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>> Announcer: LIVE FROM THE
BARKER HANGAR IN SANTA MONICA,
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00:00:05,372 --> 00:00:11,544
CALIFORNIA, IT'S THE 28th ANNUAL
"SCREEN ACTORS GUILD AWARDS."
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00:00:11,611 --> 00:00:14,948
JOIN US AS THE ACTING COMMUNITY
HONORS THE YEAR'S GREATEST
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00:00:15,015 --> 00:00:18,818
PERFORMANCES IN FILM AND
TELEVISION.
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00:00:18,885 --> 00:00:33,033
GETTING THE PARTY STARTED WITH
TAITTINGER CHAMPAGNE IS
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00:00:33,099 --> 00:00:36,970
DESEAN K. TERRY.
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>> Announcer: AWARDS SEASON IS
BACK!
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AND WE'RE TOGETHER AGAIN.
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>> WE'RE GOING TO NEED YOU TO
GET ON DOWN HERE.
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HEY THERE.
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00:00:52,452 --> 00:00:57,724
LET'S GO!
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SO, UMM, I GOT MY SAG CARD WHEN
I WAS 11, MAKING MY FIRST FILM.
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AND I WAS SO EXCITED TO BE ON A
FILM SET AND FOR ALL THE FREE
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SODA.
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YOU KNOW, AS MUCH SODA AS I
WANTED, I WOULD DO A SCENE,
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DRINK A SODA, DO A SCENE, DRINK
A SODA.
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I WAS HITTING IT HARD.
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AND, UMM PLEASE PAY ATTENTION TO
ME.
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THIS IS IMPORTANT, MAN.
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SO THE DIRECTOR COMES UP TO ME
AND HE SITS ME DOWN, AND HE
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SAYS, NICK, YOUR FACE IS GETTING
ROUNDER.
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OKAY, YOUR FACE IS CHANGING FROM
THE BEGINNING OF THE SHOOT.
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WE'RE GOING TO NEED YOU TO STOP
DRINKING SO MUCH SODA.
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IT WAS THE BEST N I EVER GOT.
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I'M NICHOLAS BRAUN, AND I AM AN
ACTOR.
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[ APPLAUSE ]
LET'S GO!
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>> MY LOVING MOTHER WAS ONE OF
THE MOST BELOVED WOMEN ACTRESSES
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OF HER GENERATION, AND SHE
PASSED HER LOVE AND RESPECT FOR
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HER CRAFT TO HER CHILDREN.
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MY BROTHER AND SISTER ARE
WORKING ACTORS TODAY.
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I AM VERY PROUD TO SAY I AM AN
ACTOR.
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[ APPLAUSE ]
>> OH, ME.
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MY FIRST KISS IN A FILM WAS ALSO
MY FIRST KISS IN REAL LIFE.
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I WAS 13 AND THE BOY I KISSED
ONLY WORKED FOR THAT ONE DAY.
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IT WAS ALSO HIS FIRST ACTING
JOB.
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I WONDER IF THAT GOT HIM HIS SAG
CARD?
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YEARS LATER, THE DIRECTOR TOLD
ME THAT HE PUT THE VERY FIRST
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TAKE OF THE KISS IN THE FILM.
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SO I GUESS I WAS A NATURAL.
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I'M ELLE FANNING.
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AND I'M AN ACTOR.
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[ APPLAUSE ]
[ OVERLAPPING SPEAKERS ]
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>> SORRY.
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[ OVERLAPPING SPEAKERS ]
>> LOOK, IN A TIME LIKE THIS,
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THE STAR OF THE SHOW SHOULD GO
FIRST.
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>> GOOD IDEA.
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[ OVERLAPPING SPEAKERS ]
>> ONE OF YOU SHOULD GO FIRST.
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YOU'RE BOTH FORMER NOMINEES.
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>> YOU HAD LIKE FOUR MOVIES COME
OUT THIS YEAR, TAKE IT.
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>> BUT DAVEED, YOU'VE BEEN
KILLING IT, TOO.
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"SNOW PIERCER."
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>> I AM OBSESSED WITH IT.
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>> MY ALL MEANS YOU SHOULD GO
FIRST.
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>> SERIOUSLY, IT SHOULD BE ONE
OF YOU GUYS.
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♪
>> ARE THEY PLAYING US OFF?
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>> WOW!
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>> CAN I JUST TAKE TIME TO THANK
MY PUBLIC?
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>> NO.
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I'M DAVEED DIGGS AND I'M AN
ACTOR.
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>> LET'S START THE SHOW!
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>> Announcer: LADIES AND
GENTLEMEN, DAVEED DIGGS,
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LIN-MANUEL MIRANDA AND
LESLIE ODOM JR.
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[ APPLAUSE ]
>> THERE'S NO CHANCE WITHOUT ME.
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>> WELCOME TO THE 28th ANNUAL
"SCREEN ACTORS GUILD AWARDS."
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IT IS SO GOOD TO SEE YOU IN
PERSON.
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THANK YOU FOR BEING HERE.
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00:04:38,645 --> 00:04:42,315
APPROPRIATELY ENOUGH THE THEME
TONIGHT IS "TOGETHER AGAIN."
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>> RIGHT, FINALLY WE RETURN TO A
WORLD WHERE ALL WE HAVE TO DO TO
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HANG OUT LIKE THIS IS GET
DRESSED UP, SHOW UP, GET
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SWABBED, SANITIZED, SCREEN,
BOOSTED, AND PCR CLEARED WITHIN
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48 HOURS.
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NOW WHO IS READY TO PARTY?
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>> SERIOUSLY, WE'RE FOLLOWING
THE MOST UP-TO-DATE SAFETY
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00:05:03,870 --> 00:05:05,672
GUIDELINES TONIGHT.
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00:05:05,738 --> 00:05:11,344
IF ANYONE BREAKS THE RULES, OUR
COVID COMPLIANCE OFFICERS ARE
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FROM "SQUID GAME."
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>> ALMOST ALL OF OUR NOMINEES
ARE HERE TONIGHT.
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00:05:23,589 --> 00:05:28,027
>> ANDREW GARFIELD IS NOMINATED
TONIGHT FOR HUS OUTSTANDING
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PERFORMANCE IN "TICK, TICK
BOOM."
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SIT A MUSICAL ABOUT WRITING A
MUSICAL.
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00:05:36,402 --> 00:05:39,639
>> NOW THAT YOU'VE DONE A
MUSICAL ABOUT WRITING A MUSICAL,
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00:05:39,706 --> 00:05:42,475
EVER THOUGHT ABOUT DOING A
MUSICAL ABOUT DOING A MUSICAL
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00:05:42,542 --> 00:05:44,410
ABOUT WRITING A MUSICAL?
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>> JUST NOW.
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AND NETFLIX JUST BOUGHT IT.
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THANK YOU.
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00:05:48,781 --> 00:05:52,652
>> LADY GAGA IS UP FOR FEMALE
ACTRESS AND LEADING ROLE
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TONIGHT.
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TO ADD TO HER COLLECTION OF
ACCOLADES, WHICH INCLUDE AN
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00:05:56,923 --> 00:06:01,928
OSCAR, 12 GRAMMYS, AND I DID NOT
KNOW, THIS AN ULTIMATE FIGHTING
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00:06:01,994 --> 00:06:02,528
CHAMPIONSHIP BELT.
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00:06:02,595 --> 00:06:04,831
THAT'S AMAZING.
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00:06:04,897 --> 00:06:08,501
>> ALSO TOM NATED, JAVIER
BARDEM.
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00:06:08,568 --> 00:06:13,639
A PREVIOUS SAG AWARD WINNER FOR
"NO COUNTRY FOR OLD MEN."
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HIS WIG FROM THAT FILM MAKES AN
APPEARANCE THIS YEAR IN
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"BELFAST."
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[ LAUGHTER ]
>> SO GOOD LUCK TO ALL THE
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00:06:22,749 --> 00:06:24,884
NOMINEES TONIGHT AND AGAIN,
THANK YOU FOR BEING HERE.
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00:06:24,951 --> 00:06:27,653
WITHOUT FURTHER ADO, LET'S ENJOY
SOME OF THE PAST YEAR'S
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00:06:27,720 --> 00:06:29,122
INCREDIBLE PERFORMANCES.
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[ APPLAUSE ]
♪
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[ APPLAUSE ]
♪
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>> ALL RIGHT.
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LET'S GET TO WORK.
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♪
♪ I CAME, I SAW, I CONQUERED
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00:06:55,248 --> 00:06:59,786
♪ NEVER GOT NO PRIZE
>> I'M GOING TO SHAKE UP THIS
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00:06:59,852 --> 00:07:01,320
WORLD.
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00:07:01,387 --> 00:07:07,994
♪ I WAS REPLACED BY MONSTERS
♪ NOW LOOK AROUND, AS FAR AS WE
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00:07:08,060 --> 00:07:15,568
CAN SEE ♪
♪
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00:07:15,635 --> 00:07:18,404
>> YOU HAVE TO DISTURB THE PEACE
OR YOU CAN GET NO PEACE.
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00:07:18,471 --> 00:07:28,448
>> OH, THAT IS A VERY GOOD LINE.
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00:07:28,514 --> 00:07:36,322
>> OH, THAT IS A VERY GOOD LINE.
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00:07:36,389 --> 00:07:38,624
>> EACH THOUGH YOU'RE BRIGHT,
YOU STILL HAVE TO WORK REALLY
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00:07:38,691 --> 00:07:42,862
HARD.
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00:07:42,929 --> 00:07:47,934
[ CHEERS AND APPLAUSE ]
>> WHILE TONIGHT IS A
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00:07:48,000 --> 00:07:50,903
CELEBRATION, WE ARE ALL AT THE
SAME TIME HOLDING A PLACE IN OUR
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00:07:50,970 --> 00:07:54,574
HEARTS FOR THE PEOPLE OF UKRAINE
AND SENDING OUR THOUGHTS,
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00:07:54,640 --> 00:07:59,912
PRAYERS, AND HOPES FOR IMPENDING
PEACE.
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00:07:59,979 --> 00:08:07,119
[ APPLAUSE ]
♪
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>> Announcer: PLEASE WELCOME,
JESSICA CHASTAIN AND
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OSCAR ISAAC.
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00:08:09,255 --> 00:08:17,096
[ APPLAUSE ]
>> HELLO.
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00:08:17,163 --> 00:08:20,766
THOSE HIGHLIGHTS WE SAW, THEY
WERE MAKING ME REALIZE HOW MANY
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00:08:20,833 --> 00:08:23,169
INCREDIBLE PERFORMANCES ARE OUT
THERE.
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00:08:23,236 --> 00:08:26,038
I'VE BEEN PUTTING IN A LOT OF
HEAVY SCREEN TIME.
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00:08:26,105 --> 00:08:28,674
>> IT'S NOT JUST YOU, OSCAR.
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00:08:28,741 --> 00:08:32,278
THAT IS EVERY EVENING OF MY LIFE
THIS PAST YEAR, MINUS THE
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00:08:32,345 --> 00:08:33,212
OCCASIONAL BOX OF WINE.
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00:08:33,279 --> 00:08:34,780
>> INDEED, INDEED.
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OUR FIRST AWARD TONIGHT GOES TO
ONE OF FIVE ACTORS WE HAVE LOVED
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WATCHING.
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>> HERE ARE THE NOMINEES FOR
MALE ACTORS IN A SUPPORTING
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ROLE.
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00:08:56,168 --> 00:09:03,242
S IS SO I'M GOING TO FIGHT LIKE
HELL TO STAY OUT ON THE WATER.
135
00:09:03,309 --> 00:09:06,712
>> JARED LETO, "HOUSE OF GUCCI."
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00:09:06,779 --> 00:09:11,551
>> WHY DID YOU NOT TALK TO ME?
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00:09:11,617 --> 00:09:13,152
GUCCI IS MY NAME, TOO!
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00:09:13,219 --> 00:09:20,393
[ APPLAUSE ]
BRADLEY COOPER, "LICORICE
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00:09:20,459 --> 00:09:21,027
PIZZA."
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00:09:21,093 --> 00:09:21,861
>> SHE CALL?
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00:09:21,928 --> 00:09:23,596
>> NO.
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00:09:23,663 --> 00:09:35,007
>> DAMN IT, STEVE!
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00:09:35,074 --> 00:09:41,247
THERE'S NO GAS IN THE CAR,
STEVE-O!
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00:09:41,314 --> 00:09:44,617
>> CODY McFEE "THE POWER OF THE
DOG."
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00:09:44,684 --> 00:09:48,154
>> HOW LONG DO YOU THINK IT WILL
TAKE TO FINISH THAT ROOM?
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00:09:48,220 --> 00:09:54,627
>> I'LL HAVE IT FINISHED BEFORE
YOU GO BACK TO SCHOOL.
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00:09:54,694 --> 00:09:56,996
>> WELL, CONTINUE BE VERY LONG,
PHIL.
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00:09:57,063 --> 00:10:07,406
[ APPLAUSE ]
>> BEN AFFLECK "THE TENDER BAR."
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00:10:07,473 --> 00:10:13,346
>> YOU'VE GOT TO HAVE IT.
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00:10:13,412 --> 00:10:18,384
I DON'T KNOW WHAT IT IS.
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00:10:18,451 --> 00:10:31,330
>> AND THE ACTOR GOES TO --
TROY KOTSUR!
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00:10:31,397 --> 00:10:41,374
[ CHEERS AND APPLAUSE ]
♪
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00:10:41,440 --> 00:10:51,417
[ CHEERS AND APPLAUSE ]
♪
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00:10:51,484 --> 00:11:05,631
[ CHEERS AND APPLAUSE ]
♪
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00:11:05,698 --> 00:11:10,302
>> WOW!
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WOW!
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00:11:14,674 --> 00:11:18,544
THANK YOU SO MUCH TO ALL THE
MEMBERS OF SAG.
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00:11:18,611 --> 00:11:20,312
I AM SO PROUD TO BE A MEMBER.
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00:11:20,379 --> 00:11:23,916
I'VE BEEN A MEMBER SINCE 2001,
AND SO NOW I FEEL LIKE I'M
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00:11:23,983 --> 00:11:25,551
FINALLY PART OF THE FAMILY.
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00:11:25,618 --> 00:11:29,488
AND I KNOW YOU ALL ARE ARTISTS,
AND I KNOW WHAT YOU ALL KNOW
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WHAT IT'S LIKE TO BE A STARVING
ACTOR.
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00:11:32,692 --> 00:11:34,593
BACK THEN I USED TO SLEEP IN MY
CAR.
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00:11:34,660 --> 00:11:37,129
I SLEPT IN MY DRESSING ROOM
BACKSTAGE.
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00:11:37,196 --> 00:11:43,402
I COUCH SURFED, AND ALL OF THAT,
YOU FEEL ME, RIGHT?
166
00:11:43,469 --> 00:11:45,137
AND SO THANK YOU SO MUCH.
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00:11:45,204 --> 00:11:50,042
I'M SO GRATEFUL TO SAG TO
PROTECT US ACTORS.
168
00:11:50,109 --> 00:11:55,581
AND NOW, THE PRODUCERS, THANK
YOU SO MUCH FOR HAVING FAITH IN
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00:11:55,648 --> 00:11:57,016
OUR PROJECT.
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00:11:57,083 --> 00:12:01,087
THEY REALLY BELIEVED IN US, AND
THEY BELIEVED IN OUR AMAZING
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DIRECTOR, SHAWN HADER, WHO IS A
FINE DIRECTOR.
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00:12:05,257 --> 00:12:12,298
I LOVE OUR CAST, MARLEY, DANIEL.
173
00:12:12,364 --> 00:12:14,700
AMELIA, DANIEL AND AMY, THANK
YOU SO MUCH.
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00:12:14,767 --> 00:12:17,803
WHAT A TALENTED CAST.
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00:12:17,870 --> 00:12:22,441
AND I'M SO GRATEFUL TO APPLE TV
PLUS FOR ALL OF THEIR SUPPORT
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00:12:22,508 --> 00:12:27,213
AND ACCESS, LIKE BURNED IN
CLOSED CAPTIONING, PROVIDING ASL
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00:12:27,279 --> 00:12:30,850
INTERPRETING SERVICES AND
BELIEVING IN US DEAF ACTORS AND
178
00:12:30,916 --> 00:12:34,754
CASTING US AUTHENTICALLY AS
ACTORS WHO ARE DEAF.
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00:12:34,820 --> 00:12:38,424
SO HATS OFF TO APPLE TV PLUS.
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00:12:38,491 --> 00:12:42,962
AND FINALLY, MY WIFE.
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00:12:43,028 --> 00:12:45,264
SHE IS STILL HERE WITH ME TODAY.
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00:12:45,331 --> 00:12:48,434
SHE'S BEEN WITH ME THROUGH ALL
THESE YEARS OF STRUGGLE.
183
00:12:48,501 --> 00:12:51,570
THANK YOU SO MUCH FOR BEING MY
BACKBONE, AND THANK YOU FOR
184
00:12:51,637 --> 00:12:52,371
SUPPORTING ME.
185
00:12:52,438 --> 00:12:53,506
I LOVE YOU.
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00:12:53,572 --> 00:12:58,043
[ APPLAUSE ]
AND MY DAUGHTER, MY DAUGHTER,
187
00:12:58,110 --> 00:12:59,512
KEIRA, TOO.
188
00:12:59,578 --> 00:13:02,148
YOU KNOW, KEIRA, THIS AWARD IS
NOT FOR YOU TO HANG YOUR JEWELRY
189
00:13:02,214 --> 00:13:03,816
ON, ALL RIGHT?
190
00:13:03,883 --> 00:13:07,787
KEEP THAT IN MIND.
191
00:13:07,853 --> 00:13:12,625
AND FINALLY, THANK YOU TO MY
WIFE FOR REMINDING ME TO CHECK
192
00:13:12,691 --> 00:13:15,194
MY FLY BEFORE WALKING ON THE RED
CARPET.
193
00:13:15,261 --> 00:13:16,662
THANK YOU.
194
00:13:16,729 --> 00:13:18,397
LOVE YOU ALL.
195
00:13:18,464 --> 00:13:23,502
[ APPLAUSE ]
>> Announcer: AND NOW,
196
00:13:23,569 --> 00:13:33,946
CATE BLANCHETT,
TYLER TERRY AND MERYL STREEP.
197
00:13:34,013 --> 00:13:48,327
[ APPLAUSE ]
>> TONIGHT'S FIRST NOMINEE FOR
198
00:13:48,394 --> 00:13:53,599
CAST IN A MOTION, TWO ASTROM
HERS DISCOVER A COMET ON A
199
00:13:53,666 --> 00:13:57,069
COLLISION COURSE TO EARTH AND
SCRAMBLE TO WARN THE PUBLIC.
200
00:13:57,136 --> 00:14:02,107
>> UNFORTUNATELY, ARMAGEDDON
ISN'T SEXY.
201
00:14:02,174 --> 00:14:04,743
>> WELL, YOU THOUGHT IT WAS.
202
00:14:04,810 --> 00:14:10,149
AND WHILE THE THREAT OF
HUMANITY'S IMMINENT EXTINCTION
203
00:14:10,216 --> 00:14:14,420
MIGHT BE INTERESTING, IT'S
NOTHING TO GET WORKED UP FOR.
204
00:14:14,486 --> 00:14:20,726
>> A METAPHOR OF THE CLIMATE
CRISIS WE ALL FACE.
205
00:14:20,793 --> 00:14:30,102
AND A CATASTROPHIC --
>> I HEAR THERE'S SOMETHING YOU
206
00:14:30,169 --> 00:14:31,570
DON'T LIKE THE LOOKS OF.
207
00:14:31,637 --> 00:14:33,739
>> WE DISCOVERED A LARGE COMET.
208
00:14:33,806 --> 00:14:36,308
>> IT'S HEADED DIRECTLY TOWARDS
US.
209
00:14:36,375 --> 00:14:39,411
>> THIS COMET IS WHAT WE CALL A
PLANET KILLER.
210
00:14:39,478 --> 00:14:40,679
>> HOW BIG IS THIS?
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00:14:40,746 --> 00:14:43,015
CAN IT DESTROY MY EX-WIFE'S
HOUSE, IS THAT POSSIBLE?
212
00:14:43,082 --> 00:14:46,852
>> THERE IT IS, A GIANT COMET.
213
00:14:46,919 --> 00:14:47,586
>> COMES TOWARDS EARTH!
214
00:14:47,653 --> 00:14:49,622
>> CAN YOU SEE IT?
215
00:14:49,688 --> 00:14:55,494
[ APPLAUSE ]
>> Announcer: PLEASE WELCOME
216
00:14:55,561 --> 00:15:04,703
SELENA GOMEZ AND MARTIN SHORT.
217
00:15:04,770 --> 00:15:06,605
>> THANK YOU SO MUCH.
218
00:15:06,672 --> 00:15:07,740
YOU'RE VERY KIND AND RIGHT.
219
00:15:07,806 --> 00:15:13,612
[ LAUGHTER ]
WELL, HERE WE ARE, AT THE SHAG
220
00:15:13,679 --> 00:15:15,981
AWARDS, HONORING THIS YEAR'S
BEST PERFORMANCE IN ADULT FILMS.
221
00:15:16,048 --> 00:15:19,551
>> ALL RIGHT.
222
00:15:19,618 --> 00:15:20,786
IT'S THE SAG AWARDS.
223
00:15:20,853 --> 00:15:23,555
>> OH, WELL, THAT MAKES SO MUCH
MORE SENSE.
224
00:15:23,622 --> 00:15:24,990
I WAS SURPRISED TO SEE MERYL
STREEP.
225
00:15:25,057 --> 00:15:31,730
[ LAUGHTER ]
WHAT A SHAME THE GREAT STEVE
226
00:15:31,797 --> 00:15:33,632
MARTIN COULDN'T JOIN US TONIGHT.
227
00:15:33,699 --> 00:15:37,569
FOR THE THREE OF US ARE REALLY A
FAMILY.
228
00:15:37,636 --> 00:15:40,606
>> WE OFTEN EAT MEALS TOGETHER
IN TOTAL SILENCE.
229
00:15:40,673 --> 00:15:42,207
>> IT'S TRUE.
230
00:15:42,274 --> 00:15:46,412
ALL RIGHT, THEN, LET'S GET ON
WITH DOING GOD'S WORK AND GIVE
231
00:15:46,478 --> 00:15:47,179
ANOTHER ACTOR AN AWARD.
232
00:15:47,246 --> 00:15:56,455
[ LAUGHTER ]
>> YES.
233
00:15:56,522 --> 00:15:59,491
LEAVE THE AUDIENCE WANTING LESS.
234
00:15:59,558 --> 00:16:07,499
HERE ARE THE NOMINEES FOR FEMALE
ACTOR IN A SUPPORTING ROLE.
235
00:16:07,566 --> 00:16:08,367
CATE BLANCHETT, "NIGHTMARE
ALLEY."
236
00:16:08,434 --> 00:16:13,572
>> YOU'RE A SMALL, SMALL MAN.
237
00:16:13,639 --> 00:16:24,249
[ APPLAUSE ]
RUTH NEGGA, "PASSING."
238
00:16:24,316 --> 00:16:28,988
>> YOU HAVE A TRUE, GOOD LIFE,
AND YOU'RE FREE.
239
00:16:29,054 --> 00:16:34,626
FREE AND SAFE.
240
00:16:34,693 --> 00:16:43,135
>> CAITRIONA BALFE, "BELFAST."
241
00:16:43,202 --> 00:16:47,706
>> I ASKED MYSELF, WHAT THE HELL
AM I DOING?
242
00:16:47,773 --> 00:16:55,681
[ APPLAUSE ]
KIRSTEN DUNST, "THE POWER OF THE
243
00:16:55,748 --> 00:17:01,553
DOG."
244
00:17:01,620 --> 00:17:05,924
>> I PLAYED IN THE CINEMA FOR
HOURS AND HOURS.
245
00:17:05,991 --> 00:17:07,292
I'M SO SORRY.
246
00:17:07,359 --> 00:17:12,364
[ APPLAUSE ]
ARIANA DEBOSE, "WEST SIDE
247
00:17:12,431 --> 00:17:16,335
STORY."
248
00:17:16,402 --> 00:17:22,074
>> YOU THINK THAT I'M GOING BACK
HOME TO PUERTO RICO WITH SIX
249
00:17:22,141 --> 00:17:22,741
KIDS?
250
00:17:22,808 --> 00:17:24,610
YOU ARE DREAMING.
251
00:17:24,676 --> 00:17:35,120
[ APPLAUSE ]
>> ALL RIGHT.
252
00:17:35,187 --> 00:17:37,256
WHO'S EXCITED?
253
00:17:37,322 --> 00:17:38,757
>> I'M EXCITED.
254
00:17:38,824 --> 00:17:42,161
>> ALTHOUGH IT'S HARD TO EXPRESS
BY EXCITEMENT, BECAUSE THE BOTOX
255
00:17:42,227 --> 00:17:43,695
IS FRESH.
256
00:17:43,762 --> 00:17:49,668
[ LAUGHTER ]
>> ALL RIGHT.
257
00:17:49,735 --> 00:17:51,036
MINE, TOO.
258
00:17:51,103 --> 00:17:57,376
AND THE ACTOR GOES TO --
OH, WAIT, WHY WON'T IT COME OUT?
259
00:17:57,443 --> 00:17:58,410
>> THERE IT IS.
260
00:17:58,477 --> 00:18:00,379
>> ARIANA DEBOSE, "WEST SIDE
STORY"!
261
00:18:00,446 --> 00:18:06,552
[ APPLAUSE ]
>> ARIANA DEBOSE CELEBRATES HER
262
00:18:06,618 --> 00:18:09,388
FIRST WIN AND FIRST NOMINATION.
263
00:18:09,455 --> 00:18:18,597
THIS IS HER FIRST WIN WITH THE
SCREEN ACTORS GLD AWARDS.
264
00:18:18,664 --> 00:18:28,640
♪
>> OH, MY GOSH.
265
00:18:28,707 --> 00:18:36,782
♪
>> OH, MY GOSH.
266
00:18:36,849 --> 00:18:40,786
THANK YOU.
267
00:18:40,853 --> 00:18:44,857
MY HEART IS BEATING IN MY CHEST
RIGHT NOW.
268
00:18:44,923 --> 00:18:49,995
IT'S TAKEN A LONG TIME FOR ME TO
FEEL COMFORTABLE CALLING MYSELF
269
00:18:50,062 --> 00:18:51,396
AN ACTOR.
270
00:18:51,463 --> 00:18:56,935
MY ROOTS COME FROM THE DANCE
WORLD, AND THE BROADWAY STAGE,
271
00:18:57,002 --> 00:19:02,007
AND THE PERSON WE SEE ON THE
SCREEN TOOK EVERY BIT OF ME, BUT
272
00:19:02,074 --> 00:19:06,145
SHE TOOK TEN YEARS TO MAKE, AND
I'M EXTREMELY PROUD OF HER AND
273
00:19:06,211 --> 00:19:07,513
OF OUR FILM.
274
00:19:07,579 --> 00:19:10,616
AND I REALLY DO BELIEVE WHEN YOU
RECOGNIZE ONE OF US, YOU
275
00:19:10,682 --> 00:19:12,217
RECOGNIZE ALL OF US IN A WAY.
276
00:19:12,284 --> 00:19:18,323
SO THANK YOU, SAG, FOR THIS
RECOGNITION.
277
00:19:18,390 --> 00:19:23,629
A FEW PEOPLE, STEVEN SPIELBERG,
MY GOD, THANK YOU FOR BELIEVING
278
00:19:23,695 --> 00:19:28,000
IN THE POSSIBILITY OF NOT ONLY
MY TALENT, BUT OF THAT OF MY
279
00:19:28,066 --> 00:19:29,401
COLLEAGUES.
280
00:19:29,468 --> 00:19:32,571
THANK YOU TO THE ENTIRE CAST AND
CREW OF "WEST SIDE STORY,"
281
00:19:32,638 --> 00:19:34,106
BECAUSE WHAT A LABOR OF LOVE.
282
00:19:34,173 --> 00:19:36,775
AND IT'S A BEAUTIFUL CINEMATIC
EXPERIENCE.
283
00:19:36,842 --> 00:19:40,512
AND I'M THRILLED THAT PEOPLE GET
TO SEE IT.
284
00:19:40,579 --> 00:19:50,322
OUR PRODUCERS, DISNEY, AND
EVERYONE AT THE STUDIOS, AND
285
00:19:50,389 --> 00:19:52,991
CHRISTY, THANK YOU FOR BEING
HERE TONIGHT TO SUPPORT ME.
286
00:19:53,058 --> 00:19:55,961
I LOVE YOU TO MUCH.
287
00:19:56,028 --> 00:19:57,496
KEVIN McCULLOM.
288
00:19:57,563 --> 00:20:00,032
THANK YOU FOR BEING HERE.
289
00:20:00,098 --> 00:20:05,604
AND JUST THANK ALL OF YOU, ALL
OF YOU STARING AT ME, SO MANY OF
290
00:20:05,671 --> 00:20:06,405
YOU.
291
00:20:06,471 --> 00:20:10,642
LADY GAGA, YOU'RE AMAZING.
292
00:20:10,709 --> 00:20:13,445
I'VE WATCHED SO MANY OF YOU FOR
A VERY LONG TIME.
293
00:20:13,512 --> 00:20:15,814
YOU HAVE INSPIRED ME AND
CONTINUE TO DO SO.
294
00:20:15,881 --> 00:20:16,982
I'M THRILLED TO BE AMONG YOU, SO
THANK YOU.
295
00:20:17,049 --> 00:20:30,462
[ APPLAUSE ]
>>> COMING UP, LADY GAGA, JARED
296
00:20:30,529 --> 00:20:34,800
LETO, VANESSA HUTCHENS.
297
00:20:34,866 --> 00:20:38,470
PLUS, LISA KUDROW ARE TOGETHER
AGAIN, WHEN "SCREEN ACTORS GUILD
298
00:20:51,550 --> 00:20:54,886
S>>> LADIES AND GENTLEMEN, JUNG
HO-YEON AND HALEY SEINFELD.
299
00:20:54,953 --> 00:21:03,495
[ APPLAUSE ]
>> THE CHARACTERS IN THIS
300
00:21:03,562 --> 00:21:06,732
CATEGORY ARE ALL FOCUSSED ON
LONG SHOTS.
301
00:21:06,798 --> 00:21:13,438
>> SOLVING A MURDER, WINNING
ENGLISH SOCCER MATCHES WITH AN
302
00:21:13,505 --> 00:21:18,243
AMERICAN FOOTBALL COACH, AND
SENDING ACTORS OUT TO FIND WORK.
303
00:21:18,310 --> 00:21:24,483
>> HERE ARE THE NOMINEES FOR
MALE ACTOR IN A COMEDY SERIES.
304
00:21:24,549 --> 00:21:29,554
>> MARTIN SHORT, "ONLY MURDERS
IN THE BUILDING."
305
00:21:29,621 --> 00:21:30,389
>> IS THAT DILLEN?
306
00:21:30,455 --> 00:21:37,262
>> I'M OVER HERE.
307
00:21:37,329 --> 00:21:45,070
"FACE-OFF?"
>> JASON SUDEIKIS "TED LASSO."
308
00:21:45,137 --> 00:21:47,973
>> I DON'T WANT TO SEE YOU
WALKING AROUND WITH YOUR TIRED
309
00:21:48,040 --> 00:21:51,576
FACES.
310
00:21:51,643 --> 00:21:52,878
NO, THANK YOU.
311
00:21:52,944 --> 00:21:57,349
THE ONLY FACE I WANT TO SEE FROM
YOU IS WHAT, COACH?
312
00:21:57,416 --> 00:21:58,350
>> GAME FACE.
313
00:21:58,417 --> 00:22:01,253
>> DARN TOOTING.
314
00:22:01,320 --> 00:22:04,256
>> STEVE MARTIN, "ONLY MURDERS
IN THE BUILDING."
315
00:22:04,323 --> 00:22:12,597
>> I CAN SEE YOU'RE GOING TO BE
A SEXY BASSOONIST, BASED ON YOUR
316
00:22:12,664 --> 00:22:16,501
SHIRT ONLY --
>> I'M GOING TO STOP YOU BEFORE
317
00:22:16,568 --> 00:22:17,369
YOU SAY I'M NOT SEXY.
318
00:22:17,436 --> 00:22:23,275
>> PLEASE, STOP ME.
319
00:22:23,342 --> 00:22:30,082
>> MICHAEL DOUGLAS, "THE
KOMINSKY METHOD."
320
00:22:30,148 --> 00:22:36,855
>> I COULDN'T GET A PERMIT FOR A
VIKING FUNERAL.
321
00:22:36,922 --> 00:22:39,891
>> MAYBE IN VENTURA COUNTY, BUT
NOT HERE.
322
00:22:39,958 --> 00:22:51,103
[ APPLAUSE ]
>> NICE DRESS.
323
00:22:51,169 --> 00:22:54,439
IT'S STUPID THEY'RE ALL WEARING
THE SAME THING.
324
00:22:54,506 --> 00:22:58,577
>> YOU KNOW WHAT?
325
00:22:58,643 --> 00:23:02,914
ENJOY THIS FOR WINNING NOTHING.
326
00:23:02,981 --> 00:23:13,158
>> AND THE ACTOR GOES TO --
>> THE ACTOR GOES TO JASON
327
00:23:13,225 --> 00:23:14,359
SUDEIKIS FOR "TED LASSO."
328
00:23:14,426 --> 00:23:24,403
[ APPLAUSE ]
>> WE'VE GOT TO SAVE THESE HUGS
329
00:23:24,469 --> 00:23:32,277
[ APPLAUSE ]
>> WE'VE GOT TO SAVE THESE HUGS
330
00:23:32,344 --> 00:23:33,512
UNTIL I'M DONE.
331
00:23:33,578 --> 00:23:34,079
JUST FREEZE, HOLD IT.
332
00:23:34,146 --> 00:23:37,149
NO HUGGING.
333
00:23:37,215 --> 00:23:41,586
THANK YOU VERY MUCH TO ALL YOU
GUYS FIRST AND FOREMOST.
334
00:23:41,653 --> 00:23:45,390
MY ENSEMBLE CAST ON "TED LASSO."
335
00:23:45,457 --> 00:23:50,829
THANK YOU TO ALL THE WRITERS,
EVERYBODY POST PRODUCTION, IN
336
00:23:50,896 --> 00:23:54,166
PRODUCTION, OUR COVID CREW THAT
KEPT EVERYBODY SAFE ALL THAT
337
00:23:54,232 --> 00:23:54,833
SEASON.
338
00:23:54,900 --> 00:23:56,268
THANKS TO MY KIDS.
339
00:23:56,334 --> 00:24:05,811
THANKS TO EVERYBODY I GOT TO
TAKE IMPROV CLASSES WITH, MY --
340
00:24:05,877 --> 00:24:07,779
YEAH, MY FAMILY, AND THIS CHOSEN
FAMILY HERE.
341
00:24:07,846 --> 00:24:08,880
SO THANK YOU VERY MUCH.
342
00:24:08,947 --> 00:24:10,549
REALLY APPRECIATE IT.
343
00:24:10,615 --> 00:24:21,460
[ APPLAUSE ]
>> Announcer: PLEASE WELCOME
344
00:24:21,526 --> 00:24:34,906
LADY GAGA AND JARED LETTO.
345
00:24:34,973 --> 00:24:38,844
>> WELL, TONIGHT'S NEXT NOMINEE
FORECAST IN A MOTION PICTURE
346
00:24:38,910 --> 00:24:42,414
TELLS A STORY OF INTRIGUE,
EXCESS, AND BETRAYAL.
347
00:24:42,481 --> 00:24:45,684
THE COLLAPSE OF THE GUCCI
FAMILY'S CONTROL OVER THEIR
348
00:24:45,750 --> 00:24:49,688
WORLD RENOWNED FASHION HOUSE.
349
00:24:49,754 --> 00:24:54,292
THE OUTSIDER MARRIES INTO THE
FAMILY AND HER AMBITION BEGINS
350
00:24:54,359 --> 00:24:56,361
TO UNRAVEL THE FAMILY LEGACY.
351
00:24:56,428 --> 00:25:01,967
>> AND THEN THE FINANCIAL STAKES
GROW, THE HUMAN COSTS DO, AS
352
00:25:02,033 --> 00:25:03,568
WELL.
353
00:25:03,635 --> 00:25:09,908
UNTIL LIVES ARE RUINED AND EVEN
LOST, AND AS PALO WOULD SAY --
354
00:25:09,975 --> 00:25:11,109
BOOF.
355
00:25:11,176 --> 00:25:13,912
>> AN ODYSSEY OF AMBITION,
GREED, AN VENGEANCE.
356
00:25:13,979 --> 00:25:15,080
THIS IS "HOUSE OF GUCCI."
357
00:25:15,146 --> 00:25:25,557
[ APPLAUSE ]
>> IT WAS THE NAME THAT SOUNDED
358
00:25:25,624 --> 00:25:26,758
SO SWEET.
359
00:25:26,825 --> 00:25:35,166
>> CAN YOU KEEP A SECRET?
360
00:25:35,233 --> 00:25:38,870
>> I HAD NO IDEA I MARRIED A
MONSTER.
361
00:25:38,937 --> 00:25:39,604
>> YOU CAN'T.
362
00:25:39,671 --> 00:25:40,739
YOU MARRIED A GUCCI.
363
00:25:40,805 --> 00:25:47,479
[ APPLAUSE ]
>> AND NOW, ROSARIO DAWSON AND
364
00:25:47,546 --> 00:25:49,080
HAVE NECESSARIA HUTCHINS.
365
00:25:49,147 --> 00:25:59,457
[ APPLAUSE ]
>> EVERY ACTOR HOPES TO BECOME
366
00:25:59,524 --> 00:26:02,894
ONE WITH THEIR CHARACTER IN A
WAY THAT YOU CAN'T IMAGINE
367
00:26:02,961 --> 00:26:04,429
ANYONE ELSE PLAYING THE PART.
368
00:26:04,496 --> 00:26:07,732
>> THE FIVE ACTORS IN THIS
CATEGORY HAVE ACHIEVED THAT,
369
00:26:07,799 --> 00:26:13,004
OWNING THESE ROLES AND GIVING US
PERFORMANCES THAT ARE SLY,
370
00:26:13,071 --> 00:26:14,573
SMART, AND FLAT OUT HILARIOUS.
371
00:26:14,639 --> 00:26:21,846
>> HERE ARE THE NOMINEES FOR
FEMALE ACTOR IN A COMEDY SERIES.
372
00:26:21,913 --> 00:26:25,150
HANNA WADDINGHAM "TED LASSO."
373
00:26:25,216 --> 00:26:30,822
>> I THOUGHT BEING INVULNERABLE
WOULD PROTECT ME, SO I PUSHED
374
00:26:30,889 --> 00:26:38,630
PEOPLE AWAY FOR YEARS.
375
00:26:38,697 --> 00:26:41,967
ELLE FANNING, "THE GREAT."
376
00:26:42,033 --> 00:26:46,037
>> LET US PUT IT BEHIND US,
AGREE TO ACCOMMODATIONS AS
377
00:26:46,104 --> 00:26:54,312
APPEASING FOR ALL, AND FINISH ME
OFF.
378
00:26:54,379 --> 00:26:58,984
>> JEAN SMART, "HACKS."
379
00:26:59,050 --> 00:27:01,186
>> ALL RIGHT, COME ON.
380
00:27:01,252 --> 00:27:08,493
LET'S GO.
381
00:27:08,560 --> 00:27:17,869
>> SHE DIDN'T KNOW.
382
00:27:17,936 --> 00:27:24,242
>> JUNO TEMPLE, "TED LASSO."
383
00:27:24,309 --> 00:27:34,252
[ APPLAUSE ]
>> SANDRA OH, "THE CHAIR.
384
00:27:34,319 --> 00:27:36,154
"
>> CLIMATE CHANGE, RACISM, THE
385
00:27:36,221 --> 00:27:39,591
PRISON INDUSTRIAL COMPLEX,
HOMOPHOBIA.
386
00:27:39,658 --> 00:27:41,126
THESE -- OH, I'M SORRY.
387
00:27:41,192 --> 00:27:42,260
IT'S MY DAD.
388
00:27:42,327 --> 00:27:43,395
I'LL CALL HIM BACK.
389
00:27:43,461 --> 00:27:52,937
[ APPLAUSE ]
>> AND THE ACTOR GOES TO --
390
00:27:53,004 --> 00:27:53,972
JEAN SMART FOR "HACKS."
391
00:27:54,039 --> 00:28:05,583
[ APPLAUSE ]
>> Announcer: JEAN SMART
392
00:28:05,650 --> 00:28:09,254
CELEBRATES HER FIRST WIN AND
FOURTH NOMINATION.
393
00:28:09,320 --> 00:28:16,528
SHE'S ALSO NOMINATED FOR FEMALE
ACTOR FOR A TELEVISION MOVIE AND
394
00:28:16,594 --> 00:28:22,767
FOR HER ROLE IN "MARE OF
EASTOWN."
395
00:28:22,834 --> 00:28:32,811
♪
>> OH, YOU GUYS!
396
00:28:32,877 --> 00:28:40,151
♪
>> OH, YOU GUYS!
397
00:28:40,218 --> 00:28:44,155
THANK YOU.
398
00:28:44,222 --> 00:28:50,228
THANK YOU SO MUCH.
399
00:28:50,295 --> 00:28:51,629
I LOVE ACTORS.
400
00:28:51,696 --> 00:28:56,768
NOBODY GETS US, YOU KNOW?
401
00:28:56,835 --> 00:28:59,070
SERIOUSLY, WHAT WE DO IS
VALUABLE.
402
00:28:59,137 --> 00:29:08,279
I MEAN, WE ARE THE TRIBE'S
STORYTELLERS, SINCE MAN CRAWLED
403
00:29:08,346 --> 00:29:11,149
OUT OF THE CAVE AND SET A FIRE
TOGETHER.
404
00:29:11,216 --> 00:29:12,217
IT'S IMPORTANT.
405
00:29:12,283 --> 00:29:15,186
WE ARE THE WORLD'S OLDEST
PROFESSION.
406
00:29:15,253 --> 00:29:18,923
SOMETIMES IT FEELS LIKE WE'RE
THE OTHER WORLD'S OLDEST
407
00:29:18,990 --> 00:29:22,026
PROFESSION.
408
00:29:22,093 --> 00:29:28,066
BUT THANK YOU TO HBO MAX AND
UNIVERSAL, CASEY AND EVERYBODY
409
00:29:28,133 --> 00:29:31,369
FOR THEIR UNBELIEVABLE SUPPORT
OF THE SHOW.
410
00:29:31,436 --> 00:29:45,116
AND MY GOD, OUR SHOW RUNNERS,
I -- I TELL PEOPLE I WORK FOR
411
00:29:45,183 --> 00:29:47,085
JPL AND THEY GO HUH?
412
00:29:47,152 --> 00:29:48,052
OKAY.
413
00:29:48,119 --> 00:29:53,558
AND MY CAST WAS CAST IN HEAVEN.
414
00:29:53,625 --> 00:29:59,297
AND MY PARTNER IN CRIME, HANNA,
AND MARK AND CAITLIN AND ROSE
415
00:29:59,364 --> 00:30:03,101
AND PAUL AND MEGAN AND POPPY.
416
00:30:03,168 --> 00:30:06,471
I JUST CAN'T TELL YOU, YOU MAKE
IT A JOY TO COME TO WORK EVERY
417
00:30:06,538 --> 00:30:13,711
DAY, WITH OUR AMAZING CREW AND
OUR INCREDIBLE DP, ADAM BRICKER.
418
00:30:13,778 --> 00:30:17,048
I ALMOST SAID ADAM DRIVER, THAT
WASN'T RIGHT.
419
00:30:17,115 --> 00:30:21,252
AND OUR PRODUCTION DESIGNER,
JOHN CARLOS.
420
00:30:21,319 --> 00:30:25,023
BUT THIS HAS BEEN SUCH A JOY AT
THIS STAGE OF THE GAME.
421
00:30:25,089 --> 00:30:26,424
UNBELIEVABLE TREAT.
422
00:30:26,491 --> 00:30:30,195
AND MY REPRESENTATIVES WHO ADORE
SCOTT HENDERSON AND DANIEL
423
00:30:30,261 --> 00:30:31,996
THOMAS AND AMY.
424
00:30:32,063 --> 00:30:33,398
I LOVE YOU ALL.
425
00:30:33,464 --> 00:30:37,402
AND TO MY TWO CHILDREN, FOREST
AND CONNOR, YOU ARE MY LIFE.
426
00:30:37,468 --> 00:30:41,206
THANK YOU AND PLEASE, EVERYBODY,
PRAY FOR PEACE AND THANK YOU,
427
00:30:41,272 --> 00:30:43,842
THANK YOU, THANK YOU, THANK YOU.
428
00:30:43,908 --> 00:30:49,380
[ APPLAUSE ]
♪
429
00:30:49,447 --> 00:31:03,261
>> Announcer: TOGETHER AGAIN,
PLEASE WELCOME LISA KUDROW AND
430
00:31:03,328 --> 00:31:04,329
MERA SAVINO.
431
00:31:04,395 --> 00:31:12,804
[ APPLAUSE ]
>> WOW, "TIME AFTER TIME."
432
00:31:12,871 --> 00:31:13,638
>> YOU LOOK CUTE.
433
00:31:13,705 --> 00:31:16,741
>> I KNOW.
434
00:31:16,808 --> 00:31:17,342
THANKS.
435
00:31:17,408 --> 00:31:18,509
>> SO DO YOU.
436
00:31:18,576 --> 00:31:19,277
>> THANKS.
437
00:31:19,344 --> 00:31:20,745
>> OF COURSE.
438
00:31:20,812 --> 00:31:25,383
>> DO YOU THINK THAT THIS IS THE
CUTEST ANYONE'S EVER LOOKED AT
439
00:31:25,450 --> 00:31:26,551
AN AWARDS SHOW?
440
00:31:26,618 --> 00:31:27,986
>> TOTALLY.
441
00:31:28,052 --> 00:31:32,590
>> I JUST REALIZED THIS, WE'RE
WEARING GREAT ENSEMBLES, WHILE
442
00:31:32,657 --> 00:31:37,095
AT THE SAME TIME PRESENTING TWO
GREAT ENSEMBLES.
443
00:31:37,161 --> 00:31:41,766
>> YOU ARE SO RIGHT.
444
00:31:41,833 --> 00:31:46,237
YOU ARE SO RIGHT, AND THESE CAST
ENSEMBLES ARE SO HILARIOUS.
445
00:31:46,304 --> 00:31:48,573
AND YOU KNEW THAT ENSEMBLE HAD
TWO MEANINGS.
446
00:31:48,640 --> 00:31:52,410
YOU'RE A GENIUS.
447
00:31:52,477 --> 00:31:54,279
>> AHH, THANK YOU.
448
00:31:54,345 --> 00:32:05,356
>> ALL RIGHT, WELL, HERE ARE THE
NOM ENSEMBLE IN A COME
449
00:32:05,423 --> 00:32:07,091
SI SERIES.
450
00:32:07,158 --> 00:32:10,495
>> "THE ENSEMBLE OF "HACKS."
451
00:32:10,561 --> 00:32:14,565
>> I DO WANT TO DRIVE OFF A
CLIFF.
452
00:32:14,632 --> 00:32:17,168
>> I CAN'T BELIEVE THIS IS WHAT
SHE'S DOING TODAY.
453
00:32:17,235 --> 00:32:18,002
IS IT WORTH IT?
454
00:32:18,069 --> 00:32:20,338
>> ABOUT $100,000.
455
00:32:20,405 --> 00:32:21,005
>> 100 GRAND?
456
00:32:21,072 --> 00:32:22,807
>> AND SOME STOCK.
457
00:32:22,874 --> 00:32:30,949
[ APPLAUSE ]
>> THE ENSEMBLE OF "THE KOMINSKY
458
00:32:31,015 --> 00:32:31,549
METHOD."
459
00:32:31,616 --> 00:32:32,150
>> THE HOUSE?
460
00:32:32,216 --> 00:32:33,151
>> YES.
461
00:32:33,217 --> 00:32:35,386
>> COME ON, THAT DUMP IS
WORTHLESS.
462
00:32:35,453 --> 00:32:36,721
IT'S A KNOCKDOWN.
463
00:32:36,788 --> 00:32:40,024
>> YOU TOLD ME THE HOUSE WAS
LOVELY AND HAD GOOD BONES.
464
00:32:40,091 --> 00:32:40,825
>> THAT'S JUST WHAT YOU SAY.
465
00:32:40,892 --> 00:32:41,960
>> SHAME ON YOU!
466
00:32:42,026 --> 00:32:48,533
[ APPLAUSE ]
>> THE ENSEMBLE OF "TED LASSO."
467
00:32:48,599 --> 00:32:55,673
♪
>> HE'S SAYING THERE'S SOMETHING
468
00:32:55,740 --> 00:32:58,810
WRONG WITH US.
469
00:32:58,876 --> 00:33:00,345
I BELIEVE IN COMMUNISM.
470
00:33:00,411 --> 00:33:05,216
IF TOM HANKS AND MEG RYAN CAN GO
THROUGH STRUGGLES AND END UP
471
00:33:05,283 --> 00:33:10,054
HAPPY, SO CAN WE.
472
00:33:10,121 --> 00:33:16,627
>> THE ENSEMBLE OF "THE GREATS."
473
00:33:16,694 --> 00:33:17,695
>> I'M WINNING.
474
00:33:17,762 --> 00:33:19,464
>> I LOVE THAT YOU THINK THAT.
475
00:33:19,530 --> 00:33:22,133
>> I REALLY WANT TO KILL HIM.
476
00:33:22,200 --> 00:33:25,636
>> REASON AND COMPASSION IS
BETTER THAN VIOLENCE.
477
00:33:25,703 --> 00:33:33,745
>> LET'S JUST BEARD HIM, LIKE
CIVIL IZED MEN.
478
00:33:33,811 --> 00:33:38,383
>> THE ENSEMBLE OF "ONLY MURDERS
IN THE BUILDING."
479
00:33:38,449 --> 00:33:42,220
>> IT'S THE BOONDOCKS YOU NEED
TO WORRY ABOUT.
480
00:33:42,286 --> 00:33:48,259
>> I DON'T KNOW, IT'S SO PBS-Y.
481
00:33:48,326 --> 00:33:51,596
MAYBE MABEL SHOULD GIVE IT A
TRY.
482
00:33:51,662 --> 00:33:56,267
>> I WOULD RATHER DIE.
483
00:33:56,334 --> 00:34:10,782
>> AND THE ACTOR GOES TO --
>> "TED LASSO."
484
00:34:10,848 --> 00:34:22,794
♪
>> OH, MY GOSH!
485
00:34:22,860 --> 00:34:26,931
EVEN THOUGH WE'RE A COMPLETE
GAGGLE OF IDIOTS, WE'RE SO
486
00:34:26,998 --> 00:34:27,665
APPRECIATIVE.
487
00:34:27,732 --> 00:34:28,966
THANK YOU SO, SO MUCH.
488
00:34:29,033 --> 00:34:32,670
WE WISH WE WERE THERE WITH YOU.
489
00:34:32,737 --> 00:34:36,107
THANK YOU SO APPLE, TO WARNER
BROTHERS FOR JUST MAKING
490
00:34:36,174 --> 00:34:45,583
EVERYTHING SO PERFECT!
491
00:34:45,650 --> 00:34:46,384
THANK YOU SO MUCH.
492
00:34:46,451 --> 00:34:58,696
WE WISH WE WERE THERE!
493
00:34:58,763 --> 00:35:02,533
>>> WHEN WE COME BACK, WILL
SMITH, FAITH HILL AND TIM
494
00:35:02,600 --> 00:35:05,036
McGRAW.
495
00:35:05,103 --> 00:35:07,638
PLUS, ALEXANDRA DADDARIO AND
ROSS BUTLER ON THE "SCREEN
496
00:35:07,705 --> 00:35:08,406
ACTORS GUILD AWARDS."
497
00:35:20,118 --> 00:35:20,985
HILL AND TIM McGRAW.
498
00:35:21,052 --> 00:35:34,532
[ APPLAUSE ]
>> HEY.
499
00:35:34,599 --> 00:35:41,205
>> THE ACTORS IN THIS CATEGORY
DEPICT GAME PLAYING MANIPULATORS
500
00:35:41,272 --> 00:35:45,009
OFTEN MIS-SEEING THEMSELVES AS
MUCH AS ANYONE ELSE.
501
00:35:45,076 --> 00:35:50,882
>> HURRY, HURRY, RUSH TO YOUR
TABLE.
502
00:35:50,948 --> 00:35:52,283
POWER TO LIFE ITSELF.
503
00:35:52,350 --> 00:35:55,586
THESE CHARACTERS AREN'T WORRIED
ABOUT SELLING THEIR SOULS,
504
00:35:55,653 --> 00:35:57,955
THEY'RE WORRIED ABOUT GETTING
THE BEST PRICE.
505
00:35:58,022 --> 00:36:03,494
>> HERE ARE THE NOMINEES FOR
MALE ACTOR IN A DRAMA SERIES.
506
00:36:03,561 --> 00:36:07,532
>> JEREMY STRONG "SUCCESSION."
507
00:36:07,598 --> 00:36:10,101
>> LET ME OFF, OKAY?
508
00:36:10,168 --> 00:36:13,004
PAY UP AND LET ME OUT.
509
00:36:13,070 --> 00:36:14,505
I DON'T WANT TO BE YOU.
510
00:36:14,572 --> 00:36:16,240
I'M A GOOD GUY.
511
00:36:16,307 --> 00:36:27,318
[ APPLAUSE ]
"BILLY CRUDUP," THE MORNING
512
00:36:27,385 --> 00:36:28,753
SHOW.
513
00:36:28,819 --> 00:36:33,524
>> YOU'RE JUST SO CAUGHT UP IN
RULING OVER YOUR ROTTEN LITTLE
514
00:36:33,591 --> 00:36:39,197
THIEFDOM, THAT YOU DON'T SEE THE
WORLD SPREADING OUT AROUND YOU.
515
00:36:39,263 --> 00:36:44,669
>> KIERAN CULKIN "SUCCESSION."
516
00:36:44,735 --> 00:36:49,740
>> THE THREE OF US TO ASK AND TO
SAY, DO NOT DO THIS, PLEASE.
517
00:36:49,807 --> 00:37:02,720
[ APPLAUSE ]
>> LEE JUNG-JAE, "SQUID GAME."
518
00:37:02,787 --> 00:37:12,096
[ SPEAKING FOREIGN LANGUAGE ]
[ APPLAUSE ]
519
00:37:12,163 --> 00:37:17,101
>> BRIAN COX, SUCCESS.
520
00:37:17,168 --> 00:37:21,572
>> YOU BUST IN HERE, GUNS IN
HANDS.
521
00:37:21,639 --> 00:37:24,709
YOU TALK.
522
00:37:24,775 --> 00:37:31,849
[ APPLAUSE ]
>> WOW.
523
00:37:31,916 --> 00:37:32,917
THAT WAS IMPRESSIVE.
524
00:37:32,984 --> 00:37:43,394
AND THE ACTOR GOES TO --
>> LEE JUNG-JAE!
525
00:37:43,461 --> 00:37:54,438
[ CHEERS AND APPLAUSE ]
>> Announcer: LEE JUNG-JAE
526
00:37:54,505 --> 00:37:56,607
CELEBRATES HIS FIRST WIN AND
SECOND NOMINATION.
527
00:37:56,674 --> 00:38:10,588
HE'S ALSO NOMINATED TONIGHT WITH
THE ENSEMBLE OF "SQUID GAME."
528
00:38:10,655 --> 00:38:25,536
♪
>> Translator: OH, MY.
529
00:38:25,603 --> 00:38:33,678
THANK YOU SO MUCH.
530
00:38:33,744 --> 00:38:42,753
THIS IS TRULY HUGE THIS HAPPENED
TO ME.
531
00:38:42,820 --> 00:38:44,288
I DID WRITE SOMETHING, BUT I
DON'T THINK I'M GOING TO GET TO
532
00:38:44,355 --> 00:38:48,225
READING IT.
533
00:38:48,292 --> 00:38:55,633
THANK YOU SO, SO MUCH, SAG AFTER
AWARDS.
534
00:38:55,700 --> 00:38:58,002
AND THANK YOU TO THE GLOBAL
AUDIENCE FOR ALL OF YOUR LOVE
535
00:38:58,069 --> 00:39:01,505
FOR "SQUID GAME."
536
00:39:01,572 --> 00:39:03,908
THANK YOU.
537
00:39:03,974 --> 00:39:15,252
[ CHEERS AND APPLAUSE ]
>> Announcer: AND NOW, PLEASE
538
00:39:15,319 --> 00:39:25,296
WELCOME THE PRESIDENT OF SAG,
FRAN DRESCHER.
539
00:39:25,363 --> 00:39:36,340
WELCOME THE PRESIDENT OF SAG,
FRAN DRESCHER.
540
00:39:36,407 --> 00:39:41,679
>> HI, EVERYONE.
541
00:39:41,746 --> 00:39:46,384
FIRST, I WOULD LIKE TO EXTEND
PRAYERS TO THE PEOPLE OF
542
00:39:46,450 --> 00:39:47,551
UKRAINE.
543
00:39:47,618 --> 00:39:55,359
[ APPLAUSE ]
AND TO SAY WE ARE VERY GRATEFUL
544
00:39:55,426 --> 00:40:00,164
TO THE DGA, THE WGA, AFM AND
TEAMSTERS.
545
00:40:00,231 --> 00:40:08,005
[ APPLAUSE ]
I WANT TO THANK YOU FOR ELECTING
546
00:40:08,072 --> 00:40:12,176
ME AS YOUR SAG-AFTA NATIONAL
PRESIDENT.
547
00:40:12,243 --> 00:40:19,884
AND I THOUGHT IT WAS A BIG DEAL
BEING LEFT-HANDER OF THE YEAR.
548
00:40:19,950 --> 00:40:25,990
WE PERFORMERS ARE THE CENTER OF
THE SHOW BUSINESS WHEEL.
549
00:40:26,056 --> 00:40:36,267
BECAUSE OF US, YOU TUNE INTO THE
TV, THE THEATERS, TO LAUGH, CRY,
550
00:40:36,333 --> 00:40:38,302
BE INSPIRED AND DREAM.
551
00:40:38,369 --> 00:40:44,141
WE ARE THE LARGEST ENTERTAINMENT
UNION IN THE WORLD, AND WE HAVE
552
00:40:44,208 --> 00:40:46,844
A RESPONSIBILITY TO THAT WORLD.
553
00:40:46,911 --> 00:40:52,249
TO THAT END, I HAVE FORMED THE
FIRST GREEN COUNCIL, WHICH
554
00:40:52,316 --> 00:40:57,922
INCLUDES SISTER UNIONS,
ASSOCIATIONS, NGOs, AND
555
00:40:57,988 --> 00:40:58,656
ENVIRONMENTALISTS.
556
00:40:58,722 --> 00:41:01,292
SOME ARE HERE TONIGHT.
557
00:41:01,358 --> 00:41:05,296
MERYL, CATE, AND SOME I WOULD
LIKE TO RECRUIT, ROSARIO,
558
00:41:05,362 --> 00:41:08,299
DENZEL.
559
00:41:08,365 --> 00:41:14,738
TOGETHER, WE WILL BUILD THE
GREEN COUNCIL LEGACY, WITH AN
560
00:41:14,805 --> 00:41:28,018
INDUSTRY WIDE BAN ON, YES,
SINGLE USE PLASTIC.
561
00:41:28,085 --> 00:41:32,356
AND A NATIONAL SEXUAL HARASSMENT
COMMITTEE WE FORMED.
562
00:41:32,423 --> 00:41:38,863
IN D.C., WE FIGHT FOR TAX
PARITY, MUSIC FAIRNESS, VIOLENCE
563
00:41:38,929 --> 00:41:41,198
AGAINST WOMEN AND CROWN ACTS.
564
00:41:41,265 --> 00:41:48,973
LET UNITY AND INCLUSION BE OUR
CREDO, AND ALWAYS CELEBRATE THE
565
00:41:49,039 --> 00:41:52,343
MANY DIVERSE THREADS THAT MAKE
UP THE FABRIC OF THE HUMAN
566
00:41:52,409 --> 00:41:56,447
EXPERIENCE.
567
00:41:56,514 --> 00:42:03,153
THIS INDUSTRY IS THE GREATEST
INFLUENCER ON THE PLANET.
568
00:42:03,220 --> 00:42:11,228
WE MUST ALWAYS LEVERAGE THAT FOR
THE GREATER GOOD.
569
00:42:11,295 --> 00:42:14,231
PLEASE, ENJOY YOURSELVES AND
GOOD LUCK.
570
00:42:14,298 --> 00:42:21,639
AS A FORMER MS. NEW YORK
TEENAGER FIRST RUNNER-UP, MY
571
00:42:21,705 --> 00:42:26,677
MOTHER SAID, YOU'RE ALL WINNERS.
572
00:42:26,744 --> 00:42:33,951
[ APPLAUSE ]
>> Announcer: PLEASE WELCOME,
573
00:42:34,018 --> 00:42:47,665
AUNJANUE ELLIS, SANIYYA SIDNEY,
DEMI SINGLETON, AND WILL SMITH.
574
00:42:47,731 --> 00:42:57,274
♪
>> HELLO, EVERYBODY.
575
00:42:57,341 --> 00:43:02,613
>> TONIGHT'S NEXT NOMINEE FOR
CAST IN A MOTION PICTURE PROVES
576
00:43:02,680 --> 00:43:09,086
JUST HOW POWERFUL A MAN AND A
WOMAN WITH A PLAN CAN BE.
577
00:43:09,153 --> 00:43:14,191
>> A 78 PAGE PLAN, A FATHER'S
BLUEPRINT FOR RAISING HIS
578
00:43:14,258 --> 00:43:18,562
DAUGHTERS TO BECOME CHAMPIONS ON
AND OFF THE COURT, WRITTEN
579
00:43:18,629 --> 00:43:20,130
BEFORE THEY WERE BORN.
580
00:43:20,197 --> 00:43:22,933
>> THIS TRUE STORY FOLLOWS A
FAMILY AS THEY FACE SEEMINGLY
581
00:43:23,000 --> 00:43:26,070
INSURMOUNTABLE ODDS WITH
INCREDIBLE DETERMINATION, AND
582
00:43:26,136 --> 00:43:28,973
ALWAYS WITH UNCONDITIONAL LOVE.
583
00:43:29,039 --> 00:43:31,375
>> YOU'LL JUST HAVE TO WATCH THE
MOVIE TO FIND OUT HOW THINGS
584
00:43:31,442 --> 00:43:36,513
TURN OUT FOR HIS DAUGHTERS,
VENUS AND SERENA.
585
00:43:36,580 --> 00:43:40,584
>> THIS IS "KING RICHARD."
586
00:43:40,651 --> 00:43:45,889
[ APPLAUSE ]
>> WE'RE A TEAM, WE'RE A FAMILY.
587
00:43:45,956 --> 00:43:50,928
♪
AT YOUR AGE, I HAD TO FIGHT
588
00:43:50,995 --> 00:43:54,164
EVERY DAY.
589
00:43:54,231 --> 00:43:59,503
AND I AIN'T HAD NO DADDY TO
STAND IN THEIR WAY.
590
00:43:59,570 --> 00:44:03,173
I JUST DON'T WANT YOU TO LOOK UP
AND SEE YOUR DADDY RUNNING AWAY.
591
00:44:03,240 --> 00:44:04,875
>> YOU DONE YOUR JOB.
592
00:44:04,942 --> 00:44:08,078
>> YOU ARE A CHAMPION, VENUS
WILLIAMS.
593
00:44:08,145 --> 00:44:15,419
[ APPLAUSE ]
>> Announcer: AND NOW, PLEASE
594
00:44:15,486 --> 00:44:26,130
WELCOME, ROSS BUTLER AND
ALEXANDRA DADDARIO.
595
00:44:26,196 --> 00:44:30,701
>> ALTHOUGH THE NOMINEES IN THIS
CATEGORY PLAY CHARACTERS FACING
596
00:44:30,768 --> 00:44:31,635
WILDLY DIFFERENT CHALLENGES,
THEY DO SHARE TWO THINGS IN
597
00:44:31,702 --> 00:44:32,970
COMMON.
598
00:44:33,037 --> 00:44:34,338
>> LIFE HASN'T TURNED OUT THE
WAY THEY EXPECTED IT TO.
599
00:44:34,405 --> 00:44:36,507
AND THEY'RE GOING TO DO
EVERYTHING THEY CAN TO COME OUT
600
00:44:36,573 --> 00:44:38,342
ON TOP.
601
00:44:38,409 --> 00:44:48,986
>> HERE ARE THE FIVE UNTOPPABLE
>> JUNG HO-YEON, "SQUID GAME."
602
00:44:49,053 --> 00:44:59,029
[ SPEAKING FOREIGN LANGUAGE ]
JENNIFER ANISTON, "THE MORNING
603
00:44:59,096 --> 00:45:08,806
[ SPEAKING FOREIGN LANGUAGE ]
JENNIFER ANISTON, "THE MORNING
604
00:45:08,872 --> 00:45:10,207
SHOW."
605
00:45:10,274 --> 00:45:16,146
>> DOES YOUR LIFE HAVE ANY
MEANING OR PURPOSE LEFT AT ALL?
606
00:45:16,213 --> 00:45:21,118
NOBODY WILL RESPECT ME IF THEY
THINK I SLEPT WITH YOU.
607
00:45:21,185 --> 00:45:24,855
>> ELIZABETH MOSS, "THE
HANDMAID'S TALE."
608
00:45:24,922 --> 00:45:28,659
>> I ASKED THE INTERNATIONAL
CRIMINAL COURT TO CONFIRM THE
609
00:45:28,726 --> 00:45:34,331
CHARGES AGAINST THIS MAN AND PUT
HIM ON TRIAL.
610
00:45:34,398 --> 00:45:38,268
I ASK FOR JUSTICE.
611
00:45:38,335 --> 00:45:48,679
>> TEN OR FIVE YEARS, REMAKE
ATM, AND DESTROY IT, RAZE IT TO
612
00:45:48,746 --> 00:45:49,780
THE GROUND.
613
00:45:49,847 --> 00:45:52,850
>> REESE WITHERSPOON "THE
MORNING SHOW."
614
00:45:52,916 --> 00:45:56,120
>> LIFE JUST TURNS OUT TO BE A
SERIES OF DISAPPOINTMENTS WITH
615
00:45:56,186 --> 00:46:00,557
JUST ENOUGH TIME IN BETWEEN THEM
FOR THE NEXT ONE TO CATCH YOU BY
616
00:46:00,624 --> 00:46:01,892
SURPRISE.
617
00:46:01,959 --> 00:46:05,796
>> I'M YOUR BOSS, I'M GOING TO
MAKE SURE IT WORKS OUT.
618
00:46:05,863 --> 00:46:06,663
>> YOU'RE MY BOSS?
619
00:46:06,730 --> 00:46:12,102
I THOUGHT YOU WERE MY FRIEND.
620
00:46:12,169 --> 00:46:22,146
>> AND THE ACTOR GOES TO --
>> Announcer: JUNG HO-YEON
621
00:46:22,212 --> 00:46:28,051
>> AND THE ACTOR GOES TO --
>> Announcer: JUNG HO-YEON
622
00:46:28,118 --> 00:46:30,854
CELEBRATES HER FIRST WIN AND
SECOND NOMINATION.
623
00:46:30,921 --> 00:46:32,856
SHE'S ALSO NOMINATED TONIGHT
WITH THE ENSEMBLE OF "SQUID
624
00:46:32,923 --> 00:46:38,462
GAME."
625
00:46:38,529 --> 00:46:48,505
[ APPLAUSE ]
[ SPEAKING FOREIGN LANGUAGE ]
626
00:46:48,572 --> 00:46:58,549
[ APPLAUSE ]
[ SPEAKING FOREIGN LANGUAGE ]
627
00:46:58,615 --> 00:47:08,525
[ APPLAUSE ]
[ SPEAKING FOREIGN LANGUAGE ]
628
00:47:08,592 --> 00:47:18,569
[ APPLAUSE ]
[ SPEAKING FOREIGN LANGUAGE ]
629
00:47:18,635 --> 00:47:28,612
[ APPLAUSE ]
[ SPEAKING FOREIGN LANGUAGE ]
630
00:47:28,679 --> 00:47:41,725
[ APPLAUSE ]
[ SPEAKING FOREIGN LANGUAGE ]
631
00:47:41,792 --> 00:47:44,127
>> Translator: FIRST AND
FOREMOST, THANK YOU SO MUCH.
632
00:47:44,194 --> 00:47:48,732
I HAVE SAT MANY A TIMES WATCHING
YOU ON THE BIG SCREEN, DREAMING
633
00:47:48,799 --> 00:47:50,400
OF ONE DAY BECOMING AN ACTOR.
634
00:47:50,467 --> 00:47:52,903
I JUST WANT TO SAY THANK YOU SO
MUCH.
635
00:47:52,970 --> 00:48:02,946
[ APPLAUSE ]
>> THANK YOU.
636
00:48:03,013 --> 00:48:08,785
[ APPLAUSE ]
>> THANK YOU.
637
00:48:08,852 --> 00:48:17,461
MAKE ME DREAM AND OPEN THE DOOR
FOR ME.
638
00:48:17,527 --> 00:48:21,164
[ SPEAKING FOREIGN LANGUAGE ]
I LOVE YOU!
639
00:48:21,231 --> 00:48:23,533
THANK YOU!
640
00:48:23,600 --> 00:48:34,578
[ APPLAUSE ]
>> Announcer: COMING UP, THE
641
00:48:34,645 --> 00:48:38,448
CAST OF "CODA."
642
00:48:52,763 --> 00:48:58,502
>>> PLEASE WELCOME --
DANIEL DURANT, EMILIA JONES,
643
00:48:58,568 --> 00:49:01,939
TROY KOTSUR, AND MARLEE MATLIN.
644
00:49:02,005 --> 00:49:13,383
[ APPLAUSE ]
>>> SET IN A NEW ENGLAND FISHING
645
00:49:13,450 --> 00:49:16,920
COMMUNITY, THE NEXT NOMINEE
FORECAST IN A MOTION PICTURE IS
646
00:49:16,987 --> 00:49:24,261
A STORY OF A CHILD OF DEAF
ADULTS OR "CODA."
647
00:49:24,328 --> 00:49:29,800
THE TEENAGER IS TORN BETWEEN
PURSUING HER OWN STREAMS AND
648
00:49:29,866 --> 00:49:31,001
CARRYING OUT THE
RESPONSIBILITIES AS THE ONLY
649
00:49:31,068 --> 00:49:35,072
HEARING PERSON IN HER HOME.
650
00:49:35,138 --> 00:49:39,009
>> HER BUDDING TALENT AND
GROWING INDEPENDENCE UPSETS NOT
651
00:49:39,076 --> 00:49:45,349
ONLY THE FAMILY'S EQUALLIBRIUM
BUT LIVELIHOOD AS WELL.
652
00:49:45,415 --> 00:49:56,493
>> IT'S THE STORY OF A COMING OF
AGE NOR A SON AND DAUGHTER AND A
653
00:49:56,560 --> 00:49:58,395
TURNING POINT FOR THEIR PARENTS.
654
00:49:58,462 --> 00:50:07,571
IN OUR CASE, VERY SEXY PARENTS.
655
00:50:07,637 --> 00:50:10,974
[ APPLAUSE ]
>> THIS IS "CODA."
656
00:50:11,041 --> 00:50:21,918
[ APPLAUSE ]
♪
657
00:50:21,985 --> 00:50:31,061
>> INTERESTING.
658
00:50:31,128 --> 00:50:34,031
>> I WANT TO DO THIS.
659
00:50:34,097 --> 00:50:41,805
I'VE NEVER DONE ANYTHING WITHOUT
MY FAMILY BEFORE.
660
00:50:41,872 --> 00:50:50,547
♪
[ APPLAUSE ]
661
00:50:50,614 --> 00:50:54,584
>> LADIES AND GENTLEMEN, FROM
HER HOME IN ENGLAND, PLEASE
662
00:50:54,651 --> 00:50:56,353
WELCOME KATE WINS LET.
663
00:50:56,420 --> 00:50:58,388
>> GOOD EVENING, EVERYONE.
664
00:50:58,455 --> 00:51:01,458
I WAS MEANT TO BE THERE WITH YOU
IN PERSON AND I'M HEART BROKEN
665
00:51:01,525 --> 00:51:02,926
NOT TO BE.
666
00:51:02,993 --> 00:51:07,831
BUT I COULDN'T PASS UP ON THE
OPPORTUNITY TO GUSH ON AN ARTIST
667
00:51:07,898 --> 00:51:13,904
WHO IS ACTING ROYALTY, HELEN
MIRREN.
668
00:51:13,970 --> 00:51:16,139
SHE'S THE OPPOSITE OF GRAND.
669
00:51:16,206 --> 00:51:19,076
INSTEAD, SHE'S AN ACTRESS WHO
WANTS TO ROLL UP HER CLEAVES
670
00:51:19,142 --> 00:51:21,645
WITH THE REST OF US AND JUST GET
ON WITH THE JOB.
671
00:51:21,711 --> 00:51:29,486
SHE LOVES COLLABORATION, SHE
LOVES TO ACT, SHE LOVES TO PLAY,
672
00:51:29,553 --> 00:51:33,523
WE ALL ASSUME SHE WAS
CLASSICALLY TRAINED IN HER
673
00:51:33,590 --> 00:51:35,292
CRAFT, BUT SHE WASN'T.
674
00:51:35,358 --> 00:51:38,361
HER PARENTS WERE AGAINST HER
BECOMING AN ACTRESS AT ALL.
675
00:51:38,428 --> 00:51:43,800
SO IT'S SAFE TO SAY HELEN
COMMITS HEART AND SOUL TO GIVING
676
00:51:43,867 --> 00:51:46,870
TRUTHFUL PERFORMANCES, AS WELL
AS SO MANY ACTRESSES TO ASPIRE
677
00:51:46,937 --> 00:51:48,305
TO BE JUST LIKE YOU.
678
00:51:48,371 --> 00:51:51,608
I CAN SAY, HELEN, THAT YOUR
COMMITMENT AND INTEGRITY INSPIRE
679
00:51:51,675 --> 00:51:53,110
US ALL.
680
00:51:53,176 --> 00:51:59,382
HER ACTING POWER IS IMMEASURABLE
AND MAGNETIC, FROM ATTORNEYS AND
681
00:51:59,449 --> 00:52:06,089
ASSASSINS, HER PERFORMANCES GIVE
US REAL HUMAN BEINGS,
682
00:52:06,156 --> 00:52:08,725
UNVARNISHED AND UNUNTETHERED.
683
00:52:08,792 --> 00:52:16,166
BUT THE PRIVILEGE OF WATCHING
HER IS ONLY RIVALED BY WORKING
684
00:52:16,233 --> 00:52:17,367
WITH HER.
685
00:52:17,434 --> 00:52:19,069
SHE RAISES THE BAR, BRINGING US
ALL TOGETHER.
686
00:52:19,136 --> 00:52:20,737
SHE'S A CHAMPION OF OTHERS.
687
00:52:20,804 --> 00:52:24,774
SHE'S STAGGERINGLY BEAUTIFUL AND
FLIES THE FLAG FOR WOMEN ABOVE
688
00:52:24,841 --> 00:52:29,613
THE ABLE OF 45 AND CONFIRMS WHAT
WE HAD HOPED ONE DAY MIGHT BE
689
00:52:29,679 --> 00:52:36,219
RECOGNIZED IN THIS INDUSTRY, THE
WOMEN JUST GET BETTER WITH AGE.
690
00:52:36,286 --> 00:52:39,356
[ APPLAUSE ]
WE TREMBLE IN ANTICIPATION OF
691
00:52:39,422 --> 00:52:40,924
WHAT SHE WILL DO NEXT.
692
00:52:40,991 --> 00:52:47,164
NOW LET ME PASS THE BATON TO
ANOTHER ADMIRER OF HELEN'S, THE
693
00:52:47,230 --> 00:52:48,231
SPECTACULAR CATE BLANCHETT.
694
00:52:48,298 --> 00:52:52,202
[ APPLAUSE ]
>> THANK YOU, KATE.
695
00:52:52,269 --> 00:52:57,974
AND WE'RE ALL VERY SAD YOU CAN'T
BE HERE THIS EVENING.
696
00:52:58,041 --> 00:53:00,076
SO WE GOT ANOTHER KATE.
697
00:53:00,143 --> 00:53:04,114
WHEN IT COMES TO CHARACTERIZING
HELEN'S PROFESSIONAL AND
698
00:53:04,181 --> 00:53:09,986
CREATIVE GENIUS, AS WITH ANY
GREAT ARTIST, WORDS ALONE NEVER
699
00:53:10,053 --> 00:53:10,820
SUFFICE.
700
00:53:10,887 --> 00:53:13,790
HER WORK SPEAKS FOR ITSELF.
701
00:53:13,857 --> 00:53:18,328
♪
>> NOW, REMEMBER, CHARM AT ALL
702
00:53:18,395 --> 00:53:20,497
TIMES.
703
00:53:20,564 --> 00:53:26,369
♪
OH, THIS IS GOING TO BE FUN.
704
00:53:26,436 --> 00:53:33,677
♪
>> I'VE LEARNED A FEW NEW
705
00:53:33,743 --> 00:53:34,844
TRICKS.
706
00:53:34,911 --> 00:53:39,316
DON'T CALL ME MUM, I'M NOT THE
BLOODY QUEEN.
707
00:53:39,382 --> 00:53:50,994
♪
>> IF HE'S NOT HERE IN ONE
708
00:53:51,061 --> 00:53:52,862
MINUTE, I'LL BITE YOUR OTHER EAR
OFF.
709
00:53:52,929 --> 00:54:06,543
♪
>> WHO DID YOU WRITE THE LETTER
710
00:54:06,610 --> 00:54:07,410
TO?
711
00:54:07,477 --> 00:54:08,878
>> I WROTE THE LETTER TO DAD.
712
00:54:08,945 --> 00:54:11,081
>> NICE TO MEET YOU.
713
00:54:11,147 --> 00:54:13,950
I KNOW EXACTLY WHAT YOU'RE
DOING.
714
00:54:14,017 --> 00:54:19,422
IT WOULD BE A TERRIBLE MISTAKE
TO GO AGAINST ME.
715
00:54:19,489 --> 00:54:20,890
>> COME HERE.
716
00:54:20,957 --> 00:54:22,626
I'M TALKING TO YOU.
717
00:54:22,692 --> 00:54:25,395
>> DON'T TREAT ME LIKE ONE OF
YOURS.
718
00:54:25,462 --> 00:54:26,896
IT'S JUST ME, ME.
719
00:54:26,963 --> 00:54:28,531
NO ONE ELSE EXISTS.
720
00:54:28,598 --> 00:54:33,837
GET ON WITH THE JOB AT HAND,
WHICH IS FINDING A COPY CAT
721
00:54:33,903 --> 00:54:34,971
KILLER.
722
00:54:35,038 --> 00:54:41,811
LIE AT MY MERCY OR MY ENEMIES.
723
00:54:41,878 --> 00:54:44,114
PEOPLE WANT GLAMOUR AND TEARS.
724
00:54:44,180 --> 00:54:45,548
I'M NOT VERY GOOD AT THAT.
725
00:54:45,615 --> 00:54:46,616
I NEVER HAVE BEEN.
726
00:54:46,683 --> 00:54:49,386
I PREFER TO KEEP MY FEELINGS TO
MYSELF.
727
00:54:49,452 --> 00:54:52,756
WHAT GIFT DO YOU THINK A GOOD
SERVANT HAS?
728
00:54:52,822 --> 00:54:54,958
IT'S THE GIFT OF ANTICIPATION.
729
00:54:55,025 --> 00:55:00,230
WE MAY BE OLDER.
730
00:55:00,297 --> 00:55:03,700
>> SEXY AS EVER.
731
00:55:03,767 --> 00:55:04,701
>> THANK YOU.
732
00:55:04,768 --> 00:55:07,637
I TAKE THAT AS A GREAT
COMPLIMENT.
733
00:55:07,704 --> 00:55:15,178
>> I HAVE TO DO IT AGAIN TO KEEP
THESE MEMORIES ALIVE.
734
00:55:15,245 --> 00:55:15,979
THIS IS THE WORK.
735
00:55:16,046 --> 00:55:20,350
THIS IS ACTING.
736
00:55:20,417 --> 00:55:24,220
WHAT DO YOU DO WHEN YOU LOVE
SOMETHING BUT IT STOPS LOVING
737
00:55:24,287 --> 00:55:25,322
YOU BACK?
738
00:55:25,388 --> 00:55:28,858
>> YOU LOVE IT MORE TILL IT
SURRENDERS.
739
00:55:28,925 --> 00:55:36,066
>> THE WORK I'M DOING GIVES ME
PLEASURE AND PURPOSE.
740
00:55:36,132 --> 00:55:48,211
>> I HAVE GIVEN THIS EVERYTHING
I HAVE.
741
00:55:48,278 --> 00:55:55,652
[ APPLAUSE ]
>> OH, MY GIDDY AUNT.
742
00:55:55,719 --> 00:56:01,391
IT IS MY GREAT, GREAT HONOR TO
PRESENT THE SCREEN ACTORS GUILD
743
00:56:01,458 --> 00:56:07,430
LIFETIME ACHIEVEMENT AWARD TO
THE ONE, THE ONLY DAME HELEN
744
00:56:07,497 --> 00:56:08,765
MIRREN.
745
00:56:08,832 --> 00:56:18,575
[ CHEERS AND APPLAUSE ]
>> WELL, LIFETIME ACHIEVEMENT,
746
00:56:18,641 --> 00:56:28,618
[ CHEERS AND APPLAUSE ]
>> WELL, LIFETIME ACHIEVEMENT,
747
00:56:28,685 --> 00:56:38,661
[ CHEERS AND APPLAUSE ]
>> WELL, LIFETIME ACHIEVEMENT,
748
00:56:38,728 --> 00:56:45,735
[ CHEERS AND APPLAUSE ]
>> WELL, LIFETIME ACHIEVEMENT,
749
00:56:45,802 --> 00:56:47,704
LIFETIME ACHIEVEMENT.
750
00:56:47,771 --> 00:56:49,472
SOUNDS SO GRAND.
751
00:56:49,539 --> 00:56:53,877
I SUPPOSE I'M STILL ALIVE, SO BY
THAT MEASURE, I'M ELIGIBLE.
752
00:56:53,943 --> 00:57:00,417
BUT HONESTLY, ANY ACHIEVEMENT
THAT I'VE SUCCEEDED IN IS THE
753
00:57:00,483 --> 00:57:03,119
RESULT OF MY MANTRA, WHICH IS
BASICALLY, WITH ON TIME AND
754
00:57:03,186 --> 00:57:11,227
DON'T BE AN ASS.
755
00:57:11,294 --> 00:57:12,228
THANK YOU.
756
00:57:12,295 --> 00:57:14,898
THANK YOU, SAG, SO MUCH FOR
THIS.
757
00:57:14,964 --> 00:57:20,837
I HATE TO SAY THE WORD "SAG" AT
MY AGE.
758
00:57:20,904 --> 00:57:22,906
SO IT'S S.A.G. FOR ME.
759
00:57:22,972 --> 00:57:26,976
I'M SIMULTANEOUSLY AND
ENORMOUSLY PROUD, AND DRIVEN
760
00:57:27,043 --> 00:57:30,413
WITH THE UNDERSTANDING THAT I
ABSOLUTELY DO NOT DESERVE THIS.
761
00:57:30,480 --> 00:57:36,686
AND THERE, THERE IS THE CONFLICT
THAT I BELIEVE YOU ALL
762
00:57:36,753 --> 00:57:37,520
UNDERSTAND.
763
00:57:37,587 --> 00:57:40,356
INSECURITY VERSUS EGO, HUH?
764
00:57:40,423 --> 00:57:45,061
THAT COCKTAIL THAT I BELIEVE
MOST ACTORS SIP IN THE EVENING
765
00:57:45,128 --> 00:57:48,398
AS THEY CONTEMPLATE THE
WONDERFUL GIFT THEY RECEIVED THE
766
00:57:48,465 --> 00:57:50,700
MOMENT THEY DECIDED TO BECOME AN
ACTOR.
767
00:57:50,767 --> 00:57:55,104
SO, ANY WAY, I'VE BEEN THINKING
ABOUT WHAT TO SAY TONIGHT AND I
768
00:57:55,171 --> 00:57:56,105
WAITED FOR INSPIRATION.
769
00:57:56,172 --> 00:57:57,507
AND THEN IT GAME.
770
00:57:57,574 --> 00:58:01,811
IT GAME TO ME, TO ALL THOSE
PEOPLE WITH WHOM I HAVE SHARED
771
00:58:01,878 --> 00:58:05,315
MY PROFESSIONAL LIFE, THE
ACTORS.
772
00:58:05,381 --> 00:58:07,484
I WILL TALK ABOUT ACTORS.
773
00:58:07,550 --> 00:58:11,221
OH, MY GOD, WHAT A BRILLIANT
IDEA.
774
00:58:11,287 --> 00:58:14,958
I LIKE TO THINK INSIDE THE BOX.
775
00:58:15,024 --> 00:58:17,494
[ LAUGHTER ]
SO OF COURSE, WE KNOW IT TAKES A
776
00:58:17,560 --> 00:58:20,363
MYRIAD OF TALENTED PEOPLE TO
MAKE A DRAMA.
777
00:58:20,430 --> 00:58:23,166
IN FACT, FOUR OF THEM ARE
SITTING AT MY TABLE.
778
00:58:23,233 --> 00:58:26,369
A WRITER, TWO DIRECTORS, AND AN
AGENT.
779
00:58:26,436 --> 00:58:29,138
AND I THANK THEM FOR THEIR
PARTICIPATION IN MY LIFE.
780
00:58:29,205 --> 00:58:32,809
BUT NOW PORTION IT IS THE ACTORS
I ADDRESS.
781
00:58:32,876 --> 00:58:38,314
FROM FOLLOWING MY DREAM OF
FOLLOWING IN THE FOOTSTEPS OF
782
00:58:38,381 --> 00:58:46,823
ELLENOR DUSA THROUGH THE
INSPIRATION OF OTHERS, RILEY, B.
783
00:58:46,890 --> 00:58:52,862
CARTER, COLEMAN, COLE, AND
KIRBY.
784
00:58:52,929 --> 00:59:01,170
I JOINED A TRIBE OF ROADS AND
VAGABONDS A LONG TIME AGO.
785
00:59:01,237 --> 00:59:06,376
AND IT IS YOU ACTORS I WANT TO
THANK FOR ALL YOUR WIT AND
786
00:59:06,442 --> 00:59:07,443
HUMOR.
787
00:59:07,510 --> 00:59:11,648
I'VE LAUGHED MY WHOLE LIFE,
HONESTLY.
788
00:59:11,714 --> 00:59:15,618
YOUR GREAT INTELLIGENCE AND YOUR
INCREDIBLE ENERGY, AND YOUR
789
00:59:15,685 --> 00:59:21,658
HELPLESS DEDICATION TO OUR
CHOSEN PROFESSION.
790
00:59:21,724 --> 00:59:28,631
I GET REALLY PEED OFF WHEN I
HEAR ABOUT ACTORS BEING MALIGNED
791
00:59:28,698 --> 00:59:30,066
AS A GROUP.
792
00:59:30,133 --> 00:59:31,434
IT'S EASY, ISN'T IT?
793
00:59:31,501 --> 00:59:35,572
WHEN IN MY EXPERIENCE, WHICH BY
NOW IS CONSIDERABLE, THE
794
00:59:35,638 --> 00:59:36,706
OPPOSITE IS TRUE.
795
00:59:36,773 --> 00:59:40,343
WE LOVE AND ADMIRE EACH OTHER'S
WORK.
796
00:59:40,410 --> 00:59:44,814
TOGETHER, WE LAUGH, WE WEEP, WE
WORRY, WE CHANGE CLOTHES, WE
797
00:59:44,881 --> 00:59:48,184
THROW UP AND WE SUFFER DIARRHEA.
798
00:59:48,251 --> 00:59:49,586
DON'T YOU?
799
00:59:49,652 --> 00:59:54,057
I MEAN, I DO.
800
00:59:54,123 --> 00:59:57,527
A FEW YEARS AGO, I HAD THE
FEARSOME AND WONDERFUL CHALLENGE
801
00:59:57,594 --> 01:00:03,199
OF PERFORMING AT THE ANCIENT
GREEK THEATER.
802
01:00:03,266 --> 01:00:05,068
IT SEATS LIKE 4,000 OR
SOMETHING.
803
01:00:05,134 --> 01:00:09,772
AND STANDING IN THAT
2,000-YEAR-OLD SPACE, I FELT THE
804
01:00:09,839 --> 01:00:14,544
GHOSTS OF ALL THOSE ANCIENT
GREEKS AND VAGABONDS.
805
01:00:14,611 --> 01:00:17,947
I FELT THEIR FEAR, THEIR SWEAT,
THEIR EMOTION.
806
01:00:18,014 --> 01:00:19,816
AND I FELT AT ONE WITH THEM.
807
01:00:19,882 --> 01:00:22,852
ACTORS.
808
01:00:22,919 --> 01:00:26,189
I'M SORRY, YOU'RE A MAGNIFICENT
TRIBE.
809
01:00:26,255 --> 01:00:30,159
STRETCHING ACROSS CULTURE,
HISTORY, AND TIME.
810
01:00:30,226 --> 01:00:33,730
THIS IS FOR THE ACTORS.
811
01:00:33,796 --> 01:00:35,632
THANK YOU.
812
01:00:35,698 --> 01:00:47,176
[ APPLAUSE ]
>>> WHEN WE RETURN, BENEDICT
813
01:00:47,243 --> 01:00:51,414
CUMBERBATCH, JESSIE PLEMONS, AND
MAGGIE GYLLENHAAL.
814
01:00:51,481 --> 01:00:52,548
AND LATER, THE SCREEN ACTORS
GUILD AWARDS.
815
01:01:04,027 --> 01:01:08,464
>>> TOGETHER AGAIN, PLEASE
WELCOME KERRY WASHINGTON AND
816
01:01:08,531 --> 01:01:18,508
TONY GOLDWYN.
817
01:01:18,574 --> 01:01:24,881
TONY GOLDWYN.
818
01:01:24,947 --> 01:01:28,151
>> IN SERIES TELEVISION, IT'S NO
SECRET THAT THE SUCCESS OR
819
01:01:28,217 --> 01:01:32,021
FAILURE OF A SHOW IS A RESULT OF
THE ENTIRE TEAM'S COLLABORATION
820
01:01:32,088 --> 01:01:35,324
AND CHEMISTRY.
821
01:01:35,391 --> 01:01:39,562
EACH ACTOR SHINING INDIVIDUALLY,
WHILE COLLECTIVELY GIVING OFF A
822
01:01:39,629 --> 01:01:42,598
DAZZLING LIGHT.
823
01:01:42,665 --> 01:01:44,267
>> THE INCREDIBLE ENSEMBLES IN
THIS CATEGORY ILLUSTRATE JUST
824
01:01:44,333 --> 01:01:46,369
THAT.
825
01:01:46,436 --> 01:01:49,639
RADIATING THEIR SHARED
BRILLIANCE FROM MANHATTAN TO
826
01:01:49,706 --> 01:01:52,975
MONTANA, FROM SOUTH KOREA TO A
NEAR-FUTURE NEW ENGLAND.
827
01:01:53,042 --> 01:01:55,278
SHOULD I READ THE NOMINEES FOR
ENSEMBLE IN A DRAMA SERIES?
828
01:01:55,344 --> 01:01:59,782
>> NOPE.
829
01:01:59,849 --> 01:02:04,387
IT'S HANDLED.
830
01:02:04,454 --> 01:02:07,557
>> Announcer: THE ENSEMBLE OF
"YELLOWSTONE" --
831
01:02:07,623 --> 01:02:10,093
>> YOU'RE JOHN DUTTON, AREN'T
YOU?
832
01:02:10,159 --> 01:02:10,927
>> YEP.
833
01:02:10,993 --> 01:02:15,932
>> DON'T YOU DIE ON ME NOW.
834
01:02:15,998 --> 01:02:16,766
>> RIGHT A WRONG?
835
01:02:16,833 --> 01:02:18,801
THERE'S NO SUCH THING.
836
01:02:18,868 --> 01:02:28,845
[ APPLAUSE ]
>> Announcer: THE ENSEMBLE OF
837
01:02:28,911 --> 01:02:38,888
[ APPLAUSE ]
>> Announcer: THE ENSEMBLE OF
838
01:02:38,955 --> 01:02:51,267
[ APPLAUSE ]
>> Announcer: THE ENSEMBLE OF
839
01:02:51,334 --> 01:02:53,169
>> SOMEONE SHOULD COVER IT.
840
01:02:53,236 --> 01:02:54,270
>> HE CAN DO IT.
841
01:02:54,337 --> 01:02:55,404
>> THIS IS YOUR SHOW.
842
01:02:55,471 --> 01:02:56,506
>> AND WE'RE BACK.
843
01:02:56,572 --> 01:02:57,807
>> TWO.
844
01:02:57,874 --> 01:02:58,941
>> I KNOW I COME WITH A HISTORY
NOT ALL OF YOU LOVE.
845
01:02:59,008 --> 01:03:00,877
>> ONE.
846
01:03:00,943 --> 01:03:08,851
[ APPLAUSE ]
>> Announcer: THE ENSEMBLE OF
847
01:03:08,918 --> 01:03:10,019
"SUCCESSION."
848
01:03:10,086 --> 01:03:11,521
>> I NEED TO KNOW WHAT EVERYONE
IS THINKING.
849
01:03:11,587 --> 01:03:16,793
>> THERE ARE CAMERAS OUTSIDE,
AND THEY DON'T NEED TO SEE THE
850
01:03:16,859 --> 01:03:18,661
FBI MEETING RESISTANCE.
851
01:03:18,728 --> 01:03:19,796
>> YOU SOUND DERANGED.
852
01:03:19,862 --> 01:03:27,670
[ APPLAUSE ]
>> Announcer: THE ENSEMBLE OF
853
01:03:27,737 --> 01:03:31,040
"THE HANDMAIDS TALE."
854
01:03:31,107 --> 01:03:32,441
>> WE CAME HERE TO FIGHT.
855
01:03:32,508 --> 01:03:35,478
>> NO, YOU CAME HERE TO FIGHT.
856
01:03:35,545 --> 01:03:38,848
>> WE CAN'T SAVE HER.
857
01:03:38,915 --> 01:03:40,550
SOME WOMEN DON'T WANT TO BE
SAVED.
858
01:03:40,616 --> 01:03:44,821
>> WE'RE THE ONES WE'VE BEEN
WAITING FOR.
859
01:03:44,887 --> 01:03:56,732
[ APPLAUSE ]
>> AND THE ACTOR GOES TO --
860
01:03:56,799 --> 01:03:58,100
>> "SUCCESSION."
861
01:03:58,167 --> 01:04:05,441
[ APPLAUSE ]
>> Announcer: THE 19 ACTOR
862
01:04:05,508 --> 01:04:07,877
ENSEMBLE OF "SUCCESSION"
CELEBRATES ITS FIRST WIN AND
863
01:04:07,944 --> 01:04:18,654
FIRST NOMINATION.
864
01:04:18,721 --> 01:04:28,698
♪
>> OKAY.
865
01:04:28,764 --> 01:04:38,741
♪
>> OKAY.
866
01:04:38,808 --> 01:04:49,118
♪
>> OKAY.
867
01:04:49,185 --> 01:04:54,924
I DON'T KNOW IF YOU CAN READ
THIS.
868
01:04:54,991 --> 01:05:00,930
ANY WAY, NEVER MIND.
869
01:05:00,997 --> 01:05:03,666
LISTEN, OH, HERE WE GO.
870
01:05:03,733 --> 01:05:04,300
THANK YOU, EVERYBODY.
871
01:05:04,367 --> 01:05:08,771
FOR EVERYTHING.
872
01:05:08,838 --> 01:05:15,177
AND, YOU KNOW, WE JUST WANT
TO -- WE THANK HBO WHO HAVE
873
01:05:15,244 --> 01:05:16,379
REALLY TAKEN CARE OF US.
874
01:05:16,445 --> 01:05:19,148
WE WANT TO THANK OUR FANTASTIC
WRITERS.
875
01:05:19,215 --> 01:05:23,819
JESSIE IS A GENIUS, NO QUESTION
ABOUT IT.
876
01:05:23,886 --> 01:05:30,326
AND THESE GUYS, YOU KNOW, YOU
CAN'T WORK -- OH, SARAH.
877
01:05:30,393 --> 01:05:31,294
SHE'S NOT HERE.
878
01:05:31,360 --> 01:05:32,528
AND MATTHEW.
879
01:05:32,595 --> 01:05:34,597
THERE'S SO MANY NOT HERE.
880
01:05:34,664 --> 01:05:38,701
BUT WE LOVE THEM AND WE WISH
THEY WERE HERE.
881
01:05:38,768 --> 01:05:44,407
BUT, NO, THE OTHER THING I WANT
TO SAY IS ABOUT THE CASTING
882
01:05:44,473 --> 01:05:46,242
PEOPLE, THE PEOPLE WHO CAST US.
883
01:05:46,309 --> 01:05:48,711
WE'VE DONE A GREAT JOB,
ESPECIALLY ON THIS SHOW.
884
01:05:48,778 --> 01:05:52,949
AND I THINK THEY NEED A SPECIAL
HAND.
885
01:05:53,015 --> 01:05:57,153
WE KIND OF UNDERESTIMATE THE
CASTERS.
886
01:05:57,219 --> 01:05:58,788
COULD YOU HOLD THAT?
887
01:05:58,854 --> 01:06:02,124
ONE OTHER THING I WOULD LIKE TO
ADD, WHICH I THINK IS IMPORTANT
888
01:06:02,191 --> 01:06:05,328
TO ME AND I HOPE IMPORTANT TO
YOU, AND AS ACTORS AND
889
01:06:05,394 --> 01:06:08,264
PERFORMERS AND WRITERS AND
DIRECTORS.
890
01:06:08,331 --> 01:06:15,504
THIS IS A THING THAT'S COME TO
ME ABOUT WHAT'S GOING ON IN
891
01:06:15,571 --> 01:06:18,174
UKRAINE.
892
01:06:18,240 --> 01:06:21,711
IT'S TRULY, TRULY AWFUL.
893
01:06:21,777 --> 01:06:23,479
REALLY AWFUL WHAT'S HAPPENING.
894
01:06:23,546 --> 01:06:28,050
IT'S PARTICULARLY AWFUL IN TERMS
OF THE -- WHAT IT'S AFFECTING
895
01:06:28,117 --> 01:06:30,519
THE OTHER PEOPLE, PARTICULARLY
IN OUR PROFESSION.
896
01:06:30,586 --> 01:06:33,923
THE PRESIDENT OF UKRAINE WAS A
COMIC, YOU KNOW, HE WAS A
897
01:06:33,990 --> 01:06:36,192
WONDERFUL COMIC PERFORMER.
898
01:06:36,258 --> 01:06:38,494
AND WE SHOULD RESPECT THAT FOR
HIM AND TO COME TO THE
899
01:06:38,561 --> 01:06:40,796
PRESIDENCY WAS AMAZING.
900
01:06:40,863 --> 01:06:45,001
BUT THE THING THAT IS REALLY
DISTRESSED ME IS WHAT'S
901
01:06:45,067 --> 01:06:49,338
HAPPENING IN RUSSIA, TO MY
FELLOW ACTORS AND ACTRESSES AND
902
01:06:49,405 --> 01:06:55,311
PERFORMERS AND WRITERS AND
CRITICS, THEY ARE TOLD UNDER
903
01:06:55,378 --> 01:06:59,448
PAIN OF HIGH TREASON THEY CANNOT
SAY A WORD ABOUT UKRAINE.
904
01:06:59,515 --> 01:07:00,850
I THINK THAT IS AWFUL.
905
01:07:00,916 --> 01:07:03,819
I THINK WE SHOULD ALL STAND
TOGETHER, AND ALSO, FOR THOSE
906
01:07:03,886 --> 01:07:07,156
PEOPLE, THE PEOPLE IN RUSSIA WHO
DON'T LIKE WHAT'S GOING ON, AND
907
01:07:07,223 --> 01:07:11,861
PARTICULARLY THE ARTISTS, I
THINK WE SHOULD JOIN AND
908
01:07:11,927 --> 01:07:16,065
CELEBRATE THEM AND HOPE THAT
THEY CAN MAKE A SHIFT.
909
01:07:16,132 --> 01:07:19,301
BECAUSE I BELIEVE THEY CAN.
910
01:07:19,368 --> 01:07:20,202
THANK YOU.
911
01:07:20,269 --> 01:07:21,103
THANK YOU!
912
01:07:21,170 --> 01:07:24,940
[ APPLAUSE ]
THANK YOU SO MUCH.
913
01:07:25,007 --> 01:07:25,474
I KNEW YOU WOULD COME TO IT.
914
01:07:25,541 --> 01:07:30,413
THANK YOU.
915
01:07:30,479 --> 01:07:38,020
♪
>> Announcer: AND NOW,
916
01:07:38,087 --> 01:07:52,868
CAITRIONA BALFE, JAMIE DORNAN,
JUDE HILL, AND CIARAN HINDS.
917
01:07:52,935 --> 01:08:03,846
♪
>> WHETHER A STORY BEGINS IN A
918
01:08:03,913 --> 01:08:07,983
TOWN, A CITY, OR THE CLOSE KNIT
WORLD OF 1969 NORTHERN IRELAND,
919
01:08:08,050 --> 01:08:10,286
THE NEXT NOMINEE REMINDS US OF
THE LASTING IMPACT OF WHERE WE
920
01:08:10,352 --> 01:08:12,721
COME FROM.
921
01:08:12,788 --> 01:08:17,326
>> WHEN THE WORLD SEEMED TO BE
COMING APART AROUND THEM, A
922
01:08:17,393 --> 01:08:21,330
WORKING-CLASS FAMILY EXPLORES
THE TRUE MEANING OF HOME AS THEY
923
01:08:21,397 --> 01:08:22,298
WRESTLE WITH WHETHER TO LEAVE
THE ONLY PLACE THEY'VE EVER
924
01:08:22,364 --> 01:08:25,935
KNOWN.
925
01:08:26,001 --> 01:08:30,072
>> INSPIRED BY DEEPLY PERSONAL
CHILDHOOD EVENTS IN HIS OWN
926
01:08:30,139 --> 01:08:34,176
LIFE, WRITER/DIRECTOR
KENNETH BRANAGH TELLS A STORY OF
927
01:08:34,243 --> 01:08:37,713
LOVE, LOSS, AND FAMILY.
928
01:08:37,780 --> 01:08:40,015
>> A HEARTFELT TRIBUTE TO
CHILDHOOD BROUGHT TO LIFE ON THE
929
01:08:40,082 --> 01:08:42,685
SCREEN.
930
01:08:42,751 --> 01:08:45,588
THIS IS "BELFAST."
931
01:08:45,654 --> 01:08:56,165
[ APPLAUSE ]
>> TOUCH MY FAMILY AND I'LL KILL
932
01:08:56,232 --> 01:08:59,935
YOU.
933
01:09:00,002 --> 01:09:01,971
>> ARE WE GOING TO HAVE TO LEAVE
BELFAST?
934
01:09:02,037 --> 01:09:04,106
>> WE'RE IN THIS TOGETHER.
935
01:09:04,173 --> 01:09:04,740
>> THIS IS WHAT?
936
01:09:04,807 --> 01:09:08,410
>> THIS IS WAR.
937
01:09:08,477 --> 01:09:12,915
>> DON'T LOOK BACK.
938
01:09:12,982 --> 01:09:13,983
>> WHAT DO YOU WANT?
939
01:09:14,049 --> 01:09:16,485
>> I WANT MY FAMILY WITH ME.
940
01:09:16,552 --> 01:09:18,087
I WANT YOU HERE.
941
01:09:18,154 --> 01:09:22,525
[ APPLAUSE ]
>> Announcer: LADIES AND
942
01:09:22,591 --> 01:09:33,969
GENTLEMEN, BENEDICT CUMBERBATCH
AND JESSE PLEMONS.
943
01:09:34,036 --> 01:09:38,674
>> IT'S SUCH GREAT PERFORMANCES
APART IS NOT ONLY HOW AN ACTOR
944
01:09:38,741 --> 01:09:41,010
INTERPRETS WHAT IS WRITTEN IN
THE SCRIPT BUT HOW THEY FILL IN
945
01:09:41,076 --> 01:09:42,244
THE BLANKS IN BETWEEN.
946
01:09:42,311 --> 01:09:45,514
>> THE FIVE WOMEN IN THIS
CATEGORY ARE MASTER
947
01:09:45,581 --> 01:09:48,417
PRACTITIONERS OF THIS ALCHEMY,
EACH CONTRIBUTING TO THE
948
01:09:48,484 --> 01:09:52,721
INSPIRED ELEMENTS THAT BRING
THEIR CHARACTER INTO EXISTENCE.
949
01:09:52,788 --> 01:09:57,560
>> HERE ARE THE NOMINEES FOR
FEMALE ACTOR IN A TELEVISION
950
01:09:57,626 --> 01:10:01,931
MOVIE OR LIMITED SERIES.
951
01:10:01,997 --> 01:10:13,108
>> KATE WINCE LET, JENNIFER
COOLIDGE, CYNTHIA ARIVO, JEAN
952
01:10:13,175 --> 01:10:19,782
SMART, MARGARET QUALLEY.
953
01:10:19,848 --> 01:10:29,825
>> AND THE ACTOR GOES TO --
>> KATE WINSLET "THE MARE OF
954
01:10:29,892 --> 01:10:34,897
>> AND THE ACTOR GOES TO --
>> KATE WINSLET "THE MARE OF
955
01:10:34,964 --> 01:10:36,298
EASTTOWN."
956
01:10:36,365 --> 01:10:38,667
>> KATE COULD NOT BE WITH US
THIS EVENING, SO WE ACCEPT THE
957
01:10:38,734 --> 01:10:39,935
ACTOR ON HER BEHALF.
958
01:10:40,002 --> 01:10:47,576
>> AND WE'RE VERY HAPPY FOR HER
TO ACCEPT AS HER.
959
01:10:47,643 --> 01:11:01,991
>> Announcer: PLEASE WELCOME,
MAGGIE GYLLENHAAL.
960
01:11:02,057 --> 01:11:07,930
>> AS GERTRUDE SAYS IN "HAMLET,"
"ALL THAT LIVES MUST DIE,
961
01:11:07,997 --> 01:11:13,302
PASSING THROUGH NATURE TO
ETERNITY."
962
01:11:13,369 --> 01:11:18,540
I WATCHED MY MOST CHERISHED
TEACHER SAY THOSE WORDS ON STAGE
963
01:11:18,607 --> 01:11:21,477
SHORTLY BEFORE SHE HERSELF
PASSED AWAY.
964
01:11:21,543 --> 01:11:23,412
AND THEY LEFT A LASTING MARK ON
ME.
965
01:11:23,479 --> 01:11:25,481
THERE HAS BEEN A LOT OF PAINFUL
LOSS THIS YEAR.
966
01:11:25,547 --> 01:11:28,517
AND TONIGHT, WE HONOR OUR
BELOVED PEERS WHO HAVE GONE
967
01:11:28,584 --> 01:11:35,424
BEFORE US.
968
01:11:35,491 --> 01:11:39,061
TO THEM WE SAY, THANK YOU FOR
YOUR WORK AND INSPIRATION.
969
01:11:39,128 --> 01:11:49,571
AND IN SOME CASES EVEN, THANK
YOU FOR BEING A FRIEND.
970
01:11:49,638 --> 01:11:55,110
>> IN CASE I DON'T SEE YOU
AGAIN, I WOULD JUST LIKE TO SAY,
971
01:11:55,177 --> 01:11:58,447
SO LONG.
972
01:11:58,514 --> 01:12:03,152
>> WHEN A MAN'S DONE ALL HE CAN,
ALL THAT IS LEFT IS TO HOPE THAT
973
01:12:03,218 --> 01:12:04,653
GOD WILL SEE HIM THROUGH IT.
974
01:12:04,720 --> 01:12:07,923
>> YOU CAN'T LIVE FOR THE
FUTURE, JUST LIKE YOU CAN'T LIVE
975
01:12:07,990 --> 01:12:09,892
IN THE PAST.
976
01:12:09,958 --> 01:12:13,962
♪ I FEEL JUST LIKE A SAILBOAT
>> LIKE THE MAN SAID, JUST A
977
01:12:14,029 --> 01:12:15,364
LITTLE BIT OF SOUL.
978
01:12:15,431 --> 01:12:26,141
♪ DON'T KNOW WHERE I'M HEADED
>> GIVE IT TO ME STRAIGHT,
979
01:12:26,208 --> 01:12:26,742
DOCTOR.
980
01:12:26,809 --> 01:12:28,510
I CAN TAKE IT!
981
01:12:28,577 --> 01:12:37,886
♪ I'VE SEEN THE SUN
♪ FELT THE RAIN ON MY SKIN
982
01:12:37,953 --> 01:12:44,360
♪ I'VE BEEN LOST AND FOUND
>> WE'VE GOT NO TIME TO WASTE.
983
01:12:44,426 --> 01:12:46,595
>> WHY CAN'T GOD BE A WOMAN?
984
01:12:46,662 --> 01:12:47,996
>> THAT WOULD BE SILLY.
985
01:12:48,063 --> 01:12:57,673
>> THIS FROM A MAN WHO HAS A
COLLECTION OF WHOOPEE CUSHIONS.
986
01:12:57,740 --> 01:13:00,409
>> I'LL TRY TO LIVE EVERY DAY
FOR ITSELF.
987
01:13:00,476 --> 01:13:02,444
EACH ONE IS LIKE A GIFT.
988
01:13:02,511 --> 01:13:03,912
>> THE GAME IS OUT THERE.
989
01:13:03,979 --> 01:13:07,850
IT'S EITHER PLAY OR GET PLAYED.
990
01:13:07,916 --> 01:13:10,419
>> I SUPPOSE A MAN HAS TO DECIDE
WHEN HE WANTS TO STAND UP AND BE
991
01:13:10,486 --> 01:13:14,990
A MAN.
992
01:13:15,057 --> 01:13:17,726
>> I CAN'T DO THAT HOLLYWOOD
STUFF, MAN.
993
01:13:17,793 --> 01:13:25,834
I CAN'T SAY THAT STUFF THEY WANT
ME TO SAY.
994
01:13:25,901 --> 01:13:30,139
>> I WANT TO HAVE FUN AND BE
ROMANCED, BE LOVED.
995
01:13:30,205 --> 01:13:37,179
I'VE GOT A RIGHT TO LIVE MY LIFE
THE WAY I WANT TO LIVE IT.
996
01:13:37,246 --> 01:13:38,914
>> DO YOU HAVE ANY ASPIRIN?
997
01:13:38,981 --> 01:13:42,117
>> I'M SORRY, I JUST TOOK MY
LAST MYDOL.
998
01:13:42,184 --> 01:13:45,888
>> NEW SUPER COMET.
999
01:13:45,954 --> 01:13:52,861
>> I WILL DRINK TO THAT.
1000
01:13:52,928 --> 01:13:58,100
>> SEE YOU IN THE NEXT LIFE.
1001
01:13:58,167 --> 01:14:08,143
♪
>> YOU HAVE MEDDLED WITH THE
1002
01:14:08,210 --> 01:14:18,854
♪
>> YOU HAVE MEDDLED WITH THE
1003
01:14:18,921 --> 01:14:21,223
FORCES OF NATURE!
1004
01:14:21,290 --> 01:14:22,424
>> THAT'S THE WAY IT IS, FOLKS.
1005
01:14:22,491 --> 01:14:24,660
GOOD NIGHT.
1006
01:14:24,726 --> 01:14:27,896
>> YOU KNOW WHAT WILL HELP ALL
THIS?
1007
01:14:27,963 --> 01:14:30,232
>> LET'S GET HIM DESSERT.
1008
01:14:30,299 --> 01:14:33,969
>> MY FRIEND, THE FILM NEEDS AN
ENDING.
1009
01:14:34,036 --> 01:14:36,371
>> LIFE IS GOING TO GIVE YOU ONE
SHOT.
1010
01:14:36,438 --> 01:14:44,379
>> SOMETIMES LIFE JUST ISN'T
FAIR, KIDDO.
1011
01:14:44,446 --> 01:14:47,049
>> I WILL LEAVE YOU WITH A
SIMPLE OBSERVATION.
1012
01:14:47,115 --> 01:14:53,121
THE REWARDS WERE IN THE JOURNEY.
1013
01:15:05,901 --> 01:15:20,816
[ APPLAUSE ]
>> Announcer: LADIES AND
1014
01:15:20,883 --> 01:15:22,751
GENTLEMEN, SELMA HI YAK.
1015
01:15:22,818 --> 01:15:30,158
>> THE ACTORS NOMINATED IN THIS
CATEGORY DELIVER PERFORMANCES
1016
01:15:30,225 --> 01:15:33,295
THAT DON'T JUST CAPTURE YOUR
ATTENTION, THEY SLAP THE PHONE
1017
01:15:33,362 --> 01:15:37,799
OUT OF YOUR HOUSE AND SUPER GLUE
YOUR ASS TO YOUR COUCH OR
1018
01:15:37,866 --> 01:15:41,803
WHATEVER YOU'RE WATCHING ON.
1019
01:15:41,870 --> 01:15:44,740
OKAY.
1020
01:15:44,806 --> 01:15:49,945
AND HERE ARE THE NOMINEES MALE
ACTOR IN A TELEVISION MOVIE OR
1021
01:15:50,012 --> 01:15:56,385
LIMITED SERIES.
1022
01:15:56,451 --> 01:16:00,756
>> YOUEN McGREGOR.
1023
01:16:00,822 --> 01:16:02,658
MICHAEL KEATON.
1024
01:16:02,724 --> 01:16:03,258
OSCAR ISAAC.
1025
01:16:03,325 --> 01:16:07,996
EVAN PETERS.
1026
01:16:08,063 --> 01:16:16,638
MURRAY BARTLETT.
1027
01:16:16,705 --> 01:16:25,581
>> AND THE ACTOR GOES TO --
MICHAEL KEATON, "DOPESICK."
1028
01:16:25,647 --> 01:16:35,624
♪
>> ARE YOU KIDDING ME?
1029
01:16:35,691 --> 01:16:45,667
♪
>> ARE YOU KIDDING ME?
1030
01:16:45,734 --> 01:16:51,073
♪
>> ARE YOU KIDDING ME?
1031
01:16:51,139 --> 01:16:52,274
I HAVE STAGE FRIGHT.
1032
01:16:52,341 --> 01:16:55,877
COME ON, MICHAEL!
1033
01:16:55,944 --> 01:17:10,158
COME ON, MICHAEL!
1034
01:17:10,225 --> 01:17:12,327
>> THANK YOU VERY MUCH.
1035
01:17:12,394 --> 01:17:13,195
SORRY.
1036
01:17:13,261 --> 01:17:15,097
QUICK TRIP TO THE MEN'S ROOM.
1037
01:17:15,163 --> 01:17:17,599
IT IS PACKED, BY THE WAY.
1038
01:17:17,666 --> 01:17:19,267
THIS IS SO NICE.
1039
01:17:19,334 --> 01:17:20,202
THANK YOU VERY MUCH.
1040
01:17:20,268 --> 01:17:21,069
REALLY.
1041
01:17:21,136 --> 01:17:23,872
I'M TRULY -- I'M SO GRATEFUL.
1042
01:17:23,939 --> 01:17:25,374
UMM, YOU KNOW WHAT?
1043
01:17:25,440 --> 01:17:29,244
THERE'S AN ARGUMENT TO BE MADE,
IT'S A LEGITIMATE ARGUMENT.
1044
01:17:29,311 --> 01:17:34,616
LOOK HOW NICE EVERYONE LOOKS.
1045
01:17:34,683 --> 01:17:40,555
A NIGHT LIKE TONIGHT IS
SELF-SERVING, NARCISSISTIC, YEP.
1046
01:17:40,622 --> 01:17:44,026
IT'S A LEGITIMATE ARGUMENT TO BE
MADE.
1047
01:17:44,092 --> 01:17:50,365
THAT SAID, I WILL TELL YOU, AND
I'LL SPEAK FOR MYSELF, I AM SO
1048
01:17:50,432 --> 01:17:51,833
FORTUNATE.
1049
01:17:51,900 --> 01:17:54,469
I MEAN, WE COULD SPEND A WEEK
HERE TALKING ABOUT HOW FORTUNATE
1050
01:17:54,536 --> 01:17:57,973
I AM, AND I KNOW YOU WOULD ALL
LOVE THAT.
1051
01:17:58,040 --> 01:18:01,309
YEAH, EVERYONE WANTS TO HEAR
MIKE RAMBLE ON FOR A COUPLE OF
1052
01:18:01,376 --> 01:18:02,577
HOURS.
1053
01:18:02,644 --> 01:18:06,014
I'M SO BLESSED TO DO WHAT I DO,
AND SO FORTUNATE.
1054
01:18:06,081 --> 01:18:08,684
AND I'M ONLY GOING TO SPEAK FOR
MYSELF.
1055
01:18:08,750 --> 01:18:15,390
I HAVE A JOB WHERE I CAN BE PART
OF A PRODUCTION, LIKE
1056
01:18:15,457 --> 01:18:18,060
"DOPESICK," OR -- THANK YOU, OR
WHATEVER.
1057
01:18:18,126 --> 01:18:28,970
THAT ACTUALLY CAN SPAWN THOUGHT,
CONVERSATION, ACTUAL CHANGE.
1058
01:18:29,037 --> 01:18:33,208
WHO GETS TO HAVE THAT JOB?
1059
01:18:33,275 --> 01:18:34,676
SERIOUSLY?
1060
01:18:34,743 --> 01:18:38,280
HOW FORTUNATE AM I THAT GOOD CAN
COME FROM SOMETHING I DO JUST
1061
01:18:38,346 --> 01:18:41,917
BECAUSE I LEARN TO BECOME AN
ACTOR?
1062
01:18:41,983 --> 01:18:46,121
THERE'S MASSIVE INEQUITY IN THE
WORLD.
1063
01:18:46,188 --> 01:18:49,825
IN "DOPESICK," WHEN YOU TALK
ABOUT ADDICTION, THE WAY TO HEAL
1064
01:18:49,891 --> 01:18:53,228
THE PROBLEM IS TO ACCEPT THAT
YOU HAVE A PROBLEM.
1065
01:18:53,295 --> 01:18:58,633
NOT OUR COUNTRY.
1066
01:18:58,700 --> 01:19:01,336
THE ENTIRE WORLD.
1067
01:19:01,403 --> 01:19:06,174
ECONOMICALLY, RACIALLY,
SOCIALLY, FINANCIALLY.
1068
01:19:06,241 --> 01:19:08,043
THERE'S MASSIVE INEQUITY IN THE
WORLD.
1069
01:19:08,110 --> 01:19:09,978
THERE JUST IS.
1070
01:19:10,045 --> 01:19:11,713
THERE'S FAIR, AND THERE'S
UNFAIR.
1071
01:19:11,780 --> 01:19:16,418
THERE'S NOT A LOT OF ROOM IN
BETWEEN.
1072
01:19:16,485 --> 01:19:23,125
I CAN FEEL RIGHT NOW THE ROLLING
THUNDER OF EYE ROLLING ACROSS
1073
01:19:23,191 --> 01:19:26,561
PEOPLE SAYING THINGS TO ME LIKE,
SHUT UP AND DRIBBLE.
1074
01:19:26,628 --> 01:19:29,731
SHUT UP AND ACT.
1075
01:19:29,798 --> 01:19:33,769
THE ACTING, I'LL QUIT.
1076
01:19:33,835 --> 01:19:38,840
THE SHUTTING UP, NOT SO MUCH.
1077
01:19:38,907 --> 01:19:43,245
I AM BLESSED TO BE ABLE TO DO
SOMETHING THAT MIGHT IMPROVE
1078
01:19:43,311 --> 01:19:44,112
SOMEONE'S LIFE.
1079
01:19:44,179 --> 01:19:46,848
I'M THE MOST FORTUNATE PERSON.
1080
01:19:46,915 --> 01:19:53,555
I SWEAR TO GOD, I'M SO GRATEFUL
FOR THINS LIKE.
1081
01:19:53,622 --> 01:19:54,923
THIS IS NICE.
1082
01:19:54,990 --> 01:19:59,327
I WILL TELL YOU, WE HAVE A
FELLOW ACTOR IN ZELENSKYY, WHO
1083
01:19:59,394 --> 01:20:06,568
DESERVES SOME CREDIT TONIGHT FOR
FIGHTING THE FIGHT.
1084
01:20:06,635 --> 01:20:10,772
I SPENT OUT MY PREEMPTIVE THANKS
TO EVERYONE INVOLVED IN THIS,
1085
01:20:10,839 --> 01:20:14,509
ESPECIALLY MARNY.
1086
01:20:14,576 --> 01:20:24,553
BUT MOSTLY, -- GIVEN THE SUBJECT
MATTER --
1087
01:20:24,619 --> 01:20:32,060
BUT MOSTLY, -- GIVEN THE SUBJECT
MATTER --
1088
01:20:32,127 --> 01:20:38,600
THIS IS FOR MY NEPHEW, MICHAEL,
AND MY SISTER, PAM.
1089
01:20:38,667 --> 01:20:47,976
I LOST MICHAEL -- IT HURTS.
1090
01:20:48,043 --> 01:20:48,743
TO MY SISTER PAM, THANKS.
1091
01:20:48,810 --> 01:21:03,124
[ APPLAUSE ]
♪
1092
01:21:03,191 --> 01:21:13,935
>> Announcer: AND NOW, PLEASE
WELCOME JEFF GOLDBLOOM.
1093
01:21:14,002 --> 01:21:17,372
>> THANK YOU.
1094
01:21:17,439 --> 01:21:25,847
THANK YOU, WILL.
1095
01:21:25,914 --> 01:21:30,719
GREAT SCREEN ARTISTS OF OUR TIME
OR ANY TIME, HAVE DELIVERED A
1096
01:21:30,785 --> 01:21:35,724
QUINTET OF TRIUMPHANT SHAPE
SHIFTINGS FOR THE AGES,
1097
01:21:35,790 --> 01:21:38,326
ENTERTAINING AND RENDERED IN
SUCH A WAY THAT HAVING SEEN
1098
01:21:38,393 --> 01:21:41,830
THEM, EVERY ONE OF US KNOWS
SOMETHING DEEPER AND TRUER ABOUT
1099
01:21:41,897 --> 01:21:44,866
WHAT IT MEANS FOR A HUMAN BEING.
1100
01:21:44,933 --> 01:21:51,239
HERE ARE THE NOMINEES FOR FEMALE
ACTOR IN A LEADING ROLE.
1101
01:21:51,306 --> 01:22:00,982
>> Announcer: LADY GAGA, "HOUSE
OF GUCCI."
1102
01:22:01,049 --> 01:22:08,757
>> WHEN -- TO LET YOU THINK, I
WOULD EVER LET ANYONE RUIN MY
1103
01:22:08,823 --> 01:22:10,158
DAUGHTER'S LIFE.
1104
01:22:10,225 --> 01:22:13,662
>> Announcer: JESSICA CHASTAIN,
"THE EYES OF TAMMY FAYE."
1105
01:22:13,728 --> 01:22:17,699
>> THIS IS AN EMOTIONAL
INTERVIEW FOR ME.
1106
01:22:17,766 --> 01:22:19,868
I WANT TO PUT MY ARM AROUND YOU.
1107
01:22:19,935 --> 01:22:26,942
>> AND I WANT TO PUT MY ARMS
AROUND YOU, TAMMY FAYE.
1108
01:22:27,008 --> 01:22:32,781
>> Announcer: OLIVIA COLMAN,
"THE LOST DAUGHTER."
1109
01:22:32,847 --> 01:22:37,852
>> I'M GOING TO CUT YOUR TONGUE.
1110
01:22:37,919 --> 01:22:39,587
THIS IS UNACCEPTABLE!
1111
01:22:39,654 --> 01:22:42,624
I'M CALLING THE POLICE.
1112
01:22:42,691 --> 01:22:50,432
>> Announcer: NICOLE KIDMAN
"BEING THE RICARDOS."
1113
01:22:50,498 --> 01:22:51,433
>> THERE IT IS.
1114
01:22:51,499 --> 01:22:52,067
>> WHAT ARE YOU TALKING ABOUT?
1115
01:22:52,133 --> 01:23:05,880
>> IN THE GRAPES.
1116
01:23:05,947 --> 01:23:06,848
"RESPECT."
1117
01:23:06,915 --> 01:23:07,716
>> DON'T TALK TO HER LIKE THAT.
1118
01:23:07,782 --> 01:23:11,953
>> HAVE YOU LOST YOUR MIND?
1119
01:23:12,020 --> 01:23:12,687
>> MAYBE.
1120
01:23:12,754 --> 01:23:20,028
MAYBE I FOUND IT.
1121
01:23:20,095 --> 01:23:30,071
>> AND THE ACTOR GOES TO --
>> Announcer: JESSICA CHASTAIN
1122
01:23:30,138 --> 01:23:37,879
>> AND THE ACTOR GOES TO --
>> Announcer: JESSICA CHASTAIN
1123
01:23:37,946 --> 01:23:39,981
CELEBRATES HER SECOND WIN AND
FOURTH NOMINATION.
1124
01:23:40,048 --> 01:23:49,691
SHE PREVIOUSLY WON AN ACTOR WITH
THE CAST OF "THE HELP."
1125
01:23:49,758 --> 01:23:50,725
>> WHOA!
1126
01:23:50,792 --> 01:23:51,226
WOW.
1127
01:23:51,292 --> 01:23:51,926
OKAY.
1128
01:23:51,993 --> 01:23:55,130
I'M REAL SURPRISED.
1129
01:23:55,196 --> 01:23:58,033
THANK YOU, SAG-AFTA FOR THIS.
1130
01:23:58,099 --> 01:24:05,206
I'M COMPLETELY STUNNED.
1131
01:24:05,273 --> 01:24:07,709
THANK YOU.
1132
01:24:07,776 --> 01:24:09,244
I WANT TO THANK MY TEAM.
1133
01:24:09,310 --> 01:24:12,380
I HAVE THE BEST TEAM EVER.
1134
01:24:12,447 --> 01:24:14,616
PAUL, HILDA, STEVE, NICOLE.
1135
01:24:14,682 --> 01:24:18,820
MY PRODUCER PARTNERS, KELLY AND
RACHEL AND GIGI.
1136
01:24:18,887 --> 01:24:21,790
AND EVERYONE IN THIS ROOM KNOWS
THAT A PERFORMANCE IS ONLY AS
1137
01:24:21,856 --> 01:24:23,191
GOOD AS THE PEOPLE AROUND YOU.
1138
01:24:23,258 --> 01:24:32,467
SO I HAVE THE BEST ACTING TROUPE
ONE COULD HAVE WITH ANDREW
1139
01:24:32,534 --> 01:24:35,370
GARFIELD, I MEAN, I'M SO LUCKY.
1140
01:24:35,437 --> 01:24:40,608
THIS IS A DREAM OF MINE TO PLAY
TAMMY FAYE.
1141
01:24:40,675 --> 01:24:43,411
SHE WAS A TRAILBLAZER.
1142
01:24:43,478 --> 01:24:49,084
AND SHE WRAPPED HER ARMS AROUND
THOSE WHO WERE REPEATEDLY CAST
1143
01:24:49,150 --> 01:24:55,390
ASIDE AND SHE LAUNCHED HERSELF
INTO DECADES OF LBGTQ LOVE, AND
1144
01:24:55,457 --> 01:24:59,994
I WORKED ON THE PROJECT FOR TEN
YEARS, AND I HOPE THAT I MADE
1145
01:25:00,061 --> 01:25:03,665
HER STORY -- WE MADE HER STORY
THE WAY THAT SHE WOULD BE PROUD
1146
01:25:03,731 --> 01:25:04,732
OF.
1147
01:25:04,799 --> 01:25:06,534
I WANTED TO BE AN ACTOR MY WHOLE
LIFE.
1148
01:25:06,601 --> 01:25:10,405
SINCE I WAS A KID, IT'S THE ONLY
THING I EVER THOUGHT ABOUT.
1149
01:25:10,472 --> 01:25:13,341
THERE WERE YEARS OF STUDYING AND
AUDITIONING, AND NOT GETTING
1150
01:25:13,408 --> 01:25:15,210
JOBS.
1151
01:25:15,276 --> 01:25:21,015
AND I KNOW WHAT THAT FEELS LIKE
AND THE LONEINESS OF WHAT THAT
1152
01:25:21,082 --> 01:25:22,383
FEELS LIKE.
1153
01:25:22,450 --> 01:25:25,220
FOR THOSE OF YOU WHO ARE
STRUGGLING, AND FEELING UNSEEN,
1154
01:25:25,286 --> 01:25:30,758
I JUST WANT YOU TO KNOW TO KEEP
GOING, BECAUSE YOU'RE ONE JOB
1155
01:25:30,825 --> 01:25:31,292
AWAY.
1156
01:25:31,359 --> 01:25:32,393
I PROMISE.
1157
01:25:32,460 --> 01:25:35,230
AND THE THING THAT KEPT ME GOING
WAS YOU.
1158
01:25:35,296 --> 01:25:37,365
IT WAS EVERYONE IN THIS ROOM.
1159
01:25:37,432 --> 01:25:39,033
AND IT WAS THIS COMMUNITY.
1160
01:25:39,100 --> 01:25:42,070
AND I LOVE MY ARTISTIC FAMILY.
1161
01:25:42,137 --> 01:25:46,107
AND MY HEART IS WITH OUR
INTERNATIONAL FAMILY ALL OVER
1162
01:25:46,174 --> 01:25:51,813
THE WORLD RIGHT NOW WHO IS
FIGHTING FOR THEIR SAFETY AND
1163
01:25:51,880 --> 01:25:52,647
THEIR FREEDOM.
1164
01:25:52,714 --> 01:25:55,984
AND I LOVE YOU ALL SO MUCH.
1165
01:25:56,050 --> 01:25:59,320
THANK YOU VERY, VERY MUCH.
1166
01:25:59,387 --> 01:26:09,564
♪
>> Announcer: COMING UP, REESE
1167
01:26:09,631 --> 01:26:12,467
WITHERSPOON.
1168
01:26:12,534 --> 01:26:13,468
AND THE AWARD FOR OUTSTANDING
CAST IN A MOTION PICTURE, WHEN
1169
01:26:27,849 --> 01:26:30,485
>> Announcer: LADIES AND
GENTLEMEN, REESE WITHERSPOON.
1170
01:26:30,552 --> 01:26:33,288
>> HI.
1171
01:26:33,354 --> 01:26:34,355
HI, EVERYBODY.
1172
01:26:34,422 --> 01:26:36,558
SO NICE TO SEE SO MANY OF YOU IN
PERP.
1173
01:26:36,624 --> 01:26:37,926
IT'S BEEN SO LONG.
1174
01:26:37,992 --> 01:26:42,564
ALL FIVE NOMINEES IN THIS
CATEGORY PLAY MAVERICKS, A
1175
01:26:42,630 --> 01:26:45,733
BRASH, BULLYING CATTLE RANCHER,
TENNIS COACH, RICHARD WILLIAMS,
1176
01:26:45,800 --> 01:26:50,939
BROADWAY'S JONATHAN LARSON;
TELEVISION'S DESI ARNAZ; AND
1177
01:26:51,005 --> 01:26:54,108
LEGENDARY TROUBLEMAKER, MACBETH.
1178
01:26:54,175 --> 01:26:57,979
EACH PERFORMANCE IS SO WHOLLY
REALIZED THAT WE'RE ABLE TO MAKE
1179
01:26:58,046 --> 01:27:01,516
SENSE OF THEIR CHARACTERS' PATHS
TO EVEN THEIR MOST UNEXPECTED
1180
01:27:01,583 --> 01:27:03,818
DECISIONS.
1181
01:27:03,885 --> 01:27:07,822
HERE ARE THE NOMINEES FOR MALE
ACTOR IN A LEADING ROLE.
1182
01:27:07,889 --> 01:27:10,191
>> Announcer:
BENEDICT CUMBERBATCH, "THE POWER
1183
01:27:10,258 --> 01:27:15,463
OF THE DOG."
1184
01:27:15,530 --> 01:27:18,233
>> IS IT THAT YOU LIKE OR MONEY?
1185
01:27:18,299 --> 01:27:19,367
WAKE THE HELL UP!
1186
01:27:19,434 --> 01:27:28,409
[ APPLAUSE ]
>> Announcer: ANDREW GARFIELD,
1187
01:27:28,476 --> 01:27:29,944
"TICK, TICK...BOOM."
1188
01:27:30,011 --> 01:27:40,989
♪
[ APPLAUSE ]
1189
01:27:41,055 --> 01:27:48,029
WILL SMITH, "KING RICHARD."
1190
01:27:48,096 --> 01:27:50,064
>> IT'S GOING TO BE HARD FOR
ANYBODY.
1191
01:27:50,131 --> 01:27:53,701
BUT FOR YOU, YOU'RE NOT JUST
GOING TO BE REPRESENTING YOU,
1192
01:27:53,768 --> 01:27:55,803
YOU'RE GOING TO BE REPRESENTING
EVERY LITTLE BLACK GIRL ON
1193
01:27:55,870 --> 01:27:56,904
EARTH.
1194
01:27:56,971 --> 01:28:04,412
[ APPLAUSE ]
>> Announcer: JAVIER BARDEM,
1195
01:28:04,479 --> 01:28:06,314
"BEING THE RICARDOS."
1196
01:28:06,381 --> 01:28:14,922
>> YES, HE DIDN'T TELL YOU --
FOR THE CRIME OF BEING THE MAYOR
1197
01:28:14,989 --> 01:28:15,957
OF A CITY.
1198
01:28:16,024 --> 01:28:24,666
I WAS CHASED TO THIS COUNTRY,
LUCY!
1199
01:28:24,732 --> 01:28:32,573
>> Announcer: DENZEL WASHINGTON,
"THE TRAGEDY OF MACBETH."
1200
01:28:32,640 --> 01:28:40,315
>> THEY DESERVE NO MORE.
1201
01:28:40,381 --> 01:28:41,949
THE SOUND AND FURY, SIGNIFYING
NOTHING.
1202
01:28:42,016 --> 01:28:55,730
[ APPLAUSE ]
>> AND THE ACTOR GOES TO --
1203
01:28:55,797 --> 01:28:56,798
WILL SMITH FOR "KING RICHARD."
1204
01:28:56,864 --> 01:29:04,339
[ APPLAUSE ]
>> WILL SMITH CELEBRATES HIS
1205
01:29:04,405 --> 01:29:06,274
FIRST ONE AND THIRD NOMINATION.
1206
01:29:06,341 --> 01:29:09,210
HE WAS PREVIOUSLY NOMINATED IN
THIS CATEGORY FOR "THE PURSUIT
1207
01:29:09,277 --> 01:29:13,414
OF HAPPINESS."
1208
01:29:13,481 --> 01:29:23,458
♪
>> WOW!
1209
01:29:23,524 --> 01:29:28,796
♪
>> WOW!
1210
01:29:28,863 --> 01:29:30,565
YES.
1211
01:29:30,631 --> 01:29:36,070
YES.
1212
01:29:36,137 --> 01:29:42,110
THANK YOU ALL.
1213
01:29:42,176 --> 01:29:44,512
THAT MAY HAVE BEEN ONE OF THE
GREATEST MOMENTS OF MY CAREER
1214
01:29:44,579 --> 01:29:49,117
JUST NOW.
1215
01:29:49,183 --> 01:29:53,454
BECAUSE MY NAME WAS CALLED FOR
"KING RICHARD" SITTING NEXT TO
1216
01:29:53,521 --> 01:30:00,661
VENUS WILLIAMS.
1217
01:30:00,728 --> 01:30:07,735
AND HER SISTER.
1218
01:30:07,802 --> 01:30:15,276
RICHARD WILLIAMS IS A DREAMER
LIKE NO ONE YOU'VE EVER KNOWN.
1219
01:30:15,343 --> 01:30:23,351
HE HAS A POWER OF BELIEF THAT
BORDERS ON INSANITY.
1220
01:30:23,418 --> 01:30:29,490
AND SOMETIMES TIPS OVER THE
BORDER, WHICH IS ABSOLUTELY
1221
01:30:29,557 --> 01:30:39,534
NECESSARY TO TAKE SOMETHING FROM
[ APPLAUSE ]
1222
01:30:39,600 --> 01:30:48,810
NECESSARY TO TAKE SOMETHING FROM
[ APPLAUSE ]
1223
01:30:48,876 --> 01:30:51,512
YOU PUSHED EVERY SINGLE DAY.
1224
01:30:51,579 --> 01:30:58,319
YOU DEMANDED AUTHENTICITY, AND
YOU DID IT IN SUCH A BEAUTIFUL
1225
01:30:58,386 --> 01:31:03,357
AND QUIET AND POWERFUL WAY.
1226
01:31:03,424 --> 01:31:12,233
AND YOU DID IT WONDERFUL
JUSTICE.
1227
01:31:12,300 --> 01:31:16,904
SANAYA AND DEMI, THESE TWO
LADIES, IT WAS SUCH A GREAT
1228
01:31:16,971 --> 01:31:22,343
HONOR FOR ME TO -- I'M SORRY,
I'M SUPPOSED TO WRAP UP.
1229
01:31:22,410 --> 01:31:24,178
I'M GOING TO DO THIS REAL FAST.
1230
01:31:24,245 --> 01:31:32,954
YOU GUYS ARE ACTORS, SO YOU KNOW
HOW SOMETIMS YOUR ON-SCREEN
1231
01:31:33,020 --> 01:31:34,422
REAL LIFE.
1232
01:31:34,489 --> 01:31:39,360
AND TO WALK YOU AROUND THIS ROOM
TONIGHT TO PARENT YOU ON THIS
1233
01:31:39,427 --> 01:31:43,264
FILM, TO DELIVER YOU INTO THIS
BUSINESS HAS BEEN ONE OF THE
1234
01:31:43,331 --> 01:31:44,365
GREATEST PLEASURES OF MY LIFE.
1235
01:31:44,432 --> 01:31:54,175
[ APPLAUSE ]
VENUS, SERENA, THE WILLIAMS
1236
01:31:54,242 --> 01:31:59,514
[ APPLAUSE ]
VENUS, SERENA, THE WILLIAMS
1237
01:31:59,580 --> 01:32:02,583
FAMILY, YOU ENTRUSTED ME AND OUR
GROUP WITH YOUR STORY.
1238
01:32:02,650 --> 01:32:06,287
YOU DIDN'T AGREE TO PUT YOUR
NAME ON IT UNTIL YOU SAW THE
1239
01:32:06,354 --> 01:32:07,522
FINAL PROJECT.
1240
01:32:07,588 --> 01:32:08,556
I GET THAT.
1241
01:32:08,623 --> 01:32:10,625
I GET THAT.
1242
01:32:10,691 --> 01:32:11,993
IT'S COOL.
1243
01:32:12,059 --> 01:32:14,462
THAT'S REAL, THAT'S REAL,
BECAUSE WE BE MESSING STUFF UP
1244
01:32:14,529 --> 01:32:17,398
SOMETIMES.
1245
01:32:17,465 --> 01:32:20,401
BUT WHEN I GOT THE CALL AND YOU
WATCHED THE MOVIE AND YOU SAID
1246
01:32:20,468 --> 01:32:24,438
YOU LOVED IT, I JUST WANT TO SAY
THANK YOU VERY MUCH.
1247
01:32:24,505 --> 01:32:28,042
IT WAS MY DEEPEST PLEASURE TO
HONOR YOUR FAMILY AND TO TELL
1248
01:32:28,109 --> 01:32:29,644
YOUR STORY TO THE WORLD.
1249
01:32:29,710 --> 01:32:30,378
THANK YOU ALL.
1250
01:32:30,444 --> 01:32:32,380
I'M THANKING TO MUCH.
1251
01:32:32,446 --> 01:32:33,948
THANK YOU ALL.
1252
01:32:34,015 --> 01:32:37,985
THANK YOU.
1253
01:32:38,052 --> 01:32:42,924
>> Announcer: TOGETHER AGAIN,
PLEASE WELCOME DAVEED DIGGS,
1254
01:32:42,990 --> 01:32:44,959
LIN-MANUEL MIRANDA AND
LESLIE ODOM JR.
1255
01:32:45,026 --> 01:32:51,532
[ APPLAUSE ]
>> WELL, WE'RE DOWN TO OUR FINAL
1256
01:32:51,599 --> 01:32:52,900
AWARD.
1257
01:32:52,967 --> 01:32:54,969
GENTLEMEN, LET'S DO THE HONORS!
1258
01:32:55,036 --> 01:33:05,646
>> THE NOMINEES FOR CAST IN A
MOTION PICTURE ARE --
1259
01:33:05,713 --> 01:33:08,349
"DON'T LOOK UP."
1260
01:33:08,416 --> 01:33:16,424
"HOUSE OF GUCCI."
1261
01:33:16,490 --> 01:33:18,593
"KING RICHARD."
1262
01:33:18,659 --> 01:33:23,097
"CODA."
1263
01:33:23,164 --> 01:33:25,533
"BELFAST."
1264
01:33:25,600 --> 01:33:35,142
[ APPLAUSE ]
>> AND THE ACTOR GOES TO --
1265
01:33:35,209 --> 01:33:44,085
"CODA"!
1266
01:33:44,151 --> 01:33:47,154
>> Announcer: THE CAST OF "CODA"
CELEBRATES THE COLLABORATION OF
1267
01:33:47,221 --> 01:33:57,198
SIX ACTORS IN ITS CAST.
1268
01:33:57,264 --> 01:34:03,304
SIX ACTORS IN ITS CAST.
1269
01:34:03,371 --> 01:34:13,414
♪
>> I DON'T NEED THIS FOR SURE.
1270
01:34:13,481 --> 01:34:23,457
♪
>> I DON'T NEED THIS FOR SURE.
1271
01:34:23,524 --> 01:34:33,434
♪
>> I DON'T NEED THIS FOR SURE.
1272
01:34:33,501 --> 01:34:40,274
♪
>> I DON'T NEED THIS FOR SURE.
1273
01:34:40,341 --> 01:34:44,345
THAT'S WHAT I PAY THE
INTERPRETER FOR.
1274
01:34:44,412 --> 01:34:45,346
ANY WAY, GOSH, I'M STUNNED.
1275
01:34:45,413 --> 01:34:48,282
I'M STUNNED.
1276
01:34:48,349 --> 01:34:48,916
OKAY.
1277
01:34:48,983 --> 01:34:49,717
GET IT TOGETHER.
1278
01:34:49,784 --> 01:34:53,387
WE NEED TO THANK SAG-AFTA.
1279
01:34:53,454 --> 01:34:55,890
YOU GUYS, YOU VOTED FOR US.
1280
01:34:55,956 --> 01:34:57,692
WE WANT TO THANK APPLE TV PLUS.
1281
01:34:57,758 --> 01:35:01,362
YOU GUYS OVER THERE.
1282
01:35:01,429 --> 01:35:04,565
FOR TRUSTING US, FOR BELIEVING
IN US.
1283
01:35:04,632 --> 01:35:05,700
OUR MOVIE.
1284
01:35:05,766 --> 01:35:10,604
YOU BOUGHT IT FOR $25 MILLION AT
SUNDANCE.
1285
01:35:10,671 --> 01:35:15,676
ONLY $25 MILLION!
1286
01:35:15,743 --> 01:35:19,146
OH, MY GOD.
1287
01:35:19,213 --> 01:35:29,223
THE PRODUCERS, SHAWN, OUR
DIRECTOR, AND WRITER.
1288
01:35:29,290 --> 01:35:31,158
WE TIP OUR HAT TO YOU.
1289
01:35:31,225 --> 01:35:32,660
THANK YOU.
1290
01:35:32,727 --> 01:35:36,430
THANK YOU FOR WRITING THE WORDS,
INCLUDING "DEAF CULTURE, WE LOVE
1291
01:35:36,497 --> 01:35:41,235
YOU."
1292
01:35:41,302 --> 01:35:44,472
THANK YOU FOR DIRECTING US.
1293
01:35:44,538 --> 01:35:46,607
OH, MY GOD, OH, MY GOD.
1294
01:35:46,674 --> 01:35:55,049
THE INTERPRETERS, THANK YOU ALL
THE "CODA" INTERPRETERS.
1295
01:35:55,116 --> 01:35:58,519
AND ALL CODAS EVERYWHERE, ALL
OVER THE WORLD.
1296
01:35:58,586 --> 01:36:04,225
MY KIDS, FOUR OF THEM, ARE
CODAS.
1297
01:36:04,291 --> 01:36:05,059
OKAY.
1298
01:36:05,126 --> 01:36:09,497
LOOK, YOU ARE ALL OUR PEERS.
1299
01:36:09,563 --> 01:36:16,237
WE, DEAF ACTORS, HAVE COME A
LONG WAY.
1300
01:36:16,303 --> 01:36:19,673
35 YEARS I HAVE BEEN SEEING SO
MUCH WORK OUT THERE, AND ALL
1301
01:36:19,740 --> 01:36:25,579
THIS TIME, I'VE WATCHED ALL OF
YOUR FILMS.
1302
01:36:25,646 --> 01:36:29,750
AND I PAY THE DEEPEST RESPECT TO
ALL OF YOU.
1303
01:36:29,817 --> 01:36:30,317
IS MERYL STREEP HERE?
1304
01:36:30,384 --> 01:36:32,386
SHE IS, YES?
1305
01:36:32,453 --> 01:36:33,954
OH, MY GOD.
1306
01:36:34,021 --> 01:36:35,122
OKAY, I LOVE YOU.
1307
01:36:35,189 --> 01:36:36,123
I LOVE YOU, LOVE YOU.
1308
01:36:36,190 --> 01:36:40,161
OKAY.
1309
01:36:40,227 --> 01:36:45,466
THIS VALIDATES THE FACT THAT WE
DEAF ACTORS CAN WORK JUST LIKE
1310
01:36:45,533 --> 01:36:47,067
ANYBODY ELSE.
1311
01:36:47,134 --> 01:36:50,671
WE LOOK FORWARD TO MORE
OPPORTUNITIES FOR DEAF ACTORS,
1312
01:36:50,738 --> 01:36:52,173
DEAF CULTURE.
1313
01:36:52,239 --> 01:36:53,207
THANK YOU.
1314
01:36:53,274 --> 01:36:54,909
AND I'M GOING TO KEEP YOU ONE
THING.
1315
01:36:54,975 --> 01:36:55,976
DO THIS.
1316
01:36:56,043 --> 01:36:58,612
THIS IS I LOVE YOU.
1317
01:36:58,679 --> 01:37:00,247
THANK YOU.
1318
01:37:00,314 --> 01:37:03,984
WE LOVE YOU.
1319
01:37:04,051 --> 01:37:16,163
[ APPLAUSE ]
♪♪
1320
01:37:16,230 --> 01:37:17,097
>> SEE YOU NEXT YEAR.
1321
01:37:17,164 --> 01:37:23,304
GOOD NIGHT.
1322
01:37:23,370 --> 01:37:29,844
>> UNITED IS PROUD TO BE THE
EXCLUSIVE AIRLINE OF THE 28th
1323
01:37:29,910 --> 01:37:29,944
ANNUAL SCREEN ACTORS GUILD
AWARDS.95630
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