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WWW.MY-SUBS.CO
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00:00:04,755 --> 00:00:05,923
[Bobby playing organ notes]
2
00:00:05,923 --> 00:00:07,090
‐ You good, baby?
3
00:00:07,090 --> 00:00:08,383
‐ Yeah. I'm good.
4
00:00:08,383 --> 00:00:10,219
‐ That's my bitch,
5
00:00:10,219 --> 00:00:11,929
and this right here is my town.
6
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‐ It's my town.
7
00:00:13,430 --> 00:00:15,307
[tense music]
8
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Just fucking go home, yo.
9
00:00:16,558 --> 00:00:18,602
‐ We 'bout to send you home
in a box.
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00:00:18,602 --> 00:00:20,896
PROSECUTOR:
Ladies and gentlemen
of the jury,
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00:00:20,896 --> 00:00:23,899
Bobby Diggs
came from New York.
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00:00:23,899 --> 00:00:26,860
He brought trouble with him.
13
00:00:26,860 --> 00:00:27,861
DENNIS:
Hey, yo, where you goin'?
14
00:00:27,861 --> 00:00:29,738
ASON: Back.
‐ To New York?
15
00:00:29,738 --> 00:00:32,449
‐ Yeah, son, I got some pussy
waitin' on me right now.
16
00:00:32,449 --> 00:00:34,368
‐ We closed, motherfuck‐‐
17
00:00:34,368 --> 00:00:35,786
SHANK:
Shutting you down, New York.
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00:00:35,786 --> 00:00:36,995
[gunshots]
19
00:00:36,995 --> 00:00:38,330
[grunting]
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00:00:38,330 --> 00:00:41,083
PERSON:
[grunts] Shit!
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00:00:41,083 --> 00:00:42,376
[gunshot]
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00:00:42,376 --> 00:00:44,294
[monitor beeping]
23
00:00:44,294 --> 00:00:45,754
‐ Hey, where‐‐
where my backpack at?
24
00:00:45,754 --> 00:00:47,047
‐ Wise gave it to my mom.
25
00:00:47,047 --> 00:00:48,674
She gonna post Bobby's bail.
26
00:00:48,674 --> 00:00:50,175
‐ Why do you carry a gun,
Bobby?
27
00:00:50,175 --> 00:00:52,552
‐ I guess it's a sign
of not losing the fight.
28
00:00:52,552 --> 00:00:53,887
‐ Well, your next fight,
29
00:00:53,887 --> 00:00:55,555
it's not gonna be
in the streets.
30
00:00:55,555 --> 00:00:57,474
It's gonna be in a courtroom.
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00:00:57,474 --> 00:00:58,892
BOBBY:
♪ A Black man in fear ♪
32
00:00:58,892 --> 00:01:00,894
♪ Of the police arresting me ♪
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00:01:00,894 --> 00:01:02,688
♪ Illusions of luxury
possessing me ♪
34
00:01:02,688 --> 00:01:04,064
♪ Like God is testing me ♪
35
00:01:04,064 --> 00:01:05,983
♪ Scared to manly face
all the demons ♪
36
00:01:05,983 --> 00:01:07,734
♪ That's confronting me ♪
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00:01:07,734 --> 00:01:10,988
‐ The jury finds the defendant,
Robert Fitzgerald Diggs,
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00:01:10,988 --> 00:01:12,698
not guilty.
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00:01:16,868 --> 00:01:20,038
ALL: Hey!
BOBBY: Yo!
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00:01:20,038 --> 00:01:21,206
[laughter]
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00:01:21,206 --> 00:01:22,583
LINDA:
Aw.
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00:01:22,583 --> 00:01:24,251
DENNIS: Yo, yo.
BOTH: Son.
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00:01:24,251 --> 00:01:25,460
DENNIS:
Welcome home, son.
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00:01:25,460 --> 00:01:26,712
‐ I'm back, man.
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00:01:26,712 --> 00:01:28,463
‐ I knew you were coming home.
I could feel it.
46
00:01:28,463 --> 00:01:30,632
‐ Oh, yeah?
You got ESP?
47
00:01:30,632 --> 00:01:33,594
‐ Randy has never said
his prayers more in his life.
48
00:01:33,594 --> 00:01:35,012
His daddy even said a couple.
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00:01:35,012 --> 00:01:38,181
‐ Justice system
finally got something right.
50
00:01:38,181 --> 00:01:39,891
[agreeing murmurs]
51
00:01:39,891 --> 00:01:41,893
‐ All right.
Here's to this family.
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00:01:41,893 --> 00:01:43,687
Moving forward.
‐ Yes, yes.
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00:01:43,687 --> 00:01:45,272
ALL:
Cheers.
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00:01:45,272 --> 00:01:48,066
[phone ringing]
LINDA: All right.
55
00:01:48,066 --> 00:01:50,319
‐ Wow, this is a lot better
than toilet wine.
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00:01:50,319 --> 00:01:51,486
RANDY:
Ew!
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00:01:51,486 --> 00:01:54,031
You drunk from the toilet?
Like Sheeba?
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00:01:54,031 --> 00:01:55,324
LINDA:
Bobby.
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00:01:55,324 --> 00:01:58,243
Somebody wanna speak to you.
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00:01:58,243 --> 00:01:59,870
‐ Yo.
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00:01:59,870 --> 00:02:00,996
Peace.
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00:02:00,996 --> 00:02:03,040
‐ Peace indeed, little bro!
63
00:02:03,040 --> 00:02:05,125
‐ Yo, what's good, boy?
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00:02:05,125 --> 00:02:06,418
‐ The God is free!
65
00:02:06,418 --> 00:02:07,836
‐ Yo, we got a party
on this line or what?
66
00:02:07,836 --> 00:02:08,920
‐ No, no‐‐
[laughs]
67
00:02:08,920 --> 00:02:10,589
Nah, nah, it's just us,
you know?
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00:02:10,589 --> 00:02:12,382
‐ Nah, it's not just us, son.
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00:02:12,382 --> 00:02:14,301
Say "what's up" to your boy.
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00:02:14,301 --> 00:02:16,261
‐ Yo, what up, B‐O‐B?
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00:02:16,261 --> 00:02:18,347
‐ Hey, yo, glad you out, kid.
BOBBY: Yo, respect.
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‐ Ason.
SHOTGUN: Pass the method, son.
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00:02:19,806 --> 00:02:20,849
[static crackling]
‐ Ason‐‐Ason!
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00:02:20,849 --> 00:02:22,184
I think your phone's
outta range.
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00:02:22,184 --> 00:02:25,729
Yo, Bobby, I know we ain't
there with you,
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00:02:25,729 --> 00:02:28,649
but your acquittal is a‐‐
is a blessing for all of us.
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00:02:28,649 --> 00:02:30,984
‐ Yo, thanks, 'Vine.
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00:02:30,984 --> 00:02:32,235
Miss you, man.
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00:02:32,235 --> 00:02:33,403
‐ Yeah.
[laughs]
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00:02:33,403 --> 00:02:34,821
Yeah, I miss protecting
your skinny ass.
81
00:02:34,821 --> 00:02:36,573
‐ Yeah, I miss
protecting you too, son.
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00:02:36,573 --> 00:02:39,368
‐ Yo, hold up.
You call Bobby or he call you?
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00:02:39,368 --> 00:02:40,702
‐ Come on, cuz, I know you not
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00:02:40,702 --> 00:02:41,953
acting like that
with me right now.
85
00:02:41,953 --> 00:02:43,455
‐ You runnin' up
my long distance bills, son!
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00:02:43,455 --> 00:02:44,998
[both arguing]
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00:02:44,998 --> 00:02:47,084
BOBBY:
Hey, yo, yo, 'Vine.
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00:02:47,084 --> 00:02:49,336
Mommy said you're getting out
the halfway house today.
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00:02:49,336 --> 00:02:50,504
Yo, congrats, man.
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00:02:50,504 --> 00:02:51,713
DIVINE:
Yeah, finally.
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00:02:51,713 --> 00:02:53,799
I'm gonna see you real soon.
92
00:02:53,799 --> 00:02:56,051
We both getting
our second chance, eh?
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00:02:56,051 --> 00:02:57,511
[Rebel and Ason
arguing indistinctly]
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‐ I know it.
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00:02:59,262 --> 00:03:02,307
[hip‐hop music]
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00:03:02,307 --> 00:03:03,558
[blade resounds]
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00:03:03,558 --> 00:03:10,607
♪ ♪
98
00:03:15,654 --> 00:03:17,572
[gun cocks]
99
00:03:17,572 --> 00:03:24,579
♪ ♪
100
00:03:27,416 --> 00:03:30,794
[singer vocalizing]
101
00:03:30,794 --> 00:03:37,759
♪ ♪
102
00:03:58,947 --> 00:03:59,948
[blade resounds]
103
00:04:12,419 --> 00:04:15,255
‐ You know, I'm not gonna miss
sleeping on this hard‐ass bed.
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00:04:15,255 --> 00:04:17,466
‐ This bed ain't
gonna miss you, either.
105
00:04:17,466 --> 00:04:18,842
It's getting filled
in a couple hours
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00:04:18,842 --> 00:04:20,135
by a repeat felon.
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00:04:20,135 --> 00:04:23,054
His third time here.
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00:04:23,054 --> 00:04:24,598
You did good, 'Vine.
‐ [Divine chuckles]
109
00:04:24,598 --> 00:04:26,016
If I recall correctly,
you didn't have
110
00:04:26,016 --> 00:04:27,559
much faith in me
when I first got here.
111
00:04:27,559 --> 00:04:29,770
‐ I save my faith for Sundays.
112
00:04:29,770 --> 00:04:31,938
So how's the night shift?
113
00:04:31,938 --> 00:04:34,191
‐ Honestly?
[scoffs]
114
00:04:34,191 --> 00:04:35,817
It's time
to get up outta there.
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00:04:35,817 --> 00:04:38,028
Hey, it was a great place to
start, but my boss, you know.
116
00:04:38,028 --> 00:04:39,196
FUFU: [chuckles]
Yeah, I know.
117
00:04:39,196 --> 00:04:40,906
Haven't gotten
a positive review for him
118
00:04:40,906 --> 00:04:44,326
in all the years we've been
sending men to work over there.
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00:04:44,326 --> 00:04:46,244
Most of those guys,
120
00:04:46,244 --> 00:04:47,913
they make it outta here,
though.
121
00:04:47,913 --> 00:04:49,915
Something about
working a graveyard
122
00:04:49,915 --> 00:04:52,042
keeps a man focused.
123
00:04:52,042 --> 00:04:53,502
Hey, listen.
124
00:04:53,502 --> 00:04:55,003
I got a friend
who's looking to add
125
00:04:55,003 --> 00:04:58,673
a few more hands
to his construction site.
126
00:04:58,673 --> 00:05:00,592
I'll give him a call about you.
127
00:05:00,592 --> 00:05:01,968
‐ You serious?
128
00:05:01,968 --> 00:05:04,763
FUFU:
You ever know me not to be?
129
00:05:04,763 --> 00:05:06,097
‐ No.
130
00:05:06,097 --> 00:05:07,349
Thank you.
131
00:05:08,975 --> 00:05:10,435
‐ Hey.
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00:05:10,435 --> 00:05:12,187
Don't let me
catch your ass back here.
133
00:05:12,187 --> 00:05:13,605
Okay?
134
00:05:13,605 --> 00:05:15,732
DIVINE:
Yeah, uh,
135
00:05:15,732 --> 00:05:17,859
yeah, okay.
136
00:05:17,859 --> 00:05:20,237
FUFU:
Good luck.
137
00:05:20,237 --> 00:05:22,364
[Ice Cube's "Steady Mobbin'"]
138
00:05:22,364 --> 00:05:24,533
SINGER: ♪ Four or five niggas
in a mothership ♪
139
00:05:24,533 --> 00:05:26,368
♪ Better known as a deuce
and we all wanna...♪
140
00:05:26,368 --> 00:05:27,410
PERSON:
Come on, man.
141
00:05:27,410 --> 00:05:28,495
You gotta consider
wall‐crawling,
142
00:05:28,495 --> 00:05:30,247
you gotta consider
Spidey‐Sense.
143
00:05:30,247 --> 00:05:33,250
REBEL: Come on, now.
It ain't even a question.
144
00:05:33,250 --> 00:05:35,001
‐ So what you saying?
REBEL: Nothing.
145
00:05:35,001 --> 00:05:36,837
Just that Batman
could take Spider‐Man
146
00:05:36,837 --> 00:05:38,004
any day of the week.
147
00:05:38,004 --> 00:05:40,006
SHOTGUN:
That's what I thought you said.
148
00:05:40,006 --> 00:05:41,299
The hell you even
talking about?
149
00:05:41,299 --> 00:05:42,425
Batman ain't got no powers.
150
00:05:42,425 --> 00:05:43,552
‐ Like that matters.
151
00:05:43,552 --> 00:05:45,846
All the shit he got
in the Batcave?
152
00:05:45,846 --> 00:05:48,348
‐ Whatever, man.
I don't even fuck with DC.
153
00:05:48,348 --> 00:05:49,766
Yo, what up, El?
154
00:05:49,766 --> 00:05:51,309
PERSON:
You smokin' again, Shotgun?
155
00:05:51,309 --> 00:05:52,853
‐ [Shotgun laughs]
‐ Damn, son.
156
00:05:52,853 --> 00:05:54,479
You really are the Method Man.
157
00:05:57,566 --> 00:05:59,651
SHOTGUN: A'ight,
you wanna talk superhero shit?
158
00:05:59,651 --> 00:06:02,737
Let's say your moms is trapped
in the Statue of Liberty.
159
00:06:02,737 --> 00:06:05,156
Bomb 'bout to go off
in 90 seconds.
160
00:06:05,156 --> 00:06:06,741
Who would you want to save her?
161
00:06:06,741 --> 00:06:09,411
‐ I'm going with‐‐
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00:06:09,411 --> 00:06:12,122
SINGER: ♪ Bitch,
'cause I'm steady mobbin' ♪
163
00:06:12,122 --> 00:06:15,083
SINGER: ♪ Have you ever seen
such a sight in your life? ♪
164
00:06:15,083 --> 00:06:17,085
SHOTGUN:
This track is fire, son.
165
00:06:17,085 --> 00:06:18,753
Whole album fire.
166
00:06:18,753 --> 00:06:21,298
Was thinking Cube sounding
like he from West 6‐0.
167
00:06:21,298 --> 00:06:22,924
‐ Shit, my nigga Cressy
used to say
168
00:06:22,924 --> 00:06:24,801
the hood the same
from Killer Hill to Kingston.
169
00:06:24,801 --> 00:06:26,511
Man, we all scratchin'
for survival.
170
00:06:26,511 --> 00:06:27,929
‐ No doubt.
171
00:06:29,139 --> 00:06:31,266
[cheering]
[dice clatter]
172
00:06:31,266 --> 00:06:32,851
DADA:
A'ight, that's one.
173
00:06:32,851 --> 00:06:34,853
Put that one down, nigga.
174
00:06:34,853 --> 00:06:37,022
Let's fuck, let's get it. Whoo!
175
00:06:37,022 --> 00:06:39,107
Take Leon's money.
176
00:06:39,107 --> 00:06:41,568
Ah! Head crack nigga!
177
00:06:41,568 --> 00:06:42,903
All dogs are good.
What up, Sha?
178
00:06:42,903 --> 00:06:44,821
‐ It's kinda loud in here, man.
179
00:06:44,821 --> 00:06:46,156
‐ That's my job, yo.
180
00:06:46,156 --> 00:06:48,825
Some folks deliver the mail;
I deliver the dice.
181
00:06:48,825 --> 00:06:49,868
Ah?
182
00:06:51,911 --> 00:06:53,288
There you go.
183
00:06:53,288 --> 00:06:55,206
I'm takin' these niggas' mack,
though.
184
00:06:55,206 --> 00:06:56,499
[laughs]
185
00:07:08,678 --> 00:07:11,681
[hip‐hop music playing]
186
00:07:11,681 --> 00:07:15,727
♪ ♪
187
00:07:15,727 --> 00:07:16,895
POWER:
What up, kid?
188
00:07:16,895 --> 00:07:17,896
‐ Peace.
189
00:07:17,896 --> 00:07:19,648
‐ Hop in.
190
00:07:19,648 --> 00:07:21,399
SHA:
Nah, I'm good.
191
00:07:21,399 --> 00:07:22,400
‐ Where you headed?
192
00:07:22,400 --> 00:07:24,194
‐ Studio. I got a session.
193
00:07:24,194 --> 00:07:26,196
POWER:
I can give you a ride.
194
00:07:26,196 --> 00:07:28,907
‐ Man, the studio owner
see me pull up in this whip,
195
00:07:28,907 --> 00:07:31,159
son gonna be charging me more.
‐ [Power laughing]
196
00:07:31,159 --> 00:07:33,662
‐ Different hustle, Power.
Shit nice, though.
197
00:07:33,662 --> 00:07:34,829
POWER:
She pretty, right?
198
00:07:34,829 --> 00:07:36,498
But look, look.
199
00:07:36,498 --> 00:07:38,166
I know you out the game
and all of that,
200
00:07:38,166 --> 00:07:40,418
but if you tryin' to make some
extra cream, know what I mean?
201
00:07:40,418 --> 00:07:41,711
Pay for those sessions,
202
00:07:41,711 --> 00:07:43,505
come cook up a couple of bricks
for me.
203
00:07:43,505 --> 00:07:47,008
Ain't nobody make that coke
bubble like the Chef, right?
204
00:07:47,008 --> 00:07:49,219
‐ The only thing
I'ma be cooking up
205
00:07:49,219 --> 00:07:52,347
is this track into something
marvelous, know what I mean?
206
00:07:52,347 --> 00:07:53,890
POWER:
A'ight.
207
00:07:53,890 --> 00:07:56,476
Let me catch you, then.
208
00:07:56,476 --> 00:07:58,645
Good luck with that.
209
00:07:58,645 --> 00:08:00,522
[Power chuckles]
210
00:08:00,522 --> 00:08:07,529
♪ ♪
211
00:08:17,372 --> 00:08:18,915
‐ You wanna record with this?
212
00:08:18,915 --> 00:08:20,458
‐ Yeah.
213
00:08:20,458 --> 00:08:22,252
‐ You realize you're paying
for the quality
214
00:08:22,252 --> 00:08:23,795
of all this equipment, right?
215
00:08:23,795 --> 00:08:25,964
This consumer‐grade tape's
gonna fuck all that up.
216
00:08:25,964 --> 00:08:27,799
‐ That's the beat I want.
217
00:08:29,175 --> 00:08:30,343
RUFUS:
Okay.
218
00:08:31,636 --> 00:08:33,972
Who the hell
made this beat, anyway?
219
00:08:37,642 --> 00:08:39,477
[hip‐hop music plays]
220
00:08:39,477 --> 00:08:42,522
[indistinct chatter]
221
00:08:54,576 --> 00:08:56,661
LINDA: Just want to give you
a fresh start.
222
00:08:58,538 --> 00:09:00,290
They say your space
is a reflection
223
00:09:00,290 --> 00:09:04,335
of your interior life,
and for years,
224
00:09:04,335 --> 00:09:07,338
all I've ever seen
when I walked into yours
225
00:09:07,338 --> 00:09:08,923
was chaos.
226
00:09:13,386 --> 00:09:15,221
‐ Hey, look, uh,
227
00:09:15,221 --> 00:09:17,140
I'm sorry, Mommy.
228
00:09:17,140 --> 00:09:20,310
For real, for‐‐for everything.
229
00:09:23,396 --> 00:09:26,983
‐ Just get your life
on track, Bobby.
230
00:09:26,983 --> 00:09:29,652
That's all the apology
I ever need.
231
00:09:31,738 --> 00:09:33,198
‐ Hey, y'all ready
for some cake?
232
00:09:33,198 --> 00:09:34,657
‐ [laughs]
That's up to Bobby.
233
00:09:34,657 --> 00:09:36,743
It's your day.
234
00:09:36,743 --> 00:09:38,870
‐ Yeah. Ready for some cake.
235
00:09:38,870 --> 00:09:42,165
Then maybe afterwards,
we could, uh, watch a movie.
236
00:09:42,165 --> 00:09:43,625
LINDA: Let's do it.
BOBBY: Let's do it.
237
00:09:43,625 --> 00:09:45,043
MECCA: Let's do it.
LINDA: All right.
238
00:09:49,047 --> 00:09:51,841
JEROME: I don't have to
read subtitles, do I?
239
00:09:51,841 --> 00:09:54,260
MOTHER:
If one of us has to die
240
00:09:54,260 --> 00:09:57,764
to save the empire,
who will it be?
241
00:09:57,764 --> 00:10:01,309
Which of my sons
is it going to be?
242
00:10:01,309 --> 00:10:03,728
‐ "The Eight Diagram
Pole Fighter."
243
00:10:03,728 --> 00:10:05,396
‐ Shurrie,
let me get some chips.
244
00:10:05,396 --> 00:10:07,690
‐ Trade you for the popcorn?
RANDY: Okay.
245
00:10:07,690 --> 00:10:09,609
DENNIS: Hey, yo,
you been holding out, son?
246
00:10:09,609 --> 00:10:12,237
Ain't that homeboy
from "Shaolin vs. Wu‐Tang"?
247
00:10:12,237 --> 00:10:14,322
‐ Yeah. Y'all in for a treat.
248
00:10:14,322 --> 00:10:16,032
‐ What's this one about, Bobby?
249
00:10:16,032 --> 00:10:18,785
‐ It's about losing
everything you love
250
00:10:18,785 --> 00:10:22,622
and then finding your path
on your own.
251
00:10:22,622 --> 00:10:24,999
[grunting on TV]
252
00:10:24,999 --> 00:10:26,543
FIGHTER:
[yelling]
253
00:10:26,543 --> 00:10:28,169
ASON:
Ah.
254
00:10:28,169 --> 00:10:30,338
Mm.
255
00:10:30,338 --> 00:10:33,133
That's the spot right there.
256
00:10:33,133 --> 00:10:34,759
TESIA:
Here?
257
00:10:34,759 --> 00:10:36,719
‐ Mm‐hmm.
258
00:10:36,719 --> 00:10:38,513
TESIA: So then she went
to her man's house,
259
00:10:38,513 --> 00:10:41,933
knocked on the front door,
and his wife opened it,
260
00:10:41,933 --> 00:10:44,602
so she shot her in the face.
261
00:10:44,602 --> 00:10:46,104
ASON:
Wait, what?!
262
00:10:46,104 --> 00:10:48,231
‐ Some white lady
on Long Island.
263
00:10:48,231 --> 00:10:50,400
She was the mistress. Look.
264
00:10:53,736 --> 00:10:55,572
‐ B‐butt‐a‐fucko?
265
00:10:55,572 --> 00:10:56,948
TESIA:
It's Buttafuoco.
266
00:10:56,948 --> 00:10:59,033
[knock at door]
267
00:11:01,870 --> 00:11:02,871
‐ Who the‐‐
268
00:11:06,040 --> 00:11:07,750
Hey, girl,
you better be careful.
269
00:11:07,750 --> 00:11:09,002
‐ [Tesia laughs]
270
00:11:10,211 --> 00:11:12,046
You're early today.
271
00:11:15,133 --> 00:11:17,719
‐ Hey, Ason,
your hair's looking funny.
272
00:11:17,719 --> 00:11:21,139
‐ That's 'cause your mom
ain't finished it yet.
273
00:11:21,139 --> 00:11:22,765
‐ Hey, yo,
who the fuck is that?
274
00:11:22,765 --> 00:11:24,475
‐ None of your business.
275
00:11:24,475 --> 00:11:25,977
See you next week.
276
00:11:25,977 --> 00:11:29,022
[suspenseful music]
277
00:11:29,022 --> 00:11:30,440
♪ ♪
278
00:11:30,440 --> 00:11:31,524
Are you hungry?
279
00:11:31,524 --> 00:11:32,525
CHILD:
Yes.
280
00:11:34,235 --> 00:11:35,320
‐ Hey, yo.
281
00:11:35,320 --> 00:11:42,243
♪ ♪
282
00:11:50,543 --> 00:11:52,045
‐ Hey, yo.
283
00:11:52,045 --> 00:11:53,379
‐ Hey, yo, chill, son.
284
00:11:53,379 --> 00:11:54,547
You're not even
with her no more.
285
00:11:54,547 --> 00:11:55,798
‐ And when I'm done with you,
286
00:11:55,798 --> 00:11:58,885
you ain't gonna be
with her no more, either.
287
00:11:58,885 --> 00:12:00,553
‐ Man, fuck you.
‐ Oh, fuck me?
288
00:12:00,553 --> 00:12:03,514
No, fuck you
and that corny‐ass hair.
289
00:12:11,022 --> 00:12:14,776
Look, every time
you see this motherfucker,
290
00:12:14,776 --> 00:12:16,069
whup his ass.
291
00:12:16,069 --> 00:12:17,445
PERSON:
Yes, sir.
292
00:12:17,445 --> 00:12:18,446
EX:
Come on.
293
00:12:18,446 --> 00:12:25,453
♪ ♪
294
00:12:30,792 --> 00:12:32,252
PERSON: Look at his‐‐
EX: Look at that ass.
295
00:12:32,252 --> 00:12:34,462
Baby wax. He didn't wipe.
296
00:12:34,462 --> 00:12:36,130
PERSON:
He don't wipe that baby.
297
00:12:36,130 --> 00:12:37,507
Took 'em on.
298
00:12:37,507 --> 00:12:39,008
‐ Get outta here, fellas.
299
00:12:49,269 --> 00:12:50,478
[Nia clears throat]
300
00:12:50,478 --> 00:12:53,982
‐ So, uh, our drawers
are cohabitated now too?
301
00:12:55,608 --> 00:12:57,485
‐ You know, you could just, um,
302
00:12:57,485 --> 00:12:58,611
keep your stuff in your bag
303
00:12:58,611 --> 00:13:00,446
if you're feeling
non‐committal.
304
00:13:06,577 --> 00:13:07,662
Are you?
305
00:13:09,372 --> 00:13:10,957
‐ Nope.
306
00:13:10,957 --> 00:13:12,709
NIA: Didn't think so.
‐ [chuckles]
307
00:13:15,086 --> 00:13:16,713
Uh, I was gonna‐‐
308
00:13:16,713 --> 00:13:18,840
I was gonna ask my PO
for a travel exemption
309
00:13:18,840 --> 00:13:20,591
so we can go visit my nephew.
310
00:13:20,591 --> 00:13:22,302
NIA:
That's a great idea.
311
00:13:22,302 --> 00:13:24,012
DIVINE: Yeah, you know,
between the, uh,
312
00:13:24,012 --> 00:13:26,472
the baby and‐‐
and Bobby's acquittal,
313
00:13:26,472 --> 00:13:28,099
feel like I'm missing so much.
314
00:13:28,099 --> 00:13:29,434
‐ Everyone's building
their lives
315
00:13:29,434 --> 00:13:30,435
just like us here.
316
00:13:30,435 --> 00:13:31,602
‐ You're right.
317
00:13:32,979 --> 00:13:34,647
You know, I still miss 'em,
though.
318
00:13:34,647 --> 00:13:36,774
‐ I know you do.
319
00:13:36,774 --> 00:13:39,319
But maybe it's time for us
to start thinking about
320
00:13:39,319 --> 00:13:41,529
having a little one of our own.
321
00:13:43,031 --> 00:13:45,575
‐ You‐‐you know I want that,
322
00:13:45,575 --> 00:13:49,579
but I gotta figure
my situation out first.
323
00:13:49,579 --> 00:13:52,457
No, I can't be raising my kid
the way that I came up.
324
00:13:52,457 --> 00:13:53,875
We need financial security.
325
00:13:53,875 --> 00:13:54,876
‐ As long as
you're not going back
326
00:13:54,876 --> 00:13:56,502
to the streets, we fine.
327
00:13:56,502 --> 00:13:58,254
Plus, I just been promoted
to manager, okay?
328
00:13:58,254 --> 00:13:59,255
We a'ight.
329
00:13:59,255 --> 00:14:00,923
‐ Well, if I get this new job,
330
00:14:00,923 --> 00:14:03,259
then we can start saving,
331
00:14:03,259 --> 00:14:04,802
and then we can talk about it.
332
00:14:04,802 --> 00:14:06,471
Cool?
333
00:14:06,471 --> 00:14:07,930
‐ Cool.
334
00:14:11,934 --> 00:14:13,227
NIA:
Mm, you just gotta wait.
335
00:14:13,227 --> 00:14:15,104
DIVINE: Oh, wait.
NIA: Yeah.
336
00:14:15,104 --> 00:14:17,106
All right, a'ight, a'ight.
337
00:14:17,106 --> 00:14:18,274
[clears throat]
338
00:14:20,443 --> 00:14:21,819
Oh, okay, so, uh,
339
00:14:21,819 --> 00:14:24,405
now that you the manager
at the video store,
340
00:14:24,405 --> 00:14:26,491
you decided to start
hustlin' the place.
341
00:14:26,491 --> 00:14:29,368
‐ Okay, that is for Gary,
your cousin.
342
00:14:29,368 --> 00:14:31,287
Dub him a couple tapes,
you know,
343
00:14:31,287 --> 00:14:32,538
kicks me a few bucks.
344
00:14:32,538 --> 00:14:33,831
We got a good thing going.
345
00:14:33,831 --> 00:14:34,832
‐ Mm.
346
00:14:39,295 --> 00:14:41,297
‐ Hey, you got
"The 36th Chamber of Shaolin"?
347
00:14:41,297 --> 00:14:42,632
‐ Yeah, right here.
348
00:14:42,632 --> 00:14:47,428
[indistinct chatter]
349
00:14:47,428 --> 00:14:48,763
‐ Yo.
350
00:14:48,763 --> 00:14:50,640
‐ Man, what happened to you?
351
00:14:50,640 --> 00:14:52,266
ASON: Man, this girl
I've been messin' with,
352
00:14:52,266 --> 00:14:55,144
her baby dad and his boys
just ran up on me, son.
353
00:14:55,144 --> 00:14:56,479
GARY: Oh, word?
ASON: Yeah, man.
354
00:14:56,479 --> 00:14:58,523
They not even
together no more, man!
355
00:14:58,523 --> 00:15:00,650
But it's like‐‐it's like
he ain't going nowhere, man.
356
00:15:00,650 --> 00:15:02,026
‐ You got "Fearless Fighters"?
357
00:15:02,026 --> 00:15:03,402
GARY:
Yeah, right here.
358
00:15:03,402 --> 00:15:04,779
And you wanna keep
fuckin' with her?
359
00:15:04,779 --> 00:15:06,072
‐ Well, why shouldn't I?
360
00:15:06,072 --> 00:15:08,032
GARY:
You already know.
361
00:15:08,032 --> 00:15:09,700
You're screwing his baby moms.
362
00:15:09,700 --> 00:15:11,327
Put yourself in his shoes.
363
00:15:11,327 --> 00:15:12,328
You can't just be
running around here
364
00:15:12,328 --> 00:15:13,496
with her like it's nothing.
365
00:15:13,496 --> 00:15:14,497
‐ Can you pop this
in the VHS?
366
00:15:14,497 --> 00:15:15,748
‐ Yeah, hold on. Listen.
367
00:15:15,748 --> 00:15:16,999
‐ Man, I'm trying
to buy something from you.
368
00:15:16,999 --> 00:15:20,086
How I know you ain't
sellin' me a blank tape?
369
00:15:20,086 --> 00:15:23,256
‐ Because my word is bond.
370
00:15:23,256 --> 00:15:25,883
‐ Man, I ain't no Muslim.
Play it. Please.
371
00:15:30,721 --> 00:15:31,973
[gong reverberates]
372
00:15:31,973 --> 00:15:33,724
GARY: Listen,
the original Black man is God
373
00:15:33,724 --> 00:15:35,017
and owner of the Earth.
374
00:15:35,017 --> 00:15:36,435
And knowing every square inch,
375
00:15:36,435 --> 00:15:38,938
he choose for himself
the best part.
376
00:15:38,938 --> 00:15:41,107
Come on.
‐ Word, bro. Word.
377
00:15:41,107 --> 00:15:42,900
[whooshing]
378
00:15:42,900 --> 00:15:46,696
‐ Yo, Israelites
coming over here now too?
379
00:15:48,531 --> 00:15:49,657
GARY:
Ignore 'em.
380
00:15:49,657 --> 00:15:52,910
Keep moving how we moving,
a'ight?
381
00:15:52,910 --> 00:15:55,288
Listen, your name
is Ason Unique.
382
00:15:55,288 --> 00:15:56,414
You choose for yourself
383
00:15:56,414 --> 00:15:59,208
the best part
through your actions.
384
00:15:59,208 --> 00:16:02,086
Approach him like a man.
He'll respect that.
385
00:16:03,629 --> 00:16:05,506
‐ I dig.
I'm Ason.
386
00:16:05,506 --> 00:16:06,841
DENNIS:
Hey, yo, my favorite part
387
00:16:06,841 --> 00:16:10,303
is when he smashes that pole
through the wooden wolf.
388
00:16:10,303 --> 00:16:13,097
That's some real shit.
Keep the wolves at bay.
389
00:16:13,097 --> 00:16:14,182
‐ What you mean?
390
00:16:14,182 --> 00:16:15,391
‐ What I mean is,
391
00:16:15,391 --> 00:16:17,727
them bum‐ass niggas
that did this to us,
392
00:16:17,727 --> 00:16:19,187
they can't be skatin'
around here
393
00:16:19,187 --> 00:16:20,688
on some Dorothy Hamill shit.
394
00:16:20,688 --> 00:16:22,940
About to get
that bail money back, though.
395
00:16:22,940 --> 00:16:25,359
We can flip that shit,
cake up, arm up,
396
00:16:25,359 --> 00:16:27,361
and smash them niggas.
397
00:16:27,361 --> 00:16:28,696
BOBBY:
Hey, yo, D.
398
00:16:28,696 --> 00:16:30,364
Hey, yo, we gotta‐‐
we gotta talk.
399
00:16:30,364 --> 00:16:31,908
‐ Nah, it's just‐‐
yo, it's just like
400
00:16:31,908 --> 00:16:33,784
you and Divine been sayin'
since the beginning.
401
00:16:33,784 --> 00:16:35,870
We gotta build
a strong foundation
402
00:16:35,870 --> 00:16:38,623
so it don't crumble around us.
403
00:16:38,623 --> 00:16:41,459
Look, I got more mouths
to feed,
404
00:16:41,459 --> 00:16:43,169
so I'm ready to get busy.
405
00:16:43,169 --> 00:16:44,587
BOBBY:
Yeah.
406
00:16:44,587 --> 00:16:46,380
We gotta keep building,
407
00:16:46,380 --> 00:16:48,299
but we ain't gonna
get a positive result
408
00:16:48,299 --> 00:16:51,052
if we keep on building
in a negative space.
409
00:16:51,052 --> 00:16:53,095
‐ Negative space.
410
00:16:54,680 --> 00:16:57,141
What you mean, like
this fuckin' hole in my neck?
411
00:16:57,141 --> 00:16:59,936
Look, I gotta provide for
and protect my family.
412
00:16:59,936 --> 00:17:00,937
BOBBY:
Yeah, you do.
413
00:17:02,688 --> 00:17:04,899
DENNIS: That's all
I give a damn about right now.
414
00:17:04,899 --> 00:17:06,692
LINDA:
Dennis? Dennis?
415
00:17:06,692 --> 00:17:08,194
DENNIS:
Yes, ma'am.
416
00:17:08,194 --> 00:17:11,405
LINDA: Shurrie says y'all need
more formula from the store.
417
00:17:11,405 --> 00:17:14,450
DENNIS: Yo, this little man
eat, like, 12 times a day.
418
00:17:14,450 --> 00:17:16,869
LINDA: Yeah, well,
he poops twice as much.
419
00:17:16,869 --> 00:17:18,579
You're watching this again?
420
00:17:18,579 --> 00:17:20,039
‐ Yeah.
421
00:17:20,039 --> 00:17:21,165
I'm starting to like this
422
00:17:21,165 --> 00:17:24,210
more than
that "Shaolin vs. Wu‐Tang."
423
00:17:24,210 --> 00:17:25,586
‐ You really think
this story's about
424
00:17:25,586 --> 00:17:27,630
him finding his path alone?
425
00:17:27,630 --> 00:17:29,173
Because I think it's about
426
00:17:29,173 --> 00:17:32,843
these brothers
needing each other to succeed.
427
00:17:34,095 --> 00:17:37,265
‐ I never thought about it
like that before.
428
00:17:37,265 --> 00:17:39,350
‐ You got my O'Jays.
[gasps]
429
00:17:39,350 --> 00:17:42,061
I been looking for this one
for years!
430
00:17:42,061 --> 00:17:43,521
‐ I‐‐I forgot
that I even took that,
431
00:17:43,521 --> 00:17:44,647
but I do have a couple more
432
00:17:44,647 --> 00:17:45,648
that you don't know about,
a'ight?
433
00:17:45,648 --> 00:17:47,817
[both laugh]
434
00:17:47,817 --> 00:17:49,485
‐ Ooh, ooh.
435
00:17:49,485 --> 00:17:51,279
What do you even know
about this?
436
00:17:51,279 --> 00:17:52,822
‐ What do I know about that?
437
00:17:52,822 --> 00:17:54,031
LINDA:
Yeah.
438
00:17:54,031 --> 00:17:56,200
‐ Let me ask you, a'ight?
439
00:17:56,200 --> 00:17:58,828
What you know
about the percussion
440
00:17:58,828 --> 00:18:00,121
on "Family Reunion"?
441
00:18:00,121 --> 00:18:02,873
‐ Ooh, okay.
BOBBY: Okay.
442
00:18:02,873 --> 00:18:04,208
‐ Let's listen.
BOBBY: You gonna play it.
443
00:18:04,208 --> 00:18:05,334
‐ Yeah, yeah.
Go turn that down.
444
00:18:05,334 --> 00:18:06,836
BOBBY: All right.
LINDA: Turn that down.
445
00:18:08,546 --> 00:18:11,007
[sings under breath]
446
00:18:11,007 --> 00:18:12,341
[soft R&B music playing]
447
00:18:12,341 --> 00:18:14,760
Ooh, oh, come on.
448
00:18:14,760 --> 00:18:16,846
Come on, come on.
BOBBY: Get that, Mama.
449
00:18:16,846 --> 00:18:18,347
‐ [Linda vocalizing]
450
00:18:18,347 --> 00:18:20,182
‐ Yeah, you gotta sing it.
451
00:18:20,182 --> 00:18:21,350
Now, what do you know
about, uh,
452
00:18:21,350 --> 00:18:23,311
the lead singer on this?
Eddie Levert?
453
00:18:23,311 --> 00:18:26,105
‐ I know who Eddie Levert is,
boy, don't even tell me.
454
00:18:26,105 --> 00:18:27,356
BOBBY:
A'ight.
455
00:18:27,356 --> 00:18:30,067
‐ And the O'Jays rotate
their lead singers.
456
00:18:30,067 --> 00:18:31,444
Come on.
457
00:18:31,444 --> 00:18:32,987
Well, then you know
of his son Gerald.
458
00:18:32,987 --> 00:18:34,447
LINDA:
Mm‐mm.
459
00:18:34,447 --> 00:18:35,448
‐ Oh, let me
show you something.
460
00:18:38,576 --> 00:18:41,787
He has this‐‐this record.
461
00:18:41,787 --> 00:18:43,998
"My Forever Love."
462
00:18:43,998 --> 00:18:45,458
That's me and Mecca's favorite.
463
00:18:45,458 --> 00:18:46,834
Turn it around.
464
00:18:46,834 --> 00:18:49,920
It's a song with him
and his pops.
465
00:18:49,920 --> 00:18:50,921
Right here.
466
00:18:50,921 --> 00:18:52,089
‐ Ooh, that's cute.
467
00:18:52,089 --> 00:18:53,799
Oh, we should
make a record together.
468
00:18:53,799 --> 00:18:54,842
Oh, come on.
469
00:18:54,842 --> 00:18:58,220
[vocalizing]
470
00:18:58,220 --> 00:19:00,056
You hear that? [laughs]
‐ I do hear it.
471
00:19:00,056 --> 00:19:02,767
I don't do R&B, but if you
could spit a 16 for me,
472
00:19:02,767 --> 00:19:04,018
then maybe we can talk.
473
00:19:04,018 --> 00:19:06,145
LINDA: [laughing] No, no.
BOBBY: A'ight, then.
474
00:19:06,145 --> 00:19:07,229
We outta luck.
475
00:19:07,229 --> 00:19:08,731
‐ [Linda sighs]
476
00:19:08,731 --> 00:19:11,776
Well, music's always
gonna be your path, isn't it?
477
00:19:11,776 --> 00:19:13,152
‐ Yeah.
478
00:19:13,152 --> 00:19:15,363
‐ Listen.
479
00:19:15,363 --> 00:19:17,114
Watching this movie
the other day
480
00:19:17,114 --> 00:19:20,117
reminded me
of a Confucius quote
481
00:19:20,117 --> 00:19:22,453
I read a while back.
482
00:19:22,453 --> 00:19:26,666
It says, "We have two lives.
483
00:19:26,666 --> 00:19:28,709
"The second begins
484
00:19:28,709 --> 00:19:31,128
when you realize
you only have one."
485
00:19:34,423 --> 00:19:38,010
‐ Well, a person
might live two lives,
486
00:19:38,010 --> 00:19:39,720
but I only have one calling.
487
00:19:39,720 --> 00:19:42,098
‐ I know.
488
00:19:42,098 --> 00:19:43,849
That's how
you get your heart broken,
489
00:19:43,849 --> 00:19:46,018
and it pushed you
into the streets.
490
00:19:46,018 --> 00:19:48,437
What's gonna be different
this time?
491
00:19:52,775 --> 00:19:55,986
‐ This time, I'm gonna have
my brothers with me.
492
00:19:57,697 --> 00:20:00,658
[hip‐hop beat playing]
493
00:20:00,658 --> 00:20:07,665
♪ ♪
494
00:20:09,959 --> 00:20:11,293
‐ You went over.
495
00:20:11,293 --> 00:20:13,754
‐ What you talking about?
Rufus ain't say anything.
496
00:20:13,754 --> 00:20:16,340
‐ There's a clock right there.
You owe me for another hour.
497
00:20:16,340 --> 00:20:19,176
‐ Come on, son.
498
00:20:19,176 --> 00:20:21,345
Yo, I‐‐I can't even pay that.
499
00:20:21,345 --> 00:20:22,972
I mean, what you wanna‐‐
500
00:20:26,767 --> 00:20:29,645
‐ Then I have to hold
your music here till you can.
501
00:20:31,313 --> 00:20:32,773
‐ You serious right now?
502
00:20:32,773 --> 00:20:34,150
‐ [chuckles]
503
00:20:34,150 --> 00:20:37,278
Soon as you bring the money,
you'll get the music.
504
00:20:37,278 --> 00:20:40,281
[tense music]
505
00:20:40,281 --> 00:20:42,908
♪ ♪
506
00:20:42,908 --> 00:20:45,578
SHA:
Yeah, a'ight.
507
00:20:45,578 --> 00:20:46,871
I'll be back.
508
00:20:51,792 --> 00:20:53,836
[indistinct chatter]
509
00:20:53,836 --> 00:20:55,713
‐ Hey, yo.
510
00:20:57,798 --> 00:20:59,133
PERSON: Word.
511
00:21:03,512 --> 00:21:06,474
REBEL:
Hey, yo, you got something?
512
00:21:06,474 --> 00:21:07,600
‐ Maybe.
513
00:21:07,600 --> 00:21:08,976
‐ Come on, yo, spit it.
514
00:21:08,976 --> 00:21:10,144
SHOTGUN:
Check it.
515
00:21:10,144 --> 00:21:13,147
♪ Hey, you, get off my cloud ♪
516
00:21:13,147 --> 00:21:15,900
♪ You don't know me
and you don't know my style ♪
517
00:21:15,900 --> 00:21:18,152
♪ Who be getting' flam
when they come to the jam? ♪
518
00:21:18,152 --> 00:21:21,071
♪ Here I am, here I am,
the Method Man ♪
519
00:21:21,071 --> 00:21:22,156
♪ Pat‐a‐cake,
pat‐a‐cake, hey! ♪
520
00:21:22,156 --> 00:21:23,407
♪ The Method Man ♪
521
00:21:23,407 --> 00:21:26,035
♪ Don't eat Skippy, Jif,
or Peter Pan ♪
522
00:21:26,035 --> 00:21:28,329
♪ Peanut butter
'cause I'm not butter ♪
523
00:21:28,329 --> 00:21:31,332
♪ In fact, I snap back
like a rubber band ♪
524
00:21:31,332 --> 00:21:33,417
♪ I be Sam, Sam‐I‐Am ♪
525
00:21:33,417 --> 00:21:35,669
♪ And I don't eat
green eggs and ham ♪
526
00:21:35,669 --> 00:21:37,338
♪ Style will hit you, wham! ♪
527
00:21:37,338 --> 00:21:38,672
♪ Then God damn ♪
528
00:21:38,672 --> 00:21:41,425
♪ You'll be like,
"Oh, shit, that's the jam" ♪
529
00:21:41,425 --> 00:21:42,718
Some shit like that.
530
00:21:42,718 --> 00:21:44,094
‐ [laughs]
Yo.
531
00:21:44,094 --> 00:21:46,096
That's ill.
532
00:21:46,096 --> 00:21:48,599
Yo, and that peanut butter shit
is nice.
533
00:21:48,599 --> 00:21:50,226
Yo, what you call yourself?
Method Man?
534
00:21:50,226 --> 00:21:51,268
‐ Mm‐hmm.
535
00:21:51,268 --> 00:21:52,436
[upbeat hip‐hop music]
536
00:21:52,436 --> 00:21:55,397
‐ That's kinda dope,
actually, yo.
537
00:21:55,397 --> 00:21:57,399
Hey, yo, I need to fuck
with my own name.
538
00:21:57,399 --> 00:21:59,777
‐ No doubt.
539
00:21:59,777 --> 00:22:06,784
♪ ♪
540
00:22:06,784 --> 00:22:09,703
[mouthing words]
541
00:22:09,703 --> 00:22:12,248
I can't wait for Bobby
to hear me spit this.
542
00:22:18,462 --> 00:22:20,714
I see you, Inspectah.
543
00:22:27,638 --> 00:22:30,766
[suspenseful music]
544
00:22:30,766 --> 00:22:33,769
[indistinct chatter]
545
00:22:36,063 --> 00:22:37,731
‐ Hey, let me holla at you,
son.
546
00:22:39,108 --> 00:22:42,361
Now, I know what you and Tesia
share is an unbreakable bond.
547
00:22:42,361 --> 00:22:44,780
That sort of connection
just don't go away.
548
00:22:44,780 --> 00:22:47,741
But, yo, she got a good thing
going on right now, son.
549
00:22:47,741 --> 00:22:50,870
And I ain't trying to be
the kid's father or nothing.
550
00:22:50,870 --> 00:22:52,371
Just trying to be a man.
551
00:22:52,371 --> 00:22:54,456
So look, maybe
we can come up with some‐‐
552
00:22:54,456 --> 00:22:56,458
some sort of understanding.
553
00:22:56,458 --> 00:22:57,585
Together.
554
00:23:00,004 --> 00:23:01,755
‐ There ain't gonna be
no understanding!
555
00:23:01,755 --> 00:23:03,215
[gun cocks]
Yeah.
556
00:23:03,215 --> 00:23:05,134
You understand?
557
00:23:05,134 --> 00:23:07,094
ASON:
[mumbling]
558
00:23:07,094 --> 00:23:08,137
PERSON:
This...
559
00:23:08,137 --> 00:23:09,722
EX:
No, he good.
560
00:23:09,722 --> 00:23:11,140
PERSON: You don't want
none of that, boy.
561
00:23:11,140 --> 00:23:13,058
EX:
Go home.
562
00:23:13,058 --> 00:23:14,143
Goof.
563
00:23:14,143 --> 00:23:16,145
♪ ♪
564
00:23:16,145 --> 00:23:19,982
[all speaking]
565
00:23:19,982 --> 00:23:22,985
[steady hip‐hop music]
566
00:23:22,985 --> 00:23:29,992
♪ ♪
567
00:23:58,395 --> 00:23:59,939
BOBBY:
Oh, shit.
568
00:24:02,816 --> 00:24:05,402
Come on, it's like‐‐
it's like riding a bike.
569
00:24:09,823 --> 00:24:12,701
All right, fuck it.
Let's do this.
570
00:24:12,701 --> 00:24:15,788
[steady beat playing]
571
00:24:15,788 --> 00:24:17,289
SINGER:
♪ Don't know ♪
572
00:24:17,289 --> 00:24:20,000
♪ If I'll make it back home ♪
573
00:24:22,127 --> 00:24:23,671
♪ Don't kn‐‐ ♪
574
00:24:23,671 --> 00:24:25,047
♪ Don't know ♪
575
00:24:26,215 --> 00:24:27,549
♪ Don't know ♪
576
00:24:27,549 --> 00:24:29,134
[low‐pitched]
♪ Don't know ♪
577
00:24:29,134 --> 00:24:31,053
[low, distorted voice]
578
00:24:31,053 --> 00:24:32,054
[high‐pitched]
♪ Don't know ♪
579
00:24:32,054 --> 00:24:34,098
♪ If I make it back home ♪
580
00:24:34,098 --> 00:24:35,766
[high‐pitched chirps]
581
00:24:45,067 --> 00:24:48,070
[soft R&B music]
582
00:24:48,070 --> 00:24:52,366
♪ ♪
583
00:24:55,953 --> 00:24:57,329
BOBBY: [whispering]
What's this?
584
00:25:05,963 --> 00:25:09,258
[funky beat playing]
585
00:25:09,258 --> 00:25:16,265
♪ ♪
586
00:25:25,983 --> 00:25:26,984
[music stops]
587
00:25:40,497 --> 00:25:43,500
[music resumes]
588
00:25:43,500 --> 00:25:47,171
♪ ♪
589
00:25:47,171 --> 00:25:49,214
TV REPORTER: Domestic abuse
charges for‐‐
590
00:25:49,214 --> 00:25:51,341
‐ Now, what did she expect?
591
00:25:51,341 --> 00:25:53,469
He abused her in the past.
Why go back?
592
00:25:53,469 --> 00:25:54,845
‐ Don't be getting
all worked up
593
00:25:54,845 --> 00:25:58,182
over somebody else's problems,
Ma.
594
00:25:58,182 --> 00:26:00,100
We got enough of our own.
595
00:26:00,100 --> 00:26:01,643
‐ I do not need a reminder.
596
00:26:01,643 --> 00:26:03,020
This woman on the news,
597
00:26:03,020 --> 00:26:04,229
she lives
in an apartment building
598
00:26:04,229 --> 00:26:05,981
just like this one.
‐ I know.
599
00:26:05,981 --> 00:26:07,900
‐ Even so,
I wouldn't even consider
600
00:26:07,900 --> 00:26:09,276
going back to Rondell's,
601
00:26:09,276 --> 00:26:11,737
and all he did was raise
his voice every now and again.
602
00:26:11,737 --> 00:26:14,156
‐ And again.
And again.
603
00:26:14,156 --> 00:26:16,450
‐ All I'm saying is,
a person has a right
604
00:26:16,450 --> 00:26:18,786
to come and go from their home
in peace.
605
00:26:18,786 --> 00:26:20,704
SHA: I'ma get us
outta here soon, Ma.
606
00:26:20,704 --> 00:26:23,040
I'm headed to the studio
right now, in fact.
607
00:26:23,040 --> 00:26:25,084
I'm‐‐I'm working on it.
608
00:26:25,084 --> 00:26:28,212
‐ Son, as long as you keep
walking the righteous path,
609
00:26:28,212 --> 00:26:29,296
I will be happy.
610
00:26:38,889 --> 00:26:40,808
OFFICER:
Shit's nice, kid.
611
00:26:43,435 --> 00:26:46,647
‐ Yo, what's your problem?
612
00:26:46,647 --> 00:26:48,899
‐ I don't eat pork, pig.
613
00:26:51,902 --> 00:26:54,947
Yo, you wanna give me a ticket
for graffiti, go ahead.
614
00:26:54,947 --> 00:26:57,241
‐ Why don't you
empty your pockets, instead?
615
00:26:57,241 --> 00:26:59,868
‐ You wanna violate
my civil rights so bad...
616
00:26:59,868 --> 00:27:02,204
[tense music]
617
00:27:02,204 --> 00:27:03,747
You empty them.
618
00:27:03,747 --> 00:27:05,165
‐ On the wall.
619
00:27:05,165 --> 00:27:12,131
♪ ♪
620
00:27:28,897 --> 00:27:29,898
SINGER:
♪ Scared than a motherfucker ♪
621
00:27:29,898 --> 00:27:31,400
♪ 'Cause I'm fresh out ♪
622
00:27:31,400 --> 00:27:32,734
♪ But I gots to make my green,
and plus they all fiend ♪
623
00:27:32,734 --> 00:27:34,152
♪ Follow me ♪
624
00:27:34,152 --> 00:27:35,863
♪ They keep yellin' murder
but it won't stop ♪
625
00:27:35,863 --> 00:27:38,240
♪ Until the last nigga
that you know drop ♪
626
00:27:38,240 --> 00:27:40,117
♪ Another nigga out,
but I doubt ♪
627
00:27:40,117 --> 00:27:42,286
♪ That you really give a fuck
what it's about ♪
628
00:27:42,286 --> 00:27:45,080
♪ Now, 99 pigs
on a block with me ♪
629
00:27:45,080 --> 00:27:47,749
♪ Not a motherfuckin' cop
wanna knock with me ♪
630
00:27:47,749 --> 00:27:49,668
♪ A C‐O‐N‐V‐I‐C‐T ♪
631
00:27:49,668 --> 00:27:50,919
♪ The motherfuckin' D‐O‐G
comin' from the L‐B‐C... ♪
632
00:27:50,919 --> 00:27:52,838
‐ Yo, you go.
633
00:27:52,838 --> 00:27:54,298
[groans]
‐ What's good, son?
634
00:27:54,298 --> 00:27:57,801
‐ What's up, son?
‐ That re‐up's under the seat.
635
00:27:57,801 --> 00:27:59,177
‐ Yo, chill, son.
636
00:27:59,177 --> 00:28:01,513
Rebel just got knocked
by some plainclothes jakes.
637
00:28:01,513 --> 00:28:02,931
Word, son.
638
00:28:02,931 --> 00:28:04,850
‐ Damn.
639
00:28:04,850 --> 00:28:06,268
SHOTGUN:
Yo, who this?
640
00:28:06,268 --> 00:28:09,354
U‐GOD: That's that new Dre
and Snoop joint right there.
641
00:28:09,354 --> 00:28:11,523
West Coast motherfuckers
coming up with the real.
642
00:28:11,523 --> 00:28:13,400
SINGER:
♪ 187 on an undercover cop ♪
643
00:28:13,400 --> 00:28:16,945
‐ 187 on an undercover...
644
00:28:16,945 --> 00:28:20,240
yo, if I ever see
the undercover that got Rebel,
645
00:28:20,240 --> 00:28:22,492
I'll fuckin'...
646
00:28:22,492 --> 00:28:24,119
you ever heard
of the Judas Chair?
647
00:28:24,119 --> 00:28:26,246
‐ The what?
U‐GOD: The Judas Chair.
648
00:28:26,246 --> 00:28:29,416
‐ No, son, you smokin'
your own shit now?
649
00:28:29,416 --> 00:28:31,251
‐ No, nigga.
‐ [Shotgun laughs]
650
00:28:31,251 --> 00:28:33,795
‐ It was actually introduced
during the Spanish Inquisition,
651
00:28:33,795 --> 00:28:35,881
but you know
them old school motherfuckers
652
00:28:35,881 --> 00:28:37,633
made that shit famous.
653
00:28:37,633 --> 00:28:41,261
The Judas Chair,
that shit was this‐‐
654
00:28:41,261 --> 00:28:44,723
this pointy‐ass metal pyramid
on wooden legs.
655
00:28:44,723 --> 00:28:47,017
If I ever see
that undercover cop,
656
00:28:47,017 --> 00:28:49,728
I'll fuckin' make him
sit on it,
657
00:28:49,728 --> 00:28:51,355
and I'll fuckin'‐‐
658
00:28:51,355 --> 00:28:53,774
I'll fuckin' strap
both of his ankles on‐‐
659
00:28:53,774 --> 00:28:55,734
80‐pound weights that‐‐
that sit there,
660
00:28:55,734 --> 00:28:57,069
and watch that shit
split him in half.
661
00:28:57,069 --> 00:28:58,445
SHOTGUN:
Damn, U‐God.
662
00:28:58,445 --> 00:29:00,739
Yo, that's some real
horror movie shit, son.
663
00:29:00,739 --> 00:29:02,199
[chuckles]
U‐GOD: Word, son.
664
00:29:02,199 --> 00:29:04,576
Yo, speaking
of crime and punishment,
665
00:29:04,576 --> 00:29:06,161
you heard anything
about Bobby's case?
666
00:29:06,161 --> 00:29:08,288
‐ Yo, you didn't hear?
U‐GOD: Nah.
667
00:29:08,288 --> 00:29:10,791
‐ He got acquitted.
668
00:29:10,791 --> 00:29:12,626
‐ Oh, ain't that some shit.
669
00:29:12,626 --> 00:29:15,671
One of ours goes in,
another comes out.
670
00:29:15,671 --> 00:29:17,714
At least there's a balance.
671
00:29:17,714 --> 00:29:20,467
Better be making music
about that shit.
672
00:29:20,467 --> 00:29:22,177
Yo, they ain't the only ones
673
00:29:22,177 --> 00:29:23,971
with a motherfuckin'
street story to tell.
674
00:29:23,971 --> 00:29:25,305
You know what I'm sayin'?
675
00:29:25,305 --> 00:29:27,849
‐ You know, I played Bobby
your tape before he left.
676
00:29:27,849 --> 00:29:29,518
He was feeling that shit, son.
677
00:29:29,518 --> 00:29:31,853
‐ Word?
‐ Word.
678
00:29:31,853 --> 00:29:33,772
You know, with him, it's like,
679
00:29:33,772 --> 00:29:36,441
voices is a symphony
or some shit.
680
00:29:36,441 --> 00:29:38,402
He like,
"That's‐‐that's the guy I need.
681
00:29:38,402 --> 00:29:40,404
I need that bass."
[chuckles]
682
00:29:40,404 --> 00:29:41,571
I'm like,
"Yo, son, you sounding
683
00:29:41,571 --> 00:29:43,448
like a fiend right now."
‐ [U‐God chuckles]
684
00:29:43,448 --> 00:29:45,993
Yo, you stupid, son.
685
00:29:45,993 --> 00:29:47,869
I do got that other kind
of bass, though,
686
00:29:47,869 --> 00:29:49,246
if you want it.
687
00:29:49,246 --> 00:29:50,831
[both laugh]
688
00:29:50,831 --> 00:29:52,499
‐ No doubt.
689
00:30:04,803 --> 00:30:07,806
[indistinct conversation]
690
00:30:45,719 --> 00:30:47,012
BUS DRIVER:
You coming?
691
00:30:48,972 --> 00:30:50,140
‐ Nah, I'll catch the next one.
692
00:30:50,140 --> 00:30:51,183
‐ Okay.
693
00:31:02,152 --> 00:31:03,278
SINGER:
♪ Down with the head banger ♪
694
00:31:03,278 --> 00:31:04,321
SINGERS:
♪ The head banger, what? ♪
695
00:31:04,321 --> 00:31:05,572
♪ The head banger, what? ♪
696
00:31:05,572 --> 00:31:06,740
♪ The head banger,
what? ♪
697
00:31:06,740 --> 00:31:07,991
♪ The head banger, what? ♪
698
00:31:07,991 --> 00:31:09,201
♪ The head banger,
what? ♪
699
00:31:09,201 --> 00:31:11,620
♪ The head banger,
the head banger ♪
700
00:31:11,620 --> 00:31:12,913
SINGER: ♪ Now it's time
to break it down ♪
701
00:31:12,913 --> 00:31:14,706
♪ Surprise, you wonder
where I've been ♪
702
00:31:14,706 --> 00:31:16,625
♪ I've been workin',
but sounds makin' danger ♪
703
00:31:16,625 --> 00:31:17,918
♪ And black birds chirpin' ♪
704
00:31:17,918 --> 00:31:20,045
♪ A real Damien,
omen possessed by the devil ♪
705
00:31:20,045 --> 00:31:21,588
♪ You dig the rhythm ♪
706
00:31:21,588 --> 00:31:23,048
♪ And I'll play the ♪
SINGERS: ♪ Runnin' rebel ♪
707
00:31:23,048 --> 00:31:24,049
SINGER:
♪ Changed my style... ♪
708
00:31:24,049 --> 00:31:25,258
[knock at door]
709
00:31:25,258 --> 00:31:27,636
SHA: Yo, peace,
I don't mean to interrupt,
710
00:31:27,636 --> 00:31:30,764
but yo,
that shit right there crazy.
711
00:31:30,764 --> 00:31:31,765
That's on the new joint?
712
00:31:31,765 --> 00:31:33,475
‐ Yeah, man, thanks.
713
00:31:33,475 --> 00:31:35,435
‐ All right, well,
I'm recording right next door
714
00:31:35,435 --> 00:31:37,771
if you ever wanna hear
some of my shit.
715
00:31:39,189 --> 00:31:41,900
‐ Yo, are you Sha?
716
00:31:41,900 --> 00:31:43,568
SHA:
Yeah.
717
00:31:43,568 --> 00:31:44,778
How you know my name?
718
00:31:44,778 --> 00:31:46,905
‐ Clifton played me your stuff.
719
00:31:46,905 --> 00:31:48,865
You got a grimy flow.
720
00:31:48,865 --> 00:31:50,659
‐ Yeah, a'ight.
721
00:31:50,659 --> 00:31:52,536
Yeah, thank you. Thank you.
722
00:31:52,536 --> 00:31:54,371
My boy Prince Ra‐‐
my boy Bobby,
723
00:31:54,371 --> 00:31:55,622
he made that beat.
724
00:31:55,622 --> 00:31:56,998
‐ Yeah, he pulled that
from Cymande, right?
725
00:31:56,998 --> 00:31:58,750
‐ I don't know
where he pulled that from,
726
00:31:58,750 --> 00:32:01,169
but I know he be going deep in
the crates, know what I mean?
727
00:32:01,169 --> 00:32:02,754
‐ Keep doin' what you doin',
man.
728
00:32:02,754 --> 00:32:04,631
New York, you know,
we need more peoples
729
00:32:04,631 --> 00:32:05,715
rhyming about
what we're living.
730
00:32:05,715 --> 00:32:06,716
SHA:
I'm sayin'!
731
00:32:06,716 --> 00:32:08,009
Y'all some of the only ones
732
00:32:08,009 --> 00:32:10,554
holding it down while Dre
and Cube and everybody,
733
00:32:10,554 --> 00:32:12,055
they gotta keep bustin' it out.
734
00:32:12,055 --> 00:32:14,474
‐ Yo, I'm busy with
this Hit Squad stuff right now,
735
00:32:14,474 --> 00:32:15,809
but when I'm done,
736
00:32:15,809 --> 00:32:18,145
we should
put something together.
737
00:32:18,145 --> 00:32:19,437
‐ Hell yeah!
738
00:32:20,814 --> 00:32:22,566
Erick Sermon, all right.
ERICK: Mm‐hmm.
739
00:32:22,566 --> 00:32:26,444
‐ Did he tell you
I played your music for him?
740
00:32:26,444 --> 00:32:29,030
SHA: Yeah.
Peace.
741
00:32:29,030 --> 00:32:31,575
Hey, yo, listen.
742
00:32:31,575 --> 00:32:33,618
Hey, yo, I got that money
for you, a'ight?
743
00:32:33,618 --> 00:32:35,996
‐ Why don't you
hold on to that for now?
744
00:32:35,996 --> 00:32:39,124
I played your music
for a cousin of mine too.
745
00:32:39,124 --> 00:32:42,794
He produced some stuff
for Leaders of the New School.
746
00:32:42,794 --> 00:32:44,171
‐ Oh, word?
‐ Yeah.
747
00:32:44,171 --> 00:32:46,506
He liked your style.
748
00:32:46,506 --> 00:32:48,842
He want to record with you.
749
00:32:48,842 --> 00:32:52,387
You work with him,
you keep your money.
750
00:32:52,387 --> 00:32:53,763
‐ Yo, you for real?
751
00:32:53,763 --> 00:32:56,057
‐ Can you shoot through
when he comes in?
752
00:32:56,057 --> 00:32:58,393
‐ Definitely.
I'll be here.
753
00:32:58,393 --> 00:33:00,604
‐ [chuckles]
754
00:33:00,604 --> 00:33:01,730
‐ [whispering]
What?
755
00:33:01,730 --> 00:33:04,774
[upbeat hip‐hop music]
756
00:33:04,774 --> 00:33:11,489
♪ ♪
757
00:33:35,513 --> 00:33:37,724
‐ What, you working out
some trigonometry over there?
758
00:33:38,892 --> 00:33:40,185
BOBBY:
What's up?
759
00:33:40,185 --> 00:33:42,270
‐ I said, what are you trying
to figure out?
760
00:33:42,270 --> 00:33:43,396
BOBBY:
[sighs]
761
00:33:43,396 --> 00:33:45,315
I'm trying to figure out
what comes next.
762
00:33:45,315 --> 00:33:46,858
‐ Are you finished working
on that stack of beats
763
00:33:46,858 --> 00:33:48,693
for you and your friends?
764
00:33:48,693 --> 00:33:50,612
‐ My brothers.
765
00:33:50,612 --> 00:33:52,989
‐ Finish beats
for your brothers.
766
00:33:52,989 --> 00:33:54,699
Right, like you said.
[chuckles]
767
00:33:54,699 --> 00:33:56,076
BOBBY:
But it ain't enough.
768
00:33:56,076 --> 00:33:58,620
[sighs]
You gotta come in...
769
00:33:58,620 --> 00:34:01,289
sword swinging, guns blazing.
770
00:34:01,289 --> 00:34:02,874
You know what I'm saying?
771
00:34:05,168 --> 00:34:06,586
Gotta be a master of the game.
772
00:34:06,586 --> 00:34:08,380
‐ You know, baby,
I ain't never heard
773
00:34:08,380 --> 00:34:11,174
any beats like the ones
you got over there, so.
774
00:34:11,174 --> 00:34:12,884
BOBBY: Yeah, I got taken
by the industry once before,
775
00:34:12,884 --> 00:34:14,594
and it wasn't my music.
776
00:34:14,594 --> 00:34:17,514
It definitely has nothing
to do with my skill.
777
00:34:17,514 --> 00:34:19,057
‐ Okay then.
778
00:34:23,812 --> 00:34:25,063
BOBBY:
Yo, where you going?
779
00:34:25,063 --> 00:34:26,147
MECCA: What, you think
I wanna sit around
780
00:34:26,147 --> 00:34:28,775
and watch you work
on your skills?
781
00:34:28,775 --> 00:34:30,610
BOBBY:
Hey, hey, hold on a minute.
782
00:34:33,446 --> 00:34:34,614
I can take a break.
783
00:34:39,661 --> 00:34:42,539
‐ Oh, you mean
that kinda break?
784
00:34:42,539 --> 00:34:43,540
BOBBY:
Yeah.
785
00:34:43,540 --> 00:34:44,541
[both laugh]
786
00:34:45,959 --> 00:34:48,920
[The Charmels'
"As Long As I've Got You"]
787
00:34:48,920 --> 00:34:51,923
[sultry R&B music]
788
00:34:51,923 --> 00:34:53,842
♪ ♪
789
00:34:53,842 --> 00:34:56,261
‐ ♪ A young buck
sellin' drugs and such ♪
790
00:34:56,261 --> 00:34:58,096
♪ Who never had much ♪
791
00:34:58,096 --> 00:35:02,267
♪ Tryin' to get a clutch
at what I could not touch ♪
792
00:35:02,267 --> 00:35:06,187
♪ The court played me short,
now I face incarceration ♪
793
00:35:07,564 --> 00:35:09,024
Pacin'...
794
00:35:17,949 --> 00:35:20,619
[indistinct chatter]
795
00:35:29,085 --> 00:35:31,630
♪ A young buck
sellin' drugs and such ♪
796
00:35:31,630 --> 00:35:33,048
♪ Who never had much ♪
797
00:35:33,048 --> 00:35:35,634
♪ Tryin' to get a clutch
at what I could not touch ♪
798
00:35:35,634 --> 00:35:39,304
♪ The court played me short,
now I face incarceration ♪
799
00:35:39,304 --> 00:35:43,350
♪ Pacin', goin' upstate's
my destination ♪
800
00:35:43,350 --> 00:35:44,559
GREG:
It was a standard renovation
801
00:35:44,559 --> 00:35:46,394
that turned
into a complete demolition,
802
00:35:46,394 --> 00:35:48,772
which means now
I need a few more guys ASAP.
803
00:35:48,772 --> 00:35:50,565
‐ Well, look, I'm happy to do
anything you need.
804
00:35:50,565 --> 00:35:52,067
I worked all kinds of jobs
in my life,
805
00:35:52,067 --> 00:35:53,777
starting back
to when I used to sell papers
806
00:35:53,777 --> 00:35:54,944
with my best friend.
807
00:35:54,944 --> 00:35:56,363
And then, you know,
I was a‐‐a janitor
808
00:35:56,363 --> 00:35:57,781
down in, uh, Wall Street, so.
809
00:35:57,781 --> 00:35:59,783
‐ Look. Look.
‐ I can do anything.
810
00:35:59,783 --> 00:36:01,951
‐ I wanna hire you,
but with this job,
811
00:36:01,951 --> 00:36:03,620
I don't have time
to train people.
812
00:36:03,620 --> 00:36:06,831
If Fufu says you're good,
believe me, I know you're good.
813
00:36:06,831 --> 00:36:08,166
But that isn't
the situation here.
814
00:36:08,166 --> 00:36:09,876
‐ Well, try me out
on the first week.
815
00:36:09,876 --> 00:36:11,044
You don't even gotta pay me.
816
00:36:11,044 --> 00:36:13,213
I'm a fast learner
and a hard worker.
817
00:36:13,213 --> 00:36:15,507
I can do a trial run.
818
00:36:15,507 --> 00:36:17,717
No pay.
819
00:36:17,717 --> 00:36:19,594
‐ Okay.
‐ Okay?
820
00:36:19,594 --> 00:36:21,429
‐ You start tomorrow. 8:00 a. m.
821
00:36:21,429 --> 00:36:23,640
‐ Well, thank you.
I‐‐I‐‐thank‐‐thank you.
822
00:36:23,640 --> 00:36:25,016
I really appreciate this, sir.
823
00:36:25,016 --> 00:36:26,559
You know, it's‐‐
‐ Call me Greg.
824
00:36:26,559 --> 00:36:27,894
And I'm paying you.
825
00:36:27,894 --> 00:36:30,939
[Raekwon's "State of Grace"]
826
00:36:30,939 --> 00:36:33,900
[upbeat hip‐hop music]
827
00:36:33,900 --> 00:36:35,110
♪ ♪
828
00:36:35,110 --> 00:36:36,945
ISRAELITE:
The scripture can't be broken.
829
00:36:36,945 --> 00:36:38,988
It means what it says.
830
00:36:38,988 --> 00:36:41,408
Romans 9:16.
831
00:36:41,408 --> 00:36:43,827
"So then it is not of him
that willeth,
832
00:36:43,827 --> 00:36:45,453
"nor of him that runneth,
833
00:36:45,453 --> 00:36:48,081
but of God that showeth mercy."
834
00:36:48,081 --> 00:36:49,624
ISRAELITE:
So then the question is,
835
00:36:49,624 --> 00:36:51,876
who does God have mercy for?
836
00:36:51,876 --> 00:36:54,254
‐ The Black man himself is God,
837
00:36:54,254 --> 00:36:55,922
and in knowing that,
has no fear
838
00:36:55,922 --> 00:36:57,841
about who shows him mercy.
839
00:36:57,841 --> 00:36:59,175
'Cause the Nation of Islam
840
00:36:59,175 --> 00:37:00,885
embodies righteousness
and wisdom.
841
00:37:00,885 --> 00:37:04,055
‐ How can the Nation of Islam
embody righteousness and wisdom
842
00:37:04,055 --> 00:37:05,473
when you don't know
where you're from?
843
00:37:05,473 --> 00:37:06,558
‐ Handle that situation?
844
00:37:06,558 --> 00:37:09,436
ISRAELITE:
Isaiah 34:16.
845
00:37:09,436 --> 00:37:11,020
Seek ye the book of the Lord...
‐ Yeah.
846
00:37:11,020 --> 00:37:12,897
‐ So you good?
847
00:37:12,897 --> 00:37:14,107
‐ I'm good.
848
00:37:14,107 --> 00:37:15,483
ISRAELITE:
You don't even believe in God.
849
00:37:15,483 --> 00:37:16,901
PERSON: Wah!
850
00:37:16,901 --> 00:37:19,362
GARY: The devil continues
to speak of this mystery God.
851
00:37:19,362 --> 00:37:21,322
Why?
852
00:37:21,322 --> 00:37:24,534
To fool the 85% who allow
themselves to be fooled.
853
00:37:24,534 --> 00:37:27,662
‐ Romans 1:22.
‐ Let's go.
854
00:37:27,662 --> 00:37:30,582
ONE‐MAN ARMY: I am known
as the One‐Man Army.
855
00:37:30,582 --> 00:37:32,459
Though I am but one man,
856
00:37:32,459 --> 00:37:36,171
I fight
with the power of many souls.
857
00:37:37,589 --> 00:37:40,592
[tense music]
858
00:37:40,592 --> 00:37:42,635
EX:
Are you serious?
859
00:37:42,635 --> 00:37:44,137
You back again?
860
00:37:50,977 --> 00:37:52,145
DENNIS: Hey, yo.
‐ Yo.
861
00:37:52,145 --> 00:37:53,354
‐ Trying to twist one?
862
00:37:53,354 --> 00:37:55,940
BOBBY: Oh, nah,
it's all good, brother.
863
00:37:55,940 --> 00:37:57,776
I'm on that natural high.
864
00:38:04,407 --> 00:38:05,408
Hey, yo.
865
00:38:05,408 --> 00:38:06,910
‐ Hey, yo.
866
00:38:06,910 --> 00:38:09,454
‐ You know who these two are?
DENNIS: Nah.
867
00:38:09,454 --> 00:38:12,373
BOBBY: That's Jim Stewart
and Estelle Axton.
868
00:38:12,373 --> 00:38:14,501
They created Stax Records.
869
00:38:14,501 --> 00:38:17,879
She took out a mortgage
of 2,500 out on her home
870
00:38:17,879 --> 00:38:20,381
and invested that
into their own record label.
871
00:38:20,381 --> 00:38:23,384
Yo, four years later,
everybody across America
872
00:38:23,384 --> 00:38:24,469
was dancing
in their living rooms
873
00:38:24,469 --> 00:38:25,637
to Otis Redding, yo.
874
00:38:28,765 --> 00:38:30,558
Yo, look, it says right here...
875
00:38:32,811 --> 00:38:36,981
"Success in the music industry
is in the business of it."
876
00:38:38,650 --> 00:38:41,236
Yo, the business of it, yo.
877
00:38:41,236 --> 00:38:43,112
‐ But yo, if you‐‐if you
read all them books already,
878
00:38:43,112 --> 00:38:44,447
why you bring them shits home?
879
00:38:44,447 --> 00:38:46,533
‐ I gotta
write this shit down, yo.
880
00:38:46,533 --> 00:38:48,034
We can do all this shit
ourselves.
881
00:38:48,034 --> 00:38:51,162
‐ Yeah, well,
Wise got that heat.
882
00:38:51,162 --> 00:38:54,332
I'm sure we could shake down
way more than just 2,500.
883
00:38:55,750 --> 00:38:58,002
‐ You gotta can that shit now,
man.
884
00:38:58,002 --> 00:39:00,463
‐ You think I don't
know that shit, son?
885
00:39:03,967 --> 00:39:07,846
‐ Hey, you remember us, uh,
making our first track?
886
00:39:07,846 --> 00:39:09,556
‐ The "Dipsy Doodles"
cheese doodles song?
887
00:39:09,556 --> 00:39:10,849
BOBBY:
[laughs]
888
00:39:10,849 --> 00:39:13,810
Had to use that
old‐ass equipment and shit.
889
00:39:13,810 --> 00:39:15,937
Had to plug the headphones
into the mic jack.
890
00:39:15,937 --> 00:39:17,897
‐ [Dennis laughs]
‐ You remember that?
891
00:39:17,897 --> 00:39:20,024
‐ Hey, yo,
the quality was trash,
892
00:39:20,024 --> 00:39:22,944
but still, niggas was fucking
with it at school.
893
00:39:22,944 --> 00:39:24,153
‐ You bagged Tanya
off of that shit.
894
00:39:24,153 --> 00:39:27,782
‐ Yo, Shurrie don't know
about no Tanya.
895
00:39:27,782 --> 00:39:31,911
No, but Ason and Gary?
896
00:39:31,911 --> 00:39:33,413
Yeah, they really
hyped that track up
897
00:39:33,413 --> 00:39:34,706
to Tanya, though.
898
00:39:34,706 --> 00:39:36,916
‐ Hey, yo, if we gonna make it,
899
00:39:36,916 --> 00:39:40,169
that's what we gotta be on,
you know what I'm saying?
900
00:39:40,169 --> 00:39:42,088
Gotta be on the same path.
901
00:39:42,088 --> 00:39:43,756
It's just like that movie.
902
00:39:45,592 --> 00:39:47,135
The brotherhood.
903
00:39:47,135 --> 00:39:49,637
‐ Yeah, we dropped out
of school that year, remember?
904
00:39:49,637 --> 00:39:52,181
Just spent all day
at your crib,
905
00:39:52,181 --> 00:39:55,268
watching flicks, making demos.
906
00:39:55,268 --> 00:39:57,395
Yo, you was always‐‐
907
00:39:57,395 --> 00:39:59,689
you was always determined
to finish them songs,
908
00:39:59,689 --> 00:40:01,232
son, every time.
909
00:40:01,232 --> 00:40:03,985
‐ I've been having that same
surge of determination lately.
910
00:40:03,985 --> 00:40:07,071
Just fuckin' the feeling, like,
911
00:40:07,071 --> 00:40:08,823
I gotta be on my path.
912
00:40:12,577 --> 00:40:13,995
Yo, that's why, uh...
913
00:40:16,664 --> 00:40:18,166
I'm gonna head back
to New York.
914
00:40:18,166 --> 00:40:20,084
[soft piano music]
915
00:40:20,084 --> 00:40:21,294
You're welcome to come with.
916
00:40:22,837 --> 00:40:25,381
You know, you could‐‐
you could stay here.
917
00:40:25,381 --> 00:40:26,799
It's up to you.
918
00:40:33,264 --> 00:40:36,601
‐ Guess we goin'
our separate ways, then, son.
919
00:40:36,601 --> 00:40:38,269
I gotta take care of my family,
920
00:40:38,269 --> 00:40:41,272
and I don't know
if music is gonna do that.
921
00:40:44,567 --> 00:40:45,902
BOBBY:
Yo, let me, uh,
922
00:40:45,902 --> 00:40:47,695
let me play you
some shit real fast, a'ight?
923
00:40:47,695 --> 00:40:50,323
I been working on this shit
all day.
924
00:40:50,323 --> 00:40:51,991
Can't really figure out
what to do with the drums,
925
00:40:51,991 --> 00:40:54,994
but, uh, maybe you can
help me out.
926
00:41:03,002 --> 00:41:05,964
SINGER: Bastards must be
runnin' outta niggas to arrest.
927
00:41:05,964 --> 00:41:08,967
[soft R&B music playing]
928
00:41:08,967 --> 00:41:15,974
♪ ♪
929
00:41:24,732 --> 00:41:27,819
[both laugh]
930
00:41:27,819 --> 00:41:29,904
‐ Nah, that don't need
no drums.
931
00:41:29,904 --> 00:41:31,823
That shit beautiful, fam.
932
00:41:31,823 --> 00:41:34,701
Remind me of our childhood.
933
00:41:34,701 --> 00:41:37,453
Yo, your beats been getting
razor‐sharp, son.
934
00:41:37,453 --> 00:41:38,830
For real.
935
00:41:40,957 --> 00:41:42,917
‐ I'm not leaving you, D.
936
00:41:42,917 --> 00:41:46,713
But, yo, I am gonna
leave you with this beat.
937
00:41:46,713 --> 00:41:48,589
And you can decide
what you wanna do with it.
938
00:41:50,383 --> 00:41:51,592
[tape deck clicks,
music stops]
939
00:42:01,019 --> 00:42:02,895
TESIA:
So when are you gonna show me?
940
00:42:02,895 --> 00:42:04,355
ASON: I'll show you
right now, baby girl.
941
00:42:04,355 --> 00:42:05,815
TESIA:
Well, come on, then.
942
00:42:05,815 --> 00:42:09,277
‐ ♪ My hip‐hop drops
on your head like rain ♪
943
00:42:09,277 --> 00:42:10,945
♪ And when it rains, it pours ♪
944
00:42:10,945 --> 00:42:12,530
♪ 'Cause my rhymes hardcore ♪
945
00:42:12,530 --> 00:42:14,782
♪ That's why I give you more
of the raw ♪
946
00:42:14,782 --> 00:42:17,368
♪ Talent that I got
when I rock the spot ♪
947
00:42:17,368 --> 00:42:19,746
♪ MCs, I be burnin',
burnin' hot ♪
948
00:42:19,746 --> 00:42:20,997
♪ Whoa‐oh‐oh ♪
949
00:42:20,997 --> 00:42:22,832
♪ Let me, like, slow up
with the flow ♪
950
00:42:22,832 --> 00:42:26,419
♪ If I move too quick, oh,
you just don't know ♪
951
00:42:27,837 --> 00:42:29,047
You're not feelin' me?
952
00:42:29,047 --> 00:42:30,548
‐ Daniel's father
is behind you.
953
00:42:30,548 --> 00:42:32,550
Don't look.
ASON: Your ex?
954
00:42:32,550 --> 00:42:34,093
Girl, don't worry about that.
That's done.
955
00:42:34,093 --> 00:42:35,720
‐ Ason, he's got his army
with him.
956
00:42:35,720 --> 00:42:36,888
ASON:
Relax.
957
00:42:36,888 --> 00:42:38,473
I got the power of many swords.
958
00:42:38,473 --> 00:42:39,557
‐ [whispering]
And he's got his shotgun.
959
00:42:39,557 --> 00:42:41,267
‐ Say what?
TESIA: His shotgun.
960
00:42:41,267 --> 00:42:42,435
‐ [whispering]
Is he close?
961
00:42:42,435 --> 00:42:44,520
TESIA:
He's getting closer.
962
00:42:44,520 --> 00:42:45,855
What are you doing?
Run!
963
00:42:45,855 --> 00:42:47,899
‐ Just chill, all right.
‐ I'll still fuck with you.
964
00:42:47,899 --> 00:42:49,358
Don't be stupid.
965
00:42:49,358 --> 00:42:51,277
‐ Wassup?
966
00:42:51,277 --> 00:42:53,404
[upbeat hip‐hop music]
967
00:42:53,404 --> 00:42:56,115
[indistinct chatter]
968
00:42:56,115 --> 00:42:57,700
[distorted shouting]
969
00:42:57,700 --> 00:43:00,578
♪ ♪
970
00:43:00,578 --> 00:43:03,706
‐ I'm the one‐man army, Ason!
971
00:43:03,706 --> 00:43:04,707
Ha.
972
00:43:06,959 --> 00:43:09,212
Yo, what you say
about fucking me?
973
00:43:09,212 --> 00:43:11,047
MS. WARD:
Oh, my goodness.
974
00:43:11,047 --> 00:43:13,424
[laughs]
975
00:43:13,424 --> 00:43:15,134
SHA:
What you laughing at, Ma?
976
00:43:15,134 --> 00:43:17,136
‐ See this movie
you can rent now?
977
00:43:17,136 --> 00:43:18,262
You see that boy's hair?
978
00:43:18,262 --> 00:43:19,680
SHA:
"House Party 2"?
979
00:43:19,680 --> 00:43:21,724
‐ You know it?
980
00:43:21,724 --> 00:43:24,519
SHA: Those two boys,
they're rappers.
981
00:43:24,519 --> 00:43:26,938
They're a little different
from me, though.
982
00:43:26,938 --> 00:43:28,898
MS. WARD: They putting rappers
in movies now?
983
00:43:28,898 --> 00:43:30,191
Hmm.
984
00:43:30,191 --> 00:43:32,235
Maybe that can be you one day.
985
00:43:32,235 --> 00:43:35,238
‐ [chuckles]
Maybe.
986
00:43:35,238 --> 00:43:38,199
I'm actually getting ready
to meet this producer.
987
00:43:39,450 --> 00:43:41,577
This could be our break.
988
00:43:41,577 --> 00:43:43,329
‐ I'm proud of you, son.
989
00:43:45,581 --> 00:43:47,208
‐ I'll see you later, Ma.
990
00:43:49,043 --> 00:43:50,419
PLAYER:
Whoo!
991
00:43:50,419 --> 00:43:52,088
[indistinct chatter]
992
00:43:52,088 --> 00:43:54,340
Let's go, let's go, let's go.
Let's go, pick that shit up.
993
00:43:54,340 --> 00:43:57,009
Let's get it.
Fuck, whoo!
994
00:43:57,009 --> 00:43:58,469
SHA:
Where's Rebel at?
995
00:43:58,469 --> 00:44:00,763
‐ He got knocked, son.
996
00:44:00,763 --> 00:44:02,890
‐ Word? Damn.
997
00:44:02,890 --> 00:44:04,559
[indistinct chatter]
998
00:44:04,559 --> 00:44:06,936
‐ Say that shit again, nigga.
Say that shit again.
999
00:44:06,936 --> 00:44:08,563
PLAYER: What? No!
DADA: Say that shit again.
1000
00:44:08,563 --> 00:44:09,647
[mocking] "What?"
PLAYER: No!
1001
00:44:09,647 --> 00:44:11,399
SHOTGUN: Yo! Motherfuckin'‐‐
1002
00:44:11,399 --> 00:44:12,400
[Sha groans]
1003
00:44:12,400 --> 00:44:13,693
‐ Where you get it, son?
1004
00:44:13,693 --> 00:44:15,611
‐ My fucking leg.
Yo, what, the fuck?
1005
00:44:15,611 --> 00:44:17,196
[groaning]
1006
00:44:17,196 --> 00:44:18,698
‐ Yo, I think the bullet
went straight through, son.
1007
00:44:18,698 --> 00:44:19,949
DADA: My bad, my bad,
man, my bad.
1008
00:44:19,949 --> 00:44:21,075
SHA: You fuckin' shot me, man!
What the fuck?
1009
00:44:21,075 --> 00:44:22,201
‐ What the fuck
is wrong with you?
1010
00:44:22,201 --> 00:44:23,202
‐ I just be getting
mad competitive!
1011
00:44:23,202 --> 00:44:24,203
You know how it be.
1012
00:44:24,203 --> 00:44:25,538
You know I don't
mean that shit.
1013
00:44:25,538 --> 00:44:26,747
‐ Yo, put that shit away, man!
1014
00:44:26,747 --> 00:44:28,374
What the fuck
is wrong with you, man?
1015
00:44:28,374 --> 00:44:29,667
Fu‐‐I don't wanna hear
all that shit!
1016
00:44:29,667 --> 00:44:30,710
SHOTGUN:
Get the fuck outta here!
1017
00:44:30,710 --> 00:44:32,336
Get the fuck outta here!
DADA: I told you,
1018
00:44:32,336 --> 00:44:33,504
I didn't mean
to shoot the nigga!
1019
00:44:33,504 --> 00:44:35,047
SHOTGUN:
Fuck.
1020
00:44:35,047 --> 00:44:38,134
You all right, son?
‐ You be a'ight, bro.
1021
00:44:38,134 --> 00:44:39,760
My bad.
1022
00:44:43,014 --> 00:44:45,474
MECCA:
Is she your new girlfriend?
1023
00:44:45,474 --> 00:44:47,560
BOBBY:
Not my girlfriend.
1024
00:44:47,560 --> 00:44:49,312
My babies.
1025
00:44:49,312 --> 00:44:51,772
A case of beats
with each one labeled
1026
00:44:51,772 --> 00:44:54,317
for each one of my brothers.
1027
00:44:54,317 --> 00:44:55,735
The Wu‐Tang Clan.
1028
00:44:58,905 --> 00:45:01,032
‐ Can I join the Wu‐Tang Clan?
1029
00:45:05,494 --> 00:45:08,039
‐ Come here, baby.
1030
00:45:11,459 --> 00:45:13,669
There.
1031
00:45:13,669 --> 00:45:15,838
‐ I'ma come visit you
in New York.
1032
00:45:17,423 --> 00:45:18,966
BOBBY:
Yeah, I know you will.
1033
00:45:20,885 --> 00:45:23,346
‐ And you better be ready
and waiting.
1034
00:45:24,764 --> 00:45:26,307
BOBBY:
You know I will.
1035
00:45:39,445 --> 00:45:41,113
‐ All right.
1036
00:45:41,113 --> 00:45:43,574
You make sure
you lead those boys
1037
00:45:43,574 --> 00:45:45,284
instead of letting them
lead you
1038
00:45:45,284 --> 00:45:47,370
right back to where you were.
1039
00:45:47,370 --> 00:45:49,163
‐ I know, Mommy.
1040
00:45:49,163 --> 00:45:50,665
I needed those lessons
of the past
1041
00:45:50,665 --> 00:45:53,417
so I don't make
the same mistakes now.
1042
00:45:53,417 --> 00:45:55,169
But I see
everything clearly now.
1043
00:45:57,046 --> 00:45:59,423
I know I made you
a lot of promises,
1044
00:45:59,423 --> 00:46:01,842
but this one,
1045
00:46:01,842 --> 00:46:03,094
I'ma keep.
1046
00:46:04,929 --> 00:46:07,515
‐ Well, then, I guess
there's no stopping you.
1047
00:46:07,515 --> 00:46:09,684
[both chuckle]
‐ No.
1048
00:46:09,684 --> 00:46:10,935
You gonna be okay?
1049
00:46:10,935 --> 00:46:12,687
‐ I always am.
1050
00:46:12,687 --> 00:46:13,938
‐ That's right.
1051
00:46:21,654 --> 00:46:23,322
Thank you.
1052
00:46:23,322 --> 00:46:25,032
‐ You be safe.
1053
00:46:25,032 --> 00:46:27,118
You take care of yourself, son.
1054
00:46:28,202 --> 00:46:29,954
‐ I will.
1055
00:46:29,954 --> 00:46:31,580
Oh, I left you, uh,
1056
00:46:31,580 --> 00:46:33,416
some movies in the living room.
1057
00:46:33,416 --> 00:46:35,293
‐ [chuckles]
Oh, well.
1058
00:46:35,293 --> 00:46:38,337
Hope they not as bloody
as the Pole Fighter.
1059
00:46:38,337 --> 00:46:41,132
‐ No promises.
‐ [Linda chuckles]
1060
00:46:41,132 --> 00:46:42,383
I love you.
1061
00:46:42,383 --> 00:46:43,718
BOBBY:
I love you too.
1062
00:46:43,718 --> 00:46:46,721
[sentimental music]
1063
00:46:46,721 --> 00:46:53,728
♪ ♪
1064
00:47:04,905 --> 00:47:07,116
[hip‐hop music]
1065
00:47:07,116 --> 00:47:08,951
SINGER: ♪ It's good to see
the Wu‐Tang family ♪
1066
00:47:08,951 --> 00:47:10,411
♪ Under one roof,
we celebrate ♪
1067
00:47:10,411 --> 00:47:12,330
♪ Toastin' shots,
Ciroc 40 proof ♪
1068
00:47:12,330 --> 00:47:13,998
♪ Burgers on the grill
and fried fish ♪
1069
00:47:13,998 --> 00:47:16,834
♪ The Wiz made potato salad,
greens for a side dish ♪
1070
00:47:16,834 --> 00:47:18,127
♪ Cold water, mill
and reminisce ♪
1071
00:47:18,127 --> 00:47:19,587
♪ With cousins and sisters ♪
1072
00:47:19,587 --> 00:47:22,214
♪ Children on the grass
playin' ball and Twister ♪
1073
00:47:22,214 --> 00:47:24,759
♪ Fresh lemonade is made,
we playin' spades ♪
1074
00:47:24,759 --> 00:47:27,219
♪ My nephews turn the livin'
room into an arcade ♪
1075
00:47:27,219 --> 00:47:28,471
♪ Aunt's cherry baked pie ♪
1076
00:47:28,471 --> 00:47:29,805
♪ Surprise, Johnny showed up ♪
1077
00:47:29,805 --> 00:47:31,223
♪ You can tell from the smell
in the air ♪
1078
00:47:31,223 --> 00:47:32,433
♪ Somethin' rolled up ♪
1079
00:47:32,433 --> 00:47:33,434
♪ It's love, peace and
happiness ♪
1080
00:47:33,434 --> 00:47:34,769
♪ with the joy and laughter ♪
1081
00:47:34,769 --> 00:47:36,979
♪ Camera phones flashes,
the moment is captured ♪
1082
00:47:36,979 --> 00:47:38,064
SINGER: ♪ I miss
my grandmother ♪
1083
00:47:38,064 --> 00:47:39,857
♪ My auntie
Unique Ason ♪
1084
00:47:39,857 --> 00:47:42,318
♪ I knew Dirt was high
when he had that face on ♪
1085
00:47:42,318 --> 00:47:44,904
♪ Fangs hangin' out his mouth,
his fronts was golden ♪
1086
00:47:44,904 --> 00:47:47,198
♪ Wildin', record execs
can't control him ♪
1087
00:47:47,198 --> 00:47:49,200
♪ He said ish like
me and Mariah ♪
1088
00:47:49,200 --> 00:47:52,453
♪ Hit me, woah‐woah‐woah,
that's fire ♪
1089
00:47:52,453 --> 00:47:54,497
♪ Still no matter what we gon'
rep the name ♪
1090
00:47:54,497 --> 00:47:57,375
♪ Look at your family, we got
twenty years in the game ♪
1091
00:47:57,375 --> 00:47:59,585
SINGER: ♪ A family reunion ♪
1092
00:47:59,585 --> 00:48:04,340
♪ Gonna have a family reunion ♪
1093
00:48:04,340 --> 00:48:06,342
♪ Ooh, ooh ♪
1094
00:48:06,342 --> 00:48:10,012
♪ Family reunion ♪
1095
00:48:10,012 --> 00:48:14,809
♪ It's so nice
to come together ♪
1096
00:48:14,809 --> 00:48:17,853
♪ To get together ♪
1097
00:48:17,853 --> 00:48:20,773
[rap fading out]
1098
00:48:23,776 --> 00:48:25,277
PERSON: Get on the line.
78156
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