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These are the user uploaded subtitles that are being translated: 1 00:00:33,383 --> 00:00:35,885 WHAT YOU DOING OVER THERE? 2 00:00:35,885 --> 00:00:37,887 GOT TO GO. 3 00:00:38,888 --> 00:00:40,890 HOW COME? 4 00:00:41,391 --> 00:00:42,392 A JOB. 5 00:00:46,396 --> 00:00:47,897 FUNNY HOURS. 6 00:00:48,898 --> 00:00:51,401 FUNNY JOB. 7 00:00:51,401 --> 00:00:53,403 WILL I SEE YOU AGAIN? 8 00:00:53,903 --> 00:00:55,405 NO. 9 00:00:57,407 --> 00:01:00,410 YOU WEREN'T WEARING THAT EARLIER, WERE YOU? 10 00:01:01,411 --> 00:01:02,912 I BROUGHT IT. 11 00:01:02,912 --> 00:01:04,414 THANK GOD. 12 00:01:04,414 --> 00:01:07,917 YOU LOOK LIKE A CREEP. 13 00:01:10,420 --> 00:01:11,421 HEY! 14 00:01:14,924 --> 00:01:16,926 YOU GOT GREAT HANDS. 15 00:03:14,427 --> 00:03:16,429 HOW AM I DOING, TOMMY? 16 00:03:16,429 --> 00:03:18,431 TWO MINUTES, JACK. 17 00:03:26,189 --> 00:03:28,191 YOU'RE GIVING ME AN ULCER, JACK. 18 00:03:28,691 --> 00:03:29,692 I'M EARLY. 19 00:03:30,693 --> 00:03:33,696 45 SECONDS DOESN'T QUALIFY AS EARLY, JACK. 20 00:03:33,696 --> 00:03:36,699 JESUS, WHO'S DOING YOUR TUX THESE DAYS? 21 00:03:36,699 --> 00:03:38,201 GO TO CHINA BOY. 22 00:03:38,201 --> 00:03:41,704 YOU LOOK LIKE YOU JUST CRAWLED OUT OF BED. 23 00:03:41,704 --> 00:03:45,208 "BE THE ENVY OF ALL YOUR FRIENDS 24 00:03:45,208 --> 00:03:46,709 WITH MIRACLE HAIR." 25 00:03:46,709 --> 00:03:48,211 THIS IS PAINT, FRANK. 26 00:03:48,211 --> 00:03:49,712 IT'S A MAGICAL SHEATH 27 00:03:49,712 --> 00:03:52,715 WHICH SIMULATES A DAZZLING HEAD OF HAIR. 28 00:03:52,715 --> 00:03:55,218 FRANK, THIS IS PAINT. 29 00:03:55,218 --> 00:03:58,221 JUST HELP ME PUT IT ON, OK? 30 00:03:58,221 --> 00:04:01,224 YOU'RE SUPPOSED TO SPRAY IN A CIRCULAR MOTION. 31 00:04:13,353 --> 00:04:16,856 [APPLAUSE] 32 00:04:17,357 --> 00:04:19,359 THANK YOU, THANK YOU. GOOD EVENING, 33 00:04:19,859 --> 00:04:21,861 AND WELCOME TO THE STARFIRE LOUNGE. 34 00:04:22,362 --> 00:04:23,863 MY NAME IS FRANK BAKER. 35 00:04:24,364 --> 00:04:27,867 88 KEYS ACROSS FROM ME IS MY LITTLE BROTHER JACK. 36 00:04:27,867 --> 00:04:29,869 WE'VE BEEN PLAYING TOGETHER FOR-- 37 00:04:29,869 --> 00:04:31,504 GOSH, HOW LONG, JACK? 38 00:04:31,504 --> 00:04:33,506 31 YEARS. 39 00:04:33,506 --> 00:04:36,009 LOT OF WATER UNDER THE BRIDGE, HUH, JACK? 40 00:04:36,376 --> 00:04:38,878 A LOT OF WATER. 41 00:04:38,878 --> 00:04:40,380 THINGS WERE DIFFERENT THEN. 42 00:04:40,380 --> 00:04:42,882 I WAS 11, JACK WAS 7. 43 00:04:42,882 --> 00:04:45,385 OUR ONLY LISTENER WAS THE FAMILY CAT CECIL. 44 00:04:47,387 --> 00:04:50,890 WE MUST HAVE SHAVED THREE LIVES OFF THAT CAT. 45 00:04:52,892 --> 00:04:54,394 SERIOUSLY, IT'S BEEN 15 YEARS 46 00:04:54,894 --> 00:04:58,398 SINCE JACK AND I STEPPED ON THE STAGE AS PROFESSIONALS. 47 00:04:58,898 --> 00:04:59,899 EVEN THOUGH WE'VE PLAYED 48 00:05:00,400 --> 00:05:02,902 SOME OF THE FINEST VENUES IN THE WORLD, 49 00:05:02,902 --> 00:05:05,405 THERE'S ONE PLACE THAT'S ALWAYS BEEN FOR US 50 00:05:05,405 --> 00:05:06,906 A VERY SPECIAL PLACE. 51 00:05:06,906 --> 00:05:10,410 AND THAT PLACE IS THIS PLACE, 52 00:05:10,410 --> 00:05:11,911 THE STARFIRE LOUNGE. 53 00:05:11,911 --> 00:05:13,413 WHY? 54 00:05:14,414 --> 00:05:17,417 I GUESS YOU COULD JUST SAY IT'S THE... 55 00:05:17,417 --> 00:05:19,419 PEOPLE. 56 00:05:19,419 --> 00:05:22,422 [PLAYSPEOPLE] 57 00:05:43,076 --> 00:05:45,078 TERRIFIC, BOYS. REALLY TERRIFIC. 58 00:05:45,578 --> 00:05:48,081 YES, SIR, YOU'RE JUST WHAT WE NEEDED 59 00:05:48,581 --> 00:05:50,583 ON A NIGHT LIKE THIS. 60 00:05:50,700 --> 00:05:52,201 THANKS, LLOYD. 61 00:05:52,702 --> 00:05:54,704 ONLY, JACK, DO ME A FAVOR. 62 00:05:54,704 --> 00:05:57,707 IF YOU WANT TO SMOKE ON STAGE, WEAR SUNGLASSES 63 00:05:57,707 --> 00:06:00,710 AND PLAY WITH THE NIGGERS ON STATE STREET. 64 00:06:02,595 --> 00:06:06,099 HERE. THAT OUGHT TO BUY YOU A FEW MORE LESSONS. 65 00:06:06,599 --> 00:06:09,602 DON'T KNOW WHEN YOU'D BE WANTING US BACK? 66 00:06:09,852 --> 00:06:11,354 I'LL CALL YOU. 67 00:06:11,471 --> 00:06:12,972 THE WAY OUR SCHEDULE IS, 68 00:06:13,473 --> 00:06:16,976 I THOUGHT IT MIGHT BE A GOOD IDEA TO, UH... 69 00:06:17,477 --> 00:06:19,228 I'LL CALL YOU. 70 00:06:21,230 --> 00:06:22,231 COUNT IT. 71 00:06:22,231 --> 00:06:23,232 HUH? 72 00:06:23,232 --> 00:06:24,233 COUNT IT. 73 00:06:24,233 --> 00:06:25,234 JACK. 74 00:06:25,234 --> 00:06:27,870 COUNT THE FUCKING MONEY, FRANK. 75 00:06:28,871 --> 00:06:30,373 IT'S ALL HERE. 76 00:06:33,242 --> 00:06:35,745 I'LL BE TALKING TO YOU, LLOYD. 77 00:06:36,996 --> 00:06:38,748 VERY NICE, JACK, VERY NICE. 78 00:06:38,748 --> 00:06:40,249 FUCK HIM. 79 00:06:40,249 --> 00:06:44,253 THIS ISN'T THE PINE TREE INN ON ROUTE 81, JACK. 80 00:06:44,253 --> 00:06:45,254 FUCK HIM. 81 00:06:45,254 --> 00:06:47,256 OH, GREAT. TERRIFIC. FUCK HIM. 82 00:06:48,257 --> 00:06:51,260 SO ARE WE ON FOR TOMORROW NIGHT? 83 00:06:51,260 --> 00:06:53,262 MAYBE THURSDAY. 84 00:06:53,262 --> 00:06:56,766 I HEAR THE HARPIST AT THE SHERATON'S GOT APPENDICITIS. 85 00:07:01,771 --> 00:07:03,272 HEY... 86 00:07:04,774 --> 00:07:06,275 DON'T FORGET YOUR HAIR. 87 00:07:10,113 --> 00:07:13,366 [PLAYSJINGLE BELLS] 88 00:07:22,375 --> 00:07:23,876 I THINK I'M READY 89 00:07:23,876 --> 00:07:26,879 FOR "OH, WHAT FUN IT IS TO RIDE." 90 00:07:26,879 --> 00:07:29,882 YOUR MOM GOT A NEW FRIEND? 91 00:07:29,882 --> 00:07:30,883 MM-HMM. 92 00:07:33,636 --> 00:07:36,139 SOUNDS BIG. WHAT'S HE DO? 93 00:07:36,139 --> 00:07:38,141 KIND OF LIKE A LAWYER, 94 00:07:38,141 --> 00:07:40,643 BUT THE HOURS ARE MORE REGULAR. 95 00:07:40,643 --> 00:07:44,147 ONE AFTERNOON HE CAME TO TAKE THE TV AWAY. 96 00:07:44,147 --> 00:07:46,649 ENDED UP STAYING FOR DINNER. 97 00:07:46,649 --> 00:07:49,152 WHAT HAPPENED TO THE DOUGHNUT KING? 98 00:07:49,652 --> 00:07:51,654 MARRIED. 99 00:07:52,155 --> 00:07:53,156 [DOOR SLAMS] 100 00:07:54,157 --> 00:07:57,660 NO BREAKFAST. MAYBE THEY HAD A FIGHT. 101 00:07:57,660 --> 00:07:59,662 NINA! 102 00:07:59,662 --> 00:08:01,664 GOT TO GO. TEACH ME LATER? 103 00:08:04,167 --> 00:08:05,168 NINA! 104 00:08:05,168 --> 00:08:07,170 I'M COMING. 105 00:08:07,170 --> 00:08:09,172 ARE YOU BOTHERING MR. BAKER AGAIN? 106 00:08:09,172 --> 00:08:11,424 NO, MOM. 107 00:08:12,925 --> 00:08:15,428 HEY. GET UP. 108 00:08:17,680 --> 00:08:20,683 [PLAYS THE GIRL FROM IPANEMA] 109 00:08:34,580 --> 00:08:37,083 [BLENDER RUNS] 110 00:08:56,602 --> 00:08:58,104 THANK YOU.MAHALO. 111 00:08:58,104 --> 00:09:00,606 THAT CONCLUDES OUR SHOW THIS EVENING. 112 00:09:00,606 --> 00:09:03,109 HOPE YOU ENJOYED YOURSELVES AS MUCH AS WE DID. 113 00:09:03,109 --> 00:09:05,111 AND, UH... 114 00:09:07,113 --> 00:09:10,116 [SPEAKING HAWAIIAN] 115 00:09:10,116 --> 00:09:12,118 WHICH MEANS "PADDLE HOME SAFELY." 116 00:09:18,407 --> 00:09:20,910 YOU WANTED TO SEE ME, CHARLIE? 117 00:09:20,910 --> 00:09:23,412 FRANKIE! YEAH, YEAH. COME ON IN. 118 00:09:25,548 --> 00:09:27,049 A LITTLE SLOW TONIGHT. 119 00:09:27,049 --> 00:09:29,552 MONDAYS. HOW'S JACK? 120 00:09:29,552 --> 00:09:30,553 OK. 121 00:09:30,553 --> 00:09:33,556 THE REASON I WANTED TO SEE YOU ALONE IS-- 122 00:09:33,556 --> 00:09:35,558 THE KITCHEN HELP, THE MAIDS, 123 00:09:35,558 --> 00:09:37,059 THEY ALL LOVE HIM. 124 00:09:37,059 --> 00:09:38,561 HE MAKES ME NERVOUS. 125 00:09:38,561 --> 00:09:40,563 SOMETIMES HE MAKES ME NERVOUS. 126 00:09:41,564 --> 00:09:43,065 YEAH. WELL, ANYWAY. 127 00:09:45,568 --> 00:09:46,569 WHAT'S THIS? 128 00:09:47,069 --> 00:09:48,070 YOUR PAY. 129 00:09:50,573 --> 00:09:52,074 WHAT ABOUT TOMORROW? 130 00:09:52,074 --> 00:09:54,076 IT'S ALL THERE. BOTH NIGHTS. 131 00:09:54,443 --> 00:09:55,945 WHAT ARE YOU SAYING, CHARLIE? 132 00:09:55,945 --> 00:09:58,447 FRANK, YOU AND JACK, 133 00:09:58,447 --> 00:10:01,450 YOU'VE BEEN WORKING HERE A LONG TIME. 134 00:10:01,450 --> 00:10:02,952 12 YEARS. 135 00:10:03,452 --> 00:10:05,955 MAYBE WE NEED A VACATION FROM ONE ANOTHER. 136 00:10:05,955 --> 00:10:07,456 VACATION. COME ON, CHARLIE. 137 00:10:07,456 --> 00:10:10,459 IT'S A MONDAY NIGHT. YOU SAID SO YOURSELF. 138 00:10:10,459 --> 00:10:13,462 I GOT THE PIANOS FOR TWO NIGHTS. 139 00:10:13,462 --> 00:10:15,464 IT WASN'T HALF FULL TONIGHT. 140 00:10:15,464 --> 00:10:17,466 I GOT SIX WAITERS STANDING AROUND 141 00:10:17,967 --> 00:10:18,968 LISTENING TO BASKETBALL. 142 00:10:18,968 --> 00:10:20,469 TO MOVE THE LIQUOR, 143 00:10:20,469 --> 00:10:22,471 I GOT TO FILL THE TABLES. 144 00:10:22,471 --> 00:10:25,474 IT'S A MATTER OF ECONOMICS. 145 00:10:25,725 --> 00:10:28,227 NOW I LOVE YOU GUYS, YOU KNOW THAT. 146 00:10:28,728 --> 00:10:29,729 YOU'RE CLASS. 147 00:10:29,862 --> 00:10:31,864 PEOPLE TODAY, THEY DON'T KNOW CLASS 148 00:10:32,365 --> 00:10:36,369 IF IT WALKS UP AND GRABS THEM BY THE BALLS. 149 00:10:49,999 --> 00:10:53,002 15 YEARS, NO ONE'S PAID US OFF, FRANK. 150 00:10:53,002 --> 00:10:56,005 HE MADE THE DEAL. NO SHAME IN IT. 151 00:10:59,508 --> 00:11:01,010 WE GOT TO TALK. 152 00:11:01,010 --> 00:11:02,511 TALK. 153 00:11:03,512 --> 00:11:06,515 I THINK MAYBE WE SHOULD MAKE SOME CHANGES. 154 00:11:07,016 --> 00:11:08,017 I'VE BEEN THINKING 155 00:11:08,517 --> 00:11:11,153 MAYBE WE SHOULD TAKE ON A SINGER. 156 00:11:13,656 --> 00:11:15,157 IT'S JUST AN IDEA. 157 00:11:15,157 --> 00:11:16,659 I WANT YOUR OPINION. 158 00:11:18,661 --> 00:11:21,530 I MEAN, WE GO HALFWAY ON EVERYTHING, RIGHT? 159 00:11:21,530 --> 00:11:24,033 I WOULDN'T SAY EXACTLY HALFWAY, WOULD YOU? 160 00:11:24,033 --> 00:11:27,036 I'M ENTITLED TO EXTRA FOR THE BUSINESS WORK, 161 00:11:27,036 --> 00:11:28,537 THAT'S WHAT WE AGREED. 162 00:11:28,537 --> 00:11:29,538 THAT'S WHAT WE AGREED. 163 00:11:30,039 --> 00:11:31,540 IF YOU'RE UNHAPPY WITH THE ARRANGEMENT... 164 00:11:31,540 --> 00:11:33,542 I'M NOT UNHAPPY. 165 00:11:33,542 --> 00:11:36,045 ASSUME MORE OF THE FINANCIAL RESPONSIBILITY. 166 00:11:36,045 --> 00:11:37,546 HOW MUCH FOR THE SINGER? 167 00:11:38,047 --> 00:11:39,048 I THOUGHT MAYBE 20%. 168 00:11:39,548 --> 00:11:40,549 WITH THE ADDITIONAL BOOKINGS, 169 00:11:41,050 --> 00:11:42,051 WE'LL COME OUT AHEAD. 170 00:11:43,552 --> 00:11:44,553 WHAT? 171 00:11:47,306 --> 00:11:50,309 TWO PIANOS ISN'T ENOUGH ANYMORE, JACK. 172 00:11:50,309 --> 00:11:51,811 IT NEVER WAS. 173 00:11:54,730 --> 00:11:57,116 WE APPRECIATE YOUR PUNCTUALITY, MISS, UH... 174 00:11:57,116 --> 00:11:59,118 MORAN. MONICA MORAN. 175 00:11:59,118 --> 00:12:01,120 ALL RIGHT, MISS MORAN. 176 00:12:01,120 --> 00:12:03,622 ACTUALLY, THAT'S MY STAGE NAME. 177 00:12:03,622 --> 00:12:04,623 I'M SORRY? 178 00:12:04,623 --> 00:12:06,625 MORAN, MONICA, THE WHOLE THING. 179 00:12:06,625 --> 00:12:08,127 IT'S MY STAGE NAME. 180 00:12:08,627 --> 00:12:10,629 MY REAL NAME'S BLANCHE. 181 00:12:10,629 --> 00:12:12,631 BLANCHE? 182 00:12:12,631 --> 00:12:14,133 NO ROMANCE, RIGHT? 183 00:12:14,133 --> 00:12:16,135 THAT'S WHY I CHOSE MONICA. 184 00:12:16,135 --> 00:12:17,636 IT'S WHAT I PREFER. 185 00:12:17,636 --> 00:12:20,139 OH, WELL. THAT'S--THAT'S FINE. 186 00:12:20,256 --> 00:12:23,259 BUT IF YOU CALL ME AND MY MOTHER ANSWERS, 187 00:12:23,642 --> 00:12:25,144 ASK FOR BLANCHE, 188 00:12:25,261 --> 00:12:28,764 OR SHE'LL THINK YOU HAVE THE WRONG NUMBER AND HANG UP. 189 00:12:28,764 --> 00:12:29,765 UH-HUH. 190 00:12:30,266 --> 00:12:31,767 UH...WELL, MISS MORAN, 191 00:12:31,767 --> 00:12:35,654 WHAT IS IT YOU'D LIKE TO DO FOR US? 192 00:12:36,655 --> 00:12:38,157 THE CANDY MAN. 193 00:12:38,157 --> 00:12:40,159 IS THAT ALL RIGHT? 194 00:12:40,159 --> 00:12:41,660 THAT'S ONE OF JACK'S FAVORITES. 195 00:12:42,161 --> 00:12:43,162 AH! 196 00:12:43,662 --> 00:12:46,415 I ALMOST FORGOT YOU WERE THERE. 197 00:12:46,415 --> 00:12:49,418 UM, HERE'S THE INSTRUCTIONS. 198 00:12:49,919 --> 00:12:52,171 UH... HE KNOWS IT. 199 00:12:52,171 --> 00:12:53,539 REALLY? 200 00:12:53,539 --> 00:12:56,041 ISN'T THAT A COINCIDENCE? 201 00:12:57,042 --> 00:12:58,043 SMALL WORLD. 202 00:13:01,180 --> 00:13:02,681 WELL, SHALL WE? 203 00:13:16,312 --> 00:13:19,815 ♪♪ WHO CAN TAKE A SUNRISE ♪♪ 204 00:13:19,815 --> 00:13:23,319 ♪♪ SPRINKLE IT WITH DEW ♪♪ 205 00:13:23,319 --> 00:13:26,956 ♪♪ COVER IT IN CHOCOLATE AND A MIRACLE OR TWO ♪♪ 206 00:13:26,956 --> 00:13:30,960 ♪♪ THE CANDY MAN CAN ♪♪ 207 00:13:30,960 --> 00:13:34,964 ♪♪ THE CANDY MAN CAN ♪♪ 208 00:13:34,964 --> 00:13:36,465 ♪♪ THE CANDY MAN CAN 'CAUSE HE... ♪♪ 209 00:13:36,966 --> 00:13:37,967 THANK YOU. THAT'S ENOUGH. 210 00:13:38,467 --> 00:13:39,969 ♪♪ ...MAKES THE WORLD TASTE GOOD ♪♪ 211 00:13:39,969 --> 00:13:40,970 MISS MORAN. 212 00:13:41,337 --> 00:13:42,338 MISS MORAN. 213 00:13:42,338 --> 00:13:45,341 ♪♪ WHO CAN TAKE A RAINBOW... ♪♪♪♪ 214 00:13:45,341 --> 00:13:46,842 MISS MORAN. 215 00:13:46,842 --> 00:13:47,843 BLANCHE! 216 00:13:47,843 --> 00:13:51,347 OH...SORRY. 217 00:13:51,347 --> 00:13:54,850 I GET SO CAUGHT UP IN IT SOMETIMES. 218 00:13:54,850 --> 00:13:57,102 IT'S SCARY. 219 00:13:57,102 --> 00:13:58,854 YES, IT IS. 220 00:14:00,356 --> 00:14:02,992 OH, WELL. OK. THANK YOU. 221 00:14:06,862 --> 00:14:08,864 ♪♪ AND NOW THE END IS NEAR ♪♪ 222 00:14:08,864 --> 00:14:10,866 ♪♪ AND SO I FACE THE FINAL CURTAIN ♪♪ 223 00:14:10,866 --> 00:14:12,251 ♪♪ MY FRIENDS, I'LL MAKE IT CLEAR ♪♪ 224 00:14:12,251 --> 00:14:13,752 ♪ ♪♪ I'LL STATE MY CASE... ♪♪♪ 225 00:14:15,754 --> 00:14:17,756 ♪♪ UP, UP AND AWAY ♪♪ 226 00:14:18,257 --> 00:14:21,126 ♪♪ IN MY BEAUTIFUL BALLOON ♪♪ 227 00:14:21,126 --> 00:14:23,629 ♪♪ WOULD YOU LIKE TO FLY ♪♪ 228 00:14:23,629 --> 00:14:26,515 ♪♪ IN MY BEAUTIFUL BALLOON... ♪♪♪♪ 229 00:14:27,016 --> 00:14:30,519 ♪ ♪♪ WELL, TINY BUBBLES... ♪♪♪ 230 00:14:30,519 --> 00:14:32,521 ♪♪ WHEN MY BABY SMILES AT ME ♪♪ 231 00:14:32,521 --> 00:14:34,523 ♪♪ I GO TO RIO... ♪♪♪♪ 232 00:14:34,523 --> 00:14:37,026 ♪♪ FEELINGS... ♪♪♪♪ 233 00:14:37,026 --> 00:14:39,528 ♪♪ I WANT TO LOVE YOU ♪♪ 234 00:14:39,528 --> 00:14:40,529 ♪♪ FEEL YOU ♪♪ 235 00:14:40,529 --> 00:14:42,531 ♪♪ WRAP MYSELF AROUND YOU ♪♪ 236 00:14:43,032 --> 00:14:44,033 ♪♪ I'M SO EXCITED ♪♪ 237 00:14:44,033 --> 00:14:45,534 ♪♪ JUST ABOUT TO LOSE CONTROL ♪♪ 238 00:14:46,035 --> 00:14:47,036 ♪♪ I'M ABOUT TO LOSE CONTROL ♪♪ 239 00:14:47,036 --> 00:14:49,038 ♪♪ AND I THINK I LIKE IT ♪♪ 240 00:14:49,538 --> 00:14:50,539 ♪♪ I LIKE IT ♪♪ 241 00:14:50,539 --> 00:14:51,540 ♪♪ I LIKE IT ♪♪ 242 00:14:51,540 --> 00:14:52,541 ♪♪ I LOVE IT ♪♪ 243 00:14:53,042 --> 00:14:55,828 ♪♪ AAAAHH ♪♪♪♪ 244 00:14:55,828 --> 00:14:58,080 37. 37 GIRLS, 245 00:14:58,080 --> 00:15:01,584 AND NOT ONE THAT CAN CARRY A TUNE. 246 00:15:03,085 --> 00:15:07,590 THERE WAS A CERTAIN SURREAL QUALITY TO IT. 247 00:15:07,590 --> 00:15:09,091 [CRACK] 248 00:15:09,091 --> 00:15:11,093 GOD DAMN IT! 249 00:15:11,093 --> 00:15:12,595 SHIT. 250 00:15:13,095 --> 00:15:14,597 STUPID SHOE. 251 00:15:20,102 --> 00:15:22,605 IS THIS WHERE THE AUDITIONS ARE? 252 00:15:22,605 --> 00:15:25,107 THIS IS WHERE THE AUDITIONS WERE. 253 00:15:25,107 --> 00:15:26,108 WE'RE FINISHED. 254 00:15:26,108 --> 00:15:28,110 WHAT ABOUT ME? 255 00:15:28,110 --> 00:15:30,112 YOU'RE 1 1/2 HOURS LATE. 256 00:15:30,112 --> 00:15:34,500 YEAH. WELL, I HAD A LITTLE TROUBLE CATCHING A CAB. 257 00:15:36,001 --> 00:15:37,503 PUNCTUALITY. 258 00:15:37,503 --> 00:15:40,506 FIRST RULE OF SHOW BUSINESS. 259 00:15:40,506 --> 00:15:42,007 THIS IS SHOW BUSINESS? 260 00:15:44,009 --> 00:15:45,010 LOOK, MISS, WE'RE TIRED, 261 00:15:45,511 --> 00:15:47,513 YOU HAVE GUM ON YOUR LIP, 262 00:15:48,013 --> 00:15:49,515 AND WE'RE GOING HOME. 263 00:15:51,517 --> 00:15:53,519 HUH. JUST LIKE THAT, HUH? 264 00:15:53,519 --> 00:15:57,022 I COME ALL THIS WAY, BREAK A HEEL, 265 00:15:57,022 --> 00:15:59,525 AND YOU'RE NOT GOING TO GIVE ME A CHANCE 266 00:15:59,525 --> 00:16:01,527 BECAUSE I'M A LITTLE LATE. 267 00:16:01,527 --> 00:16:03,028 1 1/2 HOURS LATE. 268 00:16:03,028 --> 00:16:05,030 WANT ME TO SAY IT AGAIN? 269 00:16:05,030 --> 00:16:07,533 WELL, IT'S NOT EXACTLY BEWITCHING ME. 270 00:16:09,535 --> 00:16:11,537 BESIDES, YOU'RE NOT GOING ANYWHERE. 271 00:16:12,538 --> 00:16:14,039 I BEG YOUR PARDON? 272 00:16:14,039 --> 00:16:17,543 INTUITION. I'VE HAD A HUNCH ABOUT THIS ALL DAY, 273 00:16:17,543 --> 00:16:19,044 ONLY IN MY MIND, 274 00:16:19,044 --> 00:16:20,546 IT WAS MORE GLAMOROUS. 275 00:16:29,555 --> 00:16:32,057 SO, WHERE'S THE WINNER? 276 00:16:36,562 --> 00:16:40,065 SEE? WHAT DID I TELL YOU? INTUITION. 277 00:16:41,066 --> 00:16:42,685 JACK? 278 00:16:45,187 --> 00:16:47,690 WHAT HAVE WE GOT TO LOSE? 279 00:16:51,193 --> 00:16:53,195 TERRIFIC. 280 00:16:53,195 --> 00:16:54,196 38. 281 00:16:56,198 --> 00:16:57,700 WHAT'S THAT, 38, 282 00:16:57,700 --> 00:17:00,202 SOME KIND OF SECRET CODE? 283 00:17:04,206 --> 00:17:05,207 NAME? 284 00:17:06,709 --> 00:17:08,210 SUSIE. SUSIE DIAMOND. 285 00:17:08,711 --> 00:17:09,712 CATCHY. 286 00:17:09,712 --> 00:17:13,215 YOU HAVE ANY PREVIOUS EXPERIENCE AS A SINGER? 287 00:17:13,215 --> 00:17:14,216 NO. 288 00:17:16,218 --> 00:17:18,220 ANY ENTERTAINMENT EXPERIENCE AT ALL? 289 00:17:18,721 --> 00:17:21,223 THE LAST FEW YEARS I'VE BEEN ON CALL 290 00:17:21,724 --> 00:17:23,726 FOR THE TRIPLE A ESCORT SERVICE. 291 00:17:29,732 --> 00:17:34,236 WHAT WOULD YOU LIKE TO SHARE WITH US TODAY, MISS DIAMOND? 292 00:17:34,236 --> 00:17:37,239 MORE THAN YOU KNOW. 293 00:17:42,745 --> 00:17:44,246 REAL SLOW, OK? 294 00:17:54,757 --> 00:17:58,260 ♪♪ MORE THAN YOU KNOW ♪♪ 295 00:17:59,762 --> 00:18:04,266 ♪♪ MORE THAN YOU KNOW ♪♪ 296 00:18:04,266 --> 00:18:08,270 ♪♪ MAN OF MY HEART ♪♪ 297 00:18:08,270 --> 00:18:11,273 ♪♪ I LOVE YOU SO ♪♪ 298 00:18:13,275 --> 00:18:15,778 ♪♪ LATELY I FIND ♪♪ 299 00:18:17,279 --> 00:18:19,782 ♪♪ YOU'RE ON MY MIND ♪♪ 300 00:18:21,784 --> 00:18:24,286 ♪♪ MORE THAN YOU KNOW ♪♪ 301 00:18:29,792 --> 00:18:34,296 ♪♪ WHETHER YOU'RE RIGHT ♪♪ 302 00:18:34,797 --> 00:18:37,299 ♪♪ WHETHER YOU'RE WRONG ♪♪ 303 00:18:38,801 --> 00:18:42,304 ♪♪ MAN OF MY HEART ♪♪ 304 00:18:42,805 --> 00:18:46,308 ♪♪ I'LL STRING ALONG ♪♪ 305 00:18:47,309 --> 00:18:50,813 ♪♪ YOU NEED ME SO ♪♪ 306 00:18:50,813 --> 00:18:59,321 ♪♪ MORE THAN YOU'LL EVER ♪♪ 307 00:18:59,822 --> 00:19:07,329 ♪♪ KNOW ♪♪♪♪ 308 00:19:15,337 --> 00:19:16,788 SO? 309 00:19:22,261 --> 00:19:25,264 DIDN'T I TELL EVERYONE 7:15, HUH? 310 00:19:25,264 --> 00:19:26,765 SHE'LL GET HERE. 311 00:19:26,765 --> 00:19:29,768 RIGHT. JUST LIKE THE DAY OF THE AUDITIONS. 312 00:19:29,768 --> 00:19:31,270 JESUS! 313 00:19:33,772 --> 00:19:35,774 HOW'S MY HAIR? 314 00:19:35,774 --> 00:19:37,276 AWE-INSPIRING. 315 00:19:37,276 --> 00:19:40,279 YOURS ISN'T. LET ME RUN A COMB THROUGH IT. 316 00:19:40,779 --> 00:19:41,780 COME ON, STAND STILL. 317 00:19:42,281 --> 00:19:43,282 GET OUT OF HERE! 318 00:19:43,782 --> 00:19:45,784 FRANK, I'M GOING TO HIT YOU. 319 00:19:46,285 --> 00:19:47,286 HOLD ON. HOLD ON. 320 00:19:47,786 --> 00:19:49,288 OOH...SHIT. 321 00:19:50,789 --> 00:19:52,291 YOU HIT ME. 322 00:19:52,291 --> 00:19:54,293 I TOLD YOU I WOULD. 323 00:19:54,293 --> 00:19:56,295 I'M A LITTLE WOUND UP. 324 00:19:56,295 --> 00:19:58,297 YOU'RE A FUCKING ALARM CLOCK. 325 00:19:58,297 --> 00:20:00,299 I JUST WISH SHE'D GET HERE. 326 00:20:00,299 --> 00:20:01,300 SHE'S HERE. 327 00:20:05,053 --> 00:20:06,555 OH, CHRIST. LOOK AT HER. 328 00:20:08,690 --> 00:20:11,193 GOOD EVENING, MISS DIAMOND. YOU'RE LATE. 329 00:20:13,195 --> 00:20:14,196 GUEST VOCALIST? 330 00:20:14,196 --> 00:20:16,198 WHO'S NEXT WEEK, BEVERLY SILLS? 331 00:20:16,198 --> 00:20:18,700 HOW COME MY PICTURE'S NOT ON THE POSTER? 332 00:20:19,201 --> 00:20:21,203 WE'LL TALK LATER. WHERE'S YOUR DRESS? 333 00:20:21,703 --> 00:20:23,205 WHAT DO YOU MEAN? 334 00:20:23,205 --> 00:20:24,957 IS THERE A LANGUAGE PROBLEM? 335 00:20:24,957 --> 00:20:26,458 WHERE'S YOUR DRESS? 336 00:20:26,458 --> 00:20:27,960 WHAT, DO I LOOK NAKED? 337 00:20:27,960 --> 00:20:29,962 WHAT, THAT? 338 00:20:30,462 --> 00:20:31,964 WHAT, ARE YOU INSANE? 339 00:20:31,964 --> 00:20:33,966 WE'RE NOT TRICK-OR-TREATING. 340 00:20:33,966 --> 00:20:36,468 HE DOESN'T LIKE MY DRESS, RIGHT? 341 00:20:36,468 --> 00:20:37,469 THERE'S NOT MUCH TIME. 342 00:20:37,970 --> 00:20:41,089 FOR WHAT? DON'T GRAB ME. DON'T GRAB ME! 343 00:20:45,344 --> 00:20:46,845 YOU WEAR AN 8? 344 00:20:46,845 --> 00:20:48,347 A 6. 345 00:20:52,851 --> 00:20:54,353 HERE. HOW ABOUT THIS? 346 00:20:56,855 --> 00:20:58,357 HOW'S THIS? 347 00:21:16,258 --> 00:21:19,761 DON'T WORRY. WE'LL TAKE THESE OUT OF YOUR SHARE. 348 00:21:19,761 --> 00:21:21,263 YOU'RE A PRINCE. 349 00:21:21,630 --> 00:21:22,631 JACK, TOUCH ME UP. 350 00:21:23,131 --> 00:21:25,634 REMEMBER, JACK AND I GO ON FIRST. 351 00:21:26,134 --> 00:21:27,636 I SET UP, INTRODUCING YOU. 352 00:21:28,136 --> 00:21:28,637 LOOKS GOOD. 353 00:21:29,137 --> 00:21:30,138 JUST DO IT. AND YOU SAY? 354 00:21:30,138 --> 00:21:33,141 GOOD EVENING, LADIES AND GENTLEMEN-- WHAT IS THAT? 355 00:21:33,141 --> 00:21:35,143 WINDING YOUR WATCH TONIGHT, FRANKIE? 356 00:21:35,143 --> 00:21:36,645 JUST A LITTLE EMERGENCY, RAY. 357 00:21:37,145 --> 00:21:38,397 WHO'S THIS, MINNIE PEARL? 358 00:21:38,397 --> 00:21:39,898 WE NEED SCISSORS HERE! 359 00:21:39,898 --> 00:21:41,900 I WANT 75 MINUTES, FRANKIE. 360 00:21:41,900 --> 00:21:44,903 DON'T WORRY. THEY'LL CUT THIS OFF. 361 00:21:44,903 --> 00:21:46,405 SCISSORS! COME ON! 362 00:21:46,405 --> 00:21:48,907 LET'S GO, JACK. FIX YOUR TIE. 363 00:21:48,907 --> 00:21:51,410 GOOD LUCK. IT'S AN UGLY GROUP. 364 00:21:51,410 --> 00:21:53,412 THEY'RE SENDING BACK THE CHEESE BALLS. 365 00:21:53,412 --> 00:21:55,414 NO SCISSORS. 366 00:22:03,138 --> 00:22:04,639 [FEEDBACK] 367 00:22:05,140 --> 00:22:06,141 GOOD EVENING. 368 00:22:06,641 --> 00:22:08,643 WELCOME TO THE AMBASSADOR LOUNGE. 369 00:22:09,144 --> 00:22:10,145 MY NAME'S FRANK BAKER. 370 00:22:10,645 --> 00:22:12,147 NO, YOU'RE NOT SEEING DOUBLE. 371 00:22:12,647 --> 00:22:14,649 IT'S JUST MY BROTHER JACK. 372 00:22:21,406 --> 00:22:22,407 HEY! 373 00:22:22,407 --> 00:22:24,409 A SIP, FOR THE BUTTERFLIES. 374 00:22:24,409 --> 00:22:25,911 OK, BUT NO LIPSTICK. 375 00:22:25,911 --> 00:22:28,413 HEY, WHAT'S THAT ON YOUR WRIST? 376 00:22:28,914 --> 00:22:31,917 THE NEXT HOUR AND A HALF OF MY LIFE. 377 00:22:31,917 --> 00:22:35,420 ...AND THAT PLACE IS THIS PLACE, 378 00:22:35,420 --> 00:22:37,422 THE AMBASSADOR LOUNGE. 379 00:22:37,672 --> 00:22:40,175 LADIES AND GENTLEMEN, PLEASE WELCOME A SPECIAL LADY 380 00:22:40,175 --> 00:22:43,178 WITH A SPECIAL WAY OF SINGING A SONG, 381 00:22:43,545 --> 00:22:45,547 MISS SUSIE DIAMOND! 382 00:22:53,055 --> 00:22:55,057 LADIES AND GENTLEMEN... 383 00:22:55,057 --> 00:22:56,058 The switch. 384 00:22:56,058 --> 00:22:57,559 Hit the switch. 385 00:22:57,559 --> 00:22:59,061 The switch? 386 00:22:59,061 --> 00:23:02,064 WHAT FUCKING SWITCH? 387 00:23:04,066 --> 00:23:06,068 PARDON ME. 388 00:23:07,569 --> 00:23:09,071 I CAN'T TELL YOU 389 00:23:09,071 --> 00:23:12,324 HOW THRILLED I AM TO BE HERE. 390 00:23:23,585 --> 00:23:26,088 ♪♪ I WORK AT THE PALACE BALLROOM ♪♪ 391 00:23:26,588 --> 00:23:30,092 ♪♪ BUT, GEE, THAT PALACE IS CHEAP ♪♪ 392 00:23:30,092 --> 00:23:31,593 ♪♪ WHEN I GET HOME ♪♪ 393 00:23:31,593 --> 00:23:34,096 ♪♪ TO MY CHILLY HALL ROOM ♪♪ 394 00:23:34,096 --> 00:23:38,600 ♪♪ I'M MUCH TOO TIRED TO SLEEP ♪♪ 395 00:23:45,107 --> 00:23:49,611 ♪♪ I'M ONE OF THOSE LADY TEACHERS ♪♪ 396 00:23:49,611 --> 00:23:53,115 ♪♪ A BEAUTIFUL HOSTESS, YOU KNOW ♪♪ 397 00:23:54,116 --> 00:23:58,370 ♪♪ ONE THAT THE PALACE FEATURES ♪♪ 398 00:23:58,370 --> 00:24:02,124 ♪♪ AT EXACTLY A DIME ♪♪ 399 00:24:02,124 --> 00:24:04,126 ♪♪ A THROW ♪♪ 400 00:24:08,763 --> 00:24:11,766 ♪♪ TEN CENTS A DANCE ♪♪ 401 00:24:11,883 --> 00:24:14,886 ♪♪ THAT'S WHAT THEY PAY ME ♪♪ 402 00:24:14,886 --> 00:24:15,887 ♪♪ GOSH ♪♪ 403 00:24:15,887 --> 00:24:20,392 ♪♪ HOW THEY WEIGH ME DOWN ♪♪ 404 00:24:21,393 --> 00:24:24,396 ♪♪ TEN CENTS A DANCE ♪♪ 405 00:24:24,396 --> 00:24:27,399 ♪♪ PANSIES AND ROUGH GUYS ♪♪ 406 00:24:27,899 --> 00:24:32,904 ♪♪ TOUGH GUYS WHO TEAR MY GOWN ♪♪ 407 00:24:34,906 --> 00:24:39,911 ♪♪ SEVEN TO MIDNIGHT I HEAR DRUMS ♪♪ 408 00:24:40,912 --> 00:24:46,418 ♪♪ LOUDLY THE SAXOPHONE BLOWS ♪♪ 409 00:24:46,918 --> 00:24:53,425 ♪♪ TRUMPETS ARE TEARING MY EARDRUMS ♪♪ 410 00:24:53,425 --> 00:24:58,180 ♪♪ CUSTOMERS CRUSH MY TOES ♪♪ 411 00:24:59,681 --> 00:25:02,684 ♪♪ SOMETIMES I THINK ♪♪ 412 00:25:02,684 --> 00:25:06,688 ♪♪ I'VE FOUND MY HERO ♪♪ 413 00:25:06,688 --> 00:25:11,193 ♪♪ BUT IT'S A QUEER ROMANCE ♪♪ 414 00:25:13,195 --> 00:25:17,699 ♪♪ ALL THAT YOU NEED IS A TICKET ♪♪ 415 00:25:19,201 --> 00:25:23,205 ♪♪ COME ON, BIG BOY ♪♪ 416 00:25:23,205 --> 00:25:29,711 ♪♪ TEN CENTS A DANCE ♪♪♪♪ 417 00:25:38,603 --> 00:25:40,105 FUCKING! SHE SAYS FUCKING 418 00:25:40,105 --> 00:25:42,607 BEFORE AN ENTIRE ROOM OF PEOPLE. 419 00:25:42,607 --> 00:25:43,608 I APOLOGIZED. 420 00:25:43,608 --> 00:25:45,110 DID YOU HEAR IT? 421 00:25:45,110 --> 00:25:46,111 FUCKING. 422 00:25:46,111 --> 00:25:49,614 THEY WERE ON THEIR THIRD MAI TAI BY THEN. 423 00:25:49,614 --> 00:25:50,615 FUCKING! 424 00:25:50,615 --> 00:25:53,618 CHRIST, I SAID IT, I DIDN'T DO IT. 425 00:25:53,618 --> 00:25:56,121 I DON'T THINK THEY WERE OFFENDED. 426 00:25:56,121 --> 00:25:58,123 WE'RE NOT A SALOON ACT. 427 00:25:58,123 --> 00:26:00,125 WE DON'T TAKE TIPS FROM DIRTY OLD MEN. 428 00:26:00,242 --> 00:26:03,245 I WAS GOING TO SPLIT IT WITH YOU GUYS. 429 00:26:03,495 --> 00:26:06,498 NO TIPS. I'LL APPLY THIS TO THE DRESS. 430 00:26:06,998 --> 00:26:09,501 THEN I WANT MY PICTURE ON THE POSTER, 431 00:26:10,001 --> 00:26:11,002 AND MY NAME, 432 00:26:11,503 --> 00:26:14,756 AND THESE SHOES ARE TOO FUCKING TIGHT! 433 00:26:18,393 --> 00:26:19,894 [HORN HONKS] 434 00:26:19,894 --> 00:26:20,895 HEY! 435 00:26:24,399 --> 00:26:25,900 NICE GIRL. 436 00:26:27,402 --> 00:26:30,405 ♪♪ I LOVE YOU, BABY ♪♪ 437 00:26:30,405 --> 00:26:32,407 ♪♪ AND IF IT'S QUITE ALL RIGHT ♪♪ 438 00:26:32,407 --> 00:26:34,409 ♪♪ I NEED YOU, BABY ♪♪ 439 00:26:34,409 --> 00:26:36,411 ♪♪ TO WARM THE LONELY NIGHTS ♪♪ 440 00:26:36,911 --> 00:26:39,414 ♪♪ I LOVE YOU, BABY ♪♪ 441 00:26:39,414 --> 00:26:43,918 ♪♪ TRUST IN ME WHEN I SAY ♪♪ 442 00:26:44,035 --> 00:26:46,538 ♪♪ I LOVE YOU, BABY ♪♪ 443 00:26:46,538 --> 00:26:48,540 ♪♪ AND IF IT'S QUITE ALL RIGHT ♪♪ 444 00:26:48,540 --> 00:26:50,542 ♪♪ I NEED YOU, BABY ♪♪ 445 00:26:50,542 --> 00:26:52,544 ♪♪ TO WARM THE LONELY NIGHTS ♪♪ 446 00:26:52,544 --> 00:26:55,046 ♪♪ I LOVE YOU, BABY ♪♪ 447 00:26:55,547 --> 00:27:00,051 ♪♪ TRUST IN ME WHEN I SAY ♪♪ 448 00:27:00,051 --> 00:27:02,554 ♪♪ OH, PRETTY BABY ♪♪ 449 00:27:02,554 --> 00:27:04,556 ♪♪ DON'T BRING ME DOWN, I PRAY ♪♪ 450 00:27:04,556 --> 00:27:06,558 ♪♪ OH, PRETTY BABY ♪♪ 451 00:27:06,558 --> 00:27:08,560 ♪♪ NOW THAT I FOUND YOU, STAY ♪♪ 452 00:27:08,560 --> 00:27:12,063 ♪♪ AND LET ME LOVE YOU, BABY ♪♪ 453 00:27:12,564 --> 00:27:17,068 ♪♪ LET ME LOVE YOU ♪♪ 454 00:27:17,569 --> 00:27:20,071 ♪♪ LOVE YOU, BABY ♪♪ 455 00:27:20,572 --> 00:27:23,575 ♪♪ LET ME LOVE ♪♪ 456 00:27:24,075 --> 00:27:28,580 ♪♪ YOU ♪♪♪♪ 457 00:27:31,082 --> 00:27:33,385 WHERE'D YOU FIND HER ANYWAY? 458 00:27:33,385 --> 00:27:34,886 THE GIRL. 459 00:27:35,003 --> 00:27:36,004 THESE KIDS HANG AROUND. 460 00:27:36,004 --> 00:27:38,006 WE GAVE HER A BREAK. 461 00:27:38,256 --> 00:27:40,759 GIVE HER A TIP FOR ME, WILL YOU? 462 00:27:41,259 --> 00:27:42,260 THE SMALLER THE DRESS, 463 00:27:42,761 --> 00:27:44,145 THE BIGGER THE CROWD. 464 00:27:44,145 --> 00:27:45,647 HERE YOU GO, GUYS. 465 00:27:45,647 --> 00:27:48,016 DON'T SPEND IT IN ONE PLACE. 466 00:27:49,651 --> 00:27:52,020 OH, JACK. 467 00:27:52,020 --> 00:27:53,772 YOU WANT TO COUNT IT? 468 00:27:55,273 --> 00:27:56,274 WE TRUST YOU, LLOYD. 469 00:27:56,775 --> 00:27:58,159 YOU KNOW THAT. 470 00:27:59,411 --> 00:28:02,530 FRANKIE, SINCE I GOT YOU HERE, 471 00:28:02,530 --> 00:28:04,783 HOW DOES NEXT WEEK LOOK? 472 00:28:06,284 --> 00:28:08,286 WE'LL CALL YOU. 473 00:28:14,426 --> 00:28:15,927 DID YOU SEE HIS FACE? 474 00:28:16,428 --> 00:28:17,429 DID YOU SEE IT? 475 00:28:17,929 --> 00:28:18,930 WE'LL CALL YOU. 476 00:28:19,431 --> 00:28:20,932 THE WORLD'S GOOD, LITTLE BROTHER. 477 00:28:21,433 --> 00:28:23,935 DON'T LET ANYBODY TELL YOU DIFFERENT. 478 00:28:26,054 --> 00:28:27,555 WHEW HOO HOO! 479 00:28:31,559 --> 00:28:33,061 GOOD NIGHT, BAKER. 480 00:28:51,463 --> 00:28:52,964 HOW YOU DOING, HENRY? 481 00:28:53,465 --> 00:28:55,467 CAN'T COMPLAIN. 482 00:28:55,467 --> 00:28:58,470 WHAT DO YOU THINK OF THE KID? 483 00:29:02,974 --> 00:29:05,977 WHEN DOES HIS MOTHER PICK HIM UP? 484 00:29:05,977 --> 00:29:08,480 HE'S BEEN PLAYING HERE A YEAR. 485 00:29:08,480 --> 00:29:10,482 YOU OUGHT TO COME AROUND MORE. 486 00:29:14,486 --> 00:29:15,987 SO. 487 00:29:15,987 --> 00:29:18,490 HOW ABOUT JACK BAKER? 488 00:29:18,490 --> 00:29:20,992 STILL STOMPING AT THE SHERATON? 489 00:29:22,994 --> 00:29:25,497 IT KEEPS ME OUT OF TROUBLE. 490 00:29:25,497 --> 00:29:27,999 THEN WHAT ARE YOU DOING HERE? 491 00:29:29,501 --> 00:29:31,002 LOOKING FOR TROUBLE. 492 00:29:47,519 --> 00:29:48,520 [YAWN] 493 00:29:49,020 --> 00:29:51,523 TRY TO CONTROL YOUR EXCITEMENT, ED. 494 00:29:56,027 --> 00:29:58,530 ALL RIGHT, LET'S SEE YOUR TEETH. 495 00:30:02,033 --> 00:30:04,035 YEAH, THEY GOT TO GO. 496 00:30:04,035 --> 00:30:05,537 FIVE IS MY GUESS. 497 00:30:05,537 --> 00:30:08,540 I WON'T KNOW TILL I GET IN THERE. 498 00:30:08,540 --> 00:30:10,542 NO BONES? 499 00:30:10,658 --> 00:30:11,659 THOSE DAYS ARE OVER. 500 00:30:12,160 --> 00:30:14,162 DON'T WORRY. WE'LL KNOCK HIM OUT. 501 00:30:14,662 --> 00:30:15,663 HE WON'T FEEL A THING. 502 00:30:16,164 --> 00:30:17,165 EXCUSE ME. 503 00:30:20,802 --> 00:30:22,804 SHOULD HAVE BRUSHED, PAL. 504 00:30:23,054 --> 00:30:25,557 I'M REPEATING WHAT BERNIE AT THE HILTON SAID. 505 00:30:25,557 --> 00:30:29,060 NIGHTS WE PLAY, SHE GETS THREE TIMES THE TIPS. 506 00:30:29,060 --> 00:30:31,062 'CAUSE THE CHIVAS IS FLOWING. 507 00:30:31,062 --> 00:30:33,064 THE ROOM'S PEARLS, NOT POLYESTER. 508 00:30:33,064 --> 00:30:35,567 YOU'RE SAYING WE SHOULD-- 509 00:30:35,567 --> 00:30:38,069 GET A PERCENTAGE OF THE BAR. 510 00:30:38,069 --> 00:30:40,572 MEL TORME DOESN'T GET THAT. 511 00:30:40,572 --> 00:30:42,073 MAYBE HE NEVER ASKED. 512 00:30:42,574 --> 00:30:43,575 HEY... 513 00:30:45,076 --> 00:30:46,578 YOU HEARING THIS? 514 00:30:46,578 --> 00:30:49,080 HOW MUCH SHE SAY SHE'S DRAWING? 515 00:30:49,080 --> 00:30:51,082 SHE USED TO WEAR A TIMEX. 516 00:30:51,583 --> 00:30:53,084 NOW SHE'S GOT A SEIKO. 517 00:30:53,585 --> 00:30:55,587 THE HILTON DIDN'T PUT IT THERE. 518 00:30:55,587 --> 00:30:57,589 YOU'RE NOT LISTENING TO THIS. 519 00:30:57,589 --> 00:30:59,591 JERRY STEIN BOOKS THE HILTON? 520 00:30:59,591 --> 00:31:02,093 FOR EIGHT YEARS. 521 00:31:02,093 --> 00:31:03,595 FORGET ABOUT THE BAR. 522 00:31:03,595 --> 00:31:05,096 WE'D LOOK LIKE AMATEURS. 523 00:31:05,096 --> 00:31:07,599 WHY NOT ANOTHER 100 UP FRONT? 524 00:31:07,599 --> 00:31:09,100 I DON'T LIKE IT. 525 00:31:10,101 --> 00:31:13,104 IT'S NOT THE WAY WE PLAY THE GAME. 526 00:31:14,105 --> 00:31:16,608 THE GAME IS CHANGING. 527 00:31:39,047 --> 00:31:40,548 OH, NO, THANKS. 528 00:31:40,548 --> 00:31:42,550 I NEVER TOUCH AMERICAN CIGARETTES. 529 00:31:42,550 --> 00:31:45,553 3.50 A PACK, I USE THEM LIKE TOOTHPICKS. 530 00:31:45,553 --> 00:31:46,554 HMM? 531 00:31:48,056 --> 00:31:50,058 PARIS OPALS. 532 00:31:50,058 --> 00:31:51,559 3.50 A PACK. 533 00:31:52,560 --> 00:31:55,563 YOU KNOW HOW MUCH THAT IS APIECE? 534 00:31:55,563 --> 00:31:57,065 17 CENTS. 535 00:31:57,065 --> 00:31:58,566 17 1/2. 536 00:31:58,566 --> 00:32:00,568 I FIGURED IT OUT ONCE. 537 00:32:00,568 --> 00:32:04,072 IF SOMETHING'S IN YOUR MOUTH, IT OUGHT TO BE THE BEST. 538 00:32:06,574 --> 00:32:08,076 HO HO HO HO! 539 00:32:08,576 --> 00:32:09,577 MERRY CHRISTMAS! 540 00:32:10,078 --> 00:32:10,578 WOO! 541 00:32:11,079 --> 00:32:12,080 HO HO HO! 542 00:32:12,580 --> 00:32:13,581 WHAT DO YOU THINK? 543 00:32:16,451 --> 00:32:16,951 IT'S ME. 544 00:32:17,452 --> 00:32:19,954 I THOUGHT I'D THRILL THE KIDS. 545 00:32:19,954 --> 00:32:21,456 MONDAY, BRIGHT AND EARLY. 546 00:32:21,456 --> 00:32:22,957 WE'VE A LONG DRIVE. 547 00:32:23,091 --> 00:32:24,842 MERRY, MERRY. 548 00:32:26,844 --> 00:32:28,346 I DON'T KNOW. 549 00:32:28,346 --> 00:32:29,847 YOU AND EGGHEAD, BROTHERS. 550 00:32:29,847 --> 00:32:33,351 SEEMS LIKE THE HOSPITAL MIGHT HAVE SCRAMBLED THE BABIES. 551 00:32:34,352 --> 00:32:35,353 AH. 552 00:32:35,353 --> 00:32:37,855 HERE'S A LOST SOUL. 553 00:32:48,366 --> 00:32:49,867 WELL, 554 00:32:49,867 --> 00:32:50,868 AU REVOIR. 555 00:32:52,120 --> 00:32:54,622 FEEL LIKE A CUP OF COFFEE? 556 00:32:56,624 --> 00:32:58,626 NOW, ON CHRISTMAS EVE? 557 00:33:01,129 --> 00:33:02,130 NAH. 558 00:33:02,130 --> 00:33:04,132 IT GIVES ME THE SHAKES. 559 00:33:04,132 --> 00:33:05,633 I BETTER GET HOME. 560 00:33:05,633 --> 00:33:07,135 REST THE PIPES. 561 00:33:08,636 --> 00:33:10,638 WANT ME TO WALK YOU? 562 00:33:14,642 --> 00:33:16,144 NO. 563 00:33:16,144 --> 00:33:17,762 THANKS. 564 00:33:20,765 --> 00:33:24,268 LISTEN, YOU'RE NOT GOING SOFT ON ME, ARE YOU? 565 00:33:24,268 --> 00:33:26,654 YOU WON'T START DREAMING ABOUT ME, 566 00:33:26,654 --> 00:33:30,658 LOOKING AT ME LIKE I'M A PRINCESS WHEN I BURP? 567 00:33:32,160 --> 00:33:33,161 FORGET IT. 568 00:33:33,528 --> 00:33:36,030 IT'D BE TOO CREEPY WITH US WORKING TOGETHER. 569 00:33:36,030 --> 00:33:40,535 BETTER HURRY. YOU'RE A NICKEL DOWN ON YOUR CIGARETTE. 570 00:33:49,677 --> 00:33:52,180 SUPERCHIEF AROUND THE CORNER. 571 00:33:53,181 --> 00:33:54,182 HMM? 572 00:33:54,182 --> 00:33:56,684 BATHROOM, SUPERCHIEF AROUND THE CORNER. 573 00:33:56,684 --> 00:33:58,186 OH, UH, NO. 574 00:33:58,186 --> 00:34:01,189 I, UH, LEFT MY DOG HERE THIS MORNING. 575 00:34:01,189 --> 00:34:02,690 REGULAR HOURS ARE 8:OO-5:00. 576 00:34:02,690 --> 00:34:04,692 YEAH, I WAS PASSING BY. 577 00:34:04,692 --> 00:34:07,195 I THOUGHT I'D COME SEE HIM. 578 00:34:07,195 --> 00:34:08,696 CHECK ON HIM TOMORROW, 579 00:34:08,696 --> 00:34:10,198 BETWEEN 8:00 AND 5:00. 580 00:34:10,198 --> 00:34:12,200 I THOUGHT I'D JUST, UH... 581 00:34:12,200 --> 00:34:13,201 HEY, PAL, 582 00:34:13,201 --> 00:34:15,703 WE'RE NOT COMMUNICATING HERE, ARE WE? 583 00:34:19,207 --> 00:34:22,210 SO YOU WANT TO KNOW IF HE'S OK, RIGHT? 584 00:34:22,210 --> 00:34:23,711 YEAH. 585 00:34:25,213 --> 00:34:26,714 ALL RIGHT. HOLD ON. 586 00:34:26,714 --> 00:34:27,715 NAME'S BAKER. 587 00:34:27,715 --> 00:34:28,716 SAVE IT. 588 00:34:28,716 --> 00:34:30,718 WHAT DOES HE LOOK LIKE? 589 00:34:30,718 --> 00:34:31,719 BLACK. 590 00:34:31,719 --> 00:34:32,720 LAB. 591 00:34:33,221 --> 00:34:36,974 OK. THEY LAY THE DEAD ONES OUT IN THE COLD. 592 00:34:57,862 --> 00:35:00,364 NOPE, JUST A COUPLE OF POODLES. 593 00:35:08,873 --> 00:35:10,374 I WANT MY DOG. 594 00:35:11,876 --> 00:35:13,878 LISTEN, GET OUT OF HERE. 595 00:35:13,878 --> 00:35:16,380 NO, YOU LISTEN, YOU LITTLE FUCK! 596 00:35:16,380 --> 00:35:19,383 GET OFF YOUR ASS AND GET MY DOG, 597 00:35:19,383 --> 00:35:21,886 OR I'LL STICK THE MAGAZINE DOWN YOUR THROAT. 598 00:35:22,386 --> 00:35:23,387 WE COMMUNICATING? 599 00:35:23,387 --> 00:35:24,388 ALL RIGHT. 600 00:35:27,892 --> 00:35:29,393 BAKER, RIGHT? 601 00:35:38,786 --> 00:35:40,288 OH. 602 00:35:41,289 --> 00:35:44,292 HOW ABOUT A LITTLE LIGHT IN HERE? 603 00:35:44,292 --> 00:35:45,793 EDDIE! 604 00:35:45,793 --> 00:35:47,295 FORGET ABOUT IT. 605 00:35:47,295 --> 00:35:49,797 HE'S STILL CIRCLING THE AIRPORT. 606 00:35:49,797 --> 00:35:51,299 OOH. 607 00:35:51,299 --> 00:35:54,302 I DIDN'T KNOW HE WAS COMING HOME TONIGHT. 608 00:35:54,302 --> 00:35:55,303 OH, WOWIE. 609 00:35:55,303 --> 00:35:58,306 JUST WANTED TO SKIP THE PAPERWORK. 610 00:36:00,808 --> 00:36:02,810 BESIDES, IT'S CHRISTMAS. RIGHT? 611 00:36:03,311 --> 00:36:04,312 MM-HMM. 612 00:36:04,312 --> 00:36:05,813 WHOO! 613 00:36:07,315 --> 00:36:09,317 SO, WHERE'S YOUR MOM TONIGHT? 614 00:36:10,318 --> 00:36:13,321 SHE OUT WITH BIGFOOT AGAIN? 615 00:36:15,323 --> 00:36:18,826 DID YOU PLAY HER THE SONG? 616 00:36:18,826 --> 00:36:21,329 MAYBE TOMORROW, SHE SAID. 617 00:36:25,833 --> 00:36:29,954 WELL, I GUESS IT'S JUST YOU AND ME AGAIN, HUH? 618 00:36:32,957 --> 00:36:33,958 FROM HURLEY'S? 619 00:36:36,961 --> 00:36:40,965 80 PROOF. DO YOU THINK YOU CAN HANDLE IT? 620 00:36:46,470 --> 00:36:47,972 GO EASY NOW. 621 00:36:54,478 --> 00:36:55,980 JACK. 622 00:36:56,981 --> 00:36:58,983 OH, YEAH. 623 00:37:00,985 --> 00:37:02,987 CAN I STAY HERE TONIGHT, 624 00:37:02,987 --> 00:37:05,489 EVEN IF SHE COMES HOME ALONE? 625 00:37:06,991 --> 00:37:08,492 OK. 626 00:37:10,294 --> 00:37:11,796 [HONK] 627 00:37:22,807 --> 00:37:25,426 HE'S JUST SEEING YOU OFF, RIGHT? 628 00:37:27,428 --> 00:37:30,181 JACK, THIS IS NOT POSSIBLE. 629 00:37:30,181 --> 00:37:32,183 WE'RE PLAYING A RESORT HOTEL. 630 00:37:32,183 --> 00:37:34,185 YOU CAN'T BRING A DOG. 631 00:37:34,185 --> 00:37:35,686 IT'S NOT POSSIBLE. 632 00:37:35,686 --> 00:37:37,688 IT'S POSSIBLE. 633 00:37:42,576 --> 00:37:45,579 GET THIS-- "EACH ROOM IS AN EVENT, 634 00:37:45,579 --> 00:37:47,581 "AN EXCURSION INTO UNPRECEDENTED LUXURY. 635 00:37:47,581 --> 00:37:49,583 "STEP OUTSIDE AND THE ADVENTURE 636 00:37:49,583 --> 00:37:52,086 CONTINUES WITH YOUR OWN PRIVATE TERRACE." 637 00:37:52,086 --> 00:37:55,206 YOU DON'T THINK IT REALLY LOOKS LIKE THAT? 638 00:37:55,206 --> 00:37:57,208 IT'S RIGHT HERE. THERE ARE PICTURES. 639 00:37:57,208 --> 00:37:59,710 DO YOU HEAR THAT, JACK? PICTURES. 640 00:37:59,961 --> 00:38:01,462 WELCOME TO THE ROAD, DOROTHY. 641 00:38:01,963 --> 00:38:04,465 YOU'RE ABOUT TO LOSE YOUR VIRGINITY. 642 00:38:31,242 --> 00:38:33,244 WHY, THANK YOU. 643 00:38:37,248 --> 00:38:40,251 I'LL SEE YOU BOYS INSIDE. 644 00:39:06,777 --> 00:39:09,780 I'LL TAKE THE RIGHT SIDE OF THE CLOSET, OK? 645 00:39:10,281 --> 00:39:11,282 OK. 646 00:39:11,282 --> 00:39:14,285 SINCE MY BED'S ON THE RIGHT, IT MAKES SENSE. 647 00:39:14,785 --> 00:39:15,286 RIGHT. 648 00:39:15,786 --> 00:39:16,787 SAME WITH THE DRAWERS. 649 00:39:17,288 --> 00:39:17,788 OK. 650 00:39:18,289 --> 00:39:20,791 UNLESS YOU WANT THE RIGHT. 651 00:39:22,293 --> 00:39:23,794 NO, YOU TAKE THE RIGHT. 652 00:39:26,297 --> 00:39:27,798 LOOKS LIKE CARMEN MIRANDA 653 00:39:27,798 --> 00:39:30,301 HAD AN ACCIDENT IN MY ROOM. 654 00:39:30,301 --> 00:39:33,804 THEY MUST GET A DEAL ON THESE THINGS. 655 00:39:33,804 --> 00:39:36,307 WHAT DO YOU MAKE OF THIS? 656 00:39:36,307 --> 00:39:37,808 KIWI. 657 00:39:38,809 --> 00:39:41,312 JESUS. GOT MORE HAIR THAN YOU, FRANK. 658 00:39:41,812 --> 00:39:44,315 NO PEEKING AT TUBTIME. 659 00:39:45,816 --> 00:39:50,121 [STEREO PLAYSPERDIDO] 660 00:39:59,130 --> 00:40:01,132 WHAT THE HELL IS THIS? 661 00:40:05,002 --> 00:40:08,005 DO YOU HEAR THIS? DO YOU? 662 00:40:09,006 --> 00:40:10,508 I DO NOW. 663 00:40:10,508 --> 00:40:13,010 BEFORE WE PLAY A SINGLE NOTE, 664 00:40:13,010 --> 00:40:15,012 WE'RE GOING TO GET THROWN OUT. 665 00:40:15,012 --> 00:40:17,014 SO SHE'S PLAYING SOME MUSIC. 666 00:40:17,014 --> 00:40:20,017 SHE'S GOT THE HARRY JAMES ORCHESTRA IN THERE! 667 00:40:20,017 --> 00:40:21,519 ELLINGTON. 668 00:40:21,519 --> 00:40:22,019 HEY! 669 00:40:22,520 --> 00:40:23,521 FRANK! 670 00:40:23,521 --> 00:40:25,022 WHAT? 671 00:40:28,025 --> 00:40:30,027 YOU'RE LOOKING A LITTLE TENSE. 672 00:40:30,027 --> 00:40:31,529 OF COURSE I'M TENSE. 673 00:40:31,529 --> 00:40:34,532 IT'S 2:00. SHE'LL WAKE UP THE WHOLE HOTEL! 674 00:40:36,534 --> 00:40:37,535 [KNOCK KNOCK] 675 00:40:39,537 --> 00:40:40,538 SEE? 676 00:40:52,516 --> 00:40:54,018 HI. MASSAGE? 677 00:40:55,019 --> 00:40:56,520 DOWN HERE, GORGEOUS. 678 00:41:00,524 --> 00:41:03,527 FUNNY, I WOULD HAVE FIGURED YOU FOR JOCKEYS. 679 00:41:05,029 --> 00:41:06,530 NEW SOCKS? 680 00:41:18,292 --> 00:41:19,543 NO! 681 00:41:22,046 --> 00:41:24,548 ♪♪ THE LOOK ♪♪ 682 00:41:24,915 --> 00:41:26,917 ♪♪ OF LOVE ♪♪ 683 00:41:26,917 --> 00:41:28,919 ♪♪ IS IN ♪♪ 684 00:41:29,420 --> 00:41:31,422 ♪♪ YOUR EYES ♪♪ 685 00:41:31,922 --> 00:41:33,924 ♪♪ A LOOK ♪♪ 686 00:41:34,425 --> 00:41:38,929 ♪♪ YOUR SMILE CAN'T DISGUISE ♪♪ 687 00:41:41,432 --> 00:41:43,934 ♪♪ THE LOOK ♪♪ 688 00:41:43,934 --> 00:41:47,938 ♪♪ OF LOVE ♪♪ 689 00:41:47,938 --> 00:41:50,941 ♪♪ IS SAYING SO MUCH MORE ♪♪ 690 00:41:50,941 --> 00:41:54,945 ♪♪ THAN JUST WORDS COULD EVER SAY ♪♪ 691 00:41:57,948 --> 00:42:00,951 ♪♪ AND WHAT MY HEART HAS HEARD ♪♪ 692 00:42:00,951 --> 00:42:04,455 ♪♪ WELL, IT TAKES MY BREATH AWAY ♪♪ 693 00:42:05,956 --> 00:42:08,959 ♪♪ I CAN HARDLY WAIT TO HOLD YOU ♪♪ 694 00:42:09,460 --> 00:42:11,962 ♪♪ FEEL MY ARMS AROUND YOU ♪♪ 695 00:42:12,463 --> 00:42:15,966 ♪♪ HOW LONG I HAVE WAITED ♪♪ 696 00:42:15,966 --> 00:42:17,968 ♪♪ WAITED JUST TO LOVE YOU ♪♪ 697 00:42:17,968 --> 00:42:21,472 ♪♪ NOW THAT I HAVE FOUND YOU ♪♪ 698 00:42:21,972 --> 00:42:26,477 ♪♪ DON'T EVER GO ♪♪ 699 00:42:26,977 --> 00:42:31,482 ♪♪ DON'T EVER GO-OH-OH ♪♪ 700 00:42:31,482 --> 00:42:36,487 ♪♪ DON'T EVER GO ♪♪ 701 00:42:36,987 --> 00:42:42,993 ♪♪ I LOVE YOU SO ♪♪♪♪ 702 00:42:54,605 --> 00:42:56,090 MARK MY WORDS. 703 00:42:56,090 --> 00:42:57,591 FROM THIS NIGHT FORWARD, 704 00:42:57,591 --> 00:43:00,227 OUR LIVES WILL NEVER BE THE SAME. 705 00:43:00,728 --> 00:43:03,731 YOU GET MORE POP FROM TWO GLASSES OF CHAMPAGNE 706 00:43:03,731 --> 00:43:05,232 THAN ANYONE I KNOW. 707 00:43:05,232 --> 00:43:08,736 THIS IS A LONG WAY FROM HULA GIRL HIDEAWAY. 708 00:43:08,736 --> 00:43:11,238 REMEMBER, BANANA TREES IN THE LOBBY? 709 00:43:11,238 --> 00:43:12,239 TAKAHAMA'S TAHITIAN. 710 00:43:12,239 --> 00:43:13,741 DID WE PLAY THERE? 711 00:43:13,741 --> 00:43:16,243 I THOUGHT WE JUST STOPPED FOR TERIYAKI. 712 00:43:16,744 --> 00:43:17,745 THREE NIGHTS. 713 00:43:17,745 --> 00:43:20,748 IT'S AMAZING. HE REMEMBERS EVERY PLACE WE PLAYED-- 714 00:43:20,748 --> 00:43:23,751 THE DAY, THE MONTH, THE YEAR. YOU NAME IT. 715 00:43:24,251 --> 00:43:25,753 WHEN WAS TAKAHAMA'S, JACK? 716 00:43:26,253 --> 00:43:28,255 AUGUST '74. 717 00:43:28,255 --> 00:43:31,759 SEE, HE'S BRILLIANT. REALLY. 718 00:43:33,260 --> 00:43:34,762 BRILLIANT. 719 00:43:36,263 --> 00:43:37,765 HEY, JACK. 720 00:43:40,267 --> 00:43:42,770 YOU'RE BRILLIANT. 721 00:43:44,772 --> 00:43:46,774 THANKS. 722 00:43:46,890 --> 00:43:47,891 THE SAME WITH MUSIC. 723 00:43:48,392 --> 00:43:49,893 WHEN HE WAS A KID, 724 00:43:50,394 --> 00:43:52,896 NOBODY COULD RIDE THE KEYS LIKE JACK. 725 00:43:52,896 --> 00:43:55,899 MRS. SIMPSON PLAYED SOMETHING ONCE. HE HAD IT. 726 00:43:55,899 --> 00:43:57,401 REALLY? 727 00:43:57,401 --> 00:44:00,404 YEAH. I NEVER WON A SINGLE BLUE RIBBON 728 00:44:00,404 --> 00:44:03,407 UNTIL THE DAY JACK SHOWED UP DRUNK 729 00:44:03,407 --> 00:44:06,410 AT SPRING RECITAL AND PLAYEDONE O'CLOCK JUMP 730 00:44:06,410 --> 00:44:08,912 INSTEAD OFCLAIR DE LUNE. 731 00:44:08,912 --> 00:44:11,799 THE MOOD JUST HIT ME. 732 00:44:14,802 --> 00:44:17,304 [STEREO PLAYS] 733 00:44:20,808 --> 00:44:22,309 HEY... 734 00:44:27,314 --> 00:44:28,816 MOONGLOW. 735 00:44:35,439 --> 00:44:36,440 MOONGLOW? 736 00:44:36,440 --> 00:44:38,942 HIGH SCHOOL FORMAL. I COULDN'T DANCE. 737 00:44:38,942 --> 00:44:41,945 WE TWO DID THE BOX STEP ALL WEEK. 738 00:44:41,945 --> 00:44:43,447 IT WASN'T A WEEK. 739 00:44:43,447 --> 00:44:44,948 IT WAS AN AFTERNOON. 740 00:44:44,948 --> 00:44:45,949 THAT'S COZY. 741 00:44:46,450 --> 00:44:47,451 HE PAID ME. 742 00:44:47,451 --> 00:44:48,952 WORTH EVERY PENNY. 743 00:44:48,952 --> 00:44:50,954 MY FIRST SOCIAL WITH DONNA. 744 00:44:50,954 --> 00:44:52,956 WE FELL IN LOVE DANCING. 745 00:44:52,956 --> 00:44:55,459 I HAVE A BEAUTIFUL WIFE, TWO BEAUTIFUL CHILDREN, 746 00:44:55,459 --> 00:44:57,461 ALL BECAUSE OF MY BROTHER. 747 00:44:57,461 --> 00:45:00,464 I THINK YOU'RE OVERESTIMATING THE BOX STEP. 748 00:45:00,464 --> 00:45:02,966 AHH, IT WAS JUST LIKE THIS-- 749 00:45:02,966 --> 00:45:06,970 OUR HONEYMOON-- THE MOON, THE STARS. 750 00:45:06,970 --> 00:45:07,971 REMEMBER, JACK? 751 00:45:08,472 --> 00:45:09,973 I WASN'T THERE. 752 00:45:11,475 --> 00:45:12,976 RIGHT. 753 00:45:12,976 --> 00:45:15,479 MY FIRST SOLO GIG. 754 00:45:17,481 --> 00:45:21,485 AHH...GOD, SHE WAS GORGEOUS. 755 00:45:23,987 --> 00:45:28,492 I COULDN'T BELIEVE SHE WAS MINE. 756 00:45:28,492 --> 00:45:31,495 AHH, HOW COME I GOT SO LUCKY, JACK? 757 00:45:31,495 --> 00:45:34,998 YOU'RE A LUCKY GUY. 758 00:45:34,998 --> 00:45:35,999 YOU KNOW... 759 00:45:35,999 --> 00:45:39,503 I'VE NEVER KISSED MY WIFE ON NEW YEAR'S EVE. 760 00:45:40,504 --> 00:45:43,006 NOT ONCE. 761 00:45:43,006 --> 00:45:46,009 I'M ALWAYS ON STAGE SOMEWHERE. 762 00:45:49,012 --> 00:45:50,514 I THINK I'M DRUNK. 763 00:45:50,514 --> 00:45:52,015 UH, YOU TWO DANCE. 764 00:45:52,015 --> 00:45:55,519 I'M GOING TO SIT WITH THE WALLFLOWERS. 765 00:45:55,519 --> 00:45:57,020 I'M NOT USED TO LEADING. 766 00:45:58,906 --> 00:46:02,409 COME ON, JACK. GIVE THE GIRL A GLIDE. 767 00:46:02,409 --> 00:46:04,411 I THINK YOUR LITTLE BROTHER 768 00:46:04,411 --> 00:46:05,913 PREFERS TO DANCE ALONE. 769 00:46:08,415 --> 00:46:10,918 NO, THANKS. 770 00:46:13,921 --> 00:46:16,423 I NEVER TOUCH FRENCH CIGARETTES. 771 00:46:35,943 --> 00:46:38,946 YOUR BROTHER'S A PRETTY GOOD DANCER. 772 00:46:38,946 --> 00:46:41,949 HEARTBREAKER. A FEW TURNS ON THE DANCE FLOOR, 773 00:46:41,949 --> 00:46:44,318 AND THAT WAS IT. 774 00:46:44,318 --> 00:46:46,453 REALLY? 775 00:46:46,453 --> 00:46:48,956 GOT THEM RIGHT IN THE KNEES. 776 00:46:48,956 --> 00:46:50,958 HAD TO CARRY THE GIRLS OFF. 777 00:46:51,074 --> 00:46:52,576 THRILLING. 778 00:46:52,576 --> 00:46:56,463 WHY DON'T YOU HAVE ANOTHER DRINK, FRANK, HMM? 779 00:46:56,964 --> 00:46:58,465 NO, I'M SLEEPY. 780 00:46:58,966 --> 00:47:00,467 WELL, GO TO SLEEP THEN. 781 00:47:04,838 --> 00:47:06,340 ALL RIGHT. 782 00:47:22,990 --> 00:47:25,993 I THINK I JUST LOST MY CHAPERON. 783 00:47:25,993 --> 00:47:27,494 I THINK YOU'RE SAFE. 784 00:47:31,999 --> 00:47:34,001 SO, WHERE DO YOU KEEP 785 00:47:34,001 --> 00:47:36,003 ALL YOUR BLUE RIBBONS, BAKER? 786 00:47:38,005 --> 00:47:39,506 FRANK KEEPS THEM. 787 00:47:50,017 --> 00:47:51,518 NICE NIGHT, HUH? 788 00:47:51,518 --> 00:47:53,020 MM-HMM. 789 00:47:59,526 --> 00:48:01,028 IT'S SO QUIET. 790 00:48:02,029 --> 00:48:04,531 THE WHOLE WORLD'S ASLEEP. 791 00:48:09,403 --> 00:48:10,404 CAREFUL. 792 00:48:10,404 --> 00:48:11,405 HA. 793 00:48:11,405 --> 00:48:15,409 I THINK I'VE HAD A LITTLE TOO MUCH TO DRINK. 794 00:48:15,409 --> 00:48:17,911 CHAMPAGNE GOES RIGHT TO MY HEAD. 795 00:48:19,913 --> 00:48:22,916 MAYBE WE SHOULD CALL IT A NIGHT. 796 00:48:22,916 --> 00:48:24,418 YEAH. 797 00:48:39,933 --> 00:48:41,435 OH, GOD. 798 00:48:51,828 --> 00:48:53,830 OH, MISS DIAMOND! 799 00:48:57,834 --> 00:48:59,836 THESE JUST ARRIVED FOR YOU. 800 00:48:59,953 --> 00:49:02,456 LOOKS LIKE YOU HAVE AN ADMIRER. 801 00:49:03,957 --> 00:49:05,459 THERE'S NO CARD. 802 00:49:05,459 --> 00:49:08,095 THE GENTLEMAN SAID HE'D CONTACT YOU. 803 00:49:08,095 --> 00:49:10,097 HE'S WITH THE CAT FOOD CONVENTION. 804 00:49:10,597 --> 00:49:12,599 I CAN PUT THEM IN WATER. 805 00:49:12,599 --> 00:49:14,101 THAT'S OK. 806 00:49:15,852 --> 00:49:17,354 HUH. 807 00:49:21,975 --> 00:49:23,477 [ELEVATOR BELL RINGS] 808 00:49:28,482 --> 00:49:30,484 [PIANO PLAYS] 809 00:50:29,426 --> 00:50:30,427 IT'S NICE. 810 00:50:30,927 --> 00:50:32,429 HUH? 811 00:50:32,546 --> 00:50:35,048 IT'S NICE. 812 00:50:45,809 --> 00:50:46,810 IT'S BEEN FIVE YEARS 813 00:50:47,310 --> 00:50:49,813 SINCE I'VE SEEN YOU WITHOUT A CIGARETTE. 814 00:50:49,813 --> 00:50:53,817 THE WHOLE ROOM UPSTAIRS SMELLS LIKE AN ASHTRAY. 815 00:50:53,817 --> 00:50:55,318 YOU KNOW THAT, HUH? 816 00:50:55,318 --> 00:50:58,321 THE SHEETS, THE CARPET, THE DRAPES, THE TOWELS, 817 00:50:58,321 --> 00:51:00,824 MY TUX, MY SHIRT... 818 00:51:00,824 --> 00:51:02,826 DO YOU WANT TO SMELL IT? 819 00:51:02,826 --> 00:51:04,327 MAYBE LATER. 820 00:51:04,828 --> 00:51:05,829 I'M NOT KIDDING. 821 00:51:06,329 --> 00:51:08,331 WHAT AN INSIDIOUS HABIT THAT IS. 822 00:51:08,331 --> 00:51:11,334 HOW MANY DO YOU SMOKE IN ONE DAY-- 823 00:51:11,334 --> 00:51:12,836 HUNDREDS! 824 00:51:15,338 --> 00:51:17,841 THIS IS JUST A WILD STAB, 825 00:51:17,841 --> 00:51:19,843 BUT IS SOMETHING BOTHERING YOU? 826 00:51:19,843 --> 00:51:22,846 LEAVE HER ALONE. 827 00:51:22,846 --> 00:51:24,848 I MEAN IT. 828 00:51:24,848 --> 00:51:27,350 THIS ISN'T SOME HAT-CHECK GIRL 829 00:51:27,350 --> 00:51:28,852 YOU CAN LEAVE BEHIND. 830 00:51:28,852 --> 00:51:32,856 YOU'VE GOT TWO SHOWS A NIGHT WITH HER! 831 00:51:32,856 --> 00:51:35,859 YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT. 832 00:51:35,859 --> 00:51:38,862 I KNOW TROUBLE, AND ITS NAME STARTS WITH "S." 833 00:51:39,362 --> 00:51:41,364 DO ME A FAVOR. RELAX. 834 00:51:41,364 --> 00:51:43,867 YOU DO ME A FAVOR, LITTLE BROTHER. 835 00:51:43,867 --> 00:51:46,369 STICK TO COCKTAIL WAITRESSES. 836 00:51:53,126 --> 00:51:55,846 YOU KNOW MEETING HERE AS WE DO, 837 00:51:56,346 --> 00:51:57,347 SHARING THESE FEW MOMENTS, 838 00:51:57,347 --> 00:52:00,350 I FEEL AS IF WE'RE ONE HAPPY FAMILY-- 839 00:52:00,350 --> 00:52:04,354 THE FINE WINE, THE--THE MUSIC. 840 00:52:04,354 --> 00:52:05,856 WHAT'S ALL THIS MEAN? 841 00:52:05,856 --> 00:52:07,357 I DON'T KNOW. 842 00:52:07,357 --> 00:52:09,359 ALL I CAN TELL YOU 843 00:52:09,359 --> 00:52:12,362 IS IT MAKES IT SPECIAL FOR US HERE 844 00:52:12,362 --> 00:52:13,864 TO HAVE YOU OUT THERE. 845 00:52:13,864 --> 00:52:14,865 RIGHT, SUSIE? 846 00:52:14,865 --> 00:52:15,866 RIGHT, FRANK. 847 00:52:16,366 --> 00:52:17,868 RIGHT, JACK? 848 00:52:17,868 --> 00:52:18,869 RIGHT. 849 00:52:18,869 --> 00:52:20,370 OH, IF I COULD. 850 00:52:20,370 --> 00:52:22,873 I'D JUST LIKE TO ADD ONE THING. 851 00:52:22,873 --> 00:52:24,875 I LOVE YOU, FRANK. 852 00:52:29,379 --> 00:52:31,381 I LOVE YOU. 853 00:52:31,381 --> 00:52:34,384 I JUST WANTED TO SAY IT. 854 00:52:34,384 --> 00:52:35,886 [APPLAUSE] 855 00:52:40,757 --> 00:52:43,760 YOU CAME IN LATE ONLITTLE GREEN APPLES. 856 00:52:43,760 --> 00:52:45,262 EXCUSE ME? 857 00:52:45,262 --> 00:52:47,264 YOU HEARD ME. 858 00:52:47,264 --> 00:52:49,766 NO, FRANK. YOU CAME IN EARLY. 859 00:52:49,766 --> 00:52:51,768 YOU'VE BEEN COMING IN EARLY 860 00:52:51,768 --> 00:52:53,270 FOR THE PAST DECADE. 861 00:52:53,270 --> 00:52:55,272 I NEVER MISS THE BEAT. 862 00:52:55,272 --> 00:52:56,773 HA. 863 00:52:56,773 --> 00:52:58,775 I NEVER MISS THE BEAT! 864 00:52:58,775 --> 00:53:01,278 RIGHT. YOU MAKE IT UP AS YOU GO. 865 00:53:01,778 --> 00:53:02,779 TAKE IT BACK. 866 00:53:03,280 --> 00:53:05,282 WHAT IS THIS, THE THIRD GRADE? 867 00:53:05,282 --> 00:53:06,783 TAKE IT BACK! 868 00:53:07,284 --> 00:53:09,286 TAKE A KIWI, FRANK. 869 00:53:10,787 --> 00:53:11,788 HEY! 870 00:53:13,790 --> 00:53:15,292 GO TO BED, FRANK, 871 00:53:15,292 --> 00:53:17,294 OR THIS WILL GET UGLY. 872 00:53:17,294 --> 00:53:18,295 YEAH? 873 00:53:18,295 --> 00:53:19,796 YEAH, COME ON! 874 00:53:19,796 --> 00:53:21,798 IT'S THE FUCKING NEWLYWED GAME. 875 00:53:21,798 --> 00:53:23,300 YOU HIT ME. 876 00:53:23,300 --> 00:53:25,435 I TOLD YOU I WOULD. 877 00:53:25,435 --> 00:53:27,938 [RING] 878 00:53:29,439 --> 00:53:32,442 [RING] 879 00:53:34,444 --> 00:53:36,446 [RING] 880 00:53:36,947 --> 00:53:38,448 HELLO. 881 00:53:38,448 --> 00:53:39,950 YEAH. 882 00:53:40,951 --> 00:53:44,955 AHH. NO. THIS IS 512-B. 883 00:53:44,955 --> 00:53:46,957 MR. BAKER IS IN 512-A. 884 00:53:48,458 --> 00:53:49,960 HMM? 885 00:53:52,462 --> 00:53:53,463 URGENT? 886 00:53:53,463 --> 00:53:56,967 NO, NEVER MIND. I'LL GET HIM. 887 00:53:58,969 --> 00:54:00,470 I MADE A DEAL. 888 00:54:00,470 --> 00:54:02,472 TRAINING WHEELS FOR A MONTH, 889 00:54:02,472 --> 00:54:03,974 THEN WE'D SEE. 890 00:54:03,974 --> 00:54:05,976 HE RAN INTO SOMEBODY'S CAR? 891 00:54:05,976 --> 00:54:07,978 MRS. RAMADINO'S. IT WAS PARKED. 892 00:54:07,978 --> 00:54:10,480 BARELY MADE IT OUT OF THE DRIVEWAY. 893 00:54:10,480 --> 00:54:11,982 GOT A PENCIL? 894 00:54:11,982 --> 00:54:13,483 PENCIL, PENCIL, ANYBODY. 895 00:54:14,985 --> 00:54:15,986 HERE. 896 00:54:15,986 --> 00:54:18,488 TAKE DOWN THE NEW YEAR'S SHOW. 897 00:54:18,488 --> 00:54:19,489 NOW, REMEMBER-- 898 00:54:19,489 --> 00:54:20,490 FRANK... 899 00:54:20,490 --> 00:54:22,993 START WITH THANKS FOR THE MEMORIES. 900 00:54:22,993 --> 00:54:24,995 DOHAPPY DAYS ARE HERE AGAIN. 901 00:54:24,995 --> 00:54:26,496 I KNOW THE SHOW. 902 00:54:26,496 --> 00:54:28,498 THEN THE SONG FROMCAMELOT. 903 00:54:28,498 --> 00:54:29,499 FRANK, GO. 904 00:54:29,499 --> 00:54:31,001 UH... 905 00:54:32,502 --> 00:54:35,005 DON'T HESITATE TO CALL. 906 00:54:35,005 --> 00:54:37,007 COME ON. 907 00:54:42,262 --> 00:54:43,763 ANY WORD FROM EGGHEAD? 908 00:54:47,267 --> 00:54:48,768 I'M THROUGH WITH IT. 909 00:54:48,768 --> 00:54:50,770 I SAVED YOU THE CROSSWORD. 910 00:54:53,273 --> 00:54:54,274 THANKS. 911 00:55:09,789 --> 00:55:11,291 WELL... 912 00:55:11,791 --> 00:55:12,792 HAPPY READING. 913 00:55:19,299 --> 00:55:23,303 [DO NOTHIN' TILL YOU HEAR FROM MEPLAYS] 914 00:57:54,070 --> 00:57:55,572 HEAR ANYTHING YET? 915 00:57:55,572 --> 00:57:58,074 NOT A PEEP. 916 00:58:01,578 --> 00:58:04,080 WELL...I'M GOING TO TAKE A BATH. 917 00:58:18,094 --> 00:58:20,096 [TELEPHONE RINGS] 918 00:58:25,084 --> 00:58:26,085 YEAH. 919 00:58:26,586 --> 00:58:27,587 OH, HI. 920 00:58:28,588 --> 00:58:29,589 IT'S FRANK. 921 00:58:30,089 --> 00:58:32,091 SO HOW IS LITTLE FRANK? 922 00:58:32,342 --> 00:58:34,844 OH, GOOD. THAT'S A RELIEF, HUH? 923 00:58:36,346 --> 00:58:37,847 NO. I UNDERSTAND. 924 00:58:37,847 --> 00:58:40,850 CALL ME WHEN YOU HAVE MORE TIME. 925 00:58:40,850 --> 00:58:41,851 HMM? 926 00:58:42,352 --> 00:58:44,354 OH, NOTHING. WE'RE JUST TAKING A BATH. 927 00:58:44,354 --> 00:58:46,856 I MEAN, UH... 928 00:58:46,973 --> 00:58:47,974 SUSIE'S TAKING A BATH. 929 00:58:48,474 --> 00:58:50,977 I'M DOING THE CROSSWORD. 930 00:58:50,977 --> 00:58:52,478 OK. 931 00:58:52,612 --> 00:58:53,613 BYE. 932 00:58:55,615 --> 00:58:57,116 KID'S IN THE PINK. 933 00:58:57,116 --> 00:58:58,618 GOOD. 934 00:59:05,375 --> 00:59:08,378 ♪♪ ANOTHER BRIDE ♪♪ 935 00:59:08,378 --> 00:59:11,881 ♪♪ ANOTHER JUNE ♪♪ 936 00:59:11,881 --> 00:59:16,386 ♪♪ ANOTHER SUNNY ♪♪ 937 00:59:16,386 --> 00:59:19,389 ♪♪ HONEYMOON ♪♪ 938 00:59:19,389 --> 00:59:22,892 ♪♪ ANOTHER SEASON ♪♪ 939 00:59:22,892 --> 00:59:26,396 ♪♪ ANOTHER REASON... ♪♪ 940 00:59:27,397 --> 00:59:29,899 ♪♪ FOR MAKIN' WHOOPEE ♪♪ 941 00:59:42,412 --> 00:59:45,415 ♪♪ A LOT OF SHOES ♪♪ 942 00:59:45,415 --> 00:59:47,917 ♪♪ A LOT OF RICE ♪♪ 943 00:59:48,918 --> 00:59:52,922 ♪♪ THE GROOM IS NERVOUS ♪♪ 944 00:59:52,922 --> 00:59:56,426 ♪♪ HE ANSWERS TWICE ♪♪ 945 00:59:56,426 --> 00:59:59,929 ♪♪ IT'S REALLY KILLING ♪♪ 946 00:59:59,929 --> 01:00:03,933 ♪♪ THAT HE'S SO WILLING ♪♪ 947 01:00:03,933 --> 01:00:06,936 ♪♪ TO MAKE WHOOPEE ♪♪ 948 01:00:13,443 --> 01:00:18,448 ♪♪ PICTURE A LITTLE LOVE NEST ♪♪ 949 01:00:20,950 --> 01:00:25,955 ♪♪ DOWN WHERE THE ROSES CLING ♪♪ 950 01:00:27,957 --> 01:00:34,464 ♪♪ PICTURE THAT SAME SWEET LOVE NEST ♪♪ 951 01:00:35,965 --> 01:00:39,969 ♪♪ THINK WHAT A YEAR CAN BRING ♪♪ 952 01:00:41,471 --> 01:00:43,973 ♪♪ HE'S WASHIN' DISHES ♪♪ 953 01:00:45,475 --> 01:00:48,478 ♪♪ AND BABY CLOTHES ♪♪ 954 01:00:48,478 --> 01:00:51,981 ♪♪ HE'S SO AMBITIOUS ♪♪ 955 01:00:51,981 --> 01:00:55,485 ♪♪ HE EVEN SEWS ♪♪ 956 01:00:55,985 --> 01:00:58,988 ♪♪ BUT DON'T FORGET, FOLKS ♪♪ 957 01:00:58,988 --> 01:01:03,493 ♪♪ THAT'S WHAT YOU GET, FOLKS ♪♪ 958 01:01:03,493 --> 01:01:05,995 ♪♪ FOR MAKIN' WHOOPEE ♪♪ 959 01:01:11,000 --> 01:01:14,003 ♪♪ FOR MAKIN' WHOOPEE ♪♪ 960 01:01:18,124 --> 01:01:21,127 ♪♪ FOR MAKIN' WHOOPEE ♪♪ 961 01:01:26,632 --> 01:01:30,136 ♪♪ FOR MAKIN' ♪♪ 962 01:01:30,136 --> 01:01:35,141 ♪♪ WHOOPEE ♪♪♪♪ 963 01:01:56,662 --> 01:02:00,166 OK, BOYS AND GIRLS, FIND A FRIEND. 964 01:02:00,166 --> 01:02:01,551 THIS IS IT. 965 01:02:01,551 --> 01:02:02,552 10... 966 01:02:02,552 --> 01:02:03,553 9... 967 01:02:03,553 --> 01:02:04,554 8... 968 01:02:05,054 --> 01:02:06,055 7... 969 01:02:06,055 --> 01:02:07,056 6... 970 01:02:07,056 --> 01:02:08,057 5... 971 01:02:08,558 --> 01:02:09,559 4... 972 01:02:09,559 --> 01:02:10,560 3... 973 01:02:10,560 --> 01:02:11,561 2... 974 01:02:11,561 --> 01:02:12,562 1. 975 01:02:12,562 --> 01:02:15,064 HAPPY NEW YEAR! 976 01:03:10,570 --> 01:03:11,571 SO... 977 01:03:13,072 --> 01:03:14,574 MAKE ANY RESOLUTIONS? 978 01:03:17,076 --> 01:03:19,078 NO. YOU? 979 01:03:19,579 --> 01:03:21,581 NAH. I FIGURE ALL THAT STUFF 980 01:03:22,081 --> 01:03:24,584 IS A BUNCH OF CRAP ANYWAY. 981 01:03:24,584 --> 01:03:27,086 YOU DO WHAT YOU DO. RIGHT? 982 01:03:27,086 --> 01:03:28,087 THAT'S RIGHT. 983 01:03:29,088 --> 01:03:31,090 EGGHEAD WOULD'VE BLOWN A GASKET 984 01:03:31,090 --> 01:03:34,093 IF HE HAD SEEN US TONIGHT, WOULDN'T HE? 985 01:03:40,099 --> 01:03:42,101 YOU'RE GOOD, AREN'T YOU? 986 01:03:48,608 --> 01:03:51,110 I CAN CARRY A TUNE. 987 01:03:52,111 --> 01:03:54,747 YOU'RE BETTER THAN THAT. 988 01:04:02,755 --> 01:04:06,259 YOU KNOW, I SAW YOU GUYS ONCE... 989 01:04:07,760 --> 01:04:09,262 YOU AND FRANK... 990 01:04:10,763 --> 01:04:12,765 AT THE ROOSEVELT. 991 01:04:13,766 --> 01:04:16,269 MUST HAVE BEEN A CHEAP DATE. 992 01:04:19,272 --> 01:04:21,274 SOAP CONVENTION. 993 01:04:21,274 --> 01:04:22,775 SOAP? 994 01:04:22,775 --> 01:04:25,778 YEAH. THEY GOT A CONVENTION FOR EVERYTHING. 995 01:04:25,778 --> 01:04:29,565 THIS GUY WAS SOME BIG ROLLER IN SUDS. 996 01:04:30,566 --> 01:04:32,568 AT LEAST HE WAS CLEAN. 997 01:04:32,568 --> 01:04:36,072 SOME OF THE GUYS I MET THROUGH THE SERVICE 998 01:04:36,072 --> 01:04:37,573 YOU WOULDN'T BELIEVE. 999 01:04:41,577 --> 01:04:45,081 THE OLDER ONES, THEY WEREN'T SO BAD-- 1000 01:04:45,081 --> 01:04:47,583 NICE...POLITE... 1001 01:04:47,583 --> 01:04:50,086 PULLED YOUR CHAIR OUT FOR YOU. 1002 01:04:52,588 --> 01:04:54,090 BUT THE YOUNGER ONES... 1003 01:05:01,230 --> 01:05:02,732 IT WASN'T SO BAD. 1004 01:05:02,732 --> 01:05:04,233 I'D GET A STEAK, 1005 01:05:04,233 --> 01:05:07,236 FLOWERS, SOMETIMES EVEN A GIFT, 1006 01:05:07,236 --> 01:05:09,238 WHATEVER THE GUY WAS INTO. 1007 01:05:09,238 --> 01:05:12,241 GOT A SET OF SOCKET WRENCHES ONCE. 1008 01:05:13,242 --> 01:05:15,244 THE GUY LOOKED AT ME 1009 01:05:15,244 --> 01:05:18,247 LIKE HE'D JUST GIVEN ME FOUR DOZEN ROSES. 1010 01:05:23,753 --> 01:05:26,756 BUT I STAYED AT THE HARTFORD ONE TIME. 1011 01:05:29,258 --> 01:05:31,260 YOU SHOULD SEE THE ROOMS-- 1012 01:05:31,260 --> 01:05:32,762 ALL SATIN AND VELVET. 1013 01:05:32,762 --> 01:05:35,264 AND THE BED-- 1014 01:05:35,765 --> 01:05:37,266 ROYAL BLUE, TRIMMED IN LACE, 1015 01:05:37,767 --> 01:05:39,268 CLEAN AS SNOW. 1016 01:05:41,270 --> 01:05:42,772 IT'S HARD TO BELIEVE 1017 01:05:42,772 --> 01:05:44,774 SLEEPING IN A ROOM LIKE THAT 1018 01:05:44,774 --> 01:05:46,275 DON'T CHANGE YOUR LIFE. 1019 01:05:47,276 --> 01:05:48,778 BUT IT DON'T. 1020 01:05:49,278 --> 01:05:50,780 THE BED MAY BE MAGIC, 1021 01:05:51,280 --> 01:05:52,782 BUT THE MIRROR ISN'T. 1022 01:05:54,784 --> 01:05:57,787 I STILL WAKE UP THE SAME OLD SUSIE. 1023 01:06:01,791 --> 01:06:03,292 I DIDN'T ALWAYS. 1024 01:06:03,793 --> 01:06:05,294 YOU KNOW, I MEAN... 1025 01:06:06,295 --> 01:06:08,297 IF I LIKED THE GUY. 1026 01:06:12,802 --> 01:06:15,805 I NEVER LIKED THE HARTFORD MUCH MYSELF. 1027 01:06:28,317 --> 01:06:30,820 MY NECK IS SO TIGHT. 1028 01:06:30,820 --> 01:06:33,689 USUALLY SINGING RELAXES ME. 1029 01:06:34,190 --> 01:06:36,192 BUT I DON'T KNOW TONIGHT. 1030 01:06:43,199 --> 01:06:44,200 THANKS. 1031 01:07:30,996 --> 01:07:31,997 THANKS. 1032 01:08:33,559 --> 01:08:35,194 OH, SHIT. 1033 01:09:12,481 --> 01:09:16,485 YOU'D MAKE A HELL OF A FIREMAN, YOU KNOW THAT? 1034 01:09:22,491 --> 01:09:25,494 YOU PRACTICE THAT AT HOME WITH A STOPWATCH? 1035 01:09:27,496 --> 01:09:31,000 I DIDN'T WANT TO WAKE YOU. 1036 01:09:31,000 --> 01:09:32,501 EARLY RISER. 1037 01:09:36,005 --> 01:09:37,006 YEAH. 1038 01:09:39,008 --> 01:09:42,011 I DIDN'T EXPECT YOU TO RUSH OUT 1039 01:09:42,011 --> 01:09:45,014 AND BUY ME A CORSAGE THIS MORNING. 1040 01:09:46,515 --> 01:09:49,268 YOUR HIGH SCHOOL RING IS SAFE. 1041 01:10:12,541 --> 01:10:14,159 SHIT. 1042 01:10:18,163 --> 01:10:19,665 SHIT. 1043 01:10:55,200 --> 01:10:59,204 THAT TAKES CARE OF THE WEEK OF THE 5th. 1044 01:10:59,338 --> 01:11:02,841 AFTER THAT WE GOT THE AVEDON DOWNTOWN OR THE PLAZA. 1045 01:11:03,342 --> 01:11:05,344 WHAT DO YOU THINK, JACK? 1046 01:11:06,845 --> 01:11:08,347 YOU WITH ME, JACK? 1047 01:11:08,347 --> 01:11:09,848 THE AVEDON'S A DUMP. 1048 01:11:09,848 --> 01:11:11,850 THERE'S NO COVER, NO MINIMUM, 1049 01:11:11,850 --> 01:11:13,852 AND THEY WATER THEIR DRINKS. 1050 01:11:13,852 --> 01:11:16,355 IT'S STRICTLY FOR THE FULLER BRUSH CROWD. 1051 01:11:16,355 --> 01:11:17,856 IT'S NOT THAT BAD. 1052 01:11:17,856 --> 01:11:19,858 BLACKY CARSON BOOKS THE AVEDON. 1053 01:11:19,858 --> 01:11:22,361 HE'S ALWAYS BEEN GOOD TO US. 1054 01:11:22,361 --> 01:11:25,364 HE HASN'T BEEN THAT GOOD TO US. 1055 01:11:25,364 --> 01:11:26,865 WE'LL TAKE THE PLAZA. 1056 01:11:26,865 --> 01:11:30,369 AFTER THAT WE'RE LOCKED INTO THE CAPRI FOR FIVE DAYS. 1057 01:11:30,369 --> 01:11:32,871 NOT THE GOD DAMN LUAU LOUNGE AGAIN. 1058 01:11:32,871 --> 01:11:35,374 WHAT'S WRONG? THEY DON'T SALT THEIR PEANUTS? 1059 01:11:35,374 --> 01:11:37,876 SINGINGFEELINGS KNEE-DEEP IN PAPER ORCHIDS 1060 01:11:37,876 --> 01:11:39,378 AND PLASTIC TIKI LAMPS 1061 01:11:39,378 --> 01:11:41,630 IS NOT EXACTLY MY IDEA 1062 01:11:41,630 --> 01:11:43,632 OF A FUN EVENING. 1063 01:11:44,633 --> 01:11:46,635 FUN? WHO PROMISED YOU FUN? 1064 01:11:46,635 --> 01:11:48,137 WE GET PAID, REMEMBER? 1065 01:11:48,137 --> 01:11:51,640 I'M SAYING MAYBE WE SHOULD VOTE ON IT. 1066 01:11:53,642 --> 01:11:56,645 MAYBE WE SHOULD ASK JACK WHAT HE THINKS. 1067 01:11:57,146 --> 01:11:59,648 I KNOW WHAT HE THINKS. 1068 01:11:59,898 --> 01:12:02,401 IT'S FIVE DAYS. THE MONEY'S GREEN. WE'RE THERE. 1069 01:12:02,901 --> 01:12:04,403 BY THE WAY, 1070 01:12:04,403 --> 01:12:05,904 SPEAKING ABOUTFEELINGS, 1071 01:12:05,904 --> 01:12:07,906 BRUSH UP ON THE LYRICS. 1072 01:12:07,906 --> 01:12:10,909 THE OTHER NIGHT, YOU SANG THE FIRST VERSE TWICE. 1073 01:12:11,410 --> 01:12:11,910 REALLY? 1074 01:12:12,411 --> 01:12:13,912 THAT MUST EXPLAIN THE GASP 1075 01:12:14,413 --> 01:12:16,415 I HEARD FROM THE AUDIENCE. 1076 01:12:16,915 --> 01:12:19,418 WE TRASHED THE AVEDON AND THE LUAU LOUNGE. 1077 01:12:19,918 --> 01:12:21,420 WHAT'S OUR BEEF WITHFEELINGS? 1078 01:12:21,920 --> 01:12:22,921 NOTHING. 1079 01:12:26,792 --> 01:12:28,293 EXCEPT WHO CARES? 1080 01:12:28,293 --> 01:12:30,796 DOES ANYBODY REALLY NEED TO HEARFEELINGS 1081 01:12:30,796 --> 01:12:32,181 AGAIN IN THEIR LIFETIME? 1082 01:12:32,181 --> 01:12:33,682 IT'S LIKE PARSLEY, OK? 1083 01:12:33,682 --> 01:12:34,683 TAKE IT AWAY, 1084 01:12:35,184 --> 01:12:37,269 NOBODY WILL KNOW THE DIFFERENCE. 1085 01:12:37,269 --> 01:12:39,772 FEELINGSIS NOT PARSLEY. 1086 01:12:39,772 --> 01:12:42,775 FRANK, TO YOUFEELINGS MAY BEFILET MIGNON. 1087 01:12:42,775 --> 01:12:44,276 TO ME IT'S PARSLEY, 1088 01:12:44,276 --> 01:12:45,778 LESS THAN PARSLEY. 1089 01:12:45,778 --> 01:12:48,781 LOOK,FEELINGS,DESPITE WHATYOU THINK OF IT, 1090 01:12:48,781 --> 01:12:51,784 HAS BEEN THE BRIGHTEST MOMENT OF THE SHOW 1091 01:12:51,784 --> 01:12:53,786 AND A CONSISTENT CROWD PLEASER. 1092 01:12:53,786 --> 01:12:55,788 WE'RE OBLIGATED TO PERFORM IT. 1093 01:12:55,788 --> 01:12:58,791 IF WE DIDN'T, THE AUDIENCE WOULD BE DISAPPOINTED. 1094 01:12:58,791 --> 01:13:02,795 THEY WEREN'T CRYING THEIR EYES OUT ON NEW YEAR'S EVE. 1095 01:13:07,299 --> 01:13:08,801 YOU PASSED OVERFEELINGS? 1096 01:13:08,801 --> 01:13:10,302 YEAH. 1097 01:13:11,420 --> 01:13:12,921 BALI HAIWENT OUT 1098 01:13:12,921 --> 01:13:14,923 WITH THE BATH WATER, TOO. 1099 01:13:19,812 --> 01:13:20,312 I SEE. 1100 01:13:20,813 --> 01:13:22,815 THE CAT GOES AWAY FOR THE NIGHT, 1101 01:13:23,315 --> 01:13:25,317 AND THE MICE TAKE OVER THE ORCHESTRA. 1102 01:13:25,818 --> 01:13:27,820 HEY, I AIN'T NO MOUSE. 1103 01:13:28,320 --> 01:13:29,822 THAT'S RIGHT. YOU'RE PARSLEY. 1104 01:13:34,693 --> 01:13:37,196 THIS FOOD HAS BEEN SITTING HERE TOO LONG. 1105 01:13:37,696 --> 01:13:40,699 IT'S STARTING TO MAKE ME FEEL SICK. 1106 01:13:49,842 --> 01:13:51,844 WHY DON'T YOU LOOSEN THE LEASH? 1107 01:13:52,344 --> 01:13:55,848 LET'S NOT LET A WHIFF OF PERFUME BLOW OFF 15 YEARS. 1108 01:13:56,348 --> 01:13:57,850 BE REASONABLE, JACK. 1109 01:13:57,850 --> 01:14:00,352 I PLAY 300 NIGHTS A YEAR WITH YOU. 1110 01:14:00,352 --> 01:14:03,355 HOW REASONABLE DO YOU EXPECT ME TO BE? 1111 01:14:28,130 --> 01:14:31,633 [JINGLE BELLSPLAYS] 1112 01:14:52,271 --> 01:14:56,775 [JAZZ PIANO PLAYS] 1113 01:15:38,817 --> 01:15:41,820 CAN I HAVE A DOUBLE VODKA, PLEASE? 1114 01:16:36,959 --> 01:16:38,460 I WAS IN THE NEIGHBORHOOD, 1115 01:16:38,961 --> 01:16:41,263 AND I THOUGHT I'D DROP BY. 1116 01:16:52,140 --> 01:16:54,643 LISTEN, DON'T GET NERVOUS OR ANYTHING. 1117 01:16:54,643 --> 01:16:56,645 I JUST CAME BY TO... 1118 01:16:59,531 --> 01:17:00,532 TALK. 1119 01:17:30,929 --> 01:17:33,565 I GUESS YOU FOUND HIM, HUH? 1120 01:17:36,068 --> 01:17:37,569 YEAH. 1121 01:17:40,322 --> 01:17:42,574 I CAME TO WALK EDDIE. 1122 01:17:42,574 --> 01:17:44,576 COME ON. 1123 01:18:15,607 --> 01:18:17,109 TERRY'S TAP ROOM. 1124 01:18:20,112 --> 01:18:22,114 FIRST GIG WE EVER PLAYED. 1125 01:18:22,114 --> 01:18:24,616 THE OWNER GAVE US THAT BOTTLE, 1126 01:18:24,616 --> 01:18:26,118 BUT WOULDN'T OPEN IT. 1127 01:18:26,118 --> 01:18:27,119 HOW COME? 1128 01:18:27,119 --> 01:18:30,122 HE TOLD US TO SAVE IT. 1129 01:18:33,625 --> 01:18:35,127 HE SAID SOMEDAY 1130 01:18:35,127 --> 01:18:38,630 IT WOULD SOFTEN THE EDGES OF THE BAD TIMES, 1131 01:18:38,630 --> 01:18:41,633 MAKE THE GOOD ONES SEEM EVEN BETTER. 1132 01:18:41,633 --> 01:18:43,635 WE SHOULD HAVE DRUNK IT 1133 01:18:43,635 --> 01:18:46,138 BEFORE WE PLAYED TERRY'S TAP ROOM. 1134 01:18:46,138 --> 01:18:47,639 WANT SOME COFFEE? 1135 01:18:53,645 --> 01:18:56,148 YOU WANT TO LEAVE? 1136 01:18:57,649 --> 01:18:59,151 LISTEN. 1137 01:19:01,653 --> 01:19:04,156 THE REASON I CAME BY LAST NIGHT 1138 01:19:04,656 --> 01:19:08,777 IS I'M THINKING ABOUT LEAVING... 1139 01:19:08,777 --> 01:19:10,278 THE ACT. 1140 01:19:12,781 --> 01:19:14,916 IT'S, UH... 1141 01:19:14,916 --> 01:19:17,919 I MET THIS GUY AT THE HOTEL, 1142 01:19:17,919 --> 01:19:20,922 AND HE LIKED MY VOICE. 1143 01:19:20,922 --> 01:19:22,924 AND, IT, WELL, IT'S... 1144 01:19:22,924 --> 01:19:25,927 HE THINKS I CAN SELL CAT FOOD 1145 01:19:25,927 --> 01:19:27,429 BY SINGING ABOUT IT. 1146 01:19:27,429 --> 01:19:30,432 IT'S CRAZY, HUH? 1147 01:19:33,935 --> 01:19:35,437 TAKE IT. 1148 01:19:35,437 --> 01:19:36,938 I HAVEN'T DECIDED YET. 1149 01:19:36,938 --> 01:19:39,307 I'M JUST THINKING ABOUT IT. 1150 01:19:39,307 --> 01:19:41,810 NO, TAKE IT. 1151 01:19:49,701 --> 01:19:52,204 HOW LONG HAVE YOU CARED FOR THE KID UPSTAIRS? 1152 01:19:52,454 --> 01:19:54,956 I DON'T CARE FOR HER. 1153 01:19:54,956 --> 01:19:57,576 DIDN'T LOOK THAT WAY TO ME. 1154 01:19:57,576 --> 01:20:00,078 WHAT'S THE DIFFERENCE? 1155 01:20:01,580 --> 01:20:05,717 I KNOW FRANK'S GOT US BOOKED THROUGH MARCH. 1156 01:20:05,717 --> 01:20:07,719 DON'T WORRY ABOUT FRANK. 1157 01:20:09,721 --> 01:20:11,223 WHAT ABOUT YOU? 1158 01:20:11,473 --> 01:20:13,475 WHAT DOES THAT MATTER? 1159 01:20:15,977 --> 01:20:20,732 I DON'T WANT TO LEAVE YOU WITH AN EMPTY MIKE. 1160 01:20:22,234 --> 01:20:25,103 THERE'S ALWAYS ANOTHER GIRL. 1161 01:20:35,614 --> 01:20:37,365 RIGHT. 1162 01:20:42,871 --> 01:20:44,372 THANKS FOR THE ADVICE. 1163 01:20:44,372 --> 01:20:47,626 I'LL THINK IT OVER. 1164 01:21:09,948 --> 01:21:11,449 ♪♪ TEARDROPS ♪♪ 1165 01:21:13,952 --> 01:21:18,957 ♪♪ FALLING DOWN ON MY FACE ♪♪ 1166 01:21:19,958 --> 01:21:23,962 ♪♪ TRYING TO FORGET MY ♪♪ 1167 01:21:25,463 --> 01:21:29,968 ♪♪ FEELINGS OF LOVE ♪♪ 1168 01:21:32,971 --> 01:21:35,974 ♪♪ FEELINGS ♪♪ 1169 01:21:35,974 --> 01:21:41,479 ♪♪ FOR ALL MY LIFE I'LL FEEL IT ♪♪ 1170 01:21:42,981 --> 01:21:47,986 ♪♪ I WISH I'D NEVER MET YOU, BOY ♪♪ 1171 01:21:48,987 --> 01:21:53,491 ♪♪ YOU'LL NEVER COME AGAIN ♪♪♪♪ 1172 01:22:02,617 --> 01:22:04,619 I TOLD FRANK I'M QUITTING. 1173 01:22:06,621 --> 01:22:08,623 CONGRATULATIONS. 1174 01:22:09,624 --> 01:22:11,126 AS OF NOW. 1175 01:22:14,129 --> 01:22:18,133 WELL, IF YOU NEED A RECOMMENDATION, 1176 01:22:18,133 --> 01:22:20,135 YOU LET ME KNOW. 1177 01:22:20,135 --> 01:22:21,636 JESUS, YOU'RE COLD. 1178 01:22:21,636 --> 01:22:23,138 DO YOU KNOW THAT? 1179 01:22:23,138 --> 01:22:26,141 GOD, YOU'RE LIKE A FUCKING RAZOR BLADE. 1180 01:22:26,141 --> 01:22:28,643 YOU'RE GOING TO HAVE ME THINKING 1181 01:22:28,643 --> 01:22:30,645 YOU'RE GOING SOFT ON ME. 1182 01:22:30,645 --> 01:22:33,648 YOU DON'T GIVE A FUCK, DO YOU? 1183 01:22:33,648 --> 01:22:35,150 ABOUT ANYTHING. 1184 01:22:36,151 --> 01:22:39,654 DO YOU WANT ME TO TELL YOU TO STAY? 1185 01:22:39,654 --> 01:22:43,158 BEG YOU TO SAVE THE BAKER BOYS FROM DOOM? 1186 01:22:43,158 --> 01:22:44,159 FORGET IT. 1187 01:22:44,159 --> 01:22:45,660 WE SURVIVED 15 YEARS 1188 01:22:45,660 --> 01:22:48,163 BEFORE YOU STRUTTED ONTO THE SCENE. 1189 01:22:48,163 --> 01:22:51,666 TWO SECONDS, YOU'RE BAWLING LIKE A BABY. 1190 01:22:51,666 --> 01:22:55,170 YOU SHOULD BE WEARING A DIAPER, NOT A DRESS. 1191 01:22:55,170 --> 01:22:58,673 JESUS, YOU AND EGGHEAD AREBROTHERS, AREN'T YOU? 1192 01:22:58,673 --> 01:23:00,675 LET ME TELL YOU SOMETHING. 1193 01:23:00,675 --> 01:23:04,179 OVER THE YEARS, THEY'VE DROPPED LIKE FLIES ALL OVER. 1194 01:23:04,179 --> 01:23:05,680 WE'RE STILL HERE. 1195 01:23:06,181 --> 01:23:08,683 WE'VE NEVER HELD A DAY JOB. 1196 01:23:08,683 --> 01:23:12,187 HE'S AN EASY TARGET, BUT FRANK'S DONE FINE. 1197 01:23:12,187 --> 01:23:13,688 YEAH, FRANK'S DONE GREAT. 1198 01:23:13,688 --> 01:23:15,690 HE'S GOT THE WIFE, KIDS, 1199 01:23:15,690 --> 01:23:18,193 THE LITTLE HOUSE IN THE SUBURBS. 1200 01:23:18,193 --> 01:23:21,196 MEANWHILE, HIS BROTHER'S IN A SHITTY APARTMENT 1201 01:23:21,196 --> 01:23:23,698 WITH A CHIP ON HIS SHOULDER 1202 01:23:23,698 --> 01:23:24,699 BIG AS A CADILLAC. 1203 01:23:24,699 --> 01:23:26,201 LISTEN, PRINCESS. 1204 01:23:26,201 --> 01:23:27,702 WE FUCKED TWICE. 1205 01:23:27,702 --> 01:23:28,703 THAT'S IT. 1206 01:23:28,703 --> 01:23:30,205 ONCE THE SWEAT DRIES, 1207 01:23:30,205 --> 01:23:32,207 YOU STILL DON'T KNOW ME. 1208 01:23:32,207 --> 01:23:33,708 I KNOW ONE THING. 1209 01:23:33,708 --> 01:23:37,212 WHILE FRANK PUT HIS KIDS TO SLEEP LAST NIGHT, 1210 01:23:37,212 --> 01:23:40,215 JACK WAS OUT DUSTING OFF HIS DREAMS. 1211 01:23:41,716 --> 01:23:43,218 I WAS THERE. 1212 01:23:43,218 --> 01:23:46,721 I SAW IT IN YOUR FACE. 1213 01:23:46,721 --> 01:23:48,223 YOU'RE FULL OF SHIT. 1214 01:23:48,223 --> 01:23:49,724 YOU'RE A FAKE. 1215 01:23:49,724 --> 01:23:52,727 EVERY TIME YOU WALK INTO SOME DAIQUIRI HUT, 1216 01:23:53,228 --> 01:23:55,230 YOU'RE SELLING YOURSELF ON THE CHEAP. 1217 01:23:55,730 --> 01:23:57,232 I KNOW ALL ABOUT THAT. 1218 01:23:57,732 --> 01:23:59,734 I'D FIND MYSELF WITH SOME CREEP 1219 01:24:00,235 --> 01:24:02,237 AND TELL MYSELF IT DIDN'T MATTER. 1220 01:24:02,737 --> 01:24:03,738 AND YOU KID YOURSELF 1221 01:24:04,239 --> 01:24:06,741 YOU'VE GOT THIS EMPTY PLACE TO PUT IT. 1222 01:24:07,242 --> 01:24:10,245 DO IT LONG ENOUGH, AND YOU'RE JUST EMPTY. 1223 01:24:10,245 --> 01:24:13,248 I DIDN'T KNOW WHORES WERE SO PHILOSOPHICAL. 1224 01:24:14,749 --> 01:24:17,252 AT LEAST MY BROTHER'S NOT MY PIMP. 1225 01:24:19,754 --> 01:24:23,758 I HAD YOU PEGGED FOR A LOSER, BUT I WAS WRONG. 1226 01:24:23,758 --> 01:24:25,260 YOU'RE WORSE. 1227 01:24:25,260 --> 01:24:26,261 YOU'RE A COWARD. 1228 01:24:38,773 --> 01:24:40,658 MY NAME'S FRANK BAKER, 1229 01:24:40,759 --> 01:24:43,278 AND YOU KNOW MY LITTLE BROTHER JACK. 1230 01:24:43,778 --> 01:24:45,780 YOU KNOW, MY BROTHER AND I 1231 01:24:46,281 --> 01:24:47,782 HAVE BEEN PLAYING TOGETHER FOR... 1232 01:24:48,283 --> 01:24:51,836 GOSH, I DON'T KNOW. 1233 01:24:51,836 --> 01:24:52,337 JACK. 1234 01:24:54,339 --> 01:24:55,840 31 YEARS. 1235 01:24:56,958 --> 01:25:01,463 OF COURSE, BACK THEN, IT WAS A LITTLE DIFFERENT. 1236 01:25:03,715 --> 01:25:06,217 WE WERE JUST KIDS. 1237 01:25:06,718 --> 01:25:09,220 THE ONLY ONE THAT WOULD LISTEN TO US 1238 01:25:09,721 --> 01:25:12,223 WAS THE FAMILY CAT CECIL. 1239 01:25:12,724 --> 01:25:17,228 WE MUST HAVE SHAVED THREE LIVES OFF THAT CAT, HUH, JACK? 1240 01:25:40,969 --> 01:25:42,470 SORRY. 1241 01:25:47,976 --> 01:25:50,979 WE'RE NOT GETTING PAID, THEN? 1242 01:25:50,979 --> 01:25:52,480 IT'S A TELETHON. 1243 01:25:52,480 --> 01:25:53,982 NO ONE GETS A CENT. 1244 01:25:57,485 --> 01:25:58,486 WHAT'S IT FOR? 1245 01:25:58,486 --> 01:26:00,989 I DON'T KNOW. SOME DISEASE. 1246 01:26:00,989 --> 01:26:03,491 WHAT CHANNEL IS IT ON? 1247 01:26:04,492 --> 01:26:05,994 71. 1248 01:26:09,998 --> 01:26:10,999 71? 1249 01:26:10,999 --> 01:26:12,500 WHAT IS 71? 1250 01:26:13,001 --> 01:26:13,501 A CHANNEL. 1251 01:26:14,002 --> 01:26:16,004 IT'S JUST FURTHER DOWN THE DIAL. 1252 01:26:16,504 --> 01:26:17,005 IT'S PUBLICITY. 1253 01:26:17,505 --> 01:26:20,008 PUBLICITY IS PUBLICITY, RIGHT? 1254 01:26:21,509 --> 01:26:23,011 RIGHT. 1255 01:26:23,378 --> 01:26:25,380 [SWEET GEORGIA BROWNPLAYS] 1256 01:26:35,890 --> 01:26:38,393 I'LL SEE WHEN WE'RE ON. 1257 01:26:49,537 --> 01:26:51,539 WHAT'S WRONG WITH THE KID? 1258 01:26:51,539 --> 01:26:52,540 KNEE. 1259 01:26:52,540 --> 01:26:55,543 HE TORE IT UP BEFORE THE ACCIDENT. 1260 01:26:57,161 --> 01:26:58,162 ACCIDENT? 1261 01:26:58,162 --> 01:26:59,163 FIRE. 1262 01:26:59,163 --> 01:27:00,665 BUT AT THIS RATE, 1263 01:27:00,665 --> 01:27:02,667 WE CAN'T BUY JOCK STRAPS, 1264 01:27:02,667 --> 01:27:04,669 LET ALONE A GYM. 1265 01:27:05,169 --> 01:27:07,922 [TELEPHONE RINGS] 1266 01:27:07,922 --> 01:27:08,923 EARL THE PEARL. 1267 01:27:09,924 --> 01:27:11,926 WE'RE ON AFTER MR. BASKETBALL. 1268 01:27:16,681 --> 01:27:18,182 ARE YOU KIDDING ME? 1269 01:27:18,182 --> 01:27:19,684 WHAT? 1270 01:27:19,684 --> 01:27:21,686 WE'RE PLAYING FOR A GYMNASIUM? 1271 01:27:21,686 --> 01:27:24,188 LET'S HEAR IT FOR JIMMY MARSHALL. 1272 01:27:24,188 --> 01:27:27,075 MOST OF YOU KNOW JIMMY TWISTED THAT KNEE 1273 01:27:27,575 --> 01:27:29,577 TRYING TO WIN FOR LAHUGA HIGH. 1274 01:27:30,078 --> 01:27:33,081 DOCTORS SAY JIMMY WILL PLAY NEXT SEASON. 1275 01:27:33,081 --> 01:27:35,083 THAT'S WHERE YOU COME IN. 1276 01:27:35,083 --> 01:27:36,584 MAKE A DONATION. 1277 01:27:36,584 --> 01:27:39,954 LET'S KEEP OUR KIDS OFF THE STREET. 1278 01:27:41,956 --> 01:27:42,957 ALL RIGHT! 1279 01:27:43,958 --> 01:27:45,460 WELL, FRIENDS. 1280 01:27:45,460 --> 01:27:48,346 WE ARE VERY PLEASED TO HAVE WITH US 1281 01:27:48,346 --> 01:27:50,848 TWO RESPECTED MEN IN MUSICAL ENTERTAINMENT. 1282 01:27:51,349 --> 01:27:54,352 THE FABULOUS BUNKER BOYS! 1283 01:27:54,352 --> 01:27:55,853 COME ON OUT HERE, GUYS. 1284 01:27:57,855 --> 01:28:00,224 HEY, NICE SUITS, FELLAS. 1285 01:28:04,228 --> 01:28:06,731 A LOT OF YOU AMATEUR MUSICIANS 1286 01:28:06,731 --> 01:28:09,617 ARE GOING TO WANT TO RAP WITH THESE GUYS. 1287 01:28:09,617 --> 01:28:12,120 SO AFTER THIS, THEY'LL BE MANNING THE PHONES. 1288 01:28:12,620 --> 01:28:14,238 WELL, ALL RIGHT! 1289 01:28:14,238 --> 01:28:16,624 TAKE IT AWAY, GUYS! 1290 01:28:18,626 --> 01:28:21,746 [PLAYS ELABORATE INTRODUCTION] 1291 01:28:32,256 --> 01:28:34,892 [BELL RINGS] 1292 01:28:34,892 --> 01:28:36,894 WE KNOW WHAT THAT MEANS! 1293 01:28:36,894 --> 01:28:39,013 TIME TO TURN THAT BOARD. 1294 01:28:39,013 --> 01:28:41,015 YOU GUYS HAVE TO WAIT. 1295 01:28:41,015 --> 01:28:42,266 JACK... 1296 01:28:42,266 --> 01:28:45,269 I FEEL A CERTAIN ELECTRICITY IN THE AIR. 1297 01:28:45,269 --> 01:28:46,270 JACK... 1298 01:28:46,270 --> 01:28:48,406 WHAT DO YOU THINK? 1299 01:28:48,406 --> 01:28:49,907 OK, LET'S DO IT! 1300 01:28:51,409 --> 01:28:52,410 HEY! 1301 01:28:52,410 --> 01:28:53,277 JACK! 1302 01:28:53,778 --> 01:28:54,912 PLAY SOME MUSIC! 1303 01:28:54,912 --> 01:28:57,415 GO FUCK YOURSELF, BUD. 1304 01:28:57,415 --> 01:28:58,916 LEAVE HIM ALONE! 1305 01:29:01,669 --> 01:29:04,922 WHO DO YOU THINK YOU ARE? LIBERACE? 1306 01:29:08,109 --> 01:29:09,594 ARE YOU OK? 1307 01:29:14,098 --> 01:29:15,600 JACK. 1308 01:29:15,600 --> 01:29:18,603 WE JUST PASSED THE CAR, JACK. 1309 01:29:19,604 --> 01:29:22,607 ARE YOU GOING TO TALK TO ME? 1310 01:29:22,607 --> 01:29:25,610 OR IS THIS JACK'S FAMOUS SILENT ACT? 1311 01:29:25,610 --> 01:29:27,612 IT WAS FOR PUBLICITY. 1312 01:29:27,612 --> 01:29:31,115 WHAT ARE YOU, A FUCKING MORON? 1313 01:29:31,115 --> 01:29:34,118 IT'S 3:00 A.M. WHO'S WATCHING, PAPER BOYS? 1314 01:29:34,118 --> 01:29:37,121 I DIDN'T KNOW WHEN WE WERE ON. 1315 01:29:37,121 --> 01:29:38,122 BASKETBALLS, FRANK. 1316 01:29:38,122 --> 01:29:39,123 OK. 1317 01:29:39,123 --> 01:29:41,626 YOU HAD US PLAYING FOR BASKETBALLS. 1318 01:29:41,626 --> 01:29:42,627 I'M SORRY. 1319 01:29:42,627 --> 01:29:44,629 I SHOULD'VE CHECKED IT OUT. 1320 01:29:44,629 --> 01:29:47,131 IT DOESN'T MEAN YOU WALK OUT. 1321 01:29:47,131 --> 01:29:48,132 WHAT? 1322 01:29:48,132 --> 01:29:50,134 IT WASN'T PROFESSIONAL, JACK. 1323 01:29:51,135 --> 01:29:52,637 WHAT'S HAPPENED TO YOU? 1324 01:29:52,637 --> 01:29:57,141 HAVE YOU BEEN KISSING ASS SO LONG THAT YOU LIKE IT? 1325 01:29:57,141 --> 01:30:00,144 YOU LET THAT GUY TURN US INTO CLOWNS. 1326 01:30:00,144 --> 01:30:02,146 WE WERE ALWAYS SMALL-TIME. 1327 01:30:02,146 --> 01:30:04,148 WE WERE NEVER CLOWNS. 1328 01:30:06,651 --> 01:30:08,653 WHERE'S YOUR DIGNITY? 1329 01:30:09,153 --> 01:30:09,654 DIGNITY? 1330 01:30:10,154 --> 01:30:12,657 WHO ARE YOU TO TALK ABOUT DIGNITY? 1331 01:30:13,157 --> 01:30:15,660 IS THIS WHERE YOU GET YOUR DIGNITY? 1332 01:30:16,160 --> 01:30:17,161 LET'S DO IT STRAIGHT. 1333 01:30:17,662 --> 01:30:20,164 I WANT TO EXPLAIN SOMETHING TO YOU. 1334 01:30:20,665 --> 01:30:22,667 THERE ARE PEOPLE IN THIS WORLD 1335 01:30:23,167 --> 01:30:24,168 WHO DEPEND ON ME. 1336 01:30:24,669 --> 01:30:26,671 I GOT A WIFE AND KIDS 1337 01:30:27,171 --> 01:30:29,173 WHO EXPECT FOOD ON THE TABLE 1338 01:30:29,674 --> 01:30:31,175 AND HEAT IN THE HOUSE. 1339 01:30:31,676 --> 01:30:34,178 I GOT A MORTGAGE, I GOT CAR PAYMENTS. 1340 01:30:34,679 --> 01:30:37,181 AND I GOT MY LITTLE BROTHER JACK 1341 01:30:37,682 --> 01:30:40,184 WHO'S SO FUCKING SURE HE'S BETTER THAN EVERYONE. 1342 01:30:40,685 --> 01:30:44,188 DON'T YOU THINK I'D LIKE TO BLOW SMOKE IN THEIR FACES? 1343 01:30:44,188 --> 01:30:46,190 GOD DAMN RIGHT I WOULD! 1344 01:30:46,691 --> 01:30:47,692 BUT I CAN'T. 1345 01:30:48,192 --> 01:30:49,694 I HAVE TO BE RESPONSIBLE. 1346 01:30:50,194 --> 01:30:54,198 I HAVE TO MAKE SURE THE NUMBERS BALANCE OUT EACH MONTH 1347 01:30:54,699 --> 01:30:58,202 SO EVERYONE ELSE CAN GO ON LIVING THEIR LIVES! 1348 01:30:58,202 --> 01:31:00,705 YOU DON'T WIN MEDALS FOR IT, 1349 01:31:00,705 --> 01:31:03,708 BUT YOU'D NOTICE IF I FOLDED UP SHOP. 1350 01:31:03,708 --> 01:31:07,712 SO DON'T TALK TO ME ABOUT DIGNITY, LITTLE BROTHER. 1351 01:31:07,712 --> 01:31:09,714 OH, TERRIFIC. 1352 01:31:09,714 --> 01:31:11,716 WALK AWAY. 1353 01:31:11,716 --> 01:31:13,718 YOU'RE GOOD AT THAT, JACK. 1354 01:31:13,718 --> 01:31:16,220 YOU NEVER COULD COMMIT TO ANYTHING, 1355 01:31:16,220 --> 01:31:17,221 EVEN A CONVERSATION. 1356 01:31:17,221 --> 01:31:19,223 IS THAT WHAT THAT WAS? 1357 01:31:19,223 --> 01:31:21,225 IT FELT LIKE A SPEECH. 1358 01:31:21,225 --> 01:31:24,228 NEXT TIME, SAVE IT FOR THE PTA. 1359 01:31:24,228 --> 01:31:26,230 YOU HAD TO DO IT. 1360 01:31:26,230 --> 01:31:29,233 COULDN'T KEEP YOUR COCK IN YOUR POCKET. 1361 01:31:30,234 --> 01:31:31,235 HEY. 1362 01:31:33,738 --> 01:31:37,241 WHO I FUCK IS NONE OF YOUR FUCKING BUSINESS. 1363 01:31:37,241 --> 01:31:38,743 YOU GOT THAT? 1364 01:31:38,743 --> 01:31:41,746 IT IS WHEN IT AFFECTS MY BUSINESS. 1365 01:31:41,746 --> 01:31:42,747 YOUR BUSINESS? 1366 01:31:42,747 --> 01:31:43,748 YES. 1367 01:31:43,748 --> 01:31:44,749 YOUR BUSINESS? 1368 01:31:44,749 --> 01:31:47,752 YOUR BUSINESS EXISTS BECAUSE OF ME. 1369 01:31:47,752 --> 01:31:49,253 YOU? 1370 01:31:51,756 --> 01:31:52,757 I MAKE THE CALENDAR. 1371 01:31:53,257 --> 01:31:56,260 I EVEN MAKE SURE YOUR SHOES ARE SHINED. 1372 01:31:56,260 --> 01:31:57,762 WHAT DO YOU DO? 1373 01:31:58,262 --> 01:32:00,264 YOU SHOW UP AND SMOKE CIGARETTES. 1374 01:32:00,765 --> 01:32:02,266 IF SOMEBODY REQUESTED CHOPSTICKS, 1375 01:32:02,266 --> 01:32:03,768 YOU'D NEED SHEET MUSIC. 1376 01:32:03,768 --> 01:32:06,771 IF NOT FOR ME, YOU'D PLAY FOR DIMES 1377 01:32:06,771 --> 01:32:09,273 FROM THE BACK OF A TRUCK. 1378 01:32:09,273 --> 01:32:10,775 YOU'RE A REAL PRO. 1379 01:32:10,775 --> 01:32:12,276 A COUPLE MONTHS AGO, 1380 01:32:12,276 --> 01:32:15,279 YOU HAD THEM PAYING US NOT TO PLAY. 1381 01:32:15,279 --> 01:32:17,782 THAT'S FUCKING GENIUS! 1382 01:32:20,785 --> 01:32:22,787 ASSHOLE, WHAT ARE YOU DOING? 1383 01:32:23,788 --> 01:32:25,289 WHAT ARE YOU DOING? 1384 01:32:27,291 --> 01:32:28,793 FUCKER! 1385 01:32:28,793 --> 01:32:29,794 JACK! 1386 01:32:29,794 --> 01:32:30,795 JACK! 1387 01:32:30,795 --> 01:32:31,796 JACK! 1388 01:32:31,796 --> 01:32:32,797 ASSHOLE! 1389 01:32:32,797 --> 01:32:33,798 JACK! 1390 01:32:33,798 --> 01:32:34,799 JACK! 1391 01:32:34,799 --> 01:32:35,800 JACK. 1392 01:32:39,303 --> 01:32:40,304 NO, JACK! 1393 01:32:40,805 --> 01:32:43,307 LITTLE BROTHER BEAT THE SHIT OUT OF YOU. 1394 01:32:43,808 --> 01:32:44,308 MY HAND! 1395 01:32:44,809 --> 01:32:45,810 MY HAND. 1396 01:32:53,317 --> 01:32:54,318 I'M THROUGH WITH IT. 1397 01:32:54,819 --> 01:32:57,321 I CAN'T DO IT ANYMORE. 1398 01:33:13,955 --> 01:33:16,841 ♪♪ WHO CAN TAKE THE SUNRISE ♪♪ 1399 01:33:16,841 --> 01:33:19,343 ♪♪ SPRINKLE IT WITH DEW ♪♪ 1400 01:33:19,343 --> 01:33:21,345 ♪♪ TOSS IT IN THE AIR ♪♪ 1401 01:33:21,345 --> 01:33:23,347 ♪♪ AND MAKE A GROOVY LEMON PIE ♪♪ 1402 01:33:23,598 --> 01:33:24,599 ♪♪ THE CANDY MAN CAN ♪♪♪♪ 1403 01:33:25,099 --> 01:33:28,603 YOU'RE ONE OF THOSE FABULOUS GUYS. 1404 01:33:29,103 --> 01:33:30,104 I REMEMBER. 1405 01:33:30,605 --> 01:33:31,606 I DON'T REMEMBER. 1406 01:33:32,106 --> 01:33:33,107 YOU CAN'T KID ME. 1407 01:33:33,608 --> 01:33:36,477 I SEE YOU HERE EVERY NIGHT. 1408 01:33:36,477 --> 01:33:38,980 THAT'S WHY I TOOK THE JOB. 1409 01:33:38,980 --> 01:33:40,481 I COME IN, 1410 01:33:40,481 --> 01:33:43,734 AND I SEEN YOU AND YOUR BROTHER'S FACES. 1411 01:33:43,734 --> 01:33:46,621 I FIGURED IT WAS A SIGN OR SOMETHING. 1412 01:33:46,621 --> 01:33:48,623 LIKE DESTINY. 1413 01:33:51,125 --> 01:33:53,127 HOW ARE YOU DOING, MONICA? 1414 01:33:53,127 --> 01:33:56,631 SWELL, ONLY IT'S BLANCHE HERE. 1415 01:33:56,631 --> 01:33:58,132 NO, DON'T TOUCH THAT. 1416 01:33:58,499 --> 01:34:02,887 THAT'S THREE HOURS COLD. 1417 01:34:02,887 --> 01:34:05,389 I'VE JUST BEEN STANDING OVER HERE, 1418 01:34:05,389 --> 01:34:07,758 WAITING FOR YOU TO WAKE UP. 1419 01:34:07,758 --> 01:34:10,261 FINALLY I FIGURED, I DON'T KNOW, 1420 01:34:10,261 --> 01:34:13,264 MAYBE YOU HAD AN APPOINTMENT OR SOMETHING. 1421 01:34:13,514 --> 01:34:14,515 HERE YOU GO. 1422 01:34:15,016 --> 01:34:16,017 BOY, IT'S WEIRD, HUH? 1423 01:34:16,517 --> 01:34:17,518 YOU MEET SOMEONE. 1424 01:34:18,019 --> 01:34:21,022 YOU THINK YOU'RE NEVER GOING TO SEE THEM AGAIN, 1425 01:34:21,022 --> 01:34:23,524 AND THEN... 1426 01:34:27,278 --> 01:34:30,781 GUESS YOU GOT CAUGHT IN THE RAIN, HUH? 1427 01:34:31,282 --> 01:34:31,782 YEAH. 1428 01:34:32,283 --> 01:34:34,785 I GOT CAUGHT IN THE RAIN. 1429 01:34:37,672 --> 01:34:39,924 WHEN DO YOU PUNCH OUT? 1430 01:34:40,925 --> 01:34:41,926 WHAT? 1431 01:34:43,294 --> 01:34:46,297 WHEN DO YOU PUNCH OUT? 1432 01:34:49,300 --> 01:34:51,802 YOU'RE MY LAST TICKET. 1433 01:35:00,945 --> 01:35:03,814 BUTTON UP ON THE WAY HOME. 1434 01:35:05,816 --> 01:35:08,069 IT'S COLD OUT THERE. 1435 01:35:25,636 --> 01:35:27,138 HI, JACK. 1436 01:35:27,638 --> 01:35:29,140 I TOOK EDDIE OUT. 1437 01:35:37,148 --> 01:35:39,150 TAKE THAT TUX IN, JACK. 1438 01:35:39,150 --> 01:35:41,652 I COULD DROP IT OFF. 1439 01:35:41,652 --> 01:35:45,156 WILL YOU STOP THAT, PLEASE? 1440 01:35:45,656 --> 01:35:48,159 WANT ME TO MAKE COFFEE? 1441 01:35:48,659 --> 01:35:49,660 HOW ABOUT SOME EGGS? 1442 01:35:50,161 --> 01:35:52,163 I CAN MAKE SOME EGGS. 1443 01:35:54,165 --> 01:35:56,667 KNOCK IT OFF WITH THAT THING! 1444 01:35:56,667 --> 01:35:57,785 YOU'RE DRIVING ME NUTS. 1445 01:35:58,285 --> 01:35:59,286 JACK, YOU WANT EGGS? 1446 01:35:59,787 --> 01:36:00,788 YOU'RE NOT MY HOUSEKEEPER, 1447 01:36:01,288 --> 01:36:02,790 AND I CAN'T BABY-SIT YOU 1448 01:36:03,290 --> 01:36:05,292 WHENEVER YOUR MAMA GETS AN ITCH. 1449 01:36:21,308 --> 01:36:23,310 WHAT ARE YOU LOOKING AT? 1450 01:37:01,982 --> 01:37:04,485 YOU'RE HAVING A BAD DAY, RIGHT? 1451 01:37:08,239 --> 01:37:09,240 RIGHT. 1452 01:37:10,357 --> 01:37:13,861 IT'S OK. MY MOM HAD A LOT OF THOSE. 1453 01:37:13,861 --> 01:37:16,363 SOMETIMES THAT'S WHY I CAME DOWN. 1454 01:37:32,263 --> 01:37:36,267 WHAT DO YOU SAY WE GO OVER TO THE EMPIRE 1455 01:37:36,267 --> 01:37:38,769 AND GRAB A COUPLE OF CONIES? 1456 01:37:38,886 --> 01:37:41,889 I CAN'T. I'M GOING TO THE ZOO WITH HOWARD. 1457 01:37:42,273 --> 01:37:43,774 HOWARD? 1458 01:37:43,774 --> 01:37:47,645 MOM SAYS I CAN'T CALL HIM BIGFOOT ANYMORE. 1459 01:37:50,147 --> 01:37:51,649 [CAR HORN HONKS] 1460 01:37:54,151 --> 01:37:56,537 UH-OH. I THINK HE'S EARLY. 1461 01:38:11,051 --> 01:38:12,052 HEY. 1462 01:38:14,054 --> 01:38:15,556 TEACH YOU LATER? 1463 01:38:17,558 --> 01:38:19,059 ARE YOU GOING TO PLAY JINGLE BELLS 1464 01:38:19,560 --> 01:38:21,562 THE REST OF YOUR LIFE? 1465 01:39:36,837 --> 01:39:39,840 I'VE GOT TUESDAYS AND THURSDAYS OPEN. 1466 01:39:40,841 --> 01:39:43,844 THEY'RE YOURS IF YOU WANT THEM, JACK. 1467 01:39:55,105 --> 01:40:01,245 ♪♪ OF DAYS GONE BY ♪♪ 1468 01:40:05,249 --> 01:40:08,252 ♪♪ IN MY SOLITUDE ♪♪ 1469 01:40:14,508 --> 01:40:16,510 ♪♪ YOU TAUNT ME ♪♪♪♪ 1470 01:40:16,510 --> 01:40:19,013 EVERYTHING GOES, IS THAT THE IDEA? 1471 01:40:19,013 --> 01:40:22,516 NO. I'M JUST GETTING TOO OLD FOR TROPHY DENS. 1472 01:40:22,516 --> 01:40:24,518 ANYWAY, IT'S A GOOD PLACE 1473 01:40:24,518 --> 01:40:26,136 FOR A WORKSHOP. 1474 01:40:26,136 --> 01:40:27,638 WORKSHOP? 1475 01:40:27,638 --> 01:40:29,640 YEAH. A WORKSHOP. 1476 01:40:31,141 --> 01:40:34,778 YOU MEAN LIKE HAMMERS, SAWS, AND THINGS LIKE THAT? 1477 01:40:34,778 --> 01:40:37,781 CUT THE BULLSHIT. YOU CAME TO TALK BUSINESS. 1478 01:40:37,781 --> 01:40:39,650 THE OTHER NIGHT'S BEHIND US. 1479 01:40:39,650 --> 01:40:41,652 IN A COUPLE OF WEEKS, 1480 01:40:41,652 --> 01:40:44,154 EVERYTHING WILL BE THE SAME AGAIN, OK? 1481 01:40:44,655 --> 01:40:45,656 NOW YOU CAN GO. 1482 01:40:48,158 --> 01:40:50,661 I'M NOT COMING BACK, FRANK. 1483 01:40:55,165 --> 01:40:57,668 THEN WHAT'S THERE TO TALK ABOUT? 1484 01:41:01,171 --> 01:41:02,172 FRANK... 1485 01:41:04,675 --> 01:41:05,676 LISTEN... 1486 01:41:06,176 --> 01:41:08,178 IT'S NOT YOU, YOU UNDERSTAND? 1487 01:41:08,679 --> 01:41:10,431 IT'S ME. 1488 01:41:13,934 --> 01:41:16,437 I SIT IN THE FUCKING HILTON 1489 01:41:16,437 --> 01:41:17,938 OR SHERATON OR WHEREVER 1490 01:41:17,938 --> 01:41:20,441 PRACTICALLY EVERY NIGHT OF MY LIFE, 1491 01:41:20,441 --> 01:41:23,444 AND FROM THE MOMENT I GET ON STAGE, 1492 01:41:23,444 --> 01:41:26,447 I CAN'T WAIT FOR IT TO END. 1493 01:41:26,447 --> 01:41:29,450 WE PLAY THE SAME GOD DAMN SONGS 1494 01:41:29,450 --> 01:41:32,453 THE SAME GOD DAMN WAY EVERY NIGHT. 1495 01:41:32,453 --> 01:41:34,955 I JUST CAN'T DO IT ANYMORE. 1496 01:41:37,958 --> 01:41:40,961 I'VE BEEN LYING TO MYSELF LONG ENOUGH. 1497 01:41:44,465 --> 01:41:47,851 IF YOU SEE ANYTHING YOU WANT, TAKE IT. 1498 01:42:07,371 --> 01:42:09,373 OK IF I TAKE THIS? 1499 01:42:16,880 --> 01:42:19,383 COME ON, FRANK. I'M TRYING. 1500 01:42:22,386 --> 01:42:24,888 HOW'S YOUR HAND? 1501 01:42:24,888 --> 01:42:27,891 FINE. DON'T WORRY ABOUT MY HAND OR ME. 1502 01:42:27,891 --> 01:42:30,894 I DON'T NEED THIS ANY MORE THAN YOU DO. 1503 01:42:31,395 --> 01:42:34,398 I CAN MAKE JUST AS MUCH TEACHINGCAMPTOWN RACES 1504 01:42:34,898 --> 01:42:36,900 TO THESE SNOTTY NEIGHBORHOOD KIDS. 1505 01:42:39,520 --> 01:42:41,522 DON'T FOOL YOURSELF. 1506 01:42:58,172 --> 01:43:00,174 OPEN IT. 1507 01:43:03,177 --> 01:43:05,179 OPEN THE FUCKING BOTTLE. 1508 01:43:10,684 --> 01:43:13,187 LET'S SEE WHAT WE'VE GOT HERE. 1509 01:43:13,187 --> 01:43:15,189 WE'VE GOT "THE AIRPORT RAMADA." 1510 01:43:17,691 --> 01:43:20,194 WE'VE GOT "THE TRAVELODGE ON 410." 1511 01:43:21,695 --> 01:43:23,197 AND WE'VE GOT... 1512 01:43:25,199 --> 01:43:27,201 THE MALLORY. 1513 01:43:27,201 --> 01:43:28,702 I'LL TAKE THE MALLORY. 1514 01:43:29,203 --> 01:43:32,206 I WANT THE MALLORY. YOU TAKE TRAVELODGE. 1515 01:43:56,013 --> 01:43:57,014 MMM. 1516 01:43:57,014 --> 01:43:59,016 AHH! 1517 01:44:00,017 --> 01:44:02,019 NOT BAD. NOT BAD. 1518 01:44:07,524 --> 01:44:09,526 JESUS, WHEN WAS THE LAST TIME 1519 01:44:10,027 --> 01:44:11,028 WE PLAYED THE MALLORY? 1520 01:44:11,528 --> 01:44:13,530 '78 NOVEMBER. 1521 01:44:13,530 --> 01:44:14,531 MMM. 1522 01:44:14,531 --> 01:44:17,034 RIGHT. IT WAS SOMEONE'S BIRTHDAY. 1523 01:44:17,034 --> 01:44:18,535 HALLORAN? 1524 01:44:18,535 --> 01:44:21,038 HE HAD A DAUGHTER, SWEET 16. 1525 01:44:21,038 --> 01:44:23,540 OH, CHRIST. HOW COULD I FORGET? 1526 01:44:23,540 --> 01:44:25,542 WHAT A NIGHTMARE. 1527 01:44:25,542 --> 01:44:27,044 SHE ASKED FOR IT. 1528 01:44:27,044 --> 01:44:29,546 I SAID WE DIDN'T DO VOCALS. 1529 01:44:29,546 --> 01:44:31,548 HE SAID WHAT MY SISSIE WANTS... 1530 01:44:31,548 --> 01:44:33,550 MY SISSIE GETS. 1531 01:44:40,057 --> 01:44:42,059 SHE GOT IT ALL RIGHT. 1532 01:44:50,067 --> 01:44:52,069 ♪♪ SHE COMES ON LIKE A DREAM ♪♪ 1533 01:44:52,569 --> 01:44:54,071 ♪♪ ALL PEACHES AND CREAM ♪♪ 1534 01:44:54,571 --> 01:44:57,074 ♪♪ LIPS LIKE STRAWBERRY WINE ♪♪ 1535 01:44:57,574 --> 01:44:59,576 ♪♪ SHE'S 16 ♪♪ 1536 01:44:59,576 --> 01:45:01,078 ♪♪ SHE'S BEAUTIFUL ♪♪ 1537 01:45:01,078 --> 01:45:03,080 ♪♪ AND SHE'S MINE ♪♪ 1538 01:45:05,082 --> 01:45:07,584 ♪♪ YOU'RE ALL RIBBON S AND CURLS ♪♪ 1539 01:45:07,584 --> 01:45:09,086 ♪♪ ♪♪ OOH, WHAT A GIRL 1540 01:45:09,086 --> 01:45:12,089 ♪♪ EYES THAT SPARKLE AND SHINE ♪♪ 1541 01:45:12,089 --> 01:45:14,091 ♪♪ YOU'RE 16 ♪♪ 1542 01:45:14,091 --> 01:45:15,592 ♪♪ YOU'RE BEAUTIFUL ♪♪ 1543 01:45:15,592 --> 01:45:18,095 ♪♪ AND YOU'RE MINE ♪♪ 1544 01:45:19,596 --> 01:45:21,098 ♪♪ YOU'RE 16 ♪♪ 1545 01:45:21,598 --> 01:45:23,100 ♪♪ YOU'RE BEAUTIFUL ♪♪ 1546 01:45:23,100 --> 01:45:25,102 ♪♪ AND YOU'RE MINE ♪♪♪♪ 1547 01:45:45,172 --> 01:45:47,174 YOU'RE RISKING YOUR LIFE, YOU KNOW. 1548 01:45:47,674 --> 01:45:48,675 YOU GOT A GUN? 1549 01:45:49,176 --> 01:45:50,677 THE CAR YOU'RE LEANING ON-- 1550 01:45:51,178 --> 01:45:54,681 A LIGHT HEAVYWEIGHT WITH A BAD ATTITUDE. 1551 01:45:54,681 --> 01:45:56,683 I'LL TAKE MY CHANCES. 1552 01:46:03,056 --> 01:46:04,558 YOU LOOK GOOD. 1553 01:46:04,558 --> 01:46:07,444 YOU LOOK LIKE SHIT. 1554 01:46:12,315 --> 01:46:15,318 NO, I MEAN IT. YOU LOOK GOOD. 1555 01:46:16,820 --> 01:46:19,823 I MEAN IT, TOO. YOU LOOK LIKE SHIT. 1556 01:46:21,825 --> 01:46:24,327 SO HOW'S THE CAT FOOD BUSINESS? 1557 01:46:27,330 --> 01:46:27,831 TERRIFIC. 1558 01:46:28,331 --> 01:46:30,333 I'M DOING VEGETABLES NOW. 1559 01:46:32,335 --> 01:46:33,837 WHAT KIND? 1560 01:46:33,970 --> 01:46:36,473 CARROTS, PEAS. 1561 01:46:38,975 --> 01:46:40,977 NONE OF THE IMPORTANT ONES. 1562 01:46:45,232 --> 01:46:46,733 YOU KNOW, UH... 1563 01:46:48,235 --> 01:46:49,236 THE OTHER NIGHT... 1564 01:46:49,236 --> 01:46:51,238 I WAS OUT OF LINE. 1565 01:46:51,738 --> 01:46:53,740 NO, I WAS OUT OF LINE. 1566 01:47:00,247 --> 01:47:02,249 WELL... 1567 01:47:02,249 --> 01:47:05,252 I WAS KIND OF ROUGH ON EGGHEAD. 1568 01:47:05,252 --> 01:47:07,754 BEATS THE HELL OUT OF ME, 1569 01:47:07,754 --> 01:47:10,257 BUT I KIND OF MISS HIM. 1570 01:47:11,258 --> 01:47:12,259 OH, WELL... 1571 01:47:16,263 --> 01:47:19,766 HE GROWS ON YOU AFTER A WHILE. 1572 01:47:22,269 --> 01:47:25,272 SO DID YOU FIND ANOTHER GIRL? 1573 01:47:26,273 --> 01:47:28,275 I DIDN'T LOOK. 1574 01:47:35,282 --> 01:47:38,285 WELL, I'M GOING TO BE LATE. 1575 01:47:40,287 --> 01:47:41,788 ♪♪ PEAS, PEAS ♪♪ 1576 01:47:41,788 --> 01:47:43,290 ♪♪ TRY OUR PEAS ♪♪ 1577 01:47:43,290 --> 01:47:46,793 ♪♪ OUR PEAS ARE A DELICACY ♪♪♪♪ 1578 01:47:48,295 --> 01:47:51,298 FROMSTRANGERS IN THE NIGHTTO THAT. 1579 01:47:51,298 --> 01:47:52,799 FUNNY WORLD, HUH? 1580 01:47:57,804 --> 01:47:59,306 WELL... 1581 01:47:59,306 --> 01:48:00,807 BYE, BAKER. 1582 01:48:05,679 --> 01:48:07,063 HEY. 1583 01:48:10,684 --> 01:48:12,936 AM I GOING TO SEE YOU AGAIN? 1584 01:48:12,936 --> 01:48:14,938 WHAT DO YOU THINK? 1585 01:48:16,823 --> 01:48:18,325 YEAH. 1586 01:48:18,325 --> 01:48:21,828 I THINK I AM GOING TO SEE YOU AGAIN. 1587 01:48:26,833 --> 01:48:27,834 INTUITION. 1588 01:48:40,463 --> 01:48:42,849 ♪♪ HMM, HMM, HMM, HMM, HMM ♪♪ 1589 01:48:53,860 --> 01:48:57,364 ♪♪ MY FUNNY VALENTINE ♪♪ 1590 01:49:00,367 --> 01:49:04,871 ♪♪ SWEET COMIC VALENTINE ♪♪ 1591 01:49:08,375 --> 01:49:11,378 ♪♪ YOU MAKE ME SMILE ♪♪ 1592 01:49:12,879 --> 01:49:14,881 ♪♪ WITH MY HEART ♪♪ 1593 01:49:19,386 --> 01:49:21,888 ♪♪ HMM, HMM, HMM ♪♪ 1594 01:49:22,889 --> 01:49:28,395 ♪♪ YOUR LOOKS ARE LAUGHABLE ♪♪ 1595 01:49:30,397 --> 01:49:33,900 ♪♪ UNPHOTOGRAPHABLE ♪♪ 1596 01:49:37,904 --> 01:49:44,911 ♪♪ BUT YOU'RE MY FAVORITE WORK OF ART ♪♪ 1597 01:49:46,413 --> 01:49:50,417 ♪♪ HMM, HMM, HMM, HMM, HMM ♪♪ 1598 01:49:50,417 --> 01:49:57,924 ♪♪ IS YOUR FIGURE LESS THAN GREEK ♪♪ 1599 01:49:57,924 --> 01:50:04,431 ♪♪ IS YOUR MOUTH A LITTLE WEAK ♪♪ 1600 01:50:04,431 --> 01:50:11,938 ♪♪ WHEN YOU OPEN IT TO SPEAK ♪♪ 1601 01:50:11,938 --> 01:50:16,943 ♪♪ ARE YOU SMART ♪♪ 1602 01:50:24,451 --> 01:50:27,954 ♪♪ DON'T CHANGE A HAIR FOR ME ♪♪ 1603 01:50:32,959 --> 01:50:38,465 ♪♪ NOT IF YOU CARE FOR ME ♪♪ 1604 01:50:38,465 --> 01:50:45,972 ♪♪ STAY, MY FUNNY VALENTINE ♪♪ 1605 01:50:45,972 --> 01:50:52,479 ♪♪ STAY ♪♪ 1606 01:50:56,983 --> 01:51:01,988 ♪♪ EACH DAY IS VALENTINE'S... ♪♪ 1607 01:51:04,941 --> 01:51:07,444 ♪♪ DAY ♪♪♪♪ 105122