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These are the user uploaded subtitles that are being translated: 1 00:00:10,144 --> 00:00:12,646 - * ONE, TWO, THREE, FOUR, FIVE, SIX * 2 00:00:12,680 --> 00:00:13,647 * SHAKE IT, DUDE 3 00:00:13,681 --> 00:00:21,589 * 4 00:00:35,436 --> 00:00:39,340 - * CUE THE PULSE TO BEGIN 5 00:00:46,314 --> 00:00:50,218 * CUE THE PULSE TO BEGIN 6 00:00:50,251 --> 00:00:53,754 * CUE THE PULSE TO BEGIN 7 00:00:53,787 --> 00:00:57,125 * CUE THE PULSE TO BEGIN 8 00:01:00,628 --> 00:01:03,564 [dance music] 9 00:01:03,597 --> 00:01:07,735 * 10 00:01:07,768 --> 00:01:09,603 - * LET IT BEGIN 11 00:01:09,637 --> 00:01:11,505 - * DON'T STOP 12 00:01:11,539 --> 00:01:13,441 - * I'M ON FIRE 13 00:01:13,474 --> 00:01:15,243 - * DON'T STOP 14 00:01:15,276 --> 00:01:16,844 - * LET IT BEGIN 15 00:01:16,877 --> 00:01:18,779 - * DON'T STOP 16 00:01:18,812 --> 00:01:20,714 - * I'M ON FIRE 17 00:01:20,748 --> 00:01:22,483 - * DON'T STOP 18 00:01:22,516 --> 00:01:24,452 - * LET IT BEGIN 19 00:01:24,485 --> 00:01:25,853 - * DON'T STOP 20 00:01:25,886 --> 00:01:27,855 - * LET IT BEGIN 21 00:01:27,888 --> 00:01:29,657 - * DON'T STOP 22 00:01:29,690 --> 00:01:31,625 - * I'M ON FIRE 23 00:01:31,659 --> 00:01:33,461 - * DON'T STOP 24 00:01:33,494 --> 00:01:35,463 - * LET IT BEGIN 25 00:01:35,496 --> 00:01:36,897 - * DON'T STOP 26 00:01:36,930 --> 00:01:40,534 * 27 00:01:40,568 --> 00:01:42,736 - WELL, LOOK WHO IT IS. 28 00:01:42,770 --> 00:01:45,606 - HEY, VIC. 29 00:01:45,639 --> 00:01:47,608 WHAT THE FUCK ARE YOU DOING HERE? 30 00:01:47,641 --> 00:01:48,876 - I BELIEVE THAT'S MY LINE. 31 00:01:48,909 --> 00:01:51,545 - SORRY. - SHALL WE TAKE IT AGAIN? 32 00:01:51,579 --> 00:01:54,915 WHAT THE FUCK ARE YOU DOING HERE? 33 00:01:54,948 --> 00:01:57,785 - WE'RE IN BABYLON, RIGHT? 34 00:01:57,818 --> 00:01:59,520 - IN CASE YOU FORGOT, 35 00:01:59,553 --> 00:02:02,490 THE GREAT WRITER IN THE SKY RECENTLY WROTE ME OUT... 36 00:02:02,523 --> 00:02:04,792 PERMANENTLY. 37 00:02:06,394 --> 00:02:09,363 - [chuckles] THEN WHERE THE FUCK ARE WE? 38 00:02:09,397 --> 00:02:12,800 - WELL, LET'S SEE. 39 00:02:12,833 --> 00:02:15,803 YOU'VE GOT ONE OF TWO CHOICES. 40 00:02:15,836 --> 00:02:18,506 * 41 00:02:18,539 --> 00:02:20,441 - * YMCA 42 00:02:20,474 --> 00:02:25,279 * IT'S FUN TO STAY AT THE YMCA * 43 00:02:25,313 --> 00:02:27,248 * YOU CAN GET YOURSELF CLEAN 44 00:02:27,281 --> 00:02:29,717 * YOU CAN HAVE A GOOD MEAL, YOU CAN DO WHATEVER * 45 00:02:29,750 --> 00:02:32,953 - IF THIS IS YOUR HEAVEN, IT MUST BE MY HELL. 46 00:02:32,986 --> 00:02:35,956 - * YOUNG MAN, ARE YOU LISTENING TO ME? * 47 00:02:35,989 --> 00:02:38,726 - WHAT KIND OF AN ATTITUDE IS THAT, 48 00:02:38,759 --> 00:02:40,528 CONSIDERING WE HAVE SO MUCH IN COMMON? 49 00:02:40,561 --> 00:02:43,931 - LIKE WHAT? - WELL, IT AIN'T TWO TESTICLES. 50 00:02:43,964 --> 00:02:47,968 - TURNS OUT YOU'RE EVERYTHING YOU NEVER WANTED TO BE, KIDDO. 51 00:02:48,001 --> 00:02:51,972 OLD, DISEASED... AND IMPERFECT. 52 00:02:52,005 --> 00:02:54,808 [laughs] 53 00:02:54,842 --> 00:02:57,311 - MR. KINNEY? 54 00:02:58,646 --> 00:03:01,649 MR. KINNEY. 55 00:03:02,983 --> 00:03:05,619 YOU'RE IN RECOVERY. 56 00:03:05,653 --> 00:03:07,788 HOW DO YOU FEEL? 57 00:03:10,724 --> 00:03:14,194 - I'M HAVING A BALL. 58 00:03:15,496 --> 00:03:17,898 - I AM SO NOT LOOKING FORWARD TO THIS. 59 00:03:17,931 --> 00:03:20,701 - WHAT, MEETING A BIG HOLLYWOOD DIRECTOR? 60 00:03:20,734 --> 00:03:23,304 - NO, GOING SHOPPING WITH MY MOTHER. 61 00:03:23,337 --> 00:03:25,839 - AT LEAST SHE'S GETTING OUT OF THE HOUSE. 62 00:03:25,873 --> 00:03:28,576 - YEAH, WHICH MEANS I GET TO SIT AROUND A DRESSING ROOM 63 00:03:28,609 --> 00:03:30,644 WITH A BUNCH OF LADIES PARADING AROUND 64 00:03:30,678 --> 00:03:32,713 IN THEIR GIRDLES AND BRAS, 65 00:03:32,746 --> 00:03:34,582 TELLING HER WHICH OUTFIT LOOKS BEST. 66 00:03:34,615 --> 00:03:35,883 - JUDGING FROM TV, 67 00:03:35,916 --> 00:03:37,585 I THOUGHT THAT'S ONE OF THE FEW THINGS 68 00:03:37,618 --> 00:03:39,253 WE QUEERS ARE GOOD FOR. 69 00:03:39,287 --> 00:03:40,854 - IF BRETT KELLER MAKES RAGE INTO A MOVIE, 70 00:03:40,888 --> 00:03:42,456 ARE WE GOING TO BE RICH? 71 00:03:42,490 --> 00:03:44,858 - BEYOND OUR WILDEST, MOST IMPROBABLE DREAMS. 72 00:03:44,892 --> 00:03:46,794 - RIGHT ON. THEN WE GET TO SPEND ALL HIS MONEY. 73 00:03:46,827 --> 00:03:48,028 - YEAH. 74 00:03:48,061 --> 00:03:49,029 - CAN YOU GET ME AN AUTOGRAPHED PICTURE 75 00:03:49,062 --> 00:03:50,030 OF CAMERON DIAZ? 76 00:03:50,063 --> 00:03:51,865 SHE'S FUCKING HOT. 77 00:03:51,899 --> 00:03:53,601 - WOULDN'T YOU RATHER HAVE ONE OF LEO OR TOBY? 78 00:03:53,634 --> 00:03:54,668 - [laughs] LATER. 79 00:03:54,702 --> 00:03:57,605 - HEY, LEARN SOMETHING. 80 00:03:57,638 --> 00:03:58,872 - I'VE GOT TO STOP AT THE POST OFFICE 81 00:03:58,906 --> 00:04:01,342 AND MAIL OFF A COUPLE MORE MANUSCRIPTS. 82 00:04:01,375 --> 00:04:03,477 - GOOD LUCK. - YEAH, YOU TOO. 83 00:04:03,511 --> 00:04:06,480 - HEY. 84 00:04:06,514 --> 00:04:07,748 - HUH? 85 00:04:07,781 --> 00:04:11,719 - DON'T I GET A KISS? - [chuckles] 86 00:04:13,787 --> 00:04:16,690 - THANKS. 87 00:04:16,724 --> 00:04:19,693 - COME ON, YOU GUYS, WAIT UP. 88 00:04:19,727 --> 00:04:20,694 - HEY. 89 00:04:20,728 --> 00:04:22,029 - IS THE ONLY ONE TODAY? 90 00:04:22,062 --> 00:04:23,030 [indistinct chatter] 91 00:04:23,063 --> 00:04:25,899 - IT'S TOO SMALL. 92 00:04:25,933 --> 00:04:29,036 TOO PLAIN. TOO FANCY. 93 00:04:29,069 --> 00:04:31,372 - THAT'S WHAT SHE USED TO SAY WHEN SHE'D GO DRESS SHOPPING. 94 00:04:31,405 --> 00:04:32,773 - WELL, LOOK AT IT THIS WAY. 95 00:04:32,806 --> 00:04:36,977 AT LEAST YOU DON'T HAVE TO ZIP HER UP. 96 00:04:37,010 --> 00:04:40,080 - THIS IS THE ONE. 97 00:04:40,113 --> 00:04:42,416 THIS IS IT! 98 00:04:42,450 --> 00:04:44,652 - JESUS, MA, IT'S LIKE MOUNT RUSHMORE. 99 00:04:44,685 --> 00:04:46,086 - AH, MY FAVORITE. 100 00:04:46,119 --> 00:04:47,655 - HMM, BET HE SAYS THAT ABOUT ALL THE TOMBSTONES. 101 00:04:47,688 --> 00:04:49,790 - THE ANGEL GABRIEL, 102 00:04:49,823 --> 00:04:52,426 WELCOMING GOD'S CHILDREN AT THE HEAVENLY GATES. 103 00:04:52,460 --> 00:04:54,528 - HOPE SHE DOESN'T WANT TO BUY THE CHILDREN TOO. 104 00:04:54,562 --> 00:04:56,330 - HOW MUCH SOMETHING LIKE THIS RUN? 105 00:04:56,364 --> 00:04:58,799 - OH, THAT'S, UH, 27,000. 106 00:04:58,832 --> 00:05:00,401 - FOR A HOOD ORNAMENT? 107 00:05:00,434 --> 00:05:01,835 - IT'S SOLID MARBLE, SIR. 108 00:05:01,869 --> 00:05:03,437 GUARANTEED TO LAST FOREVER. 109 00:05:03,471 --> 00:05:05,939 - AT THAT PRICE, IT BETTER. 110 00:05:05,973 --> 00:05:07,107 - MA, YOU'RE NOT SERIOUS. 111 00:05:07,140 --> 00:05:08,976 - YOUR UNCLE VIC WAS A SIZE QUEEN. 112 00:05:09,009 --> 00:05:10,544 HE'D HAVE LOVED IT. 113 00:05:10,578 --> 00:05:12,012 - I'M SURE HE WOULD BE PERFECTLY HAPPY 114 00:05:12,045 --> 00:05:13,814 WITH JUST A SIMPLE HEADSTONE. 115 00:05:13,847 --> 00:05:16,417 - WHAT, THE KIND LIKE THEY PUT ON A PAUPER'S GRAVE? 116 00:05:16,450 --> 00:05:17,985 NO FUCKING WAY! 117 00:05:18,018 --> 00:05:20,421 EVERYBODY WHO COMES TO LAKEVIEW CEMETERY IS GOING TO SEE 118 00:05:20,454 --> 00:05:22,990 HOW MUCH VIC GRASSI WAS LOVED BY HIS FAMILY. 119 00:05:23,023 --> 00:05:25,092 - WELL, HOW DO YOU PLAN TO PAY FOR IT? 120 00:05:25,125 --> 00:05:26,827 - I'LL CASH IN MY RETIREMENT FUND. 121 00:05:26,860 --> 00:05:28,562 I-I COULD TAKE OUT A THIRD ON THE HOUSE. 122 00:05:28,596 --> 00:05:31,131 I CAN GET A COUPLE OF EXTRA SHIFTS AT THE DINER. 123 00:05:31,164 --> 00:05:33,634 - YOU PRACTICALLY WORK 24-7 AS IT IS. 124 00:05:33,667 --> 00:05:35,636 - THIS IS INSANE. 125 00:05:35,669 --> 00:05:37,571 I'M NOT GOING TO LET YOU SPEND YOUR LAST CENT-- 126 00:05:37,605 --> 00:05:41,475 - SINCE WHEN DO YOU TELL ME WHAT I CAN AND CANNOT DO? 127 00:05:41,509 --> 00:05:43,477 THIS IS FOR MY BROTHER, 128 00:05:43,511 --> 00:05:45,713 AND IT'S MY MONEY, AND I CAN SPEND IT 129 00:05:45,746 --> 00:05:49,650 ANY GODDAMN FUCKING WAY I CHOOSE. 130 00:05:51,619 --> 00:05:53,353 WRAP IT UP. 131 00:05:54,488 --> 00:05:56,657 - CAN I HAVE SOME MORE TOAST? 132 00:05:56,690 --> 00:05:57,858 - EGGS OVER EASY, BACON AND BROWN, 133 00:05:57,891 --> 00:05:59,460 FRENCH TOAST UP. 134 00:05:59,493 --> 00:06:03,864 JUSTIN, WHEN YOU HAVE A MINUTE, PLEASE. 135 00:06:03,897 --> 00:06:05,599 - I NEED A GRILLED CHEESE. 136 00:06:05,633 --> 00:06:06,900 - HERE'S THE FOOD, GUYS. - ABOUT TIME. 137 00:06:06,934 --> 00:06:08,736 WE ONLY ORDERED YESTERDAY. 138 00:06:08,769 --> 00:06:10,871 - WHAT'D YOU HAVE TO DO, SEND TO FRANCE FOR MY OMELET? 139 00:06:10,904 --> 00:06:13,507 - I'M SORRY, GUYS. THINGS ARE NUTS WITHOUT DEB. 140 00:06:13,541 --> 00:06:16,043 - I DON'T KNOW ABOUT THE NUTS, BUT WHERE'S MY SIDE OF BACON? 141 00:06:16,076 --> 00:06:18,812 - SHIT. COMING RIGHT UP. 142 00:06:18,846 --> 00:06:20,881 - I THOUGHT JEWS DIDN'T EAT PORK. 143 00:06:20,914 --> 00:06:23,016 - THEY WAIVE THAT LAW FOR PREGNANT LESBIANS 144 00:06:23,050 --> 00:06:25,152 SECOND TUESDAY OF EVERY MONTH. 145 00:06:25,185 --> 00:06:28,021 - GREETINGS, SERFS AND VASSALS. 146 00:06:28,055 --> 00:06:29,523 - HI, BRIAN. - BRIAN! 147 00:06:29,557 --> 00:06:30,891 - HOW WAS YOUR TRIP? 148 00:06:30,924 --> 00:06:32,960 - IN-FUCKING-CREDIBLE. 149 00:06:32,993 --> 00:06:35,496 I HOPE THAT ONE DAY, YOU TOO WILL BE ABLE TO EXPERIENCE 150 00:06:35,529 --> 00:06:38,632 THE WONDERS OF IBIZA. 151 00:06:38,666 --> 00:06:40,167 THE SEA AND THE BEACH. 152 00:06:40,200 --> 00:06:41,168 - THE MEN? 153 00:06:41,201 --> 00:06:44,972 - DID I NOT MENTION THAT? 154 00:06:45,005 --> 00:06:47,174 COULD I HAVE SOME COFFEE? BLACK, NO SUGAR. 155 00:06:47,207 --> 00:06:49,076 - FOR SOMEONE WHO'S JUST GOT BACK FROM SUNNY SPAIN, 156 00:06:49,109 --> 00:06:50,077 YOU'RE NOT VERY TAN. 157 00:06:50,110 --> 00:06:51,912 - UM... 158 00:06:51,945 --> 00:06:53,814 IT RAINED PRACTICALLY EVERY DAY. 159 00:06:53,847 --> 00:06:56,083 BUT I FOUND PLENTY TO DO INDOORS. 160 00:06:56,116 --> 00:07:00,488 - YEAH, I'LL BET. - HERE'S YOUR BACON. 161 00:07:00,521 --> 00:07:01,188 YOU'RE BACK. 162 00:07:01,221 --> 00:07:02,656 - AND YOU'RE HERE. 163 00:07:02,690 --> 00:07:04,458 - TOLD YOU I WOULD BE, DIDN'T I? 164 00:07:04,492 --> 00:07:05,859 UM, SO HOW WAS YOUR TRIP? 165 00:07:05,893 --> 00:07:07,928 - THE WEATHER SUCKED. - BUT SO DID THE MEN. 166 00:07:07,961 --> 00:07:09,863 - I'D LOVE TO HEAR ABOUT IT, BUT I HAVE TO GO TO CLASS. 167 00:07:09,897 --> 00:07:11,999 - I KNOW SOMEONE WHO HAS TO GET HIS ASS TO THE OFFICE 168 00:07:12,032 --> 00:07:13,934 BEFORE HIS BOSS HAS HIS HEAD. 169 00:07:13,967 --> 00:07:17,104 - DON'T WORRY, I'LL FINISH THIS FOR YOU. 170 00:07:20,508 --> 00:07:22,476 - WANT A LIFT? - THAT'S OKAY. 171 00:07:22,510 --> 00:07:25,579 I'M SURE YOU HAVE PLENTY OF MORE IMPORTANT THINGS TO DO. 172 00:07:25,613 --> 00:07:28,582 [rock music] 173 00:07:28,616 --> 00:07:34,588 * 174 00:07:34,622 --> 00:07:37,090 - I WAS GONNA SEND YOU A POSTCARD. 175 00:07:37,124 --> 00:07:41,228 - BUT THE POST OFFICE WAS ON STRIKE. 176 00:07:41,261 --> 00:07:42,896 - I MEANT TO CALL. 177 00:07:42,930 --> 00:07:44,231 - BUT YOUR CELL PHONE DIED 178 00:07:44,264 --> 00:07:45,733 AND YOU DIDN'T HAVE YOUR CHARGER. 179 00:07:45,766 --> 00:07:47,000 - HOW DID YOU KNOW THAT? 180 00:07:47,034 --> 00:07:48,769 - YOU DON'T HAVE TO MAKE UP EXCUSES. 181 00:07:48,802 --> 00:07:50,904 AS LONG AS YOU GOT WHATEVER IT WAS OUT OF YOUR SYSTEM. 182 00:07:50,938 --> 00:07:53,907 - IT'S OUT, ALL RIGHT. 183 00:07:53,941 --> 00:07:56,243 - * DID YOU TELL THEM ABOUT ME? * 184 00:07:56,276 --> 00:08:04,184 * 185 00:08:10,290 --> 00:08:13,894 - BY THE WAY, I-- 186 00:08:13,927 --> 00:08:17,798 I MISSED YOU. 187 00:08:17,831 --> 00:08:20,801 - PROVE IT. 188 00:08:20,834 --> 00:08:22,903 * 189 00:08:22,936 --> 00:08:25,606 - * DID YOU TELL THEM ABOUT US? * 190 00:08:25,639 --> 00:08:27,174 - YOU'RE GOING TO HAVE TO DO BETTER THAN THAT. 191 00:08:27,207 --> 00:08:30,277 - [chuckles] 192 00:08:30,310 --> 00:08:34,815 - * HOW YOU TORE IT UP, YEAH * 193 00:08:34,848 --> 00:08:37,818 - I'M STILL NOT CONVINCED. - [laughs] 194 00:08:37,851 --> 00:08:39,319 * 195 00:08:39,352 --> 00:08:41,521 - [humming] 196 00:08:42,355 --> 00:08:44,725 [chuckles] 197 00:08:47,861 --> 00:08:49,563 OKAY. 198 00:08:49,597 --> 00:08:52,566 OKAY, I BELIEVE YOU. 199 00:08:52,600 --> 00:08:54,568 [laughs] 200 00:08:54,602 --> 00:08:55,936 - UM, SO I'LL SEE YOU TONIGHT? 201 00:08:55,969 --> 00:08:57,204 - MM, IF I'M IN TOWN. 202 00:08:57,237 --> 00:08:59,239 - ARE YOU GOING SOMEWHERE? 203 00:08:59,272 --> 00:09:01,108 - HOLLYWOOD. - OH. 204 00:09:01,141 --> 00:09:04,812 * 205 00:09:09,216 --> 00:09:11,084 * AND A DOOR IS TO SHUT 206 00:09:11,118 --> 00:09:12,986 * A DOOR IS TO OPEN 207 00:09:13,020 --> 00:09:14,822 * A DOOR IS TO SHUT 208 00:09:14,855 --> 00:09:16,690 * A DOOR IS TO OPEN 209 00:09:24,732 --> 00:09:26,266 - NOTE, IN PARTICULAR, 210 00:09:26,299 --> 00:09:27,701 THE LUMINOSITY OF THE SKIN TONES, 211 00:09:27,735 --> 00:09:29,269 GIVING THE YOUNG WOMAN AN ALMOST 212 00:09:29,302 --> 00:09:32,239 ETHEREAL QUALITY. 213 00:09:34,107 --> 00:09:37,745 - HMMM. 214 00:09:37,778 --> 00:09:41,114 - HMPH. 215 00:09:41,148 --> 00:09:42,683 IF YOU'RE IN THE MARKET FOR A FRENCH IMPRESSIONIST 216 00:09:42,716 --> 00:09:44,117 GIRLIE PAINTING, 217 00:09:44,151 --> 00:09:47,688 NOBODY DOES TITTIES AND BEHINDS BETTER THAN RENOIR. 218 00:09:47,721 --> 00:09:50,023 - [scoffs] 219 00:09:50,057 --> 00:09:53,727 I'LL KEEP THAT IN MIND. 220 00:09:53,761 --> 00:09:55,729 - I WAS JUST ABOUT TO SELL THAT. 221 00:09:55,763 --> 00:09:57,965 - IT'S A SENTIMENTAL PIECE OF HORSESHIT. 222 00:09:57,998 --> 00:09:58,966 - [sighs] 223 00:09:58,999 --> 00:10:00,267 - MIRANDA, 224 00:10:00,300 --> 00:10:01,735 PUT IT OVER THERE ON THAT TABLE, HONEY. 225 00:10:01,769 --> 00:10:04,037 THAT A GIRL. 226 00:10:04,071 --> 00:10:06,373 NOW GET ME A HAM AND CHEESE ON RYE. 227 00:10:06,406 --> 00:10:09,777 - SURE. - YEAH. 228 00:10:11,745 --> 00:10:14,014 - IF ANYBODY KNOWS ABOUT TITTIES AND BEHINDS, IT'S YOU. 229 00:10:14,047 --> 00:10:15,315 - WHOA, WHOA, EASY, KILLER. 230 00:10:15,348 --> 00:10:16,984 I DON'T WANT ANOTHER POP IN THE KISSER. 231 00:10:17,017 --> 00:10:18,652 - OH, DON'T TELL ME IT STILL HASN'T HEALED. 232 00:10:18,686 --> 00:10:20,187 - [laughs] 233 00:10:20,220 --> 00:10:23,724 ACTUALLY, I JUST WORE IT SO YOU'D FEEL SORRY FOR ME. 234 00:10:23,757 --> 00:10:26,760 OOH! 235 00:10:26,794 --> 00:10:29,763 - IT ALMOST WORKED. 236 00:10:32,933 --> 00:10:35,736 SO WHAT'S ALL THIS? 237 00:10:35,769 --> 00:10:38,071 - DECIDED TO LET YOU SHOW MY STUFF. 238 00:10:38,105 --> 00:10:41,208 - HMM, BUT WHY, AFTER I PUNCHED YOU? 239 00:10:41,241 --> 00:10:42,676 [phone rings] 240 00:10:42,710 --> 00:10:44,344 - [clears throat] EXCUSE ME. 241 00:10:44,377 --> 00:10:46,346 [scoffs] 242 00:10:46,379 --> 00:10:48,148 WHAT? 243 00:10:48,181 --> 00:10:51,451 I ALREADY GAVE YOU MONEY, YOU HEARTLESS BITCH. 244 00:10:51,484 --> 00:10:53,053 OH, YOU WANT MORE? 245 00:10:53,086 --> 00:10:55,188 WORK THE STREETS LIKE THE WHORE THAT YOU ARE. 246 00:10:55,222 --> 00:10:56,690 [gasping] 247 00:10:56,724 --> 00:11:00,160 - [clears throat] - MY WIFE. 248 00:11:00,193 --> 00:11:02,429 WE'RE ESTRANGED. - I GATHERED. 249 00:11:02,462 --> 00:11:05,432 - ACTUALLY, ALL MY EX-WIVES AND I ARE ESTRANGED. 250 00:11:05,465 --> 00:11:07,367 - I'M NOT SURPRISED. 251 00:11:07,400 --> 00:11:09,770 - IF I HAD ANY BRAINS, I'D BE A LESBIAN LIKE YOU. 252 00:11:09,803 --> 00:11:11,104 - WHY'S THAT? 253 00:11:11,138 --> 00:11:12,840 - ALL THE PUSSY YOU WANT, AND NO OVERHEAD. 254 00:11:12,873 --> 00:11:14,775 - YOU'RE REMARKABLE. - [laughs] 255 00:11:14,808 --> 00:11:16,376 YEAH, THAT'S WHAT PEOPLE SAY. 256 00:11:16,409 --> 00:11:21,314 MOSTLY GREEDY WIVES AND GOLD DIGGERS. 257 00:11:21,348 --> 00:11:25,318 YOU KNOW, YOU HAVE NO IDEA 258 00:11:25,352 --> 00:11:27,387 WHAT A PLEASURE IT IS 259 00:11:27,420 --> 00:11:30,190 TO FINALLY MEET A WOMAN WHO WANTS NOTHING FROM ME 260 00:11:30,223 --> 00:11:32,492 EXCEPT TO SHOW MY WORK. 261 00:11:32,525 --> 00:11:35,195 BY THE WAY, DO YOU KNOW HOW TO COOK? 262 00:11:35,228 --> 00:11:36,964 - I HAPPEN TO BE AN EXCELLENT COOK. 263 00:11:36,997 --> 00:11:40,200 - YOU THINK ONE OF THEM EVEN KNEW HOW TO TURN ON A STOVE? 264 00:11:40,233 --> 00:11:42,235 SO... [sighs] 265 00:11:42,269 --> 00:11:47,074 WHEN ARE YOU GONNA INVITE ME HOME FOR DINNER? 266 00:11:47,107 --> 00:11:49,977 [indistinct chatter] 267 00:11:50,010 --> 00:11:53,513 - I NEED ANOTHER BOTTLE OF THE SHIRAZ. 268 00:11:53,546 --> 00:11:56,349 - WHEN I FIRST SAW RAGE, I SAID, "FINALLY, 269 00:11:56,383 --> 00:11:59,352 SOMEBODY'S CREATED AN HONEST-TO-GOD GAY SUPERHERO," 270 00:11:59,386 --> 00:12:01,021 YOU KNOW, WHO'S OUT, 271 00:12:01,054 --> 00:12:03,223 WHO'S GOT A BOYFRIEND, WHO ACTUALLY FUCKS. 272 00:12:03,256 --> 00:12:05,125 - YEAH, WELL, WE FIGURED IF WE WERE GOING TO DO IT, 273 00:12:05,158 --> 00:12:06,493 WE MIGHT AS WELL DO IT ALL THE WAY. 274 00:12:06,526 --> 00:12:08,128 - AND YOU HAVE. YOU'VE GIVEN EVERY KID 275 00:12:08,161 --> 00:12:09,429 WHO'S EVER BEEN BULLIED, 276 00:12:09,462 --> 00:12:11,164 WHO HAD TO KEEP HIS TRUE IDENTITY A SECRET 277 00:12:11,198 --> 00:12:13,400 BUT SOMEHOW MANAGED TO SURVIVE, 278 00:12:13,433 --> 00:12:16,403 HIS OWN CRUSADER, HIS OWN ROLE MODEL. 279 00:12:16,436 --> 00:12:18,171 I WISH THERE WAS SOMETHING LIKE THIS WHEN I WAS A KID. 280 00:12:18,205 --> 00:12:20,874 - THANK YOU, MR. KELLER. - PLEASE, BRETT. 281 00:12:20,908 --> 00:12:22,976 AND I SHOULD BE THANKING YOU. 282 00:12:23,010 --> 00:12:27,180 - UM, HOWEVER, WE DO HAVE A COUPLE OF CONCERNS. 283 00:12:27,214 --> 00:12:29,416 - THAT SOMEONE MIGHT WANT TO CHANGE THINGS. 284 00:12:29,449 --> 00:12:32,853 - YOU MEAN LIKE MAKE RAGE STRAIGHT? 285 00:12:32,886 --> 00:12:34,521 I WILL PERSONALLY CHOP THE DICK OFF 286 00:12:34,554 --> 00:12:37,024 ANY STUDIO EXECUTIVE WHO EVEN TRIES. 287 00:12:37,057 --> 00:12:38,859 - [laughs] - I WANT THIS FILM 288 00:12:38,892 --> 00:12:41,995 TO BE AS GRITTY AND AS DARK AND AS EDGY AS YOUR COMIC. 289 00:12:42,029 --> 00:12:43,463 AND AS FOR RAGE, 290 00:12:43,496 --> 00:12:45,432 EVERY ACTOR IN HOLLYWOOD IS GOING TO WANT TO PLAY HIM. 291 00:12:45,465 --> 00:12:47,901 - I-I THOUGHT STRAIGHT ACTORS WON'T TAKE GAY ROLES. 292 00:12:47,935 --> 00:12:50,437 - NAH, NOBODY'S GOING TO TURN THIS ONE DOWN. 293 00:12:50,470 --> 00:12:52,005 SO, WHO DO YOU PICTURE? 294 00:12:52,039 --> 00:12:54,274 JOHNNY, ASHTON, MATT? 295 00:12:54,307 --> 00:12:56,944 - BRIAN. - BRIAN? 296 00:12:56,977 --> 00:12:58,545 - HE'S MY BOYFRIEND. - AND MY BEST FRIEND. 297 00:12:58,578 --> 00:13:00,180 WE BASED THE CHARACTER AFTER HIM. 298 00:13:00,213 --> 00:13:02,215 - IS HE AS GORGEOUS AS RAGE? 299 00:13:02,249 --> 00:13:04,217 - MM-HMM. - SOME PEOPLE THINK SO. 300 00:13:04,251 --> 00:13:06,153 - MOST PEOPLE THINK SO. 301 00:13:06,186 --> 00:13:09,890 - WELL, I'LL HAVE TO MEET HIM, YOU KNOW, JUST TO GET AN IDEA. 302 00:13:09,923 --> 00:13:12,059 - UH, WHAT ABOUT TOMORROW NIGHT? 303 00:13:12,092 --> 00:13:13,326 WE COULD ALL GO TO BABYLON. 304 00:13:13,360 --> 00:13:15,162 - UH, IT'S A DANCE CLUB. 305 00:13:15,195 --> 00:13:16,930 THEY'RE HAVING A WET WILLIE CONTEST. 306 00:13:16,964 --> 00:13:20,033 - WHO SAID THERE'S NOTHING TO DO IN PITTSBURGH? 307 00:13:20,067 --> 00:13:22,035 I WAS GOING TO FLY BACK TO L.A. TOMORROW, 308 00:13:22,069 --> 00:13:24,037 BUT, UH... [phone rings] 309 00:13:24,071 --> 00:13:26,073 SORRY. 310 00:13:26,106 --> 00:13:28,308 [chuckles] 311 00:13:28,341 --> 00:13:29,910 COLIN. 312 00:13:29,943 --> 00:13:31,845 [whispers] FARRELL. 313 00:13:31,879 --> 00:13:35,815 HOW WOULD YOU LIKE TO SAVE GAYOPOLIS, HUH? 314 00:13:49,629 --> 00:13:51,498 - WHAT DO YOU THINK OF THIS? 315 00:13:51,531 --> 00:13:54,367 - "SPEAK SOFTLY AND CARRY A BIG DICK." 316 00:13:54,401 --> 00:13:56,503 HMM, CUTE. 317 00:13:56,536 --> 00:13:59,272 HOW ABOUT, UH, "EAT THIS"? 318 00:13:59,306 --> 00:14:00,941 - WHERE'D YOU SEE THAT ONE? 319 00:14:00,974 --> 00:14:02,609 - RIGHT HERE. 320 00:14:02,642 --> 00:14:04,511 - OH. NO, THANKS, HONEY. 321 00:14:04,544 --> 00:14:06,213 - WOULD YOU EAT A LITTLE SOMETHING, PLEASE? 322 00:14:06,246 --> 00:14:09,983 - MAYBE LATER. 323 00:14:10,017 --> 00:14:11,384 HERE, LET ME DO THAT. I'M A LITTLE RUSTY. 324 00:14:11,418 --> 00:14:13,086 I OUGHT TO GET BACK IN SHAPE FOR TOMORROW. 325 00:14:13,120 --> 00:14:15,555 - ARE YOU SURE YOU WANT TO GO BACK SO SOON? 326 00:14:15,588 --> 00:14:17,390 MAYBE YOU SHOULD GIVE YOURSELF MORE TIME. 327 00:14:17,424 --> 00:14:20,894 - VIC'S ANGEL IS NOT GOING TO PAY FOR ITSELF. 328 00:14:20,928 --> 00:14:22,629 AND HE'S GOING TO HAVE THE BEST-LOOKING GRAVE 329 00:14:22,662 --> 00:14:23,897 IN THAT CEMETERY. 330 00:14:23,931 --> 00:14:25,232 [doorbell rings] 331 00:14:25,265 --> 00:14:27,367 WHO THE HELL IS THAT? 332 00:14:27,400 --> 00:14:28,969 IT'S PROBABLY MY SON 333 00:14:29,002 --> 00:14:30,570 TRYING TO TALK ME OUT OF IT AGAIN. 334 00:14:30,603 --> 00:14:32,405 WELL, YOU CAN TELL HIM-- 335 00:14:32,439 --> 00:14:34,541 NEVER MIND, I'LL TELL HIM MYSELF. 336 00:14:34,574 --> 00:14:37,677 - DO I DETECT A DETECTIVE? - HI, EMMETT. 337 00:14:37,710 --> 00:14:42,015 - I DON'T GIVE A SHIT WHAT YOU SAY, MICHAEL, I'M... 338 00:14:44,084 --> 00:14:45,185 CARL. 339 00:14:45,218 --> 00:14:48,221 - HELLO, DEBBIE. 340 00:14:51,691 --> 00:14:55,028 - UM, WE GOT YOUR FLOWERS. 341 00:14:55,062 --> 00:14:57,530 IT WAS VERY THOUGHTFUL OF YOU TO REMEMBER VIC. 342 00:14:57,564 --> 00:15:00,033 - HE WAS A NICE GUY. 343 00:15:00,067 --> 00:15:03,603 - HE LIKED YOU TOO. 344 00:15:03,636 --> 00:15:06,206 - FORGIVE ME, I-I HAVEN'T HAD TIME TO WRITE A NOTE. 345 00:15:06,239 --> 00:15:08,541 - I UNDERSTAND. 346 00:15:08,575 --> 00:15:10,277 - DO YOU WANT TO COME IN? 347 00:15:10,310 --> 00:15:12,612 WE'VE GOT SOME FRUITCAKE LEFT OVER FROM CHRISTMAS. 348 00:15:12,645 --> 00:15:14,314 - EMMETT LIVES HERE NOW. 349 00:15:14,347 --> 00:15:16,449 I GOT TO HAVE SOMEBODY BUGGING THE SHIT OUT OF ME. 350 00:15:16,483 --> 00:15:18,051 - ACTUALLY, I JUST STOPPED BY TO SEE 351 00:15:18,085 --> 00:15:20,687 IF YOU'D LIKE TO GO OUT AND GRAB A BITE TO EAT. 352 00:15:20,720 --> 00:15:22,555 - TALK ABOUT ANGELS. 353 00:15:22,589 --> 00:15:25,358 SHE'D LOVE TO, WOULDN'T YOU, DEB? 354 00:15:25,392 --> 00:15:27,060 JUST HAVE HER BACK BY A DECENT HOUR. 355 00:15:27,094 --> 00:15:28,695 - [laughs] - THANK YOU, UH, CARL, 356 00:15:28,728 --> 00:15:33,200 BUT I'M STARTING BACK TO WORK AT THE DINER TOMORROW. 357 00:15:33,233 --> 00:15:37,470 MAYBE SOME OTHER TIME. 358 00:15:39,606 --> 00:15:41,474 - HE LOVES IT. HE FUCKING LOVES IT. 359 00:15:41,508 --> 00:15:42,475 HE SAYS IT'S GENIUS. 360 00:15:42,509 --> 00:15:43,743 - THAT'S NICE. 361 00:15:43,776 --> 00:15:45,512 - HE ALSO SWEARS THAT NO MATTER WHAT, 362 00:15:45,545 --> 00:15:47,080 THE CHARACTERS ARE GOING TO STAY EXACTLY LIKE THEY ARE 363 00:15:47,114 --> 00:15:50,117 IN THE COMIC: HARD-ASSED, EDGY, AND QUEER. 364 00:15:50,150 --> 00:15:51,751 - GREAT. - [chuckles] 365 00:15:51,784 --> 00:15:53,586 OH, GET THIS. 366 00:15:53,620 --> 00:15:55,522 WHEN WE TOLD HIM WE BASED THE CHARACTER OF RAGE ON YOU, 367 00:15:55,555 --> 00:15:57,457 HE SAYS, "I HAVE TO MEET THIS GUY." 368 00:15:57,490 --> 00:15:59,726 SO WE MADE PLANS TO GO TO BABYLON TOMORROW NIGHT, 369 00:15:59,759 --> 00:16:02,062 CONTINGENT, OF COURSE, ON YOUR AVAILABILITY. 370 00:16:02,095 --> 00:16:03,730 - WELL, I'LL HAVE TO GET MY TIGHTS 371 00:16:03,763 --> 00:16:06,199 BACK FROM THE CLEANERS. 372 00:16:06,233 --> 00:16:08,168 [zipper unzips] 373 00:16:10,137 --> 00:16:13,473 - WHAT, DID YOU HURT YOURSELF? 374 00:16:13,506 --> 00:16:15,742 - MUST'VE PULLED A MUSCLE IN IBIZA. 375 00:16:15,775 --> 00:16:16,776 - [laughs] YEAH. 376 00:16:16,809 --> 00:16:19,979 I BET I CAN GUESS WHICH ONE. 377 00:16:22,782 --> 00:16:26,219 YOU KNOW, YOU LOOK REALLY TIRED. 378 00:16:26,253 --> 00:16:29,422 - JUST JETLAG. 379 00:16:29,456 --> 00:16:32,392 I'M FABULOSO, SEÑOR. 380 00:16:34,661 --> 00:16:37,630 - WISH I COULD SAY THE SAME THING ABOUT THE SHORTS. 381 00:16:37,664 --> 00:16:41,168 HEY, DON'T JACK OFF IN THERE. 382 00:16:41,201 --> 00:16:44,371 I HAVE OTHER PLANS. 383 00:16:44,404 --> 00:16:46,406 [phone rings, water running] 384 00:16:46,439 --> 00:16:51,778 BRIAN, YOU WANT ME TO GET THE PHONE? 385 00:16:51,811 --> 00:16:56,049 - LEAVE ME A MESSAGE. [beeping] 386 00:16:56,083 --> 00:16:58,151 - HELLO, MR. KINNEY, THIS IS DR. RABINOWITZ 387 00:16:58,185 --> 00:17:00,420 FROM THE JOHNS HOPKINS ONCOLOGY CENTER. 388 00:17:00,453 --> 00:17:02,655 I'D LIKE TO DISCUSS YOUR POST-SURGERY OPTIONS, 389 00:17:02,689 --> 00:17:08,161 SO PLEASE GIVE ME A CALL AT 410-555-4832. 390 00:17:08,195 --> 00:17:09,429 [beep] 391 00:17:09,462 --> 00:17:12,799 BRIAN... 392 00:17:12,832 --> 00:17:16,269 WHEN I TOLD MY DEAR AUNT FAY THAT I WANTED 393 00:17:16,303 --> 00:17:17,704 TO PAINT HER SOMETHING SPECIAL FOR HER 80th BIRTHDAY, 394 00:17:17,737 --> 00:17:20,073 SHE SAYS, "SAMMY, I NEVER LIKED YOUR PAINTINGS, 395 00:17:20,107 --> 00:17:21,608 BUT THE BEDROOM COULD SURE USE A FRESH COAT." 396 00:17:21,641 --> 00:17:22,609 [laughter] 397 00:17:22,642 --> 00:17:24,177 - SOUNDS LIKE MY AUNT RITA. 398 00:17:24,211 --> 00:17:25,445 - WELL, YOU KNOW WHAT THEY SAY ABOUT FAMILY. 399 00:17:25,478 --> 00:17:26,546 THEY NEVER APPRECIATE YOUR WORK. 400 00:17:26,579 --> 00:17:27,680 - AH, NOT IN THIS HOUSE. 401 00:17:27,714 --> 00:17:30,283 I LOVE LINDSAY'S PAINTINGS. 402 00:17:30,317 --> 00:17:32,752 - YOU PAINT? - I DABBLE. 403 00:17:32,785 --> 00:17:35,555 - UH-HUH. WHY DIDN'T YOU TELL ME? 404 00:17:35,588 --> 00:17:37,457 - THAT'S LIKE SAYING TO JONAS SALK, 405 00:17:37,490 --> 00:17:39,459 "I'VE BEEN WORKING ON A VACCINE IN MY BASEMENT." 406 00:17:39,492 --> 00:17:42,362 - SHE'S FAR TOO MODEST, SO I'LL BOAST FOR HER. 407 00:17:42,395 --> 00:17:43,863 - MEL! - SHUT UP. 408 00:17:43,896 --> 00:17:45,332 SHE WENT TO CARNEGIE MELLON, 409 00:17:45,365 --> 00:17:46,566 HAD HER PAINTINGS IN A FEW EXHIBITS. 410 00:17:46,599 --> 00:17:47,734 - I'M IMPRESSED. - OH, DON'T BE. 411 00:17:47,767 --> 00:17:49,769 THAT WAS YEARS AGO. 412 00:17:49,802 --> 00:17:51,704 - WHY DON'T YOU SHOW SAM? - NO. 413 00:17:51,738 --> 00:17:53,206 ABSOLUTELY NOT. 414 00:17:53,240 --> 00:17:55,175 - I'M SURE THAT SHE IS VERY SHY 415 00:17:55,208 --> 00:17:56,376 ABOUT LETTING ANYONE SEE HER WORK, 416 00:17:56,409 --> 00:17:57,377 WHICH I TOTALLY UNDERSTAND. 417 00:17:57,410 --> 00:17:58,445 - THANK YOU, SAM. 418 00:17:58,478 --> 00:18:00,580 - BUT I SAY, "GET OVER IT." 419 00:18:00,613 --> 00:18:03,783 EVERY ARTIST IS A SELF-CENTERED, EGOMANIACAL FASCIST. 420 00:18:03,816 --> 00:18:09,522 SO, SPARE ME THE MODESTY SHIT, HMM? 421 00:18:09,556 --> 00:18:11,624 HMM. 422 00:18:11,658 --> 00:18:15,195 - I'M SO EMBARRASSED. 423 00:18:15,228 --> 00:18:17,797 - COME ON. 424 00:18:17,830 --> 00:18:19,499 HOW MANY TIMES DO YOU HAVE A FAMOUS ARTIST 425 00:18:19,532 --> 00:18:22,635 TO CRITIQUE YOUR WORK, SHARE HIS CREATIVE INSIGHT? 426 00:18:22,669 --> 00:18:25,104 WHAT DO YOU THINK, SAM? 427 00:18:30,677 --> 00:18:32,912 - PRETTY COLORS. 428 00:18:32,945 --> 00:18:35,782 - THAT IT? - I LIKE THE-- 429 00:18:35,815 --> 00:18:38,518 THE DOODLE IN THE CORNER. - OH... 430 00:18:38,551 --> 00:18:40,220 - CUTE. - "CUTE." 431 00:18:40,253 --> 00:18:41,921 I THINK SAM'S SEEN ENOUGH. - HEY... 432 00:18:41,954 --> 00:18:43,623 - WHAT ARE YOU ASKING ME? WHAT THE FUCK DO I KNOW 433 00:18:43,656 --> 00:18:45,358 ABOUT OTHER PEOPLE'S ART? I JUST MAKE MY OWN. 434 00:18:45,392 --> 00:18:46,359 - FAIR ENOUGH. 435 00:18:46,393 --> 00:18:48,428 - MORE IMPORTANTLY... 436 00:18:48,461 --> 00:18:53,233 WHAT DO YOU THINK? 437 00:18:53,266 --> 00:18:56,269 - I THINK THEY'RE ACADEMIC, DERIVATIVE, UNINSPIRED, 438 00:18:56,303 --> 00:18:58,271 AND THAT'S PRETTY MUCH THE SAME REASON 439 00:18:58,305 --> 00:19:01,241 WHY I STOPPED PAINTING. 440 00:19:01,274 --> 00:19:03,910 - WELL, SOMETHING MUST HAVE INSPIRED YOU ONCE. 441 00:19:03,943 --> 00:19:08,415 - THERE'S THIS. I LOVE THIS. 442 00:19:09,582 --> 00:19:11,518 HMM? 443 00:19:11,551 --> 00:19:13,486 - [clears throat] 444 00:19:19,459 --> 00:19:21,828 - OH, YEAH. 445 00:19:21,861 --> 00:19:24,197 THERE WAS THIS OLD HOMELESS MAN I USED TO PASS 446 00:19:24,231 --> 00:19:27,467 EVERY DAY ON MY WAY TO CLASS. 447 00:19:27,500 --> 00:19:29,569 HIS FACE WAS LINED, HAUNTED, 448 00:19:29,602 --> 00:19:32,405 AS IF HE WERE STARING AT DEATH-- 449 00:19:32,439 --> 00:19:36,976 OR WORSE, THE FAILURE OF HIS LIFE. 450 00:19:37,009 --> 00:19:41,681 I DON'T KNOW WHY. I HAD TO SKETCH HIM. 451 00:19:41,714 --> 00:19:45,718 HMM. 452 00:19:47,320 --> 00:19:51,824 [door opens, bell jingles] 453 00:19:51,858 --> 00:19:53,293 - HEY. WHAT DO YOU THINK? 454 00:19:53,326 --> 00:19:54,461 I THOUGHT I'D PUT HIM OUT FRONT 455 00:19:54,494 --> 00:19:57,797 WHEN THE NEXT ISSUE COMES OUT. 456 00:20:00,500 --> 00:20:02,702 WHAT'S WRONG? DON'T YOU LIKE HIM? 457 00:20:02,735 --> 00:20:04,604 - DID YOU KNOW? 458 00:20:04,637 --> 00:20:08,475 - HUH? 459 00:20:08,508 --> 00:20:12,845 - DID YOU KNOW? 460 00:20:12,879 --> 00:20:16,883 - KNOW WHAT? - ABOUT BRIAN. 461 00:20:16,916 --> 00:20:18,618 HE DIDN'T GO TO IBIZA. 462 00:20:18,651 --> 00:20:21,754 - WELL, WHERE'D HE GO? SOUTH BEACH? CANCUN? 463 00:20:21,788 --> 00:20:26,259 - JOHNS HOPKINS. 464 00:20:26,293 --> 00:20:27,627 IT'S A HOSPITAL IN BALTIMORE. 465 00:20:27,660 --> 00:20:31,898 - I KNOW WHAT IT IS. 466 00:20:31,931 --> 00:20:35,502 WHAT WAS HE DOING THERE? 467 00:20:35,535 --> 00:20:37,770 - THERE WAS A MESSAGE FROM A DR. RABINOWITZ 468 00:20:37,804 --> 00:20:43,476 ON HIS MACHINE, CHECKING UP ON HIS SURGERY... 469 00:20:43,510 --> 00:20:47,347 AND TO DISCUSS FOLLOW-UP TREATMENT. 470 00:20:47,380 --> 00:20:50,350 SO I CALLED THE HOSPITAL TO SEE WHO DOCTOR RABINOWITZ IS, 471 00:20:50,383 --> 00:20:52,885 AND HE'S AN ONCOLOGIST 472 00:20:52,919 --> 00:20:55,788 WHO SPECIALIZES IN TESTICULAR CANCER. 473 00:20:59,058 --> 00:21:02,562 - OH, GOD. 474 00:21:02,595 --> 00:21:06,265 - [clears throat] SO YOU REALLY DIDN'T KNOW? 475 00:21:11,804 --> 00:21:13,973 WELL, IF HE DIDN'T TELL YOU AND HE DIDN'T TELL ME, 476 00:21:14,006 --> 00:21:17,310 THEN WHO DID HE TELL? 477 00:21:19,078 --> 00:21:21,814 - MY GUESS IS NOBODY. 478 00:21:21,848 --> 00:21:24,684 - THAT HE HAS CANCER? 479 00:21:27,354 --> 00:21:30,056 - WELL, I'M SURE IF HE WANTED US TO KNOW, 480 00:21:30,089 --> 00:21:32,091 HE WOULD'VE TOLD US. 481 00:21:32,124 --> 00:21:34,427 - WHAT ARE WE SUPPOSED TO DO? 482 00:21:34,461 --> 00:21:35,695 JUST KEEP OUR MOUTHS SHUT? 483 00:21:35,728 --> 00:21:38,965 ACT LIKE WE DON'T KNOW ANYTHING? 484 00:21:38,998 --> 00:21:40,733 - IF THAT'S WHAT HE WANTS, 485 00:21:40,767 --> 00:21:45,104 THEN THAT'S EXACTLY WHAT WE'RE GOING TO DO. 486 00:21:45,137 --> 00:21:48,307 - [sighs] 487 00:21:50,710 --> 00:21:53,680 [dance music] 488 00:21:53,713 --> 00:21:57,350 * 489 00:21:57,384 --> 00:22:00,720 - ENDOVIR'S SALES ARE UP 15% 490 00:22:00,753 --> 00:22:02,955 SINCE WE LAUNCHED THEIR LAST CAMPAIGN, 491 00:22:02,989 --> 00:22:04,557 AND THEY'D LIKE TO REBOOK 492 00:22:04,591 --> 00:22:06,426 FOR NEXT MONTH'S ISSUE OF THE ADVOCATE 493 00:22:06,459 --> 00:22:08,461 AS WELL AS... 494 00:22:08,495 --> 00:22:12,131 POZ AND HEAT. 495 00:22:12,164 --> 00:22:13,633 SO, TED, WE'RE GOING TO NEED RATES. 496 00:22:13,666 --> 00:22:15,702 - OH, RIGHT ON IT. 497 00:22:15,735 --> 00:22:17,570 - AND WE'RE ALSO GOING TO NEED A NEW CAMPAIGN 498 00:22:17,604 --> 00:22:19,105 TO FOLLOW THIS ONE. 499 00:22:19,138 --> 00:22:21,474 - I ALREADY HAVE SOME SKETCHES FOR YOU TO LOOK OVER. 500 00:22:21,508 --> 00:22:22,575 - AND I'VE GOT COPY TO GO WITH THEM. 501 00:22:22,609 --> 00:22:23,743 - NICE GOING. 502 00:22:23,776 --> 00:22:28,014 NOW, WHAT ABOUT, UH, BROWN ATHLETICS? 503 00:22:28,047 --> 00:22:30,149 [pained] DID WE... 504 00:22:30,182 --> 00:22:31,851 GET THE CONTRACTS? 505 00:22:31,884 --> 00:22:34,621 - CAME IN YESTERDAY WITH A 10 GRAND DEPOSIT. 506 00:22:34,654 --> 00:22:35,855 - ALREADY IN THE BANK. 507 00:22:35,888 --> 00:22:36,923 - [sniffs] 508 00:22:36,956 --> 00:22:37,990 - BRIAN? - [sighs] 509 00:22:38,024 --> 00:22:41,894 - YOU OKAY? - BRIAN? 510 00:22:44,163 --> 00:22:47,500 - YEAH. [clears throat] 511 00:22:47,534 --> 00:22:49,902 YEAH, I JUST, UH... 512 00:22:49,936 --> 00:22:54,774 EXCUSE ME FOR JUST ONE SECOND. 513 00:23:06,686 --> 00:23:07,954 - BRIAN? 514 00:23:07,987 --> 00:23:11,924 - I'M FINE. [clears throat] 515 00:23:11,958 --> 00:23:13,092 - WELL, YOU SURE AS HELL DON'T LOOK IT. 516 00:23:13,125 --> 00:23:15,027 YOU PRACTICALLY FAINTED IN THERE. 517 00:23:15,061 --> 00:23:17,029 - YEAH, I'M JUST A LITTLE TIRED FROM MY TRIP, THAT'S ALL. 518 00:23:17,063 --> 00:23:18,631 - WELL, MAYBE YOU SHOULD GO HOME. 519 00:23:18,665 --> 00:23:19,699 I MEAN, WE CAN FINISH THIS TOMORR-- 520 00:23:19,732 --> 00:23:21,801 - I SAID I'M FINE. 521 00:23:21,834 --> 00:23:25,538 NOW LET'S FINISH THE GODDAMN MEETING. 522 00:23:25,572 --> 00:23:28,207 - YOU DON'T HAVE TO BE SO TESTY. 523 00:23:28,240 --> 00:23:31,043 [indistinct chatter] 524 00:23:31,077 --> 00:23:33,646 - ONE PINK PLATE. 525 00:23:33,680 --> 00:23:36,716 ONE MEATLOAF. - UH, POT PIE. 526 00:23:36,749 --> 00:23:40,052 - POT PIE. SORRY, FIRST DAY BACK AND ALL. 527 00:23:40,086 --> 00:23:42,188 SO WHO IN THE FUCK HAD THE MEATLOAF? 528 00:23:42,221 --> 00:23:43,556 - MEATLOAF! 529 00:23:43,590 --> 00:23:45,191 - WHAT DID YOU DO, CHANGE TABLES? 530 00:23:45,224 --> 00:23:47,994 SORRY, HONEY. THERE YOU GO. 531 00:23:48,027 --> 00:23:50,863 HOW'S MY FAVORITE PERSONAL SERVICE PROFESSIONAL? 532 00:23:50,897 --> 00:23:53,733 EXCEPT, OF COURSE, FOR CARLOS AT THE HOUSE OF MASSAGE. 533 00:23:53,766 --> 00:23:55,668 - I'M DOING FINE. 534 00:23:55,702 --> 00:23:57,937 - WELL, I THOUGHT IF YOU'RE DONE, I'D ESCORT YOU HOME. 535 00:23:57,970 --> 00:24:02,008 - WELL, HOW "TRAY" GALLANT. [laughs] 536 00:24:02,041 --> 00:24:03,242 BUT I DON'T GET OFF TILL 1:30. 537 00:24:03,275 --> 00:24:04,677 - OH, WELL THAT'S JUST HALF AN-- 538 00:24:04,711 --> 00:24:06,879 - A.M. 539 00:24:06,913 --> 00:24:08,548 I TOOK ANOTHER SHIFT. 540 00:24:08,581 --> 00:24:11,718 WHO DO YOU HAVE TO FUCK TO GET SERVICE AROUND HERE? 541 00:24:11,751 --> 00:24:15,021 - ME, WHICH MEANS YOU'RE GOING TO BE WAITING A LONG TIME. 542 00:24:15,054 --> 00:24:16,989 - SORRY, HONEY. WHAT CAN I DO FOR YOU? 543 00:24:17,023 --> 00:24:19,025 - I'M THE PEA SOUP, REMEMBER? 544 00:24:19,058 --> 00:24:22,562 - OH, RIGHT. 545 00:24:22,595 --> 00:24:24,130 - DEBBIE? - CAN I GET A PEA SOUP, PLEASE? 546 00:24:24,163 --> 00:24:26,966 - YEAH, COMING UP. 547 00:24:26,999 --> 00:24:28,835 - DEBBIE? - YEAH. 548 00:24:28,868 --> 00:24:32,038 - I'M HAROLD. A FRIEND OF VIC'S. 549 00:24:32,071 --> 00:24:33,706 I JUST WANTED TO TELL YOU HOW SORRY I WAS 550 00:24:33,740 --> 00:24:34,841 TO HEAR OF HIS PASSING. 551 00:24:34,874 --> 00:24:36,242 - OH, THANKS. 552 00:24:36,275 --> 00:24:37,877 - HE WAS ALWAYS SAYING 553 00:24:37,910 --> 00:24:40,246 WHAT A GREAT RELATIONSHIP YOU TWO HAD... 554 00:24:40,279 --> 00:24:42,014 HOW HE LOOKED UP TO YOU. 555 00:24:42,048 --> 00:24:43,516 YOU WERE MORE THAN A SISTER, 556 00:24:43,550 --> 00:24:47,019 YOU WERE, UH, HIS BEST FRIEND. 557 00:24:49,656 --> 00:24:51,057 - SORRY, I HAVE TO GET THIS ORDER. 558 00:24:51,090 --> 00:24:53,760 - I KNOW HOW DIFFICULT IT IS FOR YOU RIGHT NOW, 559 00:24:53,793 --> 00:24:55,595 BUT AT LEAST YOU HAVE THE COMFORT OF KNOWING 560 00:24:55,628 --> 00:24:58,898 HOW MUCH HE LOVED YOU. 561 00:25:04,771 --> 00:25:07,173 - [sighs] 562 00:25:10,910 --> 00:25:14,280 [laughter and chatter] 563 00:25:14,313 --> 00:25:17,049 - [crying softly] 564 00:25:18,117 --> 00:25:20,052 [loud clatter] 565 00:25:26,793 --> 00:25:30,663 - DEB. 566 00:25:30,697 --> 00:25:32,899 DEBBIE? - HUH? 567 00:25:32,932 --> 00:25:34,767 - COME--COME SIT DOWN. 568 00:25:34,801 --> 00:25:37,937 COME SIT DOWN. 569 00:25:42,108 --> 00:25:43,943 - TOLD HER IT WAS TOO SOON. 570 00:25:43,976 --> 00:25:46,178 - I GOT A LITTLE SHAKY, THAT'S ALL. 571 00:25:46,212 --> 00:25:47,914 I DIDN'T HAVE MY SEA LEGS BACK YET. 572 00:25:47,947 --> 00:25:50,216 I'LL BE BETTER TOMORROW. 573 00:25:50,249 --> 00:25:52,785 - YOU'RE NOT GOING BACK TOMORROW, OR THE NEXT DAY. 574 00:25:52,819 --> 00:25:53,786 YOU'RE GOING TO TAKE A FEW WEEKS OFF-- 575 00:25:53,820 --> 00:25:54,854 - THE HELL I AM! 576 00:25:54,887 --> 00:25:58,658 - WOULD YOU CALM DOWN, PLEASE? 577 00:25:58,691 --> 00:26:00,192 - WE ARE JUST LOOKING OUT FOR YOUR BEST INTEREST. 578 00:26:00,226 --> 00:26:03,095 I KNOW WHAT MY BEST INTEREST IS. 579 00:26:03,129 --> 00:26:06,265 IT'S TO WORK, SO I CAN PAY FOR VIC'S MONUMENT. 580 00:26:06,298 --> 00:26:09,836 - THAT DOESN'T MEAN YOU HAVE TO KILL YOURSELF. 581 00:26:09,869 --> 00:26:12,338 - YOU DON'T UNDERSTAND. 582 00:26:12,371 --> 00:26:15,107 YOU DON'T HAVE A FUCKING CLUE. 583 00:26:15,141 --> 00:26:19,111 - WELL, WHY DON'T YOU GIVE ME A FUCKING HINT? 584 00:26:30,890 --> 00:26:32,692 - THEY'RE ALL SO VIBRANT, SO DYNAMIC. 585 00:26:32,725 --> 00:26:33,826 I DON'T KNOW WHICH TO CHOOSE. 586 00:26:33,860 --> 00:26:37,697 - MMM. 587 00:26:37,730 --> 00:26:39,265 TAKE 'EM ALL. 588 00:26:39,298 --> 00:26:43,169 - A SIMPLE AND PRACTICAL SOLUTION. 589 00:26:43,202 --> 00:26:44,170 [clinks bottle] 590 00:26:44,203 --> 00:26:47,306 - HM? - HM-MM. 591 00:26:47,339 --> 00:26:49,776 - YOU SURPRISE ME. 592 00:26:49,809 --> 00:26:52,311 - OH? - HMM. 593 00:26:52,344 --> 00:26:56,415 I MEAN, TO LOOK AT YOU... NO ONE WOULD EVER SUSPECT... 594 00:26:56,448 --> 00:26:58,918 - THAT I'M A LESBIAN? 595 00:26:58,951 --> 00:27:01,320 - THAT A BEAUTIFUL BLONDE COULD BE SMART, 596 00:27:01,353 --> 00:27:03,322 HONEST, FUNNY... 597 00:27:03,355 --> 00:27:05,725 AND SUPREMELY TALENTED. 598 00:27:05,758 --> 00:27:09,328 - WELL, IT'S NOT THAT UNCOMMON. - OH, IT'S NOT? 599 00:27:09,361 --> 00:27:12,064 - WELL, HOW MANY WOMEN HAVE YOU ACTUALLY BOTHERED TO KNOW, 600 00:27:12,098 --> 00:27:14,867 OR LET KNOW YOU, BEFORE YOU FUCKED THEM, OR MARRIED THEM? 601 00:27:14,901 --> 00:27:16,769 [both laugh] 602 00:27:16,803 --> 00:27:19,405 AND AS FOR MY TALENT, WELL... 603 00:27:19,438 --> 00:27:22,208 JUDGING FROM YOUR RESPONSE, IT WAS ANYTHING BUT SUPREME. 604 00:27:22,241 --> 00:27:24,410 - NO, NO, SEE, THAT'S WHERE YOU'RE WRONG. 605 00:27:24,443 --> 00:27:26,012 THAT DRAWING YOU DID OF THE HOMELESS MAN? 606 00:27:26,045 --> 00:27:27,413 HOO-HOO. 607 00:27:27,446 --> 00:27:29,749 - I HAVEN'T DONE ANYTHING LIKE THAT IN YEARS. 608 00:27:29,782 --> 00:27:31,050 - YOU SHOULD. 609 00:27:31,083 --> 00:27:32,819 - MAYBE SOME DAY. 610 00:27:32,852 --> 00:27:34,754 - WHY NOT NOW? 611 00:27:34,787 --> 00:27:37,690 - NOW, I'M TOO BUSY BEING A WIFE, A MOTHER. 612 00:27:37,724 --> 00:27:39,058 - HMM. - AND THEN THERE'S MY WORK. 613 00:27:39,091 --> 00:27:41,060 - OH, PLEASE. SPARE ME THE EXCUSES, LADY. 614 00:27:41,093 --> 00:27:43,029 IF YOU'RE AN ARTIST, NOTHING STOPS YOU. 615 00:27:43,062 --> 00:27:44,897 I COULD BE GOING DOWN IN A PLANE, 616 00:27:44,931 --> 00:27:46,766 TAKING A DUMP, SCREWING MY LAST MISTRESS, 617 00:27:46,799 --> 00:27:49,335 I'D STILL REACH FOR A PAD. 618 00:27:49,368 --> 00:27:52,338 HERE. [clears throat] 619 00:27:55,241 --> 00:27:57,176 DRAW SOMETHING. 620 00:27:57,209 --> 00:27:59,779 - NOW? - MM-HMM. 621 00:27:59,812 --> 00:28:01,313 - WELL, WHAT AM I SUPPOSED TO DRAW? 622 00:28:01,347 --> 00:28:03,315 - WHATEVER THE HELL INSPIRES YOU. 623 00:28:03,349 --> 00:28:05,417 A CHAIR, AN APPLE. 624 00:28:07,353 --> 00:28:08,454 - YOU? 625 00:28:08,487 --> 00:28:10,723 - [chuckles] 626 00:28:10,757 --> 00:28:12,458 ME? 627 00:28:12,491 --> 00:28:15,427 - YOU. 628 00:28:18,397 --> 00:28:21,834 - FINE. 629 00:28:21,868 --> 00:28:23,870 - UH, WHAT ARE YOU DOING? 630 00:28:23,903 --> 00:28:26,472 - WHAT'S IT LOOK LIKE? - NO, NO, NO, SAM, WAIT. 631 00:28:26,505 --> 00:28:28,007 NO, YOU DON'T ACTUALLY HAVE TO TAKE OFF YOUR-- 632 00:28:28,040 --> 00:28:29,075 - AH, THERE WE GO. - NO. 633 00:28:29,108 --> 00:28:31,811 - THE HUMAN BODY. [sniffs] 634 00:28:31,844 --> 00:28:33,846 IT'S INSPIRED ARTISTS FOR CENTURIES. 635 00:28:33,880 --> 00:28:37,383 - OH, I DON'T BELIEVE IT. 636 00:28:37,416 --> 00:28:40,820 FEW DO. [clears throat] 637 00:28:40,853 --> 00:28:43,756 - [laughs awkwardly] 638 00:28:46,125 --> 00:28:50,462 - DON'T STAND THERE GAWKING. DRAW SOMETHING. 639 00:28:54,433 --> 00:28:57,403 [dance music] 640 00:28:57,436 --> 00:29:01,941 * 641 00:29:01,974 --> 00:29:04,977 - MY, WHAT A BIG COCK YOU HAVE. 642 00:29:05,011 --> 00:29:08,247 - FUCK. IS THAT THING REAL? 643 00:29:08,280 --> 00:29:09,882 - IT'S REAL, ALL RIGHT, 644 00:29:09,916 --> 00:29:12,051 BUT YOU SHOULD PUT YOUR EYES BACK IN YOUR PANTS. 645 00:29:12,084 --> 00:29:15,387 HE'S A BOTTOM. 646 00:29:15,421 --> 00:29:16,989 - WHY DON'T WE GET OUT OF HERE? 647 00:29:17,023 --> 00:29:18,858 - THE NIGHT'S STILL UNDER 30. 648 00:29:18,891 --> 00:29:19,859 - NOT TOO HARD. 649 00:29:19,892 --> 00:29:20,993 - HEY! - OW! 650 00:29:21,027 --> 00:29:23,395 - YOU PLAY HARD. - HOW ARE YOU? 651 00:29:23,429 --> 00:29:24,931 I MEAN, HOW WAS YOUR TRIP? 652 00:29:24,964 --> 00:29:27,333 - I ALMOST DIDN'T COME BACK. 653 00:29:27,366 --> 00:29:29,268 - WE WOULD HAVE MISSED YOU. 654 00:29:29,301 --> 00:29:30,803 - THIS MUST BE HIM. 655 00:29:30,837 --> 00:29:32,872 HE LOOKS JUST LIKE RAGE. 656 00:29:32,905 --> 00:29:35,541 - BRIAN, THIS IS BRETT KELLER. 657 00:29:35,574 --> 00:29:38,277 - AH, THE BOY WONDER OF HOLLYWOOD. 658 00:29:38,310 --> 00:29:40,212 [laughs] 659 00:29:40,246 --> 00:29:42,348 - SOUNDS LIKE HIM TOO. 660 00:29:42,381 --> 00:29:46,352 - AND THE BIG WINNER, AND I DO MEAN BIG WINNER, 661 00:29:46,385 --> 00:29:50,356 OF THIS YEAR'S WET WILLIE CONTEST IS MARCO! 662 00:29:50,389 --> 00:29:53,159 [cheers and applause] 663 00:29:53,192 --> 00:29:54,894 * 664 00:29:54,927 --> 00:29:56,295 - OH, YEAH. 665 00:29:56,328 --> 00:29:59,031 - * TAKE ME TONIGHT, YOU MOVE SO RIGHT * 666 00:29:59,065 --> 00:30:00,833 * TAKE ME TONIGHT 667 00:30:00,867 --> 00:30:02,434 - YOU KNOW, IN ADDITION TO THIS YEAR'S BIG WINNER, 668 00:30:02,468 --> 00:30:06,438 THERE'S ALSO SOME BIG LOSERS. 669 00:30:06,472 --> 00:30:10,376 I THINK I'LL GO AND CONSOLE THEM. 670 00:30:13,880 --> 00:30:16,615 - WHY DID YOU LET HIM COME HERE? HE SHOULD BE HOME RESTING. 671 00:30:16,648 --> 00:30:20,819 - HOW AM I SUPPOSED TO STOP HIM WHEN I'M NOT SUPPOSED TO KNOW? 672 00:30:23,222 --> 00:30:24,991 - I'M GOING TO RECREATE THIS PLACE 673 00:30:25,024 --> 00:30:27,927 EXACTLY AS IT IS FOR THE MOVIE. 674 00:30:27,960 --> 00:30:29,461 - SEE? I TOLD YOU SO. 675 00:30:29,495 --> 00:30:31,263 YOU KNOW, BEN'S A WRITER, TOO. 676 00:30:31,297 --> 00:30:34,934 - SCREENPLAYS? - BOOKS. 677 00:30:34,967 --> 00:30:36,335 JUST FINISHED A NOVEL. 678 00:30:36,368 --> 00:30:37,870 - WHAT'S IT ABOUT? 679 00:30:37,904 --> 00:30:40,472 - IT'S A LOVE STORY BETWEEN TWO MEN, 680 00:30:40,506 --> 00:30:42,942 SET IN PARIS IN THE '30s. 681 00:30:42,975 --> 00:30:44,343 - PERIOD PIECES ARE A TOUGH SELL. 682 00:30:44,376 --> 00:30:46,345 - I WASN'T PLANNING TO SELL IT. 683 00:30:46,378 --> 00:30:49,949 BESIDES, I'M SURE IT'S NOT YOUR THING. 684 00:30:49,982 --> 00:30:51,350 - AND WHAT IS? 685 00:30:51,383 --> 00:30:53,619 - MINDLESS ENTERTAINMENT FOR 12-YEAR-OLD BOYS. 686 00:30:53,652 --> 00:30:55,254 - JESUS, BEN. 687 00:30:55,287 --> 00:30:56,622 - NO, I'D LIKE TO HEAR WHAT HE HAS TO SAY. 688 00:30:56,655 --> 00:30:58,624 PLEASE, CONTINUE. 689 00:30:58,657 --> 00:31:01,928 - WELL, CONSIDERING YOU'RE GAY, AND THAT YOU PRETTY MUCH 690 00:31:01,961 --> 00:31:03,562 HAVE THE POWER TO DO ANYTHING YOU WANT, 691 00:31:03,595 --> 00:31:05,898 ONE WOULD THINK YOU MIGHT DO A PROJECT WITH SOME RELEVANCE, 692 00:31:05,932 --> 00:31:08,534 SOME SOCIAL RESPONSIBILITY. 693 00:31:08,567 --> 00:31:12,238 - * TAKE ME TONIGHT, YOU MOVE SO RIGHT * 694 00:31:12,271 --> 00:31:13,906 * TAKE ME TONIGHT 695 00:31:13,940 --> 00:31:16,408 - BRIAN. HEY. 696 00:31:16,442 --> 00:31:17,643 I'M NOT FEELING TOO WELL. 697 00:31:17,676 --> 00:31:19,511 I THINK IT MIGHT BE FOOD POISONING. 698 00:31:19,545 --> 00:31:22,514 - WELL, YOU SHOULD GO THEN. 699 00:31:22,548 --> 00:31:27,253 - WILL YOU COME WITH ME? PLEASE? 700 00:31:27,286 --> 00:31:30,256 - I GUESS YOU LOSE AGAIN. 701 00:31:30,289 --> 00:31:32,658 * 702 00:31:32,691 --> 00:31:35,294 - "RELEVANCE"? "SOCIAL RESPONSIBILITY"? 703 00:31:35,327 --> 00:31:37,263 HOW COULD YOU INSULT HIM LIKE THAT? 704 00:31:37,296 --> 00:31:39,598 - THE GUY IS A FRAUD. HE'S AN UNTALENTED HACK. 705 00:31:39,631 --> 00:31:41,433 - WELL, THAT MAY BE YOUR OPINION, 706 00:31:41,467 --> 00:31:43,135 BUT HE HAPPENS TO BE ONE OF THE MOST SUCCESSFUL DIRECTORS 707 00:31:43,169 --> 00:31:44,136 IN HOLLYWOOD. 708 00:31:44,170 --> 00:31:45,471 - [scoffs] 709 00:31:45,504 --> 00:31:47,940 - THERE IS NOTHING WRONG WITH BEING SUCCESSFUL. 710 00:31:47,974 --> 00:31:51,277 - AS LONG AS YOU DON'T SELL OUT. 711 00:31:51,310 --> 00:31:53,145 - WHO'S TALKING ABOUT SELLING OUT? 712 00:31:53,179 --> 00:31:54,546 - DON'T BE NAIVE. 713 00:31:54,580 --> 00:31:56,082 DO YOU THINK BRETT KELLER'S SUCCESSFUL 714 00:31:56,115 --> 00:31:58,084 BECAUSE HE MAINTAINED HIS ARTISTIC INTEGRITY? 715 00:31:58,117 --> 00:32:01,020 - HE LOVES WHAT HE DOES AND HE'S DAMN GOOD AT IT. 716 00:32:01,053 --> 00:32:04,156 - YOU SHOULD FIT IN PERFECTLY OUT IN HOLLYWOOD. 717 00:32:04,190 --> 00:32:06,092 - YOU KNOW, I MAY NOT BE THE BRILLIANT, 718 00:32:06,125 --> 00:32:08,560 UNCOMPROMISING GENIUS THAT YOU ARE, 719 00:32:08,594 --> 00:32:10,296 BUT YOU KNOW WHAT I THINK? 720 00:32:10,329 --> 00:32:12,364 I THINK THIS HAS NOTHING TO DO WITH ARTISTIC INTEGRITY. 721 00:32:12,398 --> 00:32:15,601 I THINK THAT YOU'RE JEALOUS BECAUSE SOMEBODY 722 00:32:15,634 --> 00:32:19,205 WANTS TO MAKE A BIG MOVIE OUT OF OUR COMIC BOOK 723 00:32:19,238 --> 00:32:21,573 AND NO ONE WILL TOUCH YOUR NOVEL. 724 00:32:21,607 --> 00:32:23,209 [door slams] 725 00:32:30,516 --> 00:32:34,486 - LET ME HELP. 726 00:32:34,520 --> 00:32:38,390 - I CAN DO IT. - I KNOW YOU CAN. 727 00:32:43,295 --> 00:32:47,133 - [sighs] - I GOT IT. 728 00:33:21,267 --> 00:33:24,570 - I THOUGHT YOU HAD FOOD POISONING. 729 00:33:24,603 --> 00:33:28,407 - WELL, I GUESS IT WAS JUST A TUMMY ACHE. 730 00:33:32,744 --> 00:33:34,413 - [sighs] 731 00:33:34,446 --> 00:33:37,583 - TELL ME ABOUT IBIZA. 732 00:33:41,553 --> 00:33:45,491 - [moans] 733 00:33:47,559 --> 00:33:52,164 IT WAS LIKE I DIED AND WENT TO HOMO HEAVEN. 734 00:33:54,166 --> 00:33:59,037 BEAUTIFUL GUYS, ALL DRESSED IN WHITE. 735 00:34:02,774 --> 00:34:06,278 AND EVERYWHERE YOU WENT... 736 00:34:06,312 --> 00:34:09,548 IT SMELLED LIKE... 737 00:34:09,581 --> 00:34:13,552 LEMON-SCENTED AIR FRESHENER. 738 00:34:13,585 --> 00:34:17,223 - IT SOUNDS GREAT. 739 00:34:17,256 --> 00:34:20,826 - I EVEN FUCKED A MATADOR. 740 00:34:20,859 --> 00:34:23,795 - NO WAY. - [laughs] 741 00:34:26,232 --> 00:34:29,801 OLE. 742 00:34:52,424 --> 00:34:55,361 - [sniffling] 743 00:35:07,573 --> 00:35:10,509 [exhales] 744 00:35:14,813 --> 00:35:16,815 - MIKEY. 745 00:35:16,848 --> 00:35:20,786 TIME TO GET U-UP OR YOU'LL BE LATE FOR SCHOO-OOL. 746 00:35:20,819 --> 00:35:21,920 - [groans] 747 00:35:21,953 --> 00:35:25,123 - [puffs air] 748 00:35:26,825 --> 00:35:29,795 GET YOUR ASS IN GEAR, NOW! 749 00:35:29,828 --> 00:35:31,530 - [laughs] 750 00:35:31,563 --> 00:35:34,366 THAT'S JUST HOW MY MOM USED TO WAKE ME UP. 751 00:35:34,400 --> 00:35:38,304 - OH, AND DID SHE ALSO BRING YOU CAPPUCCINO 752 00:35:38,337 --> 00:35:40,772 AND A CHOCOLATE CROISSANT? 753 00:35:40,806 --> 00:35:42,574 - THANKS FOR LETTING ME CRASH. 754 00:35:42,608 --> 00:35:44,776 - AH, YOU CAN COME TO MAMA'S ANY TIME YOU WANT. 755 00:35:44,810 --> 00:35:46,912 - CAREFUL, OR YOU MIGHT END UP WITH A PERMANENT HOUSEGUEST. 756 00:35:46,945 --> 00:35:48,314 - [chuckles] 757 00:35:48,347 --> 00:35:49,948 I'M SURE AS SOON AS YOU GET BACK, 758 00:35:49,981 --> 00:35:51,783 YOU AND BEN WILL FALL INTO EACH OTHER'S ARMS 759 00:35:51,817 --> 00:35:53,585 AND KISS AND MAKE UP. 760 00:35:53,619 --> 00:35:56,655 - NOT UNTIL HE STOPS ACTING LIKE A JEALOUS ASSHOLE. 761 00:35:56,688 --> 00:35:59,925 - YEAH, I DID THE SAME THING WHEN EMMETT'S PARTY PLANNING 762 00:35:59,958 --> 00:36:02,228 STARTED TAKING OFF. 763 00:36:02,261 --> 00:36:06,798 THE MORE SUCCESSFUL HE GOT, THE MORE I RESENTED IT. 764 00:36:06,832 --> 00:36:08,800 - MAYBE I SHOULD JUST FORGET THE WHOLE THING. 765 00:36:08,834 --> 00:36:10,802 - WHAT ARE YOU, NUTS? 766 00:36:10,836 --> 00:36:13,572 HOW OFTEN DOES AN OPPORTUNITY LIKE THIS COME ALONG? 767 00:36:13,605 --> 00:36:15,807 [imitates buzzer] TIME'S UP. NEVER! 768 00:36:15,841 --> 00:36:18,344 - BUT IF IT'S GOING TO CAUSE ALL THESE PROBLEMS-- 769 00:36:18,377 --> 00:36:21,347 - LOOK, YOU CAN'T TURN YOURSELF INTO A FAILURE 770 00:36:21,380 --> 00:36:26,418 TO MAKE YOUR RELATIONSHIP A SUCCESS. 771 00:36:26,452 --> 00:36:29,488 - THANKS, MAMA. 772 00:36:29,521 --> 00:36:30,756 - ANY TIME. 773 00:36:30,789 --> 00:36:35,627 - DOCTOR STRANGE NUMBER 169. 774 00:36:35,661 --> 00:36:37,596 I'VE BEEN TRYING TO FIND THIS ON EBAY FOR MONTHS. 775 00:36:37,629 --> 00:36:39,298 HOW MUCH DO I, UH-- 776 00:36:39,331 --> 00:36:41,233 - THAT'S OUR GIFT TO YOU. - OH, THANKS, GUYS. 777 00:36:41,267 --> 00:36:42,501 - UH, EXCUSE ME, MR. KELLER, 778 00:36:42,534 --> 00:36:43,769 WE NEED TO GET YOU TO THE AIRPORT 779 00:36:43,802 --> 00:36:44,870 IF YOU'RE GOING TO MAKE YOUR FLIGHT. 780 00:36:44,903 --> 00:36:46,372 - I'LL BE RIGHT THERE. 781 00:36:46,405 --> 00:36:47,706 GUYS, I'LL BE IN TOUCH. 782 00:36:47,739 --> 00:36:50,476 - THANKS, BRETT. 783 00:36:50,509 --> 00:36:52,978 - THANK YOU FOR EVERYTHING. - OKAY, LISTEN. 784 00:36:53,011 --> 00:36:56,348 IF WE CAN'T GET, UH, COLIN OR ASHTON TO PLAY RAGE, 785 00:36:56,382 --> 00:36:59,885 WE'LL GET, UH, BRIAN. 786 00:37:05,424 --> 00:37:06,992 - HOW'S HE DOING? 787 00:37:07,025 --> 00:37:09,528 - HE'S STILL PRETENDING LIKE EVERYTHING'S ALL RIGHT, 788 00:37:09,561 --> 00:37:14,032 AND I'M STILL PRETENDING LIKE I DON'T KNOW. 789 00:37:14,065 --> 00:37:17,503 FUCK THIS SHIT. I'M TELLING HIM. 790 00:37:17,536 --> 00:37:19,871 - YOU CAN'T. 791 00:37:19,905 --> 00:37:21,873 HE WANTS IT THIS WAY. 792 00:37:21,907 --> 00:37:24,343 - THAT'S EASY FOR YOU TO SAY. HE'S NOT YOUR BOYFRIEND. 793 00:37:24,376 --> 00:37:26,745 YOU DON'T LOVE HIM. 794 00:37:26,778 --> 00:37:30,682 - I LOVE HIM ENOUGH TO HONOR HIS WISHES. 795 00:37:32,651 --> 00:37:34,620 - SHE AND VIC HAD THIS HUGE FIGHT. 796 00:37:34,653 --> 00:37:36,688 NOW SHE THINKS HE'LL NEVER FORGIVE HER, 797 00:37:36,722 --> 00:37:38,690 SO SHE THREW HIM THIS POSTHUMOUS CHRISTMAS PARTY, 798 00:37:38,724 --> 00:37:40,892 WHICH HAS GOT TO BE A FIRST, BUT THE ANGEL BROKE. 799 00:37:40,926 --> 00:37:42,761 SO SHE BOUGHT HIM THIS HEADSTONE 800 00:37:42,794 --> 00:37:45,397 WITH A LIFE-SIZE FIGURE OF GABRIEL TOOTING HIS TRUMPET-- 801 00:37:45,431 --> 00:37:47,433 DEFINITELY NOT THE SORT OF BLOW JOB VIC WAS INTERESTED IN. 802 00:37:47,466 --> 00:37:49,435 - NOW, HOLD IT, SLOW DOWN. I'M NOT FOLLOWING. 803 00:37:49,468 --> 00:37:52,438 - THE POINT IS, CARL, NO ONE CAN GET THROUGH TO HER. 804 00:37:52,471 --> 00:37:55,507 NOT ME, NOT MICHAEL. 805 00:37:55,541 --> 00:37:57,042 BUT SOMETHING TELLS ME, 806 00:37:57,075 --> 00:37:58,910 AS SURE AS I KNOW THERE'S A SHIRT IN YOUR CLOSET 807 00:37:58,944 --> 00:38:00,512 THAT'S A BETTER MATCH FOR THOSE POLYESTER PANTS 808 00:38:00,546 --> 00:38:03,315 THAN THE ONE YOU'VE GOT ON, THAT, UH... 809 00:38:03,349 --> 00:38:05,717 THAT YOU CAN. 810 00:38:05,751 --> 00:38:08,587 - DIDN'T SEEM SO THE OTHER DAY. 811 00:38:08,620 --> 00:38:12,324 - TRUST ME, I UNDERSTAND. 812 00:38:12,358 --> 00:38:16,595 A TIME LIKE THIS, A GIRL NEEDS A MAN. 813 00:38:25,571 --> 00:38:26,738 - IT'S BEEN A LONG TIME. 814 00:38:26,772 --> 00:38:28,740 - SINCE WHEN? 815 00:38:28,774 --> 00:38:31,076 - [sighs] 816 00:38:31,109 --> 00:38:34,880 SINCE I'VE SEEN YOU SO HAPPY. 817 00:38:34,913 --> 00:38:37,549 - THANKS TO A CERTAIN MADMAN FRIEND OF MINE. 818 00:38:37,583 --> 00:38:40,852 - OH, MY GOD! - [laughs] 819 00:38:40,886 --> 00:38:42,354 - DID HE POSE FOR YOU LIKE THAT? 820 00:38:42,388 --> 00:38:46,124 - WITH NOTHING BUT A CIGAR. - [laughs] 821 00:38:46,157 --> 00:38:47,893 HE REALLY IS MAD. 822 00:38:47,926 --> 00:38:51,096 IN A WONDERFUL, INFURIATING, GENEROUS, 823 00:38:51,129 --> 00:38:52,698 SELF-CENTERED SORT OF WAY. 824 00:38:52,731 --> 00:38:56,435 - MM-HMM. - [laughs] 825 00:38:56,468 --> 00:39:00,406 - I'M GLAD HE'S INSPIRED YOU. 826 00:39:04,810 --> 00:39:08,747 NIGHT-NIGHT. 827 00:39:18,189 --> 00:39:22,127 - [laughs] 828 00:39:22,160 --> 00:39:23,862 [rock music] 829 00:39:23,895 --> 00:39:28,033 - * WORDS HAVE NO MEANING AND THE SUN IS DIM * 830 00:39:28,066 --> 00:39:31,937 * 831 00:39:31,970 --> 00:39:35,541 * CAN'T THINK ABOUT ANYTHING BUT HIM * 832 00:39:35,574 --> 00:39:38,644 - LINDA HURLEY. 833 00:39:38,677 --> 00:39:41,179 - WHO? 834 00:39:41,212 --> 00:39:44,950 - LINDA HURLEY. 835 00:39:44,983 --> 00:39:48,620 AKA "LINDA THE HURLER." 836 00:39:48,654 --> 00:39:50,422 - [laughs] 837 00:39:50,456 --> 00:39:53,191 - I'VE BEEN TRYING TO THINK OF HER NAME ALL DAY LONG. 838 00:39:53,224 --> 00:39:55,827 - CHRIST, WHAT MADE YOU SUDDENLY THINK OF HER? 839 00:39:55,861 --> 00:39:59,665 - YOUR LAST FORAY INTO SHOWBIZ. 840 00:39:59,698 --> 00:40:01,700 - [chuckles] 841 00:40:01,733 --> 00:40:05,170 LET'S HOPE THIS TIME I WON'T HAVE TO BE HOSED DOWN. 842 00:40:05,203 --> 00:40:07,773 - [laughs] 843 00:40:07,806 --> 00:40:09,575 TELL ME THE STORY, MIKEY. 844 00:40:09,608 --> 00:40:11,543 - YOU ALREADY KNOW THE STORY. 845 00:40:11,577 --> 00:40:14,580 - I DON'T CARE. 846 00:40:14,613 --> 00:40:17,616 TELL IT TO ME AGAIN. 847 00:40:20,085 --> 00:40:25,190 - IT WAS THE JUNIOR CLASS PRESENTATION OF OUR TOWN. 848 00:40:25,223 --> 00:40:26,958 - MM-HMM. 849 00:40:26,992 --> 00:40:31,697 - AND SOMEHOW I HAD LANDED THE PART OF GEORGE. 850 00:40:31,730 --> 00:40:35,534 AND LINDA... WAS EMILY. 851 00:40:35,567 --> 00:40:37,102 - [laughs] 852 00:40:37,135 --> 00:40:41,072 - AND IT WAS THAT TENDER MOMENT 853 00:40:41,106 --> 00:40:44,209 AT THE END OF ACT TWO WHERE THEY KISS. 854 00:40:44,242 --> 00:40:47,746 - [laughs] AND SHE PUKED ALL OVER YOU. 855 00:40:47,779 --> 00:40:49,681 - SHE HAD THE FLU. 856 00:40:49,715 --> 00:40:52,951 - YEAH, IT FLEW, ALL RIGHT. [laughs] 857 00:40:52,984 --> 00:40:55,554 - WELL, THAT'S WHEN I DECIDED 858 00:40:55,587 --> 00:40:59,024 IT WAS NOT AN ACTOR'S LIFE FOR ME. 859 00:40:59,057 --> 00:41:02,160 - NOW HOLLYWOOD'S CALLING AND... 860 00:41:02,193 --> 00:41:03,161 [exhales] 861 00:41:03,194 --> 00:41:09,134 RAGE: THE MOVIE. 862 00:41:11,737 --> 00:41:14,673 - HE WOULDN'T EXIST IF IT WEREN'T FOR YOU. 863 00:41:19,678 --> 00:41:21,179 SO ARE YOU GOING TO COME TO THE PREMIERE? 864 00:41:21,212 --> 00:41:24,182 - [groans] 865 00:41:24,215 --> 00:41:27,152 WHY WOULDN'T I? 866 00:41:29,688 --> 00:41:31,923 - I WANT IT TO BE AT THAT THEATRE, UM, 867 00:41:31,957 --> 00:41:35,994 YOU KNOW, THE ONE WITH ALL THE STARS' FOOTPRINTS. 868 00:41:36,027 --> 00:41:37,863 WOULDN'T IT BE COOL IF... 869 00:41:37,896 --> 00:41:41,867 WE HAD OUR FOOTPRINTS IN THE CEMENT? 870 00:41:41,900 --> 00:41:44,603 MICHAEL AND BRIAN... 871 00:41:44,636 --> 00:41:47,573 IMMORTALIZED FOREVER. 872 00:41:49,641 --> 00:41:52,578 JUST YOU AND ME. 873 00:41:58,183 --> 00:42:01,987 - [sighs] 874 00:42:09,661 --> 00:42:14,766 - [crying softly] 875 00:42:14,800 --> 00:42:17,168 [low] SHIT. 876 00:42:17,202 --> 00:42:20,606 - MICHAEL? 877 00:42:23,208 --> 00:42:27,112 MIKEY? 878 00:42:27,145 --> 00:42:28,780 - [crying] I'M SORRY. 879 00:42:28,814 --> 00:42:33,118 - FOR WHAT? - [sniffling] 880 00:42:35,854 --> 00:42:38,824 I KNOW. 881 00:42:42,127 --> 00:42:45,731 I KNOW YOU DIDN'T GO TO IBIZA. 882 00:42:47,866 --> 00:42:52,203 I KNOW YOU WENT TO JOHNS HOPKINS... 883 00:42:52,237 --> 00:42:56,041 AND YOU HAD SURGERY FOR-- OH, GOD. 884 00:42:57,776 --> 00:43:02,080 IF I LOSE YOU, I DON'T KNOW WHAT I'LL DO. 885 00:43:02,113 --> 00:43:06,051 [crying] 886 00:43:08,987 --> 00:43:11,857 - HEY. [clears throat] 887 00:43:11,890 --> 00:43:14,225 LOOK, I'M OKAY, I'M OKAY, I'M OKAY. 888 00:43:14,259 --> 00:43:16,361 - [sobbing] 889 00:43:16,394 --> 00:43:21,232 I WASN'T SUPPOSED TO TELL YOU. 890 00:43:21,266 --> 00:43:25,036 I TOLD HIM NOT TO TELL. 891 00:43:25,070 --> 00:43:28,740 - WHO? - JUSTIN. 892 00:43:28,774 --> 00:43:32,110 HE OVERHEARD THE DOCTOR LEAVING A MESSAGE ON YOUR MACHINE, 893 00:43:32,143 --> 00:43:36,114 AND HE-- HE CALLED THE HOSPITAL. 894 00:43:36,147 --> 00:43:41,720 * 895 00:43:41,753 --> 00:43:44,122 - SO WHAT YOU'RE GOING TO GET IS A COVERLET. 896 00:43:44,155 --> 00:43:45,991 A COVERLET IS SIMPLY ANOTHER WORD-- 897 00:43:46,024 --> 00:43:47,993 YOU MIGHT WANT TO THINK OF IT AS A BEDSPREAD. 898 00:43:48,026 --> 00:43:49,861 SO THIS IS GOING TO BE A LARGE COVERLET 899 00:43:49,895 --> 00:43:52,030 WITH ONE STANDARD SHAM FOR THE TWIN, 900 00:43:52,063 --> 00:43:54,165 TWO STANDARD FOR THE FULL, TWO STANDARD FOR THE QUEEN, 901 00:43:54,199 --> 00:43:56,768 AND TWO KING-SIZED FOR THE KING, 902 00:43:56,802 --> 00:43:59,004 AND IT'S GOING TO BE IN YOUR CHOICE OF DIFFERENT FAUX FURS. 903 00:43:59,037 --> 00:44:01,139 THIS IS THE LYNX... [doorbell rings] 904 00:44:01,172 --> 00:44:02,908 - EM! 905 00:44:02,941 --> 00:44:05,076 - WHICH IS KIND OF A SOFTER, LIGHTER ANIMAL PRINT, 906 00:44:05,110 --> 00:44:06,344 IF YOU WANT TO THINK OF IT THAT WAY. 907 00:44:06,377 --> 00:44:07,813 [knock at door] 908 00:44:07,846 --> 00:44:10,782 - FUCK. 909 00:44:13,952 --> 00:44:19,925 [indistinct chatter from TV] 910 00:44:19,958 --> 00:44:22,093 - HEY, CARL. - YOU BUSY? 911 00:44:22,127 --> 00:44:24,462 - WELL, ACTUALLY, YOU'VE JUST SAVED ME 912 00:44:24,495 --> 00:44:27,899 FROM BUYING A FAUX ZEBRA RUG OFF THE SHOPPING CHANNEL. 913 00:44:27,933 --> 00:44:31,236 - [laughs] UM, CAN I COME IN? 914 00:44:31,269 --> 00:44:34,172 - I'M REALLY NOT UP TO... 915 00:44:34,205 --> 00:44:36,041 I LOOK LIKE SHIT. 916 00:44:36,074 --> 00:44:40,445 - HEY, I'VE SEEN YOU FIRST THING IN THE MORNING, REMEMBER? 917 00:44:40,478 --> 00:44:43,248 - YEAH. 918 00:44:47,018 --> 00:44:49,187 - IT MUST'VE BEEN A SHOCK, 919 00:44:49,220 --> 00:44:52,924 LOSING HIM LIKE THAT, SO UNEXPECTED. 920 00:44:52,958 --> 00:44:55,193 - YEAH, YOU COULD SAY THAT. 921 00:44:55,226 --> 00:44:58,163 - SO MUCH LEFT UNSAID. 922 00:45:00,098 --> 00:45:03,068 - YEAH, THAT TOO. 923 00:45:03,101 --> 00:45:05,971 - I UNDERSTAND. 924 00:45:08,840 --> 00:45:12,377 - I WAS A FUCKING ASSHOLE, CARL. 925 00:45:12,410 --> 00:45:15,346 I SAID HORRIBLE THINGS... 926 00:45:15,380 --> 00:45:18,349 THINGS I CAN NEVER TAKE BACK, 927 00:45:18,383 --> 00:45:22,320 THINGS I CAN NEVER BE FORGIVEN FOR. 928 00:45:23,855 --> 00:45:27,759 DO YOU KNOW WHAT THAT'S LIKE? 929 00:45:29,795 --> 00:45:35,100 - WHEN, UH--WHEN CELIA, MY WIFE, DIED... 930 00:45:35,133 --> 00:45:37,769 SHE WAS IN THE HOSPITAL FOR THREE MONTHS, 931 00:45:37,803 --> 00:45:39,437 LINGERING, SUFFERING. 932 00:45:39,470 --> 00:45:40,839 LUNG CANCER. 933 00:45:40,872 --> 00:45:42,974 - I'M SORRY. 934 00:45:43,008 --> 00:45:47,045 - SHE WAS SO SCARED TO DIE ALONE. 935 00:45:47,078 --> 00:45:52,117 S-SHE MADE ME PROMISE I WOULDN'T LET THAT HAPPEN. 936 00:45:52,150 --> 00:45:56,554 SO I STAYED WITH HER, DAY AND NIGHT. 937 00:45:56,587 --> 00:45:57,555 [sighs] 938 00:45:57,588 --> 00:45:59,457 SLEPT IN THAT GODDAMN CHAIR 939 00:45:59,490 --> 00:46:01,392 IN THAT GODDAMN HOSPITAL ROOM, 940 00:46:01,426 --> 00:46:05,931 LISTENING TO HER GASPING FOR BREATH. 941 00:46:05,964 --> 00:46:08,867 - [sighs] ONE NIGHT, I WAS SO ANGRY-- 942 00:46:08,900 --> 00:46:11,536 AT THE CHAIR, AT THE HOSPITAL, AT THE DOCTORS, 943 00:46:11,569 --> 00:46:14,339 AT HER FOR SMOKING-- 944 00:46:14,372 --> 00:46:18,877 I WENT OUT AND I HAD A DRINK. 945 00:46:18,910 --> 00:46:23,849 ACTUALLY I, UH-- I HAD SO MANY, I LOST COUNT. 946 00:46:25,350 --> 00:46:30,055 WHEN I GOT BACK, SHE WAS DEAD. 947 00:46:30,088 --> 00:46:34,792 MY WIFE DIED WHEN I WAS OUT GETTING SLOSHED. 948 00:46:36,494 --> 00:46:39,097 [scoffs] 949 00:46:39,130 --> 00:46:44,502 I BROKE MY PROMISE, AND MY CELIA DIED ALONE. 950 00:46:46,204 --> 00:46:50,842 AND I BEAT MYSELF UP FOR A LONG TIME, DEBBIE... 951 00:46:50,876 --> 00:46:55,046 THINKING SHE'D NEVER FORGIVE ME. 952 00:46:55,080 --> 00:47:00,118 BUT IT WAS ME WHO WOULDN'T FORGIVE ME. 953 00:47:00,151 --> 00:47:02,253 SHE KNEW HOW MUCH I LOVED HER. 954 00:47:02,287 --> 00:47:04,923 IF SHE WAS STILL HERE, SHE'D SAY, 955 00:47:04,956 --> 00:47:07,926 "CARL, WHAT THE HELL ARE YOU DOING? 956 00:47:07,959 --> 00:47:11,362 ENOUGH ALREADY." 957 00:47:11,396 --> 00:47:16,101 IT'S THE SAME THING WITH YOUR BROTHER. 958 00:47:16,134 --> 00:47:21,106 HE KNEW HOW MUCH YOU LOVED HIM. 959 00:47:24,375 --> 00:47:27,979 - [sniffling] 960 00:47:28,013 --> 00:47:31,616 I'LL JUST NEVER BE ABLE TO TELL HIM THAT I'M-- 961 00:47:31,649 --> 00:47:34,886 THAT I'M SO SORRY. 962 00:47:34,920 --> 00:47:37,422 I'M JUST SO SORRY. I CAN'T-- 963 00:47:37,455 --> 00:47:40,491 - HE KNOWS, SWEETHEART. 964 00:47:40,525 --> 00:47:45,463 - [sobbing] 965 00:47:54,005 --> 00:47:57,042 [dinnerware clinking] 966 00:47:57,075 --> 00:47:58,910 - DINNER'S ALMOST READY. 967 00:47:58,944 --> 00:48:01,980 WHY DON'T YOU SET THE TABLE? 968 00:48:02,013 --> 00:48:04,549 - FOR TWO OR THREE? 969 00:48:04,582 --> 00:48:06,517 - THREE. 970 00:48:06,551 --> 00:48:09,320 - THEN MICHAEL'S COMING BACK? 971 00:48:09,354 --> 00:48:11,589 - OF COURSE HE'S COMING BACK. 972 00:48:11,622 --> 00:48:15,560 - I HEARD YOU GUYS FIGHTING LAST NIGHT. 973 00:48:19,297 --> 00:48:20,665 - WE WEREN'T FIGHTING. 974 00:48:20,698 --> 00:48:22,533 WE WERE HAVING A DISAGREEMENT. 975 00:48:22,567 --> 00:48:25,536 - YOU WERE DISAGREEING REALLY LOUD. 976 00:48:25,570 --> 00:48:30,075 - SOMETIMES COUPLES DO THAT. 977 00:48:30,108 --> 00:48:32,077 ANYWAY, IT, UH, DOESN'T CONCERN YOU. 978 00:48:32,110 --> 00:48:35,013 - THE FUCK IT DOESN'T. 979 00:48:35,046 --> 00:48:37,148 WHAT HAPPENS TO ME IF YOU GUYS BREAK UP? 980 00:48:37,182 --> 00:48:39,317 - NOBODY'S BREAKING UP. 981 00:48:39,350 --> 00:48:42,287 - JUST ASKING, IN CASE I NEED TO MAKE OTHER ARRANGEMENTS. 982 00:48:42,320 --> 00:48:47,092 - YOU'RE STAYING RIGHT HERE, PAL, WITH US. 983 00:48:47,125 --> 00:48:49,060 [door opening] 984 00:48:50,395 --> 00:48:53,331 - HEY. - HEY. 985 00:49:00,638 --> 00:49:02,040 - I'M REALLY SORRY ABOUT LAST NIGHT. 986 00:49:02,073 --> 00:49:04,075 - ME TOO. 987 00:49:04,109 --> 00:49:05,376 - APOLOGY ACCEPTED. 988 00:49:05,410 --> 00:49:07,212 NOW YOU GUYS CAN FUCK AND MAKE UP. 989 00:49:07,245 --> 00:49:10,048 - [laughs] 990 00:49:10,081 --> 00:49:14,419 BY THE WAY... THIS CAME FOR YOU. 991 00:49:16,287 --> 00:49:19,224 - WHAT DID YOU GET? 992 00:49:21,259 --> 00:49:24,495 - BRETT KELLER SENT THE OPTION AGREEMENT, 993 00:49:24,529 --> 00:49:27,065 AND AN AUTOGRAPHED PICTURE, FOR YOU, OF CAMERON DIAZ. 994 00:49:27,098 --> 00:49:30,035 - TIGHT! 995 00:49:31,436 --> 00:49:34,372 - GONNA DO IT? 996 00:49:37,108 --> 00:49:41,079 - YEAH, WE'RE GONNA DO IT. 997 00:49:41,112 --> 00:49:44,049 - I'M STOKED. 998 00:49:47,652 --> 00:49:49,520 - CONGRATULATIONS. 999 00:49:49,554 --> 00:49:51,522 - THANKS. 1000 00:49:51,556 --> 00:49:54,525 - LET'S EAT. 1001 00:49:59,464 --> 00:50:02,400 [door opening] 1002 00:50:06,137 --> 00:50:09,074 - HEY. 1003 00:50:11,276 --> 00:50:13,278 PICKED UP SOME MOVIES. 1004 00:50:13,311 --> 00:50:16,281 FIGURED WE'D JUST STAY IN AND WATCH THEM. 1005 00:50:26,491 --> 00:50:28,459 - WHAT'D YOU BRING? 1006 00:50:28,493 --> 00:50:32,197 TERMS OF ENDEARMENT? LOVE STORY? 1007 00:50:32,230 --> 00:50:34,265 MY BOYFRIEND HAS CANCER? 1008 00:50:34,299 --> 00:50:37,135 [DVDs clatter] 1009 00:50:37,168 --> 00:50:38,536 - WHY DIDN'T YOU TELL ME? 1010 00:50:38,569 --> 00:50:41,206 - MAYBE BECAUSE I DIDN'T WANT YOU TO KNOW. 1011 00:50:41,239 --> 00:50:43,141 OR... 1012 00:50:43,174 --> 00:50:46,577 MAYBE BECAUSE IT'S NONE OF YOUR FUCKING BUSINESS. 1013 00:50:46,611 --> 00:50:48,713 - BRIAN, I'M YOUR PARTNER. 1014 00:50:48,746 --> 00:50:50,315 - NOT ANYMORE. I DON'T WANT YOU HERE. 1015 00:50:50,348 --> 00:50:52,150 NOW GET THE FUCK OUT. 1016 00:50:52,183 --> 00:50:54,152 - CUT IT OUT. - I SAID GET THE FUCK OUT. 1017 00:50:54,185 --> 00:50:57,122 - BRIAN, I LOVE YOU, AND I WANT TO HELP YOU. 1018 00:50:58,223 --> 00:51:00,458 - GET THE FUCK OUT! 1019 00:51:00,491 --> 00:51:03,494 - DON'T--JESUS! 1020 00:51:06,331 --> 00:51:07,698 [rock music] 1021 00:51:07,732 --> 00:51:10,501 - * TAKE A NUMBER, BE SEATED * 1022 00:51:10,535 --> 00:51:14,205 * YOU'LL HAVE TO WAIT 1023 00:51:14,239 --> 00:51:19,744 * LONG LIST OF REASONS WELL MEMORIZED * 1024 00:51:19,777 --> 00:51:25,883 * AND STILL YOU LOOK SO SURPRISED * 1025 00:51:25,916 --> 00:51:30,455 - * THIS IS THE WAY IT'S GONNA BE * 1026 00:51:30,488 --> 00:51:32,190 - * RELENTLESS 1027 00:51:32,223 --> 00:51:36,461 - * THIS IS THE WAY IT'S GONNA BE * 1028 00:51:36,494 --> 00:51:38,363 - * RELENTLESS 1029 00:51:38,396 --> 00:51:43,868 * AT THE QUIET ROOM, HIDDEN IN THE SHADOWS * 1030 00:51:43,901 --> 00:51:50,208 * YOU'VE GOT ANSWERS BUT PRETEND NOT TO KNOW * 1031 00:51:50,241 --> 00:51:56,147 * THE WAY THINGS GOT TO WORK, THE WAY THINGS GOT TO BE * 1032 00:51:56,181 --> 00:52:02,253 * SO GO WITH THE FLOW OF GRAVITY * 1033 00:52:02,287 --> 00:52:06,791 - * THIS IS THE WAY IT'S GONNA BE * 1034 00:52:06,824 --> 00:52:08,359 - * RELENTLESS 1035 00:52:08,393 --> 00:52:12,630 - * THIS IS THE WAY IT'S GONNA BE * 1036 00:52:12,663 --> 00:52:14,432 - * RELENTLESS 1037 00:52:14,465 --> 00:52:18,769 - * THIS IS THE WAY IT'S GONNA BE * 1038 00:52:18,803 --> 00:52:20,405 - * RELENTLESS 1039 00:52:20,438 --> 00:52:24,709 - * THIS IS THE WAY IT'S GONNA BE * 1040 00:52:24,742 --> 00:52:26,711 - * RELENTLESS 1041 00:52:26,744 --> 00:52:31,682 - * THE SOOTHSAYER WARNED YOU, NOT IS ALL AS IT SEEMS * 1042 00:52:31,716 --> 00:52:33,784 * WHEN YOU THINK YOU'RE AWAKE 1043 00:52:33,818 --> 00:52:36,821 * YOU MIGHT JUST BE LOCKED IN YOUR DREAMS * 1044 00:52:36,854 --> 00:52:41,392 * USED TO THE OVERCAST, GREY IN THE SKIES * 1045 00:52:41,426 --> 00:52:45,796 * AND NAKED JUST MIGHT BE YOUR ONLY DISGUISE * 1046 00:52:45,830 --> 00:52:50,801 * FOR THE QUIET OF THE TYRANNY, HIDDEN IN THE STATUS QUO * 1047 00:52:50,835 --> 00:52:55,940 * YOU'VE GOT THE ANSWERS IN HAND BUT PRETEND NOT TO KNOW * 1048 00:52:55,973 --> 00:52:59,877 * THAT IS JUST THE WAY THINGS WORK * 72751

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