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1
00:00:24,593 --> 00:00:27,229
[WIND BLOWING]
2
00:00:27,295 --> 00:00:30,098
[SIREN IN DISTANCE]
3
00:00:39,241 --> 00:00:42,043
[PEOPLE CHATTERING]
4
00:00:49,618 --> 00:00:52,621
[MUSIC PLAYING]
5
00:00:52,687 --> 00:00:56,791
Kevin: ♪ AW, ONE, TWO PRINCES
KNEEL BEFORE YOU ♪
6
00:00:56,858 --> 00:00:58,260
Teen: ♪ THAT'S
WHAT I SAID NOW ♪
7
00:00:58,326 --> 00:01:01,496
♪ PRINCES, PRINCES
WHO ADORE YOU ♪
8
00:01:01,563 --> 00:01:02,831
♪ JUST GO AHEAD NOW ♪
9
00:01:02,898 --> 00:01:05,667
♪ ONE HAS-- ♪
10
00:01:05,734 --> 00:01:07,335
♪ AND THAT'S
SOME BREAD NOW ♪
11
00:01:07,402 --> 00:01:10,405
♪ THIS ONE SAID HE WANTS
TO BUY YOU ROCKETS ♪
12
00:01:10,472 --> 00:01:11,806
♪ AIN'T
IN HIS HEAD ♪
13
00:01:11,873 --> 00:01:14,609
♪ MARRY HIM
OR MARRY ME... ♪
14
00:01:14,676 --> 00:01:16,778
Kevin: IT ALL STARTED
BECAUSE OF A GIRL AT A PARTY.
15
00:01:16,845 --> 00:01:18,580
♪ I AIN'T GOT NO FUTURE
OR FAMILY TREE ♪
16
00:01:18,647 --> 00:01:21,683
Kevin: SPRING, 1994.
17
00:01:21,750 --> 00:01:23,785
THAT WAS OUR BAND--
GRANITE.
18
00:01:23,852 --> 00:01:25,887
WE WERE ALL ABOUT
THE ROCK.
19
00:01:25,954 --> 00:01:27,789
I MEAN,
WE WERE HARDCORE.
20
00:01:27,856 --> 00:01:30,959
♪ AND IF YOU WANT
TO TELL ME MAYBE ♪
21
00:01:31,026 --> 00:01:32,527
♪ JUST GO AHEAD NOW ♪
22
00:01:32,594 --> 00:01:35,363
♪ AND IF YOU WANT
TO BUY ME FLOWERS ♪
23
00:01:35,430 --> 00:01:36,898
♪ JUST GO AHEAD NOW ♪
24
00:01:36,965 --> 00:01:40,402
♪ AND IF YOU LIKE
TO TALK FOR HOURS ♪
25
00:01:40,468 --> 00:01:42,570
♪ JUST GO AHEAD NOW ♪
26
00:01:42,637 --> 00:01:44,139
♪ GO AHEAD NOW ♪
27
00:01:44,205 --> 00:01:46,741
Crowd:
GRANITE! GRANITE!
28
00:01:46,808 --> 00:01:48,910
[FEEDBACK]
29
00:01:48,977 --> 00:01:50,245
Crowd:
GRANITE! GRANITE!
30
00:01:50,312 --> 00:01:52,047
Kevin: AND THIS WAS
THE MOMENT.
31
00:01:52,113 --> 00:01:54,683
MY BIG CHANCE TO IMPRESS
THE GIRL OF MY DREAMS.
32
00:01:54,749 --> 00:01:56,952
KEV, I GOT A GREAT IDEA.
WHAT?
33
00:01:57,018 --> 00:01:58,787
WHY DON'T WE JUST SING
THE BALLAD THAT I WROTE,
34
00:01:58,853 --> 00:02:00,155
DEDICATE IT TO HER,
35
00:02:00,221 --> 00:02:01,923
AND THEN WHEN IT'S OVER,
JUST ASK HER OUT.
36
00:02:01,990 --> 00:02:03,591
COME ON, WHAT ARE YOU, STUPID?
SHE'S RIGHT THERE.
37
00:02:03,658 --> 00:02:04,826
ALL RIGHT,
LET'S DO THE BALLAD.
38
00:02:04,893 --> 00:02:06,361
I CAN DO THIS.
39
00:02:06,428 --> 00:02:08,063
Girl: GRANITE!
40
00:02:08,129 --> 00:02:09,931
YEAH, KEVIN,
YOU CAN DO IT.
41
00:02:11,366 --> 00:02:12,801
COME ON, KEVIN.
42
00:02:12,867 --> 00:02:15,203
DON'T BE SUCH A WUSS.
COME ON, JUST DO IT.
43
00:02:15,270 --> 00:02:17,472
Kevin: I DIDN'T DO IT.
I JUST FROZE.
44
00:02:17,539 --> 00:02:18,873
COME ON, KEVIN,
DON'T BE A TULIP!
45
00:02:18,940 --> 00:02:20,809
Kevin: MY HEART
STARTED POUNDING.
46
00:02:20,875 --> 00:02:22,310
MY PITS STARTED SWEATING.
47
00:02:22,377 --> 00:02:25,246
Crowd: AW...
I FELT NAKED UP THERE.
48
00:02:25,313 --> 00:02:26,348
KEVIN.
49
00:02:26,414 --> 00:02:27,549
KEVIN.
KEVIN!
50
00:02:27,615 --> 00:02:30,352
[LAUGHTER]
51
00:02:30,418 --> 00:02:31,786
WHAT IS IT?
52
00:02:39,327 --> 00:02:40,962
[THUD]
53
00:02:41,029 --> 00:02:42,464
I CAN'T
BELIEVE IT, MAN.
54
00:02:42,530 --> 00:02:45,133
THAT STORY GETS FUNNIER
EVERY TIME I HEAR IT.
55
00:02:45,200 --> 00:02:46,801
YEAH. THANKS
FOR THE SUPPORT.
56
00:02:46,868 --> 00:02:48,870
MAN, COME ON. YOU KNOW
WHAT YOUR PROBLEM IS?
57
00:02:48,937 --> 00:02:50,605
I THINK IT'S A LACK
OF SELF-CONFIDENCE.
58
00:02:50,672 --> 00:02:53,375
I MEAN, I KNOW YOU GO OUT
ON DATES AND EVERYTHING,
59
00:02:53,441 --> 00:02:55,343
BUT I THINK WHEN YOU FIND
THE GIRL OF YOUR DREAMS,
60
00:02:55,410 --> 00:02:57,178
YOU CAN'T SEAL
THE DEAL, YOU KNOW?
61
00:02:57,245 --> 00:02:59,280
PICK THE FRUIT,
SPIT THE WAD.
62
00:02:59,347 --> 00:03:00,348
YOU KNOW
WHAT I'M SAYING?
63
00:03:00,415 --> 00:03:02,550
NO, I DON'T.
64
00:03:02,617 --> 00:03:04,452
Boy: I THINK WHAT YOUR
FRIEND IS TRYING TO SAY
65
00:03:04,519 --> 00:03:06,855
IS THAT YOU'RE SUFFERING
FROM A CLASSIC PSYCHOSOMATIC
66
00:03:06,921 --> 00:03:09,024
COMMUNICATIVE
ANXIETY DISORDER.
67
00:03:09,090 --> 00:03:12,560
BASICALLY, YOU MEET
THE RIGHT GIRL, YOU CHOKE.
68
00:03:12,627 --> 00:03:14,629
THAT'S WHAT
I WAS SAYING.
69
00:03:14,696 --> 00:03:16,197
DUDE, YOU GOT TO RELAX.
70
00:03:16,264 --> 00:03:17,699
WATCH ME WORK.
71
00:03:20,301 --> 00:03:21,770
FRENCH FRY?
72
00:03:25,874 --> 00:03:27,208
[BELL RINGS]
73
00:03:28,777 --> 00:03:31,079
[MUSIC PLAYING]
74
00:03:48,963 --> 00:03:52,000
FKR. HOW CAN I DIRECT
YOUR CALL?
75
00:03:52,067 --> 00:03:53,635
HOLD, PLEASE.
76
00:03:53,702 --> 00:03:54,803
YEAH. HAVE IT
UNDER CONTROL?
77
00:03:54,869 --> 00:03:56,771
GOOD MORNING, MARGIE.
78
00:03:56,838 --> 00:03:59,474
FKR. HOW CAN I DIRECT
YOUR CALL?
79
00:03:59,541 --> 00:04:01,509
HOLD, PLEASE.
OK.
80
00:04:03,978 --> 00:04:04,979
♪ HEY, BABY ♪
81
00:04:05,046 --> 00:04:06,014
♪ HEY, BABY ♪
82
00:04:06,081 --> 00:04:07,048
♪ YEAH, BABY ♪
83
00:04:07,115 --> 00:04:08,683
♪ YEAH, BABY ♪
84
00:04:08,750 --> 00:04:09,717
♪ HEY, BABY ♪
85
00:04:09,784 --> 00:04:10,819
♪ YEAH, BABY ♪
86
00:04:10,885 --> 00:04:12,187
♪ YEAH, BABY ♪
87
00:04:12,253 --> 00:04:13,221
OOPS.
88
00:04:14,456 --> 00:04:17,759
[WOMEN CHATTERING
AND LAUGHING]
89
00:04:29,671 --> 00:04:31,906
HEY, NATHAN,
HOW'S IT GOING?
90
00:04:31,973 --> 00:04:33,975
I GOT TO SPEND ANOTHER
ONE OF MY REMAINING DAYS
91
00:04:34,042 --> 00:04:35,410
IN THIS PURGATORY.
92
00:04:35,477 --> 00:04:38,046
I GOT CATARACTS
THE SIZE OF CANTALOUPES,
93
00:04:38,113 --> 00:04:40,014
AND I HAVEN'T HAD
A DECENT BOWEL MOVEMENT
94
00:04:40,081 --> 00:04:43,051
SINCE THE REAGAN
ADMINISTRATION.
95
00:04:43,118 --> 00:04:44,819
OK.
96
00:04:44,886 --> 00:04:46,521
[BASEBALL GAME ON TV]
97
00:04:46,588 --> 00:04:49,290
SO, ARE YOU EVER GOING TO
TELL ME ABOUT THAT BASEBALL?
98
00:04:49,357 --> 00:04:50,492
NO.
99
00:04:50,558 --> 00:04:51,759
[MECHANICAL WHIR]
100
00:04:51,826 --> 00:04:53,795
[MACHINE BEEPING]
101
00:04:58,633 --> 00:04:59,868
COME ON, LUCILLE.
102
00:04:59,934 --> 00:05:01,870
DON'T DIE ON ME NOW.
103
00:05:01,936 --> 00:05:04,472
DADDY KNOWS
YOU'RE TIRED,
104
00:05:04,539 --> 00:05:06,241
BUT DADDY ALSO KNOWS
105
00:05:06,307 --> 00:05:08,610
YOU GOT ANOTHER FEW
IN YOU.
106
00:05:08,676 --> 00:05:10,979
YES, YOU DO.
107
00:05:11,045 --> 00:05:12,313
DO YOU REALLY THINK
THAT WORKS?
108
00:05:12,380 --> 00:05:14,415
SOMETIMES,
BUT WHEN IT DOESN'T,
109
00:05:14,482 --> 00:05:16,151
YOU GIVE HER
A LITTLE LOVE TAP.
110
00:05:16,217 --> 00:05:17,485
[CLUNK]
111
00:05:17,552 --> 00:05:18,887
[MACHINE WHIRS]
112
00:05:21,289 --> 00:05:22,457
UHH.
113
00:05:24,826 --> 00:05:26,194
GOOD MORNING, JACKIE.
114
00:05:26,261 --> 00:05:27,862
Jackie:
GOOD MORNING.
115
00:05:34,002 --> 00:05:36,371
UH, GIBBONS?
116
00:05:36,437 --> 00:05:39,340
I NEED YOU IN HERE,
PLEASE.
117
00:05:39,407 --> 00:05:40,909
Higgins: YOU'VE DONE
EXCELLENT WORK HERE,
118
00:05:40,975 --> 00:05:43,211
AND NOW LET ME
ASK YOU A QUESTION.
119
00:05:43,278 --> 00:05:45,580
WHAT DOES REEBOK
STAND FOR?
120
00:05:45,647 --> 00:05:47,182
UM, I BELIEVE
THE REEBOK
121
00:05:47,248 --> 00:05:49,284
IS A TYPE OF
AFRICAN GAZELLE.
122
00:05:49,350 --> 00:05:51,686
[LOUD WHIRRING]
123
00:05:51,753 --> 00:05:52,987
NO.
124
00:05:53,054 --> 00:05:55,657
REEBOK STANDS
FOR CREDIBILITY
125
00:05:55,723 --> 00:05:58,026
AND PRESTIGE.
126
00:05:58,092 --> 00:06:00,094
WE ARE GOING GLOBAL.
127
00:06:01,729 --> 00:06:04,032
WHEATGRASS?
I'LL PASS.
128
00:06:04,098 --> 00:06:05,466
REEBOK WANTS US TO DO
129
00:06:05,533 --> 00:06:08,803
THEIR FEMALE 'TWEENS
FOOTWEAR CAMPAIGN.
130
00:06:08,870 --> 00:06:11,239
'TWEENS?
'TWEENS, GIBBONS--
131
00:06:11,306 --> 00:06:13,374
FOR FEMALES BETWEEN
THEIR ADOLESCENCE
132
00:06:13,441 --> 00:06:15,210
AND TEEN YEARS.
GET WITH IT, GIBBONS.
133
00:06:15,276 --> 00:06:16,744
OHH. JACKIE, COULD YOU COME IN
HERE, PLEASE?
134
00:06:16,811 --> 00:06:20,181
MR. HIGGINS, THIS IS SUCH
A GREAT OPPORTUNITY FOR ME.
135
00:06:20,248 --> 00:06:21,683
I DON'T KNOW WHAT TO SAY.
WELL, THEN DON'T SAY ANYTHING.
136
00:06:21,749 --> 00:06:24,285
I MIGHT CHANGE MY MIND.
YOU WANTED TO SEE ME?
137
00:06:24,352 --> 00:06:26,721
YES. HOW'S THE REEBOK
CAMPAIGN COMING ALONG?
138
00:06:26,788 --> 00:06:27,956
EXCELLENT, SIR.
139
00:06:28,022 --> 00:06:29,591
I HAVEN'T COMPLETED
THE CONCEPT YET,
140
00:06:29,657 --> 00:06:30,892
BUT I'M CLOSE.
141
00:06:30,959 --> 00:06:34,195
WELL, YOU JUST GOT
A LITTLE BIT CLOSER.
142
00:06:34,262 --> 00:06:37,432
GIBBONS HERE IS JOINING
THE CREATIVE TEAM.
143
00:06:37,498 --> 00:06:38,700
HMM.
144
00:06:38,766 --> 00:06:42,036
Kevin: OK, REEBOK.
145
00:06:42,103 --> 00:06:43,738
ALL RIGHT.
146
00:06:43,805 --> 00:06:46,741
WE HAVE 2 BABY CHICKENS,
147
00:06:46,808 --> 00:06:48,977
AND THEY'RE BOTH
WEARING REEBOKS.
148
00:06:49,043 --> 00:06:50,912
ONE IS GOING, "REE."
149
00:06:50,979 --> 00:06:53,514
THE OTHER IS GOING, "BOK."
150
00:06:53,581 --> 00:06:56,050
REEBOK, REEBOK.
151
00:06:56,117 --> 00:06:59,654
THAT'S
MORONIC, MORONIC.
152
00:06:59,721 --> 00:07:00,955
[SIGHS]
[SQUEAKS]
153
00:07:01,022 --> 00:07:02,023
I GOT IT.
154
00:07:02,090 --> 00:07:03,658
IMAGINE MY EXCITEMENT.
155
00:07:03,725 --> 00:07:05,827
WAIT. OK.
PICTURE THIS.
156
00:07:05,894 --> 00:07:07,762
YOU HAVE GIRLS
AT A PARTY,
157
00:07:07,829 --> 00:07:08,997
GIRLS ON THE SOCCER FIELD,
158
00:07:09,063 --> 00:07:10,832
GIRLS
AT A CONCERT
159
00:07:10,898 --> 00:07:12,400
ALL WEARING REEBOK.
160
00:07:12,467 --> 00:07:14,335
AND THE TAG LINE?
161
00:07:14,402 --> 00:07:17,405
FOR GIRLS
WHO CHOOSE TO MOVE.
162
00:07:19,107 --> 00:07:20,208
♪ YEAH, BABY ♪
163
00:07:20,275 --> 00:07:21,242
WHAT DO YOU THINK?
164
00:07:21,309 --> 00:07:22,410
I THINK
THE WHEATGRASS
165
00:07:22,477 --> 00:07:24,212
HAS FINALLY GONE
TO HIGGINS' HEAD
166
00:07:24,279 --> 00:07:25,847
FOR PUTTING YOU
ON THE TEAM.
167
00:07:25,913 --> 00:07:27,181
YOU LIKED IT THAT MUCH?
168
00:07:27,248 --> 00:07:31,119
LOOK, I'VE WORKED AT
THIS OFFICE FOR 5 YEARS.
169
00:07:31,185 --> 00:07:32,954
I'VE GOT SENIORITY
ON YOU.
170
00:07:33,021 --> 00:07:35,456
THIS SHOULD BE
MY ACCOUNT.
171
00:07:35,523 --> 00:07:37,892
YOU DON'T LIKE ME
VERY MUCH, DO YOU?
172
00:07:37,959 --> 00:07:40,061
BRILLIANT DEDUCTION,
SCOOBY.
173
00:07:40,128 --> 00:07:41,562
NOW LET'S
GET BACK TO WORK
174
00:07:41,629 --> 00:07:46,234
AND COME UP
WITH SOME GOOD IDEAS.
175
00:07:46,301 --> 00:07:49,937
Al Green: ♪ HEY,
DIDN'T GO FOR THAT ♪
176
00:07:50,004 --> 00:07:51,906
♪ IT'S A NATURAL FACT ♪
177
00:07:51,973 --> 00:07:53,308
♪ NOW I WANNA COME BACK ♪
178
00:07:53,374 --> 00:07:56,177
♪ WON'T YOU SHOW ME
WHERE IT'S AT ♪
179
00:07:56,244 --> 00:07:59,314
♪ WHERE IT'S AT ♪
180
00:07:59,380 --> 00:08:01,449
♪ I'M SO TIRED
OF BEING ALONE ♪
181
00:08:01,516 --> 00:08:04,052
♪ I'M SO TIRED
OF ON MY OWN ♪
182
00:08:04,118 --> 00:08:06,254
♪ WON'T YOU HELP ME,
GIRL ♪
183
00:08:06,321 --> 00:08:11,225
♪ JUST AS SOON
AS YOU CAN ♪
184
00:08:11,292 --> 00:08:14,295
Al Green: ♪ YEAH,
I GUESS YOU KNOW ♪
185
00:08:14,362 --> 00:08:16,998
♪ THAT I LOVE YOU SO ♪
186
00:08:17,065 --> 00:08:18,433
SORRY.
187
00:08:18,499 --> 00:08:20,668
♪ YOU DON'T WANT ME
NO MORE ♪
188
00:08:21,769 --> 00:08:23,971
[TURNS OFF MUSIC]
189
00:08:24,038 --> 00:08:25,740
Abbey: I CAN'T
NEXT TO YOU.
190
00:08:29,644 --> 00:08:30,912
EXCUSE ME?
191
00:08:30,978 --> 00:08:32,080
I'M SO TIRED
OF BEING ALONE
192
00:08:32,146 --> 00:08:33,948
IS A GREAT
AL GREEN SONG,
193
00:08:34,015 --> 00:08:35,450
BUT I CAN'T
GET NEXT TO YOU
194
00:08:35,516 --> 00:08:38,152
SEEMS A LITTLE MORE
APPROPRIATE RIGHT NOW.
195
00:08:38,920 --> 00:08:40,088
AND WHY'S THAT?
196
00:08:40,154 --> 00:08:42,724
BECAUSE I CAN'T
GET NEXT TO YOU.
197
00:08:44,058 --> 00:08:45,226
OH.
198
00:08:49,764 --> 00:08:51,499
Abbey: AHEM.
199
00:08:51,566 --> 00:08:52,734
THANKS.
200
00:08:57,105 --> 00:08:58,439
AHEM.
201
00:08:59,941 --> 00:09:02,143
I ENJOYED
YOUR PERFORMANCE.
202
00:09:02,210 --> 00:09:04,278
THANKS.
203
00:09:04,345 --> 00:09:06,180
AL GREEN HELPS ME
CLEAR MY HEAD.
204
00:09:06,247 --> 00:09:09,817
IT'S A MENTAL THING. YIKES.
205
00:09:09,884 --> 00:09:12,487
I HEAR HE'S PLAYING AT
THE OPERA HOUSE IN 2 WEEKS.
206
00:09:12,553 --> 00:09:14,455
MAYBE HE'S LOOKING
FOR AN OPENING ACT.
207
00:09:14,522 --> 00:09:15,690
YOU LIKE
THE REVEREND?
208
00:09:15,757 --> 00:09:16,991
[LAUGHS]
209
00:09:17,058 --> 00:09:18,893
MY MOM WAS LISTENING
TO LOVE AND HAPPINESS
210
00:09:18,960 --> 00:09:20,161
WHEN SHE WAS
IN LABOR WITH ME.
211
00:09:20,228 --> 00:09:23,631
I THINK HE'S...
DEFINITELY IN MY SOUL.
212
00:09:23,698 --> 00:09:25,366
HA HA.
213
00:09:28,002 --> 00:09:30,471
SO... WHAT DO YOU DO
214
00:09:30,538 --> 00:09:33,207
BESIDES APPROACH
STRANGE MEN ON THE "L"?
215
00:09:34,275 --> 00:09:36,210
I GO TO SCHOOL--
GRAD SCHOOL.
216
00:09:36,277 --> 00:09:38,146
WHAT DO YOU STUDY?
ARCHEOLOGY.
217
00:09:38,212 --> 00:09:39,313
ARCHEOLOGY.
218
00:09:39,380 --> 00:09:40,715
WHAT DO YOU DO BESIDES
219
00:09:40,782 --> 00:09:42,550
SERENADE STRANGE PEOPLE
ON THE "L"?
220
00:09:42,617 --> 00:09:44,085
OH, WAIT.
WAIT, WAIT.
221
00:09:44,152 --> 00:09:46,187
LET ME GUESS.
222
00:09:46,254 --> 00:09:50,425
YOU ARE AN AD MAN.
223
00:09:50,491 --> 00:09:53,327
NOW, HOW DID YOU
DO THAT?
224
00:09:53,394 --> 00:09:54,862
IT'S STITCHED ON YOUR BAG.
225
00:09:54,929 --> 00:09:56,798
[LAUGHS]
226
00:09:59,634 --> 00:10:02,236
HAVE YOU DONE ANYTHING
I MIGHT'VE SEEN?
227
00:10:02,303 --> 00:10:04,705
I DON'T KNOW.
UH...
228
00:10:04,772 --> 00:10:06,908
I HAD A HAND IN
THE POP SECRET POPCORN CAMPAIGN.
229
00:10:06,974 --> 00:10:09,777
♪ BUTTER
MAKES IT BETTER, BABY ♪
230
00:10:09,844 --> 00:10:11,212
THAT'S IT.
THAT'S ME.
231
00:10:11,279 --> 00:10:12,814
I ACTUALLY WROTE THAT.
232
00:10:12,880 --> 00:10:15,349
SO NOW WHEN I GO TO WRIGLEY
AND ROOT FOR THE CUBBIES,
233
00:10:15,416 --> 00:10:17,552
I CAN LOOK UP AT THE BIG
POP SECRET BILLBOARD
234
00:10:17,618 --> 00:10:18,820
AND THINK OF YOU.
235
00:10:18,886 --> 00:10:21,155
YOU'RE A CUBS FAN?
HECK, YEAH. BORN AND RAISED.
236
00:10:21,222 --> 00:10:22,790
ALL RIGHT, ALL RIGHT.
UM...
237
00:10:22,857 --> 00:10:26,327
SO, TELL ME. TELL ME YOUR BEST
AND WORST CUB MOMENT.
238
00:10:26,394 --> 00:10:28,529
BEST--
WHENEVER THEY WIN.
239
00:10:28,596 --> 00:10:29,597
OF COURSE.
240
00:10:29,664 --> 00:10:31,999
WORST--GAME 5
IN THE '84 PLAYOFFS.
241
00:10:32,066 --> 00:10:35,570
Both: THE GROUND BALL
WENT THROUGH DURHAM'S LEGS.
242
00:10:35,636 --> 00:10:37,038
THAT IS THE WORST
MOMENT OF MY LIFE.
243
00:10:37,104 --> 00:10:38,706
HORRIBLE.
I WAS SO DEPRESSED.
244
00:10:38,773 --> 00:10:40,475
I DIDN'T EVEN GO TO SCHOOL
THE NEXT DAY.
245
00:10:40,541 --> 00:10:42,343
I CRIED.
246
00:10:42,410 --> 00:10:45,446
OK, MOST GUYS
WOULDN'T ADMIT THAT.
247
00:10:45,513 --> 00:10:49,450
YEAH. I DON'T KNOW WHY
I JUST TOLD YOU THAT.
248
00:10:56,424 --> 00:10:57,892
Driver:
NEXT STOP, ADAMS--
249
00:10:57,959 --> 00:11:00,161
ADAMS AND WABASH.
250
00:11:00,228 --> 00:11:01,629
THAT'S MY STOP.
251
00:11:01,696 --> 00:11:03,731
[LAUGHS]
252
00:11:03,798 --> 00:11:04,932
MINE, TOO.
253
00:11:07,835 --> 00:11:09,170
AFTER YOU.
254
00:11:09,237 --> 00:11:10,805
THANK YOU.
255
00:11:12,974 --> 00:11:14,108
SO, TELL ME
SOMETHING
256
00:11:14,175 --> 00:11:16,611
THAT YOU WOULD ONLY
TELL A STRANGER.
257
00:11:16,677 --> 00:11:19,113
UH...WHOO.
258
00:11:19,180 --> 00:11:21,215
I LIKE TO MAKE
PAPER AIRPLANES.
259
00:11:21,282 --> 00:11:22,817
MY DAD'S A PILOT.
260
00:11:22,884 --> 00:11:23,851
REALLY?
261
00:11:25,486 --> 00:11:27,822
OH, WAIT. DO YOU HAVE
A PIECE OF PAPER?
262
00:11:28,656 --> 00:11:30,591
YEAH, SURE.
263
00:11:30,658 --> 00:11:32,393
WHAT, AM I GOING TO GET,
A LITTLE DEMONSTRATION?
264
00:11:32,460 --> 00:11:34,195
UH-HUH.
A LITTLE DEMONSTRATION.
265
00:11:34,262 --> 00:11:36,297
THANK YOU.
266
00:11:38,666 --> 00:11:40,268
THAT'S
VERY IMPRESSIVE.
267
00:11:40,334 --> 00:11:42,603
THANK YOU.
IT'S MY OWN DESIGN.
268
00:11:42,670 --> 00:11:43,804
AH.
269
00:11:43,871 --> 00:11:46,240
ALL RIGHT, THIS IS
MY FAVORITE SPOT.
270
00:11:46,307 --> 00:11:47,975
SO, YOU'VE DONE THIS
BEFORE?
271
00:11:48,042 --> 00:11:49,210
MANY TIMES.
272
00:11:49,277 --> 00:11:50,611
YOU READY?
273
00:11:50,678 --> 00:11:51,913
I GUESS.
274
00:11:51,979 --> 00:11:53,848
HERE WE GO.
275
00:11:53,915 --> 00:11:55,883
STRONG TAKEOFF.
276
00:11:55,950 --> 00:11:57,451
SMOOTH FLIGHT.
277
00:11:57,518 --> 00:11:59,120
EXCELLENT
PAPER AIRPLANE.
278
00:11:59,187 --> 00:12:00,187
Abbey:
THANK YOU.
279
00:12:00,254 --> 00:12:03,558
OH!
HA HA HA!
280
00:12:03,624 --> 00:12:05,793
BUT I THINK YOUR LANDING
NEEDS A LITTLE WORK.
281
00:12:05,860 --> 00:12:07,328
YEAH, A LITTLE.
282
00:12:07,395 --> 00:12:08,863
DEFINITELY.
283
00:12:08,930 --> 00:12:10,698
ALL RIGHT, DON'T THINK
YOU'RE GETTING OFF SO EASY.
284
00:12:10,765 --> 00:12:11,532
IT'S YOUR TURN.
285
00:12:11,599 --> 00:12:14,869
I DON'T KNOW.
UM...
286
00:12:14,936 --> 00:12:17,371
LET'S SEE. UHH.
287
00:12:17,438 --> 00:12:20,708
OK. YOU'RE TOTALLY
GOING TO THINK I'M LAME,
288
00:12:20,775 --> 00:12:22,944
BUT I CAN NAME
ALL THE PRESIDENTS
289
00:12:23,010 --> 00:12:24,745
IN ORDER.
290
00:12:24,812 --> 00:12:26,547
WASHINGTON, ADAMS,
JEFFERSON, MADISON,
291
00:12:26,614 --> 00:12:28,316
MONROE, ADAMS,
JACKSON, VAN BUREN,
292
00:12:28,382 --> 00:12:30,651
HARRISON, TYLER, POLK,
TAYLOR, FILLMORE,
293
00:12:30,718 --> 00:12:32,587
PIERCE, BUCHANAN,
LINCOLN, JOHNSON, GRANT,
294
00:12:32,653 --> 00:12:34,155
HAYES, GARFIELD, ARTHUR,
295
00:12:34,222 --> 00:12:35,356
CLEVELAND,
HARRISON...
296
00:12:35,423 --> 00:12:37,358
Both: McKINLEY,
ROOSEVELT, TAFT,
297
00:12:37,425 --> 00:12:39,293
WILSON, HARDING, COOLIDGE,
298
00:12:39,360 --> 00:12:41,395
HOOVER, ROOSEVELT, TRUMAN,
299
00:12:41,462 --> 00:12:43,431
EISENHOWER,
KENNEDY, JOHNSON,
300
00:12:43,497 --> 00:12:45,032
NIXON, FORD,
CARTER, REAGAN,
301
00:12:45,099 --> 00:12:47,301
BUSH, CLINTON, BUSH.
302
00:12:48,135 --> 00:12:49,737
WOW.
HA HA!
303
00:12:49,804 --> 00:12:52,206
OK, I THINK WE'RE THE ONLY
2 PEOPLE IN THE WORLD
304
00:12:52,273 --> 00:12:53,608
WHO CAN DO THAT
AT THE SAME TIME.
305
00:12:53,674 --> 00:12:56,210
I THINK
YOU MAY BE RIGHT.
306
00:12:56,277 --> 00:12:57,578
OK, THAT'S AMAZING.
307
00:12:57,645 --> 00:13:00,014
[LAUGHS]
308
00:13:00,081 --> 00:13:01,649
UM...
309
00:13:01,716 --> 00:13:04,952
I GOT TO CATCH
THE CONNECTING TRAIN.
310
00:13:05,019 --> 00:13:06,053
RIGHT.
311
00:13:06,120 --> 00:13:07,888
UM...
312
00:13:07,955 --> 00:13:09,523
WELL, LISTEN...
313
00:13:09,590 --> 00:13:11,392
IT WAS A PLEASURE...
314
00:13:15,029 --> 00:13:16,764
COMMUTING WITH YOU.
315
00:13:18,065 --> 00:13:19,934
YEAH, IT REALLY WAS.
316
00:13:24,138 --> 00:13:26,040
WELL...
317
00:13:28,809 --> 00:13:29,944
BYE.
318
00:13:42,990 --> 00:13:44,458
HA HA!
319
00:13:54,735 --> 00:13:56,070
♪ COME ON ♪
320
00:13:56,137 --> 00:13:57,605
♪ LOVE IS
LIKE A BOMB, BABY ♪
321
00:13:57,672 --> 00:13:59,073
♪ COME ON, GET IT ON ♪
322
00:13:59,140 --> 00:14:04,145
♪ LIVIN' LIKE A LOVER
WITH A RADAR PHONE ♪
323
00:14:04,211 --> 00:14:07,648
♪ HEY! TO THE BONE ♪
324
00:14:07,715 --> 00:14:08,816
♪ RISE A LITTLE,
DANCE A LITTLE ♪
325
00:14:08,883 --> 00:14:10,584
♪ FLASH A LITTLE LIGHT ♪
326
00:14:10,651 --> 00:14:13,754
♪ TELEVISION LOVER, BABY,
GO ALL NIGHT ♪
327
00:14:13,821 --> 00:14:16,557
♪ TAKE THE BOTTLE ♪
328
00:14:16,624 --> 00:14:19,260
♪ SHAKE IT UP ♪
329
00:14:19,326 --> 00:14:22,029
♪ BREAK THE BUBBLE ♪
330
00:14:22,096 --> 00:14:24,432
♪ BREAK IT UP ♪
331
00:14:24,498 --> 00:14:27,868
♪ POUR SOME SUGAR ON ME ♪
332
00:14:27,935 --> 00:14:29,804
♪ OOH, IN THE NAME
OF LOVE ♪
333
00:14:29,870 --> 00:14:31,339
YO, MAN, COME ON,
TELL ME WHAT HAPPENED.
334
00:14:31,405 --> 00:14:32,773
YOU'RE SITTING ON THE TRAIN.
SHE STANDS UP.
335
00:14:32,840 --> 00:14:34,208
DOOR'S OPEN.
SHE'S ABOUT TO GET OFF,
336
00:14:34,275 --> 00:14:35,543
BUT SHE STOPS, RIGHT?
337
00:14:35,609 --> 00:14:36,944
DID YOU SAY
SOMETHING TO HER?
338
00:14:37,011 --> 00:14:38,612
I SAID IT WAS A PLEASURE
COMMUTING WITH HER.
339
00:14:38,679 --> 00:14:41,315
"IT WAS A PLEASURE
COMMUTING WITH YOU?"
340
00:14:41,382 --> 00:14:42,650
♪ I'M HOT ♪
341
00:14:42,717 --> 00:14:44,518
OH, THAT'S GREAT.
YOU COULDN'T SAY, LIKE--
342
00:14:44,585 --> 00:14:45,720
[COUGHS]
♪ FROM MY HEAD ♪
343
00:14:45,786 --> 00:14:47,088
NO NUMBER,
NO FINGERPRINTS,
344
00:14:47,154 --> 00:14:49,056
NO PLACE OF BUSINESS?
345
00:14:49,123 --> 00:14:51,358
OK, FINE.
I TANKED.
346
00:14:51,425 --> 00:14:53,961
AGAIN?
MAN, YOU NEED SOME HELP.
347
00:14:54,028 --> 00:14:55,129
YEAH.
348
00:15:06,440 --> 00:15:08,476
[FEEDBACK]
349
00:15:08,542 --> 00:15:10,311
[CROWD CHEERS, WHISTLES]
350
00:15:10,378 --> 00:15:11,679
YEAH!
351
00:15:11,746 --> 00:15:15,216
Man: COME ON! OW!
WHOO! MAN.
352
00:15:15,282 --> 00:15:16,250
WHAT'S UP, GUYS?
353
00:15:16,317 --> 00:15:18,919
HEY, THAT WAS HOT, MAN.
354
00:15:18,986 --> 00:15:20,588
IT WAS GREAT.
IT WAS FANTASTIC.
355
00:15:20,654 --> 00:15:23,124
IT STUNK. I MEAN I CAN'T
FREAKIN' BELIEVE THESE GUYS.
356
00:15:23,190 --> 00:15:25,626
MAN, I MEAN, THE BAND
WAS JUST AWFUL.
357
00:15:25,693 --> 00:15:27,862
DUDE, IT WASN'T THAT BAD.
COME ON, I WAS IN THE BAND.
358
00:15:27,928 --> 00:15:30,965
YOU. YOU SHOULD'VE NEVER--
DON'T EVEN START THIS, MAN.
359
00:15:31,031 --> 00:15:32,500
YOU SHOULD'VE NEVER
QUIT THE BAND.
360
00:15:32,566 --> 00:15:34,135
GENTLEMEN, THIS IS
THE OLDEST ARGUMENT.
361
00:15:34,201 --> 00:15:35,436
IT WAS
A HIGH SCHOOL BAND.
362
00:15:35,503 --> 00:15:37,371
NO, IT WASN'T.
YOU KNOW WHAT IT WAS.
363
00:15:37,438 --> 00:15:40,674
YEAH. IT WAS THE BEST
HIGH SCHOOL BAND EVER!
364
00:15:40,741 --> 00:15:43,611
Both: GRANITE! GRANITE!
GRANITE! GRANITE!
365
00:15:43,677 --> 00:15:46,881
GIMME SOME! GIMME SOME!
GIMME SOME! GIMME SOME!
366
00:15:46,947 --> 00:15:48,549
THE CHICKS WERE HOT, MAN.
THEY WERE GREAT.
367
00:15:48,616 --> 00:15:50,184
YEAH. OH, MY GOSH.
368
00:15:50,251 --> 00:15:51,919
IS THAT BRADY FREAKIN' FRANCES?
369
00:15:51,986 --> 00:15:53,554
WHAT YOU DIDN'T KNOW HE WROTE
A COLUMN FOR THE POST?
370
00:15:53,621 --> 00:15:55,589
NO.
OOH, THAT'S RIGHT. I FORGOT.
371
00:15:55,656 --> 00:15:57,491
YOU JUST SKIP RIGHT
TO THE FAMILY CIRCUS.
372
00:15:57,558 --> 00:15:58,993
HEY, FAMILY CIRCUS
IS A GOOD COMIC.
373
00:15:59,059 --> 00:16:01,428
IT'S, LIKE, ONE SQUARE, AND THEN
YOU'RE DONE WITH IT, OK?
374
00:16:01,495 --> 00:16:03,164
BRADY FRANCES--
NO, BRADY FRANCES--
375
00:16:03,230 --> 00:16:05,099
THE GUY THAT KEVIN
SWOOPED IN ON HIS GIRL
376
00:16:05,166 --> 00:16:08,235
BACK IN HIGH SCHOOL
PROM TIME, YOU REMEMBER?
377
00:16:08,302 --> 00:16:11,939
OH, MY GOODNESS. THAT WAS
A FREAKIN' CLASSIC, MAN.
378
00:16:12,006 --> 00:16:13,507
IT WAS A CALAMITY
IS WHAT IT WAS.
379
00:16:13,574 --> 00:16:14,875
THAT'S NOT EXACTLY
WHAT HAPPENED.
380
00:16:14,942 --> 00:16:17,044
AW, MAN.
THAT WAS 7 YEARS AGO.
381
00:16:17,111 --> 00:16:18,646
I GOT ANOTHER SET,
GUYS, TO DO, SO...
382
00:16:18,712 --> 00:16:19,880
HEY, PLAY
SOMETHING GOOD.
383
00:16:19,947 --> 00:16:21,282
HAVE A GOOD SET.
Rod: OK.
384
00:16:21,348 --> 00:16:22,716
HEY, LOOK, MAN,
LET'S FACE IT.
385
00:16:22,783 --> 00:16:23,884
YOU'RE 24 YEARS OLD.
IT'S NOT THE FIRST TIME
386
00:16:23,951 --> 00:16:25,286
YOU EVER CHOKED
WITH A CHICK.
387
00:16:25,352 --> 00:16:26,821
YOU KNOW WHAT I'M SAYING?
YOU GOT A PROBLEM.
388
00:16:26,887 --> 00:16:28,923
YEAH, BUT
THIS IS DIFFERENT.
389
00:16:28,989 --> 00:16:30,357
I MEAN...
390
00:16:30,424 --> 00:16:32,793
THIS GIRL WAS INCREDIBLE.
YEAH?
391
00:16:32,860 --> 00:16:34,829
YOU KNOW, IT'S EMBARRASSING
WHEN EVERYONE KNOWS YOU
392
00:16:34,895 --> 00:16:36,230
AS THE GUY
THAT ALWAYS CHOKES.
393
00:16:36,297 --> 00:16:38,599
HEY, MAN, COME ON.
NOT EVERYBODY KNOWS THAT.
394
00:16:38,666 --> 00:16:40,100
2 MORE, PLEASE.
395
00:16:40,167 --> 00:16:42,303
[PLAYING GUITAR]
396
00:16:42,369 --> 00:16:43,737
KEVIN...
397
00:16:43,804 --> 00:16:45,873
THIS ONE'S FOR YOU.
398
00:16:48,042 --> 00:16:50,644
♪ KEVIN SITS
SILENTLY STILL ♪
399
00:16:50,711 --> 00:16:52,780
♪ IN THE DEAD
OF THE DAY ♪
400
00:16:52,847 --> 00:16:54,014
HUH?
401
00:16:54,081 --> 00:16:57,384
♪ WONDERIN'
IF HE FINDS THAT GIRL ♪
402
00:16:57,451 --> 00:16:59,520
♪ THAT JUST WALKED AWAY ♪
403
00:16:59,587 --> 00:17:00,921
HMM...
404
00:17:00,988 --> 00:17:02,690
♪ WAS IT
SOMETHING HE SAID ♪
405
00:17:02,756 --> 00:17:04,225
♪ OR SOMETHING HE DID ♪
406
00:17:04,291 --> 00:17:07,728
♪ DID THE WORDS
NOT COME OUT RIGHT ♪
407
00:17:07,795 --> 00:17:10,731
♪ HE DIDN'T TRY
TO GET THE DIGITS ♪
408
00:17:10,798 --> 00:17:12,666
♪ HE DIDN'T TRY ♪
409
00:17:12,733 --> 00:17:14,869
♪ BUT I GUESS
THAT'S WHY THEY SAY ♪
410
00:17:14,935 --> 00:17:18,639
♪ KEVIN CRAPPED OUT
ON HIS OWN ♪
411
00:17:18,706 --> 00:17:21,375
[PATS BACK] UH...
NOW EVERYBODY KNOWS.
412
00:17:21,442 --> 00:17:23,010
♪ BUT HIS FRIENDS ♪
413
00:17:23,077 --> 00:17:27,448
♪ WOULD'VE HELPED HIM
ALL ALONG ♪
414
00:17:27,514 --> 00:17:29,183
♪ THAT POOR BONEHEAD ♪
415
00:17:33,654 --> 00:17:35,556
AW, MAN, YOU CAN
TRACK HER DOWN, YOU KNOW.
416
00:17:35,623 --> 00:17:36,590
HOW?
417
00:17:36,657 --> 00:17:38,158
I DON'T KNOW.
LOJACK.
418
00:17:38,225 --> 00:17:40,828
YOU COULD, UM... RIDE THE TRAIN
EVERY DAY LOOKING FOR HER.
419
00:17:40,895 --> 00:17:43,030
YOU COULD PUT UP POSTERS
ALL OVER TOWN. I DON'T KNOW.
420
00:17:43,097 --> 00:17:45,499
YEAH. "SINGLE WHITE MALE
SEEKS COMMUTER ON TRAIN
421
00:17:45,566 --> 00:17:46,967
TO SHARE
INTIMATE SECRETS."
422
00:17:47,034 --> 00:17:48,769
[LAUGHS] YEAH, BUD,
THAT'S KIND OF COOL,
423
00:17:48,836 --> 00:17:50,504
BUT I WAS THINKING
MORE LIKE,
424
00:17:50,571 --> 00:17:51,872
"DOG WHO LOSES BONE
425
00:17:51,939 --> 00:17:53,841
SEEKS TRAIN TRAMP."
426
00:17:53,908 --> 00:17:55,109
[BARKS]
427
00:17:56,043 --> 00:17:57,177
BRAIN DAMAGE.
428
00:18:00,648 --> 00:18:02,016
[DOOR OPENS]
429
00:18:06,620 --> 00:18:07,821
[DOOR CLOSES]
430
00:18:10,491 --> 00:18:12,092
HEY, YOU.
YOU'RE BACK.
431
00:18:12,159 --> 00:18:13,661
HEY.
432
00:18:14,895 --> 00:18:18,098
SO, HOW WAS YOUR
WEEKEND IN CHICAGO, HMM?
433
00:18:18,165 --> 00:18:21,201
MMM.
IT WAS FINE.
434
00:18:21,268 --> 00:18:23,404
WAIT, WAIT, WAIT.
435
00:18:23,470 --> 00:18:24,805
SIT.
436
00:18:26,073 --> 00:18:27,508
YOU JUST SPENT
THE WEEKEND
437
00:18:27,575 --> 00:18:28,776
WITH YOUR BOYFRIEND
OF 3 YEARS,
438
00:18:28,842 --> 00:18:30,678
WHO YOU HAVEN'T SEEN
IN OVER A MONTH.
439
00:18:30,744 --> 00:18:33,080
THAT DESERVES
A "PHENOMENAL"
440
00:18:33,147 --> 00:18:34,848
OR AT LEAST
AN "EXCEPTIONAL,"
441
00:18:34,915 --> 00:18:36,750
BUT DEFINITELY NOT
JUST A "FINE."
442
00:18:36,817 --> 00:18:37,985
WHAT IS UP?
443
00:18:38,052 --> 00:18:40,621
I FOUND A GREAT APARTMENT
IN LAKEVIEW.
444
00:18:40,688 --> 00:18:41,956
IT'S RIGHT BY WRIGLEY,
445
00:18:42,022 --> 00:18:43,857
AND I CAN MOVE IN
RIGHT AFTER GRADUATION.
446
00:18:43,924 --> 00:18:45,759
BUT I THOUGHT THAT...
447
00:18:45,826 --> 00:18:48,562
THAT YOU AND PAUL WERE
GOING TO MOVE IN TOGETHER.
448
00:18:48,629 --> 00:18:50,130
[SIGHS]
449
00:18:50,197 --> 00:18:51,899
I DON'T KNOW, SAM.
450
00:18:51,966 --> 00:18:54,234
EVERYTHING
IS SO DIFFERENT.
451
00:18:58,372 --> 00:18:59,606
[LAUGHS]
452
00:18:59,673 --> 00:19:01,008
WHAT?
453
00:19:01,976 --> 00:19:03,911
I MET A GUY
ON THE TRAIN.
454
00:19:03,978 --> 00:19:05,379
YOU MET A GUY
ON THE TRAIN?
455
00:19:05,446 --> 00:19:06,847
YES.
HE WAS SO CUTE,
456
00:19:06,914 --> 00:19:08,716
AND HE WAS SO NICE.
457
00:19:08,782 --> 00:19:11,852
AND HE TOTALLY
LISTENED TO ME.
458
00:19:11,919 --> 00:19:13,053
UHH.
459
00:19:15,489 --> 00:19:17,891
WE CONNECTED MORE
IN 5 MINUTES
460
00:19:17,958 --> 00:19:21,161
THAN I HAVE WITH PAUL
OVER THE PAST YEAR.
461
00:19:21,228 --> 00:19:22,730
HA HA!
462
00:19:24,264 --> 00:19:25,799
ABBEY.
HA HA!
463
00:19:26,967 --> 00:19:29,136
WELL, YOU ALREADY
KNOW JACKIE,
464
00:19:29,203 --> 00:19:32,573
SO LET ME INTRODUCE THE NEW
MEMBER OF MY CREATIVE TEAM
465
00:19:32,639 --> 00:19:33,707
KEVIN GIBBONS.
466
00:19:33,774 --> 00:19:35,009
AND MAY I SAY
THAT MY TEAM
467
00:19:35,075 --> 00:19:36,377
HAS COME UP
WITH A CAMPAIGN
468
00:19:36,443 --> 00:19:38,312
THAT I FEEL
YOU WILL ALL AGREE
469
00:19:38,379 --> 00:19:40,781
HAS UNIVERSAL APPEAL.
470
00:19:40,848 --> 00:19:43,651
SO, WITHOUT
ANY FURTHER ADO,
471
00:19:43,717 --> 00:19:45,719
ALLOW ME TO PRESENT...
472
00:19:48,555 --> 00:19:50,057
[SIGHS]
473
00:19:51,358 --> 00:19:54,061
AND THE TAG LINE IS...
474
00:19:54,128 --> 00:19:55,362
"REEBOK--
475
00:19:55,429 --> 00:19:59,266
STEP INTO THE FUTURE."
476
00:20:00,467 --> 00:20:02,770
[CRICKETS CHIRPING]
477
00:20:06,640 --> 00:20:07,975
[GULP]
478
00:20:08,542 --> 00:20:11,211
[WHISPERING]
479
00:20:11,278 --> 00:20:14,415
IT'S A LITTLE, UH, COLD.
HMM?
480
00:20:14,481 --> 00:20:16,784
WE WERE HOPING FOR
SOMETHING MORE LIVELY,
481
00:20:16,850 --> 00:20:19,653
WITH A LITTLE MORE DEPTH.
482
00:20:19,720 --> 00:20:20,921
HUH.
ACTUALLY--
483
00:20:20,988 --> 00:20:23,157
ACTUALLY,
WE TOTALLY AGREE.
484
00:20:23,223 --> 00:20:26,393
THAT'S WHY I--WE
CAME UP WITH SOMETHING
485
00:20:26,460 --> 00:20:28,429
SO FABULOUS.
486
00:20:28,495 --> 00:20:29,663
DID WE?
487
00:20:29,730 --> 00:20:31,565
WELL, I DON'T LIKE
SURPRISES, YOU KNOW.
488
00:20:31,632 --> 00:20:32,933
MMM.
489
00:20:33,000 --> 00:20:34,535
LET ME PRESENT TO YOU
490
00:20:34,601 --> 00:20:38,806
WHAT WE BELIEVE WILL BE
REEBOK'S NEW CAMPAIGN.
491
00:20:50,751 --> 00:20:54,288
AHEM.
GIRLS AT A PARTY,
492
00:20:54,354 --> 00:20:55,856
GIRLS AT SCHOOL,
493
00:20:55,923 --> 00:20:57,091
GIRLS AT A CONCERT,
494
00:20:57,157 --> 00:20:59,426
GIRLS
AT A SOCCER FIELD--
495
00:20:59,493 --> 00:21:01,595
ALL WEARING REEBOKS.
496
00:21:01,662 --> 00:21:03,130
THE TAGLINE?
497
00:21:03,197 --> 00:21:06,033
"FOR GIRLS
WHO CHOOSE TO MOVE."
498
00:21:09,703 --> 00:21:10,704
BUT THAT'S--
499
00:21:10,771 --> 00:21:12,606
THAT'S GREAT.
500
00:21:12,673 --> 00:21:14,108
WHEN CAN YOU HAVE IT BY?
501
00:21:14,174 --> 00:21:17,111
UH, KEVIN HERE COULD
MAKE COPIES OF THE MOCK-UPS
502
00:21:17,177 --> 00:21:18,445
AND MESSENGER THEM
OVER TO YOU
503
00:21:18,512 --> 00:21:19,713
BY THE END
OF THE BUSINESS DAY.
504
00:21:19,780 --> 00:21:21,014
COULDN'T YOU, KEVIN?
505
00:21:22,316 --> 00:21:24,485
SURE.
506
00:21:24,551 --> 00:21:26,053
Higgins:
WONDERFUL, WONDERFUL.
507
00:21:26,120 --> 00:21:28,889
PHENOMENAL WORK,
JACKIE.
508
00:21:31,091 --> 00:21:32,826
WHY DIDN'T I SAY ANYTHING?
509
00:21:32,893 --> 00:21:34,895
WHY DIDN'T I SAY ANYTHING?
510
00:21:34,962 --> 00:21:36,396
I KNOW WHY.
I KNOW WHY.
511
00:21:36,463 --> 00:21:38,332
IT'S BECAUSE
I'M AFRAID TO TAKE A CHANCE.
512
00:21:38,398 --> 00:21:40,400
BECAUSE I'M AFRAID
TO TAKE A CHANCE.
513
00:21:41,702 --> 00:21:43,137
[SIGHS]
514
00:21:44,004 --> 00:21:46,173
[COPY MACHINE WHIRRING]
515
00:21:47,674 --> 00:21:49,243
I'M SITTING
ON THE SIDELINES
516
00:21:49,309 --> 00:21:51,378
ALL MY LIFE.
517
00:21:51,445 --> 00:21:53,881
WHY AM I SO SCARED?
518
00:21:53,947 --> 00:21:56,083
ALWAYS AFRAID
TO TAKE A CHANCE.
519
00:21:59,186 --> 00:22:01,688
Man: ♪ I'M LAYIN' IT
ON THE LINE ♪
520
00:22:01,755 --> 00:22:03,056
♪ TO SHOW YOU ♪
521
00:22:03,123 --> 00:22:05,025
♪ I'LL NEVER LET YOU GO ♪
522
00:22:05,092 --> 00:22:07,928
♪ ON THE LINE
FOR YOUR LOVE ♪
523
00:22:07,995 --> 00:22:10,964
♪ THERE'S NOTHING
I WANT MORE ♪
524
00:22:14,001 --> 00:22:16,270
♪ ANOTHER
DEAD-END STREET ♪
525
00:22:16,336 --> 00:22:18,438
♪ ANOTHER LOVE
GONE WRONG ♪
526
00:22:18,505 --> 00:22:20,607
♪ ANOTHER
SHATTERED DREAM ♪
527
00:22:20,674 --> 00:22:23,343
♪ ALWAYS
THE SAME OLD SONG ♪
528
00:22:23,410 --> 00:22:25,979
♪ I STARTED
THINKIN' THAT ♪
529
00:22:26,046 --> 00:22:28,081
♪ YOU'D NEVER
COME ALONG ♪
530
00:22:28,148 --> 00:22:30,551
♪ I GOT
ALL THIS LOVE INSIDE ♪
531
00:22:30,617 --> 00:22:33,287
♪ THAT WILL SHOW
NO WORDS TONIGHT ♪
532
00:22:33,353 --> 00:22:35,722
♪ I WISH YOU KNEW
WHAT I'VE BEEN THROUGH ♪
533
00:22:35,789 --> 00:22:37,491
♪ TO GET TO YOU ♪
534
00:22:37,558 --> 00:22:40,127
♪ I'M LAYIN' IT
ON THE LINE ♪
535
00:22:40,194 --> 00:22:41,962
♪ THIS TIME ♪
536
00:22:42,029 --> 00:22:45,065
♪ JUST TO BE WITH YOU ♪
537
00:22:45,132 --> 00:22:48,268
♪ NO MORE, YEAH, YEAH ♪
538
00:22:48,335 --> 00:22:50,437
♪ ON THE LINE
TO SHOW YOU ♪
539
00:22:50,504 --> 00:22:53,140
♪ NEVER GONNA LET YOU,
NEVER GONNA LET YOU GO ♪
540
00:22:53,207 --> 00:22:56,043
♪ ON THE LINE
FOR YOUR LOVE ♪
541
00:22:56,109 --> 00:22:58,045
♪ THERE'S NOTHING
I WANT MORE ♪
542
00:22:58,111 --> 00:22:59,479
♪ WHEN YOU SMILE ♪
543
00:22:59,546 --> 00:23:01,815
♪ I FEEL MY HEART OPEN,
YEAH ♪
544
00:23:01,882 --> 00:23:06,286
♪ I KNOW THERE'S NOTHING
THAT I WOULD NOT DO ♪
545
00:23:06,353 --> 00:23:10,857
♪ I'M LAYIN' IT
ON THE LINE THIS TIME ♪
546
00:23:10,924 --> 00:23:13,627
♪ JUST TO BE WITH YOU ♪
547
00:23:13,694 --> 00:23:15,195
Woman: OK, I'LL CHECK.
548
00:23:15,262 --> 00:23:18,365
Woman: CHICAGO DAILY POST.
CAN I HELP YOU?
549
00:23:18,432 --> 00:23:20,834
SURE. OK.
550
00:23:20,901 --> 00:23:24,471
Woman: CHICAGO DAILY POST.
CAN I HELP YOU?
551
00:23:24,538 --> 00:23:26,039
BRADY FRANCES'S DESK.
552
00:23:26,106 --> 00:23:28,609
[VIDEO GAME MUSIC PLAYING]
553
00:23:31,245 --> 00:23:33,113
BRADY,
MY OFFICE.
554
00:23:36,149 --> 00:23:37,384
THIS IS YOUR NEXT STORY.
555
00:23:37,451 --> 00:23:39,519
IT'S A COMPELLING
HUMAN INTEREST PIECE.
556
00:23:39,586 --> 00:23:41,188
BUT, SIR, I WANT
TO DO HARD NEWS.
557
00:23:41,255 --> 00:23:42,122
UH-HUH.
558
00:23:42,189 --> 00:23:43,790
AND I WANT A CLEAR
NASAL PASSAGE.
559
00:23:43,857 --> 00:23:45,692
WE CAN'T ALWAYS GET
WHAT WE WANT.
560
00:23:45,759 --> 00:23:46,960
[SNORTS]
561
00:23:47,027 --> 00:23:48,829
UHH.
YOU KNOW...
562
00:23:48,896 --> 00:23:49,997
I PUT YOU IN PERSONALS
563
00:23:50,063 --> 00:23:51,465
BECAUSE MOST PEOPLE
ARE MISERABLE,
564
00:23:51,531 --> 00:23:52,966
AND I THINK
YOU CAN RELATE, BRADY.
565
00:23:53,033 --> 00:23:55,569
THE KID'S NAME
IS KEVIN GIBBONS.
566
00:23:55,636 --> 00:23:56,637
KEVIN GIBBONS?
567
00:23:56,703 --> 00:23:57,738
AH, WE CHECKED IT OUT.
568
00:23:57,804 --> 00:24:01,008
HUH. I CAN'T.
I KNOW HIM.
569
00:24:02,376 --> 00:24:04,111
SO?
570
00:24:04,177 --> 00:24:06,713
LOOK, YOU DON'T
UNDERSTAND.
571
00:24:06,780 --> 00:24:09,249
I HAVE A HISTORY
WITH THIS GUY.
572
00:24:09,316 --> 00:24:12,052
[SCHOOL BELL RINGS]
573
00:24:15,989 --> 00:24:18,158
DUDE,
I'M TELLING YOU,
574
00:24:18,225 --> 00:24:20,327
YOU ASK OUT A GIRL
LIKE KAYLA SANDERS,
575
00:24:20,394 --> 00:24:22,229
AND YOU'RE SETTING YOURSELF
UP FOR REJECTION,
576
00:24:22,296 --> 00:24:24,197
HUMILIATION, ALIENATION.
577
00:24:24,264 --> 00:24:26,967
Brady: DON'T WORRY.
I'VE GOT DETERMINATION.
578
00:24:27,034 --> 00:24:28,502
HEY, KAYLA.
579
00:24:28,568 --> 00:24:31,104
BRADY FRANCES. WE'RE
IN FRENCH CLASS TOGETHER.
580
00:24:31,171 --> 00:24:33,040
I'M THE ONE THAT
ALWAYS GETS NOSEBLEEDS.
581
00:24:33,106 --> 00:24:35,208
WOULD YOU LIKE TO GO
TO THE PROM WITH ME?
582
00:24:35,275 --> 00:24:36,943
HOLD ON A SECOND.
583
00:24:37,010 --> 00:24:39,012
HEY, KEVIN.
HI.
584
00:24:39,079 --> 00:24:41,715
WOULD YOU LIKE TO GO
TO THE PROM WITH ME?
585
00:24:41,782 --> 00:24:43,917
SURE.
I'D LOVE TO.
586
00:24:43,984 --> 00:24:45,419
SORRY.
587
00:24:45,485 --> 00:24:47,921
I'M ALREADY GOING TO THE PROM
WITH KEVIN GIBBONS.
588
00:24:47,988 --> 00:24:49,523
[SOFTLY]
NO.
589
00:24:51,024 --> 00:24:53,226
KEVIN GIBBONS.
590
00:24:53,293 --> 00:24:56,196
[SCHOOL BELL RINGS]
591
00:24:58,565 --> 00:25:00,000
[SIGHS]
592
00:25:01,301 --> 00:25:03,070
LET ME GET THIS STRAIGHT.
593
00:25:03,136 --> 00:25:04,738
YOU HARBOR ANIMOSITY
TOWARDS THIS KEVIN
594
00:25:04,805 --> 00:25:06,940
BECAUSE SOME GIRL WANTED
TO GO TO THE PROM WITH HIM
595
00:25:07,007 --> 00:25:08,709
INSTEAD OF YOU?
WELL--
596
00:25:08,775 --> 00:25:11,845
SPELLBINDING PITY,
BUT THE STORY'S STILL YOURS.
597
00:25:11,912 --> 00:25:13,180
[SIGHS]
YES, SIR.
598
00:25:13,246 --> 00:25:15,282
HEY, HEY, HEY, AND BRADY...
599
00:25:17,284 --> 00:25:19,986
NOW GET OUT OF HERE
AND DON'T MESS THIS ONE UP.
600
00:25:20,053 --> 00:25:22,456
JENNA, YEAH. I CHANGED
MY 12:00 LUNCH.
601
00:25:22,522 --> 00:25:25,359
[SIGHS]
IT'S PAYBACK TIME.
602
00:25:27,227 --> 00:25:28,395
[TELEPHONE RINGS]
603
00:25:28,462 --> 00:25:30,297
HEY, DUDE,
YOU DON'T LOOK SO GOOD.
604
00:25:30,364 --> 00:25:31,932
REALLY?
YEAH.
605
00:25:31,999 --> 00:25:35,335
[RING]
REALLY. YOU USUALLY LOOK BETTER.
606
00:25:35,402 --> 00:25:37,471
WHAT, CAN YOU NOT
HEAR THE PHONE?
607
00:25:37,537 --> 00:25:39,773
Roommate: JAUNDICE?
Eric: YEAH, KIND OF YELLOW.
608
00:25:39,840 --> 00:25:41,108
WHERE'S THE PHONE?
609
00:25:41,174 --> 00:25:43,877
IS MY ADAM'S APPLE
ALL PATHETIC?
610
00:25:43,944 --> 00:25:45,012
HELLO?
611
00:25:45,078 --> 00:25:46,313
Woman:
HELLO, KEVIN, IT'S ME.
612
00:25:46,380 --> 00:25:48,048
THE GIRL
FROM THE "L" TRAIN.
613
00:25:48,115 --> 00:25:51,184
IT'S YOU. WOW.
I DIDN'T THINK YOU'D CALL.
614
00:25:51,251 --> 00:25:52,953
OF COURSE I CALLED.
HOW ARE YOU?
615
00:25:53,019 --> 00:25:54,287
HEY, IS THAT THE CHICK
FROM THE TRAIN.
616
00:25:54,354 --> 00:25:55,622
Woman:
THAT POSTER...
617
00:25:55,689 --> 00:25:57,491
Both: HEY, IS IT THAT THE CHICK
FROM THE TRAIN?
618
00:25:57,557 --> 00:25:59,393
DUDE, IS THAT
THE CHICK FROM THE--
619
00:25:59,459 --> 00:26:01,762
[WHISPERING]
Shut up.
620
00:26:01,828 --> 00:26:03,096
OH, YEAH,
IT'S GOT TO BE.
621
00:26:03,163 --> 00:26:05,399
SO, UH, CAN WE MEET UP?
622
00:26:05,465 --> 00:26:07,834
CHUGGA, CHUGGA,
CHOO, CHOO.
623
00:26:07,901 --> 00:26:09,136
HOW ABOUT GOODY'S DINER?
624
00:26:09,202 --> 00:26:10,370
Both:
CHOO, CHOO!
625
00:26:10,437 --> 00:26:13,540
1 O' CLOCK? ALL RIGHT.
626
00:26:13,607 --> 00:26:16,009
Both: CHUGGA, CHUGGA,
CHOO, CHOO!
627
00:26:16,076 --> 00:26:17,878
YEAH?
YEAH.
628
00:26:17,944 --> 00:26:19,513
Both: YEAH!
629
00:26:19,579 --> 00:26:23,049
♪ THIS IS MY ONE CHANCE
TO BE A ROCK STAR ♪
630
00:26:23,116 --> 00:26:24,651
♪ COME ON
AND CALL ME ♪
631
00:26:24,718 --> 00:26:28,221
♪ THIS IS MY IMAGE,
THESE ARE MY DANCES ♪
632
00:26:28,288 --> 00:26:29,723
[EXHALES]
633
00:26:31,258 --> 00:26:32,692
Abbey: HI.
634
00:26:36,062 --> 00:26:37,731
[CLASSICAL MUSIC PLAYING]
635
00:26:37,798 --> 00:26:40,634
WHAT? NO, NO, NO.
636
00:26:40,700 --> 00:26:43,637
THE SUCKER'S GOING TO SPLIT
IN A MATTER OF DAYS.
637
00:26:43,703 --> 00:26:47,007
YEAH. NO. NOW IS
NOT THE TIME TO SELL.
638
00:26:47,074 --> 00:26:48,608
OK.
639
00:26:48,675 --> 00:26:50,544
[SIGHS]
640
00:26:50,610 --> 00:26:52,612
WORK.
641
00:26:52,679 --> 00:26:55,048
YOU KNOW, YOU DIDN'T HAVE
TO COME UP THIS WEEKEND.
642
00:26:55,115 --> 00:26:58,118
THAT'S OK.
HEY, COME ON.
643
00:26:58,185 --> 00:27:01,888
IT'S MY TURN. BESIDES, I GOT
SOME WORK DONE ON THE TRAIN.
644
00:27:01,955 --> 00:27:04,124
[SITAR MUSIC PLAYING]
645
00:27:09,129 --> 00:27:11,031
I DON'T MEAN
TO BE RUDE, BUT...
646
00:27:11,097 --> 00:27:12,466
WHY ARE YOU HERE?
647
00:27:13,934 --> 00:27:15,268
WHEN I SAW YOUR POSTER,
648
00:27:15,335 --> 00:27:17,504
I JUST KNEW
I HAD TO MEET YOU.
649
00:27:17,571 --> 00:27:20,841
I COULD TELL
THAT WE WOULD HAVE...
650
00:27:20,907 --> 00:27:23,276
A COSMIC CONNECTION.
651
00:27:23,343 --> 00:27:25,245
YOU SENSED THAT
FROM A POSTER?
652
00:27:26,213 --> 00:27:28,415
YES.
HOW'S SCHOOL?
653
00:27:28,482 --> 00:27:30,784
OH, HECTIC,
WITH FINALS NEXT WEEK.
654
00:27:30,851 --> 00:27:33,086
WELL, SOON, YOU'LL BE
BACK HOME IN CHICAGO,
655
00:27:33,153 --> 00:27:35,021
WE'LL BE TOGETHER,
AND YOU CAN RELAX.
656
00:27:35,088 --> 00:27:37,591
ACTUALLY,
I WAS THINKING...
657
00:27:37,657 --> 00:27:39,693
I WANT TO VOLUNTEER
FOR THE FIELD MUSEUM
658
00:27:39,759 --> 00:27:41,194
WHEN I GET BACK.
659
00:27:41,261 --> 00:27:43,163
ABBEY...
660
00:27:43,230 --> 00:27:46,066
I APPRECIATE, YOU KNOW,
YOUR FOSSIL HOBBY, BUT--
661
00:27:46,133 --> 00:27:48,435
PAUL...
662
00:27:48,502 --> 00:27:50,337
IT'S NOT JUST A HOBBY.
663
00:27:50,403 --> 00:27:52,806
YOU'RE A WATER SIGN.
NO.
664
00:27:52,873 --> 00:27:54,908
[JEWELRY JINGLES]
665
00:27:56,176 --> 00:27:57,844
OH.
666
00:27:57,911 --> 00:28:00,313
UH-HUH.
667
00:28:00,380 --> 00:28:02,148
VIRGO.
UH-UH.
668
00:28:02,215 --> 00:28:04,384
OH. YOU SEE, KEVIN,
669
00:28:04,451 --> 00:28:07,854
ASTROLOGY IS ACTUALLY
CHOCK-FULL OF--SHOOT!
670
00:28:07,921 --> 00:28:09,122
WHAT?
PORK.
671
00:28:09,189 --> 00:28:10,457
GET THIS AWAY FROM ME.
GET THIS AWAY FROM ME.
672
00:28:10,524 --> 00:28:12,092
IT'S OK.
IT'S OK.
673
00:28:12,159 --> 00:28:13,393
LISTEN,
PORK HAPPENS.
674
00:28:13,460 --> 00:28:15,896
DON'T PATRONIZE ME.
EXCUSE ME?
675
00:28:15,962 --> 00:28:17,764
WHAT DO YOU TAKE ME FOR,
SOME KIND OF FREAK?
676
00:28:17,831 --> 00:28:20,500
YOU DID CALL ME OUT
OF THE BLUE FROM A POSTER.
677
00:28:20,567 --> 00:28:22,469
WELL, THAT'S BECAUSE
I THOUGHT WE HAD A CONNECTION--
678
00:28:22,536 --> 00:28:25,005
A COSMIC CONNECTION,
KEVIN.
679
00:28:25,071 --> 00:28:28,041
AND I THOUGHT MAYBE YOU'D
BE DIFFERENT, BUT YOU'RE NOT.
680
00:28:28,108 --> 00:28:30,143
YOU'RE ALL THE SAME--
ALL OF YOU.
681
00:28:30,210 --> 00:28:32,045
AND I DON'T HAVE
TO TAKE THIS.
682
00:28:32,112 --> 00:28:33,980
I'M FROM OREGON.
683
00:28:34,047 --> 00:28:35,182
WHAT ARE YOU LOOKING AT?
684
00:28:35,248 --> 00:28:36,850
OW!
WHAT DID I DO?
685
00:28:39,085 --> 00:28:40,453
[DOOR CLOSES]
686
00:28:40,520 --> 00:28:42,489
Paul: I'M GOING TO HAVE
TO CALL YOU LATER, OK?
687
00:28:43,156 --> 00:28:44,558
YEAH.
688
00:28:46,226 --> 00:28:48,061
[SIGHS]
SO, WHERE WERE WE?
689
00:28:48,128 --> 00:28:50,597
WE WERE TALKING ABOUT US.
WE WERE?
690
00:28:50,664 --> 00:28:53,567
NO, BUT I THINK WE SHOULD.
WELL, ABBEY--
691
00:28:53,633 --> 00:28:56,336
PAUL, THE ONLY TIME
YOU GOT EXCITED TODAY
692
00:28:56,403 --> 00:28:58,271
IS WHEN YOUR PHONE RANG.
693
00:28:58,338 --> 00:29:00,840
I'M BEGINNING TO FEEL
LIKE THREE'S A CROWD.
694
00:29:00,907 --> 00:29:03,543
WELL, I THINK I'VE GOT A WAY
OF MAKING IT UP TO YOU.
695
00:29:05,612 --> 00:29:08,715
WHAT'S THAT I SEE?
YES, WE HAVE A SMILE.
696
00:29:08,782 --> 00:29:11,218
HA!
697
00:29:11,284 --> 00:29:13,820
AL GREEN
AT THE OPERA HOUSE?
698
00:29:13,887 --> 00:29:16,890
JUST YOU AND ME. WE'RE GOING TO
HAVE A GREAT TIME.
699
00:29:16,957 --> 00:29:19,926
[CELL PHONE RINGS,
CASH REGISTER RINGS]
700
00:29:19,993 --> 00:29:21,361
YEAH?
701
00:29:24,164 --> 00:29:26,132
Eric: OH, MAN. YOU WASH
YOUR GRIMY BUTT
702
00:29:26,199 --> 00:29:28,368
IN MY TUB AGAIN, YOU'RE GOING
TO HAVE TO PAY RENT, ALL RIGHT?
703
00:29:28,435 --> 00:29:30,704
WELL, EXCUSE ME.
704
00:29:30,770 --> 00:29:32,606
I MEAN, I GOT TO FRICKIN'
TAKE A SHOWER.
705
00:29:32,672 --> 00:29:35,108
MINE'S BUSTED AT MY APARTMENT,
AND I GOT A GIG TONIGHT,
706
00:29:35,175 --> 00:29:36,443
SO I DON'T WANT
TO SMELL LIKE B.O.
707
00:29:36,509 --> 00:29:37,844
YEAH, MAYBE THAT'S
WHY THAT RECORD CONTRACT
708
00:29:37,911 --> 00:29:38,912
HAS REMAINED SO ELUSIVE.
709
00:29:38,979 --> 00:29:40,413
OH, YEAH?
710
00:29:40,480 --> 00:29:41,948
OH, NICE SHOT.
711
00:29:42,015 --> 00:29:43,717
YOU'RE A PHILISTINE.
712
00:29:43,783 --> 00:29:45,418
YOU'RE A FLATULENT
PHILISTINE.
713
00:29:45,485 --> 00:29:47,854
Eric:
GET OUT OF HERE, MAN.
714
00:29:47,921 --> 00:29:50,390
MICK! MICK! MICK! MICK!
MICK! MICK! MICK! MICK!
715
00:29:50,457 --> 00:29:51,891
WELCOME BACK TO TRL,
YOU GUYS.
716
00:29:51,958 --> 00:29:54,561
TIMES SQUARE, NEW YORK CITY
IS OFF THE HOOK,
717
00:29:54,628 --> 00:29:58,131
BECAUSE THIS MAN
HAS ENTERED THE STUDIO.
718
00:29:58,198 --> 00:30:00,467
HEY, ROD.
Rod: YEAH.
719
00:30:00,533 --> 00:30:02,836
YOUR HERO'S ON TV.
NO WAY!
720
00:30:02,902 --> 00:30:04,404
Host: I HAVE
GREAT NEWS FOR YOU.
721
00:30:04,471 --> 00:30:06,740
YOU HAVE MADE
TRL HISTORY.
722
00:30:06,806 --> 00:30:09,209
THE VIDEO FOR EVERY CLOUD
HAS A SILVER LINING--
723
00:30:09,276 --> 00:30:11,311
26 STRAIGHT WEEKS
AT NUMBER ONE.
724
00:30:11,378 --> 00:30:13,380
YOU BROKE
YOUR OWN RECORD, DUDE.
725
00:30:13,446 --> 00:30:15,582
YOU BROKE
YOUR OWN RECORD!
726
00:30:15,649 --> 00:30:17,784
THAT HAS TO FEEL AMAZING.
HOW DOES IT FEEL?
727
00:30:17,851 --> 00:30:19,419
YOU KNOW, THE MICK
WON THE RECORD,
728
00:30:19,486 --> 00:30:21,755
BUT THE MICK LOST THE RECORD
AT THE SAME TIME.
729
00:30:21,821 --> 00:30:23,790
IT'S UNFORTUNATE, THERE HAS
TO BE A WINNER AND LOSER.
730
00:30:23,857 --> 00:30:25,625
IN THIS CASE,
THE MICK IS BOTH,
731
00:30:25,692 --> 00:30:27,494
SO THE MICK
FEELS CONFLICTED.
732
00:30:27,560 --> 00:30:28,662
Host: EITHER WAY
IT GOES, YOU WIN.
733
00:30:28,728 --> 00:30:31,064
DUDE, I CAN'T BELIEVE
THIS GUY.
734
00:30:31,131 --> 00:30:33,199
WHAT IS WRONG WITH
THE MUSIC INDUSTRY TODAY, HUH?
735
00:30:33,266 --> 00:30:35,902
I GRADUATED FROM THE SCHOOL
OF HARD KNOCKS, YOU KNOW,
736
00:30:35,969 --> 00:30:37,504
BUT THAT'S WHAT KEEPS
THE MICK SO GROUNDED.
737
00:30:37,570 --> 00:30:38,605
HE IS NOT
ABOUT THE LOVE.
738
00:30:38,672 --> 00:30:40,674
HE'S NOT ABOUT
THE PASSION.
739
00:30:40,740 --> 00:30:42,475
DUDE, I'M
ABOUT THE LOVE.
740
00:30:42,542 --> 00:30:43,510
AND THE PASSION.
741
00:30:43,576 --> 00:30:46,046
AND THE ODOR.
MAN!
742
00:30:46,112 --> 00:30:47,647
BUT THE MICK'S GOING
TO SHOW HIS MAD LOVE
743
00:30:47,714 --> 00:30:49,349
FOR CHI-TOWN
LATER THIS WEEK.
744
00:30:49,416 --> 00:30:51,384
Host:
OH, HE'S GOING HOME.
745
00:30:51,451 --> 00:30:53,053
HE'S GOING HOME!
746
00:30:53,119 --> 00:30:57,390
THAT'S RIGHT. GIVE IT UP
FOR MICK ON TRL!
747
00:30:57,457 --> 00:30:59,292
HEY, AT LEAST
HE HAS A DEGREE.
748
00:30:59,359 --> 00:31:00,794
UHH!
THIS GUY'S A TOOL.
749
00:31:02,262 --> 00:31:04,564
I AM--I AM--I AM...
750
00:31:04,631 --> 00:31:06,266
[TELEPHONE RINGS]
751
00:31:06,333 --> 00:31:07,801
I GOT IT.
752
00:31:07,867 --> 00:31:09,035
[RING]
753
00:31:09,102 --> 00:31:10,937
YO, IT'S THE "E" TO THE "R"
TO THE "I" TO THE "C"
754
00:31:11,004 --> 00:31:13,506
IN THE PLACE TO BE.
THAT'S ME. WHAT--WHAT?
755
00:31:15,308 --> 00:31:17,143
BRADY FREAKIN' FRANCES?
756
00:31:17,210 --> 00:31:19,479
BRADY FRANCES?
FROM THE PAPER?
757
00:31:19,546 --> 00:31:22,982
YO, WHAT UP, KID?
OH, MAN, I'M CHILLIN'--
758
00:31:23,049 --> 00:31:25,151
JUST COOLIN' AS THE OTHER
SIDE OF THE PILLOW,
759
00:31:25,218 --> 00:31:26,920
YOU KNOW WHAT I'M SAYING?
Brady: UH, I DON'T GET IT.
760
00:31:26,986 --> 00:31:29,489
NO, LIKE WHEN YOU WAKE UP
LATE AT NIGHT, AND YOU--
761
00:31:29,556 --> 00:31:30,957
FORGET IT, DUDE.
762
00:31:31,024 --> 00:31:32,392
WHAT YOU WANT?
763
00:31:32,459 --> 00:31:34,461
FOR REAL?
764
00:31:34,527 --> 00:31:36,029
YEAH, YEAH, MAN.
HANG ON A SECOND.
765
00:31:36,096 --> 00:31:38,365
YO, HE WANTS TO INTERVIEW
YOU FOR THE PAPER.
766
00:31:38,431 --> 00:31:39,866
HE GOT ONE
OF THOSE POSTERS,
767
00:31:39,933 --> 00:31:41,334
AND HE WANTS TO TALK ABOUT
THE GIRL FROM THE TRAIN.
768
00:31:41,401 --> 00:31:43,470
[LAUGHS]
NO WAY.
769
00:31:43,536 --> 00:31:45,472
WAY. JUST CHILL
FOR A SECOND.
770
00:31:45,538 --> 00:31:46,673
THINK ABOUT THIS.
771
00:31:46,740 --> 00:31:47,974
IF YOU GET YOUR NAME
IN PRINT,
772
00:31:48,041 --> 00:31:49,476
AND PEOPLE START
SEEING YOU AS SOME GUY
773
00:31:49,542 --> 00:31:50,944
WHO'S GOING
TO TAKE A RISK,
774
00:31:51,010 --> 00:31:52,479
YOU'RE NOT GOING TO
BE KNOWN AS THE GUY
775
00:31:52,545 --> 00:31:53,780
WHO CAN'T SEAL
THE DEAL ANYMORE, RIGHT?
776
00:31:53,847 --> 00:31:55,315
I'M NOT DOING
AN INTERVIEW.
777
00:31:55,382 --> 00:31:56,416
KEV, COME ON.
I THINK IT WOULD BE
778
00:31:56,483 --> 00:31:58,118
A GREAT PR MOVE
FOR YOU.
779
00:31:59,519 --> 00:32:01,187
IT'LL HELP YOU
FIND HER.
780
00:32:09,062 --> 00:32:10,396
OK.
781
00:32:10,463 --> 00:32:11,698
COOL.
782
00:32:11,765 --> 00:32:13,700
♪ AH, SHADOOBIE ♪
783
00:32:13,767 --> 00:32:16,035
♪ AH, AH, SHADOOBIE ♪
784
00:32:16,102 --> 00:32:17,404
♪ DOO WAH ♪
785
00:32:17,470 --> 00:32:18,805
♪ SHADOOBIE ♪
786
00:32:18,872 --> 00:32:21,074
♪ AH, AH, SHADOOBIE,
DOOBIE ♪
787
00:32:21,141 --> 00:32:23,643
♪ HOLD ME UP,
THAT'S WHERE I FELL ♪
788
00:32:23,710 --> 00:32:26,913
♪ FOUND MYSELF DREAMIN'
OF YOUR FACE ♪
789
00:32:26,980 --> 00:32:30,583
♪ YOUR FACE, YOUR FACE,
YOUR FACE ♪
790
00:32:30,650 --> 00:32:33,052
♪ TOOK A LOT
OF PLANS TO TAKE ♪
791
00:32:33,119 --> 00:32:36,356
♪ SOMEHOW ENDED UP
AT YOUR PLACE ♪
792
00:32:36,423 --> 00:32:38,024
♪ YOUR PLACE, YOUR PLACE ♪
793
00:32:38,091 --> 00:32:40,960
[WOMEN GIGGLE]
794
00:32:41,027 --> 00:32:43,997
♪ AND HAVE I BEEN,
TELL ME ♪
795
00:32:44,063 --> 00:32:45,799
♪ TELL ME ♪
796
00:32:45,865 --> 00:32:49,869
♪ WHAT CAN I DO
TO HELP ME, HELP ME ♪
797
00:32:49,936 --> 00:32:52,238
♪ DO YOU SEE WHAT I SEE ♪
798
00:32:52,305 --> 00:32:54,107
♪ AH, AH, SHADOOBIE ♪
799
00:32:54,174 --> 00:32:55,441
♪ DOO WAH ♪
800
00:32:55,508 --> 00:32:56,776
♪ SHADOOBIE ♪
801
00:32:56,843 --> 00:32:59,512
♪ AH, AH, SHADOOBIE,
DOOBIE ♪
802
00:32:59,579 --> 00:33:02,282
♪ DO YOU SEE WHAT I SEE? ♪
803
00:33:02,348 --> 00:33:03,683
♪ AH, AH, SHADOOBIE ♪
804
00:33:03,750 --> 00:33:05,385
♪ DOO WAH ♪
805
00:33:05,451 --> 00:33:06,719
♪ SHADOOBIE ♪
806
00:33:06,786 --> 00:33:07,854
♪ AH, AH, SHADOOBIE ♪
807
00:33:07,921 --> 00:33:10,957
[KISSES]
WAY TO GO, ROMEO.
808
00:33:11,724 --> 00:33:13,626
[NATHAN LAUGHS]
809
00:33:15,295 --> 00:33:17,697
[LAUGHS]
HI, KEVIN.
810
00:33:17,764 --> 00:33:19,532
[NATHAN LAUGHING]
811
00:33:24,504 --> 00:33:26,272
Higgins:
HA HA HA HA!
812
00:33:32,679 --> 00:33:35,248
[LAUGHING]
813
00:33:40,920 --> 00:33:42,322
GIBBONS.
814
00:33:42,388 --> 00:33:44,424
OH HO HO!
815
00:33:44,490 --> 00:33:46,459
OH, GIBBONS...
816
00:33:46,526 --> 00:33:49,329
WHY DON'T YOU JUST
OFFER A REWARD?
817
00:33:49,395 --> 00:33:51,097
LIKE WITH
A LOST PUPPY?
818
00:33:51,164 --> 00:33:54,334
HA HA HA!
OH!
819
00:33:54,400 --> 00:33:56,536
OH, SON,
IT'S SO SAD.
820
00:33:56,603 --> 00:33:59,005
YOU'VE GOTTEN IT
ALL BASS-ACKWARDS.
821
00:33:59,072 --> 00:34:02,542
LOOK, FIRST
YOU GET THE POWER,
822
00:34:02,609 --> 00:34:04,744
THEN YOU GET THE MONEY,
823
00:34:04,811 --> 00:34:08,047
AND THEN YOU BUY
THE LOVE.
824
00:34:08,114 --> 00:34:09,282
OH.
825
00:34:09,349 --> 00:34:11,184
GIBBONS, PLEASE.
826
00:34:11,251 --> 00:34:13,920
DON'T BE A DUMMY.
827
00:34:13,987 --> 00:34:15,755
Woman: REEBOK'S
ON THE LINE.
828
00:34:15,822 --> 00:34:18,658
COULD YOU ASK THEM
TO HOLD, PLEASE?
829
00:34:18,725 --> 00:34:20,393
FOCUS ON THE JOB
AT HAND.
830
00:34:20,460 --> 00:34:21,828
MONEY MAKES THE WORLD
GO AROUND,
831
00:34:21,895 --> 00:34:23,096
AND ANYONE
THAT TELLS YOU
832
00:34:23,162 --> 00:34:25,031
THAT MONEY IS THE ROOT
OF ALL EVIL--
833
00:34:25,098 --> 00:34:26,799
Woman:
DOESN'T HAVE ANY.
834
00:34:30,036 --> 00:34:31,137
HELLO?
835
00:34:31,204 --> 00:34:32,572
ARE YOU TALKING
TO THE YOUNG MAN
836
00:34:32,639 --> 00:34:34,140
FROM THE TRAIN?
837
00:34:34,207 --> 00:34:35,441
YES.
838
00:34:35,508 --> 00:34:38,177
WE'D LIKE HIM TO HEAD UP
THE CREATIVE TEAM.
839
00:34:38,244 --> 00:34:39,512
REALLY?
REALLY?
840
00:34:39,579 --> 00:34:43,917
REEBOK CAN USE PEOPLE
WITH HIS KIND OF PASSION.
841
00:34:43,983 --> 00:34:47,186
GIBBONS, IGNORE EVERYTHING
I'VE EVER TOLD YOU.
842
00:34:47,253 --> 00:34:48,755
Announcer:
NOW BATTING,
843
00:34:48,821 --> 00:34:52,125
SECOND BASEMAN
ERIC YOUNG.
844
00:34:52,191 --> 00:34:54,027
Eric: STRAIGHT
FROM THE OVEN
845
00:34:54,093 --> 00:34:55,361
OF YOUR MAMA'S
HOUSE.
846
00:34:55,428 --> 00:34:56,496
I'LL TAKE A BAG.
847
00:34:56,562 --> 00:34:58,031
THERE YOU GO,
FELLA.
848
00:34:58,998 --> 00:35:00,900
YO, WHAT'S UP,
FELLAS?
849
00:35:00,967 --> 00:35:03,169
WHAT'S UP? MAN,
NO-ACTION JACKSON OVER HERE
850
00:35:03,236 --> 00:35:04,904
KEEPS TALKING ABOUT
THE GIRL FROM THE TRAIN.
851
00:35:04,971 --> 00:35:06,472
AW, MAN,
ARE YOU SERIOUS?
852
00:35:06,539 --> 00:35:07,774
WOULD YOU CUT IT OUT
ALREADY, DUDE?
853
00:35:07,840 --> 00:35:09,442
YOU'RE LIKE
THE POSTER BOY
854
00:35:09,509 --> 00:35:11,711
FOR THE ROMANTICALLY
CHALLENGED.
855
00:35:11,778 --> 00:35:13,179
HEY, YO, THIS GUY
NEEDS A DATE.
856
00:35:13,246 --> 00:35:15,014
HEY, ANYBODY READ
THE NEWSPAPER TODAY?
857
00:35:15,081 --> 00:35:16,482
THIS IS THE GUY
FROM THE TRAIN
858
00:35:16,549 --> 00:35:17,517
WHO PUT UP
THAT POSTER
859
00:35:17,584 --> 00:35:18,718
TRYING TO FIND
THAT GIRL.
860
00:35:18,785 --> 00:35:19,786
WOULD YOU SHUT UP?
861
00:35:19,852 --> 00:35:21,487
OH, THAT'S SO ROMANTIC.
862
00:35:21,554 --> 00:35:22,555
I HAVE A DAUGHTER.
863
00:35:22,622 --> 00:35:23,756
OH, YEAH?
DOES SHE EAT MEAT?
864
00:35:23,823 --> 00:35:25,158
Announcer:
NOW BATTING...
865
00:35:25,224 --> 00:35:26,859
I DON'T KNOW WHY I TELL
YOU GUYS ANYTHING.
866
00:35:26,926 --> 00:35:28,061
FRED McGRIFF.
867
00:35:28,127 --> 00:35:29,362
LISTEN, I DON'T EVEN
UNDERSTAND THIS.
868
00:35:29,429 --> 00:35:30,863
I MEAN, IT'S LIKE
MAYBE YOU THOUGHT HER UP
869
00:35:30,930 --> 00:35:32,298
IN YOUR MIND OR
SOME STUFF LIKE THAT.
870
00:35:32,365 --> 00:35:34,567
IT'S LIKE YOU THINK
SHE'S, LIKE, JULIA ROBERTS,
871
00:35:34,634 --> 00:35:36,836
BUT IN REALITY,
SHE'S LIKE DR. RUTH.
872
00:35:36,903 --> 00:35:38,104
AS USUAL, ROD,
873
00:35:38,171 --> 00:35:39,872
I HAVE NO CLUE
WHAT YOU MEAN.
874
00:35:39,939 --> 00:35:41,841
HEY, YOU REALLY THINK
THIS BABE IS GOING TO CALL YOU?
875
00:35:41,908 --> 00:35:44,410
I DON'T KNOW. I JUST WISH
I KNEW WHERE SHE WAS.
876
00:35:44,477 --> 00:35:47,180
Announcer: THE CUBS HAVE HAD
3 OPPORTUNITIES TO SCORE
877
00:35:47,246 --> 00:35:49,115
IN AS MANY AT-BATS
TODAY.
878
00:35:49,182 --> 00:35:51,985
AND TELEMACHO JUMPS AHEAD
OF HIM 2 QUICK STRIKES.
879
00:35:52,051 --> 00:35:54,721
HA HA! NOW, I CAN'T BELIEVE
BRADY HOOKED YOU UP
880
00:35:54,787 --> 00:35:56,155
WITH THAT ARTICLE
IN THE PAPER,
881
00:35:56,222 --> 00:35:58,391
CONSIDERING YOU DISSED
AND DISMISSED HIS ASS
882
00:35:58,458 --> 00:36:01,194
BACK IN HIGH SCHOOL.
DON'T YOU HAVE SOME WORK TO DO?
883
00:36:01,260 --> 00:36:02,662
Announcer: AND HERE'S
SAMMY SOSA IN THE FOURTH.
884
00:36:02,729 --> 00:36:04,130
SAMMY HIT INTO A 6-4-3
885
00:36:04,197 --> 00:36:05,898
INNING-ENDING DOUBLE PLAY
IN THE FIRST.
886
00:36:05,965 --> 00:36:08,601
THE CUBS HAVE HAD
3 OPPORTUNITIES TO SCORE...
887
00:36:08,668 --> 00:36:10,203
OH!
888
00:36:10,269 --> 00:36:11,270
OH!
889
00:36:11,337 --> 00:36:12,605
HO HO!
890
00:36:12,672 --> 00:36:14,273
OOH, THAT'S GOT TO HURT.
891
00:36:14,340 --> 00:36:15,708
Player: I CAN'T BELIEVE
HE'S HIT THAT GUY
892
00:36:15,775 --> 00:36:17,010
3 TIMES THIS SEASON.
893
00:36:17,076 --> 00:36:18,511
DAMN! THAT'S
THE THIRD TIME THIS SEASON
894
00:36:18,578 --> 00:36:20,146
I HIT THIS GUY.
895
00:36:20,213 --> 00:36:22,148
Announcer: SAMMY LAUNCHED ONE
SUNDAY, YOU'LL RECALL.
896
00:36:22,215 --> 00:36:24,217
TODD HUNDLEY'S
WAITING ON DECK.
897
00:36:24,283 --> 00:36:26,853
HE GOT THE BALL!
IT HIM IN THE--
898
00:36:26,919 --> 00:36:28,287
Brady: WHAT?
899
00:36:28,354 --> 00:36:29,889
Woman: YOU WANT NUTS
IN YOUR NOODLES?
900
00:36:29,956 --> 00:36:31,391
YEAH, SURE,
WHATEVER.
901
00:36:35,128 --> 00:36:36,362
[SIGHS]
902
00:36:37,897 --> 00:36:40,066
HMM. YOU THINK
SHE'LL CALL HIM?
903
00:36:40,133 --> 00:36:42,468
HA! YOU THINK I CARE?
YOU SHOULD CARE.
904
00:36:42,535 --> 00:36:44,704
YOU'RE WRITING
THE FOLLOW-UP ARTICLE ON HIM.
905
00:36:44,771 --> 00:36:46,739
I HOPE SHE DOES CALL.
HE SEEMS SWEET.
906
00:36:46,806 --> 00:36:49,042
KEVIN GIBBONS
IS A GIMP.
907
00:36:49,108 --> 00:36:51,844
HE'S MAKING A COMPLETE
IDIOT OF HIMSELF.
908
00:36:51,911 --> 00:36:53,246
I MEAN,
I CAN'T EVEN BELIEVE
909
00:36:53,312 --> 00:36:55,682
PEOPLE ARE TAKING
THE ARTICLE SERIOUSLY.
910
00:36:55,748 --> 00:36:57,150
WHAT DO YOU HAVE
AGAINST THIS GUY?
911
00:36:57,216 --> 00:36:59,185
NOTHING. I JUST DON'T SEE
WHAT THE BIG DEAL IS.
912
00:36:59,252 --> 00:37:01,187
WELL, HE TOOK A CHANCE.
HE WENT FOR SOMETHING.
913
00:37:01,254 --> 00:37:04,157
I THINK--I THINK
WOMEN LIKE THAT.
914
00:37:04,223 --> 00:37:05,958
IT'S ROMANTIC.
915
00:37:06,025 --> 00:37:11,731
N'SYNC: ♪ THAT GIRL
WILL NEVER BE MINE ♪
916
00:37:11,798 --> 00:37:14,033
♪ OH ♪
917
00:37:14,100 --> 00:37:15,435
♪ THAT GIRL ♪
918
00:37:15,501 --> 00:37:19,272
Voice mail:
YOU HAVE 47 MESSAGES.
919
00:37:19,338 --> 00:37:23,009
♪ OH, FIRST TIME I SAW HER
AT THE FRONT DOOR ♪
920
00:37:23,076 --> 00:37:25,578
♪ THAT GIRL, THE FACE
ON EVERY BILLBOARD ♪
921
00:37:25,645 --> 00:37:27,780
♪ HANDS DOWN, YOU WON'T
BELIEVE THE WAY ♪
922
00:37:27,847 --> 00:37:30,717
♪ SHE LAID HER EYES
ON ME ♪
923
00:37:30,783 --> 00:37:33,519
♪ 6 FEET, I SPOT HER
FROM THE CATWALK ♪
924
00:37:33,586 --> 00:37:36,389
♪ SO FLY, WE GOT
INTO A SMALL TALK ♪
925
00:37:36,456 --> 00:37:38,391
♪ TOO BAD SHE HAD
TO MOVE ALONG ♪
926
00:37:38,458 --> 00:37:41,727
♪ ONE SMILE,
AND SHE WAS GONE ♪
927
00:37:41,794 --> 00:37:43,463
♪ I CAN'T EXPLAIN ♪
928
00:37:43,529 --> 00:37:46,833
♪ I NEVER THOUGHT THAT I WAS
GONNA LOSE MY HEAD ♪
929
00:37:46,899 --> 00:37:48,935
♪ CALL ME INSANE ♪
930
00:37:49,001 --> 00:37:51,037
♪ THERE'S GOT TO BE
A WAY ♪
931
00:37:51,104 --> 00:37:53,639
♪ HOW CAN I
GET NEXT TO HER ♪
932
00:37:53,706 --> 00:37:56,442
♪ NOW TELL ME
HOW IT'S GONNA BE DONE ♪
933
00:37:56,509 --> 00:38:00,079
♪ WILL I WIN OR LOSE
THIS ONE ♪
934
00:38:00,146 --> 00:38:01,581
♪ DON'T CARE
ABOUT THE FACT ♪
935
00:38:01,647 --> 00:38:04,484
♪ THAT SHE'S
IN A DIFFERENT LEAGUE ♪
936
00:38:04,550 --> 00:38:07,420
♪ THEY SAY
IT'S NO USE ♪
937
00:38:07,487 --> 00:38:09,555
♪ THAT I TRY ♪
938
00:38:09,622 --> 00:38:13,426
♪ THAT GIRL
WILL NEVER BE MINE ♪
939
00:38:13,493 --> 00:38:16,229
♪ LAST NIGHT,
I RAN INTO HER BRIEFLY ♪
940
00:38:16,295 --> 00:38:19,031
♪ GUESS WHAT,
SHE REALLY WANNA SEE ME ♪
941
00:38:19,098 --> 00:38:21,000
♪ THEY SAID
THAT I WAS OUT OF LINE ♪
942
00:38:21,067 --> 00:38:24,137
♪ WHO'S WRONG,
WHO'S RIGHT THIS TIME? ♪
943
00:38:24,203 --> 00:38:25,805
♪ CAN'T EXPLAIN ♪
944
00:38:25,872 --> 00:38:29,208
♪ I NEVER THOUGHT
THAT I WAS GONNA LOSE MY HEAD ♪
945
00:38:29,275 --> 00:38:31,077
♪ CALL ME INSANE ♪
946
00:38:31,144 --> 00:38:33,479
♪ THERE'S GOT TO BE A WAY ♪
947
00:38:33,546 --> 00:38:36,949
♪ HOW CAN I GET
NEXT TO HER ♪
948
00:38:37,016 --> 00:38:39,118
♪ THEY SAY IT'S NO USE ♪
949
00:38:39,185 --> 00:38:40,987
♪ THAT I TRY ♪
950
00:38:41,053 --> 00:38:42,455
♪ NO, NO, NO ♪
951
00:38:42,522 --> 00:38:46,058
♪ THEY SAY IT'S NO USE
THAT I TRY ♪
952
00:38:46,125 --> 00:38:47,393
[TELEPHONE RINGING]
953
00:38:47,460 --> 00:38:51,430
♪ THAT GIRL WILL NEVER BE ♪
954
00:38:51,497 --> 00:38:53,199
♪ MINE ♪
955
00:38:57,370 --> 00:38:59,205
WHAT THE HECK
DID YOU DO THAT FOR?
956
00:38:59,272 --> 00:39:01,741
THAT'S FOR USING MY TOWEL
THE OTHER DAY.
957
00:39:01,807 --> 00:39:03,943
YEAH? WELL, I ALSO
WORE YOUR UNDERWEAR.
958
00:39:06,145 --> 00:39:07,380
[CLANK]
YEAH!
959
00:39:07,446 --> 00:39:08,981
OH, I GOT IT! I GOT IT!
960
00:39:09,048 --> 00:39:10,349
I GOT IT! I GOT IT!
961
00:39:10,416 --> 00:39:12,218
I GOT IT...
962
00:39:13,820 --> 00:39:15,354
OH, MY GOSH, DUDE.
WHAT IS THIS?
963
00:39:15,421 --> 00:39:17,423
IT'S A HOT DOG.
THANKS, MAN.
964
00:39:17,490 --> 00:39:18,791
NO PROBLEM.
965
00:39:18,858 --> 00:39:21,060
SURE IT'S GOOD?
SAFE!
966
00:39:21,127 --> 00:39:22,395
SO, KEV, I BET
YOU'RE WONDERING WHY
967
00:39:22,461 --> 00:39:24,363
WE ASKED YOU OUT TO
PLAY BARBECUE BALL
968
00:39:24,430 --> 00:39:26,432
THIS FINE, COLD DAY
IN CHICAGO.
969
00:39:26,499 --> 00:39:28,234
OH, ALRIGHT 'CAUSE
I BROUGHT THE FOOD?
970
00:39:28,301 --> 00:39:29,101
NO!
971
00:39:29,168 --> 00:39:30,203
WELL, YEAH,
KIND OF,
972
00:39:30,269 --> 00:39:31,771
BUT ALSO BECAUSE
I CAME UP WITH
973
00:39:31,838 --> 00:39:34,207
THIS REALLY
BRILLIANT IDEA.
974
00:39:34,273 --> 00:39:37,109
ACTUALLY, IT'S MORE LIKE
A PROPOSITION FOR YOU.
975
00:39:37,176 --> 00:39:38,945
WHY AM I AFRAID TO HEAR THIS?
I DON'T KNOW.
976
00:39:39,011 --> 00:39:40,580
ME AND THE GUYS
WERE JUST THINKING THAT
977
00:39:40,646 --> 00:39:42,949
YOU COULD DO ALL THESE BABES
LIKE A BIG HUGE FAVOR
978
00:39:43,015 --> 00:39:45,218
AND LET US
TAKE THEM OUT.
979
00:39:45,284 --> 00:39:47,386
AND HOW IS THAT
POSSIBLY A GOOD IDEA?
980
00:39:48,855 --> 00:39:50,189
FIRST OFF...
981
00:39:50,256 --> 00:39:52,024
UMM, THERE ARE JUST
WAY TOO MANY CALLS
982
00:39:52,091 --> 00:39:53,726
FOR YOU
TO HANDLE SOLO,
983
00:39:53,793 --> 00:39:55,761
AND SECONDLY...
984
00:39:55,828 --> 00:39:58,698
ROD?
WHAT WAS NUMBER 2?
985
00:39:58,764 --> 00:40:01,367
OH!
WE SCREEN THE GIRLS
986
00:40:01,434 --> 00:40:03,603
AND WE HELP YOU
FIND "THE GIRL."
987
00:40:03,669 --> 00:40:04,837
YES!
988
00:40:04,904 --> 00:40:06,839
YEAH.
AND IF, PERCHANCE, YOU KNOW,
989
00:40:06,906 --> 00:40:08,241
WE WERE TO MAKE
SOME KIND OF CONNECTION
990
00:40:08,307 --> 00:40:09,809
WITH ONE OF THESE
FINE YOUNG LADIES,
991
00:40:09,875 --> 00:40:11,444
WELL...
SO MUCH THE BETTER.
992
00:40:11,510 --> 00:40:13,646
YEAH! WE ALL WIN BIG.
WIENIE.
993
00:40:13,713 --> 00:40:14,880
CHA-CHING.
994
00:40:14,947 --> 00:40:16,249
THAT'S NOT A BAD IDEA.
995
00:40:16,315 --> 00:40:17,917
I CAN'T BELIEVE
I DIDN'T THINK OF THAT.
996
00:40:17,984 --> 00:40:20,419
ROD, YEAH! I TOLD YOU
HE'D GO FOR IT.
997
00:40:20,486 --> 00:40:22,154
I WAS ACTUALLY SURPRISED
YOU DIDN'T THINK OF IT, TOO.
998
00:40:22,221 --> 00:40:23,222
I GAVE YOU
A COUPLE DAYS.
999
00:40:23,289 --> 00:40:24,824
ABSOLUTELY NOT, GUYS.
1000
00:40:24,891 --> 00:40:26,559
GAME'S OVER.
SEE YOU LATER.
1001
00:40:30,129 --> 00:40:32,999
UM...I SAY
HE'S COMING AROUND.
1002
00:40:33,065 --> 00:40:34,734
THAT WENT
PRETTY WELL.
1003
00:40:34,800 --> 00:40:36,335
FKR.
1004
00:40:40,873 --> 00:40:41,841
GIBBONS!
1005
00:40:41,907 --> 00:40:43,109
UH, MR. HIGGINS.
1006
00:40:43,175 --> 00:40:45,211
AHH.
LISTEN, I'M NOT QUITE--
1007
00:40:45,278 --> 00:40:47,213
YOU DON'T GO
GINKGO, DO YOU?
1008
00:40:47,280 --> 00:40:51,250
GINKO?
BILOBA, GIBBONS.
1009
00:40:51,317 --> 00:40:53,419
YOU LACK AN ABUNDANCE
OF ENERGY.
1010
00:40:53,486 --> 00:40:56,422
THERE'S A CERTAIN OVERALL
MALAISE ABOUT YOU, GIBBONS.
1011
00:40:56,489 --> 00:40:59,091
I JUST THINK THAT A SMOOTHIE
WITH A SHOT OF GINKGO IN IT
1012
00:40:59,158 --> 00:41:00,226
WOULD REMEDY THAT.
1013
00:41:00,293 --> 00:41:02,395
WELL...I PREFER COFFEE.
1014
00:41:02,461 --> 00:41:04,664
WELL, IT'S YOUR COLON,
GIBBONS.
1015
00:41:04,730 --> 00:41:06,198
I HATE TO BRING THIS UP,
1016
00:41:06,265 --> 00:41:09,602
BUT JACKIE TELLS ME YOU'RE
NOT PULLING YOUR WEIGHT.
1017
00:41:09,669 --> 00:41:11,570
LOOK, THIS PROPOSAL
IS DUE IN 3 DAYS
1018
00:41:11,637 --> 00:41:13,839
AND I CAN'T HAVE YOU
HALF-HEARTING IT.
1019
00:41:13,906 --> 00:41:15,341
WE'LL HAVE IT DONE, SIR.
GOOD!
1020
00:41:15,408 --> 00:41:18,978
[TELEPHONE RINGS]
EXCUSE ME.
1021
00:41:19,045 --> 00:41:20,980
KEVIN GIBBONS.
HOW CAN I HELP YOU?
1022
00:41:21,047 --> 00:41:22,381
WHAT UP, KID?
1023
00:41:22,448 --> 00:41:24,483
YO, LOOK, BROTHER,
I AM BEGGING YOU
1024
00:41:24,550 --> 00:41:25,551
TO RECONSIDER.
1025
00:41:25,618 --> 00:41:27,386
NO. I'M GONNA HAVE
TO CALL YOU BACK, OK?
1026
00:41:27,453 --> 00:41:29,789
COME ON, KEV.
HELP US HELP YOU!
1027
00:41:29,855 --> 00:41:32,058
MAN, WOULD YOU STOP BEING
SO SELFISH FOR A SEC
1028
00:41:32,124 --> 00:41:34,093
AND THINK ABOUT
THE TEAM HERE?
1029
00:41:34,160 --> 00:41:37,897
GIBBONS, THIS CAMPAIGN
IS VERY IMPORTANT TO US.
1030
00:41:37,963 --> 00:41:40,433
YOUR JOB DEPENDS ON IT.
1031
00:41:40,499 --> 00:41:42,935
DO WE UNDERSTAND EACH OTHER?
ALL YOU GOTTA DO IS SAY YES!
1032
00:41:43,002 --> 00:41:45,104
YES. YES.
1033
00:41:45,171 --> 00:41:47,540
DUDE, ARE--ARE YOU
SURE THAT'S COOL?
1034
00:41:47,606 --> 00:41:49,408
ARE YOU SURE?
1035
00:41:49,475 --> 00:41:50,543
POSITIVE.
1036
00:41:50,609 --> 00:41:51,644
YES!
1037
00:41:51,711 --> 00:41:53,612
GOOD.
1038
00:41:53,679 --> 00:41:55,081
[SIGHS]
1039
00:41:57,149 --> 00:41:58,851
OOH HOO HOO!
1040
00:41:58,918 --> 00:41:59,952
[DIAL TONE]
1041
00:42:00,019 --> 00:42:02,555
HELLO? HELLO?
1042
00:42:02,621 --> 00:42:04,857
YEAH! WE'RE GONNA
GET SOME DATES!
1043
00:42:04,924 --> 00:42:06,525
WE'RE GONNA GET...
1044
00:42:06,592 --> 00:42:08,894
Announcer: LET'S HAVE A ROUND
OF APPLAUSE FOR MR. AL GREEN!
1045
00:42:08,961 --> 00:42:11,464
[APPLAUSE AND CHEERING]
1046
00:42:15,134 --> 00:42:18,170
[MUSIC PLAYING]
1047
00:42:25,010 --> 00:42:27,079
♪ STARTED TO WRITE THIS SONG ♪
1048
00:42:27,146 --> 00:42:29,415
♪ ABOUT YOU ♪
1049
00:42:29,482 --> 00:42:32,118
♪ AND THEN I DECIDED ♪
1050
00:42:32,184 --> 00:42:34,286
♪ THAT I WOULD WRITE IT ♪
1051
00:42:34,353 --> 00:42:37,423
♪ ALL ABOUT LOVE ♪
1052
00:42:37,490 --> 00:42:40,626
♪ THEN IT APPEARED TO ME ♪
1053
00:42:40,693 --> 00:42:43,329
♪ THAT YOU WASN'T HAPPY ♪
1054
00:42:43,396 --> 00:42:45,598
♪ OH, THAT'S FOR SURE ♪
1055
00:42:45,664 --> 00:42:47,900
♪ POSITIVELY ♪
1056
00:42:47,967 --> 00:42:51,270
♪ THAT'S WHAT THE WORLD
IS MADE OF ♪
1057
00:42:51,337 --> 00:42:55,307
♪ SO GIVE ME
MORE L-O-V-E LOVE ♪
1058
00:42:55,374 --> 00:42:57,777
♪ LOVE IS A WALK DOWN
MAIN STREET ♪
1059
00:42:57,843 --> 00:42:59,311
♪ OH, LOVE ♪
1060
00:42:59,378 --> 00:43:01,714
♪ LOVE IS AN APPLE,
HONEY, SO SWEET ♪
1061
00:43:01,781 --> 00:43:04,383
DUDE, I CAN'T BELIEVE
YOU SCORED SUCH GREAT SEATS.
1062
00:43:04,450 --> 00:43:07,520
DUDE, I CAN'T BELIEVE HOW
MANY HOTTIES DIG AL GREEN.
1063
00:43:07,586 --> 00:43:09,488
♪ IT'S STRANGE TO ME ♪
1064
00:43:09,555 --> 00:43:12,525
♪ MAYBE TIME WILL
BRING US TOGETHER ♪
1065
00:43:12,591 --> 00:43:16,829
♪ AND I CAN BE
SUCH A HAPPY FELLA ♪
1066
00:43:16,896 --> 00:43:18,731
[NEW SONG]
♪ ...YOU PUT ME THROUGH ♪
1067
00:43:18,798 --> 00:43:22,034
♪ YOU STOLE MY MONEY
AND MY CIGARETTES ♪
1068
00:43:22,101 --> 00:43:25,070
♪ AND I AIN'T SEEN
HIDE NOR HAIR OF YOU YET ♪
1069
00:43:25,137 --> 00:43:27,673
♪ I WANT TO KNOW ♪
1070
00:43:27,740 --> 00:43:29,241
♪ TELL ME ♪
1071
00:43:29,308 --> 00:43:32,778
♪ 'CAUSE I'D LOVE TO STAY ♪
1072
00:43:32,845 --> 00:43:34,914
♪ OH OH OH ♪
1073
00:43:34,980 --> 00:43:38,417
♪ TAKE ME TO THE RIVER ♪
1074
00:43:38,484 --> 00:43:40,352
♪ WASH ME DOWN ♪
1075
00:43:41,620 --> 00:43:43,322
♪ WON'T YOU CLEANSE MY SOUL ♪
1076
00:43:43,389 --> 00:43:45,357
♪ WHERE YOU GOING?
HA HA ♪
1077
00:43:45,424 --> 00:43:48,427
OH. SORRY.
WRONG PERSON.
1078
00:43:48,494 --> 00:43:50,596
♪ COME ON, SOMEBODY ♪
1079
00:43:50,663 --> 00:43:54,066
♪ I DON'T KNOW WHY
YOU TREAT ME SO BAD ♪
1080
00:43:54,133 --> 00:43:57,837
♪ HOW ABOUT ALL THE THINGS
THAT WE COULD HAVE HAD ♪
1081
00:43:57,903 --> 00:44:01,740
♪ LOVE IS A NOTION
THAT I CAN'T FORGET ♪
1082
00:44:01,807 --> 00:44:04,376
♪ MY SWEET SIXTEEN
I WILL NEVER FORGET ♪
1083
00:44:04,443 --> 00:44:07,179
♪ I WANT TO KNOW,
WON'T YOU TELL ME ♪
1084
00:44:07,246 --> 00:44:11,050
Abbey: HELLO?
CAN YOU HEAR ME?
1085
00:44:11,116 --> 00:44:13,719
♪ ...LOVE. YES, YOU ARE,
YES YOU ARE ♪
1086
00:44:13,786 --> 00:44:15,254
Paul: HEY, ABBEY,
IT'S PAUL.
1087
00:44:15,321 --> 00:44:19,391
HEY, WHERE ARE YOU?
THE SHOW'S ALREADY STARTED.
1088
00:44:19,458 --> 00:44:21,460
Paul: I KNOW I'M SUPPOSED
TO MEET YOU RIGHT NOW,
1089
00:44:21,527 --> 00:44:23,896
BUT I'M CAUGHT UP IN
A MEETING. I CAN'T LEAVE.
1090
00:44:23,963 --> 00:44:26,999
NO! I WAS JUST REALLY
LOOKING FORWARD TO THIS.
1091
00:44:27,066 --> 00:44:29,435
Paul: I'M REALLY,
REALLY SORRY, OK?
1092
00:44:29,502 --> 00:44:30,736
I WANT YOU
TO ENJOY YOURSELF.
1093
00:44:30,803 --> 00:44:32,271
I WANT YOU TO HAVE
A GOOD TIME.
1094
00:44:32,338 --> 00:44:33,873
HAVE A GREAT MEETING.
1095
00:44:33,939 --> 00:44:36,342
Paul: I'VE GOT TO GO.
I'LL SEE YOU LATER, YEAH?
1096
00:44:36,408 --> 00:44:37,676
OK.
OK, BYE.
1097
00:44:38,210 --> 00:44:39,512
BYE.
1098
00:44:39,578 --> 00:44:42,014
♪ PUT MY FEET
ON THE GROUND ♪
1099
00:44:42,081 --> 00:44:43,649
♪ GET ME JUST ABOVE YOU ♪
1100
00:44:43,716 --> 00:44:48,587
♪ TAKE ME TO THE RIVER ♪
1101
00:44:48,654 --> 00:44:51,323
[CHEERING]
1102
00:44:53,425 --> 00:44:55,227
Bouncer: CAN I SEE
YOUR TICKETS, PLEASE?
1103
00:44:55,294 --> 00:44:57,796
OH, TICKETS?
YEAH, I GOT TICKETS, MAN.
1104
00:44:57,863 --> 00:44:59,064
YOU'RE VERY WONDERFUL.
1105
00:44:59,131 --> 00:45:00,566
I WAS READING TODAY
IN THE NEWSPAPER
1106
00:45:00,633 --> 00:45:03,102
ABOUT A YOUNG MAN WHO FOUND
SOMEONE ON A TRAIN...
1107
00:45:03,168 --> 00:45:04,470
YOU'RE KIDDING ME.
1108
00:45:04,537 --> 00:45:06,038
I GOT 'EM. I GOT 'EM.
WHAT DO THEY LOOK LIKE?
1109
00:45:06,105 --> 00:45:07,273
JUST TELL ME QUICK, UM--
1110
00:45:07,339 --> 00:45:08,607
I KNEW THIS WAS
TOO GOOD TO BE TRUE.
1111
00:45:08,674 --> 00:45:10,776
Al: ...THAT THEY MAY
FIND LOVE AND HAPPINESS
1112
00:45:10,843 --> 00:45:13,112
WHEREVER IT IS.
1113
00:45:13,178 --> 00:45:14,647
I GOT 'EM. OH, MAN!
1114
00:45:14,713 --> 00:45:16,282
[MUSIC PLAYING]
1115
00:45:16,348 --> 00:45:17,783
Eric: HEY, LET GO OF
THE THREADS!
1116
00:45:17,850 --> 00:45:19,351
HEY, COME ON, DON'T MAKE ME
GET ROUGH WITH YOU!
1117
00:45:19,418 --> 00:45:20,619
HEY, DON'T MAKE ME
CALL MY--
1118
00:45:20,686 --> 00:45:22,121
DIDN'T WE GO TO
SCHOOL TOGETHER?
1119
00:45:22,187 --> 00:45:24,690
[AL GREEN SINGING]
1120
00:45:54,987 --> 00:45:56,355
Abbey: HI.
1121
00:46:00,459 --> 00:46:03,662
I--I DIDN'T THINK
I'D EVER SEE YOU AGAIN.
1122
00:46:03,729 --> 00:46:06,532
I'VE BEEN KICKING MYSELF
FOR NOT ASKING YOUR NAME.
1123
00:46:06,599 --> 00:46:08,334
I WAS HOPING
YOU WOULD SAY THAT.
1124
00:46:08,400 --> 00:46:09,568
MY NAME IS...
1125
00:46:09,635 --> 00:46:11,503
Conductor:
ADAM'S STREET.
1126
00:46:11,570 --> 00:46:12,738
WHAT?
1127
00:46:12,805 --> 00:46:15,307
IT'S...
NEXT STOP MADISON.
1128
00:46:15,374 --> 00:46:16,475
I'M SORRY.
I DIDN'T HEAR IT.
1129
00:46:16,542 --> 00:46:19,111
WHAT WAS YOUR NAME?
1130
00:46:19,178 --> 00:46:21,313
[TRAIN HONKS]
1131
00:46:40,633 --> 00:46:42,134
[CELL PHONE RINGS]
1132
00:46:42,201 --> 00:46:43,902
SATURDAY AT 8:00?
YOU GOT IT!
1133
00:46:43,969 --> 00:46:45,604
Eric: THEY GOT VEGETABLES,
THEY GOT EVERYTHING.
1134
00:46:45,671 --> 00:46:47,606
YEAH, SURE. WELL, I MEAN,
THAT DEPENDS.
1135
00:46:47,673 --> 00:46:49,008
I KNOW THIS ABSOLUTELY
EXQUISITE TRATTORIA.
1136
00:46:49,074 --> 00:46:51,276
I MEAN, WHAT'S YOUR FAVORITE
KIND OF FOOD?
1137
00:46:51,343 --> 00:46:53,012
I NEED SATURDAY,
6:00 STAT!
1138
00:46:53,078 --> 00:46:55,314
I'VE GOT A 5:00 AND A 7:30.
I COULD DO IT AT 6:15!
1139
00:46:55,381 --> 00:46:57,216
GOOD!
GIVE ME AN 8: 00 ON SATURDAY--
1140
00:46:57,282 --> 00:46:59,618
GIVE ME SOMETHING GOOD, OKAY?
THIS GIRL IS SPECIAL TO ME.
1141
00:46:59,685 --> 00:47:01,453
WHAT THE HECK
IS GOING ON HERE?
1142
00:47:01,520 --> 00:47:02,921
OH, MAN,
WE GOT THIS DOWN.
1143
00:47:02,988 --> 00:47:04,790
PHONE, RESERVATION,
SCHEDULING.
1144
00:47:04,857 --> 00:47:06,392
CHECK IT OUT.
IT IS ALL GOOD!
1145
00:47:06,458 --> 00:47:07,726
Rod: YOU DON'T
EVEN WANT TO KNOW!
1146
00:47:07,793 --> 00:47:10,329
I GOT THE TWINS FOR YOU
AT OAK PARK AT 7:30!
1147
00:47:10,396 --> 00:47:12,564
IT'S GONNA BE GREAT!
1148
00:47:12,631 --> 00:47:15,234
THAT WILL BE PERFECT.
I'LL PICK YOU UP AT EIGHT-ISH.
1149
00:47:15,300 --> 00:47:16,535
[PHONE RINGS]
HELLO?
1150
00:47:16,602 --> 00:47:18,937
THIS CANNOT BE HAPPENING.
DONE! THANK YOU.
1151
00:47:19,004 --> 00:47:21,540
WHAT IS YOUR PROBLEM, MAN?
YOU GAVE US THE GREEN LIGHT.
1152
00:47:21,607 --> 00:47:23,942
WHAT? GREEN LIGHT?
WHAT ARE YOU TALKING ABOUT?
1153
00:47:24,009 --> 00:47:25,511
I'M TALKIN' ABOUT
YOU SAID YES ON THE PHONE
1154
00:47:25,577 --> 00:47:27,413
THE OTHER DAY, REMEMBER?
WHEN?
1155
00:47:27,479 --> 00:47:28,814
AW, MAN, WE COULD
STAND HERE ALL NIGHT
1156
00:47:28,881 --> 00:47:30,416
AND PLAY THE "HE SAID,
HE SAID" THING--
1157
00:47:30,482 --> 00:47:31,884
SHH! SHH!
[RECORD SCRATCHES]
1158
00:47:31,950 --> 00:47:34,687
YES? OUI, MADAME.
VOUS ETES FRANCOISE?
1159
00:47:34,753 --> 00:47:36,822
YEAH, YEAH,
HE'S GOT A FRENCH GIRL!
1160
00:47:39,525 --> 00:47:41,427
OK, THINK OF
SOMETHING FRENCH.
1161
00:47:41,493 --> 00:47:43,829
Rod:
LE POU-POU DE MAMA?
1162
00:47:43,896 --> 00:47:45,497
UH...YEAH, SURE.
1163
00:47:45,564 --> 00:47:47,466
ERIC! LINE ONE.
YO!
1164
00:47:47,533 --> 00:47:49,034
PATCH IT
THROUGH NOW. GO.
1165
00:47:49,101 --> 00:47:51,770
HELLO, THIS IS KEVIN.
1166
00:47:51,837 --> 00:47:52,604
HELLO?
1167
00:47:52,671 --> 00:47:54,073
Man: HELLO?
1168
00:47:54,139 --> 00:47:56,241
HELLO? [BEEP]
1169
00:47:56,308 --> 00:47:57,676
THAT SOUNDED LIKE A DUDE.
1170
00:47:59,011 --> 00:48:00,346
THAT WAS STRANGE.
1171
00:48:00,412 --> 00:48:02,715
Woman: WHAT?
1172
00:48:02,781 --> 00:48:04,983
WHY ARE YOU
READING THIS?
1173
00:48:05,050 --> 00:48:06,552
I DON'T KNOW.
1174
00:48:06,618 --> 00:48:09,455
I THOUGHT YOU'D APPRECIATE
THAT I'M INTO YOUR ARTICLES.
1175
00:48:09,521 --> 00:48:10,823
LOOK AT THIS.
1176
00:48:10,889 --> 00:48:14,293
ALL THESE PATHETIC WOMEN
WANT TO MEET THIS GUY.
1177
00:48:14,360 --> 00:48:16,562
PEOPLE ARE LONELY.
1178
00:48:16,628 --> 00:48:20,165
[KISS]
ANYWAY, I THINK THE NOTION
1179
00:48:20,232 --> 00:48:22,601
OF SOMEONE
FINDING TRUE LOVE
1180
00:48:22,668 --> 00:48:24,636
IS--IS BEAUTIFUL!
1181
00:48:24,703 --> 00:48:27,339
AND I HOPE
SHE CALLS HIM.
1182
00:48:27,406 --> 00:48:30,142
WHAT IS YOUR OBSESSION
WITH THIS GUY?
1183
00:48:30,209 --> 00:48:31,343
[SIGHS]
1184
00:48:31,410 --> 00:48:32,711
I'M OBSESSED?
1185
00:48:32,778 --> 00:48:35,013
WELL, YOU DO UNDERSTAND
THAT THE WHOLE NOTION
1186
00:48:35,080 --> 00:48:36,849
OF LOVE IS MERELY A MYTH.
1187
00:48:36,915 --> 00:48:39,651
IT WAS INVENTED BY
CORPORATIONS TO TURN A PROFIT.
1188
00:48:39,718 --> 00:48:41,820
LOVE DOESN'T EXIST.
1189
00:48:41,887 --> 00:48:42,988
THAT'S ROMANTIC.
1190
00:48:43,055 --> 00:48:44,690
ROMANCE DOESN'T EXIST.
1191
00:48:44,757 --> 00:48:46,625
I FEEL SORRY FOR YOU.
1192
00:48:47,760 --> 00:48:49,294
WHAT, YOU THINK
HE'S ROMANTIC?
1193
00:48:49,361 --> 00:48:52,097
THAT LOSER'S JUST PUTTING UP
POSTERS TO MEET MORE GIRLS.
1194
00:48:52,164 --> 00:48:53,832
YOU'RE JUST JEALOUS!
[DOOR SLAMS]
1195
00:48:53,899 --> 00:48:56,635
WELL, IF YOU LIKE HIM SO MUCH,
WHY DON'T YOU CALL HIM?
1196
00:49:07,279 --> 00:49:08,580
SWEETIE?
1197
00:49:29,802 --> 00:49:32,204
[CELL PHONE RINGS]
1198
00:49:33,505 --> 00:49:35,507
YO, WHO DIS?
KEVIN?
1199
00:49:35,574 --> 00:49:36,875
UH-HUH.
THAT'S MY NAME.
1200
00:49:36,942 --> 00:49:38,744
ASK ME AGAIN,
I'M GONNA TELL YOU THE SAME.
1201
00:49:38,811 --> 00:49:42,381
HI, IT'S ME--THE GIRL
FROM THE TRAIN.
1202
00:49:42,447 --> 00:49:43,816
HEY, WHAT UP?
1203
00:49:43,882 --> 00:49:46,385
SO, YOU KNOW,
WHEN WE HOOKIN' UP?
1204
00:49:46,451 --> 00:49:49,288
UH, TOMORROW NIGHT
I'M FREE.
1205
00:49:49,354 --> 00:49:50,656
TOMORROW? SUNDAY?
1206
00:49:50,722 --> 00:49:54,259
UM, YEAH, COOL.
HOW'S CAFE DE LOVE?
1207
00:49:54,326 --> 00:49:55,494
7:30?
1208
00:49:55,561 --> 00:49:57,796
YEAH.
THAT SOUNDS GOOD.
1209
00:49:57,863 --> 00:50:01,233
YEAH. I'LL BE THERE
WITH BELLS ON.
1210
00:50:01,300 --> 00:50:02,634
[HANGS UP]
1211
00:50:12,511 --> 00:50:13,779
[SQUIRT]
1212
00:50:16,582 --> 00:50:17,983
[SQUIRT, SQUIRT]
1213
00:50:18,050 --> 00:50:19,685
[SQUIRT, SQUIRT]
1214
00:50:19,751 --> 00:50:21,353
[GAGS AND COUGHS]
1215
00:50:21,420 --> 00:50:23,121
[CLEARS THROAT]
1216
00:50:23,188 --> 00:50:24,256
[COUGHS]
1217
00:50:24,323 --> 00:50:25,657
[SNIFFS]
1218
00:50:25,724 --> 00:50:27,192
[SQUIRT, SQUIRT]
1219
00:50:29,061 --> 00:50:30,195
[SQUIRT]
1220
00:50:30,262 --> 00:50:31,530
OH!
[THUD]
1221
00:50:31,597 --> 00:50:33,498
WELL, BEING THAT
I'M A POP STAR, YOU KNOW,
1222
00:50:33,565 --> 00:50:34,800
IT'S EASY TO FIND GUYS.
1223
00:50:34,867 --> 00:50:36,869
IT'S JUST NOT EASY
FINDING THE RIGHT GUYS,
1224
00:50:36,935 --> 00:50:40,072
SO WHEN I SAW YOUR POSTER,
I KNEW YOU'D BE DIFFERENT,
1225
00:50:40,138 --> 00:50:41,607
YOU KNOW?
NOT THE PLAYER TYPE.
1226
00:50:41,673 --> 00:50:42,875
HAS ANYBODY EVER TOLD YOU
1227
00:50:42,941 --> 00:50:46,144
THAT YOU HAVE THE FACE
OF A DE KOONING WOMAN?
1228
00:50:46,211 --> 00:50:48,513
I'M PIERCED IN
49 DIFFERENT PLACES
1229
00:50:48,580 --> 00:50:51,116
ON MY BODY.
1230
00:50:51,183 --> 00:50:53,585
Eric: ENOUGH OF THIS
TALK, ALL RIGHT?
1231
00:50:53,652 --> 00:50:54,953
YOU AND ME TAKE A WALK.
YEAH.
1232
00:50:55,020 --> 00:50:57,322
LIKE TONIGHT, WE'LL
HEAD BACK TO YOUR PAD
1233
00:50:57,389 --> 00:50:59,024
WHERE WE CAN GET GLAD.
1234
00:50:59,091 --> 00:51:01,560
[GROANING]
1235
00:51:02,561 --> 00:51:04,529
OW!
1236
00:51:04,596 --> 00:51:05,998
WUSS.
1237
00:51:06,932 --> 00:51:07,699
MOMMY.
1238
00:51:07,766 --> 00:51:10,102
AH! YOU STOLE MY POSTER!
1239
00:51:14,172 --> 00:51:15,774
HI, KEVIN.
1240
00:51:18,010 --> 00:51:20,012
BRANDI, SHE'S
SWEET AS CANDY!
1241
00:51:20,078 --> 00:51:22,247
YEAH, YOU
THE FINEST SISTA.
1242
00:51:22,314 --> 00:51:23,849
CAN I KISS YA?
1243
00:51:23,916 --> 00:51:27,019
FOOL!
THAT'S THE LAST TIME...
1244
00:51:27,085 --> 00:51:29,087
SHE'S INTO ME.
1245
00:51:29,154 --> 00:51:31,657
HI. I'M JULIE.
1246
00:51:31,723 --> 00:51:35,193
HI. I'M...KEVIN.
1247
00:51:41,133 --> 00:51:42,701
[SNIFFS]
1248
00:51:50,342 --> 00:51:51,710
UH--OH!
1249
00:51:51,777 --> 00:51:54,613
OH, YEAH, BABY!
OH, COME ON, COME TO PAPA.
1250
00:51:57,749 --> 00:51:59,818
COME ON, COME HERE.
THAT'S IT.
1251
00:51:59,885 --> 00:52:01,653
YEAH, I WON'T BITE.
I PROMISE.
1252
00:52:01,720 --> 00:52:03,221
THAT'S IT. COME HERE.
1253
00:52:06,425 --> 00:52:08,760
CHEERS, BABY.
I'M KEVIN.
1254
00:52:10,362 --> 00:52:11,863
NO, YOU'RE NOT.
1255
00:52:11,930 --> 00:52:14,066
ARE YOU SAYING
I'M NOT WHO I SAY I AM?
1256
00:52:14,132 --> 00:52:16,868
YEAH! THAT'S EXACTLY
WHAT I'M SAYING!
1257
00:52:16,935 --> 00:52:18,704
HEY, WHAT'S THE PROBLEM?
1258
00:52:18,770 --> 00:52:21,340
I KNEW YOU SOUNDED
DIFFERENT ON THE PHONE.
1259
00:52:21,406 --> 00:52:23,208
HEY, WAIT A SECOND.
COME BACK HERE. COME ON.
1260
00:52:23,275 --> 00:52:24,476
HEY, IF YOU
DON'T LIKE THIS PLACE,
1261
00:52:24,543 --> 00:52:25,911
WE CAN GO SOMEWHERE ELSE.
1262
00:52:25,978 --> 00:52:28,046
HEY, COME ON! YOU SHOULD
AT LEAST TRY AN APPETIZER!
1263
00:52:28,113 --> 00:52:29,715
LOOK, I'M NOT HIM,
YOU'RE NOT HER.
1264
00:52:29,781 --> 00:52:31,616
WHAT DIFFERENCE
DOES IT MAKE? COME ON!
1265
00:52:31,683 --> 00:52:32,851
LOOK, I DON'T KNOW
WHO YOU ARE,
1266
00:52:32,918 --> 00:52:34,219
BUT IF YOU DON'T
LEAVE ME ALONE,
1267
00:52:34,286 --> 00:52:35,253
I'LL CALL THE COPS.
1268
00:52:35,320 --> 00:52:36,455
HEY, HONEY, COME HERE.
1269
00:52:36,521 --> 00:52:37,923
WHAT PART OF
"I'LL CALL THE COPS"
1270
00:52:37,990 --> 00:52:39,257
DIDN'T YOU UNDERSTAND?
1271
00:52:39,324 --> 00:52:40,859
LIKE THE WHOLE THING.
1272
00:52:42,361 --> 00:52:44,429
YOU'RE HER.
1273
00:52:44,496 --> 00:52:47,299
YOU'RE THE ONE
FROM THE TRAIN.
1274
00:52:47,366 --> 00:52:49,401
YEAH, YOU ARE FINE!
1275
00:52:49,468 --> 00:52:52,971
UM, UH, WASHINGTON,
LINCOLN, DONNY REAGAN,
1276
00:52:53,038 --> 00:52:55,540
MARTIN SHEEN,
MR. MIYAGI, BILLY JOEL,
1277
00:52:55,607 --> 00:52:57,576
UH, I'M A FRIEND OF KEVIN'S.
1278
00:52:57,642 --> 00:52:59,077
DOES HE KNOW
YOU'RE DOING THIS?
1279
00:52:59,144 --> 00:53:01,780
YES. YOU WOULDN'T BELIEVE
HOW MANY LADIES HAVE CALLED.
1280
00:53:01,847 --> 00:53:03,915
WE COULD START
A BOOMING BUSINESS!
1281
00:53:03,982 --> 00:53:05,484
WAIT A SECOND.
THAT'S NOT A BAD IDEA.
1282
00:53:05,550 --> 00:53:08,086
LIKE--AW!
1283
00:53:09,321 --> 00:53:10,188
YEAH, OK, FINE.
1284
00:53:10,255 --> 00:53:12,090
SO, THEN,
I'LL JUST CALL YOU LATER?
1285
00:53:12,157 --> 00:53:14,693
[SNORING]
1286
00:53:25,437 --> 00:53:26,538
[SLAM]
1287
00:53:26,605 --> 00:53:27,973
UHH!
1288
00:53:29,708 --> 00:53:31,743
SO?
1289
00:53:31,810 --> 00:53:33,745
I DON'T THINK
IT WAS HIM.
1290
00:53:33,812 --> 00:53:35,347
WHAT DO YOU MEAN?
1291
00:53:35,414 --> 00:53:37,482
I THINK HIS FRIENDS
ARE ANSWERING THE CALLS
1292
00:53:37,549 --> 00:53:39,684
AND TAKING
THE GIRLS OUT.
1293
00:53:39,751 --> 00:53:41,153
YES!
1294
00:53:41,219 --> 00:53:42,721
I KNEW IT!
1295
00:53:42,788 --> 00:53:44,890
NOW I CAN EXPOSE HIM
FOR THE FRAUD HE IS!
1296
00:53:44,956 --> 00:53:48,160
HEH HEH!
KEVIN GIBBONS.
1297
00:53:48,226 --> 00:53:49,528
HIS BUTT IS MINE!
1298
00:53:49,594 --> 00:53:51,463
[SIGHS]
1299
00:53:51,530 --> 00:53:53,331
YOU KNOW WHAT I MEAN.
1300
00:53:53,398 --> 00:53:54,866
[CLACK]
1301
00:53:56,168 --> 00:53:59,237
WHAT THE HECK
HAPPENED TO YOU?
1302
00:53:59,304 --> 00:54:00,338
[GIGGLES]
1303
00:54:00,405 --> 00:54:01,940
[SIGHS]
1304
00:54:02,007 --> 00:54:03,842
♪ HEY, BABY,
HEY, BABY ♪
1305
00:54:03,909 --> 00:54:05,677
♪ YEAH, BABY,
YEAH, BABY ♪
1306
00:54:05,744 --> 00:54:07,546
♪ HEY, BABY,
HEY, BABY ♪
1307
00:54:07,612 --> 00:54:08,847
♪ YEAH, BABY ♪
1308
00:54:08,914 --> 00:54:10,849
♪ YEAH, BABY, YEAH ♪
1309
00:54:13,952 --> 00:54:16,188
GOOD MORNING, MARGIE.
1310
00:54:17,756 --> 00:54:20,625
♪ BABY, BABY, BABY
BABY, BABY, BABY ♪
1311
00:54:20,692 --> 00:54:23,061
♪ BABY, BABY, BABY
BABY, BABY, BABY ♪
1312
00:54:23,128 --> 00:54:24,830
♪ BABY, BABY, BABY ♪
1313
00:54:24,896 --> 00:54:28,633
GIBBONS, WE NEED TO
HAVE A LITTLE TALK.
1314
00:54:28,700 --> 00:54:31,169
MR. HIGGINS, THE PROPOSAL,
IT'S COMING ALONG GREAT.
1315
00:54:31,236 --> 00:54:34,840
OH, YES, ABOUT THAT.
PLEASE.
1316
00:54:34,906 --> 00:54:37,042
HOW CAN I
PUT THIS DELICATELY?
1317
00:54:37,109 --> 00:54:40,545
REEBOK WANTS YOU
OFF THE CAMPAIGN.
1318
00:54:40,612 --> 00:54:41,913
WHAT?
MM-HMM.
1319
00:54:41,980 --> 00:54:43,215
YES. APPARENTLY THEY READ
1320
00:54:43,281 --> 00:54:45,050
THAT LAST ARTICLE
ABOUT YOU IN THE PAPER
1321
00:54:45,117 --> 00:54:46,685
YOU KNOW, ABOUT HOW
YOU SAID YOU WANTED TO FIND
1322
00:54:46,751 --> 00:54:48,854
THE ONE GIRL SO THAT YOU
COULD DATE EVERY DESPERATE
1323
00:54:48,920 --> 00:54:50,188
WOMAN IN THE WINDY CITY,
1324
00:54:50,255 --> 00:54:52,390
WHICH I THINK
WAS MASTERFUL--
1325
00:54:52,457 --> 00:54:54,025
MASTERFUL, GIBBONS.
1326
00:54:54,092 --> 00:54:56,328
BUT REEBOK,
THEY GOT COLD FEET,
1327
00:54:56,394 --> 00:54:57,295
NO PUN INTENDED.
1328
00:54:57,362 --> 00:54:59,030
HOW CAN AN ARTICLE
IN A PAPER
1329
00:54:59,097 --> 00:55:00,766
HAVE ANYTHING TO DO
WITH MY WORK?
1330
00:55:00,832 --> 00:55:04,903
AH! WELL, GIBBONS,
CLIENTS ARE FUNNY THAT WAY.
1331
00:55:04,970 --> 00:55:06,671
THEY SAID THEY DIDN'T
WANT SOMEONE ON THEIR TEAM
1332
00:55:06,738 --> 00:55:09,341
WHO WOULD SAY ONE THING
AND DO ANOTHER.
1333
00:55:09,407 --> 00:55:12,010
IT'S AN IMAGE THING
FOR THEM.
1334
00:55:12,077 --> 00:55:14,546
BUT...I DON'T UNDERSTAND.
1335
00:55:14,613 --> 00:55:15,881
GIBBONS,
I'M SICK ABOUT THIS,
1336
00:55:15,947 --> 00:55:18,416
BUT MY HANDS ARE TIED.
SORRY.
1337
00:55:21,553 --> 00:55:23,655
HEY, THERE, KEV.
1338
00:55:23,722 --> 00:55:27,025
[GIGGLES]
1339
00:55:27,092 --> 00:55:30,295
YOU MIGHT WANT TO START
PRACTICING WITH THE MAIL CART.
1340
00:55:30,362 --> 00:55:31,997
[GIGGLES]
1341
00:55:49,381 --> 00:55:50,782
SO, I TAKE IT, IT WAS
A FRUITFUL EVENING?
1342
00:55:50,849 --> 00:55:53,151
Eric: OH, YEAH, DUDE.
1343
00:55:53,218 --> 00:55:54,953
THOSE LITTLE BIRDIES
DIDN'T STAND A CHANCE.
1344
00:55:55,020 --> 00:55:58,423
I WAS LIKE, BAM, BAM,
BAM-BAM-BAM! HA HA! [BLOWS]
1345
00:55:58,490 --> 00:56:01,860
YOU KNOW WHAT I'M SAYIN'?
HOW 'BOUT YOU?
1346
00:56:01,927 --> 00:56:03,862
WELL, LET'S
JUST SAY THAT, UH...
1347
00:56:03,929 --> 00:56:05,964
MY ACTION CUP
RUNNETH OVER.
1348
00:56:06,031 --> 00:56:09,868
HA HA! ACTION CUP!
THAT'S A METAPHOR, RIGHT?
1349
00:56:09,935 --> 00:56:13,271
YEAH.
HA HA! THAT'S A GOOD ONE.
1350
00:56:13,338 --> 00:56:14,439
OH!
1351
00:56:14,506 --> 00:56:16,074
HEY!
1352
00:56:16,141 --> 00:56:17,976
GOOD MORNING.
HOW YOU DOING?
1353
00:56:18,043 --> 00:56:20,045
WHY SO CRESTFALLEN,
YOUNG MAN?
1354
00:56:21,179 --> 00:56:22,847
I DON'T WANT TO
TALK ABOUT IT.
1355
00:56:22,914 --> 00:56:24,983
AT THIS TABLE,
WE KISS AND WE TELL.
1356
00:56:25,050 --> 00:56:28,553
YEAH, AND THEN WE TELL
SOME MORE, SO COME ON!
1357
00:56:28,620 --> 00:56:29,888
I THINK I INJURED MY DATE.
1358
00:56:29,955 --> 00:56:32,157
HA HA! COME ON, DUDE!
DON'T BE SO COCKY!
1359
00:56:32,224 --> 00:56:34,125
NO, I'M SERIOUS.
SHE'S JACKED UP.
1360
00:56:34,192 --> 00:56:35,293
WHAT IS SHE,
A CAR?
1361
00:56:35,360 --> 00:56:36,928
ISN'T THAT
A GOOD THING, DUDE?
1362
00:56:36,995 --> 00:56:38,430
NO.
1363
00:56:38,496 --> 00:56:39,664
SO, WHAT--WHAT'S UP?
1364
00:56:39,731 --> 00:56:41,499
YEAH?
1365
00:56:41,566 --> 00:56:43,401
ALL RIGHT,
I'LL TELL YOU WHAT HAPPENED.
1366
00:56:45,503 --> 00:56:46,371
WE'RE ON A DATE,
1367
00:56:46,438 --> 00:56:47,806
MET HER AT THE BAR...
NICE.
1368
00:56:47,873 --> 00:56:49,341
BROUGHT HER
TO MY APARTMENT.
1369
00:56:49,407 --> 00:56:51,509
AND ALL OF A SUDDEN SHE POINTS
TO ME AND SHE SAYS TO ME,
1370
00:56:51,576 --> 00:56:53,078
"I WANT TO HEAR YOU PLAY
1371
00:56:53,144 --> 00:56:55,547
ONE OF THE SONGS
THAT YOU WROTE."
1372
00:56:55,614 --> 00:56:56,848
HA HA HA!
YEAH!
1373
00:56:56,915 --> 00:56:58,950
SO I THOUGHT THAT WAS
FRIGGIN' GREAT, RIGHT?
1374
00:56:59,017 --> 00:57:01,519
SO I WAS LIKE, "SURE!"
SO THERE I AM.
1375
00:57:01,586 --> 00:57:03,221
SO I START JAMMIN'.
I'M JAMMIN'.
1376
00:57:03,288 --> 00:57:05,357
I'M SINGIN', I'M GOIN',
I'M GROOVIN', I'M ROCKIN',
1377
00:57:05,423 --> 00:57:06,891
I'M ROLLIN'. I'M JUST GOIN'
AFTER THE CRAZY.
1378
00:57:06,958 --> 00:57:08,426
YOU KNOW THAT
SIGNATURE MOVE THAT I DO
1379
00:57:08,493 --> 00:57:09,527
WHEN I KICK THAT AMP?
1380
00:57:09,594 --> 00:57:10,929
OH, YEAH!
1381
00:57:12,831 --> 00:57:13,832
THAT'S WHEN IT HAPPENED.
1382
00:57:13,898 --> 00:57:16,067
YES!
YES!
1383
00:57:16,134 --> 00:57:17,102
WHAT?
WHAT?
1384
00:57:17,168 --> 00:57:18,937
[PLAYING MUSIC]
1385
00:57:19,004 --> 00:57:20,005
[THWACK]
1386
00:57:20,071 --> 00:57:21,673
DUDE, YOU BROKE HER NOSE?
1387
00:57:21,740 --> 00:57:22,841
[CRASH]
1388
00:57:22,907 --> 00:57:25,243
AND HER ANKLE.
1389
00:57:25,310 --> 00:57:26,878
YO, SHE GOT ROCKED!
1390
00:57:26,945 --> 00:57:28,313
BUT IT'S NOT FUNNY.
1391
00:57:32,183 --> 00:57:36,554
UM, SO, GUYS...
1392
00:57:36,621 --> 00:57:38,356
HAVE WE DECIDED
WHAT WE'RE GONNA DO
1393
00:57:38,423 --> 00:57:42,160
UM, YOU KNOW, IF THE REAL
GIRL ACTUALLY CALLS?
1394
00:57:42,227 --> 00:57:43,595
WELL, IF SHE HASN'T
CALLED BY NOW--
1395
00:57:43,662 --> 00:57:45,931
AND OBVIOUSLY,
IF SHE DOES HAPPEN TO CALL,
1396
00:57:45,997 --> 00:57:47,666
THE RIGHT THING TO DO
IS CLOSE UP SHOP,
1397
00:57:47,732 --> 00:57:48,967
END OF STORY.
1398
00:57:49,034 --> 00:57:51,036
ANYTHING ELSE WOULD BE
UNCONSCIONABLE.
1399
00:57:51,102 --> 00:57:52,337
I SAW HER LAST NIGHT.
1400
00:57:52,404 --> 00:57:54,239
[CHOKES]
1401
00:57:54,306 --> 00:57:55,140
WHAT?
1402
00:57:55,206 --> 00:57:57,242
SHE WAS MY 7:30.
1403
00:57:57,309 --> 00:57:58,610
HAVE YOU TOLD KEVIN
ABOUT THIS?
1404
00:57:58,677 --> 00:58:00,512
NOT YET.
WELL, YOU NEED TO TELL HIM!
1405
00:58:00,578 --> 00:58:03,048
WELL, YEAH, BUT WHAT
ABOUT OUR OPERATION, MAN?
1406
00:58:03,114 --> 00:58:04,382
I MEAN...
1407
00:58:07,519 --> 00:58:08,687
ALL RIGHT. FINE.
1408
00:58:08,753 --> 00:58:10,588
TODAY!
FINE!
1409
00:58:17,462 --> 00:58:18,963
DANG IT!
1410
00:58:19,030 --> 00:58:20,398
IDIOTIC MACHINE!
1411
00:58:20,465 --> 00:58:22,367
I SWEAR I WILL UNPLUG YOU,
1412
00:58:22,434 --> 00:58:24,135
AND THROW YOU DOWN
ALL FLIGHTS
1413
00:58:24,202 --> 00:58:25,670
OF THESE STAIRS
IN THIS BUILDING.
1414
00:58:25,737 --> 00:58:27,305
PROBLEMS?
NO!
1415
00:58:27,372 --> 00:58:29,240
I JUST HAVE OUR
BIGGEST CLIENTS WAITING,
1416
00:58:29,307 --> 00:58:31,009
AND THE MACHINE'S
TAKING A COFFEE BREAK.
1417
00:58:31,076 --> 00:58:32,711
WHERE'S NATHAN?
WHO CARES?
1418
00:58:32,777 --> 00:58:34,512
I HAVE 2 MINUTES
BEFORE THE REEBOK MEETING,
1419
00:58:34,579 --> 00:58:36,181
AND IF I DON'T GET
THESE COPIES MADE,
1420
00:58:36,247 --> 00:58:39,384
MY WHOLE PROPOSAL
TURNS TO CRUD.
1421
00:58:39,451 --> 00:58:41,653
OK. ALL RIGHT.
I CAN DO THIS.
1422
00:58:43,588 --> 00:58:44,923
HOLD ON.
1423
00:58:44,989 --> 00:58:46,057
LET ME TAKE A LOOK.
1424
00:58:46,124 --> 00:58:48,026
I DON'T HAVE TIME
FOR THIS, KEVIN.
1425
00:58:50,595 --> 00:58:53,965
COME ON, LUCILLE.
DON'T DIE ON ME NOW.
1426
00:58:54,032 --> 00:58:56,801
LISTEN, DADDY
KNOWS YOU'RE TIRED.
1427
00:58:56,868 --> 00:59:00,105
BUT DADDY KNOWS YOU GOT
A FEW MORE LEFT IN YOU.
1428
00:59:00,171 --> 00:59:03,274
YES, YOU DO!
YES, YOU DO!
1429
00:59:03,341 --> 00:59:04,843
WHAT ARE YOU DOING?
1430
00:59:04,909 --> 00:59:06,344
IS THIS GONNA WORK?
1431
00:59:06,411 --> 00:59:09,314
SOMETIMES,
BUT IF IT DOESN'T...
1432
00:59:09,381 --> 00:59:11,383
[KICK]
[MACHINE STARTS]
1433
00:59:11,449 --> 00:59:13,017
GIVE HER
A LITTLE LOVE TAP.
1434
00:59:13,084 --> 00:59:14,586
[KNOCKS TWICE]
1435
00:59:21,693 --> 00:59:24,362
[SIRENS AND TRAFFIC]
1436
00:59:24,429 --> 00:59:26,431
[INDISTINCT CHATTER]
1437
00:59:44,048 --> 00:59:45,383
HEY!
1438
00:59:46,851 --> 00:59:49,821
HELLO? IT'S ME!
1439
00:59:49,888 --> 00:59:51,322
HEY!
1440
01:00:50,148 --> 01:00:52,217
YOU WHAT?
I SAW HER.
1441
01:00:52,283 --> 01:00:55,753
WHERE? WHEN?
I MEAN, YOU DID?
1442
01:00:55,820 --> 01:00:57,121
YEP.
1443
01:00:57,188 --> 01:01:00,058
WELL, WHAT HAPPENED?
1444
01:01:00,124 --> 01:01:01,159
SHE BLEW ME OFF.
1445
01:01:01,226 --> 01:01:04,496
OH, MAN!
THAT IS BAD!
1446
01:01:04,562 --> 01:01:07,132
YOU KNOW, IT DOESN'T
SURPRISE ME, THOUGH.
1447
01:01:07,198 --> 01:01:09,133
AFTER ALL THE ARTICLES
IN THE PAPER,
1448
01:01:09,200 --> 01:01:11,035
BUT THE THING
I DON'T UNDERSTAND--
1449
01:01:11,102 --> 01:01:12,871
WHY DIDN'T SHE CALL
IN THE FIRST PLACE?
1450
01:01:17,242 --> 01:01:18,643
KEV...
1451
01:01:20,712 --> 01:01:22,714
SHE DID CALL.
1452
01:01:22,780 --> 01:01:23,915
WHAT?
1453
01:01:23,982 --> 01:01:26,217
YEAH. UM...
1454
01:01:26,284 --> 01:01:28,219
WE SORT OF
WENT OUT ON A DATE.
1455
01:01:29,954 --> 01:01:32,357
WAIT A MINUTE.
1456
01:01:32,423 --> 01:01:37,128
SHE CALLED,
YOU TOOK HER OUT,
1457
01:01:37,195 --> 01:01:38,463
AND YOU DIDN'T TELL ME?
1458
01:01:38,530 --> 01:01:40,765
WELL, I--NO, I JUST DID.
1459
01:01:40,832 --> 01:01:42,634
WHOA, MAN! HEY,
IT'S NOT LIKE I TRIED
1460
01:01:42,700 --> 01:01:44,302
TO KISS HER OR ANYTHING.
KEV, COME ON!
1461
01:01:44,369 --> 01:01:45,870
LET'S TALK ABOUT THI--
1462
01:01:45,937 --> 01:01:47,005
UHH!
1463
01:01:47,071 --> 01:01:48,606
OW!
1464
01:01:48,673 --> 01:01:50,208
UHH!
1465
01:01:50,275 --> 01:01:53,144
OH! UHH! AW!
1466
01:01:53,211 --> 01:01:54,812
KEVIN,
COME BACK HERE, MAN!
1467
01:01:54,879 --> 01:01:58,316
♪ WE'RE NOT
GONNA TAKE IT ♪
1468
01:01:58,383 --> 01:02:01,553
♪ NO, WE AIN'T GONNA
TAKE IT ♪
1469
01:02:01,619 --> 01:02:08,726
♪ WE'RE NOT GONNA
TAKE IT ANYMORE ♪
1470
01:02:11,796 --> 01:02:13,197
GUYS, GUYS, GUYS--
1471
01:02:13,264 --> 01:02:14,866
WHAT?
TAKE 5.
1472
01:02:16,768 --> 01:02:18,236
Man: I THOUGHT
IT SOUNDED ALL RIGHT.
1473
01:02:18,303 --> 01:02:19,704
Man: I THINK IT SOUNDED
PRETTY GOOD.
1474
01:02:25,710 --> 01:02:28,846
LISTEN, KEV, WHAT
WE DID WAS INCONSIDERATE,
1475
01:02:28,913 --> 01:02:32,383
SELFISH, STUPID,
CLASSLESS. I MEAN--
1476
01:02:32,450 --> 01:02:33,985
YOU CAN STOP ME ANYTIME.
I MEAN--
1477
01:02:34,052 --> 01:02:35,353
KEEP GOIN'.
1478
01:02:36,854 --> 01:02:40,592
I GUESS WE JUST ACTED
LIKE JACKASSES, MAN.
1479
01:02:40,658 --> 01:02:42,360
JUST WANTED
TO SAY I'M SORRY.
1480
01:02:42,427 --> 01:02:43,661
I APPRECIATE
THE APOLOGY,
1481
01:02:43,728 --> 01:02:45,863
BUT THE DAMAGE IS
ALREADY DONE, SO...
1482
01:02:49,000 --> 01:02:51,269
DO YOU KNOW WHY I WANTED
TO BECOME A MUSICIAN?
1483
01:02:51,336 --> 01:02:55,440
HMM. GIRLS, MONEY, FAME.
1484
01:02:55,506 --> 01:02:59,377
NO. THE MUSIC, MAN.
IT'S THE MUSIC.
1485
01:02:59,444 --> 01:03:01,546
I MEAN, WHEN I'M UP THERE
ON THAT STAGE,
1486
01:03:01,613 --> 01:03:04,282
EVERYTHING IS JUST RIGHT
AND THE WORLD'S PERFECT...
1487
01:03:06,317 --> 01:03:08,386
UNTIL THEY
START BOOING ME.
1488
01:03:08,453 --> 01:03:09,954
YOU NEVER KNOW WHO MIGHT
LISTEN TO YOUR SONG
1489
01:03:10,021 --> 01:03:12,590
AND ACTUALLY LIKE IT.
1490
01:03:12,657 --> 01:03:14,392
I GUESS ME
DREAMING AND
1491
01:03:14,459 --> 01:03:16,127
THINKING ABOUT
WRITING MY SONGS,
1492
01:03:16,194 --> 01:03:17,528
IT'S KIND OF LIKE THAT,
THAT GIRL
1493
01:03:17,595 --> 01:03:19,063
THAT YOU MET
ON THE TRAIN, YOU KNOW?
1494
01:03:19,130 --> 01:03:21,532
YOU KNOW, YOU WANT
SOMETHING SO BAD IT HURTS.
1495
01:03:21,599 --> 01:03:23,735
I JUST ADMIRE
YOUR PASSION, KEV.
1496
01:03:32,610 --> 01:03:34,779
YOU INSPIRED ME
TO WRITE THIS,
1497
01:03:34,846 --> 01:03:35,947
AND, UH...
1498
01:03:36,014 --> 01:03:37,582
I FIGURE IF YOU COULD
PUT YOURSELF ON THE LINE
1499
01:03:37,649 --> 01:03:41,753
TO FIND THAT GIRL,
I CAN DO THE SAME...
1500
01:03:43,221 --> 01:03:45,023
WRITE MY ORIGINAL SONG.
1501
01:03:51,029 --> 01:03:52,497
GOOD LUCK WITH THAT.
1502
01:03:53,765 --> 01:03:54,899
COOL.
1503
01:03:59,737 --> 01:04:06,678
N'SYNC: ♪ AND I PRAY
YOU'RE FALLING TOO ♪
1504
01:04:06,744 --> 01:04:11,082
♪ I'VE BEEN
FALLING, FALLING ♪
1505
01:04:11,149 --> 01:04:14,218
♪ GIRL,
I'M FALLING FOR YOU ♪
1506
01:04:14,285 --> 01:04:21,426
♪ AND I PRAY
YOU'RE FALLING TOO ♪
1507
01:04:21,492 --> 01:04:25,596
♪ I'VE BEEN
FALLING, FALLING ♪
1508
01:04:25,663 --> 01:04:29,300
♪ EVER SINCE THE MOMENT ♪
1509
01:04:29,367 --> 01:04:31,269
♪ I LAID EYES ON YOU ♪
1510
01:04:31,335 --> 01:04:32,804
♪ CAN'T YOU SEE? ♪
1511
01:04:32,870 --> 01:04:34,439
♪ CAN'T YOU SEE ♪
1512
01:04:34,505 --> 01:04:38,376
♪ THAT I'M
FALLING, FALLING ♪
1513
01:04:38,443 --> 01:04:41,245
♪ GIRL,
I'M FALLING FOR YOU ♪
1514
01:04:41,312 --> 01:04:46,784
♪ AND I PRAY
YOU'RE FALLING TOO ♪
1515
01:04:46,851 --> 01:04:49,353
♪ YEAH YEAH YEAH ♪
1516
01:04:49,420 --> 01:04:52,824
♪ FALLING, FALLING ♪
1517
01:04:52,890 --> 01:04:56,828
♪ EVER SINCE THE MOMENT ♪
1518
01:04:56,894 --> 01:05:01,365
♪ I LAID EYES ON YOU ♪
1519
01:05:01,432 --> 01:05:05,703
♪ OOH ♪
1520
01:05:05,770 --> 01:05:07,872
♪ I'M FALLING ♪
1521
01:05:12,376 --> 01:05:13,811
[SIGHS]
WELL, WE REALLY
1522
01:05:13,878 --> 01:05:15,480
SCREWED THIS ONE UP, HUH,
FELLAS?
1523
01:05:15,546 --> 01:05:17,315
WE? WHAT DO YOU MEAN, WE?
1524
01:05:17,382 --> 01:05:18,483
IT WAS YOUR IDEA!
1525
01:05:18,549 --> 01:05:19,784
HEY, COME ON!
I DIDN'T FORCE YOU
1526
01:05:19,851 --> 01:05:21,285
TO GO ON ANY
OF THOSE DATES, OK?
1527
01:05:21,352 --> 01:05:22,420
YEAH, LISTEN.
KEVIN SAID THAT IT
1528
01:05:22,487 --> 01:05:23,554
WASN'T A GOOD IDEA!
1529
01:05:23,621 --> 01:05:24,622
[BOTH ARGUE]
1530
01:05:24,689 --> 01:05:27,692
GENTLEMEN, PLEASE.
1531
01:05:28,760 --> 01:05:29,927
GUYS, COME ON.
LISTEN TO US.
1532
01:05:29,994 --> 01:05:31,596
THIS IS STUPID.
WE'RE BEING PETTY.
1533
01:05:31,662 --> 01:05:32,830
WE HAVE TO STEP BACK,
AND WE HAVE TO LOOK AT
1534
01:05:32,897 --> 01:05:34,532
THE BIGGER PICTURE HERE,
ALL RIGHT?
1535
01:05:34,599 --> 01:05:35,833
WE ALL
MESSED KEVIN OVER.
1536
01:05:35,900 --> 01:05:37,401
ALL RIGHT. THERE'S
A BIT OF TRUTH IN THAT,
1537
01:05:37,468 --> 01:05:39,203
BUT YOU KNOW WHAT? NOW WE
GOTTA MAKE THINGS RIGHT, RIGHT?
1538
01:05:39,270 --> 01:05:40,772
YEAH.
EXACTLY.
1539
01:05:40,838 --> 01:05:42,740
GOOD!
1540
01:05:42,807 --> 01:05:44,108
HOW ARE WE GONNA DO THAT?
1541
01:05:50,214 --> 01:05:51,849
I GOT AN IDEA.
1542
01:05:51,916 --> 01:05:53,084
[CRASH]
1543
01:05:53,151 --> 01:05:54,285
WHOA!
1544
01:05:54,352 --> 01:05:55,620
LOOK. I'M GONNA
START RIGHT HERE,
1545
01:05:55,686 --> 01:05:57,155
AND JUMP, ZIP, LOCK,
I'M GONNA RIDE THIS.
1546
01:05:57,221 --> 01:05:59,490
NOW, RANDY, I WANT YOU TO
START RIGHT AROUND THE LOOP.
1547
01:05:59,557 --> 01:06:02,093
[INDISTINCT TALKING]
1548
01:06:09,901 --> 01:06:13,204
PEOPLE, WE'RE LOOKING
FOR THE REAL "L" TRAIN GIRL.
1549
01:06:14,839 --> 01:06:16,340
Randy: YEAH,
SHE'S THE ONE. HERE YOU GO.
1550
01:06:16,407 --> 01:06:18,576
WANTED--WE'RE LOOKING
FOR THE REAL TRAIN GIRL.
1551
01:06:18,643 --> 01:06:20,444
HAVE YOU SEEN THIS--
ANYBODY SEEN THIS GIRL?
1552
01:06:20,511 --> 01:06:22,213
SHE'S REAL CUTE,
AND, UH...
1553
01:06:22,280 --> 01:06:24,081
YOU SEEN THIS GIRL?
TAKE THAT. THANK YOU.
1554
01:06:24,148 --> 01:06:25,716
TAKE A--TAKE A FLIER.
HERE YOU GO.
1555
01:06:25,783 --> 01:06:27,785
HAS ANYBODY SEEN THIS GIRL?
1556
01:06:27,852 --> 01:06:30,588
♪ EVERY TIME I LOOK AROUND ♪
1557
01:06:30,655 --> 01:06:32,623
♪ BUT EVERYWHERE YOU ARE ♪
1558
01:06:32,690 --> 01:06:34,692
A LITTLE SHORT.
SHE'S GOT PRETTY HAIR.
1559
01:06:34,759 --> 01:06:37,094
BEAUTIFUL EYES.
HELLO. HERE YOU GO.
1560
01:06:37,161 --> 01:06:40,965
♪ BEAUTIFUL HAIR,
PRETTY EYES ♪
1561
01:06:41,032 --> 01:06:43,234
DO YOU KNOW HER?
HAVE YOU SEEN THIS GIRL?
1562
01:06:43,301 --> 01:06:44,502
I'M TRYING TO FIND HER.
1563
01:06:44,569 --> 01:06:45,937
HAVE YOU SEEN THIS GIRL?
1564
01:06:46,003 --> 01:06:48,573
HAS ANYBODY SEEN THIS GIRL?
1565
01:06:48,639 --> 01:06:49,774
HAS ANYBODY
SEEN THIS WOMAN?
1566
01:06:49,841 --> 01:06:50,908
HELLO, WE NEED
SOME HELP HERE.
1567
01:06:50,975 --> 01:06:52,109
THIS IS
REALLY IMPORTANT.
1568
01:06:52,176 --> 01:06:53,945
WE'RE LOOKING
FOR THIS GIRL, OK?
1569
01:06:54,011 --> 01:06:57,281
HEY! HEY, WE NEED
YOUR HELP, PEOPLE!
1570
01:06:57,348 --> 01:07:00,518
HEY, HAS ANY ONE OF YOU
EVER BEEN IN LOVE? HUH?
1571
01:07:00,585 --> 01:07:02,653
HAS ANYONE EVER,
EVER MET SOMEONE
1572
01:07:02,720 --> 01:07:05,256
THEY THOUGHT
WAS THEIR DESTINY?
1573
01:07:05,323 --> 01:07:08,025
WELL, MY FRIEND
KEVIN GIBBONS DID.
1574
01:07:08,092 --> 01:07:09,760
I WASN'T THERE
FOR HIM THEN,
1575
01:07:09,827 --> 01:07:11,596
BUT I AM HERE NOW.
1576
01:07:11,662 --> 01:07:12,864
ME AND MY FRIENDS,
1577
01:07:12,930 --> 01:07:14,432
YOU KNOW, WE TOOK
ADVANTAGE OF KEVIN
1578
01:07:14,498 --> 01:07:16,701
AND, AND HIS SITUATION.
1579
01:07:16,767 --> 01:07:18,269
HE DIDN'T EVEN KNOW IT.
YEAH.
1580
01:07:18,336 --> 01:07:21,606
WE WENT BEHIND HIS BACK.
WE MESSED HIM OVER.
1581
01:07:21,672 --> 01:07:22,940
SO COME ON, PEOPLE,
1582
01:07:23,007 --> 01:07:24,876
TAKE A LOOK
AT THIS FLIER, PLEASE.
1583
01:07:24,942 --> 01:07:26,811
AND I LEAVE YOU
WITH THIS.
1584
01:07:28,246 --> 01:07:31,883
LOVE MAY NOT MAKE
THE WORLD GO 'ROUND...
1585
01:07:34,719 --> 01:07:37,555
BUT IT'S WHAT MAKES
THE RIDE WORTHWHILE.
1586
01:07:44,028 --> 01:07:46,831
♪ BUT ANYWHERE YOU ARE ♪
1587
01:07:46,898 --> 01:07:50,468
♪ I'LL BE UNDER YOU ♪
1588
01:07:50,534 --> 01:07:53,471
♪ EVERY TIME I LOOK AROUND ♪
1589
01:07:53,538 --> 01:07:55,373
♪ I NEED YOU NOW ♪
1590
01:07:55,439 --> 01:07:57,708
♪ EVERY TIME I LOOK AROUND ♪
1591
01:07:57,775 --> 01:07:59,710
♪ I NEED YOU NOW ♪
1592
01:07:59,777 --> 01:08:02,480
♪ EVERY TIME I LOOK AROUND ♪
1593
01:08:02,547 --> 01:08:05,016
♪ BUT ANYWHERE YOU ARE ♪
1594
01:08:05,082 --> 01:08:08,753
♪ I'LL BE UNDER YOU ♪
1595
01:08:12,890 --> 01:08:15,259
HEY, MARGIE,
HAVE YOU SEEN NATHAN?
1596
01:08:15,326 --> 01:08:16,894
DIDN'T YOU HEAR?
1597
01:08:16,961 --> 01:08:18,729
HE HAD A HEART ATTACK
LAST NIGHT,
1598
01:08:18,796 --> 01:08:20,932
RIGHT AFTER
THE CUBBIES LOST.
1599
01:08:31,909 --> 01:08:34,378
HI, UM, I'M LOOKING
FOR A PATIENT.
1600
01:08:34,445 --> 01:08:36,414
HIS NAME IS--
[CRASH]
1601
01:08:36,480 --> 01:08:38,649
Nathan: IF YOU THINK
THIS FOOD TASTES SO GOOD,
1602
01:08:38,716 --> 01:08:40,184
THEN YOU EAT IT!
1603
01:08:43,287 --> 01:08:45,690
UH, NEVER MIND.
1604
01:08:45,756 --> 01:08:48,092
SO, ERIC YOUNG
DOUBLES FOR AN RBI
1605
01:08:48,159 --> 01:08:50,161
IN THE TOP
OF THE NINTH.
1606
01:08:50,227 --> 01:08:53,197
BOTTOM OF THE NINTH,
WOOD "K" IS THE SIDE.
1607
01:08:54,165 --> 01:08:56,667
SET 'EM UP,
SIT 'EM DOWN.
1608
01:09:01,105 --> 01:09:03,541
YOU KNOW, THIS
ISN'T THE FIRST TIME
1609
01:09:03,607 --> 01:09:05,676
MY CUBBIES HAVE
PUT ME THROUGH THIS.
1610
01:09:07,211 --> 01:09:10,047
ULCER DURING
THE '69 PLAYOFFS.
1611
01:09:10,114 --> 01:09:13,250
HYPERTENSION
WHEN THEY LOST IN '84.
1612
01:09:13,317 --> 01:09:14,452
AND YOU SHOULD HAVE SEEN
1613
01:09:14,518 --> 01:09:15,786
THE WAY MY HEMORRHOIDS FLARED UP
1614
01:09:15,853 --> 01:09:17,855
WHEN THEY WENT DOWN
IN '89.
1615
01:09:20,291 --> 01:09:23,427
BUT THAT TEAM ALSO GIVES
ME A REASON TO LIVE.
1616
01:09:27,031 --> 01:09:29,934
SO, DID IT EVER WORK OUT
BETWEEN YOU
1617
01:09:30,001 --> 01:09:32,770
AND THAT NICE GIRL
FROM THE TRAIN?
1618
01:09:33,604 --> 01:09:35,706
I WANTED IT TO,
1619
01:09:35,773 --> 01:09:37,341
BUT I DON'T THINK
IT'S GONNA HAPPEN.
1620
01:09:39,210 --> 01:09:42,013
AUGUST 29, 1989.
MY BELOVED CUBS
1621
01:09:42,079 --> 01:09:45,149
WERE DOWN BY 9 RUNS TO
THE ASTROS IN THE SIXTH,
1622
01:09:45,216 --> 01:09:46,784
BUT DID THEY GIVE UP?
NO, SIR.
1623
01:09:46,851 --> 01:09:48,552
THEY FOUGHT
TOOTH AND NAIL,
1624
01:09:48,619 --> 01:09:51,122
AND THEY WON
IN EXTRA INNINGS.
1625
01:09:53,591 --> 01:09:56,827
I'LL NEVER GIVE UP
ON MY CUBBIES.
1626
01:09:56,894 --> 01:09:59,730
MAYBE YOU SHOULDN'T GIVE UP
ON THAT GIRL, EITHER.
1627
01:10:04,635 --> 01:10:06,003
SO...
1628
01:10:07,271 --> 01:10:09,407
YOU GONNA TELL ME
WHAT THAT'S ALL ABOUT?
1629
01:10:16,247 --> 01:10:18,916
ERNIE BANKS'S
DINGER.
1630
01:10:20,851 --> 01:10:23,054
CAUGHT IT THE DAY
I MET MY WIFE.
1631
01:10:31,429 --> 01:10:33,731
I WANT YOU TO HAVE IT.
1632
01:10:41,939 --> 01:10:43,841
THANKS, NATHAN.
1633
01:10:43,908 --> 01:10:45,976
NOW, YOU'RE NOT GONNA
KISS ME, ARE YA?
1634
01:10:46,043 --> 01:10:47,111
HEH!
1635
01:10:48,579 --> 01:10:51,515
GO AHEAD.
GO FIND THAT GIRL.
1636
01:11:07,965 --> 01:11:10,267
Jackie: REEBOK
SIGNED OFF ON THE ACCOUNT.
1637
01:11:14,305 --> 01:11:15,606
THAT'S GREAT.
1638
01:11:15,673 --> 01:11:17,942
AND I FINALLY
GOT PROMOTED
1639
01:11:18,008 --> 01:11:19,477
TO SENIOR EXEC.
1640
01:11:20,478 --> 01:11:22,079
CONGRATULATIONS.
1641
01:11:23,681 --> 01:11:24,715
LOOK, KEVIN,
1642
01:11:24,782 --> 01:11:26,183
I KNOW I'M A HARD CASE,
1643
01:11:26,250 --> 01:11:27,751
BUT YOU'RE JUST GONNA
HAVE TO DEAL WITH IT
1644
01:11:27,818 --> 01:11:29,320
WHEN YOU
DESIGN THE ACCOUNT.
1645
01:11:33,724 --> 01:11:34,925
I'M BACK ON THE ACCOUNT?
1646
01:11:34,992 --> 01:11:39,130
REEBOK NEEDS
YOUR TALENT AND PASSION,
1647
01:11:39,196 --> 01:11:40,631
ESPECIALLY
AFTER I TOLD THEM
1648
01:11:40,698 --> 01:11:42,500
THAT IT WAS YOUR IDEA.
1649
01:11:48,205 --> 01:11:50,808
I KNEW THERE WAS A SOFT SIDE
IN THERE SOMEWHERE.
1650
01:11:50,875 --> 01:11:52,543
MAYBE,
BUT THIS IS STRICTLY
1651
01:11:52,610 --> 01:11:54,278
A BUSINESS DECISION.
1652
01:11:55,412 --> 01:11:57,281
SURE. I UNDERSTAND.
1653
01:11:58,916 --> 01:12:00,251
THAT'S A FINAL COPY
OF THE AD.
1654
01:12:00,317 --> 01:12:01,652
YOU MAY WANT TO TAKE
A LOOK AT IT
1655
01:12:01,719 --> 01:12:02,753
BEFORE IT GOES UP.
1656
01:12:02,820 --> 01:12:03,954
IT'S GONNA BE
BILLBOARDS
1657
01:12:04,021 --> 01:12:05,589
ALL OVER THE CITY.
1658
01:12:09,760 --> 01:12:14,265
OH, I HOPE THAT YOU FIND THAT
GIRL YOU'VE BEEN LOOKING FOR.
1659
01:12:17,801 --> 01:12:19,203
Kevin: JACKIE...
1660
01:12:21,272 --> 01:12:22,773
THANKS.
1661
01:12:22,840 --> 01:12:24,141
YEAH.
1662
01:12:33,083 --> 01:12:35,653
♪ YOU AND I
GO WAY UP HIGH ♪
1663
01:12:35,719 --> 01:12:38,155
♪ IN THE DARK
TELL ME WHERE THE LIGHT'S ♪
1664
01:12:38,222 --> 01:12:41,025
♪ GONNA COME FROM NOW ♪
1665
01:12:41,091 --> 01:12:43,727
♪ IS IT YOU? WAS IT ME? ♪
1666
01:12:43,794 --> 01:12:45,829
♪ FALLEN, OUT OF HOPE ♪
1667
01:12:45,896 --> 01:12:47,498
♪ A TIGHT ROPE ♪
1668
01:12:47,565 --> 01:12:50,134
♪ AFTER ALL, BABY,
YOU SHOULD KNOW ♪
1669
01:12:50,201 --> 01:12:53,137
♪ NOT TO BEAT THE GROUND ♪
1670
01:12:53,204 --> 01:12:55,873
♪ ALL THAT TALK'S BUT A FOG ♪
1671
01:12:55,940 --> 01:12:58,275
♪ FALLING ♪
1672
01:12:58,342 --> 01:13:02,246
♪ LOVE IS A HIGH-WIRE ACT ♪
1673
01:13:02,313 --> 01:13:04,582
♪ WE'VE GOT TO GET ♪
1674
01:13:04,648 --> 01:13:06,483
♪ OUR BALANCE BACK ♪
1675
01:13:06,550 --> 01:13:08,819
Radio announcer: THIS IS WBFP,
PLAYING ALL THE BIGGEST HITS.
1676
01:13:08,886 --> 01:13:10,321
GOOD MORNING, CHICAGO.
1677
01:13:10,387 --> 01:13:12,256
HEY, FOR ALL YOU
HELPLESS ROMANTICS OUT THERE,
1678
01:13:12,323 --> 01:13:14,225
THERE'S A NEW TWIST
ON THAT TRAIN STORY
1679
01:13:14,291 --> 01:13:15,759
WE'VE ALL
BEEN READING ABOUT.
1680
01:13:15,826 --> 01:13:17,361
TURNS OUT...
1681
01:13:17,428 --> 01:13:20,097
♪ WE'VE ALREADY LOST OUR WAY ♪
1682
01:13:20,164 --> 01:13:25,703
♪ THE MEMORY OF YESTERDAY ♪
1683
01:13:25,769 --> 01:13:29,340
♪ WE'RE STILL STRONG ENOUGH
TO LIGHT THE WAY ♪
1684
01:13:29,406 --> 01:13:32,676
♪ DON'T LOOK DOWN ♪
1685
01:13:32,743 --> 01:13:35,346
♪ WE CAN REBOUND ♪
1686
01:13:35,412 --> 01:13:38,449
♪ WHATEVER MAY LIE AHEAD ♪
1687
01:13:38,515 --> 01:13:43,787
♪ KEEP YOUR EYES
ON ME NOW ♪
1688
01:13:43,854 --> 01:13:47,358
♪ STILL STRONG ENOUGH
TO LIGHT THE WAY ♪
1689
01:13:47,424 --> 01:13:50,327
♪ DON'T LOOK DOWN ♪
1690
01:13:50,394 --> 01:13:53,831
♪ WE CAN REBOUND ♪
1691
01:13:53,897 --> 01:13:55,566
HEY, GUYS.
HEY.
1692
01:13:55,633 --> 01:13:57,434
HOW YOU FEELING? GOOD?
YOU'RE LOOKING GOOD.
1693
01:13:57,501 --> 01:13:59,003
YOU KNOW WHAT?
I FEEL GOOD.
1694
01:13:59,069 --> 01:14:00,437
AND YOU LOOK GOOD.
1695
01:14:00,504 --> 01:14:03,274
LISTEN, DO YOU WANT
A LITTLE PIECE OF ADVICE?
1696
01:14:03,340 --> 01:14:05,209
THIS TIME, WHEN SHE SHOWS,
DO US ALL A FAVOR
1697
01:14:05,276 --> 01:14:08,913
AND GET HER NAME AND NUMBER.
1698
01:14:08,979 --> 01:14:10,514
ALL RIGHT.
I'LL REMEMBER THAT.
1699
01:14:10,581 --> 01:14:11,982
YOU BETTER
HURRY UP, YOU KNOW.
1700
01:14:12,049 --> 01:14:13,684
IT'S ALMOST TIME.
1701
01:14:13,751 --> 01:14:15,286
YOU KNOW WHAT, GUYS?
1702
01:14:15,352 --> 01:14:16,754
I'M GONNA HAVE TO DO
THIS ONE ON MY OWN.
1703
01:14:16,820 --> 01:14:17,922
WHOA! ARE YOU SURE
YOU DON'T WANT
1704
01:14:17,988 --> 01:14:19,623
THE TEAM THERE
FOR MORAL SUPPORT?
1705
01:14:19,690 --> 01:14:21,725
NO, THANKS.
1706
01:14:21,792 --> 01:14:24,461
WELL... I BETTER GO.
1707
01:14:24,528 --> 01:14:25,996
ALL RIGHT.
1708
01:14:26,063 --> 01:14:28,899
WAIT, WAIT. OPEN.
1709
01:14:28,966 --> 01:14:30,067
[SPRITZING]
1710
01:14:30,134 --> 01:14:31,702
NEVER KNOW, MAN.
1711
01:14:31,769 --> 01:14:33,404
[PATS BACK]
1712
01:14:33,470 --> 01:14:35,639
ALL RIGHT, GUYS.
DO ANOTHER SET?
1713
01:14:35,706 --> 01:14:38,842
YOU KNOW, SOMETIMES
YOU JUST GOTTA...
1714
01:14:38,909 --> 01:14:41,078
LET 'EM GO AND HOPE
YOU RAISED 'EM WELL.
1715
01:14:42,413 --> 01:14:43,747
YEAH.
1716
01:14:45,683 --> 01:14:47,351
Woman reporter:
IT'S THE MOST ROMANTIC STORY
1717
01:14:47,418 --> 01:14:49,586
TO HIT CHICAGO IN YEARS.
1718
01:14:49,653 --> 01:14:52,556
A YOUNG MAN PUTTING UP
POSTERS AND BILLBOARDS
1719
01:14:52,623 --> 01:14:55,125
ALL OVER TOWN IN AN EFFORT TO
FIND THE GIRL OF HIS DREAMS.
1720
01:14:55,192 --> 01:14:56,694
IN FACT,
CAN YOU TURN THE CAMERA?
1721
01:14:56,760 --> 01:14:58,595
THERE'S ONE RIGHT THERE
BEHIND MY SHOULDER.
1722
01:14:58,662 --> 01:15:00,631
Male reporter: WE'RE HERE
AT THE "L" TRAIN PLATFORM
1723
01:15:00,698 --> 01:15:02,433
AT WABASH AND ADAMS.
1724
01:15:02,499 --> 01:15:04,468
THERE'S JUST ABOUT
15 MINUTES TO GO
1725
01:15:04,535 --> 01:15:06,470
AND THEN KEVIN GIBBONS...
1726
01:15:06,537 --> 01:15:08,939
[ALL CHATTERING]
1727
01:15:09,006 --> 01:15:11,041
[CAMERAS CLICKING]
1728
01:15:11,108 --> 01:15:12,776
Man: SOME MAY CALL HIM CRAZY,
1729
01:15:12,843 --> 01:15:14,645
OTHERS, A HOPELESS ROMANTIC...
1730
01:15:16,747 --> 01:15:18,582
Woman: ...WAITING
TO SEE THE OUTCOME.
1731
01:15:18,649 --> 01:15:21,118
AND THE BIG QUESTION
ON EVERYBODY'S MIND IS...
1732
01:15:21,185 --> 01:15:23,754
WILL SHE OR WILL SHE NOT SHOW?
1733
01:15:23,821 --> 01:15:26,357
[CROWD SHOUTING ENCOURAGEMENT]
1734
01:15:33,997 --> 01:15:35,199
[DOOR OPENS]
1735
01:15:35,833 --> 01:15:37,134
[JINGLING]
1736
01:15:37,201 --> 01:15:38,402
Rod: IT'S THE MICK!
1737
01:15:38,469 --> 01:15:41,271
MICK SILVER!
HEY, THE MICK!
1738
01:15:44,041 --> 01:15:46,410
OH, MY GOSH! THE MICK!
IT'S REALLY YOU!
1739
01:15:46,477 --> 01:15:49,046
I MEAN, GOSH, I CAN'T BELIEVE
IT! DUDE, I SEEN YOU ON TV.
1740
01:15:49,113 --> 01:15:52,149
I MEAN, YOU ARE A LEGEND!
YOU ARE GREAT!
1741
01:15:52,216 --> 01:15:54,418
WHAT ARE YOU DOING HERE?
1742
01:15:54,485 --> 01:15:55,853
THE MICK RECEIVED THIS
DEMO TAPE IN THE MAIL.
1743
01:15:55,919 --> 01:15:57,154
FROM WHO?
1744
01:15:57,221 --> 01:15:59,123
FROM A MAN WHO SHALL
REMAIN NAMELESS.
1745
01:15:59,189 --> 01:16:00,391
KEVIN.
1746
01:16:00,457 --> 01:16:02,893
HEY, THE MICK DIGS
YOUR SOUNDS, MAN.
1747
01:16:02,960 --> 01:16:04,728
REALLY?!
HEY, THE MICK DON'T LIE.
1748
01:16:04,795 --> 01:16:06,663
NO, MAN, YOU NEVER LIE.
YOU ALWAYS SAY THE TRUTH.
1749
01:16:06,730 --> 01:16:08,499
AND WHEN IT IS THE TRUTH,
IT IS THE TRUTH!
1750
01:16:08,565 --> 01:16:10,601
HOW WOULD YOU LIKE TO
RECORD YOUR NEW STUFF
1751
01:16:10,667 --> 01:16:12,136
ON THE MICK'S NEW LABEL?
1752
01:16:12,202 --> 01:16:13,837
WOULD I? MAN,
I CAN'T BELIEVE IT!
1753
01:16:13,904 --> 01:16:15,139
WHOA!
EASY, EASY!
1754
01:16:15,205 --> 01:16:16,607
YOU'RE ALL ABOUT
THE PASSION, MAN!
1755
01:16:16,673 --> 01:16:19,009
OH, MY GOD!
I CAN'T BELIEVE MICK--
1756
01:16:19,076 --> 01:16:20,911
HI, JULIE.
HI, ROD.
1757
01:16:20,978 --> 01:16:23,113
HOW'S THE ANKLE?
OH, IT'S BUSTED.
1758
01:16:23,180 --> 01:16:26,483
OH, SORRY. UM,
HAVE YOU MET THE MICK?
1759
01:16:26,550 --> 01:16:28,986
MICK, JULIE. JULIE, MICK.
JULIE, MICK.
1760
01:16:29,052 --> 01:16:30,421
YEAH.
WELL, MICK'S ALL RIGHT,
1761
01:16:30,487 --> 01:16:33,157
BUT I'M MORE
INTO YOU, ROD.
1762
01:16:33,223 --> 01:16:35,492
REALLY? UM...
1763
01:16:35,559 --> 01:16:37,361
HOW'D YOU LIKE
TO HEAR MY NEW SONG?
1764
01:16:37,428 --> 01:16:40,097
YEAH. I'D LOVE TO.
GREAT. OK.
1765
01:16:43,167 --> 01:16:44,902
ALL RIGHT, THIS IS...
1766
01:16:44,968 --> 01:16:48,572
[SIGHS] A SONG I WROTE...
1767
01:16:48,639 --> 01:16:50,107
FOR A VERY GOOD FRIEND
OF MINE.
1768
01:16:50,174 --> 01:16:52,810
[MUSIC STARTS]
1769
01:16:54,645 --> 01:16:56,947
♪ I GET A FEELING ♪
1770
01:16:57,014 --> 01:17:00,350
♪ I CAN'T EXPLAIN ♪
1771
01:17:00,417 --> 01:17:05,222
♪ WHENEVER YOUR EYES
MEET MINE ♪
1772
01:17:05,289 --> 01:17:08,325
♪ MY HEART SPINS IN CIRCLES ♪
1773
01:17:08,392 --> 01:17:13,697
♪ AND I LOSE
ALL SPACE AND TIME ♪
1774
01:17:13,764 --> 01:17:19,470
♪ AND NOW THAT WE'RE
STANDING FACE-TO-FACE ♪
1775
01:17:19,536 --> 01:17:22,005
♪ SOMETHING TELLS ME ♪
1776
01:17:22,072 --> 01:17:25,075
♪ IT'S GONNA BE OK ♪
1777
01:17:25,142 --> 01:17:31,381
♪ AND I'M READY
TO FALL IN LOVE TONIGHT ♪
1778
01:17:31,448 --> 01:17:36,987
♪ I'M READY TO HOLD
MY HEART OPEN WIDE ♪
1779
01:17:37,054 --> 01:17:39,189
♪ I CAN'T PROMISE FOREVER ♪
1780
01:17:39,256 --> 01:17:42,626
♪ BUT, BABY, I'LL TRY ♪
1781
01:17:42,693 --> 01:17:47,130
♪ I'M READY TO FALL ♪
1782
01:17:47,197 --> 01:17:52,402
♪ IN LOVE TONIGHT ♪
1783
01:17:55,372 --> 01:17:57,474
♪ I KNOW
YOU'VE BEEN WATCHING ♪
1784
01:17:57,541 --> 01:18:00,911
♪ CHOOSING YOUR MOMENT ♪
1785
01:18:00,978 --> 01:18:05,215
♪ BUT I'VE BEEN DREAMING
OF THAT DAY ♪
1786
01:18:06,383 --> 01:18:08,819
♪ NO ONE BEFORE YOU ♪
1787
01:18:08,886 --> 01:18:14,591
♪ HAS GOTTEN TO ME
THIS WAY ♪
1788
01:18:14,658 --> 01:18:17,361
♪ AND NOW THAT ♪
1789
01:18:17,427 --> 01:18:20,497
♪ WE'RE STANDING
FACE-TO-FACE ♪
1790
01:18:20,564 --> 01:18:26,103
♪ THERE'S SOMETHING
I NEED TO SAY ♪
1791
01:18:26,169 --> 01:18:32,075
♪ THAT I'M READY
TO FALL IN LOVE TONIGHT ♪
1792
01:18:32,142 --> 01:18:37,648
♪ I'M READY TO HOLD
MY HEART OPEN WIDE ♪
1793
01:18:37,714 --> 01:18:39,983
♪ I CAN'T PROMISE FOREVER ♪
1794
01:18:40,050 --> 01:18:43,320
♪ BUT, BABY, I'LL TRY ♪
1795
01:18:43,387 --> 01:18:46,123
♪ 'CAUSE
I'M READY TO FALL... ♪
1796
01:18:46,189 --> 01:18:49,393
Reporter: WELL, HERE
WE ARE JUST AFTER 7 P.M.,
1797
01:18:49,459 --> 01:18:50,928
AND THERE IS
STILL NO SIGN
1798
01:18:50,994 --> 01:18:53,163
OF THE YOUNG LADY
FROM THE "L" TRAIN.
1799
01:18:53,230 --> 01:18:55,365
♪ NOTHING IS CERTAIN ♪
1800
01:18:55,432 --> 01:18:58,035
♪ THIS I KNOW ♪
1801
01:18:58,101 --> 01:19:00,938
♪ WHEREVER WE'RE HEADED ♪
1802
01:19:01,004 --> 01:19:04,007
♪ I'M READY TO GO ♪
1803
01:19:04,074 --> 01:19:06,843
♪ OHHH ♪
1804
01:19:14,384 --> 01:19:15,652
[CROWD CHEERING]
1805
01:19:15,719 --> 01:19:17,588
♪ I CAN'T PROMISE FOREVER ♪
1806
01:19:17,654 --> 01:19:20,757
♪ BUT, BABY, I'LL TRY ♪
1807
01:19:20,824 --> 01:19:25,462
♪ 'CAUSE I'M READY TO FALL ♪
1808
01:19:25,529 --> 01:19:32,436
♪ IN LOVE TONIGHT ♪
1809
01:19:32,502 --> 01:19:36,506
♪ YES, I'M READY TO FALL ♪
1810
01:19:36,573 --> 01:19:42,279
♪ IN LOVE TONIGHT ♪
1811
01:19:42,346 --> 01:19:44,848
2 QUESTIONS--
1812
01:19:44,915 --> 01:19:46,984
WHAT IS YOUR NAME?
1813
01:19:47,050 --> 01:19:49,386
AND CAN I PLEASE HAVE
YOUR PHONE NUMBER?
1814
01:19:49,453 --> 01:19:52,456
ABBEY, AND I THOUGHT
YOU'D NEVER ASK.
1815
01:19:54,424 --> 01:20:00,263
♪ IN LOVE TONIGHT ♪
1816
01:20:00,330 --> 01:20:03,867
♪ IN LOVE TONIGHT ♪
1817
01:20:03,934 --> 01:20:06,536
[CHEERING AND WHISTLING]
1818
01:20:11,108 --> 01:20:13,543
[CHEERING]
1819
01:20:26,923 --> 01:20:31,461
♪ 'CAUSE I'M READY TO FALL ♪
1820
01:20:31,528 --> 01:20:36,366
♪ IN LOVE TONIGHT ♪
1821
01:20:37,334 --> 01:20:41,972
♪ IN LOVE TONIGHT ♪
1822
01:20:44,441 --> 01:20:47,311
AHH, HE'S STILL A SHMOE.
1823
01:20:47,377 --> 01:20:49,346
Al Green: ♪ I ♪
1824
01:20:49,413 --> 01:20:50,580
♪ UH ♪
1825
01:20:50,647 --> 01:20:54,951
♪ I'M SO IN LOVE WITH YOU ♪
1826
01:20:55,018 --> 01:20:59,356
♪ WHATEVER YOU WANT TO DO ♪
1827
01:20:59,423 --> 01:21:04,761
♪ IS ALL RIGHT WITH ME ♪
1828
01:21:04,828 --> 01:21:08,331
♪ 'CAUSE YOU MAKE ME FEEL ♪
1829
01:21:08,398 --> 01:21:13,670
♪ SO BRAND-NEW ♪
1830
01:21:13,737 --> 01:21:17,474
♪ I WANT TO SPEND
MY LIFE WITH-- ♪
1831
01:21:17,541 --> 01:21:19,543
[RECORD SCRATCHES]
1832
01:21:19,609 --> 01:21:21,144
Man: WE'RE HERE
WITH AN EXCLUSIVE LOOK
1833
01:21:21,211 --> 01:21:24,081
BEHIND THE SCENES
OF THE MOVIE ON THE LINE.
1834
01:21:24,147 --> 01:21:25,382
CHECK.
N'SYNC?
1835
01:21:25,449 --> 01:21:27,184
YEAH.
MORE LIKE N'STINK.
1836
01:21:27,250 --> 01:21:28,318
YOU CAN'T SAY THAT.
1837
01:21:28,385 --> 01:21:29,553
I DID.
I DON'T CARE.
1838
01:21:29,619 --> 01:21:31,121
IS THE CAMERA ON?
1839
01:21:31,188 --> 01:21:33,990
THE TWO OF US RIGHT HERE,
WE ARE VERY, VERY PROFESSIONAL
1840
01:21:34,057 --> 01:21:35,125
ABOUT EVERYTHING WE DO.
1841
01:21:35,192 --> 01:21:36,793
UNLIKE SOME POOP STARS.
1842
01:21:36,860 --> 01:21:40,163
I MEAN, SERIOUSLY,
JOEY'S ONE THING, BUT LANCE...
1843
01:21:40,230 --> 01:21:43,100
I LOVED YOU FROM THE MINUTE
I SAW YOU ON THE "L"?
1844
01:21:43,166 --> 01:21:44,568
THAT WAS
VERY CONVINCING.
1845
01:21:44,634 --> 01:21:46,737
I LOVED YOU FROM THE MOMENT
I SAW YOU ON THE "L"?
1846
01:21:46,803 --> 01:21:48,905
WHERE'S THE WRITER?
WHERE'S THE WRITER?
1847
01:21:48,972 --> 01:21:51,541
ANGELO, HOW MANY TIMES
DO I HAVE TO TELL YOU
1848
01:21:51,608 --> 01:21:54,478
I NEED HEIGHT? I WANT
TO SEE THIS FROM CHINA!
1849
01:21:54,544 --> 01:21:56,246
CHINA--OK.
GIMME THAT.
1850
01:21:56,313 --> 01:21:58,115
I JUST--
DID I SAY YOU COULD SPEAK?
1851
01:21:58,181 --> 01:21:59,683
OW! OH OH OH!
1852
01:21:59,750 --> 01:22:01,485
ARE YOU GUYS FOR REAL?
1853
01:22:01,551 --> 01:22:03,286
YEAH.
YEAH.
1854
01:22:03,353 --> 01:22:04,554
ANGELO.
WHAT'S UP?
1855
01:22:04,621 --> 01:22:05,822
YOU GUYS ARE AMAZING!
1856
01:22:05,889 --> 01:22:07,691
YOU LOOK LIKE
A MILLION DOLLARS!
1857
01:22:07,758 --> 01:22:09,559
I MEAN, IT'S
YOU LOOK INCREDIBLE.
1858
01:22:09,626 --> 01:22:11,495
JOEY, I HAVE
2 WORDS FOR YOU.
1859
01:22:11,561 --> 01:22:14,898
YOU ARE THIS GENERATION'S
MARLON BRANDO.
1860
01:22:14,965 --> 01:22:16,666
AND, LANCE, I HAVE
3 WORDS FOR YOU.
1861
01:22:16,733 --> 01:22:19,402
DE-KNEE-ROW.
KNOW WHAT I'M SAYING?
1862
01:22:19,469 --> 01:22:20,871
JUST PROMISE ME
I CAN DO YOUR HAIR
1863
01:22:20,937 --> 01:22:22,572
FOR THE ACADEMY OF AWARDS,
PLEASE?
1864
01:22:22,639 --> 01:22:24,007
AND I'LL DO MAKEUP.
1865
01:22:24,074 --> 01:22:26,710
YOU TWO ARE THE BEST.
I'LL NEVER FORGET THIS.
1866
01:22:26,777 --> 01:22:28,712
REALLY? MEANS A LOT.
THANKS.
1867
01:22:28,779 --> 01:22:32,682
♪ WITH YOU ♪
1868
01:22:32,749 --> 01:22:36,987
♪ LET ME SAY THAT SINCE, OH ♪
1869
01:22:37,053 --> 01:22:41,591
♪ SINCE WE'VE BEEN TOGETHER ♪
1870
01:22:41,658 --> 01:22:45,862
♪ LOVIN' YOU FOREVER ♪
1871
01:22:45,929 --> 01:22:50,600
♪ IS WHAT I NEED ♪
1872
01:22:50,667 --> 01:22:54,404
♪ OH, LET ME BE THE ONE ♪
1873
01:22:54,471 --> 01:23:00,310
♪ YOU COME RUNNING TO ♪
1874
01:23:00,377 --> 01:23:03,780
♪ I'LL NEVER BE ♪
1875
01:23:03,847 --> 01:23:07,884
♪ UNTRUE ♪
1876
01:23:07,951 --> 01:23:09,419
♪ EVERYBODY SING ♪
1877
01:23:09,486 --> 01:23:12,689
♪ LET'S ♪
1878
01:23:12,756 --> 01:23:17,260
♪ LET'S STAY TOGETHER ♪
1879
01:23:17,327 --> 01:23:20,230
♪ LOVING YOU WHETHER ♪
1880
01:23:20,297 --> 01:23:21,998
♪ WHETHER ♪
1881
01:23:22,065 --> 01:23:26,203
♪ TIMES ARE GOOD OR BAD,
HAPPY OR SAD ♪
1882
01:23:26,269 --> 01:23:27,938
♪ THAT'S RIGHT,
YOU HEARD THE MAN ♪
1883
01:23:28,004 --> 01:23:29,773
♪ NOW COME ON,
LET'S STAY TOGETHER ♪
1884
01:23:29,840 --> 01:23:31,541
♪ YOU AND ME COULD BE
TIGHT FOREVER AND EVER ♪
1885
01:23:31,608 --> 01:23:33,443
♪ WHETHER DAY OR NIGHT
AND WHATEVER THE WEATHER ♪
1886
01:23:33,510 --> 01:23:35,946
♪ LET'S LIVE ONE LIFE, GIRL,
NEVER SHOULD WE SEVER ♪
1887
01:23:36,012 --> 01:23:37,647
♪ YOU HOLD THE POWER
TO GIVE HIM WHAT HE NEED ♪
1888
01:23:37,714 --> 01:23:40,183
♪ IT'S LIKE EVERY SINGLE FLOWER
BEGINS WITH A SEED ♪
1889
01:23:40,250 --> 01:23:42,085
♪ JUST GIVE HIM WHAT YOU GOT,
YOU KNOW WHAT I MEAN? ♪
1890
01:23:42,152 --> 01:23:44,754
♪ AND IF NOT,
I'LL LEAVE IT UP TO AL GREEN ♪
1891
01:23:44,821 --> 01:23:47,757
♪ LET ME BE THE ONE ♪
1892
01:23:47,824 --> 01:23:52,829
♪ YOU COME RUNNING TO ♪
1893
01:23:52,896 --> 01:23:57,167
♪ I PROMISE I'LL NEVER BE ♪
1894
01:23:57,234 --> 01:24:01,371
♪ UNTRUE ♪
1895
01:24:01,438 --> 01:24:02,739
♪ EVERYBODY SING ♪
1896
01:24:02,806 --> 01:24:05,942
♪ LET'S ♪
1897
01:24:06,009 --> 01:24:10,480
♪ LET'S STAY TOGETHER ♪
1898
01:24:10,547 --> 01:24:13,250
♪ LOVING YOU WHETHER ♪
1899
01:24:13,316 --> 01:24:19,756
♪ WHETHER TIMES ARE
GOOD OR BAD, HAPPY OR SAD ♪
1900
01:24:19,823 --> 01:24:23,059
♪ SING LET'S ♪
1901
01:24:23,126 --> 01:24:23,894
♪ WHOO ♪
1902
01:24:23,960 --> 01:24:26,396
♪ LET'S STAY TOGETHER ♪
1903
01:24:26,463 --> 01:24:28,265
♪ I CAN'T STAND IT, NO ♪
1904
01:24:28,331 --> 01:24:31,301
♪ LOVING YOU WHETHER ♪
1905
01:24:31,368 --> 01:24:33,136
♪ WHETHER ♪
1906
01:24:33,203 --> 01:24:37,474
♪ TIMES ARE GOOD OR BAD,
HAPPY OR SAD ♪
1907
01:24:37,541 --> 01:24:38,775
♪ LET ME HEAR YOU ♪
1908
01:24:38,842 --> 01:24:41,444
♪ LET'S ♪
1909
01:24:41,511 --> 01:24:44,014
♪ LET'S STAY TOGETHER ♪
1910
01:24:44,080 --> 01:24:45,949
♪ OH, I LOVE YOU, BABY ♪
1911
01:24:46,016 --> 01:24:48,885
♪ LOVING YOU WHETHER ♪
1912
01:24:48,952 --> 01:24:50,921
♪ WHETHER, AAH ♪
1913
01:24:50,987 --> 01:24:53,356
♪ TIMES ARE GOOD OR BAD ♪
1914
01:24:53,423 --> 01:24:55,125
♪ HAPPY OR SAD ♪
1915
01:24:55,191 --> 01:24:59,629
♪ I WANT YOU TO SING WITH ME ♪
1916
01:24:59,696 --> 01:25:01,698
♪ I WANT TO TELL
EVERYBODY ♪
1917
01:25:01,765 --> 01:25:03,433
♪ ALL I WANT TO DO ♪
1918
01:25:03,500 --> 01:25:05,702
♪ SOMEBODY HELP ME NOW ♪
1919
01:25:05,769 --> 01:25:07,704
♪ SOMEBODY
HELP ME NOW ♪
1920
01:25:07,771 --> 01:25:09,673
♪ SOMEBODY HELP ME NOW ♪
1921
01:25:09,739 --> 01:25:11,374
♪ GOOD OR BAD ♪
1922
01:25:11,441 --> 01:25:12,709
♪ HAPPY OR SAD ♪
1923
01:25:12,776 --> 01:25:14,678
♪ COMING DOWN ♪
1924
01:25:14,744 --> 01:25:18,248
♪ WHOOO ♪
1925
01:25:19,482 --> 01:25:20,917
HA HA HA!
1926
01:25:20,984 --> 01:25:23,019
[CHEERING AND CLAPPING]
1927
01:25:28,792 --> 01:25:30,794
Al Green: HA HA HA!
124935
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