All language subtitles for Sender.2020.1080p.WEBRip.x264.AAC-[YTS.MX]

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[wind howls]

[jittery, eerie music]

[surf crashes]
[droning music]

[wind howls]
[droning music]

[footsteps patter]
[eerie music]

[wind rumbles]
[bell clangs]

[haunting music]

[kettle whistles]

[wind rumbles]
[bird caws]

[wind rumbles]

[bird trills]

[wind rumbles]

[bird trills]

[wind rumbles]

- [Radio Announcer] It's looking
to be as erratic as usual.

The snow from last week's
storm has completely melted.

Mysterious colder
temperatures are expected

as another Atlantic
front comes in.

Looking ahead, forecasters

are predicting
[speaker cuts off].

[thunder rumbles]

Residents are advised to
ensure their generators

are patched up
[speaker fades out].

[thunder rumbles]
[wind hisses]

[wind whistles]

- Let's get it over with then.

[wind howls]
[rain patters]

[man sighs]

[eerie music]
[wind howls]

Tomorrow's tape
should be interesting.

[wind howls]
[rumbling ambient music]

- [Woman On Phone]
This is Miss Henderson.

I'm calling again
about the blue hutch.

I tried to stop
by earlier today,

but the sign said closed,

and I was really afraid
that you were closed

for the whole [speaker cut off].

- [Man On Phone] Hi,
Roy, it's Virgil Haraday.

I got people around here
in the teachers' lounge,

so I can't really talk,
but I had to let you know

I just received a call
that concerns you.

I thought you should
know about it.

This isn't a new commission.

It's not that.

Something, apparently,
has gone pretty wrong.

[rain patters]
[droning ambient music]

[engine revs]

- [Man Voiceover]
You've reached Dan Diaz

at the Port Morsby Office.

Please leave a message.

[answering machine beeps]

- Hi, Dan, Roy Gomes here.

Listen, something pretty
heavy is going on here,

and I am sending you
something important,

so keep an eye out
for it, please.

I need you to run an
analysis at the lab,

and just you, please.

It'll be on the mail
plane at sunrise tomorrow.

This is an extremely,
extremely urgent thing.

Be safe.

- [Woman On Tape] Division
of the mental body

from the physical.

The separation of
the mental body

can be clearly realized by the
dominant [speaker cut off].

[tape whirs]

November 4th.

I'm gonna have to talk
more about the gate.

How do you talk about
this ocean of possibility?

To enter, one must
become something else,

a jellyfish, with its unbounded
form as the ideal image.

Formless as the jellyfish,
its myriad legs and receptors,

touching all things
in the world at once.

[tape clicks]

[rain patters]
[wind howls]

Good evening to you
from the closing

of this Tuesday,
the 5th of November.

[rain patters]
[wind howls]

[droning music]
[wind howls]

- [Woman Voiceover]
Set the SAT link.

[droning music]
[wind howls]

SAT link calibrated.

Romeo 1-3-6-0 [indistinct].

- [Man Voiceover] Copy.

[indistinct] Ready in a minute.

Just let me out now, over.

- [Man Voiceover] Copy,
we're experiencing

a little interference there.

- Standing by.

[droning music]

[man speaking
indistinctly on radio]

Hotel 2-3, this is Whiskey 1-8.

Your signal keeps dropping.

[man speaks
indistinctly on radio]

You got a stick of gum
there for me, tough guy?

- Why don't you start smoking
again and leave me alone?

- [Woman Voiceover] Romeo
1-3, [indistinct] here.

- Thank you.
- Copy that.

Yeah, she's jumpy today.

[man speaks
indistinctly on radio]

- [Man Voiceover] Whiskey
1-8, you are advised

to reboot, over.

- Copy that, 2-3, rebooting now.

You need a second?

- No, go for it.

[droning music]

- Here we go.

[machinery beeps]

- [grunts] No, that's better.

- [Man Voiceover] Whiskey
1-8, that's better

on our end, too.

Sorry for the delay.

- [Man Voiceover] Hotel
2-3, this is Romeo 1-3,

entering 0-1, holding the gate.

The gate is running.

- [Man Voiceover] We
are back in black.

- [Man Voiceover]
Connecting you stateside.

- [Man Voiceover] Sender A-0-1,
the signal is in the clear.

[indistinct]

- [Man Voiceover]
We are good to go.

- [Woman Voiceover]
Copy that, 1-1-2-3.

- Where's the girl,
where's the girl?

All right, sync
clocks and commence.

- Copy that, Omaha.
- Romeo 1-3, secure

all feeds for transmission.

[droning music]

- I want minimal
dilation on the clock.

- Yes, sir.
- And they have cleared

for eyes only, don't
forget to tell them that.

- Copy that.
- Look alive,

we are five by five.

[man speaks
indistinctly on radio]

- [Man Voiceover]
Hotel 2-3, say again.

- [Hotel 2-3] Whiskey 1-8, you

are cleared for eyes only.

- [Whiskey 1-8] Hotel 2-3,
are you saying no engagement?

- [Hotel 2-3] Confirmed, Whiskey
1-8, no go for engagement.

- [Whiskey 1-8] Will
comply, Hotel 2-3.

[people chatter on radio]

- [Omaha] And stay
alert on comm.

[eerie music]

- Hotel 2-3, we are in position,
and have eyes on location.

- [Hotel 2-3] Copy
that, Whiskey 1-8.

Commence audio-visual prep.

- Copy that.

- [Hotel 2-3] And then sync.

- Synchronizing on my mark.
- Synchronizing in five.

- Four.
- Four.

- Three.
- Three.

- Two.
- Two.

- One.
- One.

Sync.

[man grunts]

Two peas in a pod.

- [Woman Voiceover]
He said, she said.

- Clocks are running.

- [Man Voiceover]
Are we recording?

- [Woman Voiceover]
Hotel 2-3, that static

isn't clearing up.

[people chatter on radio]

- Why are you always
doing that, man?

- Say again?
- Roger that.

Local recording access.

[tense ambient music]

- [Woman Voiceover]
Telemetry, Romeo 1-3.

- Telemetry.

- [Man Voiceover]
Camera hacked, dude.

- There's too much static.

Switch to local recording.

- We've got audio
only for receiver.

[droning ambient music]

[droning ambient music]
[soft orchestral music]

[loud orchestral music]

[droning ambient music]
[soft orchestral music]

[loud orchestral music]

- [Man Voiceover] We
got one in our channel.

[people chatter on radio]
[hissing music]

What's happening?

- We've lost comms.

[static hisses]
[droning ambient music]

- [Omaha] That's not good.

[static hisses]
[droning ambient music]

[eerie music]

[phone buzzes]

[man grunts]

[eerie music]

[children chattering]

[droning ambient music]

[tense, percussive music]

- Good morning.

Did I wake you?

I tried to be quiet.

How do you feel?

Are you hungry?

So, I hope you don't
think it's rude of me

if I ask you some
questions while you eat.

Can you tell me your name?

Shall we call you Camille?

Camille.

I'm talking to Camille now.

I'm talking to Camille

because Camille is
a smart, smart girl,

and she can understand the
things I'm going to say

better than the others can.

Are you in the room with
the others right now?

Okay.

Well, it's your turn.

Tell them it's your turn,

and step forward into the light.

[Camille pants]

Who am I talking to?

- Camille.

- [Doctor] Good.

Do you remember what's
happened to you?

- No.

- Under Stage One
Reception State,

the Camille archetype has
no memory or self-awareness.

It is unclear what
counter-programming

has been done on the subject,
and, to determine this,

will require some patience.

Luckily, the mother
code is still effective.

But all the archetypes
must be similarly tested.

Everyone must be
very hungry by now.

Good.

[sign squeaks]

- [Answering Machine]
You have one new message.

- Roy, hi, it's Virgil Haraday.

I'm home, just putting the
new lecture series together.

I wanna let you know that I
have been getting some calls.

I'm running interference, but
they're getting aggressive,

so you may be hearing
from the organization

at some point today, just so
that you are prepared, okay?

[phone rings]

- [Doctor Voiceover]
She's awake.

- Jesus Christ,
Judith, be careful.

- It's okay, it's Camille.

She's all right.

- I'll be right over.

[phone rings]

Hello?
- Dr. Gomes.

It's Tobin Wills.

You're a hard man to reach.

- Yes, I'm sorry, I was working.

- [Tobin] House calls?

- [Roy] An auction.

I'm not that kind
of doctor anymore.

- [Tobin] I see.

I wish I could
picture where you are.

- [Roy] Can I help
you, Mr. Wills?

- [Tobin] Well, I
have to apologize

for this breach of your privacy.

I realize this is unprecedented,

and we wouldn't be doing it
if there were any other way.

- All right.

- [Tobin] We've had
a little trouble

with one of your commissions.

- I see.
- Yeah, it's a pretty bad

situation, actually.

We had an incident at one
of our mobile facilities.

I won't go into the
details right now,

but the outcome of said incident

was the loss of two commissions.

Sender A-0-1 and
Receiver C-9-Ultra.

They're both blown.

- Oh, dear that's-

- [Tobin] I know the
programming forbids

them from finding
their way to you.

We don't see why
she, in particular,

would have any reason to try
and contact you or Dr. Aymes.

- All right, then why-

- [Tobin] They haven't tried
to contact you, have they?

- They wouldn't have any way.

That program sequence has
never failed, Mr. Wills.

- [Tobin] Well, they've
blown, so it's looking

like some of that
programming failed.

- Well, if you tell
me what modifications

were made to the
program, I might-

- [Tobin] I'll let you
know as soon as I do.

Just gotta get our facts
straight over here.

[car rumbles]

[wind howls]

- How long has she
been like this?

- Since you were on the phone.

- Judith, let the girl
eat her breakfast.

- [Judith] She's processing.

Besides, her eggs
have gone cold.

I made her fresh.

- They've been in
touch just now.

- When?
- Just now,

right after you called.

- You didn't?
- Of course not.

- [Judith] Resume.

- [TV Announcer] Relax in
comfort after that meeting.

Counsel Blessing Master Suites
is your perfect getaway.

Be sure to make your flight

with our convenient
shuttle service.

It's not just for business
[speaker drowned out by water].

A perfect getaway.

[phone rings]

- Yes?

- [Tobin] Meeting's been moved
up an hour, can you make it?

- [Operative 1-8] Sure.

- [Tobin] Sorry about the room.

- Well, no need to put me
in four star accommodations

for the interrogation.

- [Tobin] I really
don't want you

thinking about it that way.

It's a debriefing, which
we are totally entitled to.

- That girl in Serbia, that
beta site, she was a sender.

They realize that, don't they?

She was in the gate.

Those guys were
guessing at the shit.

- [Tobin] Yeah, well,
we might have found

that out if your
receiver hadn't shuffled

them off with his bare hands.

- Who's receiving?

If she's the sender,
who's her receiver?

- [Tobin] Listen, don't bring
any of that up at the meeting.

Coming from you, that's
a little unsavory.

You lost a fucking receiver.

This never even happened before,

so just answer the questions.

- Sir.
- Back me up in there,

and I'll do what I can for you.

[tense music]

- [Agent] Members of
the board and Director,

thank you for your patience.

As the report
indicates, on May 3rd,

Sender A-0-1, our most
effective psychic asset,

performed a routine scan

from our mobile
facility in New Mexico.

She viewed activity 16
miles outside of Belgrade.

Receiver C-9-0 and his
handler Operative 1-8

were dispatched.

On May 4th, they
arrived in Serbia

and received orders
for surveillance

of foreign agents at
an unknown facility.

This was recon only, Mr. Wills.

- [Tobin] Yes, that's right.

That was a directive from me.

It sends a recording.

- Now, at this time,
teams from Serbia

and the US experienced
an anomaly.

During this blackout,
and against orders,

Receiver C-9 and
Operative 1-8 engaged

the quarantine,
killing everyone.

By the time communication
was restored,

Sender A-0-1 and her receiver
had both disappeared.

Those are the basic
facts, of which I think

all of you are aware.

Now, there are several
issues of concern,

and now that Operative
1-8 has joined us,

we can continue,
unless the Director

has anything he'd like
to say at this time.

- [Director] I don't
have to tell you

how grave the situation is.

There is no higher
calling for any of us

than a solution to this problem.

- [Agent] Operative,
nice of you to show up.

- I'm sorry, I was in transit

when the meeting
was rescheduled.

Who is this?

- Mr. Henshaw.

- [Operative 1-8] Henshaw.

- His team has been
designated to find the girl.

- [Operative 1-8]
She's our sender.

Why do we need another team?

- 1-8, because we don't
have an asset right now.

- Look, I never took
him back down the gate.

They could still be linked.

If I find him, I find her, too.

- Why don't you take it easy?

- [Man Voiceover] Yes,
but this may be harder

to do than you imagine, you see.

- Dr. Marcel.
- Well, to use a gate

creates a psychic connection

between the mind of
the sender, who sees,

and the receiver, who
can see that information

and act on it in real time.

But, as I said
earlier, their link

had experienced a
massive spike of energy.

This has possibly increased
her ability to see,

and he could possibly
move so fast,

you might not find him,
unless he wants it.

He could quite literally
be ahead of you.

- [Woman Voiceover] Are you
saying he's time traveling?

- [Dr. Marcel]
Well, not exactly,

but, if they are still linked,

and without control of any kind,

in his current state,
let's just say,

I wouldn't want
to deal with him.

- [Woman Voiceover] They
are tagged, aren't they?

I mean, what the fuck are
you even talking about?

- Of course they are tagged.

- Lady, it's simple.

You built a killer
with an on-off switch,

and it is currently
stuck in the on position.

- Mr. Henshaw, you have
me on a flight at three.

I shouldn't be late for that.

- Right.

Mr. Wills, talk to your man.

- 1-8, would you please retrieve
the device from the case?

- [Mr. Henshaw] Dr. Marcel.

- [Dr. Marcel] To help you
find your lost receiver,

you are being given
a new control device.

It is a prototype.

It replaces your current model.

This new device has all
the usual functions,

communications, timer, drugging,

with the addition
of a kill switch.

- [Operative 1-8] What
does this do to him?

- [Dr. Marcel] Well, with
that, you have the ability

to incapacitate or
kill any persons

susceptible to the music gate.

- Only on him, not the girl.

- [Dr. Marcel] Of
course, and there

is no contamination inside.

- Whoa, hold on a second.

He sets this thing off,
what does it do to my asset?

What's the range?
- The device is set

for this receiver only.

- [Dr. Marcel] Each
psychic asset is triggered

to enter the gate
by a unique song.

This device is calibrated
for the lost receiver only.

Your receiver has
a different song.

This device would have
to be recalibrated-

- [Mr. Henshaw]
Thank you, Doctor.

Gentlemen, our time is up.

- Don't get too comfortable.

We got a hit on your
receiver's location.

- First I've heard of it.

- Next time, don't be
late to the meeting.

- Your man's got
one shot at this,

and then it's straight
to processing.

You know that, right?

- Swooping in to
take charge, huh?

Assertive, get it
done type of guy?

Quoting rules to me.

I've run the top level
team for two years.

Talk to me in a month.

- We don't have a sender!

We can't even use
our own technology

to find our own agent!

- [chuckles] You
don't know nothing.

- [Computer Voiceover]
Welcome to the OS menu

for your VC-1238 beta unit.

Please, listen carefully,
as some of the options

have changed, and the file
structure has been modified.

This unit has been
fully charged,

and no updates are necessary.

Your new VC-1238 has a
dedicated operating system.

It is unlike all
other VC controllers.

Main menu, choose from
the following options,

data sync, gate neutralization,

levels of weaponization,
timed detonation.

Priming the VC-1238.

[muffled voices]
[droning ambient music]

[droning ambient music]

- Lucky Strike.

Probably best not to
watch too much of that.

Where's Claudia?

- She'll be back tonight?

- Yeah, I hope so.

Is she working out all right?

She's doing everything I asked?

- I think she's a little bored.

- We've all been
a little restless.

Listen, they got a
lead on the girl.

Yeah, they got me flying
out this afternoon.

Car's waiting downstairs.

It's just me again this time.

I'm sorry.

We'll get back out there.

Hey, I got you some
cookies and stuff.

Razor wire.

[brooding music]

- Phoebe.

[rumbling ambient music]

Did you like the music?

[rumbling ambient music]

It's not popular, although
I certainly don't know why.

[wind howls]
[rumbling ambient music]

Why isn't it popular?

I don't know.

It's old.

Old things require
perspective, I suppose.

[rumbling ambient music]

They've done studies
on classical music.

It has amazing properties.

[wind howls]

It does.

It facilitates deep healing.

It heals trauma.

And it's the only
common denominator

between personalities of a
manually fractured subject.

Would you like a demonstration?

[phone rings]

[dramatic music]

- [Announcer] When we come back,

Steiner and Shedenko's
new release, version two,

will dominate in
tracking technology,

which allows their
customers to track

anything anywhere in
the world [indistinct].

But one critic claims this
sort of cloaking technology

is enabling rogue operators
to hide anything anywhere.

We find out, coming up next.

[brooding music]

- Yeah.

- Two's company.
- You're kidding.

- [Mr. Henshaw] Just tagged
him about a half mile

from your location.

They're both in Port Morsby.

[brooding music]

- [Judith Voiceover] The
awakening manifestation

of the imagination,

affirmations of the
higher manifestations.

[buzzing, brooding music]

- [Operative 2] Whiskey
1-8 knows something.

I'm holding their tags.

- [Mr. Henshaw] Copy that.

[brooding music]

- [Tobin Voiceover] This
is from the Director?

Jesus, are you
trying to kill him?

- [Mr. Henshaw]
You're not to attempt

to contact him
until he's cleared.

- [Tobin Voiceover] Your
man failed in Port Morsby.

Why isn't he processing?

- [Mr. Henshaw] Because
nobody thinks he's guilty.

[droning ambient music]

- Would you send in the file
for Whiskey 1-8, please?

- [Secretary] Yes.

Anything else, sir?

- Continental breakfast for me.

You want something?

- Just the continental.

What do you know
about Peter Shedenko?

Not his company, what
do you know about him?

- You can't be serious.

- We get all our tracking
technology from him.

Who else does?

- Have you not been
paying attention?

- Maybe Serbia was his show.

Maybe he's looking to branch
into our area of the business.

That would be terrifying.

- We're not going
after Steiner Shedenko.

- He's an anarchist.
- They make dog collars.

They've no idea what
kind of dogs we own

or how we train them.
- I know he's behind Serbia.

He's looking to expand.
- You have no idea

what's going on, do you?

Five man team in Serbia,
using first generation tech

that the Russians gave up
on 20 years ago, crushed.

Dr. Diaz, who helped build
early prototypes for us,

strangled in his own office.

The bodies your boy
uncovered upstate?

They worked in our facility
15 years ago as guards.

But you didn't
know that, did you?

Your pit bull is targeting us.

Now, it may not be protocol,

but I think we should
bring in Dr. Aymes.

Maybe she can shed
some light on this.

- I've been working
a year and a half

to divorce this company

from that fucking
psycho witch doctor,

so I'm not too keen
on inviting her back

to the prom at
this point in time.

- You pompous,
provincial, little man.

This is what's gonna happen.

My man is taking point,
wherever that leads.

Now, I suggest you get
your handlers straight,

and go check in with
Dr. Gomes again,

or, so help me, you will be

the Christian in the Coliseum,

and I will be the fucking lion.

[secretary knocks]

Continental breakfast.

- Dr. Aymes discovered the gate.

But to understand her
contribution fully,

you need to understand some

of the technical realities
of this kind of work.

The gate, an unquantifiable zone

in the pineal area of the brain.

Or really, what I
should say, is the path

to the gate lies there.

Now, as we shall see, the
way to the gate is inside,

but the gate experience
itself is, subjectively,

not wholly inside,
and that is why

the military has
been very interested

in telekinesis since the '50s.

Imagine if you could see and act

upon what your seeing remotely.

Just imagine that as a
reality for a second,

and you can see
why certain people

would be keen on keeping
that information a secret.

Now, I don't believe
it should be.

You add digital
technology to the mix,

that is just very dangerous,

but, in its pure form,
this was designed

to liberate people.

Hi, have a seat anywhere.

Thank you for coming.

And what Aymes did
was to synthesize

all of these backgrounds, music,

progressive therapy,
quantum parapsychology,

which is my field,
and line them all up.

With her, amazing
things would happen.

She could heal people of a wide
array of problems, quickly.

So I'm told.

Now, let's stop here.

I'm gonna take these off.

Okay.

Ooh, sorry.

How was that, how
you feeling, good?

Yeah?

Now, I'm not gonna ask you to
talk about your experience.

I like to wait about 20 minutes

to let the experience trail off,

but, if you wanna speak about it

with each other afterwards,
discuss it, absolutely.

I encourage that, okay?

All right, you all right?

All right, good, have a seat.

Okay, who is next?

Newbie, you're first.

Yes, you, come on,
you wouldn't come here

if you didn't wanna try it.

I promise, it won't sting.

Well, all right, put these on,

and try to make yourself
as comfortable as possible.

Just lean back and relax.

Now, sorry to say
that none of us

are gonna have a full
gate experience tonight.

That's just not going to happen.

Even with Dr. Aymes,
the process takes time,

and without proper preparation

it could be a
shattering of, say,

1,500 micrograms of LSD, so we

are going to tread
lightly on the path.

Pick a tape.

Okay.

Dr. Aymes, she had
a knack for picking

a perfect song for each person.

It just shows how
well she was able

to read people, and how deep
her knowledge of music was.

Now, mine is not
that deep, so I stick

with a basic set, designed
by Yuri Gomes in '85.

Okay, and we add the
suggestion track.

Good.

All right, any questions so far?

- I've been doing
some searching online,

and Dr. Aymes must've
had her own music gate

because she's the only person
who was first able to do this.

- [Virgil] Right, yeah, I know
where you're going with this.

- Dr. Aymes' tape-

- Officially unknown.

I have never heard her tape.

But, if I had to make
an educated guess,

she's a product of the '60s,

so something from
the summer of love.

Oh, okay, let's stop that.

You okay you all right?

This is what I'm talking about

when I say I wait
about 20 minutes.

Why don't you have a seat?

[tense, percussive music]

And then there were two.

[tense, percussive music]

[rain patters]

- [Judith On Tape]
The psychic ability,

latent [indistinct] is
powerful [speaker cuts off].

[rain patters]

[aerosol hisses]
[dramatic music]

And it tries to assert
itself naturally.

But, for the higher
energies to prevail,

consciousness is able
to exist and function

in the gate or
the realms beyond.

Therefore [speaker cut off].

[Virgil pants]

- Hey.

Hey!

Hey!

Help!

I'm gonna throw up! [screams]

- I got you.

- Who, what do you want?

- Honestly, I wanted to have
a little chat over coffee,

ask a few questions, and
get back to my hotel.

That was it.

But, wow, after reading
your fan fiction,

there's more to discuss.

- You're organization.

- Yeah, I'm organization.

You've got an organization.

Everybody's organized.

Listen, I really
just came by to chat,

but then I see the stuff
you're writing about,

and the stuff
you're talking about

in your school basement,
and, I gotta tell you,

it can't be like this, this
is classified material.

- No, no.

Dr. Aymes' work-
- No, no-

- Is for everyone, it
is for all of mankind.

- You're gonna
get people killed,

putting this stuff out there,

and, let me tell you, you are in

enough of a jam as it is.

Okay, this is
what's gonna happen.

No, no, take it
easy, take it easy.

- Don't!
- Your life is about

to radically change,
but, if you cooperate,

if you cooperate with me,
it will be much better.

You're gonna tell me
everything you know

about this group of Dr, Aymes',

how it's run.
- Oh, God!

- Who's involved.

You're gonna
introduce me to Gomes.

You are going to get me into
the nest, do you understand?

- [Virgil] He won't see you!

- Then you're gonna set up a
meeting with Peter Shedenko.

- Oh God.

I'm having a heart attack!

- What?

- Oh, please, I
need my pills, now.

- Are you serious?

- Please, my necklace!

It hurts!

Ow! [gags]

My neck!

- I'm not going anywhere
near your fucking neck.

- [Virgil] Don't, don't, don't!

[Virgil panting]
- Take the pill, up here.

[Virgil panting]

[Virgil laughing]

- As if I would ever
bring a piece of filth

like you to Mother's house.

[fluttering music]
[Virgil gurgles]

[fluttering music]
[rain patters]

[fluttering music]
[crickets chirp]

- Wow, that's disgusting.

- Nothing fancy now.

Nice and easy, pal.

- You goddamn ass.

You're a son of a
bitch, you know that?

- You driving now?

- Yeah, two kids and a
mortgage, yeah, I'm driving.

Take a good look, this
is you in 20 years.

- That's mean,
that's really mean.

[rain patters]

- What?

You're doing a
little light reading?

- Yeah, homework.
- Yeah.

I'll turn it in for you.

All of it.

You know, they don't
tell me shit these days,

but I'm hearing
some weird stories.

This guy have anything to do
with that missing receiver?

You want her?

- Nope.

Why do you care so much?

- Office pool.

[quiet, somber music]

- You might also find
just the opposite.

You could discover you
still have feelings for him,

once you're clear of
those old inhibitors.

Do you think that's possible?

And is it possible you imagined

the situation to be
worse than it was.

Of course, it is.

Think back for a moment, Doris.

Do you remember having
your eating disorder?

Not long ago, you
weighed over 250 pounds.

Do you remember that?

They called you names.

They did terrible things to you.

Do you remember that?

- [Doris] Vivian remembers.

- [Judith] Is Vivian
in the room with you?

- [Doris] No.

- Last week, you told me
you wanted to kill Vivian.

What do you think it
would be like to do that?

It would be a big
relief, I'm sure.

You could kill her right now.

[Camille screams]

[footsteps clomp]

Doris, I'm sorry for
the interruption.

Phoebe, we had an agreement
that you would stay

upstairs while Doris
and I worked, didn't we?

- Who the fuck is Phoebe?

- I'm sorry, Doris, will
you excuse me for a moment?

- [Doris] Of course.

- My niece has
undergone a trauma.

Madrid.

- No, no!

- Phoebe-
- Stop calling me that!

I don't know who Phoebe is!

Why don't you just
tell me where I am?

Why are you doing
this, who are you?

What did you do to my eyes?
[lively orchestral music]

- Phoebe, get on the couch.

[lively orchestral music]

[Judith pants]
[wind howls]

Madrid.

- Was there shouting?

- No, I was introducing
you to my niece.

- Oh, hello.

- But you're gonna forget
you saw her, all right?

- Yeah.

- I'm afraid our time is up.

[lively orchestral music]

- [Judith Voiceover]
All subjects require

a creative application
of pressure.

Senders and receivers
who incubate together

can form strong bonds but are
fractured at different rates.

Once disassociated, all the
children [speaker drowned out].

- [Mr. Henshaw] Wish
you hadn't logged

this with intelligence.

- It was a company extraction.

They went through everything
I got out of the car.

I mean, look, what
do you want me to do?

- I don't know, eat it,
commit it to memory.

There's been some talk.

There thinking of bringing
Whiskey 18 back inside.

- Cleared?

He's not still processing?

- [Mr. Henshaw] Mm hmm.

- Jesus Christ.

- So I want you moving
on Peter Shedenko

before 18 gets back.

Use Haraday as a way in.

Pose as one of his students
with urgent information,

see what they know.

- Am I taking Cassie?

- No.

The board wants to
test our handiwork.

Let's see if the
subprogram is running.

Activate.

Who's his minder?

- Claudia.

- All right, tell him Claudia
compromised his location.

- [Operative] Sir, he's not,
with no control and no sender-

- Oh, no, we have control.

- [Operative] I thought
Whiskey 18 had the prototype.

- Oh, Dr. Marcel's a friend,

so now there are two prototypes.

- Yes, sir.

- [Man On Phone] Hello?

- Hi, my name is John Burkett.

I'm calling for a Mr. Shedenko.

- [Man On Phone] How
did you get this number?

- I was a student of
Professor Haraday's,

and a package arrived
for him this morning

with instructions
to call this number.

- Yes.
- And he died

last night, I'm sorry if-
- Hold on.

He didn't happen to give
you a password, did he?

- Excuse me?

- [Man On Phone] A password
or code of some kind?

- He didn't give me
a password, per se,

but, oh, there are some
things scribbled down here.

Hold it, his handwriting is...

Rising sun?

Rising sun.

- All right.

How about later this afternoon?

I can have someone come
around and pick you up.

Will that do?

All right.

- Hello, sir.

That's right, where
are you located, sir?

I can be there
in, say, one hour.

- Virgil Haraday
died last night.

Some student of his is coming
by with a package from him.

Better get your things ready.

[droning music]

- Yeah.

- Let's op, blue,
alpha, light seek.

Hey, buddy, you gotta
get outta there.

Your locations' blown.

Claudia's compromised you.

- No.

- Repeat, blue,
alpha, light seek.

[droning, somber music]

- Claudia.

[droning, somber music]

- Who was that?

- This place is burnt.

- What?

Let me get the go kit.

- [Casey] There's something
they want you to see.

- I've seen that video, Casey.

- [Casey] This is
something different.

- What am I watching?

- [Casey] It'll start
in just a second.

[dramatic music]

- After you.

Mr. Shedenko apologizes
for the slight delay,

but he'll be down in a bit.

This is our patio area,
so make yourself at home.

While waiting, can I get
you something cold to drink?

- Sure, why not?

- All right, I'll be right back.

How's this?

- Yeah, that's great, thanks.

- Right.

What's the password?

- Rising sun.

- I'm just kidding you.

Here ya go.

Lucky.

[fist thuds]

[droning music]

- [Shedenko] Your little drive

didn't have anything on it,

so I'm confused.
[fists thud]

Virgil Haraday was a
pretty good friend of mine,

and he never said
one word about you,

which is a little funny.

If you're waiting for a rescue,
that's not gonna happen.

- Sebastian.

- Your implant says you've been

at your apartment all this time.

[distorted voices speak]

You're making a
really bad decision.

- Just a quarter.

- I got it.
- Really bad decision.

[droning music]

[needle thunks]
[Sebastian gags]

[cattle prod buzzes]

Well, who are you?

- We could use him.

Good candidate for
conditioning trials.

- Okay.

Get him ready.

[Operative wheezes]

[somber orchestral music]

[jittery music]

[soft music]

- [Tobin] What do you
know about Virgil Haraday?

Do you know who
made your implant?

- [Operative 1-8] My implant?

- It's not just
senders and receivers

that are tagged, Richard.

We're all tagged.

Steiner and Shedenko,
you ever heard of them?

They made a grotesque
fortune in advanced tracking.

Steiner did undergrad work
with a certain Daniel Diaz

before he went into
business with Shedenko.

The doctor from Port Morsby.

You haven't read
any of the report.

- You don't really check
your email in processing.

[somber music]

- Diaz was murdered, and in
possession of our girl's tag.

- You have a man on this.

- [Tobin] And your partner's.

- Why am I sitting
here right now.

- We can't find him.

Richard, Richard, Richard,
you have no choice here.

I did everything in my
power to get you out sooner,

but it's only for a day's
leave, unless you do this thing.

Now that's the deal.

And it's a good one,
all things considered.

Richard, it's been
like Dresden here,

raining down fire and
shit, just raining,

and you have no idea the
stress that I'm under.

Now you have to prove
yourself to them.

I got you out.

But you have to do
something for us.

[somber music]

[wind howls]
[rain patters]

- Judith!

I was hoping to talk to her.

I didn't realize you'd be going
through the sequence again.

- What did you wanna talk about?

- I don't know, I just
wanted to talk to her.

- She cannot eat after
take five in an hour or so.

If she feels like
talking then, you can,

but make sure you
record the conversation,

and just keep going with the
sequence, don't stop at five.

- I know how to
take care of her.

- God, I hate this.

I can't stand leaving
her even for a minute.

- I know.

But it'll be good for you.

- That's protocol.

[wind howls]
[rain patters]

[somber, droning music]

[rain patters]
[somber, droning music]

- [Judith Voiceover] At
the threshold of passage

into the stage one, there
occurs the separation

of the mental body
from the physical.

The separation of
the mental body

can be clearly realized by
the dominant personality,

but we are still waiting
for the alpha trauma,

which will begin the
chain of re-detachment.

In the sessions, we
say "kill" or "murder,"

but this is only a symbol

of the dominant,
healthy personality

cleansed of all neurosis.

This radiant being, wholly
new, wholly enlightened,

wholly benign, policed
only by its own perfection,

the rising sun, our
hope, our summation.

[door bangs]

[wind howls]

- [Judith] What did you make?

- Pasta.

We saved some for
you, if you're hungry.

- Is it good?

- Real pancetta, finally
arrived on the boat today.

I ordered it a month ago.

I think there's some wine left.

- I'll go up and see her first.

[wind howls]

Kiss Mommy goodnight.

[wind howls]

- I didn't wanna bother
you with this last night

when you had so many
other things on your mind,

but someone from the
organization has been calling.

They have a man on
the island, I think.

- Well, they're not
allowed to do that.

[wind howls]

You better find
out what he wants.

- They're going to come for her.

We need to tell
them where she is.

- Well, that's not gonna happen.

- Think about how dangerous
this can become for her.

- She is the rising sun.

It's not up to you.

She is the product of everything

we have ever tried
to accomplish.

That's why I changed her code.

I made her different
from all the others,

to come home, to come back home,

because she wasn't finished.

- Back home.

They're going to
murder both of us.

Oh, tell me you didn't do this.

- Listen to me, listen to me.

No!
- Please tell me you

did not do that, Judith!
- What does it matter

as long as she's
safe, and she will be.

I set it in motion.

I've contacted Mr. Haraday
in my last transmission

on the day she arrived.

The whole network
knows about it by now.

Shedenko's on his way.

He'll have a boat ready,

just like the plan
has always been.

- And leave me here to
clean up, I imagine!

For 25 years,

you've professionally
shat on me!

- Where are you going?

- Where am I going?

To check my messages,
to see if our murderer

has called again!

[wind howls]

Judith, if we cooperate
now, there is a chance

that they will
facilitate her recovery,

and, for all we know, they
may want you to do it here.

- Or you, since you've
been going through again.

- Just last night.

[wind howls]

I know, I know I
drive you crazy.

- What is she doing?
- I want to protect

both of you!
[dramatic music]

I'm just frightened of
[stutters] what will happen.

[droning ambient music]

- What are you doing?

You can't smoke here.

Where did you get cigarettes?

- From under the house.

[droning ambient music]

- [Woman On Phone] Dr.
Gomes, it's Lorraine Huey

from the Psychology Department
at Everett University.

- [Judith] Have you
been coming down here?

Who has been coming
down here, Ivy?

[droning ambient music]

- [Lorraine] I'm afraid
I'm calling with bad news.

I wanted to inform you
that Virgil Haraday

has passed away from
apparent suicide.

[droning ambient music]

I know you were a
longtime colleague,

and this must come
as a terrible shock.

[phone beeps]

- [Richard] Dr. Gomes, like I
told you in my last message,

I'm on the island, and
I need to talk to you.

Urgently.

[wind whistles]

- [Roy] Judith, Judith!

- [Judith] We're
here, in the cellar!

- What are you doing?

- Did you leave this unlocked?

- No, just, he's here.

- What?

- Don't leave the cellar.

[doors thud]

[Roy panting]

Fuck.

[stately orchestral music]

- You don't wanna
let me in, Doctor.

[stately orchestral music]

This is it?

[stately orchestral music]

There's no other building or?

- No.

- This is where you do it?

- If you are referring-

- On a futon with
a cassette player.

You gotta be fucking kidding me.

- You have no right to be here.

You are trespassing,
and you are inquiring

about things which you know-
- We're way past

you privacy clause
right now, Doctor.

Turn that off, turn
that music off.

[stately orchestral music]

[tape clicks]

There's no other lab,

there's no other
building on the property?

- [Roy] What Dr. Aymes has
done requires only doctoring.

How the organization
trained you,

total bastardization
of our technique,

which is why we can't
help in your situation.

- [Richard] Our situation?

- We provide the vehicle.

What you do with them-

- I don't suppose Dr.
Aymes would be willing

to help us track the girl?

- She can't help you that way.

Dr. Aymes isn't psychic.

Why haven't you tried one of
the older models to do that?

- [Richard] We didn't
have any luck there.

- She may have learned
how to cloak herself.

- Like this place
is cloaked, I guess.

- I'm sorry?

- I saw your system
on the way in here,

keeps you nice and hidden,

kills all digital frequencies,

keeps cellular and
GPS interference away
from the subjects.

It made me realize

our birds might be
right in this house,

and we'd never be
able to see them.

- That's ridiculous.

The programming doesn't
even allow recall-

- Why don't you shut
your fucking mouth?

I know she's here.

[wind howls]

I hired a boat.

It can take us to St. Pierre.

From there, Iceland, and
then you don't know where.

A receiver won't touch her.

I can handle things.

I can stay ahead of the
organization for a while,

but this island will be
swarming with bad news

in 48 hours, and
this is the only deal

you're gonna get from anybody.

Don't ask me why I'm doing this.

I think you're human garbage.

- I come, too.

- [Richard] What?

- I come, too.

- I'll be in touch then.

[wind howls]

- He's gone.

Give me your hand.

- [Judith] Ivy.

Ivy.

[wind howls]

- You got no beef
with me, right?

We're gonna be
really calm and cool.

- Cheeseburger.

- Okay.

[light music]

You gotta talk to me, man.

You gotta tell me something.

Eyeballs-only job, and you
leave a room full of corpses.

What the fuck, man?

- I was through the gate by
the time I got to the building,

and I had a strong tether,
full visual hookup.

I remember, she'd been coming
on pretty weak for a while.

This was strong.

I'd started hearing her voice.

She talked to me,
out of other people.

The cigarette-stained
guy at the hotel,

I think he was the first.

His face was a flower.

It was made out of meat.

But it was her voice.

- Our girl was talking to you?

You're supposed to tell me.

- There was nothing
you could do about it.

I know that.

In the hallway, she
saw the other sender,

and she was strong.

So she asked me to
do those things.

And I did them.

- [Richard] Marlboro.

What's going on in there, man?

Where's our girl?

- We got set up.

We got set up real bad.

[Richard speaking
foreign language]

- No codes, huh?

The bed and breakfast isn't far.

We'll run as much
sequence as you need.

- You can't help me.
- Man, I can try.

But you gotta trust me, and
you gotta do what I say.

Remember Grosney?

Okay, still got
a sense of humor.

[phone buzzes]

I gotta take this outside.

I can't lie to Wills while I'm
staring right at your face.

I'm not that good.

Whoa, hey, where you going?

- Bathroom.

- Right.

Whiskey 1-8.
- Whiskey 1-8,

you got a timing problem.

- Where's Wills?

- [Mr. Henshaw] I'm Wills now.

- Okay.
- You should take off.

We're handling it
from over here.

- I've just had
some breakthroughs.

You gotta give me
a couple more days.

Listen, you send someone
out here right now,

they're gonna fuck it up.

- [Mr. Henshaw] I spent
the last three months

unfucking your whole show,

but I know a Judas
goat when I see one.

[receiver beeping]

And there it is.

The hesitation.

[Richard gasps]

[droning music]
[Richard gasps]

[dramatic music]

- Oh, man.

He is nonresponsive to
database modification.

[fist thuds]

What's your status?

[receiver screams]

What is your directive,
what is your directive?

[receiver screams]

Decommission and full wave
spectrum amplification.

Hold, sweet meat, 10 minutes.

[receiver screams]

What is your directive?

Commencing amplified
gate termination.

And he's nonresponsive.

[droning music]

[foot thuds]

[tense music]

[droning ambient music]

[wind howls]

[dramatic music]

- [Roy] What did you tell them?

That she wasn't here?

- [Judith] I need you
to listen, right now.

- I think it's interesting,
what you're hiding now.

[tense music]

- [Shedenko] It's
pretty beautiful.

- It's nice.
- I kinda like it.

- I think I'm gonna
put in a jacuzzi.

- I don't blame you.

I've always really
liked it here.

Hello.

I know she's awake.

- There's some people
I've invited to see you.

They've come a long way.

Is it all right if they
come and say hello?

She's ready.

[droning music]

- Hello, Marin.

My name is Dr. Shedenko.

This is my friend Dr. Steiner,

and I think you
know his wife Doris.

We've heard some very
interesting things about you.

Dr. Aymes has told us you have
some very special talents.

Can I have the radio, please?

Now, in a few moments, there
is going to be a broadcast.

Two people will be having a
conversation, just talking,

having a discussion, a young
woman and an older man.

I want you to listen
to their voices.

Can you do that?

Just listen to their voices.

That's good, very good.

Now, Dr. Aymes and I want
you to do something for us.

The older man, can you
find him, can you do that?

I want you to find the older man

whose voice you're
listening to right now,

and I want you to find
him in your special room.

[man speaking foreign
language on tape]

I know it's difficult,
but just try.

Try to find the older
man in your room.

[man speaking foreign
language on tape]

That's good.

She doesn't need the music gate.

- She is the music now, Peter.

[man speaking foreign
language on tape]

- Excuse me.

Hold that for me, would you?

Don't be scared.

It's all right, just hold that.

Hold that little plastic straw.

Have you got that in your hand?

See the plastic straw?

Now, I want you take
one end of that straw

and I want you to put
it into the man's head.

Can you do that?

Just put one end
into the man's head.

[man speaking foreign
language on tape]

And, on the other end, I want
you to blow a little bubble,

just a little bubble.

Please, do that for us now.

- Please, don't do this.
- Dr. Gomes,

we've gone through
a lot of trouble.

- Shh!

[man speaking foreign
language on tape]

[sighs] Dr. Aymes.

[man speaking foreign
language on tape]

[droning ambient music]

- Marin,

Marin, I want you to do
what he's asking you to do.

[Marin panting]

Marin, kill him.

[Marin panting]

Kill him, please!

[droning, dark music]

- [Computer] Error, system will
remain offline until repair.

Error, system will remain
offline until repair.

Error, system will
remain [speaker cut off].

[woman speaking foreign
language on tape]

[droning, dark music]

- [sighs] Well, that
was disappointing.

- Well.

- [Shedenko] Judith,
she's probably tied.

We can try again tomorrow.

[phone rings]

- Don't answer that!

- [Judith] Why is your
cellphone ringing?

- [Roy] The perimeter's down.

We're wide open, Judith.

[dark music]

- You'd better get
the car started.

- All right.

There's a perimeter sensor
at the end of that trail,

near the edge of the cliff.

Check it.

[wind whistles]

[tense music]

- Sensor.

[tense music]

[Shedenko shrieks]
[dramatic music]

[tense music]

[woman screams]
[gun bangs]

[dramatic music]

[gun clicks]
[Roy gasps]

- Hello, Cal.

[Roy screams]

[head squishes]

- Marin, get your coat.

Get your coat!

[graceful orchestral music]

[piercing beep]

[pounding music]

[dramatic music]

[wind whistles]

[razor buzzes]

Aren't you going to
eat something, Cal?

Marin, make sure
he eats something.

- Mother.

- Yes, dear?

- May I pick some
music for breakfast?

- Yes, of course, that
would be lovely, Marin.

[percussive pop music]

♪ Tides are turning

♪ The waves come crashing

♪ And the people are scared

♪ Oceans in view

♪ Oceans of you

- I've got you.

♪ Tidal waves of blue

♪ Come crashing

♪ Baby, I should unwind

♪ They say I've lost my mind

♪ It's only love
- 60 seconds.

♪ I guess that means I'm gone
Off.

♪ Maybe they think I'm gone

45.
♪ Oceans in view

40.
♪ Oceans of you

♪ Tidal waves of blue
35.

♪ Come crashing

30.

♪ Oh, oh, oh, oh, oh

25.
♪ Oh, oh, oh, oh, oh

♪ Oh, oh, oh, oh, oh
20.

♪ Oh, oh, oh, oh, oh
15.

♪ Oh, oh, oh, oh, oh

♪ Oceans in view
10.

♪ Oceans of you
Five.

Four.
♪ Tidal waves of blue

Three.

Two.

One.

[dark, droning music]

[somber music]