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1
00:00:10,144 --> 00:00:12,646
- * ONE, TWO, THREE,
FOUR, FIVE, SIX *
2
00:00:12,680 --> 00:00:13,647
* SHAKE IT, DUDE
3
00:00:13,681 --> 00:00:21,589
*
4
00:00:35,436 --> 00:00:39,340
- * CUE THE PULSE TO BEGIN
5
00:00:46,314 --> 00:00:50,218
* CUE THE PULSE TO BEGIN
6
00:00:50,251 --> 00:00:53,754
* CUE THE PULSE TO BEGIN
7
00:00:53,787 --> 00:00:57,125
* CUE THE PULSE TO BEGIN
8
00:01:00,628 --> 00:01:03,564
[dance music]
9
00:01:03,597 --> 00:01:07,735
*
10
00:01:07,768 --> 00:01:09,603
- * LET IT BEGIN
11
00:01:09,637 --> 00:01:11,505
- * DON'T STOP
12
00:01:11,539 --> 00:01:13,441
- * I'M ON FIRE
13
00:01:13,474 --> 00:01:15,243
- * DON'T STOP
14
00:01:15,276 --> 00:01:16,844
- * LET IT BEGIN
15
00:01:16,877 --> 00:01:18,779
- * DON'T STOP
16
00:01:18,812 --> 00:01:20,714
- * I'M ON FIRE
17
00:01:20,748 --> 00:01:22,483
- * DON'T STOP
18
00:01:22,516 --> 00:01:24,452
- * LET IT BEGIN
19
00:01:24,485 --> 00:01:25,853
- * DON'T STOP
20
00:01:25,886 --> 00:01:27,855
- * LET IT BEGIN
21
00:01:27,888 --> 00:01:29,657
- * DON'T STOP
22
00:01:29,690 --> 00:01:31,625
- * I'M ON FIRE
23
00:01:31,659 --> 00:01:33,461
- * DON'T STOP
24
00:01:33,494 --> 00:01:35,463
- * LET IT BEGIN
25
00:01:35,496 --> 00:01:36,897
- * DON'T STOP
26
00:01:36,930 --> 00:01:40,534
*
27
00:01:40,568 --> 00:01:42,736
- WELL, LOOK WHO IT IS.
28
00:01:42,770 --> 00:01:45,606
- HEY, VIC.
29
00:01:45,639 --> 00:01:47,608
WHAT THE FUCK
ARE YOU DOING HERE?
30
00:01:47,641 --> 00:01:48,876
- I BELIEVE THAT'S MY LINE.
31
00:01:48,909 --> 00:01:51,545
- SORRY.
- SHALL WE TAKE IT AGAIN?
32
00:01:51,579 --> 00:01:54,915
WHAT THE FUCK
ARE YOU DOING HERE?
33
00:01:54,948 --> 00:01:57,785
- WE'RE IN BABYLON, RIGHT?
34
00:01:57,818 --> 00:01:59,520
- IN CASE YOU FORGOT,
35
00:01:59,553 --> 00:02:02,490
THE GREAT WRITER IN THE SKY
RECENTLY WROTE ME OUT...
36
00:02:02,523 --> 00:02:04,792
PERMANENTLY.
37
00:02:06,394 --> 00:02:09,363
- [chuckles]
THEN WHERE THE FUCK ARE WE?
38
00:02:09,397 --> 00:02:12,800
- WELL, LET'S SEE.
39
00:02:12,833 --> 00:02:15,803
YOU'VE GOT ONE OF TWO CHOICES.
40
00:02:15,836 --> 00:02:18,506
*
41
00:02:18,539 --> 00:02:20,441
- * YMCA
42
00:02:20,474 --> 00:02:25,279
* IT'S FUN TO STAY
AT THE YMCA *
43
00:02:25,313 --> 00:02:27,248
* YOU CAN GET YOURSELF CLEAN
44
00:02:27,281 --> 00:02:29,717
* YOU CAN HAVE A GOOD MEAL,
YOU CAN DO WHATEVER *
45
00:02:29,750 --> 00:02:32,953
- IF THIS IS YOUR HEAVEN,
IT MUST BE MY HELL.
46
00:02:32,986 --> 00:02:35,956
- * YOUNG MAN,
ARE YOU LISTENING TO ME? *
47
00:02:35,989 --> 00:02:38,726
- WHAT KIND OF
AN ATTITUDE IS THAT,
48
00:02:38,759 --> 00:02:40,528
CONSIDERING WE HAVE SO MUCH
IN COMMON?
49
00:02:40,561 --> 00:02:43,931
- LIKE WHAT?
- WELL, IT AIN'T TWO TESTICLES.
50
00:02:43,964 --> 00:02:47,968
- TURNS OUT YOU'RE EVERYTHING
YOU NEVER WANTED TO BE, KIDDO.
51
00:02:48,001 --> 00:02:51,972
OLD, DISEASED...
AND IMPERFECT.
52
00:02:52,005 --> 00:02:54,808
[laughs]
53
00:02:54,842 --> 00:02:57,311
- MR. KINNEY?
54
00:02:58,646 --> 00:03:01,649
MR. KINNEY.
55
00:03:02,983 --> 00:03:05,619
YOU'RE IN RECOVERY.
56
00:03:05,653 --> 00:03:07,788
HOW DO YOU FEEL?
57
00:03:10,724 --> 00:03:14,194
- I'M HAVING A BALL.
58
00:03:15,496 --> 00:03:17,898
- I AM SO NOT LOOKING
FORWARD TO THIS.
59
00:03:17,931 --> 00:03:20,701
- WHAT, MEETING
A BIG HOLLYWOOD DIRECTOR?
60
00:03:20,734 --> 00:03:23,304
- NO, GOING SHOPPING
WITH MY MOTHER.
61
00:03:23,337 --> 00:03:25,839
- AT LEAST SHE'S
GETTING OUT OF THE HOUSE.
62
00:03:25,873 --> 00:03:28,576
- YEAH, WHICH MEANS I GET
TO SIT AROUND A DRESSING ROOM
63
00:03:28,609 --> 00:03:30,644
WITH A BUNCH OF LADIES
PARADING AROUND
64
00:03:30,678 --> 00:03:32,713
IN THEIR GIRDLES AND BRAS,
65
00:03:32,746 --> 00:03:34,582
TELLING HER WHICH OUTFIT
LOOKS BEST.
66
00:03:34,615 --> 00:03:35,883
- JUDGING FROM TV,
67
00:03:35,916 --> 00:03:37,585
I THOUGHT THAT'S
ONE OF THE FEW THINGS
68
00:03:37,618 --> 00:03:39,253
WE QUEERS ARE GOOD FOR.
69
00:03:39,287 --> 00:03:40,854
- IF BRETT KELLER MAKES RAGE
INTO A MOVIE,
70
00:03:40,888 --> 00:03:42,456
ARE WE GOING TO BE RICH?
71
00:03:42,490 --> 00:03:44,858
- BEYOND OUR WILDEST,
MOST IMPROBABLE DREAMS.
72
00:03:44,892 --> 00:03:46,794
- RIGHT ON. THEN WE GET
TO SPEND ALL HIS MONEY.
73
00:03:46,827 --> 00:03:48,028
- YEAH.
74
00:03:48,061 --> 00:03:49,029
- CAN YOU GET ME
AN AUTOGRAPHED PICTURE
75
00:03:49,062 --> 00:03:50,030
OF CAMERON DIAZ?
76
00:03:50,063 --> 00:03:51,865
SHE'S FUCKING HOT.
77
00:03:51,899 --> 00:03:53,601
- WOULDN'T YOU RATHER HAVE ONE
OF LEO OR TOBY?
78
00:03:53,634 --> 00:03:54,668
- [laughs]
LATER.
79
00:03:54,702 --> 00:03:57,605
- HEY, LEARN SOMETHING.
80
00:03:57,638 --> 00:03:58,872
- I'VE GOT TO STOP
AT THE POST OFFICE
81
00:03:58,906 --> 00:04:01,342
AND MAIL OFF A COUPLE MORE
MANUSCRIPTS.
82
00:04:01,375 --> 00:04:03,477
- GOOD LUCK.
- YEAH, YOU TOO.
83
00:04:03,511 --> 00:04:06,480
- HEY.
84
00:04:06,514 --> 00:04:07,748
- HUH?
85
00:04:07,781 --> 00:04:11,719
- DON'T I GET A KISS?
- [chuckles]
86
00:04:13,787 --> 00:04:16,690
- THANKS.
87
00:04:16,724 --> 00:04:19,693
- COME ON, YOU GUYS,
WAIT UP.
88
00:04:19,727 --> 00:04:20,694
- HEY.
89
00:04:20,728 --> 00:04:22,029
- IS THE ONLY ONE TODAY?
90
00:04:22,062 --> 00:04:23,030
[indistinct chatter]
91
00:04:23,063 --> 00:04:25,899
- IT'S TOO SMALL.
92
00:04:25,933 --> 00:04:29,036
TOO PLAIN.
TOO FANCY.
93
00:04:29,069 --> 00:04:31,372
- THAT'S WHAT SHE USED TO SAY
WHEN SHE'D GO DRESS SHOPPING.
94
00:04:31,405 --> 00:04:32,773
- WELL, LOOK AT IT THIS WAY.
95
00:04:32,806 --> 00:04:36,977
AT LEAST YOU DON'T
HAVE TO ZIP HER UP.
96
00:04:37,010 --> 00:04:40,080
- THIS IS THE ONE.
97
00:04:40,113 --> 00:04:42,416
THIS IS IT!
98
00:04:42,450 --> 00:04:44,652
- JESUS, MA,
IT'S LIKE MOUNT RUSHMORE.
99
00:04:44,685 --> 00:04:46,086
- AH, MY FAVORITE.
100
00:04:46,119 --> 00:04:47,655
- HMM, BET HE SAYS THAT
ABOUT ALL THE TOMBSTONES.
101
00:04:47,688 --> 00:04:49,790
- THE ANGEL GABRIEL,
102
00:04:49,823 --> 00:04:52,426
WELCOMING GOD'S CHILDREN
AT THE HEAVENLY GATES.
103
00:04:52,460 --> 00:04:54,528
- HOPE SHE DOESN'T WANT
TO BUY THE CHILDREN TOO.
104
00:04:54,562 --> 00:04:56,330
- HOW MUCH SOMETHING
LIKE THIS RUN?
105
00:04:56,364 --> 00:04:58,799
- OH, THAT'S, UH, 27,000.
106
00:04:58,832 --> 00:05:00,401
- FOR A HOOD ORNAMENT?
107
00:05:00,434 --> 00:05:01,835
- IT'S SOLID MARBLE, SIR.
108
00:05:01,869 --> 00:05:03,437
GUARANTEED TO LAST FOREVER.
109
00:05:03,471 --> 00:05:05,939
- AT THAT PRICE, IT BETTER.
110
00:05:05,973 --> 00:05:07,107
- MA, YOU'RE NOT SERIOUS.
111
00:05:07,140 --> 00:05:08,976
- YOUR UNCLE VIC
WAS A SIZE QUEEN.
112
00:05:09,009 --> 00:05:10,544
HE'D HAVE LOVED IT.
113
00:05:10,578 --> 00:05:12,012
- I'M SURE
HE WOULD BE PERFECTLY HAPPY
114
00:05:12,045 --> 00:05:13,814
WITH JUST A SIMPLE HEADSTONE.
115
00:05:13,847 --> 00:05:16,417
- WHAT, THE KIND LIKE
THEY PUT ON A PAUPER'S GRAVE?
116
00:05:16,450 --> 00:05:17,985
NO FUCKING WAY!
117
00:05:18,018 --> 00:05:20,421
EVERYBODY WHO COMES TO LAKEVIEW
CEMETERY IS GOING TO SEE
118
00:05:20,454 --> 00:05:22,990
HOW MUCH VIC GRASSI
WAS LOVED BY HIS FAMILY.
119
00:05:23,023 --> 00:05:25,092
- WELL, HOW DO YOU PLAN
TO PAY FOR IT?
120
00:05:25,125 --> 00:05:26,827
- I'LL CASH IN
MY RETIREMENT FUND.
121
00:05:26,860 --> 00:05:28,562
I-I COULD TAKE OUT A THIRD
ON THE HOUSE.
122
00:05:28,596 --> 00:05:31,131
I CAN GET A COUPLE
OF EXTRA SHIFTS AT THE DINER.
123
00:05:31,164 --> 00:05:33,634
- YOU PRACTICALLY WORK 24-7
AS IT IS.
124
00:05:33,667 --> 00:05:35,636
- THIS IS INSANE.
125
00:05:35,669 --> 00:05:37,571
I'M NOT GOING TO LET YOU
SPEND YOUR LAST CENT--
126
00:05:37,605 --> 00:05:41,475
- SINCE WHEN DO YOU TELL ME
WHAT I CAN AND CANNOT DO?
127
00:05:41,509 --> 00:05:43,477
THIS IS FOR MY BROTHER,
128
00:05:43,511 --> 00:05:45,713
AND IT'S MY MONEY,
AND I CAN SPEND IT
129
00:05:45,746 --> 00:05:49,650
ANY GODDAMN FUCKING WAY
I CHOOSE.
130
00:05:51,619 --> 00:05:53,353
WRAP IT UP.
131
00:05:54,488 --> 00:05:56,657
- CAN I HAVE SOME MORE TOAST?
132
00:05:56,690 --> 00:05:57,858
- EGGS OVER EASY,
BACON AND BROWN,
133
00:05:57,891 --> 00:05:59,460
FRENCH TOAST UP.
134
00:05:59,493 --> 00:06:03,864
JUSTIN, WHEN YOU HAVE
A MINUTE, PLEASE.
135
00:06:03,897 --> 00:06:05,599
- I NEED A GRILLED CHEESE.
136
00:06:05,633 --> 00:06:06,900
- HERE'S THE FOOD, GUYS.
- ABOUT TIME.
137
00:06:06,934 --> 00:06:08,736
WE ONLY ORDERED YESTERDAY.
138
00:06:08,769 --> 00:06:10,871
- WHAT'D YOU HAVE TO DO,
SEND TO FRANCE FOR MY OMELET?
139
00:06:10,904 --> 00:06:13,507
- I'M SORRY, GUYS.
THINGS ARE NUTS WITHOUT DEB.
140
00:06:13,541 --> 00:06:16,043
- I DON'T KNOW ABOUT THE NUTS,
BUT WHERE'S MY SIDE OF BACON?
141
00:06:16,076 --> 00:06:18,812
- SHIT.
COMING RIGHT UP.
142
00:06:18,846 --> 00:06:20,881
- I THOUGHT JEWS
DIDN'T EAT PORK.
143
00:06:20,914 --> 00:06:23,016
- THEY WAIVE THAT LAW
FOR PREGNANT LESBIANS
144
00:06:23,050 --> 00:06:25,152
SECOND TUESDAY
OF EVERY MONTH.
145
00:06:25,185 --> 00:06:28,021
- GREETINGS,
SERFS AND VASSALS.
146
00:06:28,055 --> 00:06:29,523
- HI, BRIAN.
- BRIAN!
147
00:06:29,557 --> 00:06:30,891
- HOW WAS YOUR TRIP?
148
00:06:30,924 --> 00:06:32,960
- IN-FUCKING-CREDIBLE.
149
00:06:32,993 --> 00:06:35,496
I HOPE THAT ONE DAY, YOU TOO
WILL BE ABLE TO EXPERIENCE
150
00:06:35,529 --> 00:06:38,632
THE WONDERS OF IBIZA.
151
00:06:38,666 --> 00:06:40,167
THE SEA AND THE BEACH.
152
00:06:40,200 --> 00:06:41,168
- THE MEN?
153
00:06:41,201 --> 00:06:44,972
- DID I NOT MENTION THAT?
154
00:06:45,005 --> 00:06:47,174
COULD I HAVE SOME COFFEE?
BLACK, NO SUGAR.
155
00:06:47,207 --> 00:06:49,076
- FOR SOMEONE WHO'S JUST
GOT BACK FROM SUNNY SPAIN,
156
00:06:49,109 --> 00:06:50,077
YOU'RE NOT VERY TAN.
157
00:06:50,110 --> 00:06:51,912
- UM...
158
00:06:51,945 --> 00:06:53,814
IT RAINED
PRACTICALLY EVERY DAY.
159
00:06:53,847 --> 00:06:56,083
BUT I FOUND PLENTY TO DO
INDOORS.
160
00:06:56,116 --> 00:07:00,488
- YEAH, I'LL BET.
- HERE'S YOUR BACON.
161
00:07:00,521 --> 00:07:01,188
YOU'RE BACK.
162
00:07:01,221 --> 00:07:02,656
- AND YOU'RE HERE.
163
00:07:02,690 --> 00:07:04,458
- TOLD YOU I WOULD BE,
DIDN'T I?
164
00:07:04,492 --> 00:07:05,859
UM, SO HOW WAS YOUR TRIP?
165
00:07:05,893 --> 00:07:07,928
- THE WEATHER SUCKED.
- BUT SO DID THE MEN.
166
00:07:07,961 --> 00:07:09,863
- I'D LOVE TO HEAR ABOUT IT,
BUT I HAVE TO GO TO CLASS.
167
00:07:09,897 --> 00:07:11,999
- I KNOW SOMEONE WHO HAS
TO GET HIS ASS TO THE OFFICE
168
00:07:12,032 --> 00:07:13,934
BEFORE HIS BOSS
HAS HIS HEAD.
169
00:07:13,967 --> 00:07:17,104
- DON'T WORRY,
I'LL FINISH THIS FOR YOU.
170
00:07:20,508 --> 00:07:22,476
- WANT A LIFT?
- THAT'S OKAY.
171
00:07:22,510 --> 00:07:25,579
I'M SURE YOU HAVE PLENTY
OF MORE IMPORTANT THINGS TO DO.
172
00:07:25,613 --> 00:07:28,582
[rock music]
173
00:07:28,616 --> 00:07:34,588
*
174
00:07:34,622 --> 00:07:37,090
- I WAS GONNA SEND YOU
A POSTCARD.
175
00:07:37,124 --> 00:07:41,228
- BUT THE POST OFFICE
WAS ON STRIKE.
176
00:07:41,261 --> 00:07:42,896
- I MEANT TO CALL.
177
00:07:42,930 --> 00:07:44,231
- BUT YOUR CELL PHONE DIED
178
00:07:44,264 --> 00:07:45,733
AND YOU DIDN'T HAVE
YOUR CHARGER.
179
00:07:45,766 --> 00:07:47,000
- HOW DID YOU KNOW THAT?
180
00:07:47,034 --> 00:07:48,769
- YOU DON'T HAVE
TO MAKE UP EXCUSES.
181
00:07:48,802 --> 00:07:50,904
AS LONG AS YOU GOT WHATEVER
IT WAS OUT OF YOUR SYSTEM.
182
00:07:50,938 --> 00:07:53,907
- IT'S OUT, ALL RIGHT.
183
00:07:53,941 --> 00:07:56,243
- * DID YOU TELL THEM
ABOUT ME? *
184
00:07:56,276 --> 00:08:04,184
*
185
00:08:10,290 --> 00:08:13,894
- BY THE WAY, I--
186
00:08:13,927 --> 00:08:17,798
I MISSED YOU.
187
00:08:17,831 --> 00:08:20,801
- PROVE IT.
188
00:08:20,834 --> 00:08:22,903
*
189
00:08:22,936 --> 00:08:25,606
- * DID YOU TELL THEM
ABOUT US? *
190
00:08:25,639 --> 00:08:27,174
- YOU'RE GOING TO HAVE TO DO
BETTER THAN THAT.
191
00:08:27,207 --> 00:08:30,277
- [chuckles]
192
00:08:30,310 --> 00:08:34,815
- * HOW YOU
TORE IT UP, YEAH *
193
00:08:34,848 --> 00:08:37,818
- I'M STILL NOT CONVINCED.
- [laughs]
194
00:08:37,851 --> 00:08:39,319
*
195
00:08:39,352 --> 00:08:41,521
- [humming]
196
00:08:42,355 --> 00:08:44,725
[chuckles]
197
00:08:47,861 --> 00:08:49,563
OKAY.
198
00:08:49,597 --> 00:08:52,566
OKAY, I BELIEVE YOU.
199
00:08:52,600 --> 00:08:54,568
[laughs]
200
00:08:54,602 --> 00:08:55,936
- UM, SO I'LL SEE YOU TONIGHT?
201
00:08:55,969 --> 00:08:57,204
- MM, IF I'M IN TOWN.
202
00:08:57,237 --> 00:08:59,239
- ARE YOU GOING SOMEWHERE?
203
00:08:59,272 --> 00:09:01,108
- HOLLYWOOD.
- OH.
204
00:09:01,141 --> 00:09:04,812
*
205
00:09:09,216 --> 00:09:11,084
* AND A DOOR IS TO SHUT
206
00:09:11,118 --> 00:09:12,986
* A DOOR IS TO OPEN
207
00:09:13,020 --> 00:09:14,822
* A DOOR IS TO SHUT
208
00:09:14,855 --> 00:09:16,690
* A DOOR IS TO OPEN
209
00:09:24,732 --> 00:09:26,266
- NOTE, IN PARTICULAR,
210
00:09:26,299 --> 00:09:27,701
THE LUMINOSITY
OF THE SKIN TONES,
211
00:09:27,735 --> 00:09:29,269
GIVING THE YOUNG WOMAN
AN ALMOST
212
00:09:29,302 --> 00:09:32,239
ETHEREAL QUALITY.
213
00:09:34,107 --> 00:09:37,745
- HMMM.
214
00:09:37,778 --> 00:09:41,114
- HMPH.
215
00:09:41,148 --> 00:09:42,683
IF YOU'RE IN THE MARKET
FOR A FRENCH IMPRESSIONIST
216
00:09:42,716 --> 00:09:44,117
GIRLIE PAINTING,
217
00:09:44,151 --> 00:09:47,688
NOBODY DOES TITTIES AND BEHINDS
BETTER THAN RENOIR.
218
00:09:47,721 --> 00:09:50,023
- [scoffs]
219
00:09:50,057 --> 00:09:53,727
I'LL KEEP THAT IN MIND.
220
00:09:53,761 --> 00:09:55,729
- I WAS JUST ABOUT
TO SELL THAT.
221
00:09:55,763 --> 00:09:57,965
- IT'S A SENTIMENTAL
PIECE OF HORSESHIT.
222
00:09:57,998 --> 00:09:58,966
- [sighs]
223
00:09:58,999 --> 00:10:00,267
- MIRANDA,
224
00:10:00,300 --> 00:10:01,735
PUT IT OVER THERE
ON THAT TABLE, HONEY.
225
00:10:01,769 --> 00:10:04,037
THAT A GIRL.
226
00:10:04,071 --> 00:10:06,373
NOW GET ME A HAM AND CHEESE
ON RYE.
227
00:10:06,406 --> 00:10:09,777
- SURE.
- YEAH.
228
00:10:11,745 --> 00:10:14,014
- IF ANYBODY KNOWS ABOUT
TITTIES AND BEHINDS, IT'S YOU.
229
00:10:14,047 --> 00:10:15,315
- WHOA, WHOA, EASY, KILLER.
230
00:10:15,348 --> 00:10:16,984
I DON'T WANT ANOTHER POP
IN THE KISSER.
231
00:10:17,017 --> 00:10:18,652
- OH, DON'T TELL ME
IT STILL HASN'T HEALED.
232
00:10:18,686 --> 00:10:20,187
- [laughs]
233
00:10:20,220 --> 00:10:23,724
ACTUALLY, I JUST WORE IT
SO YOU'D FEEL SORRY FOR ME.
234
00:10:23,757 --> 00:10:26,760
OOH!
235
00:10:26,794 --> 00:10:29,763
- IT ALMOST WORKED.
236
00:10:32,933 --> 00:10:35,736
SO WHAT'S ALL THIS?
237
00:10:35,769 --> 00:10:38,071
- DECIDED TO LET YOU
SHOW MY STUFF.
238
00:10:38,105 --> 00:10:41,208
- HMM, BUT WHY,
AFTER I PUNCHED YOU?
239
00:10:41,241 --> 00:10:42,676
[phone rings]
240
00:10:42,710 --> 00:10:44,344
- [clears throat]
EXCUSE ME.
241
00:10:44,377 --> 00:10:46,346
[scoffs]
242
00:10:46,379 --> 00:10:48,148
WHAT?
243
00:10:48,181 --> 00:10:51,451
I ALREADY GAVE YOU MONEY,
YOU HEARTLESS BITCH.
244
00:10:51,484 --> 00:10:53,053
OH, YOU WANT MORE?
245
00:10:53,086 --> 00:10:55,188
WORK THE STREETS
LIKE THE WHORE THAT YOU ARE.
246
00:10:55,222 --> 00:10:56,690
[gasping]
247
00:10:56,724 --> 00:11:00,160
- [clears throat]
- MY WIFE.
248
00:11:00,193 --> 00:11:02,429
WE'RE ESTRANGED.
- I GATHERED.
249
00:11:02,462 --> 00:11:05,432
- ACTUALLY, ALL MY EX-WIVES
AND I ARE ESTRANGED.
250
00:11:05,465 --> 00:11:07,367
- I'M NOT SURPRISED.
251
00:11:07,400 --> 00:11:09,770
- IF I HAD ANY BRAINS,
I'D BE A LESBIAN LIKE YOU.
252
00:11:09,803 --> 00:11:11,104
- WHY'S THAT?
253
00:11:11,138 --> 00:11:12,840
- ALL THE PUSSY YOU WANT,
AND NO OVERHEAD.
254
00:11:12,873 --> 00:11:14,775
- YOU'RE REMARKABLE.
- [laughs]
255
00:11:14,808 --> 00:11:16,376
YEAH, THAT'S WHAT PEOPLE SAY.
256
00:11:16,409 --> 00:11:21,314
MOSTLY GREEDY WIVES
AND GOLD DIGGERS.
257
00:11:21,348 --> 00:11:25,318
YOU KNOW,
YOU HAVE NO IDEA
258
00:11:25,352 --> 00:11:27,387
WHAT A PLEASURE IT IS
259
00:11:27,420 --> 00:11:30,190
TO FINALLY MEET A WOMAN
WHO WANTS NOTHING FROM ME
260
00:11:30,223 --> 00:11:32,492
EXCEPT TO SHOW MY WORK.
261
00:11:32,525 --> 00:11:35,195
BY THE WAY,
DO YOU KNOW HOW TO COOK?
262
00:11:35,228 --> 00:11:36,964
- I HAPPEN TO BE
AN EXCELLENT COOK.
263
00:11:36,997 --> 00:11:40,200
- YOU THINK ONE OF THEM EVEN
KNEW HOW TO TURN ON A STOVE?
264
00:11:40,233 --> 00:11:42,235
SO...
[sighs]
265
00:11:42,269 --> 00:11:47,074
WHEN ARE YOU GONNA INVITE ME
HOME FOR DINNER?
266
00:11:47,107 --> 00:11:49,977
[indistinct chatter]
267
00:11:50,010 --> 00:11:53,513
- I NEED ANOTHER BOTTLE
OF THE SHIRAZ.
268
00:11:53,546 --> 00:11:56,349
- WHEN I FIRST SAW RAGE,
I SAID, "FINALLY,
269
00:11:56,383 --> 00:11:59,352
SOMEBODY'S CREATED AN
HONEST-TO-GOD GAY SUPERHERO,"
270
00:11:59,386 --> 00:12:01,021
YOU KNOW, WHO'S OUT,
271
00:12:01,054 --> 00:12:03,223
WHO'S GOT A BOYFRIEND,
WHO ACTUALLY FUCKS.
272
00:12:03,256 --> 00:12:05,125
- YEAH, WELL, WE FIGURED
IF WE WERE GOING TO DO IT,
273
00:12:05,158 --> 00:12:06,493
WE MIGHT AS WELL DO IT
ALL THE WAY.
274
00:12:06,526 --> 00:12:08,128
- AND YOU HAVE.
YOU'VE GIVEN EVERY KID
275
00:12:08,161 --> 00:12:09,429
WHO'S EVER BEEN BULLIED,
276
00:12:09,462 --> 00:12:11,164
WHO HAD TO KEEP
HIS TRUE IDENTITY A SECRET
277
00:12:11,198 --> 00:12:13,400
BUT SOMEHOW
MANAGED TO SURVIVE,
278
00:12:13,433 --> 00:12:16,403
HIS OWN CRUSADER,
HIS OWN ROLE MODEL.
279
00:12:16,436 --> 00:12:18,171
I WISH THERE WAS SOMETHING
LIKE THIS WHEN I WAS A KID.
280
00:12:18,205 --> 00:12:20,874
- THANK YOU, MR. KELLER.
- PLEASE, BRETT.
281
00:12:20,908 --> 00:12:22,976
AND I SHOULD BE
THANKING YOU.
282
00:12:23,010 --> 00:12:27,180
- UM, HOWEVER, WE DO HAVE
A COUPLE OF CONCERNS.
283
00:12:27,214 --> 00:12:29,416
- THAT SOMEONE MIGHT
WANT TO CHANGE THINGS.
284
00:12:29,449 --> 00:12:32,853
- YOU MEAN
LIKE MAKE RAGE STRAIGHT?
285
00:12:32,886 --> 00:12:34,521
I WILL PERSONALLY
CHOP THE DICK OFF
286
00:12:34,554 --> 00:12:37,024
ANY STUDIO EXECUTIVE
WHO EVEN TRIES.
287
00:12:37,057 --> 00:12:38,859
- [laughs]
- I WANT THIS FILM
288
00:12:38,892 --> 00:12:41,995
TO BE AS GRITTY AND AS DARK
AND AS EDGY AS YOUR COMIC.
289
00:12:42,029 --> 00:12:43,463
AND AS FOR RAGE,
290
00:12:43,496 --> 00:12:45,432
EVERY ACTOR IN HOLLYWOOD
IS GOING TO WANT TO PLAY HIM.
291
00:12:45,465 --> 00:12:47,901
- I-I THOUGHT STRAIGHT ACTORS
WON'T TAKE GAY ROLES.
292
00:12:47,935 --> 00:12:50,437
- NAH, NOBODY'S GOING
TO TURN THIS ONE DOWN.
293
00:12:50,470 --> 00:12:52,005
SO, WHO DO YOU PICTURE?
294
00:12:52,039 --> 00:12:54,274
JOHNNY, ASHTON, MATT?
295
00:12:54,307 --> 00:12:56,944
- BRIAN.
- BRIAN?
296
00:12:56,977 --> 00:12:58,545
- HE'S MY BOYFRIEND.
- AND MY BEST FRIEND.
297
00:12:58,578 --> 00:13:00,180
WE BASED THE CHARACTER
AFTER HIM.
298
00:13:00,213 --> 00:13:02,215
- IS HE AS GORGEOUS AS RAGE?
299
00:13:02,249 --> 00:13:04,217
- MM-HMM.
- SOME PEOPLE THINK SO.
300
00:13:04,251 --> 00:13:06,153
- MOST PEOPLE THINK SO.
301
00:13:06,186 --> 00:13:09,890
- WELL, I'LL HAVE TO MEET HIM,
YOU KNOW, JUST TO GET AN IDEA.
302
00:13:09,923 --> 00:13:12,059
- UH, WHAT ABOUT
TOMORROW NIGHT?
303
00:13:12,092 --> 00:13:13,326
WE COULD ALL GO TO BABYLON.
304
00:13:13,360 --> 00:13:15,162
- UH, IT'S A DANCE CLUB.
305
00:13:15,195 --> 00:13:16,930
THEY'RE HAVING
A WET WILLIE CONTEST.
306
00:13:16,964 --> 00:13:20,033
- WHO SAID THERE'S NOTHING TO DO
IN PITTSBURGH?
307
00:13:20,067 --> 00:13:22,035
I WAS GOING TO FLY BACK
TO L.A. TOMORROW,
308
00:13:22,069 --> 00:13:24,037
BUT, UH...
[phone rings]
309
00:13:24,071 --> 00:13:26,073
SORRY.
310
00:13:26,106 --> 00:13:28,308
[chuckles]
311
00:13:28,341 --> 00:13:29,910
COLIN.
312
00:13:29,943 --> 00:13:31,845
[whispers]
FARRELL.
313
00:13:31,879 --> 00:13:35,815
HOW WOULD YOU LIKE
TO SAVE GAYOPOLIS, HUH?
314
00:13:49,629 --> 00:13:51,498
- WHAT DO YOU THINK OF THIS?
315
00:13:51,531 --> 00:13:54,367
- "SPEAK SOFTLY
AND CARRY A BIG DICK."
316
00:13:54,401 --> 00:13:56,503
HMM, CUTE.
317
00:13:56,536 --> 00:13:59,272
HOW ABOUT, UH, "EAT THIS"?
318
00:13:59,306 --> 00:14:00,941
- WHERE'D YOU SEE THAT ONE?
319
00:14:00,974 --> 00:14:02,609
- RIGHT HERE.
320
00:14:02,642 --> 00:14:04,511
- OH.
NO, THANKS, HONEY.
321
00:14:04,544 --> 00:14:06,213
- WOULD YOU EAT
A LITTLE SOMETHING, PLEASE?
322
00:14:06,246 --> 00:14:09,983
- MAYBE LATER.
323
00:14:10,017 --> 00:14:11,384
HERE, LET ME DO THAT.
I'M A LITTLE RUSTY.
324
00:14:11,418 --> 00:14:13,086
I OUGHT TO GET BACK IN SHAPE
FOR TOMORROW.
325
00:14:13,120 --> 00:14:15,555
- ARE YOU SURE YOU WANT
TO GO BACK SO SOON?
326
00:14:15,588 --> 00:14:17,390
MAYBE YOU SHOULD
GIVE YOURSELF MORE TIME.
327
00:14:17,424 --> 00:14:20,894
- VIC'S ANGEL IS NOT
GOING TO PAY FOR ITSELF.
328
00:14:20,928 --> 00:14:22,629
AND HE'S GOING TO HAVE
THE BEST-LOOKING GRAVE
329
00:14:22,662 --> 00:14:23,897
IN THAT CEMETERY.
330
00:14:23,931 --> 00:14:25,232
[doorbell rings]
331
00:14:25,265 --> 00:14:27,367
WHO THE HELL IS THAT?
332
00:14:27,400 --> 00:14:28,969
IT'S PROBABLY MY SON
333
00:14:29,002 --> 00:14:30,570
TRYING TO TALK ME
OUT OF IT AGAIN.
334
00:14:30,603 --> 00:14:32,405
WELL, YOU CAN TELL HIM--
335
00:14:32,439 --> 00:14:34,541
NEVER MIND,
I'LL TELL HIM MYSELF.
336
00:14:34,574 --> 00:14:37,677
- DO I DETECT A DETECTIVE?
- HI, EMMETT.
337
00:14:37,710 --> 00:14:42,015
- I DON'T GIVE A SHIT
WHAT YOU SAY, MICHAEL, I'M...
338
00:14:44,084 --> 00:14:45,185
CARL.
339
00:14:45,218 --> 00:14:48,221
- HELLO, DEBBIE.
340
00:14:51,691 --> 00:14:55,028
- UM,
WE GOT YOUR FLOWERS.
341
00:14:55,062 --> 00:14:57,530
IT WAS VERY THOUGHTFUL OF YOU
TO REMEMBER VIC.
342
00:14:57,564 --> 00:15:00,033
- HE WAS A NICE GUY.
343
00:15:00,067 --> 00:15:03,603
- HE LIKED YOU TOO.
344
00:15:03,636 --> 00:15:06,206
- FORGIVE ME, I-I HAVEN'T
HAD TIME TO WRITE A NOTE.
345
00:15:06,239 --> 00:15:08,541
- I UNDERSTAND.
346
00:15:08,575 --> 00:15:10,277
- DO YOU WANT TO COME IN?
347
00:15:10,310 --> 00:15:12,612
WE'VE GOT SOME FRUITCAKE
LEFT OVER FROM CHRISTMAS.
348
00:15:12,645 --> 00:15:14,314
- EMMETT LIVES HERE NOW.
349
00:15:14,347 --> 00:15:16,449
I GOT TO HAVE SOMEBODY
BUGGING THE SHIT OUT OF ME.
350
00:15:16,483 --> 00:15:18,051
- ACTUALLY,
I JUST STOPPED BY TO SEE
351
00:15:18,085 --> 00:15:20,687
IF YOU'D LIKE TO GO OUT
AND GRAB A BITE TO EAT.
352
00:15:20,720 --> 00:15:22,555
- TALK ABOUT ANGELS.
353
00:15:22,589 --> 00:15:25,358
SHE'D LOVE TO,
WOULDN'T YOU, DEB?
354
00:15:25,392 --> 00:15:27,060
JUST HAVE HER BACK
BY A DECENT HOUR.
355
00:15:27,094 --> 00:15:28,695
- [laughs]
- THANK YOU, UH, CARL,
356
00:15:28,728 --> 00:15:33,200
BUT I'M STARTING BACK TO WORK
AT THE DINER TOMORROW.
357
00:15:33,233 --> 00:15:37,470
MAYBE SOME OTHER TIME.
358
00:15:39,606 --> 00:15:41,474
- HE LOVES IT.
HE FUCKING LOVES IT.
359
00:15:41,508 --> 00:15:42,475
HE SAYS IT'S GENIUS.
360
00:15:42,509 --> 00:15:43,743
- THAT'S NICE.
361
00:15:43,776 --> 00:15:45,512
- HE ALSO SWEARS
THAT NO MATTER WHAT,
362
00:15:45,545 --> 00:15:47,080
THE CHARACTERS ARE GOING
TO STAY EXACTLY LIKE THEY ARE
363
00:15:47,114 --> 00:15:50,117
IN THE COMIC:
HARD-ASSED, EDGY, AND QUEER.
364
00:15:50,150 --> 00:15:51,751
- GREAT.
- [chuckles]
365
00:15:51,784 --> 00:15:53,586
OH, GET THIS.
366
00:15:53,620 --> 00:15:55,522
WHEN WE TOLD HIM WE BASED
THE CHARACTER OF RAGE ON YOU,
367
00:15:55,555 --> 00:15:57,457
HE SAYS,
"I HAVE TO MEET THIS GUY."
368
00:15:57,490 --> 00:15:59,726
SO WE MADE PLANS TO GO
TO BABYLON TOMORROW NIGHT,
369
00:15:59,759 --> 00:16:02,062
CONTINGENT, OF COURSE,
ON YOUR AVAILABILITY.
370
00:16:02,095 --> 00:16:03,730
- WELL,
I'LL HAVE TO GET MY TIGHTS
371
00:16:03,763 --> 00:16:06,199
BACK FROM THE CLEANERS.
372
00:16:06,233 --> 00:16:08,168
[zipper unzips]
373
00:16:10,137 --> 00:16:13,473
- WHAT, DID YOU HURT YOURSELF?
374
00:16:13,506 --> 00:16:15,742
- MUST'VE PULLED A MUSCLE
IN IBIZA.
375
00:16:15,775 --> 00:16:16,776
- [laughs]
YEAH.
376
00:16:16,809 --> 00:16:19,979
I BET I CAN GUESS WHICH ONE.
377
00:16:22,782 --> 00:16:26,219
YOU KNOW,
YOU LOOK REALLY TIRED.
378
00:16:26,253 --> 00:16:29,422
- JUST JETLAG.
379
00:16:29,456 --> 00:16:32,392
I'M FABULOSO, SEÑOR.
380
00:16:34,661 --> 00:16:37,630
- WISH I COULD SAY
THE SAME THING ABOUT THE SHORTS.
381
00:16:37,664 --> 00:16:41,168
HEY, DON'T JACK OFF IN THERE.
382
00:16:41,201 --> 00:16:44,371
I HAVE OTHER PLANS.
383
00:16:44,404 --> 00:16:46,406
[phone rings, water running]
384
00:16:46,439 --> 00:16:51,778
BRIAN, YOU WANT ME
TO GET THE PHONE?
385
00:16:51,811 --> 00:16:56,049
- LEAVE ME A MESSAGE.
[beeping]
386
00:16:56,083 --> 00:16:58,151
- HELLO, MR. KINNEY,
THIS IS DR. RABINOWITZ
387
00:16:58,185 --> 00:17:00,420
FROM THE JOHNS HOPKINS
ONCOLOGY CENTER.
388
00:17:00,453 --> 00:17:02,655
I'D LIKE TO DISCUSS
YOUR POST-SURGERY OPTIONS,
389
00:17:02,689 --> 00:17:08,161
SO PLEASE GIVE ME A CALL
AT 410-555-4832.
390
00:17:08,195 --> 00:17:09,429
[beep]
391
00:17:09,462 --> 00:17:12,799
BRIAN...
392
00:17:12,832 --> 00:17:16,269
WHEN I TOLD
MY DEAR AUNT FAY THAT I WANTED
393
00:17:16,303 --> 00:17:17,704
TO PAINT HER SOMETHING SPECIAL
FOR HER 80th BIRTHDAY,
394
00:17:17,737 --> 00:17:20,073
SHE SAYS, "SAMMY,
I NEVER LIKED YOUR PAINTINGS,
395
00:17:20,107 --> 00:17:21,608
BUT THE BEDROOM
COULD SURE USE A FRESH COAT."
396
00:17:21,641 --> 00:17:22,609
[laughter]
397
00:17:22,642 --> 00:17:24,177
- SOUNDS LIKE MY AUNT RITA.
398
00:17:24,211 --> 00:17:25,445
- WELL, YOU KNOW
WHAT THEY SAY ABOUT FAMILY.
399
00:17:25,478 --> 00:17:26,546
THEY NEVER APPRECIATE
YOUR WORK.
400
00:17:26,579 --> 00:17:27,680
- AH, NOT IN THIS HOUSE.
401
00:17:27,714 --> 00:17:30,283
I LOVE LINDSAY'S PAINTINGS.
402
00:17:30,317 --> 00:17:32,752
- YOU PAINT?
- I DABBLE.
403
00:17:32,785 --> 00:17:35,555
- UH-HUH.
WHY DIDN'T YOU TELL ME?
404
00:17:35,588 --> 00:17:37,457
- THAT'S LIKE SAYING
TO JONAS SALK,
405
00:17:37,490 --> 00:17:39,459
"I'VE BEEN WORKING ON A VACCINE
IN MY BASEMENT."
406
00:17:39,492 --> 00:17:42,362
- SHE'S FAR TOO MODEST,
SO I'LL BOAST FOR HER.
407
00:17:42,395 --> 00:17:43,863
- MEL!
- SHUT UP.
408
00:17:43,896 --> 00:17:45,332
SHE WENT TO CARNEGIE MELLON,
409
00:17:45,365 --> 00:17:46,566
HAD HER PAINTINGS
IN A FEW EXHIBITS.
410
00:17:46,599 --> 00:17:47,734
- I'M IMPRESSED.
- OH, DON'T BE.
411
00:17:47,767 --> 00:17:49,769
THAT WAS YEARS AGO.
412
00:17:49,802 --> 00:17:51,704
- WHY DON'T YOU SHOW SAM?
- NO.
413
00:17:51,738 --> 00:17:53,206
ABSOLUTELY NOT.
414
00:17:53,240 --> 00:17:55,175
- I'M SURE THAT SHE
IS VERY SHY
415
00:17:55,208 --> 00:17:56,376
ABOUT LETTING ANYONE
SEE HER WORK,
416
00:17:56,409 --> 00:17:57,377
WHICH I TOTALLY UNDERSTAND.
417
00:17:57,410 --> 00:17:58,445
- THANK YOU, SAM.
418
00:17:58,478 --> 00:18:00,580
- BUT I SAY, "GET OVER IT."
419
00:18:00,613 --> 00:18:03,783
EVERY ARTIST IS A SELF-CENTERED,
EGOMANIACAL FASCIST.
420
00:18:03,816 --> 00:18:09,522
SO, SPARE ME
THE MODESTY SHIT, HMM?
421
00:18:09,556 --> 00:18:11,624
HMM.
422
00:18:11,658 --> 00:18:15,195
- I'M SO EMBARRASSED.
423
00:18:15,228 --> 00:18:17,797
- COME ON.
424
00:18:17,830 --> 00:18:19,499
HOW MANY TIMES
DO YOU HAVE A FAMOUS ARTIST
425
00:18:19,532 --> 00:18:22,635
TO CRITIQUE YOUR WORK,
SHARE HIS CREATIVE INSIGHT?
426
00:18:22,669 --> 00:18:25,104
WHAT DO YOU THINK, SAM?
427
00:18:30,677 --> 00:18:32,912
- PRETTY COLORS.
428
00:18:32,945 --> 00:18:35,782
- THAT IT?
- I LIKE THE--
429
00:18:35,815 --> 00:18:38,518
THE DOODLE IN THE CORNER.
- OH...
430
00:18:38,551 --> 00:18:40,220
- CUTE.
- "CUTE."
431
00:18:40,253 --> 00:18:41,921
I THINK SAM'S SEEN ENOUGH.
- HEY...
432
00:18:41,954 --> 00:18:43,623
- WHAT ARE YOU ASKING ME?
WHAT THE FUCK DO I KNOW
433
00:18:43,656 --> 00:18:45,358
ABOUT OTHER PEOPLE'S ART?
I JUST MAKE MY OWN.
434
00:18:45,392 --> 00:18:46,359
- FAIR ENOUGH.
435
00:18:46,393 --> 00:18:48,428
- MORE IMPORTANTLY...
436
00:18:48,461 --> 00:18:53,233
WHAT DO YOU THINK?
437
00:18:53,266 --> 00:18:56,269
- I THINK THEY'RE ACADEMIC,
DERIVATIVE, UNINSPIRED,
438
00:18:56,303 --> 00:18:58,271
AND THAT'S PRETTY MUCH
THE SAME REASON
439
00:18:58,305 --> 00:19:01,241
WHY I STOPPED PAINTING.
440
00:19:01,274 --> 00:19:03,910
- WELL, SOMETHING
MUST HAVE INSPIRED YOU ONCE.
441
00:19:03,943 --> 00:19:08,415
- THERE'S THIS.
I LOVE THIS.
442
00:19:09,582 --> 00:19:11,518
HMM?
443
00:19:11,551 --> 00:19:13,486
- [clears throat]
444
00:19:19,459 --> 00:19:21,828
- OH, YEAH.
445
00:19:21,861 --> 00:19:24,197
THERE WAS THIS OLD HOMELESS MAN
I USED TO PASS
446
00:19:24,231 --> 00:19:27,467
EVERY DAY ON MY WAY
TO CLASS.
447
00:19:27,500 --> 00:19:29,569
HIS FACE WAS LINED, HAUNTED,
448
00:19:29,602 --> 00:19:32,405
AS IF HE WERE STARING
AT DEATH--
449
00:19:32,439 --> 00:19:36,976
OR WORSE,
THE FAILURE OF HIS LIFE.
450
00:19:37,009 --> 00:19:41,681
I DON'T KNOW WHY.
I HAD TO SKETCH HIM.
451
00:19:41,714 --> 00:19:45,718
HMM.
452
00:19:47,320 --> 00:19:51,824
[door opens, bell jingles]
453
00:19:51,858 --> 00:19:53,293
- HEY.
WHAT DO YOU THINK?
454
00:19:53,326 --> 00:19:54,461
I THOUGHT
I'D PUT HIM OUT FRONT
455
00:19:54,494 --> 00:19:57,797
WHEN THE NEXT ISSUE
COMES OUT.
456
00:20:00,500 --> 00:20:02,702
WHAT'S WRONG?
DON'T YOU LIKE HIM?
457
00:20:02,735 --> 00:20:04,604
- DID YOU KNOW?
458
00:20:04,637 --> 00:20:08,475
- HUH?
459
00:20:08,508 --> 00:20:12,845
- DID YOU KNOW?
460
00:20:12,879 --> 00:20:16,883
- KNOW WHAT?
- ABOUT BRIAN.
461
00:20:16,916 --> 00:20:18,618
HE DIDN'T GO TO IBIZA.
462
00:20:18,651 --> 00:20:21,754
- WELL, WHERE'D HE GO?
SOUTH BEACH? CANCUN?
463
00:20:21,788 --> 00:20:26,259
- JOHNS HOPKINS.
464
00:20:26,293 --> 00:20:27,627
IT'S A HOSPITAL
IN BALTIMORE.
465
00:20:27,660 --> 00:20:31,898
- I KNOW WHAT IT IS.
466
00:20:31,931 --> 00:20:35,502
WHAT WAS HE DOING THERE?
467
00:20:35,535 --> 00:20:37,770
- THERE WAS A MESSAGE
FROM A DR. RABINOWITZ
468
00:20:37,804 --> 00:20:43,476
ON HIS MACHINE,
CHECKING UP ON HIS SURGERY...
469
00:20:43,510 --> 00:20:47,347
AND TO DISCUSS
FOLLOW-UP TREATMENT.
470
00:20:47,380 --> 00:20:50,350
SO I CALLED THE HOSPITAL
TO SEE WHO DOCTOR RABINOWITZ IS,
471
00:20:50,383 --> 00:20:52,885
AND HE'S AN ONCOLOGIST
472
00:20:52,919 --> 00:20:55,788
WHO SPECIALIZES
IN TESTICULAR CANCER.
473
00:20:59,058 --> 00:21:02,562
- OH, GOD.
474
00:21:02,595 --> 00:21:06,265
- [clears throat]
SO YOU REALLY DIDN'T KNOW?
475
00:21:11,804 --> 00:21:13,973
WELL, IF HE DIDN'T TELL YOU
AND HE DIDN'T TELL ME,
476
00:21:14,006 --> 00:21:17,310
THEN WHO DID HE TELL?
477
00:21:19,078 --> 00:21:21,814
- MY GUESS IS NOBODY.
478
00:21:21,848 --> 00:21:24,684
- THAT HE HAS CANCER?
479
00:21:27,354 --> 00:21:30,056
- WELL, I'M SURE
IF HE WANTED US TO KNOW,
480
00:21:30,089 --> 00:21:32,091
HE WOULD'VE TOLD US.
481
00:21:32,124 --> 00:21:34,427
- WHAT ARE WE SUPPOSED TO DO?
482
00:21:34,461 --> 00:21:35,695
JUST KEEP OUR MOUTHS SHUT?
483
00:21:35,728 --> 00:21:38,965
ACT LIKE WE DON'T KNOW
ANYTHING?
484
00:21:38,998 --> 00:21:40,733
- IF THAT'S WHAT HE WANTS,
485
00:21:40,767 --> 00:21:45,104
THEN THAT'S EXACTLY
WHAT WE'RE GOING TO DO.
486
00:21:45,137 --> 00:21:48,307
- [sighs]
487
00:21:50,710 --> 00:21:53,680
[dance music]
488
00:21:53,713 --> 00:21:57,350
*
489
00:21:57,384 --> 00:22:00,720
- ENDOVIR'S SALES ARE UP 15%
490
00:22:00,753 --> 00:22:02,955
SINCE WE LAUNCHED
THEIR LAST CAMPAIGN,
491
00:22:02,989 --> 00:22:04,557
AND THEY'D LIKE TO REBOOK
492
00:22:04,591 --> 00:22:06,426
FOR NEXT MONTH'S ISSUE
OF THE ADVOCATE
493
00:22:06,459 --> 00:22:08,461
AS WELL AS...
494
00:22:08,495 --> 00:22:12,131
POZ AND HEAT.
495
00:22:12,164 --> 00:22:13,633
SO, TED,
WE'RE GOING TO NEED RATES.
496
00:22:13,666 --> 00:22:15,702
- OH, RIGHT ON IT.
497
00:22:15,735 --> 00:22:17,570
- AND WE'RE ALSO
GOING TO NEED A NEW CAMPAIGN
498
00:22:17,604 --> 00:22:19,105
TO FOLLOW THIS ONE.
499
00:22:19,138 --> 00:22:21,474
- I ALREADY HAVE SOME SKETCHES
FOR YOU TO LOOK OVER.
500
00:22:21,508 --> 00:22:22,575
- AND I'VE GOT COPY
TO GO WITH THEM.
501
00:22:22,609 --> 00:22:23,743
- NICE GOING.
502
00:22:23,776 --> 00:22:28,014
NOW, WHAT ABOUT,
UH, BROWN ATHLETICS?
503
00:22:28,047 --> 00:22:30,149
[pained]
DID WE...
504
00:22:30,182 --> 00:22:31,851
GET THE CONTRACTS?
505
00:22:31,884 --> 00:22:34,621
- CAME IN YESTERDAY
WITH A 10 GRAND DEPOSIT.
506
00:22:34,654 --> 00:22:35,855
- ALREADY IN THE BANK.
507
00:22:35,888 --> 00:22:36,923
- [sniffs]
508
00:22:36,956 --> 00:22:37,990
- BRIAN?
- [sighs]
509
00:22:38,024 --> 00:22:41,894
- YOU OKAY?
- BRIAN?
510
00:22:44,163 --> 00:22:47,500
- YEAH.
[clears throat]
511
00:22:47,534 --> 00:22:49,902
YEAH, I JUST, UH...
512
00:22:49,936 --> 00:22:54,774
EXCUSE ME FOR JUST ONE SECOND.
513
00:23:06,686 --> 00:23:07,954
- BRIAN?
514
00:23:07,987 --> 00:23:11,924
- I'M FINE.
[clears throat]
515
00:23:11,958 --> 00:23:13,092
- WELL, YOU SURE AS HELL
DON'T LOOK IT.
516
00:23:13,125 --> 00:23:15,027
YOU PRACTICALLY FAINTED
IN THERE.
517
00:23:15,061 --> 00:23:17,029
- YEAH, I'M JUST A LITTLE TIRED
FROM MY TRIP, THAT'S ALL.
518
00:23:17,063 --> 00:23:18,631
- WELL,
MAYBE YOU SHOULD GO HOME.
519
00:23:18,665 --> 00:23:19,699
I MEAN, WE CAN
FINISH THIS TOMORR--
520
00:23:19,732 --> 00:23:21,801
- I SAID I'M FINE.
521
00:23:21,834 --> 00:23:25,538
NOW LET'S FINISH
THE GODDAMN MEETING.
522
00:23:25,572 --> 00:23:28,207
- YOU DON'T HAVE TO BE
SO TESTY.
523
00:23:28,240 --> 00:23:31,043
[indistinct chatter]
524
00:23:31,077 --> 00:23:33,646
- ONE PINK PLATE.
525
00:23:33,680 --> 00:23:36,716
ONE MEATLOAF.
- UH, POT PIE.
526
00:23:36,749 --> 00:23:40,052
- POT PIE.
SORRY, FIRST DAY BACK AND ALL.
527
00:23:40,086 --> 00:23:42,188
SO WHO IN THE FUCK
HAD THE MEATLOAF?
528
00:23:42,221 --> 00:23:43,556
- MEATLOAF!
529
00:23:43,590 --> 00:23:45,191
- WHAT DID YOU DO,
CHANGE TABLES?
530
00:23:45,224 --> 00:23:47,994
SORRY, HONEY.
THERE YOU GO.
531
00:23:48,027 --> 00:23:50,863
HOW'S MY FAVORITE
PERSONAL SERVICE PROFESSIONAL?
532
00:23:50,897 --> 00:23:53,733
EXCEPT, OF COURSE, FOR CARLOS
AT THE HOUSE OF MASSAGE.
533
00:23:53,766 --> 00:23:55,668
- I'M DOING FINE.
534
00:23:55,702 --> 00:23:57,937
- WELL, I THOUGHT IF YOU'RE
DONE, I'D ESCORT YOU HOME.
535
00:23:57,970 --> 00:24:02,008
- WELL, HOW "TRAY" GALLANT.
[laughs]
536
00:24:02,041 --> 00:24:03,242
BUT I DON'T GET OFF
TILL 1:30.
537
00:24:03,275 --> 00:24:04,677
- OH, WELL THAT'S
JUST HALF AN--
538
00:24:04,711 --> 00:24:06,879
- A.M.
539
00:24:06,913 --> 00:24:08,548
I TOOK ANOTHER SHIFT.
540
00:24:08,581 --> 00:24:11,718
WHO DO YOU HAVE TO FUCK
TO GET SERVICE AROUND HERE?
541
00:24:11,751 --> 00:24:15,021
- ME, WHICH MEANS YOU'RE GOING
TO BE WAITING A LONG TIME.
542
00:24:15,054 --> 00:24:16,989
- SORRY, HONEY.
WHAT CAN I DO FOR YOU?
543
00:24:17,023 --> 00:24:19,025
- I'M THE PEA SOUP, REMEMBER?
544
00:24:19,058 --> 00:24:22,562
- OH, RIGHT.
545
00:24:22,595 --> 00:24:24,130
- DEBBIE?
- CAN I GET A PEA SOUP, PLEASE?
546
00:24:24,163 --> 00:24:26,966
- YEAH, COMING UP.
547
00:24:26,999 --> 00:24:28,835
- DEBBIE?
- YEAH.
548
00:24:28,868 --> 00:24:32,038
- I'M HAROLD.
A FRIEND OF VIC'S.
549
00:24:32,071 --> 00:24:33,706
I JUST WANTED TO TELL YOU
HOW SORRY I WAS
550
00:24:33,740 --> 00:24:34,841
TO HEAR OF HIS PASSING.
551
00:24:34,874 --> 00:24:36,242
- OH, THANKS.
552
00:24:36,275 --> 00:24:37,877
- HE WAS ALWAYS SAYING
553
00:24:37,910 --> 00:24:40,246
WHAT A GREAT RELATIONSHIP
YOU TWO HAD...
554
00:24:40,279 --> 00:24:42,014
HOW HE LOOKED UP TO YOU.
555
00:24:42,048 --> 00:24:43,516
YOU WERE MORE THAN A SISTER,
556
00:24:43,550 --> 00:24:47,019
YOU WERE, UH,
HIS BEST FRIEND.
557
00:24:49,656 --> 00:24:51,057
- SORRY, I HAVE
TO GET THIS ORDER.
558
00:24:51,090 --> 00:24:53,760
- I KNOW HOW DIFFICULT IT IS
FOR YOU RIGHT NOW,
559
00:24:53,793 --> 00:24:55,595
BUT AT LEAST YOU HAVE
THE COMFORT OF KNOWING
560
00:24:55,628 --> 00:24:58,898
HOW MUCH HE LOVED YOU.
561
00:25:04,771 --> 00:25:07,173
- [sighs]
562
00:25:10,910 --> 00:25:14,280
[laughter and chatter]
563
00:25:14,313 --> 00:25:17,049
- [crying softly]
564
00:25:18,117 --> 00:25:20,052
[loud clatter]
565
00:25:26,793 --> 00:25:30,663
- DEB.
566
00:25:30,697 --> 00:25:32,899
DEBBIE?
- HUH?
567
00:25:32,932 --> 00:25:34,767
- COME--COME SIT DOWN.
568
00:25:34,801 --> 00:25:37,937
COME SIT DOWN.
569
00:25:42,108 --> 00:25:43,943
- TOLD HER IT WAS TOO SOON.
570
00:25:43,976 --> 00:25:46,178
- I GOT A LITTLE SHAKY,
THAT'S ALL.
571
00:25:46,212 --> 00:25:47,914
I DIDN'T HAVE MY SEA LEGS
BACK YET.
572
00:25:47,947 --> 00:25:50,216
I'LL BE BETTER TOMORROW.
573
00:25:50,249 --> 00:25:52,785
- YOU'RE NOT GOING BACK
TOMORROW, OR THE NEXT DAY.
574
00:25:52,819 --> 00:25:53,786
YOU'RE GOING TO TAKE
A FEW WEEKS OFF--
575
00:25:53,820 --> 00:25:54,854
- THE HELL I AM!
576
00:25:54,887 --> 00:25:58,658
- WOULD YOU CALM DOWN,
PLEASE?
577
00:25:58,691 --> 00:26:00,192
- WE ARE JUST LOOKING OUT
FOR YOUR BEST INTEREST.
578
00:26:00,226 --> 00:26:03,095
I KNOW WHAT
MY BEST INTEREST IS.
579
00:26:03,129 --> 00:26:06,265
IT'S TO WORK, SO I CAN PAY
FOR VIC'S MONUMENT.
580
00:26:06,298 --> 00:26:09,836
- THAT DOESN'T MEAN
YOU HAVE TO KILL YOURSELF.
581
00:26:09,869 --> 00:26:12,338
- YOU DON'T UNDERSTAND.
582
00:26:12,371 --> 00:26:15,107
YOU DON'T HAVE
A FUCKING CLUE.
583
00:26:15,141 --> 00:26:19,111
- WELL, WHY DON'T YOU
GIVE ME A FUCKING HINT?
584
00:26:30,890 --> 00:26:32,692
- THEY'RE ALL SO VIBRANT,
SO DYNAMIC.
585
00:26:32,725 --> 00:26:33,826
I DON'T KNOW WHICH TO CHOOSE.
586
00:26:33,860 --> 00:26:37,697
- MMM.
587
00:26:37,730 --> 00:26:39,265
TAKE 'EM ALL.
588
00:26:39,298 --> 00:26:43,169
- A SIMPLE
AND PRACTICAL SOLUTION.
589
00:26:43,202 --> 00:26:44,170
[clinks bottle]
590
00:26:44,203 --> 00:26:47,306
- HM?
- HM-MM.
591
00:26:47,339 --> 00:26:49,776
- YOU SURPRISE ME.
592
00:26:49,809 --> 00:26:52,311
- OH?
- HMM.
593
00:26:52,344 --> 00:26:56,415
I MEAN, TO LOOK AT YOU...
NO ONE WOULD EVER SUSPECT...
594
00:26:56,448 --> 00:26:58,918
- THAT I'M A LESBIAN?
595
00:26:58,951 --> 00:27:01,320
- THAT A BEAUTIFUL BLONDE
COULD BE SMART,
596
00:27:01,353 --> 00:27:03,322
HONEST, FUNNY...
597
00:27:03,355 --> 00:27:05,725
AND SUPREMELY TALENTED.
598
00:27:05,758 --> 00:27:09,328
- WELL, IT'S NOT THAT UNCOMMON.
- OH, IT'S NOT?
599
00:27:09,361 --> 00:27:12,064
- WELL, HOW MANY WOMEN HAVE
YOU ACTUALLY BOTHERED TO KNOW,
600
00:27:12,098 --> 00:27:14,867
OR LET KNOW YOU, BEFORE YOU
FUCKED THEM, OR MARRIED THEM?
601
00:27:14,901 --> 00:27:16,769
[both laugh]
602
00:27:16,803 --> 00:27:19,405
AND AS FOR MY TALENT,
WELL...
603
00:27:19,438 --> 00:27:22,208
JUDGING FROM YOUR RESPONSE,
IT WAS ANYTHING BUT SUPREME.
604
00:27:22,241 --> 00:27:24,410
- NO, NO, SEE,
THAT'S WHERE YOU'RE WRONG.
605
00:27:24,443 --> 00:27:26,012
THAT DRAWING YOU DID
OF THE HOMELESS MAN?
606
00:27:26,045 --> 00:27:27,413
HOO-HOO.
607
00:27:27,446 --> 00:27:29,749
- I HAVEN'T DONE
ANYTHING LIKE THAT IN YEARS.
608
00:27:29,782 --> 00:27:31,050
- YOU SHOULD.
609
00:27:31,083 --> 00:27:32,819
- MAYBE SOME DAY.
610
00:27:32,852 --> 00:27:34,754
- WHY NOT NOW?
611
00:27:34,787 --> 00:27:37,690
- NOW, I'M TOO BUSY
BEING A WIFE, A MOTHER.
612
00:27:37,724 --> 00:27:39,058
- HMM.
- AND THEN THERE'S MY WORK.
613
00:27:39,091 --> 00:27:41,060
- OH, PLEASE.
SPARE ME THE EXCUSES, LADY.
614
00:27:41,093 --> 00:27:43,029
IF YOU'RE AN ARTIST,
NOTHING STOPS YOU.
615
00:27:43,062 --> 00:27:44,897
I COULD BE GOING DOWN
IN A PLANE,
616
00:27:44,931 --> 00:27:46,766
TAKING A DUMP,
SCREWING MY LAST MISTRESS,
617
00:27:46,799 --> 00:27:49,335
I'D STILL REACH FOR A PAD.
618
00:27:49,368 --> 00:27:52,338
HERE.
[clears throat]
619
00:27:55,241 --> 00:27:57,176
DRAW SOMETHING.
620
00:27:57,209 --> 00:27:59,779
- NOW?
- MM-HMM.
621
00:27:59,812 --> 00:28:01,313
- WELL, WHAT AM I
SUPPOSED TO DRAW?
622
00:28:01,347 --> 00:28:03,315
- WHATEVER THE HELL
INSPIRES YOU.
623
00:28:03,349 --> 00:28:05,417
A CHAIR, AN APPLE.
624
00:28:07,353 --> 00:28:08,454
- YOU?
625
00:28:08,487 --> 00:28:10,723
- [chuckles]
626
00:28:10,757 --> 00:28:12,458
ME?
627
00:28:12,491 --> 00:28:15,427
- YOU.
628
00:28:18,397 --> 00:28:21,834
- FINE.
629
00:28:21,868 --> 00:28:23,870
- UH, WHAT ARE YOU DOING?
630
00:28:23,903 --> 00:28:26,472
- WHAT'S IT LOOK LIKE?
- NO, NO, NO, SAM, WAIT.
631
00:28:26,505 --> 00:28:28,007
NO, YOU DON'T ACTUALLY
HAVE TO TAKE OFF YOUR--
632
00:28:28,040 --> 00:28:29,075
- AH, THERE WE GO.
- NO.
633
00:28:29,108 --> 00:28:31,811
- THE HUMAN BODY.
[sniffs]
634
00:28:31,844 --> 00:28:33,846
IT'S INSPIRED ARTISTS
FOR CENTURIES.
635
00:28:33,880 --> 00:28:37,383
- OH, I DON'T BELIEVE IT.
636
00:28:37,416 --> 00:28:40,820
FEW DO.
[clears throat]
637
00:28:40,853 --> 00:28:43,756
- [laughs awkwardly]
638
00:28:46,125 --> 00:28:50,462
- DON'T STAND THERE GAWKING.
DRAW SOMETHING.
639
00:28:54,433 --> 00:28:57,403
[dance music]
640
00:28:57,436 --> 00:29:01,941
*
641
00:29:01,974 --> 00:29:04,977
- MY, WHAT A BIG COCK
YOU HAVE.
642
00:29:05,011 --> 00:29:08,247
- FUCK.
IS THAT THING REAL?
643
00:29:08,280 --> 00:29:09,882
- IT'S REAL, ALL RIGHT,
644
00:29:09,916 --> 00:29:12,051
BUT YOU SHOULD PUT YOUR EYES
BACK IN YOUR PANTS.
645
00:29:12,084 --> 00:29:15,387
HE'S A BOTTOM.
646
00:29:15,421 --> 00:29:16,989
- WHY DON'T WE GET OUT OF HERE?
647
00:29:17,023 --> 00:29:18,858
- THE NIGHT'S STILL UNDER 30.
648
00:29:18,891 --> 00:29:19,859
- NOT TOO HARD.
649
00:29:19,892 --> 00:29:20,993
- HEY!
- OW!
650
00:29:21,027 --> 00:29:23,395
- YOU PLAY HARD.
- HOW ARE YOU?
651
00:29:23,429 --> 00:29:24,931
I MEAN, HOW WAS YOUR TRIP?
652
00:29:24,964 --> 00:29:27,333
- I ALMOST DIDN'T COME BACK.
653
00:29:27,366 --> 00:29:29,268
- WE WOULD HAVE MISSED YOU.
654
00:29:29,301 --> 00:29:30,803
- THIS MUST BE HIM.
655
00:29:30,837 --> 00:29:32,872
HE LOOKS JUST LIKE RAGE.
656
00:29:32,905 --> 00:29:35,541
- BRIAN,
THIS IS BRETT KELLER.
657
00:29:35,574 --> 00:29:38,277
- AH, THE BOY WONDER
OF HOLLYWOOD.
658
00:29:38,310 --> 00:29:40,212
[laughs]
659
00:29:40,246 --> 00:29:42,348
- SOUNDS LIKE HIM TOO.
660
00:29:42,381 --> 00:29:46,352
- AND THE BIG WINNER,
AND I DO MEAN BIG WINNER,
661
00:29:46,385 --> 00:29:50,356
OF THIS YEAR'S
WET WILLIE CONTEST IS MARCO!
662
00:29:50,389 --> 00:29:53,159
[cheers and applause]
663
00:29:53,192 --> 00:29:54,894
*
664
00:29:54,927 --> 00:29:56,295
- OH, YEAH.
665
00:29:56,328 --> 00:29:59,031
- * TAKE ME TONIGHT,
YOU MOVE SO RIGHT *
666
00:29:59,065 --> 00:30:00,833
* TAKE ME TONIGHT
667
00:30:00,867 --> 00:30:02,434
- YOU KNOW, IN ADDITION
TO THIS YEAR'S BIG WINNER,
668
00:30:02,468 --> 00:30:06,438
THERE'S ALSO SOME BIG LOSERS.
669
00:30:06,472 --> 00:30:10,376
I THINK I'LL GO
AND CONSOLE THEM.
670
00:30:13,880 --> 00:30:16,615
- WHY DID YOU LET HIM COME HERE?
HE SHOULD BE HOME RESTING.
671
00:30:16,648 --> 00:30:20,819
- HOW AM I SUPPOSED TO STOP HIM
WHEN I'M NOT SUPPOSED TO KNOW?
672
00:30:23,222 --> 00:30:24,991
- I'M GOING
TO RECREATE THIS PLACE
673
00:30:25,024 --> 00:30:27,927
EXACTLY AS IT IS
FOR THE MOVIE.
674
00:30:27,960 --> 00:30:29,461
- SEE?
I TOLD YOU SO.
675
00:30:29,495 --> 00:30:31,263
YOU KNOW,
BEN'S A WRITER, TOO.
676
00:30:31,297 --> 00:30:34,934
- SCREENPLAYS?
- BOOKS.
677
00:30:34,967 --> 00:30:36,335
JUST FINISHED A NOVEL.
678
00:30:36,368 --> 00:30:37,870
- WHAT'S IT ABOUT?
679
00:30:37,904 --> 00:30:40,472
- IT'S A LOVE STORY
BETWEEN TWO MEN,
680
00:30:40,506 --> 00:30:42,942
SET IN PARIS IN THE '30s.
681
00:30:42,975 --> 00:30:44,343
- PERIOD PIECES
ARE A TOUGH SELL.
682
00:30:44,376 --> 00:30:46,345
- I WASN'T PLANNING
TO SELL IT.
683
00:30:46,378 --> 00:30:49,949
BESIDES, I'M SURE
IT'S NOT YOUR THING.
684
00:30:49,982 --> 00:30:51,350
- AND WHAT IS?
685
00:30:51,383 --> 00:30:53,619
- MINDLESS ENTERTAINMENT
FOR 12-YEAR-OLD BOYS.
686
00:30:53,652 --> 00:30:55,254
- JESUS, BEN.
687
00:30:55,287 --> 00:30:56,622
- NO, I'D LIKE TO HEAR
WHAT HE HAS TO SAY.
688
00:30:56,655 --> 00:30:58,624
PLEASE, CONTINUE.
689
00:30:58,657 --> 00:31:01,928
- WELL, CONSIDERING YOU'RE GAY,
AND THAT YOU PRETTY MUCH
690
00:31:01,961 --> 00:31:03,562
HAVE THE POWER
TO DO ANYTHING YOU WANT,
691
00:31:03,595 --> 00:31:05,898
ONE WOULD THINK YOU MIGHT DO
A PROJECT WITH SOME RELEVANCE,
692
00:31:05,932 --> 00:31:08,534
SOME SOCIAL RESPONSIBILITY.
693
00:31:08,567 --> 00:31:12,238
- * TAKE ME TONIGHT,
YOU MOVE SO RIGHT *
694
00:31:12,271 --> 00:31:13,906
* TAKE ME TONIGHT
695
00:31:13,940 --> 00:31:16,408
- BRIAN. HEY.
696
00:31:16,442 --> 00:31:17,643
I'M NOT FEELING TOO WELL.
697
00:31:17,676 --> 00:31:19,511
I THINK IT MIGHT BE
FOOD POISONING.
698
00:31:19,545 --> 00:31:22,514
- WELL, YOU SHOULD GO THEN.
699
00:31:22,548 --> 00:31:27,253
- WILL YOU COME WITH ME?
PLEASE?
700
00:31:27,286 --> 00:31:30,256
- I GUESS YOU LOSE AGAIN.
701
00:31:30,289 --> 00:31:32,658
*
702
00:31:32,691 --> 00:31:35,294
- "RELEVANCE"?
"SOCIAL RESPONSIBILITY"?
703
00:31:35,327 --> 00:31:37,263
HOW COULD YOU
INSULT HIM LIKE THAT?
704
00:31:37,296 --> 00:31:39,598
- THE GUY IS A FRAUD.
HE'S AN UNTALENTED HACK.
705
00:31:39,631 --> 00:31:41,433
- WELL,
THAT MAY BE YOUR OPINION,
706
00:31:41,467 --> 00:31:43,135
BUT HE HAPPENS TO BE ONE OF
THE MOST SUCCESSFUL DIRECTORS
707
00:31:43,169 --> 00:31:44,136
IN HOLLYWOOD.
708
00:31:44,170 --> 00:31:45,471
- [scoffs]
709
00:31:45,504 --> 00:31:47,940
- THERE IS NOTHING WRONG
WITH BEING SUCCESSFUL.
710
00:31:47,974 --> 00:31:51,277
- AS LONG
AS YOU DON'T SELL OUT.
711
00:31:51,310 --> 00:31:53,145
- WHO'S TALKING
ABOUT SELLING OUT?
712
00:31:53,179 --> 00:31:54,546
- DON'T BE NAIVE.
713
00:31:54,580 --> 00:31:56,082
DO YOU THINK
BRETT KELLER'S SUCCESSFUL
714
00:31:56,115 --> 00:31:58,084
BECAUSE HE MAINTAINED
HIS ARTISTIC INTEGRITY?
715
00:31:58,117 --> 00:32:01,020
- HE LOVES WHAT HE DOES
AND HE'S DAMN GOOD AT IT.
716
00:32:01,053 --> 00:32:04,156
- YOU SHOULD FIT IN PERFECTLY
OUT IN HOLLYWOOD.
717
00:32:04,190 --> 00:32:06,092
- YOU KNOW,
I MAY NOT BE THE BRILLIANT,
718
00:32:06,125 --> 00:32:08,560
UNCOMPROMISING GENIUS
THAT YOU ARE,
719
00:32:08,594 --> 00:32:10,296
BUT YOU KNOW WHAT
I THINK?
720
00:32:10,329 --> 00:32:12,364
I THINK THIS HAS NOTHING TO DO
WITH ARTISTIC INTEGRITY.
721
00:32:12,398 --> 00:32:15,601
I THINK THAT YOU'RE JEALOUS
BECAUSE SOMEBODY
722
00:32:15,634 --> 00:32:19,205
WANTS TO MAKE A BIG MOVIE
OUT OF OUR COMIC BOOK
723
00:32:19,238 --> 00:32:21,573
AND NO ONE
WILL TOUCH YOUR NOVEL.
724
00:32:21,607 --> 00:32:23,209
[door slams]
725
00:32:30,516 --> 00:32:34,486
- LET ME HELP.
726
00:32:34,520 --> 00:32:38,390
- I CAN DO IT.
- I KNOW YOU CAN.
727
00:32:43,295 --> 00:32:47,133
- [sighs]
- I GOT IT.
728
00:33:21,267 --> 00:33:24,570
- I THOUGHT
YOU HAD FOOD POISONING.
729
00:33:24,603 --> 00:33:28,407
- WELL, I GUESS
IT WAS JUST A TUMMY ACHE.
730
00:33:32,744 --> 00:33:34,413
- [sighs]
731
00:33:34,446 --> 00:33:37,583
- TELL ME ABOUT IBIZA.
732
00:33:41,553 --> 00:33:45,491
- [moans]
733
00:33:47,559 --> 00:33:52,164
IT WAS LIKE I DIED
AND WENT TO HOMO HEAVEN.
734
00:33:54,166 --> 00:33:59,037
BEAUTIFUL GUYS,
ALL DRESSED IN WHITE.
735
00:34:02,774 --> 00:34:06,278
AND EVERYWHERE YOU WENT...
736
00:34:06,312 --> 00:34:09,548
IT SMELLED LIKE...
737
00:34:09,581 --> 00:34:13,552
LEMON-SCENTED AIR FRESHENER.
738
00:34:13,585 --> 00:34:17,223
- IT SOUNDS GREAT.
739
00:34:17,256 --> 00:34:20,826
- I EVEN FUCKED A MATADOR.
740
00:34:20,859 --> 00:34:23,795
- NO WAY.
- [laughs]
741
00:34:26,232 --> 00:34:29,801
OLE.
742
00:34:52,424 --> 00:34:55,361
- [sniffling]
743
00:35:07,573 --> 00:35:10,509
[exhales]
744
00:35:14,813 --> 00:35:16,815
- MIKEY.
745
00:35:16,848 --> 00:35:20,786
TIME TO GET U-UP OR YOU'LL
BE LATE FOR SCHOO-OOL.
746
00:35:20,819 --> 00:35:21,920
- [groans]
747
00:35:21,953 --> 00:35:25,123
- [puffs air]
748
00:35:26,825 --> 00:35:29,795
GET YOUR ASS IN GEAR, NOW!
749
00:35:29,828 --> 00:35:31,530
- [laughs]
750
00:35:31,563 --> 00:35:34,366
THAT'S JUST HOW MY MOM
USED TO WAKE ME UP.
751
00:35:34,400 --> 00:35:38,304
- OH, AND DID SHE ALSO
BRING YOU CAPPUCCINO
752
00:35:38,337 --> 00:35:40,772
AND A CHOCOLATE CROISSANT?
753
00:35:40,806 --> 00:35:42,574
- THANKS FOR LETTING ME CRASH.
754
00:35:42,608 --> 00:35:44,776
- AH, YOU CAN COME TO MAMA'S
ANY TIME YOU WANT.
755
00:35:44,810 --> 00:35:46,912
- CAREFUL, OR YOU MIGHT END UP
WITH A PERMANENT HOUSEGUEST.
756
00:35:46,945 --> 00:35:48,314
- [chuckles]
757
00:35:48,347 --> 00:35:49,948
I'M SURE
AS SOON AS YOU GET BACK,
758
00:35:49,981 --> 00:35:51,783
YOU AND BEN WILL FALL
INTO EACH OTHER'S ARMS
759
00:35:51,817 --> 00:35:53,585
AND KISS AND MAKE UP.
760
00:35:53,619 --> 00:35:56,655
- NOT UNTIL HE STOPS ACTING
LIKE A JEALOUS ASSHOLE.
761
00:35:56,688 --> 00:35:59,925
- YEAH, I DID THE SAME THING
WHEN EMMETT'S PARTY PLANNING
762
00:35:59,958 --> 00:36:02,228
STARTED TAKING OFF.
763
00:36:02,261 --> 00:36:06,798
THE MORE SUCCESSFUL HE GOT,
THE MORE I RESENTED IT.
764
00:36:06,832 --> 00:36:08,800
- MAYBE I SHOULD
JUST FORGET THE WHOLE THING.
765
00:36:08,834 --> 00:36:10,802
- WHAT ARE YOU, NUTS?
766
00:36:10,836 --> 00:36:13,572
HOW OFTEN DOES AN OPPORTUNITY
LIKE THIS COME ALONG?
767
00:36:13,605 --> 00:36:15,807
[imitates buzzer]
TIME'S UP. NEVER!
768
00:36:15,841 --> 00:36:18,344
- BUT IF IT'S GOING TO CAUSE
ALL THESE PROBLEMS--
769
00:36:18,377 --> 00:36:21,347
- LOOK, YOU CAN'T TURN YOURSELF
INTO A FAILURE
770
00:36:21,380 --> 00:36:26,418
TO MAKE YOUR RELATIONSHIP
A SUCCESS.
771
00:36:26,452 --> 00:36:29,488
- THANKS, MAMA.
772
00:36:29,521 --> 00:36:30,756
- ANY TIME.
773
00:36:30,789 --> 00:36:35,627
- DOCTOR STRANGE
NUMBER 169.
774
00:36:35,661 --> 00:36:37,596
I'VE BEEN TRYING TO FIND THIS
ON EBAY FOR MONTHS.
775
00:36:37,629 --> 00:36:39,298
HOW MUCH DO I, UH--
776
00:36:39,331 --> 00:36:41,233
- THAT'S OUR GIFT TO YOU.
- OH, THANKS, GUYS.
777
00:36:41,267 --> 00:36:42,501
- UH, EXCUSE ME,
MR. KELLER,
778
00:36:42,534 --> 00:36:43,769
WE NEED TO GET YOU
TO THE AIRPORT
779
00:36:43,802 --> 00:36:44,870
IF YOU'RE GOING
TO MAKE YOUR FLIGHT.
780
00:36:44,903 --> 00:36:46,372
- I'LL BE RIGHT THERE.
781
00:36:46,405 --> 00:36:47,706
GUYS, I'LL BE IN TOUCH.
782
00:36:47,739 --> 00:36:50,476
- THANKS, BRETT.
783
00:36:50,509 --> 00:36:52,978
- THANK YOU FOR EVERYTHING.
- OKAY, LISTEN.
784
00:36:53,011 --> 00:36:56,348
IF WE CAN'T GET, UH, COLIN
OR ASHTON TO PLAY RAGE,
785
00:36:56,382 --> 00:36:59,885
WE'LL GET, UH, BRIAN.
786
00:37:05,424 --> 00:37:06,992
- HOW'S HE DOING?
787
00:37:07,025 --> 00:37:09,528
- HE'S STILL PRETENDING
LIKE EVERYTHING'S ALL RIGHT,
788
00:37:09,561 --> 00:37:14,032
AND I'M STILL PRETENDING
LIKE I DON'T KNOW.
789
00:37:14,065 --> 00:37:17,503
FUCK THIS SHIT.
I'M TELLING HIM.
790
00:37:17,536 --> 00:37:19,871
- YOU CAN'T.
791
00:37:19,905 --> 00:37:21,873
HE WANTS IT THIS WAY.
792
00:37:21,907 --> 00:37:24,343
- THAT'S EASY FOR YOU TO SAY.
HE'S NOT YOUR BOYFRIEND.
793
00:37:24,376 --> 00:37:26,745
YOU DON'T LOVE HIM.
794
00:37:26,778 --> 00:37:30,682
- I LOVE HIM ENOUGH
TO HONOR HIS WISHES.
795
00:37:32,651 --> 00:37:34,620
- SHE AND VIC
HAD THIS HUGE FIGHT.
796
00:37:34,653 --> 00:37:36,688
NOW SHE THINKS
HE'LL NEVER FORGIVE HER,
797
00:37:36,722 --> 00:37:38,690
SO SHE THREW HIM THIS
POSTHUMOUS CHRISTMAS PARTY,
798
00:37:38,724 --> 00:37:40,892
WHICH HAS GOT TO BE A FIRST,
BUT THE ANGEL BROKE.
799
00:37:40,926 --> 00:37:42,761
SO SHE BOUGHT HIM
THIS HEADSTONE
800
00:37:42,794 --> 00:37:45,397
WITH A LIFE-SIZE FIGURE
OF GABRIEL TOOTING HIS TRUMPET--
801
00:37:45,431 --> 00:37:47,433
DEFINITELY NOT THE SORT OF
BLOW JOB VIC WAS INTERESTED IN.
802
00:37:47,466 --> 00:37:49,435
- NOW, HOLD IT, SLOW DOWN.
I'M NOT FOLLOWING.
803
00:37:49,468 --> 00:37:52,438
- THE POINT IS, CARL,
NO ONE CAN GET THROUGH TO HER.
804
00:37:52,471 --> 00:37:55,507
NOT ME, NOT MICHAEL.
805
00:37:55,541 --> 00:37:57,042
BUT SOMETHING TELLS ME,
806
00:37:57,075 --> 00:37:58,910
AS SURE AS I KNOW
THERE'S A SHIRT IN YOUR CLOSET
807
00:37:58,944 --> 00:38:00,512
THAT'S A BETTER MATCH
FOR THOSE POLYESTER PANTS
808
00:38:00,546 --> 00:38:03,315
THAN THE ONE YOU'VE GOT ON,
THAT, UH...
809
00:38:03,349 --> 00:38:05,717
THAT YOU CAN.
810
00:38:05,751 --> 00:38:08,587
- DIDN'T SEEM
SO THE OTHER DAY.
811
00:38:08,620 --> 00:38:12,324
- TRUST ME, I UNDERSTAND.
812
00:38:12,358 --> 00:38:16,595
A TIME LIKE THIS,
A GIRL NEEDS A MAN.
813
00:38:25,571 --> 00:38:26,738
- IT'S BEEN A LONG TIME.
814
00:38:26,772 --> 00:38:28,740
- SINCE WHEN?
815
00:38:28,774 --> 00:38:31,076
- [sighs]
816
00:38:31,109 --> 00:38:34,880
SINCE I'VE SEEN YOU
SO HAPPY.
817
00:38:34,913 --> 00:38:37,549
- THANKS TO A CERTAIN
MADMAN FRIEND OF MINE.
818
00:38:37,583 --> 00:38:40,852
- OH, MY GOD!
- [laughs]
819
00:38:40,886 --> 00:38:42,354
- DID HE POSE FOR YOU
LIKE THAT?
820
00:38:42,388 --> 00:38:46,124
- WITH NOTHING BUT A CIGAR.
- [laughs]
821
00:38:46,157 --> 00:38:47,893
HE REALLY IS MAD.
822
00:38:47,926 --> 00:38:51,096
IN A WONDERFUL,
INFURIATING, GENEROUS,
823
00:38:51,129 --> 00:38:52,698
SELF-CENTERED SORT OF WAY.
824
00:38:52,731 --> 00:38:56,435
- MM-HMM.
- [laughs]
825
00:38:56,468 --> 00:39:00,406
- I'M GLAD HE'S INSPIRED YOU.
826
00:39:04,810 --> 00:39:08,747
NIGHT-NIGHT.
827
00:39:18,189 --> 00:39:22,127
- [laughs]
828
00:39:22,160 --> 00:39:23,862
[rock music]
829
00:39:23,895 --> 00:39:28,033
- * WORDS HAVE NO MEANING
AND THE SUN IS DIM *
830
00:39:28,066 --> 00:39:31,937
*
831
00:39:31,970 --> 00:39:35,541
* CAN'T THINK ABOUT
ANYTHING BUT HIM *
832
00:39:35,574 --> 00:39:38,644
- LINDA HURLEY.
833
00:39:38,677 --> 00:39:41,179
- WHO?
834
00:39:41,212 --> 00:39:44,950
- LINDA HURLEY.
835
00:39:44,983 --> 00:39:48,620
AKA "LINDA THE HURLER."
836
00:39:48,654 --> 00:39:50,422
- [laughs]
837
00:39:50,456 --> 00:39:53,191
- I'VE BEEN TRYING TO THINK
OF HER NAME ALL DAY LONG.
838
00:39:53,224 --> 00:39:55,827
- CHRIST, WHAT MADE YOU
SUDDENLY THINK OF HER?
839
00:39:55,861 --> 00:39:59,665
- YOUR LAST FORAY
INTO SHOWBIZ.
840
00:39:59,698 --> 00:40:01,700
- [chuckles]
841
00:40:01,733 --> 00:40:05,170
LET'S HOPE THIS TIME
I WON'T HAVE TO BE HOSED DOWN.
842
00:40:05,203 --> 00:40:07,773
- [laughs]
843
00:40:07,806 --> 00:40:09,575
TELL ME THE STORY, MIKEY.
844
00:40:09,608 --> 00:40:11,543
- YOU ALREADY KNOW THE STORY.
845
00:40:11,577 --> 00:40:14,580
- I DON'T CARE.
846
00:40:14,613 --> 00:40:17,616
TELL IT TO ME AGAIN.
847
00:40:20,085 --> 00:40:25,190
- IT WAS THE JUNIOR CLASS
PRESENTATION OF OUR TOWN.
848
00:40:25,223 --> 00:40:26,958
- MM-HMM.
849
00:40:26,992 --> 00:40:31,697
- AND SOMEHOW I HAD LANDED
THE PART OF GEORGE.
850
00:40:31,730 --> 00:40:35,534
AND LINDA...
WAS EMILY.
851
00:40:35,567 --> 00:40:37,102
- [laughs]
852
00:40:37,135 --> 00:40:41,072
- AND IT WAS
THAT TENDER MOMENT
853
00:40:41,106 --> 00:40:44,209
AT THE END OF ACT TWO
WHERE THEY KISS.
854
00:40:44,242 --> 00:40:47,746
- [laughs]
AND SHE PUKED ALL OVER YOU.
855
00:40:47,779 --> 00:40:49,681
- SHE HAD THE FLU.
856
00:40:49,715 --> 00:40:52,951
- YEAH, IT FLEW, ALL RIGHT.
[laughs]
857
00:40:52,984 --> 00:40:55,554
- WELL,
THAT'S WHEN I DECIDED
858
00:40:55,587 --> 00:40:59,024
IT WAS NOT AN ACTOR'S LIFE
FOR ME.
859
00:40:59,057 --> 00:41:02,160
- NOW HOLLYWOOD'S
CALLING AND...
860
00:41:02,193 --> 00:41:03,161
[exhales]
861
00:41:03,194 --> 00:41:09,134
RAGE: THE MOVIE.
862
00:41:11,737 --> 00:41:14,673
- HE WOULDN'T EXIST
IF IT WEREN'T FOR YOU.
863
00:41:19,678 --> 00:41:21,179
SO ARE YOU GOING
TO COME TO THE PREMIERE?
864
00:41:21,212 --> 00:41:24,182
- [groans]
865
00:41:24,215 --> 00:41:27,152
WHY WOULDN'T I?
866
00:41:29,688 --> 00:41:31,923
- I WANT IT TO BE
AT THAT THEATRE, UM,
867
00:41:31,957 --> 00:41:35,994
YOU KNOW, THE ONE WITH
ALL THE STARS' FOOTPRINTS.
868
00:41:36,027 --> 00:41:37,863
WOULDN'T IT BE COOL IF...
869
00:41:37,896 --> 00:41:41,867
WE HAD OUR FOOTPRINTS
IN THE CEMENT?
870
00:41:41,900 --> 00:41:44,603
MICHAEL AND BRIAN...
871
00:41:44,636 --> 00:41:47,573
IMMORTALIZED FOREVER.
872
00:41:49,641 --> 00:41:52,578
JUST YOU AND ME.
873
00:41:58,183 --> 00:42:01,987
- [sighs]
874
00:42:09,661 --> 00:42:14,766
- [crying softly]
875
00:42:14,800 --> 00:42:17,168
[low]
SHIT.
876
00:42:17,202 --> 00:42:20,606
- MICHAEL?
877
00:42:23,208 --> 00:42:27,112
MIKEY?
878
00:42:27,145 --> 00:42:28,780
- [crying]
I'M SORRY.
879
00:42:28,814 --> 00:42:33,118
- FOR WHAT?
- [sniffling]
880
00:42:35,854 --> 00:42:38,824
I KNOW.
881
00:42:42,127 --> 00:42:45,731
I KNOW YOU DIDN'T
GO TO IBIZA.
882
00:42:47,866 --> 00:42:52,203
I KNOW YOU
WENT TO JOHNS HOPKINS...
883
00:42:52,237 --> 00:42:56,041
AND YOU HAD SURGERY FOR--
OH, GOD.
884
00:42:57,776 --> 00:43:02,080
IF I LOSE YOU,
I DON'T KNOW WHAT I'LL DO.
885
00:43:02,113 --> 00:43:06,051
[crying]
886
00:43:08,987 --> 00:43:11,857
- HEY.
[clears throat]
887
00:43:11,890 --> 00:43:14,225
LOOK, I'M OKAY,
I'M OKAY, I'M OKAY.
888
00:43:14,259 --> 00:43:16,361
- [sobbing]
889
00:43:16,394 --> 00:43:21,232
I WASN'T SUPPOSED
TO TELL YOU.
890
00:43:21,266 --> 00:43:25,036
I TOLD HIM NOT TO TELL.
891
00:43:25,070 --> 00:43:28,740
- WHO?
- JUSTIN.
892
00:43:28,774 --> 00:43:32,110
HE OVERHEARD THE DOCTOR LEAVING
A MESSAGE ON YOUR MACHINE,
893
00:43:32,143 --> 00:43:36,114
AND HE--
HE CALLED THE HOSPITAL.
894
00:43:36,147 --> 00:43:41,720
*
895
00:43:41,753 --> 00:43:44,122
- SO WHAT YOU'RE GOING TO GET
IS A COVERLET.
896
00:43:44,155 --> 00:43:45,991
A COVERLET
IS SIMPLY ANOTHER WORD--
897
00:43:46,024 --> 00:43:47,993
YOU MIGHT WANT TO THINK OF IT
AS A BEDSPREAD.
898
00:43:48,026 --> 00:43:49,861
SO THIS IS GOING TO BE
A LARGE COVERLET
899
00:43:49,895 --> 00:43:52,030
WITH ONE STANDARD SHAM
FOR THE TWIN,
900
00:43:52,063 --> 00:43:54,165
TWO STANDARD FOR THE FULL,
TWO STANDARD FOR THE QUEEN,
901
00:43:54,199 --> 00:43:56,768
AND TWO KING-SIZED
FOR THE KING,
902
00:43:56,802 --> 00:43:59,004
AND IT'S GOING TO BE IN YOUR
CHOICE OF DIFFERENT FAUX FURS.
903
00:43:59,037 --> 00:44:01,139
THIS IS THE LYNX...
[doorbell rings]
904
00:44:01,172 --> 00:44:02,908
- EM!
905
00:44:02,941 --> 00:44:05,076
- WHICH IS KIND OF A SOFTER,
LIGHTER ANIMAL PRINT,
906
00:44:05,110 --> 00:44:06,344
IF YOU WANT TO THINK OF IT
THAT WAY.
907
00:44:06,377 --> 00:44:07,813
[knock at door]
908
00:44:07,846 --> 00:44:10,782
- FUCK.
909
00:44:13,952 --> 00:44:19,925
[indistinct chatter from TV]
910
00:44:19,958 --> 00:44:22,093
- HEY, CARL.
- YOU BUSY?
911
00:44:22,127 --> 00:44:24,462
- WELL, ACTUALLY,
YOU'VE JUST SAVED ME
912
00:44:24,495 --> 00:44:27,899
FROM BUYING A FAUX ZEBRA RUG
OFF THE SHOPPING CHANNEL.
913
00:44:27,933 --> 00:44:31,236
- [laughs]
UM, CAN I COME IN?
914
00:44:31,269 --> 00:44:34,172
- I'M REALLY NOT UP TO...
915
00:44:34,205 --> 00:44:36,041
I LOOK LIKE SHIT.
916
00:44:36,074 --> 00:44:40,445
- HEY, I'VE SEEN YOU FIRST THING
IN THE MORNING, REMEMBER?
917
00:44:40,478 --> 00:44:43,248
- YEAH.
918
00:44:47,018 --> 00:44:49,187
- IT MUST'VE BEEN A SHOCK,
919
00:44:49,220 --> 00:44:52,924
LOSING HIM LIKE THAT,
SO UNEXPECTED.
920
00:44:52,958 --> 00:44:55,193
- YEAH, YOU COULD SAY THAT.
921
00:44:55,226 --> 00:44:58,163
- SO MUCH LEFT UNSAID.
922
00:45:00,098 --> 00:45:03,068
- YEAH, THAT TOO.
923
00:45:03,101 --> 00:45:05,971
- I UNDERSTAND.
924
00:45:08,840 --> 00:45:12,377
- I WAS A FUCKING ASSHOLE,
CARL.
925
00:45:12,410 --> 00:45:15,346
I SAID HORRIBLE THINGS...
926
00:45:15,380 --> 00:45:18,349
THINGS I CAN NEVER
TAKE BACK,
927
00:45:18,383 --> 00:45:22,320
THINGS I CAN NEVER
BE FORGIVEN FOR.
928
00:45:23,855 --> 00:45:27,759
DO YOU KNOW
WHAT THAT'S LIKE?
929
00:45:29,795 --> 00:45:35,100
- WHEN, UH--WHEN CELIA,
MY WIFE, DIED...
930
00:45:35,133 --> 00:45:37,769
SHE WAS IN THE HOSPITAL
FOR THREE MONTHS,
931
00:45:37,803 --> 00:45:39,437
LINGERING, SUFFERING.
932
00:45:39,470 --> 00:45:40,839
LUNG CANCER.
933
00:45:40,872 --> 00:45:42,974
- I'M SORRY.
934
00:45:43,008 --> 00:45:47,045
- SHE WAS SO SCARED
TO DIE ALONE.
935
00:45:47,078 --> 00:45:52,117
S-SHE MADE ME PROMISE
I WOULDN'T LET THAT HAPPEN.
936
00:45:52,150 --> 00:45:56,554
SO I STAYED WITH HER,
DAY AND NIGHT.
937
00:45:56,587 --> 00:45:57,555
[sighs]
938
00:45:57,588 --> 00:45:59,457
SLEPT IN THAT GODDAMN CHAIR
939
00:45:59,490 --> 00:46:01,392
IN THAT
GODDAMN HOSPITAL ROOM,
940
00:46:01,426 --> 00:46:05,931
LISTENING TO HER
GASPING FOR BREATH.
941
00:46:05,964 --> 00:46:08,867
- [sighs]
ONE NIGHT, I WAS SO ANGRY--
942
00:46:08,900 --> 00:46:11,536
AT THE CHAIR, AT THE HOSPITAL,
AT THE DOCTORS,
943
00:46:11,569 --> 00:46:14,339
AT HER FOR SMOKING--
944
00:46:14,372 --> 00:46:18,877
I WENT OUT
AND I HAD A DRINK.
945
00:46:18,910 --> 00:46:23,849
ACTUALLY I, UH--
I HAD SO MANY, I LOST COUNT.
946
00:46:25,350 --> 00:46:30,055
WHEN I GOT BACK,
SHE WAS DEAD.
947
00:46:30,088 --> 00:46:34,792
MY WIFE DIED WHEN I
WAS OUT GETTING SLOSHED.
948
00:46:36,494 --> 00:46:39,097
[scoffs]
949
00:46:39,130 --> 00:46:44,502
I BROKE MY PROMISE,
AND MY CELIA DIED ALONE.
950
00:46:46,204 --> 00:46:50,842
AND I BEAT MYSELF UP
FOR A LONG TIME, DEBBIE...
951
00:46:50,876 --> 00:46:55,046
THINKING SHE'D
NEVER FORGIVE ME.
952
00:46:55,080 --> 00:47:00,118
BUT IT WAS ME
WHO WOULDN'T FORGIVE ME.
953
00:47:00,151 --> 00:47:02,253
SHE KNEW HOW MUCH
I LOVED HER.
954
00:47:02,287 --> 00:47:04,923
IF SHE WAS STILL HERE,
SHE'D SAY,
955
00:47:04,956 --> 00:47:07,926
"CARL, WHAT THE HELL
ARE YOU DOING?
956
00:47:07,959 --> 00:47:11,362
ENOUGH ALREADY."
957
00:47:11,396 --> 00:47:16,101
IT'S THE SAME THING
WITH YOUR BROTHER.
958
00:47:16,134 --> 00:47:21,106
HE KNEW HOW MUCH
YOU LOVED HIM.
959
00:47:24,375 --> 00:47:27,979
- [sniffling]
960
00:47:28,013 --> 00:47:31,616
I'LL JUST NEVER BE ABLE
TO TELL HIM THAT I'M--
961
00:47:31,649 --> 00:47:34,886
THAT I'M SO SORRY.
962
00:47:34,920 --> 00:47:37,422
I'M JUST SO SORRY.
I CAN'T--
963
00:47:37,455 --> 00:47:40,491
- HE KNOWS, SWEETHEART.
964
00:47:40,525 --> 00:47:45,463
- [sobbing]
965
00:47:54,005 --> 00:47:57,042
[dinnerware clinking]
966
00:47:57,075 --> 00:47:58,910
- DINNER'S ALMOST READY.
967
00:47:58,944 --> 00:48:01,980
WHY DON'T YOU SET THE TABLE?
968
00:48:02,013 --> 00:48:04,549
- FOR TWO OR THREE?
969
00:48:04,582 --> 00:48:06,517
- THREE.
970
00:48:06,551 --> 00:48:09,320
- THEN MICHAEL'S
COMING BACK?
971
00:48:09,354 --> 00:48:11,589
- OF COURSE
HE'S COMING BACK.
972
00:48:11,622 --> 00:48:15,560
- I HEARD YOU GUYS FIGHTING
LAST NIGHT.
973
00:48:19,297 --> 00:48:20,665
- WE WEREN'T FIGHTING.
974
00:48:20,698 --> 00:48:22,533
WE WERE HAVING
A DISAGREEMENT.
975
00:48:22,567 --> 00:48:25,536
- YOU WERE DISAGREEING
REALLY LOUD.
976
00:48:25,570 --> 00:48:30,075
- SOMETIMES COUPLES DO THAT.
977
00:48:30,108 --> 00:48:32,077
ANYWAY, IT, UH,
DOESN'T CONCERN YOU.
978
00:48:32,110 --> 00:48:35,013
- THE FUCK IT DOESN'T.
979
00:48:35,046 --> 00:48:37,148
WHAT HAPPENS TO ME
IF YOU GUYS BREAK UP?
980
00:48:37,182 --> 00:48:39,317
- NOBODY'S BREAKING UP.
981
00:48:39,350 --> 00:48:42,287
- JUST ASKING, IN CASE I NEED
TO MAKE OTHER ARRANGEMENTS.
982
00:48:42,320 --> 00:48:47,092
- YOU'RE STAYING
RIGHT HERE, PAL, WITH US.
983
00:48:47,125 --> 00:48:49,060
[door opening]
984
00:48:50,395 --> 00:48:53,331
- HEY.
- HEY.
985
00:49:00,638 --> 00:49:02,040
- I'M REALLY SORRY
ABOUT LAST NIGHT.
986
00:49:02,073 --> 00:49:04,075
- ME TOO.
987
00:49:04,109 --> 00:49:05,376
- APOLOGY ACCEPTED.
988
00:49:05,410 --> 00:49:07,212
NOW YOU GUYS CAN FUCK
AND MAKE UP.
989
00:49:07,245 --> 00:49:10,048
- [laughs]
990
00:49:10,081 --> 00:49:14,419
BY THE WAY...
THIS CAME FOR YOU.
991
00:49:16,287 --> 00:49:19,224
- WHAT DID YOU GET?
992
00:49:21,259 --> 00:49:24,495
- BRETT KELLER
SENT THE OPTION AGREEMENT,
993
00:49:24,529 --> 00:49:27,065
AND AN AUTOGRAPHED PICTURE,
FOR YOU, OF CAMERON DIAZ.
994
00:49:27,098 --> 00:49:30,035
- TIGHT!
995
00:49:31,436 --> 00:49:34,372
- GONNA DO IT?
996
00:49:37,108 --> 00:49:41,079
- YEAH, WE'RE GONNA DO IT.
997
00:49:41,112 --> 00:49:44,049
- I'M STOKED.
998
00:49:47,652 --> 00:49:49,520
- CONGRATULATIONS.
999
00:49:49,554 --> 00:49:51,522
- THANKS.
1000
00:49:51,556 --> 00:49:54,525
- LET'S EAT.
1001
00:49:59,464 --> 00:50:02,400
[door opening]
1002
00:50:06,137 --> 00:50:09,074
- HEY.
1003
00:50:11,276 --> 00:50:13,278
PICKED UP SOME MOVIES.
1004
00:50:13,311 --> 00:50:16,281
FIGURED WE'D JUST STAY IN
AND WATCH THEM.
1005
00:50:26,491 --> 00:50:28,459
- WHAT'D YOU BRING?
1006
00:50:28,493 --> 00:50:32,197
TERMS OF ENDEARMENT?
LOVE STORY?
1007
00:50:32,230 --> 00:50:34,265
MY BOYFRIEND HAS CANCER?
1008
00:50:34,299 --> 00:50:37,135
[DVDs clatter]
1009
00:50:37,168 --> 00:50:38,536
- WHY DIDN'T YOU TELL ME?
1010
00:50:38,569 --> 00:50:41,206
- MAYBE BECAUSE
I DIDN'T WANT YOU TO KNOW.
1011
00:50:41,239 --> 00:50:43,141
OR...
1012
00:50:43,174 --> 00:50:46,577
MAYBE BECAUSE IT'S NONE
OF YOUR FUCKING BUSINESS.
1013
00:50:46,611 --> 00:50:48,713
- BRIAN, I'M YOUR PARTNER.
1014
00:50:48,746 --> 00:50:50,315
- NOT ANYMORE.
I DON'T WANT YOU HERE.
1015
00:50:50,348 --> 00:50:52,150
NOW GET THE FUCK OUT.
1016
00:50:52,183 --> 00:50:54,152
- CUT IT OUT.
- I SAID GET THE FUCK OUT.
1017
00:50:54,185 --> 00:50:57,122
- BRIAN, I LOVE YOU,
AND I WANT TO HELP YOU.
1018
00:50:58,223 --> 00:51:00,458
- GET THE FUCK OUT!
1019
00:51:00,491 --> 00:51:03,494
- DON'T--JESUS!
1020
00:51:06,331 --> 00:51:07,698
[rock music]
1021
00:51:07,732 --> 00:51:10,501
- * TAKE A NUMBER,
BE SEATED *
1022
00:51:10,535 --> 00:51:14,205
* YOU'LL HAVE TO WAIT
1023
00:51:14,239 --> 00:51:19,744
* LONG LIST OF REASONS
WELL MEMORIZED *
1024
00:51:19,777 --> 00:51:25,883
* AND STILL YOU LOOK
SO SURPRISED *
1025
00:51:25,916 --> 00:51:30,455
- * THIS IS THE WAY
IT'S GONNA BE *
1026
00:51:30,488 --> 00:51:32,190
- * RELENTLESS
1027
00:51:32,223 --> 00:51:36,461
- * THIS IS THE WAY
IT'S GONNA BE *
1028
00:51:36,494 --> 00:51:38,363
- * RELENTLESS
1029
00:51:38,396 --> 00:51:43,868
* AT THE QUIET ROOM,
HIDDEN IN THE SHADOWS *
1030
00:51:43,901 --> 00:51:50,208
* YOU'VE GOT ANSWERS
BUT PRETEND NOT TO KNOW *
1031
00:51:50,241 --> 00:51:56,147
* THE WAY THINGS GOT TO WORK,
THE WAY THINGS GOT TO BE *
1032
00:51:56,181 --> 00:52:02,253
* SO GO WITH THE FLOW
OF GRAVITY *
1033
00:52:02,287 --> 00:52:06,791
- * THIS IS THE WAY
IT'S GONNA BE *
1034
00:52:06,824 --> 00:52:08,359
- * RELENTLESS
1035
00:52:08,393 --> 00:52:12,630
- * THIS IS THE WAY
IT'S GONNA BE *
1036
00:52:12,663 --> 00:52:14,432
- * RELENTLESS
1037
00:52:14,465 --> 00:52:18,769
- * THIS IS THE WAY
IT'S GONNA BE *
1038
00:52:18,803 --> 00:52:20,405
- * RELENTLESS
1039
00:52:20,438 --> 00:52:24,709
- * THIS IS THE WAY
IT'S GONNA BE *
1040
00:52:24,742 --> 00:52:26,711
- * RELENTLESS
1041
00:52:26,744 --> 00:52:31,682
- * THE SOOTHSAYER WARNED YOU,
NOT IS ALL AS IT SEEMS *
1042
00:52:31,716 --> 00:52:33,784
* WHEN YOU THINK YOU'RE AWAKE
1043
00:52:33,818 --> 00:52:36,821
* YOU MIGHT JUST BE
LOCKED IN YOUR DREAMS *
1044
00:52:36,854 --> 00:52:41,392
* USED TO THE OVERCAST,
GREY IN THE SKIES *
1045
00:52:41,426 --> 00:52:45,796
* AND NAKED JUST MIGHT BE
YOUR ONLY DISGUISE *
1046
00:52:45,830 --> 00:52:50,801
* FOR THE QUIET OF THE TYRANNY,
HIDDEN IN THE STATUS QUO *
1047
00:52:50,835 --> 00:52:55,940
* YOU'VE GOT THE ANSWERS IN HAND
BUT PRETEND NOT TO KNOW *
1048
00:52:55,973 --> 00:52:59,877
* THAT IS JUST THE WAY
THINGS WORK *
72751
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