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>> THEY WERE KNOWN AS
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SNAKES N' BARRELS--
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A TOUGH GROUP OF ROCK THUGS FROM
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THE WRONG SIDE OF THE TRACKS,
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WITH A RAVENOUS MADMAN AT THE
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FOREFRONT, A MAN SIMPLY KNOWN AS
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PICKLES, WHO EVENTUALLY BECAME
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THE LEGENDARY PERCUSSIONIST FOR
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DETHKLOK.
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BUT YEARS EARLIER, PICKLES WAS A
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YOUNG MIDWESTERNER ON A
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DUST-COVERED BUS HEADED
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TOWARDS L.A.
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>> THIS BOY COULDN'T HAVE BEEN
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OLDER THAN 16 WALKED RIGHT INTO
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MY PAWN SHOP LOCATED ON FAIRFAX
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AND WILSON, AND HE SAID, "GIMME
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A GUITAR."
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AND I SAID, "OH, WE GOT THIS
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SWEET OLD JAZZ BOX GUITAR."
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AND HE SAID, "NO!
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I WANT THAT GIBSON LES PAUL
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GOLD-TOP WITH THE HUMBUCKERS."
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NOW, THE WAY THAT HE TOLD ME
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THAT, I JUST KNEW THAT HE MEANT
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BUSINESS.
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AND I WAS LIKE, "UH-OH.
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HERE COMES--THIS GONNA BE BIG."
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>> AND THE MUSICAL PERSISTENCE
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OF THE YOUNG MAN PAID OFF.
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WITHIN MONTHS, HE HAD HIS OWN
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BAND SIGNED TO A MAJOR LABEL.
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THIS WAS THE BEGINNING OF
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SNAKE N' BARRELS.
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RECORD SALES WERE THROUGH
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THE ROOF, BUT THE CONSTANT
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TOURING TOOK ITS TOLL ON
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SNAKES N' BARRELS, AND DRUG
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USE BECAME A REGULAR PART
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OF THEIR LIVES.
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>> "ANTONIO SHOT HEROIN INTO HIS
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BALLS AGAIN THIS MORNING.
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HE SAYS THIS TIME IT WAS AN
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ACCIDENT.
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I'M SURE WE'LL HAVE THE USUAL
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DIFFICULTIES ON STAGE TONIGHT.
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I KNOW I SOUND LIKE A BROKEN
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RECORD, BUT I NEED HEAVIER
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MUSIC."
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>> THE SCOURGE OF DRUGS WOULD
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FORCE SNAKES N' BARRELS TO
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DISBAND NEARLY OVERNIGHT AT THE
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TOP OF THEIR GAME.
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RUMORS OF OVERDOSE AND DEATH
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CIRCULATED IN THE PRESS, LEAVING
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THE WORLD TO FOREVER PONDER THE
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POSSIBILITY OF A REUNION.
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WILL THERE EVER BE--
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>> HEY, WE WERE WATCHING THAT.
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>> DUDE, RIGHT.
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SO YOU CAN MAKE FUN OF ME--
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I KNOW.
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>> NO WAY.
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TO COMPLIMENT YOU.
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YOU WERE SUCH A BEAUTIFULS LADY
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BACK THEN.
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MAYBE YOU WILLS ALLS FAVOR US
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WITH MAKEUP TIPS.
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>> [LAUGHTER]
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>> HEY, COME ON NOW.
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THAT'S VERY FUNNY.
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>> IT'S EXCITING.
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TURN IT BACK ON.
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I WANT TO SEE WHAT HAPPENS.
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>> WHAT DO YOU MEAN?
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I'M HERE, THAT'S WHAT HAPPENED.
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THAT'S THE END OF THE STORY.
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>> WELL, IT'S BORING WHEN YOU
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SAY IT.
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>> I KNOW.
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>> PICKLE?
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[SIGHS]
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THIS SNAKES N' BARRELS, IT'S...
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IT'S NOT MY CUP OF TEA.
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IT SUCKS.
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>> WELL...
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THAT'S NOT A NICE THING TO SAY,
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TOKI.
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>> NOT MY FAULT IT SUCKS.
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>> WELL, YOU KNOW, IT'S STILL
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NOT--
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>> [SIGHS]
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>> LOOK, I DON'T PLAY IN THAT
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BAND ANYMORE.
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IT'S HISTORY, ALL RIGHT.
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THERE'S NO NEED TO BE
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THREATENED.
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>> HEY!
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WE'RE NOT THREATENED.
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>> I KNOW.
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I'M JUST--IT'S OVER.
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ALL I CARE ABOUT IT DETHKLOK.
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>> PICKLES, CAN YOU COME IN HERE
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FOR A MOMENT, PLEASE?
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SNAKES N' BARRELS' RECORD SALES
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HAVE GONE THROUGH THE ROOF SINCE
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THE DOCUMENTARY BEGAN AIRING,
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AND THERE'S INTEREST OF A
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REUNION TOUR.
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>> OK.
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>> ♪ DO ANYTHING FOR DETHKLOK
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DO ANYTHING FOR DETHKLOK
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DO ANYTHING FOR DETHKLOK
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DO ANYTHING FOR DETHKLOK
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DO ANYTHING FOR DETHKLOK ♪
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>> ♪ DETHKLOK, DETHKLOK
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DETHKLOK, DETHKLOK ♪
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>> ♪ I'LL
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TEACH YOU
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WHO
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ROCK
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DETHKLOK!
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DETHKLOK! ♪
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>> ♪ SKWISGAAR SKWIGELF
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TALLER THAN A TREE
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TOKI WARTOOTH
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NOT A BUMBLE BEE
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WILLIAM MURDERFACE
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MURDERFACE, MURDERFACE
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PICKLES THE DRUMMER
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DOODILY DOO, DING-DONG
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DOODILY DOODILY DOO
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NATHAN EXPLOSION ♪
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[CAPTIONING MADE POSSIBLE BY
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TURNER ENTERTAINMENT GROUP]
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>> DETHKLOK IS ON HIATUS
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WHILE PICKLES REUNITES WITH
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SNAKES N' BARRELS.
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>> ALONE THEY ARE WEAK.
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>> I BELIEVE THE WEAKNESS LIES
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IN SNAKES N' BARRELS'
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PREDISPOSITION FOR DRUG ABUSE.
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>> WE HAVE FULL BACKGROUND
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REPORTS ON EACH.
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GENTLEMAN, ANTONIO TONY DeMARCO
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THUNDERBOTTOM ON BASS GUITAR--
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ONCE A MAJOR ALCOHOLIC.
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HE'S NOW SOBER.
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SAMMY "CANDY NOSE" TWINSKINS ON
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DRUMS, A CRACK COCAINE FIEND.
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SOBER.
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ON RHYTHM GUITAR, SNIZZY "SNAZ"
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BULLETS.
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HALLUCINOGENS AND HEROIN LEFT
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HIM WITH PARTIAL PARALYSIS IN
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THE FACE.
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ALSO SOBER.
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>> JUST BECAUSE THEY'RE SOBER
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RIGHT NOW DOESN'T MEAN THEY
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CAN'T RELAPSE.
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WE HAVE AVAILABLE SOMEBODY WHO
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COULD PROVE TO BE VERY IMPORTANT
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TO US--MILITARY PHARMACEUTICAL
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PSYCHOTROPIC DRUG MANUFACTURER
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DR. RAYMOMOLUTH CHESTERFIELD.
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>> I'VE BEEN EXPERIMENTING WITH
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A NEW KIND OF DRUG CALLED
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TOTALLY AWESOME SWEET ALABAMA
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LIQUID SNAKE.
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THE SMALLEST DOSAGE OF THIS DRUG
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WILL DRIVE THE USER COMPLETELY
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INSANE.
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WITH A HIGH ENOUGH DOSAGE, THEIR
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MEMORY WILL BE WIPED CLEAR AND
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THUS BE A BLANK SLATE...
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WAITING TO BE REPROGRAMMED
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IN ANY WAY ONE SEES FIT.
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>> ONCE WE REPROGRAM PICKLES,
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WE WILL BE ABLE TO DESTROY
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DETHKLOK FROM THE INSIDE OUT.
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[BIRDS CAWING]
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>> WHAT IF PICKLES NEVER COMES
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BACK?
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OH, THAT WOULD BE TOTALLY MESSED
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UP.
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>> OH, COME ON, GUYS.
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IT'S NOT LIKE THIS IS ANYONE'S
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FIRST BAND.
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YOU'LL PROBABLY ALL WANT TO GO
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AND REUNITE WITH YOUR OLD BANDS
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AT SOME POINT.
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>> DETHKLOK IS MY FIRST BAND.
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>> OH.
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WELL, ONE DAY,
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YOU'LL WANT TO REUNITE WITH US.
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>> WHY?
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WE ALREADY TOGETHER.
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>> JUST 'CAUSE WE'RE NOT BROKEN
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UP DOESN'T MEAN WE CAN'T
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REUNITE.
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>> ACTUALLYS, I THINK THAT'S
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EXACTLYS WHAT THATS MEANS.
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>> SERIOUSLY?
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>> YOU CAN'T REUNITE WITH A
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BANDS THATS HAS NOT BROKESED UP.
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THEY WON'T LET YOU.
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>> THAT SUCKS.
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GREAT.
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>> WAIT.
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CAN WE HAVE A NOT-REUNION TOUR
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WHERE WE, YOU KNOW, JUST COME
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OUT AND, LIKE, YOU KNOW, DO A
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REGULAR SHOW?
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>> NO.
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I LOOKED INTO IT.
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>> WELL, THAT'S PRETTY LAME.
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>> WELL, THAT'S SHOW BIZ.
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00:05:04,917 --> 00:05:05,997
YOU KNOW, I SOMETIMES GETS
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CONTACTED BY MY BANDS MATES
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TRYINGS TO, YOU KNOW, RIDE MY
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COATS TAILS LIKE DROWNING RATS.
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BUT I SAYS, "SCREW YOU.
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GO DIE."
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>> OH.
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>> WHATS BANDS WERE YOU IN?
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>> OH.
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ABOUT A MILLIONS.
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I WAS IN AGNOSTIC PRIEST,
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00:05:18,083 --> 00:05:19,213
GANGOGAR ALDILIO.
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AL IL EL.
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>> YEAH.
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>> GOGNOGMUG.
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ALUGDUG.
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>> OH, YEAH.
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>> [BLEEP]-FACE ACADEMY.
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SAUSAGE ASSASSIN.
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FINANCIALLY RAPED.
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SMUGLY DISMISSED.
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I WAS IN PRETTY MUCH EVERY BAND.
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I COULD GOES ON, IS WHAT I'M
241
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SAYING.
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>> OH.
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I NEED A BACK RUB.
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I MISS PICKLES.
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[CAR ALARM RINGING]
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>> OK, LOOK, I KNOW YOU'RE ALL
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SOBER NOW, AND I CAN TOTALLY
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RESPECT YOU.
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SO, I'M GOING TO RESIST THE URGE
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TO DO DRUGS AND DRINK AROUND
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YOU.
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I WILL STILL DO THEM,
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BUT I WILL EXCUSE MYSELF AND GO
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TO A DIFFERENT ROOM.
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COOL?
256
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GOOD.
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SO, WE DON'T HAVE A LOT OF TIME
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BEFORE THIS REUNION TOUR,
259
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WHICH I AM VERY EXCITED ABOUT.
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SO, LET'S JUST JUMP INTO "WATER
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HORSY BLUES."
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UH, IT'S GOOD TO SEE YOU ALL
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AGAIN.
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>> ONE...
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TWO, 3...
266
00:05:59,625 --> 00:06:00,325
4.
267
00:06:00,417 --> 00:06:05,497
[ALL PLAYING POORLY]
268
00:06:05,583 --> 00:06:06,083
>> STOP!
269
00:06:06,167 --> 00:06:07,037
STOP, STOP!
270
00:06:07,125 --> 00:06:08,205
FOR THE LOVE OF GOD!
271
00:06:08,292 --> 00:06:09,132
SWEET LORD!
272
00:06:09,208 --> 00:06:10,248
HAVE YOU PEOPLE
273
00:06:10,333 --> 00:06:11,383
FORGOTTEN HOW TO PLAY?!
274
00:06:11,458 --> 00:06:12,128
THAT SOUNDED AWFUL!
275
00:06:12,208 --> 00:06:13,168
>> NO WAY, MAN!
276
00:06:13,000 --> 00:06:14,540
WE'RE BETTER THAN EVER.
277
00:06:14,625 --> 00:06:15,245
>> DUDE...
278
00:06:15,333 --> 00:06:16,003
YOU'RE SITTING ON THE OUTSIDE OF
279
00:06:16,083 --> 00:06:16,923
THE DRUM KIT.
280
00:06:17,000 --> 00:06:18,000
>> NO, I AIN'T.
281
00:06:18,083 --> 00:06:18,963
OH, WAIT, YOU'RE RIGHT.
282
00:06:19,042 --> 00:06:19,712
SORRY.
283
00:06:19,792 --> 00:06:21,002
THAT'S WHY IT FELT WEIRD.
284
00:06:21,083 --> 00:06:22,583
LET ME JUST GET ON BACK THERE.
285
00:06:22,667 --> 00:06:23,327
>> JUST GO AROUND.
286
00:06:23,417 --> 00:06:24,167
IT'S--DON'T CLIMB...
287
00:06:24,250 --> 00:06:25,000
[CRASH]
288
00:06:25,083 --> 00:06:26,043
OVER.
289
00:06:26,125 --> 00:06:26,665
TONY, DUDE,
290
00:06:26,750 --> 00:06:27,420
I COULDN'T EVEN HEAR YOUR BASS
291
00:06:27,500 --> 00:06:28,040
AT ALL.
292
00:06:28,125 --> 00:06:28,875
>> UH...
293
00:06:28,958 --> 00:06:29,628
OH.
294
00:06:29,708 --> 00:06:30,288
MY AMP IS OFF.
295
00:06:30,375 --> 00:06:30,995
>> WHY?
296
00:06:31,083 --> 00:06:32,043
>> HEY, I'M SAVING MONEY ON
297
00:06:32,125 --> 00:06:32,785
ELECTRICITY, BRO.
298
00:06:32,875 --> 00:06:34,035
I'M NOT MADE OUT OF MONEY.
299
00:06:34,125 --> 00:06:35,035
>> JUST TURN IT ON.
300
00:06:35,125 --> 00:06:35,875
I'LL REIMBURSE YOU.
301
00:06:35,958 --> 00:06:37,208
>> YOU GOT A DEAL.
302
00:06:37,042 --> 00:06:38,132
[AMP HUMS]
303
00:06:38,208 --> 00:06:38,998
>> GREAT.
304
00:06:39,083 --> 00:06:40,253
SOUNDS WONDERFUL.
305
00:06:40,333 --> 00:06:41,253
HEY, BULLETS,
306
00:06:41,333 --> 00:06:42,043
WHAT IS THIS THING YOU'RE
307
00:06:42,125 --> 00:06:42,875
WEARING?
308
00:06:42,958 --> 00:06:43,578
WHAT IS IT?
309
00:06:43,667 --> 00:06:44,417
>> IT'S AN INVENTION OF MINE.
310
00:06:44,500 --> 00:06:45,330
IT'S A STRAPLESS GUITAR THAT
311
00:06:45,417 --> 00:06:47,037
ALSO FUNCTIONS AS A GIRDLE.
312
00:06:47,125 --> 00:06:48,575
IT'S CALLED A GIGIRDLE-A-TAR.
313
00:06:48,667 --> 00:06:49,917
I CAN MAKE YOU ONE.
314
00:06:50,000 --> 00:06:50,710
>> GUYS!
315
00:06:50,792 --> 00:06:51,922
WE HAVE GOT A LOT OF WORK TO DO,
316
00:06:52,000 --> 00:06:53,380
AND NOT VERY MUCH TIME.
317
00:06:53,458 --> 00:06:54,248
WE'VE GOTTA GET YOU IN SHAPE OR
318
00:06:54,333 --> 00:06:55,173
WE'RE GONNA DISAPPOINT A WHOLE
319
00:06:55,250 --> 00:06:57,000
LOT OF PEOPLE OUT THERE.
320
00:06:57,083 --> 00:06:58,503
SNAKES N' BARRELS HAS GOT NO
321
00:06:58,583 --> 00:07:01,133
CHOICE BUT TO ROCK HARDER THAN
322
00:07:01,208 --> 00:07:02,578
EVER.
323
00:07:02,667 --> 00:07:11,077
[HARD ROCK MUSIC PLAYING]
324
00:07:14,750 --> 00:07:17,500
>> [CHEERING]
325
00:07:17,583 --> 00:07:18,833
[TUNING GUITAR]
326
00:07:18,917 --> 00:07:19,787
>> HEY.
327
00:07:19,875 --> 00:07:21,325
GOOD LUCK ON YOUR SHOW TONIGHT.
328
00:07:21,417 --> 00:07:22,377
>> OH.
329
00:07:22,458 --> 00:07:23,498
HEY, THANKS.
330
00:07:23,583 --> 00:07:24,753
I GOTTA GET READY BACK HERE IF
331
00:07:24,833 --> 00:07:25,633
YOU DON'T MIND.
332
00:07:25,708 --> 00:07:26,708
>> GO GET STIBBED.
333
00:07:26,792 --> 00:07:28,582
HAVES A REALLY GREAT SHOW.
334
00:07:28,667 --> 00:07:30,037
DO THAT FOR ME.
335
00:07:30,125 --> 00:07:30,825
>> YEAH.
336
00:07:30,917 --> 00:07:31,417
I GOTTA...
337
00:07:31,500 --> 00:07:32,250
YOU KNOW, GET READY.
338
00:07:32,333 --> 00:07:34,963
>> JUST DON'T FORGET ABOUT US.
339
00:07:35,042 --> 00:07:37,002
HE'S A GOOD KID!
340
00:07:37,083 --> 00:07:38,133
>> OH.
341
00:07:38,208 --> 00:07:39,128
YOU'RE ACTING WEIRD.
342
00:07:39,208 --> 00:07:40,208
>> WE'RE JUST, YOU KNOW...
343
00:07:40,292 --> 00:07:42,132
WE CARE ABOUT YOU.
344
00:07:42,208 --> 00:07:42,958
>> YEAH, IF YOU GETS A PROBLEM
345
00:07:43,042 --> 00:07:44,882
WITH THAT, THEN, WELL, I GUESS
346
00:07:44,958 --> 00:07:46,128
THAT'S JUST SAD.
347
00:07:46,208 --> 00:07:46,918
>> OH, GOD.
348
00:07:47,000 --> 00:07:48,000
I'M NOT LEAVING DETHKLOK.
349
00:07:48,083 --> 00:07:49,133
I TOLD YOU THIS A BILLION TIMES,
350
00:07:49,208 --> 00:07:50,038
OK.
351
00:07:50,125 --> 00:07:51,205
I'M JUST DOING THIS FOR FUN.
352
00:07:51,292 --> 00:07:52,832
>> OH, WELL, IT'S NOT BRUTAL,
353
00:07:52,917 --> 00:07:53,707
YOU KNOW.
354
00:07:53,792 --> 00:07:55,422
SNAKES N' BARRELS ISN'T BRUTAL.
355
00:07:55,500 --> 00:07:56,210
>> I KNOW.
356
00:07:56,292 --> 00:07:57,042
>> OK.
357
00:07:57,125 --> 00:07:57,825
>> OK.
358
00:07:57,917 --> 00:07:59,457
>> JUST DO A GREAT JOB.
359
00:07:59,542 --> 00:08:01,082
BUT DON'T LEAVE US.
360
00:08:01,167 --> 00:08:02,167
I'M GONNA GET GOING.
361
00:08:02,000 --> 00:08:03,250
YOUR MUSIC SUCKS, AND YOU'RE AN
362
00:08:03,333 --> 00:08:04,423
ASSHOLE.
363
00:08:04,500 --> 00:08:05,880
I'M NOT--I'M HAVING A HARD TIME
364
00:08:05,958 --> 00:08:07,168
EXPRESSING MYSELF.
365
00:08:07,250 --> 00:08:08,040
>> WILL GUYS GET THE HELL OUT OF
366
00:08:08,125 --> 00:08:08,995
HERE?
367
00:08:09,083 --> 00:08:09,713
I'M SUPPOSED TO BE GOING OVER
368
00:08:09,792 --> 00:08:10,292
THE SONGS.
369
00:08:10,375 --> 00:08:11,075
>> OH, YEAH?
370
00:08:11,167 --> 00:08:12,247
WELL, WHEN--WHERE'S YOUR STUPID
371
00:08:12,333 --> 00:08:13,043
BAND?
372
00:08:13,125 --> 00:08:14,075
>> [SIGHS]
373
00:08:14,167 --> 00:08:15,077
I DON'T EVEN KNOW WHERE THEY
374
00:08:15,167 --> 00:08:15,957
ARE.
375
00:08:16,042 --> 00:08:17,132
>> HEY, YOU GUYS WANT TO DO SOME
376
00:08:17,208 --> 00:08:19,038
TOTALLY AWESOME SWEET ALABAMA
377
00:08:19,125 --> 00:08:20,205
LIQUID SNAKE?
378
00:08:20,292 --> 00:08:21,002
>> UH...
379
00:08:21,083 --> 00:08:22,633
>> UH...
380
00:08:22,708 --> 00:08:23,628
>> YOU GUYS ARE GONNA GET SO
381
00:08:23,708 --> 00:08:24,958
HIGH THAT YOUR MINDS ARE GONNA
382
00:08:25,042 --> 00:08:26,712
BLOW CHUNKS TO OUTER SPACE AND
383
00:08:26,792 --> 00:08:28,132
TO THE MILKY WAY.
384
00:08:28,208 --> 00:08:29,418
>> UH...
385
00:08:29,500 --> 00:08:30,250
>> UH...
386
00:08:30,333 --> 00:08:31,583
>> UH...
387
00:08:31,667 --> 00:08:33,207
[ALL GROANING]
388
00:08:33,292 --> 00:08:34,252
>> AND WHAT BETTER WAY TO
389
00:08:34,333 --> 00:08:35,883
CELEBRATE THE REUNION THAN WITH
390
00:08:35,958 --> 00:08:37,378
A GOOD OLD-FASHIONED MILKY WAY
391
00:08:37,458 --> 00:08:39,498
CHUNK-BLOW, HMM?
392
00:08:39,583 --> 00:08:40,833
>> [CHEERING]
393
00:08:40,917 --> 00:08:41,667
>> ALL RIGHT.
394
00:08:41,750 --> 00:08:43,170
LET'S KICK ASS TONIGHT.
395
00:08:43,000 --> 00:08:44,460
>> YEAH.
396
00:08:44,542 --> 00:08:45,712
>> OH, I ALMOST FORGOT.
397
00:08:45,792 --> 00:08:47,212
WE GOT SOME TOTALLY AWESOME
398
00:08:47,042 --> 00:08:49,002
SWEET ALABAMA LIQUID SNAKE FROM
399
00:08:49,083 --> 00:08:49,923
A DUDE.
400
00:08:50,000 --> 00:08:50,670
>> OH, COME ON, GUYS.
401
00:08:50,750 --> 00:08:51,500
I DON'T WANT TO ENCOURAGE ANY
402
00:08:51,583 --> 00:08:52,333
DRUG--OK.
403
00:08:52,417 --> 00:08:53,787
I'LL DO IT.
404
00:08:53,875 --> 00:08:54,745
CHEERS.
405
00:08:54,833 --> 00:08:56,543
>> CHEERS.
406
00:08:56,625 --> 00:08:58,205
>> YEAH, YEAH, YEAH!
407
00:08:58,042 --> 00:08:59,212
SNAKES N' BARRELS ARE GONNA
408
00:08:59,042 --> 00:09:02,632
ROCK YOU!
409
00:09:02,708 --> 00:09:04,208
TWO, 3, 4!
410
00:09:04,042 --> 00:09:05,082
[HARD ROCK BEGINS]
411
00:09:05,167 --> 00:09:05,747
♪ WELL, YOU CAN LEAD
412
00:09:05,833 --> 00:09:06,333
A HORSE TO WATER
413
00:09:06,417 --> 00:09:06,997
BUT YOU CAN'T MAKE HIM DRINK
414
00:09:07,083 --> 00:09:07,883
YOU GOT THE BELLY OF A SINNER
415
00:09:07,958 --> 00:09:08,828
AND THE PANTIES OF A SAINT
416
00:09:08,917 --> 00:09:09,627
YOU GOT A STITCH IN TIME
417
00:09:09,708 --> 00:09:10,828
AND IT'S GONNA SAVE YOU 9
418
00:09:10,917 --> 00:09:11,997
FIRST YOU TRY TO WING IT, BABY
419
00:09:12,083 --> 00:09:13,003
ALSO TRY TO FLING IT
420
00:09:13,083 --> 00:09:13,883
YOU GOT IT EASY COME
421
00:09:13,958 --> 00:09:14,958
AND EASY GO
422
00:09:15,042 --> 00:09:16,082
ONLY ONE WAY TO GO
423
00:09:16,167 --> 00:09:16,747
YOU GOTTA GET UP OFF THE FLOOR
424
00:09:16,833 --> 00:09:17,963
YOU GOT AN ALFA-ROMERO
425
00:09:18,042 --> 00:09:18,882
IT'S A NATURAL WIN
426
00:09:18,958 --> 00:09:19,918
I GUESS I'M REALLY TIRED
427
00:09:20,000 --> 00:09:20,830
SINGING HEY, HEY, HEY
428
00:09:20,917 --> 00:09:21,747
WHEN YOU GET UP AND GO
429
00:09:21,833 --> 00:09:22,793
AND YOU KNOW YOU CAN'T DO IT
430
00:09:22,875 --> 00:09:23,705
NO, YOU DON'T HAVE A CHANCE
431
00:09:23,792 --> 00:09:25,042
BUT YOU GO, GO, GO
432
00:09:25,125 --> 00:09:25,785
BECAUSE THE PIE IN THE SKY
433
00:09:25,875 --> 00:09:26,785
IS A BIRD THAT WON'T FLY
434
00:09:26,875 --> 00:09:27,745
AND YOU HEAR THE OLD SONG
435
00:09:27,833 --> 00:09:28,793
WITH THE WONDERFUL LINE
436
00:09:28,875 --> 00:09:29,955
YEAH, AND WHAT GOES UP
437
00:09:30,042 --> 00:09:31,002
YOU KNOW IT'S GOTTA COME DOWN
438
00:09:31,083 --> 00:09:31,923
WHEN YOUR GLASS IS HALF-EMPTY
439
00:09:32,000 --> 00:09:32,880
WHEN YOU'RE GOING DOWNTOWN
440
00:09:32,958 --> 00:09:33,828
AND YOU KNOW YOU'RE GOING DOWN
441
00:09:33,917 --> 00:09:35,877
WHEN THE MOTHER... ♪
442
00:09:35,958 --> 00:09:37,038
[FEEDBACK]
443
00:09:37,125 --> 00:09:39,035
[GUITAR SOLO]
444
00:09:39,125 --> 00:09:41,495
[M
445
00:09:41,583 --> 00:09:46,173
>> [ROARING]
446
00:09:46,000 --> 00:09:54,420
>> [SHRIEKING]
447
00:09:55,375 --> 00:09:57,205
>> NO!
448
00:09:57,042 --> 00:09:59,212
NO!
449
00:09:59,042 --> 00:10:01,082
>> [SHRIEKING]
450
00:10:01,167 --> 00:10:03,167
>> [SCREAMING]
451
00:10:03,000 --> 00:10:04,710
>> NO!
452
00:10:04,792 --> 00:10:10,832
>> AAGH!
453
00:10:10,917 --> 00:10:12,127
>> APPARENTLY SNAKES N' BARRELS
454
00:10:12,208 --> 00:10:13,748
WERE GIVEN PSYCHOTROPIC DRUGS
455
00:10:13,833 --> 00:10:15,043
THAT HAVE ERASED THEIR MINDS--
456
00:10:15,125 --> 00:10:16,325
EXCEPT FOR PICKLES, WHO THE
457
00:10:16,417 --> 00:10:17,537
DRUGS HAD NO EFFECT ON
458
00:10:17,625 --> 00:10:18,325
WHATSOEVER.
459
00:10:18,417 --> 00:10:19,077
>> I GREW UP SMOKING GOVERNMENT
460
00:10:19,167 --> 00:10:20,077
WEED EVERY DAY.
461
00:10:20,167 --> 00:10:21,577
YOU KNOW, I HAD KIDDIE GLAUCOMA.
462
00:10:21,667 --> 00:10:22,497
DON'T ASK ME.
463
00:10:22,583 --> 00:10:23,293
I'M IMMUNE TO JUST ABOUT
464
00:10:23,375 --> 00:10:24,165
EVERYTHING.
465
00:10:24,250 --> 00:10:25,040
>> THE RECORDING OF THAT NIGHT'S
466
00:10:25,125 --> 00:10:26,665
CONCERT EVENT HAS ROCKETED
467
00:10:26,750 --> 00:10:28,210
THROUGH THE CHARTS AND IS BEING
468
00:10:28,042 --> 00:10:30,002
CALLED THE MOST BRUTAL ALBUM OF
469
00:10:30,083 --> 00:10:31,213
ALL TIME.
470
00:10:31,042 --> 00:10:33,172
>> MOST BRUTAL ALBUM, HUH?!
471
00:10:33,000 --> 00:10:33,790
UGH.
472
00:10:33,875 --> 00:10:34,825
I HATE TO SAY IT--
473
00:10:34,917 --> 00:10:36,077
THEY'RE RIGHT.
474
00:10:36,167 --> 00:10:37,827
IT'S AN AMAZING ALBUM.
475
00:10:37,917 --> 00:10:39,497
CONGRATULATIONS, PICKLES.
476
00:10:39,583 --> 00:10:40,633
IT IS SO CHILLING.
477
00:10:40,708 --> 00:10:41,998
>> WHAT A GREAT WAY TO GO OUT,
478
00:10:42,083 --> 00:10:42,883
TOO.
479
00:10:42,958 --> 00:10:44,208
I ONLY HOPE WE CAN END THAT
480
00:10:44,042 --> 00:10:46,042
WAY--CLAWING OUR EYES OUT,
481
00:10:46,125 --> 00:10:48,285
THROWING UP ACID BLOOD.
482
00:10:48,375 --> 00:10:49,495
>> I OFFICIALLY TAKES BACKS
483
00:10:49,583 --> 00:10:50,583
WHATEVER I SAY ABOUT
484
00:10:50,667 --> 00:10:52,127
SNAKES N' BARRELS.
485
00:10:52,208 --> 00:10:53,538
YOU'RE AMAZING.
486
00:10:53,625 --> 00:10:54,625
>> THIS MUSIC IS LIKES POTATO
487
00:10:54,708 --> 00:10:55,328
CHIPS.
488
00:10:55,417 --> 00:10:56,707
I CAN'T STOPS LISTENING TO IT.
489
00:10:56,792 --> 00:10:57,752
PLAYS IT AGAIN.
490
00:10:57,833 --> 00:10:58,793
>> ALL RIGHT.
491
00:10:58,875 --> 00:11:00,165
>> [SCREAMING]
492
00:11:00,000 --> 00:11:01,040
>> MY GIGIRDLE-A-TAR IS
493
00:11:01,125 --> 00:11:02,875
CHOCKING MY CHUBBY AND MY
494
00:11:02,958 --> 00:11:05,128
GUTS HURTS WHERE MY--
495
00:11:05,208 --> 00:11:06,208
>> THERE'S LITTLE CIVIL WAR
496
00:11:06,292 --> 00:11:08,212
SOLDIERS LICKING OFF MY SKIN!
497
00:11:08,292 --> 00:11:09,922
>> I'M AWARE OF MYSELF!
498
00:11:10,000 --> 00:11:11,250
>> [SCREAMING]
499
00:11:11,333 --> 00:11:13,043
>> GET IT OFF ME!
500
00:11:13,125 --> 00:11:14,375
>> OH, NO!
501
00:11:14,458 --> 00:11:17,328
I'M AM ALSO AWARE OF MY TONGUE!
502
00:11:17,417 --> 00:11:19,707
AAGH!
503
00:11:19,792 --> 00:11:20,632
>> I BELIEVE I'M A CHICKEN!
504
00:11:20,708 --> 00:11:21,378
I'M A CHICKEN!
505
00:11:21,458 --> 00:11:21,998
I'M A CHICKEN!
506
00:11:22,083 --> 00:11:24,043
I'M A--I'M A CHICKEN.
507
00:11:24,125 --> 00:11:25,205
I BELIEVE I'M A CHICKEN.
508
00:11:25,042 --> 00:11:26,132
>> CHIRP.
509
00:11:26,208 --> 00:11:27,128
[CAPTIONING MADE POSSIBLE BY
510
00:11:27,208 --> 00:11:28,248
TURNER ENTERTAINMENT GROUP]
511
00:11:28,333 --> 00:11:29,173
[CAPTIONED BY THE NATIONAL
512
00:11:29,250 --> 00:11:30,210
CAPTIONING INSTITUTE
513
00:11:30,292 --> 00:11:32,082
--www.ncicap.org--]
514
00:11:32,132 --> 00:11:36,682
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