes to E.
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G.
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E.
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Stop.
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I just gotta see which should come where.
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Everybody had a hard on.
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Except for me and my monkey.
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{\an8}Which this isn't.
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Um, um, we--
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{\an8}- December 25th.
- Yeah.
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Yeah.
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{\an8}When you're ready. That's right.
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{\an8}We could do-- Yeah.
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{\an8}
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{\an8}
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{\an8}
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{\an8}
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{\an8}
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All of us just…
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{\an8}
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00:18:02,458 --> 00:18:04,078
{\an8}John is just finishing it up.
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I'll take you up in the Art Department
when you get a moment.
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You can see some of the designs
and all that, 'cause it's well under way.
151
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Is it still the 17th?
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No, 24th now, because of this.
153
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Why? This is only going to take two weeks.
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Well, we don't know yet, do we?
155
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That's all the bits you've got?
156
00:18:41,291 --> 00:18:43,501
All right. If you had,
"Don't let me down,"
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say twice at the beginning…
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But you know when you bring that,
"'Cause I'm in love for the first time"?
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- I don't dig that. Sounds like a middle 8.
- Oh, yeah. Okay.
160
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It doesn't sound like-- But I--
Some of it.
161
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Scrap that,
except use that somewhere near the end.
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That one used to go after the…
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- Yeah, 'cause that's where--
- "Nobody ever loved me like she do me."
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No harm just having a break in that bit.
165
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Yeah, except just skip that little…
166
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- Yes.
- …interlude.
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- Put the interlude right somewhere.
- In the beginning.
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I'll do one set of "don't let me down."
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Uh-- "Like she do me. Ooh, she do me.
Yes, she do me."
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I didn't quite get around to making sense,
you see?
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So we'll see what happens.
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Do you want some sandwiches?
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We don't eat these.
Paul, do you want some sandwiches?
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- Hang on.
- Ray.
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- Do you want a dry bun?
- A dry bun? Yeah.
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It's like a rock cake
but needs butter or something.
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The thing I don't want is,
like, a TV show sound.
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They always seem to have that
sort of farty, little sound on TV shows.
179
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Well, don't forget,
you're hearing it on a TV speaker,
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which is a grotty speaker.
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But see, this place sounds terrible now.
It may just be great.
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You can never tell
with these places though.
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We did "Yer Blues"
in a little room like a bog.
184
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- Yeah.
- And…
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No separation in there, you know?
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- We really got good separation.
- Yeah.
187
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The thing is,
that an open-air sound is fantastic.
188
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I've always wanted to do something
in the open air.
189
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It'd be nice to try and find some way
to do it out of doors.
190
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It's so bloody cold.
191
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It's your English rain which is
worrying about outdoors in this country.
192
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- Yeah, right.
- Snow or rain will do me.
193
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You know, wind and anything.
Make all that…
194
00:20:18,375 --> 00:20:20,745
- It's just a frozen hand trying to…
- Yes, you could.
195
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…play those notes.
196
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Trying to get your E-seventh
when your little finger's frozen…
197
00:20:23,875 --> 00:20:24,875
The snow and rain.
198
00:20:24,958 --> 00:20:28,328
It's all right. You might just
have a few deaths on the set
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due to electric shocks.
200
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I was very taken by the place
Denis talked about.
201
00:20:33,458 --> 00:20:35,288
{\an8}Yeah. That was…
202
00:20:35,375 --> 00:20:37,825
Because I could see it outside torch-lit.
203
00:20:38,708 --> 00:20:40,378
2,000 Arabs and friends around.
204
00:20:40,458 --> 00:20:42,628
No, I think we won't be.
205
00:20:42,708 --> 00:20:44,708
I think you'll find
we're not going abroad.
206
00:20:44,791 --> 00:20:45,791
Hmm.
207
00:20:47,416 --> 00:20:49,626
'Cause Ringo just said
he doesn't wanna go abroad.
208
00:20:49,708 --> 00:20:51,538
No, and he put his foot down.
209
00:20:52,541 --> 00:20:54,211
- So…
- Yeah?
210
00:20:54,291 --> 00:20:56,291
Us and Jimmie Nicol might go abroad.
211
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I think the thing to do
is just be very flexible still
212
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about every aspect of the enterprise.
213
00:21:03,458 --> 00:21:07,998
I think-- Well, I think, you know--
Michael, I think you're pretty right.
214
00:21:08,083 --> 00:21:09,543
He won't give up.
215
00:21:09,625 --> 00:21:11,575
- Pretty fair comment.
- You're pretty right, Mike.
216
00:21:11,666 --> 00:21:12,916
Are you gonna keep the beard?
217
00:21:13,000 --> 00:21:13,830
I don't know.
218
00:21:13,916 --> 00:21:15,916
You ought to get one
of those big-brimmed hats
219
00:21:16,000 --> 00:21:17,460
with those ringlets down the ears.
220
00:21:17,541 --> 00:21:19,331
Yes. Yes, I saw that
on telly the other night.
221
00:21:19,416 --> 00:21:21,166
That'd be good.
Then we could do it in Israel.
222
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Middle eight, B flat.
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{\an8}
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{\an8}
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00:21:53,083 --> 00:21:54,383
I'll do a verse. Just…
226
00:21:59,791 --> 00:22:00,791
No, I think it goes…
227
00:22:06,833 --> 00:22:07,833
Three, four…
228
00:22:07,916 --> 00:22:09,456
It's like…
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Two, three.
230
00:22:20,833 --> 00:22:22,003
Two, three.
231
00:22:23,250 --> 00:22:24,250
- Two.
- After three.
232
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It goes into waltz.
It goes into three.
233
00:22:34,375 --> 00:22:35,375
Yeah.
234
00:22:36,583 --> 00:22:38,083
Repeat now.
235
00:22:40,041 --> 00:22:41,131
Then short.
236
00:22:42,791 --> 00:22:44,791
And that's like a break. Ch-cha.
237
00:22:45,958 --> 00:22:47,168
I'll go from the beginning.
238
00:23:10,041 --> 00:23:11,251
It's not-- It's not--
239
00:23:11,333 --> 00:23:14,003
That was 23, take one. End announcement.
240
00:23:36,458 --> 00:23:37,628
Nice, that purple.
241
00:23:44,958 --> 00:23:47,998
"What do you think
of George's pseudo tie sweatshirt?"
242
00:23:48,083 --> 00:23:49,583
I think it's terrible.
243
00:23:52,250 --> 00:23:56,290
"The True Story of The Beatles.
You can still get it direct."
244
00:23:57,333 --> 00:24:01,333
"Accompanied by his current steady,
American photographer Linda Eastman,
245
00:24:01,416 --> 00:24:03,376
Paul spent a December week in Portugal
246
00:24:03,458 --> 00:24:06,168
visiting The Beatles' biographer,
Hunter Davis."
247
00:24:07,333 --> 00:24:09,173
It's just so sort of daft.
248
00:24:10,333 --> 00:24:11,333
{\an8}
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00:24:14,916 --> 00:24:17,126
{\an8}"…send a big 'Hi'
to all the Bertle Persons."
250
00:24:19,416 --> 00:24:20,576
{\an8}
251
00:24:20,666 --> 00:24:22,416
"It's fab in here!"
252
00:24:24,125 --> 00:24:26,165
I think your beard suits you, man.
253
00:24:26,250 --> 00:24:27,210
- Mmm.
254
00:24:27,291 --> 00:24:29,631
I've been thinking
of all the tunes I've got.
255
00:24:29,708 --> 00:24:32,538
And they're all, uh, they're all slowish.
256
00:24:32,625 --> 00:24:34,415
- I seem to be--
- Yeah, most of mine are.
257
00:24:34,500 --> 00:24:39,040
See, so far, there's a couple
I know I could do live with no backing.
258
00:24:39,125 --> 00:24:42,125
- Just with the guitar and singing.
- Well, you know…
259
00:24:42,208 --> 00:24:46,208
- I've got "Taking a Trip to Carolina."
260
00:24:46,291 --> 00:24:47,751
In the same…
261
00:24:47,833 --> 00:24:49,003
In his mind.
262
00:24:50,000 --> 00:24:50,920
Oh, no.
263
00:24:55,125 --> 00:24:57,325
{\an8}
264
00:24:57,416 --> 00:24:59,626
{\an8}
265
00:25:08,125 --> 00:25:09,125
I had-- It's on there.
266
00:25:09,208 --> 00:25:12,918
I've got it on the little tape, singing
"I've been to LA and New York too."
267
00:25:13,000 --> 00:25:14,750
So, they're not very nice.
268
00:25:14,833 --> 00:25:17,213
You know, the words,
I mean, they're not very good.
269
00:25:17,291 --> 00:25:19,921
- Uh-huh.
- "Carolina," it's, "Oh, baby."
270
00:25:21,250 --> 00:25:22,920
Just get me back there.
271
00:25:29,041 --> 00:25:30,421
{\an8}But it's good.
272
00:25:34,583 --> 00:25:36,383
But they'll have all this sort of…
273
00:25:38,166 --> 00:25:42,206
Yeah. If you wanted to get 8-track stuff
to record all this,
274
00:25:42,291 --> 00:25:44,881
where would we get it?
'Cause, apparently, it hasn't been--
275
00:25:44,958 --> 00:25:47,668
We'll lend it to ourselves,
but EMI should do it.
276
00:25:47,750 --> 00:25:50,500
You know, it's like if Benjamin Britten
wants to do an album…
277
00:25:50,583 --> 00:25:51,753
- Right.
- …in Paris,
278
00:25:51,833 --> 00:25:54,383
EMI have got to fucking get
all that shit over to him.
279
00:25:54,458 --> 00:25:55,998
And they do, of course.
280
00:25:56,083 --> 00:25:58,673
We subsidize EMI, then get it out there.
281
00:25:58,750 --> 00:26:00,960
- Get an 8-track mixer--
- 'Cause they just told Glyn and Mal--
282
00:26:01,041 --> 00:26:03,831
They just told them
that they've only got 4-track.
283
00:26:03,916 --> 00:26:06,786
But I know for a fact that they got
8-track out for The Beach Boys.
284
00:26:06,875 --> 00:26:08,825
But The Beach Boys are American.
285
00:26:10,541 --> 00:26:12,541
{\an8}
286
00:26:14,791 --> 00:26:16,381
{\an8}
'Cause I really never thought of that.
287
00:26:16,458 --> 00:26:19,128
{\an8}It's just we all used to sag off
every school day.
288
00:26:19,208 --> 00:26:20,958
You know, and go back to my house,
289
00:26:21,041 --> 00:26:23,461
and the two of us
would just sit there and write.
290
00:26:23,541 --> 00:26:25,501
There's a lot from then, you know?
291
00:26:25,583 --> 00:26:29,043
There's about 100 songs from then
that we never reckoned,
292
00:26:29,125 --> 00:26:31,535
'cause they were all
very unsophisticated songs.
293
00:26:32,166 --> 00:26:34,826
"They said our love was just fun,
294
00:26:34,916 --> 00:26:36,786
the day that our friendship begun."
295
00:26:36,875 --> 00:26:40,745
{\an8}
296
00:26:41,375 --> 00:26:42,495
{\an8}
297
00:26:42,583 --> 00:26:44,133
{\an8}
298
00:27:06,708 --> 00:27:10,748
{\an8}
299
00:27:12,000 --> 00:27:14,580
{\an8}
300
00:27:31,500 --> 00:27:33,380
Don't think that ever got there, did it?
301
00:27:35,625 --> 00:27:36,625
{\an8}
302
00:27:36,708 --> 00:27:38,328
{\an8}
303
00:27:39,500 --> 00:27:40,790
{\an8}
304
00:27:51,833 --> 00:27:56,083
{\an8}
305
00:28:06,125 --> 00:28:08,075
- That sounded like…
306
00:28:16,875 --> 00:28:18,705
{\an8}
307
00:28:20,125 --> 00:28:22,325
{\an8}-
308
00:28:59,166 --> 00:29:01,126
Okay. All right.
309
00:29:02,375 --> 00:29:04,705
Really, that's out of the past, that.
310
00:29:06,916 --> 00:29:09,666
I always meant to just change the words
a bit and do something.
311
00:29:09,750 --> 00:29:11,080
But no, it's so great.
312
00:29:11,166 --> 00:29:13,826
- It's all working. Keep them.
313
00:29:13,916 --> 00:29:16,826
"Said, 'Move over, honey,
I'm traveling on that line.'"
314
00:29:16,916 --> 00:29:20,416
"Move over once, move over twice.
Come on, baby. Don't be cold as ice."
315
00:29:20,500 --> 00:29:21,830
"You're only fooling around."
316
00:29:21,916 --> 00:29:23,826
"You're only fooling around with me."
317
00:29:24,458 --> 00:29:26,918
I never sort of knew
what it was about before.
318
00:29:27,000 --> 00:29:28,960
- I mean, so she's on a train.
- Yes.
319
00:29:29,041 --> 00:29:32,041
- And he sort of--
- Goes to the station and misses it.
320
00:29:32,125 --> 00:29:35,665
But he goes back and finds
it was the wrong number, so…
321
00:29:35,750 --> 00:29:37,670
"Wrong location."
322
00:29:37,750 --> 00:29:39,790
To rhyme with "station," you know?
323
00:29:39,875 --> 00:29:41,245
That's great.
324
00:29:41,333 --> 00:29:44,083
"Railman said you got the wrong location."
325
00:29:44,791 --> 00:29:46,381
- Hello, George.
326
00:29:46,458 --> 00:29:49,828
Hi, Paul. It's simply great
for you to turn up this evening.
327
00:29:49,916 --> 00:29:52,286
- The Animals reunited.
328
00:30:15,833 --> 00:30:17,463
{\an8}
329
00:30:17,541 --> 00:30:19,961
{\an8}
330
00:30:20,750 --> 00:30:22,290
{\an8}
331
00:30:40,750 --> 00:30:44,580
{\an8}
332
00:31:43,416 --> 00:31:45,416
- Ah! Fucking hell.
333
00:31:45,500 --> 00:31:47,420
- I just got shocked.
- Just got a belt, man.
334
00:31:48,000 --> 00:31:49,790
I really-- I got an electric shock.
335
00:31:49,875 --> 00:31:51,415
Gonna be in trouble over this.
336
00:31:51,500 --> 00:31:53,210
If this boy dies, you're gonna cop it.
337
00:31:54,291 --> 00:31:57,331
Hold that one as well
at the same time and see what happens.
338
00:31:57,416 --> 00:31:59,036
Let me see it again.
339
00:31:59,125 --> 00:32:00,205
Let's try it.
340
00:32:00,291 --> 00:32:02,461
- You get feedback.
- It's the feedback, yeah.
341
00:32:02,541 --> 00:32:03,831
The feedback going into the, uh--
342
00:32:03,916 --> 00:32:04,996
- There, it's not--
343
00:32:05,083 --> 00:32:07,003
- That's it.
- Put your hand on that bit.
344
00:32:07,083 --> 00:32:08,753
It might be
the playing the guitar as well.
345
00:32:08,833 --> 00:32:12,043
It should be where you're here
rather than all this…
346
00:32:12,125 --> 00:32:13,575
- You know, all this thing.
- Yeah.
347
00:32:13,666 --> 00:32:15,166
When was it when you touched it?
348
00:32:15,250 --> 00:32:16,830
I gripped hold of two of them together.
349
00:32:16,916 --> 00:32:19,376
- The feedback going into the…
- Just grip it tight.
350
00:32:19,458 --> 00:32:21,708
- Put the palm of your hand on that bit.
351
00:32:25,500 --> 00:32:27,540
The bit that I find the weakest now is…
352
00:32:29,291 --> 00:32:30,921
Yeah, that's just power, you know?
353
00:32:34,791 --> 00:32:36,961
- Maybe harmonies.
- Just sing your one.
354
00:32:48,083 --> 00:32:49,293
You're singing B.
355
00:32:49,833 --> 00:32:52,713
Yeah, just sing the next harmony down
so it's not too low for you.
356
00:32:57,375 --> 00:32:59,165
- That's very high for me.
- Don't shout. It's power.
357
00:33:00,166 --> 00:33:01,126
Oh, it's terribly high.
358
00:33:06,791 --> 00:33:08,211
Down on the one note, is it?
359
00:33:14,958 --> 00:33:17,538
- That's very high, you know?
360
00:33:24,250 --> 00:33:25,290
Fuck it!
361
00:33:26,666 --> 00:33:28,206
One, two, three, four.
362
00:33:39,458 --> 00:33:41,248
- It's a bit early for that, isn't it?
- Yeah.
363
00:33:44,125 --> 00:33:46,705
Early in the morning, you know?
I'm not 18 anymore.
364
00:33:52,791 --> 00:33:55,081
{\an8}
365
00:34:18,791 --> 00:34:20,881
Uh-- Hair down.
366
00:34:22,541 --> 00:34:24,171
Socks up. Foot down.
367
00:34:25,000 --> 00:34:27,670
- "Everybody pulled their socks up"?
- Yeah. Yeah.
368
00:34:29,500 --> 00:34:32,380
- "Foot down." Okay, that's it.
- Right.
369
00:34:32,458 --> 00:34:33,458
Yeah.
370
00:34:34,125 --> 00:34:35,245
Bit of power there.
371
00:34:35,333 --> 00:34:37,333
I don't want every time
we're doing "Don't Let Me Down,"
372
00:34:37,416 --> 00:34:39,496
that it hurts just to rehearse it.
373
00:34:39,583 --> 00:34:42,543
I wonder how long it is.
Do you want to time it, Mal?
374
00:34:42,625 --> 00:34:44,955
'Cause it's probably
only about half a minute long.
375
00:34:49,000 --> 00:34:52,670
One, two, three…
376
00:35:15,291 --> 00:35:16,791
- Three minutes!
- What?
377
00:35:16,875 --> 00:35:18,875
- Three minutes, 40 seconds.
- That's fine.
378
00:35:18,958 --> 00:35:20,998
- Three minutes, 40 seconds.
- Yeah.
379
00:35:21,083 --> 00:35:22,673
This is incredible.
380
00:35:22,750 --> 00:35:26,170
- It's long. It sounded just like…
- Half a minute.
381
00:35:26,250 --> 00:35:27,250
Okay.
382
00:35:28,041 --> 00:35:29,581
Uh, I've got one.
383
00:35:29,666 --> 00:35:33,746
- Uh, "Gimme Some Truth" or something.
- Something like that.
384
00:35:33,833 --> 00:35:36,383
{\an8}- "Gimme Some Truth."
- We could finish that.
385
00:35:36,458 --> 00:35:39,458
{\an8}- Remember your hangman bit?
- Yeah.
386
00:35:39,541 --> 00:35:40,961
{\an8}- It was all right.
- No.
387
00:35:41,041 --> 00:35:45,671
"No, no freaked-out…
yellow-bellied son of Gary Cooper gonna…"
388
00:35:47,750 --> 00:35:49,420
- It started in D, didn't it?
- Yeah.
389
00:35:51,583 --> 00:35:52,963
That was-- That was my bit.
390
00:35:56,416 --> 00:35:58,496
- Yours was in E, wasn't it?
- No, it was in D.
391
00:36:03,833 --> 00:36:06,043
{\an8}
392
00:36:08,416 --> 00:36:09,416
If we add a--
393
00:36:38,416 --> 00:36:39,456
We should change the--
394
00:36:52,500 --> 00:36:54,290
No, it was in D and E.
395
00:36:54,375 --> 00:36:55,665
- Oh, okay.
- Yeah. Right.
396
00:37:02,958 --> 00:37:04,918
Perhaps if you stuck it
over that side--
397
00:37:05,000 --> 00:37:06,250
How's that for your show?
398
00:37:08,666 --> 00:37:09,666
{\an8}Okay, yeah.
399
00:37:10,250 --> 00:37:13,500
It's really getting
into a show.
400
00:37:13,583 --> 00:37:14,583
Bottoms up.
401
00:37:14,666 --> 00:37:16,916
If you'll all turn now to "Sunrise,"
402
00:37:17,000 --> 00:37:19,000
I would very much appreciate it.
403
00:37:21,791 --> 00:37:24,251
"All Things Must Pass."
404
00:37:26,083 --> 00:37:29,003
There's no solo
or anything complicated.
405
00:37:29,083 --> 00:37:31,833
It's purely just rhythmical and vocal.
406
00:37:31,916 --> 00:37:34,706
And if we suddenly add a Lowrey organ…
407
00:37:37,666 --> 00:37:40,246
Also, the chords really are E.
408
00:37:40,916 --> 00:37:46,076
To F-sharp minor, to E, to A.
409
00:37:47,083 --> 00:37:49,793
E to F-sharp minor.
410
00:37:50,791 --> 00:37:53,211
E, A.
411
00:38:59,291 --> 00:39:03,331
But the middle bit,
because it says the same word first…
412
00:39:04,375 --> 00:39:06,245
Like "All things must pass away," then…
413
00:39:10,458 --> 00:39:12,878
Something there, you know,
is where we'd overdub something
414
00:39:12,958 --> 00:39:15,418
or add voices, or I'd track it, or--
415
00:39:15,500 --> 00:39:18,130
Maybe it would be better
if we just did it straight, first of all.
416
00:39:19,416 --> 00:39:20,626
Okay.
417
00:39:20,708 --> 00:39:22,788
Just to do everything
just really mechanical
418
00:39:22,875 --> 00:39:25,745
and then we can sort of
get it all good after that.
419
00:39:34,875 --> 00:39:39,285
{\an8}
420
00:39:43,541 --> 00:39:44,881
{\an8}
421
00:39:44,958 --> 00:39:46,418
Yeah, okay.
422
00:39:51,083 --> 00:39:52,753
It looks like it on the paper.
423
00:39:52,833 --> 00:39:54,713
"A miner can blow these clouds away."
424
00:39:54,791 --> 00:39:57,331
- Mal's writing.
- What are they all having? Pale ale.
425
00:39:57,416 --> 00:40:00,376
- Pale ale. Anyone else want a drink?
- Yeah. Anybody else want a drink?
426
00:40:00,458 --> 00:40:01,668
- Yes, please.
- Yes.
427
00:40:01,750 --> 00:40:04,580
- I'll have a glass of white wine.
- I'll have a beer.
428
00:40:04,666 --> 00:40:07,206
You know, man,
the idea of doing this thing
429
00:40:07,291 --> 00:40:08,831
so that it's just us doing it
430
00:40:08,916 --> 00:40:11,536
and there's no overdubs
or you can't get out of it
431
00:40:11,625 --> 00:40:13,285
is much better really.
432
00:40:13,375 --> 00:40:15,825
Because, you know, all the time recording,
433
00:40:15,916 --> 00:40:18,576
you're thinking,
"It's all right. We can do that later."
434
00:40:18,666 --> 00:40:19,666
Hmm.
435
00:40:19,750 --> 00:40:22,880
People are doing live shows now,
436
00:40:22,958 --> 00:40:26,878
they do their overdubs
'cause they're phased and echoed live.
437
00:40:26,958 --> 00:40:30,578
But we're still thinking of it in terms of
the four guys and four amps in The Cavern.
438
00:40:30,666 --> 00:40:32,036
Yeah.
439
00:40:32,125 --> 00:40:33,455
Yeah, I'd like phasing.
440
00:40:33,541 --> 00:40:36,751
But the phasing is Alex,
and he's building the studio
441
00:40:36,833 --> 00:40:38,793
and putting it in this week.
442
00:40:56,125 --> 00:40:57,325
Yeah.
443
00:41:29,666 --> 00:41:32,916
{\an8}
444
00:41:33,708 --> 00:41:36,708
{\an8}
445
00:41:46,625 --> 00:41:49,125
Not bad though. Good try that, Johnny.
446
00:41:49,208 --> 00:41:51,378
Yeah, but you know, John,
447
00:41:51,458 --> 00:41:54,538
the difference between me and, say, Eric,
448
00:41:54,625 --> 00:41:56,415
I'm just another guitar,
449
00:41:56,500 --> 00:41:59,500
sometimes playing bits
and sometimes singing.
450
00:42:01,000 --> 00:42:04,130
But he's the only guitar to play lead.
451
00:42:04,208 --> 00:42:05,748
And so he's, like, playing.
452
00:42:05,833 --> 00:42:08,213
That's how he can keep it going
all the time.
453
00:42:09,083 --> 00:42:10,753
- Yeah.
- So…
454
00:42:10,833 --> 00:42:13,043
I feel now I can play things.
455
00:42:13,125 --> 00:42:16,285
I can learn things that will sound okay,
456
00:42:16,375 --> 00:42:18,625
especially fast fingering like that.
457
00:42:19,625 --> 00:42:20,825
It's jazz, man.
458
00:42:28,833 --> 00:42:31,543
You know, like, a lot of guitarists
can sustain even,
459
00:42:31,625 --> 00:42:33,075
but they play it like a lot of shit.
460
00:42:33,166 --> 00:42:35,036
But his thing takes on a pattern
461
00:42:35,125 --> 00:42:38,165
and gets somewhere and resolves itself,
462
00:42:38,250 --> 00:42:39,540
which is very hard.
463
00:42:55,583 --> 00:42:58,083
{\an8}
Yeah, I'm sure you'll dig it when you see.
464
00:43:18,250 --> 00:43:19,670
And what shall we do, then?
465
00:43:23,250 --> 00:43:25,500
{\an8}
466
00:43:42,750 --> 00:43:44,500
No. Lay off the booze, boy.
467
00:44:15,375 --> 00:44:16,625
Uh, John?
468
00:44:22,708 --> 00:44:25,668
How near are we
to getting the stuff in?
469
00:44:25,750 --> 00:44:29,210
Should be in today with any luck.
I've got bits and pieces coming from IBC.
470
00:44:30,166 --> 00:44:34,126
{\an8}And George's 8-track coming and EMI's gear
should be here either today or tomorrow.
471
00:44:34,208 --> 00:44:36,038
I haven't thought of it like a record yet.
472
00:44:36,125 --> 00:44:38,535
I think the idea of the record
should be a live performance.
473
00:44:38,625 --> 00:44:40,285
The fact it's being recorded
is something--
474
00:44:40,375 --> 00:44:42,955
It's like when I heard
Sgt. Pepper last night.
475
00:44:43,833 --> 00:44:47,383
I thought, "Oh, that-- So that's
what live performances could be like."
476
00:44:48,541 --> 00:44:51,501
You know, even though that was a lash-up
that wasn't a live performance there.
477
00:44:52,166 --> 00:44:53,536
Good morning.
478
00:44:54,416 --> 00:44:55,416
Hi.
479
00:44:57,333 --> 00:44:59,173
I won't lie. I'm not too good.
480
00:45:01,666 --> 00:45:03,376
- Morning.
- How are you?
481
00:45:03,458 --> 00:45:05,288
Good morning.
482
00:45:05,375 --> 00:45:07,535
We ought to think this week
sometime about the show.
483
00:45:07,625 --> 00:45:10,995
- We are thinking about the show.
- We never stop thinking about it.
484
00:45:11,083 --> 00:45:13,133
- Good morning, George.
- Morning, all.
485
00:45:13,208 --> 00:45:16,668
- It's just a funny day again.
- Again?
486
00:45:16,750 --> 00:45:19,750
Wouldn't it be nice if
we did this show with a big audience?
487
00:45:19,833 --> 00:45:20,833
Yes.
488
00:45:20,916 --> 00:45:23,576
I think we should forget
the whole idea of this show.
489
00:45:23,666 --> 00:45:25,286
Yeah, just, that's it. Okay.
490
00:45:26,208 --> 00:45:27,378
I'll go along with that.
491
00:45:28,291 --> 00:45:30,421
- We're back--
- We're back to square one.
492
00:45:34,958 --> 00:45:37,288
{\an8}Here comes my recording studio.
493
00:45:37,375 --> 00:45:39,375
{\an8}
494
00:45:39,458 --> 00:45:41,378
{\an8}Who's gonna
look after all this equipment?
495
00:45:41,458 --> 00:45:44,788
{\an8}'Cause the only thing is,
it is, like, 10,000 quid.
496
00:45:44,875 --> 00:45:47,125
And is Alex going to plug all that up?
497
00:45:47,208 --> 00:45:48,378
Supposedly.
498
00:45:48,458 --> 00:45:50,458
Now, Alex rang me yesterday, George,
499
00:45:50,541 --> 00:45:53,921
and said that he didn't think
that you needed an 8-track console.
500
00:45:54,000 --> 00:45:55,290
Alex said he can build one.
501
00:45:55,375 --> 00:45:58,165
- Now, the thing is that it might go wrong.
- Yes.
502
00:46:00,333 --> 00:46:01,713
Where did you get Alexis from?
503
00:46:01,791 --> 00:46:04,041
He worked for Pye Color Television…
504
00:46:04,125 --> 00:46:06,705
No, he was in England
and John Dunbar asked him
505
00:46:06,791 --> 00:46:09,421
if he'd stay and build a light machine
for The Stones' tour.
506
00:46:09,500 --> 00:46:10,500
Yeah.
507
00:46:10,583 --> 00:46:12,083
So he stayed and did that.
508
00:46:12,166 --> 00:46:14,826
Then he met John, and then he met us.
509
00:46:14,916 --> 00:46:16,826
- Hmm.
- And he's been there ever since.
510
00:46:16,916 --> 00:46:17,916
Hmm. Hmm.
511
00:46:18,000 --> 00:46:21,670
Yeah, I'm not going to tell you the
story about Alex and his foot pedal am I?
512
00:46:21,750 --> 00:46:23,000
Have you actually tried it out or--
513
00:46:23,083 --> 00:46:26,003
You see, the thing is
he just comes across things
514
00:46:26,083 --> 00:46:29,833
and then he says,
"Oh, yeah, I've done this."
515
00:46:29,916 --> 00:46:31,496
But he hasn't actually made it
516
00:46:31,583 --> 00:46:34,793
because he's busy building
recording studios.
517
00:46:34,875 --> 00:46:37,125
I don't think we should
have Alex build one
518
00:46:37,208 --> 00:46:40,878
because it's better to have something
that we know we can use and is reliable.
519
00:46:54,333 --> 00:46:55,713
{\an8}
520
00:46:55,791 --> 00:46:58,881
{\an8}
521
00:47:03,833 --> 00:47:07,213
{\an8}
522
00:47:17,208 --> 00:47:18,538
Something like-- The words, like,
523
00:47:18,625 --> 00:47:22,245
"Love for the first time in my life,
so don't you let it get away."
524
00:47:22,333 --> 00:47:23,793
Uh…
525
00:47:23,875 --> 00:47:26,325
- What are the words?
- "It lasts forever and a day."
526
00:47:27,041 --> 00:47:29,581
Uh, no. "Love for the first time
in my life." Here you go.
527
00:47:37,333 --> 00:47:38,503
It's nice though. I mean, it's--
528
00:47:38,583 --> 00:47:40,423
What can we do to that bit then, you know?
529
00:47:58,125 --> 00:48:00,125
{\an8}
530
00:48:06,375 --> 00:48:08,665
Yeah, it's really like
that's where the piano would come in.
531
00:48:08,750 --> 00:48:10,830
See, would you have piano on it?
532
00:48:10,916 --> 00:48:13,576
Yeah, I like the idea of piano.
But how do we do that?
533
00:48:13,666 --> 00:48:16,576
One of us play bass. George play the bass.
534
00:48:16,666 --> 00:48:18,166
But then there's no guitars.
535
00:48:18,250 --> 00:48:20,080
Well, it's either you or him.
536
00:48:20,166 --> 00:48:22,746
Or a bass player or a pianist. You know?
537
00:48:22,833 --> 00:48:24,963
- If we need somebody else…
- Yes.
538
00:48:25,041 --> 00:48:28,001
…probably be like a guy
that plays piano all the time.
539
00:48:28,083 --> 00:48:30,463
- Somebody like Nicky Hopkins.
- Or anybody. Yeah.
540
00:48:30,958 --> 00:48:35,038
Or if it develops that nothing
need be done on guitar except for rhythm,
541
00:48:35,125 --> 00:48:38,455
then we say, "Well, fuck that.
Two rhythms. We'll have one piano."
542
00:48:38,541 --> 00:48:41,671
Okay, well, we'll play the rhythms
with the guitars anyway.
543
00:48:43,791 --> 00:48:46,711
I was thinking
about this whole three mics bit.
544
00:48:46,791 --> 00:48:48,041
Do you think we should?
545
00:48:50,083 --> 00:48:54,883
I was watching that pop show on BBC2.
The Move were on.
546
00:48:54,958 --> 00:48:58,578
You know that one little voice there
doing harmony, one little voice there.
547
00:48:58,666 --> 00:49:01,376
They never joined into a group.
548
00:49:29,416 --> 00:49:31,626
It should be, like,
a sustained thing over that.
549
00:49:41,291 --> 00:49:43,751
So, George, so that we can split up,
550
00:49:43,833 --> 00:49:48,543
so that you're, like, doing the chords,
like a "Ave Maria" thing.
551
00:49:48,625 --> 00:49:49,745
Yeah.
552
00:49:52,666 --> 00:49:54,746
- Tell me--
553
00:49:57,958 --> 00:49:59,248
Like on the tom-toms--
554
00:50:08,083 --> 00:50:09,173
You know what I mean?
555
00:50:10,208 --> 00:50:11,208
Yeah, so it goes--
556
00:50:11,291 --> 00:50:14,831
There's a point where we'll have to
concentrate on the guitar
557
00:50:14,916 --> 00:50:17,456
for each song, you know, where,
if it's going to play anything.
558
00:50:17,541 --> 00:50:19,961
But if it's
"I'm in love for the first time."
559
00:50:20,041 --> 00:50:21,671
And I'm doing, uh…
560
00:50:31,458 --> 00:50:33,918
It's nice though.
I mean, corny's all right in this one.
561
00:50:34,000 --> 00:50:35,540
'Cause what he's doing is corny.
562
00:50:35,625 --> 00:50:38,165
But it-- See, that's the thing
that will make it not corny,
563
00:50:38,250 --> 00:50:40,630
if we sing different words. So, you say…
564
00:50:45,583 --> 00:50:47,583
Wait, okay. But roughly…
565
00:50:47,666 --> 00:50:50,456
Okay, well, we'll do that.
That comes later. So…
566
00:50:50,541 --> 00:50:52,541
- Just start off with a corny one.
- Yeah.
567
00:50:52,625 --> 00:50:54,325
'Cause the words aren't that good.
So it goes…
568
00:50:54,416 --> 00:50:56,206
{\an8}
569
00:50:56,291 --> 00:50:58,791
{\an8}
570
00:50:58,875 --> 00:51:02,285
I think the words should be corny
'cause there's no clever words in it.
571
00:51:13,208 --> 00:51:15,078
- You see, we should--
- Yeah, change the beat.
572
00:51:15,166 --> 00:51:18,326
Should be different beat
and all on to light things and cymbals.
573
00:51:18,416 --> 00:51:22,626
Yeah.
574
00:51:28,083 --> 00:51:29,463
Arthur Alexander then?
575
00:51:29,541 --> 00:51:31,291
Okay, do it from the beginning.
576
00:51:56,833 --> 00:51:59,293
It sounds like the same old shit.
577
00:51:59,375 --> 00:52:02,205
Well, I like the same old shit
if it's just clear, you know?
578
00:52:04,791 --> 00:52:09,131
Okay, so how about-- how about
changing around these two?
579
00:52:09,208 --> 00:52:11,538
And when you sing,
"Don't you know it's gonna last,"
580
00:52:11,625 --> 00:52:13,245
we sing, "It's a love that has no past."
581
00:52:13,333 --> 00:52:17,713
Then he sings it, and then we repeat,
"It's a love that lasts forever," exactly.
582
00:52:17,791 --> 00:52:19,541
When you sing,
"It's a love that has no past,"
583
00:52:19,625 --> 00:52:21,415
we sing, "It's a love that's gonna last."
584
00:52:21,500 --> 00:52:24,500
- Yes. I agree.
- Okay, so…
585
00:52:25,791 --> 00:52:27,581
"Love for the first time in my life."
586
00:52:28,250 --> 00:52:30,710
"It's a love that has no past."
587
00:52:30,791 --> 00:52:32,171
Swap that one for the other,
588
00:52:32,250 --> 00:52:34,500
so that when he's singing that,
we're singing the other.
589
00:52:34,583 --> 00:52:36,173
Then, "It's a love that lasts forever."
590
00:52:36,250 --> 00:52:38,790
Repeat that, even though
it sounds funny. It'll be all right.
591
00:52:38,875 --> 00:52:40,705
And then,
"Don't you know it's gonna last."
592
00:52:40,791 --> 00:52:42,501
Just try it through roughly.
593
00:53:03,541 --> 00:53:05,331
Yeah, well, that time it was just silly.
594
00:53:05,416 --> 00:53:06,706
What's the bones of the part?
595
00:53:06,791 --> 00:53:08,381
We don't really know
what we're saying now.
596
00:53:09,458 --> 00:53:11,668
- It was always weak on your guitar…
- Yeah, sure.
597
00:53:11,750 --> 00:53:13,250
…'cause that's a weak bit
of the song, that.
598
00:53:13,333 --> 00:53:16,543
- But you see, nothing has to happen…
- Yeah, it's the same bit.
599
00:53:16,625 --> 00:53:17,875
…in those things.
600
00:53:19,166 --> 00:53:21,826
- If you listen to the words and things…
- Yeah, right, nothing does.
601
00:53:21,916 --> 00:53:24,206
…all that's going on
is the bass, guitar and drums doing…
602
00:53:24,291 --> 00:53:25,581
{\an8}
603
00:53:25,666 --> 00:53:27,876
It doesn't really make that much odds--
No, but--
604
00:54:00,375 --> 00:54:03,075
- Yeah. All right?
- Yeah.
605
00:54:03,166 --> 00:54:06,126
That's the only time that works, really,
is on the last line.
606
00:54:06,208 --> 00:54:08,628
- Paul, forget the last line.
- I'm just trying to get a bit--
607
00:54:08,708 --> 00:54:10,958
We'll try to sort of go right through.
We keep talking about it.
608
00:54:11,041 --> 00:54:13,331
- It seems we're saying…
- Okay, girls.
609
00:54:16,000 --> 00:54:18,330
- Give in. I give in.
- You're right that it's wrong on that bit.
610
00:54:18,416 --> 00:54:20,206
You see, the first song is not bad.
611
00:54:20,291 --> 00:54:23,581
Okay. Okay, we'll just repeat
exactly what you say.
612
00:54:23,666 --> 00:54:26,076
One, two, three.
613
00:54:54,375 --> 00:54:58,375
Okay. Okay, that's-- that's all right.
That's--
614
00:54:58,458 --> 00:55:00,498
- Yes, I can't hear you.
- Right.
615
00:55:00,583 --> 00:55:01,713
No.
616
00:55:01,791 --> 00:55:04,171
I think it's awful, actually.
617
00:55:04,250 --> 00:55:05,500
We're gonna improve on that--
618
00:55:05,583 --> 00:55:08,503
If we had a tape recorder now and then
just taped that and played it back,
619
00:55:08,583 --> 00:55:10,713
- you'd throw that out straightaway.
- Yeah, right, but--
620
00:55:10,791 --> 00:55:12,671
- Yeah.
- No, really.
621
00:55:12,750 --> 00:55:14,830
- You'd throw it out, right? I mean…
- Yeah, sure. Okay.
622
00:55:18,166 --> 00:55:19,876
Well, for a start
it would be better to sing…
623
00:55:19,958 --> 00:55:21,918
- Instead of…
624
00:55:23,583 --> 00:55:26,713
Yeah, see, but in a way,
that's even cornier, I think.
625
00:55:26,791 --> 00:55:29,041
That little harmony bit.
It's just too pretty.
626
00:55:32,333 --> 00:55:34,793
- Just anything would be--
- Yeah, well, that's-- It's the--
627
00:55:34,875 --> 00:55:37,285
I think you should
just get a corny one first
628
00:55:37,375 --> 00:55:39,495
and then start doing roundups.
629
00:55:39,583 --> 00:55:42,633
You know, you'll start getting
the rhythm to it, something, or change it.
630
00:55:47,708 --> 00:55:51,378
You know, we've just gone round, like,
for an hour with nothing in our heads.
631
00:55:51,458 --> 00:55:55,248
- Just… And we're back, so let's--
- We've been through a lot of permutations.
632
00:55:55,333 --> 00:55:57,463
Yeah, I know,
but let's move-- sort of move on now.
633
00:55:58,750 --> 00:55:59,920
{\an8}Today's the sixth.
634
00:56:00,000 --> 00:56:01,130
{\an8}- What is it?
- Yeah.
635
00:56:04,458 --> 00:56:05,998
We haven't done many yet.
636
00:56:12,458 --> 00:56:13,578
Yeah.
637
00:56:16,166 --> 00:56:17,166
Okay, now…
638
00:56:17,250 --> 00:56:19,460
- Am I singing on this or what?
- I don't know, really.
639
00:56:20,875 --> 00:56:23,325
"Two Of Us"?
You have to remember the words too.
640
00:56:23,416 --> 00:56:25,206
Yes, I've got 'em here.
641
00:56:25,291 --> 00:56:26,331
But learn 'em.
642
00:56:27,541 --> 00:56:28,751
I almost know 'em.
643
00:56:37,333 --> 00:56:38,333
See, look.
644
00:56:39,583 --> 00:56:40,753
Listen, now.
645
00:56:40,833 --> 00:56:43,713
See, we're gonna have to sort of bring it
together, 'cause we're all at odds.
646
00:56:43,791 --> 00:56:45,671
We're doing that thing
we did on The Beatles.
647
00:56:45,750 --> 00:56:49,210
Like, in this verse, it's two harmonies
singing, trying to say some words, right?
648
00:56:51,250 --> 00:56:52,960
{\an8}It's not sounding together.
649
00:56:54,708 --> 00:56:57,128
{\an8}Or we can stop and say it's not together.
650
00:57:03,541 --> 00:57:04,631
{\an8}When you just get them?
651
00:57:04,708 --> 00:57:08,128
No, not really, it's just--
We've got to be imaginative.
652
00:57:08,208 --> 00:57:12,128
You know, like--
It's like-- It's complicated now, so it…
653
00:57:13,083 --> 00:57:16,213
See, if we can get it simpler
and then complicate it
654
00:57:16,291 --> 00:57:19,581
{\an8}where it needs complications,
but it's complicated in the bit--
655
00:57:31,500 --> 00:57:33,210
{\an8}But you know what I mean?
656
00:57:33,291 --> 00:57:36,631
Well, you know, we do this then.
Then we-- And then, I don't know.
657
00:57:38,250 --> 00:57:39,250
Yeah.
658
00:57:40,250 --> 00:57:41,830
I can't do it on film either.
659
00:57:42,750 --> 00:57:45,040
Can't frickin' do it on camera.
660
00:57:46,541 --> 00:57:47,751
Yeah.
661
00:57:48,583 --> 00:57:50,503
Forget about Candid Camera.
662
00:57:55,958 --> 00:57:58,248
And I have been for,
like, a couple of years.
663
00:57:58,333 --> 00:57:59,713
It's like I always sound--
664
00:57:59,791 --> 00:58:03,421
I always feel as though I'm trying
to put you down and stop you playing.
665
00:58:03,500 --> 00:58:06,540
But I'm not.
I'm trying to stop us all playing
666
00:58:06,625 --> 00:58:08,415
until we know what we're playing.
667
00:58:08,500 --> 00:58:11,710
But you've got to play in order
to find which fits and which doesn't.
668
00:58:11,791 --> 00:58:14,131
- Mmm.
- You see that's all we can do.
669
00:58:14,208 --> 00:58:16,458
I don't wanna say it,
'cause I really just hear myself
670
00:58:16,541 --> 00:58:19,041
as being the only one saying it, always.
671
00:58:19,125 --> 00:58:21,325
And like, the three of you
just sort of sit there, like…
672
00:58:21,416 --> 00:58:23,876
"Oh, he's saying that one again is he?"
673
00:58:23,958 --> 00:58:26,418
And I never get any support, or anything.
674
00:58:26,500 --> 00:58:28,540
So I just think, "Oh, well. Fuck it."
675
00:58:28,625 --> 00:58:31,575
And I know it's right,
and you know it's right.
676
00:58:31,666 --> 00:58:33,956
Yes, all right.
I just don't know what to do about it.
677
00:58:34,041 --> 00:58:37,671
But doesn't everyone agree
that it's confused at the moment.
678
00:58:37,750 --> 00:58:40,580
So, all I'm trying to say is,
we've only got 12 more days,
679
00:58:40,666 --> 00:58:44,286
so, like, you know, we've really got to
do this methodically, this one.
680
00:58:44,375 --> 00:58:45,625
Well, it's annoying, you know?
681
00:58:53,291 --> 00:58:55,501
It's like a matter of
working it out with you
682
00:58:55,583 --> 00:58:57,463
while you're working your bit out.
683
00:58:57,541 --> 00:58:59,711
You know, have you got your bass bit?
684
00:58:59,791 --> 00:59:01,791
Look. You know, you--
685
00:59:01,875 --> 00:59:04,245
You're doing it again
as though I'm trying to say that.
686
00:59:04,333 --> 00:59:06,963
And what we said the other day,
you know I'm not trying to get you.
687
00:59:07,041 --> 00:59:10,791
What I really am trying to just say,
"Look lads, the band,
688
00:59:10,875 --> 00:59:15,375
shall we try it like this, you know?"
689
00:59:15,458 --> 00:59:18,078
It's funny though
how it only occurs when the--
690
00:59:18,166 --> 00:59:20,496
It's like, "Shall we play guitar
all through 'Hey Jude'?"
691
00:59:20,583 --> 00:59:22,833
- Well, I don't think we should.
- Yeah. Okay, well, I don't mind.
692
00:59:22,916 --> 00:59:25,536
I'll-- I'll play, you know,
whatever you want me to play.
693
00:59:25,625 --> 00:59:28,035
Or I won't play at all
if you don't want me to play.
694
00:59:28,125 --> 00:59:31,625
Now, whatever it is that will please you,
I'll do it.
695
00:59:43,583 --> 00:59:45,503
- But do you wanna take the gallop?
- No, okay, but don't--
696
00:59:45,583 --> 00:59:46,583
Now come on. Look--
697
00:59:46,666 --> 00:59:49,166
We've gotta do this.
We've really gotta sort out this,
698
00:59:49,250 --> 00:59:53,130
'cause we're rehearsing, and we're trying
to, like, get it together for the TV show.
699
00:59:53,208 --> 00:59:56,498
So we really-- Like you said,
we've only been through four numbers.
700
00:59:57,708 --> 01:00:01,418
So we probably gotta get some system
to get through, like, 20 or 30,
701
01:00:01,500 --> 01:00:03,170
and know them all and have learnt them.
702
01:00:03,250 --> 01:00:05,130
So that we get all the chords.
703
01:00:05,208 --> 01:00:07,668
- So we can all vamp them all.
- Yeah.
704
01:00:07,750 --> 01:00:10,380
Then we can, like,
all play every solo we need.
705
01:00:10,458 --> 01:00:13,208
But, like,
it's gotta sound as though it's improving.
706
01:00:22,500 --> 01:00:24,540
Yeah, I know what you mean.
707
01:00:24,625 --> 01:00:28,375
It's just that that way of doing it
puts me off the way I'm trying to do it.
708
01:00:36,000 --> 01:00:37,000
Yeah.
709
01:00:37,708 --> 01:00:39,078
Let's do another song.
710
01:00:44,000 --> 01:00:45,580
This is why we take so long.
711
01:00:46,750 --> 01:00:50,460
I think we play it shitty ten times,
and so it's sort of in there.
712
01:00:50,541 --> 01:00:53,131
And then I think we could come
and play it quite good then.
713
01:00:59,708 --> 01:01:00,708
{\an8}
714
01:01:14,916 --> 01:01:16,666
I'll have to tune my guitar.
715
01:01:20,083 --> 01:01:23,713
It's got to just drive along like a car.
So how do we do that?
716
01:01:24,625 --> 01:01:29,285
It was turning heavier.
Do you want it more countryish or more…
717
01:01:31,875 --> 01:01:34,165
{\an8}I can't talk anymore, I really can't.
718
01:01:42,791 --> 01:01:45,831
Two, three, four, five, six, seven, eight.
719
01:02:04,666 --> 01:02:06,286
- But it comes--
- Then just end on D.
720
01:02:06,375 --> 01:02:08,575
- It could end on G for that one.
- G.
721
01:02:21,916 --> 01:02:24,456
{\an8}- It's like Lyme Street Station.
- What?
722
01:02:24,541 --> 01:02:26,881
{\an8}It reminds me a bit
of Lyme Street Station.
723
01:02:35,083 --> 01:02:37,333
Between 10:00 and 11:00 is the time.
724
01:02:37,416 --> 01:02:39,126
Thinking of getting rid of him.
725
01:02:39,208 --> 01:02:40,708
I'm never late.
726
01:02:40,791 --> 01:02:43,041
He's never late.
He's a bloody pro, is Ringo.
727
01:02:45,208 --> 01:02:48,628
You're playing that bass again.
728
01:02:48,708 --> 01:02:52,288
Peter, can we have a Binson echo unit
for these microphones, please?
729
01:02:52,375 --> 01:02:54,075
I think we could have better mics.
730
01:02:54,166 --> 01:02:55,956
We could have better mics too, Peter.
731
01:02:56,041 --> 01:02:57,711
- You know, those big Neumanns.
- Yeah.
732
01:03:00,750 --> 01:03:03,330
{\an8}- Yes.
- We might, Michael. That's quite true.
733
01:03:26,375 --> 01:03:29,955
{\an8}
734
01:04:49,625 --> 01:04:53,415
Yeah. It's good-- It's,
you know-- Musically and that, it's great.
735
01:05:18,416 --> 01:05:19,916
{\an8}
736
01:05:20,583 --> 01:05:22,633
{\an8}
737
01:05:22,708 --> 01:05:24,958
{\an8}
738
01:06:42,625 --> 01:06:45,575
I mean, at the moment, we're just
rehearsing the numbers for the show.
739
01:06:45,666 --> 01:06:48,666
None of us has had the idea
of what the show is gonna be yet.
740
01:06:57,791 --> 01:06:58,961
{\an8}Yeah. Right. Yeah.
741
01:06:59,041 --> 01:07:01,381
And that's why, uh…
742
01:07:02,375 --> 01:07:04,705
I think if you all have decided
to do a show,
743
01:07:04,791 --> 01:07:06,211
then it should be the best show.
744
01:07:09,750 --> 01:07:10,750
Know what I mean?
745
01:07:10,833 --> 01:07:13,463
The only thing
about that though, is that, uh,
746
01:07:14,291 --> 01:07:15,421
we don't want to go away.
747
01:07:15,500 --> 01:07:17,170
Think of the lights in the water.
748
01:07:17,250 --> 01:07:19,750
Torch-lit. 2,000 Arabs.
749
01:07:19,833 --> 01:07:22,253
- I mean, visually, it is fantastic.
- But we're not going away.
750
01:07:22,333 --> 01:07:24,173
My trouble is…
751
01:07:31,666 --> 01:07:33,036
We could make it like requests.
752
01:07:33,125 --> 01:07:35,705
We should do the show
in a place we're not allowed to do it.
753
01:07:35,791 --> 01:07:38,131
You know, like, we should trespass,
go in, set up,
754
01:07:38,208 --> 01:07:40,668
and then get moved,
and that should be the show.
755
01:07:40,750 --> 01:07:44,080
I mean, you know,
if you put us in the Houses of Parliament,
756
01:07:44,166 --> 01:07:46,626
playing in the main gallery
at the Houses of Parliament,
757
01:07:46,708 --> 01:07:48,378
and getting forcibly ejected,
758
01:07:48,458 --> 01:07:50,878
still trying to play numbers,
and the police lifting you…
759
01:07:50,958 --> 01:07:52,628
I think that's too much of an obstacle.
760
01:07:57,041 --> 01:08:00,581
Scuffling with the coppers,
boots and truncheons and all that.
761
01:08:00,666 --> 01:08:02,576
You have to take a bit of violence.
762
01:08:02,666 --> 01:08:03,956
I think that's too dangerous.
763
01:08:12,833 --> 01:08:14,543
But I don't mean for really sick kids.
764
01:08:14,625 --> 01:08:16,705
I mean for kids with broken legs.
765
01:08:16,791 --> 01:08:20,461
I mean, really, kind of,
1944 Hollywood musical Bing Crosby kids.
766
01:08:20,541 --> 01:08:24,211
Or in a hospital,
they can't all get up and walk.
767
01:08:24,291 --> 01:08:26,171
Except for the finale.
768
01:08:26,250 --> 01:08:27,290
Oh, yes!
769
01:08:27,375 --> 01:08:30,535
When John walks up to
the little girl and says, "Come here."
770
01:08:30,625 --> 01:08:32,205
And she gets up and walks.
771
01:08:32,291 --> 01:08:34,881
Or maybe an orphans' home?
An orphans' home.
772
01:08:34,958 --> 01:08:37,128
Children are the hope
of the future department.
773
01:08:37,791 --> 01:08:39,961
What about an orphanage?
774
01:08:40,041 --> 01:08:41,421
How does that grab you guys?
775
01:08:41,500 --> 01:08:44,750
It's like, "Going once, going twice,
going three times and that's it."
776
01:08:44,833 --> 01:08:45,833
No.
777
01:08:47,041 --> 01:08:49,291
Orphanage--
Orphanage going downhill.
778
01:08:54,375 --> 01:08:56,205
What's the biggest charity in the world?
779
01:08:56,291 --> 01:08:57,421
I don't mean in terms of polio,
780
01:08:57,500 --> 01:08:59,580
but what's the most charitable thing
anybody could do?
781
01:08:59,666 --> 01:09:00,666
They say--
782
01:09:00,750 --> 01:09:04,000
Don't they say, "Charity begins at home"?
783
01:09:04,083 --> 01:09:06,083
- We'll do it at George's house.
784
01:09:10,833 --> 01:09:14,883
We gotta have some serious reason
for doing this or else we won't.
785
01:09:16,416 --> 01:09:17,576
What's it for?
786
01:09:17,666 --> 01:09:19,416
Can't be for the money.
787
01:09:19,500 --> 01:09:22,880
I've decided the whole point of it
is communication.
788
01:09:22,958 --> 01:09:25,328
And to be on TV is communication.
789
01:09:25,416 --> 01:09:28,956
We've got a chance to smile at people,
like "All You Need Is Love."
790
01:09:29,041 --> 01:09:31,961
But-- So that's me incentive for doing it.
791
01:09:39,375 --> 01:09:43,625
The worst that we have is
a documentary of us making an LP
792
01:09:43,708 --> 01:09:45,078
if we don't get into a show.
793
01:09:45,166 --> 01:09:46,826
But we haven't played together, you see.
794
01:09:46,916 --> 01:09:48,206
That's the fucking thing.
795
01:09:48,291 --> 01:09:50,131
But when we do come together to play,
796
01:09:50,208 --> 01:09:52,498
we all just sort of talk
about the fucking past!
797
01:09:52,583 --> 01:09:54,333
We're like old age pensioners.
798
01:09:54,416 --> 01:09:56,536
"Remember the days when we used to rock?"
799
01:09:56,625 --> 01:09:59,745
You know, but we're here now,
and we can do it, you know?
800
01:09:59,833 --> 01:10:02,963
But, I mean, all I want to see
is enthusiasm!
801
01:10:04,291 --> 01:10:08,541
See, the thing is also I get to a bit
where I just sort of push all my ideas.
802
01:10:08,625 --> 01:10:13,535
You know, I mean, a lot will come out
of it if we could get the enthusiasm.
803
01:10:13,625 --> 01:10:17,915
I mean, why are you here?
I'm here 'cause I wanna do a show.
804
01:10:18,000 --> 01:10:21,000
But I really don't feel
an awful lot of support.
805
01:10:21,083 --> 01:10:24,503
We keep coming up against that one,
and I keep saying,
806
01:10:24,583 --> 01:10:26,633
"Yeah well,
I'd like to do this, this and that."
807
01:10:26,708 --> 01:10:30,828
And we end up doing something again
that nobody really wants to do.
808
01:10:30,916 --> 01:10:32,826
If this one turns into that,
809
01:10:32,916 --> 01:10:35,076
it should definitely be
the last for all of us.
810
01:10:35,166 --> 01:10:36,746
Because there just isn't any point.
811
01:10:36,833 --> 01:10:39,463
I think that'd be sad.
I mean, as an audience. That'd be sad.
812
01:10:39,541 --> 01:10:41,961
Course it is!
It's stupid. It is just stupid.
813
01:10:42,916 --> 01:10:46,206
You see, the people who are being stupid
are the four of us.
814
01:10:50,625 --> 01:10:52,075
…which it always is.
815
01:10:52,166 --> 01:10:57,166
The Beatles have been in doldrums
for at least a year.
816
01:10:58,041 --> 01:11:02,131
Ever since Mr. Epstein passed away,
it's never been the same.
817
01:11:02,208 --> 01:11:04,878
I mean, we've been very negative
since Mr. Epstein passed away.
818
01:11:04,958 --> 01:11:08,958
And that's why all of us, in turn,
have been sick of the group.
819
01:11:09,041 --> 01:11:10,671
It's discipline we lack.
820
01:11:10,750 --> 01:11:11,790
We've never had discipline.
821
01:11:11,875 --> 01:11:14,625
We had a sort of slight,
symbolic discipline.
822
01:11:14,708 --> 01:11:16,168
Like Mr. Epstein.
823
01:11:16,250 --> 01:11:19,420
You know, and he sort of said,
"Get suits on," and we did.
824
01:11:19,500 --> 01:11:22,920
You know, and so we were always fighting
that discipline a bit.
825
01:11:24,125 --> 01:11:28,245
There really is no one there now
to say, "Do it."
826
01:11:28,333 --> 01:11:29,963
Whereas there always used to be.
827
01:11:30,041 --> 01:11:34,711
Daddy's gone away now,
and we're on our own at the holiday camp.
828
01:11:34,791 --> 01:11:38,961
I think we either go home or we do it.
829
01:11:43,875 --> 01:11:46,415
I think we've got a bit shy, you know?
830
01:11:46,500 --> 01:11:50,790
I think I've got a bit shy
of certain things, you know?
831
01:11:50,875 --> 01:11:53,535
'Cause you know how often, like, on albums
we sometimes blow one of your songs,
832
01:11:53,625 --> 01:11:55,325
'cause we come in in the wrong mood.
833
01:11:55,416 --> 01:11:58,246
And you say,
"This is how it goes. I'll be back."
834
01:11:58,333 --> 01:12:01,293
And we're all just,
"Oh, well you…"
835
01:12:01,375 --> 01:12:04,325
That's why we're wrong
to throw away the show.
836
01:12:04,416 --> 01:12:05,956
Because there's no desire.
837
01:12:06,666 --> 01:12:09,246
So it's like,
if we're doing the show,
838
01:12:09,333 --> 01:12:11,003
we're gonna have to work hard.
839
01:12:11,791 --> 01:12:14,461
And that means
by the time a week from now comes
840
01:12:14,541 --> 01:12:17,541
all these songs we've got,
we've gotta know perfectly.
841
01:12:20,541 --> 01:12:21,961
Because they just turn out shitty--
842
01:12:22,041 --> 01:12:25,421
No, but this-- Thinking it's not gonna
come out great won't help.
843
01:12:25,500 --> 01:12:29,130
If we cancel the show now,
we'll be throwing it away.
844
01:12:29,208 --> 01:12:31,168
But equally,
at the moment we haven't got a show
845
01:12:31,250 --> 01:12:32,790
and so none of us really want to do it.
846
01:12:32,875 --> 01:12:33,875
I'll do it.
847
01:12:33,958 --> 01:12:38,168
I'm not interested, you know, to spend
my fucking days farting around here,
848
01:12:38,250 --> 01:12:41,540
while everyone makes up their minds
whether they want to do it or not.
849
01:12:41,625 --> 01:12:44,535
It's like Mal said last night,
"If you're gonna do the show here,
850
01:12:44,625 --> 01:12:47,035
you've gotta decide today."
851
01:12:47,125 --> 01:12:49,125
And as far as I can see,
there's only two ways.
852
01:12:49,208 --> 01:12:51,128
We're gonna do it,
or we're not gonna do it.
853
01:12:51,208 --> 01:12:53,498
And I want a decision!
854
01:12:53,583 --> 01:12:55,173
Maybe we should have a divorce.
855
01:12:55,250 --> 01:12:57,380
Well, I said that at the last meeting.
856
01:12:58,833 --> 01:13:00,463
But it's getting nearer, you know?
857
01:13:01,916 --> 01:13:03,376
Who'd have the children?
858
01:13:04,541 --> 01:13:05,581
Dick James.
859
01:13:05,666 --> 01:13:06,746
Oh, yeah.
860
01:13:08,458 --> 01:13:09,958
We all need you.
861
01:13:10,541 --> 01:13:13,331
And, you know,
if you all can't get it together,
862
01:13:13,416 --> 01:13:15,456
that's really very sad.
863
01:13:15,541 --> 01:13:18,961
So, I think what we should do now
is let you play a little
864
01:13:19,041 --> 01:13:21,291
and then you all have lunch together.
865
01:13:22,166 --> 01:13:25,376
And I can give you
some more fennel, maybe?
866
01:13:26,083 --> 01:13:27,173
- Yes.
867
01:13:27,250 --> 01:13:29,920
So shall we leave you for a while?
868
01:13:30,000 --> 01:13:31,960
- Yes. Yeah.
- Yeah.
869
01:13:32,875 --> 01:13:34,285
"If I'd been out…
870
01:13:36,333 --> 01:13:38,213
till quarter to three."
871
01:13:45,125 --> 01:13:46,535
And then twice…
872
01:13:50,041 --> 01:13:51,081
Minor.
873
01:13:55,958 --> 01:13:57,458
That's the second lot.
874
01:14:03,375 --> 01:14:05,075
Like a ukulele solo.
875
01:14:13,500 --> 01:14:14,500
Uh--
876
01:14:16,416 --> 01:14:17,666
Who was that?
877
01:14:17,750 --> 01:14:18,750
Was that you?
878
01:14:19,333 --> 01:14:21,003
It's all right.
879
01:14:21,083 --> 01:14:22,083
Keep it in.
880
01:14:23,583 --> 01:14:25,583
Just stand near the mic on the night.
881
01:14:31,666 --> 01:14:32,666
Okay.
882
01:14:32,750 --> 01:14:34,000
Uh, John?
883
01:14:34,083 --> 01:14:35,713
They're like a D, D.
884
01:14:37,000 --> 01:14:39,330
D, F-sharp minor, G to A.
885
01:14:45,458 --> 01:14:47,288
Are you just doing it all in D?
886
01:14:48,041 --> 01:14:49,791
Yeah. Should we go and have lunch?
887
01:14:49,875 --> 01:14:53,495
Take this guitar
I offer you in all humility.
888
01:14:53,583 --> 01:14:54,673
Thank you.
889
01:14:55,875 --> 01:14:57,455
Thanks a lot, Jim.
890
01:15:05,125 --> 01:15:07,245
Mal, we should get a hammer.
891
01:15:08,541 --> 01:15:09,831
And an anvil.
892
01:15:10,583 --> 01:15:11,583
See you later.
893
01:15:16,791 --> 01:15:23,791
{\an8}
894
01:15:23,875 --> 01:15:29,915
{\an8}
895
01:15:30,000 --> 01:15:31,460
Whistle.
896
01:15:36,916 --> 01:15:38,456
That's nice, fellas.
897
01:16:06,458 --> 01:16:08,378
- Like that?
- Yeah, E minor to A.
898
01:16:08,458 --> 01:16:09,458
Same as before.
899
01:16:11,833 --> 01:16:13,753
So there's two choruses there. Solo.
900
01:16:16,166 --> 01:16:17,416
Then the quick end now.
901
01:16:20,625 --> 01:16:22,495
That's okay as long-- He's in the space.
902
01:16:22,583 --> 01:16:25,503
Yeah, if you do it in the space.
You know, it's gonna go…
903
01:16:31,708 --> 01:16:33,788
- That's the…
- That's the one.
904
01:16:40,500 --> 01:16:41,830
Hee-hoo!
905
01:16:54,791 --> 01:16:55,961
Take it away, Johnny.
906
01:17:13,166 --> 01:17:14,456
Well done, boys.
907
01:17:21,791 --> 01:17:22,921
Okay, that's "Maxwell's."
908
01:17:23,666 --> 01:17:25,826
Mal, did you get the words
to "Across the Universe"?
909
01:17:25,916 --> 01:17:28,706
- They'll send them up this afternoon.
- Has Dick James got the words?
910
01:17:28,791 --> 01:17:30,331
- No!
- I don't think so.
911
01:18:11,125 --> 01:18:14,825
He's trying to get a balance in there,
and you've got the words all in front.
912
01:18:14,916 --> 01:18:16,456
- You got the balance, Glyn?
- Yes.
913
01:18:17,458 --> 01:18:18,918
Getting it all right, are you?
914
01:18:19,000 --> 01:18:20,920
Can't you get a music stand?
We had some the other day.
915
01:18:21,000 --> 01:18:22,130
- Yeah, Mal--
- There's one over there.
916
01:18:22,208 --> 01:18:23,788
- Do you want a music stand?
- Yes, please.
917
01:18:26,500 --> 01:18:27,960
It goes…
918
01:18:52,750 --> 01:18:55,960
{\an8}
919
01:18:56,041 --> 01:18:57,631
I wish it fucking would.
920
01:19:17,750 --> 01:19:18,750
It's 'cause I'm down.
921
01:19:59,291 --> 01:20:01,131
I think you better take control, John!
922
01:20:06,333 --> 01:20:08,083
{\an8}
923
01:20:08,875 --> 01:20:11,325
{\an8}
924
01:20:14,833 --> 01:20:16,633
{\an8}
925
01:20:16,708 --> 01:20:17,708
{\an8}
926
01:20:17,791 --> 01:20:19,711
{\an8}
927
01:21:42,666 --> 01:21:45,376
You know where they dropped
all the bombs on Germany,
928
01:21:45,458 --> 01:21:49,788
- they killed more people than…
- Than the H-bomb in Hiroshima.
929
01:21:49,875 --> 01:21:50,875
{\an8}Yeah.
930
01:21:50,958 --> 01:21:53,378
{\an8}- And all civilians.
- Fucking terrible.
931
01:21:53,458 --> 01:21:57,788
{\an8}And did you see when they flew over,
it looked like Hamburg. Just bombed out.
932
01:21:57,875 --> 01:21:59,495
- Nothing. Just dead.
- Mmm.
933
01:21:59,583 --> 01:22:01,793
- Did you watch the BBC2 thing?
- And, uh--
934
01:22:01,875 --> 01:22:03,575
Yeah,
there was that science fiction thing.
935
01:22:03,666 --> 01:22:05,786
Was the science fiction any good?
936
01:22:05,875 --> 01:22:09,915
- It was amazing. Did you see any of it?
- I only saw the last five-- Three minutes.
937
01:22:10,000 --> 01:22:12,330
It started very strange,
where they brought--
938
01:22:12,416 --> 01:22:14,826
They had a fellow on a trolley,
and they pushed him in,
939
01:22:14,916 --> 01:22:17,626
- like, a cupboard or a fridge.
- He was the body, wasn't he?
940
01:22:17,708 --> 01:22:20,498
He was just, like, a body, yeah,
that they were gonna use.
941
01:22:20,583 --> 01:22:22,383
- Mmm.
- And they did something.
942
01:22:22,458 --> 01:22:25,918
{\an8}They were supposed to be
in the year 2100 and something.
943
01:22:26,000 --> 01:22:29,380
{\an8}- And they went back to 1969, January.
- Mmm.
944
01:22:29,458 --> 01:22:34,128
Focused in on the M1 on this car.
945
01:22:34,208 --> 01:22:36,958
- And made him crash, so that he'd--
- Mmm.
946
01:22:37,041 --> 01:22:41,711
And then they somehow take his mind
or whatever it is
947
01:22:41,791 --> 01:22:44,791
and transplant it into this new…
948
01:22:45,666 --> 01:22:47,876
- Uh, new body.
- Into the body that he put in.
949
01:22:47,958 --> 01:22:49,748
Rex Industries, they were called.
950
01:22:51,625 --> 01:22:57,245
And, uh, then suddenly it turned into
all that crap about medals and things.
951
01:22:57,333 --> 01:23:00,633
That's what gave me the idea,
'cause suddenly it was the bit
952
01:23:00,708 --> 01:23:03,288
where they were all coming into the ball,
I think it was Austria,
953
01:23:03,375 --> 01:23:04,745
and they all had their medals.
954
01:23:04,833 --> 01:23:08,383
- Oh, I didn't watch that.
- And some music was just playing.
955
01:23:08,458 --> 01:23:10,958
- Music, like a 3/4 thing.
- Mmm.
956
01:23:11,041 --> 01:23:13,881
And so I just had that
in me head, just the waltz thing,
957
01:23:13,958 --> 01:23:15,538
and it was fitting "I Me Mine."
958
01:23:15,625 --> 01:23:17,745
- There was no words to it, I just…
- Yeah.
959
01:23:17,833 --> 01:23:18,833
Hello.
960
01:23:19,541 --> 01:23:20,881
How are you?
961
01:23:20,958 --> 01:23:22,998
- Morning.
- Good morning.
962
01:23:24,750 --> 01:23:27,630
Do you want to hear a song
I wrote last night?
963
01:23:27,708 --> 01:23:29,708
.
964
01:23:29,791 --> 01:23:32,791
It's just a very short one.
It's called "I Me Mine."
965
01:23:45,833 --> 01:23:48,833
{\an8}
966
01:24:13,583 --> 01:24:14,713
It's lovely.
967
01:24:18,208 --> 01:24:19,668
What's, uh--
968
01:24:19,750 --> 01:24:23,290
Is that grammatical?
"Flowing more freely than wine."
969
01:24:23,375 --> 01:24:24,455
Yeah.
970
01:24:24,541 --> 01:24:25,831
All right.
971
01:24:25,916 --> 01:24:28,166
- "Flowing much freer"?
- You know what would be fantastic, Paul?
972
01:24:28,250 --> 01:24:30,250
- More freely.
- "Freer." It's funny when--
973
01:24:30,333 --> 01:24:32,423
If you're writing, yeah,
thinking of how you say it.
974
01:24:32,500 --> 01:24:33,500
- "Freer."
- But I got--
975
01:24:33,583 --> 01:24:35,173
- For it's sticky out here.
- I was thinking…
976
01:24:35,250 --> 01:24:37,750
- Yeah, yeah.
977
01:24:43,375 --> 01:24:45,285
All the girls come on then, dancing.
978
01:24:46,041 --> 01:24:49,001
Harrison's fisherwife,
and dwarves and hunchbacks…
979
01:24:56,916 --> 01:24:57,916
Run along, son.
980
01:24:58,958 --> 01:25:01,208
We'll see you later.
We're a rock and roll band, you know?
981
01:25:11,500 --> 01:25:13,920
- Mine.
- Mine. I like mine.
982
01:25:16,166 --> 01:25:18,746
Well, I'll get on the barrel organ.
983
01:25:19,916 --> 01:25:23,826
I don't-- I don't care
if you don't want it. I don't give a fuck.
984
01:25:23,916 --> 01:25:25,376
It can go in me musical.
985
01:25:26,791 --> 01:25:29,541
George,
have you any idea what we play?
986
01:25:29,625 --> 01:25:30,625
George?
987
01:25:30,708 --> 01:25:33,418
- Can we just borrow that copy?
988
01:25:37,875 --> 01:25:39,825
His amp needs to be on.
989
01:25:41,291 --> 01:25:43,001
Why? Have you got something there?
990
01:25:45,291 --> 01:25:46,961
{\an8}- No.
- Hello.
991
01:25:47,458 --> 01:25:49,378
Hello?
992
01:25:51,041 --> 01:25:53,421
{\an8}- More volume.
- This is diarrhea.
993
01:25:53,500 --> 01:25:57,170
When I'm up against the wall, Paul,
you'll find I'm at my best.
994
01:25:57,250 --> 01:25:58,420
That's good echo.
995
01:25:59,708 --> 01:26:01,288
But I wish you'd come up with the goods.
996
01:26:01,375 --> 01:26:03,495
- Look, I think I've got Sunday off.
- Hello?
997
01:26:03,583 --> 01:26:05,293
- Well, I hope you can deliver.
- Hello.
998
01:26:05,375 --> 01:26:07,375
I'm hoping for a little rock and roller.
999
01:26:07,458 --> 01:26:09,288
Yeah, I was hoping
for the same thing myself.
1000
01:26:09,375 --> 01:26:11,415
Sammy loved his mammy.
She hammy dammy dammy.
1001
01:26:11,500 --> 01:26:12,790
Paul, Paul, Paul.
1002
01:26:12,875 --> 01:26:15,705
- Stop that goddamn feedback!
1003
01:26:16,333 --> 01:26:18,463
And you then being presented onstage,
1004
01:26:18,541 --> 01:26:20,711
you should be sitting there
when they are coming in.
1005
01:26:20,791 --> 01:26:24,041
And then you open the doors
and we're in the middle of a number.
1006
01:26:24,125 --> 01:26:27,665
Or you're just sitting, waiting, and then
when everybody's there, then you start.
1007
01:26:27,750 --> 01:26:31,210
As opposed to you coming on
as The Beatles, it's much more intimate.
1008
01:26:31,916 --> 01:26:34,826
Well, we're doing it anyway,
while they come in before we start it.
1009
01:26:34,916 --> 01:26:36,416
{\an8}- Yeah.
- Like we did on "Jude."
1010
01:26:39,208 --> 01:26:43,878
{\an8}Well, let's-- We keep 'em a
bit more disciplined than they were then.
1011
01:26:48,208 --> 01:26:49,708
{\an8}Yeah.
1012
01:26:49,791 --> 01:26:52,581
So, the main thing is,
are we going to do it here?
1013
01:26:52,666 --> 01:26:54,036
'Cause they've got to build
a control room.
1014
01:26:54,125 --> 01:26:56,785
What are the alternatives
to where you want to go?
1015
01:26:56,875 --> 01:26:59,205
It's really anywhere
as long as we can get it there.
1016
01:26:59,291 --> 01:27:01,251
Are there definite places?
1017
01:27:01,333 --> 01:27:02,503
No, I don't know anywhere.
1018
01:27:02,583 --> 01:27:03,833
That's why we came here.
1019
01:27:03,916 --> 01:27:04,916
Where do you think?
1020
01:27:05,000 --> 01:27:06,880
I think you might as well
do it right here.
1021
01:27:06,958 --> 01:27:09,458
But, acoustically,
it's not very good here, is it?
1022
01:27:09,541 --> 01:27:12,081
It's not as good
as it could be elsewhere, you know?
1023
01:27:12,166 --> 01:27:13,666
Now what would make it?
1024
01:27:13,750 --> 01:27:15,920
- A lower ceiling?
- Deaden it right down.
1025
01:27:16,000 --> 01:27:18,670
Yeah,
a false ceiling above where you are.
1026
01:27:18,750 --> 01:27:21,130
Now John'd like to say
a few words on the subject.
1027
01:27:27,875 --> 01:27:29,035
Yeah?
1028
01:27:42,500 --> 01:27:43,580
Thank you very much.
1029
01:28:27,916 --> 01:28:29,876
{\an8}Uh, Mal?
1030
01:28:32,666 --> 01:28:34,076
{\an8}
1031
01:28:41,791 --> 01:28:44,131
{\an8}
1032
01:28:44,208 --> 01:28:47,128
{\an8}
1033
01:28:55,375 --> 01:28:56,625
Legalize pot.
1034
01:28:56,708 --> 01:28:59,708
Queen says "no"
to pot-smoking FBI members.
1035
01:29:00,958 --> 01:29:01,958
It doesn't--
1036
01:29:02,041 --> 01:29:04,211
Hey, hey. It doesn't stop there actually.
1037
01:29:17,583 --> 01:29:19,923
A guitar fell over, Paul.
A guitar fell over.
1038
01:29:31,333 --> 01:29:34,633
{\an8}
1039
01:30:45,291 --> 01:30:47,881
- You can keep going now.
- Do you dig it, man?
1040
01:30:49,041 --> 01:30:50,081
- I like that one.
- Yeah.
1041
01:30:50,166 --> 01:30:52,166
Do you want to do that waltz on the show?
1042
01:30:52,250 --> 01:30:54,250
That'd be great,
'cause it's so simple to do.
1043
01:31:05,416 --> 01:31:08,536
Every song has got a character.
That's the character of that one.
1044
01:31:08,625 --> 01:31:11,165
And we can find each number--
how they fit theatrically,
1045
01:31:11,250 --> 01:31:14,380
like your dance for that one,
like the song that you cry in,
1046
01:31:14,458 --> 01:31:16,748
and the song you do
that brings tears to everybody's eyes.
1047
01:31:16,833 --> 01:31:19,003
Yes, all right. Just sod off!
1048
01:31:20,750 --> 01:31:22,670
I mean, you see,
build any set you want.
1049
01:31:22,750 --> 01:31:26,000
{\an8}Maybe not scaffolding--
Not obvious scaffolding.
1050
01:31:26,083 --> 01:31:28,133
{\an8}Maybe we can put people up on them.
1051
01:31:28,625 --> 01:31:30,035
{\an8}Think it could hold people?
1052
01:31:30,541 --> 01:31:32,671
It could hold--
I guess that'd be a bit limited.
1053
01:31:40,750 --> 01:31:43,880
{\an8}
1054
01:31:43,958 --> 01:31:45,578
{\an8}
1055
01:31:45,666 --> 01:31:47,996
{\an8}-
- Yeah. Well…
1056
01:31:48,083 --> 01:31:51,253
See, this is Around The Beatles,
and that is better, but--
1057
01:31:51,333 --> 01:31:53,043
Show it to John.
John will tell you about that.
1058
01:31:53,125 --> 01:31:55,125
John and Yoko know about that.
They're artists.
1059
01:31:56,625 --> 01:31:58,455
It's Around The Beatles '69.
1060
01:31:58,541 --> 01:31:59,881
Yeah, that's what Paul said.
1061
01:32:00,583 --> 01:32:03,383
That's what Paul said. He said have
a word with you and see what you thought.
1062
01:32:03,458 --> 01:32:04,578
Whether we could vary it.
1063
01:32:04,666 --> 01:32:08,876
In terms of… see-through things,
'cause I don't think we're ever gonna--
1064
01:32:08,958 --> 01:32:11,168
If you wanna see through 'em, use plastic.
1065
01:32:12,708 --> 01:32:13,708
Plastic…
1066
01:32:13,791 --> 01:32:16,131
But don't have scaffolding.
They do it every show.
1067
01:32:16,208 --> 01:32:18,958
- Yeah. Use a different material?
- Just use solid plastic.
1068
01:32:19,041 --> 01:32:21,581
- Solid plastic.
- For, you know, to see through 'em.
1069
01:32:23,166 --> 01:32:26,036
I like the idea of a see-through thing,
I think.
1070
01:32:26,125 --> 01:32:28,745
If you had 'em above our heads,
you could have plastic and see up--
1071
01:32:28,833 --> 01:32:31,133
That's right. That's great.
That's a good thought.
1072
01:32:31,208 --> 01:32:32,628
That's a good thought, all that.
1073
01:32:32,708 --> 01:32:35,418
Think of a helicopter shot
over the amphitheater--
1074
01:32:35,500 --> 01:32:38,420
Yes, but that's the only argument
you're giving to me is the…
1075
01:32:38,500 --> 01:32:40,290
- Is the helicopter shot.
- The helicopter shot.
1076
01:32:40,375 --> 01:32:42,285
And you'll see the sea
and you'll be in a theater.
1077
01:32:42,375 --> 01:32:45,875
And that is-- For one, two minutes,
say, of that shot
1078
01:32:45,958 --> 01:32:47,998
isn't worth me going out there.
1079
01:32:48,083 --> 01:32:50,293
When I really prefer to do it here.
1080
01:32:50,375 --> 01:32:55,165
Just big blocks, so you could put blocks
of plastic in any shape you wanted.
1081
01:32:55,250 --> 01:32:56,790
We could move the audience round.
1082
01:32:56,875 --> 01:32:59,535
Yeah. Now that would mean
casting the plastic, wouldn't it?
1083
01:32:59,625 --> 01:33:02,665
- It's just boxes, you know?
- Might be a material we don't know about.
1084
01:33:02,750 --> 01:33:04,630
There will be some kind of new stuff,
1085
01:33:04,708 --> 01:33:06,498
you know, like Bakelite or some plastic.
1086
01:33:06,583 --> 01:33:10,083
But the thing is,
everything you do has got to be good,
1087
01:33:10,166 --> 01:33:11,286
'cause all your albums are good.
1088
01:33:11,375 --> 01:33:12,955
I mean, there's not a duff album.
1089
01:33:13,041 --> 01:33:15,921
But see,
it is kind of like four years ago.
1090
01:33:16,000 --> 01:33:17,540
And there's nothing wrong
with four years ago,
1091
01:33:17,625 --> 01:33:19,205
except we're all 28 now as opposed--
1092
01:33:19,291 --> 01:33:22,581
- I don't mean that…
- We're all… Yes, we are.
1093
01:33:22,666 --> 01:33:26,996
We're all 28, or whatever we are
in the group. Baby George there.
1094
01:33:27,708 --> 01:33:30,958
I mean, it's not only you as the band
and it's not only them as songwriters.
1095
01:33:31,041 --> 01:33:32,251
It is the four of you.
1096
01:33:32,333 --> 01:33:35,213
If you got a lot of blocks made,
you could build any formation you want.
1097
01:33:35,291 --> 01:33:38,171
- Fit in like a Meccano.
- If you've got box-shaped plastic,
1098
01:33:38,250 --> 01:33:41,290
you can build it that long if you want,
or just have it that short.
1099
01:33:41,375 --> 01:33:42,955
Like Kubrick would do.
1100
01:33:43,041 --> 01:33:45,041
And it's got to be the best.
1101
01:33:45,125 --> 01:33:46,245
Because…
1102
01:33:47,166 --> 01:33:49,626
I mean, the hearts of millions
are with you, you know what I mean?
1103
01:33:49,708 --> 01:33:51,168
It's got to be the best. It can't--
1104
01:33:53,541 --> 01:33:56,041
I'm not saying you owe it to the world
or anything like that.
1105
01:33:56,125 --> 01:33:58,245
But if it is going to be
your last TV show--
1106
01:34:05,458 --> 01:34:07,788
But I don't want you
to be unhappy 'cause, like…
1107
01:34:07,875 --> 01:34:09,915
I love you
like I love your three colleagues.
1108
01:34:10,000 --> 01:34:12,830
You see, then it's nice to have
the levels where they can dance
1109
01:34:12,916 --> 01:34:14,956
and, you know,
whatever they wanna do, you see?
1110
01:34:15,041 --> 01:34:17,331
Look, you could have
our thing plastic too.
1111
01:34:17,416 --> 01:34:19,376
Yeah, that would be knockout to do that.
1112
01:34:19,458 --> 01:34:23,128
And then we could do what we like
with the backing, have it go black or…
1113
01:34:23,208 --> 01:34:24,208
- Yeah, yeah.
- Black.
1114
01:34:24,291 --> 01:34:25,921
Or stark or something, you know?
1115
01:34:26,000 --> 01:34:28,750
See, I'd watch an hour of him
just playing the piano.
1116
01:34:28,833 --> 01:34:30,213
Me too. Uh…
1117
01:34:30,291 --> 01:34:31,541
'Cause he's so great.
1118
01:34:32,250 --> 01:34:33,330
But, like, I think--
1119
01:34:33,416 --> 01:34:36,706
See, I think we gotta find a place
which would complement it.
1120
01:34:36,791 --> 01:34:40,581
And I don't see it being here on a stage
with tubular scaffolding around it.
1121
01:34:40,666 --> 01:34:43,496
Then we can control all our lights
from a panel.
1122
01:34:43,583 --> 01:34:45,253
And we can have what colors you like.
1123
01:34:45,333 --> 01:34:47,753
Yes. You'll always be able
to see us through everything.
1124
01:34:47,833 --> 01:34:48,833
That's right.
1125
01:34:48,916 --> 01:34:51,206
I'll have the plastic
when you're finished with it.
1126
01:34:51,291 --> 01:34:54,421
Well, can we all talk about it?
1127
01:34:54,500 --> 01:34:57,130
If-- You will take the veto off
1128
01:34:57,208 --> 01:35:02,288
if you can be convinced
that we can get an audience out there.
1129
01:35:03,916 --> 01:35:06,206
Okay, I love you. That's fine.
1130
01:35:09,958 --> 01:35:10,788
Okay, thanks.
1131
01:35:10,875 --> 01:35:14,325
I just do think,
like, this is unique in that…
1132
01:35:24,750 --> 01:35:26,580
- Well, I don't know.
1133
01:35:28,083 --> 01:35:29,833
{\an8}- I know, I left out George.
1134
01:35:53,250 --> 01:35:54,330
No, I think it's…
1135
01:35:58,208 --> 01:35:59,248
Yeah.
1136
01:35:59,333 --> 01:36:00,713
That's what I was thinking.
1137
01:36:04,958 --> 01:36:06,748
{\an8}The box thing, right?
1138
01:36:08,250 --> 01:36:09,630
{\an8}
1139
01:36:19,708 --> 01:36:22,498
I don't think it's practical
to do it in England. It's too bloody cold.
1140
01:36:22,583 --> 01:36:25,463
Yes, that was one of the reasons
we started veering off on these ideas
1141
01:36:25,541 --> 01:36:28,211
was when we were looking at locations
that Friday after Christmas.
1142
01:36:28,291 --> 01:36:29,711
We are in a film studio.
1143
01:36:29,791 --> 01:36:32,961
We're going to build something so that…
1144
01:36:33,041 --> 01:36:35,211
We shouldn't just try and build
something like the Tower Ballroom
1145
01:36:35,291 --> 01:36:36,751
'cause we could go to the Tower Ballroom.
1146
01:36:36,833 --> 01:36:40,423
But, once you get on a stage,
you are performers
1147
01:36:40,500 --> 01:36:42,580
and you gotta have someone to do it to.
1148
01:36:42,666 --> 01:36:44,376
Either the camera or real people, I think.
1149
01:36:44,458 --> 01:36:45,458
Yeah, we haven't--
1150
01:36:45,541 --> 01:36:47,791
Any number we've done at the moment,
if we've noticed the camera on us
1151
01:36:47,875 --> 01:36:49,245
we've tried to ignore it.
1152
01:36:49,333 --> 01:36:52,713
But you've either got to be
performing directly to the people at home
1153
01:36:52,791 --> 01:36:54,171
or to an audience.
1154
01:36:54,250 --> 01:36:56,210
See that's why I thought like a ballroom.
1155
01:36:56,291 --> 01:36:57,751
If we did go right back.
1156
01:36:57,833 --> 01:37:00,673
Like, "Come to the Tower Ballroom.
There's a dance on."
1157
01:37:00,750 --> 01:37:03,710
You know?
Oh, incidentally, we'll be the band there.
1158
01:37:03,791 --> 01:37:05,501
And then we go on
and we play all the numbers.
1159
01:37:05,583 --> 01:37:08,173
But you're just not the local dance band.
1160
01:37:08,250 --> 01:37:09,540
I don't think it's quite enough scope.
1161
01:37:09,625 --> 01:37:11,535
I also think that
people are very interested
1162
01:37:11,625 --> 01:37:13,245
in seeing how an audience would react.
1163
01:37:13,333 --> 01:37:17,133
Because the audience is so much
part of the first half of you, musically.
1164
01:37:17,916 --> 01:37:21,826
Okay, so we're all prepared
to do it with an audience.
1165
01:37:21,916 --> 01:37:23,956
But you can't just have
the same old audience.
1166
01:37:24,041 --> 01:37:25,421
What can you do that's new with them?
1167
01:37:25,500 --> 01:37:28,210
If we can just think of an image,
how we'd like to be,
1168
01:37:28,291 --> 01:37:32,001
which could be like a nightclub act.
1169
01:37:32,083 --> 01:37:36,333
Just the smoochy low lights
and about ten people.
1170
01:37:36,416 --> 01:37:39,746
What's the point, when you could be
giving people happiness with a full house?
1171
01:37:39,833 --> 01:37:41,253
Whatever kind of full house we decided.
1172
01:37:41,333 --> 01:37:43,423
I mean, we have to think
about the audience.
1173
01:37:43,500 --> 01:37:45,210
It really ought to be the whole world.
1174
01:37:45,291 --> 01:37:49,001
That's where-- Now we're going
right-- the whole circle back to Sabratha.
1175
01:37:49,083 --> 01:37:52,793
It is a location
which is marvelous in itself, by the sea.
1176
01:37:52,875 --> 01:37:54,535
What he's saying is right.
1177
01:37:54,625 --> 01:37:55,625
It's the background.
1178
01:37:56,500 --> 01:37:58,790
I don't think anything is gonna beat
1179
01:37:58,875 --> 01:38:01,665
a perfect acoustic place
by the water, out of doors.
1180
01:38:01,750 --> 01:38:03,170
For a rock and roll group?
1181
01:38:14,916 --> 01:38:18,626
Yes, I think we're gonna do
rock and roll at dawn or at night.
1182
01:38:18,708 --> 01:38:20,958
I'm sure we can do rock and roll there
if we get the right audience.
1183
01:38:21,041 --> 01:38:23,211
- George, come here.
- I just wanna get it over with.
1184
01:38:23,291 --> 01:38:25,421
- Yeah.
1185
01:38:26,416 --> 01:38:27,416
- Hiya.
- Come on.
1186
01:38:28,500 --> 01:38:30,540
- We're going to Africa.
- We're off.
1187
01:38:30,625 --> 01:38:33,495
- We're off.
- No, we're not. Not necessarily.
1188
01:38:35,458 --> 01:38:36,458
{\an8}Where to?
1189
01:38:37,583 --> 01:38:39,043
{\an8}
1190
01:38:50,041 --> 01:38:52,421
See, it's like having
the most fantastic set on Earth,
1191
01:38:52,500 --> 01:38:54,130
but we haven't made a set, you know?
1192
01:38:54,208 --> 01:38:56,918
How many are gonna be looking
at the set besides us and him?
1193
01:38:57,000 --> 01:39:00,210
Every time we've done an album,
we've said, "Why are we stuck in EMI?"
1194
01:39:00,291 --> 01:39:03,501
We could be doing it in LA.
We could be in France.
1195
01:39:03,583 --> 01:39:05,583
And every time we do it,
and here we are again,
1196
01:39:05,666 --> 01:39:07,626
building another bloody castle around us.
1197
01:39:08,375 --> 01:39:10,495
- Well said, John. Well said!
- And this time we do it there.
1198
01:39:10,583 --> 01:39:12,293
I'd be thrilled to do it.
1199
01:39:12,375 --> 01:39:16,125
Just timing it so as the sun came up
just on the middle eight.
1200
01:39:20,208 --> 01:39:21,668
{\an8}I think we've got to get--
1201
01:39:30,000 --> 01:39:32,630
{\an8}Look, we were gonna
give tickets away at this door here.
1202
01:39:32,708 --> 01:39:35,208
We'd given out those tickets,
but they include a boat ride as well.
1203
01:39:37,291 --> 01:39:40,211
Okay, yeah.
We're doing a live show.
1204
01:39:40,291 --> 01:39:42,381
And we're doing it in Arabia.
1205
01:39:42,458 --> 01:39:43,748
And it's like…
1206
01:39:43,833 --> 01:39:46,543
Whoever has been waiting
to see the lads rocking again.
1207
01:39:46,625 --> 01:39:48,625
It's just impractical to try
and get all those--
1208
01:39:48,708 --> 01:39:49,708
But it's not, you see--
1209
01:39:49,791 --> 01:39:52,881
Lug all them people there
and try and get all that equipment.
1210
01:39:52,958 --> 01:39:54,578
But then if it was their problem--
1211
01:39:54,666 --> 01:39:57,206
But if you say, "That's
what I want," that's what has to happen.
1212
01:39:57,291 --> 01:39:59,631
- That's not our problem.
- Of course it's our problem.
1213
01:39:59,708 --> 01:40:01,208
Tell you what I'll offer you.
1214
01:40:01,291 --> 01:40:05,381
If we're going away and we hire a boat
to take the audience with you…
1215
01:40:05,458 --> 01:40:08,378
- That would be knockout.
- …we'll do a bloody show on a boat.
1216
01:40:13,625 --> 01:40:14,825
That's your code name.
1217
01:40:14,916 --> 01:40:16,746
No, he smoked some garlic once.
1218
01:40:19,750 --> 01:40:21,790
So, like, I'll come in with you,
1219
01:40:21,875 --> 01:40:24,625
as long as you can get a couple of boats.
1220
01:40:24,708 --> 01:40:26,708
- The QE 2.
- And then we're stuck
1221
01:40:26,791 --> 01:40:29,331
with a bloody big boatload of people
for two weeks.
1222
01:40:29,416 --> 01:40:33,416
At least you can go home from here.
You can get away from it all.
1223
01:40:35,041 --> 01:40:39,671
I think the idea of the boat
is completely insane.
1224
01:40:39,750 --> 01:40:42,830
It's very expensive and insane, and…
1225
01:40:43,750 --> 01:40:45,920
I think it should be
the least of our worries.
1226
01:40:46,000 --> 01:40:47,250
Money. I really do.
1227
01:40:48,708 --> 01:40:51,458
{\an8}If P&O will do a deal with Storm,
they'll do one with us.
1228
01:40:56,208 --> 01:40:59,628
{\an8}We should be able to get the boat
for the publicity they get from it.
1229
01:41:02,833 --> 01:41:05,383
It's gonna be great.
You'd love the place.
1230
01:41:05,458 --> 01:41:07,788
I've moved to Yugoslavia!
1231
01:41:07,875 --> 01:41:12,825
I may love the place, but I'd rather
do the show, then go and love the place.
1232
01:41:14,208 --> 01:41:16,498
How're you gonna get a ship
in a couple of days?
1233
01:41:17,833 --> 01:41:19,543
{\an8}I was there. Yes, I know.
1234
01:41:19,625 --> 01:41:22,825
But they were passing by
and you only used them for a few hours.
1235
01:41:22,916 --> 01:41:25,496
I've seen it, John.
I went to the premiere.
1236
01:41:25,583 --> 01:41:27,583
- Did you enjoy it?
- I thought you were great.
1237
01:41:27,666 --> 01:41:29,536
{\an8}- Thanks a lot, Ringo.
1238
01:41:40,333 --> 01:41:41,713
{\an8}Still not the same.
1239
01:41:41,791 --> 01:41:45,581
If you'll say yes, and if we get it
together, then will you go?
1240
01:41:49,041 --> 01:41:53,631
{\an8}Well, I feel, as the trade says,
"The vibes are very good at the moment."
1241
01:41:53,708 --> 01:41:56,378
But we can all say yes now
and somebody can decide no tomorrow.
1242
01:41:56,458 --> 01:41:58,708
- It's not gonna make any odds.
- Yeah.
1243
01:41:58,791 --> 01:42:01,001
- Good night, everybody!
- Good night, Russia.
1244
01:42:01,083 --> 01:42:02,923
- That's a wrap.
- I'll see you in Sabratha!
1245
01:42:03,000 --> 01:42:04,960
Let's pretend I wasn't here again.
1246
01:42:14,125 --> 01:42:16,325
This is the…
Here, I'll take you to…
1247
01:42:17,125 --> 01:42:19,035
- Do you know Michael Lindsay-Hogg?
- No.
1248
01:42:20,458 --> 01:42:22,208
{\an8}
1249
01:42:22,291 --> 01:42:23,581
Tony's a cameraman.
1250
01:42:29,000 --> 01:42:30,290
{\an8}
1251
01:42:39,416 --> 01:42:40,246
Yeah.
1252
01:42:45,041 --> 01:42:46,921
I better go
and put in some piano practice.
1253
01:42:50,750 --> 01:42:51,750
No.
1254
01:42:52,250 --> 01:42:54,420
- Yeah.
1255
01:42:54,500 --> 01:42:56,580
Gatwick Friday, Monday, Tuesday…
1256
01:42:56,666 --> 01:42:58,826
- Isn't Tripoli in Libya? Yeah.
- That's right. Yeah.
1257
01:42:58,916 --> 01:43:02,246
That flight departs every day 3:05
and arrives 9:10.
1258
01:43:02,333 --> 01:43:03,673
- 3:05 p.m. at night?
- Yes.
1259
01:43:03,750 --> 01:43:05,670
- That's a long trip!
- That's what he told me.
1260
01:43:05,750 --> 01:43:07,670
Six hours? Can't be that long?
1261
01:43:18,250 --> 01:43:23,080
{\an8}
1262
01:43:23,166 --> 01:43:25,996
{\an8}
1263
01:43:35,250 --> 01:43:37,330
- Yeah.
1264
01:43:39,125 --> 01:43:40,665
Now, what was it? Uh--
1265
01:43:40,750 --> 01:43:43,460
I'll give you Mother Mary,
"The Long and Winding Road."
1266
01:43:54,958 --> 01:43:57,498
The only thing is, it's, um…
1267
01:43:57,583 --> 01:44:00,333
I think-- I really do think
it's gonna be for the world.
1268
01:44:05,333 --> 01:44:08,173
Yes, but they do think of you as
for everybody in the world.
1269
01:44:08,250 --> 01:44:10,750
That's one of the things I thought was
good about "Jude," the guy in the turban.
1270
01:44:10,833 --> 01:44:11,833
Yeah.
1271
01:44:19,583 --> 01:44:21,883
…that I haven't got yet.
1272
01:44:51,750 --> 01:44:55,040
I think it's down to
if we're going to do it in this country,
1273
01:44:55,125 --> 01:44:56,625
we might as well do it here.
1274
01:44:56,708 --> 01:44:58,288
- But actually…
1275
01:45:02,166 --> 01:45:03,166
{\an8}Yugoslavia.
1276
01:45:18,916 --> 01:45:20,076
{\an8}Yeah.
1277
01:45:21,083 --> 01:45:22,583
Then something about pleasure…
1278
01:45:25,083 --> 01:45:26,083
From…
1279
01:45:27,833 --> 01:45:28,833
Yeah.
1280
01:45:36,791 --> 01:45:39,251
I've had lots of pleasure,
but said better.
1281
01:45:39,333 --> 01:45:40,333
- You know?
- Yeah.
1282
01:45:40,416 --> 01:45:43,326
I've had many pleasure.
I've had much, much…
1283
01:45:50,625 --> 01:45:53,955
{\an8}
1284
01:46:17,750 --> 01:46:20,630
{\an8}
1285
01:46:31,583 --> 01:46:33,083
There's no more to that yet.
1286
01:46:33,166 --> 01:46:34,326
Just call that "middle."
1287
01:46:42,708 --> 01:46:45,668
That's all right.
"The many ways I've tried" is all right.
1288
01:46:45,750 --> 01:46:48,380
But have you got any idea
for the second verse?
1289
01:46:48,458 --> 01:46:53,458
See, I was thinking of having another,
like, the weather obstacle in that one.
1290
01:47:10,375 --> 01:47:12,625
{\an8}I suppose it should
still be about that.
1291
01:47:12,708 --> 01:47:14,418
{\an8}The, sort of, winding road because…
1292
01:47:25,708 --> 01:47:26,788
{\an8}No, I think the…
1293
01:47:29,750 --> 01:47:30,750
{\an8}
1294
01:47:38,208 --> 01:47:41,418
It's an old English folk--
the words, these.
1295
01:47:53,041 --> 01:47:58,581
{\an8}
1296
01:48:14,291 --> 01:48:16,211
That really should be
like a fairy tale, though.
1297
01:48:16,791 --> 01:48:19,251
- Once upon a time there lived a princess.
1298
01:48:37,291 --> 01:48:39,541
And the king will sing a lullaby.
1299
01:48:47,291 --> 01:48:49,421
No, it's one you'd know,
the original one.
1300
01:48:49,500 --> 01:48:51,000
But just at the end of it, it goes…
1301
01:48:59,500 --> 01:49:02,540
Should be ready for
a Songs for Swingin' Lovers album soon.
1302
01:49:10,166 --> 01:49:14,246
I was just so hungry today,
I had to be late just to eat me breakfast.
1303
01:49:17,666 --> 01:49:18,666
{\an8}
1304
01:49:21,125 --> 01:49:23,205
I have a bit which might interest you.
1305
01:49:23,291 --> 01:49:25,461
I was thinking for a song for Ringo.
1306
01:49:25,541 --> 01:49:28,331
Like… Like a story.
1307
01:49:28,416 --> 01:49:30,956
A bit like "Act Naturally"
where you sort of--
1308
01:49:31,041 --> 01:49:33,961
But all they said was, well,
you've got to act naturally.
1309
01:49:34,041 --> 01:49:37,751
So… it was like a comedy when I heard it,
you know? It was like…
1310
01:49:53,666 --> 01:49:55,956
{\an8}
1311
01:49:56,041 --> 01:49:57,751
{\an8}
1312
01:49:57,833 --> 01:50:01,673
{\an8}
1313
01:50:21,333 --> 01:50:24,583
{\an8}
1314
01:50:31,125 --> 01:50:32,375
{\an8}
1315
01:52:01,041 --> 01:52:02,131
{\an8}-
- Yes.
1316
01:52:08,916 --> 01:52:12,376
Kevin? Kevin, can we have
some toast and tea, please?
1317
01:52:12,458 --> 01:52:14,038
It's tea time now, man.
1318
01:52:14,625 --> 01:52:16,245
Can we have some more tea, Kevin?
1319
01:52:16,333 --> 01:52:18,423
I need sort of, like,
a gallon in the morning.
1320
01:52:18,958 --> 01:52:22,168
- Do you have access to real tea?
- I've got nice tea with us.
1321
01:52:22,250 --> 01:52:24,710
- Not that piss posh stuff.
1322
01:52:43,416 --> 01:52:44,746
Yeah.
1323
01:52:44,833 --> 01:52:47,753
And a little blues folk song.
1324
01:52:47,833 --> 01:52:49,543
- Jimmy, stick 'em up.
- Oh.
1325
01:52:49,625 --> 01:52:51,915
When we was just acoustics or something.
1326
01:52:52,000 --> 01:52:53,920
There's more skiffling on it,
and it's great,
1327
01:52:54,000 --> 01:52:55,630
'cause they don't need any backing,
really.
1328
01:52:55,708 --> 01:52:57,168
So, "Get back, get back…"
1329
01:52:57,250 --> 01:52:59,250
"Get back to where you once belonged."
1330
01:53:00,625 --> 01:53:02,535
Think of some words if you can.
1331
01:53:02,625 --> 01:53:05,035
I don't know what it's about.
It's about going away.
1332
01:53:05,125 --> 01:53:06,705
And then the chorus is "Get back."
1333
01:53:06,791 --> 01:53:07,791
Uh…
1334
01:53:07,875 --> 01:53:11,125
So, I just--
Actually, it's not about anything.
1335
01:53:11,208 --> 01:53:12,788
- You know…
1336
01:53:13,375 --> 01:53:14,955
Yeah, we'll just have those words.
1337
01:53:15,041 --> 01:53:19,581
Just words that-- They're just nothing
about anything. It's just, like, rubbish.
1338
01:53:19,666 --> 01:53:23,036
{\an8}
1339
01:53:25,750 --> 01:53:28,170
{\an8}
1340
01:53:28,250 --> 01:53:32,790
{\an8}The Black man will have the whip hand
over the white man.
1341
01:53:32,875 --> 01:53:34,375
{\an8}
1342
01:53:34,958 --> 01:53:36,668
{\an8}
1343
01:53:36,750 --> 01:53:38,130
{\an8}
1344
01:54:36,416 --> 01:54:38,916
- Just playing more on these…
1345
01:54:41,875 --> 01:54:42,875
It just fades back.
1346
01:54:44,000 --> 01:54:46,170
- Play some piano with it.
- Folk blues.
1347
01:55:07,166 --> 01:55:10,126
{\an8}
1348
01:55:10,208 --> 01:55:12,458
{\an8}
1349
01:55:19,333 --> 01:55:22,583
{\an8}
1350
01:55:26,083 --> 01:55:29,293
{\an8}
1351
01:55:38,750 --> 01:55:40,080
{\an8}
1352
01:55:40,166 --> 01:55:41,496
{\an8}
1353
01:55:42,083 --> 01:55:43,293
{\an8}
1354
01:55:43,375 --> 01:55:44,785
{\an8}
1355
01:55:44,875 --> 01:55:48,665
{\an8}
1356
01:55:51,166 --> 01:55:54,456
{\an8}
1357
01:56:29,458 --> 01:56:31,628
{\an8}-
1358
01:56:33,333 --> 01:56:35,253
{\an8}-
1359
01:56:47,416 --> 01:56:51,166
Much too common for me.
Much too common for me.
1360
01:56:52,625 --> 01:56:53,625
Oh, yeah.
1361
01:57:12,083 --> 01:57:13,083
Everybody sing!
1362
01:58:01,250 --> 01:58:04,290
- I'll be taking me shirt off.
- Do it in D. I'll play with you.
1363
01:58:04,375 --> 01:58:05,785
Do you have a tattoo?
1364
01:58:09,333 --> 01:58:11,833
- First chance we've had…
- So, do you want to try the--
1365
01:58:11,916 --> 01:58:13,246
- Once more.
1366
01:58:13,333 --> 01:58:15,293
Get it over here,
that's where we're playing…
1367
01:58:15,375 --> 01:58:18,825
- With feeling. With Felix.
- With Felix.
1368
01:58:18,916 --> 01:58:21,786
One, two, three, four.
1369
01:58:25,250 --> 01:58:28,250
And this is something that happened to me
quite recently.
1370
01:58:45,208 --> 01:58:46,708
Get off!
1371
01:58:51,291 --> 01:58:54,711
{\an8}
1372
01:59:23,583 --> 01:59:25,583
Worked in 15 clubs a day?
1373
01:59:25,666 --> 01:59:26,826
Yeah!
1374
01:59:57,083 --> 01:59:58,423
Yeah, she is.
1375
02:00:02,375 --> 02:00:03,415
Get a job, cop!
1376
02:00:08,000 --> 02:00:10,790
Bloody about time, too, if you ask me!
1377
02:00:14,958 --> 02:00:16,788
He bloody need it too.
1378
02:00:45,083 --> 02:00:48,713
Hello. This is Tuesday speaking.
1379
02:00:50,166 --> 02:00:51,536
Is that Paul?
1380
02:00:51,625 --> 02:00:54,375
- I'd like to have a word with you.
1381
02:00:54,458 --> 02:00:56,628
I've got something of his in the garden.
1382
02:00:56,708 --> 02:00:59,378
- I have something of interest for you.
1383
02:01:03,416 --> 02:01:06,326
{\an8}
1384
02:01:11,083 --> 02:01:13,213
{\an8}
1385
02:01:13,958 --> 02:01:14,958
{\an8}
1386
02:01:15,541 --> 02:01:18,251
If we are in a groovy location place,
1387
02:01:18,333 --> 02:01:22,423
we can make the show about different bits
and pieces of what we've done.
1388
02:01:22,500 --> 02:01:25,790
Or we have to do it
in one consecutive piece.
1389
02:01:26,875 --> 02:01:29,825
I think we could do both, you see?
We should do it about three times.
1390
02:01:29,916 --> 02:01:32,286
We'd settle on one day when we say,
"This is the show."
1391
02:01:32,375 --> 02:01:34,825
But we'd do a, like, dress rehearsal.
1392
02:01:34,916 --> 02:01:37,666
Okay. Shall we do
some other people's tunes as well?
1393
02:01:37,750 --> 02:01:39,710
- That'd be nice.
- I don't know any.
1394
02:01:39,791 --> 02:01:41,631
I can only just bear doing
your lot's songs.
1395
02:02:13,250 --> 02:02:15,170
- This isn't Daddy's tea, is it?
- No.
1396
02:02:15,250 --> 02:02:17,630
Daddy doesn't like
this chemical tea, you know?
1397
02:02:17,708 --> 02:02:21,458
It turns me off but blows my mind
and floats me upstream.
1398
02:02:37,916 --> 02:02:41,876
{\an8}
1399
02:02:41,958 --> 02:02:43,248
{\an8}
1400
02:03:00,083 --> 02:03:03,923
{\an8}-
1401
02:03:14,791 --> 02:03:16,131
- He's one, all right.
1402
02:03:21,875 --> 02:03:24,575
If we can just have a sort of
permanent mic on the piano,
1403
02:03:24,666 --> 02:03:25,996
and a permanent mic for me.
1404
02:03:26,083 --> 02:03:28,043
So we can hear
both of them, you see, Glyn?
1405
02:03:28,125 --> 02:03:29,955
- Great.
- Hah.
1406
02:03:41,833 --> 02:03:47,173
{\an8}
1407
02:03:49,166 --> 02:03:53,496
{\an8}
1408
02:04:02,041 --> 02:04:05,251
Words are flowing out
like endless rain into a paper cup.
1409
02:04:05,333 --> 02:04:06,793
Dear Apple.
1410
02:04:06,875 --> 02:04:10,165
They slither wildly as they slip away
across the universe.
1411
02:04:19,125 --> 02:04:20,825
"Shakin' in the Sixties!"
1412
02:04:29,500 --> 02:04:31,920
The noise is a little too loud
for me.
1413
02:04:32,000 --> 02:04:34,330
Leave the group then if you don't like it.
1414
02:04:34,416 --> 02:04:36,496
- Come on. I've done all mine.
1415
02:04:37,375 --> 02:04:38,535
Both of mine.
1416
02:04:38,625 --> 02:04:42,125
So, we'll go through it once
and just roughly get it in our heads.
1417
02:04:42,208 --> 02:04:43,998
Do you want the bass in for the riff?
1418
02:04:45,166 --> 02:04:46,916
Do you want the bass in with the riff?
1419
02:04:47,500 --> 02:04:48,750
- Don't know.
- Okay.
1420
02:04:48,833 --> 02:04:51,173
Well, I'll just play it by ear then.
1421
02:04:51,250 --> 02:04:52,630
So then it goes…
1422
02:05:24,666 --> 02:05:28,996
{\an8}
1423
02:05:29,083 --> 02:05:30,883
{\an8}
1424
02:05:30,958 --> 02:05:33,998
{\an8}
1425
02:05:54,958 --> 02:05:57,498
The rhythm of that bit.
1426
02:05:57,583 --> 02:05:59,963
I just feel it needs
something really sustained.
1427
02:06:00,041 --> 02:06:01,711
- Yeah, how about some words?
1428
02:06:03,041 --> 02:06:04,001
Thanks.
1429
02:06:23,250 --> 02:06:24,830
- Yeah?
- Yeah. Like…
1430
02:06:36,083 --> 02:06:38,883
- The way I was playing, was starting on F.
- G.
1431
02:06:38,958 --> 02:06:41,668
"Whisper words of wisdom,
let it be, let it be."
1432
02:06:44,458 --> 02:06:47,498
But I end up on the wrong one
when you're all moving on to F.
1433
02:06:51,375 --> 02:06:54,535
F, C, G.
1434
02:06:54,625 --> 02:06:57,575
- Oh, miss the F?
- C, G, to C.
1435
02:06:57,666 --> 02:07:00,206
So, yes. So then, you see, you get this…
1436
02:07:00,291 --> 02:07:03,581
"Whisper words of wisdom,
let it be, let it be…"
1437
02:07:05,625 --> 02:07:06,625
You play that.
1438
02:07:15,333 --> 02:07:17,833
It seems that it's all happening
1439
02:07:18,416 --> 02:07:20,916
a little bit too quickly
with them both coming in at the same time.
1440
02:07:21,000 --> 02:07:22,380
- Yeah.
- That's all.
1441
02:07:22,458 --> 02:07:25,288
When do the drums first come in,
guitar, and all that?
1442
02:07:25,375 --> 02:07:27,825
Well, Glyn's saying
first time they come in…
1443
02:07:27,916 --> 02:07:29,786
- He seems to be arranging this. Come on.
1444
02:07:29,875 --> 02:07:31,205
- Go on.
1445
02:07:41,041 --> 02:07:43,881
- Could have bass there with a…
- Only if you ask nicely.
1446
02:07:48,208 --> 02:07:50,668
- You want me on the verse?
- Yeah. Come in, bass.
1447
02:07:50,750 --> 02:07:52,670
On the verse when he comes chapping…
1448
02:07:52,750 --> 02:07:54,580
- Well, I was thinking of it, yeah.
- Yeah.
1449
02:07:54,666 --> 02:07:56,376
- Glyn and I have thought…
- Glyn and…
1450
02:07:58,250 --> 02:08:00,290
One, two, three.
1451
02:09:36,833 --> 02:09:39,383
Forty million Churchills can't be wrong.
1452
02:09:41,333 --> 02:09:43,923
{\an8}Forty million Churchills can't be wrong,
but one de Gaulle can.
1453
02:09:44,000 --> 02:09:45,580
{\an8}-
- We've got a charming one here.
1454
02:09:45,666 --> 02:09:47,706
{\an8}"I Wish I Had Died in My Cradle."
1455
02:09:50,041 --> 02:09:51,461
I don't know.
1456
02:09:53,291 --> 02:09:55,131
"Lisp Of A Baby's Prayer."
1457
02:09:56,291 --> 02:09:58,131
"Alphabet Song." What's that one?
1458
02:09:58,208 --> 02:10:00,748
Oh, Christ,
I don't know the whole catalog yet.
1459
02:10:00,833 --> 02:10:03,463
4,000 songs is a lot to absorb.
1460
02:10:03,541 --> 02:10:05,711
- In the morning?
- Perhaps.
1461
02:10:05,791 --> 02:10:09,081
- "Nobody Loves a Fairy When She's Forty."
1462
02:10:10,708 --> 02:10:12,458
This is it? This is the lot?
1463
02:10:12,541 --> 02:10:16,581
This is a very good list.
That's the entire catalog up to '65.
1464
02:10:17,416 --> 02:10:18,416
{\an8}Yeah. Yeah.
1465
02:10:18,500 --> 02:10:20,540
Is this the catalog
that's just gone on sale?
1466
02:10:20,625 --> 02:10:22,625
- It's the one we just bought.
- You bought it. Oh, great.
1467
02:10:24,000 --> 02:10:26,000
{\an8}
1468
02:10:28,083 --> 02:10:31,833
- Which includes Paul and John. And--
- Just about.
1469
02:10:31,916 --> 02:10:34,536
- What are you talking about, "Just about"?
- Nothing. Uh, no comment.
1470
02:10:35,291 --> 02:10:36,881
Very substantially, sir.
1471
02:10:36,958 --> 02:10:38,168
Yes, right. Okay.
1472
02:10:42,083 --> 02:10:45,333
- Mm-hmm. Marvelous catalog.
- Oh, it's an incredible catalog.
1473
02:10:45,416 --> 02:10:48,916
And we'll start on reprinting
a great deal of this music,
1474
02:10:49,000 --> 02:10:52,960
because sheet music and song albums
is an expanding market now.
1475
02:10:53,041 --> 02:10:54,671
Right, right. Yeah, yeah.
1476
02:10:54,750 --> 02:10:58,540
You know, 12 songs for five bob
is more than ample. That's good value.
1477
02:11:03,875 --> 02:11:05,035
- Yeah.
- Great.
1478
02:11:15,000 --> 02:11:16,040
{\an8}Yeah.
1479
02:11:16,125 --> 02:11:18,955
- "Carolina Moon," my Uncle Ron's favorite.
- Well.
1480
02:11:19,041 --> 02:11:21,381
He sings it at all the parties.
All right!
1481
02:11:25,000 --> 02:11:26,040
Come on, Paul.
1482
02:11:26,125 --> 02:11:27,205
The Copyright Act
1483
02:11:27,291 --> 02:11:31,251
and the payment for a performance
of a fee didn't start until 1911.
1484
02:11:31,333 --> 02:11:33,083
But who buys sheet music?
1485
02:11:33,166 --> 02:11:34,706
Is it mainly piano people?
1486
02:11:34,791 --> 02:11:36,501
No. Guitar people.
1487
02:11:44,333 --> 02:11:45,333
{\an8}Yeah.
1488
02:11:47,625 --> 02:11:50,915
Well, a lot of our stuff,
I don't know whether it does any more,
1489
02:11:51,000 --> 02:11:54,000
because we always publish our lyrics now,
you know?
1490
02:11:54,083 --> 02:11:57,083
But you see,
particularly where the boys are concerned,
1491
02:11:57,166 --> 02:11:58,746
they create the song, right?
1492
02:11:58,833 --> 02:12:01,883
And I give it to my music scribe
and he has to take it down.
1493
02:12:01,958 --> 02:12:03,708
{\an8}And he's a very good man,
very experienced.
1494
02:12:05,125 --> 02:12:08,665
He can make mistakes,
but in an effort to eliminate this now
1495
02:12:08,750 --> 02:12:11,880
we check the lyrics with John and Paul,
they okay the lyric…
1496
02:12:16,166 --> 02:12:17,916
{\an8}- Hi.
- Hi, George.
1497
02:12:22,208 --> 02:12:23,288
- Hi, George.
- Hi, man.
1498
02:12:27,916 --> 02:12:29,916
{\an8}I'm well aware.
You're very welcome.
1499
02:12:33,166 --> 02:12:36,496
Something to drink out of
or the wife can throw?
1500
02:12:38,375 --> 02:12:40,035
Which I sang in my heyday.
1501
02:12:41,750 --> 02:12:42,920
- Hi, Georgie.
- Hi, Mike.
1502
02:12:43,000 --> 02:12:44,290
Hi, George. How are you?
1503
02:12:49,958 --> 02:12:51,708
It doesn't even seem high to me.
1504
02:12:51,791 --> 02:12:54,171
- Well, these are gilt-edged songs.
1505
02:12:55,875 --> 02:12:57,165
- Morgen.
- Morning.
1506
02:12:57,250 --> 02:12:59,830
- Didn't Neil ring you last night?
- No.
1507
02:13:08,583 --> 02:13:09,583
Take hold of this.
1508
02:13:09,666 --> 02:13:11,496
If anybody says
anything interesting, remember it.
1509
02:13:11,583 --> 02:13:13,633
- Not really.
1510
02:13:15,541 --> 02:13:20,081
Uh… Neil would like us to have a meeting.
1511
02:13:20,166 --> 02:13:21,706
- Saturday?
- Yes.
1512
02:13:21,791 --> 02:13:23,631
He was very excited and--
1513
02:13:23,708 --> 02:13:25,708
- Was he? Good news or--
- Yes. Very.
1514
02:13:25,791 --> 02:13:27,631
Oh, all right, I'll come for good news.
1515
02:13:30,375 --> 02:13:31,535
You watching?
1516
02:13:31,625 --> 02:13:32,665
{\an8}Yeah.
1517
02:13:36,000 --> 02:13:38,540
Yeah, I think it's gonna be
a double-sider.
1518
02:13:38,625 --> 02:13:42,665
{\an8}And, uh, we've set it for release--
We've set it for release in the States.
1519
02:13:42,750 --> 02:13:44,960
She's doing it on The Rolf Harris Show
tomorrow night.
1520
02:13:45,041 --> 02:13:47,671
- Is she one of your artists?
- She's an EMI artist.
1521
02:13:47,750 --> 02:13:50,710
And we have some territories,
1522
02:13:50,791 --> 02:13:53,041
then EMI puts them out in other places.
1523
02:13:53,541 --> 02:13:55,501
- Okay, shall we start?
- Yeah.
1524
02:13:56,916 --> 02:13:58,126
I'll send some, um…
1525
02:13:58,875 --> 02:14:00,575
I'll send some discs down, Paul.
1526
02:14:01,166 --> 02:14:02,126
Okay.
1527
02:14:02,208 --> 02:14:03,918
Should have pressings up, um…
1528
02:14:04,000 --> 02:14:07,630
Well, I think they were up last night, but
they were up too late for me to get them.
1529
02:14:16,875 --> 02:14:18,415
That was a nice start.
1530
02:14:31,916 --> 02:14:32,916
{\an8}Bye, Dick.
1531
02:14:33,000 --> 02:14:35,710
{\an8}
1532
02:15:07,375 --> 02:15:08,375
{\an8}
1533
02:15:09,458 --> 02:15:10,918
{\an8}
1534
02:15:11,000 --> 02:15:13,880
{\an8}
1535
02:15:15,041 --> 02:15:16,171
I dig this. I do.
1536
02:15:50,166 --> 02:15:51,456
Yes.
1537
02:15:52,666 --> 02:15:53,666
Yes, yes!
1538
02:16:05,833 --> 02:16:08,963
We've never learned
so many new numbers at once. Have we?
1539
02:16:09,041 --> 02:16:10,211
Yeah.
1540
02:16:10,291 --> 02:16:12,501
- That's it. It will be better, that.
- Yeah.
1541
02:16:14,500 --> 02:16:15,920
Well, should we just redo this one?
1542
02:16:16,000 --> 02:16:18,040
- I still haven't got words on this.
- Yes.
1543
02:16:26,458 --> 02:16:29,328
Yeah, let's have it like that.
Just have a big, held chord.
1544
02:16:29,416 --> 02:16:31,916
All of us just hold a chord of, like, A.
1545
02:16:32,000 --> 02:16:35,880
But you creep up with drumming.
So it goes, "One, two, three, four."
1546
02:16:40,291 --> 02:16:42,041
Only even more like, sort of…
1547
02:16:45,708 --> 02:16:46,828
So you…
1548
02:16:46,916 --> 02:16:50,706
You'll have to do something like lead to…
1549
02:16:50,791 --> 02:16:54,421
What was the record?
1550
02:16:56,458 --> 02:16:58,538
- There's one record of ours.
- Should be more like…
1551
02:17:04,083 --> 02:17:05,293
But even in the--
1552
02:17:06,208 --> 02:17:08,578
That suggests something to me. That chord.
1553
02:17:08,666 --> 02:17:10,076
- Yeah.
1554
02:17:10,166 --> 02:17:11,456
And also, that's why I like--
1555
02:17:11,541 --> 02:17:15,331
That's why "Get Back" suggests
any old number like this.
1556
02:17:15,416 --> 02:17:18,166
So if we have harmony on it
and try and make it--
1557
02:17:18,250 --> 02:17:19,250
Yes?
1558
02:17:19,750 --> 02:17:22,460
- 'Cause it's a bit ordinary, isn't it?
- So-- So you don't want that?
1559
02:17:22,541 --> 02:17:25,081
The "Get Back" bit's the ordinary bit.
1560
02:17:25,166 --> 02:17:27,206
Yeah, but it's all right.
I mean, but we should--
1561
02:17:27,291 --> 02:17:29,751
We should try and get away from…
1562
02:17:33,625 --> 02:17:35,125
- Get away from that?
- Uh, no--
1563
02:17:36,166 --> 02:17:38,246
Yeah, but I know.
I mean, just get away from the way…
1564
02:17:41,041 --> 02:17:44,581
{\an8}Where did we get that chord? You know?
There was a song we got that chord from.
1565
02:17:45,875 --> 02:17:48,575
- There was one where we sort of--
- Booker T. and the MG's.
1566
02:17:48,666 --> 02:17:51,126
- Booker T. Yeah.
- But there's lots…
1567
02:17:52,291 --> 02:17:55,831
But it's passé, you know?
It's like-- It was a couple of years ago.
1568
02:17:55,916 --> 02:17:57,706
No, it wasn't. That's just a chord.
1569
02:17:57,791 --> 02:17:59,041
I know, but, you know. Yeah, but--
1570
02:17:59,125 --> 02:18:01,955
- Chords like fashions and stuff…
- And some chords fit things.
1571
02:18:02,041 --> 02:18:03,171
But it's like drainies.
1572
02:18:03,250 --> 02:18:05,580
- Yeah, but some drainies…
- They're still drainies, but…
1573
02:18:05,666 --> 02:18:09,076
…suit different occasions
and Oxford bags--
1574
02:18:09,166 --> 02:18:13,286
The thing is, that's good enough
for the rock and roll thing, but--
1575
02:18:14,166 --> 02:18:16,706
{\an8}- No, you don't. You need, like--
- You need George Harrison.
1576
02:18:16,791 --> 02:18:18,251
- You need George Harrison. Yeah.
- Mmm.
1577
02:18:18,333 --> 02:18:21,923
But just doing simple things
until it's your go.
1578
02:18:22,000 --> 02:18:24,580
Because I'm trying to sing louder
to get over the guitar.
1579
02:18:27,500 --> 02:18:31,420
Yeah. But--
but if you do the offbeat with Ringo.
1580
02:18:55,583 --> 02:18:56,583
See, but don't--
1581
02:18:56,666 --> 02:19:00,536
If you vamp, then it--
then it takes away from his vamping.
1582
02:19:00,625 --> 02:19:01,825
I think, you know?
1583
02:19:01,916 --> 02:19:03,956
But it's like that. It is like that.
1584
02:19:04,041 --> 02:19:07,831
It's like the big, soft lead guitarist,
you know, who just stands there and just--
1585
02:19:07,916 --> 02:19:09,496
- Little, soft lead guitarist.
- Well, you know--
1586
02:19:09,583 --> 02:19:12,333
No, but the big one in my head,
where he just sort of goes…
1587
02:19:15,000 --> 02:19:17,460
But you can either do that soft
or good, you know?
1588
02:19:17,541 --> 02:19:18,921
You don't…
1589
02:19:19,000 --> 02:19:20,210
It's that thing, you know?
1590
02:19:21,791 --> 02:19:24,041
- I mean, "She's a Woman."
- Yeah.
1591
02:19:24,125 --> 02:19:27,455
That was just a better rhythm
than we have, you know, because--
1592
02:19:27,541 --> 02:19:29,751
And "Sgt. Pepper" on the organ. It's just…
1593
02:19:36,875 --> 02:19:38,415
None of you are trying to do any of it.
1594
02:19:38,500 --> 02:19:40,580
Okay. I'll just write it down then.
1595
02:19:40,666 --> 02:19:41,746
{\an8}
1596
02:19:44,000 --> 02:19:45,750
- Yeah, and the Puerto Ricans.
- Yeah.
1597
02:19:49,416 --> 02:19:51,076
She thought she was a woman.
1598
02:19:52,958 --> 02:19:53,958
Jo Jo.
1599
02:19:59,083 --> 02:20:01,043
- What's a Western name?
- Jo Jo went and left--
1600
02:20:01,125 --> 02:20:04,205
- A Western name? Jo Jo…
1601
02:20:04,291 --> 02:20:05,881
- Go on.
- Perkins.
1602
02:20:09,875 --> 02:20:10,875
Jo Jo Carter?
1603
02:20:10,958 --> 02:20:11,958
Jo Jo Williams?
1604
02:20:12,041 --> 02:20:15,171
Jo Jo Braxton. Jo Jo Pepper. Brennan.
1605
02:20:21,000 --> 02:20:22,000
{\an8}Yeah.
1606
02:21:49,416 --> 02:21:51,666
That's it. You know, it'll go--
1607
02:21:51,750 --> 02:21:52,750
Well, you know.
1608
02:21:53,916 --> 02:21:56,576
I think it needs
a bit more of that, this one.
1609
02:21:56,666 --> 02:21:58,286
Needs a bit more of that.
1610
02:21:59,500 --> 02:22:02,040
In fact, maybe you shouldn't both do that.
1611
02:22:02,125 --> 02:22:04,245
- Could you stop playing for a minute?
- Yes, all right, Paul.
1612
02:22:04,333 --> 02:22:06,923
…while I'm trying to talk to you
about this arrangement. Thank you.
1613
02:22:08,125 --> 02:22:10,625
- Could we go for lunch?
- Is it lunch already?
1614
02:22:10,708 --> 02:22:11,708
Yes.
1615
02:22:36,666 --> 02:22:37,536
Yeah.
1616
02:22:37,625 --> 02:22:39,665
{\an8}- We aim to please.
- I rang Chris and--
1617
02:22:41,333 --> 02:22:42,333
Mmm?
1618
02:23:11,416 --> 02:23:13,626
Oh. So pissed.
1619
02:23:16,750 --> 02:23:18,330
{\an8}- No.
1620
02:23:19,916 --> 02:23:20,746
{\an8}Yeah.
1621
02:23:26,791 --> 02:23:27,791
Stop it! Stop it!
1622
02:23:30,458 --> 02:23:32,458
- Ooh. What a buzz.
1623
02:23:32,541 --> 02:23:33,671
What a buzz.
1624
02:23:33,750 --> 02:23:36,830
"I've Got a Feeling."
Okay, George. Take it.
1625
02:25:26,125 --> 02:25:27,625
Yeah, rock it to me, baby.
1626
02:25:28,791 --> 02:25:30,171
That's what I like.
1627
02:25:30,875 --> 02:25:33,995
You may think this is a full orchestra,
but if you look closely,
1628
02:25:34,083 --> 02:25:37,333
you can see there's only two people
playing and one person singing.
1629
02:25:38,000 --> 02:25:40,380
I know it sounds like Benny Goodman,
but don't worry.
1630
02:25:40,458 --> 02:25:43,918
It's the big sound of 1969.
1631
02:26:03,166 --> 02:26:06,286
Maybe for the show, I mean,
you could just say George was sick.
1632
02:26:06,791 --> 02:26:08,921
No. I mean, if he leaves, he leaves.
1633
02:26:34,250 --> 02:26:36,000
Anything you say, dear!
1634
02:26:36,083 --> 02:26:38,793
- John, John!
- I've brought the tea.
1635
02:26:38,875 --> 02:26:40,535
John!
1636
02:26:40,625 --> 02:26:42,625
Yes?
1637
02:26:43,375 --> 02:26:45,035
{\an8}
1638
02:26:45,125 --> 02:26:46,125
{\an8}I saw him!
1639
02:26:46,208 --> 02:26:47,788
{\an8}- Terrible!
- Shit!
1640
02:26:49,958 --> 02:26:52,958
{\an8}
1641
02:27:03,000 --> 02:27:04,000
{\an8}Yeah.
1642
02:27:24,416 --> 02:27:27,956
- So cats and kittens, what we gonna do?
1643
02:27:40,333 --> 02:27:41,673
{\an8}
1644
02:27:41,750 --> 02:27:43,540
The thing about Orson is he's very funny.
1645
02:27:43,625 --> 02:27:44,745
We were in Belfast,
1646
02:27:44,833 --> 02:27:46,833
rehearsing the stage version
of Chimes of Midnight.
1647
02:27:46,916 --> 02:27:48,456
And one day he walked off the stage.
1648
02:27:49,541 --> 02:27:51,211
{\an8}- "See you round the clubs."
1649
02:27:51,291 --> 02:27:54,131
- He came back an hour later.
1650
02:27:55,166 --> 02:27:57,576
Get in your bag!
1651
02:27:57,666 --> 02:27:59,746
Get in your-- Get in your bloody bag!
1652
02:27:59,833 --> 02:28:01,633
- Not again!
- Go on!
1653
02:28:02,583 --> 02:28:06,083
The Mersey Beat Awards
for the Best Couple of the Year…
1654
02:28:08,083 --> 02:28:09,793
…goes to John and Yoko.
1655
02:28:43,416 --> 02:28:46,666
{\an8}
1656
02:29:16,166 --> 02:29:18,456
{\an8}
121244
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