All language subtitles for Wholl.Stop.The.Rain.1978.720p.WEBRip.x264-REGRET.HI.ENG

MAN OVER RADIO:
Hello Captain Six,
this is Sky watch Two.

We've got 30 to 40 vector.

Charlie's in open.
One five zero meters
south of yellow smoke.

Be aware Red Lake
Fire Base.
Danger, close target.

PILOT: Roger, I have
yellow smoke in sight.

MAN OVER RADIO:
This is Sky watch.
Come on in.

And save your steel.
We'll use softies
on this one.

PILOT: Roger.

MAN OVER RADIO: Now, Phantom,
watch your direction.
You're a little close.

You're too close, Phantom.
Phantom, you're too close.

Go round and abort mission.

PILOT: Too late,
I've released.

MAN OVER RADIO:
Watch out, base.

You'd better duck It's
going to get mighty
hot down there,

SOLDIER: Help!

Incoming! Incoming!

(LOUD EXPLOSION)

JOHN: Dear Marge.

I'm coming home.

I remember your
saying when I left

that people were
dying and that

I was crapping around
with fate to come here.

You were more right
than you could imagine.

Let me tell you
the latest.

Military Command has
decided that elephants
are enemy agents

because they carry
supplies for the Viet cong.

So now we're stampeding
the elephants and gunning
them down from the air.

Of, course I filed a
suitably outraged
story about it.

But that was my last one.

I have no more cheap morals
to draw from all this death.

So I have taken action.

An old friend from my
marine days will be
coming to see you soon.

His name is Ray Hicks.

We owe him $1000.

I want you to pay him.

I have started something
here that I can't stop.

And it's the right thing,
I know.

You see, in a world
where elephants are
pursued by flying men,

people are just naturally
going to want to get high.

I'll explain when I see you.
And you'll understand.

(MAN YELLING INDISTINCTLY)

Charmian?

Hello, John.

Hi, Charmian.
Did the man deliver?

He surely did.
You just missed him.

I kind of wanted
you to meet him.

He's an impressive
little fellow.

Take off those muddy boots,
will you, sport?

When you see guys like
that you know that
it's all worthwhile.

Colonel Tho used to be
a very gung ho soldier.

He says it's us came over
here and corrupted him.

Oh, he thinks that we
made him deal smack?

People can be corrupted, John.

Are you high?

Just a little boo
with
mon colonel.
You want to try it?

A weird time to get high.

Why?

Are you scared?

Yep.

You've got to be the world's
most frightened man, John.

I don't know how
you live with yourself.

I sometimes think
of that myself.

How's this for terrifying?

Do you want to count it?

I trust you.

My friends are going to have
$25,000 waiting for you.

That's a nice return
on a small investment.

Did you weigh it?

I didn't have to.
It's two kilograms.

You don't get burned
with heroin, by getting short
weight. They cut it on you.

They're not going to burn me,
Johnny. Believe me.

Don't think about it.
You're doing the right
thing, Johnny.

Yes, I am.

What about your old
lady in Berkeley?

She...
We don't have to
talk about that.

It's all set, Charmian.

But you see, sport,
we don't know her.

I mean maybe there's a side
to her character that even
you don't know about.

In all modesty,
there isn't.

All right.
It's your dope.

Yeah.

How much are your friends
going to make out of this?

I don't know.
Maybe a couple of
hundred thousand.

Depends on how they cut it,
I don't want their trouble.

Who are they?

Not the sort of people
you might think.

You used to have some
funny friends in Washington.

People keep in touch.

What are you going to do.
with your money, Johnny?

Such a dedicated
non-swinger as you are.

I don't know.

(LAUGHS)

Shit, you don't know, do you?

You just know
you want it, right?

"I desire to serve
God and to grow
rich like all men."

Who said that?

I don't know.

Some great hustler
of the past.

(ON RADIO) ♪ Well I'm sitting
here a thinking about those
Philadelphia Fillies

♪ And some may think
I'm talking about baseball

♪ But I'm talking about
the ones that wear
them dresses on so pretty

♪ And the way they swing
should be against the law

♪ There's a lot of dangerous
curves in that beautiful city

♪ Oh but you'll never
see no warning signs

♪ And if you want
to get right down
to the nitty-gritty...♪

MARINE: Let's see
your brownie, man.

Where are you from
in the world?

California.

You're going the right way,
man, if you want pictures.

Charley's got skin diving
sapper girls, you know that?

They swim out from
the beaches with
charges in their teeth.

Stick them on the hulls
of those big AKs, and wham!

How's you like a
picture of that action?

Get out of there,
you little fuckers.

MARINE: What I think about.

I think about
catching myself a
little sapper girl

and fucking her to death.

I'm a vicious freak.

You know what else they got?
They got porpoises
trained to kill gooks.

This is a very strange war.

Yeah, it's weird, man.

We're not supposed
to talk about it.

(SONG PLAYING ON RADIO)

(SHOUTING)

(ALL SHOUTING)

(YELLING INDISTINCTLY)

I'll be right back.

Holy Christ, you made it.

Sure I did.

(PANTING)

You know when I talked
to you the other night
I thought you were drunk.

I was.

(BOTH LAUGH)

How'd you get in the base?

Oh, I'm doing a story
on merchant seamen.

Sure you are.
We'll go get a beer.

Hey, I've got
something for you.

No shit.

(LOUD EXPLOSION)

Sappers?
There ain't no sappers.
That's all a beautiful hoax.

(SHOWER RUNNING)

Hey, you remember
Macklin From Pendleton?

The C.O.?

Yeah.

Sure, I remember.

I saw him last
month in Oakland.

Told him you were a
big time reporter now.

How do you get along
with the Marines down here?

Fine, we get along fine.

Don't they want you to re-up?

Not these guys
not for this one.

You still into this?

Yeah.

Jesus, that's fucking piquant.

Piquant? I don't know what
the hell that means. You
turned me on with that book.

Yeah, I used to do stuff
like that, didn't I?
It's a good book.

You look terrible, John.
You look like hell.

Is that for me?

That's the sorriest piece of
packaging I've ever seen.
What've you go in there?

It's two keys of scag.

Do you know what
you're saying?

I didn't think
we were that way.

We're that way.

You sound like we never
talking about this.

I thought you were going to
have something else for me.

You said you wanted to carry
weight. I got you weight.

I carry grass. Not that shit.

If your stash is as good
as you say it is, it'll be
easier than carrying grass.

I'll give you a thousand now,
and my wife has another
thousand for you in Berkeley.

You deliver and you split.
It's that simple.

It's bad Karma.

Look, I have reason to
believe that this operation
concerns Washington.

No, no I don't mean Washington
I mean certain individuals.
They know about you.

They checked you out.

Look what the hell are
you trying to do to me, huh?

Look they absolutely
won't bother you.

You're not supposed to
know about them and they wont
fuck with you if you deliver.

If I deliver, right.
But if I don't deliver?

If I take you off
because I happen to
know you're an asshole

then the roof falls in,
Washington time?

Ray if you don't...

Listen, if wanted to keep
a carrier honest I might
make up a bullshit story

about Washington
but I would never
lay it on a friend.

It sucks.

You can't say no, Ray.

You really scared, aren't you?

I'm impressed.

Look, I'm a very timid person.
I'm a virtual paranoid.

If this weren't stone cool
I wouldn't go near it.

You can carry it,
you know I can't.

Your ship sails tomorrow.

Okay, I'll carry
your scag, Johnny.

Hell, why not? A little
adrenaline cleans the blood.

But make sure
I get treated right.

Self defense is
an art l cultivate.

Thanks.

Why are you doing this?

I don't know, I...

I feel like this is the
first real thing that I
have ever done in my life.

I don't know what the
other stuff, was about.

Don't they say that this
is where everybody finds
out who they are, huh?

Yeah? What a bummer
for the gooks.

(SEAGULLS CAWING)

(BELL RINGING)

Three, five,
seven, four, five.

Okay, we'll take two of those.

(PHONE RINGING)
Edna, would you
take care of Tommy?

Oh, sure.

Bender Books,
can I help you?

See, he's gonna be speaking
here on the 19th.
RAY: Can I talk to Marge?

This is Marge.

This is Ray.

Who?
Ray Hicks

Can you hold on a minute?
I want to take this
in the office.

(DOOR OPENS)

Is that a personal call?

No, No. Stay here.

Hello.
I'm here.

You're a friend
of John's, right?

You got somebody
with you, Marge?

My father's here.

Have you seen John?

I'll call by your place
tomorrow. Everything okay?

What do you mean?

I said tomorrow.
Your place. Are you going
to be ready for me?

Well, is John all right?

He's fine. Are you
going to be ready for me?

Oh. yeah. Sure, you mean
the money he owes you?

What time?

Tomorrow night. Nine?

Yeah.

(HANGS UP PHONE)

Is something wrong with John?

No, no. It's fine.
He's coming home
in a few days.

Marge.
Mmm-hmm?

Was that a friend of John's?

I guess so.
I feel kind of deranged.

What are you doing?

I'm taking a pill. A pill.

You said you were
going to try to stop.

There seems to be a
problem of motivation.

Goodnight, Edna.
Marge, just a minute.

Yeah?
I got this for Janey.
I thought it was so cute.

Oh, dear, it's got a lot
of candy in it, I suppose.

Yeah, well, I'll send you
the dental bill. No she'll
like it. She really will.

Marge.
Give her a kiss for me.

Yeah?

Why didn't you tell me
John was coming back?

I'm just not up for another
round of talks about his
character, his future

or his general attitude.

Okay, okay, okay. Yeah.
How about bringing Janey
down for the weekend.

Will you think about that?

Yeah, that'll be nice.

Listen, Janey, how would you
like to spend the weekend
with your grandpa?

I can't.

Oh, yeah. Why not?

I want to go to Edna's.

But you can't spend the
weekend with Edna. We...

(PHONE RINGING)
Oh, that's the phone.

Can I have this because
they threw it away?

Yeah, sure.

Hello. Yes, this is
Mrs. Converse.

Oh, let me, let me write
that down. Hold on.

Yeah.
JANEY: Can we buy
a little fish?

Can we buy a little fish

Wait. Just a minute, honey.

Uh-huh. I got that.
Okay, thank you.

Can we buy a little fish?

Yeah, sure.

Guess what?
What? Tell me what?

Daddy's coming
home early.

Hi, another one please.

(UPBEAT MUSIC PLAYING)

Did you have a good trip?

Yeah, pretty good.

They still got a lot of
good pussy over there?

Yeah.

When do you go back?

I want to put some bread
by and go down to
Mexico for a while.

Mexico, that's a good place.

♪ Hey tonight

♪ Gonna be tonight

♪ Don't you know
I'm flying, tonight ♪

What a lot of shit
this place is now.

Where's the kitchen at the
back of the pool table?

What the hell happened
to the pool tables?

You got to change
with the times.

The times are fucked.

Why have I got to sit
around and look at
these poor junkies.

I'd just as soon look
at you out there.

I ain't got no costume.

You got bigger tits.

♪ Watch me now

♪ Jody's gonna get religion

♪ All night long

♪ Hey, come on

♪ Gonna hear the sun

Hey, Alex.

Kid over there by wall,
know him?

Nope.

Is he a new face?

We got nothing
but new faces here.

When did you say you
were going to Mexico.

I didn't say I was
going to Mexico.

Yes, you did.
You said you were going.

It's a dream.

Johnny. Oh, Johnny.

He's going to deliver.

Man, I wouldn't have.

DANSKIN: Way to go,
Raymond. Way to go.

Very cute.

SMITTY: What's going on?

DANSKIN: Oh, back door action.

(DOOR CLOSES)

(GASPS)

Take it easy,
don't be afraid.

What do you want?
Don't be afraid.

Who are you?
I'm Ray Hicks.

I'm the guy who phoned you.

Why did you come that way?
I don't understand.

Somebody's been
on my ass all day.

What are you doing?

I don't know whether
I lost them or not.
Do you understand?

Uh...

Wait. You're John's friend,
right? And you're
the one who phoned?

That's right. I'll
take my money and run.

Oh, I don't have it.

Why not?

Well, I mean,
l don't have it here.

Today's been
kind of difficult.

You said you'd be ready.

Well, I know but I had
to take my little
girl to the aquarium.

And the bank was closed.

You dumb cooze.
What are you, a junkie?

Do I look like a junkie?

That's not always a factor.

Look, John will
be home tomorrow.
What this shit?

You said you'd be ready.

Now you didn't tell me John
was coming home early.

Well, I didn't know.
Now what are you
trying to do fuck me over?

You and some other
people, huh, Marge?

Look, I don't know
what you're talking about.

Now, listen to me. If I beat
up on you and took your
smack I'd be within my rights,

because you can't deal
with people in this
outrageous fucking manner.

I don't have any smack.
I don't know who you are.
Look.

if you want money I'll give
you the cash I've got.

(EXHALES)

Your old man has got
shit for brains.

You got a good
place to stash this?

What is it?

That's smack. That's two keys.
It's never been cut.
I'm carrying it for John.

That's why you owe me money.

What am I supposed to do
with it? I work in a
book store, for Christ's sake.

You're supposed to hold
on to it. Your Johnny's
made some new friends.

You're a couple of marks,
you and John.

What do you mean, marks?

The people you're
dealing with are going
to see that right away.

What people? I don't know
who you're talking about.

You will.

Oh, he's really in bad shape.

You know he can't even
roll a joint. I mean, he
never cared about money

He must have just
flipped out over there.

He's not the only one.

Look, I don't know if
he told you or not
but we do have a child.

Now, can't you just take
it somewhere else?

No, Marge,
I can't take it
somewhere else.

SMITTY: How long is he
going to be in there, man?

I think he's dicking her,
that's what I think.

I'm going outside
for a minute. I've got
a bottle in the car.

I'll be right back.

Oh, look, look, look.

SMITTY: What's he doing?
What's he going inside for?

I think he made us.
Come on. Get the back door.

Shit.

What's going on?
We've got company.

Go in the back and
stay with your kid.

Why?
Do what I say.

Whatever happens don't
answer that front door.

Mummy.
It's all right.

What's going on?
It's all right

(GRUNTING)

(BANGING ON DOOR)

DANSKIN: I can't get
the door open.

(SCREAMING) What the...

DANSKIN: What the
fuck is going on?

(GROANS)

(GLASS BREAKING)

(GROANS)

I'll kill you quick!

Okay, okay, okay.

Okay, man, okay!

Don't move.

(MOANING)

(HUSHING)

Give me that hand.
Give it to me.

(COUGHING)

(GRUNTS)

Get down.

(CRYING)
Now, I want you to
just stay in bed.

(GRUNTS)

Raymond, you fucker!

DANSKIN: Raymond, this
isn't about you man.

You weren't even
supposed to be involved!

Shut up!

You ever seen these
guys before?

No. Who are they?
JANEY: Mommy?

They're take-off artistes.
That's who they are.

JANEY: Mommy!

Mummy, don't go away.
Don't leave me alone in here.

It's all right.

Raymond? Raymond,
listen to me, man.

There's no deal
it's just us.

Get up.

DANSKIN: You were just
supposed to make
the drop, man.

We got no problem with you.

All right, all right.
Come on...

DANSKIN: Raymond,
will you listen?

Marge! Come in here.

(HUSHING)

(CRYING)
Marge!

Marge!

(GROANS)

Get in here.
DANSKIN: Oh, shit,
this is theft man!

You're gonna pay for this.

You fucking...
He's gonna pay for it.

He's gonna burn!

Hey, don't involve
yourself in a disaster.

It's just her and her
husband a couple of idiots.

Nobody would pay them.
Would you?

Marge, get his keys.

DANSKIN: Hey, look.
What are you getting for
this run? A couple of grand?

I'll double it.
For Christ's sake!

I'm doing a favor for a buddy.
How are you going to
double that?

Give me the keys.

Maybe I ought to
kill you fellows.

It wouldn't help.

I might feel better.

You're going to
end up in the bag.
You know that?

JANEY: Mommy?

Pick up that gun.

(SHOUTING) Pick up that gun!

You're in big trouble if
you touch that gun, lady.

It's 30 years.
We're federal agents.

Are they?

No. They're the people
John was expecting.

Give me that.

Lady, you and your kid
are going to regret this.
I swear it.

RAY: Get the kid.
We're getting out.

Oh, let's give it to them.
They'd kill us anyway.

That's an intelligent young
lady. Can't you hear
what she says man?

I'm calling the cops.

Now listen to me. You call
the cops they'll nail you.

They'll nail John.
They'll take your kid away.
It's your dope.

Now you grab anything that
might say where we're going.

Pack some stuff for
yourself and the kid.

I'll be back in a minute.

MAN OVER RADIO:
Wild turkey,
come in, please.

We're getting wild,
Turkey, what's the...

Is she okay?

I don't know.
She's exhausted.

You got some place you can
leave her? Some place safe?

Are you crazy? I'm not
leaving her anywhere.

What, do you think
these guys are going
to forget about you?

Every bum in the state's
going to be looking
for that smack.

(CRYING) Oh, Jesus.

Come on, Marge,
Maybe we can get clear.

But not with your kid along.

I can't leave her.

You saw those guys.
They'll kill her
if they have to.

You want her to
have a better
chance than we've got

you leave her
some place safe.

(DOORBELL RINGS)

Edna?

Edna, I need help.
Marge, what is it?

EDNA: Come in.

l thought you were...
Come on, get in.

Where are we going?
I know what you thought.

(MUSIC ON RADIO PLAYING)

Are you going to tell
me where we're going?

I gotta place in LA.

We'll be there in eight hours.

♪ As long as I remember

♪ The rain been comin' down

♪ Clouds of mystery pourin'

♪ Confusion on the ground

♪ Good men through the ages

♪ Tryin' to find the sun

♪ And I wonder, still I wonder

♪ Who'll stop the rain

♪ I went down Virginia

♪ Seekin' shelter
from the storm

♪ Caught up in the fable

♪ I watched the tower grow

We should warn John.

Shouldn't we?

What are you going to
tell him? Go back to Saigon?

MAN ON RADIO: That's eight
a. m. Rock at Los Angeles
for the beat of K.F.R.H.

Stay here.

Ray?

What happened?

Neighborhood freaks.
Could have been worse.

Could have been a body in
this bag. The big ones eat
the little ones up here.

Come on. Welcome to LA.

(PEOPLE CHATTERING)

Marge.

(HORN HONKING)

Is Janey all right?

I talked to Edna.
Yeah.

Your father's sending
Janey to his brother's
place in Canada.

(CRYING) She's been there
before. She loves it there.

It's a farm, you know.

It's perfect,
you did the right thing.

Then Edna came at eight
in the morning with Janey.

Where are they now?

Marge is hiding some
place God knows where,
Janey's in Canada.

What's she doing
in Canada?

I sent her there because
her parents are criminals.

She's with Arthur.

What the hell are you
doing dealing in heroin?
Have you lost your mind?

Maybe. How much do you know?

There was a man here this
morning named Antheil.

A federal agent who
talks like a lawyer.

He asked me did I know
my daughter was caught
up in a narcotics ring.

They're already after us.
They have got you.

I have been
waiting all my life
to fuck up like this.

Well, you finally,
made the big time.

I can't believe I did this.

A sense of unreality
is not a legal defense.

If Marge is safe she'll call.

Where are you going?

I'm going home.
It's all I can do.

Stay away from the house.

Then what the fuck
am I supposed to do?

Run. Don't try any heroics.

They haven't heard
from John, have they?

Oh, God. Can you imagine
what Janey's going through.

When I was a kid once
I had days like that.

No, not like that.

You wait till I tell you
the story of my life.
You'll eat your heart out.

How did you turn out?

Well, your husband once told
somebody I was a psychopath.

Yes, that's the kind
of thing he'd say.

You think he could be right?

It's a very imprecise term.

Hey, bubi. Hey.

Come on. Get him in the car,

I shot a guy in the
gut one time in Nam.

It don't kill ya.

If I'd been there by myself
I'd have given it to them.

That's what we should have
done just given it to them.

It isn't yours any more.

Well, who's is it?

It belongs to
whoever controls it.

So is it yours now?

You know if you wanted
to rip it off you should
have done it before.

You never should have
shown up with it.

I can see where you could
be a real pain in the ass.

Oh, would you
like me to go home?

Well, I would love to
do that but I can't.

Come on, Marge,
you and John fucked up.

Don't give me your regrets.

You think I want that shit?

I never moved that
stuff in my life.

(STARTING ENGINE)

Wait a minute.

Maybe we could sell
it to them after all.

Try it again.

(STARTS ENGINE)

You know, they offered
you a deal.
We could still make one.

Shut it off.

We could still make a deal!

Who's we?

They know what
fuck ups we are.
They've got their pride.

I don't think
we could pull it off.

Well, I think
they're fuck ups too.

They're animals.
You can't make a
deal with animals.

Well, why don't we
just leave it? Bury it

No!
And just...

All my life I have been
taking shit from
inferior people. No more!

(EXCLAIMS ANGRILY)

When I left the marines
I made myself a promise.

Never again am I going to
be fucked around by morons.

The next mother who tries to
make me back off is going to
have to live it out with me.

(GRUNTS)

You're not playing
this right, John.

You've got to learn to
identify with your captors.
Like those guys in Korea.

What'd he say?

He said "Where is what?"

(GRUNTING)

(GROANING)

Okay.

Okay, John.
Come on, up you get.
That's a good boy.

Here you go.
You'll love this.

(SCREAMS)

What's it say?

"In danger all that
counts is going forward."

What else?

"By growing used to danger
a man can allow it
to become part of him."

"He grows used to evil."

Is that what happened to John?

Are we going to
talk about him?

When you knew Johnny
in the marines,
what was he like?

In some ways
he was beautiful.

In some ways he had
his head up his ass.

Like this number here.

Drink with me?

Why did you carry for him?

Because he asked me.

I don't always have
to have a reason
for the shit I do.

Why are you taking these?

Pain.

Bullshit. You gotta
habit, Marge How much?

I don't know.

I guess, I'm doing too much.

That's my last one.

Are we going to stay here?

No. We're gonna try
and move that stuff.

Where is she?

Where is she, bubi?

I don't know. I swear.

Hey, I've seen your
lady, John, she's big.

Big? She's not big.

(SMITTY LAUGHS)

Let me tell you
how it is, John.

I was humiliated in
front of your wife.

Your friend Raymond
chained me to a toilet.

The bastard thought
it was funny.

Hey, you know, your
old lady's fucking
that guy right now.

Moaning and groaning.
On the floor, on the bed.
Upside down, sideways.

What's this for?
You making pasta?

(MAKING HISSING NOISE)

You could scald
yourself, schmuck.

Pour it out.

We'll do what I said?
Leave the heat on.

Let me tell you
about your pal, John.

He looked at me, see.
And these was this little
twinkle in his eye,

like he's thinking, what
a schmuck this Jules is.

What a contemptible
fucking idiot.

And she helped him
do it, man.

I hated it!

Where is she?

I don't know.

(STIFLED SCREAMS)

You're sure you're
not lying, John?

You're lying to protect
her ass, man? You're
sure you're not lying?

(STIFLED SCREAMING)

You think your old
lady and Hicks care
two shits about you.

They're out there having a
good time together. Yeah.

And they're probably
still laughing about
how they tied

this stupid schmuck
to the toilet.

Again.

(PHONE RINGING)

Hold it.

Yeah?

No. No, there's nothing.

Okay.

Hey, bubi.
You can go home now.

Hi.

My name's Antheil.
Narcotics investigation.

I was just reading
your play.

Found it on the shelf over
there. I liked a lot of it.

I don't like the main
character though.

This Marine, he's
like a little jellyfish.

l guess you were supposed
to like him because he's
against the marine Corps.

Is that it?

Something like that.

Why doesn't he do something?

I mean go over the
hill refuse an order.

I couldn't sympathize
with a character like that.

Not everyone did.

The Marine in the play,
that supposed to be you?

No.

Maybe a little?

Maybe on some level.

You know what I think,
at some level?

I think you're the kind of
wise cocksucker that
writes a tear jerk play

against the marines and
then smuggles a shitload
of heroin into this country.

I deny that.

And no more literary
conversation
until I call my lawyer.

You mean Ben Odell?

No Commie lawyer's
gonna help you now.

What do you want from me?

A little help.

John.

Did you think about
who you were cutting
in on, running scag?

I don't know what
you're talking about.

The bike clubs,
the black guys in Oakland.
The syndicate.

And that's not all.

They've got a lot of
imagination when they
deal with clowns like you

trying to take a
piece of the trade.

I've heard the stories.

They're all true.

I can feed them your ass.

Just let you run
around loose. I guarantee

you'll be picked
off the streets
in less than 24 hours.

You know the only one
who can help you?

Me.

♪ Oh, and as I watched
him on the stage

♪ My hands were
clenched in fists of rage

♪ No angel born in hell
Could break that Satan's spell

♪ And as the flames
climbed high into the night

♪ To light the
sacrificial rite

♪ I saw Satan laughing
with delight ♪

Hi, Ed.

What did you say?
What did you need?

I fell into something.
I thought I'd look you up.

Oh yeah, good for you.

Can we talk?
I got something for you.

(LAUGHING)

Ray, you fucker. How come
I didn't know you, man.

It's been some time.

I want to move some scag.

Phew!

You know what it mean.

I don't see any problems.

What's life without a
dream, hey, Raymond?

ANTHEIL: Oh.

Look, just run the
name as Ray Hicks
through the computer

and give me everything
that comes up, okay?

No, forget that one.
I want the APB
on the Land rover.

That's right, there can't
be more than 20 of them
registered down there.

It's easy to spot.
It's a very
distinctive vehicle.

I don't know.
Try Washington.

Right. Let me know.

Who are those guys?

Witnesses. They're helping
me in an investigation.

Tell me about
your charming wife.

She's 30 years old.
She's half Irish, half Jewish.

Don't get smart with me.

I want to know
how to deal with her.

Is he the kind of broad
who'd burn her husband and
split with her boyfriend?

Or is she the victim
of circumstances?

If you really want to
know, I think she's
pretty moral basically.

"Pretty moral basically."
Oh, Jesus

What a couple of yoyo's.

You're in a lot of trouble,
my friend. And so is
you're crazy old lady.

If you help us, maybe I can
let you walk. Both of you.

You want me to help, huh?
That's right.

And if I refuse?

If you refuse?

Well...

There's always
your little girl,
what is it, Janey?

What do you want me to do?

I'll let you know.

You know our little
friend in Saigon told
me you were nuts,

but she didn't tell
me the half of it.

"Our little friend in Saigon?"

Yes, Charmian.

We go back a long way.
Even a dipstick like you
should have figured that out.

I'll let you know, John.

I'll sell you a key for 20.

I'll give you a rate for two.

I gotta tell you this
comes as a complete
surprise to me, fellow.

Not the sort of thing
I would've expected
from you, personally.

But that's the fucking
war for you.

You could approach a small
group of responsible people.

You want to sell scag
the film industry, is
that what you're saying?

A dealer with a
clientele like that
is perfect for him.

Jesus, Ray.
You're in here with the
big town with all that shit.

Doesn't it make your
heart go pitty-pat?

I'd be scared, man.

Am I talking to the
right person, Eddie?

Am I God, Ray?
How would I know.

Look at those kids
I want it. l want it.

I sit still for every big
creep in town. Do me this,
Eddie. Do me that, Eddie.

Even you, man. I'm sitting
on all this shit, Eddie,
please lay it off for me.

If you want it, say yes.
If not, say no.

All right, all right.
I got some ideas on this.

l been associated with
this guy. He's English
he used to be a masseur.

He has a lot of
goof-sie works.

He knows what
everybody likes.
He might be the one.

No intrigues? Eddie.

Paranoia, Raymond?

Whatever.

I'll put you in touch.

How about tonight?
Tonight?

Man, you must
be desperate.

How's your friend?

If I was smart I wouldn't
even know him.

Are we scared?

We don't know the
meaning of scared.

Did you eat anything?

No.

Do you want to call your kid?

They can't trace
one phone call.

Sure, I'll call her and say,

"Hi, honey.
this is your Mummy,

"She loves you very much"

"But she has to go bye-bye."

I know all about that call.

I can handle the rest of it.
It's what's in my head
that's gruesome.

(CRYING)

Okay, we're going
to get you high.

Don't joke with me.

I'm not joking, come on!

RAY: I don't know much
about that stuff
you've been taking.

So, I don't know what
your tolerance is.

All right, snort it like coke.

Let's see if you get off.

(SNORTING)

Go ahead, hit the other one.

(SNORTING)

(INHALING DEEPLY)

Okay, come on.

Oh.

Better than a week
in the country, right?

Oh, it's a lot better than
a week in the country.

Oh, it's good.

Oh, right there.
In there.

Oh, great.

It does funny
little things to you.

Do you remember last night?

I remember everything,
with absolute clarity,
since you walked in on me.

Not one funny little
thing slips by me.

Do you believe me?

What can I do?
I gotta believe you.

(MOANS) Oh.

You know, I was really
strung out there.

Don't brag about it, it's
not such a tough condition.

(SIGHS)

This isn't what you
want, not really.

Maybe it is.
It's simpler than life.

I'm going to call Eddie.

Whatever's right.

(WHISTLING)

Check and mate.

Where the fuck
did that come from?

I never seen that.

You got me.

You stupid little bastard.
You better learn
how to play the game.

You hit my fucking
bridge, man.

Tough tit.

Why don't you read a
goddamn chess book
for once in your life?

I hate jailbird chess.
I hate the style.

Like a god dam little Tweety
bird. Oh, here's a move.

It's fucking degrading.

Plenty of guys belt
you when they lose.

Fucking Danskin,
he wins and he hits you.

Where do you think
I learned how
to play the game?

I learned it
in the slammer, man.

I can't help that.

Hello there, you brought
your samples with you?

Did you make your contact?

Who are you?
The school teacher?

It's the big dealer and
the woman of mystery

Well, come on in
and say hello.

Oh.

Who the hell are you, Raymond?
Buffalo Bill?

You're going to love this guy.

Is that the Englishman?

Patience, man. Our hosts
here are the nicest folks
you'd ever want to meet.

Gerald and Jody,
this is Raymond and...

Marge.
ED: Marge.

Hello.
Hello.

Sit down.

Is that the Englishman?

Gerald's a writer.
And a hell of
a writer at that.

Gerald, explain
yourself to the man.

This may not be easy.

Well, you see, I've been
fooling around with a project
that concerns drugs.

I've done dope like
a lot of people have.

I mean, I've smoked
a lot of grass.

And I've had some
beautiful things on acid.

Excuse me.

I want a word
with your friend.
Wait for me.

It's all right.

Oh, please.
Come and sit down.

Would you like some Chablis?

What is this shit, Eddie?

He wants to cop.
I thought you'd be amused.

I don't want this
insanity, man.

Then you're stupid.

What you got to sell
is a "No-No" around here.

For $6000 I'll take
it off your hands.

With a little imagination.
You could screw Gerald
for a lot more.

You'd give me what?

The guy's loaded, his wife's
an heiress. They've got no
conception of money.

You said $6000.
Take it easy.

Hey, Eddie. I'll burn
it before I'll take
a fucking like this.

You'll take a fucking
like you wouldn't believe.

You want to get hip man.
Now, I'm warning you.

You're doing me.
You're doing me.

Take your hands
off me, cocksucker.

You nickel and dime asshole.

Don't you dare threaten me
with violence. You're way out
of your league here, Jack.

You're not selling grass
to college girls down here.

I'm doing you a favor.

You're too vain, Eddie.

You think so?

I can lay this off for you.
Ain't nobody else can.

You don't have the bread.

Oh, yes, I do.

And when we're finished
here we'll take a little ride,
and do a little business.

Finished what?

We're going to turn Gerald
on and then he's going
to do us a few favors

because he's a nice
cat and we're going
to make him scared.

We're going to put you
into his life. And then he's
going to want everything

back the way it was before.

You like it?

Yeah. I like it, Eddie.

And this is what I call
narcotics paraphernalia,
Eddie.

I got better than that,
sweetheart.

I got some coke
to run with it.

Ed's my absolute
picture of the operator.

Mine too.

Ray's the operator.
Not me.

But is Ed an addict, Gerald?
I don't know.

I didn't know
he was an addict.

Yeah, Ed's an addict.

Ain't you, Ed?

None of your fucking business.

Oh, shit, yes. Oh, shit!

(EXCLAIMING) Oh, Chihuahua.

Is it Mexican?

(LAUGHING) Is it Mexican?

She wants to know
if it's Mexican.

Okay, who's next?

What about me?

It's gotta be you.

Unless you'd like to
go first, darling.

GERALD: No, there's no
reason you shouldn't.

Now you give me some
place nice, eh?

Gerald, I want to
take her pants off.

Does he know
what he's doing?
Mmm-hmm.

Bend down.

That's real pretty.

Careful.

(GRUNTS IN PAIN)

Oh, is that very good?

(EXCLAIMING IN PAIN)

No, that's enough.

Oh. Oh. Oh, Eddie, stop it.

Ouch. Ouch.

I think I need
a little rest now.

I got to, I got to.
Hey, I goofed.

(JODY CRYING)

Okay.

Shall I take my pants down?

No, sir. You don't have to.
Sit down.

Hey, don't hit him
in vein, Raymond.

Hey, Eddie. I'm not gonna
get him in the vein, man.

Don't look.

Oh, my God.

Eddie. Eddie.

Help, my God.
Eddie, it's a vein.

Hey, Raymond. Come on, Ray.
What are you doing, man?

I told you not to
hit the vein.

(CRYING)

Hustle now, creep.
Let me see you hustle now.

Why did you do it, Ray?
Why did you do it, Why?

Your too vain, Eddie
You're too vain
to take a joke.

Good God. Ray.
Why did you do it?

Get your stuff.
We're getting out.

We've got to help them.
Come on. We're going.

Let's get out.
Ray!

God help me, god!

Get u, get up!

Man, I want out
of this fucking city.

What were you trying to do?
Kill him? He's just
a jerk with a dumb idea

the same as us.

Eddie Peace knows what to do.
He'll pull them through.

Why Gerald?

'Cause he's a Martian.

They're all Martians.
And I'm a loyal American
who fought for my flag.

Peace was fucking with
me and I don't take
shit from Martians.

In Vietnam I had men
that were dead the day
they hit that place.

In the morning they
were in Hawaii, in the
afternoon they were dead.

So fuck Gerald?
That's right. Fuck Gerald.

I was pissed off.
It seemed like a good idea.

Where are we going?

South.

Now, for my first deal today
I'm going to give you...

(WOMAN SQUEALING)

I'm going to give you
a place you can take all
the salad out the fruit salad.

No, I'm not going to
do it. Is it real?
Are they real? Marvelous.

Great. I'll have that.
I'll have it.

During the commercials.
Is that all right?

Turn that shit off.

WOMAN ON TV: Oh, I'd love it.

MAN ON TV: All right,
Jane has bought this
case down the aisle.

How do you guys
know each other?

Antheil introduced us.

Antheil's quite a fellow.

The coolest.

Fucking guy's got
bread stashed away,

beautiful home,
chicks coming and going.

They say the
system don' t work.

Don' t tell that to Antheil.

Does he pay you?

What? Do you think
I do this for nothing?

I get a crack at a job at
the Agency after this.

Don't you have a record?

That don't mean shit.
If Antheil says you're
in, you're in.

I could really go for that.

You could be a
second Antheil, right?

What about Danskin?

Does he want to work
for the agency too?

He's a brute, man.
Psycho.

(PHONE RINGING)

A dude like that, he can't
deal with the public.

(COUGHING)

It's me.

Right.

Great.

We're moving out.

They spotted the
boyfriend's car in LA.

Know who's with him?
Your bigger half.

(LAUGHING)

♪ As long as I remember

♪ The rain been comin' down

♪ Clouds of mystery pourin'

♪ Confusion on the ground

♪ Good men through the ages

Thank you.

♪ Tryin' to find the sun

♪ And I wonder, still I wonder

♪ Who'll stop the rain

Get me the map. I want
to take some back roads.

Jesus. Home on the range.

You just missed Yuma.

That's California.
We need Arizona
New Mexico.

Are you talking
about the border?

No. We're going
to the Mountain.
Elojo Grande The Big Eye.

DANSKIN: What are we
going to do now?

ANTHEIL: We're going
to go after them? What else?

We're going on the
road, fellow.

We've located your wife.
I'm arranging
a touching reunion.

I just had a very
interesting talk with an
old buddy of Ray Hicks.

Tell me. How do you feel
about your wife and Hicks.

How do I feel about them?

Yeah?

I feel left out.

What the fuck is this?
We're going to New Mexico?

That's right.

Land of enchantment.

When we go in you're
going to help us negotiate.

Negotiate?
Yeah.

Maybe we'll exchange
you for the dope.
I don't know.

We'll improvise. Psychodrama.
You get to be the star.

I knew I wasn't looking at it
right I mean I was considering
all the legal issues here.

Let me worry about that.

I'm very good in court.
You ready to go, fellows?

But wait a minute.

We're going to be at the back
of beyond, man. How are we
going to contact you?

I'll be waiting for you.
It's near the border. I have
a colleague down there.

We've done business before.
He's going to let me know
when Hicks arrives.

Antheil they arrive.

What is this?

What did you have here?

Lion hunts.

Hoe downs, celebrations.

Light shows.
Tribal dances.

Sounds like fun.

No doubt about it.

Dieter!

(VOICE ECHOES)

I have come home.

This is Dieter Pravda's
place.

He's the man
we need right now.

If anyone can lay
that stuff off, he can.

Come on, let's start walking.

It's a house way
up there on top.
Here, give me your hand.

I don't know if
he's up there but
he's never gone for long.

Anyway, Dieter doesn't care.
We can stay there forever
if we want to, babe.

The Jesuits built it in
the missionary days.

They came up here
when they were hassled.

It's kind of a retreat.

Dieter's had it
for about 10 years.

MARGE: Jesus.
Yeah.

Hey, beautiful come on out
here a minute and talk to me.

You know what?
I put this whole
system in myself.

Yeah?
See these wires.

They run all the way
down the mountain.

You can run all that
stuff in the valley
from up here.

You know, when I came
up here in '65.

There were all kinds
of people here.

Dieter hauled in a couple
of tons of hardware.

He had speakers amplifiers,
tape decks, microphones,

all kinds of lights.

Came in and said
we'd got to get it
all together. Hook it all up.

One big circuit.

Well, I'm the only one
that knows anything
about that shit.

So I get the job.

Everybody else is so ripped,
they couldn't change a battery

in a Jap radio.
I'm laying wire
from hell to breakfast.

Took me about four weeks.

And half the time I was so
stoned. I couldn't talk.

But by Christ we did it.

(RADIO PLAYING)

One big circuit.

Man we made this
mountain boogie.

I'd have liked to
have seen that.

Where were you?

Come on.

Come here. Come on.
Oh, no, no, no.

No!
Come on, let's do it!

Come on, babe, don't be
scared. I want to see
strut your stuff.

When Dieter gets back,
we'll have a celebration.

We'll have some of that
old time weirdness.

What do you think
you're doing?

Don't worry,
nobody's watching.

Oh, why not?
Fuck real life.

That's right.
Real life don't
cut no ice with us.

(LAUGHING)

♪ Hear that lonesome
whistle blow

♪ That's your cue and
by now you know

♪ That I got another true
lover waitin' in Tennessee

♪ This midnight special's
a-burnin' the rail

♪ So woman don't
try to follow my trail

♪ This Golden Rocket's
gonna roll my blues away

♪ Hear her thunder
on through the night

♪ This Golden Rocket
is a-doin' me right

♪ And that sunny old Southland
sure is a part of me

(HELICOPTER WHIRRING)

Wait a minute.

♪ Your fire went out, you
done lost your flame

♪ And this Golden Rocket
is a-rollin' my blues away ♪

RAY: It sounds like a chopper.

That's either the
border patrol or a bust.

That must be the main
trail going up to the house.

There's another one for you.

Several trails up there.
You'll find them
marked on the map.

Which one do we take?
That's up to you.

Read the map, for Christ sake.

It's pure smack.
All over the seats.

Maybe he can read it.

Right. Who knows?

These people may be
actively hostile to
those creeps up there.

They'll have
specialized knowledge
about access routes.

This is somewhat
different from what
we had envisioned.

That's true.

Antheil's pissed off.

Let me make one thing clear.

Tomorrow morning
we're going to have
to act officially.

There'll be local police
involvement. There will be
regulation procedure.

There will be arrests.

And there will be
confiscations.

Smitty, you get that.

Uh-uh.

Cops will grab
the dope, right?

You'll get zip.

Shut up, smartass.

So we only got to morning to
take it all through, eh?

That's right.
Right.

You two going in with us?

To some extent.
We will be here
to back you up.

Shit man, you told me
you had this place cased.

I don't even know how many
people he's got up there,
for Chris' sake.

Any mishaps just get
out of it at first light.
I am not kidding.

We're going to be
all over cops.

Right.

Let's go.

I don't think Antheil
is pissed off.
I think he's scared.

Just shut the fuck up.
Don't say a word.
Not one word.

When you are supposed to
talk I'll tell you. Right?

Right.

Hi there, fellow!
Senor.

We are looking for some
hippies living round here.

You know Hippies,
freakos. Savvy?

Guy named Ray Hicks
is with them.

Hippies?

They live up in the
mountain here. Right?

I don't know.

You know the way?

I don't go there.

Hold it, tamale pie.

(COCKS GUN)

Going to show us
the way there?

(SPEAKING SPANISH)

Hey, schmuck
Chili head.

Is anybody coming,
Sister Ann?

Hmm?

You're supposed to say,

"I see only the sun and
the grass looking green"

How much of that
shit are you doing?

Oh, I don't know.
There's so much of it.

I can see you killing
time on the road.

But you'd better use
some moderation.

Nobody can surprise us.
We have got the
high ground here.

We're going to win this one.

You know that?

Listen.

If we can lay that stuff off,
we'll go down to Mexico.

I know some people there.

Hey, hey maybe
we'll get a boat.

Who's going to be
on that boat?

Where's that boat
going to go?

That's going to have
to be some boat.

Hey, hey, hey!

Don't fold on me, Marge.

Play some of that music.

Okay.

Stop it, will ya?

Oh, how I hate this crap.

(GRUNTS)

Hey, Jules, you all right? Shit.

I should've worn sneakers.

(MUSIC PLAYING)

♪ From old Montana
down to Alabama

♪ I've been before
and I'll travel again... ♪

(MUSIC PLAYING INDISTINCTLY)

What the hell is that?

Where the fuck is
that coming from?

How the hell am I
supposed to know?

♪ I'm tired of runnin'
on the same old track

♪ Bought a one-way ticket
and I won't be back

♪ This Golden Rocket's
gonna roll my blues away ♪

Hey, schmuck.
Where's that...

Oh, shit.
Hey. Hey.

Watch out, man. Get down, man.

Hey.

(GUNSHOTS)

Get inside.

What was that?
Who's shooting?

Where did he go?
Shit.

I knew he wanted to run.
I didn't think
he'd get it on, though.

They heard us. Fuck it,
man, they heard us.

Get inside.
And stay out of sight.

Can you read me?
Over, for Christ sake.

Yeah, yeah, yeah.
we lost Conto.

We're in tree city, man.
Who knows where we are?

What do you want us
to do now? Over.

Just keep going up.
What else? Over.

Right. Come on. Let's go.

Hey, Jules,
I've got to get high.

Oh, shut up, schmuck.
Come on, come on, come on!

You no-good asshole,
come on!

Don't call me
an asshole, yeah?

Those shots came from
a high power rifle
from down below.

It could have been a
hunter, couldn't it?

No, there's gonna be a bust.

We have been turned.
Who by?

Eddie Peace.

I should've killed him
when I had a chance.

Go, get ready to sprint.
Go on.

What a shit.
Walking everywhere.
All for this, asshole?

I beg your pardon?

You like this?
Trees and weirdness?

The great outdoors.
Are we lost?

I don't know yet.

I'll let you know
when I find out.

SMITTY: Why the hell are
we walking downhill now?

DANSKIN: How the fuck
should I know. You're
leading, aren't you?

Holy shit!

Oh, wow.

Hey, Jules.

DANSKIN: Shut up, you idiot.

Look at that.

Get in here.
Give me that thing.
Give it to me.

How the hell are we
supposed to get on
the other side, man?

How the fuck do I know,
man? We're lost.

Give me that fucking
thing, will you?

Come here, schmuck,
Hey, get in here.
Get in here.

Max One. Max One
We're on the wrong mountain.

What do ya think
of that? Over.

Tell me about it. Over.

Well, we can see the place.
But we're fucked. We can't
do a thing from here. Over.

How much closer can you get?

About two more feet
then it's Grand Canyon.

All right, get in position.

Take cover. Move asshole
up where they can see him.

Tell them you'll shoot him
if they don't produce.

Man, what do they care.
They'll laugh at us.

Make asshole do the talking.

He can use his
influence on his wife.

What do you think, schmuck?

You think she'll come
through for you?

I don't know.

Let's go, come on!

(BRAYING)

Ray. Ray Hicks.

Is that you, Pidio?

Ray.
What's up?

There's five guys.
They have guns.

Where?
Three over there.

They know you are here.
Which side?

The other side of the canyon.

There?
Yes.

The other two?
In the valley.

You know something?

They may not be cops at all.

JOHN: Marge?

(GASPS)

Marge! It's John.

Stay in here. Pidio,
check the back trail.

Tell her to give it to
us, or we'll kill you.

Give it to them.

Or we'll kill you.

You think this is funny?

No.

Then say it.

Or they'll kill me.

Ray.

(GUNSHOT)

DANSKIN: It tolls for thee,
motherfucker.

We have to do what he says.
Stay right here.

We have to stall them.

Say. Please let us go.

Please let us go.

We have to dig it up

We have to dig it up.

Say it again, louder.

No. I'm going down.
I'm through.
It just isn't worth it.

They can have the dope
and me with it.

They're stalling.

Hey, lady,
we got your kid.

Marge.

They're lying.

How do I know that? How?

If you think they have her,
you tell them to produce her.

Produce her? They're gonna
burn her with cigarettes.

Oh, for Christ sake, Marge.
They haven't got her.

She's with your family.

I'm taking it down.

SMITTY: Hey, Jules.
What?

I want to shoot that
horse. Can I?

(LAUGHS) What an idiot.

What do you think they're
going to do? Let you walk?
You'll never make it.

No?

I'm coming down.
I'm bringing it with me.

Do you hear me?

Do you hear me?

No.

Hicks brings it down.

Not you. Hicks.

You heard them
They want you
to bring it down.

Negative.

(BRAYS)

Oh!

No! Stop!

Stop. I'm bringing it down.

Please stop the shooting.

SMITTY: Oh, wow.

I could put one right
between her eyes.

Hey Cut it out. Cut it out.

Hicks won't do it.

I'll bring the stuff down.
I swear it.

DANSKIN: No. You heard me.
Hicks brings it down.

Hicks won't come down.
Won't even talk to us.

Wife says she'll bring the
stuff down. I don't know.

They're getting foxy. Over.

Can you see her?

Yeah, man. She's right
across from me. I could
hit her with a rock.

God damn it.
What's the problem?

All right. We'll just appeal
to her finer feelings.
Let me talk to asshole.

Here he is.

Converse, can you hear me?

Yeah, yeah.
He can hear you.

All right, get down
on your knees.

Is he on his knees?

(GRUNTS)

No!

Yes, he's on his knees.

Now, put your hands together
like you were praying.

Are his hands together?

What are you doing?

Are his hands together?

Come on, don't be crazy.
Do what he says.

Are his hands together?

Yeah, yeah. He's praying.
Come on, let's get on with it.

Wait! Please don't shoot him.

DANSKIN: Then tell Hicks
to get his ass down here.

I'm tired of pissing
around with you, lady.

Get that stuff down here
or I'll blow his head off.

(FEEDBACK SCREECHING)

RAY: Shoot that man.

If you shoot that man,
no one comes down.

I repeat it.

If you shoot that man
no one comes down.

Fuck you.

ANTHEIL: All right, hold it!

Ray, if you don't go
they're going to kill him.

No, they won't.
They need him.

You won't go?

DANSKIN: Hey, Marge, hurry up.

Do what you
think is right.

I'm coming down.

I will give it to you
if you let him go.

I know. I know.

All right. It's agreeable.

What do you mean?
It's agreeable?

ANTHEIL: It's one of those
times when you have
to be optimistic.

When she gets down here
we'll be waiting for her.

What do we do with asshole?

Just keep him with
you in one piece.

You guys keep her
in sight as she
comes down. Over.

It's agreeable.

That Antheil better
watch his ass, boy.

That Hicks will kill you.

Hurry up!

Is the trail
marked clearly?

Yeah. Do you want a light?

No, no, hold it.

I'm going to cover you all
the way down the trail.

I don't want you to
cover me, and I don't want
any more stuff with guns.

Okay, talk to them
about that.

DANSKIN: We see you.
Now bring it down.

She didn't even say goodbye.
How about her?

They'll be waiting for
her in the amphitheatre.

If I go down the goat trail,
the trail you came up, I'd
be right behind them. Right?

Yes, but Ray.
They are five.

They got my buddy, man.

And they're going to kill
him and that pretty lady.

How am I going
to let them do that?

Do you see the way
she walked to her fate?

Nothing but class.

She's the love of my life.
No shit.

Beats the hell out
of all of them.

Pidio. Do the lights in
the valley still work?

I don't know, Ray.
I think so.

Let me tell you how
this works. We're going
to give them a show.

When you hear this go,
hit these and these.

Crank up the volume
and then hit that.

Wait here for me.
I'll be back.

Hey, let's keep together.

Are you all right?

I could beat you to death.
You know that?

Absolutely.

(HUMMING)

Shut up. What the fuck
is the matter with you?

I don't know.

But pretty soon
I'm either going to be
away from you or dead.

And either way
it's fine with me.

Want odds?

On what?
On dead.

Stop.

Right. Come ahead,

I have it.
Shut up.

That way.

Drop it.

Where's John?

He's here.
You're safe now,
Mrs. Converse.

Where is he?

Shine a light on him.

It's going to be okay, see.

You got it?

Yeah, we got it.

Keep going, honey.
This is your
touching reunion.

Smitty, she brought it.
Don't hurt her.

No. No need man.

Hey, wait a
goddamn minute!

They've got
a switch on us.

Run. Marge.

RAY: Over here, Marge.

(GUNSHOT)

(GRUNTING)

Keep your head down.

RAY: Up here, Marge.
Get behind these rocks.

(HI-PITCH SCREECHING)

♪ From old Montana
down to Alabama

♪ I've been before
and I'll travel again

♪ You triflin' women can't
keep a good man down

♪ You dealt the cards, but you
missed the play. So hit the
road and be on your way

SMITTY: Jules!

Jules!

♪ So honey never hang
your signal out for me

♪ I'm tired of running
on the same old track

♪ Bought a one-way ticket
and I won't be back

♪ This Golden Rocket's
gonna roll my blues away ♪

JOHN: Ray?

RAY: Where are you?

JOHN: Below you to the right.
I'm coming in.

RAY: Okay, I'll cover you.

♪ Hear that lonesome
whistle blow

♪ That's your cue and
by now you know

♪ That I got another true
lover waitin' in Tennessee

♪ This midnight special's
a-burnin' the rail

♪ So woman don't try
to follow my trail

Johnny.

♪ Hear her thunder
on through the night

♪ This Golden Rocket is
a doin' me right ♪

The fucking head guy,
who is he?

He's some kind of cop.

He's not straight.

No shit.

RAY: That guy's going to
have to run for it.

Nailed him.

I've got two of them
boxed in I think
the other two are dead.

You two can
get out of here.

All right. Here's
what you got to do.

The two of you drive out
of here to the highway, go
west to the railroad tracks.

You're going to pick me
up there in the morning.

Come with us.
No.

(GUNSHOT)

If those guys get to the radio
every cop in the state's
going to be on our ass.

Now I can keep them
pinned down here for hours.

You meet me on those
tracks in the morning.
It's the only way, John.

Go on, for Christ sake.

Wait a minute.

♪ Hey, tonight

♪ Gonna be tonight

Hurry, go ahead.
What are you
waiting for? Go on. Go.

♪ Tonight

♪ Hey, come on

♪ Gonna chase tomorrow

♪ Tonight

♪ Tonight

(GROANING)

♪ Watch me now

♪ Jody's gonna get religion

JOHN: Get in and turn
the lights on, Marge.

I've got to get the keys.
Hurry up. Now.

Here, here,
let me strap you up.

Easy, easy.

(SNORTING)

When did you start that?

Johnny.

It's your wonderful smack.

You can't stay
this way, Marge.

I know.

I know.

He's walking out there.

Yeah. Let's go get him.

Hey, John.

I got it. I got it all.

You be there for me.

(GROANING)

Don't cringe man.
It don't do no fucking
good to cringe.

I don't know. I don't know.

But I been told.
That Eskimo pussy
is mighty cold.

Left, left.

Left, right, left.
Ain't no use in going home.

Jody's got your girl and gone

Ain't no use in feeling blue.
Jody's got your sister too.

I'm going to take
a three day pass I'm going
to whoop old Jody's ass.

Sound it all now, one,
two, hit it again, three four.

Bring it all down one two.
Three, four.

Three, four.

Left, left, left, left.

No, no, no, no, Ray! Ray!

(CRYING) No, he's not dead.

Marge. I've got to bury him.

No. you're not
going to bury him.

Don't you touch him.
Don't you dare touch him.
Get out of here

Get away.

No!

No.

No! John!

(SPEAKS LATIN)

Move over, Marge.

If we stay here
and grieve we'll be
just as dead as he is.

♪ As long as I remember

♪ The rain been comin' down

♪ Clouds of mystery pourin'

♪ Confusion on the ground

♪ Good men through the ages

♪ Tryin' to find the sun

♪ And I wonder, still I wonder

♪ Who'll stop the rain

♪ I went down Virginia

♪ Seekin' shelter
from the storm

♪ Caught up in the fable

♪ I watched the tower grow

♪ Five year plans
and new deals

♪ Wrapped in golden chains

♪ And I wonder, still I wonder

♪ Who'll stop the rain

♪ Heard the singers playin,
how we cheered for more.

♪ The crowd had rushed
together, tryin' to keep warm

♪ Still the rain kept pourin,
fallin' on my ears.

♪ And I wonder, still I wonder

♪ Who'll stop the rain

♪ I went down Virginia

♪ Seekin' shelter
from the storm

♪ Caught up in the fable

♪ I watched the tower grow

♪ Five year plans
and new deals

♪ Wrapped in golden chains

♪ And I wonder, still I wonder

♪ Who'll stop the rain

♪ Heard the singers playin,
how we cheered for more

♪ The crowd had rushed
together, trying to keep warm

♪ Still the rain kept pouring
falling on my ears

♪ And I wonder, still I wonder

♪ Who'll stop the rain