All language subtitles for Nothing.Like.The.Holidays.2008.720p.BluRay.x264.AAC-[YTS.MX]-eng

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( cIassicaI musicaI
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( chiIdren pIaying )

You have
a safe fIight, okay?

Hey, take care
of that daughter of yours.

( woman speaking
over PA )

( Latin music pIaying )

( honks horn )

- ( car honks )
- ( speaks Spanish )

Papi!

( beII ringing )

( speaks Spanish )

- ( car honks )
- ( speaks Spanish )

Papi!

( speaks Spanish )

- ( people chatting )
- Woman over P.A.: Ladies and gentIemen,

weIcome to Chicago's
O'Hare InternationaI Airport.

PIease check
the overhead monitors

for flight arrival
and departure times.

PIease keep
aII personaI items,

incIuding Iuggage,
with you at aII times.

Unattended Iuggage
wiII be confiscated

by Iaw enforcement
officials.

May I have your attention pIease?

This is a gate change
announcement.

- Jesse!
- Jesse! Jesse!

Oh, ho ho!
WeIcome back!

- Come on, man!
- Yeah, baby!

What's up?

You find any weapons of
mass destruction over there?

- You on SociaI Security yet, asshoIe?
- Yeah. ( laughs )

- Oh, man.
- How you doing, man?

- So good to see you, brother.
- So good to see you.

- Man, it's been too Iong.
- l know. l know, man.

- I missed you.
- You girIs want to stop the fappy shit?

- It's happy hour, man.
- What?

- It's 1 1 :00.
- Not in Amsterdam!

It's party time!

( Spanish hip-hop
music pIaying )

Jesse: Grandpa, you want
to watch the road?

- Man: Oh, Iook at that.
- Man #2: Let me see, man.

- Oh, that's not bad.
- Man: Not bad, bro.

- That gonna heaI up reaI nice.
- Looks good, man.

- Man: That's cooI.
- Announcer: Johnny's aII deaIs.

- Oh! Oh oh! Oh!
- This is it.

This is the ad for the store!
Check it out.

- Check it out.
- Shh shh shh!

- Listen to this.
- PIasma screen TVs, at absoIuteIy...

...rock bottom prices.

Woman:
Excuse me, Mr. Sexy Voice Man,

but why are you
standing in the middIe of the store...

- ...in just your underwear?
- Man: Who, me?

- Woman: Mm-hmm.
- Man: I'm just trying

- to give you 60".
- Oh!

That's so cheap!
Yo yo yo, B,

you shouId see the honeys
I've got Iined up for the next ad.

- CaIiente.
- Oh, come on, father Time.

You think that dye job
in your hair fooIs anybody?

Just 'cause your iIIegaI
Mexican ass can't afford--

OId ass man.

I'm gonna teII you the difference
between me and you.

- What's that? You teII me.
- I'm IegaI.

You a wannabe IegaI.

Ouch.
Yo, whoa whoa whoa.

Johnny, turn on Sacramento.
lt's coming up pretty soon.

Johnny:
Wait. You want your ma to kiII us?

It'II be fine.
Just turn on Sacramento

- when we get up there.
- Papo, what's the rush?

Your aunt's stiII pissed that we were Iate
to Mauricio's wedding.

Are you kidding me?
You're stiII harping on that?

The priest passed out
from heat stroke!

Dude, everybody knows
I need 15 minutes to bIow-dry my hair.

- Otherwise it don't work.
- Road's coming up.

- Don't miss it.
- Let's hit the cuchi frito spot.

- Some bacaIaditos maybe.
- Yeah, l'm hungry, bro.

- Johnny.
- Yo.

- Stop the car.
- Here?

- Yeah.
- What's up?

Are you crazy?
It's freaking coId out there.

I'm not gonna
stop the car.

- Stop the car!
- I'm not getting out!

- lt's cold!
- Johnny! Ozzy!

Come here, bro.
What are you doing?

Oh, shit.

( both panting )

( Iaughs )

WeIcome back, coz.

WeIcome back.

Ozzy:
WeIcome back to HumbIe Park, man.

You feel sick?
You don't Iook sick.

Are you sure this medicine is not
gonna make me drowsy?

- Hi, Edy.
- I don't want to faII asIeep

at my girl's
office party.

You're gonna be the most
beautiful woman there.

Thank you, Papi.
I'II see you Iater.

Okay.

( speaks Spanish )

- What?
- You know what, Don Juan.

If I didn't admire her,
she'd be insuIted.

PIease! Like you Iook
at Sister Maria here Iike that.

I wasn't aIways a nun.

Oh no.

Brother's even
steaIing Santa suits.

Why don't you sit
on Santa's Iap

and give me
your wish Iist?

$1 , one menthoI.

Why don't
you add 99 to that,

pay me back for
the Trinidad-Jones fight?

That fight was
over a year ago.

I swear, I'm never betting
with you again, Spencer.

30 years, you've never
ponied up once.

And why you bet
on Trinidad, anyway?

l usually never bet when
two brothers are fighting.

Trinidad is Puerto Rican.

How many times do
I have to expIain to you

Puerto Ricans
ain't bIack?

Come on,
you know damn weII

if Trinidad wasn't bIack,
l'd never bet on him.

l always bet
on the bIack man.

Lakers versus CeItics,
l always went Lakers.

Tiger versus the white boy
of the month...

I aIways go Tiger.

The only time l ever lost
was ApoIIo versus Rocky,

but l think
that shit was fixed.

Whatever.
Can I have my money?

lf l prove to you that
Puerto Ricans are bIack,

then I don't owe you
one thin dime.

- Edy: Get out.
- Dad! Papi!

- Hey, Spence. Look at you.
- Hey, Mauricio.

- I Iike the bIack Santa scam.
- Hey, you know me.

Too bad Santa
onIy comes once a year.

- Know what I mean?
- Got that right.

Dad.
How's it going?

I couIdn't just drive by
without paying tribute, you know?

- ( laughs )
- Look at you.

How come
he gets to fIirt?

'Cause he's mine.

- Hi, Tina.
- Hi.

- Nice bIouse.
- Thank you.

Anna gave it to me
for my birthday Iast year.

Whoa.
Don't fIash Iike that.

I'm a married man.
Cover them up.

( both Iaugh )

Just kidding.

- That bIouse Tina was wearing?
- Yeah?

l gave it to your mom
two Christmases ago.

Maybe it was a IittIe too Lieutenant Uhura,
"Star Trek" for her.

Come on, Sarah.
Where's your Christmas spirit?

Where's hers?
She regifts everything.

Last year she gave me
a basket of toiIetries with

with "DoubIetree" and "Boca"
printed on it.

- Really?
- I stiII have the body Iotion.

Oh, Sarah, come on.
Hey, do you know what wouId be

a great Christmas present
for my parents?

- TiVo?
- No no.

lf we tell them we're
trying to have a baby.

- A baby?
- Yeah.

Are you high?
( laughs )

- We discussed this.
- No. No no no no no no no.

We're stiII in discussion
about this.

What are we gonna say to
my mom when she's all,

"AII my friends have
grandchiIdren.

My mother had 10 grandchiIdren
when she was my age"?

We'll tell her
to adopt an embryo

and have one herseIf.

( water running )

( man speaking
Spanish on radio )

( door opens )

- Merry Christmas.
- feliz Navidad.

Ay, mi nino!

You Iook so handsome.

- HeIIo, Sarah.
- Hello.

You went to the bodega
before you came home first?

- Yeah, weII--
- What difference does it make?

They're here now.

You're Iucky to have ran
into him at the bodega.

He's a little hard
to get ahoId of these days.

( speaks Spanish )

Mira, she's aImost
a Puerto Rican.

( speaks Spanish )

I'm sorry, can you say that
more sIowIy

and just enunciate
a IittIe more cIearIy?

Yeah, weII, she saying
"How are you?"

She says, "How are you?"
How are you?

- Oh. Muy bien.
- There you go.

It Iooks Iike you've Iost
a little bit of weight.

( speaks Spanish )

She said
that you Iook great.

Oh. Thank you.
I just started PiIates.

Ay, bendito.
When am I gonna have grandchiIdren?

My mother had 10
at my age.

All of my friends
have grandchiIdren.

I'm going to be the onIy
Puerto Rican grandmother

who's gonna have to
adopt grandchiIdren.

Anna, Ieave
the chiIdren aIone.

Do you want to drive them
back to New York?

Thanks, Dad.

Anybody eIse home yet?

Our IittIe
HoIIywood movie star

is about to pull up
in her Iimo any minute.

Merry Christmas!

- Edy: Oh, it's our IittIe movie star!
- Hi, Dad.

- Stop stop stop.
- Mom, you're Iike paparazzi.

- Hi, Mom!
- Where's the Iimo driver?

He had another pickup
at the airport.

Hi, Mami. How are you?
Where's Jesse?

- ls he here yet?
- Johnny and Ozzy went to pick him up.

Oh God,
he'd be safer in Iraq.

- ( Ozzy grunts )
- Whoa!

- ( Ozzy Iaughs )
- Yo, Ozzy!

- My bad, man!
- Come on, bro.

You threw that
Iike Marcia Brady.

Hey, I'm not the one who wore diapers
in Little League.

for your information,
Mr. AsshoIe,

they were disposabIe
underwear. okay?

- l had a bladder problem.
- Yeah, a Iot of girIs have that probIem.

Johnny: There was
an epidemic going on.

There were thousands of kids
having to wear those.

- Epidemic.
- Can we get to the game?

Johnny:
What you think we're doing?

TaIking Iike two oId Iadies.
Come on, man.

- You swing like one.
- Here comes the heat, baby.

Throw that Iike a man.
l ain't got all day.

- Oh! Home run!
- Johnny: Oh!

I couId've caught that.

Come on! Catch the baII,
you old ass man!

Oh!

- Come on, man!
- Johnny! Come on!

l threw it right to him.
He couId've caught that.

Jesse: Ozzy!

Yo! Come on, man!

Ozzy, what are you doing?
Throw the ball!

Yo! freaking
freezing out here!

Let's go, papo!

Ozzy!

What are you doing, man?

Give me the baII.

( chatting )

Ozzy. Chill, man.
Don't do nothing stupid.

I can't beIieve that
bitch AIexis is out.

He kiIIed
my brother, man.

That punk-ass,
he kiIIs his brother

and he's hanging out
Iike nothing happened?

What kind ofjustice
is that, Jesse?

- Jesse: Come on.
- Come on, man.

"Come on" what, bro?
It's not even worth it.

- What are you trying to say?
- Johnny: Not even worth it.

Got your name up
on a biIIboard, Jesse,

Iike when Jordan came back
to the United Center.

WhoIe neighborhood gonna be Iining up,
welcoming you back.

A Boricua war
hero, paI.

Puerto Rico, whoa!

- Puerto Rico, whoa!
- ( horn plays tune )

Ay, Dios mio.
Ay, bendito.

My baby.
Mi nino.

Mi vida.

- Preciosos, you're home. I can't beIieve it.
- Hey, Ma.

What is it going to take
for you two to be on time?

- The hair. The hair.
- Anna: Your hair.

- Come on.
- Are you okay?

Huh? I'm good.
I'm good.

Thank God you never have to go back
to that pIace again.

l swear if l ever meet those
peopIe that hurt you, baby,

- I'II kiII them.
- Hey, UncIe Edy. How you doing?

Oh, you're smothering him.

Give the boy
a chance to breathe.

Mauricio: You Iook Iike
a Puerto Rican Gorbachev.

- Hi.
- ( both Iaugh )

- What's up, Roxanna?
- Hey.

- Yo, Mauricio.
- It's so good to see you.

You too.
You Iook good.

- ( Christmas music pIaying )
- ( people chatting )

Jesse: The Penn game.
Dad, we're missing the Penn game.

- ( TV hissing )
- ( Jesse Iaughs )

- ( gIasses cIink )
- Johnny: Gracia, Mamita.

Hey, Ma,
did Sarah teII you?

She was a big hit
at her office Christmas party.

- She made coquito from scratch.
- Anna: You did?

- Can you beIieve that?
- l Googled the recipe.

Why didn't you caII me
instead of this GoogIe?

- It's a search engine.
- Ma.

I needed it quickIy.

l thought
it wouId be fun.

There's some Puerto Ricans
who work in the firm.

As what? Janitors?
An assistant IavapIatos?

- Ozzy: Probably.
- Sarah: Jose is an associate.

- An associate.
- How nice.

And l told them
how we ceIebrate the parranda,

where we sing
the Christmas caroIs

and go house to house
to surprise the neighbors.

Wow, Mo, l didn't know your girl
was so down with the neighborhood.

( speaks Spanish )

I know.
Sarah's a voIunteer.

What do you have to
offer the worId, Johnny?

What's your
contribution besides

zero money down
and debt into afterIife?

- Oh!
- ( aII Iaugh )

I got him good
with that afterIife jab.

Okay, enough enough.
I want to propose a toast.

Here's to having
everybody home,

especiaIIy Jesse.

- AII: SaIut.
- Roxanna: To Jesse.

Jesse. L'Chaim.

Ozzy: What?
What he say?

Jesse, I want
to ask you:

Did you see
some of that messed up

"BIack Hawk Down"
type of shit over there?

Did that really
happen that way?

I don't know, man.
l--

Edy:
He doesn't want to taIk about that.

- You don't wanna taIk about that.
- It's okay.

You talk
when you're ready.

I'm gonna
go check the rice.

So, Tio Edy, when are you gonna
come down to the store

so I can set you up with a beautifuI
pIasma fIat-screen TV?

I don't need one of those.
This TV is perfectIy fine.

- Oh.
- That aIways works.

Johnny: You couId watch the Cubs
in high definition.

So l could have
a crystaI cIear image

of seeing them getting
their asses kicked?

- No no, gracia.
- ( Johnny chuckIes )

- So, Roxanna, mi amor.
- Mmm?

So teII us what's
going on in HoIIywood.

( effeminateIy )
Yeah, who's gay now?

You, you stupid ass.

The gay gene skipped
my side of the family.

Yeah, right. Like UncIe Roy who stiII
has a roommate at 60.

- That's right, a "roommate."
- Life partner, man.

Enough. You hear back
from that TV show?

Dad, they haven't decided yet.
But they said l brought

an organic vuInerabiIity
to the character that pIays as cuIturaI--

You'd definiteIy pIay a much more organic
Mexican than Oz over here.

- Roxanna: Don't start.
- What are you taIking about?

- What? Start what?
- You know.

- What do I know?
- You aImost went there. forget it.

- How'd I aImost go there?
- Nothing, forget it.

- Say the line.
- You're supposed to be on my side.

- Say the Iine. Say the Iine.
- No.

- Say the Iine.
- Do the Iine.

Sorry. Onto bigger
and better things.

Come on, baby.
It's not Iike a miIIion peopIe

haven't already seen you
in that sexy peasant bIouse,

batting your beautiful
brown eyes for Senor Taco.

You know what?
I've got the bootIeg too.

AII right,
I'II say the Iine.

( speaks Spanish )

Johnny:
No no, it's more Iike...

- ( speaks effeminateIy )
- Roxanna: Oh, stop.

It's-- it's...

- ( Iaughing )
- Jesse: No no no no no.

You'd better watch it.
You'd better watch it.

AsshoIes.

Okay, that's enough.
That's enough.

So teII me, this new show
you're up for...

It's a midseason repIacement

and it's coming on after
"Desperate Housewives,"

- which is big.
- Sarah: Oh wow.

- Are you gonna be abIe to meet them?
- l might, actually.

What about you, Sarah?
How's work?

- Yeah, what's going on on WaII Street?
- Roxanna: Yeah.

Yeah, how are you
guys gonna have enough time

to make some kind of
sorta-Ricans?

No, we are.
Not right away,

We've got pIenty of time.
What's the rush?

Why are you throwing me
with the baby Latin curve here?

By now you guys shouId be up to four,
five, six, maybe seven, eight kids.

- Mauricio: Come on.
- Yo, does your pIumbing work?

My pipes fIow just fine. You want to check,
Johnny? Want to take a gander?

Why you getting
so macho about yourseIf?

We're aII here, brother.
You can talk to us.

If I needed somebody
to taIk to,

- you'd be the Iast person I wouId go to.
- Right.

I'm gonna ask Anna
if she needs any heIp in the kitchen.

- Roxanna: That's great.
- What did l do?

You know
why you're singIe?

'Cause every time
you open your mouth

it's Iike
a woman repeIIant.

The women go whoosh!
Just saying.

l'm just saying.
Look, I understand.

lt's gotta be hard,
especiaIIy for two

obviousIy successfuI
peopIe Iike yourseIves.

l didn't know that's
what you were going for.

- Yeah.
- WeII, thank you. I Iove you.

You know, this is
as good as any time.

l wanted
to teII aII of you

that they're
taIking partnership at the Iaw firm.

- No.
- And I've been groomed by the COO,

so it's an aImost
guaranteed sIot in there.

- Roxanna: Great.
- Work work work.

Mauricio, aII you taIk about is work.
It's a hoIiday.

What's important is
everybody's here together.

We're all together now.
That's what's important.

- Yeah.
- That's great.

- Doesn't matter.
- ( doorbeII rings )

I'm-- I'm gonna
go get the door.

- ( ringtone pIays )
- Yeah, excuse me.

- One second.
- Johnny: UncIe Edy, sIap the dinosaur.

- ( beeps )
- Hey. PIease teII me you heard something.

- Hey.
- Hey.

WeIcome--
weIcome back.

- Th-- thank you.
- ( chiId giggIes )

- Is that--
- That's Hector.

- My son.
- ReaIIy?

Oh. Hey.

- Marissa: Say hi.
- How are you? Give me five.

That is a good-Iooking kid.

fernando: Had to circIe the bIock
two times to find parking.

Hey, weIcome back,
Jesse.

- Oh. Okay.
- fernando.

Good to meet you.
Okay.

Hey, Mami. Hi.

Oh, hey, Mami.

- How are you?
- Who's the IittIe boy?

Let's go upstairs.

Oh! This one is
the cIosest

I ever get to having
a grandchiId.

Isn't he adorabIe?

Oh, yes.
Very very very cute.

Hector,
come on, behave.

Hey, how are you doing?
How's your mother?

Great. Thank you
for asking, Mr. Rodriguez.

- ( ceII phone rings )
- Nice to see you. Oh, excuse me.

- I have to take this.
- Let's go say hi.

Yeah, hi.
Just give me one second.

( door cIoses )

Ma, since when did Dad get
all Dick Cheney on you?

WeII, whoever it is, they must be
more important than his family.

- I've gotta finish dinner.
- Ma, what are you taIking about?

- He didn't say that.
- WouId you Iike any heIp?

No.

Roxanna:
Is it weird being a mom?

Woman: You were there.
You remember Rick.

That jerk.
He was such a bad father.

As soon as Hector was born,
Rick just Ieft.

- Rick just spIit.
- Yeah.

But things are going reaIIy weII
with me and fernando,

and he treats Hector
like his own son.

Wow.
That's great, girI.

I just reaIIy Iove
my job.

Gotta be so cooI to have a teacher
like you in high school.

You're gonna get
this gig, okay?

My agent says he feeIs
really good about it.

You know that Mr. Murphy
still asks about you?

ReaIIy?

He says that you
were the best actor

to come out
of Roberto CIemente.

Oh, that's so sweet.
You know what?

I stiII have that
goId-pIated statuette

that he gave me
for pIaying BIanche.

- Do you remember?
- Do you remember this song?

Do I?
It's my song, girI.

- Oh my God.
- Turn it up.

( pop music pIaying )

* I wanna sex you up... *

* Now Iet's pour
a gIass of wine *

* 'Cause now we're aII aIone,
l've been waiting... *

PIease teII me you are not auditioning
for any musicaIs.

Stop singing.
You're gonna break the mirror.

Were you two kissing?

- Johnny.
- I wanna watch.

Johnny, we're having
girI time.

- l can share.
- No, you can't.

- No! Oh yeah?
- Shut up. Whoa!

Don't mess my hair!
Don't mess my hair up!

( yeIIing )

- Oh, man.
- Help me!

Come on, man!
Oh!

HeIp me out!

- You swing Iike a girI!
- Get out of the way!

You want a piece
of me? Huh? Huh?

Don't! Jesse!

Oh my God.

You boys, tomorrow you've got to
heIp me take down this tree.

Come on, Dad.
It's a hoIiday, for crying out Ioud.

You stiII do hard work,
Mr. Lawyer Man?

Johnny, I work out.
What are you trying to say?

- He works out.
- Oh yeah, you work out

with your $65-an-hour
trainer/Iover/boyfriend.

( speaks Spanish )

( aII Iaughing )

I bet your fIabby ass
isn't lifting

60" pIasmas
personaIIy

to peopIe's cars,
you pudgy bastard.

My ass isn't gonna be here tomorrow
chopping down no tree.

Big baby. Listen,
I've got a chainsaw.

Oh yeah, the one they used to make
Jesus's cross with.

It stiII works.
AII it needs is a IittIe oiI.

We go to the zoo,
kidnap a coupIe of beavers.

They take it down for free.
They drag it away.

I've got a coupIe of chainsaws.
I can come by tomorrow.

Thanks a Iot, Nando.

l can swing by too,
heIp you cut this down.

Edy: No, not you, Ozzy.
l need you at the store.

Why you want to cut
down the tree, Pop?

l promised
your mother a view.

And it's oId.
Look at it.

The base is weak.
It's Ieaning over to one side.

It's no good no more.

Is that you you're taIking
about or the tree?

All:
Oh! Oh!

- ( aII chatting )
- Dig into that.

No thanks.
Can you beIieve--

- I finaIIy got him to sIeep.
- He's down? Good.

lt used to be
Logan BouIevard.

lt used to be
a mattress store.

Somebody made
me pay for it.

Why is
everybody fighting?

They're not fighting.
They conversating.

Mom, you may be a drug deaIer
by giving me that stuff there.

- I thought it was Roxie's.
- ( glass clinking )

Attention, por favor,
por favor.

l'd just like
to say something.

It's fantastic that
we're aII together.

Gracia, Dio,
that we're safe, home

- and warm, indoors.
- Mauricio: Good one, Dad.

- I'd Iike to propose a toast--
- ( phone rings )

Johnny:
Oh, good timing.

- Excuse me.
- ( beeps )

There's something
I'd Iike to say.

- I'm divorcing your father.
- ( Johnny laughing )

- ( all laughing )
- Mauricio: That's crazy.

That's not a toast, okay?
Come on.

That's not even funny.
What is that?

Why? Mom, stop, pIease.

Johnny:
That don't sound Iike a toast to me.

( siIence )

- Come on. Stop that, Ma.
- Roxanna: Mom.

- Cono.
- Why? You've been married for 36 years.

- You can't--
- So?

"So"?
You're oId.

Who are you caIIing oId?

l've got a lot
of Iife Ieft in me.

Who do you think kept
aII of this together?

I don't need him.

Well, if that's
what you want to do...

- Roxanna: What?
- ...I can't stop you.

What?
What is going on?

I'm gonna step out
for a minute, get some air.

Ozzy, come on.

- Excuse me.
- Happy?

Dad, did you cheat
on her again?

- Papi, you cheated?
- You didn't teII me that.

- Sarah, stay out of it.
- Roxanna: Papi?

Did you cheat again?

ls that what
your mother thinks?

Mysterious phone caIIs
aII the time.

You disappear
in the middIe of the day.

Ay, Papi! How couId you?
How could you?

Don't raise your voice
to me in my own house!

You know what?
I'm disgusted with both of you.

I'm so disgusted.

What, are you gonna
date other peopIe?

for starters.

Oh! Excuse me.
This is making me sick.

Come on, Jesse.
Jump in any time you feeI Iike.

Say something, wiII you?
Come on.

- It's their Iife.
- What? "It's their Iife"?

"It's their Iife"?

Three years in lraq,
and this is the wisdom you have to offer?

- Oh!
- It's their Iife. Wow.

That's great.
Thanks, Dad, for doing this to us.

Thank you for ruining our Iives.
Thank you so much for that.

Why don't you relax?
Why don't you Ieave Pop aIone?

- This isn't about you.
- That's it. Take that side.

- Jesse: I'm not taking a side.
- Of course you are.

Why don't you two become roommates
and go hang out at Starbucks

like the losers you are
because you screwed up

the best things
you ever had in your Iives?

Anna: Mo!

I'm gonna take
Hector home.

- Yeah.
- Thank you for dinner.

- And thanks so much, Mo.
- l'm sorry.

Thank you.

I'm sorry, Jesse.
I got a IittIe hot-headed.

Just-- just--
bro, just...

l think you've
said enough, man.

Jesse, I said
l was sorry.

- Hey. Hey.
- Jesse: Yeah.

Why'd you have to caII out
your brother Iike that?

Because I'm the onIy one--

After all
he's been through?!

You shouId concentrate
on your own reIationship

instead of worrying
about everybody eIse's.

WeII, merry goddamn
Christmas, everybody.

Stop.

Go to your room.

You know what?
I'm gonna do you one better, Ma.

Come on, Sarah.
Let's go to the Drake.

I haven't finished
eating yet.

Yeah, whatever.

Did you Iike
the tostones?

DeIectabIe.

Nata de coco?

I'd Iove some.

( beeping )

Look, do you have
a Marriott or a Radisson?

- A Motel 8?
- ( door opens )

Look, I'II take an empty jaiI ceII--
anything you've got.

- Have you gone off your meds?
- Yeah, okay.

Thank you very much.

Let me know
if anything opens up.

( cIangs )

Piece of shit.

Sarah, Iet me have
your Crackberry.

I'm gonna caII hoteIs.com,
see if they've got anything.

I know you're freaked out about this
whole divorce thing,

but don't you think we shouId stay here
and be supportive?

Supportive of them throwing 36 years
of their marriage down the toilet?

Are you kidding?
Give me that.

Do you want to make things worse
for your mother?

Her husband
cheated on her.

And this is coming
from the woman who reserved two rows

for her parents' exes at our wedding.
Just give me that.

- No.
- Come on. Give it to me now.

- No.
- Sarah, I'm gonna take it from you.

- We're staying here.
- No, we're not staying.

You've been bugging me for months
to stay in a hotel.

- Shh!
- We're not gonna stay--

- Shh! Do you want them to hear you?
- What?

Are you afraid they might find out
you think this place...

( yeIIs ) stinks of fried pork
and chuIeta, tocineta, puneta?

( both panting )

WeII, somebody's been
a naughty IittIe girI.

You've been emaiIing back and forth
with this Barry Kravitz, huh?

Didn't you teII me you turned his job
offer down months ago

because of the traveIing and
the crazy hours, the pressure?

They came back.
They sweetened the deaI.

And he offered to back

Brian DonaIdson and I
in our own hedge fund.

We would be managing
$300 miIIion just to start.

- $300 mi--
- Yeah.

And use of the private jet too.
Look at that.

Pretty sweet.
CongratuIations.

That's great.

When were you pIanning
to break it to me gently?

I just--

I just needed
a IittIe time to think it over aIone.

- ( knocks on door )
- ( door opens )

Requesting a bunk,
Lance CorporaI.

You're gonna
sIeep in here?

Your mother threw me
out of the bedroom.

And you act surprised.

Mijo, Iife is
fuII of surprises.

- Oh.
- Everybody down at the bodega,

they're aII dying
to talk to you.

Anyway, this gives us
a chance to catch up.

I'm worried
about you and Ma.

Yeah? We're more
worried about you.

I'm fine.

You know, Jesse,

we know you've
been through a Iot.

Your mother and me,
we rented "Coming Home."

I'm surprised you didn't rent
"Taxi Driver."

Yeah, we rented
that too.

It's not good to keep things
bottIed up inside.

You've seen some stuff--
some reaIIy bad stuff.

It's a war, Pop.

And you did
your very best.

You did.

It shouId've been me...

not Lenny.

Beating yourseIf up
isn't going to bring him back, mijo.

And if Lenny was
here right now,

he'd teII you
he'd want you to move on.

His foIks...

I can't imagine they're
having too many Iaughs now.

No.

You caII them?
It might heIp.

You know, Dad,

it's getting Iate.

Yeah, okay.

Jesus, Mo,
you scared me.

What are
you doing up here?

l'm just trying
to be aIone, okay?

I've got tequiIa.

- AII right, you can stay.
- I know.

- What a night.
- What, is this heII?

- Are we in heII or what?
- Yeah.

Hm-mmm.
Hm-mmm.

- It's 10 beIow outside.
- No way. No way.

Mom won't Iet me smoke inside.
Go crack open a window!

I'm not cracking a window.
I'm not smoking your poIIution.

- fine. fine.
- How about that? I saved your Iife.

- Crack that.
- How come I didn't get an invite?

- None needed.
- No jarheads aIIowed, man.

- Ow!
- Easy!

- Give me that.
- You having a fIashback?

Wow.

lt's like all l need is
to be smoking a bIunt

and Iistening
to Biggie SmaIIs.

I Iost my virginity
on that couch.

- Me too!
- Oh, God. HaiI the syphiIis!

- Oh God, haiI you.
- Move move.

Roxanna: Don't be mad 'cause
you were up here aII aIone

practicing dance moves
in your underwear.

- ( vocalizing )
- ( beatboxing )

Stop it.
Stop stop.

- Stop it.
- Roxanna: PIease don't do it in those.

Hey, that reminds me

I haven't seen Dad in his underwear
in a Iong time.

- It is not pretty.
- ls this pretty?

Ma kicked him out of the room
and he's staying with me.

He deserves it.

How come you never toId us
about him cheating before?

'Cause, Rox, I didn't
see anything.

I caught him with that IittIe Rosa SaIgado,
IittIe PentecostaI chick.

Dad just gives me $100.

He says, "Here,
don't say nothing."

And you'd think he'd be too oId
for that shit now.

Rox, they've got
Viagra now.

We're gonna be those kids that have
to shuttIe between houses at Christmas.

No, Rox.
No we're not.

- No?
- No, because they're gonna seII this house

and they gonna move
into separate apartments.

And we're gonna have to stay in a hoteI
when we come into town?

No.

I know Mauricio and Sarah
wouldn't mind that.

- The waIIs are thin, bro.
- Oh yeah?

- Why don't you mind your business?
- Ma's aIways taIking about

moving to Puerto Rico.
She might actuaIIy do it now.

It'd be kind of sweet
to have a pIace out there.

- Did you just say kinda sweet?
- Yeah.

So you're okay with Pops moving into
a studio apartment

and heating up Ieftovers?
You're fine with that?

Oh, do you reaIize
this is probably

the Iast Christmas
that we'II spend together?

Why, Rox?
Why is it gonna be the Iast?

Why don't we do something?
We're gonna Iet them throw away

36 years of their marriage?
We're just gonna sit and taIk about it?

He broke her trust!
How can she forgive him for that?

- What don't you understand?
- Yeah, Ma has every right to Ieave.

Hey, do you hear
yourselves?

You know what
you sound Iike?

You sound Iike peopIe
who aren't married.

Let me tell you
about marriage, aII right?

Sometimes you're in it, you feeI Iike you
don't want the same things anymore

and you start going
at each other.

And you go at each other,
but you stick it through.

And at the end of that
you faII in Iove aII over again.

And that's marriage, okay?

So don't teII me that Mom and Dad,
after all these years,

don't got a IittIe bit of Iove Ieft for each
other, 'cause l'm not buying that.

Preciosos,
I made some pasteIiIIos.

Ah. Uh-huh.
You're tired.

Why did you have to drag
these boys out of bed?

- Mauricio: We're fine, Ma.
- Anna: for 25 years,

I've been begging you
to cut down that ugIy tree,

and aII of a sudden
you're gonna do it right now?

- Can I heIp you with that?
- No.

You've still
got it, Mamita.

Dirty oId man.

Here, how about
some hot chocoIate?

- Come on.
- Marissa: Okay, say thank you.

- Thank you.
- Hey, Sarah.

I made some pasteIiIIos.

- Have one.
- No, I'm going for a jog.

Oh, I'm sorry. I forgot to fix the treadmiII
in the guest room.

How is she going
to get pregnant

with aII that
bouncing up and down?

Enough, aII right?
Just Ieave her aIone.

Here here here,
eat something.

( speaks Spanish )

And what, are you drunk?
StiII drunk?

- Ma, pIease.
- I can't beIieve you spent aII night

getting drunk
with your brothers.

Mauricio:
She's a bad infIuence, Ma.

Anna:
Hey, fernando.

You want
some hot chocoIate?

No thanks.
I'm aII set, Mrs. Rodriguez.

- ( revving IoudIy )
- ( groans )

You're kiIIing me.

Yeah!

This is an SR36 Wood Boss.

Whoa whoa!
No! Stop!

Turn it off!
Turn it off!

- What's the probIem?
- lt's fine.

But we're gonna
use mine.

This is a Sears
Chainomatic 3000

- I remember that.
- Oh, Dad, come on.

Chuck Norris was
on the box.

Everybody, carefuI.
Stand back.

- That Iooks reaIIy dangerous.
- ( revs up )

- Hmm?
- ( stops )

Mauricio:
You overcompensated a IittIe bit, Dad.

- Cono.
- What? What?

- 'Cause he's got a IittIe thingy.
- ( speaks Spanish )

( buzzing )

( revving IoudIy )

- Marissa: Oh.
- Ooh.

Your man sure is good
with his tooI, honey.

Mm-hmm, and he's reaIIy
good with his hands too.

Marissa,
there's a chiId here.

PIease, he's three, Ma.
He doesn't get innuendo.

Come on, give it
some force, man.

( chainsaw whines )

Yo, whoa whoa whoa.

- Step back.
- Mauricio: Show him how it's done, Jesse.

- Careful.
- Be carefuI.

Mauricio:
Show him how it's done.

Roxanna:
Yeah, that's what I'm taIking about.

Now that's
in innuendo, girI.

I bet my boy Jesse
right there--

$20 my boy Jesse gets
that tree down.

I'd take fernando.

Hey, you back off,
Barbie.

I didn't mean it that way.
It's just that he's big.

- ( women Iaughing )
- His muscIes are big.

And l--
oh, you guys.

- ( Iaughs )
- Hey hey hey hey!

Don't hurt
yourseIf, man.

What happened?
What happened?

It's okay,
tough guy.

Let's see it, Nando.
Let's see what you've got.

- ( cIunks, stops )
- Holy cow.

- Oh no.
- What the heII?

- It's cursed, Ma!
- Son of a--

SyphiIitic tree.
Let me try it.

- Hold on, hold on.
- Let a reaI man do it.

Oh no.
Stop him, pIease.

- Oh no, he isn't.
- Oh, boy.

- Roxanna: No, Mo.
- l got it. All right.

Back off, Iraq.

Are you gonna put money
down on your husband?

That he seriousIy
hurts himself?

$20. Sure why not?

Mauricio!
Put it down.

ReIax. ReIax, Mom.
I've got it.

Roxanna: You can do it.
l've got $20 on you.

This little--
the bIack cord?

Right there. Right there.
The black cord.

- ( revving )
- Yeah.

- You hear that?
- Whoa whoa whoa!

- ( revving IoudIy )
- Somebody do something!

Thank you.
Thank you.

- ( men yelling )
- Thanks, Sarah.

- Mauricio, put it down!
- Sarah: ToId you.

- Don't yeII at me.
- Put it down!

- Get in the house!
- I've got it.

- Anna: Put it down.
- ( chainsaw stops )

You're embarrassing me
in front of everybody.

I toId you--
get in the house.

Huh?
What do you think?

Roxanna:
It Iooks great, Dad.

I don't know
what to say.

- Come on.
- What?

- find something to do.
- ( Iaughs )

- ( shop beII rings )
- Oh, my babies!

( Iaughing )

- Oh, my movie star!
- How you doing?

- You Iook great.
- Thanks.

God bIess you, baby.
You know, I prayed for you every day.

I had to. I know how
the miIitary is.

- Yeah.
- Hey, y'aII! My baby was on the front Iine!

figures. They Iike to cut
the dark meat first,

if you know what I'm saying.
l'll tell you what it is.

lt's Uncle Sam trying
to get rid of y'aII Latinos.

You know, they lure you in
promising you citizenship.

You don't even have to
have a green card to serve.

- Oh, come on, Tina.
- Oh, you know it's true, white boy.

- ( people chuckle )
- You find everything?

Yeah, I'm cooI.

These high-end magazines
must be your touch,

'cause the onIy thing
my Pops reads

is "The Sun Times"
and "La Opinión."

You want to see
something reaIIy cooI?

Check this out. It's aII about what's
happening underground

with music, art, theater--
that kind of stuff.

- Mmm.
- You ever think about doing theater?

Yeah, I started
in theater.

But I'm just focused
on fiIm and TV now.

Yeah. You know
what you shouId do?

- Telenovela.
- Oh, yeah, right.

- ( both Iaugh )
- Rogelio,

why didn't you tell me
before we sIept together

you were once
married to my mother!

Because when you climaxed
and screamed "I Iove you, Papi,"

- I thought you aIready knew.
- You watch that?

Y'all gotta pay,
'cause I ain't got money for y'aII.

That's just crazy.

You aII right, baby?
Ozzy!

- Whoa whoa.
- Tina: Ozzy!

- We gotta go.
- What about the beer?

- Come on.
- You okay?

Yeah.

These were on saIe yesterday.
You missed it.

I see everyone at the store is
stiII crazy, huh?

- Yeah yeah.
- ( beeps )

Look. Your oId man
finaIIy modernized.

This new system Iets
you know how much you're wasting,

so you can cost
things out better.

Last week we took 3c off
a pound of pork chops.

- You actuaIIy know how to use that thing?
- Not reaIIy.

Ozzy usuaIIy
prints it out,

but I want everything running
like a well-oiled machine

for when you take over.
You'II get the hang of this in no time.

And you've aIways got Ozzy.

So when do you think
you can start?

Uh, Iook, Dad, I--

Look, it'II heIp you take
your mind off things.

- I'm-- I'm sorry.
- No, it's...

You're bareIy home,
for Christ's sake.

You take-- you rest up.
You take your time.

You come to work
when you're ready.

Okay.

- Yo, Jesse, Iet's go hang downtown.
- What's up?

I've got a coupIe of rich honeys waiting
for us down there.

- No no, I'm cooI, brother.
- Why not?

What you mean,
you're cooI, man?

Come on, bro.

I saw the Iook.

What Iook?

WeII, don't do it, okay?

- What?
- I know Marissa is aII cooI.

She's still fine after
aII her baby-mama drama.

- Whatever.
- Come on, bro.

A Puerto Rican woman--

she's never gonna forgive
that you dropped her, bro.

- That you dumped her Iike that.
- l didn't--

forget that, aII right?
Even if you guys were

to get back together,
she's gonna seem nice,

but she gonna make you pay
for that shit every day.

They're Iike that, bro.

You don't know what are
you talking about.

What do you mean?
A miIIion years from now

aIiens couId come down,
they resurrect her ass.

What's the first thing
she's gonna say?

"Where is that
son of a bitch Jesse?"

No. We couId
be friends, bro.

"We couId be friends."

That's white peopIe shit.

- AII right, Johnny.
- Come on. Jesse, yo!

What?

( geese honking )

Jesse:
Marissa! Hey!

Jesse, what are
you doing here?

I remembered you used to
take this path to work.

- Can I taIk to you for a second?
- No, l'm late for work.

- WeII, we can waIk and taIk.
- No no no.

l thought that l could
do this friend thing, but I can't.

five years together
and you break up with me in a Ietter.

You didn't even have
the guts to teII me before you Ieft.

You think I knew
what the heII I wanted?

l was 23,
cIaustrophobic,

Mauricio and Roxanna were
off doing their thing.

l just needed
to get out too!

I thought aII my Iife's major
questions were answered.

I had you,
I had the bodega.

If I was gonna make it,
I had to move on!

- And I knew that you did too.
- You--

you tore my worId apart!

And there was nothing
that I couId do about it.

BeIieve me, if I had known the way
things were gonna turn out,

- I wouId have never gone.
- I suppose I can't even get mad at you

- because you're a goddamn war hero.
- l'm not.

PIease.

A guy in my unit died
because of me!

My buddy Lenny.

He was this funny kid
from Wisconsin.

He aIways wore

his high schooI basketbaII jersey
underneath his fatigues.

Anyway...

we had taken up position
in this abandoned house.

lnsurgents had left
aII this food behind.

We were hunkered
in there for the night,

so Whitey,
our squad Ieader,

said that he wouId treat us
to a home-cooked meal.

I was on Iookout
at the window.

Lenny made me
switch with him.

l maybe had,
Iike, three bites

and some asshoIe Iaunched an RPG
right through the window.

Lenny's--

Lenny's body was bIown
back to the table.

And do you know
how I feIt?

I was happy.

I-I was so happy

to be aIive.

I'm so sorry, Jesse.

( sighs )
Yeah.

I was the Iucky one.

Yeah.

His poor famiIy.

Have you taIked
to them?

No.

It wouIdn't make
a difference.

- Yeah.
- Yeah.

He was
their onIy son.

- Mauricio: Ahem.
- ( famiIy whispering )

Edy: Jesse.

Hey, father Torres.
Good to see you.

Nice to have you home, son.
Any more soy sauce?

Jesse, look.
I've taken it upon myseIf

to bring father Torres here
to taIk to Mom and Dad.

- So just go with it, pIease. Okay?
- And where's Mom?

Roxanna: She went out for happy hour
with Cheryl and Gladys.

- SeriousIy?
- Yeah.

She can go if she wants.
She's a grown woman.

You know she's gonna
kiII you, right?

Yeah, I'II take my chances.
Go sit down.

Okay, everybody,
just-- pIease.

Hi, baby.

I'm sorry I embarrassed
you this morning.

It's okay, Mom. I just wanted to teII you
that father Torres is here.

Ay, Dios mio.
Who died?

Nobody died, Ma.
Before you say no-- don't say no--

I brought father Torres here to taIk to
you and Dad about the divorce, okay?

- PIease, Ma.
- No!

You've got to think this through before
you go through with it.

- Did he tell you to do this?
- No, Dad had nothing to do with it.

- I'm going upstairs.
- Ma, you're not going anywhere.

You're going out there
to taIk to father Torres.

Do you know the mouth
on that man?

The whoIe neighborhood's
going to know.

- This is about your famiIy.
- l didn't make any food.

It doesn't matter.
Sarah ordered Chinese food.

- She gave him takeout?
- Yes, Ma.

Go out there.
Be brave.

father Torres,
so nice to see you.

Do you, um...

l could fix you some
reaI food if you'd Iike.

Don't troubIe yourseIf.
I'II be fine with a coupIe of these eggroIIs

and some more coquito.
Your son teIIs me

that you and Edy are
contempIating divorce.

Oh no no, father, no.

I am getting a divorce.

See, my husband
broke his vows

and sinned against God.

father, it's Christmas.
How about a IittIe sermon

about Jesus being born
so we can be forgiven for our sins?

I'm not changing my mind.

Now I am sorry, father,

that my son dragged you
aII the way out here

for takeout because
these women can't cook.

It's the Ieast
I can do.

No wonder I don't
have a grandchiId.

That's what you can
do for me, father.

Can I get some more
rum for my coquito?

Pray that I wiII hoId

- a grandchiId before I'm dead.
- Here we go again.

Maybe there are reasons why they're
holding back on having children.

He'd rather take care of
a hedge fund than a baby.

- You went crying to your mother?
- l didn't go crying.

- It wasn't reaIIy crying.
- Can you bIame him?

What did you expect?

With aII this traveIing
and aII these hours

with a hedge fund, the onIy sex
he'll be having is on the phone.

- ( laughs )
- Oh, no no.

He'II be Iucky
if he gets that.

You know,
the onIy reason

that he wants a baby now

is so that he can try
to one-up Jesse

in pIeasing you
and Edyberto.

- What the heII's she taIking about?
- That's not true, Sarah.

- Yes it is.
- You take one psych course at Brandeis

- and you're Sigmund freud?
- Excuse us, father.

Anna, Edy, perhaps you shouId
think about the family.

- We'd be fine.
- No we wouIdn't be fine.

You'd still have your
mommy to run home to.

Look, daddy's girl,
I know for a fact I'm not the onIy one

you caII when you're
strapped for cash.

She needed money
for head shots.

You sent her money
behind my back?

- Don't taIk to me anymore.
- Do you see?

Do you see the Iies
that I have to put up with, father?

What does Roxanna need
money for a head shot for?

- She's a star.
- Ma, I'm not a star.

Okay?
I'm not a star. That's it.

Everybody thinks l live this
gIamorous Iife in HoIIywood

when l can barely pay
my rent on a dumpy studio

and the payments
on a 1999 Kia.

- What?
- God!

You know what?
I just wish I couId have my Iife

handed to me on a siIver pIatter
like Jesse over here.

- Oh, heII yeah.
- Yeah.

The prodigaI son returns and the rest
of us just get pushed to the side

'cause the IittIe prince is here.
Everything for the IittIe prince.

- Is that what you think?
- Yeah, that's what I think, Jesse.

Why don't one of you come home
and take care of the bodega?

Can we aII
just caIm down?

Because you're off Iiving
your own lives, right?

What about my Iife?

I try to get out and do I
end up in New York or LA?

No, I end up in Iraq.

And what do I got
to show for it?

And you think l can just
come home and run the bodega?

- Bodegas are good businesses.
- l'm not gonna run the bodega!

And that's the voice of God,
Iadies and gentIemen.

- Maybe we shouId say a prayer.
- Shut up!

So what are you
gonna do?

I'm gonna--

I'm gonna go back
to Iraq.

I'm gonna sign up
for another tour.

- Mijo, that's not gonna change anything.
- Maybe.

But at Ieast there I feeI
Iike I have some purpose.

- Jesse.
- No.

No no no no.

( crying )
I just wish we hadn't Iet him

There are a Iot of things
l wish l hadn't done.

WeII, you can't take
them back now, can you?

What's done is done.

Where's Mauricio?

Look, l'm sorry
about what I said.

l do want
to have a baby.

I just don't understand why
it has to be this second,

when l've got this
huge opportunity.

l'm not stupid.
I understand that I can't have it aII.

That at 36, my fertiIity

is going into a freefaII

and that I may have
to use the eggs

of some attractive
Ivy League student

who wants to get ahead
on paying off their student Ioans.

- Look, I'd be happy to adopt.
- ( crying )

But Mauricio being a Latin
doesn't feeI the same way.

I promise we wiII
have chiIdren.

It may not be this second,

but we wiII someday,
okay?

That doesn't make you
feel any better?

Jesse's going to sign up
for another tour in Iraq.

I'm so sorry.

Mauricio and the kids
went down to JuIio's Bar.

You want me to drive
you down there?

( Latin music pIaying )

( singing in Spanish )

This music is beautifuI.

Anna and l, we danced
the first time we met to this song.

Mauricio was conceived
to this song.

Okay, I don't think I needed
to hear all that.

( groans )

( horn honks )

In the gIove compartment,
there's medicine.

- Which one?
- The green cap.

- ( groans )
- Here.

Don't teII anyone, Sarah.

PIease.

Does Anna know?

l just want to enjoy
Christmas with my famiIy.

Not that they
make it so easy.

( cheering )

I Iove you guys so much.

- I Iove you too, Sarah.
- I do.

- We Iove you too, baby. It's okay.
- Let's dance.

- No, I don't want to--
- Get a room.

Come on.
Come on.

All right.
I don't need to be here.

I think he sIipped
her a hit of E.

- Think he wants a kid that bad?
- Yeah.

AII you got to do is Iook at a Puerto Rican
girI to get her pregnant.

- Shut up.
- Come on, come on.

- Whoo-hoo.
- Johnny: Mira.

This is what a reaI women
looks like with a burka.

Right? You go, Iady.
Come on, you go now.

Wrap our soIdier boy
over there

with some red, white
and blue love.

Your friend here says you
got shot up pretty bad.

Oh, yeah yeah yeah.
They shot off his dick.

But then they repIaced
it with a bionic one

and he couId jack up a car
and change the tire

at the same time.

ReaIIy?

( speaks Spanish )

l'm just kidding.
Excuse me. I'm sorry.

He's stiII got aII his factory parts,
right, Papi?

So you wanna dance?

Roxanna:
Jesse, don't you dare. Jesse.

- I'm-- I'm cooI.
- Come on, bro.

- Go, man, go.
- Roxanna: He's cooI.

You heard him,
he's cooI.

- ( dance music pIaying )
- Oh no.

That's my song.
That's my song, y'aII.

- Yo, that's my song.
- Oh no.

Oh, yes.
Go get 'em, Mo.

( Iaughing )

Come on.
Come on.

Johnny:
Oh, he Iikes that.

Come on, Mo.
Yeah!

You got moves.
You go, boy, yeah!

All:
Go Mo. Go Mo.

- Oh!
- Oh!

Go Mo.
Go Mo.

Oh!

- Ay yi yi yi yi...
- Whoo!

God, it feeIs good
to be back.

- HeIp me, Sarah.
- That was great.

My coccyx.
I broke my coccyx.

AII I'm asking is
if a shot is $5,

- how much for a sip?
- A sip?

Yeah, a sip.
Just a haIf a shot maybe.

Can you pIease take
that thing down?

Why? You the biggest star
to come out of this neighborhood.

Can I buy you a round?

Wow. l can't believe it.
You guys are gonna pay for something?

l'm only cheap
when it comes to me.

- How much is her drink?
- $8.

- What if she doesn't drink aII of it?
- Never mind.

CouId I pIease have some
change for the jukebox?

Thanks.

Is there something
you want to teII me?

No.

- Is there something you want to teII me?
- About?

Ozzy.

Come on, you have to admit
he's reaIIy hot.

He's a thug.

No, he hasn't been messed up
in that shit for a while.

Yeah, weII, we'II see
how long that lasts.

- What does that mean?
- Nothing.

Just seeing AIexis again
made me remember how bad things got.

( ringtone pIays )

My agent.

- They caIIed.
- And?

Roger rushed off
to his anger management cIass

- and didn't say anything.
- Is that it?

You told me to call
you if I heard anything.

Well, you know, maybe they
caIIed about something eIse.

Or maybe they just didn't want
to ruin my Christmas.

PIease. AII right Iook, girI,
I've got to jump.

- I'II hit you Iater.
- Wait.

Bye.

This ain't CaIi, girI. They ain't gonna arrest
you for smoking inside.

I had to use the phone.

- Want to go for a waIk?
- No.

l don't want
to Ieave my girI.

- Oh, reaIIy?
- ReaIIy.

Maybe we shouId give
'em some space.

Come on, Iet's go.

- Come on.
- I don't know.

Cabby!

Jesse:
SomepIace a IittIe more quiet.

Come on, I just want
to taIk to you.

HoIa, mi amor.

Hey.

- Jesse.
- Hey.

Can I buy
you guys a drink?

- I'm cooI.
- No.

Ozzy: So why did it take you
three years to come back?

God, l've just been
crazy busy, you know?

lf it's not one thing,
it's something eIse.

Shit, who am I kidding?

I'm sure
you've heard everything.

You'II catch a break.
You just--

you just got
to hang in there.

Caught a break.

What if I'm waiting
on something that never happens?

How much more time
shouId I waste?

A year?
Two? 10?

Stuck in the same pIace whiIe everybody
eIse's Iife is moving forward.

So what are you gonna do?
Move back?

Yeah, maybe.
I don't know.

That wouIdn't be
the worst thing, right?

I never thought I'd hear
that coming from you.

I'm 29 years oId

and I'm sick and tired of someone eIse
deciding my fate

when I'm just as good
if not better

than most of the actresses
out there.

- They don't know me.
- You are good.

Like that time that you pIayed
that homeIess chick in "One Way Ticket."

- You saw that?
- Are you kidding?

You killed it.
You're Iike the Puerto Rican MeryI Streep.

Yeah, right.

Your parents made us watch
the DVD Iike five times.

- Of course they did.
- Yeah.

Look, don't teII
anybody what I said.

AII right?
I'm aII over the pIace right now.

I'II think about it.

You'II think about it?

- Don't make me kick your ass.
- You got to catch me.

- Kick my ass.
- Don't make--

- Kick my ass. What?
- l will kick your ass.

Why are you running?
Why are you running?

We didn't use protection.

Nope. You said you wanted
to make a baby.

I was compIeteIy Ioaded.

In vino veritas.

Oh, reaIIy?
Oh, reaIIy?

And I probabIy toId the bartender
he Iooked Iike George CIooney.

Mm-hmm.
Among other things.

What's the date?
What's the date?

What is the date?

It's Christmas Eve,
December 24th.

Okay, that pubIic Iibrary
event, l had my period.

- What are you doing?
- That's 19 days.

Okay, I'm okay.
We're okay.

I think we're okay.
I hope we're okay.

Mauricio, how couId you take
advantage of me like that?

l didn't take
advantage of you.

- You took advantage of me.
- Oh!

You don't want to make
a baby anymore?

Oh, weII, I just think
it's something

that we shouId be discussing
while l'm sober.

Okay, aII right, aII right.
You're sober now.

Let's discuss this.

Do you or don't you want
to make a baby with me?

I don't--
I don't want to taIk about this.

I feeI Iike shit.

Oh my God.

The coIors in this room
are inducing a migraine.

Does that mean we're not
gonna try again?

Oh, eat me.

Don't even
think about it.

- ( Latin music pIaying )
- ( people celebrating )

Woman:
Merry Christmas, everyone.

Oh, you got moves.

No bad.
Now you spin.

Coquito, Iadies?

Ozzy.

Ozzy, gracia, amigo.

Thank you, Edy.

- UIi, UIi. feIiz Navidad.
- Thank you.

- Tina.
- ( phone rings )

HeIIo? Excuse me.
l'll be right back.

- Come on, baby.
- No.

- Coquito?
- Oh no.

- You think I don't know?
- Know what?

That every year your father gets me drunk
at the Christmas party

so l don't notice
how Iight my enveIope is.

- Come on.
- Huh-uh, not gonna have any of that stuff

until l see the size
of my Christmas bonus.

AII right.
Okay.

Not gonna trick me again.

Dad.

The rest of the checks.

- Yeah, I got it.
- All right.

Go. You go.

Go hang out with
Johnny or something.

Don't feeI Iike you've got
to stick around here.

Dad, look, l know you're not
happy about me going back.

Of course I'm not.

Jesse, I'm your father.
I want you safe.

I want you here.

I'm sorry.

How can l make
you understand?

You can't.
Just Iike I can't make you stay.

There's a point when aII a father can do
is just get out of the way.

Thanks, Dad.

I'd better give
Tina her check.

Otherwise she's gonna
start the revoIution.

Any word?

No, I'm just texting
my girI.

What are you teIIing her?

How much you had Iast night
in the fine city of Chicago?

No, l'm telling her how
freaking freezing it is here.

CaIi had made you
all soft, girl.

You move back here,
you'II be wearing hot pants in this weather.

Yeah, weII, hopefuIIy
l'll get this show.

Yeah, I hope so.

Hey, I had a reaIIy
good time Iast night.

- Great time Iast night.
- Me too.

ReaIIy good time.

But I just don't want you
to get the wrong impression.

Nah, come on.
You're Iike a sister to me.

Yeah, that's what I toId
Jesse this morning.

That you're Iike a brother
and it's just weird.

Don't even worry about it.

- I'm gonna grab a drink.
- Okay.

I'II see you Iater?

Okay.

( singing in Spanish )

( Sarah singing in Spanish )

( Iaughs )
Mira eso.

Sarah, you've been practicing
for the parranda.

I'm trying. I didn't exactIy grow up
singing Christmas carols.

No, you're doing great.

l can't tell you
what this means to me.

l look forward to
the parranda aII year.

You must be
Iooking for this.

Thank you.

Listen, thank you
for keeping my secret.

Look, Edyberto,

I reaIIy appreciate
your trust in me.

Who eIse can I trust? You're the onIy one
who's not Puerto Rican in this house.

But l really think
you need to teII them.

I'II teII them soon enough.

Life is short, Sarah.

I don't want anything to get in the way
of them having a good time.

- You understand?
- Pop, where are the mitten warmers?

Yeah, coming.

No no no no no.

- Keep practicing.
- Mm-hmm.

( both singing in Spanish )

- ( doorbell ringing )
- Anna: Guys, come on. Hurry up.

Vamos pa' Ia parranda.

Here we go.
Here we go.

Anna, Roxanna,
vámonos.

( aII taIking )

- There they go.
- * The first noeI... *

- Merry Christmas.
- * The angeIs did say *

* Was to certain
poor shepherds *

* In fieIds
where they Iay *

¤ ¤ NoeI, noeI... ¤
¤ La parranda!

¤ NoeI, noeI ¤

¤ Born is the king ¤

¤ Of IsraeI. ¤

¤ cheers ¤

¤ Come aII ye ¤aithfuI ¤

¤ ¤oyfuI and triumphant ¤

¤ O come ye ¤

¤ To BethIehem ¤

¤ Come and behoId him ¤

¤ Born the king
of angeIs ¤

¤ O come Iet us
adore him ¤

¤ O come
Iet us adore him... ¤

O¤¤, come on.

Come on.

They're over here.
Gi¤e me the bab¤.

¤ Come on.
¤ They're right there.

¤ O come
aII ye ¤aithfuI ¤

¤ ¤oyfuI and triumphant ¤

¤ O come
aII ye ¤aithfuI ¤

¤ ¤oyfuI and triumphant ¤

¤ O come aII ye ¤aithfuI ¤

¤ ¤oyfuI and triumphant... ¤

¤ chu¤h beII toIIing ¤

¤ ¤oyfuI and triumphant. ¤

¤ cheering ¤

¤ Latin music pIaying ¤

¤ Have you seen your brothe¤
¤ Yeah, he's over there.

¤h¤ aren't
you ¤o dancing?

And compete with them?

E¤cuse me.

Where did you get these earrings?
I ¤nt to get a pair for GIadys.

¤ The¤'¤¤ beauti¤ul.
¤ Okay, you know the¤¤

What's going on?

¤e're going
to midnight mass.

He¤¤ Ed¤.
I see you've met my new novio.

Tony.

A pIeasure.

¤ You coming to church?
¤ PIease.

He hasn't been to midnight
mass in over ¤¤ years.

¤ I'd Iove to come.
¤ Great.

V¤monos.

Ro¤anna.
Ro¤anna.

¤ Bye, Ma.
¤ B¤e.

Yo, say thanks, baby.

Come on, Ro¤.
What you got, baby?

So ¤ou still got
some moves, huh?

Depends on who
my pa¤ner is.

¤ chuckIes ¤

l'm sure ¤ou sa¤ that to
aII the boys on the base.

¤ Stay a¤y from my girI.
¤ ¤e were ¤ust dancing.

Go get O¤¤.
Go get O¤¤.

Hey hey hey!

¤ You seen O¤¤?
¤ No, Mama, I ain't seen him.

Oh shit!

Ma.

You got to pick up
the pace, Ma.

I'm t¤ing.
You got to be patient.

I can't ¤it for the sopadito
you're gonna cook for me upstairs.

¤e can have a pa¤, you and me.
A¤er aII, it's Christmas.

You shouId appIy
at the post o¤ice.

They hire e¤tra peopIe
at the holida¤s.

No¤ l ¤ill.
I'II do that on Monday. Okay, Mom?

I hope so.

Oh, mer¤ Christmas.

Hey, Ma, you go
inside¤ oka¤?

Sta¤ that sopadito.
I got to taIk to my boy here.

You sure?
You want to come in now?

No no, he's busy.
He's a bus¤ gu¤.

¤ speaking Spanish ¤

Can't Iet you kiII me
in front of my mom, man.

So you know why I'm here?

I guess it's payback time.

I'm ready, man.

I had ¤¤ years
to be ready.

Let's go.

He was Iike a ¤ather
and mother to me.

It was either him or me, man.
It couId have gone either way.

He was aII I had.

I got nothing.

I got nothing!

Do what you got
to do¤ b¤other.

¤ phone ringing ¤

Come on.

¤ That you caIIing?
¤ Yeah, what the heII?

¤ You okay?
¤ Yeah.

¤ spIashes ¤

¤ You must be coId.
¤ l'm ¤ine.

¤ radio pIaying ¤

¤ turns radio o¤ ¤

How couId you do it?

Anna, you're the onIy woman
I've ever Ioved.

And Su¤ Lee?
You think I don't know her name?

There'II be pIen¤ of time to discuss this
a¤er the hoIidays.

I ¤ust want us
to en¤oy the kids.

En¤oy Christmas.

A¤er the kids are gone,

you and I have nothing
Ie¤ to say to each other.

¤ door opens ¤

¤esse¤
You can't focus.

Mauricio¤
l got this.

¤ A li¤le o¤ this.
¤ You're gonna get caught.

You'd better be carefuI.
Oh oh¤ oh¤oh.

What's going on?
Heard you got into a fight with ¤ernando.

¤ Yeah yeah yeah.
¤ ¤ess up.

¤eII, when you Iove a woman you've got
to do an¤thing ¤or her¤ right?

I guess so.

Mauricio kno¤ what
I'm taIking about.

Never Iose
that feeIing, mi¤o.

You know how I got this?

Let me take a wiId guess.

Yeah, why don't you ¤ust
take a stab in the dark?

WrestIing ManueI Santos
on the pier at Ponce.

¤ He ¤s the feathe¤eight...
¤ ...champion o¤ the ¤orld.

You Iaugh, you Iaugh.
The point is I never Iet him steaI my girI.

¤ Never Iet him steaI my girI.
¤ l'm p¤oud o¤ ¤ou.

No¤ l can't e¤en
take down a goddamn tree

to give your mother a view.

¤e shouId ¤ust go out
there ourseIves and take that tree down.

Let's go take
that tree down now.

Great idea.
Let's do it, Pop.

I've got some chains
in the basement.

Wrap them a¤und,
tie them up to the car.

¤ Come on.
¤ Come on, get up.

¤ whistIes ¤

You good?
AII right, Pop.

¤ ¤e're all good.
¤ Let me know when it's tight.

¤ Oka¤.
¤ PedaI to the metaI. Come on.

Go go go go.

Go go go go.
Hey hey hey!

Whoa whoa whoa whoa.
Stop stop.

What are you doing?

¤ What the heII are you doing?
¤ ¤hat?

¤ Sure you don't ¤nt me to drive?
¤ No¤ l got it.

I can't ¤it to see your mothe¤s ¤ace
in the morning when she sees this.

¤ Mom's gonna freak.
¤ ¤ laughing ¤

¤ tires s¤ueaIing ¤

¤esse¤
¤eep going. Go go go.

¤ That's it, that's it.
¤ Come on¤ Pop.

¤ ¤eep going.
¤ A IittIe more.

¤ You got nothing, man.
¤ Come on¤ Dad.

You're Iooking good.
Go!

¤ Go go go go!
¤ Go¤

¤ ¤ grun¤ ¤
¤ Dad! Dad!

You couId've been kiIIed.
What were you thinking?

You wanted a view.
I was gonna give you a view.

Sor¤, Mom, I shouIdn't
ha¤e helped him.

I heIped too. You got to take bIame
¤or e¤e¤thing as ¤ell?

Don't Iisten to them.
I wouId've done it without them.

And l still ¤ill.
You watch me.

You better make sure you
get his head checked.

This is his medicine.

They might need this.

¤ siren waiIs ¤

¤a¤
¤ speaks Spanish ¤

¤ What happened?
¤ ls Dad oka¤?

Sit down.
AII of you, pIease.

He didn't seem that
banged up, Mom, come on.

¤hat is it?
¤ust say it.

I hate when you do this.
¤ust sa¤ it.

Your ¤ather has cancer.

What?

And here I was
going to Ieave him.

God's punishing me.

¤ They caIIed his doctor in.
¤ Docto¤

So he knew?

How did he
keep this from us?

I don't know.

Me.

Hey, UncIe Edy, that tree Iooked a whoIe
lot ¤orse than ¤ou did.

But it didn't go do¤n¤
so you better not go down.

¤ Oh, hi, Su¤ Lee.
¤ Hey, Edy.

l'm Dr. Lee¤
your dad's oncoIogist.

It's nice to finaIIy
meet ¤ou all.

He's toId me so many
great things about you.

¤e ¤ust want to know
the p¤ognosis.

¤ Has he metastasi¤ed?
¤ Has he sta¤ed chemo?

l kno¤ ¤ou'¤e got a million ¤uestions
and I am more than happy to answer them.

l think ¤our dad
needs some rest.

¤h¤ don't ¤e meet
down in the cafeteria in about ¤¤ minutes?

I'm Anna,
his wife.

O¤ course¤ Anna.
It's good to meet you.

¤ ¤e'II taIk in a few minutes.
¤ Oka¤.

Ro¤anna¤
She seems nice.

She's a gynecoIogist?

¤ ¤ohnny.
¤ I'm ¤ust kidding. Come on.

Give me a few momen¤
with your mother.

Yeah.

Hey, Iet's go.

Papi!

¤, mi¤o.

It's okay.
It's okay.

It's okay.
Go on.

Mi amor.

Est¤pido.

Why didn't you teII me?

I wanted us to en¤oy
the time ¤e ha¤e.

¤ g¤ans ¤

How do you think
it's en¤o¤able

for me to think
you're with another woman?

I'm sor¤.

But when you sta¤ed going
on about the divo¤¤e,

I thought, maybe this
is a good thing.

Maybe this way
she'll kno¤

that she can be happy
¤hen l'm not a¤und.

You siIIy man.

What am I going
to do ¤ith ¤ou?

How couId you not teII me, Sarah?
You didn't teII me.

When are you going to trust
in the ¤act that l lo¤e ¤ou?

Your dad Ioves you,
¤auricio.

¤ust because I Iove my ¤ob
doesn't mean I Iove you Iess.

You'll see that ¤hen
w¤ have kids of our own.

Don't wor¤ about
the kid thing.

I'm getting used to the idea
o¤ not ha¤ing kids an¤¤a¤.

I want to sta¤ t¤ing
right a¤a¤.

Life is sho¤, right?

¤ Yeah.
¤ Let's ¤ust do it.

¤o¤¤ ¤hen are ¤ou
gonna turn the ¤ob down?

I'm stiII gonna
take the ¤ob.

¤ Wow, not even a dent.
¤ Yeah.

To make the perniI taste great
you've got to puncture it Iike this.

And then ¤ou put
the garIic cIoves in it.

Okay, now the pasteIes,
you need to¤¤

¤e got it¤ ¤ami.
Now go back to the hospitaI.

¤ Please.
¤ ¤ ringtone chiming ¤

¤ Is that your agent?
¤ Yeah.

¤¤ Diosito.
Let it be good ne¤s.

¤ ¤e need good ne¤s today.
¤ Amen.

Hey, Sarah.

Um, I'II reaIIy gIad
you're here.

Hey.

How you hoIding up?

God¤ i¤ l see an¤ mo¤¤
sofrito, I think I'II scream.

l don't kno¤
how my mom does it.

I heard you didn't
get the pa¤.

No¤ l got the pa¤.
I ¤ust didn't take it.

What?

It was for the seventh
Iead on a TV show

that'II probabIy be o¤
the air a¤er three episodes any¤y.

It wasn't aII that.

Yeah, it was.

I can't say
I'm mad at you.

¤ You better not be.
¤ I'm not.

¤eII weII weII.

¤ What do we got here?
¤ Get a li¤e¤ ¤esse.

¤ Shut up, man.
¤ Oh ¤eah.

¤ doorbeII rings ¤

¤ Hey.
¤ Hey.

¤ernando here?

He's at his cousin's house.

He's gonna be by soon

and ¤ou kno¤ he's not gonna
be happy if he finds you here.

My mom ¤ust wanted me to
bring this b¤ ¤or Hector.

You reaIIy didn't
have to do that.

¤ Ooh, a truck.
¤ Oh, yeah.

¤ Thank ¤ou.
¤ You're weIcome.

I know things got messed
up ¤ith the ¤ight¤

but I was hoping you'd stiII
come by the house.

¤ ¤e're going to ¤ernando's parent's pIace.
¤ Oh.

I'm Iooking at you

and I reaIi¤e the one thing
I haven't said is...

I'm sor¤.

I'm sor¤, Marissa.

Look, ¤esse,

it's Iike when we¤¤

when we ¤aII in Iove,

we take a chance
that we might get hu¤.

But ¤e choose
to do it anyway.

And it's ¤ust Iike
with you and Lenny.

When he switched
watch with you,

he knew that he
was taking a risk.

Then he took your pIace

and you're stiII here.

He ga¤e ¤ou
a second chance.

¤ phone ringing ¤

Why wouId you want
to th¤o¤ that a¤a¤?

HeIIo?
He¤.

Can you pick up
some miIk?

Than¤.

Yeah.

I'm gIad you found somebody
to make you happy.

l ¤ust ¤ish
it couId've been me.

You shouId p¤babIy go.

Yeah.

Goodbye, Marissa.

Goodbye.

Uh...

heIIo.

Mrs. Brew¤¤

Hi, it's ¤esse.

I'm Lenny's friend.

¤auricio¤ You like these?
Mom, how'd you know my si¤e?

Anna¤
It's reaI comfo¤abIe too.

l used to be small.
Now it's e¤tra Ia¤e.

What is this?

Oh, Iooks big.
Loo¤ big.

¤ Oooh.
¤ Oh.

A christening gown.

¤auricio told me
about your pIans.

Yeah, um¤¤

we've never reaIIy taIked
about baptism.

No we didn't.
No we didn't.

But we're not gonna
bar mi¤ah the kid.

Come on, who ever heard
o¤ a Pue¤o Rican ¤e¤?

¤ GeraIdo Rivera.
¤ ¤uan Epstein.

That's a teIevision character.
Stay out of it, thank you.

Actuall¤¤ in San ¤uan
there are a Iot of Pue¤o Rican ¤e¤.

¤ Oh, Ma.
¤ ¤ car horn pIaying tune ¤

That's ¤ohnny.

That necklace that Ed¤
gave you is so beautifuI.

¤ That's not aII she's getting.
¤ Ro¤nna¤ Dad¤

I meant the tree.
You said you wanted a view.

l'm gonna call those gu¤s
back a¤er the hoIidays and take it down.

Huh¤uh.
lt's old¤

it's ugIy,
but it's my tree.

And I Iove it.

Who needs a view any¤y?

Whatever you wish.

UncIe Edy,
UncIe Edy.

Oh, Iook what feII
o¤ the truck.

¤e got a brand new and imp¤ved
situation going on here for you.

There it is,
brand new and imp¤ved.

¤ That's so sweet.
¤ Yeah.

¤ Yeah!
¤ Ma, what is this?

That's for your dad.
Put it a¤a¤.

¤ SmeII 'em.
¤ No!

Did you regi¤?
You ¤¤gi¤ed.

Anna¤
Thank you so much, ¤ohnny.

¤ ¤ Latin music pIaying ¤
¤ ¤ cheering ¤

Come on.
Come on, dance with me.

When it's coId you've got
to ¤iggIe the key a coupIe of times.

'Cause sometimes
the Iock stic¤.

I got it, Pop.
l got it.

¤ I know you do.
¤ ¤ Iock cIicks ¤

¤ Iaughs ¤

¤ hip¤hop music pIaying ¤

¤ lt's another one
of them bangers ¤

¤ This one's dedicated
to the ¤amiIy ¤

¤ ¤e Iove you ¤

¤ Yeah, oh yeah ¤

¤ Oh yeah, oh yeah,
oh yeah ¤

¤ Yeah, oh yeah ¤

¤ Oh yeah, oh yeah,
oh yeah ¤

¤ Mi ¤amiIia ¤

¤ ¤e stick together
when times are caIIing ¤

¤ Es una pandiIIa ¤

¤ Where the onIy weapons
a¤¤ ¤eapons ¤or lo¤ing ¤

¤ Mi ¤amiIia ¤

¤ ¤e come together
when the game gets tough ¤

¤ Come on,
come on, that's enough ¤

¤ There ain't no ¤a¤
you can mess with us ¤

¤ And God kno¤
I ain't pe¤ect ¤

¤ But when it comes down to
my ¤am, I know it's wo¤h it ¤

¤ They'II say he did it
on purpose ¤

¤ Became something though you
thought l ¤as ¤o¤hless ¤

¤ ¤esus Christ,
he's so nice ¤

¤ BIame it on the beans and rice,
weeds and pipes ¤

¤ Should ha¤e been
depo¤ed ¤ice whether w¤ng or right ¤

¤ The iIIest reaIest Spanish rap
you ever heard in your Iife ¤

¤ It's mi ¤amiIia regaeton
¤ith a li¤e band ¤

¤ Born in America, why we don't
¤eel like it's our land ¤

¤ At times, man,
I sit back and wonder ¤

¤ Is the beIIy of the beast
gonna take us unde¤ ¤

¤ Th¤ough the lightening
and thunder Iiving Ia vida Ioca ¤

¤ Oops¤ sor¤¤ meant loco¤
I bet you stiII get the point though ¤

¤ ¤e ¤ent cuckoo ¤or cocoa¤
aII we wanted was more dough ¤

¤ ¤e Ia ¤amiIia for Iife
beyond today and tomor¤w ¤

¤ Mi ¤amiIia ¤

¤ ¤e stick together
when times are caIIing ¤

¤ Es una pandiIIa ¤

¤ Where the onIy weapons
a¤¤ ¤eapons ¤or lo¤ing ¤

¤ Mi ¤amiIia ¤

¤ ¤e come together
when the game gets tough ¤

¤ Come on,
come on, that's enough ¤

¤ There ain't no ¤a¤
you can mess with us ¤

¤ Mi ¤amiIia II¤mame
cuando me nesecita ¤

¤ No impo¤a la hora
o eI d¤a yo te hago cita ¤

¤ Mi m¤or amiga,
mi me¤or amigo ¤

¤ Mi he¤ano, mi he¤ana,
mi primo, prima, t¤a y t¤o ¤

¤ Mi padre, mi madre,
de Io vi¤o cons¤o vivo ¤

¤ Cueti¤n de ¤¤gaet¤n
si no es ¤amiIia no con¤o ¤

¤ Santo Domingo,
a Pue¤o Rico ¤

¤ Sabe Io ¤ue hay cuando
¤engo con mi corillo ¤

¤ Lo me¤icano
y coIumbiano ¤

¤ Somos todos iguales
preg¤ntaIe a Ios cubano ¤

¤ Ecuadoriano o vene¤oIano ¤

¤ Guantemanteco haIce Ia mano
son mis panos ¤

¤ Lo paname¤o,
sal¤edure¤o ¤

¤ ChiIe, Per¤,
y tambi¤n Ios hondure¤os ¤

¤ Desde Nicaragua
y Costa Rica ¤

¤ Espa¤a ¤ A¤gentina
¤ue Dios me Ia bendiga ¤

¤ Mi ¤amiIia ¤

¤ ¤e stick together
when times are caIIing ¤

¤ Es una pandiIIa ¤

¤ Where the onIy weapons
a¤¤ ¤eapons ¤or lo¤ing ¤

¤ Mi ¤amiIia ¤

¤ ¤e come together
when the game gets tough ¤

¤ Come on,
come on, that's enough ¤

¤ There ain't no ¤a¤
you can mess with us ¤

¤ Yeah, oh yeah ¤

¤ Oh yeah, oh yeah,
oh yeah ¤

¤ Yeah, oh yeah ¤

¤ Oh yeah, oh yeah,
oh yeah ¤

¤ Yeah, oh yeah ¤

¤ Oh yeah, oh yeah,
oh yeah ¤

¤ Yeah, oh yeah ¤

* Ain't no way
you can mess with us. *