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- NARRATOR: DC Comics had
helped usher in the new
generation of writers and
artists
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that were focused
on grittier stories
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that appealed to an older,
more mature audience.
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Marvel titles were also
becoming more intense
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as the two companies
continued to push the boundaris
with racier content.
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But in an attempt to engage
this edgier generation,
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DC put the fate of one of
their most beloved sidekicks
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into the hands
of hardcore fans.
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[triumphant music playing]
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Since 1940, the real identity
of Batman's trusty sidekick
Robin, the Boy Wonder,
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had always been
Dick Grayson.
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- Dick Grayson had been a
staple of the Batman mythology
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for many,
many years.
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- He was the gold standard
of sidekick characters.
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- NARRATOR: But beginning
in the late '60s,
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DC decided to age Dick
Grayson through high school
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and begin his own adventures
in the Teen Titans.
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And in 1984, Dick Grayson
retired his role as Robin
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to assume the new superhero
persona of Nightwing.
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- MICHAEL: Robin
had grown up.
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That left a void in the
Batman and Robin team.
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And DC realized
that there was commercial value
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in the names Batman
and Robin together.
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And a new guy named Jason Todd
is introduced as Robin.
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- USLAN: That was one of
the most major changes
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in a major comic book
character in decades.
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This was huge.
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- MICHAEL: Jason originally
came from the wrong side of the
streets.
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Real world stories had been
becoming more commonplace.
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Jason Todd was the
evolution of that mechanism.
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- IVAN: Jason Todd
was introduced as a kid
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who was stealing the
tires off the Batmobile.
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- A young man not that
you'd necessarily want your
teenage daughter to... to date.
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- IVAN: He was a
jerk. He was horrible.
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He was an asshole if we're
allowed to say "asshole."
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And this was the character who
was going to replace Dick
Grayson
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who had been on TV
and a thousand comics.
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- MICHAEL: Dick Grayson
was trained by Batman,
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and so there was a
certain expectation
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of altruism and heroism
that Robin should have.
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And Jason was at least
originally kind of a bratty
kid.
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- He rubbed people
the wrong way.
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- REED: Readers did not
really warm up to Jason
Todd.
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- Ugh! Jason Todd is
seriously the worst.
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- Ugh! I just don't
appreciate how they forced him
on us.
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And then to make
him kind of a turd?
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- DC realized that
he was never gonna be
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a real hit character.
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- [sighs] I wish he was dead.
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- What's that?
- Nothing.
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- So, maybe they would try
to do something about that.
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[dramatic music playing]
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- USLAN: The big comic
companies were always
looking for that magical
moment
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where they could capture some
publicity in mainstream press.
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- JENETTE: Our readers
didn't really like Jason Todd o
much.
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So we came up with
an idea which was,
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"Should we let our readers
decide whether Jason Todd shoud
live or die?"
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Thumbs up or thumbs down?
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- USLAN: In 1988, DC Comics
had the idea to do the
story-line called,
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A Death in the Family.
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- We are dealing with the life
and death decision made by fans
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to decide whether the
second Robin, Jason Todd,
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is either killed or not killed
by the Joker.
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You're given these
numbers, 900 numbers.
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You pay 50 cents a call, and
you have these hours to call
in.
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- USLAN: And if you
called one number,
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you registered kill him.
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If you called another
one, it was keep him alive and
keep it going.
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Oh, everyone was talking
about it in every fanzine.
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You would hear about it
at comic book conventions.
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- KRYSTEN: Just
involving the fans
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in that decision-making in
the storytelling is... is really
cool.
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And probably candy for the fans
to feel involved.
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- USLAN: This was
the late '80s.
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We had the beginnings
of the transition
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into a world of what
would become social media.
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And I think this is
like maybe a caveman-era
attempt
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to be more
interactive.
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That was the new thing.
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"How can you be more interactive
with your audience?"
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- IVAN: DC
challenged the fans
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to literally put their
money where their mouth was.
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- When I wrote the script, we
had the two different, uh,
versions.
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It was two pages at the end
where either Robin bites the
dust or he's still alive.
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- JENETTE: We had both
of the story-lines completely
ready to go to the printer.
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- IVAN: You don't like
this character, phone lines are
open.
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[phones ringing]
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- OPERATOR:
Thank you.
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- MICHAEL: Some people I know
voted repeatedly to kill
him.
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I voted once, and I voted
to keep the guy alive.
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- JIM: I was
banking on the fact
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that my readership was so
ghoulish that they were gonna o
him in.
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I was quite surprised the vote
was actually as close as it was.
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- PERSON: Over 10,000
votes were cast
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and it as just neck and neck
up until the last half hour.
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- MICHAEL: Back then we had
no idea. "Was Robin going
to live?"
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"Was Robin going to die? "
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"You know, tune in next issue."
That's the only way you're gonna
find out.
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- REED: It was a
72-phone-call margin that pushd
him over the edge.
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And Robin got the chop.
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[heavy metal music playing]
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- USLAN: The old
Roman thumbs down.
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They went with the
extermination of Robin at the
hands of the Joker.
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- REED: The way they killed
him off was disturbing
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considering he
was a teenage boy.
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- JIM: It was a
really gruesome scene
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with multiple shots of the
Joker bringing the crowbar
down.
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Then blows up the
warehouse that he's in.
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- Any time you get that level
of investment from the fans
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shows you're doing
something right.
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- DE CARLO: DC was hoping it
was gonna be a big mainstream
story
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that would attract
attention. And guess what?
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They got their
mainstream story.
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- I was opening up
the paper one day,
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and there's a full page spread
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of Batman holding
the dead Jason Todd Robin
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in the New York Daily News
with a three or four million
subscriber audience.
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And ultimately, they got the
coverage that they wanted.
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So it worked really,
really, really well.
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- Proof that it
was not a hoax ...
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we have original
un-run, alternate pages.
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And I think it's the happiest
Batman you've ever seen.
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- NARRATOR: Fans were
becoming increasingly
passionate
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about their
favorite characters,
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so both Marvel and DC needed
to continue to push the
envelope
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to keep those
fans engaged.
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- The most unusual thing I've
signed in regards to this
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was a guy who snuck in a crowbar
into the convention.
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Got it past security somehow and
came over and asked me to sign
the crowbar.
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A little bit macabre,
but also very humorous.
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So I... I did get a
picture of it. [chuckles]
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- NARRATOR: As for the
untimely death of the Boy
Wonder...
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the plan worked.
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It attracted media attention
and became a bestseller for the
company.
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[shouting]
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One thing that became clear
to everyone was that death
sells,
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so that meant life for DC
characters was about to get a
whole lot bloodier.
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- Let's kill him.
11530
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